WEBVTT - #90: Pop Song Thesaurus

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<v Speaker 1>People do some weird shit.

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<v Speaker 2>Television legend Carrie Anne Kenney fell several meters from a

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<v Speaker 2>trapeze while performing in the musical Pivot.

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<v Speaker 1>She did sell the things that make more sense than

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<v Speaker 1>others bring Pikes, nurseries, mercury, pikes, p y k e

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<v Speaker 1>s Hey, why I Hey, as in kill hey, why okay?

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<v Speaker 3>Bless yourself for the rude shocks of young adultsthood.

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<v Speaker 4>Why is your life so expensive?

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<v Speaker 1>I'm not even having a good chimes just by a

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<v Speaker 1>couple of mitches. What about me?

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<v Speaker 4>Don't forget.

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<v Speaker 1>Now he is Mitch uli and or nineteen ninety.

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<v Speaker 4>Here we go, Hello Mitchell to ninety nearly there for

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<v Speaker 4>one hundred.

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<v Speaker 1>I know I can feel it coming. It's learning over us.

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<v Speaker 5>I didn't want to make too much of a big

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<v Speaker 5>deal for episode nine because I think we should have

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<v Speaker 5>something special for the hundreds.

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<v Speaker 1>You know, oh when we will, don't you.

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<v Speaker 5>I do have a bit of a fun nineties music

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<v Speaker 5>themed game coming up, though, we do.

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<v Speaker 4>I'm pretty excited for that. It's going to be very groovy.

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<v Speaker 1>This is new to me. I'm very excited for it too. You,

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<v Speaker 1>on the other hand, Mitchell, goodness me, it mustn't have

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<v Speaker 1>been excited to come in this morning.

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<v Speaker 5>Yeah, I'm a bit hungover. Puffed Off reopened in Sydney

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<v Speaker 5>and it was magical. I had to be there, even

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<v Speaker 5>though I knew I had a podcast to record the

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<v Speaker 5>next day.

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<v Speaker 1>Mitchell entered the building today with his sonnies On. It

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<v Speaker 1>looked like Meryl Streep at the met gala. You poor thing.

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<v Speaker 1>You look good though, you just are a bit slow.

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<v Speaker 4>Thank you.

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<v Speaker 5>Yeah, Pride Keeper Jenny, she's here as usual. You're going

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<v Speaker 5>to do a lot of the talking today, Darling.

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<v Speaker 1>Okay, and you're looking very sprightly though. You're looking very refreshed.

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<v Speaker 1>Thank you so much, and go out. Last night, No

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<v Speaker 1>I did, did you know? Because I was at home

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<v Speaker 1>because our plumbing exploded in the brand new house.

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<v Speaker 5>Oh the ship house. I told you not to move in.

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<v Speaker 5>I did tell you last week. Don't go there. It

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<v Speaker 5>sounds awful.

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<v Speaker 1>Haven't eaten corn in twelve years yet there's a piece

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<v Speaker 1>of corn in the hallway. That's all I will say

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<v Speaker 1>on that. It's honestly a very shitty situation. I don't

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<v Speaker 1>want to talk.

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<v Speaker 4>Can I tell you one thing I am excited about though?

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<v Speaker 1>Yeah?

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<v Speaker 5>Oh my housemate came home the other day, and it'd

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<v Speaker 5>been listening to your radio show in.

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<v Speaker 4>The car, my watering night show.

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<v Speaker 5>Yeah, and he goes, Oh, I heard Mitchell say something

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<v Speaker 5>on KIDSFM that I thought you'd get a kick out of.

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<v Speaker 5>So I got Jennet to track down the audio. I

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<v Speaker 5>gave her the time code. Did you listen to the

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<v Speaker 5>audio yet? No?

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<v Speaker 6>I didn't.

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<v Speaker 4>Oh, this is fabulous.

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<v Speaker 5>It's very much like remember that time you told Louve

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<v Speaker 5>that you were in and out of LA to try

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<v Speaker 5>and stand impressive.

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<v Speaker 4>This is another in and out of LA level of lies.

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<v Speaker 1>Oh, I can't listen to myself.

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<v Speaker 5>You had a guest on and you told the most

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<v Speaker 5>unbelievable of lies.

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<v Speaker 4>Even in and out of LA is more believable than

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<v Speaker 4>this ringing.

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<v Speaker 5>So the audio is over there. Let's take a listen

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<v Speaker 5>to what Mitch said on ERE the other night.

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<v Speaker 1>All right, here we go. So the last release would

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<v Speaker 1>have been throw away my number, Okay, yeah, I remember that,

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<v Speaker 1>and then before that it was one in a million

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<v Speaker 1>and take Oh, take Cover. I still listen to take Cover.

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<v Speaker 1>It's in my gym palast so I don't get to

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<v Speaker 1>listen to it a lot. Then lockdown happened. We couldn't

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<v Speaker 1>go to the gym, so I stopped listen. It's not

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<v Speaker 1>only the playlist, but I went back to the gym

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<v Speaker 1>for the first time and it was in there, and

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<v Speaker 1>I'm like, oh, this song is slaps.

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<v Speaker 5>Yeah, your gym playlist, huh, it doesn't exist. And it

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<v Speaker 5>just kept snowballing the light A. You don't have a

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<v Speaker 5>gym playlist. And when you were like, I finally went

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<v Speaker 5>back to the gym.

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<v Speaker 4>After lockdown, rubbish? When did you go back to the gym?

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<v Speaker 1>I don't even have a membership.

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<v Speaker 4>The last time you went to the gym, I just.

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<v Speaker 1>Moved away from the Anytime Fitness twelve months ago.

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<v Speaker 4>Who was this clown that you were lying to?

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<v Speaker 1>Jordi Island But he didn't believe it either. Listening back

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<v Speaker 1>to that, he was like, yeah, yeah, he just.

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<v Speaker 4>Looked at you up and down and went and sure

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<v Speaker 4>be it just looked.

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<v Speaker 1>At both man boobs and went, okay, let's move on.

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<v Speaker 5>Yeah, I love your song within my gym playlist. Oh

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<v Speaker 5>see what I mean? Even in and out of la

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<v Speaker 5>is more believable than that is.

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<v Speaker 1>I talked to so many people you just have to

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<v Speaker 1>schmooz them, you know.

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<v Speaker 5>Sometimes when you interview guests. After guess, you run out

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<v Speaker 5>of truth to tell. You just have to start bullshitting

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<v Speaker 5>your way through.

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<v Speaker 1>Make shit up. No, because his song is upbeat. So

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<v Speaker 1>if I did have a gym playlist, it would be

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<v Speaker 1>in it song.

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<v Speaker 4>I'll be the judge.

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<v Speaker 5>I'll see if it's good for a gym playlist. I've

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<v Speaker 5>got a new pete now I need something to put me.

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<v Speaker 1>Oh yeah you do. So this is Jordi Island, local

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<v Speaker 1>Aussie boy throw away my numbers.

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<v Speaker 4>Nah, let me skip hold on. Yeah, it's just a female.

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<v Speaker 1>Now that's one of his friends. I think. Ah, here's

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<v Speaker 1>the djail ready on the treadmill, water bottle in hand,

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<v Speaker 1>sweattowel on Michelle, do you know up the incline?

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<v Speaker 4>Yeah, it's good.

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<v Speaker 5>It's more of a skipping in a meadow kind of

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<v Speaker 5>song than jin song.

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<v Speaker 4>To me, I'd skip in a meadow to that.

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<v Speaker 1>My heart rates up twenty four to seven. So I've

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<v Speaker 1>listen to that. Whenever. We love you Jordy Island on

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<v Speaker 1>the show. You're welcome anytime anyway. If it as your

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<v Speaker 1>first time listening, welcome to Is it just me? We

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<v Speaker 1>do a show every week and we start the show

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<v Speaker 1>with an I gym. Each Mitch brings one, I bring

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<v Speaker 1>one in something we've noticed, something we hate or appreciate.

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<v Speaker 1>That the core of the show.

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<v Speaker 4>We don't tell each other what our is. It just

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<v Speaker 4>me it's going to be No.

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<v Speaker 1>Mitch doesn't know mine. I don't know mitches Jenner, just

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<v Speaker 1>as we know what time it is. No, So we

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<v Speaker 1>all go in blind. Do you want to? I think

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<v Speaker 1>we do this every week, But have I gone first

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<v Speaker 1>every couple?

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<v Speaker 4>I don't know. I can go first if you want.

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<v Speaker 4>You can never think of Darling.

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<v Speaker 1>Okay, you go in first of the show formicide nine day.

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<v Speaker 1>It's gonna be a big lad. Is it just me?

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<v Speaker 4>Do you never forget to drink water?

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<v Speaker 1>Do you never forget?

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<v Speaker 4>I just feel like that's.

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<v Speaker 5>Such a thing where people are like, oh, it's my

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<v Speaker 5>goal to start drinking more water in a day, like

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<v Speaker 5>New Year's resolution or even just like a new health goal.

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<v Speaker 4>To drink more water.

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<v Speaker 5>And I'm like, I've never had to remind myself to

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<v Speaker 5>do that. Yeah, I'm always drinking water.

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<v Speaker 1>Really, you're always drinking yeah.

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<v Speaker 5>And the reason I bring this up is because I

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<v Speaker 5>went to office works the other day. I wanted to

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<v Speaker 5>buy myself and you to do list, okay, just because

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<v Speaker 5>I love that thrill of being able to cross some

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<v Speaker 5>shit off when I've actually done a task.

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<v Speaker 1>You don't use your phone. You like to write it down.

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<v Speaker 5>I've got the phone calendar, but for day to day stuff,

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<v Speaker 5>I just put it on a to do list that

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<v Speaker 5>I write down.

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<v Speaker 4>And there are no plane to do lists that Office Works.

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<v Speaker 5>I just wanted one with to do written up the

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<v Speaker 5>top and a bunch of line for list. Yeah, but no,

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<v Speaker 5>they're all fucking wanky.

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<v Speaker 1>Now.

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<v Speaker 5>They've got things like there's a bunch of faces you

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<v Speaker 5>circle which mood you have today, and then there's like

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<v Speaker 5>oh my goals today at breakfast, lunch, dinner, And I'm like,

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<v Speaker 5>I just want some lines to put me to do list.

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<v Speaker 5>And every single one of them, every single to do

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<v Speaker 5>list I found it, Office Works had down the bottom

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<v Speaker 5>you tick how many glasses of water You've had to

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<v Speaker 5>remind yourself And I'm like.

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<v Speaker 4>I never needed reminding. I just drink water because it's

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<v Speaker 4>a necessity.

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<v Speaker 1>Yeah, where did the new fad for water? I remember

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<v Speaker 1>my mum called them the other day and I went, oh,

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<v Speaker 1>this great app it's called water, and I go would

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<v Speaker 1>app to remind you drink water and it gives you

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<v Speaker 1>a notification. He goes have another glass.

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<v Speaker 6>Michelle, who drinks glasses of water? Like, wouldn't most people prink?

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<v Speaker 1>I haven't had a glass of water. I have glasses

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<v Speaker 1>of water at restaurants, but you never do it at home.

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<v Speaker 1>I drink out of a bottle.

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<v Speaker 5>Now, if I'm at home, I'll I'll do the glass.

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<v Speaker 5>But if I'm out in about, I take the water bottle.

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<v Speaker 5>But yeah, when I'm at home, I've always got there's

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<v Speaker 5>always ice in there, you know. I love an ice

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<v Speaker 5>cool beverage. As soon as it runs out, I top

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<v Speaker 5>it up again. I'm pissing non stop, mind you. But

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<v Speaker 5>I don't need reminding. I'm just I don't know, it's weird.

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<v Speaker 5>I'd just like to always be sipping on something. And

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<v Speaker 5>if it's not wine, it's got to be water.

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<v Speaker 1>Yeah, And let me tell you, I don't need an

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<v Speaker 1>app or a to do list. If my piss is

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<v Speaker 1>as yellow as the sun, I.

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<v Speaker 4>Need some water.

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<v Speaker 1>And that is science.

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<v Speaker 5>And you're remind us exactly. You feel like a real

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<v Speaker 5>winner when your piss is clear.

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<v Speaker 1>Right, Oh my god, I want I don't want it

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<v Speaker 1>to end a mesmerize. I could drink this.

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<v Speaker 5>Have you ever thought that if I were bear grills

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<v Speaker 5>and a push came to show, I'd drink.

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<v Speaker 4>This to survive.

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<v Speaker 1>If someone offer me ten bucks, I'd do it ten Yeah.

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<v Speaker 4>What about those apps that remind you to stand up? Oh?

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<v Speaker 1>My Apple Watch does it all the time.

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<v Speaker 4>What is I supposed to achieve?

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<v Speaker 1>I don't know, but.

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<v Speaker 6>Circular stand up goal? You have to stand up twelve times?

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<v Speaker 1>You know what's your stand up goal currently? Because mine

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<v Speaker 1>is twelve hours of standing. I'm fairly up for twelve hours.

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<v Speaker 6>I fairly awake hours, and so far I've achieved five.

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<v Speaker 1>I've achieved six hours.

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<v Speaker 4>Up you get let's get you it?

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<v Speaker 1>Come on?

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<v Speaker 4>Wait? Does it actually measure how long you're standing for?

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<v Speaker 1>And then it goes?

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<v Speaker 4>Can you take the mic with you so I can

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<v Speaker 4>hear you?

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<v Speaker 1>So then it goes, But boom, good work. Really you

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<v Speaker 1>stood up? Yeah?

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<v Speaker 5>Like just standing up for a second doesn't count. It

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<v Speaker 5>actually times how long you're up for.

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<v Speaker 4>Yeah, that's fun.

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<v Speaker 1>You know what else it does? And I really like this,

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<v Speaker 1>It says Mitchell. It registers when your heart rate is

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<v Speaker 1>really high, which is twenty four seven for me. So

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<v Speaker 1>I have to turn that feature off, because Mitchell, now

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<v Speaker 1>is a good time to take a moment for mindfulness

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<v Speaker 1>and doing it right now. Mindfulness, you reflect for one minute. Yeah, no,

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<v Speaker 1>I'm not going to say begin no fuck it. N

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<v Speaker 1>did you get your notebook in the end.

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<v Speaker 4>No.

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<v Speaker 5>All of the to do lists had the water counting

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<v Speaker 5>thing on it, and I'm like, what a dreadful waste

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<v Speaker 5>of paper.

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<v Speaker 4>I'm not going to write there.

0:08:45.679 --> 0:08:47.120
<v Speaker 1>You've got to go to Smingle and get a smelly

0:08:47.200 --> 0:08:48.920
<v Speaker 1>rubber while you're there. They've got good to do lists.

0:08:49.080 --> 0:08:49.959
<v Speaker 4>Sniggles still exist.

0:08:50.280 --> 0:08:52.520
<v Speaker 1>Oh yeah, every time I enter my logal Westfields, I

0:08:52.559 --> 0:08:53.319
<v Speaker 1>can smell it.

0:08:54.080 --> 0:08:56.320
<v Speaker 5>I remember I always wanted to Smingle Ship in school,

0:08:56.320 --> 0:08:58.760
<v Speaker 5>but it was like a bit indulgent to pay that

0:08:58.880 --> 0:09:01.720
<v Speaker 5>much for a stupid fucking elastic pencil. All the kids

0:09:01.760 --> 0:09:03.160
<v Speaker 5>have those ones that were really long.

0:09:03.600 --> 0:09:06.400
<v Speaker 1>Oh I got the rubber pencils and the lead didn't

0:09:06.640 --> 0:09:08.480
<v Speaker 1>It didn't so hard to write with.

0:09:08.600 --> 0:09:11.240
<v Speaker 6>Oh my god, use it, no, use it.

0:09:11.480 --> 0:09:13.599
<v Speaker 1>Bendy rulers were a great invention because you could just

0:09:13.640 --> 0:09:14.520
<v Speaker 1>sort of roll it up and put it.

0:09:14.480 --> 0:09:16.040
<v Speaker 4>In your backpack and smack people with.

0:09:16.400 --> 0:09:18.720
<v Speaker 1>Oh that was the best. Still have one hay and

0:09:18.720 --> 0:09:22.320
<v Speaker 1>I've got on the top of yeah, very andy. And

0:09:22.360 --> 0:09:24.240
<v Speaker 1>the pencils, you're so right, were so ship. But those

0:09:24.320 --> 0:09:26.760
<v Speaker 1>rubbers that smell of the little pigs, they smell a

0:09:26.840 --> 0:09:29.480
<v Speaker 1>vanilla yea, I love them them.

0:09:29.600 --> 0:09:32.360
<v Speaker 6>And also the pencil cases they had like twenty zips.

0:09:32.520 --> 0:09:35.360
<v Speaker 5>Oh yeah, what the undit the whole pencil case and

0:09:35.440 --> 0:09:38.040
<v Speaker 5>basically use it as a noose if you wanted to, Like,

0:09:38.080 --> 0:09:42.680
<v Speaker 5>it's ridiculous, like I'm threaded, Like, how impractical. I don't

0:09:42.679 --> 0:09:44.559
<v Speaker 5>know why people thought that was cool.

0:09:44.679 --> 0:09:47.080
<v Speaker 1>Why do we go through that? Pa so cool? It

0:09:47.160 --> 0:09:48.720
<v Speaker 1>was so impractical? Good point.

0:09:49.320 --> 0:09:52.000
<v Speaker 4>Fux migl, fux migel. Why do you want forty zippers

0:09:52.040 --> 0:09:53.080
<v Speaker 4>on your pencil case?

0:09:53.160 --> 0:09:55.400
<v Speaker 1>I reckon, They've just got a kitchen knife now with

0:09:55.440 --> 0:10:00.600
<v Speaker 1>a penholder in it. Pencil case? Kids, all right?

0:10:00.640 --> 0:10:01.800
<v Speaker 4>What do you go with your Is it is me

0:10:01.880 --> 0:10:02.839
<v Speaker 4>for the week to Darland.

0:10:02.760 --> 0:10:09.120
<v Speaker 1>And here we go? Is it just me? Do we

0:10:09.320 --> 0:10:11.880
<v Speaker 1>not need to be reminded that a call will be

0:10:11.920 --> 0:10:16.000
<v Speaker 1>recorded for quality and training purposes anymore? That is so true.

0:10:16.200 --> 0:10:18.560
<v Speaker 4>I just know it will be well. I think you

0:10:18.600 --> 0:10:19.600
<v Speaker 4>have to actually get consent.

0:10:19.640 --> 0:10:21.680
<v Speaker 5>It's a lot like when we use callers on the

0:10:21.720 --> 0:10:24.280
<v Speaker 5>podcast they're on radio, for example, you have to have

0:10:24.360 --> 0:10:26.120
<v Speaker 5>consent for it to go to air, so it's actually

0:10:26.160 --> 0:10:27.800
<v Speaker 5>illegal to record people without their permission.

0:10:27.800 --> 0:10:28.960
<v Speaker 4>So to have to let you know, I know, but

0:10:29.000 --> 0:10:30.240
<v Speaker 4>it's twenty twenty one.

0:10:31.160 --> 0:10:33.080
<v Speaker 1>Just I If I'm going to call opt Us to

0:10:33.120 --> 0:10:36.840
<v Speaker 1>complain about my NBN or my corn soaked floorboards, I

0:10:36.920 --> 0:10:39.520
<v Speaker 1>need don't. I need to get there as quickly as possible.

0:10:39.679 --> 0:10:43.320
<v Speaker 1>I don't need a thirty second waiver on why just

0:10:43.360 --> 0:10:46.240
<v Speaker 1>go This call will be recorded done one second. But

0:10:46.280 --> 0:10:47.680
<v Speaker 1>for quality training.

0:10:48.320 --> 0:10:50.880
<v Speaker 6>Why I want to be in a training room at

0:10:50.880 --> 0:10:53.480
<v Speaker 6>one point where my call is being plated.

0:10:53.640 --> 0:10:54.920
<v Speaker 1>That's what I'm thinking.

0:10:55.040 --> 0:10:57.520
<v Speaker 5>There's been several times when I've had to call I

0:10:57.559 --> 0:10:59.520
<v Speaker 5>don't know, the internet provider or something, and I've been

0:10:59.520 --> 0:11:01.800
<v Speaker 5>fucked up off and I've got unprepared to go full

0:11:01.880 --> 0:11:03.920
<v Speaker 5>Karen on them, And I think, if they're recording this

0:11:03.960 --> 0:11:06.040
<v Speaker 5>for quality and training purposes, I'll give them a fucking

0:11:06.120 --> 0:11:08.000
<v Speaker 5>lesson to learn, Like they'll play this to all the

0:11:08.040 --> 0:11:10.760
<v Speaker 5>new recruits. Here's how to handle a difficult caller. So

0:11:11.000 --> 0:11:13.520
<v Speaker 5>I really give them hell. I can picture yours just

0:11:13.280 --> 0:11:15.800
<v Speaker 5>for just for educational purposes, of course.

0:11:15.640 --> 0:11:18.079
<v Speaker 1>Yes, of course I reckon the Daily Telegraph that day

0:11:18.120 --> 0:11:19.840
<v Speaker 1>you canceled your subscription service.

0:11:20.000 --> 0:11:22.320
<v Speaker 4>They'll be and canceled it. Keep tipping me out of

0:11:22.320 --> 0:11:23.120
<v Speaker 4>her You tried.

0:11:22.880 --> 0:11:24.560
<v Speaker 1>To, you couldn't even do it. But they'll be using

0:11:24.559 --> 0:11:27.040
<v Speaker 1>that audio and they'll go here's an example of a

0:11:27.120 --> 0:11:29.720
<v Speaker 1>furious middle aged woman. Man.

0:11:30.200 --> 0:11:32.440
<v Speaker 5>Most of the calls that are recorded for quality and

0:11:32.480 --> 0:11:35.200
<v Speaker 5>fucking training purposes with me is it's me saying I'm

0:11:35.200 --> 0:11:35.680
<v Speaker 5>not ma'am.

0:11:36.559 --> 0:11:39.840
<v Speaker 4>I'm very sorry, ma'am. No, no, no, I'm a man Mitchell, Sorry, ma'am.

0:11:40.920 --> 0:11:41.959
<v Speaker 4>It happens all the time.

0:11:42.520 --> 0:11:48.840
<v Speaker 1>I get. Okay, nowhere is Michelle Jury, I said, mister Mitchell,

0:11:48.960 --> 0:11:50.640
<v Speaker 1>she wouldn't she discoverer in silence?

0:11:50.720 --> 0:11:54.240
<v Speaker 6>I really like the online chat features.

0:11:53.840 --> 0:11:57.040
<v Speaker 1>Same. Oh they are they recorded for quality and training

0:11:57.320 --> 0:11:58.679
<v Speaker 1>probably they print them out.

0:11:58.800 --> 0:12:01.120
<v Speaker 5>Well, they email you a script afterwards, and I'm like,

0:12:01.120 --> 0:12:02.840
<v Speaker 5>I'm not going to look back on this, like at

0:12:02.880 --> 0:12:05.960
<v Speaker 5>some precious memory when I was talking to fucking good

0:12:06.000 --> 0:12:07.559
<v Speaker 5>guys in a chat box.

0:12:07.360 --> 0:12:10.360
<v Speaker 1>Like I don't need that you're missing fridge? What did

0:12:10.400 --> 0:12:13.200
<v Speaker 1>I say to Gumpa at three oh four? Oh oh,

0:12:13.280 --> 0:12:17.280
<v Speaker 1>when's the fridge coming? Great? To know? Is it just me?

0:12:19.920 --> 0:12:24.520
<v Speaker 1>Stop acting like bitches and follow a couple of mitches.

0:12:25.240 --> 0:12:27.559
<v Speaker 5>Now listen up, I have a question for you, dear listener,

0:12:27.800 --> 0:12:31.520
<v Speaker 5>what is the worst date you've ever been on? Because

0:12:31.640 --> 0:12:34.000
<v Speaker 5>coming soon to this podcast, we're going to be doing

0:12:34.600 --> 0:12:37.120
<v Speaker 5>Tinder fizzes and fairy tales. So you might be like

0:12:37.160 --> 0:12:39.800
<v Speaker 5>Mitchell and be a success story. You've found your loved one,

0:12:39.840 --> 0:12:42.520
<v Speaker 5>it's a fairy tale on Tinder, or we've all had

0:12:42.559 --> 0:12:45.240
<v Speaker 5>bad dates. You know, doesn't matter what app you're using,

0:12:45.559 --> 0:12:47.320
<v Speaker 5>dates can be shipped. And so we want to hear

0:12:47.679 --> 0:12:50.280
<v Speaker 5>your biggest date fail and also your date success stories

0:12:50.320 --> 0:12:52.960
<v Speaker 5>on the show. And we'll be giving away Tinder Gold

0:12:53.000 --> 0:12:54.920
<v Speaker 5>memberships to all the singles out there that might want

0:12:54.960 --> 0:12:56.600
<v Speaker 5>a bit of luck, and you'll get to chat to us.

0:12:57.080 --> 0:12:58.760
<v Speaker 5>Oh yeah, obviously that's the biggest perk.

0:12:58.960 --> 0:13:00.000
<v Speaker 4>That's a prize in itself.

0:13:00.160 --> 0:13:02.520
<v Speaker 1>Yep, hit us up on the sourci they can dms,

0:13:02.600 --> 0:13:02.920
<v Speaker 1>right Mitch.

0:13:03.040 --> 0:13:05.679
<v Speaker 5>Yeah, you've actually been on both ends of the spectrums, right, Yeah,

0:13:05.720 --> 0:13:06.040
<v Speaker 5>I've been.

0:13:06.160 --> 0:13:07.280
<v Speaker 1>Yes, if you've been.

0:13:07.200 --> 0:13:10.000
<v Speaker 5>A Tinder success story with Hayden, you're loving gay boyfriend. Yes,

0:13:10.480 --> 0:13:12.679
<v Speaker 5>you've also had the fizz remember all right, hey, within

0:13:12.720 --> 0:13:13.200
<v Speaker 5>here a couple of.

0:13:13.160 --> 0:13:15.320
<v Speaker 4>Weeks ago, Oh yeah, talking about how you go sit

0:13:15.440 --> 0:13:18.000
<v Speaker 4>him on Tinder? Yes, you've been both and.

0:13:17.960 --> 0:13:20.280
<v Speaker 1>The bionical man. Remember the man with a full metal

0:13:20.320 --> 0:13:22.880
<v Speaker 1>spine on the balcony and he was called that right. Yeah,

0:13:22.960 --> 0:13:26.439
<v Speaker 1>I've had a couple some female based dates. Anyway, it's

0:13:26.440 --> 0:13:27.920
<v Speaker 1>not about me, it's about you. If you've had a

0:13:27.960 --> 0:13:30.720
<v Speaker 1>fairy tale date on Tinder or a fizzer, hit us

0:13:30.760 --> 0:13:32.200
<v Speaker 1>up a couple of mitches on Instagram, We'll get you

0:13:32.200 --> 0:13:32.560
<v Speaker 1>on the show.

0:13:32.720 --> 0:13:33.040
<v Speaker 4>Yeah.

0:13:33.080 --> 0:13:34.920
<v Speaker 1>It's also where you can hit us up to get

0:13:34.960 --> 0:13:36.400
<v Speaker 1>on for and is it just you? So Mitch and

0:13:36.440 --> 0:13:38.200
<v Speaker 1>I bringing is it just me? Every week, but we

0:13:38.280 --> 0:13:40.680
<v Speaker 1>have handed over the reins to you. Yep.

0:13:40.720 --> 0:13:43.120
<v Speaker 5>Every week on the show will be letting you have

0:13:43.240 --> 0:13:45.280
<v Speaker 5>your say. Something's on your mind and you're going about

0:13:45.280 --> 0:13:46.320
<v Speaker 5>your day you think is it just me?

0:13:46.760 --> 0:13:49.600
<v Speaker 1>We want to hear it something you've noticed, something you hate,

0:13:49.679 --> 0:13:54.839
<v Speaker 1>or something you appreciate. And this is from Renton. Here

0:13:54.840 --> 0:13:59.119
<v Speaker 1>we go. Renton's on loving the podcast.

0:13:59.240 --> 0:13:59.640
<v Speaker 4>Thanks all.

0:14:00.280 --> 0:14:01.120
<v Speaker 5>Anyway, here's my.

0:14:02.960 --> 0:14:03.640
<v Speaker 1>Is it just me?

0:14:04.280 --> 0:14:08.880
<v Speaker 3>Or two straight guys spread more custard than girls and gays?

0:14:09.640 --> 0:14:11.839
<v Speaker 4>Interesting, wouldn't know. I don't really speak to them.

0:14:13.040 --> 0:14:15.640
<v Speaker 5>No, I'd be interested to know why he thinks that.

0:14:15.720 --> 0:14:17.360
<v Speaker 5>I really feel like we should do these either just

0:14:17.480 --> 0:14:19.480
<v Speaker 5>use as a call. Sometimes I want them to elaborate.

0:14:19.520 --> 0:14:20.840
<v Speaker 5>I can't get more out of Bloody Rent.

0:14:20.920 --> 0:14:22.680
<v Speaker 1>We didn't get much out of Rent in there, but

0:14:22.800 --> 0:14:25.920
<v Speaker 1>I tend to agree. Like growing up in a shier school,

0:14:26.160 --> 0:14:28.640
<v Speaker 1>the straight boys, and I was technically the straight boys,

0:14:28.680 --> 0:14:31.520
<v Speaker 1>so I was very in the group. I was undercover,

0:14:32.120 --> 0:14:35.440
<v Speaker 1>and they gossip. They love to picture about the girls too.

0:14:35.920 --> 0:14:38.960
<v Speaker 5>Oh god, I can just imagine the kind of horrible

0:14:38.960 --> 0:14:41.520
<v Speaker 5>discussions that go on when it's a straight guy to

0:14:41.560 --> 0:14:43.600
<v Speaker 5>straight guy, like you know, bro code.

0:14:43.280 --> 0:14:46.200
<v Speaker 1>Locker room talk with it. You're the biggest gossip I know?

0:14:46.320 --> 0:14:49.520
<v Speaker 1>Is my father really my dad? Oh my god. My

0:14:49.600 --> 0:14:51.120
<v Speaker 1>mom told me when I was very young, she said,

0:14:51.120 --> 0:14:53.920
<v Speaker 1>if you don't want something getting out, don't tell your father.

0:14:55.360 --> 0:14:58.840
<v Speaker 1>He's the biggest gossip, wants to know everything everything. Even

0:14:58.840 --> 0:15:01.960
<v Speaker 1>asked me about you and disgusting Sidewalk. What's the other

0:15:01.960 --> 0:15:02.360
<v Speaker 1>show you do?

0:15:02.480 --> 0:15:06.120
<v Speaker 4>Oh my new podcast trash ash Only I got confused.

0:15:06.160 --> 0:15:06.760
<v Speaker 4>He asked about that.

0:15:06.840 --> 0:15:10.080
<v Speaker 1>He asked about that, He goes, I'm made, Mitch's doing that, Mitchie?

0:15:10.120 --> 0:15:12.040
<v Speaker 1>What does he call? You get anything? Who he's doing?

0:15:12.080 --> 0:15:14.920
<v Speaker 1>Another podcast? Do you have me yours over? Who's the

0:15:15.000 --> 0:15:15.440
<v Speaker 1>other boat?

0:15:15.800 --> 0:15:17.080
<v Speaker 4>Like you can know that one at a time, you

0:15:17.160 --> 0:15:18.240
<v Speaker 4>can any one podcast.

0:15:18.840 --> 0:15:22.560
<v Speaker 1>Not really no my vibe. Yeah, No, Dad loves a gossip.

0:15:22.320 --> 0:15:24.480
<v Speaker 4>Loves he said, it's not his fine, No, the other guy.

0:15:24.520 --> 0:15:25.800
<v Speaker 1>He was just trying to make me feel better. But

0:15:25.840 --> 0:15:27.840
<v Speaker 1>I'm like Dad, I'm booked and blessed. Baby, I'm fair

0:15:27.960 --> 0:15:30.400
<v Speaker 1>enough worried about Mitch's other podcasts. It's already been canceled.

0:15:30.560 --> 0:15:32.920
<v Speaker 5>It's actually incredible how many people have asked you, how

0:15:32.920 --> 0:15:35.560
<v Speaker 5>do you feel about Mitchell Komb's doing his second podcast? God,

0:15:35.640 --> 0:15:37.280
<v Speaker 5>no one ever asks me how do you feel about

0:15:37.280 --> 0:15:38.480
<v Speaker 5>Mitch Cherry working for Channel nine?

0:15:38.520 --> 0:15:39.440
<v Speaker 4>Like I don't give a fuck.

0:15:39.520 --> 0:15:42.720
<v Speaker 5>Like we we're not exclusive to each other in this podcast.

0:15:42.960 --> 0:15:45.280
<v Speaker 1>People see us as, you know, a duo.

0:15:45.840 --> 0:15:48.400
<v Speaker 4>Yeah, well that's their fucking error, isn't it. Amen not

0:15:48.520 --> 0:15:49.240
<v Speaker 4>married or anything.

0:15:49.320 --> 0:15:51.200
<v Speaker 5>No, but I found my dad has been a bit

0:15:51.240 --> 0:15:54.120
<v Speaker 5>of a gossiper in recent years. Like nothing really malicious,

0:15:54.280 --> 0:15:56.400
<v Speaker 5>but when we were growing up, he would always say,

0:15:56.440 --> 0:15:59.240
<v Speaker 5>if you've got nothing nice to say, don't say anything

0:15:59.240 --> 0:15:59.480
<v Speaker 5>at all.

0:15:59.480 --> 0:16:01.040
<v Speaker 4>And he really still that in me. So I'm not

0:16:01.120 --> 0:16:01.880
<v Speaker 4>really a gossip.

0:16:02.360 --> 0:16:06.600
<v Speaker 5>But as he's getting older, I'm like, you're a Bitch's

0:16:06.840 --> 0:16:09.000
<v Speaker 5>a lot of things that's.

0:16:08.880 --> 0:16:10.080
<v Speaker 4>With me about people, and I'm like, oh my god,

0:16:10.080 --> 0:16:10.600
<v Speaker 4>it's so mean.

0:16:10.720 --> 0:16:14.520
<v Speaker 1>Ian's a bitch. I can be farm gossip like Linda

0:16:14.560 --> 0:16:15.880
<v Speaker 1>took the tractor and hasn't returned it.

0:16:16.560 --> 0:16:19.840
<v Speaker 5>The barley harvest this year. Have you seen the Judson's

0:16:19.880 --> 0:16:23.000
<v Speaker 5>next door? Their crops are bed? He does a bitch

0:16:23.040 --> 0:16:24.160
<v Speaker 5>about the farms.

0:16:27.480 --> 0:16:31.720
<v Speaker 1>Trent next door. The depressions worse than ever. Dad, No,

0:16:32.360 --> 0:16:35.120
<v Speaker 1>that's not true. We love Ian. You know, is your

0:16:35.240 --> 0:16:36.240
<v Speaker 1>straight parents.

0:16:35.960 --> 0:16:38.400
<v Speaker 6>Actually thinking about it? My dad is a gossiper. The

0:16:38.520 --> 0:16:41.240
<v Speaker 6>real thing is he spreads fake gossip.

0:16:41.720 --> 0:16:43.400
<v Speaker 1>Why because he doesn't have any real gossipl report.

0:16:43.440 --> 0:16:45.880
<v Speaker 6>Well, he tells us things that he's heard from neighbors,

0:16:45.920 --> 0:16:48.160
<v Speaker 6>and then we approach the neighbor and they've never heard

0:16:48.160 --> 0:16:48.960
<v Speaker 6>that thing before.

0:16:49.120 --> 0:16:51.520
<v Speaker 1>Oh yeah, yeah, it keeps life interesting.

0:16:51.720 --> 0:16:54.240
<v Speaker 4>My mum said to me the other day, she goes, oh,

0:16:54.280 --> 0:16:55.400
<v Speaker 4>have you heard Mark's news?

0:16:55.440 --> 0:16:55.800
<v Speaker 1>My brother?

0:16:56.800 --> 0:16:58.640
<v Speaker 4>She goes, have you heard Mark's news? And I was like, nah,

0:16:58.680 --> 0:17:00.920
<v Speaker 4>what is it? And she goes, oh wait.

0:17:01.400 --> 0:17:04.640
<v Speaker 5>I said I wouldn't tell anyone, and I was like, well,

0:17:04.680 --> 0:17:07.680
<v Speaker 5>you're here now. Jane you're here now, so you're gonna

0:17:07.680 --> 0:17:09.760
<v Speaker 5>have to tell me. She goes, no, no, no, I promised him,

0:17:10.480 --> 0:17:12.120
<v Speaker 5>you have to promise me, July, if I tell you, you

0:17:12.119 --> 0:17:14.520
<v Speaker 5>won't tell anyone. And I said, well, clearly promises me

0:17:14.560 --> 0:17:16.160
<v Speaker 5>and fuck all to you, Jane, so I'm not making

0:17:16.160 --> 0:17:16.680
<v Speaker 5>such promise.

0:17:16.680 --> 0:17:17.440
<v Speaker 4>Spit it out, Dylan.

0:17:17.800 --> 0:17:20.960
<v Speaker 5>She goes, oh, he's got a girlfriend. But I was like, Jesus,

0:17:21.320 --> 0:17:23.560
<v Speaker 5>remind me not to trust Jane with the secret. Yeah,

0:17:23.720 --> 0:17:25.680
<v Speaker 5>cause the other sibling and blabs.

0:17:25.320 --> 0:17:27.879
<v Speaker 1>Yeah, oh my mom does that toomum's love to gossip.

0:17:28.080 --> 0:17:29.520
<v Speaker 5>I thought it was going to be way more exciting.

0:17:29.520 --> 0:17:31.200
<v Speaker 5>I thought she was going to say Mark's gay as well.

0:17:33.680 --> 0:17:36.600
<v Speaker 1>He's packing walls with tiles and boys with his dick.

0:17:36.800 --> 0:17:39.720
<v Speaker 4>Oh my god, crowd's.

0:17:39.280 --> 0:17:40.680
<v Speaker 1>Not the only thing is filling up?

0:17:43.119 --> 0:17:43.359
<v Speaker 6>All right?

0:17:43.400 --> 0:17:47.040
<v Speaker 5>Should we get into our special nineties music themed game

0:17:47.080 --> 0:17:48.000
<v Speaker 5>that I've got prepared for it?

0:17:48.080 --> 0:17:51.840
<v Speaker 1>Yes, I think so.

0:17:51.840 --> 0:17:54.639
<v Speaker 4>So it's our ninetieth episode of Is It Just Me?

0:17:54.720 --> 0:17:55.359
<v Speaker 4>The podcast?

0:17:55.440 --> 0:17:57.880
<v Speaker 5>And I thought, okay, we've got to do something nineties themed.

0:17:58.320 --> 0:18:00.600
<v Speaker 5>So I've brought a game today that we're going to

0:18:00.680 --> 0:18:04.120
<v Speaker 5>play with you, Jenna, because we feel that you're probably

0:18:04.240 --> 0:18:06.240
<v Speaker 5>the most educated one out of us three?

0:18:06.320 --> 0:18:07.119
<v Speaker 4>Wouldn't you agree?

0:18:07.200 --> 0:18:08.880
<v Speaker 1>Oh, completely graduating?

0:18:09.000 --> 0:18:12.240
<v Speaker 5>Yes, I did h And so this game is called

0:18:12.480 --> 0:18:16.800
<v Speaker 5>pop Song for Saurus. Now, Mitchell, I didn't tell you this, Pride,

0:18:16.800 --> 0:18:18.760
<v Speaker 5>but this is actually an old game we used to

0:18:18.760 --> 0:18:23.680
<v Speaker 5>do on my old podcast, not My Cup of Tea.

0:18:24.160 --> 0:18:26.000
<v Speaker 4>I knew that you wouldn't have agreed if I told

0:18:26.080 --> 0:18:27.000
<v Speaker 4>you prior. But here we are.

0:18:27.040 --> 0:18:33.080
<v Speaker 1>We're doing compostpin thrown in me on my own show.

0:18:33.240 --> 0:18:35.240
<v Speaker 5>No, but it's perfect because what you do in pop

0:18:35.280 --> 0:18:37.679
<v Speaker 5>Song for Saurus is you take the lyrics to a

0:18:37.720 --> 0:18:40.400
<v Speaker 5>pop song and then you like look up synonyms, put

0:18:40.400 --> 0:18:42.760
<v Speaker 5>them through a thesaurus, make them sound way more fancy

0:18:42.760 --> 0:18:43.240
<v Speaker 5>than they are.

0:18:43.840 --> 0:18:46.760
<v Speaker 4>And then the challenges for Jenna, who should be able

0:18:46.760 --> 0:18:48.919
<v Speaker 4>to decipher because she's good at English, you know she's smart,

0:18:49.200 --> 0:18:51.840
<v Speaker 4>the challenges to decipher what the original lyrics were when

0:18:51.880 --> 0:18:54.640
<v Speaker 4>we make them sound really fancy. And so it's all

0:18:54.720 --> 0:18:55.880
<v Speaker 4>nineties songs that we've done.

0:18:56.000 --> 0:18:58.120
<v Speaker 1>Yes, because it's ninetieth episode making sense?

0:18:58.520 --> 0:18:59.000
<v Speaker 6>That makes sense?

0:18:59.000 --> 0:18:59.280
<v Speaker 4>Got it?

0:19:00.560 --> 0:19:03.159
<v Speaker 5>For example, this isn't part of the quiz, Jenna, but

0:19:03.240 --> 0:19:07.600
<v Speaker 5>like you know that song milkshake, Yeah, my milkshake.

0:19:07.200 --> 0:19:09.359
<v Speaker 4>Brings all the boys to the.

0:19:09.280 --> 0:19:12.040
<v Speaker 5>So that would become my whipped ice dairy drink brings

0:19:12.080 --> 0:19:14.720
<v Speaker 5>the attention of many males to my place of residency

0:19:14.760 --> 0:19:18.400
<v Speaker 5>and or employment, and they declare its quality faster pass

0:19:18.400 --> 0:19:22.360
<v Speaker 5>as yours. Absolutely, it faster passes yours. So that's that's

0:19:22.359 --> 0:19:22.760
<v Speaker 5>what we do.

0:19:23.600 --> 0:19:26.359
<v Speaker 4>Brilliant. Yeah, so that's actually great word for it.

0:19:26.400 --> 0:19:29.040
<v Speaker 5>We ranked them sound shakes and Jenna has to figure

0:19:29.040 --> 0:19:31.520
<v Speaker 5>out what the original song is incredible.

0:19:31.040 --> 0:19:32.720
<v Speaker 4>So we've got we've got a bunch of songs each

0:19:32.760 --> 0:19:33.919
<v Speaker 4>she wants to go first.

0:19:33.960 --> 0:19:36.040
<v Speaker 1>You go first, Mitchell, because this is the scraps from

0:19:36.040 --> 0:19:39.720
<v Speaker 1>your old canceled show Sad that Day got canceled.

0:19:39.960 --> 0:19:42.320
<v Speaker 5>Well, I was able to do this podcast that was cancer,

0:19:42.560 --> 0:19:46.480
<v Speaker 5>you know, silver lining Dallas. All right, so the first

0:19:46.560 --> 0:19:49.120
<v Speaker 5>lyric that you need to decide for Jenna what song

0:19:49.200 --> 0:19:53.840
<v Speaker 5>is this? By far, the most fervent profit that pertains

0:19:53.880 --> 0:19:56.520
<v Speaker 5>to being a female is the liberty to engage in

0:19:56.520 --> 0:19:59.000
<v Speaker 5>a modest volume of recreation and or indulgence.

0:20:00.880 --> 0:20:01.880
<v Speaker 6>Girls just want to happen.

0:20:02.000 --> 0:20:05.879
<v Speaker 5>No, No, it's best and.

0:20:09.359 --> 0:20:15.200
<v Speaker 4>Parget see what I'm saying.

0:20:15.200 --> 0:20:17.159
<v Speaker 5>They're the liberty to engage in a modest following of

0:20:17.200 --> 0:20:18.600
<v Speaker 5>recreation and or indulgence.

0:20:20.080 --> 0:20:20.919
<v Speaker 6>It's very smart.

0:20:21.000 --> 0:20:25.200
<v Speaker 4>Alright, zero, right so far? No, well, I'm counting it.

0:20:25.560 --> 0:20:26.560
<v Speaker 1>Okay, should I go, Mitch?

0:20:26.680 --> 0:20:27.240
<v Speaker 4>Yeah, you do yours?

0:20:27.280 --> 0:20:31.560
<v Speaker 1>Okay, here's mine. Can look me in the eyes. I'll

0:20:31.560 --> 0:20:34.199
<v Speaker 1>convey to you what I crave, What I truly truly

0:20:34.240 --> 0:20:37.840
<v Speaker 1>crave A craver, A craver, A craver, A craver, I

0:20:37.880 --> 0:20:40.359
<v Speaker 1>truly truly truly craves zig zig sigh.

0:20:42.840 --> 0:20:47.720
<v Speaker 4>That one's tricky, girl.

0:20:49.520 --> 0:20:53.880
<v Speaker 1>What a crave, what A truly truly crave, crave, truly

0:20:53.880 --> 0:20:55.560
<v Speaker 1>truly truly crave a zig zig sigh?

0:20:56.080 --> 0:20:59.040
<v Speaker 4>You really can't put zig zig through the thoris? Can you?

0:20:59.080 --> 0:20:59.600
<v Speaker 1>Now? You can?

0:21:00.240 --> 0:21:04.520
<v Speaker 5>You could have said zag instead of like zigzag?

0:21:02.880 --> 0:21:03.000
<v Speaker 1>Oh?

0:21:03.119 --> 0:21:10.919
<v Speaker 5>Yes, okay, one out of sixty correct, Mite my next one?

0:21:11.800 --> 0:21:12.960
<v Speaker 4>What are these lyrics? Genner?

0:21:13.240 --> 0:21:17.320
<v Speaker 5>Yes, I have a deep desire to perch alongside you

0:21:17.400 --> 0:21:21.159
<v Speaker 5>upon an abundant elevation. Furthermore, to soak in tandem in

0:21:21.200 --> 0:21:24.280
<v Speaker 5>a large body of water. I also see appeal in

0:21:24.400 --> 0:21:29.520
<v Speaker 5>resting unwaveringly endlessly until the airspace plummets. Upon the proverbial speaker,

0:21:32.119 --> 0:21:33.040
<v Speaker 5>what are those lyrics?

0:21:33.400 --> 0:21:35.640
<v Speaker 1>This is harder, I'm the proverbial speaker.

0:21:35.880 --> 0:21:47.320
<v Speaker 7>Yep, I really don't know it's this one.

0:21:47.880 --> 0:21:48.640
<v Speaker 1>Do your lyrics.

0:21:48.680 --> 0:21:51.560
<v Speaker 4>So the mo is so intent and in a large

0:21:51.600 --> 0:21:52.600
<v Speaker 4>body of water.

0:21:54.240 --> 0:22:01.320
<v Speaker 8>I also see you appealing, resting unwaveringly endlessly until their

0:22:01.440 --> 0:22:07.200
<v Speaker 8>things climates all the verbiel speaker, it.

0:22:07.280 --> 0:22:08.600
<v Speaker 4>Sounded so familiar.

0:22:08.760 --> 0:22:09.440
<v Speaker 1>You got it wrong.

0:22:10.280 --> 0:22:11.120
<v Speaker 6>That was very good.

0:22:11.200 --> 0:22:13.080
<v Speaker 4>What I'm picking up is that mine must be a

0:22:13.119 --> 0:22:13.760
<v Speaker 4>bit trickier.

0:22:15.480 --> 0:22:17.960
<v Speaker 1>That makes Jenner the most educated, you the second most,

0:22:17.960 --> 0:22:19.199
<v Speaker 1>and me are fucking idiot.

0:22:20.040 --> 0:22:25.400
<v Speaker 4>A craven insigne. Alright, mine next one.

0:22:25.320 --> 0:22:31.000
<v Speaker 1>My next one. Here we go. Listen carefully. That's the

0:22:31.040 --> 0:22:36.800
<v Speaker 1>current state of affairs. Everything is incorrect. I'm slashed, I'm

0:22:36.880 --> 0:22:40.440
<v Speaker 1>drained of all hope. Such is my current state. I'm

0:22:40.480 --> 0:22:46.000
<v Speaker 1>glaciel and I am mortified. Paralleled bear on the mezzanine.

0:22:48.520 --> 0:22:50.439
<v Speaker 6>Lying naked on the floor.

0:22:53.240 --> 0:23:00.240
<v Speaker 4>It's free.

0:23:00.560 --> 0:23:01.360
<v Speaker 1>Is incorrect.

0:23:02.400 --> 0:23:05.320
<v Speaker 4>You're a line behind my line behind parallel.

0:23:06.680 --> 0:23:10.119
<v Speaker 1>There we go. She sa it's tough. She's getting mine,

0:23:10.480 --> 0:23:14.560
<v Speaker 1>So that's crazy. It was just that final line.

0:23:15.680 --> 0:23:19.679
<v Speaker 5>Alright, my next one, All right, are you ready? I

0:23:19.800 --> 0:23:23.680
<v Speaker 5>arrived from my slumber at dawn, and I stride Alfresco.

0:23:24.280 --> 0:23:27.439
<v Speaker 5>I draw a profound oxygen supply, and I begin to

0:23:27.480 --> 0:23:31.160
<v Speaker 5>feel quite jolly and I how from the furthermost point

0:23:31.200 --> 0:23:34.600
<v Speaker 5>of my primary respiratory organ, what is occurring currently?

0:23:39.440 --> 0:23:40.719
<v Speaker 6>Could you repeat it? Please?

0:23:41.440 --> 0:23:45.680
<v Speaker 4>I arrived from my slumber at dawn, so what could

0:23:45.680 --> 0:23:49.199
<v Speaker 4>that be? I wake up in the morning and I

0:23:49.280 --> 0:23:50.280
<v Speaker 4>stride alfresco.

0:23:53.400 --> 0:23:58.400
<v Speaker 6>And I wake up in the morning and I walk outside.

0:24:00.560 --> 0:24:02.840
<v Speaker 4>No, please, if you either know it or you don't,

0:24:02.840 --> 0:24:03.760
<v Speaker 4>give it one more line.

0:24:05.080 --> 0:24:08.240
<v Speaker 5>I draw a profound oxygen supply and begin to feel

0:24:08.280 --> 0:24:08.879
<v Speaker 5>quite jolly.

0:24:09.040 --> 0:24:14.000
<v Speaker 6>I draw a breath, and I get really this.

0:24:14.440 --> 0:24:17.919
<v Speaker 9>Into about side.

0:24:18.320 --> 0:24:20.879
<v Speaker 8>I can't.

0:24:22.560 --> 0:24:24.280
<v Speaker 5>How from the first point of my primary breath with

0:24:24.359 --> 0:24:37.240
<v Speaker 5>the organ, what if currently occurring? J I stuck to

0:24:37.240 --> 0:24:38.400
<v Speaker 5>her with all of them.

0:24:38.400 --> 0:24:41.360
<v Speaker 4>If you get Mitch, third and final, that'll be fucking hilarious.

0:24:41.400 --> 0:24:43.480
<v Speaker 1>If you get mine, that means you're three for three.

0:24:43.720 --> 0:24:45.040
<v Speaker 1>You might have to do a tiebreaker.

0:24:45.600 --> 0:24:48.680
<v Speaker 5>Oh, I didn't think about this, right. I'll get preparing.

0:24:48.760 --> 0:24:52.040
<v Speaker 5>You get prepared while I do mine? What Tiere we breaking?

0:24:52.080 --> 0:24:54.440
<v Speaker 5>She's not tired with anyone?

0:24:53.080 --> 0:24:57.240
<v Speaker 1>Well to draw, she needs to either win or lose.

0:24:57.680 --> 0:24:58.480
<v Speaker 1>There needs to be a.

0:24:58.440 --> 0:25:00.760
<v Speaker 4>Winner or a loser, a path or fa that's correct.

0:25:00.760 --> 0:25:02.440
<v Speaker 1>So you think I'll do mine? Ready? Jenne it look

0:25:02.480 --> 0:25:03.840
<v Speaker 1>me in the eyes you've got this, well, you've got

0:25:03.880 --> 0:25:05.720
<v Speaker 1>all the other three, so fucking look me in the groin.

0:25:06.080 --> 0:25:08.800
<v Speaker 1>I don't want me to get it. No, sorry, didn't

0:25:08.840 --> 0:25:09.119
<v Speaker 1>mean that.

0:25:09.119 --> 0:25:09.919
<v Speaker 4>Look at my cop.

0:25:10.400 --> 0:25:11.840
<v Speaker 1>That's not what I meant. All right, here we go.

0:25:15.440 --> 0:25:18.680
<v Speaker 1>When we are remote from one another, I clinically decline,

0:25:19.640 --> 0:25:22.680
<v Speaker 1>grant me a signal. I beg of you to assault

0:25:22.720 --> 0:25:27.080
<v Speaker 1>me infant once again. I beg of you to assault

0:25:27.160 --> 0:25:28.720
<v Speaker 1>me infant once again.

0:25:30.960 --> 0:25:31.560
<v Speaker 4>I've got it.

0:25:31.880 --> 0:25:35.879
<v Speaker 1>I beg of you to assault me infant once again.

0:25:35.960 --> 0:25:38.000
<v Speaker 1>That's the key for It's a classic.

0:25:37.680 --> 0:25:38.840
<v Speaker 6>Line repeated again.

0:25:38.880 --> 0:25:42.640
<v Speaker 1>Please the whole song. Okay, when we are remote from

0:25:42.680 --> 0:25:48.119
<v Speaker 1>one another, I clinically decline, grant me a signal. I

0:25:48.160 --> 0:25:52.159
<v Speaker 1>beg of you to assault me infant once again. That

0:25:52.280 --> 0:25:54.359
<v Speaker 1>last line is just everyone in the world knows it.

0:25:55.080 --> 0:25:56.880
<v Speaker 1>I beg of you to assault me infant once again.

0:25:56.880 --> 0:25:59.320
<v Speaker 4>You should have gotten like a twenty second time or something.

0:25:59.359 --> 0:26:03.440
<v Speaker 4>I think for two I keep laughing at the infant part.

0:26:04.440 --> 0:26:06.200
<v Speaker 1>And Ultra point out the infant is hitting me. I'm

0:26:06.200 --> 0:26:06.960
<v Speaker 1>not hitting the infant.

0:26:07.320 --> 0:26:08.920
<v Speaker 6>Can you repeat that final line.

0:26:08.800 --> 0:26:14.359
<v Speaker 1>I beg of you to assault me infant once again.

0:26:14.480 --> 0:26:16.200
<v Speaker 4>You could almost say that the baby's hitting you.

0:26:16.320 --> 0:26:20.000
<v Speaker 1>Yeah, and you're asking the baby to hit you? How

0:26:20.040 --> 0:26:20.600
<v Speaker 1>many more times?

0:26:21.200 --> 0:26:21.560
<v Speaker 6>Hit me?

0:26:21.760 --> 0:26:25.560
<v Speaker 4>Baby?

0:26:26.720 --> 0:26:31.800
<v Speaker 1>Kim me? I beg of you. Two are so many

0:26:31.840 --> 0:26:32.800
<v Speaker 1>infants when I'm dying.

0:26:40.280 --> 0:26:44.160
<v Speaker 4>Oh you got that? Did you ever go three out

0:26:44.200 --> 0:26:44.440
<v Speaker 4>of six?

0:26:44.520 --> 0:26:44.879
<v Speaker 5>I didn't know.

0:26:45.000 --> 0:26:47.040
<v Speaker 4>I didn't think about. Do we need a time breaker?

0:26:47.080 --> 0:26:48.000
<v Speaker 1>Do we need a tiebreaker?

0:26:48.160 --> 0:26:49.440
<v Speaker 6>My heart is beating.

0:26:52.280 --> 0:26:54.160
<v Speaker 1>Well done, that was stressful.

0:26:54.200 --> 0:26:57.200
<v Speaker 4>I'll see if I can think of one on the spot. Okay,

0:26:58.280 --> 0:26:59.120
<v Speaker 4>let me have a quick look.

0:26:59.160 --> 0:27:02.800
<v Speaker 1>Yeah, take your time. Tell her it's a tiebreaker. You

0:27:02.840 --> 0:27:04.240
<v Speaker 1>did very well, Thank you.

0:27:04.720 --> 0:27:05.720
<v Speaker 6>I was stressful.

0:27:06.000 --> 0:27:09.600
<v Speaker 1>What was not? It was? Needs to be a hit

0:27:09.760 --> 0:27:13.399
<v Speaker 1>nineties song? When to just close?

0:27:13.640 --> 0:27:13.920
<v Speaker 4>Three?

0:27:14.960 --> 0:27:17.080
<v Speaker 5>That's my sister's age. Fuck, I forget how old you are.

0:27:17.119 --> 0:27:18.840
<v Speaker 5>She's got she's got two kids and one of the

0:27:18.840 --> 0:27:20.200
<v Speaker 5>way you keep up and.

0:27:20.200 --> 0:27:21.920
<v Speaker 1>She goes to church every Sunday. Lift your game?

0:27:22.920 --> 0:27:23.600
<v Speaker 4>No she doesn't.

0:27:23.920 --> 0:27:25.120
<v Speaker 1>Doesn't you know.

0:27:28.440 --> 0:27:29.040
<v Speaker 4>What about this?

0:27:31.040 --> 0:27:31.439
<v Speaker 1>Here we go.

0:27:31.760 --> 0:27:39.240
<v Speaker 5>I'm a fictional wish granting mythical creature in a cylindrical container.

0:27:40.600 --> 0:27:43.760
<v Speaker 5>You've got to massage me in the correct manner.

0:27:44.240 --> 0:27:49.760
<v Speaker 1>Genie in the fuddle, Jesus, I'm a genie.

0:27:51.680 --> 0:27:55.040
<v Speaker 5>What do I call the genie of a fictional wish

0:27:55.080 --> 0:27:58.760
<v Speaker 5>granting mythical for I don't fucking know I can.

0:27:58.920 --> 0:28:02.960
<v Speaker 1>When you said cylinder cylindrical container, I m my can

0:28:02.960 --> 0:28:03.320
<v Speaker 1>of soup.

0:28:03.480 --> 0:28:04.080
<v Speaker 4>That's the bottle.

0:28:04.960 --> 0:28:08.680
<v Speaker 1>I mean, well done, Jenna. It was the mythical part

0:28:08.720 --> 0:28:10.359
<v Speaker 1>that we were very easy on you.

0:28:11.080 --> 0:28:12.919
<v Speaker 2>There should have been a ten second time, you know

0:28:12.920 --> 0:28:14.760
<v Speaker 2>what I was thinking we could do Yeah, maybe not

0:28:14.800 --> 0:28:16.800
<v Speaker 2>this week, but because I've just brought one of my

0:28:16.880 --> 0:28:19.720
<v Speaker 2>old segments from Not My Cup of Tea, and I

0:28:19.760 --> 0:28:24.760
<v Speaker 2>think I've proven beyond any reasonable doubt that it fucking slaps.

0:28:24.440 --> 0:28:25.080
<v Speaker 1>It's a good game.

0:28:25.160 --> 0:28:29.120
<v Speaker 5>Therefore, my old podcast slap despite your you know, dry

0:28:29.160 --> 0:28:31.360
<v Speaker 5>heaving every time I mentioned not My Cup of Tea allergic.

0:28:32.240 --> 0:28:35.520
<v Speaker 5>Maybe we should do an old game from your old podcasts.

0:28:35.600 --> 0:28:36.200
<v Speaker 4>What was it again?

0:28:36.280 --> 0:28:40.360
<v Speaker 5>Lemonade with Mitch and some One, Mitch and Paige? Lemonade

0:28:40.360 --> 0:28:42.280
<v Speaker 5>with Mitch and Paige? Did you do any segments on that?

0:28:42.320 --> 0:28:43.000
<v Speaker 5>Any benchmarks?

0:28:43.280 --> 0:28:46.120
<v Speaker 1>Bring benchmarks? We only got to think six episodes.

0:28:46.520 --> 0:28:49.880
<v Speaker 2>Say it really looks that we're in ninety as a miracle,

0:28:49.920 --> 0:28:51.760
<v Speaker 2>we're also a drive show on the Triple h F

0:28:51.800 --> 0:28:52.360
<v Speaker 2>FAM and Hornsby.

0:28:53.800 --> 0:28:55.880
<v Speaker 1>I can find one. Yeah, all right, you want me

0:28:55.920 --> 0:29:00.640
<v Speaker 1>to bring a segment from my hit award winning sixsode podcast.

0:29:00.680 --> 0:29:05.320
<v Speaker 4>Six part series makes sound less of a failure when

0:29:05.360 --> 0:29:06.120
<v Speaker 4>you say, that's just.

0:29:06.120 --> 0:29:10.360
<v Speaker 1>How I go to Afghanistan to report on war. All right, Yeah,

0:29:10.400 --> 0:29:11.840
<v Speaker 1>I can bring a segment. There was there'd be one

0:29:11.880 --> 0:29:12.520
<v Speaker 1>I can bring.

0:29:12.360 --> 0:29:15.520
<v Speaker 5>And then Jenna can decide, because she's impartial, whose old

0:29:15.600 --> 0:29:16.720
<v Speaker 5>podcast was better.

0:29:16.760 --> 0:29:18.960
<v Speaker 1>All right, all right, I agree, I'll bring it. Give

0:29:18.960 --> 0:29:22.680
<v Speaker 1>me a couple of weeks, nugget it next week.

0:29:23.000 --> 0:29:26.000
<v Speaker 4>Next week. If you can even think of anything, yeah.

0:29:25.800 --> 0:29:26.160
<v Speaker 1>I can think.

0:29:26.200 --> 0:29:27.800
<v Speaker 4>Did you have segments or just talk shit?

0:29:27.880 --> 0:29:29.680
<v Speaker 1>No? We had We had too many segments. I think

0:29:29.720 --> 0:29:32.520
<v Speaker 1>that was the problem. Ah, it was very structured. We

0:29:32.560 --> 0:29:34.080
<v Speaker 1>had run sheets that I prepared.

0:29:35.640 --> 0:29:37.320
<v Speaker 4>When was the last time we used a run sheet?

0:29:38.840 --> 0:29:39.200
<v Speaker 1>I don't know.

0:29:39.320 --> 0:29:40.920
<v Speaker 5>We sit down right before we turn the MIC's on

0:29:41.000 --> 0:29:42.720
<v Speaker 5>for this podcast and go, what are we going to do?

0:29:42.960 --> 0:29:44.720
<v Speaker 5>We'll just talk about stuff, you know, we talk.

0:29:44.920 --> 0:29:47.600
<v Speaker 1>We just made up a second song lyric on the spot.

0:29:47.360 --> 0:29:50.920
<v Speaker 5>Guys, and I'm pretty impressed with my ability to do that,

0:29:51.040 --> 0:29:51.760
<v Speaker 5>given I'm hung over.

0:29:51.840 --> 0:29:56.320
<v Speaker 4>It's all yeah, well done is a little bit. You know,

0:29:57.040 --> 0:29:57.520
<v Speaker 4>it's all right.

0:29:57.600 --> 0:29:59.640
<v Speaker 1>You relax. Actually, I know when you're doing any more

0:29:59.640 --> 0:30:03.480
<v Speaker 1>heavily lifting, because we are actually potentially passing the heavy

0:30:03.520 --> 0:30:05.360
<v Speaker 1>lifting over to another part of the team.

0:30:05.400 --> 0:30:10.840
<v Speaker 4>Oh, that's right. Who, No, that's right.

0:30:10.840 --> 0:30:12.719
<v Speaker 5>And you might remember a couple of weeks ago on

0:30:12.760 --> 0:30:15.920
<v Speaker 5>the podcast, we floated the idea that over the Christmas

0:30:15.920 --> 0:30:17.560
<v Speaker 5>New Year' break, when Mitch and I are obviously not

0:30:17.600 --> 0:30:19.960
<v Speaker 5>doing the podcast every week, yes, we should get Jenna

0:30:20.000 --> 0:30:21.400
<v Speaker 5>to do a fill in show.

0:30:21.480 --> 0:30:23.560
<v Speaker 1>That's right. And all good radio shows we all come

0:30:23.560 --> 0:30:25.400
<v Speaker 1>from radio, the three of us. Mitch not anymore, but

0:30:25.440 --> 0:30:27.959
<v Speaker 1>you know still it's his heart lies in radio. All

0:30:28.000 --> 0:30:29.720
<v Speaker 1>good radio shows have a filling show. I feel in

0:30:29.720 --> 0:30:32.000
<v Speaker 1>for Kyle and Jackie. Oh, Jenna was approached to fill

0:30:32.040 --> 0:30:34.800
<v Speaker 1>in for Jonesy and Amanda, but there was some political

0:30:34.800 --> 0:30:38.160
<v Speaker 1>belief clashes and we decided we need one too.

0:30:38.480 --> 0:30:40.680
<v Speaker 5>Yeah, and we said that maybe Jenna could do it,

0:30:40.720 --> 0:30:42.520
<v Speaker 5>and she did agree to it, but we were like

0:30:43.400 --> 0:30:45.760
<v Speaker 5>not sure if she was kidding or not. So we're

0:30:45.760 --> 0:30:48.440
<v Speaker 5>actually wanting to know if you want to actually do

0:30:48.480 --> 0:30:51.600
<v Speaker 5>this fill in show. And not only that, but we're

0:30:51.600 --> 0:30:53.160
<v Speaker 5>not going to leave you to your own devices. We're

0:30:53.160 --> 0:30:54.720
<v Speaker 5>thinking we can get listeners to help you with it.

0:30:55.120 --> 0:30:56.920
<v Speaker 4>Yeah, and now don't get this mifted?

0:30:57.040 --> 0:31:00.680
<v Speaker 1>Is it just me listeners? Jenna is talent, think you

0:31:01.160 --> 0:31:04.680
<v Speaker 1>when we're not here. She is the one standing original

0:31:04.720 --> 0:31:05.480
<v Speaker 1>member of the team.

0:31:05.640 --> 0:31:06.200
<v Speaker 4>Yeah.

0:31:06.240 --> 0:31:08.920
<v Speaker 5>And so what I was thinking is we could get

0:31:09.400 --> 0:31:11.640
<v Speaker 5>listeners on to pitch segments to you.

0:31:11.920 --> 0:31:12.160
<v Speaker 6>Yeah.

0:31:12.360 --> 0:31:14.920
<v Speaker 5>And this is not on our show, not the filling show.

0:31:15.000 --> 0:31:17.400
<v Speaker 5>This is all in preparation for the filling show. They

0:31:17.400 --> 0:31:20.400
<v Speaker 5>come on, of course, yes, and they pitch any segment

0:31:20.480 --> 0:31:23.320
<v Speaker 5>ideas and they will actually do the segments with you

0:31:23.360 --> 0:31:26.160
<v Speaker 5>correct in the episode. So like, maybe someone's got a

0:31:26.240 --> 0:31:29.440
<v Speaker 5>quiz idea and they have a game or something like

0:31:29.480 --> 0:31:31.480
<v Speaker 5>that that they want to do with Jenna on the show.

0:31:31.520 --> 0:31:32.120
<v Speaker 4>So she's got to.

0:31:32.120 --> 0:31:33.760
<v Speaker 5>Call it a bounce off because I can't think of

0:31:33.760 --> 0:31:37.280
<v Speaker 5>anything fucking worse than Jenna's stream of consciousness, just her

0:31:37.320 --> 0:31:38.200
<v Speaker 5>talking to no one.

0:31:38.480 --> 0:31:39.720
<v Speaker 4>So she needs a.

0:31:39.480 --> 0:31:42.120
<v Speaker 5>A producer, so someone to bring her content ideas, yes,

0:31:42.200 --> 0:31:44.000
<v Speaker 5>and be someone to riff with.

0:31:44.240 --> 0:31:44.440
<v Speaker 1>Yes.

0:31:44.560 --> 0:31:46.720
<v Speaker 5>So I thought, maybe they're a listener out there, a

0:31:46.840 --> 0:31:50.080
<v Speaker 5>listener to you even that wants to, you know, throw

0:31:50.120 --> 0:31:50.840
<v Speaker 5>their hat in the ring.

0:31:50.880 --> 0:31:53.160
<v Speaker 4>Is that the same suggestion suggestion? Yep.

0:31:53.360 --> 0:31:57.560
<v Speaker 1>I'd love to see history debating. I love Jemma, I

0:31:57.680 --> 0:32:01.160
<v Speaker 1>love this girl. To either be affirmitive or negative, Yes,

0:32:01.320 --> 0:32:06.120
<v Speaker 1>preferably negative on a fantastic, well known and researched and

0:32:06.120 --> 0:32:09.120
<v Speaker 1>written about historical event, and you to debate it with someone.

0:32:09.160 --> 0:32:09.920
<v Speaker 1>I'd love to see that.

0:32:10.160 --> 0:32:11.000
<v Speaker 6>I'm up for that.

0:32:11.120 --> 0:32:13.400
<v Speaker 1>You think that's a good So if you want to

0:32:13.440 --> 0:32:16.320
<v Speaker 1>produce history debating, hit us up and we can make

0:32:16.360 --> 0:32:16.800
<v Speaker 1>it happen.

0:32:16.920 --> 0:32:17.160
<v Speaker 4>Yeah.

0:32:17.160 --> 0:32:20.240
<v Speaker 5>And I'm not fucking around when I say that, you're

0:32:20.240 --> 0:32:21.880
<v Speaker 5>feeling it like I'm not editing anything.

0:32:21.880 --> 0:32:25.000
<v Speaker 4>I'm not doing anything. I actually genuinely want nothing.

0:32:25.320 --> 0:32:28.320
<v Speaker 1>Stand up shows. I've got TV. They are We're very busy,

0:32:28.360 --> 0:32:29.120
<v Speaker 1>we're tired people.

0:32:29.560 --> 0:32:31.720
<v Speaker 5>Do you know how to use the studio, Jenna, No,

0:32:32.480 --> 0:32:33.560
<v Speaker 5>you'll fucking figure it out.

0:32:33.560 --> 0:32:36.760
<v Speaker 1>Okay, now, Jenna, I'm turning Rock, I'm turning my mic

0:32:36.800 --> 0:32:41.400
<v Speaker 1>and Mitch Mike, Mitch's Mike off. I know who I don't.

0:32:41.760 --> 0:32:44.320
<v Speaker 6>I'll just get a tech to do it. Text hello,

0:32:44.800 --> 0:32:48.480
<v Speaker 6>come in now, turn it on.

0:32:49.360 --> 0:32:50.240
<v Speaker 1>So we have a lot of work.

0:32:50.280 --> 0:32:52.040
<v Speaker 5>You know what we should do as part of the

0:32:52.080 --> 0:32:56.320
<v Speaker 5>training process getting her ready for the Jenna Flying Over summer,

0:32:58.200 --> 0:33:00.320
<v Speaker 5>we should actually get her to panel an EPISO of

0:33:00.320 --> 0:33:04.360
<v Speaker 5>this podcast, because it'd be hard to be any worse

0:33:04.360 --> 0:33:06.600
<v Speaker 5>at paneling than you because you fuck it up all

0:33:06.640 --> 0:33:06.960
<v Speaker 5>the time.

0:33:08.680 --> 0:33:10.680
<v Speaker 1>Yes, you're right, Oh my god, I would love to

0:33:10.840 --> 0:33:12.760
<v Speaker 1>hold on. We just have to confirm, Jenna, have you

0:33:14.520 --> 0:33:17.720
<v Speaker 1>said yes? Can we commit? I have a contract here

0:33:17.920 --> 0:33:21.920
<v Speaker 1>in my hand. I've written it says, oh, Jenner's Feeling

0:33:21.960 --> 0:33:24.160
<v Speaker 1>show named TBC, but I art the Jenni flyn.

0:33:24.600 --> 0:33:25.240
<v Speaker 4>I just thought of that.

0:33:25.280 --> 0:33:28.520
<v Speaker 1>Then three to six feel in shows. We haven't decided

0:33:28.520 --> 0:33:30.240
<v Speaker 1>how many weeks we're taking off, so three to six

0:33:30.800 --> 0:33:34.080
<v Speaker 1>over the Christmas twenty twenty one, twenty twenty two. Brain. Yes,

0:33:34.680 --> 0:33:37.200
<v Speaker 1>I need name, date and signed. There's a pen. There's

0:33:37.200 --> 0:33:40.200
<v Speaker 1>a contract. Take your time. I don't mind if your

0:33:40.280 --> 0:33:42.240
<v Speaker 1>lawyers have to read over it. I've been watching Succession.

0:33:42.280 --> 0:33:45.120
<v Speaker 1>They say that all the time. Okay, get your lawyers

0:33:45.120 --> 0:33:45.800
<v Speaker 1>to read over it.

0:33:45.800 --> 0:33:49.240
<v Speaker 5>It's actually can I just say they're not fucking around.

0:33:49.240 --> 0:33:51.320
<v Speaker 5>It's definitely worth getting people to beat over your contract.

0:33:51.360 --> 0:33:52.520
<v Speaker 1>Yeah, that's actually good career.

0:33:52.520 --> 0:33:54.480
<v Speaker 4>If I saved my aarth many times.

0:33:55.400 --> 0:33:56.640
<v Speaker 1>I know I have three cans of coke in my

0:33:56.720 --> 0:34:00.840
<v Speaker 1>kiss contract for a year. It's a terrible deal. But Jenna,

0:34:01.480 --> 0:34:03.280
<v Speaker 1>any issues in the contract.

0:34:03.840 --> 0:34:05.680
<v Speaker 6>It doesn't appear to be any issues.

0:34:06.080 --> 0:34:09.160
<v Speaker 5>Oh my God, you wrote it in sharp I just

0:34:09.200 --> 0:34:11.080
<v Speaker 5>I'm looking at this now. I didn't see it on

0:34:11.080 --> 0:34:13.040
<v Speaker 5>the other side of the desk, Mitch. Couldn't you fucking

0:34:13.040 --> 0:34:15.360
<v Speaker 5>printed it anyway? It's still it still counts if you

0:34:15.400 --> 0:34:15.759
<v Speaker 5>sign that.

0:34:16.000 --> 0:34:19.480
<v Speaker 1>A handwritten contract is just as good as anything. Jenna,

0:34:19.520 --> 0:34:21.080
<v Speaker 1>your handwriting is actually quite nice, Mitchell.

0:34:21.320 --> 0:34:24.960
<v Speaker 6>I'm actually impressed. Okay, I'm just going to add an

0:34:24.960 --> 0:34:26.399
<v Speaker 6>apostrophe after my name.

0:34:27.040 --> 0:34:30.000
<v Speaker 5>Yeah, it's Jenna's with an apostrophy ownership. You just wrot

0:34:30.480 --> 0:34:31.880
<v Speaker 5>j E n and as.

0:34:31.560 --> 0:34:35.960
<v Speaker 1>Oh jenis Jennison, Jennie Jennis.

0:34:36.600 --> 0:34:37.600
<v Speaker 4>It's like Jane.

0:34:39.800 --> 0:34:42.120
<v Speaker 1>Janos. Do you think there's one person out there that

0:34:42.120 --> 0:34:44.000
<v Speaker 1>thinks her name is Jennie. I think there would be.

0:34:44.760 --> 0:34:46.480
<v Speaker 1>My dad doesn't know it's like that girl.

0:34:47.480 --> 0:34:48.040
<v Speaker 4>I don't know why.

0:34:48.080 --> 0:34:50.280
<v Speaker 5>I find it's so funny when people confidently say people's

0:34:50.360 --> 0:34:53.960
<v Speaker 5>name is wrong Jennie. You know, I was watching a

0:34:54.040 --> 0:34:56.120
<v Speaker 5>current afair with Tracy Grumshaw when I.

0:34:56.160 --> 0:34:59.000
<v Speaker 6>Was an extra on Home and Away. They all called

0:34:59.040 --> 0:35:00.240
<v Speaker 6>me Jenis.

0:35:00.239 --> 0:35:04.239
<v Speaker 1>Did they correct? Oh? No, would you so?

0:35:04.320 --> 0:35:04.520
<v Speaker 4>Yes?

0:35:04.560 --> 0:35:06.399
<v Speaker 5>After she's signed this over the next few weeks, we'll

0:35:06.400 --> 0:35:09.920
<v Speaker 5>get any producers out there who want to bring their ideas.

0:35:10.040 --> 0:35:11.040
<v Speaker 4>Jenna will get them on the show.

0:35:11.480 --> 0:35:12.440
<v Speaker 1>Guys, she's done the.

0:35:12.480 --> 0:35:17.160
<v Speaker 6>Day, I'm gonna sign it.

0:35:18.120 --> 0:35:20.360
<v Speaker 1>Wow, we've got a fill in show.

0:35:22.080 --> 0:35:25.520
<v Speaker 7>Oh my god, there we go, Jenna Flynn coming soon.

0:35:25.960 --> 0:35:27.560
<v Speaker 1>The name has not been designed on.

0:35:27.840 --> 0:35:31.160
<v Speaker 4>Yeah, there's some sort of Jenna summer pun I don't know.

0:35:31.400 --> 0:35:38.239
<v Speaker 1>Jenna Jenocide. Jenocide shows they got to do with the

0:35:38.320 --> 0:35:42.160
<v Speaker 1>summer and holidays because she's going to kill this show. Yeah,

0:35:42.280 --> 0:35:45.000
<v Speaker 1>you can think about it's your show and we can

0:35:45.000 --> 0:35:46.640
<v Speaker 1>get it all done. It'll be on in the break.

0:35:46.719 --> 0:35:48.319
<v Speaker 1>But there you go. Guys, your feed will not be

0:35:48.360 --> 0:35:50.840
<v Speaker 1>empty of is just me content in the foreseeable future

0:35:50.880 --> 0:35:51.200
<v Speaker 1>of the brain?

0:35:51.360 --> 0:35:53.319
<v Speaker 4>Yes, and don't let it. Don't lose sight of how

0:35:53.360 --> 0:35:55.440
<v Speaker 4>fucking generous this is, you know how general.

0:35:55.600 --> 0:35:59.719
<v Speaker 5>He has to basically pry this podcast out of my

0:35:59.800 --> 0:36:01.399
<v Speaker 5>bed hands because I'm like, you can't have a couple

0:36:01.480 --> 0:36:03.040
<v Speaker 5>of meters about couple of meters and he go, yeah,

0:36:03.080 --> 0:36:03.640
<v Speaker 5>you fucking can.

0:36:03.880 --> 0:36:05.480
<v Speaker 4>Yeah, So Jenna's going to be doing the show.

0:36:05.960 --> 0:36:08.800
<v Speaker 1>Beg for this, Jenna, thank you so much. I'm putting

0:36:08.800 --> 0:36:09.680
<v Speaker 1>myself out there for you.

0:36:10.000 --> 0:36:12.640
<v Speaker 6>Okay, I'll show you guys a lot of money. It's

0:36:12.680 --> 0:36:13.360
<v Speaker 6>going to be great.

0:36:13.480 --> 0:36:15.279
<v Speaker 1>Cut, wait for Jenna, cutwait to hear the ideas. Let

0:36:15.320 --> 0:36:16.879
<v Speaker 1>me said, if you have an idea, if you want

0:36:16.880 --> 0:36:18.440
<v Speaker 1>to produce a segment for Jenna, If you want to

0:36:18.440 --> 0:36:20.480
<v Speaker 1>pitch a segment, we'll have details in the coming weeks.

0:36:20.719 --> 0:36:22.800
<v Speaker 1>Hit us up on the socials d M Jenna, or

0:36:22.880 --> 0:36:24.920
<v Speaker 1>hit up our secret Facebook group in during Idiots if

0:36:24.920 --> 0:36:26.360
<v Speaker 1>you want to join the fun and become a VIP

0:36:26.520 --> 0:36:29.800
<v Speaker 1>fan idiots endurant with an e idiots on Facebook.

0:36:30.160 --> 0:36:33.680
<v Speaker 5>All right, what a good ninetieth episode, Abby ninetieth girl.

0:36:33.719 --> 0:36:35.040
<v Speaker 1>Abby nineties everyone, we made it.

0:36:35.280 --> 0:36:37.440
<v Speaker 5>Yeah, we had a plan for the hundred episode, but

0:36:37.880 --> 0:36:40.560
<v Speaker 5>as has happened many times before, Mitch agreed and then

0:36:40.600 --> 0:36:44.040
<v Speaker 5>forgot the dear agreed. We were going to record our

0:36:44.040 --> 0:36:47.960
<v Speaker 5>one hundredth episode in Bogingate, my hometown, and he was

0:36:48.000 --> 0:36:49.799
<v Speaker 5>going to come do it just after New Year's like

0:36:49.800 --> 0:36:52.600
<v Speaker 5>early January, and then we're going to hold on to

0:36:52.640 --> 0:36:54.520
<v Speaker 5>it for a hundred episode. We've had all sorts of

0:36:54.560 --> 0:36:57.160
<v Speaker 5>things planned. We're going to do stuff from the pub.

0:36:57.200 --> 0:36:59.839
<v Speaker 5>We're going to take him fox hunting, like all sorts

0:36:59.880 --> 0:37:02.760
<v Speaker 5>of mask Country experiences out in the middle of nowhere.

0:37:02.840 --> 0:37:05.399
<v Speaker 5>And then I overheard Mitch and Hayden. Oh, Hayden said

0:37:05.400 --> 0:37:07.160
<v Speaker 5>something about, oh, we might do New Years in Vegas

0:37:07.239 --> 0:37:08.520
<v Speaker 5>or like la, and I'm like, oh, so you haven't

0:37:08.520 --> 0:37:09.520
<v Speaker 5>told him you're going to bogen Gate.

0:37:09.600 --> 0:37:12.280
<v Speaker 4>Then he goes, so yeah, oe.

0:37:12.160 --> 0:37:15.280
<v Speaker 5>Hundred episode could very well be shipped to say, you know, everyone,

0:37:15.600 --> 0:37:18.160
<v Speaker 5>we had something there, we had something very special plan,

0:37:18.280 --> 0:37:18.959
<v Speaker 5>but now it's gone.

0:37:19.000 --> 0:37:21.719
<v Speaker 1>But it means so much. Now you've surprised because we

0:37:21.719 --> 0:37:24.759
<v Speaker 1>still will do that one day. We won't do You

0:37:24.800 --> 0:37:26.000
<v Speaker 1>not think we'll get to two hundred.

0:37:26.760 --> 0:37:28.920
<v Speaker 5>No, we'll get to two hundred. That's not the concern.

0:37:29.000 --> 0:37:30.640
<v Speaker 5>I just don't think you're going to go to bogen

0:37:30.640 --> 0:37:32.640
<v Speaker 5>Gate because you won't. You'll find it too much effort.

0:37:32.640 --> 0:37:34.160
<v Speaker 1>No, that's not true. I will go to bout it.

0:37:34.200 --> 0:37:36.480
<v Speaker 5>You're always tired, though. He'll be too tired to drive.

0:37:36.520 --> 0:37:37.520
<v Speaker 5>Hayden can't fucking drive.

0:37:37.600 --> 0:37:39.920
<v Speaker 1>Let me get my thyroid checked and then we will

0:37:40.280 --> 0:37:42.560
<v Speaker 1>discuss me going to bogen Gate. It'll happen.

0:37:42.600 --> 0:37:46.320
<v Speaker 4>I marked my words. Data and m were very excited.

0:37:46.480 --> 0:37:48.800
<v Speaker 1>Oh don't say that. Oh, that'll give him something to

0:37:48.840 --> 0:37:50.840
<v Speaker 1>gossip about the fact one's not coming anymore.

0:37:50.880 --> 0:37:53.239
<v Speaker 4>They were going to have Mitch cheery over New years.

0:37:53.239 --> 0:37:54.080
<v Speaker 4>They're very excited.

0:37:54.239 --> 0:37:56.520
<v Speaker 5>Oh and then I had to tell them he fucking

0:37:56.600 --> 0:37:59.320
<v Speaker 5>forgot because you mean nothing to hear me in a Jane.

0:37:59.239 --> 0:38:01.360
<v Speaker 1>No, because you're think I'm a big time celebrity.

0:38:02.440 --> 0:38:03.680
<v Speaker 4>I don't think he ever said that.

0:38:03.800 --> 0:38:04.280
<v Speaker 1>He does.

0:38:04.400 --> 0:38:04.960
<v Speaker 4>He does not.

0:38:05.160 --> 0:38:08.000
<v Speaker 1>He thought I was on Survivor, Jenna. Yeah, because he.

0:38:08.080 --> 0:38:10.160
<v Speaker 4>Posted photos of you in Survivor.

0:38:10.480 --> 0:38:12.000
<v Speaker 5>Have you noticed that Mitch posts a lot of shit

0:38:12.040 --> 0:38:13.200
<v Speaker 5>on Instagram without context?

0:38:13.320 --> 0:38:16.680
<v Speaker 6>Yeah, actually survivor post.

0:38:17.200 --> 0:38:21.000
<v Speaker 5>He never He never clarified in the Instagram caption which

0:38:21.040 --> 0:38:24.319
<v Speaker 5>he photoshopped the Channel ten logo on himself. He never

0:38:24.360 --> 0:38:27.360
<v Speaker 5>clarified in Instagram caption, I'm here recording interviews with everyone

0:38:27.360 --> 0:38:30.040
<v Speaker 5>on Survivor. So my dad was like, oh, Mitch's on Survivor,

0:38:30.120 --> 0:38:31.680
<v Speaker 5>is he? I was like, absolutely not.

0:38:31.719 --> 0:38:32.680
<v Speaker 1>I don't have a producer.

0:38:32.719 --> 0:38:36.920
<v Speaker 5>I have to do it myself and withhold information. It's

0:38:37.000 --> 0:38:38.120
<v Speaker 5>flying by a mission.

0:38:38.280 --> 0:38:41.520
<v Speaker 1>Now. I said, I've recorded a radio show while I

0:38:41.600 --> 0:38:42.520
<v Speaker 1>was on the set of Survivor.

0:38:42.560 --> 0:38:44.680
<v Speaker 5>I think you'll find you edited that in later. After

0:38:44.760 --> 0:38:47.240
<v Speaker 5>I told you the confusion, my dad thought you're on television.

0:38:47.239 --> 0:38:49.239
<v Speaker 1>Also, was it kudos Bankarina? And everyone thought I was

0:38:49.280 --> 0:38:50.480
<v Speaker 1>performing a concert?

0:38:51.360 --> 0:38:54.280
<v Speaker 5>Yeah, so what's the much less glamorous truth behind that photo.

0:38:54.280 --> 0:38:55.720
<v Speaker 5>There's a big picture of you up at the stadium

0:38:55.719 --> 0:38:59.200
<v Speaker 5>where Pink's usually fucking doing whirly winter air and all

0:38:59.239 --> 0:38:59.760
<v Speaker 5>that stuff.

0:39:00.000 --> 0:39:04.080
<v Speaker 1>I was hosting the healthcare worker thank you concert. I

0:39:04.120 --> 0:39:08.719
<v Speaker 1>did a raffle raffle a nurse from Cogra one big

0:39:08.719 --> 0:39:10.440
<v Speaker 1>time timea shit over there.

0:39:10.600 --> 0:39:14.719
<v Speaker 7>So you weren't recording the radio show there, no God,

0:39:14.760 --> 0:39:16.080
<v Speaker 7>the acoustics would be dreadful.

0:39:16.320 --> 0:39:18.160
<v Speaker 4>I think you were midnight.

0:39:19.320 --> 0:39:22.040
<v Speaker 1>I did record it to actually do something. I did

0:39:22.080 --> 0:39:24.399
<v Speaker 1>record a radio show, but it has an aired yet

0:39:24.520 --> 0:39:27.759
<v Speaker 1>because we're airing a thank you special. Well that's nice,

0:39:27.760 --> 0:39:29.880
<v Speaker 1>so it will happen. Listen. My job is very up

0:39:29.880 --> 0:39:32.320
<v Speaker 1>in the air. Everyone. You can't be in boytant.

0:39:33.160 --> 0:39:34.960
<v Speaker 4>You can, though you can say what you're doing in

0:39:35.000 --> 0:39:36.080
<v Speaker 4>the photo, so people don't.

0:39:35.920 --> 0:39:39.000
<v Speaker 1>Get how boring here I am at Kudo's filming a

0:39:39.239 --> 0:39:41.680
<v Speaker 1>TBC edited radio boring.

0:39:42.280 --> 0:39:46.560
<v Speaker 5>I'm just gonna go fucking get my own microphone sock.

0:39:46.600 --> 0:39:48.479
<v Speaker 5>You know the cubes that all the reporters have around

0:39:48.520 --> 0:39:50.160
<v Speaker 5>with the logo, and I'm going to put the Sunrise

0:39:50.200 --> 0:39:52.520
<v Speaker 5>logo on one and post a photo of me like

0:39:52.600 --> 0:39:54.760
<v Speaker 5>on the top of a mountain or something, being like, oh,

0:39:54.920 --> 0:39:57.840
<v Speaker 5>bringing you today's weather. No one's gonna fact check me.

0:39:57.880 --> 0:40:00.200
<v Speaker 5>I can just trick everyone on Instagram. But yeah, the

0:40:00.200 --> 0:40:00.960
<v Speaker 5>sunrise by the men.

0:40:01.000 --> 0:40:04.239
<v Speaker 1>Now people know I have a radio show. It's context.

0:40:04.640 --> 0:40:06.919
<v Speaker 6>Mitchell, do you remember that photo of me in front

0:40:06.960 --> 0:40:08.200
<v Speaker 6>of the Voice sign.

0:40:10.600 --> 0:40:14.200
<v Speaker 5>The final we when we used to work together. We

0:40:14.239 --> 0:40:17.600
<v Speaker 5>went to was it the Sony office to interview someone

0:40:17.640 --> 0:40:20.320
<v Speaker 5>can't even remember, I don't know, And there was a

0:40:20.360 --> 0:40:22.520
<v Speaker 5>plasmus green in the waiting room with the Voice logo

0:40:22.520 --> 0:40:23.960
<v Speaker 5>on it, and I said, Jenna, stand in front of

0:40:24.000 --> 0:40:26.240
<v Speaker 5>that and look really shocked, like your hands over.

0:40:26.080 --> 0:40:28.760
<v Speaker 4>Your mouth like and so if I got that photo

0:40:28.920 --> 0:40:29.600
<v Speaker 4>she posted, I.

0:40:29.640 --> 0:40:30.400
<v Speaker 6>Made it through.

0:40:31.040 --> 0:40:31.959
<v Speaker 4>I nailed my blood.

0:40:33.480 --> 0:40:36.560
<v Speaker 6>These people still messaging me asking me about the voye.

0:40:36.840 --> 0:40:41.520
<v Speaker 5>I'm not, oh Jenna anyway, The moral of that story is,

0:40:41.520 --> 0:40:43.759
<v Speaker 5>don't believe shiit. Mitch Cherry says he doesn't have a

0:40:43.800 --> 0:40:45.880
<v Speaker 5>gym playlist, he wasn't on Survivor.

0:40:46.040 --> 0:40:51.759
<v Speaker 1>It's all rubbish, you know what. Yeah, I agree. Let's

0:40:51.760 --> 0:40:53.160
<v Speaker 1>get out of here, guys. If you want to get

0:40:53.160 --> 0:40:55.000
<v Speaker 1>on the show in any way, we've got many ways

0:40:55.000 --> 0:40:56.560
<v Speaker 1>for you. Now, you can produce Jenna show, you can

0:40:56.600 --> 0:40:59.960
<v Speaker 1>do it? Is It just You? Or Tinder Fizzism.

0:41:01.040 --> 0:41:02.960
<v Speaker 5>That's the one I'm looking forward to because I've got

0:41:02.960 --> 0:41:03.719
<v Speaker 5>some visits of me own.

0:41:04.160 --> 0:41:06.320
<v Speaker 1>Oh yeah, that'll be very exciting. I'm going to be

0:41:06.360 --> 0:41:08.080
<v Speaker 1>a big couple of weeks. We can't wait to see

0:41:08.120 --> 0:41:10.880
<v Speaker 1>you in our ninetieth season, not no nineteth season, our

0:41:10.960 --> 0:41:15.000
<v Speaker 1>ninetieth what would you? Yeah, ninetieth era. It all begins now.

0:41:15.000 --> 0:41:16.480
<v Speaker 1>Thank you for listening, and we'll see you guys next week.

0:41:16.560 --> 0:41:18.719
<v Speaker 4>Yeah, thanks for listening. Catch you and babe Is It

0:41:19.239 --> 0:41:22.440
<v Speaker 4>just Me? A podcast by a couple of meches.

0:41:22.760 --> 0:41:38.200
<v Speaker 3>Make sure you've hit follow on your podcast.

0:41:45.960 --> 0:41:48.120
<v Speaker 5>Welcome to eighty D Brief. This is our secret segment.

0:41:48.160 --> 0:41:49.839
<v Speaker 5>On the end, we pretend we're done and then we

0:41:49.920 --> 0:41:52.120
<v Speaker 5>keep chatting. Hopefully most people don't hear this part because

0:41:52.120 --> 0:41:54.720
<v Speaker 5>it's Yeah, it's been embarrassing this stuff.

0:41:55.160 --> 0:41:57.400
<v Speaker 4>This garbet, bro gobit feral even.

0:41:57.280 --> 0:41:59.359
<v Speaker 1>Do you mind if I eat this Danish?

0:41:59.440 --> 0:42:02.319
<v Speaker 5>Well I wouldn't, but people always writing complaints about us

0:42:02.320 --> 0:42:03.040
<v Speaker 5>seating on the podcast.

0:42:03.520 --> 0:42:06.040
<v Speaker 4>Look, oh that looks does not look good at all.

0:42:06.400 --> 0:42:11.160
<v Speaker 5>It's blueberries fucking sunk into it all except the blueberries.

0:42:11.200 --> 0:42:13.200
<v Speaker 1>The cafe said, you get a one dollar Danish with

0:42:13.280 --> 0:42:16.320
<v Speaker 1>any bacon egg roll order. So I said, okay, do

0:42:16.440 --> 0:42:18.120
<v Speaker 1>now I have a Danish.

0:42:17.600 --> 0:42:18.799
<v Speaker 4>As well as a bacon egg roll.

0:42:18.920 --> 0:42:21.719
<v Speaker 1>Yeah, two hours ago. So this is my Oh, I'll

0:42:21.719 --> 0:42:23.800
<v Speaker 1>have it after for the audience.

0:42:24.680 --> 0:42:25.720
<v Speaker 4>The millions listening.

0:42:25.719 --> 0:42:27.680
<v Speaker 1>How was last night, Mitchell puffed off the back open

0:42:27.719 --> 0:42:30.520
<v Speaker 1>gay clubbing? Did you kiss anyone? Nah? Really no No

0:42:30.719 --> 0:42:33.520
<v Speaker 1>I didn't. Good, No, they meant to No, No, they

0:42:33.680 --> 0:42:34.400
<v Speaker 1>just falling over you.

0:42:35.719 --> 0:42:38.320
<v Speaker 5>Actually, wasn't there long? I usually stay until like god, no,

0:42:38.400 --> 0:42:40.760
<v Speaker 5>it's like the sun's literally rising when I leave usually,

0:42:41.000 --> 0:42:42.640
<v Speaker 5>but I went by like one thirty.

0:42:42.680 --> 0:42:43.480
<v Speaker 4>That's early for me.

0:42:43.640 --> 0:42:44.680
<v Speaker 1>That is very like.

0:42:44.680 --> 0:42:45.920
<v Speaker 4>I've got an award winning podcast.

0:42:46.280 --> 0:42:51.040
<v Speaker 1>Yeah, yeah, yeah. The awards won't win themselves. They do,

0:42:51.280 --> 0:42:55.080
<v Speaker 1>they do somehow, We've never accepted one, but we have them.

0:42:55.520 --> 0:42:55.759
<v Speaker 5>Yeah.

0:42:56.160 --> 0:42:59.120
<v Speaker 1>I was literally wiping shit off my brand new four boards.

0:42:59.280 --> 0:43:01.000
<v Speaker 4>Oh yes, I heard about your plumbing issues.

0:43:01.040 --> 0:43:04.120
<v Speaker 1>It's just so bad that the landlord goes you know,

0:43:04.200 --> 0:43:07.799
<v Speaker 1>maybe you just don't flush things down these toilets, that's

0:43:07.800 --> 0:43:09.719
<v Speaker 1>what they Yeah, what do I do with my ship?

0:43:09.800 --> 0:43:11.759
<v Speaker 5>This is going back to the stemless wine glasses, a

0:43:11.800 --> 0:43:13.799
<v Speaker 5>flushless toilet toilets without that.

0:43:13.960 --> 0:43:14.520
<v Speaker 1>I know.

0:43:16.239 --> 0:43:18.000
<v Speaker 4>All my wheels have fallen off my car.

0:43:18.280 --> 0:43:20.080
<v Speaker 1>Why don't you just drive it anyway?

0:43:20.680 --> 0:43:22.200
<v Speaker 4>Maybe maybe you shouldn't put a lot of weight on

0:43:22.239 --> 0:43:26.000
<v Speaker 4>that car. There's no times my fridge doesn't work.

0:43:26.040 --> 0:43:27.439
<v Speaker 1>Oh maybe just don't put milk in head.

0:43:28.719 --> 0:43:30.279
<v Speaker 4>Yeah, just make sure you don't put anything that needs

0:43:30.280 --> 0:43:31.960
<v Speaker 4>to be kept cold in your fridge. It won't do it.

0:43:32.880 --> 0:43:36.279
<v Speaker 1>Literally, fuck it, he said. Maybe put toilet paper in

0:43:36.360 --> 0:43:36.920
<v Speaker 1>the bin.

0:43:37.080 --> 0:43:39.480
<v Speaker 4>Like an Amish boy.

0:43:39.640 --> 0:43:42.359
<v Speaker 5>No, you're gonna have to get like a what are

0:43:42.400 --> 0:43:44.719
<v Speaker 5>those things that those post hole diggers, and you're just

0:43:44.719 --> 0:43:46.360
<v Speaker 5>gonna have to make a long drop in the backyard.

0:43:46.400 --> 0:43:48.760
<v Speaker 1>Oh no, no, no, no.

0:43:48.719 --> 0:43:50.520
<v Speaker 5>That's I'll add that to the list of things to

0:43:50.600 --> 0:43:51.640
<v Speaker 5>do in the boge Gate episode.

0:43:51.640 --> 0:43:56.640
<v Speaker 4>I'll make you use the long drop near No, it's

0:43:56.719 --> 0:43:58.399
<v Speaker 4>ransom and it's centuries old.

0:43:58.760 --> 0:44:02.719
<v Speaker 1>You'd also hear it fur It's like squeeze it out.

0:44:05.880 --> 0:44:08.560
<v Speaker 5>Haven't you gone one of those dodgy long drops on

0:44:08.600 --> 0:44:11.000
<v Speaker 5>the side of a road, like those half fast rest

0:44:11.000 --> 0:44:12.319
<v Speaker 5>stops on the highway.

0:44:11.960 --> 0:44:14.000
<v Speaker 1>They have once on the way to a moth hit

0:44:14.040 --> 0:44:19.640
<v Speaker 1>me on the buttthole, moth bogong bogone, Is that right?

0:44:19.880 --> 0:44:21.000
<v Speaker 4>Yeah, they're not bogan moths.

0:44:22.280 --> 0:44:22.640
<v Speaker 6>Moths.

0:44:23.120 --> 0:44:24.680
<v Speaker 5>Yeah, I can tell you the reason why I know

0:44:24.760 --> 0:44:27.960
<v Speaker 5>that because when I was interviewed on Sunrise so that

0:44:27.960 --> 0:44:31.880
<v Speaker 5>bogan Gate viral video all those years ago, Samantha Armitage

0:44:31.920 --> 0:44:34.520
<v Speaker 5>was saying something about, now we know that the word

0:44:35.000 --> 0:44:37.319
<v Speaker 5>bogan is. You know, it gets thrown around a lot

0:44:37.360 --> 0:44:40.200
<v Speaker 5>these days. You know there's the bogan moth. But what

0:44:40.320 --> 0:44:42.879
<v Speaker 5>if you revealed the actual meaning behind the word, which

0:44:42.920 --> 0:44:44.719
<v Speaker 5>is is an indigenous word. That's what bogan Gate is

0:44:44.760 --> 0:44:47.040
<v Speaker 5>named after, and it's meant to be like something noble,

0:44:47.520 --> 0:44:50.680
<v Speaker 5>not a grut. But all these viewers wrote in being like,

0:44:50.719 --> 0:44:53.719
<v Speaker 5>it's a bogong moth, Sam, It's not called fucking bogan moth.

0:44:53.880 --> 0:44:55.880
<v Speaker 1>Oh my god, I'm a fucking idiot.

0:44:56.719 --> 0:44:58.279
<v Speaker 4>You know what I You know what I did last

0:44:58.320 --> 0:44:59.480
<v Speaker 4>night on the way back from Puffed Of.

0:45:00.280 --> 0:45:02.279
<v Speaker 5>I had a moment because I was listening to the

0:45:02.320 --> 0:45:04.359
<v Speaker 5>new You know, Taylor Swift is releasing all of her.

0:45:04.320 --> 0:45:06.759
<v Speaker 1>Old watched the ten minute video.

0:45:07.400 --> 0:45:09.560
<v Speaker 4>Yeah, I don't want to watch a short film, but

0:45:09.560 --> 0:45:11.560
<v Speaker 4>it's really sad. Yeah, those for those who don't know

0:45:11.600 --> 0:45:12.040
<v Speaker 4>the story.

0:45:12.080 --> 0:45:15.200
<v Speaker 5>Basically, she's re recording all of her old albums because

0:45:15.239 --> 0:45:17.600
<v Speaker 5>she wants complete ownership of it, and she's like, I

0:45:17.640 --> 0:45:20.399
<v Speaker 5>don't want some scabby record label owning my music. It'd

0:45:20.440 --> 0:45:23.120
<v Speaker 5>be like if iHeartRadio said to us, yeah, no, we

0:45:23.200 --> 0:45:25.399
<v Speaker 5>own your podcast. So like if we have a left

0:45:25.400 --> 0:45:27.200
<v Speaker 5>eye Heart, They're like, well, we're keeping all the episodes

0:45:27.239 --> 0:45:27.400
<v Speaker 5>and we.

0:45:27.440 --> 0:45:30.320
<v Speaker 4>Just re recorded them. Like if I'm just revoicing them.

0:45:30.320 --> 0:45:33.400
<v Speaker 1>I couldn't do that, how would we do it? I

0:45:33.400 --> 0:45:34.080
<v Speaker 1>couldn't do it.

0:45:34.120 --> 0:45:36.040
<v Speaker 4>But apparently they actually did that.

0:45:36.160 --> 0:45:38.440
<v Speaker 5>When because you know how Kyle and JACKIEO moved from

0:45:38.480 --> 0:45:41.319
<v Speaker 5>Today FM to Kiss Yes TODAYFM, We're like, well, we

0:45:41.400 --> 0:45:43.399
<v Speaker 5>own all of your audio, so you can't use any

0:45:43.440 --> 0:45:47.279
<v Speaker 5>of that voiceover stuff in your opener because you know

0:45:47.280 --> 0:45:50.080
<v Speaker 5>how the Kyl and jackiett opener has like replays of

0:45:50.080 --> 0:45:53.960
<v Speaker 5>them giving away big prizes and Kyle's like, okay, that's fine,

0:45:53.960 --> 0:45:54.880
<v Speaker 5>I'll just rerecord it.

0:45:54.920 --> 0:45:55.840
<v Speaker 4>So we came into kids and.

0:45:55.920 --> 0:45:58.680
<v Speaker 5>Was like, oh my god, you've won one million dollars

0:45:58.719 --> 0:46:01.040
<v Speaker 5>and they just use that. He's like, you own the audio,

0:46:01.120 --> 0:46:02.640
<v Speaker 5>but you don't own my boys. I got to say

0:46:02.680 --> 0:46:06.480
<v Speaker 5>it again, just re recorded everything. But anyway, she's re

0:46:06.560 --> 0:46:08.759
<v Speaker 5>recorded all her old stuff. The new one is the

0:46:08.840 --> 0:46:09.840
<v Speaker 5>latest one to be released.

0:46:09.920 --> 0:46:10.600
<v Speaker 4>Is red.

0:46:11.040 --> 0:46:13.359
<v Speaker 5>I don't necessarily love Taylor's versions of all of them,

0:46:13.360 --> 0:46:14.600
<v Speaker 5>but I was having a moment in the back of

0:46:14.600 --> 0:46:16.400
<v Speaker 5>the car because I forgot this song existed.

0:46:16.480 --> 0:46:17.120
<v Speaker 4>Can you look up?

0:46:17.320 --> 0:46:21.319
<v Speaker 5>Everything is changed by Taylor Swifton and cheering, preferably Taylor's version.

0:46:22.280 --> 0:46:24.760
<v Speaker 1>Can you explain to me? Because I'm not a swiftle

0:46:25.640 --> 0:46:28.759
<v Speaker 1>swift shifted swifty? I thought, so, what you get in

0:46:28.800 --> 0:46:30.920
<v Speaker 1>the backset of a car at a first eight swifty?

0:46:31.840 --> 0:46:32.600
<v Speaker 1>What has she done?

0:46:32.640 --> 0:46:32.759
<v Speaker 4>So?

0:46:32.760 --> 0:46:35.320
<v Speaker 1>Scooter Braun, her ex manager, owns the Masters.

0:46:35.480 --> 0:46:37.759
<v Speaker 5>I don't know if he's an ex manager. I just

0:46:37.880 --> 0:46:40.719
<v Speaker 5>know that she doesn't want a bar of him for

0:46:40.840 --> 0:46:44.520
<v Speaker 5>various reasons. He bought it, Yeah, he bought the label

0:46:44.880 --> 0:46:47.160
<v Speaker 5>and so he's now, you know, acquired all of her

0:46:47.200 --> 0:46:49.839
<v Speaker 5>original recordings. She still makes money off the old versions

0:46:49.880 --> 0:46:51.879
<v Speaker 5>of the songs, but she just wants to own them.

0:46:52.520 --> 0:46:54.960
<v Speaker 5>And I think part of the reason she was pissed

0:46:54.960 --> 0:46:57.799
<v Speaker 5>off is because she also wasn't consulted. If she knew

0:46:57.840 --> 0:46:59.319
<v Speaker 5>she had the option to buy them herself, she would

0:46:59.320 --> 0:47:01.680
<v Speaker 5>have done that, but he just went ahead and brought it.

0:47:01.719 --> 0:47:03.600
<v Speaker 5>She didn't even know they were for sale, and then

0:47:03.960 --> 0:47:06.800
<v Speaker 5>she's tried reaching out and like negotiating with them, but

0:47:06.840 --> 0:47:07.880
<v Speaker 5>they're just weren't having a bar of it.

0:47:08.000 --> 0:47:09.080
<v Speaker 4>So she's like, fuck it.

0:47:09.160 --> 0:47:11.600
<v Speaker 5>You might own my original recordings, but I wrote the bastards,

0:47:11.560 --> 0:47:13.160
<v Speaker 5>so I'll just re record them all genius.

0:47:13.320 --> 0:47:15.960
<v Speaker 1>So you want Taylor Swift featuring Ed Sheeran. Everything has

0:47:16.000 --> 0:47:18.480
<v Speaker 1>changed Taylor's version from the Vault lyric video.

0:47:19.239 --> 0:47:21.000
<v Speaker 5>Yeah it's a bit messy or the titling a lot

0:47:21.040 --> 0:47:22.680
<v Speaker 5>of brackets, but yeah, that's the one I want.

0:47:22.719 --> 0:47:24.839
<v Speaker 4>I forgot this song existent. It's been in my head

0:47:24.880 --> 0:47:25.200
<v Speaker 4>all day.

0:47:25.200 --> 0:47:29.320
<v Speaker 1>Now this is a yeah, this is a new one.

0:47:31.080 --> 0:47:36.640
<v Speaker 5>You might have recognized it yet, but you will. So

0:47:36.680 --> 0:47:38.800
<v Speaker 5>the one thing I do like is that her voice,

0:47:38.880 --> 0:47:41.480
<v Speaker 5>because she's older now has her voice is a bit

0:47:41.520 --> 0:47:43.000
<v Speaker 5>more velvety.

0:47:43.080 --> 0:47:44.880
<v Speaker 4>It's a bit richer now, so it sounds better.

0:47:46.760 --> 0:47:46.920
<v Speaker 6>I have.

0:47:47.719 --> 0:47:49.680
<v Speaker 1>She have to get ed back on this to rerecord it.

0:47:50.280 --> 0:47:54.440
<v Speaker 2>Girl, scream eyes and your smile in the back lam

0:47:54.760 --> 0:47:56.440
<v Speaker 2>making me feel you.

0:47:56.520 --> 0:47:58.560
<v Speaker 10>Know it, I just want to know you.

0:47:58.800 --> 0:48:04.120
<v Speaker 1>Bit oh, I know this you. I just want to

0:48:04.160 --> 0:48:06.840
<v Speaker 1>know you, better know you, better know.

0:48:08.920 --> 0:48:15.520
<v Speaker 5>Last night, I just want to know you you, I.

0:48:15.600 --> 0:48:18.840
<v Speaker 4>Just want to know you becomes the chorus bit you know.

0:48:21.840 --> 0:48:25.440
<v Speaker 1>Is the sample and your your life coming.

0:48:27.040 --> 0:48:29.120
<v Speaker 6>I know it's a simple here.

0:48:30.360 --> 0:48:32.400
<v Speaker 4>Everybody has changed.

0:48:35.320 --> 0:48:38.240
<v Speaker 1>Everything has changed, even their voices. What a nice double meaning.

0:48:39.680 --> 0:48:43.440
<v Speaker 4>Since yesterday it's everything.

0:48:43.560 --> 0:48:47.720
<v Speaker 1>Has love Taylor Swift, the effect she's had on people.

0:48:47.760 --> 0:48:50.239
<v Speaker 5>That is the most obvious statement you could have possibly said,

0:48:50.400 --> 0:48:53.480
<v Speaker 5>Like the Sky love Taylor.

0:48:53.719 --> 0:48:54.239
<v Speaker 4>No, but I.

0:48:54.160 --> 0:48:56.439
<v Speaker 1>Couldn't care less about the re release. I think it's cool,

0:48:56.440 --> 0:48:58.560
<v Speaker 1>but I wouldn't. But if the internet is a blaze

0:48:58.600 --> 0:49:01.560
<v Speaker 1>and Hayden is like crying on the out, I'm like, why.

0:49:01.360 --> 0:49:03.120
<v Speaker 4>Yeah, I wouldn't cry on the couch about it.

0:49:03.160 --> 0:49:05.480
<v Speaker 5>Like some of the some of the re recorded versions

0:49:05.480 --> 0:49:07.440
<v Speaker 5>I think are no good compared to the original, but

0:49:07.480 --> 0:49:08.080
<v Speaker 5>this one.

0:49:08.280 --> 0:49:11.279
<v Speaker 4>I like, yeah, but yeah, it's actually kind of smart,

0:49:11.320 --> 0:49:11.640
<v Speaker 4>isn't it.

0:49:11.680 --> 0:49:13.600
<v Speaker 5>She's just making all this fucking money off songs that

0:49:13.640 --> 0:49:14.440
<v Speaker 5>she didn't even have to think of.

0:49:14.520 --> 0:49:17.120
<v Speaker 1>She's already done them, and she'ld just fucking go and

0:49:17.160 --> 0:49:19.000
<v Speaker 1>win Grammys for it. She'll win more awards.

0:49:19.880 --> 0:49:21.799
<v Speaker 4>But it's annoying me because she's doing it out of order.

0:49:22.160 --> 0:49:24.760
<v Speaker 5>Like she did Fearless, which was not her first album

0:49:25.040 --> 0:49:27.279
<v Speaker 5>but one of her best. It was like the one

0:49:27.280 --> 0:49:28.840
<v Speaker 5>that kind of burst onto the scene.

0:49:28.600 --> 0:49:31.560
<v Speaker 4>With you know, was her second. What did the Love

0:49:31.600 --> 0:49:32.040
<v Speaker 4>Story all that?

0:49:32.120 --> 0:49:34.480
<v Speaker 5>Yeah, it was her second and that now she's skipped

0:49:34.480 --> 0:49:37.560
<v Speaker 5>forward to Red. She skipped an album and she's gonna

0:49:37.560 --> 0:49:39.839
<v Speaker 5>have to record all of them right up into Reputation,

0:49:39.920 --> 0:49:41.160
<v Speaker 5>which was twenty seventeen.

0:49:41.560 --> 0:49:42.279
<v Speaker 4>And I'm like, I don't know.

0:49:42.239 --> 0:49:43.799
<v Speaker 5>If she's gonna be able to rerecord that because she

0:49:43.880 --> 0:49:45.279
<v Speaker 5>was real pissed off when she did that album.

0:49:45.360 --> 0:49:47.640
<v Speaker 1>Yeah, she was mad. That was the Kanye Taylor st

0:49:47.960 --> 0:49:48.920
<v Speaker 1>Kim Karashian.

0:49:48.840 --> 0:49:49.839
<v Speaker 4>What you made Me do?

0:49:50.239 --> 0:49:52.240
<v Speaker 5>She's not going to be able to channel that anger again.

0:49:53.239 --> 0:49:56.520
<v Speaker 5>She seems really peaceful and just chilling in forests these days.

0:49:57.120 --> 0:50:00.440
<v Speaker 1>She does love a cardigan and a foreign My favorite

0:50:00.440 --> 0:50:02.520
<v Speaker 1>Taylor Swift song and it's controversial, one of my top

0:50:02.560 --> 0:50:03.879
<v Speaker 1>I should say top three is this.

0:50:05.280 --> 0:50:09.680
<v Speaker 5>Yeah, so she doesn't have to re record this because

0:50:09.680 --> 0:50:12.320
<v Speaker 5>she already owns this. Oh really everything from Lover onboards

0:50:12.360 --> 0:50:16.640
<v Speaker 5>g this is nice?

0:50:18.760 --> 0:50:20.359
<v Speaker 1>What was the one that got all that hate when

0:50:20.360 --> 0:50:22.160
<v Speaker 1>she was like, spelling is fun?

0:50:23.520 --> 0:50:25.440
<v Speaker 4>That was me?

0:50:26.120 --> 0:50:27.400
<v Speaker 1>Yeah, that was odd.

0:50:27.840 --> 0:50:31.000
<v Speaker 5>I loved it and I realized that she knew it

0:50:31.040 --> 0:50:32.759
<v Speaker 5>was dagging, That's why she did it. It was kind

0:50:32.760 --> 0:50:34.399
<v Speaker 5>of like a fuck you, I know, this is lame,

0:50:34.440 --> 0:50:39.040
<v Speaker 5>but I'm releasing it anyway. Really like it was so childish,

0:50:39.120 --> 0:50:40.200
<v Speaker 5>but I loved it.

0:50:40.200 --> 0:50:42.080
<v Speaker 4>It felt like a theater production this song.

0:50:42.320 --> 0:50:44.600
<v Speaker 9>It was very The music video was music video was

0:50:44.640 --> 0:50:55.919
<v Speaker 9>good with me give Me a Color Brandon Eerie.

0:50:56.200 --> 0:50:58.720
<v Speaker 4>Yeah, that's another way that they've messied the title.

0:50:58.760 --> 0:51:02.600
<v Speaker 5>This song is always Me featuring Brendan Yeary of Panic

0:51:02.640 --> 0:51:04.880
<v Speaker 5>at the Disco. It's like, clearly there's some sort of

0:51:04.880 --> 0:51:06.959
<v Speaker 5>fucking dispute happening there where Panic at the Disco must

0:51:06.960 --> 0:51:07.480
<v Speaker 5>be credited.

0:51:07.600 --> 0:51:09.719
<v Speaker 4>Yeah, a long our sentence to put in the end

0:51:09.719 --> 0:51:10.560
<v Speaker 4>in some brackets.

0:51:11.000 --> 0:51:13.920
<v Speaker 5>It's like the shortest song title ever me Yeah, and

0:51:13.960 --> 0:51:17.800
<v Speaker 5>then a fucking paragraph in brackets from Brandon Yeary Panica

0:51:17.800 --> 0:51:20.240
<v Speaker 5>the Disco too thouther Than a nine rock bin famous

0:51:20.239 --> 0:51:23.520
<v Speaker 5>for hits such as I write things on tragedy brackets.

0:51:24.640 --> 0:51:26.560
<v Speaker 1>That's actually very hard for me as a radio announcer

0:51:26.560 --> 0:51:28.840
<v Speaker 1>because I don't know where to stop. I don't know

0:51:28.880 --> 0:51:31.000
<v Speaker 1>what to say. There's a new song on the playlist

0:51:31.040 --> 0:51:32.880
<v Speaker 1>now right, let me find it, and there are that

0:51:33.000 --> 0:51:35.520
<v Speaker 1>many fucking people on it, but I just give up.

0:51:35.719 --> 0:51:37.960
<v Speaker 1>I only say one the most well known. Here we go,

0:51:38.080 --> 0:51:41.320
<v Speaker 1>so this is better days His Better Days featuring Nekered

0:51:41.360 --> 0:51:44.880
<v Speaker 1>Made mul Apollo g and Alisha.

0:51:44.920 --> 0:51:45.759
<v Speaker 4>Are you probably need to.

0:51:45.760 --> 0:51:48.160
<v Speaker 1>Say that now? And what did Alisha do? Alicia probably

0:51:48.160 --> 0:51:51.400
<v Speaker 1>came up with just not Alicia Keys, just Alicia.

0:51:51.600 --> 0:51:54.800
<v Speaker 4>Just Alisha like thank everyone, may all thank the cleaner.

0:51:54.920 --> 0:51:59.880
<v Speaker 1>Leish thanks, Yeah, that's exactly right. Nicole did get us

0:52:00.040 --> 0:52:02.680
<v Speaker 1>last water when we sang and that helped. How do

0:52:02.760 --> 0:52:09.319
<v Speaker 1>you the credits too much? AnyWho? Do you know? Did

0:52:09.320 --> 0:52:11.200
<v Speaker 1>we tell a story about how the other night when

0:52:11.200 --> 0:52:14.520
<v Speaker 1>we were out four all right, Hay his birthday, we

0:52:14.600 --> 0:52:17.160
<v Speaker 1>got the security guard to listen to our show and

0:52:17.160 --> 0:52:18.840
<v Speaker 1>he did listen to it. Oh that's right.

0:52:18.960 --> 0:52:20.879
<v Speaker 4>We were like, how did that even come up?

0:52:21.400 --> 0:52:23.719
<v Speaker 5>I do remember telling the bouncer to look up our

0:52:23.719 --> 0:52:26.279
<v Speaker 5>podcast and he like, he did it and found it

0:52:26.320 --> 0:52:27.800
<v Speaker 5>on Spotify, and he held the phone with here for

0:52:27.840 --> 0:52:28.480
<v Speaker 5>about three.

0:52:28.320 --> 0:52:30.759
<v Speaker 4>Seconds and goes, yeah, you got the funny and I

0:52:30.840 --> 0:52:32.560
<v Speaker 4>was like, how do you know from no?

0:52:32.760 --> 0:52:35.279
<v Speaker 1>So he goes, you need your idea? You signed in

0:52:35.280 --> 0:52:37.000
<v Speaker 1>and said Mitch. I signed in and said Mitch. He went,

0:52:37.040 --> 0:52:38.640
<v Speaker 1>oh you're both Mitch and I went we're a couple

0:52:38.640 --> 0:52:40.640
<v Speaker 1>of mitches and we laughed and then I went, should

0:52:40.680 --> 0:52:42.880
<v Speaker 1>do a podcast hahahd.

0:52:42.280 --> 0:52:43.520
<v Speaker 4>Check out our award when he podcast.

0:52:43.840 --> 0:52:45.520
<v Speaker 1>Yeah, and then we went we actually do and he got,

0:52:45.520 --> 0:52:47.680
<v Speaker 1>oh this is funny A and then we're like, didn't listen.

0:52:48.040 --> 0:52:49.600
<v Speaker 1>My sister came by an hour later, as you'll know,

0:52:49.680 --> 0:52:51.520
<v Speaker 1>because she was blind drug and you kissed her. I believe.

0:52:51.920 --> 0:52:52.120
<v Speaker 3>Yeah.

0:52:52.160 --> 0:52:54.279
<v Speaker 4>When you told me, because I don't recall this, when

0:52:54.280 --> 0:52:54.880
<v Speaker 4>you told.

0:52:54.640 --> 0:52:56.560
<v Speaker 5>Me that I fucking kissed your sister, I was like,

0:52:56.600 --> 0:52:57.520
<v Speaker 5>that's very out of character.

0:52:57.520 --> 0:52:59.800
<v Speaker 4>Why would do that? And then I realized that you

0:53:00.000 --> 0:53:01.200
<v Speaker 4>took a photo and I was like, oh, I did

0:53:01.200 --> 0:53:03.759
<v Speaker 4>it for content. That makes sense. That's the only reason

0:53:03.800 --> 0:53:04.320
<v Speaker 4>I would have done it.

0:53:04.320 --> 0:53:07.719
<v Speaker 1>AD and she was a cop, meself, I was police force.

0:53:07.719 --> 0:53:11.840
<v Speaker 1>ADS gifted gifted this female cop to kids. And I

0:53:11.920 --> 0:53:13.960
<v Speaker 1>went out to get my sister an hour later and

0:53:14.040 --> 0:53:17.759
<v Speaker 1>he was like, oh, it's so good. Eight and an

0:53:17.760 --> 0:53:19.920
<v Speaker 1>hour later because he showed me his phone and android.

0:53:19.920 --> 0:53:22.200
<v Speaker 1>It was disgusting. Yeah, but our heads were there. It

0:53:22.239 --> 0:53:23.040
<v Speaker 1>was very sweet.

0:53:23.920 --> 0:53:25.520
<v Speaker 4>Shouldn't his mind have been more on the job.

0:53:25.880 --> 0:53:27.759
<v Speaker 5>There could have been several King hits during that time,

0:53:27.800 --> 0:53:29.520
<v Speaker 5>and he's just fits himself a Jennef duck.

0:53:30.880 --> 0:53:31.760
<v Speaker 4>It's a good segment.

0:53:32.120 --> 0:53:34.279
<v Speaker 1>That's a great segment. It's a great segment. But isn't

0:53:34.280 --> 0:53:36.959
<v Speaker 1>that funny? That's such that's old school marketing. That's one

0:53:37.040 --> 0:53:40.960
<v Speaker 1>new organic listener we've got from death from word of mouth.

0:53:41.400 --> 0:53:43.080
<v Speaker 4>I love a bit of word of mouth. I reckon.

0:53:43.400 --> 0:53:47.480
<v Speaker 5>I've tripled my massage therapist, Leone's client base by just saying,

0:53:47.719 --> 0:53:48.600
<v Speaker 5>had a massage today.

0:53:48.640 --> 0:53:50.480
<v Speaker 4>It was great. Who was with a Leoni sent them

0:53:50.480 --> 0:53:52.120
<v Speaker 4>a link? All my friends go to the one house?

0:53:52.320 --> 0:53:56.560
<v Speaker 1>Yeah. Yeah, and word of mouth is very undervalued. Yeah, powerful,

0:53:56.640 --> 0:53:59.319
<v Speaker 1>especially if someone you respect tells you something that you

0:53:59.360 --> 0:53:59.920
<v Speaker 1>want or need.

0:54:00.320 --> 0:54:02.560
<v Speaker 4>So tell a friend about this podcast today.

0:54:03.000 --> 0:54:05.359
<v Speaker 1>Yeah, I actually love that if you can tell friend. Also, guys,

0:54:05.360 --> 0:54:07.040
<v Speaker 1>don't forget you can leave us a review. It actually

0:54:07.120 --> 0:54:09.120
<v Speaker 1>keeps us going on the cloud. It's very appreciated.

0:54:09.719 --> 0:54:10.800
<v Speaker 4>It'd be pretty hard to forget.

0:54:10.800 --> 0:54:13.560
<v Speaker 5>We've fucking told them a million times no, and yet

0:54:13.560 --> 0:54:15.080
<v Speaker 5>there's some that just haven't done it yet.

0:54:15.320 --> 0:54:17.920
<v Speaker 1>You know, I was teeing up. I've got an interview

0:54:17.960 --> 0:54:21.040
<v Speaker 1>with Jess Malboy for my radio show. Actually, yeah, we

0:54:21.080 --> 0:54:22.680
<v Speaker 1>have one for the podcast too. Oh my gosh, she's

0:54:22.719 --> 0:54:23.960
<v Speaker 1>on the podcast too. Yeah, you're right.

0:54:24.040 --> 0:54:24.239
<v Speaker 4>Yeah.

0:54:24.320 --> 0:54:25.960
<v Speaker 5>So in the next couple of weeks are we doing

0:54:26.000 --> 0:54:27.960
<v Speaker 5>that in the same day your radio as well as that.

0:54:28.040 --> 0:54:31.959
<v Speaker 5>I'm straight after Oh okay, yeah, we're just seeing I'll

0:54:32.000 --> 0:54:32.239
<v Speaker 5>be there.

0:54:32.320 --> 0:54:32.520
<v Speaker 1>Yeah.

0:54:32.560 --> 0:54:34.640
<v Speaker 4>I don't know if I told you. I locked that into.

0:54:35.000 --> 0:54:36.799
<v Speaker 1>Jess Malboy coming up for her new song. But the

0:54:36.840 --> 0:54:38.399
<v Speaker 1>label messes me like, oh, I ma, you ever get

0:54:38.400 --> 0:54:40.440
<v Speaker 1>to push Jess's new song Glow. They can stream it

0:54:40.440 --> 0:54:42.400
<v Speaker 1>anywhere or buy it for one ninety nine on iTunes.

0:54:42.840 --> 0:54:46.200
<v Speaker 1>I don't. I don't think that's how it works these days.

0:54:46.360 --> 0:54:48.040
<v Speaker 5>That used to be such a thing. It was like

0:54:48.080 --> 0:54:51.400
<v Speaker 5>a catchphrase in twenty twelve. Buy out Papa iTunes.

0:54:51.480 --> 0:54:53.400
<v Speaker 1>Yeah, have you heard a new Jess Mailboy?

0:54:53.719 --> 0:54:54.640
<v Speaker 4>Yeah.

0:54:54.680 --> 0:54:56.880
<v Speaker 5>They sent me an advanced version of the label and

0:54:56.920 --> 0:54:58.160
<v Speaker 5>I was like, oh, here we go.

0:54:58.239 --> 0:54:59.839
<v Speaker 4>I'm gonna have to be polite, but no, it's good.

0:55:01.200 --> 0:55:05.080
<v Speaker 1>Welcome to my future reality a rum.

0:55:05.600 --> 0:55:06.560
<v Speaker 8>Play the.

0:55:08.360 --> 0:55:10.840
<v Speaker 1>Chorus with my head all day, the little whisper in

0:55:10.840 --> 0:55:12.800
<v Speaker 1>the background, forget it.

0:55:14.680 --> 0:55:18.160
<v Speaker 5>You want me to check we're allowed to play this

0:55:18.320 --> 0:55:19.840
<v Speaker 5>with copyright because we're critiquing it.

0:55:19.960 --> 0:55:23.760
<v Speaker 1>Yes, so we're talking to her. Yeah, this is training.

0:55:25.600 --> 0:55:26.080
<v Speaker 1>That's good.

0:55:28.000 --> 0:55:28.360
<v Speaker 9>You know.

0:55:30.800 --> 0:55:38.160
<v Speaker 1>You will just be nu. Let me. Just's very good.

0:55:38.360 --> 0:55:41.200
<v Speaker 1>I really like that little dumb, forget it. My favorite

0:55:41.200 --> 0:55:43.560
<v Speaker 1>part let's meet a party, when someone goes, hi, I'm David,

0:55:43.600 --> 0:55:44.719
<v Speaker 1>they do forget it?

0:55:46.440 --> 0:55:48.320
<v Speaker 5>I think My favorite jests one because you know I

0:55:48.400 --> 0:55:51.560
<v Speaker 5>love a belt and an email ballam. My favorite is

0:55:51.840 --> 0:55:54.520
<v Speaker 5>little Things. Oh that's a good I love the last

0:55:54.600 --> 0:55:56.239
<v Speaker 5>chorus when she goes a bit manic.

0:55:58.600 --> 0:56:02.200
<v Speaker 1>The game about the wide things, go.

0:56:02.239 --> 0:56:05.440
<v Speaker 4>To the last chorus and what maybe this is it? No,

0:56:05.520 --> 0:56:10.160
<v Speaker 4>it's not, give it further, you don't get here. Eventually

0:56:10.160 --> 0:56:11.080
<v Speaker 4>goes at manneic.

0:56:12.600 --> 0:56:15.879
<v Speaker 1>Little thinking of and why didn't he put me through?

0:56:17.520 --> 0:56:18.680
<v Speaker 1>Why didn't I get a touchdown?

0:56:20.480 --> 0:56:21.040
<v Speaker 4>Kidding me.

0:56:28.160 --> 0:56:28.560
<v Speaker 1>A kid?

0:56:33.760 --> 0:56:38.239
<v Speaker 4>Imagine coming home to the vat yelling at you, Yeah,

0:56:38.680 --> 0:56:41.040
<v Speaker 4>God did the din't even make me?

0:56:41.840 --> 0:56:42.399
<v Speaker 1>Now? The best?

0:56:42.520 --> 0:56:42.759
<v Speaker 5>Just now?

0:56:42.800 --> 0:56:43.640
<v Speaker 1>My song of all time?

0:56:48.760 --> 0:56:49.560
<v Speaker 4>I don't think so.

0:56:50.480 --> 0:56:51.439
<v Speaker 1>Yeah, wait for a little.

0:56:52.520 --> 0:56:55.680
<v Speaker 4>I know the song, but that's not her best one.

0:56:56.719 --> 0:56:57.480
<v Speaker 1>It's very brittany.

0:56:57.520 --> 0:56:57.920
<v Speaker 8>Wait for the.

0:57:02.120 --> 0:57:02.520
<v Speaker 1>That's good.

0:57:02.600 --> 0:57:05.759
<v Speaker 4>I'm damn that's the other good song of hers. It's

0:57:05.840 --> 0:57:07.040
<v Speaker 4>like that one that everyone knows.

0:57:08.080 --> 0:57:12.520
<v Speaker 1>Ah Jess has burn burn Oh yeah.

0:57:12.640 --> 0:57:13.960
<v Speaker 4>Jannet's favorite. She loves burning.

0:57:17.160 --> 0:57:22.439
<v Speaker 1>No, no, no, sorry, that was a real gamble, guys.

0:57:23.400 --> 0:57:25.120
<v Speaker 1>It was just burn the hook.

0:57:26.400 --> 0:57:28.800
<v Speaker 5>I couldn't picked that next thing, it'll be early golding

0:57:28.880 --> 0:57:30.880
<v Speaker 5>and they gotta let it by and bye and bye.

0:57:31.320 --> 0:57:33.360
<v Speaker 1>This is Burn Hook Burn, And.

0:57:36.040 --> 0:57:37.800
<v Speaker 4>How are you type in the artist name as well?

0:57:38.800 --> 0:57:40.040
<v Speaker 4>That's how the system works.

0:57:41.080 --> 0:57:44.200
<v Speaker 1>Oh this is God, this is Brittany. He sounds like toxic.

0:57:48.240 --> 0:57:53.280
<v Speaker 1>Away Lie Lie, Lie on the streets.

0:57:56.000 --> 0:57:58.120
<v Speaker 4>Maybe this isn't the best one now the hook is.

0:58:00.360 --> 0:58:10.360
<v Speaker 1>Believe on some radio trivia when we when we have

0:58:10.640 --> 0:58:13.280
<v Speaker 1>in Sydney or in Australia, really bad bush fires, we

0:58:13.400 --> 0:58:15.720
<v Speaker 1>have to remove somethings like this from the playlist. Oh yes,

0:58:16.000 --> 0:58:16.360
<v Speaker 1>yeah you do.

0:58:16.480 --> 0:58:18.320
<v Speaker 5>And if there's a flood you have to remove things

0:58:18.440 --> 0:58:20.000
<v Speaker 5>like I don't know it's raining men.

0:58:20.160 --> 0:58:21.760
<v Speaker 4>Yes, it's a bit insensitive, you know.

0:58:21.880 --> 0:58:24.600
<v Speaker 6>On WS they don't remove it. So during the bush fires,

0:58:24.840 --> 0:58:26.840
<v Speaker 6>every day they played we didn't start the fire.

0:58:27.960 --> 0:58:31.480
<v Speaker 1>Oh dear you guys also still play Michael Jackson at

0:58:31.520 --> 0:58:32.640
<v Speaker 1>the height of that, Yeah you still.

0:58:32.680 --> 0:58:34.840
<v Speaker 6>But not during Jones and Amanda because they won't let.

0:58:34.920 --> 0:58:37.560
<v Speaker 1>Oh good yeh see Amanda is progressive and during.

0:58:37.400 --> 0:58:39.640
<v Speaker 4>COVID Kiss definitely had to put a bit of pause on.

0:58:40.400 --> 0:58:45.480
<v Speaker 5>Then anyone out there that's getting harder and harder, go on,

0:58:46.120 --> 0:58:48.919
<v Speaker 5>go on leave Me Breathless.

0:58:49.600 --> 0:58:53.920
<v Speaker 4>We flap that a lot? Who the fuck things that?

0:58:54.040 --> 0:59:00.400
<v Speaker 1>Again? Also the course, what's the WSFM song that plays

0:59:00.440 --> 0:59:03.080
<v Speaker 1>when you go off air your backup tape?

0:59:03.160 --> 0:59:06.480
<v Speaker 6>Solid rock rock? Yeah, he played the other day during

0:59:06.560 --> 0:59:07.440
<v Speaker 6>Remembrance Day.

0:59:10.360 --> 0:59:12.400
<v Speaker 4>You know what the rock FM one was? When I

0:59:12.440 --> 0:59:13.960
<v Speaker 4>worked at ninety five five the rock?

0:59:14.280 --> 0:59:14.680
<v Speaker 1>What was it?

0:59:15.080 --> 0:59:15.600
<v Speaker 4>In Parks?

0:59:15.640 --> 0:59:19.120
<v Speaker 5>It was try by Pink and their theory was that

0:59:19.280 --> 0:59:21.360
<v Speaker 5>if there's been a long silence, you don't want like

0:59:21.400 --> 0:59:23.959
<v Speaker 5>a big bong song to like give people a fright.

0:59:24.000 --> 0:59:25.880
<v Speaker 5>It's kind of got a gentle build up. But I

0:59:25.960 --> 0:59:27.520
<v Speaker 5>think it's a little bit too quiet because I'm like,

0:59:27.560 --> 0:59:29.480
<v Speaker 5>we're still off air. Oh no, I tries playing for

0:59:29.520 --> 0:59:41.880
<v Speaker 5>twenty seconds played try by Pink coming. See that's even.

0:59:41.680 --> 0:59:42.920
<v Speaker 1>More tense than the silence.

0:59:43.000 --> 0:59:44.960
<v Speaker 5>That's not right because there's no one talking over it

0:59:46.120 --> 0:59:49.600
<v Speaker 5>up to the post if you will, that's not right.

0:59:49.720 --> 0:59:54.240
<v Speaker 6>Well what about turing Remembrance Day? Fifteen seconds passes after

0:59:54.360 --> 0:59:56.080
<v Speaker 6>the do you know that?

0:59:56.200 --> 0:59:56.400
<v Speaker 4>Yeah?

0:59:56.400 --> 0:59:57.720
<v Speaker 1>The bugle the last.

0:59:57.520 --> 1:00:00.080
<v Speaker 6>Post and then play solid rock by going.

1:00:00.000 --> 1:00:05.560
<v Speaker 4>Oh that's quite jarring, isn't it. Yeah, there's no flow

1:00:05.640 --> 1:00:17.760
<v Speaker 4>going on there, no, no get the right one? This

1:00:17.880 --> 1:00:21.920
<v Speaker 4>stuffs like, oh, this is a boomer audience.

1:00:21.560 --> 1:00:24.560
<v Speaker 6>Who are listening. We've got many complaints.

1:00:24.480 --> 1:00:28.040
<v Speaker 4>About what this is coming on during the minute silence.

1:00:29.160 --> 1:00:32.440
<v Speaker 6>We're observing, remember it stay and solid rock comes on.

1:00:33.560 --> 1:00:34.960
<v Speaker 4>Oh my god, that is so funny.

1:00:34.960 --> 1:00:38.400
<v Speaker 5>Imagine all the fucking idiots crowded around ws FM being like, yeah,

1:00:38.440 --> 1:00:41.720
<v Speaker 5>we're going to tune into silence, and then they get this.

1:00:43.000 --> 1:00:45.560
<v Speaker 4>I wanted shush one of them to turn aroundy off. Fuckheads.

1:00:47.040 --> 1:00:48.200
<v Speaker 4>There you go there with your silence.

1:00:48.480 --> 1:00:50.120
<v Speaker 5>You could have ten minutes silence if you really want

1:00:50.160 --> 1:00:54.120
<v Speaker 5>to remember, Yes, you control the silence that should be

1:00:54.200 --> 1:00:54.880
<v Speaker 5>on catch fraise?

1:00:55.000 --> 1:00:55.360
<v Speaker 1>Is it just me?

1:00:55.520 --> 1:00:56.600
<v Speaker 4>You control the silence?

1:00:57.360 --> 1:00:57.800
<v Speaker 6>That's good.

1:01:00.320 --> 1:01:01.160
<v Speaker 1>You control the action.

1:01:02.080 --> 1:01:04.160
<v Speaker 4>Jamber Roue looks so shit.

1:01:04.360 --> 1:01:05.120
<v Speaker 1>Have you never been?

1:01:05.240 --> 1:01:06.800
<v Speaker 6>I know I've never been to Gemuy.

1:01:06.840 --> 1:01:08.720
<v Speaker 1>We went for you twelve celebrations.

1:01:09.240 --> 1:01:12.760
<v Speaker 4>It looks like the most fucking revolting theme.

1:01:12.880 --> 1:01:15.840
<v Speaker 6>Bi ever, jem I always wanted to go to Jambre.

1:01:16.920 --> 1:01:19.960
<v Speaker 5>Imagine how many sgis have been cut up and down

1:01:20.000 --> 1:01:20.880
<v Speaker 5>those water slides.

1:01:21.000 --> 1:01:22.680
<v Speaker 4>Oh, the eyes.

1:01:22.440 --> 1:01:28.120
<v Speaker 7>Everywhere, those cut things that go around cars, carts, the toboggan.

1:01:28.280 --> 1:01:30.360
<v Speaker 6>Yeah, something where you're not in swimming costume.

1:01:30.440 --> 1:01:32.800
<v Speaker 1>No, there is a toboggan there. Yes, they've also got

1:01:32.880 --> 1:01:35.560
<v Speaker 1>boggan again. You toboggan is a toboggo is a metal

1:01:35.640 --> 1:01:37.160
<v Speaker 1>slide where you're in a little thing with a lever.

1:01:38.000 --> 1:01:39.880
<v Speaker 1>The best toboggan in Australia the Big Banana.

1:01:41.560 --> 1:01:44.520
<v Speaker 4>The Big Banana also sucks. I just came back from

1:01:44.600 --> 1:01:48.480
<v Speaker 4>Byron and the Big Prawn is ship just saying.

1:01:48.840 --> 1:01:50.360
<v Speaker 1>You know where I've been that. I don't think anyone

1:01:50.400 --> 1:01:51.800
<v Speaker 1>else has been a big slipy.

1:01:52.480 --> 1:01:55.280
<v Speaker 5>There's a big slippy, Yeah, but you drank the whole thing.

1:01:55.320 --> 1:01:58.080
<v Speaker 5>You're fucking pig gone empty.

1:01:59.280 --> 1:01:59.920
<v Speaker 1>Let me find it.

1:02:00.920 --> 1:02:03.600
<v Speaker 5>There's a big bogan in Ningen, which was quite controversial

1:02:03.640 --> 1:02:06.400
<v Speaker 5>with bogen Gate. Were like, wouldn't we get that landmark

1:02:06.400 --> 1:02:10.040
<v Speaker 5>and ning it's not far from bogen Gate Ningen.

1:02:09.760 --> 1:02:13.040
<v Speaker 10>Ningen n y n g a n careful here the

1:02:13.080 --> 1:02:16.480
<v Speaker 10>big Slurpy what is that again? Not that fucking big No, no,

1:02:16.600 --> 1:02:19.680
<v Speaker 10>it is the Big Slurpy visited or drink it?

1:02:19.720 --> 1:02:20.800
<v Speaker 1>I don't know where the you know.

1:02:20.760 --> 1:02:22.160
<v Speaker 4>What else was going to take you to when we

1:02:22.240 --> 1:02:23.760
<v Speaker 4>went went to Bogenay, which is no longer happened.

1:02:23.800 --> 1:02:25.520
<v Speaker 1>We've gotta go look.

1:02:25.440 --> 1:02:28.640
<v Speaker 4>Up utes in the paddock it's an art exhibition near

1:02:28.720 --> 1:02:29.240
<v Speaker 4>bogen Gate.

1:02:29.320 --> 1:02:31.560
<v Speaker 5>It's literally what it sounds like. It's a bunch of

1:02:31.680 --> 1:02:33.600
<v Speaker 5>utes in a paddock, but they've like done them up.

1:02:33.640 --> 1:02:35.800
<v Speaker 5>They're real cute. Like one's like a veggie might jar.

1:02:36.320 --> 1:02:38.680
<v Speaker 5>One of the utes has like Dame Edna on a portoloo.

1:02:38.920 --> 1:02:39.720
<v Speaker 4>Oh cool.

1:02:40.240 --> 1:02:42.320
<v Speaker 5>It's like an emy looking one. See look at this

1:02:42.680 --> 1:02:44.280
<v Speaker 5>google in the padan.

1:02:44.640 --> 1:02:46.960
<v Speaker 4>One of them's a beer bottle something like that.

1:02:47.240 --> 1:02:47.880
<v Speaker 1>In the States.

1:02:48.320 --> 1:02:50.080
<v Speaker 4>Fuck off, it's not as good as utes in the

1:02:50.120 --> 1:02:54.120
<v Speaker 4>paddic in uther in USA. Yeah, that's the suburb. If

1:02:54.120 --> 1:02:56.040
<v Speaker 4>you will near kondivele bogen Gate.

1:02:56.200 --> 1:02:57.000
<v Speaker 1>Uther good to know.

1:02:57.800 --> 1:02:59.400
<v Speaker 6>Ye, Well, I wish we were going.

1:03:00.040 --> 1:03:01.240
<v Speaker 4>You won't invite. It's this Mitch.

1:03:04.120 --> 1:03:05.760
<v Speaker 1>You've got to fill in show to focus.

1:03:06.040 --> 1:03:07.520
<v Speaker 4>No, I think in Jenna. It would be easy for

1:03:07.600 --> 1:03:09.360
<v Speaker 4>Jenna to come because she'll be in Dubbo probably.

1:03:09.560 --> 1:03:11.360
<v Speaker 1>I think we can go. Guys, between you and me,

1:03:11.840 --> 1:03:13.840
<v Speaker 1>I don't think LA is a good move. Hayden's very

1:03:13.920 --> 1:03:15.800
<v Speaker 1>upset because he was very excited. But I've got too

1:03:15.880 --> 1:03:16.200
<v Speaker 1>much to do.

1:03:16.560 --> 1:03:19.040
<v Speaker 4>Has he thought about doing things without you before?

1:03:19.920 --> 1:03:22.400
<v Speaker 1>Yeah, but we both have. We never have time off together,

1:03:22.680 --> 1:03:24.760
<v Speaker 1>so a holiday together is what we want to do well.

1:03:24.840 --> 1:03:26.560
<v Speaker 4>Yeah, it's not like you're never going to have another

1:03:26.600 --> 1:03:27.240
<v Speaker 4>holiday together.

1:03:27.480 --> 1:03:32.560
<v Speaker 1>No, I know, but we yes, I know we will anyway.

1:03:32.680 --> 1:03:33.120
<v Speaker 4>I feel like.

1:03:33.120 --> 1:03:35.840
<v Speaker 5>If I was in a relationship, god, I reckon, I'd

1:03:35.920 --> 1:03:37.320
<v Speaker 5>value that fucking alone time a lot.

1:03:37.960 --> 1:03:41.120
<v Speaker 1>I've said this before, and it's getting worse. I value

1:03:41.160 --> 1:03:43.080
<v Speaker 1>my alone time so much because I wake up, Hayden's

1:03:43.080 --> 1:03:45.160
<v Speaker 1>working from home, so I can't have my coffee.

1:03:45.080 --> 1:03:48.439
<v Speaker 4>Alone, and he can't shit, so it's very cramped.

1:03:48.120 --> 1:03:50.560
<v Speaker 1>And very cramped as am I. And then by the

1:03:50.640 --> 1:03:52.680
<v Speaker 1>time I leave for work at three o'clock in the afternoon,

1:03:53.080 --> 1:03:55.120
<v Speaker 1>Hayden is still there working. So I then go to

1:03:55.200 --> 1:03:57.320
<v Speaker 1>work and work, Hayden has free time in the afternoon.

1:03:57.400 --> 1:03:59.920
<v Speaker 1>I get home, Hayden's still awake at eleven o'clock at night.

1:04:00.120 --> 1:04:01.920
<v Speaker 1>So anytime I'm at home, Hayden is there.

1:04:03.280 --> 1:04:05.640
<v Speaker 5>Oh God, they're going to use this audio in court

1:04:05.760 --> 1:04:07.120
<v Speaker 5>when he eventually murders Hayden.

1:04:07.280 --> 1:04:12.640
<v Speaker 1>He's always there and I love it. And there's no

1:04:12.760 --> 1:04:13.480
<v Speaker 1>knives in the house.

1:04:16.600 --> 1:04:21.120
<v Speaker 4>I've got no shovels in the backyard, none, I.

1:04:21.160 --> 1:04:21.840
<v Speaker 6>Don't own one.

1:04:21.920 --> 1:04:23.600
<v Speaker 1>I'll bury him in sewerage, put him in the pit

1:04:24.720 --> 1:04:25.800
<v Speaker 1>like your little dog John.

1:04:26.000 --> 1:04:27.200
<v Speaker 4>Yeah, we're also going to do that. I was going

1:04:27.240 --> 1:04:28.440
<v Speaker 4>to take him with the ship pit that my dog

1:04:28.520 --> 1:04:28.960
<v Speaker 4>drowned him.

1:04:29.200 --> 1:04:30.440
<v Speaker 1>I was going to christen it with sage.

1:04:31.960 --> 1:04:32.400
<v Speaker 4>Christen it.

1:04:32.560 --> 1:04:35.640
<v Speaker 5>Make a memorial for John, right, Okay, he already has one.

1:04:35.720 --> 1:04:38.160
<v Speaker 5>Dad made a cross, really yeah, but I'll paint it,

1:04:39.160 --> 1:04:39.440
<v Speaker 5>make it.

1:04:39.560 --> 1:04:40.080
<v Speaker 4>You don't need to.

1:04:40.200 --> 1:04:43.760
<v Speaker 5>Dad already welded rip Johnny into it because it's it's steel.

1:04:44.440 --> 1:04:46.640
<v Speaker 1>Imagine when they sell that house and they go and

1:04:46.720 --> 1:04:49.320
<v Speaker 1>here's the ship pit that you know doesn't need much maintenance,

1:04:49.520 --> 1:04:52.720
<v Speaker 1>and they think a child has fallen into it because Johnny.

1:04:52.400 --> 1:04:56.040
<v Speaker 4>Yeah, know that that cross isn't next to the sewerage.

1:04:56.080 --> 1:04:56.880
<v Speaker 4>There's that dick tank.

1:04:56.920 --> 1:04:59.800
<v Speaker 5>It's we've've basically got a fucking cemetery in our house.

1:04:59.800 --> 1:05:02.360
<v Speaker 5>It's a bunch of dead pets buried there. My guinea pig, Rustle,

1:05:03.000 --> 1:05:06.200
<v Speaker 5>band It, Cuzy, lot of dogs that are died.

1:05:06.320 --> 1:05:08.960
<v Speaker 1>You really flip flop between human names and fun names.

1:05:09.040 --> 1:05:11.680
<v Speaker 5>I know, we've got fucking We've got like a bandit

1:05:12.280 --> 1:05:14.240
<v Speaker 5>and then we've got Julie.

1:05:14.560 --> 1:05:15.120
<v Speaker 1>That's funny.

1:05:15.480 --> 1:05:17.000
<v Speaker 4>But I'm the one that's going to have to deal

1:05:17.040 --> 1:05:19.320
<v Speaker 4>with selling the farm eventually. Once mom and Dad carget.

1:05:19.800 --> 1:05:21.600
<v Speaker 1>You'll sell it or you'll quit all of your media

1:05:21.640 --> 1:05:26.680
<v Speaker 1>gigs and move to bogan Gate. Absolutely not. You could

1:05:26.680 --> 1:05:27.640
<v Speaker 1>do the show from bogen Gate.

1:05:27.680 --> 1:05:29.920
<v Speaker 5>We should Actually maybe I'll maybe I'll lease the land,

1:05:30.080 --> 1:05:31.760
<v Speaker 5>but I'll keep the house and I can just get

1:05:31.800 --> 1:05:33.920
<v Speaker 5>fucked up every few weekends there to take friends out.

1:05:34.400 --> 1:05:36.360
<v Speaker 5>I've got a place in the country you could do.

1:05:36.480 --> 1:05:38.760
<v Speaker 5>We can burnouts and Hayden I get married on the

1:05:38.800 --> 1:05:42.760
<v Speaker 5>property if you want. Underneath the pine trees, mind the

1:05:42.800 --> 1:05:44.160
<v Speaker 5>pine cones, it's falling down.

1:05:44.240 --> 1:05:45.440
<v Speaker 1>We'll have to put it in the dress so the

1:05:45.480 --> 1:05:48.080
<v Speaker 1>locals think it's a woman. You've taken off quickly in

1:05:48.080 --> 1:05:48.600
<v Speaker 1>the barn, and.

1:05:48.600 --> 1:05:49.320
<v Speaker 4>I'll be the best man.

1:05:51.520 --> 1:05:55.800
<v Speaker 1>Please, Can I tell you n you've died at this point,

1:05:57.080 --> 1:05:59.560
<v Speaker 1>I will still be there in spirit. I've got to

1:05:59.600 --> 1:06:01.920
<v Speaker 1>con undermis is getting married the one that you kissed.

1:06:02.240 --> 1:06:05.080
<v Speaker 4>Yep, and now she God, I didn't realize she was cheating.

1:06:05.200 --> 1:06:06.040
<v Speaker 4>She's tasted you.

1:06:06.760 --> 1:06:09.520
<v Speaker 1>No, she's getting married to her straight husband and they're

1:06:09.520 --> 1:06:12.000
<v Speaker 1>getting married in January. Anyway, I think he feels pressured

1:06:12.040 --> 1:06:13.919
<v Speaker 1>to have asked me to be in his groom's party

1:06:13.920 --> 1:06:16.880
<v Speaker 1>because he has. And now I'm in with his best man.

1:06:16.920 --> 1:06:18.320
<v Speaker 1>I've only known him for a year and a half,

1:06:18.720 --> 1:06:20.640
<v Speaker 1>but I'm much rather. Becky's like, we won't you involved

1:06:20.640 --> 1:06:22.680
<v Speaker 1>in the wedding at a higher capacity than just a guest.

1:06:23.160 --> 1:06:25.720
<v Speaker 1>So I'm like, then put me in your group in

1:06:25.840 --> 1:06:28.680
<v Speaker 1>your bridal party. And she's like, oh, tradition, it's got

1:06:28.760 --> 1:06:29.240
<v Speaker 1>to be girls.

1:06:29.480 --> 1:06:31.120
<v Speaker 4>I'm like, gender Rolves does it?

1:06:31.280 --> 1:06:33.240
<v Speaker 1>I know right. I'm like, no, so now I'm with

1:06:33.360 --> 1:06:35.680
<v Speaker 1>all the straight boys. She had her Hen's party on

1:06:35.720 --> 1:06:39.880
<v Speaker 1>the weekend. Looks so much fun, Hail Stripper, Dick Straw's

1:06:40.080 --> 1:06:42.440
<v Speaker 1>cake pink. I'm like, that is where I want to be.

1:06:42.680 --> 1:06:44.720
<v Speaker 1>But no, I've got to go to the City Tattersall's

1:06:44.760 --> 1:06:48.600
<v Speaker 1>boys showers and then go watch a fucking greyhound race

1:06:48.720 --> 1:06:52.800
<v Speaker 1>or something. I know I completely agree, but how did

1:06:52.840 --> 1:06:53.320
<v Speaker 1>I voice that?

1:06:53.520 --> 1:06:54.360
<v Speaker 4>Why did the Yeah?

1:06:54.400 --> 1:06:56.160
<v Speaker 5>He definitely it was a pity invite being part of

1:06:56.200 --> 1:06:58.840
<v Speaker 5>the bridal party and them saying we want you involved

1:06:58.880 --> 1:06:59.960
<v Speaker 5>in a higher capacity.

1:07:00.040 --> 1:07:01.760
<v Speaker 4>You should have said, no, weddings are better when I

1:07:01.800 --> 1:07:02.600
<v Speaker 4>don't have a job at it.

1:07:02.760 --> 1:07:04.880
<v Speaker 5>No. I did so much at my sister's wedding. I

1:07:05.000 --> 1:07:07.360
<v Speaker 5>was emsy and I did all the photography.

1:07:07.680 --> 1:07:11.000
<v Speaker 1>I am also emc Yeah, that's enough. That's a pretty

1:07:11.040 --> 1:07:13.200
<v Speaker 1>big gathidy. Now I'm in the grooms and party, which

1:07:13.200 --> 1:07:15.280
<v Speaker 1>is beautiful and it's such a nice gesture. I'm so touched.

1:07:15.440 --> 1:07:18.560
<v Speaker 1>But I would and I honestly am, but I would

1:07:18.600 --> 1:07:20.320
<v Speaker 1>have rather be involved with the women.

1:07:21.040 --> 1:07:21.240
<v Speaker 4>Yeah.

1:07:21.280 --> 1:07:24.760
<v Speaker 5>I remember going full woke when Mitchell was like eighteen

1:07:24.800 --> 1:07:26.360
<v Speaker 5>or nineteen, when I said to Mum, can I come

1:07:26.400 --> 1:07:28.600
<v Speaker 5>to Nicole Tenn's party? And she was like, no, it's

1:07:28.680 --> 1:07:31.440
<v Speaker 5>just the girls and I was like, yeah, hence why

1:07:31.440 --> 1:07:32.920
<v Speaker 5>I'm asking not invited.

1:07:33.080 --> 1:07:35.520
<v Speaker 1>Yeah, but there's this girl, Becky. My sister is the

1:07:35.560 --> 1:07:37.600
<v Speaker 1>first to say, when you get married to Hayden, can

1:07:37.680 --> 1:07:40.080
<v Speaker 1>you please put me in your bridal party. I want

1:07:40.120 --> 1:07:42.800
<v Speaker 1>to wear a silver jumpsuit. I go, you don't need

1:07:42.880 --> 1:07:45.440
<v Speaker 1>a gay wedding to wear a silver jet You know

1:07:45.520 --> 1:07:46.600
<v Speaker 1>you can buy one now.

1:07:46.840 --> 1:07:48.280
<v Speaker 4>You can do that anytime Asos.

1:07:48.280 --> 1:07:50.480
<v Speaker 1>They're very cheap and they come in plus sizes. I

1:07:50.520 --> 1:07:53.439
<v Speaker 1>could get a matching one if I needed to. People

1:07:53.560 --> 1:07:56.040
<v Speaker 1>in their idea of gender very very silly.

1:07:56.960 --> 1:07:59.960
<v Speaker 5>What even happens at your gay wedding to your gay partner?

1:08:00.400 --> 1:08:03.000
<v Speaker 5>Do you walk down the aisle together with one meet

1:08:03.080 --> 1:08:06.240
<v Speaker 5>at the end walk do I have to gulf bugger

1:08:06.320 --> 1:08:08.560
<v Speaker 5>you down the aisle. Maybe we should do it on

1:08:08.640 --> 1:08:11.640
<v Speaker 5>a kill and you can toboggan down there a cat.

1:08:12.520 --> 1:08:15.200
<v Speaker 1>Oh my god of flying fox in like Jack when

1:08:15.200 --> 1:08:17.160
<v Speaker 1>did Oprah's Oprah House show?

1:08:18.120 --> 1:08:19.280
<v Speaker 6>Yeah, there was an injury.

1:08:19.400 --> 1:08:23.080
<v Speaker 1>I love that. Well, we've already discussed it. Hayden doesn't

1:08:23.120 --> 1:08:25.680
<v Speaker 1>have a dad that he would want to walk down

1:08:25.720 --> 1:08:27.040
<v Speaker 1>the aisle to give.

1:08:26.920 --> 1:08:29.439
<v Speaker 4>Him away, give him away. So that's also a bit

1:08:29.479 --> 1:08:30.719
<v Speaker 4>of a fuck tradition in itself.

1:08:30.800 --> 1:08:32.439
<v Speaker 1>I don't like one hundre.

1:08:32.920 --> 1:08:35.360
<v Speaker 4>My property is now your property, random man.

1:08:36.000 --> 1:08:37.880
<v Speaker 1>Oh, give you a pint of milk for my woman

1:08:38.240 --> 1:08:41.080
<v Speaker 1>to bear children for you, O boy a goat.

1:08:41.320 --> 1:08:43.400
<v Speaker 4>Yeah, anyway, what did you discuss?

1:08:43.520 --> 1:08:46.880
<v Speaker 1>Well, Hayden and Hayden's mother raised him essentially single, so

1:08:47.120 --> 1:08:48.560
<v Speaker 1>she will walk him down the aisle because they have

1:08:48.560 --> 1:08:51.240
<v Speaker 1>such a beautiful relationship and then I'll just I'll just

1:08:51.320 --> 1:08:52.400
<v Speaker 1>stay at the front, I guess.

1:08:52.600 --> 1:08:53.479
<v Speaker 4>So you're already at the front.

1:08:53.520 --> 1:08:56.720
<v Speaker 5>So it's kind of implied that Hayden's the bride and

1:08:56.840 --> 1:09:00.760
<v Speaker 5>you don't need to be given away, no, because there's

1:09:00.800 --> 1:09:03.800
<v Speaker 5>no way your parents would. They're like, no, make no mistake, Hade,

1:09:03.800 --> 1:09:04.559
<v Speaker 5>And it's still out.

1:09:04.640 --> 1:09:06.759
<v Speaker 1>There's a heavy talent the involved with giving me away,

1:09:06.840 --> 1:09:08.479
<v Speaker 1>so it's just cheaper if we just oh.

1:09:08.479 --> 1:09:10.920
<v Speaker 5>You wait, so you see the exorbitant talent fee that

1:09:10.960 --> 1:09:12.559
<v Speaker 5>I'm going to be charging for best man duties?

1:09:12.720 --> 1:09:13.720
<v Speaker 1>Oh really? Yeah?

1:09:13.840 --> 1:09:16.760
<v Speaker 5>Like by the hour shit, or the organizing for your

1:09:16.800 --> 1:09:19.759
<v Speaker 5>hen's party. Yeah, I'm gonna beat your voice by the hour.

1:09:19.800 --> 1:09:21.360
<v Speaker 1>When you know that I hate going out? Can you

1:09:21.400 --> 1:09:22.760
<v Speaker 1>make it end of eight? Yeah?

1:09:22.800 --> 1:09:25.120
<v Speaker 4>It'll be like a fucking high ta or something we do.

1:09:25.640 --> 1:09:27.519
<v Speaker 1>Can you just hire out a sushi train? I love that.

1:09:27.960 --> 1:09:29.679
<v Speaker 4>I was thinking maybe a donut king or something.

1:09:31.200 --> 1:09:32.920
<v Speaker 1>Just be cream near the airport with the machine in

1:09:33.000 --> 1:09:33.720
<v Speaker 1>it and you can watch them.

1:09:33.880 --> 1:09:35.200
<v Speaker 4>But we don't even go. I'll just bring them to

1:09:35.240 --> 1:09:35.599
<v Speaker 4>your plate.

1:09:35.640 --> 1:09:36.280
<v Speaker 5>Oh that's good.

1:09:37.520 --> 1:09:39.040
<v Speaker 1>Let's up. The toilet's a fixed by that point?

1:09:39.880 --> 1:09:40.080
<v Speaker 4>Yeah?

1:09:40.240 --> 1:09:41.240
<v Speaker 1>Fuck for guests.

1:09:41.560 --> 1:09:44.280
<v Speaker 5>It sounds like this wedding could be sooner rather than later.

1:09:44.360 --> 1:09:46.400
<v Speaker 5>If he's saying that the toilet might not still be fixed.

1:09:46.840 --> 1:09:47.840
<v Speaker 4>Is are we talking a window?

1:09:48.560 --> 1:09:49.680
<v Speaker 1>Well, that's why I want to get to.

1:09:49.800 --> 1:09:53.280
<v Speaker 4>La, so that you can get down on one knee

1:09:53.280 --> 1:09:54.639
<v Speaker 4>and go and knows if you'll ever get up again.

1:09:54.720 --> 1:09:57.479
<v Speaker 1>We've both been to La. What a disgusting place to propose,

1:09:57.560 --> 1:10:00.040
<v Speaker 1>like you do it in Paris or runam or and

1:10:00.160 --> 1:10:01.560
<v Speaker 1>you're not going to do it on the streets of

1:10:01.840 --> 1:10:02.000
<v Speaker 1>l A.

1:10:02.080 --> 1:10:04.120
<v Speaker 6>You could do it at the observatory. It's nicely.

1:10:04.280 --> 1:10:05.160
<v Speaker 1>We do like the observatory.

1:10:05.240 --> 1:10:05.920
<v Speaker 6>Yeah, it's very nice.

1:10:06.000 --> 1:10:06.160
<v Speaker 9>Yeah.

1:10:06.200 --> 1:10:06.360
<v Speaker 1>Yeah.

1:10:06.840 --> 1:10:08.599
<v Speaker 4>I wouldn't want to be proposed to in a fancy

1:10:08.600 --> 1:10:09.080
<v Speaker 4>plants like that.

1:10:09.320 --> 1:10:09.519
<v Speaker 1>Yeah.

1:10:09.760 --> 1:10:11.240
<v Speaker 5>I would want it to be a bit more cash

1:10:11.720 --> 1:10:13.920
<v Speaker 5>and catch me off guard, like I'm not expecting it,

1:10:14.320 --> 1:10:16.200
<v Speaker 5>like I'm on the toilet or.

1:10:16.200 --> 1:10:19.720
<v Speaker 4>Something, you know, yeah, not my toilet, new New.

1:10:23.000 --> 1:10:24.439
<v Speaker 5>What about you, Jenn Ho, how many times have you

1:10:24.520 --> 1:10:27.160
<v Speaker 5>been proposed to when you're like twelve twelve? Which one

1:10:27.280 --> 1:10:27.799
<v Speaker 5>was your favorite?

1:10:27.840 --> 1:10:28.280
<v Speaker 6>None of them?

1:10:29.560 --> 1:10:33.320
<v Speaker 1>Are you counting the double or twins proposed?

1:10:33.360 --> 1:10:35.720
<v Speaker 6>But no, I've canned them as one.

1:10:35.840 --> 1:10:36.360
<v Speaker 1>Oh that's one.

1:10:36.439 --> 1:10:39.200
<v Speaker 6>That's fair, Yeah, because I didn't get along with one

1:10:39.240 --> 1:10:39.439
<v Speaker 6>of them.

1:10:39.439 --> 1:10:41.040
<v Speaker 5>You get along with the left from the righter, the

1:10:41.160 --> 1:10:43.880
<v Speaker 5>right one, and none of your arranged married to count No,

1:10:44.160 --> 1:10:44.640
<v Speaker 5>of course not.

1:10:44.720 --> 1:10:45.479
<v Speaker 6>There were six of those.

1:10:45.600 --> 1:10:47.479
<v Speaker 1>Remember when you were sold off for a billy go

1:10:49.080 --> 1:10:51.600
<v Speaker 1>that was shocking, and then the billy got diets. They

1:10:51.720 --> 1:10:55.160
<v Speaker 1>just traded for piece of Yeah, awful.

1:10:55.240 --> 1:10:57.320
<v Speaker 6>Jenna it was horrific and I don't want to talk

1:10:57.360 --> 1:10:57.640
<v Speaker 6>about it.

1:10:57.720 --> 1:11:00.880
<v Speaker 5>Okay, God the many parts slides of genera. I hope

1:11:00.880 --> 1:11:02.519
<v Speaker 5>that's not what the jennif fling is going to be.

1:11:02.640 --> 1:11:05.040
<v Speaker 1>Oh no, Jenna, that's the secret. So you can't reveal

1:11:05.080 --> 1:11:07.960
<v Speaker 1>it because then you'll if you revealed it, the magic

1:11:08.080 --> 1:11:10.040
<v Speaker 1>may disappear. So when you die next it might be

1:11:10.120 --> 1:11:13.880
<v Speaker 1>for real. I'm just saying, Yeah, you are a cat.

1:11:13.960 --> 1:11:15.840
<v Speaker 4>You've had more than nine lives, so you do for

1:11:15.920 --> 1:11:16.799
<v Speaker 4>it to be your laugh.

1:11:17.280 --> 1:11:19.160
<v Speaker 1>That'd be sad and you probably wouldn't know, so you're

1:11:19.240 --> 1:11:24.320
<v Speaker 1>just not wake up like the rest of us normal death.

1:11:24.520 --> 1:11:26.599
<v Speaker 4>No, she'll come back as a fucking lady Beadle or something.

1:11:27.360 --> 1:11:28.200
<v Speaker 4>Just be really annoying.

1:11:29.200 --> 1:11:31.000
<v Speaker 6>Annoying, I like lady.

1:11:31.439 --> 1:11:32.760
<v Speaker 5>I used to catch them, put them in jars and

1:11:32.760 --> 1:11:34.439
<v Speaker 5>they'll be like, why are they dead? No, Eclidian Supply

1:11:34.560 --> 1:11:35.639
<v Speaker 5>they were air tight jars.

1:11:35.680 --> 1:11:38.479
<v Speaker 1>Do you remember that you used to get from Kmar

1:11:39.000 --> 1:11:41.800
<v Speaker 1>those grain things. It was green and then it had

1:11:41.960 --> 1:11:44.080
<v Speaker 1>it looked like a pineapple. It was like a container

1:11:44.120 --> 1:11:46.000
<v Speaker 1>that it had a neck and then like a funnel

1:11:46.040 --> 1:11:47.800
<v Speaker 1>at the top and you'd catch the bugs that would

1:11:47.800 --> 1:11:50.320
<v Speaker 1>fall in and they'd be trapped. But a bug catcher. Yeah,

1:11:50.560 --> 1:11:52.200
<v Speaker 1>oh my god, Mitcha, I'm gonna get photo. I used

1:11:52.240 --> 1:11:54.719
<v Speaker 1>to have them and just have all these dead crickets

1:11:54.760 --> 1:11:55.240
<v Speaker 1>in my house.

1:11:55.720 --> 1:11:57.320
<v Speaker 4>I didn't. We didn't have a kmar so I never

1:11:57.360 --> 1:11:57.560
<v Speaker 4>got that.

1:11:57.720 --> 1:12:00.479
<v Speaker 5>My bug catch me running around with a net country

1:12:01.040 --> 1:12:04.440
<v Speaker 5>Remember those Oh they're not very spacious.

1:12:04.439 --> 1:12:05.840
<v Speaker 4>Their cricket hasn't got much room.

1:12:06.439 --> 1:12:08.719
<v Speaker 6>The ones that's in there, they just died.

1:12:08.840 --> 1:12:10.719
<v Speaker 1>I think they would. It's pretty awful.

1:12:10.800 --> 1:12:13.439
<v Speaker 5>But I wasn't catching Lady Beatles to try and murder them.

1:12:13.479 --> 1:12:15.000
<v Speaker 5>I was and suffocate them. I wanted them to be

1:12:15.080 --> 1:12:16.599
<v Speaker 5>my pets. And then I'm like, what do they keep doing?

1:12:17.439 --> 1:12:19.120
<v Speaker 1>You know, hurting animals is the first sign you're a

1:12:19.160 --> 1:12:19.920
<v Speaker 1>serial killer.

1:12:20.040 --> 1:12:24.160
<v Speaker 6>Jenna, I'd rather hurt a human.

1:12:25.280 --> 1:12:26.040
<v Speaker 1>Don't you want that?

1:12:26.080 --> 1:12:27.760
<v Speaker 4>On that that's probably the first sign that she's a

1:12:27.800 --> 1:12:28.360
<v Speaker 4>serial killer.

1:12:29.479 --> 1:12:32.560
<v Speaker 1>I think that exceeds the animal part, Jenny. Jenna and

1:12:32.600 --> 1:12:37.240
<v Speaker 1>I listened to the same true crime podcast case we

1:12:37.320 --> 1:12:38.360
<v Speaker 1>Bond Severe Murder.

1:12:38.880 --> 1:12:41.559
<v Speaker 6>I listened to the one that you suggested, Robert Wan. Yes,

1:12:41.720 --> 1:12:44.559
<v Speaker 6>good ones. It's a very good one. Not a good case,

1:12:47.439 --> 1:12:48.080
<v Speaker 6>really awful.

1:12:48.960 --> 1:12:51.720
<v Speaker 5>I feel like I'm really missing something with true crime

1:12:51.800 --> 1:12:54.760
<v Speaker 5>podcasts because I don't get them. I find them really

1:12:54.800 --> 1:12:57.640
<v Speaker 5>hard to keep up with. And there's some there's been

1:12:57.640 --> 1:12:59.479
<v Speaker 5>a bunch of people that have said to us when

1:12:59.479 --> 1:13:01.120
<v Speaker 5>I'm not listening to true crime and listening to either,

1:13:01.120 --> 1:13:03.439
<v Speaker 5>it is me and I'm like, well, how the fuck

1:13:03.479 --> 1:13:05.160
<v Speaker 5>could you go from one to the other. They're nothing alike?

1:13:05.560 --> 1:13:06.719
<v Speaker 5>What an eclectic taste?

1:13:06.920 --> 1:13:10.000
<v Speaker 1>I agree, I'd I've had that comparison to I think

1:13:10.080 --> 1:13:13.960
<v Speaker 1>true crime is just nice because you know, it's real nice. None,

1:13:14.040 --> 1:13:14.800
<v Speaker 1>it's not nice.

1:13:15.360 --> 1:13:19.639
<v Speaker 4>True crime is so nice. The case it was brutally murdered,

1:13:19.680 --> 1:13:20.320
<v Speaker 4>Oh that's nice.

1:13:21.160 --> 1:13:23.920
<v Speaker 1>We don't want to repeat of the last couple of weeks. Well,

1:13:23.960 --> 1:13:26.559
<v Speaker 1>in the last couple of weeks, the incident in Melbourne,

1:13:27.240 --> 1:13:28.479
<v Speaker 1>Well true crime Cleo.

1:13:30.040 --> 1:13:33.719
<v Speaker 5>No, they solve that, and we don't want to rep Also,

1:13:33.840 --> 1:13:36.320
<v Speaker 5>I had no idea that any bitch had gone missing,

1:13:36.520 --> 1:13:38.640
<v Speaker 5>and then until that day they're like, everyone, Cleo has

1:13:38.640 --> 1:13:39.760
<v Speaker 5>been found, and I was like who.

1:13:40.200 --> 1:13:41.920
<v Speaker 4>I had not heard of it prior, I genuine did.

1:13:41.920 --> 1:13:43.360
<v Speaker 4>I watched the news. I just wait for everyone else

1:13:43.400 --> 1:13:43.720
<v Speaker 4>to tell me.

1:13:43.800 --> 1:13:45.200
<v Speaker 1>Oh, it was on every social media.

1:13:46.400 --> 1:13:47.760
<v Speaker 4>People are who the Fuck's clear?

1:13:47.920 --> 1:13:50.400
<v Speaker 1>I had people dming me going. Please share. It needs

1:13:50.439 --> 1:13:53.479
<v Speaker 1>to be seen. I think she'll be okay if I

1:13:53.640 --> 1:13:54.320
<v Speaker 1>don't post it.

1:13:54.800 --> 1:13:56.680
<v Speaker 4>Yeah. I get messages like that too. It's like, oh,

1:13:56.720 --> 1:13:59.080
<v Speaker 4>I lost my going and my pet lizard into them.

1:13:59.120 --> 1:14:00.360
<v Speaker 4>But I'm like, I don't know. Have my to warmber

1:14:00.400 --> 1:14:02.599
<v Speaker 4>audience base is that engaged? I don't know. I'm gonna

1:14:02.600 --> 1:14:03.519
<v Speaker 4>help find you, lizend.

1:14:03.320 --> 1:14:06.200
<v Speaker 1>Yeah, I got someone. I'm in Dulwich Hill. You're close

1:14:06.240 --> 1:14:08.080
<v Speaker 1>to me. It's probably a fifteen minute drive to where

1:14:08.080 --> 1:14:08.360
<v Speaker 1>I live.

1:14:08.920 --> 1:14:10.360
<v Speaker 4>Please, I've lost my Schnauzer.

1:14:10.640 --> 1:14:13.360
<v Speaker 1>Please post. I don't think oh that I would do.

1:14:13.880 --> 1:14:17.040
<v Speaker 4>Sydney is a big audience space, but warmba lizards. How

1:14:17.040 --> 1:14:17.880
<v Speaker 4>am I going to help with that?

1:14:18.360 --> 1:14:18.519
<v Speaker 8>You know?

1:14:18.560 --> 1:14:20.280
<v Speaker 1>I said, when did you lose? In two thousand and three?

1:14:20.479 --> 1:14:26.840
<v Speaker 1>I think I think Schnauzer has gone give up? Give up? Right?

1:14:27.040 --> 1:14:27.720
<v Speaker 1>All right? Should we go?

1:14:29.320 --> 1:14:30.400
<v Speaker 4>If you want? We can stay.

1:14:30.520 --> 1:14:33.799
<v Speaker 1>It's ninety we can give them a little extended sure.

1:14:33.600 --> 1:14:34.040
<v Speaker 4>If you want.

1:14:34.240 --> 1:14:36.320
<v Speaker 1>I don't mind, got nothing to do.

1:14:37.200 --> 1:14:39.559
<v Speaker 4>Well, let's just keep going into life aid because I've Yeah,

1:14:39.720 --> 1:14:40.680
<v Speaker 4>can you be a big night?

1:14:40.720 --> 1:14:44.160
<v Speaker 1>I'm very proud of you, mature for powers done. You're

1:14:44.200 --> 1:14:45.720
<v Speaker 1>excited for Adell's album.

1:14:45.880 --> 1:14:48.120
<v Speaker 4>Yeah, when is that again? November nineteen.

1:14:48.160 --> 1:14:50.720
<v Speaker 1>By the time the next episode is out, this will

1:14:50.760 --> 1:14:51.040
<v Speaker 1>be out.

1:14:51.160 --> 1:14:54.559
<v Speaker 5>Okay, yeah, I guess so again. I've already been over there,

1:14:54.640 --> 1:14:56.439
<v Speaker 5>but I'm a bit annoyed that it's called thirty. Yeah,

1:14:56.640 --> 1:14:59.759
<v Speaker 5>I wanted to got something else. Jupid fibbing.

1:15:01.000 --> 1:15:03.639
<v Speaker 1>She is a liar. I found out right that I'm

1:15:03.680 --> 1:15:05.360
<v Speaker 1>doing working for the Aris again this year, and I

1:15:05.439 --> 1:15:07.000
<v Speaker 1>got a call this week and they're like, I mean, sure,

1:15:07.080 --> 1:15:09.120
<v Speaker 1>good to host the backstage of the Arish. Of course,

1:15:09.200 --> 1:15:12.320
<v Speaker 1>I've got televised. It's my dad up on television. Then

1:15:12.400 --> 1:15:15.600
<v Speaker 1>she said, now you've worked with Keith before, right, And

1:15:15.680 --> 1:15:17.719
<v Speaker 1>I was like yeah, like of course, like thinking.

1:15:17.680 --> 1:15:21.120
<v Speaker 4>Oh, Keith holds the boom mic doesn't I've met Keith.

1:15:20.960 --> 1:15:22.519
<v Speaker 1>That's what I thought. Oh yeah, Keith is the one

1:15:22.560 --> 1:15:24.639
<v Speaker 1>that prints the scripts. Are always hot, is so quick,

1:15:24.880 --> 1:15:27.040
<v Speaker 1>and she me yeah, oh good good, Well Nicole might

1:15:27.080 --> 1:15:28.840
<v Speaker 1>not be coming, but Keith will definitely be here. I'm like,

1:15:28.960 --> 1:15:29.439
<v Speaker 1>oh fuck.

1:15:29.520 --> 1:15:34.600
<v Speaker 5>She means urban Keith, and I just said yes, and

1:15:35.080 --> 1:15:36.720
<v Speaker 5>Amy will be there. I might trying to work with

1:15:36.760 --> 1:15:39.680
<v Speaker 5>another white lie. Much like the gym playlist in and

1:15:39.760 --> 1:15:41.080
<v Speaker 5>Out of la Oh yeah, me and Keith yeah, we

1:15:41.080 --> 1:15:41.479
<v Speaker 5>go way back.

1:15:41.479 --> 1:15:42.800
<v Speaker 1>If I don't want to say know that, she goes, Oh,

1:15:42.880 --> 1:15:44.600
<v Speaker 1>maybe we'll hire someone else, you know, I just got

1:15:44.720 --> 1:15:49.000
<v Speaker 1>to just chake it. And I've interviewed Keith. But there's

1:15:49.040 --> 1:15:51.160
<v Speaker 1>going to be so many international stars in the country

1:15:51.200 --> 1:15:51.719
<v Speaker 1>for the arias.

1:15:52.080 --> 1:15:53.320
<v Speaker 4>They're allowed to one't thing, they're.

1:15:53.200 --> 1:15:54.040
<v Speaker 1>Allowed to come now.

1:15:54.200 --> 1:15:55.479
<v Speaker 6>Yeah, so when are the Arians?

1:15:55.960 --> 1:15:59.800
<v Speaker 1>Next week? Next Thursday? So this coming Thursday is coming

1:15:59.800 --> 1:16:02.479
<v Speaker 1>first and they're televised Channel Night. I'll be hosting the backstage. Everyone.

1:16:03.439 --> 1:16:05.439
<v Speaker 1>They're doing three crosses to me, and they said, depending

1:16:05.479 --> 1:16:07.680
<v Speaker 1>on how we blow out, you might have between two

1:16:07.720 --> 1:16:10.639
<v Speaker 1>minutes and thirty seconds. You couldn't do a thirty second

1:16:10.680 --> 1:16:13.560
<v Speaker 1>cross a live cross talking interviewing people.

1:16:13.560 --> 1:16:14.479
<v Speaker 4>For thirty seconds.

1:16:14.680 --> 1:16:16.200
<v Speaker 1>And they put a little earwig in your ear. So

1:16:16.280 --> 1:16:18.439
<v Speaker 1>you go, welcome Keith. Urban's so good to have you

1:16:18.520 --> 1:16:20.519
<v Speaker 1>in the country. A love nine rat with Keith.

1:16:20.840 --> 1:16:23.080
<v Speaker 4>Answer question have you got a thirty second time? R

1:16:23.080 --> 1:16:23.439
<v Speaker 4>over there?

1:16:23.640 --> 1:16:23.840
<v Speaker 1>Yeah?

1:16:24.200 --> 1:16:25.960
<v Speaker 4>His little challenge, how many lives can you tell in

1:16:26.040 --> 1:16:26.679
<v Speaker 4>thirty seconds?

1:16:30.200 --> 1:16:31.479
<v Speaker 1>No? Here we go, So what am I doing?

1:16:31.800 --> 1:16:33.639
<v Speaker 5>Telling as many lives as you can? And we crossed

1:16:33.680 --> 1:16:35.960
<v Speaker 5>out him in cherryback, Say, amage, what's happening.

1:16:36.080 --> 1:16:39.959
<v Speaker 4>So good to be here, guys. I've got Keith Urban Hello.

1:16:40.000 --> 1:16:42.280
<v Speaker 1>Keith, Hey, your love Nine perfect strangers. I've lived in

1:16:42.360 --> 1:16:44.880
<v Speaker 1>Byron for a couple of years and they Nicole really

1:16:45.040 --> 1:16:47.720
<v Speaker 1>encapsulated it well. And Melissa McCarthy I've had on the

1:16:47.720 --> 1:16:50.519
<v Speaker 1>show manage. I think six times I have Melissa. I

1:16:50.640 --> 1:16:51.880
<v Speaker 1>adored her and I love you.

1:16:52.120 --> 1:16:52.920
<v Speaker 5>Do you so?

1:16:52.960 --> 1:16:54.840
<v Speaker 1>I have bond hair as well. I want to know

1:16:55.040 --> 1:16:57.080
<v Speaker 1>how you get the dandrigeat anyway, we talk about that later.

1:16:57.320 --> 1:17:01.360
<v Speaker 1>Your new single Timbermatic has it is my favorite. Oh

1:17:01.360 --> 1:17:03.519
<v Speaker 1>I gotta rap, I gotta wrap Keith. But it's been

1:17:03.560 --> 1:17:06.000
<v Speaker 1>a pleasure having you here. We got a cross back

1:17:06.040 --> 1:17:07.360
<v Speaker 1>to el Elton John.

1:17:07.880 --> 1:17:10.800
<v Speaker 4>That's only four lines. I thought I thought you could do.

1:17:10.800 --> 1:17:14.679
<v Speaker 1>Better than that. You could do better than that. That's tough, Keith.

1:17:14.840 --> 1:17:16.719
<v Speaker 4>I used to do. I used to be a country

1:17:16.800 --> 1:17:17.720
<v Speaker 4>music singer as well.

1:17:18.800 --> 1:17:22.040
<v Speaker 5>Really in my background as being a you know, pub

1:17:22.240 --> 1:17:23.840
<v Speaker 5>muso singing country songs.

1:17:24.800 --> 1:17:26.800
<v Speaker 4>Same humble beginnings Dallen.

1:17:27.200 --> 1:17:29.000
<v Speaker 1>Back when I used to Dour Australia with Channa. No

1:17:29.240 --> 1:17:32.160
<v Speaker 1>you might he's a famous pub singer. Then I was

1:17:32.160 --> 1:17:34.760
<v Speaker 1>shot in the knee so I couldn't do it anymore. Yeah,

1:17:34.800 --> 1:17:35.120
<v Speaker 1>you're right.

1:17:35.160 --> 1:17:39.200
<v Speaker 5>I was attacked by a kelpie in Gunda. Guy, Oh, away,

1:17:39.240 --> 1:17:41.080
<v Speaker 5>we should drink some ware. I do feel a bit dehydrated.

1:17:41.160 --> 1:17:43.440
<v Speaker 1>You need to drink water because you are hungover.

1:17:45.000 --> 1:17:47.280
<v Speaker 4>Yeah, but I have been. I'm a good look travel

1:17:47.320 --> 1:17:49.439
<v Speaker 4>with you. Yeah, I told you I'd literally always have

1:17:49.520 --> 1:17:50.040
<v Speaker 4>it as a habit.

1:17:50.120 --> 1:17:52.960
<v Speaker 5>Now, if I ever forget my water bottle and I'm

1:17:52.960 --> 1:17:56.320
<v Speaker 5>in the car, I feel parched, even if I'm leaving

1:17:56.320 --> 1:17:57.240
<v Speaker 5>the house for ten minutes.

1:17:57.280 --> 1:17:59.080
<v Speaker 4>Yeah, I'm like, God, I didn't bring a water bottle. Fuck?

1:17:59.360 --> 1:18:00.320
<v Speaker 4>Fuck what am I got to do?

1:18:00.479 --> 1:18:03.040
<v Speaker 1>Nothing worse than thinking you brought your water bottle in

1:18:03.120 --> 1:18:05.200
<v Speaker 1>the cut? Oh he drinks like a toddler, Like he

1:18:05.240 --> 1:18:06.120
<v Speaker 1>doesn't take breaths.

1:18:06.960 --> 1:18:08.080
<v Speaker 4>Yeah, I was going through my nose.

1:18:08.280 --> 1:18:10.200
<v Speaker 1>But you know when there wasn't you that time when

1:18:10.200 --> 1:18:13.920
<v Speaker 1>toddlers drink water and they go and they pull it

1:18:13.920 --> 1:18:17.240
<v Speaker 1>and they go like a goat. Yeah, like they're on

1:18:17.320 --> 1:18:19.559
<v Speaker 1>the Poseidon adventure and just emerged from an air pocket.

1:18:20.560 --> 1:18:21.519
<v Speaker 1>You know, when you get the car and you go

1:18:21.680 --> 1:18:24.760
<v Speaker 1>side an adventure. That odd reference. I love that film, Like,

1:18:24.880 --> 1:18:25.240
<v Speaker 1>of all the.

1:18:25.640 --> 1:18:29.520
<v Speaker 5>Boat thinking movies, why wouldn't you go Titanic? Beside an adventure.

1:18:29.200 --> 1:18:33.559
<v Speaker 1>Because because you're dying side adventure, you escape the ship's

1:18:33.640 --> 1:18:36.400
<v Speaker 1>I think plenty of people died. It's not real as well.

1:18:36.520 --> 1:18:39.280
<v Speaker 1>It's fair in the film. I remember someone knowing many died. Yeah,

1:18:39.280 --> 1:18:43.320
<v Speaker 1>that the fat lady lady perish, Yeah, because the boat

1:18:43.360 --> 1:18:45.000
<v Speaker 1>was upside down. If you haven't seen, it's great movie.

1:18:45.040 --> 1:18:47.600
<v Speaker 1>It's knocked over by a tidal wave and they have

1:18:47.680 --> 1:18:50.400
<v Speaker 1>to escape, but everything is upside down because the ship

1:18:50.479 --> 1:18:53.799
<v Speaker 1>is reversed and they've got little air pockets. So anyway,

1:18:53.880 --> 1:18:56.240
<v Speaker 1>someone's hanging from the chandelier and Whatnot's very great. But

1:18:56.400 --> 1:18:58.280
<v Speaker 1>this fat lady, because she's an opre singer, they go, oh,

1:18:58.320 --> 1:18:59.720
<v Speaker 1>she can hold a breast. She's got to sum under

1:18:59.720 --> 1:19:00.640
<v Speaker 1>the water. She doesn't make it.

1:19:00.720 --> 1:19:01.280
<v Speaker 5>She does.

1:19:03.120 --> 1:19:03.360
<v Speaker 1>Nothing.

1:19:03.479 --> 1:19:03.639
<v Speaker 5>Wash.

1:19:03.680 --> 1:19:05.320
<v Speaker 1>You can get in your car and you go, oh,

1:19:05.360 --> 1:19:06.720
<v Speaker 1>I didn't remember a water bottle. Oh there's some in

1:19:06.760 --> 1:19:08.360
<v Speaker 1>this bottle and you drink it and it's hot.

1:19:09.040 --> 1:19:11.280
<v Speaker 5>I would never do that. I'm too on top of

1:19:11.360 --> 1:19:13.479
<v Speaker 5>my water bottle situation to ever let that happen.

1:19:13.520 --> 1:19:15.400
<v Speaker 1>But you've been there, right, you know the feeling? Oh yeah,

1:19:15.920 --> 1:19:18.320
<v Speaker 1>do you remember the craze that's come back to me?

1:19:18.880 --> 1:19:20.320
<v Speaker 1>My Mum went crazy about it.

1:19:20.920 --> 1:19:22.920
<v Speaker 4>You don't get cancer if you drink water that's been

1:19:22.960 --> 1:19:25.360
<v Speaker 4>in a hot bottle. It was like two thousand and

1:19:25.800 --> 1:19:29.000
<v Speaker 4>they thought that the plastic so big.

1:19:29.080 --> 1:19:30.479
<v Speaker 1>It's like you need to get the bottles with the

1:19:30.560 --> 1:19:32.880
<v Speaker 1>number nine with a little bracket around it on the bottom,

1:19:32.880 --> 1:19:34.160
<v Speaker 1>and that's BPA three.

1:19:34.560 --> 1:19:35.280
<v Speaker 4>I used to hate that.

1:19:35.360 --> 1:19:36.920
<v Speaker 5>I'd be like, Mum, can I get a frozen cake? No,

1:19:37.120 --> 1:19:39.280
<v Speaker 5>there's water in the car. Yeah, But now I'm that bitch.

1:19:39.280 --> 1:19:40.400
<v Speaker 4>I've always got water in the car.

1:19:40.840 --> 1:19:41.000
<v Speaker 8>You know.

1:19:41.080 --> 1:19:43.080
<v Speaker 1>Hayden always goes You're like, can I get a fountain drink?

1:19:43.680 --> 1:19:46.360
<v Speaker 1>Always wants a fountain drink? What like a coke from

1:19:46.400 --> 1:19:48.599
<v Speaker 1>a fountain, like a big at a fast food store,

1:19:48.640 --> 1:19:49.840
<v Speaker 1>because they it's from a syrup.

1:19:49.840 --> 1:19:52.000
<v Speaker 5>It's different so rather than cracking open a tinny it

1:19:52.120 --> 1:19:56.000
<v Speaker 5>comes from like a can thing. Have a fountain drink?

1:19:56.200 --> 1:19:58.479
<v Speaker 1>Yeah, because it's I'm very Americ, very much.

1:19:58.479 --> 1:20:00.720
<v Speaker 5>I wouldn't call it a fountain. And this is coming

1:20:00.720 --> 1:20:03.320
<v Speaker 5>from a highly qualified and experienced drink drat McDonald's.

1:20:03.320 --> 1:20:04.839
<v Speaker 4>Not a fountain. It's more of a spout.

1:20:05.280 --> 1:20:05.839
<v Speaker 1>But isn't.

1:20:07.479 --> 1:20:08.400
<v Speaker 6>Fountain drinks?

1:20:08.560 --> 1:20:12.000
<v Speaker 1>I think that's the term that's fucked three American Generous

1:20:12.439 --> 1:20:13.880
<v Speaker 1>right for the first time this episode.

1:20:14.040 --> 1:20:17.280
<v Speaker 5>So I've had to be the one back out the

1:20:17.320 --> 1:20:20.920
<v Speaker 5>back of magas connecting the coke syrup to the hose,

1:20:20.960 --> 1:20:23.080
<v Speaker 5>and I'm like, I hate to think what this process

1:20:23.120 --> 1:20:25.600
<v Speaker 5>is like. Imagine tasting the coke concentrate that they plug in,

1:20:25.640 --> 1:20:27.479
<v Speaker 5>because then it mixes with the water and that's what comes.

1:20:27.360 --> 1:20:31.200
<v Speaker 1>Out of the fountain drink I have because when tasted it, Yeah,

1:20:31.200 --> 1:20:33.960
<v Speaker 1>because soda stream you had the colla. It's pepsi actually,

1:20:34.000 --> 1:20:35.800
<v Speaker 1>so I do, lie. I have had pepsi syrup and

1:20:36.120 --> 1:20:38.600
<v Speaker 1>as a kid, I tried it and it's horrific.

1:20:38.840 --> 1:20:41.040
<v Speaker 4>I didn't know if bloody soda streams could do that.

1:20:41.120 --> 1:20:41.960
<v Speaker 4>I'm just hooked on water.

1:20:42.320 --> 1:20:43.400
<v Speaker 1>But they've got the collaboration.

1:20:43.520 --> 1:20:47.040
<v Speaker 4>I can feel my voice going after Big Night and

1:20:47.160 --> 1:20:47.560
<v Speaker 4>we should go.

1:20:47.600 --> 1:20:49.880
<v Speaker 1>I've got a Danish year that's crisping under the air.

1:20:49.960 --> 1:20:52.040
<v Speaker 1>Con Episode ninety was a hit and a hoot in

1:20:52.080 --> 1:20:56.680
<v Speaker 1>the holler and it was so good to finally Oh god, no,

1:20:57.520 --> 1:20:59.599
<v Speaker 1>I completely forgot that. I had to activated that again.

1:21:00.439 --> 1:21:05.960
<v Speaker 1>It's Adele, Congratulations on hitting ninety episodes the same week

1:21:06.040 --> 1:21:08.759
<v Speaker 1>that I released my new album. What are the odds babes.

1:21:10.080 --> 1:21:17.320
<v Speaker 1>What are the odds? Adele? She says very slim? She is,

1:21:17.880 --> 1:21:20.280
<v Speaker 1>I know, yeah, a bit like her.

1:21:20.600 --> 1:21:22.200
<v Speaker 4>She know all about being very slim.

1:21:22.360 --> 1:21:27.599
<v Speaker 1>She would you fuckings copied me? Is she talking?

1:21:27.640 --> 1:21:29.960
<v Speaker 4>How do you figure that? Bitch o?

1:21:30.120 --> 1:21:36.760
<v Speaker 1>Instagram Live first, Oh, Insta before her she can say

1:21:36.760 --> 1:21:41.240
<v Speaker 1>the F word, so that's fine anyway. Instagram Live. See

1:21:41.240 --> 1:21:42.160
<v Speaker 1>you Sunday night. Everyone.

1:21:42.960 --> 1:21:44.960
<v Speaker 4>We hope this podcast made you feel at least three

1:21:45.080 --> 1:21:46.120
<v Speaker 4>percent better today.

1:21:46.240 --> 1:21:46.719
<v Speaker 1>That's all.

1:21:47.120 --> 1:21:48.120
<v Speaker 4>Thank you for listening.

1:21:48.320 --> 1:21:52.320
<v Speaker 1>Love you sold rock?

1:21:55.600 --> 1:21:58.640
<v Speaker 4>There we go, Yeah, catch up.

1:22:00.280 --> 1:22:02.320
<v Speaker 1>I can't hold on do the fish three percent? Sorry?

1:22:02.600 --> 1:22:04.799
<v Speaker 1>I tried to do that solid rock, but maybe.

1:22:04.560 --> 1:22:09.160
<v Speaker 4>You should have the wrong solid roll rock. Is that

1:22:09.240 --> 1:22:10.720
<v Speaker 4>going to be our clothing music this week? Or what

1:22:10.920 --> 1:22:11.519
<v Speaker 4>is that what you want to do?

1:22:11.640 --> 1:22:12.519
<v Speaker 6>That's our new clothes?

1:22:12.800 --> 1:22:15.439
<v Speaker 1>Say it? Hope this episode made you feel first already

1:22:15.439 --> 1:22:19.760
<v Speaker 1>said that ninety because today ninety episode. Congratulations for yer.

1:22:19.920 --> 1:22:21.400
<v Speaker 1>I don't know if we can listen, It's fine, now

1:22:21.479 --> 1:22:25.000
<v Speaker 1>we'll try, Mitch. You'll have a great hangover afternoon. Thank you, Jennat.

1:22:25.000 --> 1:22:27.280
<v Speaker 1>Great to see you, look forward to hearing ideas. Be

1:22:27.360 --> 1:22:29.640
<v Speaker 1>you a feeling show. Definitely, thanks for being here for

1:22:29.760 --> 1:22:31.000
<v Speaker 1>ninety episodes Guys, we love you.

1:22:31.120 --> 1:22:33.519
<v Speaker 4>Love you, see you next weeks. Leave us a review,

1:22:33.800 --> 1:22:45.160
<v Speaker 4>good Night, Fight out Here changes in a hurry, anyway,