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Speaker 1: Christian Christian O'Connell Breakfast Show podcast, Let's go.

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Speaker 2: Showtime. I think it's like a factory mode, sweaty, nervous

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Speaker 2: Bogan as.

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Speaker 3: A massive But wait, he's a proper adult. Why would

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Speaker 3: you want to work on this show?

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Speaker 1: Welcome to the Christian O'Connell Breakfast Show, Melbourne's gold Onto

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Speaker 1: four point three.

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Speaker 2: Good morning, it's six minutes past six Wednesday morning? Is

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Speaker 2: it just me? Or does it feel like a Monday today?

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Speaker 2: Definitely got a Monday vibe with the back to work

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Speaker 2: Monday some of us pats and then off yesterday. How

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Speaker 2: good did that day off feel yesterday? Just a little

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Speaker 2: cheeky day off in them early in the week is

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Speaker 2: so nice. So perhaps the last time Jack and I

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Speaker 2: saw you was at the racers on Saturday when you

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Speaker 2: were there with the Werribee Love God. One thing I've

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Speaker 2: realized now about Chris Socially, Chris is one of these people.

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Speaker 2: He's a party person.

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Speaker 4: He's Frank the Tank.

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Speaker 2: Yeah he is. He's just got this. He's great Socially.

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Speaker 2: Chris is Pants's husband the where we love God. I

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Speaker 2: didn't reallyize it. Only is a master of loving. He's

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Speaker 2: also master of the bar. He had two modes. He

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Speaker 2: was either refueling at the bar or about to approach

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Speaker 2: the bar. I never saw him either at the other

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Speaker 2: at the bar or approaching the bar.

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Speaker 3: And put himself in charge of making it sure everybody

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Speaker 3: had a drink at all times, even when you're deep

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Speaker 3: in conversation with someone, who come and sorry interrupt, I'm

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Speaker 3: going to the bar.

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Speaker 4: And notice he always doubles up when he goes for

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Speaker 4: a drink.

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Speaker 2: I did notice that he seems to always have one

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Speaker 2: holsted in her back pocket.

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Speaker 3: He was it was like he was worried that the

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Speaker 3: free drinks would run out of the same stage.

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Speaker 2: Also, I uh, does he ever go to the toilet,

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Speaker 2: because I uh, he never seemed to go to the

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Speaker 2: toilet those pants and older gentleman can have what they

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Speaker 2: can just do it, you know, just do it on

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Speaker 2: the go.

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Speaker 3: Or was it that big pop plan in the corner

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Speaker 3: of the muppy.

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Speaker 4: Where the brothers were poked into its.

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Speaker 2: Also, when my wife started to wabble into oh now

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Speaker 2: for the incident.

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Speaker 4: She wasn't that bad. You made it out to be

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Speaker 4: really bad on money.

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Speaker 2: I never made out too bad. I just told it

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Speaker 2: as it was. My wife had had a couple Okay,

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Speaker 2: she was starting to become I'm sure of her footing.

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Speaker 2: I had to help her out of there. And the

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Speaker 2: fact is she was sick in office works looks great

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Speaker 2: in the car parks we had.

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Speaker 4: It's always good when you can get it out of

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Speaker 4: your systems same day though, don't.

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Speaker 3: You think you do feel a lot better than you.

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Speaker 4: Do the next day You wake up and it's you're

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Speaker 4: ready to go again.

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Speaker 2: Yeah. Do you know what the great thing is? Right?

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Speaker 2: She she speaks to her mum every day, right, And

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Speaker 2: at no point has she mentioned to her mum Yeah,

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Speaker 2: because she doesn't want her mum thinking bad about it.

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Speaker 2: What's great about this show is podcast goes all over

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Speaker 2: the world and there is a guy who lives on

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Speaker 2: the same street as my mother in law and he

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Speaker 2: often bumps into her and saw updates her as to

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Speaker 2: what's going on. What's really going on? Lipe over here,

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Speaker 2: because that's what And obviously on Monday show, I may

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Speaker 2: have mentioned once or twice that my wife had car sickness,

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Speaker 2: so her mum mentioned it to Sarah again, you haven't

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Speaker 2: brought it up that you were sick in a car

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Speaker 2: park or was Christian exaggerating it.

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Speaker 4: Should be on the first plane, Becker.

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Speaker 3: And were you exaggerating? You know what's funny, pats is

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Speaker 3: after the show on Monday, when Christian spoke about the

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Speaker 3: throw up in office Works car park, he told me

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Speaker 3: that Sarah had begged him to say, can you tell

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Speaker 3: the audience that you went back on Sunday mornings and

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Speaker 3: washing her.

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Speaker 2: I went, I could say that, but no one's going

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Speaker 2: to believe a jove out to Footscray with what a mop,

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Speaker 2: put on those yellow soft hazard showing your signs out

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Speaker 2: there and cleaned your door up. I was going to

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Speaker 2: believe a word of it. If we actually do that

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Speaker 2: after every story, then go hey, just so you know,

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Speaker 2: no one was harm in the making of that story.

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Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four point.

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Speaker 2: Three, Patsy, you missed quite a lot of Monday show.

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Speaker 2: The really big thing was Jack just sprung on me

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Speaker 2: that his wife Biancha was intended to come as Audrey

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Speaker 2: Hepburne to my wife's birthday party this weekend. Obviously you're

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Speaker 2: both coming. The theme is dead famous Sarah, my wife,

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Speaker 2: it's her birthday significant age. It's a lot going on

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Speaker 2: right now for her, you know. And she's very excited

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Speaker 2: about this birthday party. It's our first house party that

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Speaker 2: we're thrown. Ye want it, We want you all to

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Speaker 2: have a good time. But she's obviously the star of it.

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Speaker 2: It's she wants to be the one and only Audrey Hepbone.

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Speaker 2: Then there's a younger model entering the scene, the beautiful

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Speaker 2: young bi Anchor. You can imagine the tears, can't you.

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Speaker 2: Oh dear, she's back out of that car park at

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Speaker 2: footscrab being sick of car sickness.

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Speaker 4: How's it going, Jack, if you've got to back up

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Speaker 4: plan for be Anchor.

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Speaker 3: No, we're going to return to the store, the costume

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Speaker 3: shop today and see if the deposit can't just be

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Speaker 3: shifted onto another costume.

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Speaker 2: And does she know what she's going to do now?

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Speaker 3: Well, she actually has been thinking about going as one

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Speaker 3: of the Beatles because we've done the other costume we

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Speaker 3: remembered there next to my Freddie Mercury costume was the

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Speaker 3: Sergeant Pepper's outfit from the Beatles Home. She thinks she

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Speaker 3: can go as George or John.

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Speaker 2: So people were calling in trying to help us out

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Speaker 2: on Monday pass because I order some kind hearted people

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Speaker 2: and her Jack sort of telling one of the listeners

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Speaker 2: off that he wouldn't let come on air. He is

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Speaker 2: a bit of a gatekeeper sometimes, because they were suggesting

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Speaker 2: Freddie Mercury and I didn't realize that Jack hit is

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Speaker 2: going to Mercury. But I thought it'd be great to

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Speaker 2: have two Freddy's you and your wife.

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Speaker 3: No, what if there can't be twos, They can't be

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Speaker 3: two Freddy's.

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Speaker 2: A right, Okay, No, that sounds fair enough. So perhaps

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Speaker 2: your outfit is sorted.

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Speaker 4: Sorta there's been a bit of a hiccup.

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Speaker 2: Well on Saturday, you you told me it was all done.

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Speaker 4: Well, the dress that I thought I was going to

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Speaker 4: wear kind of hasn't kind of sort of turned out.

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Speaker 3: What happened? Oh, by the way, I added your outfit.

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Speaker 4: On, Yeah, I heard that. That's all right.

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Speaker 2: So you're going as Amy wine House.

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Speaker 4: Yes, so I needed a dress that would show off

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Speaker 4: my tats because I've got tats, especially just like hers.

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Speaker 3: Oh what you got her temporary tatoos of her actual tatoos. Yeah,

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Speaker 3: that's really cool.

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Speaker 4: Only so the dress hasn't worked out, so you may not.

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Speaker 4: I don't know. It's all up in the air still,

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Speaker 4: but I'm sure it'll be fine on the day.

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Speaker 2: How mean the dress hasn't worked? Well, I saw the work,

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Speaker 2: so it doesn't.

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Speaker 4: I wanted to get this leeveless thing so you could

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Speaker 4: see the tats, but that didn't work out. So now

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Speaker 4: my backup is like a long sleeved meshy thing, so

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Speaker 4: I guess you can still sort of see the ink.

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Speaker 2: Here's the thing, right, at every fancy dress party where

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Speaker 2: people have to come with them, there's always someone who

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Speaker 2: spends the whole night beat off that they have to

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Speaker 2: keep something.

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Speaker 3: Oh yeah, I promise it's awful.

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Speaker 2: You've ever been in that situation? You feel because everyone

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Speaker 2: else she just heard this. Oh David Bowie, David Bowie.

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Speaker 3: The mess, the mesh, please, mesh med evil.

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Speaker 4: I'm afraid I might look like Elvira.

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Speaker 2: Inst start laying that down now, Perats, he's coming as Elvira.

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Speaker 2: Make sure you say something to her when she's when

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Speaker 2: you meet her as well. Okay.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

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Speaker 2: Three, we do a thing called the isolated vocal Well,

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Speaker 2: we highlight a vocal track amazing vocal performance for a song.

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Speaker 2: Then we play about the song and forum makes she

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Speaker 2: hear in a different way when you appreciate the greatness

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Speaker 2: in their voice. This is classic one we did a

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Speaker 2: while ago on the show. We do the brand new

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Speaker 2: one every Thursday morning at eight. We give you a

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Speaker 2: classic replay on a Wednesday morning. This is Billy joel

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Speaker 2: Uptown Girl, one of the biggest selling songs of the

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Speaker 2: eighties about a uptown girl and a working class downtown

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Speaker 2: man trying to woo her. Originally written about Elle mcphierson.

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Speaker 2: Do you remember Elle the Body mcphiston from the eighties.

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Speaker 2: Billy Joel was going out with her, so he was

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Speaker 2: writing a song about it. She dumped him, then he

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Speaker 2: starts going out with another supermodel, Christine Brink, who ended

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Speaker 2: up being the video as well. Anyway, I haven't listened

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Speaker 2: to Billy's voice. Underrated Billy Joel's voice up chamber. She's

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Speaker 2: been living in her uptown world.

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Speaker 5: I bet she never had a backstreet guy. I bet

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Speaker 5: her mama never told her way. I'm gonna try for Uptember.

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Speaker 5: She's been living in her white friend world as long

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Speaker 5: as anyone with hot look can.

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Speaker 6: And now she's looking for it downtown man.

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Speaker 3: That's what I am.

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Speaker 6: And who in she knows was what she wants from

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Speaker 6: her time?

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Speaker 2: I am and who is?

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Speaker 5: She waits say say so her maid, She'll see I'm

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Speaker 5: not so too.

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Speaker 2: Just scause.

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Speaker 6: With chamber to north siner in her uptamber she's getting

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Speaker 6: tired of her high clusters on a present from her

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Speaker 6: up tamn noise.

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Speaker 1: She's got her chores for Christian O'Connell breakfast show, Melvin's

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Speaker 1: Gold one of four point three.

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Speaker 2: Normally there's the point where I say, what's coming up next?

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Speaker 2: Right as we hear you know, the news and sport headlines.

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Speaker 2: But a little bit trepidacious, that is the word trepardacious

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Speaker 2: about what's coming up next? And just how once you

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Speaker 2: hear what's coming up next, whether you're gonna think, I'm

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Speaker 2: not sure if I'm with him on this one. Coming

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Speaker 2: up next, the history of concrete, the history of concrete,

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Speaker 2: anyone else, fill the atmosphere, the frequency they're out right now,

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Speaker 2: Just change in the studio with the words coming up

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Speaker 2: next and the history of concrete.

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Speaker 3: Paint a picture in your head of the of the

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Speaker 3: gray footpath, the history of concrete.

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Speaker 2: Not just that I just went to have a quick

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Speaker 2: look online. This is because Dave, who does a feature

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Speaker 2: of us once a week called Dave's Historical Facts, and

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Speaker 2: over the last couple of weeks they've been amazing. We

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Speaker 2: have learned a lot of great stuff. However, we are

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Speaker 2: heading into the sun right now of historical the history

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Speaker 2: of concrete. I just had a quick google fun facts

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Speaker 2: about concrete just to sort of just to double check this. Right,

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Speaker 2: pretty dry the fun facts. Pretty dry concrete is the

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Speaker 2: best material for road constructure. That's coming in hot at

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Speaker 2: number two. So here's the thing, right, we're all going

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Speaker 2: to be guinea pigs in five minutes time. Can we

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Speaker 2: make on this show the history of concrete interesting? Let's

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Speaker 2: we're all going to find out stay with.

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Speaker 1: Us Melvin's Gold one oh four point three good Questian

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Speaker 1: O'Connell breakfast show.

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Speaker 2: So I want to go on the show. A couple

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Speaker 2: of months ago, I don't know what we were doing

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Speaker 2: a phone and around, but we met this guy Dave.

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Speaker 2: Listened to Dave. Towards the end of the phone call,

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Speaker 2: he started telling me that he'd read and I quote,

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Speaker 2: over three thousand books. I was so impressed with this.

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Speaker 2: Three thousand books in a lifetime and someone who loves

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Speaker 2: loves reading. But three thousand books, that's incredible, so much knowledge,

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Speaker 2: and he seemed to know a lot. He was a

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Speaker 2: well read man, and so I thought we'd turn this

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Speaker 2: into a feature. And here we are now, I think

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Speaker 2: we're about eight weeks into this. Here it is, and

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Speaker 2: now it's time for Dave's amazy historical Facts, brought to

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Speaker 2: you by love and lacross. This week we're really text

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Speaker 2: testing it with the history of Concrete. Can you put

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Speaker 2: it off? The incredible Dave. Welcome back to the show.

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Speaker 7: Morning, Christian, Pat and Zach. How are we all?

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Speaker 3: Yeah? Good, Thanks Dave.

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Speaker 2: We'll good Dave, and I hope you're well as well.

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Speaker 2: So I'm very well.

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Speaker 7: I'm heading off on holidays for the next four or

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Speaker 7: five days after Austria. I'm looking forward to it.

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Speaker 2: All right. Well, listen, have a great breakup there before that. Then,

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Speaker 2: I hope you're not leaving town because you know what's

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Speaker 2: coming with the history of com Creek.

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Speaker 7: No, I'm surprising. I'm on board, Christian. It's a very

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Speaker 7: exciting subject.

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Speaker 2: I'm trepidacious. That doesn't mean I'm not on board. I'm

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Speaker 2: just trepidacious. Okay, So history of Concrete break it down

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Speaker 2: for us.

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Speaker 7: Well, for a start, that's the most universal building material

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Speaker 7: known to man. Without that, we wouldn't be able to

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Speaker 7: build bridges, skyscrapers, roads, as you've already mentioned, concrete tunnels

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Speaker 7: under the ocean, and even boats. We use them to

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Speaker 7: make boats. Believe it or not.

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Speaker 2: Who's the concrete in the boat? Is that in the ballast?

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Speaker 7: No, they use the concrete to make the whole Who

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Speaker 7: knew h concrete holl is better than a wooden hull

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Speaker 7: in that it doesn't suffer from wood rot or borer.

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Speaker 7: And these sorts of animals such as crustaceans and whatnot

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Speaker 7: that live in the ocean, and they lasted like one

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Speaker 7: hundred years.

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Speaker 2: There's something you don't ever hear refer to any kind

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Speaker 2: of species as what not crustaceans what they called? What

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Speaker 2: about those in consequent.

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Speaker 7: Barnacles and other molufs that like wood?

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Speaker 2: Yes?

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Speaker 7: Right, okay, so yeah, we make boats out of concrete.

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Speaker 2: Good one, and tell me about that then? So does it?

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Speaker 2: It must go down about since the beginning of time?

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Speaker 2: Is it one of the oldest building materials?

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Speaker 7: Well, mud, brick and timber were the earliest, But yeah,

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Speaker 7: it goes right back to and you love this the

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Speaker 7: Babylonian days stuff.

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Speaker 2: That's the Babylonians again. It to those Babylonians, Yeah, several thousand.

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Speaker 7: But see they used to live in mud brick homes

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Speaker 7: and buildings and also have mud brick walls given in

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Speaker 7: the area they live, and there's not much forests or

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Speaker 7: trees to build with wood. But they found the rains

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Speaker 7: would wash away their walls and whatnot, so they had

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Speaker 7: to stucco or whitewash the walls with a lime plaster

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Speaker 7: with sand in it, which is effectively concrete, and they

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Speaker 7: did that for a thousand years. There was the Greeks

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Speaker 7: who brought concrete back with them to Greece. They basically

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Speaker 7: use the concrete to glue blocks of marble and sand

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Speaker 7: doing together. But it was a Romans who really took

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Speaker 7: the whole concrete thing. They started building huge Romans of

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Speaker 7: the world. They were. Yes, here's a good example. A

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Speaker 7: lot of people don't realize that the Colosseum itself is

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Speaker 7: one big chunk of concrete. Is it really out of concrete? Yes,

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Speaker 7: Cret means in Latin to glue together or to buying together.

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Speaker 2: His hitters were two or three good ones here the whole.

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Speaker 7: Yeah, concrete is a very durable material. It's been around

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Speaker 7: since the dawn of time?

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Speaker 2: Just about is that the.

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Speaker 7: Boring as you might think.

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Speaker 2: He's done very very well. He's done very well. And

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Speaker 2: wondering where we peaked with the Colosseum, whether there's another

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Speaker 2: little drop in the toothpaste tube of historical facts about concrete.

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Speaker 7: Have you heard of the Pantheon in Rome? The Pantheon

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Speaker 7: is has the world's largest unreinforced concrete dome and it's

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Speaker 7: something like two thousand and year all but still sitting

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Speaker 7: up there on the roots in London was built out

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Speaker 7: of concrete.

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Speaker 2: What was built in London?

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Speaker 7: Pols in London?

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Speaker 2: Is it really?

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Speaker 7: Half of that's concrete? Especially the Dame?

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Speaker 2: Yes, right, I didn't know so many. I'm guessing the

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Speaker 2: Empire State building. As we go around the world's great buildings,

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Speaker 2: let us be heavily concrete based.

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Speaker 7: It is. Most skyscrapers are concrete based, Yes, steel framed,

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Speaker 7: concrete based.

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Speaker 2: Rialto here. Yes, I'll tell you what I'm going to

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Speaker 2: impress the kids later on today. Cathedral, coloscene concrete, concrete,

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Speaker 2: concrete ships out, concrete.

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Speaker 7: It's a bit hard to put up a skyscraper using

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Speaker 7: nothing but steel. Still what most it might be flexible,

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Speaker 7: it's not that strong. So you need a combination of

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Speaker 7: steel and concrete, reinforced concrete.

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Speaker 2: The same way we build the show. Still reinforced concrete.

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Speaker 7: The concrete is not that boring.

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Speaker 2: No, you've done very Dave. He's pulled off. He's pulled

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Speaker 2: off the impossible.

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Speaker 7: All right, David, concrete.

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Speaker 2: Thank you, he says. Theo's last. Hey listen, Dave, enjoy

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Speaker 2: your break. We catch up with you next week. Will

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Speaker 2: do the port guys, it's a cotton Moore please.

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Speaker 1: Nolbourne's Gold one of four point three Christian O'Connell Breakfast

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Speaker 1: Show on Monday show.

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Speaker 2: I was talking about how when I was in Barron

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Speaker 2: Bay last week and staying at a hotel there, when

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Speaker 2: I was in the shower for the first time there,

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Speaker 2: I was just looking around the little shower room and

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Speaker 2: I noticed that they had a lever with some wooden

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Speaker 2: slats for blinds, and I thought there must be a

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Speaker 2: view behind this. Why would you want blinds in the shower?

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Speaker 2: So I thought I'd have a quick look. See while

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Speaker 2: I'm in the shower. What I realized pats was as

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Speaker 2: I opened the blinds, it went out onto the boardwalk

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Speaker 2: that went all the way around the hotel was on

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Speaker 2: the ground floor, and that precise moment there was a

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Speaker 2: lady with her elderly grandmother and only the grandmother saw me.

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Speaker 2: The daughter didn't, and I went so I went exposed,

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Speaker 2: not there.

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Speaker 8: No shape.

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Speaker 2: Show just had this image that she, the old, poor

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Speaker 2: old lady would have gone on naked man. And then

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Speaker 2: suddenly I wasn't there was I ever really there?

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Speaker 1: You had?

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Speaker 2: God, Mom, that's enough up the medication. We've spoken before

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Speaker 2: about these illusory news you keep seeing on the place.

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Speaker 2: So anyway, we were talking about have you got any

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Speaker 2: stories of accidental nudity? And Anne has Christian I was

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Speaker 2: just shown Monday and you were talking about accidental nudity.

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Speaker 2: My partner and I won and a five week holiday

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Speaker 2: last year. Our second last day in Rome, I don't

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Speaker 2: know if you went to the coliseum. It's basically a

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Speaker 2: giant concrete block. Our second last day in Rome was

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Speaker 2: a forty degree day and I returning to a hotel,

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Speaker 2: I jumped straight to shower, whilst my partner decided to

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Speaker 2: strip down to his birthday suit. I don't that. We

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Speaker 2: still call it the birthday suit and read some of

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Speaker 2: his Game of Thrones book. Halfway through my shower, I

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Speaker 2: heard my partner calling out from the room, ignoring it.

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Speaker 2: I got out about five minutes later. He said, you'll

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Speaker 2: never believe what has happened. It turns out our hotel

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Speaker 2: room door didn't lock and it could sometimes just swing open.

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Speaker 2: He'd obviously been lying on the bed naked, propped up

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Speaker 2: on one elbow at elbow, with his knees spread, reading

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Speaker 2: his Game of Thrones book. Two elderly ladies entered the room.

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Speaker 2: They got Mike must have been the shock of their lives.

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Speaker 2: So my partner only managed to wrong room and placed

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Speaker 2: his Game of Thrones. Those Game of Thrones books are huge,

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Speaker 2: so it's a good cover up there. It's a good screen,

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Speaker 2: isn't it? Over the nether regions, I didn't manage to

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Speaker 2: open the bedroom door. Christian against the che won't lying

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Speaker 2: passed out in the cornor they won't. That's and thank

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Speaker 2: you very much. So after seven we want stories about

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Speaker 2: accidental nudity. When have you accidentally been naked? On nine

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Speaker 2: four one four one four three and where did you

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Speaker 2: break up? Also on the show, I was speculating about

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Speaker 2: has anyone ever broken up at the airport and the

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Speaker 2: places people must just break up? And I got this

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Speaker 2: incredible email yesterday from Anonymous Christian listened to your show.

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Speaker 2: You often say it's a free form of therapy for

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Speaker 2: you and some listeners. I heard you wandering the other

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Speaker 2: day if anyone has actually broken up at the airport,

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Speaker 2: I've just been He's a typo here, just been massaged

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Speaker 2: from an X on Facebook. That's how they do it.

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Speaker 2: They massage the ego those exes, don't they know it's

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Speaker 2: a Freudian slip that is more than a type. And

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Speaker 2: I think Anonymous anyway just got a message from an

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Speaker 2: X on Facebook just as he's getting over isn't often

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Speaker 2: the way in life were when you wish someone and

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Speaker 2: they dumped you, and you take that whole thing getting

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Speaker 2: over them, and then just as you're getting into a

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Speaker 2: better place, they come out of the woodwork. Don't they

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Speaker 2: just a test? Are you really over them? Anyway? Gets

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Speaker 2: his message from his ex. We broke up after almost

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Speaker 2: three years and the soft drinks are of the supermarket

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Speaker 2: after a blazing row. Christian. I still get flashbacks to

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Speaker 2: this day when I do my weekly shop cordials. Cordials

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Speaker 2: can set me off into a deep despair. He had

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Speaker 2: me at the subject heading of the email, tears on

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Speaker 2: Aisle nine a brilliant What an amazing place. I want

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Speaker 2: to know whether it was Coals or Woolworths they broke up,

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Speaker 2: and that soft drinks are as well, because people we

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Speaker 2: must just break up in. It's not always in a

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Speaker 2: convenient location. There is no convenient location to break up.

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Speaker 3: And then do you still buy the food or do

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Speaker 3: you just put the basket on the ground and.

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Speaker 2: Do you break up? And then one walks off, leaving

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Speaker 2: you with the tronie And you know when I'm taking

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Speaker 2: out all the gluten free stuff, I'm not in gluten

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Speaker 2: free anyway.

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Speaker 4: When we were dating, the Love God and I many

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Speaker 4: years ago, we broke up in the middle of Kmart.

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Speaker 4: He was annoying me this one day and I said,

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Speaker 4: that's it, turned around on my heels and went in

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Speaker 4: the opposite direction towards the shoe.

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Speaker 2: Which bit of Kmart is this one big mega warehouse.

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Speaker 2: It's a colosseum of a different sorts, where many battles

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Speaker 2: are fought with warring couples, but where were you, particularly

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Speaker 2: in the.

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Speaker 4: Shoe department, And if I remember correctly, he wouldn't try

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Speaker 4: on a pair of shoes. I wanted him to a.

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Speaker 3: Great reason to break up.

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Speaker 2: That's right, it's over. And then so after seven o'clock

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Speaker 2: sart this morning, nine four one o four three, where

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Speaker 2: did you break up? And accidental nudity? Manbe, we'll get

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Speaker 2: one call that can cover both of those.

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Speaker 1: The question O'Connell breakfast Joe Melvin's Gold one oh four point.

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Speaker 9: Three is what's still trending.

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Speaker 2: All right, still trending on the show accidental nudity. So

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Speaker 2: if you've got these stories about accidental nudity when you've

439
00:21:25,920 --> 00:21:29,000
Speaker 2: been caught naked, then give us a call nine four

440
00:21:29,200 --> 00:21:32,080
Speaker 2: one O four three. And also where did you break up?

441
00:21:33,359 --> 00:21:35,840
Speaker 2: I got this email that came in here. This is

442
00:21:35,880 --> 00:21:38,760
Speaker 2: a scene from a movie. If there are any guys

443
00:21:38,840 --> 00:21:42,240
Speaker 2: listening right now who are thinking about having of a

444
00:21:42,280 --> 00:21:45,520
Speaker 2: decide action, this story will nip that in the bud

445
00:21:45,840 --> 00:21:49,720
Speaker 2: right now. Hi, Christian, do you want to share on

446
00:21:49,840 --> 00:21:52,640
Speaker 2: social media this story? If you do read it out

447
00:21:52,640 --> 00:21:55,440
Speaker 2: on air, just give me some kind of anonymous name.

448
00:21:55,840 --> 00:21:59,320
Speaker 2: You're going to find out why this chilled me to

449
00:21:59,400 --> 00:22:01,200
Speaker 2: the core the first time I read it. Yes, I

450
00:22:02,119 --> 00:22:06,280
Speaker 2: admire the vengefulness in this, but it also scared me.

451
00:22:06,400 --> 00:22:08,240
Speaker 3: So what are you gonna call the email?

452
00:22:09,000 --> 00:22:10,480
Speaker 2: I think we'll come up with a name. At the

453
00:22:10,560 --> 00:22:13,800
Speaker 2: end of the story, Christian, I discovered that my husband

454
00:22:13,800 --> 00:22:16,439
Speaker 2: had set up a profile for himself on a friend

455
00:22:16,640 --> 00:22:19,520
Speaker 2: finding type of sight, shall we say, because he was

456
00:22:19,560 --> 00:22:22,560
Speaker 2: stupid enough to charge his membership fees to our credit card.

457
00:22:23,359 --> 00:22:26,800
Speaker 2: After the initial shock and grief, I got angry, quite angry,

458
00:22:27,080 --> 00:22:29,679
Speaker 2: I'd say, it's a bit more than quite angry, but

459
00:22:29,800 --> 00:22:33,760
Speaker 2: rightly so, and a tiny bit vindictive. Again, not tiny

460
00:22:33,800 --> 00:22:36,960
Speaker 2: bit vindictive, but anyway. So what I did was I

461
00:22:37,000 --> 00:22:40,679
Speaker 2: signed myself up for the same website, gave myself a

462
00:22:40,680 --> 00:22:43,040
Speaker 2: different name, and made the profile of the kind of

463
00:22:43,080 --> 00:22:46,720
Speaker 2: woman that my ex absolutely drawled over, because after twenty

464
00:22:46,760 --> 00:22:50,679
Speaker 2: years together, you know what they like. He sent me

465
00:22:50,680 --> 00:22:53,480
Speaker 2: a message that same day, and over the next couple

466
00:22:53,480 --> 00:22:57,960
Speaker 2: of weeks we chatted it up as stall. It wasn't

467
00:22:57,960 --> 00:23:00,080
Speaker 2: as difficult as I thought to keep up the facade

468
00:23:00,119 --> 00:23:02,480
Speaker 2: of a happy wife. Knowing everything he liked, I was

469
00:23:02,520 --> 00:23:05,200
Speaker 2: able to turn myself into his idea of a perfect woman.

470
00:23:05,480 --> 00:23:07,439
Speaker 2: So when I was done with messing with him and

471
00:23:07,480 --> 00:23:09,720
Speaker 2: wanted it all to be over and done. I suggested

472
00:23:09,760 --> 00:23:12,000
Speaker 2: we meet up and maybe he'd liked to book a

473
00:23:12,080 --> 00:23:15,480
Speaker 2: hotel room. We all know where there is, heading, don't

474
00:23:15,480 --> 00:23:18,480
Speaker 2: we to the hotel room. He booked a room a

475
00:23:18,600 --> 00:23:21,800
Speaker 2: rather fancy hotel in Melbourne, gave me the room number,

476
00:23:21,960 --> 00:23:25,639
Speaker 2: told me he'd be ready and waiting. Christian. Can you

477
00:23:25,680 --> 00:23:27,960
Speaker 2: imagine his surprise when he opened the door to my

478
00:23:28,040 --> 00:23:32,320
Speaker 2: knock expecting Kelly and saw his wife instead.

479
00:23:32,840 --> 00:23:33,399
Speaker 5: If you like.

480
00:23:42,040 --> 00:23:44,520
Speaker 2: Christian he opened the door. The only way to describe

481
00:23:44,600 --> 00:23:47,760
Speaker 2: him is it's kind of like when a cartoon balloon

482
00:23:47,920 --> 00:23:53,960
Speaker 2: loses its air. Deflated doesn't summon up Christian. Christian, I

483
00:23:54,119 --> 00:23:56,479
Speaker 2: scripted everything in my mind before I got there, had

484
00:23:56,480 --> 00:23:59,359
Speaker 2: an amazing speech that I was going to launch into

485
00:23:59,440 --> 00:24:00,960
Speaker 2: when I was going to end it with me throwing

486
00:24:00,960 --> 00:24:04,199
Speaker 2: my wedding ring at him and flouncing off into a

487
00:24:04,240 --> 00:24:07,560
Speaker 2: wonderful future without him. And instead, after his shock started

488
00:24:07,560 --> 00:24:10,159
Speaker 2: wearing off and he suddenly remembered he was naked and

489
00:24:10,160 --> 00:24:13,080
Speaker 2: holding open a hotel door, he slammed it in my face.

490
00:24:13,320 --> 00:24:20,000
Speaker 2: I laughed so much I wet my pants. It's brilliant,

491
00:24:20,280 --> 00:24:24,439
Speaker 2: I thought you might say that jackets legs and his

492
00:24:24,640 --> 00:24:28,280
Speaker 2: arms crossed. After that, it was all just a usual

493
00:24:28,320 --> 00:24:32,680
Speaker 2: boring stuff, divorces, nothing eventful. Afraid we don't need any

494
00:24:32,760 --> 00:24:35,520
Speaker 2: more eventful from you, my friend. But fasterwards and now

495
00:24:35,600 --> 00:24:38,000
Speaker 2: life is happy. I'm in a better place. But I

496
00:24:38,080 --> 00:24:41,679
Speaker 2: really think about him only when I see sad floppy

497
00:24:41,960 --> 00:24:48,360
Speaker 2: balloons white. Some story, that, isn't it about? Where did

498
00:24:48,400 --> 00:24:51,480
Speaker 2: you break up in the hotel room pretending to be

499
00:24:51,520 --> 00:24:54,080
Speaker 2: another woman? I mean that is some story?

500
00:24:54,160 --> 00:24:54,439
Speaker 10: All right?

501
00:24:54,480 --> 00:24:56,000
Speaker 2: What have you got for us this morning? Then? Where

502
00:24:56,000 --> 00:24:57,879
Speaker 2: did you break up? I told you it was a

503
00:24:57,920 --> 00:25:00,960
Speaker 2: chilling story. Where did you break up? And accidental nudity?

504
00:25:02,080 --> 00:25:03,760
Speaker 2: One four three? Give us a call.

505
00:25:04,000 --> 00:25:06,800
Speaker 1: Melvine's Gold one oh four point three. This Chris Jan

506
00:25:06,840 --> 00:25:08,160
Speaker 1: O'Connell's breakfast show.

507
00:25:08,400 --> 00:25:10,200
Speaker 2: Who do you think does revenge better? A man or

508
00:25:10,200 --> 00:25:10,560
Speaker 2: a woman?

509
00:25:11,359 --> 00:25:12,280
Speaker 4: Definitely a woman?

510
00:25:12,400 --> 00:25:13,520
Speaker 3: After that email, no.

511
00:25:13,600 --> 00:25:17,080
Speaker 2: Argument, hands down, shuts it down, all right, So this

512
00:25:17,119 --> 00:25:19,520
Speaker 2: morning we're taking your stories and calls there nine four

513
00:25:19,560 --> 00:25:24,120
Speaker 2: one four one o four three stories of accidental nudity

514
00:25:24,520 --> 00:25:26,600
Speaker 2: and where did you break up? We just heard the

515
00:25:27,000 --> 00:25:30,600
Speaker 2: amazing story in so many different ways from the lady

516
00:25:30,640 --> 00:25:32,960
Speaker 2: that dumped her husband and broke up with him in

517
00:25:32,960 --> 00:25:35,639
Speaker 2: a hotel room when he thought he was meeting someone

518
00:25:35,680 --> 00:25:39,600
Speaker 2: he'd met online called Kelly. And then a bit more humdrum,

519
00:25:39,680 --> 00:25:42,560
Speaker 2: but still as emotional. Aisle nine soft drinks of the

520
00:25:42,600 --> 00:25:45,760
Speaker 2: supermarket as well tears on Ile nine. Let's go to

521
00:25:45,840 --> 00:25:49,920
Speaker 2: lines on now, Brett. Good morning, good morning, Good morning, Brett.

522
00:25:49,920 --> 00:25:52,600
Speaker 2: Welcome to the show where we enjoyed your day yesterday.

523
00:25:53,200 --> 00:25:55,360
Speaker 2: Brett tell us about accidental nudity.

524
00:25:56,359 --> 00:25:59,119
Speaker 11: I was twenty three in the Army and Recruit training

525
00:26:00,160 --> 00:26:03,879
Speaker 11: shower and just wrapped the towel around the waist walking

526
00:26:03,920 --> 00:26:06,720
Speaker 11: down the past all the officers to go to the

527
00:26:07,480 --> 00:26:10,480
Speaker 11: where our rooms were. Female officer just happened to walk

528
00:26:10,520 --> 00:26:14,080
Speaker 11: up the stairs go on a salute, and tails ended

529
00:26:14,160 --> 00:26:15,320
Speaker 11: up around my ankles.

530
00:26:17,359 --> 00:26:19,199
Speaker 2: Well, hopefully it wasn't any kind of double salute, and

531
00:26:19,200 --> 00:26:21,040
Speaker 2: I thought that was just a single one, but wow.

532
00:26:20,840 --> 00:26:21,080
Speaker 12: That is.

533
00:26:22,160 --> 00:26:23,919
Speaker 11: But I think we got the nickname Flash after that

534
00:26:23,960 --> 00:26:25,720
Speaker 11: because mate, I was going in a hardbeat.

535
00:26:27,480 --> 00:26:29,320
Speaker 2: All right, Brett, thank you very much, have a good day.

536
00:26:29,320 --> 00:26:35,320
Speaker 2: Thanks to calling. Leanne. Come on in, Leanne. Good morning, Okay, Leanne,

537
00:26:35,359 --> 00:26:37,280
Speaker 2: hope you're well, thanks for calling the show. So she

538
00:26:37,400 --> 00:26:38,880
Speaker 2: talk about where did you break up.

539
00:26:39,920 --> 00:26:43,520
Speaker 13: A friend of mine decided that she caught her cellar

540
00:26:43,640 --> 00:26:47,440
Speaker 13: out mucking around, so she decided to meet him at.

541
00:26:47,240 --> 00:26:50,760
Speaker 14: A county lake, and he rode his motorbike out there,

542
00:26:51,080 --> 00:26:54,359
Speaker 14: and she grown there and they decided to go for

543
00:26:54,440 --> 00:26:57,840
Speaker 14: one last skinny dip. She waited till he stepped off

544
00:26:57,880 --> 00:26:58,240
Speaker 14: and was.

545
00:26:58,200 --> 00:27:02,639
Speaker 13: In the water, and she was out of there, leaving

546
00:27:02,720 --> 00:27:06,200
Speaker 13: him to ride home to town on his motorbike with

547
00:27:06,320 --> 00:27:09,920
Speaker 13: his really white skin on a forty degree day.

548
00:27:10,880 --> 00:27:14,320
Speaker 2: Blind again. Another story, we're just trying to keep it

549
00:27:14,359 --> 00:27:17,439
Speaker 2: on to where did you break up? To ways of

550
00:27:17,480 --> 00:27:19,560
Speaker 2: women getting their avenge on cheating.

551
00:27:19,280 --> 00:27:24,480
Speaker 3: Premeditatedly, Well, yeah, yeah, Jack has been very defensive.

552
00:27:24,480 --> 00:27:28,520
Speaker 2: They're premeditator. He's actually his body language. He's holding himself,

553
00:27:28,520 --> 00:27:33,640
Speaker 2: protecting himself, hugging himself. Leanne, thank you very much and cool,

554
00:27:34,840 --> 00:27:36,960
Speaker 2: all right, have a good day. Nine four one four

555
00:27:37,000 --> 00:27:39,080
Speaker 2: one o four three. So your stories are where did

556
00:27:39,080 --> 00:27:40,920
Speaker 2: you break up? An accidental needity.

557
00:27:41,080 --> 00:27:45,000
Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four point.

558
00:27:44,840 --> 00:27:47,800
Speaker 2: Three until week six, ten weeks of tickets every single

559
00:27:47,800 --> 00:27:50,520
Speaker 2: week at seven thirteen mony a Friday. Give your tickets

560
00:27:50,520 --> 00:27:53,480
Speaker 2: to go to the biggest shows in town this week.

561
00:27:53,480 --> 00:27:57,560
Speaker 2: It's all about this guy. Christian o'conrals ten weeks of tickers.

562
00:28:01,000 --> 00:28:01,920
Speaker 5: Welcome till.

563
00:28:12,080 --> 00:28:16,600
Speaker 9: Alice Cooper's Old Black Eyes is back to us every

564
00:28:16,640 --> 00:28:17,800
Speaker 9: day and we've got a pair of tickets.

565
00:28:17,800 --> 00:28:20,880
Speaker 2: Go and see Alice Cooper live ore the rod Laver.

566
00:28:21,080 --> 00:28:23,600
Speaker 2: You can also watch some of the show from the

567
00:28:23,600 --> 00:28:29,600
Speaker 2: photographer's pit. Worthy worthy so you can actually be enjoined

568
00:28:29,640 --> 00:28:34,960
Speaker 2: the show. That's not your camera, that's not the photographer's camera.

569
00:28:35,040 --> 00:28:37,200
Speaker 2: Just you understand what's going on this production piece here

570
00:28:38,000 --> 00:28:40,680
Speaker 2: and then plus also now do you win the tickets,

571
00:28:40,720 --> 00:28:42,480
Speaker 2: every day you're going to go and watch some of

572
00:28:42,480 --> 00:28:45,600
Speaker 2: the show and the photographer's pit. You also get the

573
00:28:45,680 --> 00:28:47,920
Speaker 2: chance to b have the ticket upgraded to a VIP

574
00:28:48,160 --> 00:28:51,040
Speaker 2: meet and greet on Friday show. All the winners will

575
00:28:51,080 --> 00:28:52,680
Speaker 2: do a drawer as well, and you get on the

576
00:28:52,680 --> 00:28:56,400
Speaker 2: short list throw away four golds Golden ticket as well,

577
00:28:56,440 --> 00:28:59,480
Speaker 2: which is an amazing prize to go to almost every

578
00:28:59,480 --> 00:29:03,760
Speaker 2: single show. Sports of Grand Prix to Elton Shohn and

579
00:29:03,880 --> 00:29:07,000
Speaker 2: you two are all happening over the next twelve months.

580
00:29:07,120 --> 00:29:10,280
Speaker 2: All right, So because everyone is racing crazy this week,

581
00:29:10,680 --> 00:29:14,760
Speaker 2: producer Brad It says annual feature. He's at the Races.

582
00:29:14,800 --> 00:29:17,200
Speaker 2: This is written by and starring our producer Brad Here.

583
00:29:17,240 --> 00:29:23,040
Speaker 2: He is what's the song that's at the races? Racing?

584
00:29:23,200 --> 00:29:25,400
Speaker 15: She's got a smile and it seems to me both

585
00:29:25,480 --> 00:29:26,320
Speaker 15: missed the start.

586
00:29:26,680 --> 00:29:29,600
Speaker 2: Sitting well remind me and of childhood memories.

587
00:29:29,800 --> 00:29:32,840
Speaker 15: The pace picks up up were everything and was as fresh.

588
00:29:32,920 --> 00:29:36,200
Speaker 15: Move up to as the bright blue sky last four

589
00:29:36,320 --> 00:29:38,400
Speaker 15: hundred now and then moves to the rails.

590
00:29:38,680 --> 00:29:41,720
Speaker 2: When I see her face round the upside, she takes

591
00:29:41,760 --> 00:29:43,400
Speaker 2: me away. Was trailing off.

592
00:29:43,280 --> 00:29:46,200
Speaker 15: Last and if I'd stay too long, hits the line,

593
00:29:46,400 --> 00:29:50,320
Speaker 15: hits a straw run, I probably break down the winds.

594
00:29:51,400 --> 00:29:54,440
Speaker 2: Amazing performance. Actually game algi.

595
00:29:54,160 --> 00:29:56,720
Speaker 3: Actually, I good a feeling. We did that song last year.

596
00:29:56,840 --> 00:30:00,120
Speaker 3: I wouldn't be surprised that you didn't recycle that, did you?

597
00:30:02,680 --> 00:30:07,360
Speaker 2: Strong accusation. That is a strong thing to.

598
00:30:06,880 --> 00:30:08,680
Speaker 3: Check your love books. Go back and say if we

599
00:30:08,760 --> 00:30:09,680
Speaker 3: did that song last.

600
00:30:09,600 --> 00:30:14,880
Speaker 2: Night, it's not a nice way to come back says it. Wow, Wow,

601
00:30:14,960 --> 00:30:18,520
Speaker 2: that is some speechless poor guy just ounted him on air.

602
00:30:19,280 --> 00:30:21,160
Speaker 2: You better get ready with an apology.

603
00:30:21,280 --> 00:30:23,680
Speaker 3: I don't think why if it's none of the archives,

604
00:30:23,720 --> 00:30:24,680
Speaker 3: I will apologize.

605
00:30:24,720 --> 00:30:31,280
Speaker 2: Have a look, though I wouldn't be surprised. N one

606
00:30:31,320 --> 00:30:33,840
Speaker 2: oh four three, what's the song? Lines are open now.

607
00:30:34,080 --> 00:30:38,360
Speaker 1: Melbourne's Gold one four point three, The Christian O'Connell Breakfast.

608
00:30:38,000 --> 00:30:45,880
Speaker 2: Shoe, Christian O'Connell's ten weeks of tickets Welcome Tim.

609
00:30:56,200 --> 00:31:01,000
Speaker 9: Alice Cooper's Old Black Eyes is back to us every

610
00:31:01,040 --> 00:31:01,840
Speaker 9: single day this week.

611
00:31:01,880 --> 00:31:04,640
Speaker 2: Then you can go and see Alice Cooper Live. Alice

612
00:31:04,720 --> 00:31:07,840
Speaker 2: Cooper Old Black Eyes his back. TK tickets are available

613
00:31:07,840 --> 00:31:10,480
Speaker 2: at ticketech dot com dot au. You can win them

614
00:31:10,480 --> 00:31:13,280
Speaker 2: every morning with us, get to watch some of the

615
00:31:13,320 --> 00:31:16,440
Speaker 2: show from the photographer's pip and also you get chance

616
00:31:16,520 --> 00:31:18,720
Speaker 2: to have your ticket upgraded as well again on Friday

617
00:31:18,800 --> 00:31:21,400
Speaker 2: show where you could be getting the VIP meet and

618
00:31:21,400 --> 00:31:24,560
Speaker 2: Greek with the Man of Solf Alice Cooper. All right,

619
00:31:24,600 --> 00:31:28,480
Speaker 2: then everyone's racing crazy this week. There's a song on

620
00:31:28,520 --> 00:31:30,360
Speaker 2: the races here it is you got to work out

621
00:31:30,400 --> 00:31:30,960
Speaker 2: what the song is.

622
00:31:33,960 --> 00:31:36,520
Speaker 15: Racing She's got a smile and it seems to me

623
00:31:36,760 --> 00:31:40,040
Speaker 15: both missed the start. Simpling well reminds me and of

624
00:31:40,200 --> 00:31:43,760
Speaker 15: childhood memories. The pacer picks up were everything and was

625
00:31:43,800 --> 00:31:46,520
Speaker 15: as fresh move up to as the bright Blue sky.

626
00:31:47,200 --> 00:31:49,520
Speaker 2: Last four hundred now and then moves.

627
00:31:49,280 --> 00:31:50,000
Speaker 3: To the rails.

628
00:31:50,240 --> 00:31:52,959
Speaker 2: When I see your face round the outside.

629
00:31:52,720 --> 00:31:55,760
Speaker 15: She takes me away as trailing up last and if

630
00:31:55,800 --> 00:31:57,760
Speaker 15: I'd stay too long hits the line.

631
00:31:58,000 --> 00:31:59,040
Speaker 6: It's a strong run.

632
00:32:00,160 --> 00:32:06,240
Speaker 2: Break down wins strong performance from producer Brad There Jasmine,

633
00:32:06,280 --> 00:32:10,360
Speaker 2: good morning, have me morning, Good morning, Jesse. Welcome to

634
00:32:10,400 --> 00:32:12,000
Speaker 2: the show. You are getting ready for school?

635
00:32:12,880 --> 00:32:13,959
Speaker 10: Oh no, I'm working?

636
00:32:14,360 --> 00:32:16,800
Speaker 2: Oh okay, sorry, all right? And what is it? The

637
00:32:16,840 --> 00:32:17,400
Speaker 2: song is.

638
00:32:19,360 --> 00:32:21,320
Speaker 7: So Child's in Mind by Guns n' Roses.

639
00:32:22,720 --> 00:32:26,440
Speaker 2: Well done, Jasmine. You in the Alice Cooper tickets you

640
00:32:26,480 --> 00:32:31,200
Speaker 2: get to watch one of the songs from the Photographer's Pits.

641
00:32:30,280 --> 00:32:32,840
Speaker 16: Oh god, that's awesome.

642
00:32:33,160 --> 00:32:35,600
Speaker 2: And who you winning this for? Is this for you, Jasmine?

643
00:32:35,680 --> 00:32:39,080
Speaker 16: Or Hi's for me and my dad?

644
00:32:39,560 --> 00:32:40,960
Speaker 2: Ah? You're going to take your dad?

645
00:32:41,640 --> 00:32:41,880
Speaker 7: Yeah?

646
00:32:42,280 --> 00:32:44,400
Speaker 2: Oh fantastic, what a cool thing. Well, make sure you're

647
00:32:44,400 --> 00:32:47,320
Speaker 2: listening on Friday. You might be upgraded to get in

648
00:32:47,360 --> 00:32:49,120
Speaker 2: the meet and greet with Alice Cooper. You and dad

649
00:32:49,120 --> 00:32:51,160
Speaker 2: as well, meeting Alice Cooper as well, So you can

650
00:32:51,200 --> 00:32:53,320
Speaker 2: find that out on Friday's show. But you've won the

651
00:32:53,320 --> 00:32:54,760
Speaker 2: tickets and you can go and see some of the

652
00:32:54,760 --> 00:32:57,000
Speaker 2: show in the Photographer's pit as well. You'll have a

653
00:32:57,040 --> 00:32:57,480
Speaker 2: great time.

654
00:32:58,320 --> 00:32:58,760
Speaker 3: Thank you.

655
00:32:58,920 --> 00:33:02,760
Speaker 2: All right, Jasmine, have a good day. Well done. Now

656
00:33:03,000 --> 00:33:06,160
Speaker 2: have you got something. It's one thing to accuse a

657
00:33:06,360 --> 00:33:11,360
Speaker 2: producer on it on it, and I've got no problem

658
00:33:11,400 --> 00:33:14,640
Speaker 2: with accused him of all kind of stuff off air.

659
00:33:15,000 --> 00:33:17,560
Speaker 2: I believe in a little bit of decorum here Jack

660
00:33:17,720 --> 00:33:21,680
Speaker 2: Post maybe over there, Hamish Shenandy on the gravy train. Okay,

661
00:33:21,720 --> 00:33:24,800
Speaker 2: it was fine to be flinging people accusations like that,

662
00:33:25,040 --> 00:33:28,960
Speaker 2: but you producer, an elderly producer like that, served with

663
00:33:29,200 --> 00:33:32,719
Speaker 2: some fine people over the years, Bill Rodeo, Bill Rodeo

664
00:33:32,960 --> 00:33:35,920
Speaker 2: beat radio with Marconi, and he used to work in

665
00:33:35,960 --> 00:33:37,480
Speaker 2: the Rodeo. That's how we hired him.

666
00:33:38,360 --> 00:33:40,080
Speaker 3: I have a written statement and that will be my

667
00:33:40,160 --> 00:33:41,360
Speaker 3: only comment on the matter.

668
00:33:41,360 --> 00:33:44,800
Speaker 2: Right, okay, okay, So Jack accused the producer Brad or

669
00:33:44,960 --> 00:33:48,440
Speaker 2: just recycling exactly that he has done the exactly the

670
00:33:48,440 --> 00:33:52,800
Speaker 2: same feature from last year. But we have been as

671
00:33:52,800 --> 00:33:57,239
Speaker 2: well and some of the songs. However, you accused him

672
00:33:57,240 --> 00:33:59,959
Speaker 2: of doing exactly the same one last year. Sweech our

673
00:34:00,120 --> 00:34:03,200
Speaker 2: of mine. We've gone back, You've wasted their time. We've

674
00:34:03,200 --> 00:34:05,560
Speaker 2: gone back and listened to a podcast I've.

675
00:34:05,400 --> 00:34:07,880
Speaker 3: Actually never see him work so hard, and it was

676
00:34:07,920 --> 00:34:14,000
Speaker 3: to clear his own name usually that archive. Oh you

677
00:34:14,040 --> 00:34:16,480
Speaker 3: don't want to get stuck in the archive. It's money

678
00:34:16,520 --> 00:34:17,000
Speaker 3: in there.

679
00:34:17,600 --> 00:34:19,680
Speaker 2: And then he was able to find that quick smart

680
00:34:19,960 --> 00:34:22,120
Speaker 2: so he didn't recycle one from last year.

681
00:34:22,280 --> 00:34:25,799
Speaker 3: Dear producer brand, recently, on the Christian O'Connell Breakfast Show,

682
00:34:25,880 --> 00:34:29,359
Speaker 3: I incorrectly claimed that you recycled a competition clue from

683
00:34:29,440 --> 00:34:33,080
Speaker 3: last year's Spring Carnival season and reused the same clue

684
00:34:33,080 --> 00:34:36,960
Speaker 3: this year. So far, no evidence has come to light

685
00:34:37,040 --> 00:34:40,319
Speaker 3: that you did in fact recycle old material. Although I

686
00:34:40,520 --> 00:34:43,239
Speaker 3: although I don't apologize for trying to keep the integrity

687
00:34:43,280 --> 00:34:46,200
Speaker 3: of the show at a high level, I do apologize

688
00:34:46,200 --> 00:34:50,160
Speaker 3: for wrongly accusing you of self forgery on this occasion.

689
00:34:50,560 --> 00:34:52,640
Speaker 3: Yours truly, Jackpost.

690
00:34:52,520 --> 00:34:54,920
Speaker 2: Thank you very much. That's kind of also not an

691
00:34:54,960 --> 00:34:57,879
Speaker 2: apology as well, so I think my wife does an

692
00:34:57,920 --> 00:35:00,160
Speaker 2: apology with a caveat.

693
00:35:00,360 --> 00:35:04,120
Speaker 1: For Christian O'Connell Breakfast shoe Melbourne's gold one of four

694
00:35:04,120 --> 00:35:04,640
Speaker 1: point three.

695
00:35:05,000 --> 00:35:09,319
Speaker 3: Prince Harry has been seen flying return from Japan on

696
00:35:09,560 --> 00:35:13,080
Speaker 3: a commercial flight. He's been a cute. I guess they're

697
00:35:13,120 --> 00:35:15,399
Speaker 3: getting too much heat for getting on the private jet

698
00:35:15,440 --> 00:35:18,799
Speaker 3: everywhere they go. He's gone out to the Rugby World

699
00:35:18,840 --> 00:35:19,760
Speaker 3: Cup over the weekend.

700
00:35:19,840 --> 00:35:21,120
Speaker 2: He's a huge rugby fan.

701
00:35:21,320 --> 00:35:26,520
Speaker 3: And he's got on a Nippon Airways flight back to London,

702
00:35:27,120 --> 00:35:30,319
Speaker 3: sitting in premium economy. Not so not the best on

703
00:35:30,360 --> 00:35:31,600
Speaker 3: the plane, not the worst though.

704
00:35:31,680 --> 00:35:34,640
Speaker 2: Yep, he's not turned left. He's not turned left, he's

705
00:35:34,640 --> 00:35:37,840
Speaker 2: not going upstairs. Premium economy. You get about what is

706
00:35:37,840 --> 00:35:39,040
Speaker 2: it an extra six centimes?

707
00:35:39,080 --> 00:35:41,800
Speaker 3: That's right when they say that, it always sounds so easily,

708
00:35:41,880 --> 00:35:44,040
Speaker 3: doesn't It's like, need.

709
00:35:44,520 --> 00:35:46,479
Speaker 2: Can you stretch six?

710
00:35:49,560 --> 00:35:53,200
Speaker 3: Like double the floor?

711
00:35:53,480 --> 00:35:56,359
Speaker 2: The premium bit is a misleading thing, is it. I

712
00:35:56,360 --> 00:35:58,560
Speaker 2: mean it's like saying this is a premium breakfast show.

713
00:35:59,360 --> 00:36:01,800
Speaker 2: It's a break a show. You can't really say premium

714
00:36:02,000 --> 00:36:07,279
Speaker 2: premium with a premium economy. It is something like six

715
00:36:07,320 --> 00:36:10,959
Speaker 2: said to me as well? Really mindly, so he's he's

716
00:36:10,960 --> 00:36:11,440
Speaker 2: in there.

717
00:36:11,600 --> 00:36:13,440
Speaker 3: He's just with the general public.

718
00:36:13,640 --> 00:36:16,040
Speaker 2: And I guess no way, I mean, he's not.

719
00:36:17,920 --> 00:36:20,359
Speaker 3: Like even in premium economy. He's got to be sat

720
00:36:20,400 --> 00:36:22,640
Speaker 3: next to normal people. They can't put a special rope

721
00:36:22,640 --> 00:36:23,120
Speaker 3: around him.

722
00:36:23,200 --> 00:36:26,239
Speaker 2: I'm sure he's got like the security guards with him

723
00:36:26,239 --> 00:36:28,120
Speaker 2: as well. He's going to have a security detail. It's

724
00:36:28,160 --> 00:36:29,359
Speaker 2: not sure. He's just him rocking up.

725
00:36:30,000 --> 00:36:31,759
Speaker 3: They bought the whole plane and nobody.

726
00:36:31,520 --> 00:36:38,360
Speaker 2: Eighty bodyguards or with all the black sunglasses and a

727
00:36:38,360 --> 00:36:40,560
Speaker 2: big bulge under their arm pit as well. I mean,

728
00:36:41,320 --> 00:36:43,280
Speaker 2: I mean, how does it Because he's obviously a member

729
00:36:43,320 --> 00:36:45,920
Speaker 2: of the royal family, right, he's high risk to have

730
00:36:45,960 --> 00:36:49,120
Speaker 2: a security detail everywhere, you know, you can only imagine

731
00:36:49,120 --> 00:36:51,080
Speaker 2: the security protocol they have to do. What do you

732
00:36:51,160 --> 00:36:55,680
Speaker 2: have to do about checking in handguns? Well maybe probably,

733
00:36:55,680 --> 00:36:58,120
Speaker 2: like you know, a high profile target like that, But

734
00:36:58,320 --> 00:36:58,920
Speaker 2: they don't.

735
00:36:58,680 --> 00:37:00,520
Speaker 3: Have to carry a gun with him everywhere?

736
00:37:00,560 --> 00:37:02,040
Speaker 2: Do they? Oh yeah, do they?

737
00:37:02,120 --> 00:37:04,680
Speaker 4: Oh my word, yes, they'd have a special license.

738
00:37:04,880 --> 00:37:06,920
Speaker 2: Friend of mine was part of the security detail for

739
00:37:07,280 --> 00:37:11,080
Speaker 2: Princess Diana. Oh wow, carried a gun all times. They

740
00:37:11,080 --> 00:37:13,480
Speaker 2: have to. And this was before that would have been

741
00:37:13,480 --> 00:37:16,160
Speaker 2: before like predating nine to eleven, and how the world

742
00:37:16,280 --> 00:37:16,680
Speaker 2: changed with that.

743
00:37:16,840 --> 00:37:18,800
Speaker 3: So so everyone could take a gun on a plane

744
00:37:18,840 --> 00:37:19,320
Speaker 3: back there.

745
00:37:21,480 --> 00:37:28,280
Speaker 2: Shooting up in the air to get the anyway. So

746
00:37:28,280 --> 00:37:30,440
Speaker 2: so imagine that. Then you're in premium economy, you're looking

747
00:37:30,480 --> 00:37:36,279
Speaker 2: for sixteen seventeen, you know, and then you go, don't

748
00:37:36,320 --> 00:37:39,759
Speaker 2: say anything, it's not him. You wouldn't think it was

749
00:37:39,840 --> 00:37:42,120
Speaker 2: him first of all, would you? And then you'd ever

750
00:37:42,160 --> 00:37:44,719
Speaker 2: cut the drinks and you go. I didn't mind me

751
00:37:44,760 --> 00:37:50,279
Speaker 2: saying this, but everyone ever told you and you go.

752
00:37:50,680 --> 00:37:51,799
Speaker 2: I get it all the time.

753
00:37:51,840 --> 00:37:52,040
Speaker 1: You go.

754
00:37:52,200 --> 00:37:55,040
Speaker 2: But your voice is also very posh as well. What

755
00:37:55,040 --> 00:37:57,120
Speaker 2: are you doing in premium? You've fallen out with nan?

756
00:37:57,320 --> 00:37:57,400
Speaker 10: Or?

757
00:38:01,600 --> 00:38:02,960
Speaker 2: It's an incredible story.

758
00:38:03,360 --> 00:38:05,400
Speaker 3: And do you think when he lands he goes to

759
00:38:05,600 --> 00:38:07,759
Speaker 3: baggage claim or do you think he got to.

760
00:38:07,760 --> 00:38:09,480
Speaker 2: Go his bodyguards go and go and pick up all the.

761
00:38:09,400 --> 00:38:12,480
Speaker 3: Guns, and so he goes straight to a car. I

762
00:38:12,480 --> 00:38:13,800
Speaker 3: don't know is he getting on the bus?

763
00:38:13,920 --> 00:38:16,600
Speaker 2: I tell you what, one thing's for sure when he comes,

764
00:38:16,719 --> 00:38:20,080
Speaker 2: when he gets that baggage reclaim matching Louis vouton cases right.

765
00:38:20,680 --> 00:38:23,400
Speaker 2: They're not doing that thing where they've got like something

766
00:38:23,480 --> 00:38:27,040
Speaker 2: tied around a hand, or that crappy strap with someone

767
00:38:27,480 --> 00:38:30,279
Speaker 2: Harris family, you know that strap around They got it

768
00:38:30,360 --> 00:38:34,080
Speaker 2: printed up somewhere. They're really happy with themselves. Harris family.

769
00:38:36,200 --> 00:38:38,720
Speaker 2: Who are the people as well? They've got such precious

770
00:38:38,719 --> 00:38:42,440
Speaker 2: goods and they go and get that cellophane wrap. I

771
00:38:42,480 --> 00:38:43,719
Speaker 2: always judge those.

772
00:38:43,520 --> 00:38:46,000
Speaker 4: People done that to BALI once.

773
00:38:48,080 --> 00:38:51,719
Speaker 2: I want those Balinese people rummaging through my smalls.

774
00:38:51,320 --> 00:38:55,800
Speaker 3: Chris, because you there was a lot of fear. After

775
00:38:55,880 --> 00:38:59,839
Speaker 3: the people would put stuff in your bags you would

776
00:38:59,880 --> 00:39:03,080
Speaker 3: be come an unknowing mule and carry drugs to BALI

777
00:39:03,200 --> 00:39:04,000
Speaker 3: Is that what you were worried?

778
00:39:04,080 --> 00:39:07,240
Speaker 4: I was petrified I'd end up rotting in a prison

779
00:39:07,560 --> 00:39:08,320
Speaker 4: for the rest.

780
00:39:08,120 --> 00:39:10,880
Speaker 2: Of my life. And also a lovely looking lady like you,

781
00:39:10,920 --> 00:39:15,560
Speaker 2: they would have a filter. Oh my word, zero too.

782
00:39:16,160 --> 00:39:16,319
Speaker 12: Right.

783
00:39:16,400 --> 00:39:18,360
Speaker 2: So we want to know, then, what famous people have

784
00:39:18,440 --> 00:39:21,120
Speaker 2: you seen on a plane? Seeing a prince? I remember

785
00:39:21,160 --> 00:39:22,720
Speaker 2: the royal family is amazing.

786
00:39:22,760 --> 00:39:25,520
Speaker 3: The best I've seen is Tim Rodgers from you and I.

787
00:39:25,920 --> 00:39:28,640
Speaker 3: Now he was in cattle class with the rest of us,

788
00:39:28,680 --> 00:39:29,880
Speaker 3: But it was on a plane.

789
00:39:30,080 --> 00:39:32,520
Speaker 2: Was he in premium economy though he was a prince?

790
00:39:32,640 --> 00:39:35,360
Speaker 3: It was a plane that didn't have anything but economy.

791
00:39:35,360 --> 00:39:37,520
Speaker 3: You know, sometimes they're so small that they just don't

792
00:39:37,520 --> 00:39:39,960
Speaker 3: even have a premium section. But they did figre out.

793
00:39:40,000 --> 00:39:41,759
Speaker 3: They did sit him right at the front, so at

794
00:39:41,840 --> 00:39:44,000
Speaker 3: least they gave him the leg room at the front.

795
00:39:44,200 --> 00:39:46,640
Speaker 2: Wow. Did you think he booked that first stile or

796
00:39:46,640 --> 00:39:47,520
Speaker 2: they gave it to him?

797
00:39:47,560 --> 00:39:49,719
Speaker 3: I guess he rocks up and maybe he goes, hey,

798
00:39:49,880 --> 00:39:53,000
Speaker 3: you might know me from you and I have the

799
00:39:53,000 --> 00:39:53,600
Speaker 3: best sea.

800
00:39:56,880 --> 00:40:00,719
Speaker 2: That's with the pilot's getting the maps out and the

801
00:40:00,719 --> 00:40:04,359
Speaker 2: best seat on the plane. All right, then, so who

802
00:40:04,440 --> 00:40:07,640
Speaker 2: is on your flight? What celebrities can you top? A prince?

803
00:40:08,239 --> 00:40:10,759
Speaker 2: Who was on your flight? Nine four one four, one

804
00:40:10,800 --> 00:40:11,680
Speaker 2: oh four three.

805
00:40:12,000 --> 00:40:16,120
Speaker 1: Nolbourn's Gold one oh four point three Christian O'Connell Breakfast Show.

806
00:40:16,440 --> 00:40:20,320
Speaker 2: So Prince Harry seen on a flight flying premium economy

807
00:40:20,360 --> 00:40:22,840
Speaker 2: but still not up front, still not turning left, not

808
00:40:22,920 --> 00:40:26,760
Speaker 2: going upstairs, coming back from the Rugby World Cup in Japan.

809
00:40:26,800 --> 00:40:28,600
Speaker 2: We want to know what famous person has been on

810
00:40:28,640 --> 00:40:31,120
Speaker 2: your flight. What we've already learned this morning is Patsy

811
00:40:31,239 --> 00:40:33,759
Speaker 2: is one of those people I thought she might be

812
00:40:33,880 --> 00:40:35,880
Speaker 2: that gets the old suitcase wrapped.

813
00:40:36,360 --> 00:40:38,840
Speaker 4: I did it once, worried that the old.

814
00:40:38,760 --> 00:40:42,120
Speaker 2: Drug traffickers are going to target and the worriby lock.

815
00:40:43,480 --> 00:40:45,520
Speaker 3: How long does it take to get that clean wrap up?

816
00:40:45,640 --> 00:40:48,840
Speaker 3: That's all is how long that would be to unwrapped?

817
00:40:48,880 --> 00:40:52,840
Speaker 2: Holidays over.

818
00:40:52,640 --> 00:40:55,480
Speaker 4: On the last at the other end, we had to

819
00:40:55,520 --> 00:41:00,520
Speaker 4: get a corkscrew try and like rip its can't take

820
00:41:00,600 --> 00:41:03,719
Speaker 4: nail scissors on board or anything anymore. Taking all the

821
00:41:03,760 --> 00:41:05,279
Speaker 4: fun out of it all.

822
00:41:05,400 --> 00:41:08,200
Speaker 2: Right then, so what famous person did you see on

823
00:41:08,280 --> 00:41:09,840
Speaker 2: your flight? Norell?

824
00:41:09,960 --> 00:41:12,200
Speaker 12: Good morning, Hi Christian, Hey.

825
00:41:12,040 --> 00:41:15,400
Speaker 2: Norell, Welcome to the show. So what what celebrity was

826
00:41:15,440 --> 00:41:16,440
Speaker 2: on your flight? Mate?

827
00:41:16,920 --> 00:41:19,240
Speaker 10: Sasha Baron Cohen Awesome.

828
00:41:19,320 --> 00:41:23,680
Speaker 2: I love Sasha Baron comedy proper comedy genius from Ali

829
00:41:23,840 --> 00:41:26,960
Speaker 2: g to his most recent show that came out on

830
00:41:27,280 --> 00:41:31,600
Speaker 2: stan What is America? Which is amazing elm Borat really

831
00:41:31,640 --> 00:41:34,600
Speaker 2: really really really yeah, comedy genius. So what flight was

832
00:41:34,640 --> 00:41:34,880
Speaker 2: he on?

833
00:41:36,000 --> 00:41:38,400
Speaker 8: I was flying from Havana and Cuba back.

834
00:41:38,280 --> 00:41:40,839
Speaker 2: To l A two years ago, and he's not going

835
00:41:40,880 --> 00:41:42,239
Speaker 2: to be going premium economy.

836
00:41:43,200 --> 00:41:44,719
Speaker 8: No excuse me.

837
00:41:44,800 --> 00:41:47,200
Speaker 10: There was business class on that flight, but he was

838
00:41:47,239 --> 00:41:49,160
Speaker 10: seated in economy in an exit row.

839
00:41:49,480 --> 00:41:52,120
Speaker 2: See still pretty flash.

840
00:41:52,160 --> 00:41:55,960
Speaker 3: Would you trust emergency?

841
00:41:57,800 --> 00:41:59,320
Speaker 2: What do you think he's filming a new show.

842
00:42:02,000 --> 00:42:04,480
Speaker 10: I was actually sure that it was him, and I

843
00:42:04,520 --> 00:42:07,400
Speaker 10: thought I was awaited to him because the tub and

844
00:42:07,480 --> 00:42:10,400
Speaker 10: crew was giving him the exit rose feet speel and

845
00:42:10,440 --> 00:42:12,400
Speaker 10: he was making a few jokes and I was sitting

846
00:42:12,400 --> 00:42:14,360
Speaker 10: a couple of roses behind him, and I was thinking,

847
00:42:14,360 --> 00:42:17,240
Speaker 10: hang on, you've got a little bit of responsibility here

848
00:42:17,280 --> 00:42:18,520
Speaker 10: in case something happy.

849
00:42:18,640 --> 00:42:22,239
Speaker 16: What no jokes, and he was making some jokes that

850
00:42:22,320 --> 00:42:23,000
Speaker 16: were related.

851
00:42:23,760 --> 00:42:25,239
Speaker 3: Airport staff hate joke.

852
00:42:25,320 --> 00:42:27,839
Speaker 2: They're not big on humorless saying when you're going through

853
00:42:27,880 --> 00:42:30,839
Speaker 2: security as well, and they don't want humor there. They

854
00:42:30,960 --> 00:42:33,319
Speaker 2: just just to do everything and keep it low.

855
00:42:33,400 --> 00:42:35,319
Speaker 3: There's actually signs that say don't joke.

856
00:42:35,719 --> 00:42:40,160
Speaker 2: Yeah, don't like that. I can never jokes them all

857
00:42:40,200 --> 00:42:45,279
Speaker 2: behind Noll. Thank you very much. She cold. That's a

858
00:42:45,280 --> 00:42:48,160
Speaker 2: great one, thanks, Christian. I have a good day, Wayne

859
00:42:48,239 --> 00:42:49,000
Speaker 2: Coome oning.

860
00:42:49,440 --> 00:42:50,480
Speaker 12: Good morning, Christian. How are you?

861
00:42:50,560 --> 00:42:52,400
Speaker 2: I I'm good buddy, and I hope you're well. Wayne?

862
00:42:52,400 --> 00:42:57,560
Speaker 2: Who was only flight there were famous person fifty in

863
00:42:57,600 --> 00:42:58,120
Speaker 2: the club.

864
00:42:58,440 --> 00:43:01,560
Speaker 3: I think it's just fifty fifty cents.

865
00:43:03,239 --> 00:43:05,759
Speaker 2: It is just fifty cents. He's down to his last

866
00:43:05,760 --> 00:43:06,719
Speaker 2: fifty cents.

867
00:43:06,960 --> 00:43:08,640
Speaker 12: Well, I can tell you I didn't have a clue

868
00:43:08,640 --> 00:43:10,360
Speaker 12: who the hell he was. He just had all his

869
00:43:10,520 --> 00:43:13,200
Speaker 12: bling on and everything else. I was falling into New

870
00:43:13,280 --> 00:43:16,920
Speaker 12: York to LA and this entourage sort of rocked in

871
00:43:17,200 --> 00:43:19,480
Speaker 12: and everything else. And we're sort of halfway through the

872
00:43:19,480 --> 00:43:21,960
Speaker 12: flight that two and a half hours in and this

873
00:43:22,040 --> 00:43:25,120
Speaker 12: guy gets up from the seat behind me and passes out,

874
00:43:25,120 --> 00:43:27,480
Speaker 12: and this big black guy hatches him at one end

875
00:43:27,480 --> 00:43:28,719
Speaker 12: and I've got him at the other end, and we

876
00:43:28,760 --> 00:43:30,920
Speaker 12: have to lean down in the middle of the aisle

877
00:43:30,960 --> 00:43:33,759
Speaker 12: and everything else. And I could the flight who's that guy?

878
00:43:33,840 --> 00:43:35,680
Speaker 12: And they told me. I went, oh, fair enough.

879
00:43:36,200 --> 00:43:39,160
Speaker 3: So you have you and fifty cent helped rescue a passenger.

880
00:43:39,760 --> 00:43:41,200
Speaker 2: Yeah, that is amazing.

881
00:43:41,400 --> 00:43:44,480
Speaker 12: That's on the flight from LA to New York.

882
00:43:44,560 --> 00:43:46,960
Speaker 2: We land. I do you know what? I hold him

883
00:43:46,960 --> 00:43:49,279
Speaker 2: in very high esteam anyway as a lyricist, but now

884
00:43:50,440 --> 00:43:55,760
Speaker 2: as a lifesaver.

885
00:43:54,680 --> 00:43:57,000
Speaker 12: Really down the earth kind afterwards. You know, he was

886
00:43:57,040 --> 00:43:59,319
Speaker 12: worried to get the guy who passed out, and we

887
00:43:59,360 --> 00:44:00,719
Speaker 12: had a bit of a cat everything else.

888
00:44:01,719 --> 00:44:05,040
Speaker 2: Who would but then how are you meant to? I mean,

889
00:44:05,080 --> 00:44:07,120
Speaker 2: it's not like he's gonna be humming his huge big

890
00:44:07,160 --> 00:44:14,360
Speaker 2: smash it. I would have helped that guy if he

891
00:44:14,480 --> 00:44:15,359
Speaker 2: was in a dug club.

892
00:44:15,440 --> 00:44:19,600
Speaker 3: Yes, handing in CD to the air hostess saying, can

893
00:44:19,640 --> 00:44:21,200
Speaker 3: you get the pilot to put this on through this?

894
00:44:22,800 --> 00:44:24,920
Speaker 2: Play some tunes in it? All right? Wayne, that's a

895
00:44:24,920 --> 00:44:31,280
Speaker 2: great one. Thank you very much for calling Wayne Ropes. Rose.

896
00:44:31,880 --> 00:44:33,600
Speaker 8: Yeah, Hi, Hi, Hi morning.

897
00:44:33,560 --> 00:44:35,560
Speaker 2: Hi Rose. Okay, who was on your flight?

898
00:44:36,160 --> 00:44:36,720
Speaker 8: Tom Jones?

899
00:44:37,239 --> 00:44:41,359
Speaker 2: Tom Jones? Who are we and what flight was Tom Jones.

900
00:44:41,040 --> 00:44:44,920
Speaker 8: On arms Singapore to Melbourne. Rumor had it he was

901
00:44:44,960 --> 00:44:48,120
Speaker 8: also on the flight Singapore, but not confirmed.

902
00:44:49,120 --> 00:44:53,760
Speaker 3: Singapore chatter amongst the passagers.

903
00:44:55,440 --> 00:44:58,480
Speaker 2: All the Tom Jones talk all the time here on

904
00:44:58,520 --> 00:45:03,080
Speaker 2: Gold four boy three And so what class was he?

905
00:45:03,120 --> 00:45:04,360
Speaker 2: And he's got to be in first class if you

906
00:45:04,440 --> 00:45:05,080
Speaker 2: Tom James.

907
00:45:05,560 --> 00:45:08,080
Speaker 8: Yeah, he definitely turned to go to first class. He

908
00:45:08,200 --> 00:45:11,200
Speaker 8: was coming to Melbourne for the Grand Final. He was

909
00:45:11,200 --> 00:45:12,439
Speaker 8: singing in it five years ago.

910
00:45:12,840 --> 00:45:15,399
Speaker 2: Ah, he would have been good. He can still sing live.

911
00:45:15,520 --> 00:45:16,359
Speaker 2: Was he good?

912
00:45:16,800 --> 00:45:18,080
Speaker 8: I didn't I didn't watch it.

913
00:45:19,760 --> 00:45:22,160
Speaker 2: Yeah, he's stood a great showman. Tom okay, and did

914
00:45:22,200 --> 00:45:24,319
Speaker 2: you see him package reclaim or anything out there?

915
00:45:24,400 --> 00:45:28,279
Speaker 8: Or did you he saw immigration always along hut mob

916
00:45:28,320 --> 00:45:30,719
Speaker 8: on airport, but he was whisked to the front with

917
00:45:30,800 --> 00:45:34,640
Speaker 8: all his entrage and suddenly and suddenly a whole lot

918
00:45:34,640 --> 00:45:41,320
Speaker 8: of people in the queu started singing, why Why Why?

919
00:45:41,600 --> 00:45:47,080
Speaker 2: That's funny. All right, Rose, that's very good, Thank you

920
00:45:47,160 --> 00:45:49,920
Speaker 2: very much for calling. Have a good day, all right?

921
00:45:49,960 --> 00:45:52,240
Speaker 2: Who was on your flight? These kills are brilliant.

922
00:45:52,560 --> 00:45:56,600
Speaker 1: The Christian O'Connell breakfast show on Gold one oh four point.

923
00:45:56,360 --> 00:45:59,239
Speaker 2: Three taking calls this morning about what famous person did

924
00:45:59,239 --> 00:46:01,960
Speaker 2: you see on your flight? Nine four one four one

925
00:46:02,120 --> 00:46:04,200
Speaker 2: oh four three, Adele, good.

926
00:46:04,080 --> 00:46:06,200
Speaker 8: Morning, good morning, how are you.

927
00:46:06,280 --> 00:46:07,960
Speaker 2: I'm good, Adele, and I hope you only enjoyed your

928
00:46:08,040 --> 00:46:10,640
Speaker 2: day off yesterday, Adele. Who was on your flight?

929
00:46:12,200 --> 00:46:12,560
Speaker 13: Shannon?

930
00:46:12,640 --> 00:46:15,840
Speaker 2: No, Shannon was having the runner up with one of

931
00:46:15,840 --> 00:46:17,359
Speaker 2: the first seasons.

932
00:46:16,800 --> 00:46:20,959
Speaker 3: Of season of Australian isem Yeah.

933
00:46:20,680 --> 00:46:23,160
Speaker 2: Not the winner, but runner up Shannon Wasn't it.

934
00:46:23,120 --> 00:46:25,200
Speaker 3: No that he would be He would be bigger than

935
00:46:25,200 --> 00:46:27,640
Speaker 3: a lot of the people who have won Australian Idol

936
00:46:27,719 --> 00:46:30,360
Speaker 3: since that first season. But I would say guys Sebastian

937
00:46:30,400 --> 00:46:32,640
Speaker 3: and Shannonol the two biggest people coming out of it.

938
00:46:32,640 --> 00:46:34,440
Speaker 2: It's often away that people that come second of the

939
00:46:34,440 --> 00:46:38,160
Speaker 2: bigger career one direction did not win Britain's Got Talent

940
00:46:38,320 --> 00:46:40,640
Speaker 2: X Factor in the UK, they came runners up and

941
00:46:40,680 --> 00:46:42,520
Speaker 2: now obviously Harry Styles, so all of them have all

942
00:46:42,560 --> 00:46:45,200
Speaker 2: got their big solo careers. Uh so he was on

943
00:46:45,239 --> 00:46:47,040
Speaker 2: the flight, Yeah, he was.

944
00:46:47,120 --> 00:46:49,680
Speaker 8: He was sitting directly well, he was. I was in

945
00:46:49,760 --> 00:46:50,440
Speaker 8: the middle seat.

946
00:46:50,719 --> 00:46:52,680
Speaker 16: He was in the row behind me at the window

947
00:46:53,440 --> 00:46:56,400
Speaker 16: and I saw him when he like as I saw him,

948
00:46:56,400 --> 00:46:58,600
Speaker 16: I was like, is that naughty? He's like hang on,

949
00:46:59,200 --> 00:47:01,759
Speaker 16: and then it clicked that it was. So I took

950
00:47:01,800 --> 00:47:05,200
Speaker 16: a really sneaky selfie of me and him and he sleep.

951
00:47:07,760 --> 00:47:10,040
Speaker 2: We've got to see this dead to the world.

952
00:47:10,600 --> 00:47:12,359
Speaker 17: I've still got it.

953
00:47:13,120 --> 00:47:16,319
Speaker 2: You know, we should. We should have a gallery online

954
00:47:16,360 --> 00:47:19,919
Speaker 2: of sneaky selfish that people have done. Whether I tried

955
00:47:19,960 --> 00:47:22,239
Speaker 2: to do that before, where I saw someone once, not

956
00:47:22,360 --> 00:47:24,520
Speaker 2: on a plane, but at the airport and they were

957
00:47:24,560 --> 00:47:27,040
Speaker 2: just innotantly eating their food, but I wanted to get

958
00:47:27,040 --> 00:47:29,399
Speaker 2: a photo with them. So Ei did that sneaky thing,

959
00:47:29,440 --> 00:47:30,080
Speaker 2: were you?

960
00:47:30,400 --> 00:47:33,040
Speaker 3: Yeah, it's so hard. They never come out right as well.

961
00:47:33,520 --> 00:47:36,040
Speaker 2: Terrible, terrible look.

962
00:47:36,320 --> 00:47:38,080
Speaker 16: You can see me in it, and I'm just I

963
00:47:38,120 --> 00:47:40,399
Speaker 16: look half asleep because I've just come from New York

964
00:47:40,840 --> 00:47:42,560
Speaker 16: all the way through it avelvest.

965
00:47:42,200 --> 00:47:47,600
Speaker 2: So actually is asleep also, I think so was.

966
00:47:47,600 --> 00:47:50,480
Speaker 16: This in economy, Yes, it was in economy.

967
00:47:50,640 --> 00:47:52,720
Speaker 2: I think if you're a celebrity and you're an economy

968
00:47:52,760 --> 00:47:54,400
Speaker 2: you want the window seat, don't you, because you can

969
00:47:54,440 --> 00:47:56,920
Speaker 2: do that famous person looking out the window trying to

970
00:47:56,920 --> 00:47:57,640
Speaker 2: play it down.

971
00:47:57,719 --> 00:47:59,960
Speaker 3: Right, and you don't have to interact with the general public.

972
00:48:00,280 --> 00:48:00,799
Speaker 3: Is that what you do?

973
00:48:01,680 --> 00:48:03,759
Speaker 2: Yeah? And I don't think he was to sleep either.

974
00:48:04,040 --> 00:48:07,799
Speaker 2: I think he's pretending to be asleep. All right, that's

975
00:48:07,840 --> 00:48:09,560
Speaker 2: a great one, and well thank you very much. She cool,

976
00:48:10,960 --> 00:48:12,879
Speaker 2: Thank you all right. If you got any more then

977
00:48:13,160 --> 00:48:16,040
Speaker 2: famous people on your flight nine four one o four

978
00:48:16,120 --> 00:48:18,919
Speaker 2: three Melbourne's Gold one oh four point three.

979
00:48:19,000 --> 00:48:20,919
Speaker 1: This christ Jan O'Connell breakfast show.

980
00:48:21,200 --> 00:48:24,000
Speaker 2: Come on to Trisha at work right now, sys emailed

981
00:48:24,040 --> 00:48:26,680
Speaker 2: us Glenn Waverley, Christian. I was on my way back

982
00:48:26,680 --> 00:48:29,760
Speaker 2: from the Gold Coast last February, whilst waiting to board

983
00:48:29,920 --> 00:48:34,640
Speaker 2: or Sheedy Kevin Sheedy, Yeah, the one. There's only one Sheedy.

984
00:48:34,640 --> 00:48:37,839
Speaker 2: Can we home by just one name? Kevin Sheedy heading

985
00:48:37,880 --> 00:48:40,920
Speaker 2: into the Virgin Lounge. Then we went to board us

986
00:48:40,920 --> 00:48:42,560
Speaker 2: walking at the ramp at the front of the plane

987
00:48:42,560 --> 00:48:46,919
Speaker 2: and notice up ahead was Mick Dooon, the motorcycle champ.

988
00:48:47,000 --> 00:48:49,600
Speaker 2: He was seating in row one. Sheedy was on the

989
00:48:49,640 --> 00:48:53,359
Speaker 2: same flight, but seated in about row eight.

990
00:48:53,560 --> 00:48:55,240
Speaker 3: Well, I mean.

991
00:48:55,200 --> 00:48:57,840
Speaker 2: He should be always in row one any flight he

992
00:48:57,920 --> 00:48:58,439
Speaker 2: gets on.

993
00:48:58,960 --> 00:48:59,120
Speaker 3: Uh.

994
00:49:00,200 --> 00:49:02,799
Speaker 2: I need to preface the next bit by saying I'm

995
00:49:02,840 --> 00:49:06,759
Speaker 2: a huge Richmond supporter and have the club song as

996
00:49:06,760 --> 00:49:07,720
Speaker 2: my ring tone.

997
00:49:08,280 --> 00:49:10,480
Speaker 3: So Sheedy played it for Richmond.

998
00:49:10,800 --> 00:49:12,520
Speaker 2: Yeah, I wonder how many people who have actually got

999
00:49:12,560 --> 00:49:14,560
Speaker 2: their club song as a ring tone. There must be

1000
00:49:15,160 --> 00:49:16,840
Speaker 2: many more of you. But anyways, since you got the

1001
00:49:17,200 --> 00:49:20,279
Speaker 2: Tiger's song as her ring tone. Whilst waiting for my

1002
00:49:20,360 --> 00:49:24,440
Speaker 2: luggagure to Tellamarene Sheedy was the other side of the carousel,

1003
00:49:24,680 --> 00:49:27,399
Speaker 2: my phone rang. Only a couple of bars rang out,

1004
00:49:27,400 --> 00:49:30,160
Speaker 2: but it was clearly the Richmond Tiger's song and he

1005
00:49:30,200 --> 00:49:33,080
Speaker 2: immediately looked up and looked over at me and smiled.

1006
00:49:33,480 --> 00:49:35,960
Speaker 2: That's cool. That's a nice email, Tricia, thank you very

1007
00:49:36,040 --> 00:49:36,480
Speaker 2: much for that.

1008
00:49:36,680 --> 00:49:40,359
Speaker 1: The Christian O'Connell breakfast Joe Melvin's Gold one of four

1009
00:49:40,400 --> 00:49:40,879
Speaker 1: point three.

1010
00:49:41,280 --> 00:49:43,759
Speaker 2: So this weekend, Jack and Pat's around to mind for

1011
00:49:43,800 --> 00:49:46,600
Speaker 2: my wife's birthday party. The theme is dead Famous. The

1012
00:49:46,640 --> 00:49:49,720
Speaker 2: Boss has also coming as well and as a behave okay,

1013
00:49:50,239 --> 00:49:52,960
Speaker 2: pass he's already did you hear earlier threat to throw

1014
00:49:53,000 --> 00:49:54,720
Speaker 2: up on my count on purpose?

1015
00:49:54,800 --> 00:49:56,480
Speaker 3: So you call her a drug me, Yeah, that's what

1016
00:49:56,600 --> 00:49:56,919
Speaker 3: you get.

1017
00:49:57,360 --> 00:49:59,040
Speaker 2: We know what was ready in that case, and.

1018
00:49:59,400 --> 00:50:01,000
Speaker 3: She trended in a lot of red wine.

1019
00:50:02,400 --> 00:50:06,920
Speaker 2: Who does that? Who actually says that to a colleague,

1020
00:50:07,120 --> 00:50:09,799
Speaker 2: I'm going to drink so much red wine to deliberately

1021
00:50:09,880 --> 00:50:10,680
Speaker 2: ruin your couch.

1022
00:50:10,880 --> 00:50:12,720
Speaker 4: This is what we wants to me a drug mule,

1023
00:50:12,719 --> 00:50:16,560
Speaker 4: I Jael and Hi one day and not ready.

1024
00:50:16,840 --> 00:50:18,680
Speaker 3: Yeah, I guess the threat could have just been spilled

1025
00:50:18,680 --> 00:50:20,319
Speaker 3: red wine in your couch. You don't have to be

1026
00:50:20,440 --> 00:50:21,600
Speaker 3: I'll drink a lot of her.

1027
00:50:22,920 --> 00:50:24,920
Speaker 2: She said she was going to be and I quote

1028
00:50:25,080 --> 00:50:26,240
Speaker 2: all over my couch.

1029
00:50:26,360 --> 00:50:29,040
Speaker 4: Saturday night needs to mix with some stomach acid.

1030
00:50:29,800 --> 00:50:31,319
Speaker 2: You and the wear I we love God who is

1031
00:50:31,360 --> 00:50:33,400
Speaker 2: a beer monster as well? What a great coup are

1032
00:50:33,440 --> 00:50:36,520
Speaker 2: you going to be? Now? Talk about the drinks I today,

1033
00:50:36,560 --> 00:50:38,360
Speaker 2: I've got to go and sort out all the booze.

1034
00:50:38,640 --> 00:50:40,880
Speaker 2: And I want to make up a batch of a

1035
00:50:40,920 --> 00:50:44,000
Speaker 2: cocktail that guests can have on arrival.

1036
00:50:44,160 --> 00:50:47,080
Speaker 4: Right, So like a big punch bowl, like a Sarah

1037
00:50:47,120 --> 00:50:49,880
Speaker 4: cocktail to celebrate her birthday.

1038
00:50:50,400 --> 00:50:52,560
Speaker 2: Yeah, I guess I could call it. I steal that idea,

1039
00:50:53,160 --> 00:50:57,520
Speaker 2: take it out of the podcast, take two. So I'd

1040
00:50:57,560 --> 00:51:03,719
Speaker 2: like to dedicate a cocktail to Sarah cocktail. I guess

1041
00:51:03,760 --> 00:51:04,680
Speaker 2: you could say.

1042
00:51:05,160 --> 00:51:08,200
Speaker 3: And what is her favorite cocktail? Because if Saturday is

1043
00:51:08,239 --> 00:51:09,600
Speaker 3: anything to go by, and all.

1044
00:51:09,520 --> 00:51:17,560
Speaker 2: Of us anything that's going, but I need to know

1045
00:51:17,600 --> 00:51:20,080
Speaker 2: what cocktail would It's easy to make up a giant

1046
00:51:20,120 --> 00:51:24,120
Speaker 2: batch of without a tasting found like, we love mohitos.

1047
00:51:25,719 --> 00:51:27,759
Speaker 3: But then don't You've got to get the mint and

1048
00:51:27,840 --> 00:51:29,879
Speaker 3: chop all the mint up, so.

1049
00:51:29,880 --> 00:51:31,960
Speaker 2: I said to my wife, because obviously I'm taking up

1050
00:51:32,000 --> 00:51:33,440
Speaker 2: a lot of my time playing this part. At the moment,

1051
00:51:33,440 --> 00:51:34,960
Speaker 2: I don't get a little bit irritated because I didn't

1052
00:51:34,960 --> 00:51:40,560
Speaker 2: realize being nice. Sorry, it can be quite tired. I'm

1053
00:51:40,640 --> 00:51:43,200
Speaker 2: organizing all these other surprises. I can't talk about them.

1054
00:51:44,160 --> 00:51:46,640
Speaker 2: There's a lot going on. Okay, there's a lot bulls

1055
00:51:46,719 --> 00:51:48,880
Speaker 2: being juggled. I'm not the juggler, the party jugger at

1056
00:51:48,920 --> 00:51:51,759
Speaker 2: the moment. Sure, Anyway, I said, you know, mohita would

1057
00:51:51,760 --> 00:51:54,840
Speaker 2: be really nice. It's nice fresh, and it doesn't feel

1058
00:51:54,960 --> 00:51:57,160
Speaker 2: I think that's nice about mohita. It's fresh, it doesn't

1059
00:51:57,160 --> 00:52:01,160
Speaker 2: feel too boozy. You know some cocktails you're like, oh god, they.

1060
00:52:01,040 --> 00:52:03,200
Speaker 3: Feel very But the problem with that, then is you

1061
00:52:03,280 --> 00:52:05,640
Speaker 3: need to man it at all times because you need

1062
00:52:05,680 --> 00:52:07,480
Speaker 3: to add the mint as you You can't just put

1063
00:52:07,520 --> 00:52:09,040
Speaker 3: a whole lot of mint in a big bucket and

1064
00:52:09,080 --> 00:52:15,440
Speaker 3: swirl it around. Teather me, I need to fly stretched

1065
00:52:15,480 --> 00:52:18,920
Speaker 3: out wings at the moment, you said, your other idea

1066
00:52:19,080 --> 00:52:21,520
Speaker 3: is to as everybody comes, you'll have a theme song

1067
00:52:21,640 --> 00:52:24,439
Speaker 3: for their costumes. So I'm coming with Freddie Mercury. As

1068
00:52:24,440 --> 00:52:28,640
Speaker 3: we enter the gates, walk out music so that I imagine

1069
00:52:28,560 --> 00:52:31,080
Speaker 3: you now at the front window, looking through the shutters,

1070
00:52:31,320 --> 00:52:32,920
Speaker 3: getting ready to press play.

1071
00:52:32,840 --> 00:52:35,680
Speaker 2: On your iTunes. Well you're now getting there, but early.

1072
00:52:35,719 --> 00:52:37,839
Speaker 2: So we need some kind of lookout system that can

1073
00:52:37,880 --> 00:52:40,359
Speaker 2: signal to me who's coming, and I'll get the music radio.

1074
00:52:40,520 --> 00:52:42,759
Speaker 2: It's quite a big production number in this party. I'm

1075
00:52:42,760 --> 00:52:48,080
Speaker 2: going to do a headset you out the front Emmy Winehouse.

1076
00:52:52,320 --> 00:52:54,040
Speaker 2: So the thing that mahito, I thought that what I

1077
00:52:54,040 --> 00:52:56,000
Speaker 2: could do because if we've got these I've got these

1078
00:52:56,000 --> 00:52:59,359
Speaker 2: big jugs. Okay, that contains many leads. However, you put

1079
00:52:59,360 --> 00:53:01,120
Speaker 2: the cocktail in like a mohito and all the minut

1080
00:53:01,120 --> 00:53:02,719
Speaker 2: it's going to clog up the pouring the.

1081
00:53:02,719 --> 00:53:09,800
Speaker 3: Tapp garnish cocktail. People pick out their own.

1082
00:53:09,719 --> 00:53:12,359
Speaker 2: Mint, yes, So I said that's too fussy. People don't

1083
00:53:12,400 --> 00:53:14,040
Speaker 2: mean getting like soggy mint out of a bowl.

1084
00:53:14,480 --> 00:53:17,759
Speaker 4: What about one of those sloshy dackery machines. You can

1085
00:53:17,880 --> 00:53:18,640
Speaker 4: hire them.

1086
00:53:19,440 --> 00:53:20,160
Speaker 2: I know what you mean.

1087
00:53:20,239 --> 00:53:22,000
Speaker 3: Yeah, they like a frozen.

1088
00:53:21,719 --> 00:53:24,760
Speaker 4: Drink, yes, or as a margariteer, somethinking.

1089
00:53:24,880 --> 00:53:30,000
Speaker 2: Everything I'm not firing at another There are so many people.

1090
00:53:30,560 --> 00:53:33,040
Speaker 2: I've got a separate folder now. My email so various.

1091
00:53:33,239 --> 00:53:36,400
Speaker 2: The Pa Man's turn up Friday, Kate Lady turned up Saturday.

1092
00:53:36,640 --> 00:53:41,360
Speaker 2: I can't handle another higher option path some kind of

1093
00:53:41,440 --> 00:53:45,839
Speaker 2: daquery machine. What's an easy cocktail containing booze that I

1094
00:53:45,880 --> 00:53:47,759
Speaker 2: can make up in the afternoon with the kids, because

1095
00:53:47,760 --> 00:53:51,560
Speaker 2: there's no better bonding experience with their dad. Load of

1096
00:53:51,600 --> 00:53:56,520
Speaker 2: boos together for theirs birthday party to anethetize all the guests.

1097
00:53:56,800 --> 00:54:00,480
Speaker 2: So if anyone can suggest an eed cocktail? Owned four

1098
00:54:00,560 --> 00:54:02,240
Speaker 2: one one oh four three.

1099
00:54:02,480 --> 00:54:05,919
Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four

1100
00:54:05,960 --> 00:54:06,480
Speaker 1: point three.

1101
00:54:06,640 --> 00:54:07,560
Speaker 2: What's your favorite cocktail?

1102
00:54:07,680 --> 00:54:08,719
Speaker 3: Joe Paloma?

1103
00:54:09,120 --> 00:54:10,120
Speaker 2: Yeah, what's that mate?

1104
00:54:10,400 --> 00:54:14,839
Speaker 3: A palomer is like a margarita, but it has grapefruit

1105
00:54:15,000 --> 00:54:15,880
Speaker 3: juice in it.

1106
00:54:16,080 --> 00:54:16,480
Speaker 2: Nice.

1107
00:54:17,239 --> 00:54:19,239
Speaker 3: That's what I was gonna make when I bought the

1108
00:54:19,880 --> 00:54:22,680
Speaker 3: cocktail making kid to your house, to your dinner party.

1109
00:54:22,440 --> 00:54:24,120
Speaker 2: And then packed up the party and went home with it.

1110
00:54:24,120 --> 00:54:27,800
Speaker 3: And then they were just the vibe. Never got around.

1111
00:54:27,480 --> 00:54:32,120
Speaker 2: Coloma cocktails, right, not with these people. Patsy, what's yours?

1112
00:54:32,280 --> 00:54:34,640
Speaker 4: It's definitely a mohito, But I've got to have extra

1113
00:54:34,760 --> 00:54:37,640
Speaker 4: mint and not too much sugar syrup. I don't like

1114
00:54:37,680 --> 00:54:38,280
Speaker 4: it too sweet.

1115
00:54:39,080 --> 00:54:40,520
Speaker 2: And you have a beer bong as well.

1116
00:54:40,360 --> 00:54:44,200
Speaker 4: Don't you? No, I hate you. Thank you very much,

1117
00:54:45,960 --> 00:54:47,240
Speaker 4: hilarious to your funny.

1118
00:54:47,280 --> 00:54:49,320
Speaker 2: We saw you there. That's why she wasn't in Monday.

1119
00:54:49,360 --> 00:54:52,720
Speaker 2: They do many of the races on the Saturday.

1120
00:54:53,080 --> 00:54:55,560
Speaker 4: Oh, welcome back.

1121
00:54:55,880 --> 00:54:58,640
Speaker 2: All right then, so I'm after advice. I'm easy to

1122
00:54:58,800 --> 00:55:03,360
Speaker 2: make cocked for the party this weekend. What can I

1123
00:55:03,480 --> 00:55:06,160
Speaker 2: mix up a batch of? Okay, Graham, good.

1124
00:55:05,960 --> 00:55:09,960
Speaker 18: Morning, good morning, real crowd, pleas with you, guys. The

1125
00:55:10,000 --> 00:55:11,839
Speaker 18: pina colada. Can't go wrong with that.

1126
00:55:12,200 --> 00:55:14,960
Speaker 2: Yeah, so that's easy to make, is it, Graam? Pina colada?

1127
00:55:15,000 --> 00:55:15,680
Speaker 2: What's in that? Mate?

1128
00:55:16,280 --> 00:55:18,640
Speaker 18: All you're gonna need is basically a coconut and a

1129
00:55:18,640 --> 00:55:21,360
Speaker 18: pineapple milkshake. So the kids can even sample some of

1130
00:55:21,360 --> 00:55:23,400
Speaker 18: that before you chuck them alibur In.

1131
00:55:23,880 --> 00:55:28,440
Speaker 2: Let's make sure I get that. Kids are really in

1132
00:55:28,480 --> 00:55:31,600
Speaker 2: a friendly mood today, unlike any of the time recently

1133
00:55:31,680 --> 00:55:36,879
Speaker 2: this year. Graham, great pina colada. Thank you very much, Graham,

1134
00:55:36,920 --> 00:55:39,920
Speaker 2: have a good day. Thanks for calling man, guys, Martin,

1135
00:55:40,080 --> 00:55:40,800
Speaker 2: Marty coome.

1136
00:55:40,640 --> 00:55:43,839
Speaker 12: Morning, good morning, Christian. How are you going I'm good mate.

1137
00:55:44,080 --> 00:55:45,080
Speaker 2: What do you recommend?

1138
00:55:45,480 --> 00:55:47,759
Speaker 17: Well, I've been about ten in the last twelve years.

1139
00:55:47,760 --> 00:55:49,960
Speaker 17: I've got a bit of expertus in this. And you

1140
00:55:50,000 --> 00:55:51,960
Speaker 17: can't go along with a classic Cosmopolitan.

1141
00:55:52,760 --> 00:55:55,760
Speaker 2: See this is what I was thinking, the classic Cosmo.

1142
00:55:55,800 --> 00:55:56,480
Speaker 2: It's a great.

1143
00:55:56,239 --> 00:55:59,960
Speaker 17: Cocktail, exactly classy, classic drinks for a classy lady. And

1144
00:56:06,920 --> 00:56:10,000
Speaker 17: so yeah, just vodka, plantros, some flash lime and a

1145
00:56:10,000 --> 00:56:12,320
Speaker 17: bit of pan reduce. And then when you want to

1146
00:56:12,360 --> 00:56:15,120
Speaker 17: be real slanty, you get a flamed orange zest over

1147
00:56:15,160 --> 00:56:15,480
Speaker 17: the top.

1148
00:56:15,880 --> 00:56:18,319
Speaker 2: Flamed orange. How do you flame an orange?

1149
00:56:19,160 --> 00:56:22,319
Speaker 17: So, unbeknownst to people, the vest on an orange skin

1150
00:56:22,480 --> 00:56:24,839
Speaker 17: that to be flamable. So you cut a sliver off

1151
00:56:24,960 --> 00:56:28,440
Speaker 17: and pinch it over a flame, and then the excess

1152
00:56:28,520 --> 00:56:32,279
Speaker 17: oils then burst into fire and cover the drink in

1153
00:56:32,320 --> 00:56:33,080
Speaker 17: an orange film.

1154
00:56:33,600 --> 00:56:35,960
Speaker 3: What could possibly go right?

1155
00:56:36,200 --> 00:56:37,560
Speaker 2: Anyone else? Thinking me?

1156
00:56:37,840 --> 00:56:41,560
Speaker 3: Plus flaming oranges? Its end of parts. That's the hairspray

1157
00:56:41,560 --> 00:56:43,759
Speaker 3: on amy Wine costumes.

1158
00:56:47,600 --> 00:56:50,799
Speaker 2: Great tip. I didn't know that, but Martin, I think

1159
00:56:50,840 --> 00:56:53,960
Speaker 2: that will be asking for trouble. But thanks for the advice, Martin. Okay,

1160
00:56:55,080 --> 00:56:57,319
Speaker 2: a good one, Thank you very very much. I tell

1161
00:56:57,320 --> 00:56:59,120
Speaker 2: you what we've had some we've had some language on

1162
00:56:59,120 --> 00:57:04,440
Speaker 2: today's show Underknownst. Trepidacious earlier unbeknown it's great weather there, Susie,

1163
00:57:04,440 --> 00:57:06,840
Speaker 2: come on in one last one before the ant, Susie.

1164
00:57:07,360 --> 00:57:08,839
Speaker 19: Yes, good morning on Susi.

1165
00:57:08,840 --> 00:57:11,319
Speaker 2: You're gonna squeeze you in before the ads. What's your advice, mate?

1166
00:57:11,920 --> 00:57:16,640
Speaker 19: My advice is to infuse the rum starting today with

1167
00:57:16,760 --> 00:57:18,800
Speaker 19: your mint leaves, and then you don't have to worry

1168
00:57:18,840 --> 00:57:20,600
Speaker 19: about nasty mint leaves on the night.

1169
00:57:21,120 --> 00:57:23,480
Speaker 2: All right, So get a load of mints, shove in

1170
00:57:23,520 --> 00:57:25,240
Speaker 2: the bottle of rum and just let it sort of

1171
00:57:25,240 --> 00:57:26,760
Speaker 2: brew over the next forty eight.

1172
00:57:26,640 --> 00:57:29,160
Speaker 19: Hours, seventy two hours.

1173
00:57:29,240 --> 00:57:31,560
Speaker 3: Yep, So it will taste like a mehido without having

1174
00:57:31,600 --> 00:57:33,720
Speaker 3: it having the leaves floating around in the top.

1175
00:57:34,320 --> 00:57:34,960
Speaker 18: That's correct.

1176
00:57:35,400 --> 00:57:38,200
Speaker 2: It's a leaveless mejito.

1177
00:57:39,240 --> 00:57:42,400
Speaker 19: Mint infused. But you don't have all that mess yep.

1178
00:57:42,480 --> 00:57:44,000
Speaker 19: And a little bit of work now and a lot

1179
00:57:44,040 --> 00:57:44,880
Speaker 19: of reward later.

1180
00:57:45,520 --> 00:57:48,520
Speaker 3: So you got to start the experiment today exactly.

1181
00:57:49,000 --> 00:57:51,760
Speaker 2: That is a good idea. And does it still taste

1182
00:57:51,760 --> 00:57:53,000
Speaker 2: mehitore we enough?

1183
00:57:53,240 --> 00:57:57,040
Speaker 17: Oh yeah, that's the end of that.

1184
00:57:57,080 --> 00:57:59,800
Speaker 2: You're done with that, Susie. Susie gridea, don't you help

1185
00:57:59,840 --> 00:58:00,320
Speaker 2: make by.

1186
00:58:01,960 --> 00:58:05,960
Speaker 1: Melbourne's Gold one oh four point three this Chris Jan O'Connell's.

1187
00:58:05,360 --> 00:58:09,320
Speaker 2: Breakfast show today is that worth time waster? Oh?

1188
00:58:09,560 --> 00:58:10,240
Speaker 3: This is nice?

1189
00:58:10,480 --> 00:58:14,919
Speaker 2: Yeah, but it's the Greek. We're not to ancient Greeks.

1190
00:58:15,440 --> 00:58:18,320
Speaker 2: Today's that work time wastter. After the great work you

1191
00:58:18,440 --> 00:58:22,840
Speaker 2: did with medieval movies, we go to another historical period

1192
00:58:22,840 --> 00:58:24,520
Speaker 2: in time, the great Greeks.

1193
00:58:24,640 --> 00:58:29,200
Speaker 3: You know, I what is your like graduation song? Because

1194
00:58:29,240 --> 00:58:31,360
Speaker 3: some people have like time of your life by green

1195
00:58:31,480 --> 00:58:34,880
Speaker 3: Day or the the Vitamin C song. This was our

1196
00:58:34,960 --> 00:58:35,880
Speaker 3: graduation so.

1197
00:58:35,840 --> 00:58:38,800
Speaker 2: What a great one? Though. This is such a joyous

1198
00:58:38,840 --> 00:58:39,520
Speaker 2: bit of music.

1199
00:58:39,640 --> 00:58:42,000
Speaker 3: We'll leave in primary school. This is what reminds me

1200
00:58:42,040 --> 00:58:46,920
Speaker 3: of the last day a Greek school. I don't know

1201
00:58:46,960 --> 00:58:49,000
Speaker 3: who chose or how it came to come.

1202
00:58:48,920 --> 00:58:53,560
Speaker 2: To appropriate this amazing one, though, isn't it?

1203
00:58:53,880 --> 00:58:56,240
Speaker 3: Goodbye everybody, We're off to different schools.

1204
00:58:58,400 --> 00:59:00,800
Speaker 2: Have you ever been to a traditional Greek party where

1205
00:59:00,800 --> 00:59:03,480
Speaker 2: they do the plate smash into this? Never, no, no, God,

1206
00:59:03,560 --> 00:59:06,720
Speaker 2: it is amazing. Honestly, it's quite soily brilliant. All right,

1207
00:59:06,760 --> 00:59:10,880
Speaker 2: So today's that work time waster ancient Greek movies. Let's

1208
00:59:10,880 --> 00:59:14,640
Speaker 2: see what you can do. Just see know by the way.

1209
00:59:15,280 --> 00:59:19,560
Speaker 2: Uzzo is a very famous Greek spirit, very strong thing.

1210
00:59:19,880 --> 00:59:21,400
Speaker 2: But they love to drink this.

1211
00:59:21,560 --> 00:59:24,280
Speaker 3: It's always good when you needed.

1212
00:59:25,160 --> 00:59:27,080
Speaker 2: In a minute's time. You just need to know they're

1213
00:59:27,080 --> 00:59:28,320
Speaker 2: not going to go in. You're not going to go

1214
00:59:28,400 --> 00:59:30,360
Speaker 2: into my uzo one now, and to lay it down.

1215
00:59:30,400 --> 00:59:32,240
Speaker 2: So when it comes back around, he go bang, I

1216
00:59:32,280 --> 00:59:35,320
Speaker 2: get it. He set it up. All right. I've got

1217
00:59:35,760 --> 00:59:46,560
Speaker 2: Homer alone. Oh get Sparta yep, a croper lips now, yep,

1218
00:59:46,760 --> 00:59:51,400
Speaker 2: cropo lips. I'll live and let die. I'll live and

1219
00:59:51,160 --> 00:59:54,200
Speaker 2: then die. They love the olives. And here it is uzo.

1220
00:59:54,360 --> 00:59:57,040
Speaker 2: Like I said earlier, great spirit. They love that uzo.

1221
00:59:57,360 --> 01:00:04,280
Speaker 2: Look Uso talking bomb, shining down, bye bye. All right,

1222
01:00:04,320 --> 01:00:07,160
Speaker 2: what have you got for ancient Greek movies? Yeah, all right,

1223
01:00:09,160 --> 01:00:12,360
Speaker 2: that's right. Yeah, don't crawl off the day.

1224
01:00:16,080 --> 01:00:17,160
Speaker 3: We bought a zeus.

1225
01:00:17,400 --> 01:00:19,680
Speaker 2: Oh that's very good. It's at the last minute one

1226
01:00:19,680 --> 01:00:20,120
Speaker 2: you were doing.

1227
01:00:21,680 --> 01:00:26,120
Speaker 3: The last minute one was does this work? Crouching Toga,

1228
01:00:26,960 --> 01:00:28,040
Speaker 3: hidden Trojan?

1229
01:00:28,600 --> 01:00:30,920
Speaker 2: Yes, yes, that works, that's good.

1230
01:00:32,400 --> 01:00:36,200
Speaker 3: I've got wolf Greek yep, and Plato of the Apes,

1231
01:00:37,800 --> 01:00:39,240
Speaker 3: Plato of the Aide.

1232
01:00:39,360 --> 01:00:42,440
Speaker 2: I'm trying to say again, doesn't land anybody with a

1233
01:00:42,520 --> 01:00:43,320
Speaker 2: softer voice.

1234
01:00:44,480 --> 01:00:46,080
Speaker 3: Maybe you guys don't know who Plato was.

1235
01:00:47,360 --> 01:00:52,240
Speaker 2: I actually owned the book Plato's Republic. Okay, look Uzo talking.

1236
01:00:52,320 --> 01:00:55,080
Speaker 2: They love that Uzo drink, you know. Alright, send us

1237
01:00:55,120 --> 01:00:58,120
Speaker 2: your then ancient Greek movies. That's what we're after today.

1238
01:00:58,400 --> 01:01:01,960
Speaker 2: On the atwork time whist texta men o four seven

1239
01:01:02,040 --> 01:01:05,040
Speaker 2: five three one O four three oh four seven five

1240
01:01:05,400 --> 01:01:08,800
Speaker 2: O three one oh four three good luck for Chris jian.

1241
01:01:08,680 --> 01:01:12,520
Speaker 1: O'Connell breakfast shoe Melvin's Gold one oh four point three.

1242
01:01:12,720 --> 01:01:15,480
Speaker 2: So earlier we were setting up the outward time Waster,

1243
01:01:15,560 --> 01:01:18,680
Speaker 2: which today is your ancient Greek movies. And we're playing

1244
01:01:18,760 --> 01:01:20,720
Speaker 2: Zorba the Greek and Jack told me it was his

1245
01:01:21,160 --> 01:01:24,760
Speaker 2: graduation song. Don't you remembered? It was a dance remix

1246
01:01:25,240 --> 01:01:27,520
Speaker 2: that came out. This is a horror.

1247
01:01:28,560 --> 01:01:31,040
Speaker 3: This is so elder grade sixers on my leaving year

1248
01:01:31,240 --> 01:01:33,320
Speaker 3: danced to. This song is our graduation song.

1249
01:01:33,440 --> 01:01:35,480
Speaker 2: Now, the original Zorba of the Greek is a great

1250
01:01:35,480 --> 01:01:36,280
Speaker 2: piece of music.

1251
01:01:36,560 --> 01:01:37,240
Speaker 3: This is the good bit.

1252
01:01:43,320 --> 01:01:45,680
Speaker 2: Now on whenever you talk on the radio, I'm gonna

1253
01:01:45,680 --> 01:01:47,000
Speaker 2: have this going on in my mind.

1254
01:01:47,080 --> 01:01:48,400
Speaker 3: It's so familiar to me.

1255
01:01:49,080 --> 01:01:52,600
Speaker 2: This is your graduation song. I know for many people listening,

1256
01:01:52,640 --> 01:01:55,560
Speaker 2: it might be Hunter's collectors that great anthem throw your

1257
01:01:55,600 --> 01:01:59,240
Speaker 2: arms around me, but this this is baby sharp for

1258
01:01:59,280 --> 01:02:03,840
Speaker 2: your generation and get off. That's better, okay, right, you're

1259
01:02:03,880 --> 01:02:06,920
Speaker 2: ready to mark Jack ready? All right? So it's ancient

1260
01:02:07,080 --> 01:02:12,680
Speaker 2: Greek movies. Let's see how you've gone on zeuslander, oh gold.

1261
01:02:13,120 --> 01:02:17,120
Speaker 2: Ten things I heard about you? The sees gold ever right,

1262
01:02:17,840 --> 01:02:24,280
Speaker 2: the grease mile silver, the men who stare at Greeks

1263
01:02:24,800 --> 01:02:33,800
Speaker 2: sounds shifty, gold, gleating. That's funny, though, die Hades. We

1264
01:02:33,880 --> 01:02:39,560
Speaker 2: brought a zorba bronze Raiders of the Lost Archimedes. Someone's

1265
01:02:39,600 --> 01:02:42,200
Speaker 2: been googling do you reckon here in Melbourne today? They

1266
01:02:42,200 --> 01:02:46,640
Speaker 2: look at Google's stats. Suddenly spin words. Greek histories are

1267
01:02:46,680 --> 01:02:48,360
Speaker 2: spiked at nine to twenty today.

1268
01:02:48,400 --> 01:02:51,040
Speaker 4: There is Greek population here on the side of Greek.

1269
01:02:51,120 --> 01:02:54,720
Speaker 2: Is that true? Yeah, over thirty thousand Greek people there. Gold,

1270
01:02:55,400 --> 01:02:59,960
Speaker 2: the sissifis who shagged me? That is someone's really researched

1271
01:03:00,200 --> 01:03:05,080
Speaker 2: the ancient Greek story of Sisyphus, gold, Sorba lander, silver,

1272
01:03:06,040 --> 01:03:08,240
Speaker 2: silence of the lamb, Sulvaki.

1273
01:03:10,560 --> 01:03:10,920
Speaker 3: Gold.

1274
01:03:11,000 --> 01:03:13,040
Speaker 2: Plus that's very good, dude, Ius.

1275
01:03:13,080 --> 01:03:15,520
Speaker 3: Wonder when we're going to get a dude, Dude, where's

1276
01:03:15,560 --> 01:03:20,280
Speaker 3: my Cropolyps silver day on a mats name a Sparta

1277
01:03:20,400 --> 01:03:24,120
Speaker 3: is born Silvil plus jewels in Port Melbourne, Rocket and

1278
01:03:24,120 --> 01:03:27,680
Speaker 3: fetter man. That's good gold.

1279
01:03:28,040 --> 01:03:33,360
Speaker 2: He's just not then into Yasu ancient Greek name? Is it?

1280
01:03:33,440 --> 01:03:36,400
Speaker 3: That's very civil plus Fiona.

1281
01:03:36,160 --> 01:03:39,000
Speaker 2: Very very good. How to lose a Greek god?

1282
01:03:40,720 --> 01:03:44,360
Speaker 3: Sivil plus get him to the Greek salad civil plus

1283
01:03:44,440 --> 01:03:45,200
Speaker 3: Baklava to.

1284
01:03:45,160 --> 01:03:49,400
Speaker 2: The future beautiful Clavi is lovely sivil plus ten titans.

1285
01:03:49,440 --> 01:03:55,600
Speaker 2: I hate about you Silver beetle Zeus, gold beetle Zeus,

1286
01:03:55,680 --> 01:03:59,920
Speaker 2: Janet and epping cloudy with a chance of cofters Silver

1287
01:04:00,320 --> 01:04:02,800
Speaker 2: and finally I like this. I don't know if JACKI

1288
01:04:02,920 --> 01:04:06,560
Speaker 2: like it Duane, but I like it. There's something about Marika.

1289
01:04:06,840 --> 01:04:07,640
Speaker 3: Yeah that's a gold.

1290
01:04:08,000 --> 01:04:10,520
Speaker 2: Yeah, well down down, well down everyone, great work.

1291
01:04:10,720 --> 01:04:14,040
Speaker 1: Melbourne's Gold. One of four point three Chris Jian O'Connell

1292
01:04:14,120 --> 01:04:14,840
Speaker 1: Breakfast Show.

1293
01:04:15,240 --> 01:04:18,959
Speaker 3: It's a team minus twenty four hours plus a few

1294
01:04:19,400 --> 01:04:22,440
Speaker 3: until I change in front of you guys forever.

1295
01:04:23,160 --> 01:04:24,680
Speaker 2: Oh yeah, what's happening.

1296
01:04:25,040 --> 01:04:28,040
Speaker 3: I'm getting that tatoo I've told you guys about. Yeah,

1297
01:04:28,120 --> 01:04:28,880
Speaker 3: it's tomorrow.

1298
01:04:29,000 --> 01:04:30,800
Speaker 2: He's doing in two sittings. It's a big one.

1299
01:04:30,880 --> 01:04:32,360
Speaker 3: Yeah, it's tomorrow.

1300
01:04:32,400 --> 01:04:35,120
Speaker 2: So it's going to go Hamish on what the left,

1301
01:04:35,120 --> 01:04:38,280
Speaker 2: buttet Andy on the right budget and then Jack in

1302
01:04:38,320 --> 01:04:38,720
Speaker 2: the middle.

1303
01:04:40,600 --> 01:04:42,320
Speaker 3: I don't even want to know how you get a

1304
01:04:42,440 --> 01:04:45,680
Speaker 3: tatoo in the middle of that. But no, it's going

1305
01:04:45,760 --> 01:04:47,520
Speaker 3: to be visible. So I've got a tattoo on my

1306
01:04:47,560 --> 01:04:49,920
Speaker 3: back at the moment, but tattoos can be yeah, no,

1307
01:04:50,200 --> 01:04:52,320
Speaker 3: but you know every day people are going to see it.

1308
01:04:52,360 --> 01:04:54,760
Speaker 3: So it's going to be on my forearm. And yesterday,

1309
01:04:54,880 --> 01:04:57,920
Speaker 3: while we had the day off, I spent it getting

1310
01:04:57,920 --> 01:05:01,280
Speaker 3: a biro and using a pen to draw like where

1311
01:05:01,320 --> 01:05:03,480
Speaker 3: the tattoo would go, not the tattoo itself, because obviously

1312
01:05:03,520 --> 01:05:05,480
Speaker 3: I can't draw as well as the tattoo artist. But

1313
01:05:05,800 --> 01:05:07,479
Speaker 3: I drew, you know, sort of a face.

1314
01:05:07,520 --> 01:05:10,400
Speaker 2: And you got too much time on your hands. You

1315
01:05:10,560 --> 01:05:15,040
Speaker 2: spent the puppet holiday drawing a tattoo with a biro

1316
01:05:15,560 --> 01:05:16,440
Speaker 2: on your forearm.

1317
01:05:16,520 --> 01:05:18,280
Speaker 3: So then I colored it in to pray.

1318
01:05:18,080 --> 01:05:22,480
Speaker 2: One day I get that when there's no other tasks

1319
01:05:22,720 --> 01:05:25,760
Speaker 2: that my wife has got doing, then doodling on my arm.

1320
01:05:26,080 --> 01:05:28,080
Speaker 3: So then I colored it in and shaded it in

1321
01:05:28,160 --> 01:05:29,880
Speaker 3: to give the effect of what it would look like,

1322
01:05:30,320 --> 01:05:32,560
Speaker 3: you know, from far away. And then I went into

1323
01:05:32,560 --> 01:05:34,160
Speaker 3: the mirror and had to look at what my new

1324
01:05:34,240 --> 01:05:37,760
Speaker 3: tattoo looks like, and it looked terrible. And now maybe

1325
01:05:37,800 --> 01:05:40,240
Speaker 3: that's because it was me drawing it with a biro,

1326
01:05:40,480 --> 01:05:42,720
Speaker 3: but I could there was no way I could squint

1327
01:05:42,840 --> 01:05:45,840
Speaker 3: and look at my reflection and make it look cool

1328
01:05:46,000 --> 01:05:46,760
Speaker 3: and how I'm made.

1329
01:05:46,800 --> 01:05:48,840
Speaker 2: So just a we're clear, then this is a design.

1330
01:05:48,960 --> 01:05:51,440
Speaker 2: You're an artistic guy, so you you've made a design

1331
01:05:51,480 --> 01:05:54,080
Speaker 2: yourself and tattoos, some tattoos that my one I've got.

1332
01:05:54,760 --> 01:05:56,640
Speaker 2: It's a message and a meaning to yourself.

1333
01:05:56,760 --> 01:05:59,280
Speaker 3: Yes, so I've thought of the design. But the tattoo

1334
01:05:59,320 --> 01:06:02,320
Speaker 3: artist is obviously, and he'll be drawing it and draw it.

1335
01:06:03,320 --> 01:06:05,040
Speaker 2: But this is your own bespoke design.

1336
01:06:06,520 --> 01:06:08,040
Speaker 3: It's not out of a catalog, which I made the

1337
01:06:08,080 --> 01:06:10,440
Speaker 3: mistake when I was nineteen of picking two birds out

1338
01:06:10,480 --> 01:06:11,560
Speaker 3: of the magazine.

1339
01:06:12,240 --> 01:06:17,160
Speaker 2: You won't be the only person in Australia hashtag Australia

1340
01:06:17,280 --> 01:06:18,160
Speaker 2: hashtag Barley.

1341
01:06:19,840 --> 01:06:21,560
Speaker 3: All right, so but this is your own So this

1342
01:06:21,680 --> 01:06:22,320
Speaker 3: is my own thing.

1343
01:06:23,800 --> 01:06:25,960
Speaker 2: Are you now worried that your design doesn't look No.

1344
01:06:26,680 --> 01:06:28,760
Speaker 3: Not my design, because I didn't draw my design. I

1345
01:06:28,880 --> 01:06:32,040
Speaker 3: just carried in like a splotchy patch of borrow. I'm

1346
01:06:32,080 --> 01:06:33,560
Speaker 3: just worried that the idea of me.

1347
01:06:34,120 --> 01:06:36,720
Speaker 2: Having a large tattoo.

1348
01:06:36,360 --> 01:06:40,160
Speaker 3: Large tattoo on my forearm looks too weird. And now

1349
01:06:40,200 --> 01:06:41,920
Speaker 3: I've got a little bit of cold feet. But it's

1350
01:06:41,960 --> 01:06:43,880
Speaker 3: locked in for tomorrow. I already paid the deposits.

1351
01:06:44,000 --> 01:06:46,840
Speaker 2: It's a large area your forearm. Yeah, isn't your forearm?

1352
01:06:46,880 --> 01:06:48,560
Speaker 2: That is a big area, doing like.

1353
01:06:48,560 --> 01:06:50,600
Speaker 4: A whole sleeve up starting up higher.

1354
01:06:50,800 --> 01:06:52,680
Speaker 3: Well, no, it's going to start on the forearm, and

1355
01:06:52,680 --> 01:06:55,160
Speaker 3: then maybe as I grow up, I'll get braver. I'll

1356
01:06:55,160 --> 01:06:55,840
Speaker 3: do you up.

1357
01:06:55,880 --> 01:06:58,920
Speaker 2: Into the signs of growing up. I think getting a

1358
01:06:58,960 --> 01:07:04,680
Speaker 2: sleeve tattoo ain't one of them. Mate, Someone someone intervene here.

1359
01:07:07,480 --> 01:07:12,200
Speaker 2: It's too precious. Sometimes pats Well is too much for him,

1360
01:07:13,040 --> 01:07:14,920
Speaker 2: just a sweet innocent man. How do you?

1361
01:07:15,440 --> 01:07:17,160
Speaker 4: How have you decided which arm.

1362
01:07:16,960 --> 01:07:20,120
Speaker 3: To put it? A good question. I just swapped last minute,

1363
01:07:20,120 --> 01:07:21,680
Speaker 3: so it's going to be right arm, and now I'm

1364
01:07:21,680 --> 01:07:23,880
Speaker 3: switching over to the left. I don't know why that's

1365
01:07:23,880 --> 01:07:25,240
Speaker 3: a vibe too much indecision.

1366
01:07:25,320 --> 01:07:27,960
Speaker 2: I don't like Yeah, I think you've got to listen

1367
01:07:28,040 --> 01:07:30,600
Speaker 2: to what the resistance is either, if it's a big tattoo,

1368
01:07:30,680 --> 01:07:32,600
Speaker 2: fair enough, or it's too much of you.

1369
01:07:32,680 --> 01:07:34,720
Speaker 3: No, no, no, no, don't try and talk me out.

1370
01:07:35,080 --> 01:07:38,160
Speaker 2: Oh my god, you've been testing I was testing you.

1371
01:07:38,200 --> 01:07:39,040
Speaker 11: Whoa, whoa.

1372
01:07:39,120 --> 01:07:40,920
Speaker 3: I didn't come here to get talked out of it.

1373
01:07:40,960 --> 01:07:43,160
Speaker 2: So what did you come here for? No?

1374
01:07:43,200 --> 01:07:49,560
Speaker 1: What a Melbourne's Gold one of four point three. Christjan

1375
01:07:49,600 --> 01:07:50,919
Speaker 1: O'Connell's Breakfast Show.

1376
01:07:51,240 --> 01:07:56,360
Speaker 2: Title of today's show is Patsy loves beer Bongs. Jack.

1377
01:07:56,560 --> 01:07:59,120
Speaker 2: Jack told me to another one of his crazy tattoos

1378
01:07:59,120 --> 01:08:03,280
Speaker 2: he's having done to me Tyler. Today's show is No

1379
01:08:03,360 --> 01:08:06,440
Speaker 2: one was hurt in the making of this story. Hugey

1380
01:08:06,560 --> 01:08:08,120
Speaker 2: is coming up next. Have a great day.

1381
01:08:08,160 --> 01:08:11,920
Speaker 1: Thanks for listening The Christian O'Connell Breakfast Show, Melbourne's Gold

1382
01:08:12,040 --> 01:08:13,240
Speaker 1: one oh four point three