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Speaker 1: Imagine a room with more questions than answers, a room

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Speaker 1: where two ordinary guys will face one extraordinary challenge.

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Speaker 2: A room with only one.

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Speaker 3: Way out.

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Speaker 1: Will and Woody's destiny is in your hands, the ultimate

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Speaker 1: test of intellect, teamwork, and sheer determination. And they can't

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Speaker 1: do it alone.

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Speaker 2: Puzzles are the path, Wit is the key.

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Speaker 1: Can they outsmart the room and break free? Every moment

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Speaker 1: matters and every glue counts. Will and Woody trapped?

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Speaker 2: We are live here, trapped, all thanks to Indiana Jones

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Speaker 2: and the dial of in Cinemas June twenty eight Woods.

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Speaker 2: We're in an escape room, trying to get out of here,

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Speaker 2: solving puzzles to get out of here for as long

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Speaker 2: as it takes. And I think when I say as

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Speaker 2: long as it takes, I think that was really that expression.

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Speaker 2: You know, we've been throwing that around. We could be

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Speaker 2: in here for a week, We could be in here today.

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Speaker 2: When it took us five hours to guess one person's name,

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Speaker 2: I think we both got a taste of just what

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Speaker 2: that really means. We could be in here for as

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Speaker 2: long as it takes.

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Speaker 4: Yeah, and how bad this idea was anyway, If you

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Speaker 4: have missed any of it so far.

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Speaker 5: Have a listen to this.

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Speaker 2: We are trapped.

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Speaker 3: You may now remove your blindfolds.

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Speaker 2: Three Why.

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Speaker 6: I thought something moved in the crape extra, shut up.

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Speaker 6: I swear to got something move.

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Speaker 2: Shut up. There are all symbols point to an everyday.

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Speaker 3: Phrase change onion, red dog.

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Speaker 5: Word wheel onion, red dog nice means word.

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Speaker 2: Yeah it does.

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Speaker 5: Wow, Oh my god, I'm good at this all right, next.

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Speaker 2: Time I should have bagel follows.

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Speaker 4: Wowers directions to thirty Erindale Road, Belcata, Western Australia, six

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Speaker 4: O two one.

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Speaker 5: Mary, you got a thought?

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Speaker 7: Yeah, I googled that w hairdress legend action sports and sports.

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Speaker 6: Okay, that's huge.

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Speaker 2: Actions speak louder than words.

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Speaker 3: Correct y Yeah huge.

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Speaker 6: These four allible clues make together.

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Speaker 2: Okay, So we've got this one.

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Speaker 6: That's keeping up with the Kardashians.

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Speaker 2: That's the theme sixty six thousand sausages. That's me impersonating

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Speaker 2: Boris Johnson. That's the song behind us bag that's Allen

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Speaker 2: Iverson hanging basketball.

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Speaker 7: I'm a bit of a basketball fan.

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Speaker 8: Yes, there was a famous interview where Allen Iverson talks

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Speaker 8: about how he doesn't like to go to practice.

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Speaker 4: Oh yes, I've seen that practice makes perfect.

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Speaker 2: Yeah, there's something in that direct.

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Speaker 4: Was that giant Lowe?

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Speaker 7: All right, I'm happy for help.

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Speaker 4: We would have been absolutely nowhere without people calling the

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Speaker 4: shows slowly, but your hand.

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Speaker 2: I should not be doing this. Ah, stop being a coward, mate,

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Speaker 2: I just don't trust this at all. I pulled out

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Speaker 2: a remote control from the box, yes, and I used

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Speaker 2: my mouth to open the SnapLock bag that the remote

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Speaker 2: control was in, And only afterwards did I realize that

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Speaker 2: the SnapLock bag was coated in maggots. Oh, we're trying

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Speaker 2: to guess what these four whole mean. That's the current puzzle.

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Speaker 2: That's all we know. Daniel, Oh, my Daniel, Daniel. That's

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Speaker 2: our interview with Runny Aleck.

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Speaker 5: Yes, good wonder woman.

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Speaker 2: I think I know who that is. That's who's the

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Speaker 2: Allen Carr? Yes, yes, Alan Carbon who's in the studio

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Speaker 2: with us? These are all interviews with us. I reckon

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Speaker 2: that could be Kyli Minogue. She did it out of

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Speaker 2: her studio, out of her house.

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Speaker 6: Yeah, you're right, let's let's hit that with a Kylie

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Speaker 6: at third. Let's do that.

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Speaker 9: It's something different.

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Speaker 2: Who's a big artist that we've spoken to. That's a woman,

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Speaker 2: Tate McCray, Tate McCrae. She's a big deal actress or

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Speaker 2: an actress that we've spoken to recently, who's a woman

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Speaker 2: who's a big deal.

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Speaker 4: So for the last five and a half hours, we

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Speaker 4: were stuck on that fourth voice there.

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Speaker 2: Yeah, do you want you guy? You guys can hear

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Speaker 2: it again. These are the two words that we replayed,

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Speaker 2: much to the joy of everybody streaming us live on

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Speaker 2: YouTube for five hours.

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Speaker 9: This something different.

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Speaker 5: If you want to hear some of the guesses that

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Speaker 5: we went for four listen, it.

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Speaker 2: Is cancel out Jackie Oh. You can cancel out Aba Mendez,

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Speaker 2: Kyler Minogue, Michelle Brazier, Meghan train Or, Amy Shark, Danny Minogue.

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Speaker 2: You could cancel all of those people out.

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Speaker 4: Is it Rebel Wilson interviewed Rebel Wilson or the Wednesday actors?

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Speaker 5: We've never interviewed Jenna or Tager though.

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Speaker 4: I think it's Kristin Stewart, Rummy Malick, Alan Carr, Coylie Minogue,

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Speaker 4: Kristen Stewart.

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Speaker 3: You have three correct answers.

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Speaker 7: I think it could be Samantha Jade.

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Speaker 4: Rummy Malick, Alan Carr, Coylie Minogue, Samantha Jade, you.

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Speaker 2: Have guys, we really really really need a hand. Here

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Speaker 2: was it hurt? Guys? What can I say? Everyone was chuffed.

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Speaker 2: Everyone was shuffed. What to day? The producers were schuffed,

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Speaker 2: The puzzle master was shaffed. The guys at Lucasfilm were

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Speaker 2: chaff were like, great, we've paid, this is awesome. This

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Speaker 2: is exactly what we wanted.

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Speaker 5: We did get though, very very recently.

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Speaker 4: We did get it, but we just want to sort

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Speaker 4: of see how dumb we are effectively our numbers. Thirteen

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Speaker 4: one oh six five. We want to see if you

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Speaker 4: guys can get it in three minutes. You've got a

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Speaker 4: song to get it?

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Speaker 2: Yeah, let's play for them one more time. This is

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Speaker 2: this is this is somebody's name. They're a big star

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Speaker 2: and we've interviewed them before.

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Speaker 9: Who is it something different?

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Speaker 2: It took us five hours to get there. We did

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Speaker 2: get it. We did get it. If you think you

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Speaker 2: can get it thirteen one oh six five, give us call.

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Speaker 2: I will be very annoyed. If you've got it, Alisha,

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Speaker 2: I'm going to be honest, what do you think that is?

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Speaker 7: I think it's Margot Robbie Margot Robbie.

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Speaker 2: Okay, okay, so Alisha, I can cancel it because we've

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Speaker 2: never interviewed her.

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Speaker 5: That guess there's a double slap in the face to us, because.

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Speaker 2: Alia, have you been intended to watch it all? Have

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Speaker 2: you been watching online at all? You've probably been at.

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Speaker 7: Work today, Yeah, yeah, yeah.

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Speaker 2: Okay, all right, Well, look hope tomorrow is going to

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Speaker 2: be very entertaining for everybody on the live stream. I

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Speaker 2: should stress as well. We have actually fixed our audio

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Speaker 2: issues on the live stream as well, so our audio

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Speaker 2: is up and running on the live stream. For all

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Speaker 2: those people that dropped off your stay because of the

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Speaker 2: audio issues, we're back on there, ingrid thirty one oh

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Speaker 2: six five. You think you know who this bit of

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Speaker 2: audio is.

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Speaker 7: I think it's Madonna.

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Speaker 9: It's something different.

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Speaker 4: Again, we have definitely never interviewed in Madonna.

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Speaker 5: This is sort of I'm kind of erect, thank you,

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Speaker 5: buzzle master.

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Speaker 4: I'm kind of enjoying the fact that no one can

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Speaker 4: get this. So maybe it was just a really difficult

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Speaker 4: I think we're joined by five hours tough though, Well,

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Speaker 4: no one's got it yet.

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Speaker 5: We do have Logan here though.

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Speaker 2: Now hello, Logan, Hi, Logan, Now Logan, I understand you

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Speaker 2: have been watching us on YouTube live streaming is yeah.

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Speaker 8: So it's correct at ten thirty this morning to watch.

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Speaker 4: You guys go man wow, any any it's been an adventure?

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Speaker 2: Yeah yeah, currently fun employed Logan surely?

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Speaker 8: Yeah, yeah.

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Speaker 4: Any feedback like obviously you're you know, you're one of

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Speaker 4: our primary viewers.

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Speaker 5: Any feedback for us in our time here?

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Speaker 8: I think you guys to do it really really well. Actually,

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Speaker 8: last clue was going to take a lot longer than

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Speaker 8: it did.

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Speaker 2: You got it, thanks, Logan. Now that sounds slightly patronizing.

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Speaker 2: Are you implying that you got it earlier?

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Speaker 9: Oh?

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Speaker 8: Yeah, I did get it half before you do.

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Speaker 5: Will So do you want to tell everyone? You tell

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Speaker 5: everyone who it is?

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Speaker 6: Logans?

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Speaker 9: Something different?

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Speaker 8: The final clue was Nicole's shoe singer.

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Speaker 5: I think it's it's shirt singer, not shit singer. That

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Speaker 5: is a that is a great new nickname for shirt singer.

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Speaker 5: All right, well, thank you, Logan.

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Speaker 2: So Logan, how did you do that? How did you

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Speaker 2: know that it was her? Like you just you just

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Speaker 2: watched a lot of our interviews or how did you

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Speaker 2: know it was her?

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Speaker 6: Well?

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Speaker 8: I didn't at first I thought it was Martha.

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Speaker 2: Oh yeah, we thought it was Martha Calfcatus. Yeah, yeah, yeah,

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Speaker 2: we guess that.

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Speaker 8: Yep, yeah, I did a deep dive. Right back in

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Speaker 8: twenty twenty, you did an interview with Woody was blindfolded

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Speaker 8: and there was a segment called to take for wood

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Speaker 8: Dad and you yea on there and it was a

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Speaker 8: split second where Nicole had said.

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Speaker 9: Something and that was something different.

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Speaker 2: Logan, I'm going to give you a one hundred bucks

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Speaker 2: suspend at Red Rooster that for that, mate. Thanks so

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Speaker 2: much again, so much pleasure, mate, Thanks for thanks for

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Speaker 2: joining us on the live stream. And I think what

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Speaker 2: Logan's proving there, guys is we really really need to

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Speaker 2: help with this thing. Like we don't have access to

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Speaker 2: internet like you guys do, so you're the ones that

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Speaker 2: need to go back through that's it, our socials, back

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Speaker 2: through our podcasting and all that sort of stuff to

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Speaker 2: find these nuggets of gold that are going to help

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Speaker 2: us solve the puzzles that going to help us get

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Speaker 2: our escape songs and leave this place.

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Speaker 4: The rest of Australian needs to step up to Logan's level. Yes,

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Speaker 4: you should be ashamed of yourself and the rest of us, even.

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Speaker 2: If you've got jobs. We don't care. Now have listen.

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Speaker 2: This is, of course the moment a five hours after

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Speaker 2: puzzling all throughout the day. To all those people who

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Speaker 2: enjoyed watching us suffer you shardon freud, weird, weird bastards,

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Speaker 2: here is the moment that we actually got the name

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Speaker 2: for the fourth bit of audio. Okay, so my brain wave. Yeah,

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Speaker 2: did we guess Nicole Shirt.

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Speaker 6: Singer from the Pussycat Dolls. We did speak to all

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Speaker 6: of them.

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Speaker 2: We had all of them in the studio. We did

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Speaker 2: Rami Malik, Alan Carr, Kylie Minogue and Nicole Shirt Singer.

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Speaker 5: Correct, it's gon troll celebration there from the boys.

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Speaker 2: We all needed new mic packs after that. I mean,

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Speaker 2: when it takes you five and a half hours to

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Speaker 2: get something, you guys dry controlling your excitement. Took us

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Speaker 2: five hours today. Thanks to everyone that joined us in

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Speaker 2: the live stream YouTube. Will and wood you are on

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Speaker 2: the socials. Well different that was to get that audio

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Speaker 2: A long time to get I feel like.

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Speaker 5: The Cold Shirt singer.

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Speaker 4: By the way, if you have missed us talking about

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Speaker 4: it before, here we go Will.

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Speaker 3: And Woody a number lock.

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Speaker 10: You must use a prize for another day to bang

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Speaker 10: out of tune.

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Speaker 3: Look at the image. Harrison yay.

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Speaker 10: He's on his way to save the day.

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Speaker 4: Harrison yay, He's on his way.

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Speaker 5: Very funny. Run now she clearly ran out of rhymes, Harrison.

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Speaker 2: After we got so, hey, let's just let's just let's

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Speaker 2: just go through this a little bit beforehand, just in

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Speaker 2: terms of what the we've got to she's taking a

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Speaker 2: number lock. There's a box with a lock on it.

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Speaker 4: So after we've got Nicole Schertzinger, puzzle Master, told us

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Speaker 4: about the box there.

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Speaker 5: Okay, so I have.

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Speaker 2: So there is a box with a lock.

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Speaker 5: She mentioned that I reckon, I can bring it over. Sure,

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Speaker 5: I reckon, I can bring it over.

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Speaker 2: She's also mentioned Harrison Ford yay. There is a picture

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Speaker 2: of Harrison Ford, who obviously plays Indiana Jones on the

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Speaker 2: TV in the room. Indiana Jones and the Dial of

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Speaker 2: Destiny is the name of the movie, and there's a

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Speaker 2: big photo of Harrison Ford. Harrison Ford yay.

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Speaker 5: That photo said is on top of the box. I

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Speaker 5: think that was just a way of going follow the

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Speaker 5: photo on the screen.

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Speaker 2: Maybe the Harrison Ford yay thing was weird, though, Yeah,

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Speaker 2: that was more than that. It was quite deliberate that

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Speaker 2: was Harrison Ford. Yay, Harrison Yay, she's Harrison Ford said,

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Speaker 2: Harrison yay.

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Speaker 5: Okay.

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Speaker 4: And then the final thing here is there is a

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Speaker 4: four number combination which we obviously have to try and

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Speaker 4: figure out.

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Speaker 2: Now will the other bit? Sorry, one more thing, she said,

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Speaker 2: a prize for another day. The numb locked, she said,

256
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Speaker 2: to bang out a tune so.

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Speaker 5: To figure out her exit song. Oh so this is

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Speaker 5: another clue to figuring out her exit song. You think

259
00:13:09,160 --> 00:13:11,720
Speaker 5: that's what that was? Oh nope, that wasn't any audio.

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00:13:12,120 --> 00:13:14,400
Speaker 5: That's not the puzzle matter. That's just ambiance.

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Speaker 4: Okay, so you know how you said, okay, Harris ambuils

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Speaker 4: Harrison Ford.

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Speaker 5: Yeah, okay, So what does it's? Okay, it's a four

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Speaker 5: number combination.

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Speaker 4: What if each letter of Ford is a number in

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Speaker 4: the alphabet and that's the combination of the lock?

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Speaker 2: Okay?

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Speaker 5: So why don't you give me what what number of

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Speaker 5: the alphabet is?

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Speaker 6: F work with me?

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Speaker 5: Hang on? Okay?

272
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Speaker 6: What's Oh.

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Speaker 5: It's taga one.

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Speaker 2: I think it's fifteen fifteen?

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Speaker 5: Oh now, where screwed? Because there's only four numbers here?

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Speaker 2: That was genius though?

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Speaker 5: What about yay?

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Speaker 6: No, that'll be more?

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Speaker 2: Can I hear the clue one more time? Is that

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Speaker 2: all right? Can we hear the puzzle master's clue again?

281
00:13:59,240 --> 00:14:02,640
Speaker 2: Because I'm everyone's.

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Speaker 3: Rattled, Will and Woody a number lock.

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Speaker 10: You must use a prize for another day to bang

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Speaker 10: out of tune. Look at the image Harrison Yay, He's

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Speaker 10: on his way to save the day.

286
00:14:22,840 --> 00:14:25,600
Speaker 2: Look at the image Harrison Yay, He's on his way

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Speaker 2: to save the day. That's the key. This image of

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Speaker 2: Harrison Ford is the key to us figuring out.

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Speaker 5: This code has to be Harrison Yay.

290
00:14:36,720 --> 00:14:39,200
Speaker 2: Look at the image Harrison Yay, He's on his way

291
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Speaker 2: to save the day. By fourteen one oh six y

292
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Speaker 2: five is the phone number. If you have any idea

293
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Speaker 2: how that could equate to a four digit code on

294
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Speaker 2: a padlock, a number code on a padlock, please call us.

295
00:14:53,520 --> 00:14:56,240
Speaker 4: By the way, that the image, it's just a pretty

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Speaker 4: stockstandard image of Indiana Jones.

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00:14:58,400 --> 00:15:01,960
Speaker 2: It's a stocks down image of Indiana. It's old Harrison Ford, though,

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Speaker 2: so I imagine it's him now and it's him next to

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Speaker 2: the title Indiana Jones and the dial of destiny. Harrison

300
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Speaker 2: Yay on his way to save the day. That equals

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Speaker 2: a four digit number code somehow thirteen one oh six

302
00:15:15,840 --> 00:15:18,360
Speaker 2: y five. If you know that, please call if you

303
00:15:18,360 --> 00:15:21,480
Speaker 2: want to see the image yourself. William Woody on the Socials,

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Speaker 2: William Woody on YouTube. We're streaming this in this escape room, guys, will.

305
00:15:29,680 --> 00:15:31,720
Speaker 3: And Woody a number lock.

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Speaker 10: You must use a prize for another day to bang

307
00:15:37,080 --> 00:15:37,840
Speaker 10: out of tune.

308
00:15:39,280 --> 00:15:40,400
Speaker 3: Look at the image.

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Speaker 10: Harrison, yay, he's on his way to save the day.

310
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Speaker 5: Is that a high coup at the end? Is that

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Speaker 5: some sort of high coup?

312
00:15:52,520 --> 00:15:53,239
Speaker 2: A hikup?

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Speaker 5: Is Harrison?

314
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Speaker 2: Yay? Eight? Twelve and eight? In terms of syllables, do.

315
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Speaker 5: You wanna try that?

316
00:16:00,120 --> 00:16:00,360
Speaker 6: Twelve?

317
00:16:00,400 --> 00:16:00,600
Speaker 5: Eight?

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Speaker 2: Can give it a go, and then.

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Speaker 5: Maybe you go to the calls? Well, I try eight

320
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Speaker 5: twelve eight, I think so, yeah, I'll try that.

321
00:16:08,120 --> 00:16:10,640
Speaker 2: Hailey, what do you reckon? That number code is?

322
00:16:11,440 --> 00:16:13,520
Speaker 7: Hey, guys, I reckon it's Ford as well.

323
00:16:13,880 --> 00:16:14,840
Speaker 2: But if you look.

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Speaker 7: At your mobile phone keypad, yeah.

325
00:16:18,160 --> 00:16:20,880
Speaker 2: Rather than Ford, rather than Ford because she doesn't say

326
00:16:20,880 --> 00:16:23,600
Speaker 2: the word forge did Harrison yay? Yeah?

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Speaker 7: Okay, it's for numbers are quate to three sixty seven three.

328
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Speaker 9: I love that.

329
00:16:31,120 --> 00:16:34,960
Speaker 2: I'm gonna try that the old phone patter. You try that? Thanks? Thanks, Hailey,

330
00:16:34,960 --> 00:16:36,440
Speaker 2: I'll let you know if woods comes good.

331
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Speaker 4: Here three six seven three, that's right, any dice three

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Speaker 4: six seven three Here we go?

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00:16:43,800 --> 00:16:49,320
Speaker 2: No, no, sorry, Hailey, bad luck. Thirty one six five.

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00:16:49,360 --> 00:16:49,800
Speaker 5: Guys.

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Speaker 2: We are in the Indiana Jones Escape room at the moment,

336
00:16:52,960 --> 00:16:55,800
Speaker 2: we're trapped Krli on thirty one and six five, day two,

337
00:16:56,400 --> 00:16:58,080
Speaker 2: solving a puzzle with you guys live on it. We've

338
00:16:58,080 --> 00:17:01,480
Speaker 2: got a combination like a four digit clue. Carly, what

339
00:17:01,520 --> 00:17:05,040
Speaker 2: do you think this is, Carlie?

340
00:17:05,160 --> 00:17:08,080
Speaker 9: Okay, so I was thinking along the same line.

341
00:17:07,840 --> 00:17:11,480
Speaker 11: That you were, with the letters equating for numbers.

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Speaker 5: Yeah, yeah, so go, but just go with his initials.

343
00:17:15,760 --> 00:17:18,880
Speaker 5: So go H F and what is that? What number

344
00:17:18,920 --> 00:17:19,600
Speaker 5: does that signify?

345
00:17:19,800 --> 00:17:25,600
Speaker 2: H and s H and F, H and F eight

346
00:17:26,680 --> 00:17:30,000
Speaker 2: this before it's eight? It's eight? Yeah, yeah, eight, and

347
00:17:30,040 --> 00:17:35,440
Speaker 2: then G is night and then four sorry six.

348
00:17:37,200 --> 00:17:40,120
Speaker 4: Six and then and then what what's the last two numbers?

349
00:17:40,680 --> 00:17:41,000
Speaker 5: Carly?

350
00:17:41,480 --> 00:17:43,280
Speaker 11: And now the second part I'm going to need someone

351
00:17:43,280 --> 00:17:44,480
Speaker 11: else to call and help you with.

352
00:17:44,840 --> 00:17:48,560
Speaker 2: But I reckon it could be his age. Okay, Okay,

353
00:17:48,600 --> 00:17:52,919
Speaker 2: well I actually know that he's eighty. We've heard he's eighty.

354
00:17:53,080 --> 00:17:53,960
Speaker 2: We've heard he's eighty.

355
00:17:54,400 --> 00:17:55,119
Speaker 5: I'm going to try that.

356
00:17:55,400 --> 00:18:01,280
Speaker 2: Do you think it's his age though? What about okay? Yeah? Yeah, yeah,

357
00:18:01,359 --> 00:18:05,360
Speaker 2: no thanks that yeah yeah yeah, okay, thanks Carly. We'll

358
00:18:05,359 --> 00:18:07,040
Speaker 2: give it a go. I know, we'll just try it now.

359
00:18:07,320 --> 00:18:08,720
Speaker 6: No good.

360
00:18:08,840 --> 00:18:10,920
Speaker 5: I like it though, Carlie, way to think outside the box.

361
00:18:11,160 --> 00:18:11,920
Speaker 5: That's good, okay?

362
00:18:12,040 --> 00:18:14,200
Speaker 2: Sam. On thirty one and six five, guys, we are

363
00:18:14,200 --> 00:18:16,560
Speaker 2: trapped in an escape room, all thanks to Indiana Jones

364
00:18:16,560 --> 00:18:18,080
Speaker 2: and the Dial of Destiny Day two. This is our

365
00:18:18,119 --> 00:18:20,000
Speaker 2: second day in here. We've got a brand new puzzle,

366
00:18:20,359 --> 00:18:23,560
Speaker 2: four digit code, Sam, what do you think it is?

367
00:18:23,600 --> 00:18:26,840
Speaker 2: This is currently we're dealing with the clue Harrison. Yay,

368
00:18:26,920 --> 00:18:29,159
Speaker 2: he's on his way to save the day. That is

369
00:18:29,160 --> 00:18:32,320
Speaker 2: a four digit number code? What do you think it is? Sam?

370
00:18:32,640 --> 00:18:32,840
Speaker 4: Boy?

371
00:18:32,920 --> 00:18:34,600
Speaker 8: There you're going very well.

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Speaker 2: It's been a tough day five hours for Nicole Scherzinger.

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Speaker 2: I'm not sure if you're across that, but it's different.

374
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Speaker 8: If we just look, I think we might we might

375
00:18:42,080 --> 00:18:46,040
Speaker 8: be positive here. What if the release date for the.

376
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Speaker 5: Indiana Jones movie.

377
00:18:49,480 --> 00:18:52,600
Speaker 12: I'm not bad, Sammy can, I not bad?

378
00:18:52,680 --> 00:18:55,199
Speaker 2: Sorry? Sam, you can. We're gonna get a bit excited

379
00:18:55,240 --> 00:18:57,560
Speaker 2: here when clues come out. It might be the second

380
00:18:57,600 --> 00:19:00,919
Speaker 2: microphone extra, the second one. I'm just you can have

381
00:19:00,920 --> 00:19:02,879
Speaker 2: one hundred bucks of spent at Red Roster Sam and here,

382
00:19:02,920 --> 00:19:04,479
Speaker 2: oh hang it hasn't got it. I'm going to give

383
00:19:04,520 --> 00:19:06,120
Speaker 2: you a many I'm going to give you hi anyway.

384
00:19:05,800 --> 00:19:15,600
Speaker 12: Here I go, Sammy, Sam Jem Did you know the

385
00:19:15,680 --> 00:19:16,200
Speaker 12: release date?

386
00:19:16,240 --> 00:19:16,600
Speaker 5: Sammy?

387
00:19:17,359 --> 00:19:19,000
Speaker 8: I thought I actually thought it was the twenty ninth.

388
00:19:19,000 --> 00:19:20,240
Speaker 5: So I'm glad you guys jumped in there.

389
00:19:22,440 --> 00:19:24,679
Speaker 2: No, mate, Indiana Jones and the Dollar Destiny is in

390
00:19:24,760 --> 00:19:29,080
Speaker 2: Cinema's June twenty eight, Sammy. That is genius, mate, Thank

391
00:19:29,119 --> 00:19:31,879
Speaker 2: you so much. Sam. You can actually have a double

392
00:19:31,880 --> 00:19:33,439
Speaker 2: pass to go to Hoyts Lucks. You can go and

393
00:19:33,440 --> 00:19:36,120
Speaker 2: take someone to go and watch it with you. I'll

394
00:19:36,160 --> 00:19:38,399
Speaker 2: tell you what. All right, well Woods, before we go

395
00:19:38,440 --> 00:19:39,920
Speaker 2: to the traffic, shall we open the box?

396
00:19:39,960 --> 00:19:41,040
Speaker 5: I think we should open the box.

397
00:19:41,080 --> 00:19:42,879
Speaker 2: Yeah, let's know. No, let's open the box and just

398
00:19:42,920 --> 00:19:44,480
Speaker 2: give it. Just give me a sneak peak. Just give

399
00:19:44,480 --> 00:19:45,760
Speaker 2: me a sneak peak and we can talk about it

400
00:19:45,760 --> 00:19:49,040
Speaker 2: more up next. What's in the box? Here we go,

401
00:19:49,480 --> 00:19:49,919
Speaker 2: Here we go.

402
00:19:51,640 --> 00:19:52,600
Speaker 6: There's a red ribbon.

403
00:19:53,280 --> 00:19:54,240
Speaker 5: He has a red ribbon.

404
00:19:54,359 --> 00:19:58,639
Speaker 2: Yeah, yeah, there's a on his way to say the

405
00:19:58,720 --> 00:19:59,840
Speaker 2: day genius.

406
00:20:00,200 --> 00:20:02,800
Speaker 4: Okay, there's a red silk. There's red silk and what

407
00:20:02,920 --> 00:20:05,040
Speaker 4: looks like something to hit drums with.

408
00:20:05,119 --> 00:20:09,680
Speaker 5: What do we call them? Drumsticks? A battle A buttong.

409
00:20:10,320 --> 00:20:10,680
Speaker 2: Not a bit.

410
00:20:11,200 --> 00:20:13,720
Speaker 4: It looks like at it looks like a drumstick with

411
00:20:13,840 --> 00:20:17,600
Speaker 4: a ball on the end, but it's wrapped in some sort.

412
00:20:17,359 --> 00:20:19,680
Speaker 2: Of wall cotton, like something you'd hit it, like something

413
00:20:19,680 --> 00:20:22,399
Speaker 2: you did marimula with. Please get involved, guys, you're the

414
00:20:22,400 --> 00:20:23,879
Speaker 2: only way that we can actually get out of here.

415
00:20:23,920 --> 00:20:25,840
Speaker 2: We've realized we're actually pretty grab at this.

416
00:20:27,000 --> 00:20:34,240
Speaker 13: Oh will then would you think back to yesterday symbols

417
00:20:34,320 --> 00:20:35,439
Speaker 13: and your hands?

418
00:20:36,359 --> 00:20:38,440
Speaker 3: Well, what got you through the day.

419
00:20:39,920 --> 00:20:44,640
Speaker 10: A different kind of code exists in this room. Your

420
00:20:44,720 --> 00:20:49,119
Speaker 10: listeners must help. There'll be the end of your glue.

421
00:20:51,160 --> 00:20:53,000
Speaker 2: Okay, so there's a different kind of code. I remember

422
00:20:53,000 --> 00:20:55,080
Speaker 2: the cluse yesterday. Now there was one of those symbols

423
00:20:55,119 --> 00:20:56,560
Speaker 2: that we didn't hit yesterday.

424
00:20:56,760 --> 00:20:58,040
Speaker 5: Do you think I need to hit it with the

425
00:20:58,040 --> 00:20:59,160
Speaker 5: buttong that we just found?

426
00:20:59,240 --> 00:21:02,359
Speaker 2: Give it a give to go nice, go for it. Okay,

427
00:21:02,480 --> 00:21:05,240
Speaker 2: So the one that I didn't hit was the bottom ones. Now, guy,

428
00:21:05,800 --> 00:21:07,919
Speaker 2: as I've said before, you can see this online, but

429
00:21:07,960 --> 00:21:10,000
Speaker 2: we are in what looks like an az tech tomb.

430
00:21:10,040 --> 00:21:11,960
Speaker 2: So the symbol that what he's about to hit looks

431
00:21:11,960 --> 00:21:16,680
Speaker 2: like an old as tech or mayan ruin. So give

432
00:21:16,680 --> 00:21:17,600
Speaker 2: it a go, Woods.

433
00:21:17,440 --> 00:21:19,520
Speaker 6: I give you sound.

434
00:21:24,680 --> 00:21:26,520
Speaker 5: God damning to hit that again?

435
00:21:26,560 --> 00:21:28,679
Speaker 2: You're trying to hit that again? No, a different one,

436
00:21:28,720 --> 00:21:29,680
Speaker 2: Try hitting a different.

437
00:21:29,480 --> 00:21:32,440
Speaker 4: One, because there are also some symbol slash codes over

438
00:21:32,480 --> 00:21:33,679
Speaker 4: here here we go.

439
00:21:34,520 --> 00:21:37,960
Speaker 14: Now about this one, Now about this one.

440
00:21:38,160 --> 00:21:40,760
Speaker 2: Woods, There are some more ruins. There are some more

441
00:21:40,840 --> 00:21:42,200
Speaker 2: ruins on the other side.

442
00:21:42,680 --> 00:21:44,760
Speaker 6: Kind of feels like I'm button bashing it.

443
00:21:44,840 --> 00:21:50,680
Speaker 2: Is, yeah, but yes, nothing nothing nothing.

444
00:21:50,600 --> 00:21:51,760
Speaker 6: Gee, I'm whacking everything.

445
00:21:51,840 --> 00:21:55,680
Speaker 4: Yeah, didn't the didn't puzzle masters say that your listeners

446
00:21:55,720 --> 00:21:56,840
Speaker 4: are going to need to help you.

447
00:21:56,960 --> 00:21:57,160
Speaker 6: Yeah.

448
00:21:57,280 --> 00:22:00,720
Speaker 4: This feels like a very you and me task right now. Yeah,

449
00:22:01,040 --> 00:22:03,520
Speaker 4: how they'd be helping us by there's another cod.

450
00:22:03,400 --> 00:22:04,960
Speaker 2: You guys want to listen to the clue again? Yeah,

451
00:22:05,000 --> 00:22:05,520
Speaker 2: that'd be great.

452
00:22:08,840 --> 00:22:14,479
Speaker 13: Well, then would you think back to yesterday symbols and

453
00:22:14,560 --> 00:22:15,440
Speaker 13: your hands?

454
00:22:16,400 --> 00:22:18,240
Speaker 3: Well what got you.

455
00:22:17,760 --> 00:22:19,880
Speaker 2: Through our hands? Our hands?

456
00:22:20,160 --> 00:22:25,240
Speaker 10: Different kind of code exists in this room. Your listeners

457
00:22:25,280 --> 00:22:30,040
Speaker 10: must help. There'll be the end of your glue.

458
00:22:30,480 --> 00:22:32,800
Speaker 2: Our hands, our hands. We both had to reach our

459
00:22:32,840 --> 00:22:35,320
Speaker 2: hand in a box yesterday. My box is gone. Your

460
00:22:35,359 --> 00:22:41,000
Speaker 2: box is still here. Put open your box, open your box.

461
00:22:43,160 --> 00:22:45,080
Speaker 2: Can you take maybe take the silk scarf of as

462
00:22:45,160 --> 00:22:47,560
Speaker 2: well that it's your tellers, But I think you might

463
00:22:47,600 --> 00:22:53,160
Speaker 2: stop working, would okay? What do you just just yell out?

464
00:22:53,160 --> 00:22:55,960
Speaker 2: Put your hand in the box. Put your hand in

465
00:22:55,960 --> 00:23:00,199
Speaker 2: the box. What what I've got to go? I going

466
00:23:00,240 --> 00:23:03,600
Speaker 2: to go. It's maggots. It's not They're not my just

467
00:23:03,600 --> 00:23:05,840
Speaker 2: because I had maggots yesterday. I'm not maggots for I'm

468
00:23:05,840 --> 00:23:07,400
Speaker 2: not the maggot boy in the escape room.

469
00:23:07,880 --> 00:23:10,080
Speaker 15: What do you you please come back to your microphone please,

470
00:23:10,200 --> 00:23:12,120
Speaker 15: that would be really great. Well, you can go over

471
00:23:12,160 --> 00:23:13,480
Speaker 15: and have a look at the box if you'd like.

472
00:23:13,560 --> 00:23:14,720
Speaker 15: You've got a microphone that works.

473
00:23:14,920 --> 00:23:17,320
Speaker 5: That's a good idea. That's a good idea.

474
00:23:17,800 --> 00:23:20,280
Speaker 15: Okay, do you want to just describe what you can

475
00:23:20,440 --> 00:23:21,679
Speaker 15: see at the box please?

476
00:23:22,400 --> 00:23:23,720
Speaker 2: No, it's not maggots.

477
00:23:23,800 --> 00:23:24,680
Speaker 5: What is what is it?

478
00:23:24,800 --> 00:23:26,360
Speaker 2: I think one of us needs to stick our hand

479
00:23:26,400 --> 00:23:30,439
Speaker 2: into that box. Very good point, and to help us

480
00:23:30,440 --> 00:23:33,400
Speaker 2: through this journey is former Austrade Network Captain and Queen

481
00:23:33,400 --> 00:23:35,280
Speaker 2: of the Jungle. This is ellis welcome Liz.

482
00:23:36,160 --> 00:23:39,040
Speaker 7: Hello, boys. It's such a lovely thing to think about,

483
00:23:39,040 --> 00:23:42,320
Speaker 7: you two trapped in a room while the rest going life.

484
00:23:44,560 --> 00:23:47,040
Speaker 4: Can I just say, as someone who endured the jungle

485
00:23:47,080 --> 00:23:48,960
Speaker 4: with me for so long, this is so not fair

486
00:23:49,000 --> 00:23:51,120
Speaker 4: that I've been thrown back into an environment where I'm

487
00:23:51,119 --> 00:23:51,960
Speaker 4: trapped effectively.

488
00:23:52,440 --> 00:23:54,280
Speaker 7: Oh no, this is where you're at your best, Woody.

489
00:23:54,560 --> 00:23:57,160
Speaker 2: I agree. I agree. Now, speaking of being at your best,

490
00:23:57,160 --> 00:23:59,200
Speaker 2: woods can you wander over to that box over there?

491
00:23:59,480 --> 00:24:01,040
Speaker 5: Do you know any thing? By the way, Liz, do

492
00:24:01,280 --> 00:24:02,960
Speaker 5: you know do you have any information.

493
00:24:02,600 --> 00:24:03,840
Speaker 2: To be spoken to the puzzle master?

494
00:24:04,080 --> 00:24:06,720
Speaker 7: I have lots of information, but not very much of

495
00:24:06,800 --> 00:24:08,520
Speaker 7: it is relevant to what you two are doing now.

496
00:24:08,560 --> 00:24:13,000
Speaker 7: Although I reckon you've got to stick your hand in.

497
00:24:15,040 --> 00:24:18,960
Speaker 7: I saw Pete Helly a sticky hand in a cage

498
00:24:19,000 --> 00:24:21,720
Speaker 7: that had a snake in it. I saw to do

499
00:24:21,800 --> 00:24:24,120
Speaker 7: the same thing. So when you show you a real

500
00:24:24,160 --> 00:24:25,480
Speaker 7: man and stick your hand.

501
00:24:25,600 --> 00:24:27,399
Speaker 2: Stick your hand in the box, I love that. I

502
00:24:27,440 --> 00:24:30,399
Speaker 2: love that. Liz. Let's just really get him by the

503
00:24:31,119 --> 00:24:35,160
Speaker 2: this is real white feather sort of campaign here. Just okay, absolutely,

504
00:24:35,200 --> 00:24:38,720
Speaker 2: I'm charge. I was going to say, charge his masculinity.

505
00:24:38,840 --> 00:24:41,080
Speaker 6: Okay, here we go, I'm going in, here we go.

506
00:24:43,119 --> 00:24:44,600
Speaker 6: It's quite damp. It's quite damped.

507
00:24:44,640 --> 00:24:47,320
Speaker 2: It's damp, quite camp could be a spider's lair. Very warm,

508
00:24:47,440 --> 00:24:48,520
Speaker 2: could be a spider's lair.

509
00:24:48,840 --> 00:24:49,119
Speaker 12: Oh.

510
00:24:49,359 --> 00:24:51,760
Speaker 7: I think there's probably something deadly in there, but like

511
00:24:51,760 --> 00:24:54,840
Speaker 7: it's not going to hurt you that much. Around to

512
00:24:54,840 --> 00:24:55,280
Speaker 7: help you.

513
00:24:55,560 --> 00:24:57,240
Speaker 6: It's just cold.

514
00:25:01,720 --> 00:25:02,920
Speaker 5: Sorry, but.

515
00:25:04,359 --> 00:25:04,719
Speaker 2: Sound off?

516
00:25:07,080 --> 00:25:09,159
Speaker 7: Feel Can you feel something?

517
00:25:09,400 --> 00:25:10,040
Speaker 8: What can you feel?

518
00:25:10,440 --> 00:25:11,200
Speaker 7: Tell me what I fight?

519
00:25:11,800 --> 00:25:15,479
Speaker 4: I think I can just feel like spaghetti O's but like,

520
00:25:15,560 --> 00:25:18,879
Speaker 4: can't spaghetti like cans? And then I'm worried though that

521
00:25:18,920 --> 00:25:22,440
Speaker 4: it's a double like bluff and there's gonna be something weird.

522
00:25:22,480 --> 00:25:24,879
Speaker 2: So there's nothing else in there apart from can spaghetti.

523
00:25:25,160 --> 00:25:26,240
Speaker 5: I'm moving my hands around.

524
00:25:26,320 --> 00:25:28,560
Speaker 6: I can't hand but can spaghetti?

525
00:25:29,000 --> 00:25:30,760
Speaker 7: Can you get to the bottom of the box. Can

526
00:25:30,800 --> 00:25:31,640
Speaker 7: you feel the bottom?

527
00:25:31,880 --> 00:25:33,560
Speaker 5: Yeah, I can feel the bottom. I'm feeling the bottom

528
00:25:33,640 --> 00:25:34,080
Speaker 5: right now.

529
00:25:34,480 --> 00:25:35,359
Speaker 7: What does it feel like?

530
00:25:35,840 --> 00:25:37,440
Speaker 2: Strange request, Liz.

531
00:25:38,640 --> 00:25:41,520
Speaker 7: I think they feel my bottom bottom.

532
00:25:42,280 --> 00:25:44,959
Speaker 5: There's a code, there's a code at the bottom.

533
00:25:44,960 --> 00:25:45,879
Speaker 2: What do you mean a code?

534
00:25:46,240 --> 00:25:49,320
Speaker 7: Couldn't be like Morse code or something like that.

535
00:25:49,760 --> 00:25:51,720
Speaker 2: Yeah, what do you mean as a code? As in,

536
00:25:51,800 --> 00:25:54,159
Speaker 2: like there are little grooves on the bottom of the

537
00:25:54,160 --> 00:25:54,480
Speaker 2: bart on.

538
00:25:54,520 --> 00:25:56,000
Speaker 6: The bottom of the box, like what.

539
00:25:56,200 --> 00:26:01,520
Speaker 14: Okay, So at the top there's circle circle circle yeah.

540
00:26:02,000 --> 00:26:06,200
Speaker 14: Second line dash circle.

541
00:26:06,160 --> 00:26:10,040
Speaker 2: Yeah, dash dash circle dash Yes, this is Morse code.

542
00:26:10,080 --> 00:26:17,399
Speaker 14: Dash, third line yeah, circle dash circle circle yeah. Last

543
00:26:17,480 --> 00:26:22,960
Speaker 14: line yeah, circle dash circle.

544
00:26:24,400 --> 00:26:26,840
Speaker 2: Okay, that's it. Okay, I'm gonna read this out again. Liz,

545
00:26:26,880 --> 00:26:28,280
Speaker 2: do you know do you know Morse code?

546
00:26:28,880 --> 00:26:29,480
Speaker 7: Not a word?

547
00:26:29,920 --> 00:26:33,639
Speaker 2: Great? You've been You've been super helpful. Done is totally

548
00:26:33,720 --> 00:26:38,400
Speaker 2: undermined Boody's masculinity. And then all right, thirteen one sixty five.

549
00:26:38,440 --> 00:26:41,560
Speaker 2: If you know Morse code, what's great work? We're pretty

550
00:26:41,560 --> 00:26:46,760
Speaker 2: sure it's circle, circle, circle, dash circle, dash dash circle

551
00:26:46,880 --> 00:26:50,040
Speaker 2: dash circle circle and then circle dash circle. If you

552
00:26:50,080 --> 00:26:53,080
Speaker 2: know Morse code, please call, please go. When I say dot,

553
00:26:53,119 --> 00:26:55,600
Speaker 2: it's it's it's dot dash circle.

554
00:26:55,680 --> 00:26:56,800
Speaker 5: That's not dotting?

555
00:26:56,880 --> 00:26:57,280
Speaker 10: Is it is?

556
00:26:57,480 --> 00:27:01,840
Speaker 2: Acle? All right, Liz, you've been amazing. I don't know

557
00:27:01,840 --> 00:27:03,679
Speaker 2: how you. I mean, ultimately, all you had to do

558
00:27:03,720 --> 00:27:05,200
Speaker 2: is convinced we need to put his hand in a box.

559
00:27:05,200 --> 00:27:07,200
Speaker 2: But sounds like you've done it before. You've had a

560
00:27:07,200 --> 00:27:08,119
Speaker 2: lot of practice there.

561
00:27:10,160 --> 00:27:11,520
Speaker 7: I'm not saying any of them.

562
00:27:13,480 --> 00:27:15,560
Speaker 2: You're a legend man. Thanks for joining us. Queen of

563
00:27:15,560 --> 00:27:20,400
Speaker 2: the Juggle, former Australian netball captain Liz Alice There Will

564
00:27:20,440 --> 00:27:22,520
Speaker 2: and what do? We are trapped in an Indiana Jones

565
00:27:22,720 --> 00:27:25,440
Speaker 2: themed escape room, trying to work our way out of

566
00:27:25,480 --> 00:27:27,879
Speaker 2: here with puzzles. If you know Morse code third one

567
00:27:27,880 --> 00:27:29,480
Speaker 2: O six ' five, you're the key to solving the

568
00:27:29,520 --> 00:27:34,879
Speaker 2: next one. We're trapped all thanks to Indiana Jones on

569
00:27:34,880 --> 00:27:36,879
Speaker 2: the Dial of Destiny. We've been in this escape room.

570
00:27:37,040 --> 00:27:39,760
Speaker 2: Now went our second day in here. Woods. We got

571
00:27:39,760 --> 00:27:41,760
Speaker 2: in here yesterday afternoon. Don't know when we're going to

572
00:27:41,800 --> 00:27:43,680
Speaker 2: be able to leave. Well, I do know when it'll

573
00:27:43,680 --> 00:27:45,920
Speaker 2: be when we solve all these puzzles and we get

574
00:27:45,960 --> 00:27:48,200
Speaker 2: to guess our exit songs. We've each got an exit

575
00:27:48,320 --> 00:27:51,000
Speaker 2: song that we have to guess to get out of here. Guys,

576
00:27:51,000 --> 00:27:53,760
Speaker 2: you can stream us live on YouTube pretty much all

577
00:27:53,880 --> 00:27:55,680
Speaker 2: day at Will and would he get us on the

578
00:27:55,720 --> 00:27:57,719
Speaker 2: socials Will and whity to check out what? What is it?

579
00:27:57,760 --> 00:27:59,680
Speaker 2: Really like? A feat of engineering. We don't know where

580
00:27:59,680 --> 00:28:01,880
Speaker 2: we are. It's like an Aztec.

581
00:28:01,520 --> 00:28:04,400
Speaker 5: Tomb here gorgeous, Well, it's beautiful.

582
00:28:04,480 --> 00:28:06,520
Speaker 2: We have to sleep here in here overnight. We'll talk

583
00:28:06,560 --> 00:28:09,160
Speaker 2: about that shortly, but right now we need someone who

584
00:28:09,160 --> 00:28:12,119
Speaker 2: knows Morse code third en one oh six five, because Woods,

585
00:28:12,240 --> 00:28:14,040
Speaker 2: you just stuck your hand in a box there. We

586
00:28:14,040 --> 00:28:16,359
Speaker 2: were directed by the puzzle master to a box. Yes,

587
00:28:17,000 --> 00:28:19,080
Speaker 2: and you found some Morse code on the bottom of

588
00:28:19,119 --> 00:28:19,440
Speaker 2: the box.

589
00:28:19,520 --> 00:28:22,560
Speaker 4: It was pretty brilliant, actually, I managed to without Sitan

590
00:28:22,760 --> 00:28:25,280
Speaker 4: only using touch figure out that there was some Morse

591
00:28:25,320 --> 00:28:29,280
Speaker 4: code through some spaghettios and the Morse code.

592
00:28:29,000 --> 00:28:31,080
Speaker 2: That I've obviously ran out of the Venomous Snakes.

593
00:28:31,400 --> 00:28:32,240
Speaker 8: Yeah, yeah, yeah, that.

594
00:28:32,240 --> 00:28:35,160
Speaker 5: Was the real budget Venomous Snakes, wasn't it. Anyway.

595
00:28:35,520 --> 00:28:38,240
Speaker 4: We need someone who knows Morse code, though, because sure

596
00:28:38,240 --> 00:28:39,959
Speaker 4: we've got the Morse code, but we just don't know

597
00:28:40,000 --> 00:28:40,840
Speaker 4: what it means.

598
00:28:40,840 --> 00:28:44,360
Speaker 5: So we've got Deglin here. Have I pronounced that right? Declin?

599
00:28:44,480 --> 00:28:48,640
Speaker 2: Declan? Yeah, hi, Declan. How do you know Morse code?

600
00:28:50,680 --> 00:28:52,760
Speaker 7: My Loe gave it to me as a holiday progest.

601
00:28:53,720 --> 00:28:56,320
Speaker 2: Wow, it sounds like a real let me watch Succession

602
00:28:56,360 --> 00:29:00,440
Speaker 2: while you keep yourself occupied sort of the project. But

603
00:29:00,680 --> 00:29:03,240
Speaker 2: at the same time, Decline, that's amazing. Okay, So how

604
00:29:03,280 --> 00:29:04,960
Speaker 2: well do you know Morse code? Decline?

605
00:29:05,760 --> 00:29:09,640
Speaker 7: I know the off and zero to nine?

606
00:29:10,560 --> 00:29:13,040
Speaker 5: Okay, so can you can you is that going to

607
00:29:13,120 --> 00:29:13,400
Speaker 5: be enough?

608
00:29:13,440 --> 00:29:15,720
Speaker 2: Here? Do you think I don't know?

609
00:29:15,880 --> 00:29:18,120
Speaker 5: Can you tell tell Declin what what I found?

610
00:29:18,160 --> 00:29:20,680
Speaker 2: Okay, Declan, you're ready. This is the this is the code.

611
00:29:20,720 --> 00:29:23,239
Speaker 2: Are you ready? Okay? So we think there's four There

612
00:29:23,240 --> 00:29:27,000
Speaker 2: are four lines to the code. The first line is

613
00:29:27,120 --> 00:29:28,520
Speaker 2: dot dot dot.

614
00:29:31,000 --> 00:29:32,720
Speaker 9: What a F?

615
00:29:35,400 --> 00:29:38,120
Speaker 5: Was it F for fruit or S for Superman?

616
00:29:39,160 --> 00:29:39,360
Speaker 11: Yes?

617
00:29:40,440 --> 00:29:41,200
Speaker 5: S for Superman?

618
00:29:41,440 --> 00:29:42,240
Speaker 2: S for Superman?

619
00:29:42,640 --> 00:29:43,240
Speaker 5: Okay? Great?

620
00:29:43,560 --> 00:29:47,520
Speaker 2: Okay, oh yeah, because yeah, okay cool. And then the

621
00:29:47,520 --> 00:29:56,080
Speaker 2: next one is dash dot dash dash Why.

622
00:29:57,600 --> 00:30:00,000
Speaker 5: That's why A S y yeah?

623
00:30:01,000 --> 00:30:03,040
Speaker 2: Geez, Declane, I've got to say, mate, I'm very impressed

624
00:30:03,040 --> 00:30:05,160
Speaker 2: for a ten year old. This is huge from you, mate,

625
00:30:05,400 --> 00:30:09,360
Speaker 2: Thank you. The next one is dot dash dot dot.

626
00:30:10,960 --> 00:30:16,400
Speaker 5: L hell l yeah, s y L yeah.

627
00:30:16,640 --> 00:30:21,640
Speaker 2: And then the next one is dot dash dot R

628
00:30:23,920 --> 00:30:25,680
Speaker 2: s y l R.

629
00:30:27,920 --> 00:30:28,400
Speaker 3: Correct.

630
00:30:29,280 --> 00:30:34,360
Speaker 2: Wow, Declan, right stuff, Declan, thanks so much, mate, give

631
00:30:34,440 --> 00:30:36,640
Speaker 2: him something really appreciated. An have one hundred bucks you

632
00:30:36,640 --> 00:30:38,720
Speaker 2: spend at Red Rooster, Declan, Rooster is calling you mate.

633
00:30:38,720 --> 00:30:41,080
Speaker 2: That's awesome. I really appreciate it. Thank you so much.

634
00:30:41,960 --> 00:30:43,160
Speaker 2: That Morse code and there you go.

635
00:30:43,320 --> 00:30:45,880
Speaker 5: You go. Knowledge is cool kids. Can I just say, yeah,

636
00:30:46,480 --> 00:30:48,640
Speaker 5: he learned that on his school holidays. Absolutely brilliant.

637
00:30:48,720 --> 00:30:50,840
Speaker 2: Yeah, I know. Wow, what a great way to distract

638
00:30:50,880 --> 00:30:51,320
Speaker 2: your children.

639
00:30:51,720 --> 00:30:54,840
Speaker 4: Yeah, yeah, brilliant for everyone involved, because so can I

640
00:30:54,880 --> 00:30:57,120
Speaker 4: just repeat that s y l R.

641
00:30:57,720 --> 00:31:00,000
Speaker 2: S y l R is the code on the bottle

642
00:31:00,080 --> 00:31:03,080
Speaker 2: them of that box. Now, the last thing we learned

643
00:31:03,120 --> 00:31:06,600
Speaker 2: is that there's another code in this room. S y

644
00:31:06,880 --> 00:31:07,160
Speaker 2: l R.

645
00:31:08,200 --> 00:31:17,000
Speaker 10: Oh, William Woodie, remember these letters. You'll need them tomorrow. Now,

646
00:31:17,440 --> 00:31:20,560
Speaker 10: an exit clue to temper your sorrow.

647
00:31:22,600 --> 00:31:26,160
Speaker 2: It's an exit clue for right now. It can run

648
00:31:26,240 --> 00:31:28,400
Speaker 2: as long as it needs to. All of them are

649
00:31:28,440 --> 00:31:32,640
Speaker 2: pointing towards this exit song. Yes, every day, once we

650
00:31:32,720 --> 00:31:35,000
Speaker 2: solve in our puzzles, we earn the right to have

651
00:31:35,040 --> 00:31:36,440
Speaker 2: a guess at our exit song.

652
00:31:36,520 --> 00:31:38,400
Speaker 4: And when we nail a puzzle, they give us a

653
00:31:38,440 --> 00:31:42,000
Speaker 4: new clue as to what exit song is. So yesterday

654
00:31:42,040 --> 00:31:44,480
Speaker 4: you were given your first clue for your exit song.

655
00:31:44,640 --> 00:31:45,920
Speaker 5: It was this, and.

656
00:31:54,280 --> 00:31:56,040
Speaker 2: I'm actually sold that that's a polar Bear.

657
00:31:56,120 --> 00:31:59,960
Speaker 4: Now I think so I feel polar Bear, Yeah, definitely,

658
00:32:00,840 --> 00:32:03,160
Speaker 4: or some sort of bit anyway you have we haven't

659
00:32:03,200 --> 00:32:06,000
Speaker 4: today the second clue for your exit song.

660
00:32:07,160 --> 00:32:10,920
Speaker 10: Well, this is your second clue for your exit song.

661
00:32:11,600 --> 00:32:14,720
Speaker 11: Yeah, I'm jumping in a number seventy nine on this

662
00:32:14,760 --> 00:32:15,959
Speaker 11: week's charts.

663
00:32:16,800 --> 00:32:21,640
Speaker 6: We're oh so it was seventy nine.

664
00:32:21,840 --> 00:32:24,000
Speaker 11: I'm jumping in a number seventy nine on this week's

665
00:32:24,080 --> 00:32:26,000
Speaker 11: Charts Wire.

666
00:32:28,040 --> 00:32:31,520
Speaker 2: It came give no name, no artists.

667
00:32:31,560 --> 00:32:34,040
Speaker 6: Do you recognize that that voice.

668
00:32:33,960 --> 00:32:37,240
Speaker 2: Coming in a number seventy nine? It's not Rabs, certainly

669
00:32:37,360 --> 00:32:39,880
Speaker 2: not RAB, but even likes chart.

670
00:32:39,880 --> 00:32:41,800
Speaker 11: That I'm jumping in a number seventy nine on this

671
00:32:41,840 --> 00:32:44,120
Speaker 11: week's Charts Wire.

672
00:32:45,200 --> 00:32:46,520
Speaker 2: Do recognize that voice?

673
00:32:46,560 --> 00:32:50,360
Speaker 16: Does that sound like nineties? Does that sound like old radio?

674
00:32:50,400 --> 00:32:56,120
Speaker 16: So it was like a nineties song? I don't think

675
00:32:56,160 --> 00:32:58,760
Speaker 16: I almost know the song the top one hundred? Can

676
00:32:58,800 --> 00:33:00,000
Speaker 16: I hear my exit clue again?

677
00:33:00,800 --> 00:33:03,360
Speaker 11: Am coming in at number seventy nine on this week's Judge.

678
00:33:07,640 --> 00:33:08,480
Speaker 6: Let's think bear.

679
00:33:08,600 --> 00:33:13,840
Speaker 4: If you're thinking bear for the first run, yeah, it's

680
00:33:13,840 --> 00:33:14,440
Speaker 4: training a bear.

681
00:33:14,560 --> 00:33:16,680
Speaker 6: And then a song that came in at number seventy nine.

682
00:33:16,760 --> 00:33:18,680
Speaker 15: I'm sorry to pressure year here boys with its button

683
00:33:18,680 --> 00:33:20,240
Speaker 15: push your tom We need a guess.

684
00:33:20,320 --> 00:33:22,880
Speaker 2: Ah, fair enough. I have no idea what that is.

685
00:33:24,120 --> 00:33:27,960
Speaker 2: It's a bear. It's a bear in there, which could

686
00:33:28,000 --> 00:33:28,720
Speaker 2: be play.

687
00:33:28,480 --> 00:33:33,040
Speaker 4: School number seventy nine, because seventy nine couldn't be anything.

688
00:33:33,200 --> 00:33:36,120
Speaker 2: Rhianna calm on to replay play School.

689
00:33:36,200 --> 00:33:36,480
Speaker 6: That's you.

690
00:33:36,640 --> 00:33:40,440
Speaker 2: That's my guess. I like it Rihanna on the replay

691
00:33:41,720 --> 00:33:43,840
Speaker 2: Thunder replay. Yeah, okay, I thought it was come on

692
00:33:43,840 --> 00:33:47,920
Speaker 2: the replay, but it's just pot the replay. Well, yes,

693
00:33:48,000 --> 00:33:50,440
Speaker 2: I was nowhere with it. I don't know what seventy nine.

694
00:33:50,880 --> 00:33:52,000
Speaker 2: I have no idea what that is.

695
00:33:52,880 --> 00:33:55,760
Speaker 6: Well, let's focus on my song. So, Michael, yesterday was this.

696
00:34:00,080 --> 00:34:02,800
Speaker 2: Since so it's nickel back, nickol.

697
00:34:05,360 --> 00:34:09,040
Speaker 10: You this is your second clue for your exit song.

698
00:34:10,160 --> 00:34:11,880
Speaker 3: You said V number four with a smile. There's no

699
00:34:11,960 --> 00:34:13,160
Speaker 3: V at the front of the title of the yelk.

700
00:34:13,480 --> 00:34:16,759
Speaker 17: It's a reference to a Chinese meal in Toronto. So

701
00:34:16,840 --> 00:34:19,880
Speaker 17: I think that there is, but I could be wrong.

702
00:34:20,200 --> 00:34:21,839
Speaker 17: You can be and are wrong.

703
00:34:27,120 --> 00:34:28,560
Speaker 6: I couldn't even understand.

704
00:34:28,160 --> 00:34:30,600
Speaker 2: What I am. Okay, So he says there's no V

705
00:34:30,760 --> 00:34:32,399
Speaker 2: at the start of the album.

706
00:34:34,040 --> 00:34:36,279
Speaker 3: Or the said V number four with a smile. There's

707
00:34:36,280 --> 00:34:37,600
Speaker 3: no V at the front of the title of the yelk.

708
00:34:37,920 --> 00:34:39,000
Speaker 2: It's a number.

709
00:34:39,480 --> 00:34:43,600
Speaker 17: Meal in Toronto. I think that there is, but I

710
00:34:43,640 --> 00:34:44,200
Speaker 17: could be wrong.

711
00:34:46,040 --> 00:34:46,239
Speaker 9: God.

712
00:34:47,640 --> 00:34:49,759
Speaker 2: And there's also this love your Way thing going on

713
00:34:49,800 --> 00:34:50,880
Speaker 2: in the background as well.

714
00:34:51,160 --> 00:34:53,080
Speaker 6: I like that, and that was I liked that subtle

715
00:34:53,160 --> 00:34:53,959
Speaker 6: so love your Way.

716
00:34:54,280 --> 00:34:57,160
Speaker 2: Yeah, oh baby, I love you?

717
00:34:56,760 --> 00:34:58,000
Speaker 6: Who's that? By?

718
00:34:58,200 --> 00:35:00,480
Speaker 2: Every Day is exactly.

719
00:35:00,080 --> 00:35:04,440
Speaker 16: Yeahd tell you?

720
00:35:04,800 --> 00:35:05,239
Speaker 6: Who's that?

721
00:35:06,440 --> 00:35:09,680
Speaker 2: We need a guess? I love your Way? Bye, baby,

722
00:35:09,760 --> 00:35:10,600
Speaker 2: I love you.

723
00:35:10,680 --> 00:35:17,480
Speaker 18: We definitely okay, this is this is a chance to

724
00:35:17,520 --> 00:35:19,319
Speaker 18: get out. It could be like, can someone tells because

725
00:35:19,320 --> 00:35:20,520
Speaker 18: there are people calling, can we go to one of

726
00:35:20,520 --> 00:35:22,480
Speaker 18: these calls with who you need to guess?

727
00:35:22,560 --> 00:35:27,319
Speaker 2: Oh that's not baby, I love you? Okay, I think

728
00:35:27,320 --> 00:35:30,640
Speaker 2: that's what was your first clue? Nickelback horizon? Oh yeah,

729
00:35:30,640 --> 00:35:34,040
Speaker 2: over the next horizon, and then there's who what's that?

730
00:35:35,360 --> 00:35:36,120
Speaker 5: We need a guess?

731
00:35:36,560 --> 00:35:38,200
Speaker 18: We need to guess, But this is a big guess,

732
00:35:38,239 --> 00:35:40,759
Speaker 18: Like if we get this, but then then we're one

733
00:35:40,800 --> 00:35:42,720
Speaker 18: step closer to the leaving seconds.

734
00:35:42,800 --> 00:35:45,120
Speaker 6: Well, baby, I Love your Way by Tom Jones.

735
00:35:45,719 --> 00:35:47,560
Speaker 5: I know it's wrong. I know it's wrong.

736
00:35:48,400 --> 00:35:50,200
Speaker 2: Let's not look at the screen and protests. Protest.

737
00:35:51,680 --> 00:35:52,279
Speaker 6: We know it's wrong.

738
00:35:52,400 --> 00:35:53,759
Speaker 4: If you by the way, So this is this is

739
00:35:53,800 --> 00:35:55,680
Speaker 4: crucial because soon as we get these songs, we get

740
00:35:55,719 --> 00:35:58,359
Speaker 4: out of here. So if anyone wants to help us,

741
00:35:58,360 --> 00:35:59,839
Speaker 4: only you can call now because we've got to move

742
00:35:59,840 --> 00:36:00,640
Speaker 4: on the show over.

743
00:36:00,680 --> 00:36:01,919
Speaker 6: But message us.

744
00:36:02,239 --> 00:36:04,560
Speaker 2: We are obviously eating in here. We're spending every waking

745
00:36:04,600 --> 00:36:08,520
Speaker 2: moment apart from toilet breaks together in this room. Now

746
00:36:08,560 --> 00:36:10,359
Speaker 2: you can follow us. You can stream at YouTube Will

747
00:36:10,400 --> 00:36:12,440
Speaker 2: and Woody. You can also get along our socials Wil

748
00:36:12,440 --> 00:36:14,120
Speaker 2: and Woody, Instagram and Facebook and you would have seen

749
00:36:14,600 --> 00:36:17,120
Speaker 2: last night if you follow us on Instagram. I did

750
00:36:17,120 --> 00:36:21,120
Speaker 2: a little story on our socials on with the mini socials,

751
00:36:21,400 --> 00:36:24,480
Speaker 2: which is you and I watching a movie in the

752
00:36:24,600 --> 00:36:29,480
Speaker 2: same bed. So we were originally given these army cots effectively,

753
00:36:29,600 --> 00:36:32,720
Speaker 2: but then we protested and we were like guys.

754
00:36:33,000 --> 00:36:36,080
Speaker 4: They realized that they'd bought stretchers for like twelve year olds. Yeah,

755
00:36:36,080 --> 00:36:39,920
Speaker 4: because there's no adult man or woman could fit on

756
00:36:40,000 --> 00:36:41,120
Speaker 4: how thin these stretches were.

757
00:36:41,160 --> 00:36:43,680
Speaker 2: Well no, So we protested and they brought us in

758
00:36:43,880 --> 00:36:46,000
Speaker 2: one blot mattress.

759
00:36:46,040 --> 00:36:48,279
Speaker 4: And by the way, on a blot mattress, like with

760
00:36:48,400 --> 00:36:50,680
Speaker 4: two of us on there, it was sort of like

761
00:36:50,760 --> 00:36:53,839
Speaker 4: sleeping on a jumping castle. So every time you rolled over,

762
00:36:54,239 --> 00:36:55,720
Speaker 4: I would almost bounce out.

763
00:36:55,600 --> 00:36:58,319
Speaker 5: Off the mattress, and then vice versa. So we just

764
00:36:58,360 --> 00:36:59,680
Speaker 5: had this night of this weird.

765
00:36:59,440 --> 00:37:01,880
Speaker 4: Mexican st end of where you're obviously to be very

766
00:37:01,920 --> 00:37:05,160
Speaker 4: conscious of any movement that you made, and then obviously

767
00:37:05,239 --> 00:37:08,239
Speaker 4: you had to sort of like almost brace four being

768
00:37:08,400 --> 00:37:10,080
Speaker 4: blown off the blown up mattress.

769
00:37:10,120 --> 00:37:12,600
Speaker 5: When the other person wrote it was horrific, It was horrific.

770
00:37:12,800 --> 00:37:14,520
Speaker 2: It was a tough night sleet there. There was one

771
00:37:14,520 --> 00:37:18,680
Speaker 2: moment where I woke up and you were obviously wide

772
00:37:18,680 --> 00:37:19,560
Speaker 2: awake as well.

773
00:37:19,520 --> 00:37:20,320
Speaker 5: Staring at the ceiling.

774
00:37:21,000 --> 00:37:24,520
Speaker 2: Yes, it was super grim. And I mean, the other

775
00:37:24,520 --> 00:37:26,200
Speaker 2: part about this is you and I have shared many

776
00:37:26,280 --> 00:37:28,719
Speaker 2: rooms before, but it's been a long time since we've

777
00:37:28,719 --> 00:37:32,480
Speaker 2: shared a bed and maybe get some more thoughts on

778
00:37:32,520 --> 00:37:35,800
Speaker 2: this on thirteen one O six five. But we topped entailed,

779
00:37:36,640 --> 00:37:41,120
Speaker 2: which I was reminded of again. Why that is the

780
00:37:41,360 --> 00:37:47,919
Speaker 2: most genius sleeping mechanism on the planet. I think if

781
00:37:47,960 --> 00:37:53,000
Speaker 2: you top and tail with somebody, you pretty much eradicate

782
00:37:53,280 --> 00:37:57,000
Speaker 2: any chance for horseplay. Well, not that you and I were,

783
00:37:57,080 --> 00:37:58,520
Speaker 2: not that you and I were leading.

784
00:37:59,080 --> 00:38:02,600
Speaker 5: Yourself speak for yourself, sailor, but.

785
00:38:03,760 --> 00:38:05,839
Speaker 2: I needed to enforce it early on. I was like, look,

786
00:38:05,920 --> 00:38:08,920
Speaker 2: we know you get a bit handsy. That's fair, we

787
00:38:08,960 --> 00:38:10,520
Speaker 2: need to top and tail and look, I love as

788
00:38:10,520 --> 00:38:12,600
Speaker 2: I said, a lot of even more people if if

789
00:38:12,640 --> 00:38:15,239
Speaker 2: you think topping and tailing is safe as houses. But

790
00:38:15,320 --> 00:38:16,400
Speaker 2: I think it was perfect.

791
00:38:16,440 --> 00:38:19,400
Speaker 4: It was discussed on the TV show Seinfeld, and I

792
00:38:19,440 --> 00:38:21,960
Speaker 4: do believe Jerry makes a pretty good point here.

793
00:38:22,120 --> 00:38:24,359
Speaker 2: With reverse positions, So there is no funny.

794
00:38:24,040 --> 00:38:26,080
Speaker 5: Business reverse positions.

795
00:38:26,200 --> 00:38:28,720
Speaker 10: Yeah, you know, I had to tell so what.

796
00:38:28,640 --> 00:38:33,680
Speaker 5: Your genitals are still aligned up now because I slept

797
00:38:33,719 --> 00:38:41,320
Speaker 5: with my back to him. Sorry, that's a very funny finish.

798
00:38:41,520 --> 00:38:45,240
Speaker 4: So it is true our private parts are still perfectly aligned.

799
00:38:45,760 --> 00:38:48,120
Speaker 2: Well, if we're facing each other, which I had the

800
00:38:48,120 --> 00:38:50,640
Speaker 2: courtesy of, you know, every time you rolled towards me,

801
00:38:52,000 --> 00:38:55,279
Speaker 2: I made sure that the bishops were backed up the

802
00:38:55,320 --> 00:38:57,240
Speaker 2: what so to speak, Well.

803
00:38:57,000 --> 00:38:58,720
Speaker 5: You were always facing the same way I was facing.

804
00:38:58,840 --> 00:38:59,040
Speaker 1: Yeah.

805
00:38:59,080 --> 00:39:01,319
Speaker 2: I tried to be like I woke up. If I

806
00:39:01,360 --> 00:39:03,759
Speaker 2: woke up and I thought you were facing me, you know,

807
00:39:03,960 --> 00:39:06,160
Speaker 2: I had to face that. There's double protection then, because

808
00:39:06,160 --> 00:39:08,120
Speaker 2: then I'm topping Italian. I'm not. First of all, I'm

809
00:39:08,120 --> 00:39:10,279
Speaker 2: topping Italian. The second of all, I'm not facing you.

810
00:39:10,680 --> 00:39:14,040
Speaker 2: You don't get that, you know, Genitalia v. Genitalia set up.

811
00:39:14,080 --> 00:39:14,560
Speaker 5: Yeah, that's fair.

812
00:39:14,600 --> 00:39:18,120
Speaker 4: Here's a question for you, though, if your partner was

813
00:39:18,120 --> 00:39:19,960
Speaker 4: in a situation, your female partner was in.

814
00:39:19,880 --> 00:39:23,239
Speaker 5: A situation where she was at a weekend away.

815
00:39:23,320 --> 00:39:24,759
Speaker 2: She's got a name you can just call her Sam.

816
00:39:24,800 --> 00:39:27,920
Speaker 4: Okay, Sam. Sam's on a weekend away, big party. She

817
00:39:28,000 --> 00:39:30,560
Speaker 4: goes nuts and there's limited beds.

818
00:39:31,360 --> 00:39:32,160
Speaker 2: She goes nuts.

819
00:39:32,360 --> 00:39:34,120
Speaker 4: She says, big party. She has a big party. Yeah,

820
00:39:34,160 --> 00:39:36,799
Speaker 4: I'm having a great weekend. There's limited beds at this

821
00:39:37,040 --> 00:39:38,400
Speaker 4: huge party. She's having part.

822
00:39:38,320 --> 00:39:39,400
Speaker 5: Weekend party, weekend.

823
00:39:39,440 --> 00:39:43,840
Speaker 4: She's an incredibly attractive man called Julio at said party.

824
00:39:44,520 --> 00:39:47,640
Speaker 4: And you find out that Julio and Sem spend the

825
00:39:47,719 --> 00:39:49,960
Speaker 4: night together in the same bed, but do head to toe.

826
00:39:50,080 --> 00:39:51,080
Speaker 5: What's your response to that.

827
00:39:54,280 --> 00:39:58,480
Speaker 2: I'll be fine, man, you would not. Yeah, I've just

828
00:39:58,520 --> 00:40:00,560
Speaker 2: put out there that I think it is a foolproof

829
00:40:00,640 --> 00:40:03,640
Speaker 2: way for stopping any funny but any funny buggers. We

830
00:40:03,719 --> 00:40:07,840
Speaker 2: got top tailor with Julio. What's Julia going to do?

831
00:40:07,880 --> 00:40:08,680
Speaker 5: Doesn't send a chance?

832
00:40:08,880 --> 00:40:10,880
Speaker 2: No, he's on the other end. It's perfect.

833
00:40:10,880 --> 00:40:13,320
Speaker 5: We've got Pete here, Pete on thirty one sixty five? Pete,

834
00:40:13,600 --> 00:40:16,600
Speaker 5: do you do you reckon? Mates? Do you reckon?

835
00:40:16,640 --> 00:40:19,640
Speaker 4: Going top and tail is an okay way to avert

836
00:40:19,640 --> 00:40:22,520
Speaker 4: any danger of potentially two people hooking up.

837
00:40:24,280 --> 00:40:26,359
Speaker 7: I mean, well, at the end of day two people

838
00:40:26,360 --> 00:40:27,000
Speaker 7: are going to hook up.

839
00:40:27,040 --> 00:40:27,839
Speaker 5: They're going to hook up.

840
00:40:27,920 --> 00:40:31,520
Speaker 2: But yeah, right. Yeah, OK, so Pete, tonight in the

841
00:40:31,640 --> 00:40:33,959
Speaker 2: escape room, I'm in here with Woods again obviously until

842
00:40:33,960 --> 00:40:35,600
Speaker 2: we get out of here. So we're in here again tonight.

843
00:40:36,840 --> 00:40:39,080
Speaker 2: If I'm a chance of him of stopping him laying

844
00:40:39,080 --> 00:40:40,840
Speaker 2: a hand on me, do you think I need to

845
00:40:40,840 --> 00:40:41,759
Speaker 2: go top and tail again?

846
00:40:43,280 --> 00:40:45,439
Speaker 7: I reckon you should just tell him not to lay

847
00:40:45,440 --> 00:40:47,359
Speaker 7: his hands on you, and then you should respect your

848
00:40:47,400 --> 00:40:48,360
Speaker 7: personal decision.

849
00:40:48,760 --> 00:40:58,840
Speaker 2: Yeah, that's very mature. All of those puzzles lead towards

850
00:40:58,920 --> 00:41:01,960
Speaker 2: what the puzzle master is calling out exit songs. We

851
00:41:02,080 --> 00:41:04,840
Speaker 2: both have an exit song. If we guessed the exit songs,

852
00:41:05,400 --> 00:41:06,120
Speaker 2: we're free.

853
00:41:06,239 --> 00:41:08,080
Speaker 5: And we'd really bloody enjoy that.

854
00:41:08,360 --> 00:41:10,960
Speaker 4: Anyway, if you want to know more about this, you

855
00:41:11,000 --> 00:41:13,319
Speaker 4: want to see the location that we're in, then head

856
00:41:13,320 --> 00:41:14,480
Speaker 4: along to the live feed.

857
00:41:14,560 --> 00:41:15,920
Speaker 2: Because it is pretty amazing in here.

858
00:41:16,120 --> 00:41:18,920
Speaker 4: It's totally we're going to continue to talk about this stuff.

859
00:41:19,200 --> 00:41:21,560
Speaker 4: So again, it's on YouTube. If you can't find it

860
00:41:21,600 --> 00:41:24,359
Speaker 4: on YouTube, go to Instagram. There's a link there you'll

861
00:41:24,360 --> 00:41:26,279
Speaker 4: find us. We're going to continue to chat about it.

862
00:41:26,400 --> 00:41:28,440
Speaker 4: For those that can't get to the live stream. Today,

863
00:41:28,880 --> 00:41:32,160
Speaker 4: we got a piece of red silk a button which

864
00:41:32,160 --> 00:41:32,600
Speaker 4: looks like the.

865
00:41:32,560 --> 00:41:34,600
Speaker 5: Kind of thing that you play a marimba with. And

866
00:41:34,640 --> 00:41:37,560
Speaker 5: then we were given a code which was s y

867
00:41:37,960 --> 00:41:38,680
Speaker 5: l R.

868
00:41:39,280 --> 00:41:41,640
Speaker 2: S y l R. Yeah, yeah, big shoutout as well

869
00:41:41,640 --> 00:41:43,560
Speaker 2: to Declan the ten year old who knew Morse code

870
00:41:43,600 --> 00:41:43,919
Speaker 2: for that.

871
00:41:43,920 --> 00:41:46,400
Speaker 5: That was huge, phenomenal s y lr.

872
00:41:46,520 --> 00:41:48,319
Speaker 2: That's where we're at, guys, that's what we're going into

873
00:41:48,440 --> 00:41:52,560
Speaker 2: tomorrow with another chance tomorrow, I would say, after five

874
00:41:52,560 --> 00:41:55,560
Speaker 2: o'clock to guess our exit songs. Yes, make sure you're

875
00:41:55,600 --> 00:41:57,840
Speaker 2: tuning in then, or as Wood said, just hit us

876
00:41:57,880 --> 00:42:00,840
Speaker 2: up online on any of the socials or on YouTube

877
00:42:00,880 --> 00:42:02,840
Speaker 2: to be a part of this, because, as we're finding

878
00:42:02,840 --> 00:42:05,080
Speaker 2: out every step of the way, we need your help

879
00:42:05,239 --> 00:42:07,320
Speaker 2: and we don't want another five and a half hours

880
00:42:07,920 --> 00:42:10,719
Speaker 2: guessing Nicole Schertzinger's name. I want to I want a

881
00:42:10,719 --> 00:42:11,480
Speaker 2: better Wednesday than that.

882
00:42:11,480 --> 00:42:12,800
Speaker 9: I think we want to thing different.

883
00:42:12,960 --> 00:42:14,560
Speaker 5: Stop playing that tomorro