1
00:00:00,360 --> 00:00:05,600
Speaker 1: Jonesy and Amanda's did we talked last week about fights

2
00:00:05,600 --> 00:00:08,520
Speaker 1: in the strangers places, Well, one happened at the opera

3
00:00:08,600 --> 00:00:13,200
Speaker 1: on the weekend involving our Nicole and our Keith and

4
00:00:13,240 --> 00:00:18,239
Speaker 1: our Nicole's mother. So Keith Urban Nicole Kidman in case

5
00:00:18,280 --> 00:00:21,599
Speaker 1: you need more clarification, and Nicole's mum were at a

6
00:00:21,600 --> 00:00:26,160
Speaker 1: Sydney performance of the three act Merry Widow. At the end,

7
00:00:26,480 --> 00:00:28,319
Speaker 1: Keith and the cole leaped to their feet for a

8
00:00:28,320 --> 00:00:31,120
Speaker 1: good old fashioned standing ovation and good on them for

9
00:00:31,160 --> 00:00:33,680
Speaker 1: doing it. This has been a year where the arts

10
00:00:33,680 --> 00:00:35,640
Speaker 1: are really suffered with people not being able to go

11
00:00:35,720 --> 00:00:38,960
Speaker 1: out and take part in these things. So there they're

12
00:00:39,000 --> 00:00:42,000
Speaker 1: saying good on you to the performers standing ovation. Well,

13
00:00:42,000 --> 00:00:45,160
Speaker 1: an older man sitting behind them didn't like the fact

14
00:00:45,240 --> 00:00:48,200
Speaker 1: that they stood up to the point where he whacked

15
00:00:48,280 --> 00:00:51,960
Speaker 1: Nicole or just you know, flung his program at her,

16
00:00:52,080 --> 00:00:53,519
Speaker 1: and Keith turned around and said, oh wait, what are

17
00:00:53,520 --> 00:00:56,080
Speaker 1: you doing mate? That's right. So there was a bit

18
00:00:56,120 --> 00:01:01,000
Speaker 1: of a well a bit of an argie bart opera

19
00:01:01,120 --> 00:01:05,800
Speaker 1: and security was then involved, and I think the police got.

20
00:01:05,640 --> 00:01:07,039
Speaker 2: Involved and the police as well.

21
00:01:07,920 --> 00:01:12,319
Speaker 1: So you know, it's the old and the new isn't

22
00:01:12,319 --> 00:01:14,759
Speaker 1: it that opera? I think this, this old guy I'm

23
00:01:14,760 --> 00:01:18,000
Speaker 1: imagining probably has a year's subscription to the opera. He

24
00:01:18,160 --> 00:01:20,479
Speaker 1: likes to go and watch his opera. And people don't

25
00:01:20,520 --> 00:01:23,120
Speaker 1: do landish things like stand up and applaud at the end.

26
00:01:23,160 --> 00:01:25,759
Speaker 1: It's just not done. But if you want to encourage

27
00:01:25,880 --> 00:01:27,240
Speaker 1: new people to go to the opera, if you want

28
00:01:27,240 --> 00:01:29,000
Speaker 1: some fresh blood, you're going to get people in who

29
00:01:29,040 --> 00:01:31,200
Speaker 1: are going to want to applaud. And as a performer,

30
00:01:31,200 --> 00:01:35,640
Speaker 1: wouldn't you want to see people standing up and applauding. Apparently, well,

31
00:01:35,640 --> 00:01:39,880
Speaker 1: at the opera, they don't. That's the thing. The olden days,

32
00:01:39,920 --> 00:01:42,200
Speaker 1: standing ovations at the opera were considered a big no no,

33
00:01:42,760 --> 00:01:44,480
Speaker 1: It says here it was a height of rudeness to

34
00:01:44,520 --> 00:01:46,920
Speaker 1: stand up and potentially block your fellow patron's view of

35
00:01:46,959 --> 00:01:50,960
Speaker 1: the performer's bows or their bows benning how low they bow.

36
00:01:51,320 --> 00:01:54,040
Speaker 1: But they're the olden days, and it's not like you're

37
00:01:54,040 --> 00:01:56,160
Speaker 1: missing the action. You're just seeing the performer's bow. It's

38
00:01:56,200 --> 00:01:58,400
Speaker 1: not like you're blocking the big solo.

39
00:01:58,680 --> 00:02:00,320
Speaker 2: I'm big, I'm not a big fan out of the

40
00:02:00,320 --> 00:02:01,040
Speaker 2: standing ovation.

41
00:02:01,200 --> 00:02:01,760
Speaker 1: You don't like it.

42
00:02:01,800 --> 00:02:03,279
Speaker 3: I don't like it, And you know, what I find,

43
00:02:03,640 --> 00:02:05,600
Speaker 3: and I do go to a lot of opening night stuff,

44
00:02:05,680 --> 00:02:09,080
Speaker 3: and the opening night crowd they're all very needy, and

45
00:02:09,120 --> 00:02:11,640
Speaker 3: they're all those woo yeah type people that will just

46
00:02:11,680 --> 00:02:15,160
Speaker 3: stand up at the drop of a hat. And for me,

47
00:02:15,280 --> 00:02:17,480
Speaker 3: I feel like I'm coerced into standing up because I'm

48
00:02:17,480 --> 00:02:19,040
Speaker 3: thinking we're seeing Frozen.

49
00:02:19,200 --> 00:02:20,640
Speaker 2: I'm not going to stand up and do a standing

50
00:02:20,639 --> 00:02:22,160
Speaker 2: outovation for Frozen put.

51
00:02:21,960 --> 00:02:24,639
Speaker 1: On an opening night or maybe any night. Don't you

52
00:02:24,680 --> 00:02:25,799
Speaker 1: think the perform you're in.

53
00:02:25,760 --> 00:02:30,320
Speaker 2: The show if it was you doing Once's bur lesson

54
00:02:30,440 --> 00:02:36,000
Speaker 2: vagina monologues, a lot of people standing.

55
00:02:35,760 --> 00:02:45,560
Speaker 1: Up, running for the exit, and now at all time

56
00:02:46,040 --> 00:02:48,120
Speaker 1: I was in it before a charity performance of that.

57
00:02:48,240 --> 00:02:50,359
Speaker 1: Remember I called it the vagina monocles.

58
00:02:50,919 --> 00:02:52,040
Speaker 2: A spectacle of myself.

59
00:02:54,200 --> 00:02:56,440
Speaker 1: Well, you know you, BET's talk about you. You're in

60
00:02:56,480 --> 00:02:59,760
Speaker 1: the full Monty naked. How would you feel if everyone

61
00:02:59,840 --> 00:03:02,720
Speaker 1: watching that just sat there with their arms crossed, the

62
00:03:02,720 --> 00:03:04,000
Speaker 1: hand Poe face.

63
00:03:04,160 --> 00:03:07,880
Speaker 3: My wife was in the front row doing exactly encouraging

64
00:03:07,919 --> 00:03:08,720
Speaker 3: people to sit down.

65
00:03:08,880 --> 00:03:09,600
Speaker 2: It's not worth it.

66
00:03:09,680 --> 00:03:10,359
Speaker 3: It's not worth it.

67
00:03:11,120 --> 00:03:13,680
Speaker 1: You're trying to get a better sure is that naked

68
00:03:13,800 --> 00:03:14,400
Speaker 1: can be sure?

69
00:03:17,400 --> 00:03:19,160
Speaker 3: Jonesy and Amanda's gamation,