1 00:00:01,560 --> 00:00:01,880 Speaker 1: True. 2 00:00:01,960 --> 00:00:04,640 Speaker 2: Sorry, sorry I was. I was hot into the chat 3 00:00:04,640 --> 00:00:05,279 Speaker 2: there before. 4 00:00:05,720 --> 00:00:07,880 Speaker 1: We hadn't turned the mic sign and Woods was already saying, 5 00:00:08,560 --> 00:00:10,200 Speaker 1: do we get Michelle to call. 6 00:00:10,080 --> 00:00:11,160 Speaker 3: Tina Arena right now? 7 00:00:11,360 --> 00:00:12,000 Speaker 2: Firing from there. 8 00:00:12,119 --> 00:00:14,000 Speaker 3: That's insane, that's insane. 9 00:00:14,720 --> 00:00:16,840 Speaker 2: Why is that insane? Let's just get this going. We've got, 10 00:00:16,880 --> 00:00:18,360 Speaker 2: We've got they're just joined us. 11 00:00:18,400 --> 00:00:20,400 Speaker 4: By the way, if you haven't heard the previous bts, 12 00:00:20,720 --> 00:00:23,200 Speaker 4: will you want to become mates with Tina Arena? 13 00:00:23,440 --> 00:00:23,680 Speaker 1: Bad? 14 00:00:24,360 --> 00:00:27,280 Speaker 2: Sorry, I don't want to make it, saspat, chill it out. 15 00:00:27,320 --> 00:00:28,160 Speaker 2: You are desperate though. 16 00:00:28,440 --> 00:00:31,080 Speaker 3: No, I don't just get rid of that word. I 17 00:00:31,160 --> 00:00:32,680 Speaker 3: just want to be made for it. And she's awesome. 18 00:00:33,240 --> 00:00:35,960 Speaker 2: Yeah, perfect, perfect, that's cool. 19 00:00:37,200 --> 00:00:39,680 Speaker 4: We have found out how I have found out that 20 00:00:40,240 --> 00:00:43,680 Speaker 4: my partner's mum had Tina Arena. 21 00:00:43,560 --> 00:00:46,680 Speaker 2: At her wedding. Ah yeah that close. 22 00:00:47,800 --> 00:00:50,600 Speaker 3: Yeah. Also they worked they have. 23 00:00:50,600 --> 00:00:53,640 Speaker 2: A hooked No, no, why would you jump? Why would 24 00:00:53,640 --> 00:00:54,160 Speaker 2: you jump to that? 25 00:00:54,240 --> 00:00:56,560 Speaker 4: I guess it was the seventies or eighties anyway, they 26 00:00:56,600 --> 00:00:58,400 Speaker 4: worked together, young talent time. 27 00:00:59,800 --> 00:01:01,560 Speaker 2: Well, it's a weird thing to jump to. You boys 28 00:01:01,560 --> 00:01:04,560 Speaker 2: have been very waiting, son'ta boys? 29 00:01:04,760 --> 00:01:05,959 Speaker 5: Well you were doing it the other day. 30 00:01:05,959 --> 00:01:07,000 Speaker 3: You were doing it the other day. 31 00:01:07,280 --> 00:01:10,200 Speaker 2: You were what because I were naughty? 32 00:01:10,240 --> 00:01:10,759 Speaker 4: Boys? 33 00:01:11,080 --> 00:01:14,679 Speaker 3: That's strange, very naughty. A strange question on holidays and 34 00:01:14,959 --> 00:01:15,440 Speaker 3: a big jump. 35 00:01:15,440 --> 00:01:17,320 Speaker 5: Now you're back at work and you're not around your 36 00:01:17,319 --> 00:01:18,080 Speaker 5: partners and things. 37 00:01:18,720 --> 00:01:21,880 Speaker 2: I was sorry because I was gaming. 38 00:01:22,000 --> 00:01:28,200 Speaker 4: I think I gamed and I got anyway games two 39 00:01:28,240 --> 00:01:31,800 Speaker 4: days ago. Do you think people Tina Turner and my 40 00:01:31,840 --> 00:01:32,680 Speaker 4: partner's mum. 41 00:01:32,880 --> 00:01:38,280 Speaker 1: Tina Arena Turner, definitely and she was wild? 42 00:01:38,560 --> 00:01:40,640 Speaker 3: Who didn't she Arena? 43 00:01:40,840 --> 00:01:43,000 Speaker 4: No, I don't think so. I don't believe that we 44 00:01:43,000 --> 00:01:45,000 Speaker 4: can ask Michelle. We can absolutely the idea of that 45 00:01:45,040 --> 00:01:46,640 Speaker 4: interest you, though, will. 46 00:01:47,040 --> 00:01:51,280 Speaker 2: My mother in law? Now? The other bit of information 47 00:01:51,440 --> 00:01:53,360 Speaker 2: is that Michelle was thinking about it. 48 00:01:53,480 --> 00:01:55,800 Speaker 4: Michelle was at a recent Tina Arena show and Tina 49 00:01:55,840 --> 00:01:58,880 Speaker 4: Arena like saw Michelle and was like Michelle so like 50 00:01:59,320 --> 00:02:01,520 Speaker 4: she still knows her. Michelle is, I think we've got 51 00:02:01,520 --> 00:02:03,480 Speaker 4: a massive in Let's call Michelle. 52 00:02:03,960 --> 00:02:06,360 Speaker 3: Is Michelle just before we go a couple of things? 53 00:02:06,480 --> 00:02:08,840 Speaker 3: Is Michelle? Are you going to ask Michelle to call 54 00:02:08,880 --> 00:02:10,840 Speaker 3: Tina right now? But I don't think we can do that. 55 00:02:11,320 --> 00:02:12,840 Speaker 2: I'm able to follow what you want. 56 00:02:12,840 --> 00:02:15,440 Speaker 1: Because then that kids in the areas where she's going 57 00:02:15,520 --> 00:02:18,160 Speaker 1: to have to go, Hi, Tina, it's Michelle. 58 00:02:20,200 --> 00:02:23,880 Speaker 3: We hooked up fifteen years ago. Did you. 59 00:02:25,960 --> 00:02:27,520 Speaker 1: She's going to have to say at some stage that 60 00:02:27,560 --> 00:02:29,840 Speaker 1: you and I are listening, which is a bit weird. 61 00:02:30,200 --> 00:02:32,760 Speaker 4: So you think Michelle just make the call away, don't 62 00:02:32,800 --> 00:02:35,240 Speaker 4: want Well, maybe Michelle just writes a text. 63 00:02:35,680 --> 00:02:37,800 Speaker 1: Yeah, or we just Michelle just calls her in her 64 00:02:37,840 --> 00:02:39,360 Speaker 1: own time and we just got to We're just gonna 65 00:02:39,400 --> 00:02:40,480 Speaker 1: have to have it related to us. 66 00:02:40,520 --> 00:02:42,680 Speaker 3: We can't record the call. We couldn't. 67 00:02:43,560 --> 00:02:45,919 Speaker 2: Michelle wouldn't feel comfortable doing that either. I wouldn't think. 68 00:02:45,960 --> 00:02:48,359 Speaker 5: Why don't we have this discussion with her? Yeah, let's 69 00:02:48,400 --> 00:02:48,840 Speaker 5: call Michelle. 70 00:02:48,840 --> 00:02:49,520 Speaker 2: It's Michelle, Jo. 71 00:02:49,600 --> 00:02:50,680 Speaker 3: Do you want to say something? I feel like you 72 00:02:50,680 --> 00:02:52,400 Speaker 3: were pumping on it. You just got interested by the 73 00:02:52,400 --> 00:02:56,079 Speaker 3: girl and girl action, didn't you? Now? I don't want 74 00:02:56,080 --> 00:02:56,639 Speaker 3: to paint her with. 75 00:02:56,600 --> 00:02:59,160 Speaker 2: That, will will I did? I did catch I did 76 00:02:59,160 --> 00:03:02,280 Speaker 2: catch all Jay today looking at some breasts on a 77 00:03:02,400 --> 00:03:04,679 Speaker 2: screen and then I walked out of the audio both 78 00:03:04,680 --> 00:03:04,960 Speaker 2: and she. 79 00:03:07,080 --> 00:03:09,600 Speaker 4: Was like, hag on going back to your last I'm 80 00:03:09,639 --> 00:03:12,320 Speaker 4: just checking my emails and go to the internet browser. 81 00:03:14,880 --> 00:03:17,040 Speaker 3: There was what were you looking at there? 82 00:03:18,560 --> 00:03:20,680 Speaker 2: It wasn't anything like it wasn't porn or anything. 83 00:03:20,680 --> 00:03:24,560 Speaker 4: It was just a porn it was it wasn't wasn't. 84 00:03:24,639 --> 00:03:26,440 Speaker 3: Reserve strictly Virginia producer analyse. 85 00:03:27,880 --> 00:03:29,079 Speaker 2: That's enough, now come on. 86 00:03:29,040 --> 00:03:35,680 Speaker 1: All right, yeah, let's put that down as rattled by 87 00:03:35,680 --> 00:03:35,960 Speaker 1: the way. 88 00:03:36,040 --> 00:03:37,760 Speaker 3: She knows we're talking about it, doesn't know what it's saying. 89 00:03:37,920 --> 00:03:42,040 Speaker 3: She's not listening. She is, she's listening again, furious. 90 00:03:42,120 --> 00:03:43,400 Speaker 6: Hello Michelle speaking. 91 00:03:46,000 --> 00:03:47,000 Speaker 2: It's it's Woody. 92 00:03:47,680 --> 00:03:47,840 Speaker 3: Hi. 93 00:03:48,320 --> 00:03:50,360 Speaker 2: How are you very very good? Thank you. 94 00:03:50,880 --> 00:03:55,080 Speaker 4: We're just where we're recording the podcast currently. Sure, I've 95 00:03:55,120 --> 00:03:56,320 Speaker 4: got Will here as well. 96 00:03:56,880 --> 00:03:58,440 Speaker 6: Oh hey, Will, how are you good? 97 00:03:58,520 --> 00:03:59,960 Speaker 3: Mate? Really well, very well? 98 00:04:00,400 --> 00:04:02,920 Speaker 2: Right, that's good if you feel comfortable. 99 00:04:03,080 --> 00:04:08,440 Speaker 4: Michelle Mim told me recently that you have a personal 100 00:04:08,440 --> 00:04:09,800 Speaker 4: connection to Tina Arena. 101 00:04:10,560 --> 00:04:13,520 Speaker 6: Yes, yes, just for ten years of my life. 102 00:04:14,840 --> 00:04:19,120 Speaker 4: So it worked like quite intimately in young talent time. 103 00:04:19,200 --> 00:04:20,800 Speaker 3: How intimately is absolutely. 104 00:04:20,880 --> 00:04:23,719 Speaker 6: She started a couple of weeks as Tiny Tina after 105 00:04:24,000 --> 00:04:27,400 Speaker 6: I started working there. I was quite young myself and 106 00:04:27,440 --> 00:04:30,800 Speaker 6: we kind of went through the process together, and she 107 00:04:30,880 --> 00:04:33,360 Speaker 6: was at our wedding and then a few years ago 108 00:04:33,440 --> 00:04:39,679 Speaker 6: I saw her performing at the tennis and Lisa, my girlfriend, 109 00:04:39,720 --> 00:04:42,599 Speaker 6: who you know, Woody was pointing to me on the 110 00:04:42,640 --> 00:04:49,039 Speaker 6: grass and she yelled out mid soul, Michelle, unbelievable. 111 00:04:49,279 --> 00:04:52,720 Speaker 1: So Michelle can just just just wandered back a little bit. 112 00:04:52,760 --> 00:04:57,520 Speaker 1: For the younger audiences out there, Young Talent time. 113 00:04:58,760 --> 00:05:01,920 Speaker 6: Yep, So seventy one to nineteen eighty eight. 114 00:05:02,120 --> 00:05:04,520 Speaker 3: So and that was a TV show. 115 00:05:05,120 --> 00:05:07,880 Speaker 6: It was a huge TV show that was top rating 116 00:05:07,920 --> 00:05:11,839 Speaker 6: TV show, up against Hey hay It Saturday and all 117 00:05:11,839 --> 00:05:12,960 Speaker 6: the same years and so. 118 00:05:12,960 --> 00:05:15,200 Speaker 3: What did you? And so that was just like kids, 119 00:05:15,279 --> 00:05:15,640 Speaker 3: kind of. 120 00:05:15,560 --> 00:05:20,200 Speaker 1: Like a America's Got like a talent show but for kids. 121 00:05:20,680 --> 00:05:25,359 Speaker 6: Yes, that it was predominantly performers, regular performers in the 122 00:05:25,360 --> 00:05:29,560 Speaker 6: Young Talent team who left when they turned sixteen, and 123 00:05:29,600 --> 00:05:33,000 Speaker 6: they were really opening yeah every week every Saturday night, 124 00:05:33,120 --> 00:05:37,400 Speaker 6: six thirty, sometimes live, sometimes not, up against Hay haytes Saturday, 125 00:05:37,440 --> 00:05:40,039 Speaker 6: and the ratings. It was always fierce competition between the 126 00:05:40,080 --> 00:05:40,640 Speaker 6: two of us. 127 00:05:40,760 --> 00:05:43,120 Speaker 3: So what did you and so were you a producer 128 00:05:43,200 --> 00:05:43,760 Speaker 3: on that show? 129 00:05:44,200 --> 00:05:46,760 Speaker 6: Yes? Yes, I started off as a production assistant and 130 00:05:46,839 --> 00:05:50,520 Speaker 6: worked my way up to associate producer. Production coordinator was 131 00:05:50,520 --> 00:05:51,440 Speaker 6: my official title. 132 00:05:51,600 --> 00:05:55,800 Speaker 2: Ah, brilliant, Yeah, brilliant and tiny ten. That was part 133 00:05:55,839 --> 00:05:57,279 Speaker 2: of that for for a very long time. 134 00:05:57,400 --> 00:05:59,760 Speaker 1: So tiny ten it was just Tita Arena coming out 135 00:05:59,800 --> 00:06:01,600 Speaker 1: and singing every Saturday night on. 136 00:06:01,560 --> 00:06:04,440 Speaker 6: TV every Saturday night. So she was in the team 137 00:06:04,600 --> 00:06:08,000 Speaker 6: which performed, we went to we did concerts all around Australia. 138 00:06:08,160 --> 00:06:11,440 Speaker 6: We you know, it was huge, huge, and so so 139 00:06:11,480 --> 00:06:12,839 Speaker 6: if you ask your parents, they'll know. 140 00:06:13,240 --> 00:06:17,320 Speaker 1: Yeah, so your relationship with her, like when so you're 141 00:06:17,400 --> 00:06:19,080 Speaker 1: kind of like a mentor figure to her? 142 00:06:19,160 --> 00:06:19,560 Speaker 3: Almost? 143 00:06:20,000 --> 00:06:22,200 Speaker 6: No, no, No, I wouldn't say that. I mean I 144 00:06:22,560 --> 00:06:24,880 Speaker 6: worked with her for all those years and I started 145 00:06:24,880 --> 00:06:27,000 Speaker 6: working there when I was only eighteen years old, so 146 00:06:27,080 --> 00:06:28,760 Speaker 6: I kind of grew up with her. I think she 147 00:06:28,880 --> 00:06:31,280 Speaker 6: was about I'm not sure how old she is now, 148 00:06:31,320 --> 00:06:36,000 Speaker 6: probably fifty seven or something, and I'm sixty three. So 149 00:06:36,120 --> 00:06:38,720 Speaker 6: you know, there wasn't a huge gap between myself and 150 00:06:39,120 --> 00:06:42,039 Speaker 6: the team members. I kind of grew up with them. So, 151 00:06:43,000 --> 00:06:46,520 Speaker 6: you know, I was working at television house in Lennox Street, Richmond, 152 00:06:46,680 --> 00:06:48,360 Speaker 6: was just down the road from where you guys are. 153 00:06:48,400 --> 00:06:49,960 Speaker 2: Oh yeah, right, yep. 154 00:06:50,400 --> 00:06:54,120 Speaker 6: It's called Lennox House on the corner of rowing a Parade. 155 00:06:54,480 --> 00:06:58,800 Speaker 6: That is just that's amazing, absolutely yep. So I spent 156 00:06:58,880 --> 00:07:01,880 Speaker 6: twelve twelve years working on that. 157 00:07:01,440 --> 00:07:05,440 Speaker 4: That Okay, So Michelle, other than the interaction when she 158 00:07:05,520 --> 00:07:07,480 Speaker 4: was performing a show where she yelled at your name 159 00:07:07,560 --> 00:07:10,600 Speaker 4: mid song, has there been any other interactions between the 160 00:07:10,600 --> 00:07:11,040 Speaker 4: two of. 161 00:07:10,960 --> 00:07:15,680 Speaker 6: You, like, because she's always been away. We've had reunions, 162 00:07:15,720 --> 00:07:19,520 Speaker 6: two of which were at our house and Johnny Young 163 00:07:19,680 --> 00:07:21,480 Speaker 6: and a lot of the other team members came, but 164 00:07:21,680 --> 00:07:24,000 Speaker 6: Tina was always overseas or living in France. 165 00:07:24,440 --> 00:07:26,920 Speaker 1: Because she's she's the only person on the planet got 166 00:07:26,960 --> 00:07:28,920 Speaker 1: number one hit in three different languages. 167 00:07:28,600 --> 00:07:31,360 Speaker 3: Like she's she's. 168 00:07:30,000 --> 00:07:31,520 Speaker 2: A star, extraordinary. 169 00:07:31,560 --> 00:07:34,920 Speaker 4: You've both gone on to amazing things. 170 00:07:33,520 --> 00:07:37,400 Speaker 1: She is really like, you know, I can imagine she's 171 00:07:37,440 --> 00:07:38,720 Speaker 1: a very busy, woman's very hard. 172 00:07:38,880 --> 00:07:41,480 Speaker 3: She spends most of a lot of her time in Canadas, 173 00:07:43,120 --> 00:07:43,679 Speaker 3: in Quebec. 174 00:07:43,880 --> 00:07:48,840 Speaker 6: I'm not sure. Whenever we've been organizing reunion, she's never around. 175 00:07:49,600 --> 00:07:51,400 Speaker 1: So and mill would she like as a person, like 176 00:07:51,440 --> 00:07:53,840 Speaker 1: do you think I'm a chance to you know, have 177 00:07:53,920 --> 00:07:55,640 Speaker 1: a casual glass of wine with her in the future. 178 00:07:56,200 --> 00:07:59,600 Speaker 6: She's a riper woman. She says it like it is. 179 00:08:00,800 --> 00:08:03,680 Speaker 6: She absolutely will speak her mind, and I loved that 180 00:08:03,760 --> 00:08:09,080 Speaker 6: about her. She was a fierce young teenager and woman 181 00:08:10,000 --> 00:08:12,960 Speaker 6: and yeah, just a fantastic thing being. 182 00:08:13,400 --> 00:08:15,680 Speaker 4: So Michelle, do you think it would be like a 183 00:08:16,920 --> 00:08:21,000 Speaker 4: realistic thing for you to either send her a text 184 00:08:21,040 --> 00:08:24,840 Speaker 4: message or call her and touch base with her. 185 00:08:25,120 --> 00:08:28,240 Speaker 6: I'd rather send her a text mesage just to sort 186 00:08:28,280 --> 00:08:31,000 Speaker 6: of preempt something. I think that's more kind to her 187 00:08:31,040 --> 00:08:33,880 Speaker 6: than putting it. I doubt that she'd answer. She probably 188 00:08:33,920 --> 00:08:35,640 Speaker 6: let it go to voicemail. But I think it would 189 00:08:35,640 --> 00:08:38,160 Speaker 6: be more kind to her to allow her time to 190 00:08:38,200 --> 00:08:38,800 Speaker 6: think about it. 191 00:08:39,080 --> 00:08:41,280 Speaker 2: Yeah, fair enough. What do you think if you were 192 00:08:41,280 --> 00:08:41,920 Speaker 2: to write a text? 193 00:08:41,960 --> 00:08:45,160 Speaker 3: Time to think about it? Though? Who we pumped? Oh? 194 00:08:45,200 --> 00:08:47,440 Speaker 6: Yeah, no, no, she definitely knows who I am. I mean, 195 00:08:47,480 --> 00:08:50,360 Speaker 6: it's that's not an issue at all. That's no problem. 196 00:08:50,400 --> 00:08:52,520 Speaker 6: And if we bumped into each other in the street, 197 00:08:52,640 --> 00:08:56,160 Speaker 6: we would just pick up where we left off. Yeah, 198 00:08:56,160 --> 00:08:57,120 Speaker 6: I probably should. 199 00:08:57,520 --> 00:08:58,960 Speaker 3: Tina, You've got the relationship. 200 00:08:59,080 --> 00:09:00,880 Speaker 2: Hang on, hang were getting the te Michelle go on? 201 00:09:01,040 --> 00:09:05,880 Speaker 6: Oh yeah, I just say hate Tina. Michelle Gibbs from 202 00:09:06,400 --> 00:09:12,360 Speaker 6: YTT Television House Production, How are you? I've been put 203 00:09:12,440 --> 00:09:15,240 Speaker 6: up to getting in touch with you via Will and 204 00:09:15,280 --> 00:09:18,880 Speaker 6: Woody four till six Monday to Fridays. Just a little 205 00:09:18,880 --> 00:09:24,600 Speaker 6: plumb for the boys on, just so she knows who 206 00:09:24,679 --> 00:09:27,719 Speaker 6: you are, she sees who the hell, are they good? 207 00:09:28,080 --> 00:09:28,640 Speaker 2: Good ideas? 208 00:09:29,760 --> 00:09:32,840 Speaker 6: And then I'd say a bit of a little bit 209 00:09:32,880 --> 00:09:37,440 Speaker 6: of background. Woody is my daughter's baby daddy and fiance, 210 00:09:37,840 --> 00:09:42,360 Speaker 6: and the guys absolutely adore you, probably will he is 211 00:09:42,400 --> 00:09:43,880 Speaker 6: obsessed and they would love to. 212 00:09:47,440 --> 00:09:49,400 Speaker 1: I think just in the conduct and all of this, 213 00:09:49,679 --> 00:09:51,640 Speaker 1: obsessed is not the right word. I think we're just going. 214 00:09:51,480 --> 00:09:54,199 Speaker 6: For like, Okay, yeah, he's a huge. 215 00:09:53,880 --> 00:09:55,080 Speaker 3: Fan of the nineteen ninety four. 216 00:09:55,679 --> 00:09:57,240 Speaker 6: Okay, we won't use the word sist. 217 00:09:58,520 --> 00:09:58,840 Speaker 2: Okay. 218 00:09:58,880 --> 00:10:01,160 Speaker 3: So then the next question, no session and no desperate, 219 00:10:01,240 --> 00:10:06,000 Speaker 3: I think to be you know, they're just the boys 220 00:10:06,040 --> 00:10:07,040 Speaker 3: love you, they'd love to have a chat. 221 00:10:07,120 --> 00:10:09,120 Speaker 1: Which we saw your tours being kicked off again because 222 00:10:09,120 --> 00:10:10,640 Speaker 1: she canceled because of Kidney's tones. 223 00:10:10,720 --> 00:10:12,880 Speaker 6: Yeah, I've got We've got tickets to that show, so 224 00:10:12,920 --> 00:10:15,840 Speaker 6: we really obviously it was postponed and all. 225 00:10:15,920 --> 00:10:20,160 Speaker 4: Now yeah, so Michelle, obviously no no pressure here. 226 00:10:20,240 --> 00:10:21,840 Speaker 2: Might be a little bit of pressure from Will, but no. 227 00:10:21,760 --> 00:10:29,600 Speaker 3: Pressure at all. Would you wouldn't mind reviewing the first Okay? 228 00:10:29,760 --> 00:10:34,320 Speaker 4: Great, Okay, so you text me the draft of what 229 00:10:34,360 --> 00:10:35,520 Speaker 4: you'd like, will. 230 00:10:35,320 --> 00:10:38,080 Speaker 6: I mean you just copy and paste or take out 231 00:10:38,080 --> 00:10:40,720 Speaker 6: what you think is not appropriate. But other than the 232 00:10:40,760 --> 00:10:44,800 Speaker 6: adjectives that a few things you don't like the rest. 233 00:10:44,880 --> 00:10:48,240 Speaker 3: Okay, it's amazing that you're willing to do this. 234 00:10:48,720 --> 00:10:49,680 Speaker 2: Yeah, oh yeah. 235 00:10:49,720 --> 00:10:51,880 Speaker 6: Look if I if I felt like she'd say who 236 00:10:51,880 --> 00:10:53,719 Speaker 6: the hell is this, well, then I wouldn't do it. 237 00:10:53,760 --> 00:10:55,439 Speaker 6: I know that she knows who I am. 238 00:10:55,360 --> 00:10:56,880 Speaker 3: So okay, great, you know. 239 00:10:56,840 --> 00:10:57,880 Speaker 6: That that's not a problem. 240 00:10:57,960 --> 00:10:59,920 Speaker 3: That feeling must be nice. It's nice to something that. 241 00:11:00,280 --> 00:11:04,400 Speaker 6: No, it's Jenny Minogue was in Young Talent time as well. 242 00:11:04,600 --> 00:11:07,800 Speaker 4: Oh well, I'm a fan of Danny, so I wouldn't 243 00:11:07,800 --> 00:11:09,600 Speaker 4: mind a friendship with Danny Minogue. 244 00:11:10,760 --> 00:11:13,000 Speaker 6: I'm not introducing you to anyone that you might want 245 00:11:13,000 --> 00:11:13,600 Speaker 6: a friendship with. 246 00:11:13,960 --> 00:11:23,679 Speaker 4: Oh yeah, very good, amazing Michelle, Michelle, that's amazing, No. 247 00:11:23,679 --> 00:11:26,200 Speaker 6: Worries at all. Okay, I'll just do that and send 248 00:11:26,200 --> 00:11:34,160 Speaker 6: it through to you, Okay, by now bye. 249 00:11:34,200 --> 00:11:34,760 Speaker 2: She's the best. 250 00:11:34,760 --> 00:11:37,920 Speaker 3: She's so lovely, lovely, amazing. Yeah yeah, you said that 251 00:11:38,040 --> 00:11:39,960 Speaker 3: four or five times now because she's the best. Yea, 252 00:11:39,960 --> 00:11:41,040 Speaker 3: And I understand that she'll see. 253 00:11:41,400 --> 00:11:41,800 Speaker 2: She's the best. 254 00:11:41,840 --> 00:11:42,760 Speaker 3: It starts to get a little bit. 255 00:11:43,280 --> 00:11:45,920 Speaker 2: She's just great, great woman, which is helping you. Mate, 256 00:11:46,840 --> 00:11:48,600 Speaker 2: she's the best, she's the best. 257 00:11:48,720 --> 00:11:52,160 Speaker 3: She's awesome, don't turn it on me. You're trying a 258 00:11:52,200 --> 00:11:54,320 Speaker 3: bit hard with it. I'm not. We know that, we 259 00:11:54,360 --> 00:11:55,720 Speaker 3: know that you've got a good relationship with her. She's 260 00:11:55,720 --> 00:11:56,200 Speaker 3: a lovely woman. 261 00:11:56,360 --> 00:12:03,640 Speaker 4: Coming really well, it's just for our benefit. 262 00:12:03,800 --> 00:12:05,599 Speaker 3: You are sickly obsessed. 263 00:12:07,080 --> 00:12:08,280 Speaker 2: Defined let's be honest. 264 00:12:08,880 --> 00:12:12,240 Speaker 4: No, well you just said before you knew where she 265 00:12:12,320 --> 00:12:14,600 Speaker 4: was spending most of her time over the last thirty years, 266 00:12:14,840 --> 00:12:15,800 Speaker 4: it's a bit obsessive. 267 00:12:18,160 --> 00:12:20,240 Speaker 3: I think she's wonderful. I think she's I think she's. 268 00:12:20,120 --> 00:12:21,800 Speaker 2: Great talking about my mother. 269 00:12:22,240 --> 00:12:24,200 Speaker 1: I know that's what I've noticed that when she was 270 00:12:24,200 --> 00:12:26,920 Speaker 1: saying she's the best, I think you're talking about Tina Renderham. 271 00:12:27,040 --> 00:12:30,679 Speaker 2: Sure, yeah, like. 272 00:12:30,840 --> 00:12:33,240 Speaker 5: Would you be would you be okay with her hearing 273 00:12:33,280 --> 00:12:34,040 Speaker 5: these podcasts? 274 00:12:34,080 --> 00:12:35,480 Speaker 3: No? Yeah? Interesting? 275 00:12:35,559 --> 00:12:41,480 Speaker 4: Yeah, and she won't you can guarantee that on the internet. 276 00:12:41,520 --> 00:12:42,320 Speaker 3: We can't guarantee that. 277 00:12:42,360 --> 00:12:44,280 Speaker 2: I think she's going to take the time to listen. 278 00:12:44,440 --> 00:12:45,960 Speaker 3: I just think I told you, I told you. 279 00:12:46,520 --> 00:12:48,600 Speaker 1: I think that a nineteen ninety four album, Don't Ask 280 00:12:48,720 --> 00:12:50,120 Speaker 1: is one of my favorite records, and I would just 281 00:12:50,160 --> 00:12:51,520 Speaker 1: love to have a glass of wine with there and 282 00:12:51,520 --> 00:12:53,240 Speaker 1: talk to her about it. That's really what it comes 283 00:12:53,240 --> 00:12:58,000 Speaker 1: down to, the music, not the person, you know very yah. 284 00:12:58,320 --> 00:13:00,679 Speaker 3: You know we started around these words I said and desperate. 285 00:13:00,760 --> 00:13:03,240 Speaker 3: It's not nice. It's not sick was the word I said, sick? 286 00:13:04,480 --> 00:13:07,680 Speaker 3: And in fact that you were fantasizing or suggestion that 287 00:13:07,760 --> 00:13:10,680 Speaker 3: she was hooking up with women as well, you're looking 288 00:13:10,679 --> 00:13:13,200 Speaker 3: at a young woman's breasts on your on your laptop 289 00:13:13,720 --> 00:13:16,000 Speaker 3: on me. Well, how dare you now listen? 290 00:13:16,240 --> 00:13:18,520 Speaker 1: How would you feel about just sitting in a room 291 00:13:18,520 --> 00:13:20,920 Speaker 1: with Tina Arena playing that album but you. 292 00:13:20,840 --> 00:13:21,800 Speaker 2: Couldn't speak to her? 293 00:13:22,040 --> 00:13:22,360 Speaker 4: Oh? 294 00:13:22,480 --> 00:13:26,679 Speaker 2: Yeah, you sit in a room that would I want 295 00:13:26,679 --> 00:13:28,640 Speaker 2: to do that because you said it's about the music. 296 00:13:29,160 --> 00:13:31,200 Speaker 3: Yeah, no, I want to talk to her about the music. 297 00:13:32,280 --> 00:13:33,120 Speaker 2: What's your first question? 298 00:13:33,559 --> 00:13:36,400 Speaker 4: I'm Tina okay? 299 00:13:37,880 --> 00:13:39,480 Speaker 3: On the song wasn't it good? 300 00:13:40,160 --> 00:13:43,520 Speaker 1: I think it's the fourth song classic maybe very long 301 00:13:43,679 --> 00:13:45,520 Speaker 1: instrumental at the start of that song. 302 00:13:45,360 --> 00:13:48,000 Speaker 4: Yeah, yeah, I recorded that in seth Stralia. 303 00:13:48,920 --> 00:13:50,240 Speaker 2: I'm just trying to sorry, you. 304 00:13:53,040 --> 00:13:58,040 Speaker 1: Know nothing about you, did you? Because they got a 305 00:13:58,080 --> 00:14:02,040 Speaker 1: drum kick in that song towards the threat. Do you 306 00:14:02,160 --> 00:14:04,960 Speaker 1: feel that like the length because it is like abnormally long, 307 00:14:05,120 --> 00:14:05,480 Speaker 1: It's like. 308 00:14:05,440 --> 00:14:08,200 Speaker 2: The last quarter of I wouldn't use the word abnormal. No, 309 00:14:08,320 --> 00:14:10,320 Speaker 2: it is I can't you tell me what my what 310 00:14:10,360 --> 00:14:11,559 Speaker 2: my intro was and wasn't. 311 00:14:11,679 --> 00:14:14,760 Speaker 3: No, I'm still being so crassy. 312 00:14:14,960 --> 00:14:17,600 Speaker 1: Well, I'm saying for the time, it's a really long 313 00:14:17,640 --> 00:14:22,160 Speaker 1: instrumental before that kicks in, like it goes for like 314 00:14:22,200 --> 00:14:23,840 Speaker 1: three and a half minutes before you get a drunk. 315 00:14:24,720 --> 00:14:27,040 Speaker 1: Did you do that just so that you could isolate 316 00:14:27,040 --> 00:14:29,280 Speaker 1: your vocals or did you do that because you wanted 317 00:14:29,280 --> 00:14:32,320 Speaker 1: to lull people into thinking that it was a ballad 318 00:14:33,000 --> 00:14:36,120 Speaker 1: and then it surprised them at the end. 319 00:14:36,120 --> 00:14:36,440 Speaker 2: Neither. 320 00:14:43,360 --> 00:14:46,400 Speaker 1: There's so many things the record, so many times, I 321 00:14:46,400 --> 00:14:47,800 Speaker 1: can't have got so many questions. 322 00:14:48,480 --> 00:14:51,160 Speaker 2: Greatest gift, unbelievable, greatest President. 323 00:14:51,320 --> 00:14:56,120 Speaker 4: I thought your question was the best present received talk 324 00:14:57,240 --> 00:14:57,880 Speaker 4: favorite meal. 325 00:14:58,320 --> 00:15:02,160 Speaker 1: Okay, so before we we'll go to it here, will. 326 00:15:02,320 --> 00:15:03,920 Speaker 2: Imminently send me a text. 327 00:15:04,240 --> 00:15:10,360 Speaker 1: So tomorrow podcast Michelle's text and I think we bought 328 00:15:10,360 --> 00:15:12,520 Speaker 1: that directly to Tina. Sorry, we thought that we send 329 00:15:12,560 --> 00:15:15,760 Speaker 1: that back to Michelle. Yes, and then make any tweaks. 330 00:15:16,160 --> 00:15:20,320 Speaker 4: Making tomorrow's pot is just editing Michelle's initial text. Then 331 00:15:20,360 --> 00:15:22,040 Speaker 4: you send that back to Michelle, and then the following 332 00:15:22,080 --> 00:15:23,600 Speaker 4: pod will be messages been said. 333 00:15:23,680 --> 00:15:24,640 Speaker 2: Yeah, we've got a response. 334 00:15:24,720 --> 00:15:26,040 Speaker 3: Do you hear it hooked up, by the way, was 335 00:15:26,040 --> 00:15:29,160 Speaker 3: there anything? Okay, you'll give me looks, that's all I 336 00:15:29,240 --> 00:15:29,680 Speaker 3: was not giving. 337 00:15:30,080 --> 00:15:32,120 Speaker 4: I was giving you looks because I was going, don't 338 00:15:32,560 --> 00:15:33,800 Speaker 4: that's that's what my look meant. 339 00:15:34,360 --> 00:15:35,320 Speaker 2: Make don't go there. 340 00:15:35,720 --> 00:15:37,120 Speaker 3: That's that's not what you'll give me. 341 00:15:38,560 --> 00:15:40,640 Speaker 4: Well, I'm sorry that you can't read my face. I'm 342 00:15:40,640 --> 00:15:42,080 Speaker 4: sorry you get some eque mate. 343 00:15:42,160 --> 00:15:45,480 Speaker 3: We're raising your eyebrows, yeah, exactly. Don't don't know you 344 00:15:45,560 --> 00:15:47,600 Speaker 3: were like doing them repeatedly. 345 00:15:47,960 --> 00:15:51,640 Speaker 2: Bubble eyebrows. I was not doing hubba bubber eyebrows anyway. 346 00:15:51,680 --> 00:15:52,560 Speaker 2: Tomorrow text