1
00:00:04,480 --> 00:00:06,080
Speaker 1: The Will and Woody podcast.

2
00:00:07,800 --> 00:00:11,520
Speaker 2: I had no idea this was a thing, but apparently

3
00:00:12,280 --> 00:00:18,040
Speaker 2: women will regularly talk with each other about what their

4
00:00:18,160 --> 00:00:22,520
Speaker 2: dream man looks like.

5
00:00:25,560 --> 00:00:27,080
Speaker 1: I just didn't know that was a thing.

6
00:00:27,120 --> 00:00:28,520
Speaker 2: So they were just like that if they've got a

7
00:00:28,600 --> 00:00:31,440
Speaker 2: road trip or something, it's just like, turn the radio off,

8
00:00:31,800 --> 00:00:34,519
Speaker 2: let's talk traits of our dream men. And they just

9
00:00:34,640 --> 00:00:37,920
Speaker 2: throw back and forth, like what the dream man has

10
00:00:38,000 --> 00:00:39,760
Speaker 2: to have, whether it's like a looks thing or a

11
00:00:39,760 --> 00:00:43,760
Speaker 2: personality thing. To prove my point, Juniorfuser ab, what does

12
00:00:43,800 --> 00:00:45,479
Speaker 2: your dreamman look like?

13
00:00:45,479 --> 00:00:46,120
Speaker 1: What are they like?

14
00:00:46,880 --> 00:00:47,080
Speaker 2: Okay?

15
00:00:47,080 --> 00:00:48,440
Speaker 3: I wrote a bit of a list because I did

16
00:00:48,440 --> 00:00:50,880
Speaker 3: speak about this on the weekend in the car trip.

17
00:00:51,200 --> 00:00:52,360
Speaker 1: But booms, but you do it.

18
00:00:52,760 --> 00:00:57,280
Speaker 3: You do it so works out can handle himself at

19
00:00:57,280 --> 00:00:59,080
Speaker 3: a party. But then like, we'll still come checking on

20
00:00:59,200 --> 00:01:03,080
Speaker 3: me every now and again. It's confident and sexy.

21
00:01:04,959 --> 00:01:06,440
Speaker 1: I don't know where you're going to find that guy,

22
00:01:06,480 --> 00:01:07,240
Speaker 1: by the way, like.

23
00:01:07,120 --> 00:01:10,160
Speaker 2: That dearly over six foot Okay, just throw that one

24
00:01:10,200 --> 00:01:10,840
Speaker 2: in there as well.

25
00:01:11,360 --> 00:01:14,080
Speaker 4: I'm curious being the right guy now, he's like trying

26
00:01:14,120 --> 00:01:17,319
Speaker 4: to thread the eye of a needle, impossible, Like confident

27
00:01:17,360 --> 00:01:19,920
Speaker 4: but not arrogant. Oh, knows his later party, but it

28
00:01:19,959 --> 00:01:22,679
Speaker 4: comes and checks on me. Yeah, fit but not obsessed

29
00:01:22,720 --> 00:01:25,360
Speaker 4: with being fit. Yeah, you just can't. There's just no

30
00:01:25,880 --> 00:01:27,600
Speaker 4: works out. But I don't want to know he works out.

31
00:01:27,840 --> 00:01:29,920
Speaker 4: I just want to like see that the results of

32
00:01:30,000 --> 00:01:32,679
Speaker 4: working out, But like, where did you put in the time?

33
00:01:33,280 --> 00:01:35,520
Speaker 4: It's impossible, has a good time, but isn't selfish about

34
00:01:35,520 --> 00:01:35,919
Speaker 4: his hobbies.

35
00:01:36,000 --> 00:01:38,880
Speaker 5: Yeah, yeah, yeah, yeah, yeah, it's just everything comes with

36
00:01:38,920 --> 00:01:39,200
Speaker 5: the cave.

37
00:01:39,240 --> 00:01:40,839
Speaker 1: He extroverted but not too loud.

38
00:01:41,200 --> 00:01:45,319
Speaker 2: Yeah, extroverted but listens extraverted but oh my god, you're laughing.

39
00:01:45,319 --> 00:01:46,800
Speaker 2: That's on your list? Is that on your list? Are

40
00:01:46,800 --> 00:01:52,800
Speaker 2: you serious? But so listen, I'm curious. Thirteen one oh

41
00:01:52,920 --> 00:01:56,440
Speaker 2: six y five is our number. Yeah, describe your modern

42
00:01:56,520 --> 00:01:57,720
Speaker 2: day dream man.

43
00:01:58,400 --> 00:02:01,520
Speaker 1: Okay, what's he got? What of the traits he's got

44
00:02:01,600 --> 00:02:01,920
Speaker 1: going on?

45
00:02:02,000 --> 00:02:04,560
Speaker 2: There is a reason we're talking about it, more so

46
00:02:04,720 --> 00:02:08,160
Speaker 2: than just hearing what producer Ana Lisa's dream man is

47
00:02:08,360 --> 00:02:12,519
Speaker 2: so Dakota Johnson has she's just broken up with Chris

48
00:02:12,560 --> 00:02:15,760
Speaker 2: Martin actually of coldplay of Yellow.

49
00:02:16,919 --> 00:02:18,800
Speaker 1: An unconscious uncaupling, don't think so?

50
00:02:19,160 --> 00:02:23,120
Speaker 2: Oh sorry, maybe because obviously he famously had.

51
00:02:23,000 --> 00:02:26,120
Speaker 4: A conscious conscious The conscious money went to the unconscious one.

52
00:02:26,160 --> 00:02:29,639
Speaker 2: I don't know if he's calling this one an unconscious.

53
00:02:28,520 --> 00:02:30,040
Speaker 5: As he passed out when they broke out.

54
00:02:30,480 --> 00:02:31,280
Speaker 1: I think he was with it.

55
00:02:32,200 --> 00:02:35,000
Speaker 2: But anyway, she was doing some press for a new

56
00:02:35,080 --> 00:02:38,720
Speaker 2: movie that she's in called The Materialists, where interstantly she's

57
00:02:38,760 --> 00:02:43,720
Speaker 2: playing a matchmaker, so all about finding and the interviewer

58
00:02:43,960 --> 00:02:46,480
Speaker 2: here asked her a question about her dream man.

59
00:02:47,360 --> 00:02:50,840
Speaker 3: If you were to ever engage with the real life matchmaker,

60
00:02:51,400 --> 00:02:54,640
Speaker 3: what would be one non negotiable for you? Like, not

61
00:02:54,760 --> 00:02:55,359
Speaker 3: an asshole?

62
00:02:58,639 --> 00:03:01,480
Speaker 1: I think that's a bar. We can, yeah, but not

63
00:03:01,520 --> 00:03:03,600
Speaker 1: an asshole, but has to have a bit of edge

64
00:03:03,639 --> 00:03:06,880
Speaker 1: about him. That's a bit, isn't it? Because nice guy's boring?

65
00:03:07,200 --> 00:03:10,520
Speaker 1: Am I right? Analyse? You're taking calls all right? Thirteen

66
00:03:10,560 --> 00:03:13,240
Speaker 1: one oh sixty five is the number.

67
00:03:13,280 --> 00:03:17,640
Speaker 2: I'm just curious. Describe your modern day dream man? What

68
00:03:17,840 --> 00:03:18,520
Speaker 2: is it for you?

69
00:03:18,800 --> 00:03:20,160
Speaker 5: It's an impossible fit, I reckon.

70
00:03:20,240 --> 00:03:23,359
Speaker 2: I think it impossible. And again, it's gonna be hard

71
00:03:23,360 --> 00:03:25,080
Speaker 2: for us to hear will because right now we're not

72
00:03:25,120 --> 00:03:26,200
Speaker 2: sounding like the dream man.

73
00:03:26,480 --> 00:03:29,399
Speaker 1: It's okay, No, it's okay. We'll trying to get I.

74
00:03:29,400 --> 00:03:32,000
Speaker 4: I just think it's impossible right now to be a

75
00:03:32,080 --> 00:03:37,480
Speaker 4: dream guy that's back in the day, hot arrogant tick.

76
00:03:44,040 --> 00:03:47,440
Speaker 2: And I think, I mean what I'm finding out the

77
00:03:47,480 --> 00:03:52,200
Speaker 2: bar is too high. It's just this, this this imaginary

78
00:03:52,840 --> 00:03:56,440
Speaker 2: dream man out there who needs to be like somehow

79
00:03:56,480 --> 00:03:59,640
Speaker 2: on both ends of all scales. So as an example,

80
00:04:00,320 --> 00:04:04,320
Speaker 2: be extroverted and confident at parties, but also quiet and listened.

81
00:04:04,040 --> 00:04:05,000
Speaker 1: To when I have to talk.

82
00:04:05,120 --> 00:04:07,520
Speaker 5: It's like, yeah, that's right, You've.

83
00:04:07,360 --> 00:04:08,320
Speaker 1: Got to pick a side there.

84
00:04:08,440 --> 00:04:10,360
Speaker 5: Nice to have a drink with, but doesn't like drinking

85
00:04:10,400 --> 00:04:10,840
Speaker 5: too much.

86
00:04:11,520 --> 00:04:14,560
Speaker 2: Has heaps of mates, but then isn't so busy with

87
00:04:14,600 --> 00:04:15,640
Speaker 2: his mates at all times.

88
00:04:16,000 --> 00:04:19,880
Speaker 5: That's right, you know, loves music, doesn't play it too loud.

89
00:04:20,320 --> 00:04:25,560
Speaker 4: Brilliant, brilliant Mary on thirty Present, but also thinks about

90
00:04:25,560 --> 00:04:25,960
Speaker 4: the future.

91
00:04:26,200 --> 00:04:30,080
Speaker 5: Yeah, you just can't great, there's no winning, no one does.

92
00:04:30,120 --> 00:04:32,919
Speaker 1: There's a deep existential thinker. But then can laugh at it.

93
00:04:32,920 --> 00:04:34,760
Speaker 5: Has a bit of fun, has been fun every now.

94
00:04:35,600 --> 00:04:38,520
Speaker 2: Mary goes to the gym, is fit, you know, and ripped,

95
00:04:38,560 --> 00:04:39,520
Speaker 2: but loves the pizza with.

96
00:04:39,440 --> 00:04:43,680
Speaker 1: Me on a Friday. Sorry, Mary, obviously we're because we're

97
00:04:43,720 --> 00:04:49,400
Speaker 1: not the dream man. But what's your wrong? We're wrong?

98
00:04:49,720 --> 00:04:50,760
Speaker 1: What's your dream man?

99
00:04:50,880 --> 00:04:51,120
Speaker 2: Mary?

100
00:04:51,640 --> 00:04:51,880
Speaker 6: Man?

101
00:04:52,000 --> 00:04:58,680
Speaker 7: Is someone who has compassion, who's understanding. He considers my

102
00:04:58,920 --> 00:05:03,719
Speaker 7: feelings as well. But most are handsome too. But most

103
00:05:03,760 --> 00:05:06,960
Speaker 7: of all, he's gotta smell, miss, he's got to wear

104
00:05:07,000 --> 00:05:07,719
Speaker 7: after shave.

105
00:05:07,920 --> 00:05:10,960
Speaker 1: Yeah, yummy, smell yummy.

106
00:05:11,640 --> 00:05:11,839
Speaker 6: Yeah.

107
00:05:12,000 --> 00:05:14,920
Speaker 1: Is there an argument for too much after shave? Mary?

108
00:05:15,320 --> 00:05:15,560
Speaker 6: No?

109
00:05:15,880 --> 00:05:17,040
Speaker 1: Never really so.

110
00:05:17,080 --> 00:05:19,320
Speaker 2: Even you know when someone's wearing so much after shave

111
00:05:19,400 --> 00:05:22,200
Speaker 2: that they stay around in the room even after they've left.

112
00:05:22,240 --> 00:05:25,520
Speaker 7: No, you like that sometimes someone who's wearing aster shave

113
00:05:25,560 --> 00:05:27,360
Speaker 7: and then I can smell it on my clothes, you.

114
00:05:27,320 --> 00:05:28,800
Speaker 1: Say, someone.

115
00:05:29,040 --> 00:05:33,920
Speaker 2: Yeah, yeah, but you're like a like a sniffer dog

116
00:05:33,920 --> 00:05:35,640
Speaker 2: at the airport going through a nightclub.

117
00:05:38,640 --> 00:05:41,200
Speaker 1: I was just shaking. I was just shaking.

118
00:05:41,520 --> 00:05:43,919
Speaker 5: Call Mary, Jesus.

119
00:05:44,800 --> 00:05:47,720
Speaker 1: Sorry, let's go to Stella here.

120
00:05:48,040 --> 00:05:51,400
Speaker 2: Yeah, was aggressive, but Stella, it's a jungle out there,

121
00:05:51,440 --> 00:05:55,920
Speaker 2: wilder the single world. Stella, what's your dream man? Describe

122
00:05:56,000 --> 00:05:56,719
Speaker 2: him to us?

123
00:05:57,200 --> 00:05:59,520
Speaker 8: I hope you have a notes sad for this. It

124
00:05:59,600 --> 00:06:03,960
Speaker 8: is the nation between an Australia, an Italian and a French.

125
00:06:04,680 --> 00:06:07,000
Speaker 1: Oh, they've got to be a bit of the three.

126
00:06:07,800 --> 00:06:08,240
Speaker 7: Correct.

127
00:06:08,480 --> 00:06:13,440
Speaker 9: Yes, Australians are loving and caring Italians. They can then

128
00:06:13,680 --> 00:06:17,520
Speaker 9: cook a meal and smell knife and French are driven

129
00:06:18,120 --> 00:06:21,280
Speaker 9: and a little bit arrogant at times. But it's okay.

130
00:06:21,480 --> 00:06:23,520
Speaker 2: So and are you are you confident that you're going

131
00:06:23,600 --> 00:06:27,320
Speaker 2: to find a man out there with all of those characteristics.

132
00:06:28,080 --> 00:06:28,920
Speaker 9: I already got it.

133
00:06:29,520 --> 00:06:37,520
Speaker 2: Oh, well done, good job. Let's go to let's go

134
00:06:37,600 --> 00:06:42,480
Speaker 2: to Elizabeth. Here is Elizabeth talk.

135
00:06:43,360 --> 00:06:44,200
Speaker 1: We're good. Yeah.

136
00:06:44,320 --> 00:06:46,320
Speaker 9: So I'm I'm married and when I was on the

137
00:06:46,400 --> 00:06:48,760
Speaker 9: dating scene, but I just like, give some women of life.

138
00:06:48,960 --> 00:06:50,680
Speaker 9: I think they're doing it wrong. You have to start

139
00:06:50,720 --> 00:06:54,080
Speaker 9: with your prairies, like they have to have a job

140
00:06:56,000 --> 00:06:58,719
Speaker 9: your Yeah, because then they've got to work, you know,

141
00:06:58,960 --> 00:07:01,919
Speaker 9: so that's always important. I also thought, you know, like

142
00:07:01,960 --> 00:07:04,040
Speaker 9: a car and a driver's license, because you don't want

143
00:07:04,040 --> 00:07:06,320
Speaker 9: to be driving someone around. You want to be chaffed.

144
00:07:06,560 --> 00:07:08,920
Speaker 1: Sorry, So the bar was very low for your husband.

145
00:07:08,960 --> 00:07:11,520
Speaker 1: It was practically employed. And do you have a driver?

146
00:07:11,800 --> 00:07:13,560
Speaker 5: If it was a taxi driver, she's got two for

147
00:07:13,640 --> 00:07:14,440
Speaker 5: one straight away.

148
00:07:15,840 --> 00:07:23,560
Speaker 2: We're about to make lots and lots of money.

149
00:07:25,400 --> 00:07:26,960
Speaker 1: Wow.

150
00:07:27,360 --> 00:07:29,720
Speaker 2: I told you yesterday on the radio show Will that

151
00:07:29,880 --> 00:07:34,080
Speaker 2: I was doing some cleaning of my in laws garage.

152
00:07:34,720 --> 00:07:37,720
Speaker 2: Found something that is going to make us a lot

153
00:07:37,880 --> 00:07:38,440
Speaker 2: of money.

154
00:07:39,280 --> 00:07:44,120
Speaker 1: Purple Felt Box, have a look at that gold squares

155
00:07:44,240 --> 00:07:45,960
Speaker 1: on it as well. This is legit.

156
00:07:46,080 --> 00:07:47,720
Speaker 5: It's got a couple of coats of arms.

157
00:07:47,840 --> 00:07:49,720
Speaker 1: It says strictly limited edition.

158
00:07:49,960 --> 00:07:55,080
Speaker 2: These are the coats of arms of the Prints of Wales. Wow,

159
00:07:55,920 --> 00:07:57,680
Speaker 2: so I've got a bit of a bit of royal

160
00:07:57,800 --> 00:07:59,040
Speaker 2: gear here in this box.

161
00:07:59,600 --> 00:08:05,320
Speaker 1: This is the official ceremonial wine that was created to

162
00:08:05,560 --> 00:08:11,920
Speaker 1: celebrate the engagement WOW of Prince Charle and Lady Diana.

163
00:08:12,080 --> 00:08:20,960
Speaker 10: Wow, swimming in cash will now naturally, Naturally, you were

164
00:08:21,000 --> 00:08:23,640
Speaker 10: cynical of the fact that I'm sitting on an absolute

165
00:08:23,720 --> 00:08:27,040
Speaker 10: treasure chest of money. Here the official wine of the

166
00:08:27,080 --> 00:08:30,720
Speaker 10: now king and his former wife, Princess Diana, one of

167
00:08:30,760 --> 00:08:32,360
Speaker 10: the most popular princesses ever.

168
00:08:32,559 --> 00:08:36,280
Speaker 1: But people, the people suggest strictly limited edition.

169
00:08:36,720 --> 00:08:42,160
Speaker 4: Oh it's fine, It's fine now, Jesus she is.

170
00:08:43,080 --> 00:08:47,040
Speaker 2: To silence your cynicism, I have got a professional in

171
00:08:47,080 --> 00:08:52,000
Speaker 2: this field from Davis and White Fine Wine merchants. We

172
00:08:52,080 --> 00:08:54,560
Speaker 2: have got Darren Davis here.

173
00:08:54,760 --> 00:09:00,000
Speaker 4: Hello, Darren, coming on the show. I appreciate you take

174
00:09:00,240 --> 00:09:02,559
Speaker 4: the call for So we've got lots of actual, invaluable

175
00:09:02,600 --> 00:09:03,600
Speaker 4: wine to evaluate.

176
00:09:03,720 --> 00:09:07,280
Speaker 11: So not a problem at all. This sounds this sounds important.

177
00:09:06,840 --> 00:09:10,920
Speaker 2: Of utmost important Darren, how much money is this strictly

178
00:09:10,960 --> 00:09:12,960
Speaker 2: limited edition wine worth?

179
00:09:13,320 --> 00:09:17,000
Speaker 11: Well, to start with, it's a fortified wine, which is

180
00:09:17,000 --> 00:09:19,760
Speaker 11: what we used to call port in Australia, so it's

181
00:09:19,800 --> 00:09:20,400
Speaker 11: still drinking.

182
00:09:20,440 --> 00:09:23,200
Speaker 1: Well, there you go, it'll still drink bang. Tick.

183
00:09:24,120 --> 00:09:27,600
Speaker 11: It was released to nineteen seventy nine vintage, so it's

184
00:09:27,640 --> 00:09:30,319
Speaker 11: a proper port. So there's another big tick for you.

185
00:09:30,480 --> 00:09:32,680
Speaker 1: That's right. I'm just reading the back of the bottle.

186
00:09:32,720 --> 00:09:32,880
Speaker 4: There.

187
00:09:32,920 --> 00:09:36,559
Speaker 1: You're exactly right, Darren, that's a nineteen seventy nine vintage Port.

188
00:09:36,760 --> 00:09:37,240
Speaker 1: Very good.

189
00:09:37,559 --> 00:09:41,360
Speaker 11: So in the late nineteen seventies and early eighties, there

190
00:09:41,400 --> 00:09:45,680
Speaker 11: was a big boom in collectible ports, so there were

191
00:09:45,920 --> 00:09:49,000
Speaker 11: horse racing ports that were prime Minister series ports, the

192
00:09:49,120 --> 00:09:52,160
Speaker 11: cricket team ports that are all highly collectible, and people

193
00:09:52,240 --> 00:09:54,280
Speaker 11: spent a lot of money on them.

194
00:09:54,520 --> 00:09:56,840
Speaker 1: I bet they did. I bet they did, wow, Sdarren.

195
00:09:56,880 --> 00:09:59,200
Speaker 11: And because they were so expensive back in the day,

196
00:09:59,520 --> 00:10:02,680
Speaker 11: everyone too afraid to open them. So that's why there's

197
00:10:02,720 --> 00:10:06,640
Speaker 11: still a lot of these old collectible ports arounds because

198
00:10:06,640 --> 00:10:09,000
Speaker 11: they were very very expensive.

199
00:10:09,080 --> 00:10:11,439
Speaker 1: Very special, very expensive, very special.

200
00:10:11,480 --> 00:10:15,000
Speaker 11: Go on, there, you're sitting on something pretty special, okay,

201
00:10:15,679 --> 00:10:20,400
Speaker 11: go on. But even though it is still drinkable. Nobody

202
00:10:20,480 --> 00:10:24,840
Speaker 11: is really drinking collectible ports anymore. Their value has dropped

203
00:10:24,840 --> 00:10:27,680
Speaker 11: to the floor and you're probably sitting on about twenty

204
00:10:27,679 --> 00:10:28,200
Speaker 11: bucks there.

205
00:10:28,559 --> 00:10:29,600
Speaker 1: I need a second opinion.

206
00:10:32,440 --> 00:10:43,320
Speaker 2: I feel not interested. There's no way it's twenty bugs, Derek, A.

207
00:10:43,320 --> 00:10:45,559
Speaker 11: Lot of there's a lot of expense in packaging there.

208
00:10:45,720 --> 00:10:48,520
Speaker 11: But you can't drink packaging boys.

209
00:10:48,200 --> 00:10:52,840
Speaker 1: Yeah, you can work. You simply can't have it on

210
00:10:52,880 --> 00:10:55,840
Speaker 1: a bookshelf, Darren. You can have it on a mantlepiece.

211
00:10:56,080 --> 00:10:59,440
Speaker 11: And that's exactly what these bottles are. They're just little

212
00:10:59,480 --> 00:11:02,000
Speaker 11: display models that you can put in the man cave

213
00:11:02,080 --> 00:11:05,400
Speaker 11: and tell stories about your friendship with Charles and dying.

214
00:11:05,520 --> 00:11:09,400
Speaker 2: Yeah, well, well, I'm sure that there would be a

215
00:11:09,600 --> 00:11:13,200
Speaker 2: superior demand for people to put them in a place

216
00:11:13,240 --> 00:11:14,600
Speaker 2: of recognition within their house.

217
00:11:14,720 --> 00:11:16,679
Speaker 1: For me, it's still worth far more than twenty bucks down.

218
00:11:16,679 --> 00:11:18,559
Speaker 1: I fully appreciate the wine in the bottle is actually

219
00:11:18,559 --> 00:11:19,320
Speaker 1: worth twenty dollars.

220
00:11:19,400 --> 00:11:20,920
Speaker 4: Well, and what he came in here selling to me

221
00:11:21,040 --> 00:11:23,720
Speaker 4: like this is what they were drinking at the actual engagement.

222
00:11:24,360 --> 00:11:27,280
Speaker 11: It was something that we did in Australia that was

223
00:11:27,320 --> 00:11:30,320
Speaker 11: a great excuse to have a port in honor of

224
00:11:30,360 --> 00:11:33,760
Speaker 11: these engagement. But cash must say they are hideous labels.

225
00:11:34,559 --> 00:11:36,600
Speaker 5: Yeah they are, Yeah, he doubled down.

226
00:11:37,480 --> 00:11:40,440
Speaker 1: They are great pictures, Oh yeah, because.

227
00:11:40,200 --> 00:11:42,120
Speaker 4: There is a drawing of Dina on one and a

228
00:11:42,200 --> 00:11:44,440
Speaker 4: drawing of Charles on the other. Is that just some

229
00:11:44,480 --> 00:11:46,520
Speaker 4: pencil push that they've got at wolf Blast to do that? Like,

230
00:11:46,559 --> 00:11:48,040
Speaker 4: that's not an official portrait, is it?

231
00:11:48,280 --> 00:11:48,360
Speaker 7: No?

232
00:11:48,440 --> 00:11:49,480
Speaker 11: It looks like a character.

233
00:11:49,920 --> 00:11:52,240
Speaker 1: It does a bit, But I'm looking at it. I'm

234
00:11:52,280 --> 00:11:54,160
Speaker 1: looking at it with a whole new light.

235
00:11:54,240 --> 00:11:57,000
Speaker 11: All of a sudden, Darren, Well, I think the price

236
00:11:57,040 --> 00:11:58,120
Speaker 11: has gone down in nineteen.

237
00:11:58,200 --> 00:12:03,800
Speaker 5: There enough showing cracking cracky.

238
00:12:04,040 --> 00:12:06,000
Speaker 2: No, No, we shouldn't crack one because here's what I

239
00:12:06,040 --> 00:12:09,040
Speaker 2: want to do. Appreciate your time, Darren. But the people

240
00:12:09,120 --> 00:12:10,920
Speaker 2: out there thirteen one oh sixty five.

241
00:12:10,880 --> 00:12:13,440
Speaker 1: Is then using the show to auction them. I know that, I.

242
00:12:15,320 --> 00:12:16,319
Speaker 5: Know that look in your eye.

243
00:12:16,440 --> 00:12:18,240
Speaker 1: Thirty one oh sixty five. I need to get these

244
00:12:18,280 --> 00:12:18,840
Speaker 1: off my hand.

245
00:12:18,960 --> 00:12:23,760
Speaker 5: No I need No, I haven't got a desk anymore

246
00:12:23,800 --> 00:12:25,160
Speaker 5: to tough Times.

247
00:12:25,280 --> 00:12:27,920
Speaker 2: Thirteen one oh sixty five is the number who would

248
00:12:28,000 --> 00:12:32,800
Speaker 2: like to put in an offer waste of time, Harry, Harry,

249
00:12:35,520 --> 00:12:39,600
Speaker 2: Princess Diana. It's official, it's not official. It's an unofficial

250
00:12:39,640 --> 00:12:41,160
Speaker 2: official thirty one oh six.

251
00:12:41,160 --> 00:12:42,520
Speaker 1: Five Addison Ray up next.

252
00:12:42,600 --> 00:12:44,199
Speaker 5: I do not want to be wasting too much time

253
00:12:44,240 --> 00:12:44,439
Speaker 5: on this.

254
00:12:44,559 --> 00:12:46,719
Speaker 2: Could ask her if you want, you might be a

255
00:12:46,760 --> 00:12:49,439
Speaker 2: Princess Diana fan. I've never seen one before. Will have

256
00:12:49,600 --> 00:12:51,760
Speaker 2: you no, but exactly right.

257
00:12:51,800 --> 00:12:53,920
Speaker 1: They're rare as I think it's a light. It's that

258
00:12:54,000 --> 00:12:55,800
Speaker 1: you can't find anywhere if you missed it.

259
00:12:55,920 --> 00:12:58,559
Speaker 4: Darren the wine evaluate the professional wine evaluator, just said

260
00:12:58,600 --> 00:12:59,360
Speaker 4: it was worth twenty bucks.

261
00:12:59,360 --> 00:13:02,360
Speaker 2: I think he said it was around twenty dollars, but

262
00:13:02,480 --> 00:13:04,360
Speaker 2: he did say he was a bit of a tight ass.

263
00:13:05,040 --> 00:13:09,920
Speaker 1: So right now we are doing a live wine auction

264
00:13:10,679 --> 00:13:11,080
Speaker 1: as well.

265
00:13:11,160 --> 00:13:13,000
Speaker 4: Yeah, okay, is the wine good, by the way, because

266
00:13:13,000 --> 00:13:16,080
Speaker 4: you did just drop it in the studio strictly limited edition?

267
00:13:16,600 --> 00:13:18,760
Speaker 5: Oh my god, I fell out of the mark.

268
00:13:18,880 --> 00:13:22,640
Speaker 1: It's fine, it's fine now, Jesus, she is what are

269
00:13:22,679 --> 00:13:25,280
Speaker 1: you doing? You chopping me down here? Well, I this

270
00:13:25,400 --> 00:13:25,760
Speaker 1: is an auction.

271
00:13:25,880 --> 00:13:27,640
Speaker 2: You're the guy who stands next to the real estate

272
00:13:27,720 --> 00:13:31,000
Speaker 2: agent and just goes like, whoo, give me me that

273
00:13:31,880 --> 00:13:33,959
Speaker 2: all right, So we're going to take some bids.

274
00:13:34,040 --> 00:13:41,640
Speaker 1: Now give me it all. Dave, Dave, my friend is

275
00:13:41,760 --> 00:13:43,520
Speaker 1: today you're lucky day, Dave.

276
00:13:44,320 --> 00:13:44,960
Speaker 3: Well, I hope.

277
00:13:45,040 --> 00:13:47,360
Speaker 2: So you would like to make an offer for the

278
00:13:47,480 --> 00:13:51,240
Speaker 2: official wedding wine of King Charles and Princess Dan.

279
00:13:52,160 --> 00:13:54,000
Speaker 1: Yes, mate, go on, what's your offer?

280
00:13:54,920 --> 00:13:55,560
Speaker 9: Twenty five?

281
00:13:56,280 --> 00:13:58,880
Speaker 2: Okay, okay, we're already above twenty couple downs.

282
00:14:00,040 --> 00:14:02,719
Speaker 1: That's good, Da, that's good Dave. So, Dave, why why

283
00:14:02,800 --> 00:14:03,560
Speaker 1: do you want the wine?

284
00:14:03,679 --> 00:14:03,839
Speaker 6: Dave?

285
00:14:03,880 --> 00:14:04,440
Speaker 1: I'm interested?

286
00:14:05,920 --> 00:14:07,240
Speaker 12: I don't I just.

287
00:14:12,800 --> 00:14:15,199
Speaker 11: Yeah, I'm just going to drink it.

288
00:14:15,600 --> 00:14:19,240
Speaker 1: Yeah, awesome, you want to day? Okay, all right, twenty

289
00:14:19,280 --> 00:14:20,760
Speaker 1: five bucks. Dave just wants to drink it.

290
00:14:20,800 --> 00:14:21,880
Speaker 5: Let's go wine.

291
00:14:21,920 --> 00:14:24,320
Speaker 1: By the way, it's like a port. Beautiful, suggest that

292
00:14:24,480 --> 00:14:26,920
Speaker 1: it'll be. It'll be beautifully aged right now. The perfect

293
00:14:26,960 --> 00:14:28,680
Speaker 1: time to drink a port is sixty years later.

294
00:14:28,760 --> 00:14:32,760
Speaker 2: Well, let's go to Brad. Now, Brad, you've got to

295
00:14:32,800 --> 00:14:35,440
Speaker 2: beat twenty five bucks, my friend. What would you like

296
00:14:35,520 --> 00:14:35,920
Speaker 2: to offer?

297
00:14:36,720 --> 00:14:38,080
Speaker 11: I'll offer you twenty seven?

298
00:14:39,040 --> 00:14:41,280
Speaker 1: There, come on, we're going up by five here at least.

299
00:14:41,480 --> 00:14:43,080
Speaker 1: Can you take me to thirty I'll give you.

300
00:14:43,080 --> 00:14:43,760
Speaker 8: I'll give you thirty.

301
00:14:43,840 --> 00:14:47,240
Speaker 1: Okay, are you're out? Yeah? Fifteen? H that's right?

302
00:14:47,400 --> 00:14:50,720
Speaker 2: Is two bottles of wine? Good math, Brad is thirty

303
00:14:50,800 --> 00:14:52,040
Speaker 2: as high as you'll go, Brad.

304
00:14:52,920 --> 00:14:54,640
Speaker 8: Oh, well, I might be able to wiggle a little

305
00:14:54,680 --> 00:14:54,920
Speaker 8: bit more.

306
00:14:55,000 --> 00:14:59,960
Speaker 1: Okay, wiggle for me, Brad. Got a way for someone

307
00:15:00,360 --> 00:15:02,440
Speaker 1: away from another bid? No, we don't have a bidding.

308
00:15:02,480 --> 00:15:02,880
Speaker 1: That's why.

309
00:15:03,080 --> 00:15:03,880
Speaker 5: That's why it's bidding.

310
00:15:03,920 --> 00:15:05,960
Speaker 2: I've got it on good authority. The Cassandra's going to

311
00:15:06,000 --> 00:15:07,480
Speaker 2: blow you out of the water. So why don't we

312
00:15:07,520 --> 00:15:10,560
Speaker 2: blow Cassandra before she makes an offer? Would you take

313
00:15:10,600 --> 00:15:11,400
Speaker 2: me to forty Bread?

314
00:15:11,880 --> 00:15:13,200
Speaker 11: I'm a call on your bluff.

315
00:15:13,720 --> 00:15:20,320
Speaker 1: Damn it, Bread. We're going to Cassandra. Then, Cassandra go,

316
00:15:21,080 --> 00:15:22,160
Speaker 1: how are you Cassandra? Wait?

317
00:15:22,240 --> 00:15:22,800
Speaker 5: Is this three poo?

318
00:15:22,880 --> 00:15:23,280
Speaker 1: Cassandra?

319
00:15:24,640 --> 00:15:26,480
Speaker 3: I'd love to give it to mom because she's loved

320
00:15:26,520 --> 00:15:27,560
Speaker 3: anything in the royals.

321
00:15:27,600 --> 00:15:29,560
Speaker 6: I was going to say ten to look throughout fifty

322
00:15:29,600 --> 00:15:31,080
Speaker 6: dollars for fifty fifty.

323
00:15:31,640 --> 00:15:35,280
Speaker 2: Now we're singing, okay, fifty bucks, Brad, back, Brad, it's

324
00:15:35,320 --> 00:15:36,160
Speaker 2: back at you, Brad.

325
00:15:36,200 --> 00:15:37,240
Speaker 1: We're at fifty, Brad.

326
00:15:38,000 --> 00:15:38,720
Speaker 6: I go sixty.

327
00:15:41,760 --> 00:15:47,080
Speaker 1: Cassandra's back at you, Cassandra, and sixty sixty take it.

328
00:15:47,240 --> 00:15:49,240
Speaker 1: I'll take sixty two, Brad back to you.

329
00:15:50,120 --> 00:15:51,920
Speaker 8: To be honest, I only really wanted to pay twenty

330
00:15:51,960 --> 00:15:52,960
Speaker 8: five so she can have it.

331
00:15:53,040 --> 00:15:54,040
Speaker 6: For sixty two Are you.

332
00:15:54,120 --> 00:15:57,280
Speaker 1: Sure, Brad? This last last chance going on.

333
00:15:57,400 --> 00:15:58,680
Speaker 8: I'm just helping to bring it up for you.

334
00:15:59,160 --> 00:16:05,760
Speaker 2: No, you're good man, Okay, good work by Cassandra. For

335
00:16:05,960 --> 00:16:07,080
Speaker 2: sixty two dollars?

336
00:16:07,600 --> 00:16:07,840
Speaker 8: Do I.

337
00:16:09,760 --> 00:16:10,880
Speaker 6: Can seat?

338
00:16:11,400 --> 00:16:11,840
Speaker 1: Do you want?

339
00:16:12,120 --> 00:16:13,040
Speaker 5: Do you want to sell it to?

340
00:16:14,000 --> 00:16:15,400
Speaker 1: Well Jesus? Quick sidebar?

341
00:16:15,480 --> 00:16:19,040
Speaker 2: Sorry, Cassandra, somehow put you need not listen to this, Cassandra,

342
00:16:19,240 --> 00:16:21,040
Speaker 2: I don't think we can put you on hold, quick

343
00:16:21,120 --> 00:16:24,720
Speaker 2: sidebar with my co agent.

344
00:16:25,800 --> 00:16:26,640
Speaker 1: What are you talking about?

345
00:16:26,640 --> 00:16:28,920
Speaker 2: Maybe we've got sixty two bucks, Darren see it itself

346
00:16:28,960 --> 00:16:31,840
Speaker 2: for twenty we've made three times that.

347
00:16:32,280 --> 00:16:33,960
Speaker 1: Yeah, I know, but like I mean, this is our first,

348
00:16:34,240 --> 00:16:36,080
Speaker 1: this is our first toe in the water. Yeah, we

349
00:16:36,200 --> 00:16:38,160
Speaker 1: might be able to raise the value of it somehow.

350
00:16:38,280 --> 00:16:40,400
Speaker 2: What if we lose, Cassandra, Because I'm like, I'm gonna

351
00:16:40,400 --> 00:16:42,760
Speaker 2: be honest with you, will sixty two bucks is pretty good.

352
00:16:42,840 --> 00:16:45,080
Speaker 4: It's not even yours. I mean, anything's good. You stole

353
00:16:45,120 --> 00:16:47,600
Speaker 4: it from your parents in law's garage, exactly.

354
00:16:47,680 --> 00:16:50,000
Speaker 1: It's three sixty dollars. It's sixty two dollars of profit,

355
00:16:50,240 --> 00:16:51,160
Speaker 1: which I'm pretty happy with.

356
00:16:51,400 --> 00:16:53,760
Speaker 4: But like, I mean, like if if there's sixty dollars

357
00:16:53,760 --> 00:16:56,080
Speaker 4: from here. I'm sure there's other interest out there. We

358
00:16:56,200 --> 00:17:01,360
Speaker 4: can make it more enticing to people. How ah, we

359
00:17:01,440 --> 00:17:02,920
Speaker 4: haven't we gonna do something on socials. We can do

360
00:17:02,960 --> 00:17:04,440
Speaker 4: something fun with it on the socials. I mean you

361
00:17:04,480 --> 00:17:05,879
Speaker 4: can do you can do a nerd should with the

362
00:17:06,600 --> 00:17:09,679
Speaker 4: Oh yeah, exel something like that. I mean otherwise, I mean,

363
00:17:09,680 --> 00:17:10,800
Speaker 4: if you're happy with sixty.

364
00:17:10,560 --> 00:17:14,040
Speaker 1: Two, Cassandra, all right, did you hear all of that.

365
00:17:16,240 --> 00:17:20,880
Speaker 1: You're up to speed? Then can we can I put

366
00:17:20,960 --> 00:17:23,240
Speaker 1: that off? Can I can? I? Can we pencil that

367
00:17:23,320 --> 00:17:25,400
Speaker 1: offer in and I'll get back to you in twenty

368
00:17:25,400 --> 00:17:25,920
Speaker 1: four hours?

369
00:17:26,720 --> 00:17:26,880
Speaker 2: Oh?

370
00:17:27,040 --> 00:17:28,000
Speaker 9: Okay, too easy.

371
00:17:29,359 --> 00:17:31,400
Speaker 8: She loves anything with the royal, so she probably even

372
00:17:31,400 --> 00:17:32,560
Speaker 8: throw another pendolars in there.

373
00:17:32,600 --> 00:17:33,240
Speaker 11: To be honest.

374
00:17:33,280 --> 00:17:34,719
Speaker 2: Well, can we can we just can we just call

375
00:17:34,760 --> 00:17:39,200
Speaker 2: it even at seventy for the No, can we just

376
00:17:39,280 --> 00:17:41,840
Speaker 2: lock in seventy cass sixty two?

377
00:17:41,960 --> 00:17:42,320
Speaker 11: Pencil?

378
00:17:42,480 --> 00:17:44,119
Speaker 5: Yeah, because pencil pencil?

379
00:17:44,480 --> 00:17:45,960
Speaker 1: Okay, sixty five in good faith?

380
00:17:46,080 --> 00:17:46,119
Speaker 12: No?

381
00:17:46,200 --> 00:17:52,800
Speaker 1: No, penciled into sixty five in good faith. We'll get

382
00:17:52,880 --> 00:17:54,480
Speaker 1: we'll get in touch tomorrow. Cassandra.

383
00:17:55,200 --> 00:17:58,080
Speaker 5: Okay, okay, we can give a way to increase the

384
00:17:58,160 --> 00:17:58,880
Speaker 5: value of the wine.

385
00:17:58,960 --> 00:18:02,000
Speaker 1: That's yeah, I like that right? We gets libs in

386
00:18:02,080 --> 00:18:03,440
Speaker 1: here all the time you get someone to sign it

387
00:18:03,520 --> 00:18:06,560
Speaker 1: for you. Oh here, we right, why don't we get

388
00:18:06,560 --> 00:18:07,080
Speaker 1: a royal in.

389
00:18:07,760 --> 00:18:08,880
Speaker 5: I think that's harder than you think.

390
00:18:13,119 --> 00:18:17,600
Speaker 4: Guys seen erupting in Los Angeles downtown Los Angeles if

391
00:18:17,640 --> 00:18:19,600
Speaker 4: you missed the audio before, there are a bunch of

392
00:18:19,640 --> 00:18:23,240
Speaker 4: people that gathered downtown Los Angeles outside the Metropolitan Detention

393
00:18:23,359 --> 00:18:26,000
Speaker 4: Center to oppose the immigration laws that Trump is imposing.

394
00:18:26,720 --> 00:18:28,600
Speaker 4: And look, just to give you an idea and why

395
00:18:28,720 --> 00:18:31,240
Speaker 4: this is affecting Australia so much, Lauren Tomarci, who was

396
00:18:31,320 --> 00:18:34,520
Speaker 4: covering the event four Channel nine, was shot by a

397
00:18:34,680 --> 00:18:38,320
Speaker 4: rubber bullet by the LAPD. Have a listen to this

398
00:18:38,400 --> 00:18:39,320
Speaker 4: if you haven't already, the.

399
00:18:39,440 --> 00:18:44,240
Speaker 12: LAPD moving in on horseback, firing rubber bullets and protesters

400
00:18:44,720 --> 00:18:57,080
Speaker 12: moving them on through the heart of lat.

401
00:18:57,000 --> 00:18:59,160
Speaker 2: You haven't seen that footage as well, Like she's okay,

402
00:18:59,240 --> 00:19:01,399
Speaker 2: by the way, really want to stress that she is okay.

403
00:19:01,640 --> 00:19:04,200
Speaker 2: But if you see the footage, naturally, when I first

404
00:19:04,200 --> 00:19:05,919
Speaker 2: saw the headline, it was like, oh, so she's been

405
00:19:05,960 --> 00:19:06,760
Speaker 2: caught in the crossfire.

406
00:19:06,800 --> 00:19:11,240
Speaker 1: It's a horrible accident. Yeah, it's not. You see someone

407
00:19:11,400 --> 00:19:13,399
Speaker 1: behind her aim and shoot her in the.

408
00:19:13,400 --> 00:19:14,800
Speaker 4: League yeah, and there's a lot of people are saying

409
00:19:14,840 --> 00:19:17,840
Speaker 4: online you know, that's a person who's got a camera

410
00:19:17,920 --> 00:19:19,120
Speaker 4: on them, clearly reporting for the news.

411
00:19:19,160 --> 00:19:20,680
Speaker 1: I mean, the reporter should be immune to imagine what

412
00:19:20,720 --> 00:19:21,560
Speaker 1: they're doing to everybody else.

413
00:19:21,560 --> 00:19:25,040
Speaker 4: There's footage of protest is getting stamped by the LAPD

414
00:19:25,200 --> 00:19:25,879
Speaker 4: on horseback.

415
00:19:26,160 --> 00:19:26,520
Speaker 1: So look.

416
00:19:26,600 --> 00:19:30,119
Speaker 4: Miley Hogan from seven News, their USA correspondent, joins us

417
00:19:30,200 --> 00:19:31,320
Speaker 4: right now on Will and Woody.

418
00:19:31,359 --> 00:19:33,680
Speaker 1: Miley, I saw you on TV with a helmet seconds ago.

419
00:19:34,080 --> 00:19:37,160
Speaker 1: Are you okay? Yes?

420
00:19:37,320 --> 00:19:40,040
Speaker 8: Yeah, Look I am okay. We do where a ppe

421
00:19:40,119 --> 00:19:42,480
Speaker 8: when we feel it's appropriate, and we just try to

422
00:19:42,520 --> 00:19:45,160
Speaker 8: assess the situation as much as we can and hope

423
00:19:45,160 --> 00:19:48,399
Speaker 8: that our training will kick in and we can keep

424
00:19:48,440 --> 00:19:51,560
Speaker 8: as safe as possible. Look, I will say sometimes things

425
00:19:51,640 --> 00:19:54,480
Speaker 8: happen when you're on the field, when you're reporting on

426
00:19:55,040 --> 00:20:01,240
Speaker 8: stories like Viswan, sometimes things do happen, and unfortunate for Lauren,

427
00:20:01,359 --> 00:20:03,840
Speaker 8: that was an awful, distressing situation. And I think we've

428
00:20:03,880 --> 00:20:05,840
Speaker 8: all seen the footage and we can see what happened there.

429
00:20:05,880 --> 00:20:07,640
Speaker 8: I don't think there's much she could have done really

430
00:20:07,800 --> 00:20:09,000
Speaker 8: to avoid that.

431
00:20:09,720 --> 00:20:11,320
Speaker 1: Is it scary though, my because I mean, is what

432
00:20:11,440 --> 00:20:12,200
Speaker 1: he just pointed out.

433
00:20:12,200 --> 00:20:13,680
Speaker 4: I mean, yeah, there's not much that you might have

434
00:20:13,720 --> 00:20:15,679
Speaker 4: done if you recording the crossfire shore, we'd all kind

435
00:20:15,720 --> 00:20:17,760
Speaker 4: of look at that and go, that was hectic. But

436
00:20:18,320 --> 00:20:20,760
Speaker 4: as you said, we've all said the footage she clearly

437
00:20:20,880 --> 00:20:23,960
Speaker 4: takes aim at her and shoots her. Is this This

438
00:20:24,080 --> 00:20:26,399
Speaker 4: is a different sort of conflict that we're seeing here.

439
00:20:26,440 --> 00:20:29,320
Speaker 4: I mean, for anyone who's seen the Alice Gallen movie

440
00:20:29,400 --> 00:20:32,359
Speaker 4: Civil War, there's a lot of that about this for

441
00:20:32,480 --> 00:20:34,320
Speaker 4: me right now, and I'm just you know, if the

442
00:20:34,359 --> 00:20:38,400
Speaker 4: press are getting targeted, how close is this to unfolding

443
00:20:38,440 --> 00:20:39,520
Speaker 4: into something a bit more hectic?

444
00:20:39,560 --> 00:20:39,920
Speaker 5: Do you think?

445
00:20:42,080 --> 00:20:42,240
Speaker 6: Well?

446
00:20:42,280 --> 00:20:44,720
Speaker 8: I think as a journalist, you never want to see

447
00:20:44,800 --> 00:20:48,359
Speaker 8: the press getting targeted. It's important for journalists to be

448
00:20:48,480 --> 00:20:52,440
Speaker 8: able to be close up to these situations so we

449
00:20:52,520 --> 00:20:55,600
Speaker 8: can get a good understanding of what's actually happening on

450
00:20:55,680 --> 00:20:58,040
Speaker 8: the ground and then report it back. So the last

451
00:20:58,080 --> 00:21:01,880
Speaker 8: thing you want to do or see journalists being intimidated

452
00:21:02,119 --> 00:21:04,879
Speaker 8: or frightened from doing their job. We want to be

453
00:21:04,960 --> 00:21:06,840
Speaker 8: able to be in there and get it done. It's

454
00:21:06,880 --> 00:21:10,600
Speaker 8: so important. I do believe that there'll be an investigation

455
00:21:10,760 --> 00:21:14,040
Speaker 8: into what happened to my friend in the wonderful port

456
00:21:14,119 --> 00:21:16,640
Speaker 8: Lauren to Marsy, so hopefully we'll get to Marsters there.

457
00:21:17,280 --> 00:21:20,800
Speaker 8: I haven't experienced that myself on the ground, so I

458
00:21:20,840 --> 00:21:24,119
Speaker 8: will say, I mean, there's been times where rubber boots

459
00:21:24,160 --> 00:21:28,040
Speaker 8: has been definitely shot in the direction of where we

460
00:21:28,160 --> 00:21:31,240
Speaker 8: may be, or we'll see them getting shot at protesters.

461
00:21:32,560 --> 00:21:35,560
Speaker 8: Is it is always a bit hectic, to say the

462
00:21:35,680 --> 00:21:37,000
Speaker 8: least on the ground at times?

463
00:21:37,560 --> 00:21:40,520
Speaker 2: Hey, Molly, is this one of those situations where obviously

464
00:21:40,560 --> 00:21:43,560
Speaker 2: everything we're seeing on TV and through media, it looks

465
00:21:43,640 --> 00:21:45,680
Speaker 2: really hectic? To be honest, it kind of looks like

466
00:21:45,760 --> 00:21:48,240
Speaker 2: the kind of thing where there's no way I would

467
00:21:48,280 --> 00:21:50,800
Speaker 2: feel safe going to Los Angeles right now, Like if

468
00:21:50,840 --> 00:21:52,920
Speaker 2: I had a holiday book for tomorrow, I would be

469
00:21:53,000 --> 00:21:55,760
Speaker 2: canceling that trip one hundred percent. Is it actually that

470
00:21:56,240 --> 00:21:58,960
Speaker 2: hectic or are there just sort of small portions of

471
00:21:59,160 --> 00:22:00,480
Speaker 2: la where it is really scary.

472
00:22:02,359 --> 00:22:04,640
Speaker 8: If you've ever been to Los Angeles, you'll understand it's

473
00:22:04,640 --> 00:22:08,480
Speaker 8: a city that is falling. It's absolutely massive, and these

474
00:22:08,560 --> 00:22:12,760
Speaker 8: protests are concentrated in the downtown area. It really is

475
00:22:12,880 --> 00:22:16,800
Speaker 8: concentrated to i'd say a four block radius in the

476
00:22:16,920 --> 00:22:20,520
Speaker 8: downtown area. If you were coming as a tourist. I

477
00:22:20,560 --> 00:22:23,560
Speaker 8: wouldn't be recommending going down to downtown Los Angeles at

478
00:22:23,600 --> 00:22:27,479
Speaker 8: this time, but you could go across to Santa Monica, Venice,

479
00:22:27,600 --> 00:22:30,520
Speaker 8: West Hollywood and you'd be a thriving Los Angeles getting

480
00:22:30,520 --> 00:22:34,680
Speaker 8: on with their life. This really is concentrated in the

481
00:22:34,720 --> 00:22:35,520
Speaker 8: downtown area.

482
00:22:35,920 --> 00:22:36,760
Speaker 5: Are you afraid though?

483
00:22:36,920 --> 00:22:38,679
Speaker 1: Because I mean Miley.

484
00:22:38,880 --> 00:22:41,560
Speaker 4: The last time the National Guard was sent out it

485
00:22:41,600 --> 00:22:44,200
Speaker 4: was in nineteen sixty five to try and aid protesters

486
00:22:44,240 --> 00:22:46,920
Speaker 4: in a silent protest. And you know, the governor of

487
00:22:48,240 --> 00:22:52,160
Speaker 4: California has said, you know, well, first of all, Trump

488
00:22:52,800 --> 00:22:55,400
Speaker 4: has endorsed his arrest, and then he's come out and said,

489
00:22:55,400 --> 00:22:58,399
Speaker 4: come and arrest me, big guy. And now Trump has

490
00:22:58,440 --> 00:23:00,840
Speaker 4: said literally used the words big ironically.

491
00:23:00,920 --> 00:23:01,639
Speaker 5: How American is that?

492
00:23:02,680 --> 00:23:05,359
Speaker 4: And then's and now I know that Trump is sending

493
00:23:05,400 --> 00:23:09,919
Speaker 4: over hundreds, if not thousands of Marines and more National Guards.

494
00:23:10,000 --> 00:23:14,000
Speaker 4: So whilst this is concentrated and sure in a downtown area,

495
00:23:14,600 --> 00:23:17,600
Speaker 4: surely there's a part of you that feels as if

496
00:23:17,760 --> 00:23:20,680
Speaker 4: you know, this is potentially the spark that kicks off

497
00:23:20,960 --> 00:23:22,680
Speaker 4: a powder keg of violence.

498
00:23:25,200 --> 00:23:27,520
Speaker 8: I think it will be interesting to see what does

499
00:23:27,600 --> 00:23:31,639
Speaker 8: happen when the Marines arriving downtown Los Angeles. To be

500
00:23:31,880 --> 00:23:34,040
Speaker 8: very honest with you, it hasn't been very It hasn't

501
00:23:34,080 --> 00:23:36,560
Speaker 8: been made clear what the Marines will be doing when

502
00:23:36,600 --> 00:23:40,280
Speaker 8: they get here. There's been no clear communication to the media,

503
00:23:40,640 --> 00:23:43,400
Speaker 8: to the public. Are they going to be on the streets.

504
00:23:43,440 --> 00:23:47,760
Speaker 8: We're going to see marine marine on the streets doing

505
00:23:47,840 --> 00:23:50,720
Speaker 8: crowd control. These are soldiers that have been trained to

506
00:23:50,840 --> 00:23:53,960
Speaker 8: fight foreign wars. Are we going to see people with

507
00:23:54,080 --> 00:23:58,640
Speaker 8: that level of training dealing with their own citizens who

508
00:23:58,680 --> 00:24:02,359
Speaker 8: are protesting. I mean, that would be an extraordinary exhalation,

509
00:24:02,760 --> 00:24:05,639
Speaker 8: and it would be an extraordinary show of force. And

510
00:24:06,080 --> 00:24:08,840
Speaker 8: how far Donald Trump is willing to go to use

511
00:24:08,880 --> 00:24:16,399
Speaker 8: the military to intimidate American citizens and also to control

512
00:24:16,520 --> 00:24:19,760
Speaker 8: these It really would be an extraordinary escalation. If the

513
00:24:19,880 --> 00:24:22,280
Speaker 8: Marines were on the streets here, it'll be fascinating and

514
00:24:22,520 --> 00:24:24,800
Speaker 8: very unprecedented to watch.

515
00:24:24,880 --> 00:24:27,880
Speaker 4: Really well, he said they're going over there to restore order,

516
00:24:29,160 --> 00:24:32,120
Speaker 4: is what he said. And you know, as Newsom has said,

517
00:24:32,400 --> 00:24:35,480
Speaker 4: the governor of California, that they shouldn't be deployed, They

518
00:24:35,480 --> 00:24:40,120
Speaker 4: shouldn't be deploying American soldiers on American soil, facing their

519
00:24:40,160 --> 00:24:45,560
Speaker 4: own countrymen to fulfill the deranged fantasy of a dictatorial president,

520
00:24:46,320 --> 00:24:49,560
Speaker 4: which I think is really what this is, which I mean,

521
00:24:50,640 --> 00:24:51,840
Speaker 4: this scares me, Miley.

522
00:24:52,480 --> 00:24:55,040
Speaker 1: I don't think i've ever particularly in America.

523
00:24:55,080 --> 00:24:57,680
Speaker 5: I mean, we see this in Europe. We see we see.

524
00:24:57,560 --> 00:25:00,840
Speaker 4: Presidents and autocrats deploying the military to to put down

525
00:25:01,000 --> 00:25:03,040
Speaker 4: rebellions and coups all over the world, and that is

526
00:25:03,080 --> 00:25:05,320
Speaker 4: often the beginning of the end. So the fact that

527
00:25:05,400 --> 00:25:07,760
Speaker 4: the president of the United States is doing this in

528
00:25:07,840 --> 00:25:12,399
Speaker 4: his own country, in Los Angeles, that scares me. And

529
00:25:12,680 --> 00:25:15,440
Speaker 4: I just yeah, the fact they're shooting the press, that's

530
00:25:15,600 --> 00:25:16,479
Speaker 4: I hope you're doing all right.

531
00:25:16,840 --> 00:25:20,560
Speaker 8: I'm yeah, thank you, thank you. I mean, it is

532
00:25:21,280 --> 00:25:24,440
Speaker 8: definitely an interesting time to be a journalist in the

533
00:25:24,520 --> 00:25:25,159
Speaker 8: United States.

534
00:25:25,960 --> 00:25:27,800
Speaker 5: Yeah right, Okay, good luck, Miley.

535
00:25:29,480 --> 00:25:31,840
Speaker 2: It's midnight in LA right now, so hopefully you can

536
00:25:32,440 --> 00:25:36,879
Speaker 2: get some sleep safely, and we're just hoping here that

537
00:25:37,240 --> 00:25:37,960
Speaker 2: it calms down.

538
00:25:38,200 --> 00:25:38,400
Speaker 3: Yeah.

539
00:25:38,880 --> 00:25:42,600
Speaker 4: Absolutely, thank you, Thank you so much, Thanks so much

540
00:25:42,600 --> 00:25:45,359
Speaker 4: for joining us. Miley Hogan their seven years USA correspondent,

541
00:25:45,480 --> 00:25:47,479
Speaker 4: keeping surested of what is going on in Los Angeles.

542
00:25:47,560 --> 00:25:51,320
Speaker 4: That scary stuff. Look, it might be controlled, it seems

543
00:25:51,359 --> 00:25:53,200
Speaker 4: like it is in downtown LA. But like he's just

544
00:25:53,320 --> 00:25:55,359
Speaker 4: there's I know there's more protest planned for across the

545
00:25:55,400 --> 00:25:58,680
Speaker 4: country in the next coming days. So America showing on

546
00:25:58,800 --> 00:26:01,159
Speaker 4: paper now that you know, ideologically it has been the

547
00:26:01,240 --> 00:26:03,639
Speaker 4: most polarizing, cut or polarized country in the world. We

548
00:26:03,680 --> 00:26:06,399
Speaker 4: saw that the elections, and now we might actually be

549
00:26:06,440 --> 00:26:06,760
Speaker 4: seeing that.

550
00:26:08,440 --> 00:26:08,640
Speaker 2: Yeah.

551
00:26:08,640 --> 00:26:11,600
Speaker 1: As I said in flesh, which is just really scary thought.

552
00:26:11,640 --> 00:26:18,720
Speaker 1: I reckon, we've got cash to you away. Can you

553
00:26:18,760 --> 00:26:18,920
Speaker 1: hear it?

554
00:26:18,960 --> 00:26:20,240
Speaker 4: One hundred dollars of can if you can tell the

555
00:26:20,280 --> 00:26:22,480
Speaker 4: difference between sounds soft and can be just by the

556
00:26:22,480 --> 00:26:23,560
Speaker 4: sound of the can opening.

557
00:26:30,280 --> 00:26:33,440
Speaker 1: And you just keep going until you get one wrong.

558
00:26:33,560 --> 00:26:37,720
Speaker 1: So technically there's there's no cap, like, it's just you

559
00:26:37,840 --> 00:26:41,480
Speaker 1: can win x amount of money the amount of money.

560
00:26:43,000 --> 00:26:45,880
Speaker 5: No cap is something the kids say these days.

561
00:26:45,760 --> 00:26:48,439
Speaker 2: And I'm deliberately doing that to sound youthful.

562
00:26:49,240 --> 00:26:52,520
Speaker 4: It does work both ways, though, because he's saying no exaggeration, right, well,

563
00:26:52,600 --> 00:26:53,159
Speaker 4: absolutely no.

564
00:26:53,240 --> 00:26:55,240
Speaker 5: You're saying no monetary cap.

565
00:26:55,400 --> 00:26:58,320
Speaker 1: Yeah, well, I'm saying both. Listen, there's no caps here.

566
00:26:59,240 --> 00:27:01,240
Speaker 2: What I will tell you, though, Melissa, is that our

567
00:27:01,320 --> 00:27:03,639
Speaker 2: producer An Elyse, in her haste to bring the cans

568
00:27:03,680 --> 00:27:06,240
Speaker 2: in here, has informed me that she has shaken these

569
00:27:06,320 --> 00:27:08,359
Speaker 2: cans up. So it's going to be pretty exciting for

570
00:27:08,400 --> 00:27:11,520
Speaker 2: everyone as I crack can number one.

571
00:27:11,720 --> 00:27:22,400
Speaker 6: Melissa, soda saft drink one hundred.

572
00:27:22,160 --> 00:27:26,720
Speaker 4: Bucks, Melissa, steady, that didn't that didn't sprayl over me

573
00:27:26,800 --> 00:27:29,119
Speaker 4: because I tapped them on the top. I went over

574
00:27:29,200 --> 00:27:30,760
Speaker 4: there and I tapped all the cans on the top.

575
00:27:31,000 --> 00:27:33,240
Speaker 4: I've sworn by that my whole lifewards tapped the can

576
00:27:33,320 --> 00:27:33,760
Speaker 4: on the top.

577
00:27:35,160 --> 00:27:38,080
Speaker 5: Lad in the science, great science.

578
00:27:38,200 --> 00:27:49,920
Speaker 1: Here is can too for two hundred bucks. Be a

579
00:27:50,040 --> 00:27:50,520
Speaker 1: hundred bucks?

580
00:27:50,640 --> 00:27:50,880
Speaker 6: Is good?

581
00:27:50,920 --> 00:27:54,560
Speaker 1: Melissa, one hundred bucks. That is all yours, No worries.

582
00:27:54,640 --> 00:27:57,720
Speaker 2: That was a soft drink again, Unfortunately, let's go to

583
00:27:57,840 --> 00:27:58,560
Speaker 2: Dannielle here.

584
00:27:58,720 --> 00:28:00,119
Speaker 4: Can I just say before we go to danniel Well,

585
00:28:00,160 --> 00:28:03,000
Speaker 4: I know that you trust me like a brother, but yeah,

586
00:28:04,119 --> 00:28:06,399
Speaker 4: I just told you that, like I didn't know guaranteed

587
00:28:06,440 --> 00:28:09,560
Speaker 4: that tapping the can and the head would stop the

588
00:28:09,640 --> 00:28:13,240
Speaker 4: can exploding, and yet you still opened it directly into

589
00:28:13,280 --> 00:28:17,399
Speaker 4: the microphone. Yeah, these are expensive microphones and you have

590
00:28:18,000 --> 00:28:20,240
Speaker 4: brought down a server by pouring water on it with

591
00:28:20,320 --> 00:28:21,040
Speaker 4: bo Ryan before.

592
00:28:21,200 --> 00:28:22,680
Speaker 1: Was there a part of you that thought that maybe

593
00:28:22,720 --> 00:28:23,359
Speaker 1: that was a bad idea.

594
00:28:23,920 --> 00:28:26,040
Speaker 2: No, it's funnily, and I just didn't think about it.

595
00:28:26,960 --> 00:28:30,480
Speaker 2: I was more worried about getting coke on myself. Finally enough,

596
00:28:31,600 --> 00:28:34,399
Speaker 2: Danny Elly, if a text listen, I really, I do,

597
00:28:34,600 --> 00:28:34,760
Speaker 2: I do?

598
00:28:35,000 --> 00:28:35,159
Speaker 8: I do?

599
00:28:35,440 --> 00:28:39,080
Speaker 1: Take care, Danny l can number one. It's worth a

600
00:28:39,200 --> 00:28:41,240
Speaker 1: hundred bucks. The mics are working. Here we go.

601
00:28:49,960 --> 00:28:52,760
Speaker 5: It's a beer. We can't even get you off the mark.

602
00:28:53,000 --> 00:28:54,360
Speaker 5: I can't even get you off the mark.

603
00:28:54,720 --> 00:28:56,920
Speaker 1: Its crisp beer. Yeah, that was a Chris beer that

604
00:28:57,320 --> 00:29:01,280
Speaker 1: tasted all that sounded every bit of beer it did.

605
00:29:01,520 --> 00:29:02,000
Speaker 1: It really did.

606
00:29:02,040 --> 00:29:05,600
Speaker 2: Storry to rubbing and dannyell. Uh, Joey, here you Joey,

607
00:29:06,440 --> 00:29:09,040
Speaker 2: Hey on outstanding Joey. You want to win some cash.

608
00:29:09,080 --> 00:29:09,840
Speaker 2: Here's ken one.

609
00:29:16,880 --> 00:29:21,600
Speaker 1: That's soft drink, Joey, it is, Joey. It's a hundred bucks.

610
00:29:21,840 --> 00:29:24,360
Speaker 5: I thought I thought all money. It was a beer,

611
00:29:24,560 --> 00:29:25,120
Speaker 5: did you really?

612
00:29:25,240 --> 00:29:25,440
Speaker 4: Yeah?

613
00:29:25,960 --> 00:29:26,560
Speaker 1: You can see it.

614
00:29:27,400 --> 00:29:29,280
Speaker 5: That's true, Joey.

615
00:29:29,400 --> 00:29:30,000
Speaker 1: He can't do.

616
00:29:36,720 --> 00:29:38,080
Speaker 6: Oh that one. There was a beer.

617
00:29:39,560 --> 00:29:46,240
Speaker 1: Sorry, Joey, Joey, one hundred bucks. Under backs ain't bad, Joey,

618
00:29:46,280 --> 00:29:50,640
Speaker 1: how her backs ain't bad? Good cheers, cheers, mate, joe Joey.

619
00:29:54,240 --> 00:29:56,920
Speaker 1: Not great players today, but still people walking away with

620
00:29:56,920 --> 00:29:58,480
Speaker 1: a hundred bucks. Well, not bad ones.

621
00:29:58,880 --> 00:30:01,080
Speaker 5: I'm more can you here hundred bucks again?

622
00:30:01,720 --> 00:30:04,720
Speaker 4: Deli Soft runs down of the can opening right now

623
00:30:04,760 --> 00:30:06,560
Speaker 4: that we are close to the show finishing's got just

624
00:30:06,720 --> 00:30:10,440
Speaker 4: enough time to find out whether gen Z all the

625
00:30:10,520 --> 00:30:12,000
Speaker 4: millennials are more out of touch.

626
00:30:12,200 --> 00:30:15,320
Speaker 1: Junior producer analyts in the studio for Battle of the Gem.

627
00:30:17,720 --> 00:30:27,360
Speaker 2: Alone, it's will and woodiest of them. We throw pop

628
00:30:27,480 --> 00:30:31,600
Speaker 2: culture phenomens at our junior producer analyse.

629
00:30:31,800 --> 00:30:33,840
Speaker 1: Uh well, I think we should kick things off.

630
00:30:35,280 --> 00:30:35,600
Speaker 11: This is.

631
00:30:37,800 --> 00:30:42,840
Speaker 1: Age. I respect your eldest. I mean, by the way, analysts,

632
00:30:42,840 --> 00:30:44,800
Speaker 1: you're born in the year two thousand. That's right, yeah,

633
00:30:45,240 --> 00:30:45,800
Speaker 1: two thousand.

634
00:30:46,440 --> 00:30:49,400
Speaker 5: Why are the American accents American accents?

635
00:30:49,680 --> 00:30:51,560
Speaker 2: Yeah? Sorry, that's just me.

636
00:30:52,560 --> 00:30:53,520
Speaker 1: It's not it's not.

637
00:30:55,800 --> 00:30:56,080
Speaker 2: Slip.

638
00:30:56,560 --> 00:30:58,200
Speaker 3: I'm bilingual, but.

639
00:31:00,120 --> 00:31:01,000
Speaker 5: I'm due lingo.

640
00:31:03,000 --> 00:31:07,320
Speaker 1: That's the app though generations do. We'd go to classes

641
00:31:07,360 --> 00:31:15,080
Speaker 1: in person anyway. Wow, here we go. This is just

642
00:31:15,200 --> 00:31:17,760
Speaker 1: something that everyone listening will one hundred percent be across.

643
00:31:17,880 --> 00:31:18,600
Speaker 1: You should be across.

644
00:31:18,840 --> 00:31:20,800
Speaker 2: Yes, here it is actually first tame just a little

645
00:31:20,800 --> 00:31:25,600
Speaker 2: warm up. Name name two video rental stores A.

646
00:31:25,680 --> 00:31:30,280
Speaker 3: Video Easy and my local and tu car.

647
00:31:30,480 --> 00:31:30,760
Speaker 1: Come on.

648
00:31:32,880 --> 00:31:38,000
Speaker 3: Video Easy Video start No video Starsn't stop video easy.

649
00:31:38,360 --> 00:31:42,640
Speaker 1: Block bluster there you go blocks just block bustar, All right,

650
00:31:42,920 --> 00:31:43,760
Speaker 1: now you should know this.

651
00:31:44,240 --> 00:31:47,480
Speaker 5: Well, so what if you went to on rent a

652
00:31:47,680 --> 00:31:49,160
Speaker 5: video or a DVD?

653
00:31:49,880 --> 00:31:52,120
Speaker 1: What were the two or a Blu Ray?

654
00:31:53,160 --> 00:31:53,840
Speaker 5: What were the two?

655
00:31:55,240 --> 00:31:55,840
Speaker 1: You didn't.

656
00:31:57,320 --> 00:31:59,480
Speaker 5: I shouldn't have given you that. Do you know what

657
00:31:59,560 --> 00:31:59,960
Speaker 5: a Blu Ray?

658
00:32:00,320 --> 00:32:01,120
Speaker 3: Yeah, it's a DVD?

659
00:32:01,920 --> 00:32:02,320
Speaker 1: What were the.

660
00:32:05,640 --> 00:32:09,080
Speaker 5: Real didn't bespoke Blu ray player?

661
00:32:09,560 --> 00:32:10,200
Speaker 11: It was a line?

662
00:32:11,400 --> 00:32:11,640
Speaker 1: Okay?

663
00:32:11,880 --> 00:32:17,240
Speaker 4: What were the two rental categories you got at a

664
00:32:17,360 --> 00:32:24,000
Speaker 4: video easy? At a video easy and or blockbusters as

665
00:32:24,040 --> 00:32:24,480
Speaker 4: you called it.

666
00:32:24,640 --> 00:32:26,840
Speaker 3: Yes, So I feel like you'd walk into the store

667
00:32:26,880 --> 00:32:31,160
Speaker 3: and there was two sides. There was kids and adults.

668
00:32:31,600 --> 00:32:36,760
Speaker 1: I'm not talking genre. I'm not talking genre actions or.

669
00:32:40,240 --> 00:32:44,560
Speaker 4: There's two types of rental or videos because rental categories

670
00:32:45,440 --> 00:32:46,720
Speaker 4: specifically rental.

671
00:32:46,440 --> 00:32:52,800
Speaker 1: Category d v D, Blu Ray rental category. So it

672
00:32:52,920 --> 00:32:56,640
Speaker 1: was either it was classed play.

673
00:32:59,000 --> 00:33:03,160
Speaker 3: The price, well it was sorry night three night, four

674
00:33:03,280 --> 00:33:07,720
Speaker 3: night week you can have it for that period of time.

675
00:33:08,280 --> 00:33:09,480
Speaker 1: No, there was two categories.

676
00:33:09,560 --> 00:33:10,800
Speaker 5: There's two categories.

677
00:33:11,240 --> 00:33:16,720
Speaker 3: Overnight there you go, there you go, and depending on

678
00:33:16,920 --> 00:33:19,800
Speaker 3: the store, three or one.

679
00:33:19,760 --> 00:33:29,720
Speaker 2: Week overnight and then the rest were weekly. Wow, you

680
00:33:29,800 --> 00:33:31,720
Speaker 2: get five weeklies for ten unbelievable.

681
00:33:32,080 --> 00:33:34,240
Speaker 1: Oh wow, no, I know that was my question. How

682
00:33:34,320 --> 00:33:36,600
Speaker 1: much do you think your new release was for an overnight?

683
00:33:38,760 --> 00:33:39,000
Speaker 10: Hmm?

684
00:33:39,080 --> 00:33:42,360
Speaker 3: This is a good one because again it just varies

685
00:33:42,440 --> 00:33:48,280
Speaker 3: between them film I think, I mean, what was the local?

686
00:33:48,880 --> 00:33:51,600
Speaker 3: The local? I would say, Now, God, I don't know.

687
00:33:51,880 --> 00:33:53,800
Speaker 3: I think I would have it was like we get

688
00:33:53,800 --> 00:33:57,720
Speaker 3: a five dollar movie and then get like a you know,

689
00:33:57,840 --> 00:34:00,720
Speaker 3: micflurry on the way home. So because they were around

690
00:34:00,760 --> 00:34:04,480
Speaker 3: the same price, what was a mick flurry in the

691
00:34:04,520 --> 00:34:05,320
Speaker 3: five dollar movie?

692
00:34:05,760 --> 00:34:07,560
Speaker 5: The five dollar movie and the Mick Flurry were the

693
00:34:07,600 --> 00:34:08,120
Speaker 5: same price?

694
00:34:08,280 --> 00:34:09,879
Speaker 3: Yes, five bucks, five bucks?

695
00:34:11,360 --> 00:34:13,920
Speaker 5: No, pretty close, You're pretty close.

696
00:34:13,960 --> 00:34:15,520
Speaker 1: You bad, But it was across the board. It was

697
00:34:15,560 --> 00:34:19,280
Speaker 1: seven dollars, seven dollars for newby overnight.

698
00:34:19,640 --> 00:34:22,600
Speaker 3: But okay, wait, I have a question though, is the newbie?

699
00:34:22,800 --> 00:34:24,919
Speaker 3: So what if it was an oldie but for one night?

700
00:34:25,640 --> 00:34:27,640
Speaker 2: No, that't wor like that you could take it back

701
00:34:27,640 --> 00:34:29,319
Speaker 2: a day later, but they'd say you can, you can

702
00:34:29,360 --> 00:34:30,400
Speaker 2: have it for six more days.

703
00:34:30,680 --> 00:34:35,120
Speaker 3: Yeah, but so you got a newbie movie like release,

704
00:34:35,239 --> 00:34:38,600
Speaker 3: new release. Excuse me all the oldies out there, that's

705
00:34:38,600 --> 00:34:42,320
Speaker 3: what a newbie means. So you have like say, barbies

706
00:34:42,400 --> 00:34:46,280
Speaker 3: just come out Yeah, yeah, seven dollars. Yes, now Barbie

707
00:34:46,360 --> 00:34:49,160
Speaker 3: is now old, is it still seven dollars No, because it.

708
00:34:49,120 --> 00:34:50,120
Speaker 5: Gets moved to the weeklies.

709
00:34:50,200 --> 00:34:52,279
Speaker 1: Yeah, it'd be like a buck. Oh so you get

710
00:34:52,280 --> 00:34:55,160
Speaker 1: it for a week yeah, yeah, that's the bit mate,