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Speaker 1: This is the Will and Woody Podcast.

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Speaker 2: It is Will and What with Brooke Bonney Brooks feeling

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Speaker 2: in for Woods while he's in the arm of celeb

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Speaker 2: Jungle and Brook. You're very lucky because you are here

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Speaker 2: when we have got the imperfect boys in the studio.

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Speaker 2: I've got Hugh Van Klnderg and Ryan Shelton the join

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Speaker 2: us right now, two thirds of the mighty Imperfects. If

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Speaker 2: you haven't listened to the podcast, I say this every

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Speaker 2: time you're missing out.

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Speaker 1: It's so good.

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Speaker 2: It's elite. It's really really good.

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Speaker 1: It's just it's a bit life changing.

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Speaker 3: More than a bit, more than a bit.

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Speaker 2: Oh that good. I forgot.

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Speaker 1: I just thought of didn't want to pump it up

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Speaker 1: too much. I'll say full at the end.

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Speaker 2: Okay, okay, good, Welcome guys, Welcome, thank.

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Speaker 3: You, thanks guys, thanks for thanks for having us back.

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Speaker 3: I just love coming in here.

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Speaker 4: It's really great. And it feels weird that I'm you

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Speaker 4: guys are in Sydney and we're kind of staring at you.

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Speaker 2: Ya.

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Speaker 4: It's still nice. It's still nice.

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Speaker 3: His favorite thing to do is to ruin the magic.

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Speaker 4: As I was as I was, as I was saying

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Speaker 4: that I was thinking, I'm not sure you you will

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Speaker 4: never be a magician's assistant or a person who goes

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Speaker 4: on radio.

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Speaker 3: Ah, good to be here with you guys.

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Speaker 2: Now, normally, guys, we you know, I'm sort of in

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Speaker 2: the position of talking to people while they're on the

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Speaker 2: road who are musicians, you know, they're touring, and it's like, oh,

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Speaker 2: how's ther time going in Australia? And I feel like

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Speaker 2: we can have that same chat with you because you're

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Speaker 2: also you're on the road right now.

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Speaker 3: You're touring, touring artists touring, Yeah, we are touring artists. Yeah,

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Speaker 3: we're doing our imperfect live stage show, which we've we've

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Speaker 3: just started, but you know, there's still plenty of the

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Speaker 3: tour left and and yeah, we had our first couple

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Speaker 3: of shows on the weekend and it was really fun.

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Speaker 4: Yeah.

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Speaker 1: Do you feel weird when you can see people's reaction

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Speaker 1: to things because normally you're in a podcast, you know,

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Speaker 1: you're just having a chat, But now you can see

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Speaker 1: people's reaction in real time, So maybe they're gasping, maybe

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Speaker 1: maybe they're crying. How does that feel?

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Speaker 4: Yeah, Well, especially when what we're doing for the live

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Speaker 4: show is nothing like the podcast. Really, I think it's.

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Speaker 3: It's it's sort of more of an erotic thriller.

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Speaker 4: So yeah, seeing their faces is quite something.

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Speaker 1: Shocking for everyone, I would imagine.

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Speaker 3: Yeah, we didn't know where the show would end up,

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Speaker 3: but yeah, I think it's got to a place which

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Speaker 3: is definitely surprising.

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Speaker 4: We didn't we didn't expect the R rating, but I

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Speaker 4: guess it's warranted. Yeah, I don't know.

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Speaker 3: Yeah, it's fun, but to seriously answer it's it is.

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Speaker 3: It is really cool because you know, it's like any

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Speaker 3: radio show that you don't really you hear people sometimes

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Speaker 3: call up or you get messages, but yeah, to see

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Speaker 3: people reacting in real time, and then we met people afterwards,

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Speaker 3: that was that was pretty amazing.

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Speaker 4: Yeah, yeah, I got I got I got a DM

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Speaker 4: from someone I know I shouldn't have, but I went

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Speaker 4: to my dms afterwards because I was just interested in

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Speaker 4: how it went down. The first one I got was

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Speaker 4: what in God's name was that?

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Speaker 2: And I still don't know.

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Speaker 4: I don't know what in God's name was that? So wow, yeah,

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Speaker 4: I don't this is Come along and find out, though,

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Speaker 4: please come along, and probably what in God's name it is?

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Speaker 3: Probably won't put it on the tour poster for next Time,

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Speaker 3: there was a review. What in God's name was that.

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Speaker 4: In a good way?

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Speaker 2: So where can where can people? Where can people get

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Speaker 2: tickets to find out in God's name what exactly that is?

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Speaker 3: Livenation dot com dot au you can go to and

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Speaker 3: get tickets.

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Speaker 2: And you've still got a few shows left obviously.

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Speaker 3: Yep, yeah, still got some shows. There's some new shows

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Speaker 3: being added later in the year, so yeah, still opportunities

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Speaker 3: to see it if you want.

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Speaker 2: To come along. And the really special moment for mine

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Speaker 2: we spoke about this just for you guys started talking

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Speaker 2: is obviously Josh isn't here today, but a big moment

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Speaker 2: in your podcast is this story that he told about

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Speaker 2: effectively being bullied for a book of songs that he

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Speaker 2: wrote and then he sort of had someone found the

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Speaker 2: book and then people read out the lyrics at a

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Speaker 2: party at him and laughed. Most horrific story.

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Speaker 1: It sounds like a movie, one of those American teen movies.

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Speaker 3: But in this in this movie, Brook and we will

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Speaker 3: agree we won't reveal what the ending is and what

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Speaker 3: actually happens at the end of the movie. You know, yeah,

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Speaker 3: wouldn't because you wouldn't want to tell people the surprise.

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Speaker 4: Sorry, it's a surprise. You're just trying to get me

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Speaker 4: back for the for my magic.

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Speaker 2: Yeah, that's right. You pull down the curtain. I'll put

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Speaker 2: down the curtain on you man, the curtain on the

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Speaker 2: show the Kabooky.

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Speaker 1: Is it down down?

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Speaker 2: Oh God, I hope that's not too much of a spoiler,

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Speaker 2: too much of a spoil? Is that okay?

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Speaker 3: It's fine?

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Speaker 2: Sure?

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Speaker 3: Yeah, okay, it was pretty close to it was ruining everything.

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Speaker 2: There's a great surprise in the show. If you go

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Speaker 2: and see The Boys Live So Live Nation not comment

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Speaker 2: if you want to see the imperfect.

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Speaker 4: Especially especially if you're in a bruh. Okay, you know

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Speaker 4: we've only had I think I've got a fifteen hundred

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Speaker 4: seat venue. I think we've sold four tickets so fast.

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Speaker 4: If your fourteen hundred friends want to come along, please

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Speaker 4: please feel or.

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Speaker 2: Just or just wait until they're giving them away. Guys,

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Speaker 2: that's what I do. Just wait, wait until now, and

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Speaker 2: you'll be able to rock up at the door and

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Speaker 2: walk in. I reckon no no go by.

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Speaker 3: Ticket, He reluctantly says.

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Speaker 2: When things are.

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Speaker 5: Down, you need and frown or a kind word. We'll

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Speaker 5: turn you around.

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Speaker 2: It's Compliment. The Imperfect Boys here, Vank Khleenberg, Ryan Shelton,

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Speaker 2: Josh Van Kylenberg join us every fortnight for a brand

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Speaker 2: new segment called the Compliment. You're cutting me off, Ryan,

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Speaker 2: carry on?

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Speaker 3: Yeah, I was trying my best to.

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Speaker 2: Good luck, mate, you will lose. Well.

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Speaker 3: I just feel like we need to We can't call

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Speaker 3: it the compliment and it has to be the compler

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Speaker 3: people or so there has to be some sort of

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Speaker 3: we have to address the fact that, you.

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Speaker 1: Know, compliment and comple women.

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Speaker 3: Oh yeah, does it work? Yeah, of course, yeah, sure, complic.

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Speaker 2: Girl feels long, but I think it's there.

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Speaker 1: Catch you though.

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Speaker 2: You won't get out of my head.

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Speaker 1: You won't forget that.

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Speaker 2: So the way this was just a big comple mess.

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Speaker 4: If it was someone put him out, thank you.

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Speaker 2: That's the sort of momentum you only get from doing

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Speaker 2: a live stage show. And the Boys are doing a

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Speaker 2: stage show. If you want to see him live Nation

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Speaker 2: dot com dot au seie the Imperfect on stage in

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Speaker 2: Canberra in particular. Now, let's get down to the segment here,

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Speaker 2: because Hugh, you don't think we're delivering compliments well enough.

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Speaker 4: I think as men, particularly even if it's a way

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Speaker 4: of connecting or trying somehow to build the relationship. Our

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Speaker 4: first go to is to, yeah, give someone crap basically,

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Speaker 4: and I think, sorry, Brooke, you want to jump in.

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Speaker 1: I was going to say. The beautiful thing about this

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Speaker 1: that I can relate to is that I too do.

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Speaker 2: That, okare yeah together?

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Speaker 4: Yeah.

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Speaker 1: I think it's a country person thing. Definitely, not because

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Speaker 1: I'm a little bit mean. Doesn't have anything to do

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Speaker 1: with having a mean streak. Deny those rumors. Just clear

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Speaker 1: that up.

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Speaker 3: Compliment is.

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Speaker 4: Spoken like a tyrant, and so I think we kind

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Speaker 4: of feel like there is a time and place for that,

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Speaker 4: But I feel like it's just it's our go to

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Speaker 4: way too often, I think it does. I think we

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Speaker 4: miss opportunities to also be kind and to give people

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Speaker 4: compliments because so often people just need it, like they

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Speaker 4: need to hear the good things about themselves. So we

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Speaker 4: come in here every couple of weeks and we just

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Speaker 4: like to model how to give compliments.

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Speaker 3: And the and the really the sort of second part

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Speaker 3: of it is, which this is what I found really

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Speaker 3: interesting about giving compliments in the correct way. It's like, yes,

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Speaker 3: you you be really kind and you say to the

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Speaker 3: person how you admire them or what you think about

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Speaker 3: them as if way, but then it's you follow it

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Speaker 3: up with how that then makes you feel or how

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Speaker 3: it's like helped your day or improved your life in

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Speaker 3: some way. So it's the to the double header of

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Speaker 3: those two things, the two parts.

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Speaker 1: So we're definitely ruling out compliment. From there.

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Speaker 3: We can workshop a bit longer if you want, Brook,

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Speaker 3: we can try some mean ship if.

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Speaker 2: You what are you talking about each other?

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Speaker 3: Yeah, I mean it is. It's a little bit different.

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Speaker 2: That will require a workshop. I reckon with you guys,

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Speaker 2: maybe off air. I'm happy to hear it, you know,

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Speaker 2: if it gets through the filters.

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Speaker 3: Yeah, okay, what.

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Speaker 4: Do you know when he comes back? If that and

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Speaker 4: he walks in and someone just doesn't compliment to him,

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Speaker 4: we need to let him know it's coming, just to

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Speaker 4: remind him.

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Speaker 3: Okay, I'm complimenting you today, Wood, I hate your hair

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Speaker 3: and that makes me feel better about myself.

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Speaker 2: All right, Okay, So now we've been doing the compliment

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Speaker 2: segment for probably about six weeks now, I'm going to

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Speaker 2: say maybe even more a couple of months, which is awesome,

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Speaker 2: And everybody in the room has had a compliment, bar

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Speaker 2: one person. So yeah, without further ado, I'm going to

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Speaker 2: be complimenting Brook.

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Speaker 1: I thought it was going to be me.

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Speaker 3: Now she's in.

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Speaker 2: Now she got in before the compliments started. Well done.

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Speaker 2: Hugh hasn't received a compliment yet, so you've you've yeah,

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Speaker 2: you've betten him to the post as well, and he's

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Speaker 2: quite clearly livid at the We will wait for what

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Speaker 2: to come back so that he's gonna be a part

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Speaker 2: of that. So, Brook, I also really wanted a chance

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Speaker 2: to compliment you because I only get one chance and

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Speaker 2: they get one chance to do this together. So we're

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Speaker 2: going to go to a song and then right up next,

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Speaker 2: I'm going to be delivering my compliment to Brooke Bony

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Speaker 2: on Will and Woody with Brooke Bony the Imperfects in

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Speaker 2: the studio here for the compliments day with us. When

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Speaker 2: things are.

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Speaker 5: Down, you need and Brown for a kind word, we'll

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Speaker 5: turn you around.

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Speaker 2: Which okay, So I am giving a compliment to you, Brooke.

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Speaker 2: Hugh yet to receive a compliment, but we've dealt with that.

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Speaker 2: He'll get over it, okay. So Brooke, I'm going to

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Speaker 2: start with something that's going to be sound a bit strange,

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Speaker 2: but I'll work it in promise. So we've only known

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Speaker 2: each other for a little while. Okay, So something I

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Speaker 2: want you to know is that one of the things

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Speaker 2: I've been working with with myself recently is this concept

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Speaker 2: of the fact that we're all going to die. And

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Speaker 2: I really am trying really hard to cold that really

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Speaker 2: close to me because sometimes I get really caught up

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Speaker 2: in my own narrative and in little things that don't matter.

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Speaker 2: And when I'm reminded of that, it simplifies things for

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Speaker 2: me and it makes my life really easy and I

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Speaker 2: let go, so I try and come back to that truth. Now,

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Speaker 2: we've sort of spoken over the phone a little bit

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Speaker 2: before we started doing the show, and we did a

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Speaker 2: demo and stuff, and without realizing it. I don't think

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Speaker 2: you realize that you did this, but it's something that

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Speaker 2: I feel like you hold really close to you as well,

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Speaker 2: because you say all the time, like, well, you only

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Speaker 2: live once, and we're all going to die one day.

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Speaker 2: And I've heard you say it like a few times

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Speaker 2: and it's kind of been like a bit of a

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Speaker 2: guiding light for me to It's really helped me. I've

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Speaker 2: had some pretty tricky times recently, and that has like

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Speaker 2: just constantly reminded me of the fact that my life

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Speaker 2: is finite and my time here is finite, and I

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Speaker 2: want to use it more preciously and pay more attention

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Speaker 2: to the things that I love. And I want you

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Speaker 2: to know that, because you wear this like a badge,

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Speaker 2: it oozes off you and you're kind of glossed with

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Speaker 2: this sene of spontaneity and effortless joy and it's completely infectious.

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Speaker 2: And when they asked me if I want to do

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Speaker 2: the show with anyone, my response was very quickly you,

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Speaker 2: and really only you, because how does it make me feel?

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Speaker 2: You make me feel fearless. You make me feel like

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Speaker 2: I can do anything and nothing really matters because I'm okay,

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Speaker 2: and that's really the greatest gift that you could give me.

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Speaker 2: So thank you forgiving me that confidence. Oh gosh, thanks,

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Speaker 2: thank you so much. That's okay, that's all right.

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Speaker 1: It is so weird to get a compliment, isn't it,

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Speaker 1: Because your natural inclination is to jump in and make

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Speaker 1: jokes the whole time. Yeah, like the whole time. Then

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Speaker 1: I was thinking like, oh yeah, what about this is

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Speaker 1: so hard to sit there and just accept it.

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Speaker 4: Yeah, but what a great thing to hear like, how

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Speaker 4: does like how do you feel hearing that?

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Speaker 6: Like?

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Speaker 4: Does it? It must be because I mean so many

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Speaker 4: people would do radio shows together in this kind of

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Speaker 4: situation and not have the opportunity to just stop and say, hey,

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Speaker 4: this is what I really value about you. It's pretty

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Speaker 4: cool of what you've just done.

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Speaker 1: I feel very seen because I do have we've we've

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Speaker 1: talked about it. I do have a penchon for nuisance

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Speaker 1: and mischief at every possible.

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Speaker 3: Opportunity and French words, thank you.

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Speaker 1: For noticing them, right, mischief in the classics, and she's

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Speaker 1: doing it again.

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Speaker 2: It's awesome.

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Speaker 1: Well, I do try to live with like a lot

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Speaker 1: of joy, because you know, there's a whole narrative around

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Speaker 1: indigenity that is around like misery and like dwelling and sadness,

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Speaker 1: and you know the things that you see on the

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Speaker 1: news about Aboriginal people who's always like, oh, these miserable

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Speaker 1: statistics and these miserable lives, and I just sort of think,

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Speaker 1: like all of the things that my ancestors went through,

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Speaker 1: they didn't do it. So I have to sit around

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Speaker 1: and dwell in misery all the time, Like I can

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Speaker 1: know about all of those things and try to make

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Speaker 1: them better, but it doesn't mean they have to be

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Speaker 1: serious or miserable. And so I live with like a

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Speaker 1: lot of joy as much as possible, because the alternative

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Speaker 1: is is that you do live in that sort of

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Speaker 1: you know, that murkier sub side of reality.

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Speaker 3: That's awesome.

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Speaker 1: Thank you so much for noticing. I really appreciate it.

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Speaker 4: Unbelievable.

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Speaker 2: It's totally liberating. It's so nice to be around you

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Speaker 2: for that reason, it really is.

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Speaker 4: Can I jump into that very quickly? I don't know.

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Speaker 4: I don't not sure i've met before Book, but like

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Speaker 4: when you said high to me before and the way

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Speaker 4: you said hi, it was like I was like, oh

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Speaker 4: my god, I think Book knows who I am. I'm

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Speaker 4: on the biggest high from that. So you have a

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Speaker 4: gift of making people feel really yeah, yeah.

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Speaker 3: I got I got to say, actually, I'll jump in

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Speaker 3: this as well. So when we broke a couple years it,

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Speaker 3: we were just talking about off air. I think we

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Speaker 3: were just before COVID. We went to the Good A

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Speaker 3: La thing in America, and I remember now thinking when

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Speaker 3: because I was intimidated as all hell being at those events.

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Speaker 3: I hate I don't hate them, but I feel really

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Speaker 3: insecure and I shouldn't be there and so but I

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Speaker 3: remember you were there, and I remember I did feel

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Speaker 3: very welcome with you there, like you made me feel

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Speaker 3: like I belonged.

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Speaker 1: Oh that was yeah, so lovely, guys.

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Speaker 2: Thank you. She's it, isn't she? She's awesome?

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Speaker 4: This is not good for what.

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Speaker 2: Good? It just gets worse and worse for him, doesn't it.

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Speaker 4: Picturing him coming back to the studio in Melbourne and

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Speaker 4: seeing me and Ryan are sitting in his chairs as well.

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Speaker 3: But at least, but at least, at least he lost

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Speaker 3: his job for a really good cause.

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Speaker 1: And the good thing is is that won't actually sting

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Speaker 1: as much as when he gets home and he finds

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Speaker 1: out I'm actually living with calling his mum and dad,

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Speaker 1: isn't it? Talented mister Woody.

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Speaker 2: Hey, thank you so much for coming in. It was awesome.

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Speaker 2: Always great to have you in here. You can download

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Speaker 2: The Imperfects listening to the Imperfects wherever you get your podcast.

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Speaker 2: Go and see the boys livenation dot com dot Are

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Speaker 2: you still some shows to see them live? Always a

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Speaker 2: pleasure guys will see in a couple of weeks.

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Speaker 3: Thank you, guys, great, Thank you guys, and more after

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Speaker 3: this it's Will and Woody.

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Speaker 2: I love to hear from you guys. What do people

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Speaker 2: put in a classic meal that ruins it?

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Speaker 1: Now we say this because King Charles is getting coronated, right,

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Speaker 1: and every time they have like a big event like that. Yeah, yeah,

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Speaker 1: they come up with their coronation dish. So sometimes it

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Speaker 1: could be a pudding. Sometimes it could be what has

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Speaker 1: it been?

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Speaker 2: Do you know what it's been? Previously?

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Speaker 1: There was a coronation chicken, a coronation cock.

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Speaker 2: Did they that a.

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Speaker 1: Coronation Yes, that's what it was.

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Speaker 2: And then they also absolutely it was.

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Speaker 1: Coronation cake.

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Speaker 2: Before coronation it probably I think it might might have

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Speaker 2: been King George's had you can't even say it.

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Speaker 1: And anyway, so King Charles has chosen a kish.

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Speaker 2: Can I just ask, because I'm blind to this, You've

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Speaker 2: been talking this up all week? Is it like, is

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Speaker 2: the coronation dish like what they eat ceremoniously after they've

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Speaker 2: got the crown on their head or is that like

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Speaker 2: what everybody eats during the day, that's like the plate

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Speaker 2: of the day.

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Speaker 1: That's the plate of the day. And so they're saying, oh, look,

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Speaker 1: we chose this because it's easy to make for a

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Speaker 1: big group of people. You can make it, take it

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Speaker 1: to picnic, you can have it at lunch. It's transportable, so.

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Speaker 2: Everyone gets the day off and then you rock up

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Speaker 2: to your gathering or your picnic or whatever, ye with

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Speaker 2: your your screen to watch the crown go on his

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Speaker 2: head and then you eat cache yeap.

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Speaker 1: And so they've described it as a deep keiche with

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Speaker 1: a crisp light pastry case and delicate flavors. Have listened

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Speaker 1: to this and this is what's the point of content.

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Speaker 2: This is the fly in the ointment.

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Speaker 1: This is the thing that's a frustrating yeah, because it

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Speaker 1: could have been so good, but this is what they've chosen.

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Speaker 1: Delicate flavors of spinach, broad beans and fresh tarragron, tarragon?

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Speaker 2: What was that? Tarangron?

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Speaker 1: Taragron? Eat hot of cold with a green salad and

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Speaker 1: boiled new potatoes. Perfect for a coronation big lunch. No thanks,

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Speaker 1: what's wrong with a keish lorrain? Why do you have

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Speaker 1: to put broad beans in it? That's silly yummy? And

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Speaker 1: also how out of touch are you that you're putting

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Speaker 1: broad beans in there? Who has broad beans? It's so dumb?

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Speaker 2: I don't think I've ever had broad beans in a cache.

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Speaker 2: She's fine of it because its brooks got a bone

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Speaker 2: to pick.

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Speaker 1: You wonder why people are disengaging from the Royals because

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Speaker 1: you're doing stupid things like this and putting in.

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Speaker 2: There engaging because of taragon?

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Speaker 1: All right, Well tell me when the last time was

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Speaker 1: you had fresh tarragon or broadbeans in literally anything.

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Speaker 2: I don't even know what taragon is exactly. Oh right, okay,

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Speaker 2: well nice, you're flipped it on me because it's meant

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Speaker 2: to be a dish of the people, and you're like,

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Speaker 2: oh cool, I'll just go to the supermarket and get

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Speaker 2: my taragne.

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Speaker 1: I'm just going to put some caviar and gold on

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Speaker 1: top of.

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Speaker 2: It, shaved diamonds on the crust. Can you can you

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Speaker 2: get taragron at at the supermarket? Like, can you knock

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Speaker 2: down to Woolies and get and get taragon? It sounds

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Speaker 2: like a character in Lord of the Rings.

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Speaker 1: It sounds.

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Speaker 2: I'm just thinking Viggo Morton's and an akishe.

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Speaker 7: Long hair.

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Speaker 2: Beautiful. I'd have him in a cache any day of

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Speaker 2: the week. But what we want to talk about now

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Speaker 2: is you can Tommy the tash is telling me you

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Speaker 2: can get taragon at the Supo really never seen it?

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Speaker 2: What is it?

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Speaker 7: Oh?

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Speaker 2: Not bad? Okay, So that is a bit for a

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Speaker 2: bag of spice. So we want to know thirty one

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Speaker 2: or six five right now because Brooks Brooks really up

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Speaker 2: in arms here that you can't put like a quisha's

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Speaker 2: a classic. You can't go butchering a classic with a

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Speaker 2: rogue ingredient. And and look it's it's something that people

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Speaker 2: like to do. Capsicum and a bolonaise. I mean that

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Speaker 2: doesn't take me outside and shoot me. Really if I

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Speaker 2: get to someone's house and I'm like, you've put capsicum

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Speaker 2: in a bolonaise. You know the interesting thing is here,

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Speaker 2: if it's a chili con can knock your socks off

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Speaker 2: perfect put three peppers in there. If you like it's

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Speaker 2: a bolinase. They don't have capsicums in Italy. You uncultured prick.

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Speaker 2: That's kind of how I feel, is how.

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Speaker 1: This is going to make you so angry. So I

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Speaker 1: remember this. I used to try to stretch out his

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Speaker 1: bolonnaise because you know, it's a meal of the course

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Speaker 1: of trying to stretch it. You know, we don't have

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Speaker 1: that much money. We're not made of money, putting taro

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Speaker 1: got on everything. Yeah, well he used to put beans

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Speaker 1: in his source to stretch.

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Speaker 2: You take me outside, you can cheat me and bring

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Speaker 2: the chef with me, save a bullet in the game.

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Speaker 2: That's aggressive, I know, but that's how I feel. Where

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Speaker 2: with Brooke Bony because woods are still in the African jungle,

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Speaker 2: so bones is in for the next couple of weeks,

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Speaker 2: and right now she's asking her killer question thirty one

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Speaker 2: and six y' five What do people put in a

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Speaker 2: classic meal to ruin it?

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Speaker 1: I am so riled up because of this coronation, keiche,

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Speaker 1: I tell you what I feel it tarragon, broadbeans ridiculous.

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00:21:42,800 --> 00:21:45,840
Speaker 1: What's wrong with a bit of goats, cheese, keish loa rain,

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Speaker 1: a bit of ham?

441
00:21:48,119 --> 00:21:51,840
Speaker 2: I think that I know? Oh sorry, you've doubled down. Yeah,

442
00:21:52,000 --> 00:21:55,000
Speaker 2: fair enough. It is also meant to be this like

443
00:21:55,600 --> 00:21:58,680
Speaker 2: meal that everybody can cook, and I just don't think

444
00:21:58,720 --> 00:22:00,240
Speaker 2: we can call it a meal that everyone can cook

445
00:22:00,240 --> 00:22:02,560
Speaker 2: if you can't get everything at the supermarket. And I

446
00:22:02,600 --> 00:22:05,399
Speaker 2: just don't think every supermarket or convenience store in the

447
00:22:05,520 --> 00:22:10,479
Speaker 2: UK is stocking chopped fresh tarragon or broad beans. I

448
00:22:10,480 --> 00:22:12,480
Speaker 2: think I don't know what your issue is with the beans,

449
00:22:12,520 --> 00:22:13,160
Speaker 2: Like I'm.

450
00:22:13,560 --> 00:22:17,919
Speaker 1: There, it's an unusual bean. It's more like it's like

451
00:22:17,960 --> 00:22:21,879
Speaker 1: a squashed pee. I don't I'm just not into it.

452
00:22:21,920 --> 00:22:23,399
Speaker 2: Okay, let's go, let's go.

453
00:22:25,240 --> 00:22:25,480
Speaker 5: Around.

454
00:22:27,560 --> 00:22:29,439
Speaker 2: Can I say in that song, By the way, my

455
00:22:29,440 --> 00:22:31,760
Speaker 2: attitude towards the cache has slightly changed.

456
00:22:32,440 --> 00:22:33,760
Speaker 1: I can tell you're going to flip on me.

457
00:22:33,840 --> 00:22:39,439
Speaker 2: Suddenly intrigued. Suddenly intrigued amy. Your housemate puts it an

458
00:22:39,480 --> 00:22:43,480
Speaker 2: abomination of an ingredient in a classic Yes.

459
00:22:43,480 --> 00:22:46,760
Speaker 8: Yes, I Fresley Brooke. Great to hear you, and I

460
00:22:46,800 --> 00:22:48,880
Speaker 8: totally agree with the beans. That ruins a keish.

461
00:22:49,040 --> 00:22:49,760
Speaker 7: That's so gross.

462
00:22:50,040 --> 00:22:51,840
Speaker 2: Thank you, thank you.

463
00:22:51,880 --> 00:22:53,840
Speaker 1: I appreciate it.

464
00:22:53,920 --> 00:22:56,719
Speaker 8: So my housemaids we all alternate cooking dinner every night,

465
00:22:57,560 --> 00:22:59,720
Speaker 8: and she would say, oh, yeah, I'm making mac and

466
00:22:59,760 --> 00:23:03,000
Speaker 8: cheese on my night. All week, you're thinking, so excited

467
00:23:03,000 --> 00:23:05,760
Speaker 8: for this mac and cheese. There's no cheese. She makes

468
00:23:05,760 --> 00:23:07,000
Speaker 8: it with cashews.

469
00:23:07,000 --> 00:23:10,399
Speaker 2: Oh, cashew cheese is good, though, cashew cheese.

470
00:23:10,720 --> 00:23:13,359
Speaker 8: She makes a really good mac and cashew, but she

471
00:23:13,400 --> 00:23:15,440
Speaker 8: should call it mac and cashw.

472
00:23:15,280 --> 00:23:20,640
Speaker 2: Yeah, yeah, great, yeah, because then in.

473
00:23:20,520 --> 00:23:23,600
Speaker 8: The winter you just want some cheeses pasta and there's

474
00:23:23,640 --> 00:23:27,320
Speaker 8: no cheesese cashews like you've been ripped.

475
00:23:27,920 --> 00:23:29,520
Speaker 1: Yeah, so that night you'd be like, oh, you know what,

476
00:23:29,560 --> 00:23:31,320
Speaker 1: I'm out for the nights, so don't include me in it?

477
00:23:32,000 --> 00:23:34,639
Speaker 2: Yeah, because who's it work going? I can't wait for

478
00:23:34,640 --> 00:23:36,400
Speaker 2: that mac in cash when I get home.

479
00:23:36,800 --> 00:23:40,439
Speaker 1: I said, no one ever? Hey, Emmanuel, what do you

480
00:23:40,480 --> 00:23:41,199
Speaker 1: wreck food with?

481
00:23:42,760 --> 00:23:44,520
Speaker 7: I put your sauce on white rice?

482
00:23:45,880 --> 00:23:46,160
Speaker 1: Yuck?

483
00:23:49,560 --> 00:23:51,440
Speaker 2: No, that's not even a recipe, That's what I mean,

484
00:23:52,200 --> 00:23:54,600
Speaker 2: straight up, straight up Emmanuel, Like I have you got

485
00:23:54,600 --> 00:23:56,280
Speaker 2: some pork on your fork there? Or is that just

486
00:23:56,280 --> 00:23:57,560
Speaker 2: a straight up right?

487
00:23:57,720 --> 00:23:59,320
Speaker 7: Why not just straight white rice?

488
00:23:59,359 --> 00:24:00,840
Speaker 4: And right?

489
00:24:01,400 --> 00:24:03,320
Speaker 6: Like when you go to the Asian market and you

490
00:24:03,359 --> 00:24:04,000
Speaker 6: get white rice?

491
00:24:04,080 --> 00:24:05,480
Speaker 3: Yeah, yeah, we get sauce.

492
00:24:05,560 --> 00:24:06,920
Speaker 2: We don't have to go to the Asian market to

493
00:24:06,920 --> 00:24:13,080
Speaker 2: get white rice made it. But good on you fancying

494
00:24:13,160 --> 00:24:15,680
Speaker 2: it up a little bit, aren't you? Coronation? Right? How

495
00:24:15,760 --> 00:24:19,040
Speaker 2: did you talk down on my barbecue and white rice?

496
00:24:19,040 --> 00:24:21,760
Speaker 2: I get it from the market, your mate, Lauren thirty

497
00:24:21,800 --> 00:24:23,880
Speaker 2: one and six ' five talking about ruining a classic?

498
00:24:23,920 --> 00:24:25,000
Speaker 2: What have you got for us?

499
00:24:26,480 --> 00:24:31,200
Speaker 6: Hey, guys, my mom actually puts peas and sliced spoiled

500
00:24:31,240 --> 00:24:37,680
Speaker 6: eggs in her lazagna. Oh oh, and for the longest time,

501
00:24:37,720 --> 00:24:39,840
Speaker 6: it was normal for me because that's all I ever.

502
00:24:40,280 --> 00:24:41,840
Speaker 6: She didn't tell you, and I didn't.

503
00:24:42,080 --> 00:24:44,440
Speaker 8: I didn't realize until I went, like, I ordered a

504
00:24:44,640 --> 00:24:47,439
Speaker 8: restaurant and I was like, this is a lasagna.

505
00:24:48,440 --> 00:24:51,000
Speaker 1: Oh look, this is fine, but where are the peas

506
00:24:51,000 --> 00:24:51,520
Speaker 1: and eggs?

507
00:24:51,640 --> 00:24:51,960
Speaker 2: Hey?

508
00:24:52,040 --> 00:24:53,720
Speaker 1: What did woman got to do to get the peas

509
00:24:53,760 --> 00:24:55,359
Speaker 1: and eggs around you?

510
00:24:55,400 --> 00:24:58,280
Speaker 2: Did you know, Lauren? Did you when your mum was

511
00:24:58,320 --> 00:25:01,600
Speaker 2: giving you the lasagna? Did you like, did you hate it?

512
00:25:01,680 --> 00:25:03,119
Speaker 2: Like when she was like, it's with the eggs and

513
00:25:03,160 --> 00:25:03,560
Speaker 2: the peas?

514
00:25:04,800 --> 00:25:06,399
Speaker 6: Honestly, that was what I grew up with.

515
00:25:06,840 --> 00:25:11,919
Speaker 2: That's like people that that's all they know, is all

516
00:25:11,960 --> 00:25:13,680
Speaker 2: the custom sort of.

517
00:25:13,600 --> 00:25:16,680
Speaker 1: Sounds halfway between the lasagna and a shepherd pie. Really

518
00:25:17,119 --> 00:25:18,200
Speaker 1: yea eggs throw.

519
00:25:18,240 --> 00:25:20,560
Speaker 2: Eggs, the eggs zone man as well. So Lauren again,

520
00:25:20,600 --> 00:25:21,879
Speaker 2: so follow up then, So when you got to the

521
00:25:21,920 --> 00:25:24,080
Speaker 2: restaurant and you had it without the eggs and the peas,

522
00:25:24,520 --> 00:25:27,560
Speaker 2: were you like, hallelujah, this actually tastes decent or were

523
00:25:27,560 --> 00:25:28,320
Speaker 2: you disappointed?

524
00:25:29,720 --> 00:25:31,000
Speaker 6: I think I was disappointed?

525
00:25:31,080 --> 00:25:34,480
Speaker 8: You weird.

526
00:25:34,840 --> 00:25:37,760
Speaker 2: That's so people with imposter syndrome, you know, when they're

527
00:25:37,760 --> 00:25:39,840
Speaker 2: like when they go back into they want to go

528
00:25:39,920 --> 00:25:42,520
Speaker 2: back into captivity because it's strange for them to be free.

529
00:25:42,640 --> 00:25:45,240
Speaker 1: Yeah yeah, yeah, yeah, you're sending it back.

530
00:25:45,600 --> 00:25:49,680
Speaker 2: Oh yeah, yeah, that's fascinated. She's really put you in

531
00:25:49,720 --> 00:25:52,760
Speaker 2: a box there. I hate that feeling. Why are we

532
00:25:52,840 --> 00:26:03,240
Speaker 2: playing that song? Tom sick so happy? I know he's

533
00:26:03,320 --> 00:26:06,400
Speaker 2: strutting and everything. Boy began, pee boy, thanks for joining

534
00:26:06,440 --> 00:26:08,120
Speaker 2: us thinning on a hundred bucks spent at Red Roast.

535
00:26:08,560 --> 00:26:13,400
Speaker 2: Roaster's calling you if Brook hasn't eaten all of it already.

536
00:26:13,880 --> 00:26:16,800
Speaker 1: The imperfect byo eggs and peas.

537
00:26:16,560 --> 00:26:22,119
Speaker 2: Though it's will and my dog had her for a

538
00:26:22,200 --> 00:26:25,840
Speaker 2: change up, biggest defamation case in history. My dog had

539
00:26:25,840 --> 00:26:32,919
Speaker 2: the cone removed from her head. She had it on

540
00:26:33,000 --> 00:26:36,760
Speaker 2: for two weeks, the Cone of Justice. Yeah, she had

541
00:26:36,800 --> 00:26:38,720
Speaker 2: a T T plo is what they called in the

542
00:26:38,760 --> 00:26:42,600
Speaker 2: Vet game. Had a full knee reeka Stevie. And so

543
00:26:42,640 --> 00:26:44,320
Speaker 2: she's got the Cone of Justice on and she's in

544
00:26:44,359 --> 00:26:45,520
Speaker 2: a cage for two weeks.

545
00:26:45,760 --> 00:26:47,439
Speaker 1: Can I ask what sort of dog Stevie is?

546
00:26:47,520 --> 00:26:49,720
Speaker 2: She's a Hungarian whistler, So she's a pointer.

547
00:26:50,000 --> 00:26:51,120
Speaker 1: Is that big? That's quite big?

548
00:26:51,160 --> 00:26:54,760
Speaker 2: Isn't it pretty big? Very enthusiastic, very very up and

549
00:26:54,760 --> 00:26:57,120
Speaker 2: about dogs. So she so she it's a pretty grim

550
00:26:57,160 --> 00:26:58,760
Speaker 2: existence for her for two weeks, so you pretty much

551
00:26:58,800 --> 00:27:01,520
Speaker 2: have to sedate her all because otherwise she just goes

552
00:27:01,520 --> 00:27:03,480
Speaker 2: she goes nuts. I don't know if you've seen the

553
00:27:03,480 --> 00:27:07,000
Speaker 2: movie The Man in the Iron Mask with Leonardo DiCaprio twice,

554
00:27:07,400 --> 00:27:10,040
Speaker 2: but you know that scene where he's in the Chateau

555
00:27:10,160 --> 00:27:13,000
Speaker 2: Deef prison and he's scraping his head across the bars

556
00:27:13,520 --> 00:27:16,400
Speaker 2: in the cone. That's what she would do in the cage.

557
00:27:16,920 --> 00:27:17,320
Speaker 2: It'd be.

558
00:27:18,880 --> 00:27:22,000
Speaker 1: That is so sad. It was really like a prison movie.

559
00:27:22,160 --> 00:27:22,240
Speaker 4: Like.

560
00:27:23,840 --> 00:27:26,760
Speaker 2: Yeah, So we took the cone off after two weeks,

561
00:27:26,800 --> 00:27:28,760
Speaker 2: and it was a great moment. It was like, you're

562
00:27:28,800 --> 00:27:31,680
Speaker 2: free now. I want to ask you before I ask

563
00:27:32,160 --> 00:27:34,480
Speaker 2: everyone else, if you had a cone on your head

564
00:27:34,520 --> 00:27:35,600
Speaker 2: for two weeks.

565
00:27:37,560 --> 00:27:43,080
Speaker 1: And imagine what circumstances have led to me having a

566
00:27:43,119 --> 00:27:47,280
Speaker 1: conely committed some sort of felony.

567
00:27:47,280 --> 00:27:50,160
Speaker 2: About the background. Okay, what would you do first thing

568
00:27:50,160 --> 00:27:51,120
Speaker 2: in the cone comes off?

569
00:27:53,320 --> 00:27:56,480
Speaker 1: I think it'd be something that had been bothering you

570
00:27:56,520 --> 00:27:58,520
Speaker 1: for the last two weeks, So you'd like, I don't know,

571
00:27:58,680 --> 00:28:02,239
Speaker 1: bite your fingernail. It was something like that. It'd be

572
00:28:02,240 --> 00:28:03,159
Speaker 1: something to do with that.

573
00:28:03,240 --> 00:28:04,679
Speaker 2: Yeah, yeah, something niggling you.

574
00:28:04,840 --> 00:28:08,040
Speaker 1: Yeah, like so if your dog is scratched, you know, yeah, exactly.

575
00:28:08,200 --> 00:28:11,639
Speaker 2: I was thinking, just like drink something not out of

576
00:28:11,640 --> 00:28:14,879
Speaker 2: a straw, that'd be nice, you know, just wrapping your

577
00:28:14,880 --> 00:28:16,520
Speaker 2: lips around a cup of tea or something.

578
00:28:16,640 --> 00:28:19,360
Speaker 1: So my cone's actually more like a bubble than Yeah,

579
00:28:19,680 --> 00:28:20,920
Speaker 1: it has to not helmet.

580
00:28:20,760 --> 00:28:23,159
Speaker 2: Yeah, I think so, it's the equivalent, just to make

581
00:28:23,200 --> 00:28:27,560
Speaker 2: it fair. Yeah, okay, all right, interesting, So what so

582
00:28:27,600 --> 00:28:29,080
Speaker 2: what do you think Stevie did we took the con?

583
00:28:29,119 --> 00:28:31,000
Speaker 2: I said, she's been in the cone of justice for

584
00:28:31,040 --> 00:28:33,800
Speaker 2: two weeks. I thought she'd be rubbing her head on

585
00:28:33,920 --> 00:28:35,000
Speaker 2: the couch or.

586
00:28:35,640 --> 00:28:38,200
Speaker 1: You know, and she's probably going to go straight for

587
00:28:38,280 --> 00:28:43,080
Speaker 1: the sight of the the stitches, or she's going to

588
00:28:43,320 --> 00:28:45,360
Speaker 1: would they like sniff their own butts or something. I'm

589
00:28:45,400 --> 00:28:46,440
Speaker 1: just going to do something like that.

590
00:28:47,200 --> 00:28:49,840
Speaker 2: Let's go to Agatha one six five dogs had a

591
00:28:49,840 --> 00:28:51,240
Speaker 2: cone on her head for two weeks. Have you had

592
00:28:51,240 --> 00:28:52,080
Speaker 2: this before, Agatha?

593
00:28:52,760 --> 00:28:53,000
Speaker 7: Good?

594
00:28:53,080 --> 00:28:53,400
Speaker 8: After?

595
00:28:53,600 --> 00:28:53,840
Speaker 2: Then?

596
00:28:54,120 --> 00:28:57,080
Speaker 7: I actually had it on a bird.

597
00:28:57,240 --> 00:28:58,200
Speaker 6: I had a cent on.

598
00:28:58,080 --> 00:29:00,440
Speaker 4: One of my birds, put on a parrot because they

599
00:29:00,520 --> 00:29:04,040
Speaker 4: told me my parent had anxiety and depression and that's

600
00:29:04,040 --> 00:29:04,720
Speaker 4: why he was like.

601
00:29:05,120 --> 00:29:08,440
Speaker 1: You're going to put it in a cone an, so

602
00:29:08,560 --> 00:29:10,480
Speaker 1: he give it something to be grateful for. He had

603
00:29:10,560 --> 00:29:14,640
Speaker 1: chuck this on his head. It could be worse, mate,

604
00:29:14,640 --> 00:29:15,400
Speaker 1: it could be worse.

605
00:29:16,320 --> 00:29:18,280
Speaker 2: That's so intense. Okay, Okaya.

606
00:29:18,400 --> 00:29:22,440
Speaker 8: So I think your dog went and started licking herself.

607
00:29:23,480 --> 00:29:26,840
Speaker 1: Okay, okay, So that's naturally where your head goes. That's

608
00:29:26,840 --> 00:29:28,120
Speaker 1: what I was going to say to Agatha.

609
00:29:28,200 --> 00:29:30,120
Speaker 2: Okay, Karen thirty one and six five, you had a

610
00:29:30,120 --> 00:29:30,960
Speaker 2: dog in a cone before?

611
00:29:32,240 --> 00:29:32,440
Speaker 7: Yeah?

612
00:29:32,560 --> 00:29:34,600
Speaker 1: Hi, yeah, her.

613
00:29:34,720 --> 00:29:38,520
Speaker 2: Kind of justice? Okay, cool, I think I've got it. Okay.

614
00:29:38,560 --> 00:29:40,720
Speaker 2: So so you took the cone off your perch. What

615
00:29:40,800 --> 00:29:52,400
Speaker 2: was your dog's name? Zuki? Vicky? Okay, zigzig the kelpie?

616
00:29:52,480 --> 00:29:52,680
Speaker 6: Nice?

617
00:29:52,760 --> 00:29:56,520
Speaker 2: Okay, Vicky. We were nowhere, all right, So Ziggy's got

618
00:29:56,520 --> 00:29:57,960
Speaker 2: the cone and take the cone off. What's the first

619
00:29:58,000 --> 00:30:05,040
Speaker 2: thing Ziggy does your Yeah? Yeah, it is.

620
00:30:05,040 --> 00:30:09,120
Speaker 1: A classic movie. Gauging your response, I'm going to say

621
00:30:09,160 --> 00:30:10,600
Speaker 1: that's not what she did.

622
00:30:10,720 --> 00:30:14,360
Speaker 2: No, you've been fooled, brook Bony Stevie licked her, asked

623
00:30:14,360 --> 00:30:26,600
Speaker 2: for oh hell, didn't get her out of it? What

624
00:30:26,640 --> 00:30:30,480
Speaker 2: do you find? What do you be that bad? And

625
00:30:30,600 --> 00:30:32,440
Speaker 2: someone had explained to me, like if you lick your butt,

626
00:30:32,480 --> 00:30:37,800
Speaker 2: the whole time. Naturally it's gonna build like whatever's like

627
00:30:38,040 --> 00:30:39,000
Speaker 2: whatever it's built up.

628
00:30:39,040 --> 00:30:47,400
Speaker 1: Oh that's so, what are we talking about? Oh yuk, Stevie, Stevie.

629
00:30:47,520 --> 00:30:49,320
Speaker 2: We'll send a dog do it before, But for ten

630
00:30:49,360 --> 00:30:51,440
Speaker 2: minutes when it's your dog as well, you're like, darling,

631
00:30:51,560 --> 00:30:53,200
Speaker 2: just get out of there. I mean I was about

632
00:30:53,200 --> 00:30:53,600
Speaker 2: to get in.

633
00:30:53,520 --> 00:30:53,880
Speaker 4: There for it.

634
00:30:54,000 --> 00:30:58,120
Speaker 2: I was like, it's will and Woody Woods is away

635
00:30:58,120 --> 00:30:59,560
Speaker 2: in the jung lime slip, get me out of here.

636
00:30:59,600 --> 00:31:01,479
Speaker 2: So Brooks filling in and on Monday Brook, I mean

637
00:31:01,520 --> 00:31:03,160
Speaker 2: you already took the show to new levels. You came

638
00:31:03,200 --> 00:31:05,160
Speaker 2: in here, you revealed you had a superpower. You can

639
00:31:05,200 --> 00:31:08,560
Speaker 2: tell from a distance if people should kiss, if they're

640
00:31:08,560 --> 00:31:10,920
Speaker 2: about to kiss, if there's chemistry between them.

641
00:31:10,840 --> 00:31:13,520
Speaker 1: If they want to, if they already have I can.

642
00:31:13,400 --> 00:31:15,400
Speaker 2: Tell, you can tell if the kiss is in the air.

643
00:31:15,600 --> 00:31:19,760
Speaker 2: And you've been using this to people's aid all around Sydney.

644
00:31:19,840 --> 00:31:21,600
Speaker 1: I can sniff a kiss, and I've been using my

645
00:31:21,640 --> 00:31:23,640
Speaker 1: powers bullet So a few weeks ago, I was at

646
00:31:23,640 --> 00:31:25,600
Speaker 1: the pub with some friends and as a lady Trady

647
00:31:25,600 --> 00:31:29,160
Speaker 1: and a guy Trady obviously flirting with each other. And

648
00:31:29,240 --> 00:31:32,160
Speaker 1: so then I took it upon myself to say to them, Oh,

649
00:31:32,280 --> 00:31:33,480
Speaker 1: why don't you guys kiss?

650
00:31:33,720 --> 00:31:34,640
Speaker 2: Just kiss? Kiss?

651
00:31:35,240 --> 00:31:37,680
Speaker 1: Yes, because I can tell they were flirting.

652
00:31:37,480 --> 00:31:44,120
Speaker 2: If they were brother and sister. All right, so will

653
00:31:44,160 --> 00:31:48,120
Speaker 2: they brook up? That's the question. Two couples in here,

654
00:31:48,120 --> 00:31:49,520
Speaker 2: now he had to go to put your money with

655
00:31:49,560 --> 00:31:51,760
Speaker 2: your mouth is on this show, Brook, So we're going

656
00:31:51,800 --> 00:31:53,200
Speaker 2: to put it to the test right now. We've got

657
00:31:53,240 --> 00:31:58,120
Speaker 2: two couples in the studio, right yeah. One of them

658
00:31:58,240 --> 00:32:00,680
Speaker 2: is actually a couple that have obviouslyked up before. One

659
00:32:00,680 --> 00:32:02,600
Speaker 2: of them is not. You have to try and pick

660
00:32:03,160 --> 00:32:06,479
Speaker 2: which which one is, Which couple is which? Which couple

661
00:32:06,920 --> 00:32:08,560
Speaker 2: is there a kiss in the air between and which

662
00:32:08,600 --> 00:32:11,160
Speaker 2: couple is there no chemistry at all. So we've got

663
00:32:11,200 --> 00:32:13,440
Speaker 2: Adrian and link out, and we've got Glause here and Alec.

664
00:32:14,120 --> 00:32:16,640
Speaker 1: Okay, so for the record, I'm pretty sure I already

665
00:32:16,680 --> 00:32:18,200
Speaker 1: know just based on body language.

666
00:32:18,320 --> 00:32:21,360
Speaker 2: Wow. So okay, well, couple to Adrian and Linker. You

667
00:32:21,400 --> 00:32:23,360
Speaker 2: think they've already hooked up before there's a kiss in

668
00:32:23,360 --> 00:32:27,080
Speaker 2: the air between them? Okay, yeah, you know, you know

669
00:32:27,240 --> 00:32:29,960
Speaker 2: I think. So Well, let's let's start with Adrian and Lincoln.

670
00:32:30,040 --> 00:32:32,360
Speaker 2: Can you guys come forward please into the microphones here.

671
00:32:32,680 --> 00:32:34,719
Speaker 2: Welcome to the show one, Mike Ketch, come over here,

672
00:32:34,800 --> 00:32:37,800
Speaker 2: links to the deals. Okay, it's the body language and

673
00:32:37,920 --> 00:32:40,840
Speaker 2: starts in a yeah, there's the body language, right yep?

674
00:32:41,800 --> 00:32:44,240
Speaker 1: Okay, So what questions? I don't I just sort of

675
00:32:44,280 --> 00:32:46,280
Speaker 1: want you to interact with each other. So can you

676
00:32:46,320 --> 00:32:51,080
Speaker 1: look at each other? See you go there they're smiling

677
00:32:51,160 --> 00:32:56,000
Speaker 1: at each other. We're all nervous. It's all right, sweetheart,

678
00:32:56,040 --> 00:32:57,040
Speaker 1: we were together.

679
00:32:57,520 --> 00:32:57,880
Speaker 2: Okay.

680
00:32:57,960 --> 00:33:02,640
Speaker 1: So Adrian, what's Linka's favorite drink?

681
00:33:03,520 --> 00:33:06,600
Speaker 3: Oh, black tea, no sugars?

682
00:33:06,720 --> 00:33:10,840
Speaker 1: Okay, Linka. How does Adrian have his coffee?

683
00:33:11,800 --> 00:33:12,800
Speaker 8: He doesn't like coffee?

684
00:33:13,880 --> 00:33:18,360
Speaker 1: Interesting? What's Linka's mother's name? O?

685
00:33:19,120 --> 00:33:29,720
Speaker 2: Strange question? Marsha Okay, Marshall. See the thing is here

686
00:33:29,720 --> 00:33:31,760
Speaker 2: that there could be a bit of double bluffing going on,

687
00:33:31,880 --> 00:33:35,000
Speaker 2: and which which I didn't. I didn't factor into this

688
00:33:35,080 --> 00:33:37,840
Speaker 2: equation that these guys might be part of this.

689
00:33:38,120 --> 00:33:39,680
Speaker 1: They might be tricky, part of the ruse.

690
00:33:40,440 --> 00:33:43,280
Speaker 2: Okay, all right, thank you, Adrian Lincoln, thanks so much. Guys,

691
00:33:43,320 --> 00:33:46,720
Speaker 2: A couple one step away? All right, well done. Glacier

692
00:33:46,760 --> 00:33:49,200
Speaker 2: and Alec come forward to the microphones, please, one microphone

693
00:33:49,240 --> 00:33:51,400
Speaker 2: each now. Glassiers told me she doesn't speak great English.

694
00:33:51,400 --> 00:33:54,920
Speaker 2: By the way, so please don't don't quizzer too hard. No, no, no,

695
00:33:55,200 --> 00:33:56,800
Speaker 2: that's all right, okay, all right, have you got any

696
00:33:56,880 --> 00:33:59,040
Speaker 2: questions for Glassier and aleck Alec?

697
00:33:59,360 --> 00:34:01,920
Speaker 1: Where did you have your first pash with Glacier on

698
00:34:02,000 --> 00:34:06,680
Speaker 1: the Gold Coast? On the Gold Coast paradise and Glacier?

699
00:34:07,000 --> 00:34:09,560
Speaker 1: Was he a good smoocher? Was he good at kissing?

700
00:34:11,040 --> 00:34:22,280
Speaker 9: Yeah? Yeah, Okay, I'm confused.

701
00:34:22,880 --> 00:34:25,880
Speaker 2: I've kind of forgotten which one it is, but I

702
00:34:25,960 --> 00:34:30,520
Speaker 2: know you know I have been told which one is rich. Yeah, Brook,

703
00:34:30,560 --> 00:34:32,600
Speaker 2: you're going to get out because I'm now going to

704
00:34:32,600 --> 00:34:36,120
Speaker 2: tell the audience which couple have actually hooked up before,

705
00:34:36,160 --> 00:34:39,600
Speaker 2: where the chemistry is, okay, where the kiss is. And

706
00:34:39,680 --> 00:34:41,960
Speaker 2: then on the other side, you're going to walk back

707
00:34:41,960 --> 00:34:44,319
Speaker 2: in here and demand that one of these couples hook

708
00:34:44,400 --> 00:34:50,400
Speaker 2: up to prove for good, to prove that this superpower exists.

709
00:34:51,520 --> 00:34:57,279
Speaker 2: It's still part of it the law. No, mate, you're

710
00:34:57,280 --> 00:34:59,640
Speaker 2: a superhero. Apparently you're about to find out whether you

711
00:34:59,680 --> 00:35:02,920
Speaker 2: walk all right, here we go, So Brook's outside. Can

712
00:35:02,960 --> 00:35:03,760
Speaker 2: she hear me anymore?

713
00:35:04,080 --> 00:35:04,160
Speaker 3: No?

714
00:35:04,320 --> 00:35:08,640
Speaker 2: She can't. Okay, you guys should know none of these

715
00:35:08,640 --> 00:35:12,440
Speaker 2: guys are in a relationship. They are all actors. Oh,

716
00:35:12,480 --> 00:35:16,200
Speaker 2: you're in the dark. Everyone's in the dark. So so

717
00:35:16,320 --> 00:35:18,799
Speaker 2: Brook has no idea about that. So Brooke will be

718
00:35:18,880 --> 00:35:21,719
Speaker 2: asking one of you to kiss each other on the

719
00:35:21,719 --> 00:35:23,920
Speaker 2: other side of this song though, Okay, okay, are we

720
00:35:23,960 --> 00:35:27,840
Speaker 2: okay with that? Yeah? Yeah, of Gus on the forehand,

721
00:35:29,360 --> 00:35:31,160
Speaker 2: so you can kiss. How are you lying? But that

722
00:35:31,239 --> 00:35:34,239
Speaker 2: will be happening right up next. Okay, great work. It's

723
00:35:34,239 --> 00:35:36,279
Speaker 2: Will and Woody with Brook. Bardie's going about to get

724
00:35:36,280 --> 00:35:39,240
Speaker 2: really awkward. Right up next more Will and Woody.

725
00:35:39,280 --> 00:35:39,960
Speaker 1: Goodness.

726
00:35:40,120 --> 00:35:44,400
Speaker 2: After this, it's the Wollen Woody podcast. Brook's felling in

727
00:35:44,400 --> 00:35:47,520
Speaker 2: forwards while he's in the African jungle. And on Monday,

728
00:35:47,560 --> 00:35:49,479
Speaker 2: her first day on this show, she had the gaul,

729
00:35:49,560 --> 00:35:51,880
Speaker 2: the gumption to come in here and say that she

730
00:35:52,000 --> 00:35:56,720
Speaker 2: had a superpower. She could tell whether people were about

731
00:35:56,760 --> 00:35:58,879
Speaker 2: to kiss, whether they'd kissed before, whether there was kiss

732
00:35:58,920 --> 00:36:01,960
Speaker 2: chemistry between any two people, and right now we're about

733
00:36:02,000 --> 00:36:03,040
Speaker 2: to put that to the tests.

734
00:36:03,680 --> 00:36:04,960
Speaker 1: So a few weeks ago, I was at the pub

735
00:36:04,960 --> 00:36:07,120
Speaker 1: with some friends and as a lady Trady and a

736
00:36:07,160 --> 00:36:11,120
Speaker 1: guy Trady obviously flirting with each other. So then I

737
00:36:11,160 --> 00:36:13,480
Speaker 1: took it upon myself to say to them, oh, why

738
00:36:13,480 --> 00:36:17,359
Speaker 1: don't you guys kiss kiss kiss, Yes, because I could

739
00:36:17,360 --> 00:36:18,720
Speaker 1: tell they were flirting.

740
00:36:18,520 --> 00:36:20,040
Speaker 10: If brother and sister.

741
00:36:23,960 --> 00:36:27,640
Speaker 2: All right, so another classic commercial radio game with a

742
00:36:27,680 --> 00:36:30,560
Speaker 2: brook bony pun in it. Will they brook up? About

743
00:36:30,560 --> 00:36:32,160
Speaker 2: to put that to the test, now, Brooke, We've got

744
00:36:32,160 --> 00:36:35,240
Speaker 2: our two couples in front of us, Glaucier and Alec,

745
00:36:35,840 --> 00:36:42,919
Speaker 2: Adrian and Linka. One of them has kissed before, Yeah,

746
00:36:42,960 --> 00:36:44,879
Speaker 2: and you're about to try and tell us which one

747
00:36:44,920 --> 00:36:49,280
Speaker 2: it is. And then and then we will chant kiss

748
00:36:49,560 --> 00:36:52,960
Speaker 2: in a school yard kind of peer pressuring scenario exactly. Yep.

749
00:36:53,280 --> 00:36:54,920
Speaker 2: And then they will kiss in the studio.

750
00:36:55,200 --> 00:36:58,600
Speaker 1: All right. So let me just break down some of

751
00:36:58,640 --> 00:36:59,160
Speaker 1: my thinking here.

752
00:36:59,200 --> 00:37:03,640
Speaker 2: I'm working back with hit me. Sherlocked walked in.

753
00:37:03,920 --> 00:37:04,120
Speaker 7: Yep.

754
00:37:04,280 --> 00:37:06,440
Speaker 2: Couple two, Adriana and Linka.

755
00:37:06,520 --> 00:37:09,319
Speaker 1: Yeah, they were sort of close to one another, like

756
00:37:09,400 --> 00:37:12,080
Speaker 1: their body language was saying to me, oh, yes, we

757
00:37:12,120 --> 00:37:15,480
Speaker 1: feel quite comfortable together. They were moving into unison, right,

758
00:37:15,520 --> 00:37:18,160
Speaker 1: Look how close are standing together. On the other hand,

759
00:37:18,680 --> 00:37:23,080
Speaker 1: that couple one, Glacier and Alex were standing quite far apart,

760
00:37:23,320 --> 00:37:25,680
Speaker 1: and they were sort of like looking a bit nervous

761
00:37:25,719 --> 00:37:29,560
Speaker 1: around one another. But then just out there I was thinking,

762
00:37:29,719 --> 00:37:31,600
Speaker 1: maybe that means they have kissed and it's a bit

763
00:37:31,640 --> 00:37:32,839
Speaker 1: awkward to be around each other.

764
00:37:34,120 --> 00:37:37,759
Speaker 2: Oh so you think, like Glaucier is alex x or

765
00:37:37,760 --> 00:37:39,920
Speaker 2: something and they've hooked up.

766
00:37:39,840 --> 00:37:41,560
Speaker 1: And then they're like, oh god, I.

767
00:37:41,440 --> 00:37:44,120
Speaker 2: Didn't even factor that in. So your superpower sort of

768
00:37:44,719 --> 00:37:48,680
Speaker 2: transcends relationships. Like you're talking a kiss that might have

769
00:37:48,719 --> 00:37:51,080
Speaker 2: happened five years ago. You can still sniff in the air.

770
00:37:51,440 --> 00:37:54,520
Speaker 1: Yeah, Well, there's a bit of tension, some sort of

771
00:37:54,560 --> 00:37:58,160
Speaker 1: tension between and Alex. I don't know what it is.

772
00:38:01,480 --> 00:38:04,480
Speaker 2: She's on one, okay.

773
00:38:04,239 --> 00:38:07,440
Speaker 1: So but I think I'm gonna stick with my original choice.

774
00:38:07,800 --> 00:38:11,319
Speaker 2: So just keep you You're just gonna that's it, just

775
00:38:11,360 --> 00:38:13,920
Speaker 2: the body language. So we're going to go with Adrian

776
00:38:14,000 --> 00:38:16,319
Speaker 2: and Linka and they're going to come forward. They're going

777
00:38:16,360 --> 00:38:18,200
Speaker 2: to come forward and we're going to chant to them,

778
00:38:18,200 --> 00:38:21,480
Speaker 2: and then they're going to have to kiss. Well, they

779
00:38:21,520 --> 00:38:24,480
Speaker 2: don't have to, like they have to, they have to.

780
00:38:24,600 --> 00:38:25,239
Speaker 2: That is the game.

781
00:38:25,320 --> 00:38:27,520
Speaker 1: I want to make it abundantly clear. We're not forcing

782
00:38:27,560 --> 00:38:29,279
Speaker 1: you to kiss, but if you feel it, if you

783
00:38:29,320 --> 00:38:31,000
Speaker 1: feel it, come on, then please go with the moment.

784
00:38:31,040 --> 00:38:36,920
Speaker 2: Here we go, kiss kiss k kis, kiss kiss kis.

785
00:38:39,560 --> 00:38:51,680
Speaker 10: They have kissed, just spat on the floor.

786
00:38:53,080 --> 00:39:02,160
Speaker 2: Vomited. Why not have loved that? Okay in Lincola. Have

787
00:39:02,360 --> 00:39:05,240
Speaker 2: you guys kissed before?

788
00:39:06,120 --> 00:39:07,080
Speaker 3: Never ever?

789
00:39:09,560 --> 00:39:15,120
Speaker 2: Have you met before today? No? She is, but she's

790
00:39:15,160 --> 00:39:16,160
Speaker 2: really softly, so.

791
00:39:18,080 --> 00:39:23,360
Speaker 1: A process right now, Sorry about the lipsticks, stood on,

792
00:39:24,920 --> 00:39:25,879
Speaker 1: just kissed.

793
00:39:29,560 --> 00:39:31,600
Speaker 2: When you had a lot to presss. What do you mean?

794
00:39:32,880 --> 00:39:35,160
Speaker 3: I didn't expect this today. I did consent to it,

795
00:39:35,480 --> 00:39:37,680
Speaker 3: I do, and she consented to it, but didn't expect

796
00:39:37,680 --> 00:39:38,160
Speaker 3: this to happen.

797
00:39:38,200 --> 00:39:40,480
Speaker 1: So it's just yeah, it's a wonderful hump day.

798
00:39:43,200 --> 00:39:53,560
Speaker 2: Kiss okay, Glas, which means have you Glaucier and Alec? Yes?

799
00:39:53,920 --> 00:40:07,080
Speaker 2: Alic Have you kissed Glaucier before? Yes? You have many times?

800
00:40:07,880 --> 00:40:10,400
Speaker 1: Oh my gosh, guys.

801
00:40:10,239 --> 00:40:15,120
Speaker 2: Crazy right they tricked me? Yeah yeah, see no, I'm

802
00:40:15,120 --> 00:40:19,319
Speaker 2: just joking. You couldn't win.

803
00:40:20,160 --> 00:40:24,200
Speaker 1: Okay, great, all right, well now you've just you know what,

804
00:40:24,239 --> 00:40:27,960
Speaker 1: You've betrayed yourselves because you had the opportunity there to

805
00:40:28,080 --> 00:40:33,200
Speaker 1: witness superpowers in action, and instead you've made a mockery

806
00:40:33,239 --> 00:40:36,920
Speaker 1: of superpowers everywhere. And I hope you're happy with yourself.

807
00:40:37,440 --> 00:40:46,319
Speaker 2: Will she is? Shame? Oh?

808
00:40:46,440 --> 00:40:49,720
Speaker 1: Wells having a great time the rest of us, guys,

809
00:40:49,719 --> 00:40:50,680
Speaker 1: I feel like we should.

810
00:40:50,480 --> 00:40:58,520
Speaker 2: Go on great effort. Well done, brah By. Congratulations to

811
00:40:58,560 --> 00:41:00,920
Speaker 2: everyone involved. Everyone in their car knew that they were

812
00:41:00,920 --> 00:41:02,840
Speaker 2: all s changes as well, so we all enjoyed you

813
00:41:02,880 --> 00:41:05,040
Speaker 2: thinking that you actually knew something that you didn't. It's

814
00:41:05,040 --> 00:41:10,520
Speaker 2: Willing money with Brookbody Shell it buns flaunted again right now.

815
00:41:10,560 --> 00:41:11,480
Speaker 1: It's Will and Woody.

816
00:41:11,560 --> 00:41:12,680
Speaker 2: Biggest news today.

817
00:41:13,280 --> 00:41:16,080
Speaker 11: There is a settlement, a settlement and in the high

818
00:41:16,120 --> 00:41:20,799
Speaker 11: stakes trial between Dominion Voting Systems and Fox. Dominion was

819
00:41:20,880 --> 00:41:23,799
Speaker 11: suing Fox for one point six billion dollars, saying that

820
00:41:23,840 --> 00:41:28,959
Speaker 11: the network showed disregard for truth and facts and accuracy

821
00:41:29,080 --> 00:41:33,600
Speaker 11: when they allowed guests and hosts to push false conspiracy

822
00:41:33,640 --> 00:41:36,319
Speaker 11: theories that the twenty twenty election had been stolen from

823
00:41:36,320 --> 00:41:37,040
Speaker 11: Donald Trump.

824
00:41:37,600 --> 00:41:40,000
Speaker 1: So there you go. They ended up settling right at

825
00:41:40,040 --> 00:41:44,400
Speaker 1: the eleventh hour, just just before all of the witnesses

826
00:41:44,400 --> 00:41:46,840
Speaker 1: were about to be called. The trial was just about

827
00:41:46,840 --> 00:41:50,520
Speaker 1: to begin. The US seven hundred and eighty seven million dollars,

828
00:41:50,560 --> 00:41:54,200
Speaker 1: which is about one point one seven billion Australian dollars.

829
00:41:54,520 --> 00:41:59,040
Speaker 1: It is the biggest defamation case in history. And to

830
00:41:59,080 --> 00:42:01,319
Speaker 1: break it all down for US, I mean, you know,

831
00:42:01,360 --> 00:42:03,920
Speaker 1: we could break it down by try, but it might

832
00:42:03,960 --> 00:42:05,799
Speaker 1: be a bit hard, and you know what, why not

833
00:42:05,840 --> 00:42:08,200
Speaker 1: bring in some friends bringing the best right. Channel nine's

834
00:42:08,200 --> 00:42:12,040
Speaker 1: political editor Charles Croucher, who joins us now Charles. Oh,

835
00:42:12,120 --> 00:42:13,560
Speaker 1: good h Charles Brooke.

836
00:42:13,640 --> 00:42:14,680
Speaker 7: Well, great to be with you.

837
00:42:15,760 --> 00:42:19,160
Speaker 1: Hey. So you were over in the US as all

838
00:42:19,200 --> 00:42:21,239
Speaker 1: of this was sort of blowing up as it was

839
00:42:21,280 --> 00:42:24,440
Speaker 1: all happening at the time, tell us a little bit

840
00:42:24,480 --> 00:42:26,799
Speaker 1: about what the mood of that was, Like, I mean,

841
00:42:27,080 --> 00:42:30,160
Speaker 1: we're all imagining succession because of the Murdocks.

842
00:42:30,360 --> 00:42:30,640
Speaker 2: M h.

843
00:42:32,440 --> 00:42:34,120
Speaker 7: Makes it better with that music, doesn't doesn't it?

844
00:42:34,160 --> 00:42:34,640
Speaker 1: Doesn't it?

845
00:42:34,719 --> 00:42:35,120
Speaker 12: Oh?

846
00:42:36,120 --> 00:42:38,200
Speaker 1: Now, we're not going to give away any spoilers, but

847
00:42:38,360 --> 00:42:40,200
Speaker 1: one of the people who was supposed to take the

848
00:42:40,239 --> 00:42:46,000
Speaker 1: stand was Murdoch during this trial. How intense would that

849
00:42:46,160 --> 00:42:48,120
Speaker 1: have been for us to see all of that? What

850
00:42:48,160 --> 00:42:49,600
Speaker 1: do you think they would have asked him?

851
00:42:49,960 --> 00:42:53,000
Speaker 7: Well, this is the problem with the eleventh hour, you know, settlement.

852
00:42:53,040 --> 00:42:55,440
Speaker 7: We robbed yet another great court case. And we had

853
00:42:55,480 --> 00:42:59,160
Speaker 7: such good court cases. You think of Johnny DApp, Gwyneth Paltrow.

854
00:42:59,600 --> 00:43:01,359
Speaker 7: A little bit that Donald Trump we got it would

855
00:43:01,360 --> 00:43:05,160
Speaker 7: have been fantastic. Effectively, this was all about the dominion

856
00:43:05,280 --> 00:43:08,720
Speaker 7: voting systems, which Donald Trump claimed cost him the twenty

857
00:43:08,760 --> 00:43:12,759
Speaker 7: twenty election, and Fox reported that was the case. Now

858
00:43:12,800 --> 00:43:15,279
Speaker 7: they say the White House, so that therefore it's newsworthy.

859
00:43:15,880 --> 00:43:17,960
Speaker 7: This case was going to be about whether that actually

860
00:43:18,080 --> 00:43:22,240
Speaker 7: stood up. Because through emails, through texts, through phone calls

861
00:43:22,280 --> 00:43:26,320
Speaker 7: that the evidence came out, they effectively knew that Fox

862
00:43:26,400 --> 00:43:29,239
Speaker 7: knew that wasn't true, and yet went along with the

863
00:43:29,280 --> 00:43:32,640
Speaker 7: story anyway because it was good for ratings. And so

864
00:43:32,800 --> 00:43:35,280
Speaker 7: that's where the questions would have come for Rupert Murdoch,

865
00:43:35,320 --> 00:43:39,319
Speaker 7: for Tucker Carlson, for Janine Burrow, all those Fox hosts,

866
00:43:39,360 --> 00:43:42,080
Speaker 7: not just on the stand, but under oath, and it

867
00:43:42,080 --> 00:43:44,520
Speaker 7: would have really put in question exactly what they knew,

868
00:43:44,520 --> 00:43:46,400
Speaker 7: how much they knew, and how much they were willing

869
00:43:46,440 --> 00:43:48,879
Speaker 7: to tell the truth to their audience just to keep

870
00:43:48,880 --> 00:43:50,320
Speaker 7: the audience watching the tube.

871
00:43:50,640 --> 00:43:53,799
Speaker 1: Let's not forget as well that during that time, well

872
00:43:53,840 --> 00:43:56,000
Speaker 1: do you remember all of this, it would have been

873
00:43:56,040 --> 00:43:58,759
Speaker 1: over our Christmas break. It was on the sixth of January.

874
00:43:59,520 --> 00:44:03,640
Speaker 1: Then insurrection happened where all of those absolute nut jobs

875
00:44:03,680 --> 00:44:06,719
Speaker 1: stormed the cap building. Yes was it six people who

876
00:44:06,800 --> 00:44:10,280
Speaker 1: ended up dying. So you know, all of this reportage,

877
00:44:10,320 --> 00:44:14,600
Speaker 1: all of this stuff built that heat up, didn't Charles, It.

878
00:44:14,600 --> 00:44:17,640
Speaker 7: Did this is the time, I mean, America is deeply divided.

879
00:44:17,960 --> 00:44:20,040
Speaker 7: And what we have now is this idea is that

880
00:44:20,400 --> 00:44:22,920
Speaker 7: you know, if you're reporting the news and it's not

881
00:44:22,960 --> 00:44:24,799
Speaker 7: what your audience want to see, they're kind of using

882
00:44:24,840 --> 00:44:26,719
Speaker 7: the news as like a therapy dog, Like you flick

883
00:44:26,719 --> 00:44:29,240
Speaker 7: around until you find the political news that best suits

884
00:44:29,320 --> 00:44:33,320
Speaker 7: your opinion, and that's what keeps people on the channel.

885
00:44:33,360 --> 00:44:35,800
Speaker 7: And the thought was that maybe if they were reporting

886
00:44:35,840 --> 00:44:38,239
Speaker 7: the truth that you know, these machines were working just fine,

887
00:44:38,239 --> 00:44:40,520
Speaker 7: and Donald Trump lost the election, that they would lose

888
00:44:40,520 --> 00:44:42,839
Speaker 7: the audience as well. And as Brooke pointed out, this

889
00:44:42,880 --> 00:44:46,000
Speaker 7: is the time of like deep political divide when the

890
00:44:46,040 --> 00:44:48,440
Speaker 7: country is angry at each other, a country not with

891
00:44:48,440 --> 00:44:50,520
Speaker 7: the great history of being able to compromise as well.

892
00:44:50,760 --> 00:44:53,560
Speaker 7: And that just flamed all of this. And in the

893
00:44:53,560 --> 00:44:55,800
Speaker 7: middle of it this huge power player between the president

894
00:44:55,840 --> 00:44:58,200
Speaker 7: at the time, between Rupert Murdock, who may be the

895
00:44:58,200 --> 00:45:02,160
Speaker 7: most powerful man in America, possibly even the world. Yeah,

896
00:45:02,200 --> 00:45:07,160
Speaker 7: and these you know, incredibly famous, incredibly powerful TV hosts

897
00:45:07,160 --> 00:45:09,640
Speaker 7: who in some cases and this is what the court

898
00:45:09,640 --> 00:45:12,520
Speaker 7: case may have played out, knew what they were doing

899
00:45:12,640 --> 00:45:15,400
Speaker 7: was in Rupert wellos word's crazy, but still doing it anyway.

900
00:45:16,040 --> 00:45:19,760
Speaker 2: It's pretty wild, mate. Can I ask Charles the summer

901
00:45:19,840 --> 00:45:23,120
Speaker 2: money there? So one point one seven billion from the

902
00:45:23,239 --> 00:45:27,360
Speaker 2: murdox Is that the equivalent of me? Like you know

903
00:45:27,400 --> 00:45:29,120
Speaker 2: when you get to the traffic lights and there's someone

904
00:45:29,160 --> 00:45:33,000
Speaker 2: there who wants to wash your windscreen with a squeezy

905
00:45:33,000 --> 00:45:34,920
Speaker 2: bottle and you get you dip into your coin cup

906
00:45:34,960 --> 00:45:36,120
Speaker 2: at the front, and you see what you've got in

907
00:45:36,160 --> 00:45:37,600
Speaker 2: there to give? Is that that for him?

908
00:45:38,040 --> 00:45:39,719
Speaker 7: Go through the glove box? Look, No, one point one

909
00:45:39,760 --> 00:45:41,080
Speaker 7: seven billion dollars is a lot of money.

910
00:45:42,040 --> 00:45:43,479
Speaker 2: That actually, hell, that hurts.

911
00:45:43,520 --> 00:45:46,520
Speaker 7: Yeah, okay, news makes a lot of money. Okay, mind

912
00:45:46,600 --> 00:45:49,200
Speaker 7: you for Dominion, that's a company worth somewhere around five

913
00:45:49,320 --> 00:45:51,759
Speaker 7: hundred maybe six hundred million dollars. They've got a lot

914
00:45:51,800 --> 00:45:53,720
Speaker 7: out of this as well. They were asking for two billion.

915
00:45:53,760 --> 00:45:56,040
Speaker 7: That was shooting for the stars. We've done pretty well

916
00:45:56,040 --> 00:45:57,440
Speaker 7: in landing on the moon with this figure.

917
00:45:57,640 --> 00:46:00,919
Speaker 2: Awesome, Wow, you is to see it. Thanks so much

918
00:46:00,960 --> 00:46:02,840
Speaker 2: for letting us. I'm sorry you missed out in the case. Well,

919
00:46:02,880 --> 00:46:04,920
Speaker 2: I can just imagine you're sort of up there salivating

920
00:46:04,920 --> 00:46:07,920
Speaker 2: in your hotel room, putting your putting your suit on

921
00:46:07,960 --> 00:46:10,239
Speaker 2: and getting your notepad ready for your day in court,

922
00:46:10,320 --> 00:46:12,120
Speaker 2: and you've missed out. What are you going to do now?

923
00:46:12,200 --> 00:46:14,040
Speaker 7: You've all got to do with GENI could have been

924
00:46:14,040 --> 00:46:16,840
Speaker 7: evaluating the suits they were wearing, what they were.

925
00:46:16,680 --> 00:46:19,600
Speaker 2: Doing at the se I know. There goes out content

926
00:46:19,600 --> 00:46:20,960
Speaker 2: for the next two weeks as well. I have to

927
00:46:20,960 --> 00:46:23,960
Speaker 2: throw it all out. Thanks for joining us, child, really

928
00:46:24,000 --> 00:46:27,120
Speaker 2: appreciate it, mate. Charles Crouch there from Channel nine Political reporter,

929
00:46:27,280 --> 00:46:29,439
Speaker 2: Channel nine giving us all the ins and outs of

930
00:46:30,080 --> 00:46:33,480
Speaker 2: real life succession stuff. There the Murdocks one point one

931
00:46:33,640 --> 00:46:35,960
Speaker 2: seven billion dollar pay out, the biggest defamation suit in

932
00:46:36,000 --> 00:46:38,680
Speaker 2: the history of defamation suits.

933
00:46:39,080 --> 00:46:41,120
Speaker 3: Not too shabby, not too.

934
00:46:40,719 --> 00:46:41,799
Speaker 2: Shabby at all.

935
00:46:44,200 --> 00:46:52,040
Speaker 12: Sorry, such funny things you caught my show laugh so

936
00:46:52,120 --> 00:46:57,840
Speaker 12: many funny things.

937
00:46:55,640 --> 00:46:58,359
Speaker 1: That if you fake laugh long enough it turns into

938
00:46:58,400 --> 00:47:06,560
Speaker 1: a real one. Let me emon straight. Did you do it?

939
00:47:06,640 --> 00:47:19,960
Speaker 2: Can you do it? I? Actually, oh yeah.

940
00:47:14,920 --> 00:47:32,880
Speaker 13: Tom, you try to what you in on this joy.

941
00:47:26,080 --> 00:47:29,040
Speaker 2: Was a shocking back laugh you're not laughing yoga. I

942
00:47:29,120 --> 00:47:31,480
Speaker 2: was about to say, I've been to a laughing yoga

943
00:47:31,560 --> 00:47:33,840
Speaker 2: sesh and it was phenomenal.

944
00:47:34,160 --> 00:47:35,839
Speaker 1: Is that where you just go there and they laugh

945
00:47:35,880 --> 00:47:37,280
Speaker 1: at you? He's so bad?

946
00:47:37,640 --> 00:47:40,960
Speaker 2: No, he does the same thing. They get up there

947
00:47:41,120 --> 00:47:45,279
Speaker 2: and you mimic them, You mimic them. Yeah, so he

948
00:47:45,320 --> 00:47:47,040
Speaker 2: gets up there and he goes give me a little

949
00:47:47,040 --> 00:47:50,040
Speaker 2: bit of a ha, and you're like, and then you're

950
00:47:50,120 --> 00:47:56,040
Speaker 2: like and you can't. It is amazing. I agree to Tommy,

951
00:47:56,080 --> 00:47:59,000
Speaker 2: and it's half an hour. We need to take brook

952
00:47:59,080 --> 00:48:01,840
Speaker 2: to laugh at. It's so much joy in your life.

953
00:48:01,920 --> 00:48:03,920
Speaker 2: I would love to get a laughing yoga guy on

954
00:48:03,960 --> 00:48:08,560
Speaker 2: the show. Actually really yeah, great, get them on because

955
00:48:08,560 --> 00:48:11,160
Speaker 2: people can do it in their cars as well, because it.

956
00:48:11,120 --> 00:48:12,880
Speaker 1: Is actually laugh together.

957
00:48:15,080 --> 00:48:18,160
Speaker 2: What he actually ran one ran one before and it

958
00:48:18,239 --> 00:48:20,600
Speaker 2: was like it was actually the dumbest thing ever. It

959
00:48:20,680 --> 00:48:23,319
Speaker 2: was like pouring cups of laugh into you. So if

960
00:48:23,360 --> 00:48:25,120
Speaker 2: you guys can imagine I'm gonna pour a cup into

961
00:48:25,160 --> 00:48:29,080
Speaker 2: me into my mouth now, it'd be like and then

962
00:48:31,719 --> 00:48:34,759
Speaker 2: and then all of a sudden, you're laughing the one

963
00:48:34,840 --> 00:48:35,960
Speaker 2: we have to start really more.

964
00:48:36,000 --> 00:48:36,319
Speaker 3: It's like.

965
00:48:40,320 --> 00:48:40,920
Speaker 1: You have to build.

966
00:48:46,880 --> 00:48:49,640
Speaker 2: I hope anybody everybody else is finding this is fun

967
00:48:49,640 --> 00:48:56,560
Speaker 2: as well. Might be might be shocking. I don't know.

968
00:48:56,600 --> 00:48:58,759
Speaker 2: You might be laughing. You might be, but you might

969
00:48:58,760 --> 00:49:01,439
Speaker 2: be going like, let us know, can we please let's

970
00:49:01,480 --> 00:49:04,759
Speaker 2: cut away? Can we please debrief making people kiss in

971
00:49:04,760 --> 00:49:11,640
Speaker 2: the studio. Where do we start? So Glat Glaucier Gaussia

972
00:49:12,560 --> 00:49:16,319
Speaker 2: didn't speak English. We'll start with that. So she was like,

973
00:49:17,080 --> 00:49:23,960
Speaker 2: she was in here going I I signed up for

974
00:49:24,000 --> 00:49:24,600
Speaker 2: the secrets.

975
00:49:29,600 --> 00:49:33,120
Speaker 1: There was a moment where is everyone okay with this?

976
00:49:33,480 --> 00:49:36,400
Speaker 2: Yeah? They were, and they were they were, but it

977
00:49:36,440 --> 00:49:37,480
Speaker 2: was it was concerning.

978
00:49:37,880 --> 00:49:38,120
Speaker 7: It was.

979
00:49:39,960 --> 00:49:40,440
Speaker 2: Concerning.

980
00:49:41,120 --> 00:49:42,280
Speaker 1: He's never met her before.

981
00:49:43,760 --> 00:49:47,120
Speaker 2: It's concerning when Alec was consenting for the woman that.

982
00:49:47,080 --> 00:49:50,040
Speaker 1: Didn't speak when when he did that.

983
00:49:50,080 --> 00:49:54,520
Speaker 2: She also concerned. She was looking at me. She had

984
00:49:54,520 --> 00:50:06,440
Speaker 2: her Google translate out content. Yeah, keep us, there's a

985
00:50:06,480 --> 00:50:10,600
Speaker 2: lot of that going on. Anyway, we got there. There

986
00:50:10,760 --> 00:50:13,760
Speaker 2: was thankfully, thankfully you didn't choose them to kiss.

987
00:50:14,760 --> 00:50:15,200
Speaker 1: Yeah.

988
00:50:15,360 --> 00:50:18,160
Speaker 2: So they were fine. Yeah, they were fine.

989
00:50:18,360 --> 00:50:21,320
Speaker 1: She looked perplexed. That's why, because.

990
00:50:22,239 --> 00:50:26,080
Speaker 2: That's not she Yeah. Anyway, so they got out of here,

991
00:50:26,120 --> 00:50:30,839
Speaker 2: thankfully they left. On the other hand, though, ar.

992
00:50:33,760 --> 00:50:45,160
Speaker 14: Was Adrian, Adrian and Alec kiss. Adrian, by the way,

993
00:50:45,560 --> 00:50:48,719
Speaker 14: we must be said, had clearly never kissed a woman

994
00:50:48,719 --> 00:50:50,840
Speaker 14: before in his life.

995
00:50:49,680 --> 00:50:55,120
Speaker 2: No, no, we know as a gay man. My gator

996
00:50:55,320 --> 00:50:55,799
Speaker 2: was going off.

997
00:50:57,040 --> 00:50:57,960
Speaker 1: He was looking at you.

998
00:50:58,160 --> 00:51:02,799
Speaker 2: It was he's positive, he he so he wiped his

999
00:51:02,880 --> 00:51:05,560
Speaker 2: mouth as if he had dipped his lips in ship

1000
00:51:05,840 --> 00:51:12,439
Speaker 2: like he was like he wanted to grab the hand

1001
00:51:12,520 --> 00:51:16,279
Speaker 2: sanitizer off the desk and scull it. Just revealed that

1002
00:51:16,320 --> 00:51:19,200
Speaker 2: they were actors. By the way, Yes they But the

1003
00:51:19,200 --> 00:51:26,480
Speaker 2: best part is imagine if this come on mate. So

1004
00:51:26,560 --> 00:51:28,120
Speaker 2: the way, so the way we got around this, I was,

1005
00:51:28,239 --> 00:51:29,960
Speaker 2: you didn't know this book. But we had to get

1006
00:51:30,000 --> 00:51:34,120
Speaker 2: actors in here because you can't get people. We can't

1007
00:51:34,200 --> 00:51:36,640
Speaker 2: just get two people to come in here. If because

1008
00:51:36,719 --> 00:51:39,279
Speaker 2: I wanted them both to be non couples, because I

1009
00:51:39,320 --> 00:51:40,920
Speaker 2: wanted you to be stitched up, because I think you,

1010
00:51:41,200 --> 00:51:43,160
Speaker 2: I think you powers bogus there it is a put

1011
00:51:43,239 --> 00:51:43,680
Speaker 2: on the table.

1012
00:51:44,320 --> 00:51:46,439
Speaker 1: I didn't The problem with that is now you will

1013
00:51:46,520 --> 00:51:48,080
Speaker 1: never know.

1014
00:51:48,200 --> 00:51:50,839
Speaker 2: I don't think anyone cares. But the point is.

1015
00:51:53,640 --> 00:51:55,560
Speaker 1: Not true. People were invested.

1016
00:51:56,320 --> 00:51:59,959
Speaker 2: Okay, So I had to get actors in here because

1017
00:52:00,160 --> 00:52:02,719
Speaker 2: and I wanted and I said to the God, as

1018
00:52:02,760 --> 00:52:05,160
Speaker 2: you guys would have heard like Brooke duck out and

1019
00:52:05,239 --> 00:52:07,160
Speaker 2: while you ducked out. I had to have like a

1020
00:52:07,200 --> 00:52:10,240
Speaker 2: halftime coaches speech with these guys. I was like, listen,

1021
00:52:10,320 --> 00:52:16,799
Speaker 2: funck withs. She needs to believe that. Yes, I was

1022
00:52:16,840 --> 00:52:20,080
Speaker 2: like you're not turning it on. I was like, can Adrian,

1023
00:52:20,320 --> 00:52:23,319
Speaker 2: can you hold Alex's hand? Like can you look remotely

1024
00:52:23,360 --> 00:52:25,719
Speaker 2: attracted to her? Like one guy went after you did

1025
00:52:25,719 --> 00:52:28,480
Speaker 2: all that, He's like, yeah, we've been briefed, yes, And

1026
00:52:28,520 --> 00:52:37,800
Speaker 2: I was like, clearly not asshole, like anyway, Yes, Gussia

1027
00:52:37,880 --> 00:52:43,400
Speaker 2: was still looking at me like I was. I finished

1028
00:52:43,440 --> 00:52:45,719
Speaker 2: the half time speech and I was like, Gaussia, comprendan

1029
00:52:45,840 --> 00:52:55,120
Speaker 2: she was, yes, I'm here for so anyway. Yes, at

1030
00:52:55,120 --> 00:52:58,400
Speaker 2: the end of the day, what happened was really funny,

1031
00:52:59,080 --> 00:53:03,880
Speaker 2: on and off, on and off the mic Adrian and Alec.

1032
00:53:04,160 --> 00:53:06,920
Speaker 2: I think Alick actually really was like looking forward to

1033
00:53:06,920 --> 00:53:10,480
Speaker 2: the kiss from Adrian. Yeah, like she I couldn't quite

1034
00:53:10,520 --> 00:53:12,160
Speaker 2: get a visual on it. But was she going in

1035
00:53:12,239 --> 00:53:14,359
Speaker 2: for an open mouth there? Or was she closed mouth?

1036
00:53:14,640 --> 00:53:16,000
Speaker 9: She was?

1037
00:53:16,320 --> 00:53:16,919
Speaker 4: She was the best.

1038
00:53:17,560 --> 00:53:20,640
Speaker 1: She went like she closed her eyes and sort of

1039
00:53:20,680 --> 00:53:22,160
Speaker 1: like went a little bit like openly.

1040
00:53:22,200 --> 00:53:25,360
Speaker 2: So she went a romantic she was going to kiss,

1041
00:53:25,400 --> 00:53:28,040
Speaker 2: like what we think a kiss was right, I believed it,

1042
00:53:28,239 --> 00:53:30,239
Speaker 2: so she was. So she went open mouth and then

1043
00:53:30,280 --> 00:53:35,200
Speaker 2: she came up against old Fort Knox of no way,

1044
00:53:35,239 --> 00:53:39,400
Speaker 2: you were getting a female tongue. The gates of mortal.

1045
00:53:40,320 --> 00:53:43,160
Speaker 1: His lips are like the rock that Sean Connery movie

1046
00:53:43,480 --> 00:53:45,800
Speaker 1: where you got nothing escape, get.

1047
00:53:47,440 --> 00:53:50,880
Speaker 2: No way they were getting there. Oh that was amazing.

1048
00:53:50,960 --> 00:53:53,000
Speaker 2: And then and then you to say afterwards it was

1049
00:53:53,080 --> 00:53:55,520
Speaker 2: like it was like, God, I didn't there's so much

1050
00:53:55,560 --> 00:53:58,560
Speaker 2: I didn't bargain for here or something. It was classic.

1051
00:54:00,600 --> 00:54:01,520
Speaker 1: Yeah, it was a lot.

1052
00:54:01,760 --> 00:54:05,080
Speaker 2: It was a lot. I think you said, like, there

1053
00:54:05,080 --> 00:54:06,400
Speaker 2: were a lot of things that I was going to

1054
00:54:06,480 --> 00:54:09,799
Speaker 2: do today, but I didn't expect what was going to happen. Yes,

1055
00:54:10,960 --> 00:54:13,080
Speaker 2: what a great story for him, though you know it

1056
00:54:13,160 --> 00:54:19,120
Speaker 2: comes on national radio kisses a random woman. Look.

1057
00:54:20,120 --> 00:54:25,759
Speaker 1: Oh, well within their careers in acting, yeah, absolutely, on

1058
00:54:25,800 --> 00:54:29,600
Speaker 1: Instagram yet oh no, I was already following them before.

1059
00:54:31,640 --> 00:54:35,839
Speaker 2: Entertainment reporter Alec genuinely has a future ahead of her.

1060
00:54:35,880 --> 00:54:36,080
Speaker 7: Though.

1061
00:54:36,280 --> 00:54:39,759
Speaker 2: I think we can say that she was sah snot

1062
00:54:39,840 --> 00:54:43,279
Speaker 2: she was really good. Yeah, yeah, no, anyway, it was

1063
00:54:43,320 --> 00:54:47,080
Speaker 2: it was Sarah Snog. Who is Sarah Snog? She's from Succession,

1064
00:54:47,920 --> 00:54:49,240
Speaker 2: the amazing Sarah SnO.

1065
00:54:49,239 --> 00:54:52,800
Speaker 1: She's fantastic, a grade primo.

1066
00:54:53,200 --> 00:54:54,960
Speaker 2: All right, Well on Succession. We're going to go because

1067
00:54:54,960 --> 00:54:56,799
Speaker 2: I can't join the conversation and I don't like that.

1068
00:54:57,480 --> 00:55:03,000
Speaker 2: Uh it is see you tomorrow, see it tomorrow. Maybe

1069
00:55:04,040 --> 00:55:06,759
Speaker 2: absolutely maybe.

1070
00:55:06,440 --> 00:55:09,120
Speaker 1: What do you mean, I'll bring sandwiches, sandwiches, that's it.

1071
00:55:09,320 --> 00:55:10,279
Speaker 2: I know what you have to do.

1072
00:55:10,400 --> 00:55:12,160
Speaker 1: I know I know what the rules are.

1073
00:55:13,920 --> 00:55:17,440
Speaker 2: M hm m hm

1074
00:55:22,440 --> 00:55:22,520
Speaker 3: Hm