1
00:00:13,560 --> 00:00:16,880
Speaker 1: Yeah, good afternoon Australia. It is well and would you

2
00:00:16,880 --> 00:00:20,360
Speaker 1: get a your home this afternoon. I mean I was.

3
00:00:21,160 --> 00:00:23,600
Speaker 1: It's not often that I say this, but I mean it.

4
00:00:23,680 --> 00:00:27,040
Speaker 1: I genuinely mean it. The kid that we've got on

5
00:00:27,400 --> 00:00:30,440
Speaker 1: to talk about, I mean, this started out as a

6
00:00:30,440 --> 00:00:32,479
Speaker 1: little cheap gag, but we've got an eight year old

7
00:00:32,560 --> 00:00:35,360
Speaker 1: kid who's written a story. His name is Flynn. The

8
00:00:35,440 --> 00:00:38,600
Speaker 1: story is called Franken fat I mean, his handwritten this thing.

9
00:00:39,360 --> 00:00:40,879
Speaker 1: We loved it the first time we heard it. We

10
00:00:40,920 --> 00:00:42,120
Speaker 1: just thought it was the best thing we ever. He

11
00:00:43,200 --> 00:00:45,360
Speaker 1: is coming on the radio every day in the lead

12
00:00:45,440 --> 00:00:47,040
Speaker 1: up to Halloween. I mean it is a bit of

13
00:00:47,040 --> 00:00:50,920
Speaker 1: a horror story. To read out the story of Franken

14
00:00:50,960 --> 00:00:56,080
Speaker 1: Phart and line for line, it is just downright hilarious.

15
00:00:56,080 --> 00:00:58,680
Speaker 2: It's far better than expected, in my opinion, it's.

16
00:00:58,560 --> 00:01:01,280
Speaker 1: Far better than expected. I mean, have a listen. This

17
00:01:01,360 --> 00:01:03,720
Speaker 1: is just some of the gear. If you've missed it

18
00:01:03,760 --> 00:01:06,160
Speaker 1: on the show that Flynn's been this eight year old

19
00:01:06,200 --> 00:01:08,920
Speaker 1: has been coming on the airwaves and just ripping these

20
00:01:09,120 --> 00:01:11,120
Speaker 1: Listen to this warning.

21
00:01:11,160 --> 00:01:14,080
Speaker 3: The next few pages are going to have graphic funds.

22
00:01:14,360 --> 00:01:15,759
Speaker 2: Graphic graphic violence.

23
00:01:16,280 --> 00:01:21,320
Speaker 4: Yeah, Jesus, super dust fart?

24
00:01:27,280 --> 00:01:27,800
Speaker 2: Can you help?

25
00:01:28,000 --> 00:01:31,560
Speaker 4: Can you describe what makes a fart a super dust fart?

26
00:01:32,400 --> 00:01:38,160
Speaker 3: Well, it's stinky, but then Mike when stuff so she

27
00:01:38,280 --> 00:01:39,360
Speaker 3: just time to run away.

28
00:01:40,360 --> 00:01:41,479
Speaker 1: Brilliant, it's so good.

29
00:01:41,560 --> 00:01:42,080
Speaker 2: I mean JK.

30
00:01:42,360 --> 00:01:45,600
Speaker 4: Rowling couldn't couldn't come up with a super dust fart. No,

31
00:01:45,959 --> 00:01:46,520
Speaker 4: she couldn't.

32
00:01:46,520 --> 00:01:49,720
Speaker 1: She'd got all cruxes patronases, but super dust farm was

33
00:01:49,760 --> 00:01:50,280
Speaker 1: beyond her.

34
00:01:50,400 --> 00:01:52,640
Speaker 2: Tell me how many times Pott did a super dust fart?

35
00:01:52,680 --> 00:01:52,880
Speaker 5: Will?

36
00:01:53,440 --> 00:01:54,320
Speaker 1: I don't think he did?

37
00:01:54,480 --> 00:01:58,280
Speaker 4: No, he didn't, Yeah, because he wasn't good enough, nor

38
00:01:58,440 --> 00:02:00,559
Speaker 4: was she smart enough to come up with something so genius.

39
00:02:00,560 --> 00:02:02,880
Speaker 2: I mean, I'm sniffing a Young Australian of the Year award. Will,

40
00:02:03,040 --> 00:02:03,760
Speaker 2: That's what I'm smelling.

41
00:02:03,800 --> 00:02:06,040
Speaker 1: He's coming on the show again today. If you miss it,

42
00:02:06,040 --> 00:02:09,359
Speaker 1: it's really worth listening to another page. Two pages left

43
00:02:09,360 --> 00:02:12,040
Speaker 1: in the lead after Halloween. Franken Phart and the Rabbit

44
00:02:12,120 --> 00:02:15,120
Speaker 1: zombie invasion will continue later on the show. Plenty to

45
00:02:15,160 --> 00:02:18,600
Speaker 1: come here, willam wore he getting you home well, Joe.

46
00:02:18,800 --> 00:02:24,320
Speaker 1: Our show specializes in generally covering rubbish that isn't large

47
00:02:24,400 --> 00:02:28,800
Speaker 1: topical stories that you'd read. No, but we realize that

48
00:02:28,840 --> 00:02:31,919
Speaker 1: we have got a national platform on a radio frequency

49
00:02:31,960 --> 00:02:34,520
Speaker 1: which is respected. So we still think we should cover

50
00:02:34,560 --> 00:02:36,080
Speaker 1: these things off, but we just tend to cram it

51
00:02:36,120 --> 00:02:37,600
Speaker 1: into a spot right at the start of the show.

52
00:02:37,639 --> 00:02:47,120
Speaker 1: In one little bit, all right, so big things you

53
00:02:47,200 --> 00:02:51,720
Speaker 1: probably won't be covering later on. Jamie Oliver has told

54
00:02:51,760 --> 00:02:55,680
Speaker 1: everybody that he is not going to be rescuing his

55
00:02:56,160 --> 00:03:04,079
Speaker 1: Jamie Italian restaurants. Mumble he's out of the game.

56
00:03:04,280 --> 00:03:07,000
Speaker 2: He's not. They're not going well, but Jamie is a talent.

57
00:03:07,040 --> 00:03:08,840
Speaker 1: I think that they've been stinking from the.

58
00:03:08,760 --> 00:03:10,040
Speaker 2: Start, do you know what?

59
00:03:10,160 --> 00:03:13,160
Speaker 4: And I'm I'm not saying this is completely responsible for it.

60
00:03:13,320 --> 00:03:15,440
Speaker 1: You're yelling, sorry, yelling at me.

61
00:03:15,520 --> 00:03:18,760
Speaker 2: Sorry, you're yelling. Sorry. I think my headphones is cooked.

62
00:03:18,800 --> 00:03:22,760
Speaker 1: Hang on, you got your headphones so loud I can

63
00:03:22,840 --> 00:03:28,800
Speaker 1: hear you. I was like, you're coming in so hot.

64
00:03:29,000 --> 00:03:30,960
Speaker 2: I had my headphone in the cars.

65
00:03:31,000 --> 00:03:32,520
Speaker 1: I'm only a meter away from Woody.

66
00:03:33,639 --> 00:03:36,000
Speaker 4: I actually had my headphones off, so you were just muffled.

67
00:03:37,880 --> 00:03:39,480
Speaker 4: I've had my headphones off this whole.

68
00:03:39,280 --> 00:03:41,360
Speaker 1: Show, and that's what you were saying before. You couldn't

69
00:03:41,360 --> 00:03:43,880
Speaker 1: hear any audio. You've had technicians in here trying to

70
00:03:43,880 --> 00:03:46,200
Speaker 1: fix the desk. My headphones have been half an hour

71
00:03:46,240 --> 00:03:48,680
Speaker 1: and I said there to them, was like, look, Woody

72
00:03:49,480 --> 00:03:53,160
Speaker 1: is technologically and life incapable, so there's every chance you

73
00:03:53,240 --> 00:03:55,240
Speaker 1: cooked it. And anyway, you just had your headphones off.

74
00:03:55,280 --> 00:03:58,000
Speaker 4: My headphones are on. Now that's huge. That's huge for

75
00:03:58,000 --> 00:03:59,120
Speaker 4: everyone for the rest of the show.

76
00:04:00,600 --> 00:04:02,600
Speaker 1: I'm remember in the next door. Yes, this is a

77
00:04:02,600 --> 00:04:05,000
Speaker 1: really good point because he wasted a lot of time.

78
00:04:05,080 --> 00:04:07,680
Speaker 4: I was just gonna say that I once rocked up

79
00:04:07,680 --> 00:04:10,720
Speaker 4: to Jamie's Italian in the nude because he's becore the

80
00:04:10,760 --> 00:04:11,360
Speaker 4: naked chef.

81
00:04:12,000 --> 00:04:13,840
Speaker 2: He didn't come outside and meet me.

82
00:04:14,480 --> 00:04:17,000
Speaker 4: And I think he has just constantly said no to

83
00:04:17,080 --> 00:04:19,800
Speaker 4: pair opportunities and that's why the restaurants failed.

84
00:04:22,000 --> 00:04:28,720
Speaker 1: So the Block final was on last night. I told you,

85
00:04:28,800 --> 00:04:30,520
Speaker 1: I told you to make it worth while. You've already

86
00:04:30,520 --> 00:04:34,400
Speaker 1: wasted three minutes of this spot talking about your headphones. Mate,

87
00:04:34,640 --> 00:04:38,359
Speaker 1: So the block finale was last night. We all remember

88
00:04:38,400 --> 00:04:42,840
Speaker 1: Sarah and Hayden. There was a real spat on I'm

89
00:04:42,839 --> 00:04:44,719
Speaker 1: going made over it.

90
00:04:44,839 --> 00:04:46,240
Speaker 6: I'm not coming back.

91
00:04:46,520 --> 00:04:48,560
Speaker 2: Here taking Mike's.

92
00:04:51,360 --> 00:04:53,640
Speaker 1: The impressive thing being that they did manage to get

93
00:04:53,680 --> 00:04:57,000
Speaker 1: the person that did the score for Gladiator to the

94
00:04:57,040 --> 00:05:04,920
Speaker 1: Block but won last night in a surprise victory. Yeah,

95
00:05:05,200 --> 00:05:07,800
Speaker 1: there were three point two million there apartments sold for

96
00:05:08,320 --> 00:05:11,119
Speaker 1: which apparently gave them a net profit of five hundred

97
00:05:11,120 --> 00:05:13,800
Speaker 1: and forty five grand plus one hundred thousand dollars in

98
00:05:13,839 --> 00:05:16,600
Speaker 1: prize money. So a bit of a contrast her cracking

99
00:05:16,640 --> 00:05:18,680
Speaker 1: it there to her winning last night.

100
00:05:19,200 --> 00:05:30,719
Speaker 7: That's just third final time pray minute twenty thousand, quickly, quickly, Jesus.

101
00:05:32,320 --> 00:05:35,440
Speaker 2: They almost apparently beat Josh and Elise last.

102
00:05:35,240 --> 00:05:37,520
Speaker 1: Year in terms of money.

103
00:05:37,520 --> 00:05:40,039
Speaker 4: One Yeah, wow, Yeah, that almost knocked off Josh and Elise.

104
00:05:40,320 --> 00:05:43,479
Speaker 4: It's a long way from apparently the worst bathroom ever

105
00:05:43,520 --> 00:05:44,560
Speaker 4: made in block history.

106
00:05:45,080 --> 00:05:48,640
Speaker 1: It really is like one of the most tragic grabs

107
00:05:48,680 --> 00:05:51,440
Speaker 1: from a reality can have. We got that spat audio

108
00:05:51,480 --> 00:05:53,480
Speaker 1: again because this I mean I said, I mean that

109
00:05:53,600 --> 00:05:55,599
Speaker 1: it doesn't sound like they've got the guy from Gladiated

110
00:05:55,640 --> 00:05:59,000
Speaker 1: to the audio for it is. I'm going made over it.

111
00:05:59,160 --> 00:06:02,839
Speaker 2: I love coming back here, take your MIC's.

112
00:06:06,560 --> 00:06:10,120
Speaker 1: Isn't that just don't want to do this?

113
00:06:10,600 --> 00:06:14,520
Speaker 4: Oh constantly come last and beaten embarrassed.

114
00:06:14,800 --> 00:06:17,239
Speaker 1: It just reminds me of that scene when Joaquin Phoenix

115
00:06:17,279 --> 00:06:18,360
Speaker 1: has stabbed Russell.

116
00:06:18,120 --> 00:06:20,960
Speaker 2: Crow at the end when he's hanging from there, and

117
00:06:21,000 --> 00:06:21,920
Speaker 2: she sounds.

118
00:06:21,600 --> 00:06:24,200
Speaker 1: Like the white Joaquin Phoenix's wife that he was a

119
00:06:24,279 --> 00:06:25,159
Speaker 1: soldier of Rome.

120
00:06:25,680 --> 00:06:29,120
Speaker 4: Carry him, carry it and then they leave Joaquin Phoenix

121
00:06:29,200 --> 00:06:30,039
Speaker 4: line in the arena.

122
00:06:30,720 --> 00:06:36,600
Speaker 1: We should do that with Sarah and carry her, respect

123
00:06:36,640 --> 00:06:41,359
Speaker 1: her and it's body. Get your home. On a Monday,

124
00:06:41,640 --> 00:06:42,919
Speaker 1: we'll drive Wilba.

125
00:06:43,080 --> 00:06:46,760
Speaker 4: A couple of men, actually three of them, have tried

126
00:06:46,839 --> 00:06:48,839
Speaker 4: to escape Cannes jail.

127
00:06:48,960 --> 00:06:49,600
Speaker 2: Escape music.

128
00:06:50,520 --> 00:06:50,919
Speaker 5: Escape.

129
00:06:55,240 --> 00:06:56,920
Speaker 2: You look disappointed with my escape song?

130
00:06:57,800 --> 00:06:59,240
Speaker 1: You know what escape song I like?

131
00:06:59,440 --> 00:07:04,960
Speaker 2: How about this one right away from the faver haven't

132
00:07:04,960 --> 00:07:06,440
Speaker 2: got you know the one? Okay?

133
00:07:06,520 --> 00:07:12,080
Speaker 4: This one who like to dance out?

134
00:07:12,680 --> 00:07:13,760
Speaker 1: You know the one I want? Okay?

135
00:07:13,760 --> 00:07:19,280
Speaker 2: What about this one? Now that's a bit of a

136
00:07:19,320 --> 00:07:22,240
Speaker 2: remix with dogs out when.

137
00:07:23,840 --> 00:07:26,120
Speaker 1: No, you know, I want the greatest game music, and

138
00:07:26,200 --> 00:07:27,160
Speaker 1: I know you've got it.

139
00:07:28,400 --> 00:07:34,120
Speaker 2: Yes, long build on this large intro.

140
00:07:34,280 --> 00:07:39,360
Speaker 4: Yeah, Oh there we go. Beautiful, Yeah mate, pretty scary,

141
00:07:42,000 --> 00:07:44,560
Speaker 4: pretty scary. Three three very sorry keep.

142
00:07:50,760 --> 00:07:52,160
Speaker 1: Gets the people going this one.

143
00:07:52,360 --> 00:07:54,640
Speaker 4: Oh, I can imagine the people in the cars doing

144
00:07:54,680 --> 00:07:56,920
Speaker 4: there whistling fake trumpets.

145
00:07:57,000 --> 00:08:02,040
Speaker 1: Now it's all happening.

146
00:08:05,160 --> 00:08:05,320
Speaker 5: No.

147
00:08:05,440 --> 00:08:11,280
Speaker 4: Three very naughty boys tried to escape Can's jail, but

148
00:08:11,360 --> 00:08:14,560
Speaker 4: luckily or the happy The happy result is they didn't

149
00:08:14,680 --> 00:08:15,080
Speaker 4: get out.

150
00:08:15,800 --> 00:08:19,000
Speaker 2: They failed. They failed their escape. Actually a real hero

151
00:08:19,280 --> 00:08:19,520
Speaker 2: of a.

152
00:08:20,040 --> 00:08:23,920
Speaker 4: Of a security dude. He took a few hits, but

153
00:08:23,960 --> 00:08:25,040
Speaker 4: then he bloody got on Wilbur.

154
00:08:25,240 --> 00:08:26,400
Speaker 1: What do you mean he took a few hits.

155
00:08:26,520 --> 00:08:28,160
Speaker 2: Well, I didn't want to get into that.

156
00:08:28,680 --> 00:08:31,440
Speaker 4: He's okay, he said, some minor injuries, but he is

157
00:08:31,480 --> 00:08:32,760
Speaker 4: an absolute.

158
00:08:32,240 --> 00:08:32,959
Speaker 2: Hero, that guy.

159
00:08:33,040 --> 00:08:33,640
Speaker 1: They attacked him.

160
00:08:33,679 --> 00:08:36,280
Speaker 4: He yet, three very naughty boys tried to attack him.

161
00:08:36,760 --> 00:08:38,880
Speaker 4: He was strong enough to get the alarm and they

162
00:08:38,880 --> 00:08:39,600
Speaker 4: bloody got him.

163
00:08:39,640 --> 00:08:40,320
Speaker 1: Is he in hospital?

164
00:08:40,440 --> 00:08:43,960
Speaker 4: No, no, no, no, absolutely not. He minor injuries. Well, yeah,

165
00:08:44,000 --> 00:08:48,000
Speaker 4: he was in hospital actually for minor injuries. Wilbur, minor injuries.

166
00:08:48,000 --> 00:08:53,080
Speaker 4: Bloody bloody got him. Now we'll back. Well, you asked,

167
00:08:53,360 --> 00:08:56,120
Speaker 4: you asked. I was beautifully avoiding that fact, and then

168
00:08:56,200 --> 00:08:58,200
Speaker 4: you made me dive right into it, and here we are.

169
00:08:58,559 --> 00:09:02,160
Speaker 2: I'm sorry, minoring, and I'm reading that he's fine.

170
00:09:02,480 --> 00:09:02,760
Speaker 1: Great.

171
00:09:03,640 --> 00:09:06,040
Speaker 2: But it's a failed escape.

172
00:09:07,160 --> 00:09:09,920
Speaker 1: Yeah, absolutely, I thought, yeah, escape, it's.

173
00:09:09,800 --> 00:09:13,600
Speaker 4: A failed escape. I find failed escapes really funny. Thirteen

174
00:09:13,640 --> 00:09:16,559
Speaker 4: one oh six five our number one of the Call

175
00:09:16,640 --> 00:09:19,800
Speaker 4: of Fame callers that is currently in our.

176
00:09:20,040 --> 00:09:22,600
Speaker 2: List of best calls of the year was a great

177
00:09:22,640 --> 00:09:26,000
Speaker 2: story about a failed escape. Do you hear?

178
00:09:26,280 --> 00:09:29,160
Speaker 4: And now do you've you've witnessed an escape from a

179
00:09:29,240 --> 00:09:31,760
Speaker 4: nursing home. I certainly have.

180
00:09:32,880 --> 00:09:35,559
Speaker 8: I went to visit a relative who had just moved

181
00:09:35,600 --> 00:09:37,600
Speaker 8: into a dementia water at a nursing home.

182
00:09:38,320 --> 00:09:38,760
Speaker 1: I had.

183
00:09:40,520 --> 00:09:42,640
Speaker 8: Keyed in security, so I keyed in a number, went

184
00:09:42,679 --> 00:09:44,640
Speaker 8: in the door, and this guy came out from a

185
00:09:44,720 --> 00:09:47,960
Speaker 8: room next door, and he has a hat and carrying

186
00:09:47,960 --> 00:09:51,920
Speaker 8: a little television. But he said to me, would you

187
00:09:52,000 --> 00:09:54,160
Speaker 8: be kind enough just to hold the door open for me?

188
00:09:54,360 --> 00:09:59,360
Speaker 8: So like an I did down and folded up the driveway.

189
00:10:00,280 --> 00:10:02,800
Speaker 8: Alarm went off and nurses came running from everywhere and

190
00:10:02,840 --> 00:10:03,280
Speaker 8: they did.

191
00:10:03,320 --> 00:10:04,360
Speaker 9: He does that all the time.

192
00:10:07,679 --> 00:10:10,880
Speaker 4: So good Grade thirteen one six y five if you've

193
00:10:10,880 --> 00:10:11,840
Speaker 4: had a failed escape?

194
00:10:11,960 --> 00:10:12,920
Speaker 2: I remember when?

195
00:10:13,559 --> 00:10:15,880
Speaker 4: Remember the night we had in this is Dunsbury and

196
00:10:15,880 --> 00:10:20,840
Speaker 4: Western Australia. Yeah, and I this is a long time ago.

197
00:10:21,160 --> 00:10:23,640
Speaker 4: I was single at the time, and I happened to

198
00:10:24,320 --> 00:10:28,960
Speaker 4: a lovely night and I happened to go home with

199
00:10:28,640 --> 00:10:29,839
Speaker 4: with a couple of girls.

200
00:10:29,840 --> 00:10:31,440
Speaker 2: Do you remember this with two girls?

201
00:10:31,520 --> 00:10:31,760
Speaker 1: Did you?

202
00:10:32,480 --> 00:10:34,800
Speaker 2: I thought, hang on now, I thought, just for like

203
00:10:34,840 --> 00:10:35,920
Speaker 2: a drink or something.

204
00:10:35,760 --> 00:10:37,680
Speaker 1: I thought, now you've dialed this down because it was

205
00:10:37,760 --> 00:10:38,640
Speaker 1: originally four.

206
00:10:38,840 --> 00:10:43,080
Speaker 10: No no, no, no, no, no, it was originally four. I

207
00:10:43,120 --> 00:10:48,199
Speaker 10: believe that's not true. But yeah, okay, so four it

208
00:10:48,320 --> 00:10:51,199
Speaker 10: was four. That was two models, it wasn't two models.

209
00:10:51,840 --> 00:10:53,400
Speaker 2: And we and we we went back.

210
00:10:54,200 --> 00:10:56,520
Speaker 1: In the MIDI no, no, no, no, no, we went.

211
00:10:56,360 --> 00:11:00,160
Speaker 4: We went back to their house, and I did the

212
00:11:00,200 --> 00:11:02,120
Speaker 4: right thing, and I realized that both of them were

213
00:11:02,120 --> 00:11:05,160
Speaker 4: far too drunk. And I remember I tried to just

214
00:11:05,200 --> 00:11:06,959
Speaker 4: get out of it. I tried to go like, right,

215
00:11:07,120 --> 00:11:08,720
Speaker 4: I'm going to escape, I'm going to leave.

216
00:11:09,160 --> 00:11:11,040
Speaker 2: But unfortunately I do remember this.

217
00:11:11,280 --> 00:11:13,680
Speaker 1: Yes, and this is when you came hanging down the

218
00:11:13,679 --> 00:11:16,360
Speaker 1: main street in the back of that guy's car. Yes,

219
00:11:16,480 --> 00:11:17,240
Speaker 1: that was terrifying.

220
00:11:17,480 --> 00:11:17,920
Speaker 2: Terrifying.

221
00:11:17,920 --> 00:11:19,280
Speaker 4: What I didn't tell you that I was on my

222
00:11:19,360 --> 00:11:22,440
Speaker 4: first escape. I left my shirt in the house, so.

223
00:11:22,360 --> 00:11:23,280
Speaker 1: Your shirt was off.

224
00:11:23,400 --> 00:11:31,040
Speaker 10: Well, well, hang on, anyone, if you've ever failed escape,

225
00:11:31,080 --> 00:11:32,360
Speaker 10: I don't think it's going well for.

226
00:11:32,360 --> 00:11:37,920
Speaker 1: You there, mate, we're talking failed escapes. So obviously you've

227
00:11:37,920 --> 00:11:39,680
Speaker 1: been in the situation you had to get out. We

228
00:11:40,120 --> 00:11:42,719
Speaker 1: just want to hear able to be imprisoned. You might

229
00:11:42,720 --> 00:11:45,200
Speaker 1: have had to have looked after your nephew for the day.

230
00:11:46,000 --> 00:11:47,640
Speaker 1: Maybe that's a bad examor because and you're leaving a

231
00:11:47,800 --> 00:11:49,000
Speaker 1: child by themselves.

232
00:11:49,440 --> 00:11:51,200
Speaker 2: I once, and I do this a lot.

233
00:11:51,400 --> 00:11:55,480
Speaker 4: I genuinely generally go to restaurants, realize they're too expensive,

234
00:11:55,920 --> 00:11:58,480
Speaker 4: and then I try and sneak away without them seeing me.

235
00:11:58,520 --> 00:12:00,000
Speaker 1: And that's before you've ordered the food.

236
00:12:00,120 --> 00:12:01,679
Speaker 2: By the way, Yeah, that's right, that's right.

237
00:12:02,040 --> 00:12:07,200
Speaker 1: Jackie's given us called Jakie thirty one. Jackie, Jackie, you've

238
00:12:07,200 --> 00:12:08,600
Speaker 1: had You've had a fair escape, mate.

239
00:12:09,640 --> 00:12:11,559
Speaker 6: Yes, I need to go.

240
00:12:11,760 --> 00:12:16,360
Speaker 3: I've seen this guy and more at his house and well,

241
00:12:16,440 --> 00:12:20,200
Speaker 3: just you know, you doing something and then he's come.

242
00:12:20,000 --> 00:12:25,560
Speaker 8: Home and I jump the jump a sense and I

243
00:12:25,600 --> 00:12:26,880
Speaker 8: didn't take my bra with me.

244
00:12:33,080 --> 00:12:37,360
Speaker 1: Oh stop, Jackie. Love that, love that so much. And

245
00:12:37,400 --> 00:12:38,280
Speaker 1: that's tough for girls.

246
00:12:38,320 --> 00:12:41,280
Speaker 4: I've got to say, leaving bras expensive were not just

247
00:12:41,280 --> 00:12:44,160
Speaker 4: that that they've got two items of clothing, you know,

248
00:12:44,360 --> 00:12:47,120
Speaker 4: not just the outer clothes, with two undergarments they have to.

249
00:12:47,080 --> 00:12:49,520
Speaker 1: Pick up and they go yeah, yeah, yeah, which is

250
00:12:49,559 --> 00:12:51,400
Speaker 1: always a little bit more because at that time when

251
00:12:51,400 --> 00:12:54,559
Speaker 1: you went back to that nineteen year old Balinese girl's house.

252
00:12:54,440 --> 00:12:56,160
Speaker 2: No, I don't know, I don't know.

253
00:12:56,240 --> 00:12:57,600
Speaker 1: You just had to go. You're just the only thing

254
00:12:57,640 --> 00:12:59,000
Speaker 1: you left by him was your jocks. You didn't you

255
00:12:59,000 --> 00:12:59,719
Speaker 1: didn't have anything else.

256
00:12:59,760 --> 00:13:03,600
Speaker 2: But let's not find that music and that brush. That's

257
00:13:03,640 --> 00:13:06,040
Speaker 2: not that's not a true story. That's not a true story.

258
00:13:06,080 --> 00:13:08,640
Speaker 1: Daron's called Darren thirty one and six five drinking. That's

259
00:13:08,640 --> 00:13:10,640
Speaker 1: a true story, Darren Wood. You in the nineteen year

260
00:13:10,640 --> 00:13:11,480
Speaker 1: old Ballonaise Girl.

261
00:13:14,320 --> 00:13:14,719
Speaker 2: Thank god?

262
00:13:16,200 --> 00:13:21,120
Speaker 1: Yeah, good mate. Silence is concerned Darren doing your goals

263
00:13:21,559 --> 00:13:23,040
Speaker 1: on fouled escapes, mate.

264
00:13:24,559 --> 00:13:26,880
Speaker 6: Yeah, so I went to a boarding of school in

265
00:13:26,920 --> 00:13:30,880
Speaker 6: South Africa. Yeah, and trying to calm out of the

266
00:13:30,920 --> 00:13:34,880
Speaker 6: storm and I slipped on the roof, break my arm.

267
00:13:35,200 --> 00:13:38,720
Speaker 5: Oh, ru Aron, if he is.

268
00:13:41,120 --> 00:13:43,320
Speaker 11: I couldn't play rugby for the rest of the season.

269
00:13:43,440 --> 00:13:48,400
Speaker 1: Or nothing worse than not playing rugby. Hey, absolutely nothing worse.

270
00:13:48,800 --> 00:13:51,800
Speaker 1: Thanks Thanks for the call that Shannon's given us. Called Shannon,

271
00:13:51,800 --> 00:13:53,600
Speaker 1: this was your sister that had a foul escape, mate.

272
00:13:54,440 --> 00:13:56,760
Speaker 8: Yes, she was at the hospital.

273
00:13:56,880 --> 00:14:00,040
Speaker 9: I can't remember why. She was with my mom and

274
00:14:00,120 --> 00:14:02,280
Speaker 9: she was trying to get away from the doctor and

275
00:14:02,320 --> 00:14:04,400
Speaker 9: she ran down the stairs and thought that the doors

276
00:14:04,440 --> 00:14:08,440
Speaker 9: were automatic, and they were and she's actually gone straight

277
00:14:08,559 --> 00:14:10,880
Speaker 9: through the door and split a head eyes and had

278
00:14:10,880 --> 00:14:12,120
Speaker 9: to go back up against stitches.

279
00:14:14,200 --> 00:14:16,280
Speaker 4: I sort of convenient it was in a hospital, Really,

280
00:14:16,400 --> 00:14:19,840
Speaker 4: wasn't it incredibly convenient?

281
00:14:19,920 --> 00:14:20,120
Speaker 12: Yeah?

282
00:14:20,160 --> 00:14:20,600
Speaker 1: Yeah?

283
00:14:20,680 --> 00:14:23,680
Speaker 4: Is that injuries in the hospital are actually really happy stories.

284
00:14:24,840 --> 00:14:27,320
Speaker 2: Well, you should be able to get help.

285
00:14:27,200 --> 00:14:31,160
Speaker 1: No matter how about the injury, rejoicing when you realize

286
00:14:31,200 --> 00:14:32,400
Speaker 1: that you're in the place where.

287
00:14:32,200 --> 00:14:33,360
Speaker 2: You need to be to geture.

288
00:14:35,280 --> 00:14:41,240
Speaker 1: That's so true, Woodrome. I'm just going to type something

289
00:14:41,320 --> 00:14:45,240
Speaker 1: very quickly for the next break, okay, which I need

290
00:14:45,240 --> 00:14:47,080
Speaker 1: to tell you. But in the meantime, I'm going I'm

291
00:14:47,080 --> 00:14:59,320
Speaker 1: telling you a story about Ireland medicate music. Crazy enough,

292
00:14:59,360 --> 00:15:05,720
Speaker 1: Irish padding music. Did you know there has been a

293
00:15:05,840 --> 00:15:10,320
Speaker 1: law which has been passed in Ireland recently, I think

294
00:15:10,320 --> 00:15:12,160
Speaker 1: it was I think it was last week, just at

295
00:15:12,160 --> 00:15:18,280
Speaker 1: the end of last week cool which basically decriminalize something

296
00:15:18,320 --> 00:15:21,520
Speaker 1: which I just couldn't believe was illegal. So something that's

297
00:15:21,600 --> 00:15:26,200
Speaker 1: been illegal for the last like sixty or seventy years yep, okay,

298
00:15:27,800 --> 00:15:30,000
Speaker 1: and I can't believe, particularly in the last ten to

299
00:15:30,040 --> 00:15:32,320
Speaker 1: fifteen years, that it actually has still been illegal to

300
00:15:32,360 --> 00:15:37,640
Speaker 1: do this, but it has. Now what I'm going to

301
00:15:37,720 --> 00:15:40,600
Speaker 1: do is I'm going to give you I'm not going

302
00:15:40,680 --> 00:15:44,960
Speaker 1: to tell you what that is, but I'm going to

303
00:15:45,000 --> 00:15:46,320
Speaker 1: give you three sentences.

304
00:15:46,680 --> 00:15:47,800
Speaker 2: Yeah, okay, all right.

305
00:15:48,960 --> 00:15:51,160
Speaker 1: I want you to read out each of the sentences.

306
00:15:51,960 --> 00:15:53,320
Speaker 2: Yes you ready?

307
00:15:53,440 --> 00:15:53,600
Speaker 1: Yeah?

308
00:15:53,640 --> 00:15:55,040
Speaker 2: Yeah, you're gonna hand me your computer.

309
00:15:55,480 --> 00:15:57,280
Speaker 1: Yeah, I'm going to hand you my computer.

310
00:15:58,200 --> 00:15:58,880
Speaker 2: Chips out of the way.

311
00:15:58,960 --> 00:16:02,360
Speaker 1: I want you to read out. That's very courteous of you.

312
00:16:03,080 --> 00:16:05,280
Speaker 1: I want you to read. I want you to read

313
00:16:05,320 --> 00:16:10,360
Speaker 1: out the three sentences. Okay. And if you when you're

314
00:16:10,360 --> 00:16:12,640
Speaker 1: in your car at home, I want you to listen along.

315
00:16:13,200 --> 00:16:15,880
Speaker 1: And I want you to try and tell me which

316
00:16:16,000 --> 00:16:20,280
Speaker 1: one of these sentences would have been illegal in Ireland

317
00:16:20,480 --> 00:16:24,720
Speaker 1: as of last week. Wow, okay, so one of these

318
00:16:24,760 --> 00:16:28,800
Speaker 1: sentences was illegal in Ireland last week. I would like

319
00:16:28,840 --> 00:16:32,240
Speaker 1: to confirm that these sentences you've written, the sentences that

320
00:16:32,440 --> 00:16:36,880
Speaker 1: I grabbed off your computer. So here we go.

321
00:16:36,960 --> 00:16:41,880
Speaker 2: So sentence one, Gee, where's my nipples are erect? That

322
00:16:42,000 --> 00:16:42,560
Speaker 2: is classic?

323
00:16:42,600 --> 00:16:42,760
Speaker 1: Man?

324
00:16:43,040 --> 00:16:44,720
Speaker 2: Okay, that's number one.

325
00:16:44,760 --> 00:16:47,200
Speaker 4: Number two, I hope you're not bloody farting on my

326
00:16:47,240 --> 00:16:52,000
Speaker 4: pillow case again. That's number two, number two, and number three,

327
00:16:52,440 --> 00:16:55,520
Speaker 4: God damn it. The tushy of Jennifer Lopez is immaculate.

328
00:16:56,320 --> 00:16:57,960
Speaker 4: Great one of them is illegal.

329
00:16:58,360 --> 00:17:00,760
Speaker 1: So one of those sentences that wood he just read

330
00:17:00,960 --> 00:17:02,200
Speaker 1: is illegal. Say them again.

331
00:17:02,920 --> 00:17:04,440
Speaker 2: Number one, ws, my nipples are a red.

332
00:17:04,520 --> 00:17:05,000
Speaker 1: Niples are red.

333
00:17:05,080 --> 00:17:05,359
Speaker 5: Number one.

334
00:17:05,400 --> 00:17:08,200
Speaker 4: Number two, Number two, I hope you're not bloody farting

335
00:17:08,240 --> 00:17:08,960
Speaker 4: on my pillow case.

336
00:17:09,040 --> 00:17:10,320
Speaker 1: Farting on pillow cases.

337
00:17:10,440 --> 00:17:13,760
Speaker 2: Number three, God damn it. The tushy of Jennifer Lopez is.

338
00:17:13,680 --> 00:17:18,280
Speaker 1: Immaculate, immaculate, Jennifer Lopez tushy. So they're the three sentences.

339
00:17:18,280 --> 00:17:20,040
Speaker 1: One of them is illegal. We're going to go to

340
00:17:20,080 --> 00:17:21,840
Speaker 1: a song here. But thirty one oh six five is

341
00:17:21,880 --> 00:17:26,280
Speaker 1: the number after post malone. If people can tell me

342
00:17:27,520 --> 00:17:30,080
Speaker 1: which one of them they think is illegal and why.

343
00:17:30,840 --> 00:17:35,520
Speaker 4: So, for example, number one would suggest that in Ireland

344
00:17:35,600 --> 00:17:39,880
Speaker 4: it was illegal to get an erect nipple. Yes, hard

345
00:17:39,880 --> 00:17:41,760
Speaker 4: to police, very hard to believe.

346
00:17:42,000 --> 00:17:47,400
Speaker 1: Number three would suggest that Jennifer lopez Is tushy was illegal,

347
00:17:47,680 --> 00:17:50,560
Speaker 1: and I think it actually is illegal in about five countries.

348
00:17:53,400 --> 00:17:56,080
Speaker 1: Julie has given us a call on thirty five when

349
00:17:56,080 --> 00:17:58,280
Speaker 1: we go to you here, what do you think that

350
00:17:58,359 --> 00:18:02,160
Speaker 1: of those three sentences last week in Ireland calling Jennifer

351
00:18:02,160 --> 00:18:05,760
Speaker 1: Lopez's bum immaculate was illegal?

352
00:18:05,800 --> 00:18:08,200
Speaker 2: What do you think I'm going.

353
00:18:07,960 --> 00:18:11,120
Speaker 6: With number two with the bum farting, the.

354
00:18:11,119 --> 00:18:14,679
Speaker 4: Bum farting specifically dumb farting time of farting.

355
00:18:14,920 --> 00:18:17,159
Speaker 6: So you think you can go to the police and

356
00:18:17,200 --> 00:18:18,960
Speaker 6: you can give them the evidence that you've got the

357
00:18:19,000 --> 00:18:20,800
Speaker 6: pink eye. It's a bit of a health reason.

358
00:18:24,119 --> 00:18:26,800
Speaker 4: So do you is it only a fart that brings

359
00:18:26,840 --> 00:18:28,440
Speaker 4: about pinky or.

360
00:18:30,800 --> 00:18:31,680
Speaker 2: Or is it all fast?

361
00:18:34,840 --> 00:18:37,000
Speaker 1: You didn't go much further either? Is he given us call?

362
00:18:37,040 --> 00:18:39,320
Speaker 1: Thirty one? Six five? Is he one of those sentences?

363
00:18:39,640 --> 00:18:41,880
Speaker 1: Can you can you read the sentence in full? Read

364
00:18:41,880 --> 00:18:42,800
Speaker 1: the sentence in full for.

365
00:18:42,800 --> 00:18:43,360
Speaker 2: Me right now?

366
00:18:43,440 --> 00:18:43,640
Speaker 12: Yep?

367
00:18:43,680 --> 00:18:43,880
Speaker 5: Yeah?

368
00:18:43,960 --> 00:18:46,240
Speaker 2: Number one? G where's my nipples are erect? Number two?

369
00:18:46,320 --> 00:18:49,000
Speaker 4: I hope you're not bloody farting on my pillow case again?

370
00:18:49,359 --> 00:18:52,360
Speaker 4: Number three, God damn it. The tushy of Jennifer Lopez

371
00:18:52,359 --> 00:18:53,120
Speaker 4: is immacul.

372
00:18:52,840 --> 00:18:54,880
Speaker 1: Okay, so one of those was illegal in Ireland last week?

373
00:18:54,960 --> 00:18:55,919
Speaker 1: Is he which one you think it is?

374
00:18:56,880 --> 00:19:01,639
Speaker 12: Okay? Just gotta say love the show. I think it

375
00:19:01,720 --> 00:19:04,520
Speaker 12: was the first one. The G is my nipples are erect?

376
00:19:05,200 --> 00:19:06,840
Speaker 1: And why do you think nipples were alone?

377
00:19:06,920 --> 00:19:07,160
Speaker 4: Right?

378
00:19:07,560 --> 00:19:07,720
Speaker 5: Well?

379
00:19:07,720 --> 00:19:09,640
Speaker 12: I was kind of thinking because I know the third question.

380
00:19:09,680 --> 00:19:11,639
Speaker 12: You guys thought it was kind of steering off into

381
00:19:11,720 --> 00:19:14,879
Speaker 12: the it was illegal for all bums. I think for

382
00:19:14,960 --> 00:19:17,679
Speaker 12: this one, it could be illegal to maybe where like

383
00:19:17,800 --> 00:19:18,320
Speaker 12: not wear a.

384
00:19:18,240 --> 00:19:22,480
Speaker 2: Bra if you if you show.

385
00:19:25,240 --> 00:19:27,439
Speaker 12: Yes exactly like you're walking down the street and a

386
00:19:27,440 --> 00:19:29,000
Speaker 12: woman didn't have a brow and it would be illegal

387
00:19:29,040 --> 00:19:30,720
Speaker 12: because you'd see through a T shirt.

388
00:19:31,240 --> 00:19:31,840
Speaker 1: That's illegal.

389
00:19:32,119 --> 00:19:34,160
Speaker 2: And do you and why would that be illegal?

390
00:19:35,400 --> 00:19:38,960
Speaker 12: Or it could be offensive to people? Know, it could

391
00:19:38,960 --> 00:19:40,800
Speaker 12: be would make them uncomfortable.

392
00:19:41,119 --> 00:19:43,200
Speaker 1: Do you find an erection niple offensive?

393
00:19:44,600 --> 00:19:47,560
Speaker 12: Is he not? Necessarily? It could be the guys because

394
00:19:47,600 --> 00:19:50,439
Speaker 12: they might like the women like, I don't know. It

395
00:19:50,480 --> 00:19:52,320
Speaker 12: could be anything really confronting.

396
00:19:52,160 --> 00:19:55,040
Speaker 1: And it could be anything easy and it's horses for courses.

397
00:19:55,080 --> 00:19:56,960
Speaker 1: Some people do find them a little bit confronting. Woods.

398
00:19:56,960 --> 00:19:58,399
Speaker 1: What what are your thoughts on the erec nipples.

399
00:19:58,440 --> 00:19:59,680
Speaker 2: I'm okay with an erect nipple.

400
00:20:00,000 --> 00:20:03,960
Speaker 4: I'm absolutely fine with I mean male or female obviously.

401
00:20:04,200 --> 00:20:05,959
Speaker 1: And I am too. Just the record, thanks, the call

402
00:20:06,040 --> 00:20:10,000
Speaker 1: is you. We're going to Dane here. Dane, Now, you're Irish,

403
00:20:10,680 --> 00:20:16,280
Speaker 1: I am indeed, unfortunately. Yeah, sorry, I'll slow down.

404
00:20:17,160 --> 00:20:20,240
Speaker 2: You said you're Irish. Unfortunately you're Irish, all right, So.

405
00:20:20,280 --> 00:20:23,280
Speaker 1: Dane, first of all, your thoughts on the erect nipples.

406
00:20:24,000 --> 00:20:26,280
Speaker 3: Well, I have arec nipples twenty four to seven and

407
00:20:26,320 --> 00:20:29,480
Speaker 3: I've never been arrested in Ireland, so I think that's

408
00:20:29,480 --> 00:20:30,200
Speaker 3: definitely wrong.

409
00:20:30,680 --> 00:20:33,160
Speaker 1: So you can take out the erect nipples. That's great

410
00:20:33,160 --> 00:20:33,399
Speaker 1: to hear.

411
00:20:33,720 --> 00:20:36,560
Speaker 4: Are you in Ireland? Are you allowed to ever comment

412
00:20:36,600 --> 00:20:37,520
Speaker 4: on someone's tushy?

413
00:20:38,200 --> 00:20:40,719
Speaker 3: It's not the tushie part, it's the God part, mate,

414
00:20:41,080 --> 00:20:43,240
Speaker 3: that you're not a little comment on. It's taken the

415
00:20:43,280 --> 00:20:44,360
Speaker 3: Lord's name and vain.

416
00:20:45,119 --> 00:20:53,560
Speaker 1: It's God at the start, Dan, Dan, you the correct

417
00:20:53,600 --> 00:20:56,920
Speaker 1: answer as to which one of those sentences was illegal

418
00:20:56,960 --> 00:21:02,960
Speaker 1: in Ireland as of last week is actually all of them.

419
00:21:03,400 --> 00:21:08,159
Speaker 1: Oh Dean, thanks so much for the call man, fascinating stuff,

420
00:21:08,280 --> 00:21:13,640
Speaker 1: brilliant as of last week. As of last week in Ireland,

421
00:21:13,920 --> 00:21:16,480
Speaker 1: you could still be sent to jail for a little

422
00:21:16,480 --> 00:21:17,720
Speaker 1: bit of blasphemy.

423
00:21:18,600 --> 00:21:22,280
Speaker 11: Clashy take God's name in vain, get locked in chains?

424
00:21:22,359 --> 00:21:25,680
Speaker 1: Is Slatinymy? Isn't that interesting?

425
00:21:26,040 --> 00:21:29,840
Speaker 2: I'm sorry, I'm It's pretty clear that I'm slow. Ge

426
00:21:29,840 --> 00:21:30,800
Speaker 2: Whiz G.

427
00:21:30,960 --> 00:21:35,760
Speaker 1: Whiz is a minced oath. G Whiz is actually people

428
00:21:35,960 --> 00:21:39,000
Speaker 1: trying to avoid saying the Lord's name veins instead of Jesus.

429
00:21:39,119 --> 00:21:41,080
Speaker 1: It got contracted to g whiz.

430
00:21:42,520 --> 00:21:42,800
Speaker 5: Yeah.

431
00:21:42,880 --> 00:21:46,439
Speaker 1: The word the word bloody. It is a contraction of

432
00:21:46,480 --> 00:21:50,600
Speaker 1: this of the sworn oath by my Lady, which is

433
00:21:50,680 --> 00:21:52,040
Speaker 1: taking the Lord's name in vain.

434
00:21:53,720 --> 00:21:57,320
Speaker 2: Yeah, and then god damn it, I think wow.

435
00:21:57,720 --> 00:21:58,640
Speaker 1: Yeah.

436
00:21:58,480 --> 00:22:00,439
Speaker 4: So if someone was walking down this st and they

437
00:22:00,440 --> 00:22:02,879
Speaker 4: said gee whiz yeah, so you locked up?

438
00:22:02,920 --> 00:22:05,520
Speaker 1: Well, I imagine in the past if you were seen

439
00:22:05,720 --> 00:22:07,960
Speaker 1: saying it publicly, then yeah, you could go to jail

440
00:22:08,040 --> 00:22:11,000
Speaker 1: for it. Whizz Cooks.

441
00:22:13,640 --> 00:22:15,840
Speaker 11: When you swear across get your balls on a BCEs

442
00:22:15,880 --> 00:22:20,040
Speaker 11: blast for Merow.

443
00:22:20,560 --> 00:22:23,760
Speaker 1: Dolphins in the Caribbean.

444
00:22:26,240 --> 00:22:33,000
Speaker 5: I wish you could swims all right.

445
00:22:33,560 --> 00:22:36,720
Speaker 1: I'd just had to hear him say dolphins substantiates me

446
00:22:36,800 --> 00:22:40,720
Speaker 1: playing David Bowie on a hit network with Dolphins in

447
00:22:40,800 --> 00:22:46,000
Speaker 1: the Caribbean. They are in big trouble at the moment

448
00:22:46,280 --> 00:22:49,480
Speaker 1: in terms of the amount of mating that is going on,

449
00:22:49,640 --> 00:22:51,080
Speaker 1: the amount of mating that is going on.

450
00:22:51,560 --> 00:22:54,920
Speaker 2: I may I may have popped my peepers around this

451
00:22:55,000 --> 00:22:55,400
Speaker 2: little starz.

452
00:22:55,600 --> 00:22:57,200
Speaker 1: Did you hear about this little starza? Did you want

453
00:22:57,200 --> 00:22:58,800
Speaker 1: to say, you mean story? Yeah?

454
00:22:58,840 --> 00:23:01,479
Speaker 2: Yeah, you're trying to get that going hasn't taken off.

455
00:23:03,200 --> 00:23:09,560
Speaker 1: Yeah, so they apparently because they are continuously distracted by tourists.

456
00:23:09,720 --> 00:23:13,360
Speaker 4: Yeah, yeah, they keep getting disturbed, that's right. If they're

457
00:23:13,520 --> 00:23:18,240
Speaker 4: underwater going you know, like here we go, all of

458
00:23:18,240 --> 00:23:19,160
Speaker 4: a sudden, the tourist.

459
00:23:21,080 --> 00:23:23,840
Speaker 1: And then they're they're apparently because dolphins are quite playful,

460
00:23:23,880 --> 00:23:28,240
Speaker 1: obviously they're they're involved in the tourism and that's pulling

461
00:23:28,280 --> 00:23:31,680
Speaker 1: away from their sex life. And if you know anything

462
00:23:31,680 --> 00:23:33,120
Speaker 1: about dolphins, I and the numb. One fact that people

463
00:23:33,119 --> 00:23:35,240
Speaker 1: always reel out about dolphins is that they are the

464
00:23:35,359 --> 00:23:40,000
Speaker 1: other animal on the planet which apparently enjoys going to

465
00:23:40,040 --> 00:23:41,560
Speaker 1: go with the word mating for the kids in the

466
00:23:41,640 --> 00:23:44,359
Speaker 1: cars as much as humans do.

467
00:23:45,920 --> 00:23:49,680
Speaker 2: Hello Barry, what a beautiful time for you to pop up, Barry.

468
00:23:50,160 --> 00:23:54,160
Speaker 1: But I mean, I do really feel for the towy

469
00:23:54,240 --> 00:23:55,080
Speaker 1: dolphins out there.

470
00:23:55,760 --> 00:24:00,280
Speaker 2: I mean, because they're getting c blocked constantly. They they

471
00:24:00,359 --> 00:24:03,600
Speaker 2: really are. I've probably seen the dolphin.

472
00:24:03,800 --> 00:24:09,919
Speaker 1: You probably have, and there's some towey dolphin date night

473
00:24:10,000 --> 00:24:12,240
Speaker 1: was organized and they set the whole thing up, and

474
00:24:12,320 --> 00:24:20,119
Speaker 1: then grubby tourists rocks up and they miss out. And

475
00:24:20,760 --> 00:24:23,480
Speaker 1: I mean, there's nothing worse than being in that dolphins

476
00:24:23,560 --> 00:24:30,080
Speaker 1: position and just getting a getting an excuse, which is

477
00:24:30,160 --> 00:24:34,360
Speaker 1: stopping you from getting it on. Yeah, and I want

478
00:24:34,400 --> 00:24:36,040
Speaker 1: to take calls on that right now, thirty one or

479
00:24:36,040 --> 00:24:38,640
Speaker 1: six five. Let's empathize with the dolphins in the Caribbean.

480
00:24:39,200 --> 00:24:41,199
Speaker 1: There are dolphins out there who I mean, there are

481
00:24:41,280 --> 00:24:43,879
Speaker 1: male and female dolphins who are saying, look, sorry, not tonight.

482
00:24:44,080 --> 00:24:47,520
Speaker 1: I've just been hanging out with a few human tourists

483
00:24:47,600 --> 00:24:50,879
Speaker 1: and you know, I've expended on my energy.

484
00:24:51,000 --> 00:24:52,040
Speaker 2: My mind's not in the game.

485
00:24:52,119 --> 00:24:54,200
Speaker 4: I don't feel like, yeah, I know you've been performing

486
00:24:54,280 --> 00:24:56,600
Speaker 4: all day with my tail up. I want to watch

487
00:24:56,680 --> 00:24:59,560
Speaker 4: some Real Housewives of Dolphins whatever.

488
00:25:00,760 --> 00:25:02,440
Speaker 1: I just want to watch some free wheelie on the couch.

489
00:25:02,720 --> 00:25:03,280
Speaker 2: That's a better one.

490
00:25:05,560 --> 00:25:09,159
Speaker 1: So thirty one and six five from you guys right now. Obviously,

491
00:25:09,240 --> 00:25:11,200
Speaker 1: I mean, if you're using the tourist would distract him

492
00:25:11,200 --> 00:25:13,000
Speaker 1: as an excuse, you're probably not a human so we

493
00:25:13,040 --> 00:25:13,800
Speaker 1: can't take your kill.

494
00:25:14,400 --> 00:25:17,320
Speaker 4: But I've had the and I don't know if you've

495
00:25:17,359 --> 00:25:20,359
Speaker 4: had this before, Wilber, but I've had to like, oh,

496
00:25:20,520 --> 00:25:23,160
Speaker 4: here we go, yeah, and then found out that Court

497
00:25:23,320 --> 00:25:24,400
Speaker 4: recently had a fake ten.

498
00:25:25,040 --> 00:25:27,080
Speaker 1: Oh, I'm sure.

499
00:25:27,240 --> 00:25:28,439
Speaker 2: And I didn't think that was a huge one.

500
00:25:28,480 --> 00:25:30,000
Speaker 1: You didn't think that was it. You didn't think that

501
00:25:30,119 --> 00:25:31,080
Speaker 1: was a feasible excuse.

502
00:25:31,119 --> 00:25:35,200
Speaker 2: Apparently it will rub off on the wrong areas though, create.

503
00:25:35,080 --> 00:25:39,040
Speaker 1: Lines or I don't know. It's a frustrating one to hear.

504
00:25:39,400 --> 00:25:41,080
Speaker 1: All right, well look thirty one six five, we'll take

505
00:25:41,080 --> 00:25:43,960
Speaker 1: your curlls. What is I'm going to say you like,

506
00:25:44,359 --> 00:25:48,760
Speaker 1: the most frustrating excuse you've had to slow you down

507
00:25:48,840 --> 00:25:51,040
Speaker 1: at the final hurdle, right before you're hopped on the

508
00:25:51,080 --> 00:25:52,440
Speaker 1: good foot and did the bad thing. I mean, it

509
00:25:52,560 --> 00:25:54,520
Speaker 1: might be one that you get continuously. It might be

510
00:25:54,600 --> 00:25:57,280
Speaker 1: the headache. It might be that I've just had a shower.

511
00:25:57,800 --> 00:25:59,960
Speaker 1: It might be that we've just we've just cleaned the sheets.

512
00:26:00,680 --> 00:26:02,280
Speaker 2: Oh yeah, no, I've had that one before.

513
00:26:02,320 --> 00:26:05,080
Speaker 1: I've had that one before as well. Yeah, it stings.

514
00:26:05,200 --> 00:26:07,960
Speaker 1: It might be you look really ugly tonight. I mean,

515
00:26:08,000 --> 00:26:13,520
Speaker 1: whatever it is, guys given us a call in thirty

516
00:26:13,560 --> 00:26:17,200
Speaker 1: one and six y five. Guy, okay, going mate, what's

517
00:26:17,240 --> 00:26:19,720
Speaker 1: the worst excuse you've had to hear to stop a

518
00:26:19,800 --> 00:26:20,520
Speaker 1: mating session?

519
00:26:21,760 --> 00:26:24,639
Speaker 4: The worst excuse I heard is, nah, can't tonight they

520
00:26:24,680 --> 00:26:26,800
Speaker 4: have I've had a really hot Indian curry.

521
00:26:31,320 --> 00:26:32,800
Speaker 1: Which is probably fair enough.

522
00:26:35,080 --> 00:26:35,359
Speaker 12: At all.

523
00:26:35,920 --> 00:26:38,040
Speaker 1: Flynn's going to join us for the last chapter. Of

524
00:26:38,240 --> 00:26:41,439
Speaker 1: frank and fart right before Halloween or driver right now.

525
00:26:41,760 --> 00:26:44,640
Speaker 1: We have been talking about the worst excuses you've heard

526
00:26:44,760 --> 00:26:46,760
Speaker 1: to get out of a bit of hanky panky. Yes,

527
00:26:47,280 --> 00:26:49,560
Speaker 1: hanky Peggy, we'll use you for business with the kids

528
00:26:49,640 --> 00:26:52,359
Speaker 1: in cars on a Monday. But you were saying to

529
00:26:52,480 --> 00:26:57,199
Speaker 1: me before that you had one, which was I mean

530
00:26:57,280 --> 00:26:59,640
Speaker 1: annoying for you at the time. But I mean it's

531
00:26:59,640 --> 00:27:00,840
Speaker 1: an in gray area.

532
00:27:01,040 --> 00:27:01,440
Speaker 2: I think it.

533
00:27:01,640 --> 00:27:04,560
Speaker 4: I think it might divide people, and I'm actually interested

534
00:27:04,600 --> 00:27:09,399
Speaker 4: to hear your thoughts. I had one scenario where a

535
00:27:09,640 --> 00:27:14,600
Speaker 4: dog wandered into the bedroom. Yeah, while you were in

536
00:27:14,760 --> 00:27:24,080
Speaker 4: the door, were in the emotions of making love. Yeah, yeah, yeah,

537
00:27:27,880 --> 00:27:31,360
Speaker 4: I just no, no no, And and the girl who

538
00:27:31,400 --> 00:27:33,520
Speaker 4: I was with said, no, no, no, no, we need

539
00:27:33,600 --> 00:27:35,800
Speaker 4: to stop because the dog's watching.

540
00:27:36,720 --> 00:27:36,920
Speaker 5: Yeah.

541
00:27:37,119 --> 00:27:44,760
Speaker 4: And now, Mike, do you do you care about that?

542
00:27:44,840 --> 00:27:48,240
Speaker 4: Because I actually said so what, Yeah, the dog doesn't

543
00:27:48,240 --> 00:27:48,800
Speaker 4: know what's going I.

544
00:27:48,800 --> 00:27:52,120
Speaker 1: Think if it's your pet, it's different because you've got

545
00:27:52,160 --> 00:27:53,280
Speaker 1: a connection with the pet.

546
00:27:53,400 --> 00:27:54,359
Speaker 2: Yeah, right, okay.

547
00:27:55,280 --> 00:27:59,399
Speaker 1: And also you were telling me that the dog subsequently died.

548
00:28:00,160 --> 00:28:02,760
Speaker 2: No, no, I did not say that you dog. I

549
00:28:02,880 --> 00:28:07,240
Speaker 2: did not you did you said the later completely separate from.

550
00:28:07,280 --> 00:28:12,440
Speaker 1: Pretty sure he died from a broken heart.

551
00:28:13,920 --> 00:28:18,199
Speaker 2: No correlation between the dog witnessing that, and.

552
00:28:19,880 --> 00:28:21,360
Speaker 1: It was what was the dog's name?

553
00:28:22,000 --> 00:28:23,320
Speaker 2: No, we don't have to go into it, don't We're

554
00:28:23,320 --> 00:28:24,800
Speaker 2: not going to talk about the dog. We're not going

555
00:28:24,880 --> 00:28:26,720
Speaker 2: to talk about the dog. Will And he didn't need

556
00:28:26,760 --> 00:28:28,680
Speaker 2: to take it there either. We're going to have a

557
00:28:28,760 --> 00:28:31,200
Speaker 2: really fun either. We're going to have a fun discussion.

558
00:28:31,640 --> 00:28:32,680
Speaker 1: The dog died.

559
00:28:34,960 --> 00:28:39,520
Speaker 2: Years later, years later. At least you had a nice

560
00:28:39,560 --> 00:28:40,040
Speaker 2: memory there.

561
00:28:41,840 --> 00:28:43,800
Speaker 1: Welcome to the most professional show in the game.

562
00:28:45,760 --> 00:28:49,959
Speaker 2: The Block Finale, The finale. Ye, I'll get his back

563
00:28:50,000 --> 00:28:50,360
Speaker 2: on track.

564
00:28:50,440 --> 00:28:54,880
Speaker 4: Block Finale last night, huge victory for our buddies Sarah

565
00:28:55,000 --> 00:28:55,600
Speaker 4: and Hayden.

566
00:28:56,600 --> 00:29:00,560
Speaker 2: They won, they won the most amount of gauge. But

567
00:29:00,680 --> 00:29:02,800
Speaker 2: there was something a bit more exciting about the win

568
00:29:02,960 --> 00:29:03,440
Speaker 2: last night.

569
00:29:04,280 --> 00:29:04,960
Speaker 1: Did you know that?

570
00:29:05,280 --> 00:29:07,600
Speaker 2: Just before the auction, I shall let the audio tell

571
00:29:07,640 --> 00:29:07,920
Speaker 2: the story.

572
00:29:07,960 --> 00:29:11,400
Speaker 7: Wilber downstairs, Sarah and Hayden have just had a couple

573
00:29:11,440 --> 00:29:14,720
Speaker 7: of minutes with Scott Cam and they've announced that they're

574
00:29:14,760 --> 00:29:16,320
Speaker 7: about to have another baby.

575
00:29:26,440 --> 00:29:27,960
Speaker 2: What are you exciting, isn't it?

576
00:29:28,000 --> 00:29:30,320
Speaker 1: Will? Yeah, it's great. There was a huge, huge that

577
00:29:30,400 --> 00:29:32,239
Speaker 1: has been funny that they decided to tell Scott cam

578
00:29:32,400 --> 00:29:37,720
Speaker 1: first and you and I he Scott his frint of

579
00:29:37,760 --> 00:29:39,120
Speaker 1: the shop. I mean he's coming a bit. I mean,

580
00:29:39,880 --> 00:29:41,040
Speaker 1: I don't really know what he would have said.

581
00:29:41,600 --> 00:29:42,760
Speaker 2: Oh, he said a pretty pump they He.

582
00:29:42,760 --> 00:29:44,600
Speaker 1: Probably would have tried to put it in a busy ship.

583
00:29:46,760 --> 00:29:48,800
Speaker 4: Lock it down, Elli, No, with Sarah and Hayden were

584
00:29:48,800 --> 00:29:51,360
Speaker 4: actually talking to the much more professional and better show

585
00:29:51,440 --> 00:29:52,760
Speaker 4: Kyle and Jackie oh earlier.

586
00:29:52,920 --> 00:29:56,840
Speaker 1: Yeah yeah, yeah, both accounts and this came out.

587
00:29:57,720 --> 00:29:59,840
Speaker 2: Was it conceived during the making of the block?

588
00:30:01,480 --> 00:30:03,400
Speaker 7: That's the big question in the Bath file.

589
00:30:06,760 --> 00:30:07,800
Speaker 2: That's fantastic.

590
00:30:09,760 --> 00:30:10,480
Speaker 1: I love.

591
00:30:12,520 --> 00:30:16,240
Speaker 4: Brings about an interesting question, Wilbur yep. And I'm asking

592
00:30:16,360 --> 00:30:20,400
Speaker 4: for a lot of honesty here obviously, uh and maybe

593
00:30:20,440 --> 00:30:23,000
Speaker 4: a bit of embarrassment. But thirteen one oh six five's

594
00:30:23,000 --> 00:30:28,560
Speaker 4: that number? Do you know where you were conceived?

595
00:30:31,080 --> 00:30:33,720
Speaker 1: Do you? It's not it's not a nice it's not

596
00:30:33,760 --> 00:30:34,280
Speaker 1: a nice.

597
00:30:34,120 --> 00:30:38,160
Speaker 2: Though for anyone, obviously, because well for obvious reasons, yeah,

598
00:30:38,360 --> 00:30:38,600
Speaker 2: do you?

599
00:30:39,560 --> 00:30:42,680
Speaker 1: Yeah, for obvious reasons. And everybody, everybody in their car

600
00:30:43,120 --> 00:30:47,320
Speaker 1: is now their mind is constantly back to it. But

601
00:30:47,480 --> 00:30:49,040
Speaker 1: I know that it's horrible.

602
00:30:49,160 --> 00:30:54,000
Speaker 4: My parents got to a point where they decided, yeah, reckon,

603
00:30:54,080 --> 00:30:57,520
Speaker 4: but he's ready to know. And really I can't believe

604
00:30:57,520 --> 00:31:00,320
Speaker 4: it happened as well. It was after a couple of drinks,

605
00:31:00,360 --> 00:31:02,640
Speaker 4: mind you. But Mum and Dad felt the need to

606
00:31:02,720 --> 00:31:05,640
Speaker 4: tell me that when I was conceived it was on

607
00:31:05,760 --> 00:31:09,200
Speaker 4: New Year's Eve, which is very exciting. And Mum and

608
00:31:09,320 --> 00:31:11,360
Speaker 4: Dad love to tell the story that they decided not

609
00:31:11,480 --> 00:31:14,360
Speaker 4: to go to a party. They decided to stay home

610
00:31:15,120 --> 00:31:18,000
Speaker 4: and they said that I was conceived during the fireworks,

611
00:31:21,920 --> 00:31:26,440
Speaker 4: And at that point when the story's been told, Dad says, yes, son,

612
00:31:26,480 --> 00:31:28,040
Speaker 4: I was the real fireworks that night.

613
00:31:31,360 --> 00:31:33,920
Speaker 1: All right, I know, I know. I'm glad, you know, mate.

614
00:31:34,840 --> 00:31:37,800
Speaker 1: Thirty one and six five is the number if you know,

615
00:31:38,480 --> 00:31:40,240
Speaker 1: as you said, a bit of honesty here from everyone,

616
00:31:40,320 --> 00:31:41,640
Speaker 1: But you know I joined the party. Thirty one and

617
00:31:41,680 --> 00:31:43,800
Speaker 1: six five joined the party. Sounds like your parents had

618
00:31:43,800 --> 00:31:45,200
Speaker 1: a bit of a party on you as well. As

619
00:31:45,800 --> 00:31:47,560
Speaker 1: We'll take your calls if you knew where you can

620
00:31:47,600 --> 00:31:50,160
Speaker 1: see Frank ifat Flynn is going to join us in

621
00:31:50,240 --> 00:31:53,360
Speaker 1: fifteen minutes for the next page of the horror epic.

622
00:31:54,720 --> 00:31:57,320
Speaker 4: Asking for a bit of honesty here, Wilbur thirteen one

623
00:31:57,360 --> 00:32:01,880
Speaker 4: oh six ' five do you know where you were?

624
00:32:01,920 --> 00:32:06,120
Speaker 2: Conceived. It's not an enjoyable thought to have, but I

625
00:32:06,200 --> 00:32:11,080
Speaker 2: think it's interesting. Got Carol Carroll on thirty one oh

626
00:32:11,160 --> 00:32:13,320
Speaker 2: sixty five. You know where you were conceived? Carol?

627
00:32:14,320 --> 00:32:17,680
Speaker 8: I was conceived at a drive in theater while my

628
00:32:17,880 --> 00:32:22,560
Speaker 8: parents were watching a soft porn moviel Case of the

629
00:32:22,720 --> 00:32:23,760
Speaker 8: Smiling Stiff.

630
00:32:28,480 --> 00:32:30,640
Speaker 6: They love telling you that story when I.

631
00:32:31,160 --> 00:32:34,600
Speaker 1: Doesn't get much better than I love the name as well.

632
00:32:35,280 --> 00:32:37,840
Speaker 1: Is the Case of the Smiling Stiff? That's it.

633
00:32:38,120 --> 00:32:39,920
Speaker 6: I never looked it up, but I hope it's I

634
00:32:40,000 --> 00:32:40,560
Speaker 6: hope it's real.

635
00:32:42,800 --> 00:32:44,400
Speaker 2: Having not in with the parents, and you should all

636
00:32:44,480 --> 00:32:47,120
Speaker 2: watch again, Carol.

637
00:32:47,320 --> 00:32:52,320
Speaker 1: Heather's Heather, how are you now? You are happy to

638
00:32:52,400 --> 00:32:54,480
Speaker 1: share with us the fact that you know where you

639
00:32:54,520 --> 00:32:55,000
Speaker 1: were conceived.

640
00:32:56,320 --> 00:32:59,320
Speaker 9: Not me and my brother. He was conceived in a

641
00:32:59,400 --> 00:33:01,080
Speaker 9: pool on holidays in Canberra.

642
00:33:04,720 --> 00:33:06,160
Speaker 2: Can I ask how you know that? Heather?

643
00:33:07,600 --> 00:33:09,880
Speaker 8: For some reason, my parents decided to share that with

644
00:33:10,000 --> 00:33:12,000
Speaker 8: all of us, Right, okay.

645
00:33:12,640 --> 00:33:14,480
Speaker 2: I was worried that you were the older sister and

646
00:33:14,560 --> 00:33:15,440
Speaker 2: you may have witnessed.

647
00:33:16,680 --> 00:33:21,080
Speaker 8: Well, well, I am the older sister, but thankfully I

648
00:33:21,160 --> 00:33:21,800
Speaker 8: didn't see.

649
00:33:21,640 --> 00:33:22,000
Speaker 9: Any of it.

650
00:33:23,240 --> 00:33:25,240
Speaker 1: Were you on the were you on the Canberra holiday?

651
00:33:26,600 --> 00:33:27,720
Speaker 8: I must have been an issue.

652
00:33:28,200 --> 00:33:31,040
Speaker 4: Oh my gosh, you're probably ducked off it you know that,

653
00:33:31,160 --> 00:33:34,080
Speaker 4: you know those activities that parents always send you on holiday.

654
00:33:34,440 --> 00:33:35,800
Speaker 1: I was going to say, the consider anything about a

655
00:33:35,840 --> 00:33:38,360
Speaker 1: pool in Canberra is that there can't have been many

656
00:33:38,400 --> 00:33:39,320
Speaker 1: other people in the pool.

657
00:33:39,760 --> 00:33:42,160
Speaker 11: Maybe that's good for the people who got in the

658
00:33:42,200 --> 00:33:43,000
Speaker 11: pool afterwards.

659
00:33:45,240 --> 00:33:47,680
Speaker 1: Kate's called, Kate, do you know where you were conceived?

660
00:33:48,840 --> 00:33:50,040
Speaker 6: Unfortunately, yes I do.

661
00:33:50,840 --> 00:33:51,960
Speaker 2: Okay, where was it?

662
00:33:54,080 --> 00:33:59,719
Speaker 6: My parents? Actually I was in my dad's youth one

663
00:33:59,760 --> 00:34:02,560
Speaker 6: of the first time said they met. And not only that,

664
00:34:02,800 --> 00:34:05,520
Speaker 6: I grew up to then work for my parents and then.

665
00:34:11,560 --> 00:34:14,439
Speaker 1: So good yeah, wow, oh wow.

666
00:34:14,560 --> 00:34:16,759
Speaker 2: So did they tell you before you worked with the

667
00:34:16,920 --> 00:34:17,600
Speaker 2: ute or after?

668
00:34:18,520 --> 00:34:21,880
Speaker 6: No, they decided to tell me after thought. It was hilarious.

669
00:34:22,239 --> 00:34:23,480
Speaker 2: That is that is hilarious.

670
00:34:23,520 --> 00:34:34,360
Speaker 1: So from your mom's uterus to your dad's us. Julie, Julie,

671
00:34:35,080 --> 00:34:37,000
Speaker 1: you know you know where you were conceived? Mate?

672
00:34:38,040 --> 00:34:41,400
Speaker 6: Well, my sister likes to tell me, much to her amusement,

673
00:34:41,520 --> 00:34:42,320
Speaker 6: that mom.

674
00:34:42,239 --> 00:34:43,399
Speaker 1: And dad poured a new.

675
00:34:43,400 --> 00:34:45,600
Speaker 6: Slabs to their garage and I was conceived on that.

676
00:34:49,160 --> 00:34:52,920
Speaker 1: Kind of be very comfortable, Christen, I mean to Christen,

677
00:34:53,040 --> 00:34:55,920
Speaker 1: the slab, I mean, what's the What was that all about?

678
00:34:56,960 --> 00:34:58,759
Speaker 8: I don't know, but it's still standing and it just

679
00:34:59,040 --> 00:35:00,960
Speaker 8: terrifies me every time I going there to think about it.

680
00:35:01,719 --> 00:35:04,560
Speaker 1: Yeahcky, they got it when it was dry. Imagine if

681
00:35:04,560 --> 00:35:08,279
Speaker 1: you can still see handprints in there, just.

682
00:35:08,320 --> 00:35:12,880
Speaker 4: The outline of a toosh stuck in the concrete, cemented forever.

683
00:35:13,560 --> 00:35:15,160
Speaker 5: Jade is called Jade.

684
00:35:15,400 --> 00:35:18,640
Speaker 1: Mate, you're the final one with complete bravery, coming on

685
00:35:18,760 --> 00:35:21,520
Speaker 1: this show and obviously mentioning something which is horrific for

686
00:35:21,560 --> 00:35:25,799
Speaker 1: you to think about. But you know where you were conceived? Mate? Yes?

687
00:35:26,000 --> 00:35:26,239
Speaker 1: I do.

688
00:35:26,480 --> 00:35:28,600
Speaker 9: Do either of you like Rooster Roll?

689
00:35:30,239 --> 00:35:30,839
Speaker 2: Rooster Roll?

690
00:35:31,760 --> 00:35:31,960
Speaker 3: Yes?

691
00:35:32,200 --> 00:35:35,359
Speaker 12: Because well I like to make the joke that there

692
00:35:35,440 --> 00:35:37,320
Speaker 12: was extra male on the Rooster Roll because I was

693
00:35:37,360 --> 00:35:39,200
Speaker 12: conceived in the pin room at Red Rooster.

694
00:35:41,560 --> 00:35:44,319
Speaker 1: That is the rankest joke I've heard on this show.

695
00:35:44,680 --> 00:35:48,279
Speaker 1: Next to Jade Woods. An eight year old boy called

696
00:35:48,320 --> 00:35:50,279
Speaker 1: Flynn called the show a couple of weeks ago, told

697
00:35:50,360 --> 00:35:53,200
Speaker 1: us he'd written a story called Franken Part and the

698
00:35:53,360 --> 00:35:58,840
Speaker 1: Rabbit Zombie Invasion. Subsequently, he he he has agreed to

699
00:35:59,040 --> 00:36:03,080
Speaker 1: our absolutely pleasure to coming on the show day in,

700
00:36:03,760 --> 00:36:07,280
Speaker 1: day out and reading us a page by page account

701
00:36:08,000 --> 00:36:09,680
Speaker 1: of what is turning out to be one of the

702
00:36:09,880 --> 00:36:12,439
Speaker 1: greatest stories we have ever heard.

703
00:36:12,600 --> 00:36:14,600
Speaker 2: Yeah, so many twists, so many turns on, so many

704
00:36:14,640 --> 00:36:15,040
Speaker 2: twists and.

705
00:36:15,040 --> 00:36:18,000
Speaker 1: We turns so much depth. This is just there's just

706
00:36:18,080 --> 00:36:20,600
Speaker 1: a little bit of him last week. If you're just

707
00:36:20,680 --> 00:36:23,759
Speaker 1: catching up to speed, please get the podcast. iHeartRadio. It's

708
00:36:23,840 --> 00:36:26,279
Speaker 1: worthwhile seeing what he's come up with. But this is

709
00:36:26,360 --> 00:36:28,120
Speaker 1: just some of the gear that he's producing at the moment.

710
00:36:29,320 --> 00:36:32,360
Speaker 3: Warning, the next few pages are going to have graphics funds,

711
00:36:32,960 --> 00:36:34,320
Speaker 3: graphic graphic violence.

712
00:36:34,920 --> 00:36:48,439
Speaker 4: Yes, Jesus, can you help? Can you describe what makes

713
00:36:48,480 --> 00:36:49,839
Speaker 4: a fart a super dust fart?

714
00:36:51,040 --> 00:36:57,279
Speaker 3: Well, thank you. But then Mike, so it's just time

715
00:36:57,360 --> 00:36:57,959
Speaker 3: to run away.

716
00:36:59,280 --> 00:37:03,200
Speaker 2: He's a genius. He's a genius. How he thinks of

717
00:37:03,280 --> 00:37:04,640
Speaker 2: this stuff unbelievable.

718
00:37:05,040 --> 00:37:07,120
Speaker 1: He's going to be joining us on the radio up next.

719
00:37:07,160 --> 00:37:08,920
Speaker 1: We'll get you all up to speed with where we're

720
00:37:09,000 --> 00:37:10,640
Speaker 1: up doing the story. So if you're new to it,

721
00:37:10,840 --> 00:37:13,839
Speaker 1: don't worry. We've got the absolute pleasure over the last

722
00:37:13,920 --> 00:37:16,040
Speaker 1: six days of being joined by an eight year old

723
00:37:16,080 --> 00:37:20,080
Speaker 1: who's agreed to read out, page by page the story

724
00:37:20,200 --> 00:37:25,399
Speaker 1: that he's written. It's called Frank and Fat. It's captivated

725
00:37:25,560 --> 00:37:29,360
Speaker 1: and captured audiences all across Australia since he started. We

726
00:37:29,880 --> 00:37:32,440
Speaker 1: love this kid and I mean what he's got to

727
00:37:32,520 --> 00:37:35,560
Speaker 1: offer his sensational But if you're just joining us, Flynny

728
00:37:35,640 --> 00:37:37,040
Speaker 1: is waiting on the line, so we'll get to him

729
00:37:37,080 --> 00:37:39,839
Speaker 1: in just a sec for the next page. But let's

730
00:37:39,920 --> 00:37:42,160
Speaker 1: just catch ourselves up to where we are in the

731
00:37:42,200 --> 00:37:42,799
Speaker 1: story so far.

732
00:37:47,160 --> 00:37:50,640
Speaker 3: I like just sleeping hip by like this machine and

733
00:37:50,800 --> 00:37:54,000
Speaker 3: turning into like Franklin Steinbock Fight for Lot.

734
00:37:55,520 --> 00:38:00,160
Speaker 11: Previously on Franken Fort, Frankin Fat, a friendly most with

735
00:38:00,320 --> 00:38:03,320
Speaker 11: deadly farts from Chinatown, has been battling the swarm of

736
00:38:03,480 --> 00:38:06,960
Speaker 11: evil bunnies from Diarrhea Land. The evil bunnies have invaded

737
00:38:07,000 --> 00:38:09,800
Speaker 11: Earth and crashed through Franken Phat's school in an attempt

738
00:38:09,880 --> 00:38:12,760
Speaker 11: to stop her in her tracks. Franken Fat has managed

739
00:38:12,760 --> 00:38:15,040
Speaker 11: to evade the bunnies every step of the way with

740
00:38:15,200 --> 00:38:19,200
Speaker 11: help from her secret weapon super Dust Fight. The evil

741
00:38:19,200 --> 00:38:22,160
Speaker 11: bunnies have begun to destroy Chinatown in an attempt to

742
00:38:22,280 --> 00:38:23,840
Speaker 11: lure Franken Fat out.

743
00:38:23,880 --> 00:38:27,080
Speaker 1: Of hiding, and now to un veil more. In this

744
00:38:27,239 --> 00:38:36,799
Speaker 1: epic horror our guide, your author, the mysterious Flint. Hello, Hello,

745
00:38:38,440 --> 00:38:40,200
Speaker 1: all right, fnn Well you know what you're up to, mate.

746
00:38:40,280 --> 00:38:43,919
Speaker 1: I think we've just had the super dust fart. Yeah,

747
00:38:44,360 --> 00:38:46,000
Speaker 1: Frankenfarts escaped.

748
00:38:46,840 --> 00:38:49,799
Speaker 2: And then the bunnies have threatened to destroy Chinatown.

749
00:38:49,960 --> 00:38:50,960
Speaker 1: Yeah take it away, ma'am.

750
00:38:51,480 --> 00:38:54,359
Speaker 3: Thankay Frank, we need your help.

751
00:38:54,600 --> 00:38:56,120
Speaker 12: We will not have a place to live.

752
00:38:56,719 --> 00:39:01,560
Speaker 3: Franks and fought. Never so that sound let us been

753
00:39:01,680 --> 00:39:03,040
Speaker 3: Frank and Fart right?

754
00:39:03,400 --> 00:39:03,640
Speaker 2: Sorry?

755
00:39:03,680 --> 00:39:05,719
Speaker 1: Sorry, Flynn, who's calling for the help?

756
00:39:06,480 --> 00:39:06,640
Speaker 12: Ah?

757
00:39:06,840 --> 00:39:07,280
Speaker 3: The city?

758
00:39:08,960 --> 00:39:11,920
Speaker 4: The city wants franken Fat's help because they've threatened to

759
00:39:12,000 --> 00:39:12,960
Speaker 4: destroy the city.

760
00:39:13,719 --> 00:39:14,200
Speaker 9: M hmmm.

761
00:39:14,600 --> 00:39:18,000
Speaker 12: Unless so now instead of winning away from Frank and

762
00:39:18,360 --> 00:39:21,080
Speaker 12: they want to go near They want to bring near

763
00:39:21,160 --> 00:39:24,040
Speaker 12: Franking fight so they could be seen.

764
00:39:24,920 --> 00:39:27,439
Speaker 1: Oh, because they want Frank and Fats help.

765
00:39:28,160 --> 00:39:28,359
Speaker 3: Yeah.

766
00:39:28,560 --> 00:39:32,040
Speaker 1: Frank and Fat yells out never, no way, as in,

767
00:39:32,200 --> 00:39:34,600
Speaker 1: like is she saying, when I'm not going to help you?

768
00:39:35,280 --> 00:39:35,800
Speaker 5: Oh no?

769
00:39:36,960 --> 00:39:39,279
Speaker 3: When they so we're not, we won't have a place

770
00:39:39,320 --> 00:39:41,840
Speaker 3: to live, She's like, never, you will always have a

771
00:39:41,880 --> 00:39:43,600
Speaker 3: place to I'm.

772
00:39:43,480 --> 00:39:44,719
Speaker 1: Gonna come and save you.

773
00:39:46,200 --> 00:39:49,600
Speaker 2: Right, Okay, I get it right. She's been quite brave

774
00:39:49,680 --> 00:39:50,520
Speaker 2: now yeah, so.

775
00:39:50,760 --> 00:39:53,200
Speaker 1: Changing the tide, she's discovering a bit of confidence.

776
00:39:53,680 --> 00:39:55,480
Speaker 2: M hm great, what happens next?

777
00:39:56,480 --> 00:40:00,279
Speaker 3: Dranking fart up here. We're not gonna let her right

778
00:40:01,080 --> 00:40:03,080
Speaker 3: escape quick go Superama.

779
00:40:03,880 --> 00:40:07,120
Speaker 1: Oh what's a a bit to explain here as well?

780
00:40:07,200 --> 00:40:11,320
Speaker 4: So Frank and Pat telling the bunnies where she is,

781
00:40:11,400 --> 00:40:12,520
Speaker 4: though she's going to come and get me.

782
00:40:12,600 --> 00:40:13,440
Speaker 1: Boys, I'm up here.

783
00:40:14,080 --> 00:40:14,319
Speaker 8: Yeah.

784
00:40:14,560 --> 00:40:17,719
Speaker 1: So that's like Fellas, if you want it, come and

785
00:40:17,840 --> 00:40:19,520
Speaker 1: get it. Yeah.

786
00:40:19,920 --> 00:40:21,680
Speaker 4: So then the bunnies say, split up, we're not going

787
00:40:21,719 --> 00:40:25,040
Speaker 4: to let her escape, and then someone says, quick, do

788
00:40:25,120 --> 00:40:26,080
Speaker 4: a flip orama.

789
00:40:26,360 --> 00:40:28,560
Speaker 2: And what's a flip orama.

790
00:40:29,280 --> 00:40:31,520
Speaker 3: It's like the super dust fart.

791
00:40:36,080 --> 00:40:43,520
Speaker 1: So flipper rama is a fart or so they're saying, quick, okay,

792
00:40:44,000 --> 00:40:45,160
Speaker 1: get them Frank and Fat.

793
00:40:45,719 --> 00:40:45,959
Speaker 3: Yeah.

794
00:40:47,000 --> 00:40:49,680
Speaker 1: Right, so the city's calling for that.

795
00:40:50,320 --> 00:40:50,719
Speaker 3: Mm hmm.

796
00:40:51,239 --> 00:40:56,200
Speaker 4: Jeez, you've left us on a real cliffhanger here, Flynn,

797
00:40:56,239 --> 00:40:59,239
Speaker 4: because I mean, my mind boggles as to what she

798
00:40:59,360 --> 00:41:01,239
Speaker 4: does when she get it's told to do a flipper rama.

799
00:41:01,640 --> 00:41:02,799
Speaker 2: The bunnies are in the house.

800
00:41:03,120 --> 00:41:05,320
Speaker 1: So I suppose this is kind of like the scene

801
00:41:05,640 --> 00:41:09,160
Speaker 1: when Neo and Trinity walk into the bottom of the

802
00:41:09,239 --> 00:41:13,799
Speaker 1: building and he says, remove everything from your kite. Yeah,

803
00:41:14,520 --> 00:41:17,799
Speaker 1: and then it's just like it's about to happen where

804
00:41:17,840 --> 00:41:20,080
Speaker 1: we're on the precipice of the big fight scene.

805
00:41:20,480 --> 00:41:20,600
Speaker 11: Is that?

806
00:41:20,800 --> 00:41:24,200
Speaker 1: Is that what you're telling us, flyinnn Is it more like.

807
00:41:24,280 --> 00:41:26,440
Speaker 4: That scene or is it the scene where Neo, for

808
00:41:26,520 --> 00:41:29,000
Speaker 4: the first time in the movie stops running away from

809
00:41:29,080 --> 00:41:32,680
Speaker 4: the agents and turns around and chooses to fight.

810
00:41:33,400 --> 00:41:42,120
Speaker 1: A be Okay, So, but I love that you've borrowed

811
00:41:42,160 --> 00:41:44,239
Speaker 1: from the best two fight scenes of the Matrix and

812
00:41:44,320 --> 00:41:47,160
Speaker 1: you haven't limited yourself to just the one. And that's

813
00:41:47,239 --> 00:41:49,880
Speaker 1: what that's the genius of your penmanship.

814
00:41:49,960 --> 00:41:50,200
Speaker 5: Mate.

815
00:41:50,400 --> 00:41:52,640
Speaker 1: We're gonna leave it there for today. But the place

816
00:41:52,680 --> 00:41:55,720
Speaker 1: we're at is a very special place. It's right before

817
00:41:55,840 --> 00:41:59,640
Speaker 1: Frank and Fart fights the bunnies after finding her confidence

818
00:42:00,280 --> 00:42:03,680
Speaker 1: and saving is about to save the city. Exciting stuff, mate, Yeah?

819
00:42:04,080 --> 00:42:04,480
Speaker 5: Am I right?

820
00:42:04,560 --> 00:42:06,000
Speaker 2: And there's only one page to go, isn't there?

821
00:42:06,040 --> 00:42:06,320
Speaker 1: Flynn?

822
00:42:09,760 --> 00:42:11,000
Speaker 2: Jeez, I'm wow.

823
00:42:11,040 --> 00:42:13,680
Speaker 4: I'm a nervous wreck, Flinn, but wow, I can't We'll

824
00:42:13,719 --> 00:42:14,799
Speaker 4: have to wait until next time.

825
00:42:14,880 --> 00:42:15,720
Speaker 2: But I'm very excited.

826
00:42:17,640 --> 00:42:17,920
Speaker 1: Flynn.

827
00:42:18,000 --> 00:42:19,200
Speaker 5: Bye bye.

828
00:42:20,360 --> 00:42:20,560
Speaker 1: Oh.

829
00:42:22,040 --> 00:42:24,600
Speaker 13: He's a man of few words, but Jeez uses them, well,

830
00:42:24,840 --> 00:42:27,680
Speaker 13: he does, doesn't he. Yeah, he's like one of those

831
00:42:27,760 --> 00:42:32,080
Speaker 13: wise samurais. Oh, yeah, you know, they don't They don't

832
00:42:32,080 --> 00:42:35,200
Speaker 13: move much but then we're like, yeah, see you later.

833
00:42:35,320 --> 00:42:37,120
Speaker 1: Are you talking about Franken Fat or Flynn?

834
00:42:37,239 --> 00:42:42,719
Speaker 4: I'm talking about Flynn. Who are you talking about? Okay, Well,

835
00:42:44,280 --> 00:42:45,919
Speaker 4: he has a lot of Flinn in frank and Fat.

836
00:42:46,400 --> 00:42:48,799
Speaker 1: Yeah, he obviously poured himself into the protagonist. I mean,

837
00:42:49,080 --> 00:42:50,760
Speaker 1: I'm reading has a lot of great authors.

838
00:42:50,840 --> 00:42:51,440
Speaker 2: Do that's it?

839
00:42:51,680 --> 00:42:54,239
Speaker 1: Yeah? What Flynn doesn't know?

840
00:42:54,320 --> 00:42:54,520
Speaker 5: Guys.

841
00:42:54,560 --> 00:42:59,320
Speaker 1: And we've made sure that he's he's obviously he's Obviouslyn't

842
00:42:59,360 --> 00:43:01,560
Speaker 1: the phone. We have spen with him on Christie's make

843
00:43:01,600 --> 00:43:03,759
Speaker 1: sure he's off. He's not near radio right now. But

844
00:43:04,120 --> 00:43:08,120
Speaker 1: we've got a really big surprise for Flynn when we've

845
00:43:08,239 --> 00:43:13,920
Speaker 1: been contacted by an illustrator who told us that he

846
00:43:14,000 --> 00:43:18,560
Speaker 1: reckons he can knock together a fully illustrated Frank and

847
00:43:18,600 --> 00:43:23,000
Speaker 1: Phart novel. I've got an idea about this, and hopefully

848
00:43:23,200 --> 00:43:24,960
Speaker 1: if we can get it together in time, I'm going

849
00:43:25,000 --> 00:43:27,640
Speaker 1: to have a chance to print a few copies and

850
00:43:27,880 --> 00:43:30,759
Speaker 1: go to his school sometime this week. Minute Halloween to

851
00:43:30,840 --> 00:43:33,640
Speaker 1: be perfect for it as well to be a Wednesday,

852
00:43:33,760 --> 00:43:36,080
Speaker 1: which is coinciding with the story of Franken Phart and

853
00:43:36,080 --> 00:43:39,040
Speaker 1: the Rabbit Zombies. Hopefully we're going to be able to

854
00:43:39,120 --> 00:43:41,680
Speaker 1: rock up to his school, surprise him and give him

855
00:43:41,680 --> 00:43:44,040
Speaker 1: a copy of his perfectly illustrated book, which he can

856
00:43:44,120 --> 00:43:46,680
Speaker 1: read in front of all of his classmates. Huge and

857
00:43:46,760 --> 00:43:50,160
Speaker 1: he deserves it, it really does. It is beautifully honest,

858
00:43:50,200 --> 00:43:52,520
Speaker 1: shy kid that's come on the radio and told this story.

859
00:43:53,239 --> 00:43:55,200
Speaker 1: Hopefully we can get that organized stage tune. We'll give

860
00:43:55,200 --> 00:43:58,200
Speaker 1: you a little bit more details about that tomorrow. We

861
00:43:58,280 --> 00:44:00,720
Speaker 1: ever run the other day, go by to my house.

862
00:44:01,000 --> 00:44:04,000
Speaker 1: I had to look at the time and the distance

863
00:44:04,040 --> 00:44:08,160
Speaker 1: that I'd run. Yeah, talk to me and and well,

864
00:44:08,360 --> 00:44:10,040
Speaker 1: I won't give you the details of the time in

865
00:44:10,120 --> 00:44:14,160
Speaker 1: the distance, but I started, I saw the time. I

866
00:44:14,200 --> 00:44:19,680
Speaker 1: started bawling my eyes out, crying, like hysterically crying.

867
00:44:20,640 --> 00:44:24,560
Speaker 2: You've got that bad. I mean, I know you've dropped

868
00:44:24,560 --> 00:44:24,880
Speaker 2: off for.

869
00:44:27,400 --> 00:44:31,240
Speaker 1: Two ks. And I told you my rig was in danger,

870
00:44:32,880 --> 00:44:35,839
Speaker 1: that I go there and I and the weird thing

871
00:44:36,040 --> 00:44:39,960
Speaker 1: is that I ran a peabe Oh good on yeh,

872
00:44:40,000 --> 00:44:42,160
Speaker 1: I ran a pea bee. And I was sitting there

873
00:44:42,239 --> 00:44:44,799
Speaker 1: and I was crying, and I was crying so much.

874
00:44:44,920 --> 00:44:46,680
Speaker 1: I got up and I ran before my girlfriend woke up.

875
00:44:46,800 --> 00:44:49,960
Speaker 1: I was sitting on the front porch that I woke

876
00:44:50,040 --> 00:44:52,880
Speaker 1: her up. Oh wow. So she came out and she's like,

877
00:44:52,960 --> 00:44:55,040
Speaker 1: what are you crying about? And I said, I showed

878
00:44:55,040 --> 00:44:59,360
Speaker 1: her the phone and she was baffled. She's like, but

879
00:44:59,760 --> 00:45:05,640
Speaker 1: that's great. Yeah, you've a PB. Yeah I know. And

880
00:45:05,760 --> 00:45:10,560
Speaker 1: then it dawned on me the reason that I was

881
00:45:10,719 --> 00:45:16,160
Speaker 1: crying was because that PB. That telling me that I'd

882
00:45:16,239 --> 00:45:22,200
Speaker 1: run a PB, I'd done well, was this uniquely intoxicating

883
00:45:22,360 --> 00:45:27,360
Speaker 1: feeling of validation. Somebody telling me that I'd done a

884
00:45:27,440 --> 00:45:29,480
Speaker 1: good job and do it well, or a number, a

885
00:45:29,600 --> 00:45:32,800
Speaker 1: number number, an algorithm telling me that I was okay.

886
00:45:33,480 --> 00:45:36,240
Speaker 1: And then, as a result, my second round of tears

887
00:45:36,440 --> 00:45:38,840
Speaker 1: was not more about the PB. It was actually that

888
00:45:38,960 --> 00:45:44,200
Speaker 1: I was. I was so upset that I realized how

889
00:45:44,480 --> 00:45:50,160
Speaker 1: addicted I am to being validated by other people and

890
00:45:50,280 --> 00:45:50,800
Speaker 1: other things.

891
00:45:51,000 --> 00:45:53,160
Speaker 4: Not alone, though, I'd say, you're speaking on behalf of

892
00:45:53,560 --> 00:45:54,600
Speaker 4: most of society.

893
00:45:55,280 --> 00:45:57,880
Speaker 1: Well, but it's a scary thought, isn't it. You like

894
00:45:58,000 --> 00:45:59,520
Speaker 1: to think, you like to think that you make your

895
00:45:59,560 --> 00:46:02,520
Speaker 1: own decisions for your own purposes, in your own way,

896
00:46:03,120 --> 00:46:05,160
Speaker 1: and then when you actually stop and look at it,

897
00:46:06,239 --> 00:46:09,320
Speaker 1: nearly every decision in my life is made based on

898
00:46:10,360 --> 00:46:14,680
Speaker 1: how it will be validated by somebody else.

899
00:46:14,880 --> 00:46:17,000
Speaker 4: In some way, and that's the only way for a

900
00:46:17,040 --> 00:46:20,160
Speaker 4: lot of people you can justify to yourself that you've

901
00:46:20,200 --> 00:46:22,799
Speaker 4: been successful or you've had a win. It's only when

902
00:46:22,880 --> 00:46:24,719
Speaker 4: other people or a number that's right.

903
00:46:25,719 --> 00:46:28,560
Speaker 1: That's right now. So I've written an article about this.

904
00:46:28,640 --> 00:46:29,839
Speaker 1: If people want to go and check it out, it's

905
00:46:29,840 --> 00:46:31,600
Speaker 1: at the Big Smoke dot com dot you they're the

906
00:46:31,600 --> 00:46:33,560
Speaker 1: guys I write for sometimes the Big Smoke dot com.

907
00:46:33,760 --> 00:46:35,680
Speaker 1: If you just got to Instagram story Will and Woody,

908
00:46:36,360 --> 00:46:38,200
Speaker 1: you can swipe up and I'm sure that'll take you

909
00:46:38,200 --> 00:46:40,920
Speaker 1: to the article. But talk in the article about the

910
00:46:41,000 --> 00:46:44,080
Speaker 1: fact that you and I when we have guests in here,

911
00:46:44,120 --> 00:46:47,880
Speaker 1: it's fascinating for us to watch people that are clearly

912
00:46:49,000 --> 00:46:53,640
Speaker 1: used to performing for a crowd, and we get people

913
00:46:53,680 --> 00:46:56,480
Speaker 1: in and these people walking we're not even big artists, right,

914
00:46:56,880 --> 00:46:59,120
Speaker 1: this might even just be a TV show host and

915
00:46:59,200 --> 00:47:02,399
Speaker 1: they'll walk into Ado studio. Radio studio is quite quite

916
00:47:02,440 --> 00:47:08,360
Speaker 1: an isolated place and they are totally addicted to looking

917
00:47:08,440 --> 00:47:12,200
Speaker 1: outside and just getting some form of reaction.

918
00:47:12,760 --> 00:47:14,960
Speaker 2: Julia Zemiro came in. She's now the host of All

919
00:47:15,040 --> 00:47:17,560
Speaker 2: Together Now, and she is someone who's done a lot.

920
00:47:17,440 --> 00:47:20,640
Speaker 4: Of improv and performance work and it was like she

921
00:47:20,800 --> 00:47:23,279
Speaker 4: was on a swivel and I didn't at first. I

922
00:47:23,320 --> 00:47:25,360
Speaker 4: almost was like, oh wow, she's really not vibing on us.

923
00:47:25,680 --> 00:47:27,480
Speaker 4: She kept looking outside. But you and I actually talked

924
00:47:27,520 --> 00:47:30,719
Speaker 4: about it after we realized she gets all of her

925
00:47:30,960 --> 00:47:34,600
Speaker 4: energy and have I done well from people laughing about

926
00:47:36,000 --> 00:47:37,279
Speaker 4: and some sort of reaction.

927
00:47:37,120 --> 00:47:39,960
Speaker 1: And you and I, You and I being sketch comedians

928
00:47:40,000 --> 00:47:43,239
Speaker 1: originally doing stuff on stage, we know what this was like.

929
00:47:43,520 --> 00:47:44,920
Speaker 1: Wh When we first got in the game, it was

930
00:47:45,000 --> 00:47:48,040
Speaker 1: just terrifying for us that we didn't have an audience.

931
00:47:48,760 --> 00:47:50,440
Speaker 1: I mean, now we all know that you guys just

932
00:47:51,040 --> 00:47:53,120
Speaker 1: raffle in your car just the two.

933
00:47:53,040 --> 00:47:56,360
Speaker 2: Hours, causing car accidents everywhere, too much.

934
00:47:56,320 --> 00:48:01,000
Speaker 1: Laughter, But it was really jarring from that that sense,

935
00:48:01,160 --> 00:48:03,759
Speaker 1: that sense of validation for anyone that's performed live, if

936
00:48:03,800 --> 00:48:06,120
Speaker 1: you've done music or stage work, or even just read

937
00:48:06,600 --> 00:48:08,320
Speaker 1: or done a speech in front of other people, that

938
00:48:08,840 --> 00:48:11,719
Speaker 1: that level of validation is enormous. I mean, why do

939
00:48:11,800 --> 00:48:14,120
Speaker 1: you think Elton John's coming back to Australia in his eighties.

940
00:48:14,880 --> 00:48:16,320
Speaker 1: It is totally addictive.

941
00:48:16,440 --> 00:48:18,279
Speaker 4: These old musicians keep doing it, They keep going on

942
00:48:18,320 --> 00:48:20,200
Speaker 4: to us, and people often ask he doesn't need the

943
00:48:20,280 --> 00:48:22,200
Speaker 4: money why does he bother?

944
00:48:22,360 --> 00:48:23,520
Speaker 2: Yeah, you're exactly right.

945
00:48:23,640 --> 00:48:27,040
Speaker 1: So it's I mean that level of validation is something

946
00:48:27,080 --> 00:48:29,600
Speaker 1: that I've definitely to wean myself off in terms of

947
00:48:29,719 --> 00:48:31,440
Speaker 1: what we do in terms of our jobs, because, as

948
00:48:31,480 --> 00:48:33,400
Speaker 1: I said in the studio, apart from you know, our

949
00:48:33,480 --> 00:48:35,960
Speaker 1: producers who are just constantly cheering for us outside and

950
00:48:36,040 --> 00:48:39,000
Speaker 1: we we do bribe them to keep that going on.

951
00:48:39,080 --> 00:48:42,880
Speaker 2: Well, they get paychecks, They literally get paid to give

952
00:48:43,120 --> 00:48:44,600
Speaker 2: a lot of reaction they do.

953
00:48:45,280 --> 00:48:47,520
Speaker 1: But I think that it's interesting to look at and

954
00:48:47,560 --> 00:48:49,279
Speaker 1: again you can check this out. Go to Instagram story

955
00:48:49,280 --> 00:48:51,080
Speaker 1: willin Wood if you want to want to swipe up

956
00:48:51,080 --> 00:48:53,920
Speaker 1: and read the article yourself. It's interesting to look at,

957
00:48:53,960 --> 00:48:55,879
Speaker 1: and I sort of throw this out to everybody else.

958
00:48:56,560 --> 00:48:58,440
Speaker 1: Try and stop and look at the next thing that

959
00:48:58,520 --> 00:49:01,359
Speaker 1: you're doing. And that might be like a bit of exercise,

960
00:49:01,920 --> 00:49:04,440
Speaker 1: it might be some work that you're doing, It might

961
00:49:04,520 --> 00:49:07,399
Speaker 1: be an outfit you're wearing. What are you actually doing

962
00:49:07,480 --> 00:49:11,600
Speaker 1: it for? Because I would be downright surprised if ninety

963
00:49:11,640 --> 00:49:13,239
Speaker 1: nine percent of the time you are not doing it

964
00:49:13,400 --> 00:49:17,920
Speaker 1: for some form of approval, some form of validation.

965
00:49:18,360 --> 00:49:20,640
Speaker 2: Do you do you touch on social media in this article?

966
00:49:21,600 --> 00:49:24,000
Speaker 1: You know that I've removed myself from social media for

967
00:49:24,080 --> 00:49:27,000
Speaker 1: exactly this reason because I found that so tough.

968
00:49:27,239 --> 00:49:28,360
Speaker 2: That's what social media is.

969
00:49:28,880 --> 00:49:29,640
Speaker 1: That's so tough.

970
00:49:29,840 --> 00:49:35,200
Speaker 4: Social media has positioned itself. Now, Yeah, the only thing

971
00:49:35,280 --> 00:49:38,120
Speaker 4: you're trying to do is get validation or response. Yeah,

972
00:49:38,400 --> 00:49:41,239
Speaker 4: there is a button that is called a like, and

973
00:49:41,400 --> 00:49:43,560
Speaker 4: you feel good. You've told me before there was a

974
00:49:43,600 --> 00:49:44,160
Speaker 4: study done.

975
00:49:44,280 --> 00:49:49,600
Speaker 1: Well, yeah, you release similar amounts of dopamine to doing cocaine. Yeah.

976
00:49:49,760 --> 00:49:54,080
Speaker 1: That is a scary, scarily addictive, and it sucks that.

977
00:49:54,200 --> 00:49:56,360
Speaker 1: I realized that's why I was crying so much. I

978
00:49:56,440 --> 00:49:58,239
Speaker 1: finished it run and I was like, God, damn it.

979
00:49:58,440 --> 00:50:02,959
Speaker 1: I this little message on my phone screen has made

980
00:50:03,000 --> 00:50:06,560
Speaker 1: me feel better about myself than anything else that I've

981
00:50:06,600 --> 00:50:09,160
Speaker 1: done this whole week, anything that we've done on radio,

982
00:50:09,280 --> 00:50:11,200
Speaker 1: any video that which not to say that we didn't

983
00:50:11,280 --> 00:50:16,760
Speaker 1: roll out pure gold Woods, but tough, because I realized

984
00:50:16,760 --> 00:50:19,480
Speaker 1: that that's that's all I really want in my life

985
00:50:19,480 --> 00:50:21,160
Speaker 1: A lot of the time is somebody to just tell

986
00:50:21,239 --> 00:50:21,920
Speaker 1: me that I'm okay.

987
00:50:23,440 --> 00:50:26,680
Speaker 4: Yeah, it's it's a scary thought. Yeah, well think it's

988
00:50:26,680 --> 00:50:28,320
Speaker 4: a thought that a lot of us don't have. But

989
00:50:28,640 --> 00:50:30,360
Speaker 4: I'm sure this is pretty like a smack in the

990
00:50:30,400 --> 00:50:31,560
Speaker 4: face for a lot of people listening.

991
00:50:31,920 --> 00:50:35,919
Speaker 1: It's tough. I do reference in the article the fact

992
00:50:35,960 --> 00:50:39,839
Speaker 1: that you and I were talking on air about these prostitutes,

993
00:50:39,880 --> 00:50:42,520
Speaker 1: these robotic prostitutes in Houston that they were thinking about

994
00:50:42,520 --> 00:50:46,239
Speaker 1: bringing in, and I'm writing about how like, God, you know,

995
00:50:46,719 --> 00:50:47,960
Speaker 1: when we were on air, when we were talking about

996
00:50:47,960 --> 00:50:49,960
Speaker 1: these robotic prostitutes in Houston, you and I are going,

997
00:50:50,000 --> 00:50:52,480
Speaker 1: oh God, I mean, like, as if that's going to

998
00:50:52,520 --> 00:50:54,680
Speaker 1: be that good for somebody, Like, surely you want, you know,

999
00:50:55,080 --> 00:50:57,120
Speaker 1: a human at least, I mean, God, if you're dropping

1000
00:50:57,160 --> 00:51:00,319
Speaker 1: down to that level, surely you want a person there black.

1001
00:51:01,000 --> 00:51:02,719
Speaker 1: If you've got I don't care what it is. I mean, like,

1002
00:51:02,760 --> 00:51:04,840
Speaker 1: why do you think we've all got dogs? You know,

1003
00:51:04,920 --> 00:51:08,240
Speaker 1: it's unrequited love. If it's a robot, if it's a human,

1004
00:51:08,360 --> 00:51:11,480
Speaker 1: if it's in my case, a goddamn algorithm with a

1005
00:51:11,520 --> 00:51:14,319
Speaker 1: picture on my phone. That's all it took to put

1006
00:51:14,360 --> 00:51:16,239
Speaker 1: me in floods of tears, going, Hey, I think I'm

1007
00:51:16,280 --> 00:51:16,640
Speaker 1: all right.

1008
00:51:17,280 --> 00:51:19,239
Speaker 2: So sorry, are you suggesting that you now want to

1009
00:51:19,239 --> 00:51:22,879
Speaker 2: sleep with a robot? I'm sorry. That's all I got

1010
00:51:22,920 --> 00:51:27,879
Speaker 2: from that Will wants to sleep with it? After all?

1011
00:51:27,960 --> 00:51:28,120
Speaker 11: Of that.

1012
00:51:28,960 --> 00:51:31,680
Speaker 2: Yes, I would like to have a relationship with a robot.

1013
00:51:31,719 --> 00:51:34,239
Speaker 1: That you can see how it happens, right, like this

1014
00:51:34,400 --> 00:51:36,040
Speaker 1: thing that he gets to sleep with and then it

1015
00:51:36,080 --> 00:51:38,239
Speaker 1: gives you cuddles afterwards, gives you a pat on the head.

1016
00:51:38,719 --> 00:51:41,040
Speaker 1: And if we don't want somebody to just tell us

1017
00:51:41,080 --> 00:51:42,759
Speaker 1: that we're okay, then what else do we want from

1018
00:51:42,760 --> 00:51:46,359
Speaker 1: our relationships? And that's really that's probably all we ever

1019
00:51:46,440 --> 00:51:48,799
Speaker 1: need is people. But yeah, go and check it out.

1020
00:51:48,840 --> 00:51:50,920
Speaker 1: It's on the Big Smoke dot com dot you. That's

1021
00:51:50,960 --> 00:51:52,759
Speaker 1: the that's the website that I occasionally write for. If

1022
00:51:52,760 --> 00:51:55,000
Speaker 1: you go to will Windy on Instagram, you can swipe

1023
00:51:55,080 --> 00:51:56,480
Speaker 1: up and have a read of it there. But it's

1024
00:51:56,520 --> 00:51:58,520
Speaker 1: interesting stuff and no, I do not want to sleep

1025
00:51:58,520 --> 00:52:01,480
Speaker 1: with a robot is out there. I hope everyone's had

1026
00:52:01,520 --> 00:52:04,479
Speaker 1: a wonderful afternoon with us. We've certainly had a great time.

1027
00:52:05,600 --> 00:52:10,440
Speaker 1: It is time to get out of here. I believe mate,

1028
00:52:10,560 --> 00:52:12,760
Speaker 1: you missed anything. We've got a huge surprise for Flynn,

1029
00:52:12,880 --> 00:52:14,839
Speaker 1: the author of Frankin Bart, the eight year old boy

1030
00:52:14,920 --> 00:52:18,279
Speaker 1: who's been delighting us all over the country. I can't

1031
00:52:18,320 --> 00:52:20,320
Speaker 1: wait to tell you guys what that is tomorrow And

1032
00:52:20,440 --> 00:52:23,000
Speaker 1: illustrators come on board, and we're going to give him

1033
00:52:23,280 --> 00:52:26,560
Speaker 1: one of the great surprises as we go into his

1034
00:52:26,840 --> 00:52:31,600
Speaker 1: school and hopefully reveal a published book to him. More

1035
00:52:31,680 --> 00:52:34,920
Speaker 1: details on that tomorrow from Fort se Then goodbye, get

1036
00:52:35,000 --> 00:52:37,120
Speaker 1: a fresh way to drive his home with Will and

1037
00:52:37,160 --> 00:52:37,480
Speaker 1: Woody