WEBVTT - Froomy's ARIA's Gossip! 🏆

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<v Speaker 1>The Flex and Rooms Daily podcast.

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<v Speaker 2>Yet again, I'm being savage and harassed in the studio.

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<v Speaker 3>You know what to be seen.

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<v Speaker 2>I went to the toilet. There's a little laminated sheet

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<v Speaker 2>that says, if you're getting harassed at work, talk to

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<v Speaker 2>your manager call this number and I'm this close.

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<v Speaker 3>Just do it now, get back to you in the

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<v Speaker 3>next business day.

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<v Speaker 2>Look, I'm getting savage because I told my story about

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<v Speaker 2>the Arias, and I seem to focus too much on

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<v Speaker 2>the not interesting bits.

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<v Speaker 4>So I think it was all interesting, It's just long winded.

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<v Speaker 2>All right. Well, I don't know. I think people like

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<v Speaker 2>the flavor.

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<v Speaker 3>People love the flavor.

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<v Speaker 4>But unfortunately for people have to edit our show, it's

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<v Speaker 4>not giving love the flavor, it's giving burdens burdensome.

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<v Speaker 2>Well, anyway, Flex and I had a really good job.

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<v Speaker 2>I didn't even actually get to ask you about your experience.

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<v Speaker 2>Can you just sum it up in five words? It

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<v Speaker 2>was mostly good? Yeah, it was mostly good. Damn. All right,

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<v Speaker 2>Yet again I'm being upstage since five words or less,

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<v Speaker 2>let me ever go about you.

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<v Speaker 3>Let's move on to the podcast.

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<v Speaker 2>Tocsin by Flex is wearing Shop Mummy necklace.

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<v Speaker 1>Let's go Flex and Frooms.

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<v Speaker 3>We have gossip.

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<v Speaker 2>I light, it's not often that we have gossip, honestly.

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<v Speaker 2>Flex and I've been going out every weekend together. Yeah,

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<v Speaker 2>it's been at least two weekends in a row, if

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<v Speaker 2>not four.

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<v Speaker 4>I would say, from the day I saw you, from

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<v Speaker 4>the night I saw you at the Wrangler party that

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<v Speaker 4>was the start of October. I've been getting near it

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<v Speaker 4>every week since.

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<v Speaker 2>We have to varying degrees of success, I'd say, but

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<v Speaker 2>attempting to get near it is like seventy percent of

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<v Speaker 2>the battle.

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<v Speaker 3>Yes, a real challenge.

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<v Speaker 2>So we had the arias a couple of weeks back.

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<v Speaker 2>It was a very exciting situation for me. It was

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<v Speaker 2>one of my first live crosses on TV that I

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<v Speaker 2>was doing, which is a unique challenge. I will say,

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<v Speaker 2>I think when you're watching someone on TV it looks easy.

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<v Speaker 2>When you're in the moment, it's a brain challenge. The

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<v Speaker 2>brain is computing at a speed that is both exciting

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<v Speaker 2>and terrifying.

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<v Speaker 4>And I guess to explain because I used to think

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<v Speaker 4>before I started working on TV that everything was off

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<v Speaker 4>the dome, that everyone was just really charismatic and they

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<v Speaker 4>could say what they want when they want, because they want,

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<v Speaker 4>And that was the vibe when realistically, if it's for

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<v Speaker 4>some big corporation with a lot of stakeholders and it's live,

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<v Speaker 4>chances are using a teleprompter and that's very weird to

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<v Speaker 4>have to read out what's been written and to sound

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<v Speaker 4>conversational and natural and to bounce off another person and

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<v Speaker 4>have people in your ears. All right, counting down, five, four,

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<v Speaker 4>three two. It's just a lot.

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<v Speaker 2>It's so much. And of course because this is a

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<v Speaker 2>live event that's on a red carpet, and then in

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<v Speaker 2>another zone, no teleprompter.

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<v Speaker 3>Oh there wasn't a little telly no oh off the domio.

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<v Speaker 2>Oh this is a Domeleo Grin situation, bloodshed and carnage

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<v Speaker 2>on the red carpet. So I'm going to give you

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<v Speaker 2>a play by player which actually happens backstage, backstage, like

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<v Speaker 2>the whole my whole experience with that. Oh yeah, the

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<v Speaker 2>the KFC fans red roomster. Oh so sorry, sorry, yeah,

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<v Speaker 2>please compete all Chicken Base for suits. So okay, the

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<v Speaker 2>day of I get to Hard and Pavilion at ten am.

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<v Speaker 4>We're not doing a literal play by player. I think

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<v Speaker 4>it's interest am, and the carpet was at six. It's

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<v Speaker 4>got a few hours to get through.

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<v Speaker 2>Okay. The carpet was at four Okay, so I get there.

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<v Speaker 2>We have our first meeting walk through. It's called a

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<v Speaker 2>WRECKI where you go and check out the site vibe.

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<v Speaker 2>So we're walking on the red carpet. Everybody's frantic running

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<v Speaker 2>around getting it done. I see some familiar faces because

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<v Speaker 2>I have worked at the Arias for almost five years now,

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<v Speaker 2>five years a veteran, So I'm a veteran of the Arias,

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<v Speaker 2>and we're doing a run through of what's what's going

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<v Speaker 2>to happen each time. We get our earp to kind

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<v Speaker 2>of learn the lay of the land with that hate

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<v Speaker 2>ear pieces. There are a lot, aren't they. These ones

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<v Speaker 2>are tiny, like it literally felt like I was going

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<v Speaker 2>into my ear canal a little.

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<v Speaker 4>Too deep, but it was good. Ear Doctors hate her.

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<v Speaker 4>They called audiologists. Audiologists hate her. I believe it's ear

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<v Speaker 4>nose and throat. Eh, it's like an o something I think,

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<v Speaker 4>like an omni.

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<v Speaker 2>Yes, let's go with that. Then after that we go

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<v Speaker 2>and get makeup done. Christian Wilkins and I are getting

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<v Speaker 2>our makeup done by the most slay makeup artist. My

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<v Speaker 2>one was called Steph and she was gor Gina, get

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<v Speaker 2>to the gossip babe, okay, okay, yeah yeah, and then

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<v Speaker 2>Peaking Duck walking.

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<v Speaker 1>Right.

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<v Speaker 2>So the story with Peaking Duck is they were doing

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<v Speaker 2>a live performance in our zone obsessed with Peaking Duck.

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<v Speaker 2>I was on their podcast the other day. Pretty sure

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<v Speaker 2>it's out. We just get them like a house on fire,

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<v Speaker 2>Like the chemme is unreal, the camera obsessed.

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<v Speaker 3>What do you mean is unreal? You've got good cam,

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<v Speaker 3>We've got great kem.

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<v Speaker 2>So back off.

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<v Speaker 4>I love the way what you do with the English language.

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<v Speaker 4>You add flavor and depth, you add MSG.

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<v Speaker 2>It's sickening, isn't it. Anyway, it's time for broadcast. It's

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<v Speaker 2>four to six pm. I'm on the Red Carpet with

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<v Speaker 2>Christian Wilkins and Richard Wilkins.

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<v Speaker 4>They begin, then they go why did you say Christian Wilkinson,

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<v Speaker 4>and then Richard Wilkins, did.

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<v Speaker 2>I see a Wilkinson? Yeah, oh crap, just before we're

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<v Speaker 2>going live? Accident, he said Wilkinson, and Richard was like,

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<v Speaker 2>we gotta make sure no one, says Wilkinson. He didn't

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<v Speaker 2>know it was me.

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<v Speaker 4>So you're repeat offender.

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<v Speaker 2>I know, I tell you, I don't understand names. It's

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<v Speaker 2>showing it's a serious issue. It's clever and babe they

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<v Speaker 2>throw to me. My first segment is talking to a fan.

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<v Speaker 2>There's a fan zone on the carpet. Okay, so I

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<v Speaker 2>cap the chase.

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<v Speaker 3>Now fourteen, let's just get straight into it.

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<v Speaker 2>Okay. The first time the interview is like this fan guy,

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<v Speaker 2>he was lit. His name was Brad, such a legend

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<v Speaker 2>and he was a massive I'm on the Sniffers fan sick.

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<v Speaker 2>Then I'm on the Sniffers were meant to come in.

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<v Speaker 2>Of course they're late, an hour late to give them.

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<v Speaker 2>Then I move on to the next part of the carpet,

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<v Speaker 2>and I gotta say I thought I was doing fantastic.

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<v Speaker 4>Yeah, the bit that I what do you call video

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<v Speaker 4>recorded flechia, it's touching my dangling.

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<v Speaker 2>That was a big ass piece that you ate.

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<v Speaker 4>Yeah, sorry, I believe it's it's like sushi.

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<v Speaker 3>Anyway.

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<v Speaker 2>Please.

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<v Speaker 4>When I was sitting in the crowd and I recorded

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<v Speaker 4>a little snippy of for me and I think you

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<v Speaker 4>were introducing picking duck, sounded amazing, really amazing, Okay, cool ah.

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<v Speaker 2>Sorry, getting flashbacks around a part of the nights.

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<v Speaker 3>You're being judged.

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<v Speaker 2>He'd throw me off course, then I speak to Animal

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<v Speaker 2>and the Sniffers, who's a massive fan of the podcast,

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<v Speaker 2>so much so that at the after party we get

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<v Speaker 2>out of the lift, Almal, the Sniffer's manager, says through me,

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<v Speaker 2>when't you come straight over? There's someone that wants to

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<v Speaker 2>meet you. It's Amy from Almal and the Sniffs. I

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<v Speaker 2>sit down with her. Weig goedling like a house on fire,

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<v Speaker 2>Double Gangers. She's so sweet. Yeah, my dad was like,

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<v Speaker 2>I saw you in the car butt with the girl.

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<v Speaker 2>She looks just like you, and she sounds like you

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<v Speaker 2>when she's singing. Who are starting interview June Rats pisses,

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<v Speaker 2>immediate rapport. I saw Vickar and Linda, who are my

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<v Speaker 2>mum's cousins. Keep it in the family, so random ops everywhere.

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<v Speaker 3>You can't even go to work without your family showing up.

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<v Speaker 2>And it was all going well. Then we Christian I

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<v Speaker 2>went to this fan zone, so there was this like

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<v Speaker 2>it was we was called the green room, so they

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<v Speaker 2>would cut to Christian and I during the live broadcast

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<v Speaker 2>on Channel nine. Now, for some reason, perhaps I was

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<v Speaker 2>like a little bit tired. I didn't realize that what

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<v Speaker 2>we were saying was also going into the room. Yeah, yeah,

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<v Speaker 2>so on the big screen where Flexi was sitting inside

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<v Speaker 2>of the arias, we were getting live streamed.

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<v Speaker 4>Yes, yeah, so I didn't understand that either, but I

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<v Speaker 4>guess that's the magic of TV. So when you're watching

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<v Speaker 4>the arias online, you're gonna see inside the room a

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<v Speaker 4>section you know, with threw me outside on the red carpet.

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<v Speaker 3>And then also performances.

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<v Speaker 4>Some performances were happening inside the space were pre recorded,

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<v Speaker 4>and so I can imagine why you didn't think that

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<v Speaker 4>what was happening outside is being broadcasted inside. But everything

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<v Speaker 4>was being broadcasted inside and varying degrees of like importance.

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<v Speaker 4>So sometimes you'd be broadcasting but the sound was down so.

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<v Speaker 3>We couldn't really hear you.

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<v Speaker 4>We could see you, and then sometimes you were cranked

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<v Speaker 4>up because that was the priority. What were your thoughts, Well,

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<v Speaker 4>I'd only saw you for a little bit because I

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<v Speaker 4>saw what I filmed and then I was backstage.

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<v Speaker 2>Oh true, because you weren't think.

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<v Speaker 3>About was presenting a ward. But it's not about me,

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<v Speaker 3>it's about.

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<v Speaker 2>You, Okay. Then we watch it back to the fan zone,

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<v Speaker 2>peeking Duck perform. The crowd is going wild, fantastic, Medley

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<v Speaker 2>by the Boys, I must admit, and then who is ending?

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<v Speaker 2>It was getting to the end of the night, okay,

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<v Speaker 2>and it was time we were kind of doing this

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<v Speaker 2>thing where we were back announcing people that are just

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<v Speaker 2>ones who've got little que cards. But I don't like

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<v Speaker 2>reading off a que card when I'm on camera because

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<v Speaker 2>it looks a bit rookie. So in the EPA, someone's like, okay,

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<v Speaker 2>you're going to announce who just performed. Then you're going

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<v Speaker 2>to go through three winners. But often the times would change,

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<v Speaker 2>but they're like, you got to do this in thirty seconds.

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<v Speaker 2>You've got to fill two minutes. You know. It's like

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<v Speaker 2>very much on the go. It's first time working with Christian.

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<v Speaker 2>He was fantastic. I loved it. He brought a really punished,

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<v Speaker 2>polished energy. I brought a bit more of a chaotic energy.

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<v Speaker 2>But I actually that's what people want, That's what I

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<v Speaker 2>want to watch. Anyway, Then about we've probably got like

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<v Speaker 2>three more segments to do, so I probably got an

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<v Speaker 2>hour and a half to go. Christian and I singing

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<v Speaker 2>down and he goes, we're getting ripped online and I said,

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<v Speaker 2>what I said, what's going on?

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<v Speaker 4>And at that timing to let you know as well,

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<v Speaker 4>we're getting ripped online in a good way.

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<v Speaker 2>They love it or so, this was the first time

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<v Speaker 2>that I realized i'd said I said, I had said

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<v Speaker 2>something on air that I was not meant.

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<v Speaker 4>To because up to that point, you like, we're just

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<v Speaker 4>racing through it. We're killing it, we're killing it. I

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<v Speaker 4>have flexed you to be like, what was that? Wait

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<v Speaker 4>one more time? They set you up. They set you up.

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<v Speaker 2>No, So what I did was I was back announcing

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<v Speaker 2>the Chats had just won an award for their album

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<v Speaker 2>Get Fucked Yeah, which we're allowed to say on air.

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<v Speaker 2>In my day's haze and excitement, I accidentally said the

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<v Speaker 2>chat's just one for fuck.

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<v Speaker 3>You, which is abuse life on broadcast, and like you

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<v Speaker 3>said it with a huge grin, you know what, Like it's.

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<v Speaker 2>Actually quite strange for to be this live. Often with

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<v Speaker 2>live there's like a one hour delay, yeah, whereas is

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<v Speaker 2>live on the.

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<v Speaker 3>TV, like even like Live ish, where it's like being

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<v Speaker 3>cut up.

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<v Speaker 2>And then this was fully live ten seconds to live.

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<v Speaker 2>So of course I said the F word you're not

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<v Speaker 2>meant to say on broadcast. I know, an m raated thing.

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<v Speaker 2>I say fuck you.

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<v Speaker 3>And you get penalties. I'm pretty sure not you, but.

0:11:20.040 --> 0:11:22.440
<v Speaker 2>Yes, well I don't think they will in this timeslot

0:11:22.440 --> 0:11:24.800
<v Speaker 2>because it was after eight, it was eight fifteen PM.

0:11:24.880 --> 0:11:29.080
<v Speaker 2>But like, no one ticks me off or anything, so

0:11:29.080 --> 0:11:31.480
<v Speaker 2>I thought it was fine. And the EP John Lay

0:11:31.880 --> 0:11:34.319
<v Speaker 2>is a fucking legend. He's this Irish guy that got

0:11:34.320 --> 0:11:40.000
<v Speaker 2>me through the door last year. And then Christians like

0:11:40.120 --> 0:11:42.280
<v Speaker 2>getting ripped. I look up the article. They've picked the

0:11:42.280 --> 0:11:45.120
<v Speaker 2>most savage picture of us two. I'm like screamed, like

0:11:45.160 --> 0:11:47.840
<v Speaker 2>not screaming, but I look like a banshee and it's

0:11:47.880 --> 0:11:50.959
<v Speaker 2>like the worst defenders of the night were. Should I

0:11:50.960 --> 0:11:51.280
<v Speaker 2>read it to you?

0:11:51.360 --> 0:11:52.120
<v Speaker 3>Yeah, read it out?

0:11:52.320 --> 0:11:53.719
<v Speaker 4>I will say, though, this is why we have to

0:11:53.760 --> 0:11:56.600
<v Speaker 4>be really specific with asking for stuff, because we all

0:11:56.640 --> 0:11:57.440
<v Speaker 4>want headlines.

0:11:57.920 --> 0:11:59.120
<v Speaker 3>My headline was a nipple story.

0:11:59.120 --> 0:12:02.040
<v Speaker 4>I didn't tell your headline is getting ripped at the

0:12:02.080 --> 0:12:06.160
<v Speaker 4>AUS while you're doing that. It's really odd to read

0:12:06.480 --> 0:12:09.719
<v Speaker 4>journalism that is so scathing. I felt like there was

0:12:09.760 --> 0:12:12.040
<v Speaker 4>a point in time where we were past that, only because,

0:12:12.280 --> 0:12:14.439
<v Speaker 4>especially in the Australian media landscape, it's so easy to

0:12:14.440 --> 0:12:16.440
<v Speaker 4>figure out who's who and who's writing it that they

0:12:16.480 --> 0:12:18.040
<v Speaker 4>just don't want to deal with it. I remember one

0:12:18.040 --> 0:12:20.520
<v Speaker 4>time Daily Mail hit me up to use some of

0:12:20.559 --> 0:12:22.520
<v Speaker 4>my content. I was like, nah, I'm good when they

0:12:22.600 --> 0:12:25.160
<v Speaker 4>use it anyway. And I was like, babes, why did

0:12:25.160 --> 0:12:27.880
<v Speaker 4>you ask She's like, I'm a huge fan, Like I

0:12:27.880 --> 0:12:31.960
<v Speaker 4>didn't know, and then I asked my my whatever, my manager,

0:12:32.000 --> 0:12:33.160
<v Speaker 4>and she said it was fine. I don't need to

0:12:33.160 --> 0:12:35.160
<v Speaker 4>ask you because you're a celebrity. But I just wanted

0:12:35.160 --> 0:12:36.720
<v Speaker 4>to talk to you, and I didn't know how to

0:12:36.760 --> 0:12:37.920
<v Speaker 4>talk to you. And I was like, okay, it has

0:12:37.960 --> 0:12:40.760
<v Speaker 4>to stop. Okay, that's the start, but please go on.

0:12:40.800 --> 0:12:42.040
<v Speaker 4>You've got the article here.

0:12:42.160 --> 0:12:43.920
<v Speaker 2>Yeah, and to be fed this guy that wrote it,

0:12:44.000 --> 0:12:45.560
<v Speaker 2>he put his name on it. I used to be

0:12:45.559 --> 0:12:48.200
<v Speaker 2>in this situation where I'd write articles. Of course, I'm

0:12:48.240 --> 0:12:51.040
<v Speaker 2>just saying the generic like I took my author name

0:12:51.080 --> 0:12:55.840
<v Speaker 2>off it, which is yeah, Betty. The worst offenders who

0:12:55.840 --> 0:12:58.120
<v Speaker 2>were backs to wait, to be honest, a headline they've

0:12:58.120 --> 0:13:00.439
<v Speaker 2>picked the hottest picture of like we look good in

0:13:00.520 --> 0:13:00.839
<v Speaker 2>that picture.

0:13:00.880 --> 0:13:02.880
<v Speaker 3>Yeah, I like that picture. At the release, what's the headline?

0:13:02.920 --> 0:13:06.520
<v Speaker 2>The headline was just like savaging the aria's full stop

0:13:06.559 --> 0:13:09.640
<v Speaker 2>the whole broadcast, right, which is bullshit, But here we go.

0:13:10.040 --> 0:13:13.080
<v Speaker 2>The worst offenders were backstage host Christian Wilkins and Lucinda FROMES.

0:13:13.360 --> 0:13:16.200
<v Speaker 2>Let's just cut it there. My name's Lucinda, Frome's Price,

0:13:16.400 --> 0:13:18.360
<v Speaker 2>it's Liciner Price, It's Froomes.

0:13:18.920 --> 0:13:22.200
<v Speaker 3>Okay, yeah, so let you you've got that wrong. Okay,

0:13:22.320 --> 0:13:22.760
<v Speaker 3>You're not the.

0:13:22.720 --> 0:13:25.560
<v Speaker 2>Only one who appeared frequently throughout the night, but seem

0:13:25.600 --> 0:13:28.280
<v Speaker 2>to have no idea what was going on? Love that

0:13:29.520 --> 0:13:31.680
<v Speaker 2>then it said that it goes.

0:13:31.520 --> 0:13:34.559
<v Speaker 3>Straight into a quote from me another quote.

0:13:34.559 --> 0:13:36.360
<v Speaker 2>The Best Hard Rock Award went to the Chats for

0:13:36.440 --> 0:13:39.480
<v Speaker 2>Fuck You Friends announced letting an uncensored F bomb slip

0:13:39.480 --> 0:13:42.439
<v Speaker 2>on Channelmind at around eight fifteen pm. Then in brackets

0:13:42.480 --> 0:13:46.320
<v Speaker 2>in fact, the Chats album is get Fucked. So, I

0:13:46.400 --> 0:13:47.520
<v Speaker 2>mean he's not wrong.

0:13:51.440 --> 0:13:56.600
<v Speaker 3>There are a few things here. A lie is not one, So.

0:13:57.400 --> 0:13:59.959
<v Speaker 2>You know that hurt. No, it didn't actually hurt my feeling.

0:14:00.080 --> 0:14:02.560
<v Speaker 2>It was quite funny. Like, I just hope that no

0:14:02.600 --> 0:14:05.520
<v Speaker 2>one in the producer team or on Channel nine like

0:14:05.760 --> 0:14:08.480
<v Speaker 2>is angry at me, because otherwise I think I did

0:14:08.520 --> 0:14:09.280
<v Speaker 2>a pretty good job.

0:14:10.559 --> 0:14:13.480
<v Speaker 4>Would they be angry at you? I mean I don't

0:14:13.480 --> 0:14:14.600
<v Speaker 4>think they get paid enough to be angry.

0:14:14.920 --> 0:14:17.720
<v Speaker 2>Yeah. Facts. Then of course we went to the half party.

0:14:17.720 --> 0:14:19.840
<v Speaker 2>I went to the Warner Aft party first and we've

0:14:19.920 --> 0:14:23.960
<v Speaker 2>run out of time. Oh but we have after party.

0:14:24.680 --> 0:14:26.640
<v Speaker 3>We'll have to do it in another party break though.

0:14:26.800 --> 0:14:30.800
<v Speaker 2>Okay, I think we should just save it for our hearts. Okay,

0:14:31.760 --> 0:14:34.840
<v Speaker 2>I definitely stayed up till five am. Yeah, I'll put

0:14:34.840 --> 0:14:37.880
<v Speaker 2>it that way. Yeah, there were some salacious things occurring

0:14:38.800 --> 0:14:40.800
<v Speaker 2>that we will not put to broadcast. But all also

0:14:41.000 --> 0:14:44.120
<v Speaker 2>is fantastic times all around, we loved it.

0:14:44.240 --> 0:14:45.560
<v Speaker 1>Flex and Frooms.

0:14:45.680 --> 0:14:49.840
<v Speaker 2>My name is Frooms and I am a certified eco warrior.

0:14:49.920 --> 0:14:53.920
<v Speaker 2>And in viro Star some would say a bin girl. Yeah,

0:14:54.480 --> 0:14:57.800
<v Speaker 2>go a bin girl. And a few weeks ago, I

0:14:57.800 --> 0:15:00.640
<v Speaker 2>came across this headline in the City Morning Herald publication

0:15:00.720 --> 0:15:04.800
<v Speaker 2>of choice, and it says Mars Bars Snickers get paper

0:15:04.840 --> 0:15:09.840
<v Speaker 2>makeover a mid soft plastic recycling crisis. I never thought

0:15:09.880 --> 0:15:12.160
<v Speaker 2>that the chocolate bar, a chocolate bar, could have a

0:15:12.200 --> 0:15:12.880
<v Speaker 2>paper wrapper.

0:15:13.080 --> 0:15:13.960
<v Speaker 3>I'm going to google this.

0:15:14.200 --> 0:15:17.360
<v Speaker 2>I guess don't block chocolate to do paper wrappers? Do

0:15:17.480 --> 0:15:20.240
<v Speaker 2>they do paper wrappers? No, you can't recycle those. They're

0:15:20.280 --> 0:15:23.280
<v Speaker 2>still shiny. Take a little peak at this Mars Bar

0:15:23.560 --> 0:15:25.800
<v Speaker 2>in the paper pack and I get a closer look.

0:15:25.840 --> 0:15:27.400
<v Speaker 3>Please, I just want to see the texture of that.

0:15:27.760 --> 0:15:29.640
<v Speaker 3>I mean they still look plastic from here.

0:15:29.720 --> 0:15:33.360
<v Speaker 4>They've got to work on the texture, all right, make

0:15:33.400 --> 0:15:36.760
<v Speaker 4>it more craft brown, like school paper, lunch bag vibe.

0:15:37.000 --> 0:15:40.280
<v Speaker 2>I'd love that. So this is in response to the

0:15:40.320 --> 0:15:47.440
<v Speaker 2>Red Cycle recycling crisis, very what would you say, scandalous discovery,

0:15:47.840 --> 0:15:50.440
<v Speaker 2>which was that Red Cycle, which was Australia's premiere soft

0:15:50.440 --> 0:15:54.760
<v Speaker 2>plastic recycling body was actually just storing the plastic bags

0:15:54.760 --> 0:16:00.520
<v Speaker 2>in a massive warehouse far off location, which was very upset.

0:16:02.240 --> 0:16:06.720
<v Speaker 4>He thought he thought we were my bed, they said

0:16:06.800 --> 0:16:09.080
<v Speaker 4>to clarify.

0:16:10.680 --> 0:16:12.080
<v Speaker 2>So I don't know how to feel about this because

0:16:12.080 --> 0:16:15.200
<v Speaker 2>I know in Australia things are prone to melting, and

0:16:15.240 --> 0:16:17.280
<v Speaker 2>I feel like when things are in a like shiny

0:16:17.320 --> 0:16:20.680
<v Speaker 2>plastic aluminium kind of situation, if they melt, it's okay.

0:16:20.720 --> 0:16:23.800
<v Speaker 2>But if it's melting and plastic, that feels dangerous. Melting

0:16:23.800 --> 0:16:25.840
<v Speaker 2>and paper you mean yes, sorry in paper. So what

0:16:25.880 --> 0:16:27.400
<v Speaker 2>you're saying is you care about the environment, but not

0:16:27.440 --> 0:16:29.320
<v Speaker 2>that much. Do you know what?

0:16:29.360 --> 0:16:31.240
<v Speaker 4>I do see that the little mock up you showed

0:16:31.320 --> 0:16:34.640
<v Speaker 4>us of that looks like a mock up. I feel

0:16:34.680 --> 0:16:39.280
<v Speaker 4>like what Big Choco has done is said, hey, let's

0:16:39.640 --> 0:16:41.160
<v Speaker 4>catabalize catabalize.

0:16:43.640 --> 0:16:45.720
<v Speaker 2>What's with the words today?

0:16:46.720 --> 0:16:49.040
<v Speaker 3>Doesn't capitalize? What does it mean?

0:16:49.440 --> 0:16:53.760
<v Speaker 4>Let's capitalize on this discussion, create a little mock up,

0:16:54.760 --> 0:16:55.600
<v Speaker 4>get the articles out.

0:16:55.640 --> 0:16:55.880
<v Speaker 3>Still.

0:16:55.920 --> 0:17:00.000
<v Speaker 2>People say they're.

0:16:58.760 --> 0:17:02.040
<v Speaker 4>Not going to do a full packaging rehaul. They're gonna

0:17:02.040 --> 0:17:06.000
<v Speaker 4>definitely talk about doing it so people like them, and

0:17:06.040 --> 0:17:08.119
<v Speaker 4>then say like is coming, and then never do it

0:17:08.160 --> 0:17:11.320
<v Speaker 4>and then say it's too hard. Yeah, we'll see. Just

0:17:11.400 --> 0:17:14.240
<v Speaker 4>you know what, it reminds you of the people who said,

0:17:14.359 --> 0:17:16.639
<v Speaker 4>flex and frooms, let's make some real meat out of

0:17:16.680 --> 0:17:19.040
<v Speaker 4>your cells, and then we said, yeah, let's do it,

0:17:19.080 --> 0:17:20.359
<v Speaker 4>and then they ghosted us.

0:17:20.680 --> 0:17:22.160
<v Speaker 3>It's the same exact vibes.

0:17:24.080 --> 0:17:27.480
<v Speaker 4>I just want to gauge interest so their pr improves

0:17:27.560 --> 0:17:28.520
<v Speaker 4>and then not do it.

0:17:28.640 --> 0:17:30.679
<v Speaker 2>That was so heavy, so heavy.

0:17:30.840 --> 0:17:31.840
<v Speaker 3>I'm sorry to bring that up.

0:17:32.240 --> 0:17:35.160
<v Speaker 2>Maybe next maybe next year, they'll see that the crisis

0:17:35.200 --> 0:17:36.959
<v Speaker 2>is really happening. The world's about to burn, so they

0:17:36.960 --> 0:17:38.080
<v Speaker 2>may as well make some clones.

0:17:38.240 --> 0:17:39.520
<v Speaker 3>Literally, we'll keep an eye on that.

0:17:39.560 --> 0:17:41.520
<v Speaker 2>What about if your brain is actually stored in other

0:17:41.560 --> 0:17:42.600
<v Speaker 2>parts of your body.

0:17:42.320 --> 0:17:45.800
<v Speaker 1>That's probably why this is flex and frooms on.

0:17:46.640 --> 0:17:50.000
<v Speaker 4>Every day we request you send us your moral dilemmas

0:17:50.040 --> 0:17:52.000
<v Speaker 4>in the form of am I the assholes.

0:17:52.880 --> 0:17:53.960
<v Speaker 3>The assholes. Yeah.

0:17:54.040 --> 0:17:57.879
<v Speaker 4>Perhaps basically how that goes is you have a scenario

0:17:58.359 --> 0:17:59.960
<v Speaker 4>in which you're trying to determine who's a bad guy,

0:18:00.000 --> 0:18:02.560
<v Speaker 4>who's the good guy. Good and bad doesn't exist. But

0:18:02.640 --> 0:18:05.760
<v Speaker 4>in the court of rooms and Flex it absolutely died

0:18:05.800 --> 0:18:08.639
<v Speaker 4>there switched around. It absolutely does. Okay, listen to this person.

0:18:08.880 --> 0:18:12.919
<v Speaker 4>His name is let me not say their name just

0:18:12.960 --> 0:18:15.959
<v Speaker 4>in case. But the message went like this, Hey, FLEXI

0:18:16.080 --> 0:18:17.800
<v Speaker 4>I need to know if me and my bestie were

0:18:17.840 --> 0:18:20.320
<v Speaker 4>in the wrong for some beef that went down. And

0:18:20.359 --> 0:18:21.919
<v Speaker 4>then five voice notes.

0:18:21.800 --> 0:18:24.600
<v Speaker 2>Oh dear, at least it's not one long one play

0:18:24.840 --> 0:18:26.280
<v Speaker 2>me and five.

0:18:26.400 --> 0:18:30.000
<v Speaker 5>Other friends when I went on school is and because

0:18:30.000 --> 0:18:34.560
<v Speaker 5>we just finished twelve day yay. And so basically, the

0:18:34.600 --> 0:18:38.520
<v Speaker 5>girl that was booking at We're called Taco Taco. We said,

0:18:38.640 --> 0:18:41.199
<v Speaker 5>you're booking it, so you get the master bedroom. Me

0:18:41.240 --> 0:18:46.359
<v Speaker 5>and my best friend Tate, we were sharing a bed,

0:18:46.520 --> 0:18:49.679
<v Speaker 5>two other of my close friends, Black and Jam. They

0:18:49.720 --> 0:18:51.560
<v Speaker 5>were in a room with two single beds, and then

0:18:51.560 --> 0:18:53.520
<v Speaker 5>another guy called Jack, who was in his own room.

0:18:54.400 --> 0:18:59.879
<v Speaker 5>And we get to the place before Taco and we mean,

0:19:00.040 --> 0:19:04.000
<v Speaker 5>take go to our room, and it's like, I'm normally

0:19:04.040 --> 0:19:06.720
<v Speaker 5>small and We're the only two people sharing a bed,

0:19:06.840 --> 0:19:08.680
<v Speaker 5>and we were like, we can't function here for a week,

0:19:09.320 --> 0:19:11.160
<v Speaker 5>so like, what are we going to do? Tarco hasn't

0:19:11.160 --> 0:19:13.000
<v Speaker 5>got to the house yet, so we're going to staunch

0:19:13.359 --> 0:19:14.240
<v Speaker 5>the master bedroom.

0:19:15.200 --> 0:19:17.439
<v Speaker 2>Also, every does anyone have.

0:19:17.480 --> 0:19:18.880
<v Speaker 3>To take names?

0:19:18.880 --> 0:19:23.760
<v Speaker 4>Because we are from Taco to Blanche to take jem Jack.

0:19:25.320 --> 0:19:28.399
<v Speaker 5>I'll go guess the house and we tell her and

0:19:28.440 --> 0:19:30.879
<v Speaker 5>she's happy with her She's fine to stop rooms. Which

0:19:31.040 --> 0:19:35.520
<v Speaker 5>her room is now a loft room above Jack's room

0:19:35.560 --> 0:19:37.240
<v Speaker 5>and it's kind of detached from the house. You have

0:19:37.280 --> 0:19:38.400
<v Speaker 5>to go outside to get to it.

0:19:38.960 --> 0:19:41.320
<v Speaker 1>And ten pm rolls around.

0:19:41.359 --> 0:19:43.960
<v Speaker 5>I'm in the shower, takes in the room and Taco

0:19:44.040 --> 0:19:46.840
<v Speaker 5>comes in and she goes, we're shopping rooms, like I'm

0:19:46.840 --> 0:19:48.760
<v Speaker 5>not comfortable in They're like, I'm not close with Jack

0:19:49.520 --> 0:19:51.119
<v Speaker 5>and like I need my own personal space and we

0:19:51.119 --> 0:19:54.040
<v Speaker 5>need to stop rooms. Tat's like, okay, it's ten pm.

0:19:54.080 --> 0:19:54.760
<v Speaker 2>We're about to go to.

0:19:54.760 --> 0:19:55.879
<v Speaker 1>Sleep on school.

0:19:56.000 --> 0:19:57.639
<v Speaker 5>Is I know lame, but you know it was that

0:19:57.720 --> 0:20:00.480
<v Speaker 5>kind of that, and she's like, go sleep on it

0:20:00.560 --> 0:20:02.280
<v Speaker 5>and we'll come back to you in the morning. She leaves,

0:20:03.440 --> 0:20:05.480
<v Speaker 5>she comes back two minutes later, goes, now we have

0:20:05.520 --> 0:20:08.760
<v Speaker 5>to swop rooms, and Tate's like, okay, let me go

0:20:08.760 --> 0:20:10.800
<v Speaker 5>to your room. We'll suss it out, and kind of

0:20:10.800 --> 0:20:13.199
<v Speaker 5>showing how that it's not functional for two people with

0:20:13.359 --> 0:20:16.760
<v Speaker 5>massive suitcases to sleep in this abnormally small room. While

0:20:16.920 --> 0:20:19.160
<v Speaker 5>that is happening, I'm with Blythe and Gym telling them

0:20:19.160 --> 0:20:22.160
<v Speaker 5>the switch. They've come in and they're offering to sob

0:20:22.240 --> 0:20:23.840
<v Speaker 5>rooms with her, and I'm like, no, that's not fair,

0:20:23.920 --> 0:20:25.480
<v Speaker 5>Like if anyone's sapping, it's going to be me and

0:20:25.520 --> 0:20:29.000
<v Speaker 5>Tate like obviously, like we wouldn't do that to them. Anyway,

0:20:29.359 --> 0:20:32.000
<v Speaker 5>Ta comes back, Blathe and German now are in our

0:20:32.080 --> 0:20:35.240
<v Speaker 5>room as we're like getting ready for bed. Taco comes

0:20:35.240 --> 0:20:40.200
<v Speaker 5>back in and she's like, okay, I'm putting my foot down.

0:20:40.240 --> 0:20:42.920
<v Speaker 5>We need to swap room right now. And at this

0:20:43.000 --> 0:20:44.800
<v Speaker 5>point I had cracked a little and I said, no,

0:20:45.119 --> 0:20:46.080
<v Speaker 5>we are not stewing rooms.

0:20:46.240 --> 0:20:46.640
<v Speaker 1>Go back.

0:20:47.200 --> 0:20:48.840
<v Speaker 5>But the others are a bit more generous than me,

0:20:48.880 --> 0:20:54.119
<v Speaker 5>so I just let them talk. And anyway, Blythe had

0:20:54.200 --> 0:20:59.520
<v Speaker 5>offered for her and Tarco to swap room and Jum

0:20:59.800 --> 0:21:01.679
<v Speaker 5>will get the single mattress from there and put it

0:21:01.720 --> 0:21:04.080
<v Speaker 5>in the master bedroom with me and Tape. So then

0:21:05.160 --> 0:21:08.280
<v Speaker 5>Taco is now in her own room and blats up

0:21:08.280 --> 0:21:10.960
<v Speaker 5>in the other room. We has in this situation because

0:21:10.960 --> 0:21:14.800
<v Speaker 5>we didn't swamp rooms with her or was it her

0:21:14.840 --> 0:21:17.600
<v Speaker 5>fault because she's just being a bit entitled, you know,

0:21:17.760 --> 0:21:22.119
<v Speaker 5>and like now we're all kind of split up. Someone's

0:21:22.160 --> 0:21:24.440
<v Speaker 5>on a mattress for the whole week. She's in this

0:21:24.560 --> 0:21:26.919
<v Speaker 5>room with two single beds, like because she wanted to

0:21:26.920 --> 0:21:29.639
<v Speaker 5>wear pilates in the morning, and like we get the

0:21:29.680 --> 0:21:31.680
<v Speaker 5>ship fee comfortable because she wasn't that close with him,

0:21:31.880 --> 0:21:34.520
<v Speaker 5>bit jack, But it's kind of like we're on school,

0:21:35.000 --> 0:21:36.480
<v Speaker 5>you're gonna get close, and it wasn't that.

0:21:36.440 --> 0:21:40.160
<v Speaker 4>Bad before we get into the analysis the unpacking. This

0:21:40.200 --> 0:21:42.200
<v Speaker 4>person did want to start a group chat with all

0:21:42.240 --> 0:21:45.120
<v Speaker 4>of us, but couldn't do that because you've turned off

0:21:45.600 --> 0:21:50.120
<v Speaker 4>your message request. People can't send through me messages unless

0:21:50.160 --> 0:21:53.160
<v Speaker 4>she follows them. So now I'm getting stuck with everything.

0:21:53.520 --> 0:21:54.840
<v Speaker 4>Who is the arsehole for me?

0:21:54.920 --> 0:22:01.879
<v Speaker 2>Please? I'm so sorry to Dylan. What's his Harry? Harry babes?

0:22:01.880 --> 0:22:02.880
<v Speaker 3>What is going on up there?

0:22:03.680 --> 0:22:05.640
<v Speaker 2>I told you I don't know how to remember name.

0:22:06.440 --> 0:22:10.320
<v Speaker 3>It's gonna fraction, believe you, but I do really well, Okay.

0:22:10.200 --> 0:22:14.240
<v Speaker 2>I think Okay, I kind of like how it ended up,

0:22:14.320 --> 0:22:17.439
<v Speaker 2>which is somebody else switching with the woman who booked it.

0:22:17.480 --> 0:22:19.520
<v Speaker 2>I think she does need to have Maybe she doesn't

0:22:19.560 --> 0:22:21.440
<v Speaker 2>get the biggest room, but she needs to have her

0:22:21.480 --> 0:22:24.440
<v Speaker 2>own space with no one else in it. That's fair enough.

0:22:25.760 --> 0:22:28.520
<v Speaker 2>You should have waited until she got there instead of

0:22:28.520 --> 0:22:30.240
<v Speaker 2>going straight in, because if someone did that to me

0:22:30.320 --> 0:22:32.639
<v Speaker 2>when we'd all agreed on something, I might kick up

0:22:32.640 --> 0:22:33.040
<v Speaker 2>a stink.

0:22:33.160 --> 0:22:34.159
<v Speaker 3>Yeah, it's fighting words.

0:22:34.240 --> 0:22:37.280
<v Speaker 2>It's fighting words, and my biggest anxiety when I go

0:22:37.320 --> 0:22:40.199
<v Speaker 2>away with friends to an airbnb is that they're going

0:22:40.280 --> 0:22:42.560
<v Speaker 2>to get there first and get the best room. I

0:22:42.600 --> 0:22:45.359
<v Speaker 2>think it should be a collaborative effort. Otherwise it gets

0:22:45.359 --> 0:22:45.880
<v Speaker 2>off on the wrong.

0:22:45.800 --> 0:22:47.360
<v Speaker 4>Foot because I would definitely if I got there first,

0:22:47.400 --> 0:22:49.919
<v Speaker 4>I would take whatever room I felt entitled to. In

0:22:49.960 --> 0:22:52.240
<v Speaker 4>this instance, knowing what we know, the person who booked

0:22:52.240 --> 0:22:55.399
<v Speaker 4>the accommodation should get should get some kind of perk.

0:22:55.520 --> 0:23:01.480
<v Speaker 4>I agree, committing to the master room feels fair. However,

0:23:02.200 --> 0:23:04.920
<v Speaker 4>like you said, grass, cutting them before they can decide

0:23:05.080 --> 0:23:09.120
<v Speaker 4>is terrible. On the adverse, though, I'm someone who's done

0:23:09.119 --> 0:23:11.720
<v Speaker 4>a fair few group trips in my life, and the

0:23:11.840 --> 0:23:13.520
<v Speaker 4>only way to ensure that a group trip, that a

0:23:13.560 --> 0:23:16.760
<v Speaker 4>group trip functions well, is that everybody needs to suck

0:23:16.800 --> 0:23:19.280
<v Speaker 4>it up, every single person. I don't care what it

0:23:19.359 --> 0:23:21.120
<v Speaker 4>is that you think you feel so strongly about, whether

0:23:21.119 --> 0:23:24.360
<v Speaker 4>it's accommodation in the location, what you're doing, when you're

0:23:24.400 --> 0:23:26.600
<v Speaker 4>doing it, you got to suck it up because the

0:23:26.640 --> 0:23:29.680
<v Speaker 4>moment one person starts to complain, it sets a chain

0:23:29.680 --> 0:23:32.280
<v Speaker 4>of events and everybody starts to complain about stuff well,

0:23:32.840 --> 0:23:35.919
<v Speaker 4>and then this listen, it's just too much given its schoolies,

0:23:36.520 --> 0:23:38.960
<v Speaker 4>and you're already get loose. I would assume that you

0:23:39.200 --> 0:23:42.320
<v Speaker 4>just go down the path of least resistance at all

0:23:42.440 --> 0:23:44.160
<v Speaker 4>times totally, because.

0:23:43.920 --> 0:23:47.920
<v Speaker 2>You're gonna get a few bevers into you, and that's

0:23:47.960 --> 0:23:50.719
<v Speaker 2>been stuff will fire up. It's impossible, in my opinion,

0:23:50.720 --> 0:23:52.240
<v Speaker 2>to go away and school is and not have some

0:23:52.280 --> 0:23:53.040
<v Speaker 2>sort of blow up.

0:23:53.440 --> 0:23:55.520
<v Speaker 3>Oh and I feel possible.

0:23:55.720 --> 0:23:56.520
<v Speaker 2>It's impossible.

0:23:57.040 --> 0:24:00.320
<v Speaker 4>I stand by what I said, but definitely fix that

0:24:00.640 --> 0:24:03.520
<v Speaker 4>issue now because you don't want school is to be

0:24:03.560 --> 0:24:07.879
<v Speaker 4>the detriment of your relationship. Granted the damage is done,

0:24:08.160 --> 0:24:11.800
<v Speaker 4>but be the bigger bitch in this instance and just

0:24:11.880 --> 0:24:13.440
<v Speaker 4>you know, be like you know what, so sorry l

0:24:13.520 --> 0:24:15.719
<v Speaker 4>l L, and then make up.

0:24:16.280 --> 0:24:17.159
<v Speaker 2>I totally agree.

0:24:17.480 --> 0:24:19.040
<v Speaker 3>Repress, suppress, survive.

0:24:20.400 --> 0:24:21.240
<v Speaker 2>It's a bit too real.

0:24:21.400 --> 0:24:24.240
<v Speaker 1>This is flex and frooms on Kita.

0:24:24.400 --> 0:24:27.920
<v Speaker 4>A new theory just dropped everyone. Not from my brain, unfortunately,

0:24:27.960 --> 0:24:30.119
<v Speaker 4>and I will disclose I did not even watch the

0:24:30.119 --> 0:24:33.160
<v Speaker 4>full video because one thing I cannot fake is being

0:24:33.320 --> 0:24:35.760
<v Speaker 4>surprised or seeing something for the first time. I don't

0:24:35.880 --> 0:24:38.080
<v Speaker 4>know what my face does when I'm surprised. I don't

0:24:38.119 --> 0:24:40.960
<v Speaker 4>know what my face does when I'm like, oh, this

0:24:41.080 --> 0:24:43.879
<v Speaker 4>is genuinely interesting. So when I see something cool, I

0:24:43.920 --> 0:24:46.280
<v Speaker 4>do the first fifteen seconds and then I save it.

0:24:46.880 --> 0:24:50.119
<v Speaker 4>So this person wants to talk about the concept of

0:24:50.160 --> 0:24:53.480
<v Speaker 4>the unrealized pick me girl. Do we know what a

0:24:53.520 --> 0:24:54.080
<v Speaker 4>pick me is?

0:24:54.520 --> 0:24:54.760
<v Speaker 3>Yes?

0:24:54.800 --> 0:24:56.760
<v Speaker 2>A girl that is different to other girls and is

0:24:56.800 --> 0:24:59.840
<v Speaker 2>waiting to be picked by, genuinely usually a man.

0:25:00.200 --> 0:25:00.440
<v Speaker 3>Yes.

0:25:00.720 --> 0:25:03.360
<v Speaker 4>So generally a pick me is the kind of girl

0:25:03.359 --> 0:25:07.760
<v Speaker 4>who does anything for a man to approval, probably almost

0:25:07.800 --> 0:25:10.080
<v Speaker 4>always throw another girl under the bus to do it,

0:25:10.280 --> 0:25:12.040
<v Speaker 4>or trying to differentiate themselves from other women.

0:25:12.080 --> 0:25:15.280
<v Speaker 3>I'm not like them. I don't even wear makeup, I

0:25:15.440 --> 0:25:17.200
<v Speaker 3>like sports, and I naturally blonde.

0:25:17.400 --> 0:25:21.080
<v Speaker 4>Naturally blonde, of course, I'm just so skinny, peteat and tiny,

0:25:21.280 --> 0:25:23.000
<v Speaker 4>like you could pick me up right now, and like

0:25:24.119 --> 0:25:26.119
<v Speaker 4>pick me you can pick me out if you wanted to.

0:25:27.280 --> 0:25:28.600
<v Speaker 4>But this new theory just drops it.

0:25:28.680 --> 0:25:29.199
<v Speaker 3>Let's hear it.

0:25:29.480 --> 0:25:31.080
<v Speaker 6>You need to talk about And I literally tell us

0:25:31.080 --> 0:25:33.360
<v Speaker 6>some of my friends all the time that, like Sophia,

0:25:33.880 --> 0:25:34.480
<v Speaker 6>we get it.

0:25:35.080 --> 0:25:35.720
<v Speaker 2>I shut up.

0:25:36.320 --> 0:25:40.080
<v Speaker 6>I am just beamboozled by a certain kind of person.

0:25:40.280 --> 0:25:42.440
<v Speaker 6>And I just like, I have this theory that needs

0:25:42.480 --> 0:25:45.160
<v Speaker 6>to be talked about because I know your friends are

0:25:45.160 --> 0:25:49.280
<v Speaker 6>like no other girl like this, and it just needs

0:25:49.320 --> 0:25:50.840
<v Speaker 6>to like there needs to be a name for it.

0:25:50.880 --> 0:25:52.080
<v Speaker 3>So I'm giving you one.

0:25:52.640 --> 0:25:53.880
<v Speaker 2>Basically, I'm calling her.

0:25:53.800 --> 0:25:56.280
<v Speaker 6>The unrealized Pigmy girl. And before we get in my

0:25:56.320 --> 0:25:58.760
<v Speaker 6>comments and you're like, why why are we hating pick

0:25:58.840 --> 0:26:00.919
<v Speaker 6>me girls? Girls should be lifting each other up, like

0:26:01.400 --> 0:26:01.879
<v Speaker 6>go women.

0:26:02.119 --> 0:26:02.960
<v Speaker 2>I agree.

0:26:03.080 --> 0:26:05.280
<v Speaker 6>I never wanted to pit Haley against Lena. I never

0:26:05.320 --> 0:26:06.240
<v Speaker 6>thought that was a good idea.

0:26:06.359 --> 0:26:07.119
<v Speaker 2>I love all women.

0:26:07.280 --> 0:26:08.080
<v Speaker 3>I don't pick sides.

0:26:08.480 --> 0:26:10.360
<v Speaker 6>But when it comes to the unrealized pick me girl,

0:26:10.400 --> 0:26:12.800
<v Speaker 6>it is nothing near even.

0:26:12.600 --> 0:26:13.960
<v Speaker 2>Close to like judgmental.

0:26:14.040 --> 0:26:17.919
<v Speaker 6>This is like an obsession, Like I am completely utterly

0:26:18.080 --> 0:26:21.800
<v Speaker 6>entranced by this person, So I need to discuss it.

0:26:22.200 --> 0:26:23.000
<v Speaker 3>Okay, here we go.

0:26:23.560 --> 0:26:24.440
<v Speaker 2>I realized pick me.

0:26:24.520 --> 0:26:28.760
<v Speaker 6>Girl radiates confidence. She looks like she woke up from

0:26:28.800 --> 0:26:30.560
<v Speaker 6>a ten hour nap every time you see her. But

0:26:30.640 --> 0:26:33.760
<v Speaker 6>her mascara is perfect, and she's like in sweats and

0:26:33.760 --> 0:26:36.240
<v Speaker 6>a hoodie, but she's never looked better, and it's giving

0:26:36.240 --> 0:26:37.400
<v Speaker 6>clean girl, but massy girl.

0:26:37.400 --> 0:26:38.120
<v Speaker 3>But it's it's not.

0:26:38.119 --> 0:26:40.480
<v Speaker 6>Even like has to do with anything that she's wearing,

0:26:40.480 --> 0:26:42.119
<v Speaker 6>because it really doesn't matter. She looks good in a

0:26:42.119 --> 0:26:44.240
<v Speaker 6>tight dress, she looks good in sweatpants.

0:26:44.400 --> 0:26:46.080
<v Speaker 2>It's because she's just.

0:26:45.840 --> 0:26:48.320
<v Speaker 6>So pretty, and because she's so pretty, she has an

0:26:48.320 --> 0:26:51.280
<v Speaker 6>incredible amount of guy friends. But her personality is like

0:26:51.920 --> 0:26:55.600
<v Speaker 6>over the top good, like she is super funny, like

0:26:56.119 --> 0:26:58.639
<v Speaker 6>smart on the low, but like not in your face

0:26:58.720 --> 0:27:00.600
<v Speaker 6>like you just like you know she has a but

0:27:00.680 --> 0:27:03.320
<v Speaker 6>she's so funny. She says things that I could never say,

0:27:03.359 --> 0:27:06.080
<v Speaker 6>you can never say because they're just like chill and

0:27:06.119 --> 0:27:08.520
<v Speaker 6>like funny and they make sense.

0:27:08.560 --> 0:27:10.000
<v Speaker 2>Even if she said slay, it would.

0:27:09.800 --> 0:27:13.160
<v Speaker 6>Be like okay, like hah, but like what everyone says slay,

0:27:13.240 --> 0:27:19.320
<v Speaker 6>Like that's not anything. She just like stays so unproblematic

0:27:19.400 --> 0:27:21.320
<v Speaker 6>and you're just so confused by it because she's friends

0:27:21.440 --> 0:27:25.040
<v Speaker 6>like popular people and guys and just like she's just

0:27:25.080 --> 0:27:27.439
<v Speaker 6>like friendly with everyone and like she's never in the

0:27:27.440 --> 0:27:29.280
<v Speaker 6>center of the drama. She's just like she's not about

0:27:29.280 --> 0:27:33.399
<v Speaker 6>that life. And she the I realized pick me apart

0:27:33.440 --> 0:27:34.840
<v Speaker 6>is because she definitely.

0:27:34.440 --> 0:27:35.879
<v Speaker 2>Like had like a bunch.

0:27:35.760 --> 0:27:37.640
<v Speaker 6>Of older brothers or like something.

0:27:37.800 --> 0:27:40.560
<v Speaker 1>I don't know what it is, but she just likes

0:27:41.280 --> 0:27:41.959
<v Speaker 1>guy friends.

0:27:41.960 --> 0:27:43.760
<v Speaker 6>She just like is so easy.

0:27:43.480 --> 0:27:46.960
<v Speaker 4>Around boys and she enough, Sophia, but thank you for that.

0:27:46.960 --> 0:27:50.560
<v Speaker 4>That did come from a publication called Dear MONDAYE and

0:27:50.600 --> 0:27:53.160
<v Speaker 4>it's a publication for teens. And this is what gets

0:27:53.200 --> 0:27:56.800
<v Speaker 4>me because when I first listened to besides the preamble,

0:27:56.840 --> 0:27:59.560
<v Speaker 4>the first fifteen seconds of the point, I was like, Oh,

0:27:59.600 --> 0:28:05.119
<v Speaker 4>you just talk about like a well rounded person. I

0:28:05.119 --> 0:28:08.080
<v Speaker 4>guess you don't have well rounded people when you're a teenager,

0:28:08.480 --> 0:28:11.000
<v Speaker 4>because everybody is living in that extreme of like those

0:28:11.119 --> 0:28:14.040
<v Speaker 4>puberty like I like what I like and I will

0:28:14.240 --> 0:28:16.560
<v Speaker 4>never like what I don't like. And then you meet

0:28:16.560 --> 0:28:23.159
<v Speaker 4>someone who's like varied, you know, you want maybe a paradoxical.

0:28:23.520 --> 0:28:25.600
<v Speaker 4>They're as loud as they are quiet, as bold as

0:28:25.600 --> 0:28:28.600
<v Speaker 4>they are shy, like this one unrealized pick me.

0:28:30.280 --> 0:28:30.639
<v Speaker 2>Let it be?

0:28:30.800 --> 0:28:32.359
<v Speaker 3>Would you say let her be?

0:28:33.080 --> 0:28:34.880
<v Speaker 2>But is that a kind of pil pick me girl

0:28:34.920 --> 0:28:36.160
<v Speaker 2>thing to say.

0:28:36.880 --> 0:28:41.360
<v Speaker 4>No, because I mean, okay, my my cheat sheet for

0:28:41.960 --> 0:28:46.600
<v Speaker 4>identifying a pickny is, are they doing it for the

0:28:46.720 --> 0:28:51.840
<v Speaker 4>unbeknownst validation of men or the patriarchy? Now us saying

0:28:51.920 --> 0:28:55.280
<v Speaker 4>leave girls alone, that's just for our benefit, because I

0:28:55.280 --> 0:28:57.680
<v Speaker 4>don't want to be the person who's being being perceived

0:28:57.680 --> 0:29:01.080
<v Speaker 4>as an unrealized pick me because I have older brothers

0:29:01.400 --> 0:29:03.960
<v Speaker 4>and I'm pretty.

0:29:04.960 --> 0:29:06.600
<v Speaker 2>Putting my pretty privileged aside.

0:29:06.640 --> 0:29:09.400
<v Speaker 3>Yeah, putting that aside, because I'm just like one.

0:29:09.240 --> 0:29:12.840
<v Speaker 2>Of all of you people, the coming man.

0:29:13.360 --> 0:29:17.000
<v Speaker 4>But I will say I do love hearing people id

0:29:17.120 --> 0:29:20.800
<v Speaker 4>eight on theory. It's not for everyone, it's for some people,

0:29:21.040 --> 0:29:22.640
<v Speaker 4>But I do want to sit with that because I

0:29:22.640 --> 0:29:25.800
<v Speaker 4>think the concept of an unrealized pigmy definitely exists, but

0:29:25.840 --> 0:29:27.360
<v Speaker 4>I think that's just picknies.

0:29:27.480 --> 0:29:30.120
<v Speaker 2>One hundred percent. I think that, though, invites other people

0:29:30.160 --> 0:29:32.840
<v Speaker 2>into define what a pigmy is, and that's a really,

0:29:33.000 --> 0:29:35.000
<v Speaker 2>really fantastic first step regardless.

0:29:35.120 --> 0:29:37.480
<v Speaker 3>Yeah, I agree, that's hot.

0:29:37.600 --> 0:29:41.200
<v Speaker 1>You're listening to flex and Frooms on Kita Flexi.

0:29:41.320 --> 0:29:42.720
<v Speaker 2>I went and got a facial the other day.

0:29:42.920 --> 0:29:46.960
<v Speaker 3>Hectic pre Arius for the Arius to.

0:29:47.000 --> 0:29:48.800
<v Speaker 2>Look for my glow up at the arius.

0:29:48.840 --> 0:29:49.720
<v Speaker 3>You do look really good.

0:29:49.920 --> 0:29:53.960
<v Speaker 2>Thank you. I go to the same woman in my hometown,

0:29:54.040 --> 0:29:57.560
<v Speaker 2>my local town that I live in right now, she's appraising. Well,

0:29:57.800 --> 0:30:00.400
<v Speaker 2>this is the thing. She is a facial to the

0:30:00.440 --> 0:30:03.920
<v Speaker 2>stars and whoever else gets her number. So she has

0:30:03.960 --> 0:30:08.239
<v Speaker 2>no website. Ooh, no like phone anywhere. If you try

0:30:08.280 --> 0:30:10.400
<v Speaker 2>and google the business, that doesn't come up. She's purely

0:30:10.440 --> 0:30:13.760
<v Speaker 2>through referrals of her number. So you text this random

0:30:13.840 --> 0:30:17.080
<v Speaker 2>number and you're like, Sabina, She's like, yeah, hi, or

0:30:17.480 --> 0:30:18.640
<v Speaker 2>three or two pm today.

0:30:19.280 --> 0:30:22.840
<v Speaker 3>I'm obsessed with that and chext your energy queen exactly.

0:30:23.320 --> 0:30:25.120
<v Speaker 2>What is one of the hardest type of facials to

0:30:25.160 --> 0:30:28.040
<v Speaker 2>do is the extraction facial, which is where have you

0:30:28.160 --> 0:30:28.600
<v Speaker 2>had one?

0:30:28.760 --> 0:30:30.280
<v Speaker 3>No, but I've seen them on the internet. I'm very

0:30:30.280 --> 0:30:30.840
<v Speaker 3>scared of them.

0:30:30.880 --> 0:30:33.680
<v Speaker 4>It's when they kind of like squeeze stuff out of

0:30:33.720 --> 0:30:35.120
<v Speaker 4>your paws, right.

0:30:35.040 --> 0:30:37.520
<v Speaker 2>Yes, squeeze the black heads out. I get a lot

0:30:37.560 --> 0:30:39.960
<v Speaker 2>of black heads in t zone. Okay, So when we go,

0:30:40.280 --> 0:30:41.520
<v Speaker 2>I'm crying because it hurts.

0:30:42.000 --> 0:30:42.800
<v Speaker 3>See I can't.

0:30:42.840 --> 0:30:47.640
<v Speaker 4>I don't like any kind of therapeutic practice that hurts

0:30:47.800 --> 0:30:48.760
<v Speaker 4>in any capacity.

0:30:48.960 --> 0:30:51.200
<v Speaker 2>If it hurts not doing it. It's like every time

0:30:51.200 --> 0:30:52.840
<v Speaker 2>I get a massage. It hurts because I don't know

0:30:52.880 --> 0:30:53.960
<v Speaker 2>how to say I want it lighter.

0:30:54.080 --> 0:30:56.280
<v Speaker 3>Yeah, they're like, what pressure do you want? I say light?

0:30:56.320 --> 0:30:58.440
<v Speaker 4>They laugh every time, but I'm not getting hurt when

0:30:58.480 --> 0:31:01.160
<v Speaker 4>I leave them. You gotta say lie and then if

0:31:01.200 --> 0:31:02.960
<v Speaker 4>there's rude to do, like a little bit medium, you

0:31:03.000 --> 0:31:05.440
<v Speaker 4>say but you can't say, you know, medium, and then

0:31:05.480 --> 0:31:06.920
<v Speaker 4>go down to the light. They don't know, they don't know.

0:31:07.080 --> 0:31:08.040
<v Speaker 4>They're it wrong every time.

0:31:10.040 --> 0:31:13.000
<v Speaker 2>I also got a secondary treatment to the squeezing, which

0:31:13.120 --> 0:31:15.960
<v Speaker 2>was light therapy. Have you ever heard of it?

0:31:16.040 --> 0:31:19.880
<v Speaker 3>Is that the what do we call him?

0:31:20.320 --> 0:31:21.520
<v Speaker 2>The dais gross?

0:31:21.880 --> 0:31:28.480
<v Speaker 3>No, I'm thinking Michael horror movie mask? Red light?

0:31:29.720 --> 0:31:34.440
<v Speaker 2>Oh, Michael Meyer, Michael Meyer, what's that about?

0:31:34.640 --> 0:31:37.040
<v Speaker 3>Don't worry? But yeah, I think it's the white mask,

0:31:37.080 --> 0:31:37.640
<v Speaker 3>the red light.

0:31:37.920 --> 0:31:40.760
<v Speaker 2>Yes, yes, yes, Like you go at home, people have

0:31:40.840 --> 0:31:43.840
<v Speaker 2>that like crazy terminator mask thing on correct. Well, I

0:31:43.880 --> 0:31:46.640
<v Speaker 2>got one in salon. So what happens is you lie

0:31:46.640 --> 0:31:50.080
<v Speaker 2>down and there's a massive like semi circle thing goes

0:31:50.160 --> 0:31:52.400
<v Speaker 2>over your head and it's red light. It's so bright

0:31:52.800 --> 0:31:57.480
<v Speaker 2>and it's supposed to like regenerate yourselves. Every time I

0:31:57.560 --> 0:32:00.280
<v Speaker 2>go to a salon, they up sell me something I

0:32:00.400 --> 0:32:01.960
<v Speaker 2>don't know whether to believe it. It's like when you

0:32:02.000 --> 0:32:04.960
<v Speaker 2>get a peel, a face peel, what's that about? But

0:32:05.040 --> 0:32:08.040
<v Speaker 2>I googled it and apparently there's like some research on

0:32:08.080 --> 0:32:11.280
<v Speaker 2>it some and that it does do something.

0:32:12.240 --> 0:32:12.720
<v Speaker 3>Yeah.

0:32:12.920 --> 0:32:15.800
<v Speaker 4>Look, I am also those people that I don't really

0:32:15.840 --> 0:32:17.040
<v Speaker 4>mind if it doesn't do anything.

0:32:17.080 --> 0:32:18.160
<v Speaker 3>I wanted to feel good.

0:32:18.760 --> 0:32:19.760
<v Speaker 2>This didn't feel good.

0:32:20.000 --> 0:32:22.520
<v Speaker 4>Yeah, so let's take that out of the treatment for

0:32:22.560 --> 0:32:25.160
<v Speaker 4>next time. It's just an extra hour and a half for.

0:32:25.160 --> 0:32:30.080
<v Speaker 2>What totally twenty minutes, only twenty twenty minutes because there's

0:32:30.080 --> 0:32:32.479
<v Speaker 2>little tiny goggles on, like when you go, you know,

0:32:32.640 --> 0:32:35.360
<v Speaker 2>some people go, so would you recommend? Ah?

0:32:35.400 --> 0:32:37.600
<v Speaker 4>No, I mean do you think I look good right now?

0:32:37.840 --> 0:32:40.000
<v Speaker 4>I mean you looked amazing, but you always look amazing.

0:32:40.360 --> 0:32:42.760
<v Speaker 4>People are always in my DM telling me that your

0:32:42.800 --> 0:32:45.680
<v Speaker 4>skin looks great. So I feel like, you know, not

0:32:45.720 --> 0:32:48.240
<v Speaker 4>to say that Sabina isn't putting in work for you.

0:32:48.280 --> 0:32:51.040
<v Speaker 3>Perhaps she has been doing work this whole time, but

0:32:51.080 --> 0:32:54.560
<v Speaker 3>I'm just saying we might have to go back and

0:32:54.680 --> 0:32:55.200
<v Speaker 3>try it again.

0:32:56.440 --> 0:32:59.000
<v Speaker 1>You've been listening to the Flex and Frooms Daily podcast.

0:32:59.200 --> 0:33:03.200
<v Speaker 1>For more, tune Decater on DAB or stream it on iHeartRadio.