1 00:00:00,400 --> 00:00:03,280 Speaker 1: Jerzy and Amanda jam Nation. 2 00:00:03,560 --> 00:00:05,600 Speaker 2: Harry Thompson is a busy man. You may have seen 3 00:00:05,640 --> 00:00:07,960 Speaker 2: him on Sunday Night. He was part of that incredible 4 00:00:07,960 --> 00:00:11,080 Speaker 2: tribute as Rebecca Gibney was inducted into the Hall of Fame. 5 00:00:11,360 --> 00:00:13,040 Speaker 1: Well the first time I met Rebecca was in the 6 00:00:13,039 --> 00:00:16,959 Speaker 1: long hot summer of nineteen ninety seven. One day, sunbathing 7 00:00:17,000 --> 00:00:20,560 Speaker 1: at Bondai Beach with all the other unemployed actors, I 8 00:00:20,640 --> 00:00:23,200 Speaker 1: got a call from my agent for an audition for 9 00:00:23,280 --> 00:00:26,279 Speaker 1: a telemovie called thirteen Gantry Road, to play opposite the 10 00:00:26,400 --> 00:00:31,639 Speaker 1: Queen of Australian TV, herself, Rebecca Gibney. This was my 11 00:00:32,080 --> 00:00:36,600 Speaker 1: big moment. I hired a slick black suit from DJs. 12 00:00:37,400 --> 00:00:39,600 Speaker 1: I ran my lines as I walked around the block 13 00:00:39,680 --> 00:00:42,519 Speaker 1: five times in thirty five degrees heat. I entered the 14 00:00:42,520 --> 00:00:47,120 Speaker 1: audition room dripping with sweat, shaking with nerves. All the 15 00:00:47,120 --> 00:00:50,640 Speaker 1: lines I knew so well three minutes ago I no 16 00:00:50,760 --> 00:00:54,680 Speaker 1: longer knew. It was a complete nut of shambles. I 17 00:00:54,720 --> 00:00:57,640 Speaker 1: went into my car and wept like a baby. 18 00:00:58,520 --> 00:01:01,560 Speaker 2: And then, of course reconnected with Rebecca many years later 19 00:01:01,600 --> 00:01:04,640 Speaker 2: to play Dave alongside her and packed to the rafters. 20 00:01:05,000 --> 00:01:07,240 Speaker 2: Eric is in a news stand series called Critical Incident 21 00:01:07,240 --> 00:01:09,640 Speaker 2: and joins us. Now, Hello, Eric, how are you. 22 00:01:11,720 --> 00:01:15,119 Speaker 3: I'm very well. I've just I've just woken up. I've 23 00:01:15,160 --> 00:01:18,039 Speaker 3: sculled the coffee, So I am. Yeah. It's been a 24 00:01:18,120 --> 00:01:20,920 Speaker 3: very busy couple of days because the next day I 25 00:01:21,040 --> 00:01:22,680 Speaker 3: flew on the Red Eye to Adelaide and I just 26 00:01:22,680 --> 00:01:28,720 Speaker 3: started rehearsal and to play yesterday. So I am, I'm, 27 00:01:28,920 --> 00:01:32,800 Speaker 3: I'm yeah, I'm. I wouldn't say I wouldn't say one 28 00:01:32,840 --> 00:01:35,679 Speaker 3: hundred percent. I'll say about sort of maybe ninety ninety 29 00:01:35,720 --> 00:01:36,760 Speaker 3: three at the stage. 30 00:01:36,880 --> 00:01:39,440 Speaker 4: I watched that thirteen Gantry Road when it came out, 31 00:01:39,480 --> 00:01:41,640 Speaker 4: and who was the dude that actually got the role 32 00:01:41,640 --> 00:01:44,559 Speaker 4: in the end? It was someone big, but I've completely forgotten. 33 00:01:44,959 --> 00:01:49,160 Speaker 3: Well, it wasn't someone big, and I don't even know 34 00:01:49,200 --> 00:01:51,800 Speaker 3: what his name is anymore, but I think he's in 35 00:01:51,840 --> 00:01:56,600 Speaker 3: real estate. I think, I think, I think I think 36 00:01:56,640 --> 00:01:58,960 Speaker 3: it pushed it could have could have it could have 37 00:01:58,960 --> 00:02:02,840 Speaker 3: been me in real estate home. No, I can't remember 38 00:02:02,880 --> 00:02:04,360 Speaker 3: his name, but it was. It was. It was a 39 00:02:04,360 --> 00:02:06,520 Speaker 3: good show, and I was really excited about it because 40 00:02:06,520 --> 00:02:09,880 Speaker 3: it was actually and Michael Caton, he was. 41 00:02:09,800 --> 00:02:12,840 Speaker 4: The builder of the builder guy. Because he was. 42 00:02:14,800 --> 00:02:18,320 Speaker 3: Area. Yeah, yeah, it was, it was, yeah, it was. 43 00:02:18,520 --> 00:02:23,880 Speaker 3: It was really well done. Anyway. Anyway, I got to 44 00:02:23,919 --> 00:02:24,880 Speaker 3: work with her eventually. 45 00:02:25,880 --> 00:02:29,359 Speaker 2: And the character you're playing in Critical Incident is very 46 00:02:29,400 --> 00:02:31,680 Speaker 2: different to Dave, isn't it. From Back to the Rafters 47 00:02:31,680 --> 00:02:32,920 Speaker 2: talk us through this new guy. 48 00:02:34,919 --> 00:02:37,520 Speaker 3: Yeah, well, you know, I kind of play the superintendent 49 00:02:37,639 --> 00:02:43,119 Speaker 3: of this black Tan police station. And you know, when 50 00:02:43,120 --> 00:02:45,480 Speaker 3: I first read it, I was like, superintendent, he'll be 51 00:02:45,480 --> 00:02:48,600 Speaker 3: the grumpy, gruff kind of you know, a guy that 52 00:02:48,720 --> 00:02:51,800 Speaker 3: tells everybody off. But he's sort of the opposite. He's 53 00:02:52,000 --> 00:02:57,120 Speaker 3: very nurturing, and he's got a young, diverse, you know, 54 00:02:58,520 --> 00:03:03,200 Speaker 3: staff of really keen new police and he's trying to 55 00:03:03,240 --> 00:03:06,400 Speaker 3: manage a very difficult community and so he's got to 56 00:03:06,800 --> 00:03:08,920 Speaker 3: he's got to run. He's got the rule books because 57 00:03:08,919 --> 00:03:12,000 Speaker 3: he's got the people above him, and he has to 58 00:03:12,080 --> 00:03:14,320 Speaker 3: run by the rules. But he's also trying to nurture 59 00:03:14,639 --> 00:03:18,240 Speaker 3: and understand the difficulties of policing in such a you know, 60 00:03:18,720 --> 00:03:24,720 Speaker 3: you know, hot bed of crime and social kind of. Yes, 61 00:03:25,080 --> 00:03:27,680 Speaker 3: So so it was, you know, he's he's I really 62 00:03:27,800 --> 00:03:30,560 Speaker 3: enjoyed it. I really enjoyed playing it, and I'm super 63 00:03:31,000 --> 00:03:33,400 Speaker 3: thrilled with it. With the result. It's they've made a 64 00:03:33,400 --> 00:03:36,120 Speaker 3: great show. It's it's gripping from end finish and for 65 00:03:36,240 --> 00:03:37,440 Speaker 3: Sorro from beginning to end. 66 00:03:39,640 --> 00:03:41,160 Speaker 2: The closing credits are amazing. 67 00:03:41,160 --> 00:03:49,880 Speaker 3: The last the last one minute is awesome. Man that 68 00:03:50,000 --> 00:03:53,840 Speaker 3: I pick No, but it was, it was. It's been. 69 00:03:54,240 --> 00:03:56,560 Speaker 3: It's a great show and I would urge anyone to 70 00:03:56,600 --> 00:03:58,160 Speaker 3: have a look. It's a it's a great piece of 71 00:03:58,160 --> 00:04:00,800 Speaker 3: AUSSI Telly. 72 00:04:00,040 --> 00:04:02,320 Speaker 4: Well, look at you, Eric, You've gone from strength to strength. 73 00:04:02,360 --> 00:04:03,960 Speaker 4: You're not selling real estate. 74 00:04:04,080 --> 00:04:04,840 Speaker 2: Not there's any. 75 00:04:06,200 --> 00:04:07,840 Speaker 4: Real estate, No, not yet. 76 00:04:07,920 --> 00:04:09,040 Speaker 2: Yeah, I would trust. 77 00:04:10,560 --> 00:04:15,040 Speaker 4: Town. It's worth checking out. Watch Critical Incident now only 78 00:04:15,080 --> 00:04:18,120 Speaker 4: on stand forget about thirteen Get Entry Road. Al though 79 00:04:18,160 --> 00:04:20,080 Speaker 4: I am curious, I do want to watch it because 80 00:04:20,080 --> 00:04:21,520 Speaker 4: it was a good, good telemovie. 81 00:04:23,040 --> 00:04:25,200 Speaker 3: Yeah. I don't know where you find it. 82 00:04:25,360 --> 00:04:27,360 Speaker 2: No, no, and we don't need to talk about check 83 00:04:27,440 --> 00:04:27,680 Speaker 2: right now. 84 00:04:27,720 --> 00:04:29,960 Speaker 4: I'll check my old VHS as it might be in there. 85 00:04:31,279 --> 00:04:35,280 Speaker 3: Yeah, in that in with your old seventy eight as well. Well. 86 00:04:35,360 --> 00:04:35,520 Speaker 4: Eric. 87 00:04:35,560 --> 00:04:37,440 Speaker 2: It's so great to see you being so busy. You're 88 00:04:37,440 --> 00:04:39,359 Speaker 2: one of our favorites and someone's to talk to you. 89 00:04:40,680 --> 00:04:43,080 Speaker 3: Well, thank you very much and have a great day 90 00:04:43,520 --> 00:04:43,680 Speaker 3: Eric 91 00:04:44,720 --> 00:04:45,520 Speaker 4: Eric times in there