1 00:00:00,880 --> 00:00:03,320 Speaker 1: Jersey and Amanda gam Nation. 2 00:00:03,720 --> 00:00:06,080 Speaker 2: When it comes to looking on the bright side of life, 3 00:00:06,280 --> 00:00:09,479 Speaker 2: our next guest has it down pat Eric Idle. Of 4 00:00:09,520 --> 00:00:12,680 Speaker 2: course we're speaking of larger than life, the Monty Python superstar. 5 00:00:13,039 --> 00:00:15,480 Speaker 2: After decades in the business, he still knows how to 6 00:00:15,520 --> 00:00:19,079 Speaker 2: pull an extraordinary crowd. We're thrilled to say he's got 7 00:00:19,120 --> 00:00:22,439 Speaker 2: another show coming to Australia. Welcome Eric, how are you? 8 00:00:23,880 --> 00:00:25,919 Speaker 3: I'm very well, thanks and very much looking forward to 9 00:00:25,960 --> 00:00:28,520 Speaker 3: being in Sydney again a couple of years ago at 10 00:00:28,560 --> 00:00:30,160 Speaker 3: the State and I'm playing the State again. 11 00:00:30,600 --> 00:00:33,720 Speaker 2: Lovely brilliant. How do you choose what's going to go 12 00:00:33,720 --> 00:00:36,239 Speaker 2: into your show? You have such a history. Oh, I 13 00:00:36,280 --> 00:00:37,280 Speaker 2: love comedy and music. 14 00:00:37,320 --> 00:00:41,239 Speaker 3: How it I spent two months working on it. I 15 00:00:41,240 --> 00:00:43,800 Speaker 3: mean it's like it's for like a writing a play. Really, 16 00:00:43,960 --> 00:00:46,680 Speaker 3: I mean this one, I really let myself go. I've 17 00:00:46,680 --> 00:00:49,360 Speaker 3: done everything I really love and I'm playing all sorts 18 00:00:49,400 --> 00:00:52,720 Speaker 3: of things I really like and I have a virtual 19 00:00:52,840 --> 00:00:55,160 Speaker 3: band coming with me, so it's a bit like a 20 00:00:55,240 --> 00:00:58,880 Speaker 3: mini it's a one man musical. Weird We're getting So 21 00:00:59,440 --> 00:01:02,440 Speaker 3: it's going to be you know, comedy, music, philosophy and 22 00:01:02,480 --> 00:01:06,320 Speaker 3: a fart joke and just the one, just the one, yes, 23 00:01:06,319 --> 00:01:08,759 Speaker 3: because you only allowed one in show business. Otherwise it's 24 00:01:08,880 --> 00:01:09,880 Speaker 3: it's low, you know. 25 00:01:09,880 --> 00:01:12,840 Speaker 4: When yeah, yeah, when you say one man band, always 26 00:01:12,880 --> 00:01:14,840 Speaker 4: think of those guys you know in the olden days 27 00:01:14,840 --> 00:01:17,759 Speaker 4: with the drama and the shot and the thing, you. 28 00:01:17,680 --> 00:01:20,319 Speaker 1: Know, and and that in itself is quite comedic to watch. 29 00:01:21,800 --> 00:01:23,880 Speaker 3: It is. Indeed, by I have a I have mine 30 00:01:23,920 --> 00:01:26,600 Speaker 3: all recorded. I'm recorded, I've recorded the bastards. You know, 31 00:01:26,680 --> 00:01:28,600 Speaker 3: you don't have to bring them with you because certain musicians, 32 00:01:28,640 --> 00:01:30,920 Speaker 3: you know, they're difficult on the road. They smelly, and 33 00:01:30,959 --> 00:01:34,880 Speaker 3: they have their needs some things. And so I've got 34 00:01:34,880 --> 00:01:37,880 Speaker 3: this lovely band. There were the they're the Monkeys band 35 00:01:37,959 --> 00:01:41,959 Speaker 3: actually largely, and they've been we've been making music together 36 00:01:42,000 --> 00:01:44,640 Speaker 3: and it's quite fun. So we have a few surprises 37 00:01:44,680 --> 00:01:47,000 Speaker 3: and we'll be singing some you know, root songs, and 38 00:01:48,160 --> 00:01:49,800 Speaker 3: I can sing along with them quite nice. 39 00:01:49,920 --> 00:01:52,360 Speaker 4: So when you say the Monkeys band, like the monkeys, 40 00:01:52,440 --> 00:01:54,240 Speaker 4: monkeys like monkey monkeys, the. 41 00:01:54,200 --> 00:01:58,760 Speaker 3: Monkeys, monkeys, Hey, hey, with the monkeys. Really yeah, they're 42 00:01:58,760 --> 00:02:01,240 Speaker 3: wonderful musicians. And then there's only one monkey left, so 43 00:02:01,600 --> 00:02:06,120 Speaker 3: they're virtually unemployed. You know, I'm dragging them giving him 44 00:02:06,120 --> 00:02:09,920 Speaker 3: a big break putting him on the big screen. So yeah, 45 00:02:10,080 --> 00:02:12,840 Speaker 3: it's a first in showbus have a virtual band, you know, 46 00:02:12,919 --> 00:02:14,120 Speaker 3: it's just a new first. 47 00:02:14,680 --> 00:02:15,360 Speaker 1: How brilliant. 48 00:02:15,360 --> 00:02:18,000 Speaker 2: The poor monkey's going to be left by the single 49 00:02:18,040 --> 00:02:19,440 Speaker 2: monkey is a remaining monkey. 50 00:02:20,600 --> 00:02:23,960 Speaker 3: Do you know who the many monkey is? It's no, 51 00:02:24,040 --> 00:02:28,600 Speaker 3: it's it's Mikey Dolan's No, it's Mickey Dolan and. 52 00:02:28,520 --> 00:02:31,320 Speaker 4: I wrote when I was a kid in the seventies. 53 00:02:31,760 --> 00:02:34,840 Speaker 4: It was reported that he had died in the seventies. 54 00:02:36,400 --> 00:02:39,359 Speaker 3: Really, yeah, a bit of a Paul McCartney room. I wasn't. 55 00:02:39,560 --> 00:02:42,520 Speaker 1: Yes, Mickey, I think they're cashing in on that. But yes, 56 00:02:42,560 --> 00:02:43,080 Speaker 1: there's Mickey. 57 00:02:43,120 --> 00:02:46,320 Speaker 4: You've been walking around tragically alive all these years. 58 00:02:47,360 --> 00:02:49,200 Speaker 3: Oh he's a very funny man, by the way, I've 59 00:02:49,240 --> 00:02:51,639 Speaker 3: met him and I floated him last time. 60 00:02:51,720 --> 00:02:51,880 Speaker 1: Yeah. 61 00:02:51,960 --> 00:02:54,320 Speaker 3: No, he's a great guy. Speaking is really funny. 62 00:02:54,400 --> 00:02:56,480 Speaker 2: Speaking of rumors that aren't true, what's the weirdest one 63 00:02:56,520 --> 00:02:57,640 Speaker 2: you've ever read about yourself? 64 00:02:58,919 --> 00:03:00,880 Speaker 3: Oh? I don't know. I think I was once outed 65 00:03:00,919 --> 00:03:04,480 Speaker 3: by leaving George Harrison's house with Kanye and they said 66 00:03:04,600 --> 00:03:08,320 Speaker 3: eric I was seen here with mystery blonde who was 67 00:03:08,360 --> 00:03:12,480 Speaker 3: the caused my wife beating me up? I said it's you, 68 00:03:12,200 --> 00:03:14,120 Speaker 3: but you know it's the headline. You know. 69 00:03:16,560 --> 00:03:17,280 Speaker 1: It's you. 70 00:03:18,560 --> 00:03:20,440 Speaker 3: You can't win, can you? You know what I mean? 71 00:03:22,040 --> 00:03:24,560 Speaker 3: Without forty seven years, you know, and I gave that 72 00:03:24,600 --> 00:03:26,680 Speaker 3: woman two of the best years of our life. 73 00:03:28,720 --> 00:03:32,000 Speaker 2: It's amazing that you're you. The comedy that you guys 74 00:03:32,040 --> 00:03:36,080 Speaker 2: wrote as young men, as kids, really it's still so durable. 75 00:03:36,520 --> 00:03:39,880 Speaker 2: So many other comedians from that time haven't aged so well, 76 00:03:39,880 --> 00:03:42,960 Speaker 2: the jokes haven't aged. What was it that that made 77 00:03:43,000 --> 00:03:44,800 Speaker 2: yours survive like this? 78 00:03:46,680 --> 00:03:49,360 Speaker 3: I think because we pleased ourselves. It's a show written 79 00:03:49,480 --> 00:03:53,480 Speaker 3: entirely by writers, and the writers and you know, the 80 00:03:53,520 --> 00:03:56,360 Speaker 3: actors entirely wrote it, so it's it's we wrote it 81 00:03:56,400 --> 00:03:59,320 Speaker 3: only for ourselves. We only only to please ourselves. It 82 00:03:59,400 --> 00:04:02,320 Speaker 3: was on later at night. The BBC didn't care, they 83 00:04:02,320 --> 00:04:04,920 Speaker 3: didn't read the scripts, they didn't watch it, and so 84 00:04:05,640 --> 00:04:08,120 Speaker 3: we very much were able to entertain ourselves, which I 85 00:04:08,160 --> 00:04:10,800 Speaker 3: think now. We played a lot of jokes on the audience, 86 00:04:10,800 --> 00:04:13,160 Speaker 3: which I think the audience really liked, you know, so 87 00:04:13,840 --> 00:04:15,760 Speaker 3: you know, it's still a little bit wild. I think 88 00:04:16,080 --> 00:04:19,640 Speaker 3: parts of Pythons still are kind of rude and unpleasant, 89 00:04:19,800 --> 00:04:22,000 Speaker 3: like you know that what was it the meaning of 90 00:04:22,040 --> 00:04:25,480 Speaker 3: life is still pretty violent and objectionable from time to time, 91 00:04:25,520 --> 00:04:29,960 Speaker 3: and it people throwing up. So I'm quite proud of that. 92 00:04:30,040 --> 00:04:32,480 Speaker 3: I think you know that. But we were we were 93 00:04:32,480 --> 00:04:35,080 Speaker 3: all writers really who got a chance to do our 94 00:04:35,080 --> 00:04:35,479 Speaker 3: own show. 95 00:04:35,839 --> 00:04:38,640 Speaker 4: Yeah, and that's exactly it. The last time we saw you, 96 00:04:38,640 --> 00:04:41,479 Speaker 4: you were with John Clace. Has things going now in 97 00:04:41,520 --> 00:04:43,120 Speaker 4: that the relationship is it. 98 00:04:44,839 --> 00:04:46,800 Speaker 3: I haven't seen him for eight years, so it's been 99 00:04:46,800 --> 00:04:53,640 Speaker 3: going very well. Actually, the last time I was in Sydney, 100 00:04:53,640 --> 00:04:56,960 Speaker 3: I was with Sean McCullough's right. Yes, yes, we had 101 00:04:57,000 --> 00:04:59,440 Speaker 3: a lovely time. I liked him very much, but I 102 00:04:59,440 --> 00:05:02,360 Speaker 3: couldn't keep because he had his own life, you know, 103 00:05:02,600 --> 00:05:04,800 Speaker 3: So I'm doing without him this time. 104 00:05:04,960 --> 00:05:07,240 Speaker 2: Sean had to go on to all with the remaining monkey. 105 00:05:10,760 --> 00:05:12,520 Speaker 1: Maybe that's you can do. You can put them all 106 00:05:12,560 --> 00:05:15,200 Speaker 1: in like your virtual band, and you collect a vote. 107 00:05:15,360 --> 00:05:17,560 Speaker 3: I've got virtual people on screen all the time. You 108 00:05:17,600 --> 00:05:20,719 Speaker 3: know what is going to sing the Lonely Trout? I've got, 109 00:05:20,760 --> 00:05:24,279 Speaker 3: you know, Stephen Hawkings singing the Gallaxy song. It's it's 110 00:05:24,520 --> 00:05:26,640 Speaker 3: it's been all. These are all my favorite things in 111 00:05:26,720 --> 00:05:28,159 Speaker 3: life that I'm putting up on the screen. 112 00:05:28,240 --> 00:05:28,919 Speaker 2: It sounds funny. 113 00:05:29,440 --> 00:05:31,520 Speaker 4: Would you would you use it's going be fun would 114 00:05:31,560 --> 00:05:33,119 Speaker 4: you use a virtual John Clace? 115 00:05:33,200 --> 00:05:34,919 Speaker 1: Then that begs the question. 116 00:05:35,400 --> 00:05:38,279 Speaker 3: Well, I don't know. I mean, what is a virtual John? 117 00:05:40,240 --> 00:05:41,839 Speaker 1: Just some tapes of him doing stuff? 118 00:05:43,360 --> 00:05:46,120 Speaker 3: Yeah, I don't know. I mean, I'm very happy with 119 00:05:46,200 --> 00:05:47,920 Speaker 3: the people I work with. Now, I work with these 120 00:05:48,400 --> 00:05:51,320 Speaker 3: young musicians and they're very funny and they keep me young, 121 00:05:51,400 --> 00:05:54,360 Speaker 3: and you know, it's it's great, and we are going 122 00:05:54,360 --> 00:05:56,120 Speaker 3: to have the Ruffles on screen and we only have 123 00:05:56,360 --> 00:05:58,600 Speaker 3: bits of some I'm going to show stuff I've never 124 00:05:58,720 --> 00:06:02,159 Speaker 3: nobody's ever seen too from Rattlan Weekend television and stuff 125 00:06:02,200 --> 00:06:04,599 Speaker 3: like that. So this is my chance to just you know, 126 00:06:04,760 --> 00:06:09,159 Speaker 3: play play my favorite things. Really, it sounds that way. 127 00:06:09,200 --> 00:06:11,640 Speaker 3: You can surprise the audience. You know, I'm surprised. 128 00:06:12,320 --> 00:06:13,080 Speaker 2: It sounds wonderful. 129 00:06:13,120 --> 00:06:14,039 Speaker 1: That's what it's all about. 130 00:06:14,120 --> 00:06:16,159 Speaker 2: Well, tickets to always Look on the bright Side of 131 00:06:16,160 --> 00:06:18,400 Speaker 2: Life on sound now at BOEM Presents. It's b o 132 00:06:18,560 --> 00:06:19,760 Speaker 2: HM Presents dot com. 133 00:06:19,839 --> 00:06:22,240 Speaker 1: Yeah, buy those tickets because you don't want a virtual audience. 134 00:06:22,760 --> 00:06:24,320 Speaker 1: You do need some people. 135 00:06:23,960 --> 00:06:29,039 Speaker 2: In there, not just one monkey species. 136 00:06:30,120 --> 00:06:36,640 Speaker 1: You can't just very It's always such a pleasure to 137 00:06:36,680 --> 00:06:37,719 Speaker 1: talk to you. It really is. 138 00:06:37,800 --> 00:06:41,040 Speaker 3: Thank you, nice talking to you. Thank you. I look 139 00:06:41,080 --> 00:06:42,600 Speaker 3: forward to being I love it. 140 00:06:42,640 --> 00:06:44,839 Speaker 1: Okay, bye bye bye