WEBVTT - Is The Customer Actually Always Right? 🛒🛍️

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<v Speaker 1>The Flex and Rooms Daily podcast brought to Bay.

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<v Speaker 2>How it is it's Flex and Rooms. You might know that.

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<v Speaker 3>I think four years ago now, maybe closer to five,

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<v Speaker 3>I made a conversation card game because of how frustrated

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<v Speaker 3>I was at the fact that people do not know

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<v Speaker 3>how to talk to people five years ago. Hah, was

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<v Speaker 3>that five years ago? Yeah, it's two thousand and eighteen.

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<v Speaker 3>Fu out, Yes, that people do not know how to

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<v Speaker 3>talk to people. Well, in a way that's enjoyable because

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<v Speaker 3>I think for every person who's like, oh my god,

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<v Speaker 3>I haven't had a great conversation, the other person's like

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<v Speaker 3>I was traumatized. That was boring. I was entertaining them

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<v Speaker 3>the whole time. They didn't ask me a question. I

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<v Speaker 3>wasn't listening to that real TikTok epidemic happening at the

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<v Speaker 3>moment where women are challenging other women to not ask

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<v Speaker 3>questions on dates to see if they get asked any questions,

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<v Speaker 3>and they don't. But men who dates straight men. But

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<v Speaker 3>as you know, me and I have been outside a

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<v Speaker 3>lot because it's very outside spring going into Soulmate summer.

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<v Speaker 4>One of my favorite George Michael Song's funeral songs Outside

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<v Speaker 4>how's it go, Let's go outside in the moonshine daar

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<v Speaker 4>me too? The places that I like best. It's about

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<v Speaker 4>having sex in a public toilet.

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<v Speaker 2>But it's a funeral song.

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<v Speaker 4>Yeah for me, And it starts off with sirens and helicopters.

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<v Speaker 4>It's when George Michael got busted having sex in a

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<v Speaker 4>public toilet.

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<v Speaker 2>All the power to him. Yeah, I'm into that.

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<v Speaker 5>Oh yeah.

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<v Speaker 2>So small talk is an art. It's a tango to dance.

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<v Speaker 3>It's delicate, it cannot really be explained, but it can

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<v Speaker 3>be executed on perfectly, as seen by the greats.

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<v Speaker 2>Oprah and Gail Do they do not small talk?

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<v Speaker 3>And now for me, fremy picks right now, when we're

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<v Speaker 3>working to do a bold eye, there's no time for this.

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<v Speaker 5>I did it pretty easily.

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<v Speaker 4>You did all right, hardy flex and frooms NETFLIXI you

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<v Speaker 4>have inspired me to become somewhat of an amateur philosophist.

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<v Speaker 4>That's so sexy philosophers. I like that philosopher. And I

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<v Speaker 4>came up with this new idea. We're inching closer to

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<v Speaker 4>the new year, twenty twenty three.

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<v Speaker 5>Can you believe it? That's crazy.

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<v Speaker 4>We're almost twenty five and I came up with this

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<v Speaker 4>new theory, and.

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<v Speaker 2>It's to do with news resolutions.

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<v Speaker 4>Never in my life have I had a news resolution

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<v Speaker 4>because I believe if you want to.

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<v Speaker 5>Do something, do it now.

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<v Speaker 4>Yeah, you're putting off the inevitable, which is you're going

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<v Speaker 4>to try something, you're not going to stick to it

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<v Speaker 4>because it's not in line with the values, and you

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<v Speaker 4>can't be bothered so big. This is what I'm going

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<v Speaker 4>to be doing before January. First, I'm going to sit

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<v Speaker 4>down with a notepad and a pen, and I'm going

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<v Speaker 4>to write down all the things that I achieved this

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<v Speaker 4>year work, family, social life, hobbies, all the things that

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<v Speaker 4>I did that are positive.

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<v Speaker 5>We're not going to be focusing on the negative at all.

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<v Speaker 5>And then I'm going to look at the list and go, oh,

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<v Speaker 5>why did I like that so much?

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<v Speaker 4>I liked because it aligned and their values. I liked

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<v Speaker 4>because it was enjoyable. I liked it because it got

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<v Speaker 4>me closer to my goals. And then take the big

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<v Speaker 4>picture and then use that as a blueprint.

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<v Speaker 5>For what I'm going to do in the next year.

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<v Speaker 2>I like that, thoughts, I like that a lot.

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<v Speaker 3>My only concern is that I don't think I can

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<v Speaker 3>recall all the things I did off the Domesy's how

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<v Speaker 3>is that.

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<v Speaker 2>I barely remember last week.

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<v Speaker 5>See, that's why you got to go through your I

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<v Speaker 5>cow go through the insta feed.

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<v Speaker 2>Yeah, that's right. Do you know what to your point?

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<v Speaker 3>I had a friend who was really good at documenting

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<v Speaker 3>their life, and they would say at the start of

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<v Speaker 3>every year they had a notes on their iPhone and

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<v Speaker 3>every month or when something good happened, they would list

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<v Speaker 3>it out. And so they would go back and do

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<v Speaker 3>like a month to month review and say, oh, this

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<v Speaker 3>is really cool, Like I did that cool thing at work,

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<v Speaker 3>I went to that cool place and that was amazing.

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<v Speaker 3>A step further, I saw a TikTok of this, like

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<v Speaker 3>scrapbook mummy blogger, Christian Girl Autumn type vibe, and she

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<v Speaker 3>did the same thing but with photos at the end

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<v Speaker 3>of the year. At the end of the month, sorry

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<v Speaker 3>would catalog like the ten best photos with a little

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<v Speaker 3>like caption of like what the experience was. Then to

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<v Speaker 3>make an end of year book for you know, like

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<v Speaker 3>an annual book and put on a shelf.

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<v Speaker 5>It's so cute. That's awesome. I saw the other day.

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<v Speaker 4>There's something that you can do when you get old

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<v Speaker 4>or like in your later years.

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<v Speaker 2>So thirty five twenty seven and.

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<v Speaker 4>You like something sends you an email each month and

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<v Speaker 4>you write out, like something from your life.

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<v Speaker 2>Well what's that?

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<v Speaker 4>Yeah, I can't remember. I'll have to have a look

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<v Speaker 4>at it. And then he puts your picture on the

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<v Speaker 4>front so then people can like read your story. If

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<v Speaker 4>you're a grandpa and you want to pass it on.

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<v Speaker 2>Oh what eah, you lost me. I don't know what I.

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<v Speaker 5>Thought grandma or an auntie or a daughter.

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<v Speaker 2>Yeah, I like that a lot. That's cute. Find that

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<v Speaker 2>for us though, like time.

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<v Speaker 1>Capsule, flex and frooms.

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<v Speaker 3>I have a little bit of a ranch. It's not

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<v Speaker 3>really a ranch. Just wanting to get off my chest.

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<v Speaker 3>I spoke about it briefly when we discuss our time

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<v Speaker 3>at the Arias, and there was like a two hour

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<v Speaker 3>window where we had nothing to do, And by nothing

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<v Speaker 3>I meant there was food to eat, drinks to drink,

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<v Speaker 3>people to talk to, but in terms of responsibilities it

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<v Speaker 3>was just mingling.

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<v Speaker 2>That was two hours. It was two hours.

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<v Speaker 3>I mean four to six is when it was open anyway,

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<v Speaker 3>So three and I were both there, but obviously we

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<v Speaker 3>were at our decimated areas doing whatever but I find

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<v Speaker 3>being an extrat quite difficult sometimes because people assume that

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<v Speaker 3>I want to talk to everyone.

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<v Speaker 2>I don't know.

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<v Speaker 3>That's why I want to be outgoing, Like I want

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<v Speaker 3>to have really comfortable, excitable, memorable conversations. But I think

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<v Speaker 3>people don't realize it takes two. It's a taino, it's

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<v Speaker 3>a dance, and I can't do it if you don't

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<v Speaker 3>do it right. So it probe me to think about

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<v Speaker 3>the art of small talk because I used to be

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<v Speaker 3>really anti small talk. I used to want to have

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<v Speaker 3>a deep chat with everybody. Now I really don't care.

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<v Speaker 3>I think I've figured that out. I don't actually care.

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<v Speaker 3>I want to have a deep, memorable connection with a

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<v Speaker 3>lot of people, but I just don't think it's fair

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<v Speaker 3>to encourage that if I'm not going to like continue

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<v Speaker 3>any kind of relationship with someone. So I want to

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<v Speaker 3>figure out the art of small talk. But to start,

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<v Speaker 3>I think we have to deduce what it's not. So

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<v Speaker 3>to have effective small talk is not to quiz someone

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<v Speaker 3>about themselves. I think people do this a lot, where

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<v Speaker 3>they keep asking questions to mind data, assuming it's a conversation,

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<v Speaker 3>So like.

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<v Speaker 2>So where do you work? Right?

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<v Speaker 3>Oh, that's cool? And how many hours do you do?

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<v Speaker 3>Oh amazing? And then who's your co worker? Oh that's

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<v Speaker 3>not a conversation.

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<v Speaker 2>That's an attack. It's an interrogation, an oral attacks, an

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<v Speaker 2>aural attack. So that's what it's not. Number two.

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<v Speaker 3>What small talk is not, what good small talk is not,

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<v Speaker 3>is a series of back and forth ping pong compliments.

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<v Speaker 3>It's so boring, it's so lame, and I think it

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<v Speaker 3>comes to gress really disingenuous.

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<v Speaker 2>Oh and I love your avenue. I love your avenue.

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<v Speaker 2>I love your shoes. No, I love your shoes.

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<v Speaker 3>Let's keep it pushing. Can we get something happening? If not,

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<v Speaker 3>let's just onto the next, onto the next. What it's

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<v Speaker 3>also not small talk or the art of beautiful small

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<v Speaker 3>talk is not like in deferring you know more about

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<v Speaker 3>someone to create the illusion of closeness.

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<v Speaker 5>Oh, give me an example.

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<v Speaker 3>For example, Let's pretend we you and I for me,

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<v Speaker 3>are talking to someone who's a friend of a friend.

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<v Speaker 3>Oh my god, yeah, you guys must love doing this,

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<v Speaker 3>because I know someone so loves doing that. Oh my goodness. Yeah,

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<v Speaker 3>oh crops, you guys must be quirky girls. What you

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<v Speaker 3>must have gone here right you? And it's like it's

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<v Speaker 3>like leading questions. You're not asking me anything. It's just

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<v Speaker 3>a series of rhetorical inferred statements so much Oh you

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<v Speaker 3>must do this, Oh it must be this, Oh you

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<v Speaker 3>must go here. Just ask me where I go and.

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<v Speaker 2>I will tell yo.

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<v Speaker 3>It's gonna take us a second, because I think with

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<v Speaker 3>most art forms it's really hard to explain them, you know,

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<v Speaker 3>like what is art right? People go to museums all

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<v Speaker 3>day and they're like, Oh, I could pink that, I

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<v Speaker 3>can draw that. It's like, you know, art insights are

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<v Speaker 3>feeling it, insights in emotion.

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<v Speaker 2>Who knows?

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<v Speaker 3>And I think it's gonna be really difficult if we

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<v Speaker 3>create really strange at categories for what to do and

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<v Speaker 3>what not to do. But I can definitely say that

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<v Speaker 3>in all good conversations, you're chasing a feeling, yeah, or

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<v Speaker 3>a series of feelings of being heard, understood, seen, acknowledged, excited, excited, interested, respected,

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<v Speaker 3>And I think that a lot of us, when we

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<v Speaker 3>get to the conversations, we go into this weird autopilot mode.

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<v Speaker 3>That might be why you can't remember names, because you're

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<v Speaker 3>doing the talking thing. You're like, oh, hi, I'm froomed,

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<v Speaker 3>what's your name? Okay, next, let's have the conversation. And

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<v Speaker 3>then you're forgetting like, oh wait, I'm actually in the conversation.

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<v Speaker 2>I am the conversation.

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<v Speaker 5>I called Richard.

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<v Speaker 4>I called Christian Richard the arias almost on broadcasts, how terrible.

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<v Speaker 4>So yeah, anyway, for those who don't know, Christian's Richardson Wilkins,

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<v Speaker 4>Yeah not Wilkinson.

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<v Speaker 5>I didn't you did, but you did.

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<v Speaker 2>So there's also that this idea.

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<v Speaker 3>I think that we get into these conversations, they become autopilot.

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<v Speaker 3>We're doing the social norms thing ticking off, like make

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<v Speaker 3>sure you ask them and make sure you make them

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<v Speaker 3>feel really comfortable and lah lah.

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<v Speaker 5>La la, how are you classic?

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<v Speaker 3>How are you classic? And I think that the artist's

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<v Speaker 3>small talk is about quality over quantity. So I used

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<v Speaker 3>to get into this habit of wanting to do like

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<v Speaker 3>the full flex performance with everyone I ever interacted.

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<v Speaker 5>With, the big.

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<v Speaker 2>Sleigh slay.

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<v Speaker 3>And I think it's necessary when you're first meeting people

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<v Speaker 3>and then I pick favorites and then I'm like, no,

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<v Speaker 3>there are some people I like more than other people.

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<v Speaker 3>And I don't think everyone should get the same experience. Actually,

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<v Speaker 3>I think they should be hierarchies I really do.

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<v Speaker 5>You really like? And that's what I reckon. I saw

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<v Speaker 5>you go to his book launch.

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<v Speaker 2>How do we get here?

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<v Speaker 4>I'm just thinking about people on the preperer of our

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<v Speaker 4>media careers.

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<v Speaker 2>Well, not even that.

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<v Speaker 3>I'm talking like I could create a hierarchy immediately based

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<v Speaker 3>on a vibe. If I go to a random group

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<v Speaker 3>of five people and we all have a chit chat,

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<v Speaker 3>I've created a hierarchy. Oh yeah, there's naturally someone who

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<v Speaker 3>I want to talk to or whatever. And I think

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<v Speaker 3>the common throat between the people like talking to are

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<v Speaker 3>the people who are not concerned with me liking them.

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<v Speaker 3>They're just concerned with having the conversation. So some people,

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<v Speaker 3>like there's a very particular type of person who who

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<v Speaker 3>teases their friend in front of me to like create

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<v Speaker 3>this separation, you know, you know.

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<v Speaker 2>The ones where you're like, oh, hold on, you should be.

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<v Speaker 3>Able to tease your friend, but like make it, don't

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<v Speaker 3>make it safe for.

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<v Speaker 4>Me to do that terrifies me. Someone did that to

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<v Speaker 4>me a couple months ago, and it just turned ugly.

0:10:29.880 --> 0:10:31.800
<v Speaker 2>It rocks you because you're like, what what did I do?

0:10:31.920 --> 0:10:32.079
<v Speaker 1>Now?

0:10:32.120 --> 0:10:34.880
<v Speaker 5>I feel like I'm being made by association.

0:10:34.640 --> 0:10:38.320
<v Speaker 3>Exactly realistically, I think the best thing we can do

0:10:38.360 --> 0:10:40.240
<v Speaker 3>is create a formula for yourself. The more Free and

0:10:40.280 --> 0:10:42.199
<v Speaker 3>I get near it, the more we're observing. Some things

0:10:42.200 --> 0:10:43.880
<v Speaker 3>are rubbing us the wrong way. Some things are rubbing

0:10:43.960 --> 0:10:45.920
<v Speaker 3>us in the exact right way, in the way that's

0:10:45.960 --> 0:10:51.000
<v Speaker 3>tingling with freshness. All I'll say is everybody has a role,

0:10:51.440 --> 0:10:54.280
<v Speaker 3>whether or not you think it you do, and conversation

0:10:54.400 --> 0:10:58.480
<v Speaker 3>in particular requires two parties to pull through it together.

0:10:58.520 --> 0:11:01.000
<v Speaker 3>If you can't relate to being in the a bad conversation,

0:11:01.080 --> 0:11:03.400
<v Speaker 3>it was probably you. Somebody was pulling the weight on

0:11:03.480 --> 0:11:04.040
<v Speaker 3>behalf of.

0:11:03.960 --> 0:11:08.360
<v Speaker 2>You scary as demons.

0:11:09.520 --> 0:11:13.560
<v Speaker 1>This is flex and frooms through me is.

0:11:13.640 --> 0:11:15.440
<v Speaker 2>A self described Karen.

0:11:15.440 --> 0:11:16.760
<v Speaker 3>Now, I do want to get this out of the

0:11:16.760 --> 0:11:19.840
<v Speaker 3>way because people assume that because Frumi refers to herself

0:11:19.920 --> 0:11:23.440
<v Speaker 3>as a Karen, that I must have given her that title.

0:11:23.600 --> 0:11:23.960
<v Speaker 2>Correct.

0:11:24.080 --> 0:11:27.160
<v Speaker 3>No, I just roast her. Okay, I just pulled her

0:11:27.240 --> 0:11:29.280
<v Speaker 3>up a few times. But I would never call her

0:11:29.320 --> 0:11:32.480
<v Speaker 3>a Karen unless she had not said it first, unless

0:11:32.480 --> 0:11:35.040
<v Speaker 3>you not claimed it right. I was thinking about the

0:11:35.040 --> 0:11:38.199
<v Speaker 3>phrase the customer is always right, because I feel as

0:11:38.200 --> 0:11:40.440
<v Speaker 3>though every time I'm scrolling on my little social media's

0:11:40.640 --> 0:11:45.040
<v Speaker 3>I see a retail horror story, which I love to see.

0:11:45.120 --> 0:11:45.880
<v Speaker 2>It's a bit of fun.

0:11:45.920 --> 0:11:48.440
<v Speaker 5>Are you on small business memes?

0:11:48.240 --> 0:11:49.839
<v Speaker 2>That's what a small business means?

0:11:50.559 --> 0:11:52.840
<v Speaker 3>But it's just fun and funny because I think that

0:11:54.280 --> 0:11:57.720
<v Speaker 3>most people are not working in the retail industry, which

0:11:57.760 --> 0:12:01.480
<v Speaker 3>means there's you're never at a loss for right. But

0:12:01.520 --> 0:12:04.360
<v Speaker 3>I came across this rant somebody was making where they

0:12:04.360 --> 0:12:06.400
<v Speaker 3>said they'd worked in customer service for years and they

0:12:06.480 --> 0:12:08.640
<v Speaker 3>hate the phrase the customer is always right because it's

0:12:08.720 --> 0:12:12.520
<v Speaker 3>actually incorrect, and that it's half of the full phrase

0:12:12.600 --> 0:12:17.720
<v Speaker 3>that's been shortened. Why who knows, because big big retail

0:12:18.840 --> 0:12:20.720
<v Speaker 3>wants to get you to think that you have the power.

0:12:21.080 --> 0:12:25.680
<v Speaker 3>So the full quote is the customer is always right

0:12:26.200 --> 0:12:30.400
<v Speaker 3>in matters of taste. One more time, the customer is

0:12:30.480 --> 0:12:34.720
<v Speaker 3>always right in matters of taste. And what that means

0:12:34.880 --> 0:12:36.840
<v Speaker 3>is the customer is right when it comes to what

0:12:36.880 --> 0:12:40.800
<v Speaker 3>they like. So if I'm working in retail and you

0:12:40.880 --> 0:12:42.800
<v Speaker 3>try on a bright blue top and I don't like

0:12:42.840 --> 0:12:45.160
<v Speaker 3>bright blue, it not your business because you're right.

0:12:45.200 --> 0:12:46.960
<v Speaker 2>If you like it, I love it right.

0:12:47.520 --> 0:12:50.960
<v Speaker 3>And so I think that's what I really struggled with

0:12:50.960 --> 0:12:53.600
<v Speaker 3>with working in retail is that the higher up, I

0:12:53.600 --> 0:12:57.920
<v Speaker 3>got to I see as the manager, I just can't lie.

0:12:58.240 --> 0:12:59.880
<v Speaker 3>I don't like the stakes aren't high enough for me.

0:13:00.040 --> 0:13:03.800
<v Speaker 3>When we had KPIs to hear, and the regional manager

0:13:03.800 --> 0:13:05.800
<v Speaker 3>would be like on our next being like, you know,

0:13:05.880 --> 0:13:08.040
<v Speaker 3>make sure you stand at the change, or make sure

0:13:08.040 --> 0:13:11.000
<v Speaker 3>you are firm. Then make sure you counteract any of

0:13:11.080 --> 0:13:13.720
<v Speaker 3>their complaints with confidence. I'd be like, but I agree,

0:13:13.800 --> 0:13:15.920
<v Speaker 3>like it doesn't fit. I agree, it doesn't look good.

0:13:16.000 --> 0:13:16.200
<v Speaker 2>You know.

0:13:16.720 --> 0:13:18.920
<v Speaker 3>She'd be like, no, you have to let them know

0:13:19.040 --> 0:13:22.160
<v Speaker 3>that everything is fine. So full quote the customs always

0:13:22.240 --> 0:13:24.880
<v Speaker 3>right in matters of taste, do not let anybody tell

0:13:24.920 --> 0:13:26.760
<v Speaker 3>you that the things you like are not good. So,

0:13:26.840 --> 0:13:29.200
<v Speaker 3>for example, if you're in a restaurant and you like

0:13:29.320 --> 0:13:32.640
<v Speaker 3>your rice aldente, so you should have it.

0:13:32.960 --> 0:13:34.679
<v Speaker 5>I think that's a little hard, so you should have it.

0:13:36.280 --> 0:13:39.559
<v Speaker 3>If you prefer a little salad to that coriander a

0:13:39.600 --> 0:13:41.960
<v Speaker 3>little burrito, you should have it that way. It's in

0:13:42.000 --> 0:13:44.600
<v Speaker 3>matters of taste. If, however, it's meant to be that way,

0:13:44.600 --> 0:13:46.360
<v Speaker 3>I can understand why they wouldn't change it for you.

0:13:46.400 --> 0:13:49.840
<v Speaker 3>But there you go, always learning something on flex and firms.

0:13:49.960 --> 0:13:55.240
<v Speaker 3>I'm helping you do life better for you. Philanthropy one one.

0:13:55.520 --> 0:13:57.640
<v Speaker 5>Now I really feel like a Barada sandwich.

0:13:58.200 --> 0:14:00.120
<v Speaker 2>I never had to write a sandwich.

0:14:00.000 --> 0:14:03.840
<v Speaker 5>Oka Stratchio tella. Yeah, yum, hot, so good.

0:14:04.720 --> 0:14:08.240
<v Speaker 1>This is flex and frooms on a few weeks ago.

0:14:08.360 --> 0:14:10.040
<v Speaker 4>You would have seen this news because we were talking

0:14:10.080 --> 0:14:13.840
<v Speaker 4>about it in the DMS. Friendly Jordie's a YouTube commentator,

0:14:13.920 --> 0:14:17.600
<v Speaker 4>political correspondent in his own right. He is an independent publisher.

0:14:18.800 --> 0:14:23.960
<v Speaker 4>His house was firebombed in an arson attack. What does

0:14:24.000 --> 0:14:26.200
<v Speaker 4>that involve? A firebomb? I don't know how to make it.

0:14:26.240 --> 0:14:28.120
<v Speaker 4>I'm probably not going to tell you on air, but

0:14:28.240 --> 0:14:31.560
<v Speaker 4>it's essentially when you create something that you can then throw,

0:14:31.600 --> 0:14:32.360
<v Speaker 4>it's like a grenade.

0:14:32.440 --> 0:14:36.880
<v Speaker 3>It's like a flammable thing that you throw in I mean, no,

0:14:36.960 --> 0:14:38.680
<v Speaker 3>I was gonna say, here are my guesses, but let's

0:14:38.680 --> 0:14:42.160
<v Speaker 3>maybe not incite more violence. You can imagine it's something

0:14:42.200 --> 0:14:46.400
<v Speaker 3>you throw that causes a huge fire, very flammable, very dangerous,

0:14:46.520 --> 0:14:47.120
<v Speaker 3>very lethal.

0:14:47.800 --> 0:14:52.960
<v Speaker 4>Yes, so the news was involved Jordan doing a yet

0:14:53.040 --> 0:14:56.920
<v Speaker 4>Friendly Jordie's name is Jordan doing a piece to camera

0:14:57.160 --> 0:14:59.800
<v Speaker 4>when you know Channel Sandel chum of mine was there in.

0:15:00.280 --> 0:15:03.560
<v Speaker 5>Him and it was interesting. I could hear, like.

0:15:03.480 --> 0:15:07.320
<v Speaker 4>Some some of the journalists kind of scoffing in the back.

0:15:07.400 --> 0:15:15.520
<v Speaker 2>Scoffing, giggling. It was a very dystopian odd situation. Yeah,

0:15:15.560 --> 0:15:16.160
<v Speaker 2>to your point.

0:15:16.240 --> 0:15:20.800
<v Speaker 3>So imagine, let's paint a picture the day after Jordan's

0:15:21.000 --> 0:15:24.760
<v Speaker 3>house gets firebombed. There's a bunch of media there, obviously

0:15:24.800 --> 0:15:28.480
<v Speaker 3>trying to document the situation, and he's naturally there, so

0:15:28.680 --> 0:15:32.200
<v Speaker 3>they get a few interviews with him. Now, whenever a

0:15:32.280 --> 0:15:36.120
<v Speaker 3>media correspondent interviews a victim of any kind of crime,

0:15:36.360 --> 0:15:40.600
<v Speaker 3>generally the tone is quite sympathetic or at worst neutral.

0:15:40.960 --> 0:15:43.880
<v Speaker 3>What happened, When did it happen? How do you feel?

0:15:44.160 --> 0:15:45.560
<v Speaker 3>What do you want to say to the person who

0:15:45.560 --> 0:15:48.600
<v Speaker 3>did this to you? You can tell that when this

0:15:48.760 --> 0:15:52.040
<v Speaker 3>was being documented, it was a bunch of different opposing

0:15:52.200 --> 0:15:55.040
<v Speaker 3>broadcasters all trying to get, you know, scoop at once,

0:15:55.480 --> 0:15:58.520
<v Speaker 3>and so you could hear the bleeding of the other

0:15:58.640 --> 0:16:01.440
<v Speaker 3>journalists into the main in Mike that he was speaking to,

0:16:01.960 --> 0:16:04.200
<v Speaker 3>and there was almost like this breaking of the fourth wall.

0:16:04.320 --> 0:16:06.520
<v Speaker 3>He was pulled out of what he was saying because

0:16:06.520 --> 0:16:09.520
<v Speaker 3>you could hear what was happening around him. So there

0:16:09.560 --> 0:16:11.880
<v Speaker 3>was one moment where the journalists go to ask him

0:16:11.880 --> 0:16:14.720
<v Speaker 3>a question and he gets interrupted by his lawyer who

0:16:15.000 --> 0:16:17.240
<v Speaker 3>perhaps wanted to flag that it might have be appropriate

0:16:17.280 --> 0:16:20.640
<v Speaker 3>to say anything based on the question. Then these two

0:16:20.640 --> 0:16:26.280
<v Speaker 3>women are like, oh, so annoying, And I was.

0:16:26.240 --> 0:16:27.680
<v Speaker 2>Like, what is going on?

0:16:27.960 --> 0:16:29.480
<v Speaker 5>And he's like visibly shaken.

0:16:29.520 --> 0:16:32.080
<v Speaker 4>He's still he's not missing a single word because it

0:16:32.120 --> 0:16:34.800
<v Speaker 4>seemed to be his skill. Good to see it working

0:16:34.840 --> 0:16:37.600
<v Speaker 4>in action, because I think it's really easy to edit

0:16:37.600 --> 0:16:40.080
<v Speaker 4>yourself on YouTube. But he really did not hit every

0:16:40.120 --> 0:16:43.600
<v Speaker 4>single shot that he took. And I'm looking at a

0:16:43.640 --> 0:16:47.520
<v Speaker 4>headline from the ABC here police investigating suspicious blaze at Bondo,

0:16:47.560 --> 0:16:51.240
<v Speaker 4>home of comedian Friendly Jody's. They're saying suspicious blaze and

0:16:51.360 --> 0:16:52.040
<v Speaker 4>not attack.

0:16:52.640 --> 0:16:57.240
<v Speaker 3>Yeah, verbiage language is funny because I feel like you

0:16:57.320 --> 0:17:00.640
<v Speaker 3>can maybe say that in general conversation, people aren't very

0:17:00.640 --> 0:17:04.280
<v Speaker 3>specific with their words. They might use ambiguous language maybe

0:17:04.320 --> 0:17:08.000
<v Speaker 3>infer what they mean. But when you're writing, you know,

0:17:08.160 --> 0:17:11.760
<v Speaker 3>on behalf of a whole national news publication, the words

0:17:11.800 --> 0:17:14.600
<v Speaker 3>you pick mean something. So to not call it an

0:17:14.680 --> 0:17:17.200
<v Speaker 3>arson attack, to not say that he was attacked or

0:17:17.240 --> 0:17:19.720
<v Speaker 3>his home was attacked, but a suspicious blaze, what is that?

0:17:19.760 --> 0:17:20.840
<v Speaker 3>What is a suspicious place?

0:17:21.440 --> 0:17:23.760
<v Speaker 2>What is that? Inferring? I don't know.

0:17:25.119 --> 0:17:28.000
<v Speaker 4>I don't know how I feel about it. Friendly Geordie's

0:17:28.040 --> 0:17:30.120
<v Speaker 4>is a very interesting character. He has drawn a lot

0:17:30.119 --> 0:17:34.400
<v Speaker 4>of support from the likes of Kevin Rudd. He's kind

0:17:34.400 --> 0:17:38.639
<v Speaker 4>of like a julianassange I believe he supports him. I

0:17:38.640 --> 0:17:42.200
<v Speaker 4>think Rudd supports Juliana sange Ll say is he doesn't

0:17:42.200 --> 0:17:46.240
<v Speaker 4>mince words. Everyone is a target and therefore I think

0:17:46.240 --> 0:17:49.000
<v Speaker 4>he's opened his self up to attacks, which doesn't seem

0:17:49.080 --> 0:17:53.080
<v Speaker 4>very fair or says hope you're okay, Friendly Jeordie's. I

0:17:53.119 --> 0:17:54.240
<v Speaker 4>have friends that live in the area.

0:17:54.280 --> 0:17:55.480
<v Speaker 5>They also flee doctor.

0:17:55.960 --> 0:18:00.840
<v Speaker 3>Yeah, that's another thing that got me, Like, I just

0:18:01.680 --> 0:18:03.440
<v Speaker 3>I don't know whose duty of care it is when

0:18:03.440 --> 0:18:06.080
<v Speaker 3>it comes to documenting where people live and they're things

0:18:06.119 --> 0:18:09.160
<v Speaker 3>like that. But I would assume that if someone's house

0:18:09.200 --> 0:18:11.439
<v Speaker 3>has got hit with an arson attack, you wouldn't do

0:18:11.640 --> 0:18:14.600
<v Speaker 3>wide pans of their street with the street name and

0:18:14.680 --> 0:18:17.160
<v Speaker 3>identifiable characteristics and features.

0:18:17.359 --> 0:18:18.440
<v Speaker 2>What is going on?

0:18:18.800 --> 0:18:22.120
<v Speaker 3>I thought it was crazy the first shot, huge wide

0:18:22.800 --> 0:18:24.000
<v Speaker 3>of exactly where he lives.

0:18:24.040 --> 0:18:27.439
<v Speaker 4>People are sick and loose units the blaze. You know

0:18:27.480 --> 0:18:29.760
<v Speaker 4>this wasn't underreported. I've got a friend who lives a

0:18:29.760 --> 0:18:32.119
<v Speaker 4>few doors down and they're like the smoke was everywhere.

0:18:32.160 --> 0:18:37.040
<v Speaker 4>It's a serious, serious fire. So yeah, praying no one

0:18:37.080 --> 0:18:39.439
<v Speaker 4>deserves to be attacked or to be involved in a

0:18:39.440 --> 0:18:40.280
<v Speaker 4>suspicious crime.

0:18:40.440 --> 0:18:43.960
<v Speaker 1>You're listening to Flex and Frooms on Kita.

0:18:43.920 --> 0:18:45.880
<v Speaker 4>Always coming to you with the hot gossip. I'd say

0:18:45.880 --> 0:18:47.840
<v Speaker 4>I'm probably manning the ship in terms of hot gossip

0:18:48.080 --> 0:18:49.040
<v Speaker 4>for the past few weeks.

0:18:49.119 --> 0:18:50.040
<v Speaker 5>Yeah.

0:18:50.200 --> 0:18:52.119
<v Speaker 4>I was out with some friends the other day and

0:18:52.160 --> 0:18:54.359
<v Speaker 4>I was speaking to my friend's boyfriend to drop the

0:18:54.440 --> 0:18:58.119
<v Speaker 4>names absolutely King, No, no, need to know.

0:18:58.160 --> 0:19:00.600
<v Speaker 5>I feel like you might have met them before. Have

0:19:00.640 --> 0:19:02.919
<v Speaker 5>you met my friend? No, don't know.

0:19:03.080 --> 0:19:04.600
<v Speaker 2>So it was firstal was friends and now it's just

0:19:04.600 --> 0:19:05.360
<v Speaker 2>a single.

0:19:05.080 --> 0:19:08.639
<v Speaker 4>Friend friend and her boyfriend. And he was telling me

0:19:08.680 --> 0:19:10.760
<v Speaker 4>about a thing called the white lighter theory. Have you

0:19:10.800 --> 0:19:11.359
<v Speaker 4>heard about it?

0:19:11.440 --> 0:19:11.800
<v Speaker 2>I haven't.

0:19:11.920 --> 0:19:14.160
<v Speaker 4>So I was telling him my age, which is twenty four.

0:19:14.480 --> 0:19:15.880
<v Speaker 4>But then I said, you know, in a few years,

0:19:15.880 --> 0:19:18.359
<v Speaker 4>I'm going to be twenty seven. Naturally about that experience,

0:19:19.160 --> 0:19:22.639
<v Speaker 4>and we were talking about the twenty seven club. If

0:19:22.680 --> 0:19:24.880
<v Speaker 4>you don't know what the twenty seven club is, it's

0:19:24.960 --> 0:19:28.680
<v Speaker 4>essentially when like famous people passed away when they're twenty seven.

0:19:28.720 --> 0:19:31.200
<v Speaker 4>There's been quite a few notable people who that's happned

0:19:31.200 --> 0:19:37.080
<v Speaker 4>to like Amy one House, Jimmy Hendrix, Jimmy Hendrix, Kirk Cobain, definitely,

0:19:37.160 --> 0:19:41.400
<v Speaker 4>Kirk Cobain and Kirk Cameer was twenty seven. Yeah, yeah,

0:19:41.800 --> 0:19:48.560
<v Speaker 4>and go to George Clue. Shut up, and this is

0:19:48.600 --> 0:19:50.280
<v Speaker 4>the theory. Let me read it to you.

0:19:50.320 --> 0:19:51.360
<v Speaker 2>The white lighter.

0:19:52.000 --> 0:19:54.560
<v Speaker 4>It's called the white lighter myth or the white lighter Curse.

0:19:55.160 --> 0:19:57.720
<v Speaker 4>It's an urban legend based on the Twenty seven Club,

0:19:58.000 --> 0:20:00.640
<v Speaker 4>in which it's claimed several musicians and art died while

0:20:00.680 --> 0:20:03.399
<v Speaker 4>in possession of a white lighter, leading white lighters to

0:20:03.440 --> 0:20:06.639
<v Speaker 4>become associated with bad fortune. The myth is primarily based

0:20:06.680 --> 0:20:10.360
<v Speaker 4>on the deaths of Jimmy Hendrix, Janis Joplin, Jim Morrison,

0:20:10.400 --> 0:20:14.840
<v Speaker 4>and Kurt Cobain. So yeah, Essentially, people thought that every

0:20:14.880 --> 0:20:16.840
<v Speaker 4>time someone died in the twenty seven Club, they also

0:20:16.840 --> 0:20:18.200
<v Speaker 4>happened to have a white lighter.

0:20:18.920 --> 0:20:20.359
<v Speaker 5>That's what my friend was suggesting.

0:20:20.760 --> 0:20:22.479
<v Speaker 4>I've gonehead to Google it and I really think it's

0:20:22.560 --> 0:20:26.240
<v Speaker 4>quite a compelling theory. However, you will find that it

0:20:26.320 --> 0:20:32.880
<v Speaker 4>is incorrect, okay, because they because Bick did not begin

0:20:32.960 --> 0:20:36.560
<v Speaker 4>producing white disposable lighters until several years after the deaths

0:20:36.640 --> 0:20:40.800
<v Speaker 4>of the members of the twenty seven country between.

0:20:40.440 --> 0:20:43.439
<v Speaker 3>Twenty seven country through me.

0:20:44.119 --> 0:20:44.680
<v Speaker 5>What do you think?

0:20:45.440 --> 0:20:45.720
<v Speaker 4>Ah?

0:20:45.760 --> 0:20:48.640
<v Speaker 3>I do like a bit of a conspiracy theory old

0:20:48.680 --> 0:20:52.560
<v Speaker 3>wives tale every now and then, but I would hate

0:20:52.560 --> 0:20:53.320
<v Speaker 3>to cock it and how.

0:20:53.280 --> 0:20:56.040
<v Speaker 4>People speculate it is a bit sad, isn't You can't

0:20:56.080 --> 0:20:57.399
<v Speaker 4>come back with a writer reply.

0:20:57.400 --> 0:21:01.160
<v Speaker 1>Yeah, you've been listening to the Flex and Rooms Daily podcast.

0:21:01.320 --> 0:21:04.159
<v Speaker 1>For more, tune in Decater on DAB or stream it

0:21:04.200 --> 0:21:05.320
<v Speaker 1>on iHeartRadio.