1 00:00:01,080 --> 00:00:04,760 Speaker 1: Dowered by they I Radio WAPP from ninety six air FM. 2 00:00:04,960 --> 00:00:09,879 Speaker 1: So whereever you're listening today, this is Clearzy and Lisa's podcast. 3 00:00:10,200 --> 00:00:12,600 Speaker 2: Coming up on the podcast today talking emojis because it's 4 00:00:12,640 --> 00:00:13,760 Speaker 2: World Emoji Day. 5 00:00:14,120 --> 00:00:16,920 Speaker 3: Our local pub crawl from the eighties continued. Mark donough 6 00:00:16,920 --> 00:00:18,280 Speaker 3: who from the Frames, joined us. 7 00:00:18,440 --> 00:00:20,239 Speaker 4: Hayden Young talked football and. 8 00:00:20,280 --> 00:00:23,119 Speaker 3: Yochi Mastership winner. Matt Type I'm joined us. 9 00:00:22,880 --> 00:00:25,000 Speaker 2: And a Prince doco is in the works. It just 10 00:00:25,040 --> 00:00:26,960 Speaker 2: depends on who it's going to be. Six hours or 11 00:00:27,040 --> 00:00:27,680 Speaker 2: nine hours. 12 00:00:27,680 --> 00:00:30,080 Speaker 3: We'll take them a whole lot. We would be singing 13 00:00:30,080 --> 00:00:32,440 Speaker 3: a man at work song to twelve hundred people. 14 00:00:32,479 --> 00:00:33,800 Speaker 5: The men at work would began the road. 15 00:00:33,920 --> 00:00:35,760 Speaker 3: I only did the people party in the venues, but 16 00:00:35,880 --> 00:00:36,280 Speaker 3: the bands. 17 00:00:36,320 --> 00:00:37,120 Speaker 5: It's a wave of lot. 18 00:00:37,240 --> 00:00:41,520 Speaker 4: Colezy and Lisa's pub crawl. Yes, back on the crawl 19 00:00:41,640 --> 00:00:42,240 Speaker 4: this morning. 20 00:00:42,320 --> 00:00:44,720 Speaker 2: Nothing like at eight am pub crawl joining us from 21 00:00:44,760 --> 00:00:45,360 Speaker 2: the Frames. 22 00:00:45,440 --> 00:00:46,479 Speaker 4: It's marked on a here. 23 00:00:46,520 --> 00:00:50,120 Speaker 3: Good morning mate, welcome, good morning, How are you good? 24 00:00:50,560 --> 00:00:53,640 Speaker 2: Thank you for being part of our reminisce about the 25 00:00:53,840 --> 00:00:56,840 Speaker 2: good old days. You wrote funny situation? Is there a 26 00:00:57,040 --> 00:00:58,720 Speaker 2: funny story we need to know behind that? 27 00:00:59,160 --> 00:00:59,400 Speaker 1: Oh? 28 00:00:59,640 --> 00:00:59,800 Speaker 5: Good? 29 00:01:00,120 --> 00:01:02,760 Speaker 1: I don't think so. I was just just just thinking, then, 30 00:01:02,800 --> 00:01:05,000 Speaker 1: it's a long time since that song, and what was 31 00:01:05,000 --> 00:01:09,119 Speaker 1: I thinking? I thought, you know, I think I think 32 00:01:09,160 --> 00:01:11,520 Speaker 1: we were a lot better than that in my mind. 33 00:01:11,560 --> 00:01:13,800 Speaker 1: But anyway, it was. It was a good time. 34 00:01:13,880 --> 00:01:14,959 Speaker 3: It was a good bit of pop. Mark was that 35 00:01:15,040 --> 00:01:18,760 Speaker 3: Ray Vine the Perth Sex guy on Sex the jazz Player. 36 00:01:19,440 --> 00:01:21,440 Speaker 1: Yeah, that's right, Yeah, we got we got him in. 37 00:01:21,600 --> 00:01:23,479 Speaker 1: I think it was that single must have been about 38 00:01:23,520 --> 00:01:25,120 Speaker 1: nine eighty one two. 39 00:01:26,360 --> 00:01:27,800 Speaker 3: Yeah, yeah, very good. 40 00:01:28,080 --> 00:01:30,760 Speaker 2: There was never a healthier time than the eighties for 41 00:01:30,800 --> 00:01:34,480 Speaker 2: the Perth pub scene. You know, you could go Friday 42 00:01:34,600 --> 00:01:39,560 Speaker 2: night through till the Sunday session, different band, different great venue. 43 00:01:39,760 --> 00:01:41,679 Speaker 2: Where are some of the places that you guys played, 44 00:01:42,880 --> 00:01:44,200 Speaker 2: Oh look, all the big. 45 00:01:44,000 --> 00:01:46,720 Speaker 1: Ones and I think you know, we could go from 46 00:01:46,760 --> 00:01:51,960 Speaker 1: Wednesday through to Sunday, you know, like places like the Generator, 47 00:01:52,440 --> 00:01:58,080 Speaker 1: name Morley, the Overflow Raffles, Yeah, Windsor Hotel, Charles Hotel 48 00:01:59,440 --> 00:02:01,919 Speaker 1: and also you know we used to head to the country. 49 00:02:02,000 --> 00:02:03,960 Speaker 1: All the bands used to head to the country normally 50 00:02:03,960 --> 00:02:07,000 Speaker 1: on a Wednesday night because they couldn't get the sort 51 00:02:07,000 --> 00:02:08,720 Speaker 1: of big bands up there on the weekend. So on 52 00:02:08,840 --> 00:02:12,840 Speaker 1: Wednesday night you go to Bumbley or Calgoolie or Geraldon. 53 00:02:13,560 --> 00:02:18,640 Speaker 3: Yeah, you guys come up once. That was bizarre, is 54 00:02:18,639 --> 00:02:20,520 Speaker 3: that right? In Meriton and Merton we used to get 55 00:02:20,560 --> 00:02:21,919 Speaker 3: a few first bands, but they would be during the 56 00:02:21,919 --> 00:02:23,799 Speaker 3: week because you guys were all busy on the weekends, 57 00:02:23,840 --> 00:02:24,080 Speaker 3: as you. 58 00:02:24,080 --> 00:02:27,000 Speaker 1: Say, exactly. Yeah, so it was. It was such a 59 00:02:27,080 --> 00:02:31,160 Speaker 1: vibrant time and probably never be repeated. It was just 60 00:02:32,160 --> 00:02:34,040 Speaker 1: the crowds of people that come out to see live 61 00:02:34,080 --> 00:02:36,959 Speaker 1: bands in Perth was unbelievable. 62 00:02:37,320 --> 00:02:39,960 Speaker 2: You guys were able to tour a bit and and 63 00:02:40,240 --> 00:02:43,400 Speaker 2: work full time as a musician because you got, you know, 64 00:02:43,680 --> 00:02:46,959 Speaker 2: much wanted sponsorship support from an airline. 65 00:02:47,080 --> 00:02:49,280 Speaker 4: Was it TAA or ancestor really. 66 00:02:49,919 --> 00:02:58,000 Speaker 1: It was we were sponsored by t A Worry and 67 00:02:58,040 --> 00:03:00,160 Speaker 1: we were flown around the country at one point. I 68 00:03:00,160 --> 00:03:01,760 Speaker 1: mean it was. It was pretty amazing. I think was 69 00:03:01,760 --> 00:03:03,320 Speaker 1: sponsored by Pepsi as well. 70 00:03:05,200 --> 00:03:06,560 Speaker 3: That's a good marketing going on him. 71 00:03:06,680 --> 00:03:10,800 Speaker 1: Yeah yeah, yeah, yeah, a lot of that. I mean 72 00:03:10,840 --> 00:03:14,079 Speaker 1: it was obviously their management at the time getting that happening, 73 00:03:14,120 --> 00:03:16,720 Speaker 1: and yeah, it was was crazy good stuff. 74 00:03:16,960 --> 00:03:19,320 Speaker 3: Yeah, Hey, Mark, tell me mate. Clint Arnold the guitarist, 75 00:03:19,400 --> 00:03:22,200 Speaker 3: did he come from Vicapri or did he joined Vicapri 76 00:03:22,320 --> 00:03:23,880 Speaker 3: later and how did that go down? Some of your 77 00:03:23,960 --> 00:03:26,359 Speaker 3: rivals it defected? 78 00:03:27,720 --> 00:03:29,799 Speaker 1: Well, no, no, that the frames had broken up when 79 00:03:29,840 --> 00:03:32,360 Speaker 1: when Vikapri grabbed him. But so he was No, he 80 00:03:32,440 --> 00:03:35,000 Speaker 1: wass an original frames, all all the frames of original 81 00:03:35,360 --> 00:03:43,440 Speaker 1: members and and yeah he vi Caapri sort of came 82 00:03:43,480 --> 00:03:45,160 Speaker 1: along and sort of blew us out of the water 83 00:03:45,280 --> 00:03:51,480 Speaker 1: really and and then eventually after Damien left, they took 84 00:03:51,520 --> 00:03:53,720 Speaker 1: Clint and he became a VIKA preman. 85 00:03:54,240 --> 00:03:57,520 Speaker 3: Yeah, both got guitarist Damian Warden, Clint Arnold, good stuff. 86 00:03:57,720 --> 00:03:59,240 Speaker 1: That's it. Yeah, and he was I mean he was 87 00:03:59,280 --> 00:04:01,080 Speaker 1: in too big tescil bands then. 88 00:04:01,600 --> 00:04:03,200 Speaker 3: Yes, yeah, very good. 89 00:04:03,360 --> 00:04:06,000 Speaker 2: I believe you auditioned for the frames after seeing an 90 00:04:06,000 --> 00:04:07,480 Speaker 2: ad in the Sunday Times. 91 00:04:08,480 --> 00:04:12,440 Speaker 1: We did that. That's how you got your kid did Yeah, 92 00:04:12,480 --> 00:04:14,960 Speaker 1: So the three other guys have been in a band 93 00:04:15,040 --> 00:04:18,360 Speaker 1: before besides being mean, being answered and ad in the 94 00:04:18,360 --> 00:04:23,880 Speaker 1: Sunday Times and turned up and then plugged in and 95 00:04:23,920 --> 00:04:28,560 Speaker 1: got the job. It was in those days The Sunday 96 00:04:28,600 --> 00:04:32,520 Speaker 1: Times was full of sort of bocal they wanted Yeah. 97 00:04:32,520 --> 00:04:34,520 Speaker 3: Yeah, being honest. Mark. A few of the people were 98 00:04:34,520 --> 00:04:37,520 Speaker 3: spoken to had some groupies. What was it like in heyday? 99 00:04:38,760 --> 00:04:43,640 Speaker 1: The memories a bit blurry. 100 00:04:44,400 --> 00:04:44,640 Speaker 3: I know. 101 00:04:44,720 --> 00:04:47,400 Speaker 1: I think there was some members of some bands that 102 00:04:47,760 --> 00:04:49,000 Speaker 1: seem to have a lot of a lot. 103 00:04:48,839 --> 00:04:51,599 Speaker 3: Of grouping, right, okay, very good, Yeah, diplomatic. 104 00:04:52,160 --> 00:04:54,320 Speaker 2: Who are some of the bands that some of the 105 00:04:54,360 --> 00:04:56,159 Speaker 2: other bands on the scene at the time that you 106 00:04:56,160 --> 00:04:57,599 Speaker 2: always enjoyed seeing. 107 00:04:59,000 --> 00:05:03,320 Speaker 1: Or personally? I think Loaded Dice stayed Warner. I thinker 108 00:05:03,360 --> 00:05:06,880 Speaker 1: Prints were amazing boys, I mean the boys and the 109 00:05:07,320 --> 00:05:14,200 Speaker 1: bands that were before us really and Perfect Strangers were amazing, 110 00:05:16,600 --> 00:05:20,560 Speaker 1: just so many, so many great bands. Innocent Bystanders were 111 00:05:20,640 --> 00:05:27,160 Speaker 1: crazy good and advertise. Yeah, original sort of band and 112 00:05:27,880 --> 00:05:32,640 Speaker 1: just and they had a young Mark Lass there. Yeah yeah, look, 113 00:05:32,920 --> 00:05:36,280 Speaker 1: look they were fabulous. And there was just so many 114 00:05:36,320 --> 00:05:39,400 Speaker 1: bands and very bands as well. There was heavy metal, 115 00:05:39,480 --> 00:05:47,240 Speaker 1: kite type, glam rock ones, Ice Lash, Harry and yeah, yeah, 116 00:05:47,880 --> 00:05:50,239 Speaker 1: a lot of a lot of those different types of bands. 117 00:05:50,279 --> 00:05:53,600 Speaker 1: But Purpose Strangers were amazing. I love them, and I 118 00:05:53,920 --> 00:05:57,320 Speaker 1: Loaded Dice and Fingerprints were was sort of trailed Blazers, 119 00:05:57,920 --> 00:06:00,000 Speaker 1: and yeah, I really enjoyed. 120 00:06:00,080 --> 00:06:01,840 Speaker 3: Then you mentioned I mean Diesel was just a kid 121 00:06:01,880 --> 00:06:04,280 Speaker 3: with his in Innocent Bystanders, but that Bret Keyser he 122 00:06:04,320 --> 00:06:06,760 Speaker 3: was writing song, he was like like he's like a 123 00:06:06,839 --> 00:06:09,720 Speaker 3: chisel type songwriter. He was incredible. Some of the the 124 00:06:09,720 --> 00:06:12,120 Speaker 3: Aussie rock he was writing unreal, it. 125 00:06:12,120 --> 00:06:14,200 Speaker 1: Was, and he was using local he was writing about 126 00:06:14,240 --> 00:06:19,200 Speaker 1: Farborough and that's what set him apart. But also just 127 00:06:19,240 --> 00:06:21,760 Speaker 1: a great singer and a great front man and a 128 00:06:21,760 --> 00:06:24,479 Speaker 1: great idea. But yeah, I love that the fact that 129 00:06:24,520 --> 00:06:26,920 Speaker 1: he was singing about local things that we could relate to. 130 00:06:27,440 --> 00:06:29,240 Speaker 1: He wasn't singing about Alabama, you know. 131 00:06:29,480 --> 00:06:32,119 Speaker 3: Yeah, well I worked with Paul Kelly and his days 132 00:06:32,160 --> 00:06:34,760 Speaker 3: in Adelaide and then Melbourne. Of course, you know Greg 133 00:06:34,760 --> 00:06:38,559 Speaker 3: Greg McCain's from Skyworks, so that guy hooks year singing 134 00:06:38,560 --> 00:06:40,159 Speaker 3: about their particular towns. 135 00:06:40,240 --> 00:06:44,640 Speaker 1: Love it, yeah, absolutely, And look, I think when the 136 00:06:44,680 --> 00:06:48,320 Speaker 1: Frames first started as well, even the Perth bands weren't 137 00:06:48,320 --> 00:06:52,920 Speaker 1: really playing much Australian stuff, so we kind of felt 138 00:06:52,960 --> 00:06:55,000 Speaker 1: like we were one of the first ones that were playing, 139 00:06:55,520 --> 00:07:01,440 Speaker 1: you know, playing Skyhooks and the sports and you know, 140 00:07:01,760 --> 00:07:04,960 Speaker 1: moving pictures and things like that. So yeah, it did 141 00:07:05,000 --> 00:07:07,520 Speaker 1: start to change a bit then and people started realizing, hey, 142 00:07:07,560 --> 00:07:11,560 Speaker 1: we're Australian. Brett Keze and in the Bystanders was certainly 143 00:07:12,000 --> 00:07:13,320 Speaker 1: a standout in Perth. 144 00:07:13,640 --> 00:07:14,080 Speaker 4: Good work. 145 00:07:14,080 --> 00:07:17,680 Speaker 2: We thank you for your service on that that there 146 00:07:17,760 --> 00:07:20,000 Speaker 2: was of course a lot of great original stuff coming out, 147 00:07:20,040 --> 00:07:21,960 Speaker 2: But did you feel any. 148 00:07:22,040 --> 00:07:24,080 Speaker 4: Pressure to do the covers as well? 149 00:07:24,120 --> 00:07:26,800 Speaker 2: Did you get that, you know, people sort of wanted 150 00:07:26,840 --> 00:07:27,920 Speaker 2: to hear what they knew? 151 00:07:29,040 --> 00:07:31,640 Speaker 1: Oh, look, absolutely, yeah, I mean that was a hard thing. 152 00:07:31,680 --> 00:07:33,320 Speaker 1: I mean we never set out to be a big 153 00:07:33,360 --> 00:07:35,720 Speaker 1: cover band in Perth, and we set out the sort 154 00:07:35,760 --> 00:07:38,400 Speaker 1: of take on the world and we build up the 155 00:07:38,440 --> 00:07:41,400 Speaker 1: money and we'd head off over over East and tour 156 00:07:41,480 --> 00:07:45,680 Speaker 1: and play to not big crowds at all, and then 157 00:07:45,840 --> 00:07:47,760 Speaker 1: and we'd come back and we'd be playing our new 158 00:07:47,760 --> 00:07:49,800 Speaker 1: original songs and the crowd we'd just be looking at 159 00:07:50,000 --> 00:07:54,000 Speaker 1: looking at us and going, you know, play the swingers. 160 00:07:54,360 --> 00:07:59,240 Speaker 1: That's right. Yeah, So it was tough in in that respect. 161 00:08:00,080 --> 00:08:02,840 Speaker 3: Yeah, we're testing the memory this morning, mate. They have 162 00:08:02,920 --> 00:08:05,960 Speaker 3: to think about excuse me, in your prime playing those 163 00:08:05,960 --> 00:08:07,880 Speaker 3: gigs to big crowds. Was it mostly girls at the 164 00:08:07,920 --> 00:08:09,760 Speaker 3: front of the stage. We talked about this with Capri 165 00:08:10,200 --> 00:08:12,560 Speaker 3: and with a big dancing kind of crowds at your gigs. 166 00:08:14,400 --> 00:08:21,400 Speaker 1: Look, the first the first ten rows would sort of 167 00:08:21,480 --> 00:08:23,960 Speaker 1: dance and sort of sort of walk towards the band 168 00:08:23,960 --> 00:08:27,320 Speaker 1: a bit, and and there was more girls at the 169 00:08:27,360 --> 00:08:34,280 Speaker 1: front than guys, but but had more girls. I think, yeah, 170 00:08:34,679 --> 00:08:37,120 Speaker 1: I think the frames were kind of, you know, good 171 00:08:37,200 --> 00:08:40,760 Speaker 1: looking enough to get a few girls, but ugly enough 172 00:08:40,760 --> 00:08:42,719 Speaker 1: for the guys to kind of think are okay as well? 173 00:08:43,520 --> 00:08:46,640 Speaker 2: Right, we were there dancing around our handbags. 174 00:08:47,000 --> 00:08:49,040 Speaker 1: That's right, the old hand bag them. Yeah, and put 175 00:08:49,080 --> 00:08:50,280 Speaker 1: them on the stage next. 176 00:08:50,080 --> 00:08:51,920 Speaker 3: To the Fallah. But that was fun for you. 177 00:08:52,720 --> 00:08:53,280 Speaker 1: Oh god. 178 00:08:53,440 --> 00:08:55,280 Speaker 4: The frames wrapped up in nineteen eighty six. 179 00:08:55,320 --> 00:08:59,800 Speaker 2: But you've had a long history with producing new young 180 00:08:59,800 --> 00:09:03,880 Speaker 2: a and so on in wa and tell us about 181 00:09:04,040 --> 00:09:05,880 Speaker 2: working with Kevin Bloody Wilson. 182 00:09:07,760 --> 00:09:11,280 Speaker 1: I still work with keV you do, yeah, yeah, yeah, yeah, Look, 183 00:09:13,160 --> 00:09:16,760 Speaker 1: he's a he's a wonderful talent and a very smart guy. 184 00:09:16,800 --> 00:09:20,720 Speaker 1: And it's been Yeah, it's been a good run with keV. 185 00:09:20,800 --> 00:09:22,640 Speaker 1: And we've we've done lots of good stuff. 186 00:09:23,240 --> 00:09:25,560 Speaker 3: Yeah. And that wonderful singer of yours, Dean Denton with 187 00:09:25,559 --> 00:09:28,840 Speaker 3: his musical family mate. With Holly being so famous these days, 188 00:09:28,840 --> 00:09:31,120 Speaker 3: you must do your pretty proud because you're all good mates. 189 00:09:31,720 --> 00:09:35,640 Speaker 1: Yeah. Well, well she's my god daughter, you so and 190 00:09:35,640 --> 00:09:38,480 Speaker 1: and we are still more good mates. Yeah, And she's 191 00:09:38,520 --> 00:09:41,920 Speaker 1: a wonderful girl. He has work water Dynamo. You sit 192 00:09:42,000 --> 00:09:44,040 Speaker 1: with there for five minutes ago, I need a break only. 193 00:09:45,559 --> 00:09:47,280 Speaker 3: I just remember seeing on the stage for We Were 194 00:09:47,360 --> 00:09:49,400 Speaker 3: Rocky and I went, how good is this girl? Unreal? 195 00:09:49,600 --> 00:09:51,839 Speaker 1: Yeah, yeah, she's so good and she always has been. 196 00:09:51,920 --> 00:09:55,719 Speaker 1: And yeah, just such such a great energy and she 197 00:09:55,880 --> 00:09:56,600 Speaker 1: works so hard. 198 00:09:56,760 --> 00:09:56,920 Speaker 5: You know. 199 00:09:57,640 --> 00:09:59,960 Speaker 4: Well, the apple doesn't fall far from the tree. You ever, 200 00:10:00,160 --> 00:10:01,640 Speaker 4: do you ever still get together and have a bit 201 00:10:01,679 --> 00:10:02,120 Speaker 4: of a play. 202 00:10:03,280 --> 00:10:07,280 Speaker 1: Well, the Frames have done reunions. In fact, we only 203 00:10:07,320 --> 00:10:10,319 Speaker 1: did one a year ago at the Charles Hotel. So 204 00:10:10,679 --> 00:10:16,400 Speaker 1: the stay out, sticky carpet, it's still still Look at 205 00:10:16,400 --> 00:10:23,079 Speaker 1: the carpet is exactly. It feels like home, you know. 206 00:10:24,040 --> 00:10:30,240 Speaker 4: It feels like you're walking on the moon walk Quicksands. 207 00:10:31,160 --> 00:10:33,559 Speaker 1: I think I took my kids there last time and 208 00:10:33,600 --> 00:10:34,760 Speaker 1: they came back and go, oh my god. 209 00:10:35,559 --> 00:10:37,560 Speaker 4: You know, yeah, that's amazing. 210 00:10:37,679 --> 00:10:39,920 Speaker 3: The crowds go. When you guys get back together, that's great. 211 00:10:40,600 --> 00:10:44,040 Speaker 1: But they still do. And and they bring their kids, yeah, 212 00:10:44,240 --> 00:10:48,240 Speaker 1: you know who were between twenty and thirty, you know, yeah, 213 00:10:49,120 --> 00:10:51,040 Speaker 1: and they say this is where mom and dad met, 214 00:10:51,160 --> 00:10:53,640 Speaker 1: you know, so and this is what we used to experience. 215 00:10:53,679 --> 00:10:55,680 Speaker 1: So that's pretty amazing to look out of the crowd 216 00:10:55,720 --> 00:10:58,440 Speaker 1: and see after them a young then you realize who 217 00:10:58,520 --> 00:10:59,760 Speaker 1: they are. They're the children. 218 00:11:00,080 --> 00:11:03,319 Speaker 2: Yeah, it's amazing. Well, it's been amazing to reminisce with 219 00:11:03,360 --> 00:11:03,920 Speaker 2: you this morning. 220 00:11:04,000 --> 00:11:04,200 Speaker 4: Mark. 221 00:11:04,280 --> 00:11:04,920 Speaker 3: Yeah, I appreciate you. 222 00:11:05,320 --> 00:11:07,280 Speaker 4: Thank you so much for coming on our pub for 223 00:11:07,360 --> 00:11:07,960 Speaker 4: all with us. 224 00:11:07,960 --> 00:11:11,560 Speaker 3: Hearing me out. It's like a for us thank you, Mark, 225 00:11:12,040 --> 00:11:16,120 Speaker 3: to talk to you about bye bye frames. Yeah, this 226 00:11:16,280 --> 00:11:16,560 Speaker 3: is fun. 227 00:11:16,640 --> 00:11:18,600 Speaker 2: If you go to the Charles you will see where 228 00:11:18,600 --> 00:11:21,120 Speaker 2: you spilt a drink in nineteen eighty six. 229 00:11:21,360 --> 00:11:21,560 Speaker 3: Yeah. 230 00:11:21,800 --> 00:11:24,560 Speaker 2: Hey, if you have memories to share with us, feel 231 00:11:24,600 --> 00:11:26,679 Speaker 2: free to text us on our text numbers zero four 232 00:11:26,720 --> 00:11:29,000 Speaker 2: seven six ninety six, ninety six ninety six. And if 233 00:11:29,040 --> 00:11:32,079 Speaker 2: you have any images, any photos from the time that 234 00:11:32,160 --> 00:11:33,880 Speaker 2: you want to share with us, send us a Facebook 235 00:11:33,880 --> 00:11:36,319 Speaker 2: message or email us at breakfast at ninety six FM, 236 00:11:36,440 --> 00:11:37,800 Speaker 2: dot com dot au. 237 00:11:37,920 --> 00:11:39,559 Speaker 4: We would love to see your pictures. 238 00:11:40,240 --> 00:11:43,920 Speaker 6: More Clezi, more Lisa, more podcasts soon. 239 00:11:46,880 --> 00:11:52,240 Speaker 2: Today is World Emoji Day, the old emoticon. It's changed 240 00:11:52,640 --> 00:11:57,920 Speaker 2: the way people communicate absolutely. According to a study, the 241 00:11:58,080 --> 00:12:03,079 Speaker 2: face with tears of joy is the most popular emoji 242 00:12:03,480 --> 00:12:04,400 Speaker 2: in the world. 243 00:12:04,800 --> 00:12:05,480 Speaker 3: Oh was it really? 244 00:12:05,600 --> 00:12:08,480 Speaker 4: Do you like the front on face or the sideways face. 245 00:12:09,040 --> 00:12:10,040 Speaker 3: I prefer the front on. 246 00:12:10,600 --> 00:12:12,920 Speaker 4: Yeah, I don't quite understand the sideways. 247 00:12:13,080 --> 00:12:14,800 Speaker 3: It's a little bit different, isn't it a little bit odd? 248 00:12:15,480 --> 00:12:17,640 Speaker 2: Although I have been known to put a sideways one 249 00:12:17,720 --> 00:12:19,000 Speaker 2: in the middle of two front on ones. 250 00:12:19,559 --> 00:12:22,600 Speaker 3: Really, are you an over user of emojis? I don't 251 00:12:22,600 --> 00:12:23,840 Speaker 3: really noticed you using that many. 252 00:12:24,040 --> 00:12:24,079 Speaker 7: No. 253 00:12:25,320 --> 00:12:28,280 Speaker 4: No, I've never sent a message strictly in emojis. 254 00:12:28,640 --> 00:12:30,960 Speaker 3: No, well, I've seen that too. That's always a little 255 00:12:30,960 --> 00:12:31,280 Speaker 3: bit weird. 256 00:12:31,480 --> 00:12:33,920 Speaker 2: Don't mind adding one to the end of something to 257 00:12:34,240 --> 00:12:38,319 Speaker 2: convey a feeling, But as long as people understand, because 258 00:12:38,360 --> 00:12:40,200 Speaker 2: I think some people can misconstrue. 259 00:12:41,000 --> 00:12:43,360 Speaker 3: Yes, yeah, I'm sick of seeing the egg plant. I 260 00:12:43,520 --> 00:12:45,840 Speaker 3: never really really thought that was that funny, To be honest, 261 00:12:45,960 --> 00:12:52,080 Speaker 3: I've no nor ever. Yeah it thumbs up you thumbs up? 262 00:12:52,200 --> 00:12:52,960 Speaker 3: Was that just a bad one? 263 00:12:54,120 --> 00:12:55,120 Speaker 4: Not as an emoji? 264 00:12:55,440 --> 00:12:58,440 Speaker 2: I will use it as a acknowledgment of getting a message, 265 00:12:58,480 --> 00:12:59,560 Speaker 2: you know, my message. 266 00:13:00,080 --> 00:13:03,839 Speaker 4: Yeah, others, But that's more of a way of not 267 00:13:03,960 --> 00:13:05,079 Speaker 4: having to answer, isn't it. 268 00:13:07,200 --> 00:13:10,400 Speaker 3: They're all clear? Roger that received over an ex Donald 269 00:13:10,440 --> 00:13:12,240 Speaker 3: Trump with a small pillow when he's a year Would 270 00:13:12,240 --> 00:13:12,880 Speaker 3: that be a good emoji? 271 00:13:13,600 --> 00:13:17,120 Speaker 4: I do use I mentioned that. 272 00:13:17,320 --> 00:13:19,040 Speaker 2: I like the eye roll, but the one I probably 273 00:13:19,120 --> 00:13:23,079 Speaker 2: use the most is the one with the face over 274 00:13:23,120 --> 00:13:26,800 Speaker 2: the face much that tends to convey a lot of 275 00:13:26,880 --> 00:13:30,560 Speaker 2: what I usually say. We want to hear your emoji stories. 276 00:13:30,880 --> 00:13:35,240 Speaker 2: Perhaps you've had a message misconstrued, yes, because of your 277 00:13:35,280 --> 00:13:35,920 Speaker 2: emoji us. 278 00:13:36,000 --> 00:13:38,240 Speaker 3: Yes, it might be like my dad and many other dads. 279 00:13:38,360 --> 00:13:38,960 Speaker 3: Just get them wrong. 280 00:13:39,760 --> 00:13:43,679 Speaker 2: Just get them wrong, doesn't mean that made Yeah, exactly exactly. 281 00:13:43,760 --> 00:13:46,360 Speaker 2: But I think people are still understand are arguing over 282 00:13:46,480 --> 00:13:49,480 Speaker 2: whether the prayer hands are prayer hands or high five. 283 00:13:49,679 --> 00:13:49,880 Speaker 5: Yeah. 284 00:13:50,280 --> 00:13:52,959 Speaker 2: Yeah, I think their prayer hands, I believe, and that's 285 00:13:53,000 --> 00:13:55,960 Speaker 2: how most people use them. But then someone tried to say, oh, 286 00:13:56,000 --> 00:13:57,439 Speaker 2: you know, everyone's been using that wrong. 287 00:13:57,520 --> 00:13:58,240 Speaker 4: It's a high five. 288 00:13:59,679 --> 00:13:59,920 Speaker 5: I don't. 289 00:14:00,160 --> 00:14:01,679 Speaker 4: I think there's another one that's a bit high five. 290 00:14:02,520 --> 00:14:05,000 Speaker 3: There is, actually there is a simple hand, isn't it? 291 00:14:05,120 --> 00:14:05,560 Speaker 3: With a wave? 292 00:14:05,800 --> 00:14:09,160 Speaker 2: Calvin from Nolamara says on our text line, which is 293 00:14:09,240 --> 00:14:12,120 Speaker 2: zero four seven six ninety six, six ninety six, we 294 00:14:12,280 --> 00:14:16,400 Speaker 2: need a dare iced coffee emoji. Yes, you know, as 295 00:14:16,520 --> 00:14:17,240 Speaker 2: ice coffees go. 296 00:14:17,360 --> 00:14:19,240 Speaker 3: I like a dere you go with the deer. 297 00:14:19,440 --> 00:14:21,600 Speaker 4: I prefer that to the browns or whatever. 298 00:14:22,000 --> 00:14:24,600 Speaker 3: The other masters I used to just drip feed myself 299 00:14:24,760 --> 00:14:27,240 Speaker 3: dares and then the stomach wan. Oh, don't like real milk. 300 00:14:27,520 --> 00:14:29,560 Speaker 4: It's a lot of milk, a lot of milk. 301 00:14:29,760 --> 00:14:32,200 Speaker 3: Irresistible though. Yeah, I like the idea of the emoji. 302 00:14:32,360 --> 00:14:36,160 Speaker 2: Paul in Nangara, Hello, Moring. How you got a suggestion 303 00:14:36,280 --> 00:14:37,600 Speaker 2: for an emoji we need? 304 00:14:38,560 --> 00:14:38,720 Speaker 1: Yeah? 305 00:14:38,760 --> 00:14:40,720 Speaker 8: I know they have it though, and a better one 306 00:14:40,760 --> 00:14:43,240 Speaker 8: will be better. But a rubbish bin emoji? 307 00:14:43,520 --> 00:14:43,680 Speaker 6: Oh? 308 00:14:44,520 --> 00:14:45,040 Speaker 4: Do you use that? 309 00:14:45,200 --> 00:14:45,400 Speaker 2: There? 310 00:14:46,800 --> 00:14:48,720 Speaker 8: That's the only one that I do use. I don't 311 00:14:48,760 --> 00:14:52,320 Speaker 8: actually use emojis, but I have an old lady On Thursdays, 312 00:14:52,360 --> 00:14:55,400 Speaker 8: you can't remember to put it bin out ever? Oh, actually, 313 00:14:56,480 --> 00:14:58,760 Speaker 8: I actually send it to her before I start work. 314 00:14:58,880 --> 00:15:02,440 Speaker 8: On every third she remembers to put her bin out 315 00:15:02,440 --> 00:15:04,360 Speaker 8: because they won't go back for it anymore. 316 00:15:04,560 --> 00:15:06,160 Speaker 5: Right, Oh yeah? 317 00:15:07,680 --> 00:15:11,480 Speaker 3: Is it like a really bin or garbage really doing with. 318 00:15:11,960 --> 00:15:13,040 Speaker 8: Sparkly stuff in it? 319 00:15:14,320 --> 00:15:16,240 Speaker 4: Can I ask what? Because this has happened to me 320 00:15:16,320 --> 00:15:17,040 Speaker 4: a couple of times. 321 00:15:17,360 --> 00:15:19,600 Speaker 2: What happens when it's bin day and you've put your 322 00:15:19,640 --> 00:15:22,440 Speaker 2: bin out and then some idiot parks in front of 323 00:15:22,600 --> 00:15:26,160 Speaker 2: your bin on the street, You take a photo of it. 324 00:15:26,240 --> 00:15:28,360 Speaker 8: And you drive past it and leave it because if 325 00:15:28,400 --> 00:15:32,000 Speaker 8: you do, if you did get out and empty that bin, yeah, 326 00:15:32,360 --> 00:15:34,800 Speaker 8: you'd be doing it for like a hundred thousand people. 327 00:15:36,280 --> 00:15:38,360 Speaker 4: Why you can't, Why you can't do it? 328 00:15:38,600 --> 00:15:39,440 Speaker 5: But that is so. 329 00:15:39,840 --> 00:15:42,920 Speaker 4: It is one of those highly annoying things I want 330 00:15:43,480 --> 00:15:43,880 Speaker 4: it does. 331 00:15:44,000 --> 00:15:47,800 Speaker 8: Yeah, honestly, if you did do it, because we do 332 00:15:47,960 --> 00:15:50,880 Speaker 8: do it sometimes you just end up permanently doing it 333 00:15:51,000 --> 00:15:53,800 Speaker 8: for one, two, three, multiply into millions. 334 00:15:54,360 --> 00:15:56,600 Speaker 4: Understand you cannot be doing that. 335 00:15:56,720 --> 00:15:58,120 Speaker 3: And that's a lot of bin emojis all on the 336 00:15:58,200 --> 00:15:59,720 Speaker 3: rod down the street with cars in front. 337 00:15:59,600 --> 00:16:02,400 Speaker 8: Of them, and some people ring up and say how 338 00:16:02,480 --> 00:16:04,080 Speaker 8: come you missed path A could to sack? 339 00:16:04,160 --> 00:16:05,000 Speaker 1: How could you miss it? 340 00:16:05,080 --> 00:16:08,440 Speaker 8: But if someone parts in it, you have to reverse out. 341 00:16:08,520 --> 00:16:10,800 Speaker 8: You can't get around, so you'll leave one side of 342 00:16:10,880 --> 00:16:12,680 Speaker 8: the bins you can't actually get on. 343 00:16:13,040 --> 00:16:17,680 Speaker 3: Yeah, all right, well it's a new segment chat with Paul. 344 00:16:19,240 --> 00:16:19,760 Speaker 8: Anytime. 345 00:16:21,400 --> 00:16:22,800 Speaker 3: I like this hand a bin chat with an intro 346 00:16:22,920 --> 00:16:24,440 Speaker 3: made up the look. 347 00:16:24,480 --> 00:16:26,080 Speaker 2: If you're driving down the street and you need to 348 00:16:26,160 --> 00:16:29,000 Speaker 2: park and you can see bins on the street, don't park. 349 00:16:29,800 --> 00:16:31,080 Speaker 2: If you think like that, you're probably like me. I 350 00:16:31,200 --> 00:16:32,800 Speaker 2: never park in front of them because I'm thinking that's 351 00:16:32,800 --> 00:16:33,480 Speaker 2: going to cause havoc. 352 00:16:33,520 --> 00:16:34,160 Speaker 3: What's going on there? 353 00:16:34,320 --> 00:16:37,280 Speaker 2: We're talking about emojis because it is world emoji day 354 00:16:37,360 --> 00:16:39,480 Speaker 2: to day. Michael and Allen Brook says, we need Footy 355 00:16:39,520 --> 00:16:43,760 Speaker 2: team emojis. I'm surprised that they don't. People usually use 356 00:16:43,800 --> 00:16:45,800 Speaker 2: a couple of the colors love hearts or something. 357 00:16:46,040 --> 00:16:48,840 Speaker 3: You can use an anchor for free, that's true, but. 358 00:16:48,920 --> 00:16:51,480 Speaker 4: I see anchor used in conjunction. 359 00:16:52,000 --> 00:16:52,600 Speaker 3: Holding you down. 360 00:16:52,800 --> 00:16:53,800 Speaker 4: No, with a double. 361 00:16:55,360 --> 00:16:59,840 Speaker 3: That can happen as well, Right, you're ad create a banker. 362 00:17:00,480 --> 00:17:04,400 Speaker 2: Wendy and Freemantle says it sucks when you accidentally use 363 00:17:04,880 --> 00:17:08,200 Speaker 2: the crying smiling face. Yes, which I always think of 364 00:17:08,600 --> 00:17:09,600 Speaker 2: your crying laughing. 365 00:17:10,119 --> 00:17:11,439 Speaker 3: That's what I thought so much. 366 00:17:11,880 --> 00:17:14,199 Speaker 2: On the list of popular emojis, and that is at 367 00:17:14,240 --> 00:17:16,080 Speaker 2: the top of it, it says it's smiling with tears 368 00:17:16,119 --> 00:17:19,360 Speaker 2: of joy. I prefer that you're you're laughing so hard 369 00:17:19,400 --> 00:17:22,000 Speaker 2: at something stupid that you're crying. But anyways, it sucks 370 00:17:22,040 --> 00:17:24,680 Speaker 2: when you use that accidentally for condolences instead of the 371 00:17:24,720 --> 00:17:26,600 Speaker 2: one that actually just has one tear coming. 372 00:17:26,920 --> 00:17:30,359 Speaker 3: They can bet with fraud, they can they can upset people. 373 00:17:30,440 --> 00:17:34,560 Speaker 3: Let's go to generalan going Mike, what's your emoji story? 374 00:17:35,160 --> 00:17:37,600 Speaker 9: Just heads up, like you're saying earlier about the high 375 00:17:37,720 --> 00:17:39,920 Speaker 9: five and you're not sure, like there, yeah, couple that 376 00:17:40,040 --> 00:17:42,840 Speaker 9: you can use, et cetera, cetera. What I found is 377 00:17:42,880 --> 00:17:45,399 Speaker 9: with the when you go for your imagies, you just 378 00:17:45,440 --> 00:17:47,080 Speaker 9: go to the search bar and you type in your 379 00:17:47,160 --> 00:17:47,760 Speaker 9: high five. 380 00:17:49,359 --> 00:17:49,800 Speaker 1: What should be? 381 00:17:51,080 --> 00:17:52,040 Speaker 4: I didn't know you could do that. 382 00:17:53,000 --> 00:17:55,359 Speaker 9: Yeah, no, you got a little and you press for 383 00:17:55,440 --> 00:17:58,640 Speaker 9: your imagies. You go to the search bar and got 384 00:17:58,680 --> 00:18:00,320 Speaker 9: one of my friends out. I can you want a 385 00:18:00,359 --> 00:18:04,159 Speaker 9: little story? Though, kept saying, like the one that you 386 00:18:04,160 --> 00:18:06,280 Speaker 9: can use a profanity for when you're having a bad day. 387 00:18:06,760 --> 00:18:12,520 Speaker 9: They thought it was a cushion typing search bar. I'm 388 00:18:12,560 --> 00:18:16,040 Speaker 9: having a so and so day, that energy comes up. 389 00:18:16,080 --> 00:18:17,640 Speaker 9: And then I showed me mate, and I said, it's 390 00:18:17,680 --> 00:18:18,560 Speaker 9: not a cushion made it. 391 00:18:21,640 --> 00:18:22,120 Speaker 4: It's an. 392 00:18:23,840 --> 00:18:24,040 Speaker 3: Turn. 393 00:18:24,600 --> 00:18:25,840 Speaker 4: I mean, have you seen those? 394 00:18:26,320 --> 00:18:28,240 Speaker 2: I always thought they were those ebojis when I was 395 00:18:28,320 --> 00:18:29,840 Speaker 2: driving past Carl Bay. 396 00:18:30,880 --> 00:18:31,960 Speaker 4: Oh thank you, Glenn. 397 00:18:32,760 --> 00:18:33,479 Speaker 1: No worries at all. 398 00:18:34,640 --> 00:18:34,920 Speaker 8: The show. 399 00:18:38,280 --> 00:18:42,719 Speaker 4: There was a legend. Is that great Melissa secret Harbor? 400 00:18:42,960 --> 00:18:43,480 Speaker 4: What do you go for? 401 00:18:44,760 --> 00:18:44,960 Speaker 3: Oh? 402 00:18:45,160 --> 00:18:47,520 Speaker 10: Yeah, I've got one that I grew up with as 403 00:18:47,560 --> 00:18:50,000 Speaker 10: a kid, and it is so good and it needs 404 00:18:50,080 --> 00:18:53,800 Speaker 10: to be universal. Right, So it is the Italian all 405 00:18:53,880 --> 00:18:58,040 Speaker 10: fingers and some are some together in boji. Now, as 406 00:18:58,080 --> 00:19:01,120 Speaker 10: a kid, it meant what do you want? And as 407 00:19:01,160 --> 00:19:04,080 Speaker 10: a teacher I find myself every now and then slipping 408 00:19:04,160 --> 00:19:06,600 Speaker 10: with high school kids what do you want? But it 409 00:19:06,720 --> 00:19:12,240 Speaker 10: also means everything in general Italian? So right, yeah, yeah, 410 00:19:12,560 --> 00:19:15,359 Speaker 10: so it represents a lot of Italian things, in general 411 00:19:15,520 --> 00:19:18,880 Speaker 10: Italy itself. But as a kid, you knew that when 412 00:19:18,920 --> 00:19:22,320 Speaker 10: your parents put those fingers up it meant you once, 413 00:19:22,720 --> 00:19:25,440 Speaker 10: you know. Yeah, And I do it now as a mom. 414 00:19:25,920 --> 00:19:27,040 Speaker 10: But it's so cool. 415 00:19:27,520 --> 00:19:31,240 Speaker 2: And a friend of mine, Melissa had an Italian friend 416 00:19:31,280 --> 00:19:33,479 Speaker 2: of mine had sausage Day on the weekend. 417 00:19:33,560 --> 00:19:34,320 Speaker 6: You know what that is. 418 00:19:36,040 --> 00:19:39,359 Speaker 2: Day. I love sausage Day and there was a lot 419 00:19:39,400 --> 00:19:40,240 Speaker 2: of that going on there. 420 00:19:40,320 --> 00:19:44,919 Speaker 10: Absolutely, tomatow D all the Ausies are doing it now too, 421 00:19:46,600 --> 00:19:47,080 Speaker 10: so much. 422 00:19:47,400 --> 00:19:50,840 Speaker 4: We don't do it like you though, we die. 423 00:19:51,760 --> 00:19:54,040 Speaker 3: I'm using I'm using that emergine next time I order 424 00:19:54,080 --> 00:19:55,320 Speaker 3: some stuff from Galadies. 425 00:19:56,280 --> 00:20:01,920 Speaker 10: Yeah or just yeah, we'll just go bote I hate okay, okay, 426 00:20:02,320 --> 00:20:03,960 Speaker 10: what thank you? 427 00:20:04,119 --> 00:20:04,520 Speaker 4: Melisa. 428 00:20:06,000 --> 00:20:08,840 Speaker 3: We are being informed by experts. We are love it. 429 00:20:08,960 --> 00:20:11,399 Speaker 2: Julia and joodle Up has texted us. She said I 430 00:20:11,520 --> 00:20:14,240 Speaker 2: love emojis, but my husband hates them. So if I 431 00:20:14,280 --> 00:20:15,480 Speaker 2: want to add an emoji, I have. 432 00:20:15,560 --> 00:20:19,600 Speaker 4: To write it now mon form, in text form. 433 00:20:20,200 --> 00:20:21,960 Speaker 2: She said, it's not all bad because it means that 434 00:20:22,080 --> 00:20:24,560 Speaker 2: she can add emojis that don't exist. But for example, 435 00:20:26,200 --> 00:20:29,320 Speaker 2: Julia might text have a good day, and then in 436 00:20:29,400 --> 00:20:31,639 Speaker 2: brackets in search you forgot to turn the lights off 437 00:20:31,680 --> 00:20:32,720 Speaker 2: again emoji. 438 00:20:33,000 --> 00:20:35,160 Speaker 3: Because I don't think there is one for that. Yeah, 439 00:20:35,560 --> 00:20:37,000 Speaker 3: it's going to be a good one. Bit a banter 440 00:20:37,080 --> 00:20:41,640 Speaker 3: going back and forward in that household. There's sure report 441 00:20:41,840 --> 00:20:43,680 Speaker 3: on ninety six AIRM. 442 00:20:45,400 --> 00:20:47,640 Speaker 2: A lot of disappointed people on the East Coast about 443 00:20:47,720 --> 00:20:52,160 Speaker 2: Tenaciouste canceling their shows. They weren't coming here anyway, canceling 444 00:20:52,200 --> 00:20:56,760 Speaker 2: their shows because of a inappropriate off the cuff moment 445 00:20:57,000 --> 00:21:02,000 Speaker 2: comment problem from Kyle Gas on stage regarding the Donald 446 00:21:02,040 --> 00:21:06,120 Speaker 2: Trump assassination attempt. They were very quick to the Jack 447 00:21:06,200 --> 00:21:09,760 Speaker 2: Black was very quick to assure you know a post 448 00:21:09,840 --> 00:21:12,280 Speaker 2: saying I was blindsided by what was said. I would 449 00:21:12,320 --> 00:21:14,360 Speaker 2: never you know candn hate speech, of course, and after 450 00:21:14,440 --> 00:21:17,040 Speaker 2: much reflection were not too much. I no longer feel 451 00:21:17,080 --> 00:21:19,280 Speaker 2: it is appropriate to continue the Tenacious Tear Tour. 452 00:21:19,720 --> 00:21:21,040 Speaker 4: The feeling he might have just wanted to go. 453 00:21:21,080 --> 00:21:23,400 Speaker 3: Home, that you might have been homesick. That's a quick 454 00:21:23,440 --> 00:21:23,720 Speaker 3: pilling of. 455 00:21:23,680 --> 00:21:25,720 Speaker 4: They did you learn nothing from the Dixie Chicks? 456 00:21:27,240 --> 00:21:27,359 Speaker 7: Net? 457 00:21:27,400 --> 00:21:27,880 Speaker 3: Netflix? 458 00:21:28,119 --> 00:21:28,680 Speaker 1: What I know? 459 00:21:28,920 --> 00:21:31,879 Speaker 2: Netflix wants to make a nine hour long documentary about 460 00:21:31,920 --> 00:21:35,679 Speaker 2: Prince and Prince's Estate like computer says no, they are 461 00:21:35,760 --> 00:21:38,280 Speaker 2: making a doco. The original deal was for a six 462 00:21:38,359 --> 00:21:42,040 Speaker 2: hour feature, but director Ezra Edelman's completed version has ended 463 00:21:42,119 --> 00:21:45,439 Speaker 2: up three hours longer. Prince's Estate says the extra content 464 00:21:45,640 --> 00:21:48,159 Speaker 2: violates the initial agreement made in twenty eighteen and they 465 00:21:48,200 --> 00:21:50,240 Speaker 2: don't want to give their approval for it. Of course, 466 00:21:50,320 --> 00:21:54,080 Speaker 2: the director, Ezra, now that he's made it, doesn't want 467 00:21:54,080 --> 00:21:56,000 Speaker 2: to scale it back in any way. So what we 468 00:21:56,119 --> 00:21:59,879 Speaker 2: have as a stalemate. But Netflix feels confident a compromise 469 00:22:00,119 --> 00:22:01,160 Speaker 2: can still be worked out. 470 00:22:01,200 --> 00:22:03,560 Speaker 4: I'm sure it will be. I'm up for nine hours, 471 00:22:04,200 --> 00:22:04,760 Speaker 4: not all in one. 472 00:22:04,840 --> 00:22:06,000 Speaker 3: Go have a director's cart. 473 00:22:05,960 --> 00:22:07,480 Speaker 4: One we can yeah. 474 00:22:08,080 --> 00:22:11,119 Speaker 2: Meantime, the Madonna movie seems to be back on track Nellie, 475 00:22:11,280 --> 00:22:13,280 Speaker 2: a year and a half after the project was put 476 00:22:13,320 --> 00:22:16,240 Speaker 2: on indefinite hole. She's teasing that her long awaited self 477 00:22:16,280 --> 00:22:18,840 Speaker 2: directed bio Pickers in the works once again, and she's 478 00:22:18,840 --> 00:22:21,520 Speaker 2: appeared to also reveal its title. Looks like it's going 479 00:22:21,600 --> 00:22:24,200 Speaker 2: to be called Who's That Girl, a clear nod to 480 00:22:24,280 --> 00:22:27,040 Speaker 2: her nineteen eighty seven film and song of the same name. 481 00:22:27,800 --> 00:22:31,240 Speaker 2: Now have you ever heard of the American singer songwriter 482 00:22:31,720 --> 00:22:34,720 Speaker 2: Ingrid andres Well, you probably. 483 00:22:34,440 --> 00:22:35,399 Speaker 4: Never will after this. 484 00:22:35,720 --> 00:22:38,560 Speaker 2: She was chosen to sing the Star Spangled banner at 485 00:22:38,680 --> 00:22:41,720 Speaker 2: Major League Baseball's home run derby on Monday night. 486 00:22:42,560 --> 00:23:02,000 Speaker 4: It did not go well. I should have got Roseanne. 487 00:23:02,640 --> 00:23:06,600 Speaker 2: She's being absolutely crucified on social media. 488 00:23:06,640 --> 00:23:06,840 Speaker 1: Phone. 489 00:23:06,840 --> 00:23:08,800 Speaker 2: It's funny you should say that clarzy because she's come 490 00:23:08,880 --> 00:23:10,760 Speaker 2: out today and said sorry, I was drunk. 491 00:23:11,040 --> 00:23:13,040 Speaker 4: Oh sorry, I was drunk. 492 00:23:13,320 --> 00:23:19,600 Speaker 3: That's professional, all right. There were pets over Perth or. 493 00:23:21,600 --> 00:23:24,159 Speaker 2: Ever wondered who would win one of those celebrity boxing 494 00:23:24,240 --> 00:23:26,160 Speaker 2: matches between Tom Cruise and Roblow. 495 00:23:26,560 --> 00:23:27,800 Speaker 4: Well, Rob Loow has. 496 00:23:27,800 --> 00:23:29,760 Speaker 2: Just shared a story in an interview about the time 497 00:23:29,920 --> 00:23:31,600 Speaker 2: Tom Cruise knocked him out. 498 00:23:32,040 --> 00:23:35,520 Speaker 6: We used to box in the hallway of the of 499 00:23:35,680 --> 00:23:39,480 Speaker 6: the hotel we were staying during Outsiders. So much testosterone 500 00:23:39,600 --> 00:23:43,240 Speaker 6: eighteen year old guys stuck on location. So we would 501 00:23:43,320 --> 00:23:45,760 Speaker 6: wear headgear and we'd have mouthpieces in but we would 502 00:23:45,920 --> 00:23:49,560 Speaker 6: legitimately spar and I just remember Tom's jacked. I'm like 503 00:23:49,600 --> 00:23:52,000 Speaker 6: a pipe cleaner. Arm I hadn't started working out yet, 504 00:23:52,200 --> 00:23:55,600 Speaker 6: so I'm super like. I look like Karen Carpenter. I'm like, 505 00:23:56,640 --> 00:23:59,560 Speaker 6: I am not jacked, and Tom is like this beast. 506 00:24:00,200 --> 00:24:03,119 Speaker 6: But I hit him real clean and I rang his 507 00:24:03,280 --> 00:24:05,720 Speaker 6: bell and the next thing I knew, I woke up. 508 00:24:05,840 --> 00:24:07,880 Speaker 6: I was coming too on the floor. 509 00:24:08,840 --> 00:24:11,720 Speaker 2: You two never take on Tom Grease something like that. 510 00:24:11,960 --> 00:24:16,680 Speaker 2: He takes everything way too seriously, mister two, you would. 511 00:24:16,520 --> 00:24:19,119 Speaker 3: Have been training for years for that. Is that what 512 00:24:19,160 --> 00:24:19,880 Speaker 3: happened to his nose? 513 00:24:19,920 --> 00:24:22,240 Speaker 4: He takes everything too SII ex being your dad. 514 00:24:22,480 --> 00:24:27,360 Speaker 3: Yeah, more crazy, more Lisa, more podcasts. 515 00:24:27,480 --> 00:24:35,560 Speaker 4: Soon you under the leath of left foot I strong 516 00:24:35,640 --> 00:24:36,040 Speaker 4: grab that. 517 00:24:36,160 --> 00:24:40,119 Speaker 6: From ninety six their fans A freemantle Dogger Hayday. 518 00:24:42,000 --> 00:24:44,560 Speaker 3: For US Window and Door Replacement Company. 519 00:24:44,520 --> 00:24:46,920 Speaker 11: Give your home and you Lisa life with Perth Window 520 00:24:47,000 --> 00:24:49,840 Speaker 11: and Door Replacement Company, the number one name in the game. 521 00:24:49,960 --> 00:24:53,040 Speaker 4: To book your free quote search Perth Window and Door. 522 00:24:53,840 --> 00:24:57,760 Speaker 2: Back from the long trip to TAZZI, Good morning, Hayden, morning, 523 00:24:58,000 --> 00:24:59,840 Speaker 2: a good well, thank you. 524 00:25:00,080 --> 00:25:00,719 Speaker 3: How are you traveling? 525 00:25:00,920 --> 00:25:02,160 Speaker 5: Not too bad? Not too bad? 526 00:25:02,280 --> 00:25:04,520 Speaker 7: Enjoying a little eight day break this week, so a 527 00:25:04,600 --> 00:25:06,639 Speaker 7: bit of time to reset and get ready for the 528 00:25:06,720 --> 00:25:07,160 Speaker 7: end of the year. 529 00:25:07,200 --> 00:25:07,520 Speaker 3: That's good. 530 00:25:07,720 --> 00:25:11,679 Speaker 2: Absolutely, Frio were leading the Hawks won by thirteen points 531 00:25:11,880 --> 00:25:15,600 Speaker 2: in Tasmania on Saturday. The Frio were leading by fifteen 532 00:25:15,680 --> 00:25:17,840 Speaker 2: in the third quarter, but they just had such a 533 00:25:17,960 --> 00:25:18,880 Speaker 2: big final quarter. 534 00:25:19,240 --> 00:25:20,920 Speaker 7: Yeah, they ran over the top of us, which is 535 00:25:21,280 --> 00:25:24,640 Speaker 7: a little bit disappointing, and credit to them. They Yeah, 536 00:25:24,920 --> 00:25:26,879 Speaker 7: they played really well. They're a good team, and they 537 00:25:26,920 --> 00:25:28,960 Speaker 7: were up and about and obviously in some good form 538 00:25:29,000 --> 00:25:31,800 Speaker 7: and we didn't quite handle I suppose the pressure of 539 00:25:31,840 --> 00:25:35,200 Speaker 7: that last quarter and yeah, I've been able to execute 540 00:25:35,200 --> 00:25:37,560 Speaker 7: the key moments and yeah, just felt like there was 541 00:25:37,640 --> 00:25:39,720 Speaker 7: part of the game that we did well throughout the 542 00:25:39,760 --> 00:25:44,120 Speaker 7: whole day and it was probably capitalizing on our work 543 00:25:44,200 --> 00:25:46,800 Speaker 7: that sort of let us down. And I suppose they 544 00:25:46,880 --> 00:25:50,719 Speaker 7: had a few clutch moments where they took marks inside 545 00:25:50,800 --> 00:25:52,560 Speaker 7: fifty and were able to kick goals late. 546 00:25:53,240 --> 00:25:54,480 Speaker 3: Bloody sicily popping up. 547 00:25:55,240 --> 00:25:57,879 Speaker 5: He's a pretty handy player. Yeah, Yeah, he can go 548 00:25:58,040 --> 00:25:59,240 Speaker 5: forward and have an impact. 549 00:26:00,119 --> 00:26:02,119 Speaker 7: Yeah, we probably just didn't handle those moments as well 550 00:26:02,119 --> 00:26:06,119 Speaker 7: as we would have liked, and entight games those moments 551 00:26:06,160 --> 00:26:07,920 Speaker 7: become really important. 552 00:26:08,040 --> 00:26:10,200 Speaker 5: So plenty to sort of learn from it. 553 00:26:10,280 --> 00:26:12,840 Speaker 7: But I suppose we want to be in those sort 554 00:26:12,840 --> 00:26:17,159 Speaker 7: of games where it's really high pressure, and yeah, I 555 00:26:17,240 --> 00:26:19,040 Speaker 7: feel like we can learn a lot from those experiences. 556 00:26:19,119 --> 00:26:21,040 Speaker 3: The Hawks are quick and skillful a though. I noticed 557 00:26:21,080 --> 00:26:22,959 Speaker 3: it when they beat the Eagles over here on I went, well, 558 00:26:23,000 --> 00:26:25,480 Speaker 3: this is a real danger game. They move it quickly 559 00:26:25,520 --> 00:26:27,960 Speaker 3: and they adapt really well to circumstances. 560 00:26:28,080 --> 00:26:31,439 Speaker 7: Yeah, they've got some pretty dynamic players, and yeah they 561 00:26:31,480 --> 00:26:32,400 Speaker 7: look pretty dangerous. 562 00:26:32,520 --> 00:26:34,320 Speaker 5: They've got some good ball users out of their back half. 563 00:26:34,359 --> 00:26:36,480 Speaker 7: So yeah, there's a few times they sort of got 564 00:26:36,480 --> 00:26:39,080 Speaker 7: in behind us and our backs were put under a 565 00:26:39,119 --> 00:26:41,479 Speaker 7: lot of pressure. So we didn't quite handle that as 566 00:26:41,520 --> 00:26:43,920 Speaker 7: well as we would have liked. But yeah, it felt 567 00:26:43,960 --> 00:26:46,119 Speaker 7: like throughout the whole day we defended reasonably well. It 568 00:26:46,280 --> 00:26:48,400 Speaker 7: was more just yeah, they made the most of their 569 00:26:48,480 --> 00:26:51,320 Speaker 7: inside fifties and we just didn't quite execute our work. 570 00:26:52,000 --> 00:26:54,200 Speaker 2: Justin long, we usually plays his cards pretty close to 571 00:26:54,280 --> 00:26:58,040 Speaker 2: his chest, but the coach was fairly happy to admit 572 00:26:58,119 --> 00:27:02,280 Speaker 2: that he's a little frustrated the docors inability to close 573 00:27:02,320 --> 00:27:07,159 Speaker 2: out those tight games, which is, you know, ironic that 574 00:27:07,440 --> 00:27:10,560 Speaker 2: you know, you come back from the big down and 575 00:27:10,680 --> 00:27:11,040 Speaker 2: win them. 576 00:27:11,280 --> 00:27:14,040 Speaker 4: But then it's those close lanes that So what do 577 00:27:14,119 --> 00:27:14,680 Speaker 4: you make of that. 578 00:27:15,359 --> 00:27:17,399 Speaker 7: Yeah, we spoke about it during the week just about 579 00:27:18,400 --> 00:27:20,640 Speaker 7: as it says and progresses. Now, the pressure is only 580 00:27:20,720 --> 00:27:23,680 Speaker 7: going to increase and those games are going to be tight, 581 00:27:23,760 --> 00:27:26,600 Speaker 7: and we need to be able to I suppose step 582 00:27:26,680 --> 00:27:29,200 Speaker 7: up in those occasions and deliver, and we weren't quite 583 00:27:29,200 --> 00:27:30,399 Speaker 7: able to do that on the weekend. 584 00:27:30,520 --> 00:27:32,439 Speaker 5: And yeah, we just felt like. 585 00:27:34,240 --> 00:27:35,800 Speaker 7: One thing that's been going really well for us as 586 00:27:35,920 --> 00:27:38,280 Speaker 7: later is that our communication and our connection has been 587 00:27:38,320 --> 00:27:40,520 Speaker 7: really strong and we've been able to get out there 588 00:27:40,560 --> 00:27:42,480 Speaker 7: and just execute our roles. And it felt like when 589 00:27:42,560 --> 00:27:45,119 Speaker 7: the momentum shifted in that last quarter, we all went 590 00:27:45,160 --> 00:27:47,760 Speaker 7: a bit quiet and a bit insuler and tried to 591 00:27:47,840 --> 00:27:49,920 Speaker 7: just you know, focus on what we could do ourselves 592 00:27:49,960 --> 00:27:52,640 Speaker 7: and rather than working as a team. So that's something that, yeah, 593 00:27:52,760 --> 00:27:56,320 Speaker 7: we've reviewed and we've got to work on. And I 594 00:27:56,359 --> 00:27:58,760 Speaker 7: suppose we got lucky against Sydney a couple of weeks ago, 595 00:27:58,800 --> 00:28:01,919 Speaker 7: and we can't keep giving teams opportunities because teams are 596 00:28:01,960 --> 00:28:03,160 Speaker 7: pretty good, and they're good. 597 00:28:03,119 --> 00:28:04,479 Speaker 5: Enough just to kick a couple of goals and get 598 00:28:04,520 --> 00:28:04,840 Speaker 5: on top. 599 00:28:04,960 --> 00:28:07,840 Speaker 7: So yeah, there's some learnings that we've taken from it, 600 00:28:07,880 --> 00:28:10,400 Speaker 7: and we discussed it yesterday at the club and yeah, 601 00:28:10,480 --> 00:28:12,960 Speaker 7: we're hoping that you're in those situations again. We know 602 00:28:13,080 --> 00:28:13,840 Speaker 7: what needs to be done. 603 00:28:14,119 --> 00:28:16,399 Speaker 2: I guess you know the definition of it being a 604 00:28:16,440 --> 00:28:18,480 Speaker 2: close game though, is it means both teams are playing 605 00:28:18,520 --> 00:28:21,560 Speaker 2: really well, So there is there is that side of it. 606 00:28:21,800 --> 00:28:25,120 Speaker 4: It's yeah, and someone's got across the line. 607 00:28:25,000 --> 00:28:27,640 Speaker 5: First exactly exactly, and we want to be that team 608 00:28:27,720 --> 00:28:28,480 Speaker 5: more often than not. 609 00:28:28,640 --> 00:28:32,000 Speaker 7: But yeah, as I said earlier, the competition is just 610 00:28:32,080 --> 00:28:34,160 Speaker 7: so tight at the moment and everyone sort of the season, 611 00:28:34,280 --> 00:28:36,960 Speaker 7: everyone season is kind of on the line every week. Course, 612 00:28:38,280 --> 00:28:40,560 Speaker 7: teams are really hungry, and it's yeah, I suppose the 613 00:28:40,640 --> 00:28:42,920 Speaker 7: teams that can execute under pressure of the ones that 614 00:28:42,920 --> 00:28:43,840 Speaker 7: are going to come up on top. 615 00:28:44,240 --> 00:28:46,200 Speaker 3: When you're planning for a team, is it easier. You know, 616 00:28:46,240 --> 00:28:48,200 Speaker 3: you're planning for same Melbourne this week and you go, Okay, 617 00:28:48,200 --> 00:28:50,000 Speaker 3: there's Oliver and there's go and they've got these star players. 618 00:28:50,000 --> 00:28:52,360 Speaker 3: But when you're planning for a team like Hawthorne, people 619 00:28:52,400 --> 00:28:54,040 Speaker 3: know sicily, but they're not a lot of stars there. 620 00:28:54,240 --> 00:28:56,680 Speaker 3: They play as a team, but a lot of young players. Yeah, 621 00:28:56,840 --> 00:28:57,400 Speaker 3: be tougher to. 622 00:28:58,920 --> 00:28:59,400 Speaker 5: I suppose. 623 00:29:00,440 --> 00:29:01,640 Speaker 7: Yeah, it might be a little bit easier when you 624 00:29:01,640 --> 00:29:03,160 Speaker 7: look at a team like Melbourne. I've got sort of 625 00:29:03,240 --> 00:29:06,600 Speaker 7: these soup star Yeah there, but one thing we definitely 626 00:29:06,680 --> 00:29:10,360 Speaker 7: recognize was Hawthorne are really strong through their midfield and 627 00:29:11,000 --> 00:29:12,920 Speaker 7: they're quite like they're a young team, but they've got 628 00:29:13,400 --> 00:29:16,480 Speaker 7: good depth and balance, and yeah, going into the week, 629 00:29:16,560 --> 00:29:18,960 Speaker 7: they were number one clearance team for the last four weeks, 630 00:29:19,000 --> 00:29:22,200 Speaker 7: so we certainly, yeah, we knew it was going to 631 00:29:22,240 --> 00:29:25,960 Speaker 7: be a tough contest and we certainly respected the oppositions 632 00:29:27,080 --> 00:29:28,760 Speaker 7: and yeah, I think we saw that in the way 633 00:29:28,800 --> 00:29:30,600 Speaker 7: the game was played. They were really tough around the 634 00:29:30,640 --> 00:29:32,800 Speaker 7: ball and it was a pretty fierce contest and really 635 00:29:32,880 --> 00:29:35,400 Speaker 7: high pressure. So yeah, you sort of got to look 636 00:29:35,400 --> 00:29:38,160 Speaker 7: at those key metrics and you don't really focus too 637 00:29:38,240 --> 00:29:41,360 Speaker 7: much on individual players. Obviously, some teams have players that 638 00:29:41,440 --> 00:29:43,560 Speaker 7: you want to be aware of because they've got you know, 639 00:29:43,760 --> 00:29:46,880 Speaker 7: the soupers are talents, but Hawthorne or a team that 640 00:29:47,240 --> 00:29:48,880 Speaker 7: as a collective can be pretty damaging. 641 00:29:49,480 --> 00:29:51,000 Speaker 2: Well, let's put that one in the rearview mirror and 642 00:29:51,040 --> 00:29:53,120 Speaker 2: look towards Melbourne at Optus on Sunday. 643 00:29:53,160 --> 00:29:53,680 Speaker 4: Bounced down? 644 00:29:53,840 --> 00:29:57,560 Speaker 2: Is that one twenty Sunday afternoon, Fremantle is celebrating the 645 00:29:57,600 --> 00:30:01,960 Speaker 2: twenty second anniversary of the annual Starlight Purple Haze Game. 646 00:30:02,400 --> 00:30:04,200 Speaker 5: Yeah, it's going to be big day for free, hugely 647 00:30:04,480 --> 00:30:04,920 Speaker 5: huge day. 648 00:30:05,080 --> 00:30:06,840 Speaker 7: That's one of one of our favorite games on the 649 00:30:06,880 --> 00:30:09,120 Speaker 7: calendar of the Purple Hairs game. And we've raised over 650 00:30:09,160 --> 00:30:11,840 Speaker 7: two million dollars in the last twenty one years, which 651 00:30:11,880 --> 00:30:15,320 Speaker 7: is a massive achievement by the football club and massive 652 00:30:15,360 --> 00:30:19,680 Speaker 7: for the families and kids that are affected. Yeah, affected, 653 00:30:19,760 --> 00:30:22,000 Speaker 7: and the Starlight does a great job of supporting them, 654 00:30:22,080 --> 00:30:24,320 Speaker 7: so so good. Yeah, we're really pumped to get out 655 00:30:24,360 --> 00:30:27,440 Speaker 7: there and represent those people and hopefully get a win. 656 00:30:27,720 --> 00:30:27,920 Speaker 1: Yeah. 657 00:30:27,960 --> 00:30:30,640 Speaker 3: I've seen the video with Caleb and Sunny with a 658 00:30:30,760 --> 00:30:32,400 Speaker 3: young girl who's tossing the call in this week. She 659 00:30:32,560 --> 00:30:33,240 Speaker 3: is so cute. 660 00:30:33,560 --> 00:30:36,200 Speaker 5: Yeah Yeah, big moment for her. Yeah, will be. 661 00:30:36,400 --> 00:30:39,080 Speaker 7: And we've got a few kids coming into the club 662 00:30:39,120 --> 00:30:42,360 Speaker 7: tomorrow to join us during training and sit down and 663 00:30:42,440 --> 00:30:44,440 Speaker 7: have lunch with all the players and then they'll. 664 00:30:44,200 --> 00:30:48,440 Speaker 5: Be there on game data, each of them. Yeah. Really 665 00:30:48,800 --> 00:30:50,760 Speaker 5: it's massive and it puts things in perspective for us. 666 00:30:50,840 --> 00:30:53,600 Speaker 7: We're very lucky to do what we do and yeah, 667 00:30:53,640 --> 00:30:55,960 Speaker 7: we're just yeah, it's we're very fortunate to put a 668 00:30:56,000 --> 00:30:57,080 Speaker 7: smile on these kids' faces. 669 00:30:57,240 --> 00:30:59,160 Speaker 4: And Melbourne's a bit of a mixed bag and you 670 00:30:59,240 --> 00:31:01,080 Speaker 4: don't know which team is going to show up. 671 00:31:01,920 --> 00:31:05,560 Speaker 7: Yeah, well, as I said earlier, the competition is getting tight, 672 00:31:05,680 --> 00:31:07,480 Speaker 7: so you just got to expect everyone to be pretty 673 00:31:07,560 --> 00:31:09,800 Speaker 7: hungry and playing for the playing for their season. So 674 00:31:10,280 --> 00:31:12,880 Speaker 7: that's what we expecting. Yeah, that's what we're expecting on 675 00:31:12,960 --> 00:31:16,400 Speaker 7: the weekend. But yeah, we feel like they've they might 676 00:31:16,440 --> 00:31:18,720 Speaker 7: have adjusted a few things since last time we played. 677 00:31:18,840 --> 00:31:19,720 Speaker 3: Six or seven weeks ago. 678 00:31:20,160 --> 00:31:21,880 Speaker 5: Yeah today, Yeah, I know, it's. 679 00:31:21,960 --> 00:31:25,120 Speaker 7: It's pretty crazy, but yeah, they're looking like they're playing 680 00:31:25,120 --> 00:31:26,880 Speaker 7: a bit more of a contested brand and taking the 681 00:31:26,920 --> 00:31:28,400 Speaker 7: contest a bit more. So we're gonna have to be 682 00:31:29,000 --> 00:31:31,480 Speaker 7: up for the fight in that in that area. And yeah, 683 00:31:31,520 --> 00:31:34,760 Speaker 7: we're hoping to have our home crowd behind us to 684 00:31:34,840 --> 00:31:37,160 Speaker 7: cheer us home. And you probably have your captain back. 685 00:31:37,520 --> 00:31:39,000 Speaker 5: Yeah, that will make a big difference. 686 00:31:40,000 --> 00:31:44,760 Speaker 7: Captain hopefully back big Ruckman, hopefully back Brawdon Walker, who's 687 00:31:44,800 --> 00:31:46,320 Speaker 7: also a test to play. 688 00:31:46,480 --> 00:31:48,200 Speaker 5: So yeah, exciting. 689 00:31:48,840 --> 00:31:51,440 Speaker 7: We've got some yeah, some good players hopefully coming back 690 00:31:51,480 --> 00:31:52,560 Speaker 7: into the into the side. 691 00:31:52,600 --> 00:31:54,080 Speaker 3: Okay, mate, I know you love your knocking. I know 692 00:31:54,120 --> 00:31:55,520 Speaker 3: it's one of your favorite dishes of all time. 693 00:31:56,160 --> 00:31:56,720 Speaker 5: Do you eat that? 694 00:31:56,800 --> 00:31:59,040 Speaker 3: Can you eat that before a game? Is that a going? 695 00:31:59,280 --> 00:31:59,480 Speaker 11: Yeah? 696 00:32:00,080 --> 00:32:00,800 Speaker 3: Get your card's going? 697 00:32:01,120 --> 00:32:04,120 Speaker 7: It is except my favorite My favorite meal is my 698 00:32:04,200 --> 00:32:09,400 Speaker 7: mom's nothing. Oh right, I'm reluctant to try and recreate it. 699 00:32:10,160 --> 00:32:10,720 Speaker 3: You haven't done it. 700 00:32:12,840 --> 00:32:13,120 Speaker 5: I don't. 701 00:32:13,280 --> 00:32:14,600 Speaker 7: My mum was over here a couple of weeks ago 702 00:32:14,640 --> 00:32:16,440 Speaker 7: and she made me and it was the best thing 703 00:32:16,480 --> 00:32:18,800 Speaker 7: of it. But I'm reluctant to. I just don't think 704 00:32:18,800 --> 00:32:19,840 Speaker 7: I'll be able to do it as good as it 705 00:32:20,040 --> 00:32:22,200 Speaker 7: was the inferior version of now. I just don't have 706 00:32:22,280 --> 00:32:24,600 Speaker 7: to attempt it. But it is one of my favorite dishes. 707 00:32:24,640 --> 00:32:26,400 Speaker 5: It's going to be a goal I reckon. Yeah, maybe 708 00:32:26,480 --> 00:32:28,120 Speaker 5: down the track. You have to teach me you can 709 00:32:28,200 --> 00:32:28,720 Speaker 5: do it. Well. 710 00:32:28,840 --> 00:32:31,400 Speaker 2: Congratulations to Luke Ryan. It's his one hundred and fififth 711 00:32:31,480 --> 00:32:35,560 Speaker 2: game bounced down for Melbourne. Adoptus is one twenty. 712 00:32:35,840 --> 00:32:36,440 Speaker 4: Good luck. 713 00:32:36,520 --> 00:32:37,240 Speaker 5: Thank you very much. 714 00:32:37,360 --> 00:32:39,720 Speaker 3: Just see my paradise to me, you know, Lisa is 715 00:32:40,040 --> 00:32:41,120 Speaker 3: just a room full of food. 716 00:32:42,720 --> 00:32:43,000 Speaker 1: It is. 717 00:32:43,200 --> 00:32:44,320 Speaker 2: I don't know what I'm going to do with my 718 00:32:44,440 --> 00:32:48,000 Speaker 2: seven thirties at night now, because you know, Master Chef 719 00:32:48,040 --> 00:32:50,040 Speaker 2: goes for a while, you get pretty investors. 720 00:32:50,480 --> 00:32:51,400 Speaker 3: Quite a few months, isn't it. 721 00:32:51,760 --> 00:32:55,160 Speaker 4: And last night it all wrapped up and Master Chef 722 00:32:55,320 --> 00:32:59,720 Speaker 4: for twenty twenty four is nat type and good morning, 723 00:33:00,560 --> 00:33:01,240 Speaker 4: good morning. 724 00:33:01,040 --> 00:33:02,760 Speaker 1: Welcome, good morning, good morning. 725 00:33:02,840 --> 00:33:05,160 Speaker 4: How are we congratulations? 726 00:33:06,240 --> 00:33:07,080 Speaker 11: Thank you so much. 727 00:33:07,240 --> 00:33:10,600 Speaker 2: It's been I mean, it really is such a you know, 728 00:33:10,960 --> 00:33:12,120 Speaker 2: it's a tough competition. 729 00:33:12,840 --> 00:33:15,000 Speaker 4: Do you cook? How many days a week do you 730 00:33:15,080 --> 00:33:15,720 Speaker 4: actually cook? 731 00:33:16,960 --> 00:33:18,280 Speaker 5: Oh, you don't even want to know. 732 00:33:18,640 --> 00:33:21,160 Speaker 1: When I was living in New Zealand, I was cooking. 733 00:33:21,240 --> 00:33:23,480 Speaker 11: I couldn't get out of the kitchen. I remember timing 734 00:33:23,560 --> 00:33:26,000 Speaker 11: myself once and I spent eleven hours in the kitchen, 735 00:33:26,080 --> 00:33:27,240 Speaker 11: Oh my gosh, cooking. 736 00:33:27,320 --> 00:33:29,840 Speaker 2: But during me, actually during the competition, because you know, 737 00:33:29,920 --> 00:33:33,520 Speaker 2: we see it from Sunday night to Thursday night sometimes, 738 00:33:34,520 --> 00:33:36,080 Speaker 2: are you how many days of the week do you 739 00:33:36,200 --> 00:33:38,480 Speaker 2: actually go into the Master Chef kitchen and cook? 740 00:33:39,600 --> 00:33:39,760 Speaker 9: Oh? 741 00:33:39,960 --> 00:33:40,600 Speaker 1: Like five days? 742 00:33:40,680 --> 00:33:41,200 Speaker 4: Five days? 743 00:33:41,440 --> 00:33:41,640 Speaker 3: Really? 744 00:33:41,720 --> 00:33:44,760 Speaker 2: I mean that's intense, And you know it's hard because 745 00:33:44,800 --> 00:33:46,800 Speaker 2: we see an hour long episode, but you know, quite 746 00:33:46,880 --> 00:33:48,880 Speaker 2: often you've got five hours to cook. 747 00:33:48,920 --> 00:33:53,400 Speaker 4: I can imagine doing anything for five hours straight. It's 748 00:33:53,480 --> 00:33:53,960 Speaker 4: really long. 749 00:33:54,000 --> 00:33:56,160 Speaker 11: But the thing is it goes it completely flies By. 750 00:33:57,520 --> 00:33:59,480 Speaker 5: Yeah, I wanted more time. 751 00:34:00,560 --> 00:34:01,600 Speaker 4: Six hours would have been good. 752 00:34:01,880 --> 00:34:02,080 Speaker 2: Yeah. 753 00:34:02,360 --> 00:34:03,880 Speaker 3: It's like a bit of a video game, isn't it? 754 00:34:03,920 --> 00:34:05,840 Speaker 3: Beat the Butcher, which you did. Now that I've been 755 00:34:05,880 --> 00:34:07,360 Speaker 3: meaning to catch up and find out what we're doing 756 00:34:07,400 --> 00:34:08,680 Speaker 3: with our two hundred and fifty grand. 757 00:34:10,920 --> 00:34:12,520 Speaker 11: Two hundred and fifty grand, I mean that's a lot 758 00:34:12,560 --> 00:34:16,160 Speaker 11: of money, and I really want to travel around the world, 759 00:34:16,360 --> 00:34:18,640 Speaker 11: go to loads of different restaurants and go work at 760 00:34:18,680 --> 00:34:21,560 Speaker 11: those restaurants as well. I wanted to, like, you know, 761 00:34:21,800 --> 00:34:25,360 Speaker 11: go like just go lap of those experiences. Broaden my palates, 762 00:34:25,400 --> 00:34:27,640 Speaker 11: broaden my knowledge, right, you know, get really good at 763 00:34:27,719 --> 00:34:29,840 Speaker 11: understanding the industry before I opened something. 764 00:34:29,960 --> 00:34:30,200 Speaker 1: Maybe. 765 00:34:30,719 --> 00:34:32,600 Speaker 4: Yeah, but believe you said that because I was going 766 00:34:32,680 --> 00:34:33,200 Speaker 4: to say to you. 767 00:34:33,920 --> 00:34:36,200 Speaker 2: On the first show, you won the opportunity to go 768 00:34:36,280 --> 00:34:38,520 Speaker 2: and spend some time in Jamie Oliver's restaurant in the UK, 769 00:34:39,000 --> 00:34:40,879 Speaker 2: and then when you were in Hong Kong, you seem 770 00:34:40,960 --> 00:34:43,960 Speaker 2: pretty keen on that Michelin star Chef's invitation to any 771 00:34:43,960 --> 00:34:45,840 Speaker 2: of you to spend a bit of time in his restaurant, 772 00:34:46,040 --> 00:34:48,480 Speaker 2: And I thought, you know, with that money, how cool 773 00:34:48,520 --> 00:34:49,880 Speaker 2: would it be to go on a bit of a 774 00:34:49,960 --> 00:34:53,520 Speaker 2: food tour. Of these amazing chef's restaurants, say, can I 775 00:34:53,640 --> 00:34:55,360 Speaker 2: just spend a bit of time in your kitchen and 776 00:34:55,520 --> 00:34:57,920 Speaker 2: come back with a stock pile of experience? 777 00:34:59,000 --> 00:35:05,359 Speaker 4: Yeah, same person, that's a better cooks effects, that's a cook. 778 00:35:06,800 --> 00:35:09,120 Speaker 4: Just that is a really amazing idea. 779 00:35:09,239 --> 00:35:11,920 Speaker 11: I think, I know, I think it's just yeah. 780 00:35:13,680 --> 00:35:15,719 Speaker 3: We're very excited for you know, I just want to 781 00:35:16,200 --> 00:35:18,279 Speaker 3: just want to say, not only do you win, you 782 00:35:18,360 --> 00:35:19,759 Speaker 3: get the money and all the rest of it in 783 00:35:19,840 --> 00:35:22,800 Speaker 3: the trophy, hold the trophy up proudly. But is it pressure? 784 00:35:22,880 --> 00:35:24,640 Speaker 3: All of a sudden they say, oh, by the way, 785 00:35:24,719 --> 00:35:26,680 Speaker 3: you at a residency of Crown in there at the 786 00:35:26,719 --> 00:35:29,640 Speaker 3: Alumni restaurant. I mean, that's a very very prestigious place. 787 00:35:29,680 --> 00:35:31,560 Speaker 3: And then it's instant pressure on you, doesn't it. 788 00:35:32,480 --> 00:35:37,160 Speaker 1: You have no idea. I'm actually terrified. I really sleep 789 00:35:37,239 --> 00:35:37,560 Speaker 1: at night. 790 00:35:37,680 --> 00:35:40,120 Speaker 11: I was like thinking about my menus, like they could laugh, 791 00:35:40,280 --> 00:35:43,719 Speaker 11: like the horn entire public of death. Mas chef, I'm 792 00:35:43,760 --> 00:35:45,360 Speaker 11: going to want to come and eat, They want to 793 00:35:45,360 --> 00:35:46,840 Speaker 11: come and meet me, and I'm just like, that's a 794 00:35:46,920 --> 00:35:49,759 Speaker 11: lot of pressure. But you know, I'm going to have 795 00:35:49,840 --> 00:35:52,080 Speaker 11: to put my a game on and you guys have 796 00:35:52,160 --> 00:35:55,640 Speaker 11: see me on the show. I am so like hard 797 00:35:55,680 --> 00:35:56,560 Speaker 11: than myself, you know. 798 00:35:57,120 --> 00:36:00,840 Speaker 2: But so yeah, I reckon they go in with a 799 00:36:01,000 --> 00:36:04,000 Speaker 2: sort of vibe of I'm really excited to try your food, 800 00:36:04,160 --> 00:36:06,759 Speaker 2: rather than going in with a okay, impress me type 801 00:36:06,800 --> 00:36:09,879 Speaker 2: of attitude. Yeah, so I think I think that would 802 00:36:09,880 --> 00:36:12,239 Speaker 2: be very kind to you. Now, how long did you 803 00:36:12,320 --> 00:36:14,120 Speaker 2: have to keep it under wraps that you'd won. 804 00:36:15,160 --> 00:36:17,400 Speaker 11: On the thing? Not too long because I went straight 805 00:36:17,440 --> 00:36:21,920 Speaker 11: to London after the show finish area, so I attracted. 806 00:36:22,120 --> 00:36:24,359 Speaker 11: I was like, to my in my eyes, I felt 807 00:36:24,400 --> 00:36:26,800 Speaker 11: like I read ready one by hanging out with Jamie. 808 00:36:27,160 --> 00:36:28,840 Speaker 5: Yeah, I was. 809 00:36:29,160 --> 00:36:32,160 Speaker 11: I completely forgot about it and like was just living 810 00:36:32,200 --> 00:36:34,640 Speaker 11: a whole entire life after the chow finish. 811 00:36:35,760 --> 00:36:40,080 Speaker 3: So yeah, it's otherwise it's going to be half want 812 00:36:40,080 --> 00:36:42,920 Speaker 3: to keep it, keep it sigarette and everyone around you 813 00:36:43,080 --> 00:36:45,279 Speaker 3: with all the family. Speaking of family, how emotional is 814 00:36:45,320 --> 00:36:47,640 Speaker 3: it when you start the grand final of the Grand 815 00:36:47,680 --> 00:36:49,120 Speaker 3: Finale and your family walk in. 816 00:36:50,160 --> 00:36:53,600 Speaker 11: Oh, it was so emotional and I could just feel 817 00:36:53,600 --> 00:36:55,959 Speaker 11: the pressure as well. I remember my mom was telling 818 00:36:56,040 --> 00:36:57,960 Speaker 11: me she was just like a cop, You're going to 819 00:36:58,040 --> 00:37:01,800 Speaker 11: become a chef, she whispered, this inn in like the 820 00:37:01,880 --> 00:37:03,920 Speaker 11: Master Chef kitchen. I was like, Mom, I can't tell 821 00:37:04,000 --> 00:37:07,040 Speaker 11: me right now, do you have? 822 00:37:07,320 --> 00:37:10,080 Speaker 2: Is there something that stands out across the competition as 823 00:37:10,400 --> 00:37:13,320 Speaker 2: the most tough challenge, the most challenging. 824 00:37:13,000 --> 00:37:13,480 Speaker 4: Day you had. 825 00:37:14,760 --> 00:37:18,279 Speaker 11: My most challenging day was definitely probably my day in 826 00:37:18,400 --> 00:37:23,239 Speaker 11: Hong Kong because it was so goddamn cold, but I 827 00:37:23,280 --> 00:37:24,760 Speaker 11: couldn't feel my fingers. 828 00:37:24,800 --> 00:37:26,680 Speaker 1: But but that was also my favorite. 829 00:37:26,760 --> 00:37:29,200 Speaker 11: It was also my break. It was like my turning 830 00:37:29,280 --> 00:37:31,279 Speaker 11: point of realizing I'm going to become a chef. 831 00:37:31,520 --> 00:37:31,759 Speaker 5: Wow. 832 00:37:31,920 --> 00:37:34,440 Speaker 11: So it just made me realize I could work in 833 00:37:34,760 --> 00:37:38,080 Speaker 11: any condition, like I'm very adaptable, and that made me 834 00:37:38,400 --> 00:37:40,320 Speaker 11: kind of, you know, quite proud of myself. 835 00:37:40,680 --> 00:37:42,440 Speaker 4: Yeah, we could see how cold that was there. 836 00:37:42,480 --> 00:37:42,759 Speaker 2: He's fair. 837 00:37:42,840 --> 00:37:45,160 Speaker 4: I was surprised. I wasn't expecting that it was going 838 00:37:45,239 --> 00:37:46,640 Speaker 4: to be so cold. 839 00:37:49,200 --> 00:37:50,879 Speaker 1: I know, I know, it gets really cold. 840 00:37:51,000 --> 00:37:51,160 Speaker 11: Yeah. 841 00:37:51,320 --> 00:37:51,520 Speaker 2: Yeah. 842 00:37:52,040 --> 00:37:53,600 Speaker 3: There was a scene last night when you had to, 843 00:37:53,920 --> 00:37:55,680 Speaker 3: you know, knock back some ingredients you didn't want. You 844 00:37:55,800 --> 00:37:57,719 Speaker 3: both ended up happy with the black peppercorns, but my 845 00:37:57,800 --> 00:38:00,359 Speaker 3: wife was going they knocked back the fendel. So many 846 00:38:00,400 --> 00:38:02,200 Speaker 3: things you can do with fennel, but you've gotta make 847 00:38:02,520 --> 00:38:04,360 Speaker 3: choices on the on the spirits, moment know. 848 00:38:04,400 --> 00:38:04,880 Speaker 11: What to do with. 849 00:38:05,280 --> 00:38:05,960 Speaker 3: I've got no idea. 850 00:38:07,120 --> 00:38:08,960 Speaker 11: You're gonna be so in those moments, You're gonna be 851 00:38:09,040 --> 00:38:12,280 Speaker 11: so strategic. I was like, looked at black paper corns 852 00:38:12,600 --> 00:38:15,080 Speaker 11: and I was like, I reckon, I know exactly what 853 00:38:15,160 --> 00:38:17,080 Speaker 11: Pether is going to make, So I'm gonna pick black 854 00:38:17,120 --> 00:38:19,400 Speaker 11: paper corns so I can make some so rogue. 855 00:38:19,760 --> 00:38:22,720 Speaker 4: That makes sense, Or you were still taking still taking 856 00:38:22,840 --> 00:38:26,200 Speaker 4: risks right until the end. That that proof to work 857 00:38:26,280 --> 00:38:26,520 Speaker 4: for you. 858 00:38:27,560 --> 00:38:30,160 Speaker 11: Yeah, yeah, I as much as I take on the 859 00:38:30,320 --> 00:38:33,600 Speaker 11: judges feedback, I was very much like, I'm going to 860 00:38:33,640 --> 00:38:34,400 Speaker 11: stick to my guns. 861 00:38:34,760 --> 00:38:34,960 Speaker 10: Yeah. 862 00:38:35,520 --> 00:38:41,920 Speaker 2: Well, no, congratulations, good luck with the Crown Residency and 863 00:38:42,280 --> 00:38:45,080 Speaker 2: the food tour, which is the best idea ever I think, 864 00:38:45,160 --> 00:38:46,520 Speaker 2: to come back with all that experience. 865 00:38:46,560 --> 00:38:47,640 Speaker 3: It sounds like Vegas. 866 00:38:48,840 --> 00:38:50,680 Speaker 4: And you know, maybe we'll see you in the jungle. 867 00:38:53,040 --> 00:38:57,480 Speaker 2: They like to get a chef there anywhere. Yeah yeah, yeah, 868 00:38:57,600 --> 00:39:00,400 Speaker 2: the world. Congratulations and enjoy it. 869 00:39:01,120 --> 00:39:02,440 Speaker 11: Thank you so much, thanks for having me. 870 00:39:02,640 --> 00:39:06,719 Speaker 4: Bye Clazy and Lisa fanzy day same him 871 00:39:08,239 --> 00:39:08,279 Speaker 1: H