1 00:00:00,280 --> 00:00:04,160 Speaker 1: It's a special Will and Woody podcast Mini Big Trouble 2 00:00:04,200 --> 00:00:06,400 Speaker 1: for the pussy Cat Dolls. 3 00:00:06,000 --> 00:00:08,800 Speaker 2: She got down west like me. 4 00:00:10,440 --> 00:00:12,400 Speaker 1: Oh yeah, love that, love that one? 5 00:00:12,400 --> 00:00:13,080 Speaker 2: What is that one? 6 00:00:13,200 --> 00:00:13,520 Speaker 1: Gi Ho? 7 00:00:14,120 --> 00:00:14,600 Speaker 2: Gi Ho? 8 00:00:14,800 --> 00:00:17,680 Speaker 1: Ye? Sure it's not tally no gi Ho? 9 00:00:18,120 --> 00:00:20,079 Speaker 3: Who is gi Ho? Not sure? 10 00:00:20,200 --> 00:00:22,000 Speaker 1: Okay, it must be a great go there if the 11 00:00:22,040 --> 00:00:24,640 Speaker 1: dolls are singing about him. But the reason we are 12 00:00:24,680 --> 00:00:26,479 Speaker 1: talking about the dolls is because they were going to 13 00:00:26,600 --> 00:00:29,080 Speaker 1: have a reunion. They've been broken up for a while, 14 00:00:29,080 --> 00:00:31,120 Speaker 1: they haven't been doing music for a long time. They're 15 00:00:31,160 --> 00:00:34,640 Speaker 1: going to bring it all back together. But unfortunately that's 16 00:00:34,680 --> 00:00:40,040 Speaker 1: looking bad now because Shirt Singer the main cat. 17 00:00:40,000 --> 00:00:41,599 Speaker 3: Well, we wouldn't call her the main cat. We'd call 18 00:00:41,600 --> 00:00:42,520 Speaker 3: her top pussy. 19 00:00:44,560 --> 00:00:45,920 Speaker 1: Yep, top top puss. 20 00:00:46,760 --> 00:00:49,599 Speaker 3: She is potentially busy cat dolls, let's call them. 21 00:00:49,840 --> 00:00:51,760 Speaker 1: Yeah yeah, no, of course, of course make ket mature. 22 00:00:52,440 --> 00:00:55,560 Speaker 1: But she is potentially out now from the reunion because 23 00:00:55,600 --> 00:01:02,600 Speaker 1: she requested seventy five percent ownership and complete creative control. 24 00:01:03,520 --> 00:01:04,200 Speaker 3: Did she really? 25 00:01:04,520 --> 00:01:06,080 Speaker 1: And the other cats were obviously like. 26 00:01:07,040 --> 00:01:19,880 Speaker 3: The other cats less than three minutes and really really 27 00:01:20,160 --> 00:01:25,000 Speaker 3: rogue comments. 28 00:01:23,600 --> 00:01:30,280 Speaker 1: I'm on track, producers, don't you worry, I'm back on track. 29 00:01:31,200 --> 00:01:33,880 Speaker 1: She wants complete creative control. And yeah, the other Pussycat 30 00:01:33,920 --> 00:01:36,200 Speaker 1: dolls were just like, nah, not up in here. So 31 00:01:36,319 --> 00:01:38,640 Speaker 1: it looks like it looks like it's all over the 32 00:01:38,680 --> 00:01:42,000 Speaker 1: reunion now, Will, Yes, I wanted to talk to you 33 00:01:42,120 --> 00:01:46,400 Speaker 1: about this because Nicole Schertzinger was demanding complete creative control. 34 00:01:46,480 --> 00:01:48,800 Speaker 1: That was her number one non negotiable to be in 35 00:01:48,840 --> 00:01:50,280 Speaker 1: control of every single decision. 36 00:01:50,480 --> 00:01:51,200 Speaker 3: Yes, now, it. 37 00:01:51,120 --> 00:01:53,920 Speaker 1: Would be no lie yep or no exaggeration that you 38 00:01:53,960 --> 00:01:56,280 Speaker 1: are also a bit of a control freak. 39 00:01:56,440 --> 00:02:00,000 Speaker 2: Will's a control freak, control freak, will control. 40 00:02:01,040 --> 00:02:07,600 Speaker 1: Yeah, back to you, Woody, Thank you, Woody, yourself one 41 00:02:07,640 --> 00:02:09,360 Speaker 1: more time in production. 42 00:02:09,480 --> 00:02:10,720 Speaker 3: I will leave this studio. 43 00:02:11,560 --> 00:02:16,720 Speaker 1: You're someone you anchor this show, and you really like 44 00:02:16,800 --> 00:02:20,239 Speaker 1: being in control. And if I mean like sometimes you're 45 00:02:20,480 --> 00:02:23,760 Speaker 1: very uncomfortable when you're not in control of why is 46 00:02:23,840 --> 00:02:25,360 Speaker 1: that great? 47 00:02:25,400 --> 00:02:28,480 Speaker 3: Christian? It actually is something that has really bothered me 48 00:02:28,520 --> 00:02:30,720 Speaker 3: because if I think about it rationally, I actually I 49 00:02:30,800 --> 00:02:33,520 Speaker 3: hate control freaks. No one likes control freaks, and I 50 00:02:33,560 --> 00:02:36,000 Speaker 3: really don't like it about myself when I am like that. 51 00:02:36,400 --> 00:02:38,239 Speaker 3: And I think that anybody that feels like they need 52 00:02:38,280 --> 00:02:41,400 Speaker 3: to be in control knows that it's a nasty feeling 53 00:02:42,160 --> 00:02:44,320 Speaker 3: and what happens with me. This is the worst part 54 00:02:44,320 --> 00:02:47,240 Speaker 3: about it is I start getting really pissed off, I 55 00:02:47,280 --> 00:02:51,920 Speaker 3: start getting really angry, and it totally unravels, and to 56 00:02:51,960 --> 00:02:54,240 Speaker 3: the point where like I will walk into meeting rooms 57 00:02:54,280 --> 00:02:58,400 Speaker 3: sometimes and if particularly if I'm down on myself, I 58 00:02:58,400 --> 00:02:59,760 Speaker 3: will feel and if I feel like things are out 59 00:02:59,760 --> 00:03:02,400 Speaker 3: of my cantrol, I will be like so angry that 60 00:03:02,480 --> 00:03:05,400 Speaker 3: I won't even be able to communicate with ideas and stuff. 61 00:03:06,000 --> 00:03:07,320 Speaker 1: So what's the fear there? 62 00:03:07,720 --> 00:03:08,960 Speaker 3: What's the bye question? 63 00:03:09,040 --> 00:03:09,200 Speaker 1: Yeah? 64 00:03:09,240 --> 00:03:11,760 Speaker 3: Yeah, yeah, So I hate that I hate control freaks, 65 00:03:11,760 --> 00:03:13,160 Speaker 3: and I hate the fact that I get angry and 66 00:03:13,200 --> 00:03:15,600 Speaker 3: I'm not and I'm not an egomaniac. That's the other thing. 67 00:03:15,639 --> 00:03:18,160 Speaker 3: So I had to really look at this recently, and 68 00:03:18,200 --> 00:03:20,880 Speaker 3: actually I just talk to my psychologist about this because 69 00:03:20,880 --> 00:03:23,160 Speaker 3: I was like, I'm really worried that I'm turning into 70 00:03:23,520 --> 00:03:25,480 Speaker 3: I just I hate the fact that this is happening. 71 00:03:26,080 --> 00:03:33,640 Speaker 3: And it came down to the fact that it comes 72 00:03:33,639 --> 00:03:36,920 Speaker 3: from a really deep seated thing, which I'm sure a 73 00:03:36,960 --> 00:03:39,600 Speaker 3: lot of people can understand, but I'm going to There's 74 00:03:39,600 --> 00:03:41,680 Speaker 3: a guy called David White who's one of my favorite poets, 75 00:03:41,720 --> 00:03:44,480 Speaker 3: and he says that anger is the deepest form of 76 00:03:44,600 --> 00:03:48,600 Speaker 3: care for yourself. Oh yeah, so it's. 77 00:03:48,600 --> 00:03:51,560 Speaker 1: Anger is the deepest form of care for yourself. Yes, 78 00:03:51,800 --> 00:03:53,760 Speaker 1: it's like as in like it's a defense. It's a 79 00:03:53,800 --> 00:03:55,200 Speaker 1: you set up a defense for yourself. 80 00:03:55,360 --> 00:03:59,080 Speaker 3: Anger is what we what we call anger is just 81 00:03:59,160 --> 00:04:05,880 Speaker 3: the final remnants or resonance of you trying to protect yourself, 82 00:04:05,880 --> 00:04:08,480 Speaker 3: all the most vulnerable part of yourself, and it bursts 83 00:04:08,560 --> 00:04:09,280 Speaker 3: to the surface. 84 00:04:09,360 --> 00:04:11,240 Speaker 1: So you think, so when you're trying to take control 85 00:04:11,280 --> 00:04:13,200 Speaker 1: and that can sometimes manifest into anger. 86 00:04:13,400 --> 00:04:16,400 Speaker 3: Yes, that's you protecting yourself essentially. So it comes from 87 00:04:16,400 --> 00:04:18,560 Speaker 3: a place, as I understand, and I really don't want 88 00:04:18,560 --> 00:04:21,159 Speaker 3: to bore everybody with my own psychoanalysis here, but it 89 00:04:21,200 --> 00:04:23,839 Speaker 3: comes from when I was a child wanting to be 90 00:04:23,880 --> 00:04:26,719 Speaker 3: loved and wanting to be noticed. And the great catch 91 00:04:26,720 --> 00:04:29,440 Speaker 3: all of being in control is that you have to 92 00:04:29,480 --> 00:04:33,240 Speaker 3: be noticed. If you're in control, everybody notices you, everyone 93 00:04:33,279 --> 00:04:35,159 Speaker 3: has to get around you because you're in control. And 94 00:04:35,200 --> 00:04:37,200 Speaker 3: so when that slips out of your fingers, you feel 95 00:04:37,200 --> 00:04:39,000 Speaker 3: like you're not in control, and then you're not going 96 00:04:39,080 --> 00:04:40,920 Speaker 3: to be loved. And then I get angry because I'm 97 00:04:41,680 --> 00:04:43,920 Speaker 3: just trying to I'm scared that I'm not going to 98 00:04:43,960 --> 00:04:46,320 Speaker 3: be loved. Yeah, so it was a really scary because 99 00:04:46,320 --> 00:04:48,840 Speaker 3: I've always looked at control freaks. Actually, when I read that, 100 00:04:48,880 --> 00:04:50,960 Speaker 3: and I knew that about myself recently, I thought, I 101 00:04:51,080 --> 00:04:53,200 Speaker 3: actually feel really sorry for Shirt sing it because she 102 00:04:53,320 --> 00:04:54,120 Speaker 3: obviously the same thing. 103 00:04:54,120 --> 00:04:56,599 Speaker 1: It's probably the same thing a lot of narcissists as well. 104 00:04:56,640 --> 00:04:59,200 Speaker 3: They draw in attention. They want people to look at 105 00:04:59,240 --> 00:05:00,760 Speaker 3: them because they just actual we want to be loved 106 00:05:00,800 --> 00:05:02,800 Speaker 3: and they've been really hurt and yeah, that's why they 107 00:05:02,880 --> 00:05:03,680 Speaker 3: get angry and stuff. 108 00:05:03,800 --> 00:05:06,880 Speaker 1: Well, thank you for sharing that. That was very open 109 00:05:06,960 --> 00:05:09,839 Speaker 1: honors vulnerable. But the best way out of this will 110 00:05:10,279 --> 00:05:16,839 Speaker 1: is exposure therapy. So so my plan and our junior 111 00:05:16,880 --> 00:05:19,200 Speaker 1: producer doesn't know this yet, So this is going to 112 00:05:19,240 --> 00:05:21,560 Speaker 1: be complete chaos, but I'm going to kick you out 113 00:05:21,600 --> 00:05:25,000 Speaker 1: of the radio studio. Analise, our junior producer, is going 114 00:05:25,080 --> 00:05:27,400 Speaker 1: to come live on the radio and then she can 115 00:05:27,400 --> 00:05:30,279 Speaker 1: just talk about whatever she wants and you cannot control 116 00:05:30,320 --> 00:05:30,800 Speaker 1: it at all. 117 00:05:31,200 --> 00:05:31,680 Speaker 3: I love it. 118 00:05:31,920 --> 00:05:33,720 Speaker 1: Just you are going to watch this show burn to 119 00:05:33,800 --> 00:05:34,280 Speaker 1: the ground. 120 00:05:35,160 --> 00:05:38,240 Speaker 2: Control freak, control freak, will control. 121 00:05:38,320 --> 00:05:39,880 Speaker 3: Analise is going to come in and sit in my 122 00:05:40,000 --> 00:05:47,919 Speaker 3: sense and anchor and drink your tea. All right, I 123 00:05:47,960 --> 00:05:49,120 Speaker 3: have to watch from the outside. 124 00:05:49,200 --> 00:05:51,120 Speaker 1: Yes you do up next, Yes you do, and you're 125 00:05:51,160 --> 00:05:52,480 Speaker 1: going to give you a mile so we can hear 126 00:05:52,520 --> 00:05:54,279 Speaker 1: you outside, but we can turn you down if we want. 127 00:05:54,600 --> 00:05:56,360 Speaker 1: It's Will, and what do you for your drive home? 128 00:05:56,440 --> 00:05:57,279 Speaker 3: On Kiss? 129 00:05:57,760 --> 00:05:58,599 Speaker 2: Would you? 130 00:05:58,839 --> 00:06:03,920 Speaker 1: I'm um, obviously this is not Will junior producer Analyse 131 00:06:04,160 --> 00:06:08,640 Speaker 1: and you are bloody on fire on Analyst. That sounded good. 132 00:06:08,839 --> 00:06:11,400 Speaker 1: There was some heart to your an cream that I felt, Analyse, 133 00:06:11,400 --> 00:06:14,159 Speaker 1: which I really really enjoyed. Now I should explain before 134 00:06:14,200 --> 00:06:17,080 Speaker 1: we do have a conversation that the reason you are 135 00:06:17,120 --> 00:06:19,880 Speaker 1: in here and you cannot hear Will is because he 136 00:06:20,120 --> 00:06:21,080 Speaker 1: is a control freak. 137 00:06:21,160 --> 00:06:25,320 Speaker 2: Will's a control freak. Control freak. Will get a control freek. 138 00:06:25,640 --> 00:06:30,040 Speaker 1: Yeah, back to you, Woody, Thank you, Woody. So Nicole 139 00:06:30,080 --> 00:06:32,360 Speaker 1: Schertzinger she's pulled out of the Pussycat Dolls because she 140 00:06:32,400 --> 00:06:36,480 Speaker 1: won a complete creative control. So she obviously has the 141 00:06:36,520 --> 00:06:41,040 Speaker 1: same issue as Analyse that Will has. Yes, yes, so 142 00:06:41,320 --> 00:06:44,880 Speaker 1: I thought Will needed some exposure therapy by losing complete 143 00:06:44,880 --> 00:06:46,040 Speaker 1: control of the radio show. 144 00:06:46,240 --> 00:06:47,880 Speaker 3: I love I love your idea. 145 00:06:48,000 --> 00:06:50,000 Speaker 1: Thank you, thank you so much. Analyse. God, it's a 146 00:06:50,200 --> 00:06:54,320 Speaker 1: pleasant it's pleasant experience, refreshing it here great energy. 147 00:06:54,640 --> 00:06:55,360 Speaker 3: I'm feeling it. 148 00:06:55,440 --> 00:06:56,599 Speaker 1: I'm feeling this as well. 149 00:06:59,360 --> 00:07:00,000 Speaker 3: Y's microphone. 150 00:07:00,320 --> 00:07:04,320 Speaker 1: Do not give him his control. Now, analyse. I mean, 151 00:07:05,120 --> 00:07:07,360 Speaker 1: how's life going for you? I mean, tell me how old? 152 00:07:07,440 --> 00:07:08,240 Speaker 1: I tell everyone how old? 153 00:07:08,240 --> 00:07:08,359 Speaker 2: You are? 154 00:07:08,400 --> 00:07:12,840 Speaker 1: Analyst? So I'm twenty one, twenty one, Yes, living in 155 00:07:12,840 --> 00:07:14,400 Speaker 1: the beautiful country of Australia. 156 00:07:14,640 --> 00:07:19,960 Speaker 3: You live in I'm so glad you live in this. 157 00:07:20,840 --> 00:07:29,120 Speaker 3: That is now hell on, think about this. 158 00:07:29,120 --> 00:07:31,760 Speaker 2: This is good stuff. This is good stuff. 159 00:07:32,840 --> 00:07:35,880 Speaker 1: Twenty years old and you're looking at Will Slice. Do 160 00:07:35,880 --> 00:07:36,800 Speaker 1: you want to eat Wills? 161 00:07:38,000 --> 00:07:38,200 Speaker 3: Now? 162 00:07:38,360 --> 00:07:42,680 Speaker 1: I am known as the cake Queen. Yes. Yes, Will 163 00:07:42,720 --> 00:07:45,200 Speaker 1: has got a few bits and bobs in his area, 164 00:07:45,480 --> 00:07:48,080 Speaker 1: and it would be rude for me not to taste 165 00:07:48,160 --> 00:07:51,000 Speaker 1: test to slice. I agree an have a bite. It's 166 00:07:51,000 --> 00:07:51,880 Speaker 1: a lemon delicious. 167 00:07:51,920 --> 00:07:58,760 Speaker 3: There you bitch wood. He was looking forward to that 168 00:07:58,840 --> 00:07:59,360 Speaker 3: all day. 169 00:08:00,080 --> 00:08:01,560 Speaker 1: Oh he's gonna be hangry. 170 00:08:01,800 --> 00:08:03,239 Speaker 3: Okay, he's here, he's here. 171 00:08:03,440 --> 00:08:03,880 Speaker 2: Hot her. 172 00:08:04,120 --> 00:08:07,640 Speaker 3: We'll get her into witness protection. More of the boys 173 00:08:07,720 --> 00:08:10,760 Speaker 3: on the Full Show podcast. You know you want to