1 00:00:05,559 --> 00:00:08,480 Speaker 1: Woods. One of the benefits of working with Disney to 2 00:00:08,600 --> 00:00:12,640 Speaker 1: create our modern art gallery done with all the art 3 00:00:12,680 --> 00:00:14,880 Speaker 1: done by children, also means one of the perks of 4 00:00:14,920 --> 00:00:18,079 Speaker 1: working with Disney for the release of Disney Pixars Inside 5 00:00:18,079 --> 00:00:20,640 Speaker 1: Out too is we had to sit down chat with 6 00:00:20,760 --> 00:00:23,960 Speaker 1: Amy Pohla, who plays Joy in Inside Out. 7 00:00:24,079 --> 00:00:27,040 Speaker 2: Pretty much buds now, there's no doubt about it. Us 8 00:00:27,080 --> 00:00:29,520 Speaker 2: and the poll as I refer to her now around 9 00:00:29,520 --> 00:00:33,400 Speaker 2: the office. No, I've never got her that. But we 10 00:00:33,720 --> 00:00:36,959 Speaker 2: aren't tight. Even though when we did interview her, I'm 11 00:00:36,960 --> 00:00:40,040 Speaker 2: going to say this, this started in the most awkward 12 00:00:40,080 --> 00:00:42,880 Speaker 2: fashion ever because of it. I requested, well. 13 00:00:42,760 --> 00:00:46,960 Speaker 1: You requested something, which was horrific. But even before then 14 00:00:47,040 --> 00:00:49,960 Speaker 1: you and I rocked up to interview Amy and we 15 00:00:50,040 --> 00:00:51,800 Speaker 1: realized we were wearing exactly the same thing. 16 00:00:51,960 --> 00:00:55,400 Speaker 2: Yeah, have listened to this now, Amy. One of the 17 00:00:55,680 --> 00:00:59,680 Speaker 2: new emotions in the new film is anxiety. Yes, if 18 00:00:59,680 --> 00:01:02,440 Speaker 2: I'm honest, I am feeling a little bit anxious right now. 19 00:01:03,280 --> 00:01:06,440 Speaker 2: You and I know in your book you said that 20 00:01:06,520 --> 00:01:10,040 Speaker 2: if you can dance and be free and not be embarrassed, 21 00:01:10,440 --> 00:01:11,520 Speaker 2: then you can rule the world. 22 00:01:11,680 --> 00:01:12,520 Speaker 3: So should we dance? 23 00:01:12,880 --> 00:01:14,200 Speaker 2: I feel like we should dance? 24 00:01:14,240 --> 00:01:14,880 Speaker 3: Okay, let's do it. 25 00:01:14,920 --> 00:01:16,160 Speaker 2: Can can you dance with me? 26 00:01:16,400 --> 00:01:16,640 Speaker 3: Yes? 27 00:01:17,000 --> 00:01:19,600 Speaker 4: I'm with no music, this isn't this isn't anxiety and 28 00:01:19,640 --> 00:01:20,319 Speaker 4: docing it all. 29 00:01:21,880 --> 00:01:22,039 Speaker 2: Down. 30 00:01:22,160 --> 00:01:24,679 Speaker 1: We're in a cave as well, because I like. 31 00:01:24,680 --> 00:01:28,880 Speaker 4: That this feels totally natural, it's not weird. The two 32 00:01:28,959 --> 00:01:31,319 Speaker 4: men who are dress the same and I are really 33 00:01:31,400 --> 00:01:32,840 Speaker 4: closely dancing. 34 00:01:33,400 --> 00:01:34,080 Speaker 3: Mouth to mouth. 35 00:01:36,520 --> 00:01:44,039 Speaker 2: We are going to rule the world that my anxiety 36 00:01:44,120 --> 00:01:44,479 Speaker 2: is gone. 37 00:01:47,240 --> 00:01:48,080 Speaker 4: Don't you feel when. 38 00:01:48,000 --> 00:01:49,400 Speaker 3: You shake it up? When you shake? 39 00:01:49,760 --> 00:01:52,440 Speaker 4: For some people, dancing is the biggest nightmare. But for me, 40 00:01:52,480 --> 00:01:52,800 Speaker 4: if you. 41 00:01:52,760 --> 00:01:54,320 Speaker 1: Shake it up, yeah, you always feel better for it. 42 00:01:55,080 --> 00:01:57,480 Speaker 2: Actually, that was very awkward, but I feel great it was. 43 00:01:57,600 --> 00:01:59,640 Speaker 3: I mean, it can only go uphill from there. 44 00:02:04,040 --> 00:02:05,720 Speaker 1: I mean, I want to talk to you about I 45 00:02:05,760 --> 00:02:07,480 Speaker 1: know that you've got two little boys who are kind 46 00:02:07,520 --> 00:02:10,920 Speaker 1: of like teenagers. Are on the a teenager, and obviously 47 00:02:10,960 --> 00:02:12,960 Speaker 1: the movie is about Riley becoming a teenage, and I 48 00:02:12,960 --> 00:02:16,079 Speaker 1: want to ask you specifically obviously being a woman as 49 00:02:16,120 --> 00:02:17,640 Speaker 1: a teenager. You know what that's like, and that's what 50 00:02:17,639 --> 00:02:19,080 Speaker 1: the movie is about. But now you've got two little 51 00:02:19,080 --> 00:02:22,119 Speaker 1: boys who are teenagers, and any kind of like differences 52 00:02:22,120 --> 00:02:24,119 Speaker 1: you say between them, and if you think one sort 53 00:02:24,120 --> 00:02:25,560 Speaker 1: of easier than the other. 54 00:02:25,840 --> 00:02:28,640 Speaker 4: Well, because they're teens, I'm going to not talk about 55 00:02:28,680 --> 00:02:29,920 Speaker 4: them because they'll. 56 00:02:29,680 --> 00:02:31,840 Speaker 3: Hate that I'm talking about them. Of course, that's what 57 00:02:31,919 --> 00:02:32,520 Speaker 3: teens do. 58 00:02:33,000 --> 00:02:36,320 Speaker 4: But what I like about the movie is there's this 59 00:02:36,560 --> 00:02:39,360 Speaker 4: universal feeling and theme that we can relate to. I 60 00:02:39,360 --> 00:02:41,919 Speaker 4: can still relate to at my age, which is you 61 00:02:42,040 --> 00:02:45,400 Speaker 4: cross over the threshold and you go from kind of 62 00:02:45,480 --> 00:02:49,880 Speaker 4: living joyously to realizing people are looking at you, and 63 00:02:49,960 --> 00:02:52,400 Speaker 4: then you don't want to disappoint your friends, and like 64 00:02:52,480 --> 00:02:53,600 Speaker 4: you have stress. 65 00:02:53,240 --> 00:02:55,560 Speaker 3: About are you going to make the team? All of 66 00:02:55,560 --> 00:02:57,600 Speaker 3: a sudden, life gets really weird? 67 00:02:57,800 --> 00:02:59,120 Speaker 1: Are you finding that hard to parent? 68 00:02:59,360 --> 00:03:02,919 Speaker 4: Because I, you know, I think that the one thing 69 00:03:03,560 --> 00:03:05,359 Speaker 4: I try to do, and I think Pick Star does 70 00:03:05,360 --> 00:03:06,840 Speaker 4: it as well as you have to kind of treat 71 00:03:07,200 --> 00:03:11,160 Speaker 4: young people's feelings, you know, as very valid, kind of 72 00:03:11,200 --> 00:03:14,400 Speaker 4: dismiss people young people especially and say like, don't worry. 73 00:03:14,400 --> 00:03:17,520 Speaker 4: There's a really great moment in the film where Joy says. 74 00:03:17,480 --> 00:03:18,519 Speaker 3: Like, just don't worry. 75 00:03:18,800 --> 00:03:20,840 Speaker 4: Worry about it, you know, and we do that all 76 00:03:20,880 --> 00:03:21,680 Speaker 4: the time to young people. 77 00:03:21,680 --> 00:03:25,400 Speaker 3: But there's a lot to worry about. It's been a wild. 78 00:03:25,440 --> 00:03:28,000 Speaker 1: Well, I think we've had it really hard. We've both 79 00:03:28,040 --> 00:03:30,640 Speaker 1: got daughters and they're very young, and you know, just 80 00:03:30,720 --> 00:03:32,760 Speaker 1: the idea of this black hole of being a teenager 81 00:03:32,880 --> 00:03:35,040 Speaker 1: is so scary for both of us because everyone's just like, 82 00:03:35,080 --> 00:03:36,800 Speaker 1: you're gonna lose them for long. I don't know. 83 00:03:36,840 --> 00:03:41,000 Speaker 4: I've found every for me anyway, Every every section of 84 00:03:41,120 --> 00:03:43,760 Speaker 4: parenting has been like a short story. And you start 85 00:03:43,760 --> 00:03:45,440 Speaker 4: the story and you start. 86 00:03:45,200 --> 00:03:47,440 Speaker 3: It and you're like, I don't know about this. Then 87 00:03:47,480 --> 00:03:48,720 Speaker 3: in the middle you think. 88 00:03:48,520 --> 00:03:52,720 Speaker 4: This is the best, best phase yet, and then it's 89 00:03:52,760 --> 00:03:55,360 Speaker 4: over and you think, oh, the next story cannot be 90 00:03:55,400 --> 00:03:55,880 Speaker 4: as good. 91 00:03:55,760 --> 00:03:56,200 Speaker 3: And it is. 92 00:03:56,360 --> 00:04:00,480 Speaker 2: It always goes so much faster. You think it's better. 93 00:04:00,800 --> 00:04:01,920 Speaker 2: Mine's twenty months old. 94 00:04:03,360 --> 00:04:05,760 Speaker 4: Oh yeah, you're in the thick of it, then, yeah, 95 00:04:06,040 --> 00:04:06,440 Speaker 4: thank you. 96 00:04:07,320 --> 00:04:08,480 Speaker 3: This is why you're wearing shorts. 97 00:04:08,480 --> 00:04:11,760 Speaker 4: You have to be ready to just left and carry's 98 00:04:11,800 --> 00:04:13,800 Speaker 4: so much carrying and they. 99 00:04:13,680 --> 00:04:16,920 Speaker 2: Move as soon as they start locomoting, it gets very strong. 100 00:04:17,520 --> 00:04:21,039 Speaker 3: Yeah, they're just always about to fall down stairs. 101 00:04:21,120 --> 00:04:24,320 Speaker 1: Yeah, constantly, constantly about to fall somewhere. 102 00:04:25,120 --> 00:04:30,240 Speaker 4: So differently now, yeah, there's no longer hour in the 103 00:04:30,320 --> 00:04:31,920 Speaker 4: day than right before bedtime. 104 00:04:31,920 --> 00:04:32,400 Speaker 3: It's the long. 105 00:04:32,520 --> 00:04:34,520 Speaker 1: Oh my god, you're most tired. 106 00:04:34,800 --> 00:04:38,719 Speaker 2: Totally, totally. The movies all that being inside Riley's mind 107 00:04:38,920 --> 00:04:42,080 Speaker 2: and seeing how her emotions deal with certain situations. There 108 00:04:42,120 --> 00:04:44,560 Speaker 2: have been a number of situations in your life, and 109 00:04:44,600 --> 00:04:47,200 Speaker 2: I'm just intrigued to hear what was going on in 110 00:04:47,240 --> 00:04:50,080 Speaker 2: your brain at the time or what emotions were coming forth. 111 00:04:50,240 --> 00:04:50,640 Speaker 4: Very good. 112 00:04:51,080 --> 00:04:52,880 Speaker 2: First one meeting Prince. 113 00:04:52,880 --> 00:04:56,480 Speaker 3: Oh fight, flight or freeze. 114 00:04:56,800 --> 00:05:00,279 Speaker 4: So what happened when I met Prince is he was 115 00:05:00,360 --> 00:05:03,080 Speaker 4: doing a sound check at SNL. So he came towards 116 00:05:03,080 --> 00:05:06,640 Speaker 4: me like a dream, and so I asked him, how 117 00:05:06,760 --> 00:05:07,320 Speaker 4: is your summer? 118 00:05:07,560 --> 00:05:09,680 Speaker 3: That's what I asked him. That was my one chance 119 00:05:09,720 --> 00:05:12,320 Speaker 3: to meet friends. So I guess if. 120 00:05:12,279 --> 00:05:16,359 Speaker 4: Blowing it could be an emotion, it would mean sadness. 121 00:05:16,360 --> 00:05:21,919 Speaker 1: I guess had some adjust bane, had some adjust bane 122 00:05:21,960 --> 00:05:23,360 Speaker 1: like it was it? Was it a relative question? Or 123 00:05:23,360 --> 00:05:24,120 Speaker 1: are you kind of in the depth? 124 00:05:24,200 --> 00:05:27,160 Speaker 3: I don't even remember what season. It was, no idea. 125 00:05:28,600 --> 00:05:31,320 Speaker 4: I just tried to just yeah, just reach out to 126 00:05:31,400 --> 00:05:33,520 Speaker 4: him like the shooting Star. 127 00:05:34,120 --> 00:05:36,520 Speaker 1: We also read that you were known as handcuff girl 128 00:05:37,560 --> 00:05:42,080 Speaker 1: in high school. What emotion were we going through you? Yes? 129 00:05:42,120 --> 00:05:43,000 Speaker 3: Please, thank you? 130 00:05:43,040 --> 00:05:45,240 Speaker 4: Which is when I was young, a friend of mine 131 00:05:45,240 --> 00:05:48,200 Speaker 4: brought a pair of handcuffs into school and put them 132 00:05:48,240 --> 00:05:53,400 Speaker 4: on and then we lost the key. That emotion was 133 00:05:53,839 --> 00:05:57,640 Speaker 4: uh excitement because everyone was. 134 00:05:57,520 --> 00:05:58,960 Speaker 3: Paying attention to us. 135 00:05:59,200 --> 00:06:01,480 Speaker 4: And I don't know if you remember that feeling when 136 00:06:01,480 --> 00:06:04,760 Speaker 4: you're little and there's like a low stake situation where 137 00:06:04,760 --> 00:06:06,799 Speaker 4: you know you're eventually going to get out of handcuffs, 138 00:06:06,800 --> 00:06:09,480 Speaker 4: but you're kind of a celebrity for that moment. 139 00:06:09,760 --> 00:06:11,240 Speaker 3: Yeah, that was a big deal. 140 00:06:11,360 --> 00:06:14,000 Speaker 1: Yeah, that was that sounds huge. Were on the map? 141 00:06:14,040 --> 00:06:15,720 Speaker 1: Probably on the map? 142 00:06:16,120 --> 00:06:18,680 Speaker 4: Yeah, yeah, I mean we were close to getting a 143 00:06:19,000 --> 00:06:20,440 Speaker 4: local story in the paper. 144 00:06:20,480 --> 00:06:24,440 Speaker 3: We didn't fail. It's when it could could have its true. 145 00:06:24,920 --> 00:06:26,520 Speaker 2: Your mom was a teacher at the school, Yeah. 146 00:06:26,400 --> 00:06:26,760 Speaker 3: My mom. 147 00:06:26,800 --> 00:06:28,440 Speaker 4: Both my parents were public school teachers. 148 00:06:31,480 --> 00:06:33,839 Speaker 3: Yeah, I mean probably good good news. Bad news. 149 00:06:33,920 --> 00:06:37,000 Speaker 4: Good news is your daughter is out of handcuffs. 150 00:06:37,200 --> 00:06:39,080 Speaker 3: Bad news, she was in them. 151 00:06:39,320 --> 00:06:42,080 Speaker 1: She changed herself to another student. 152 00:06:42,560 --> 00:06:46,400 Speaker 2: And one more here. This was after an Emmy's Awards 153 00:06:46,440 --> 00:06:48,920 Speaker 2: ceremony and it involves John Hamm. 154 00:06:49,240 --> 00:06:50,080 Speaker 3: Well what story. 155 00:06:50,720 --> 00:06:52,560 Speaker 2: Oh, there are lots of stories with John. This one 156 00:06:52,640 --> 00:06:54,240 Speaker 2: was dancing on a table. 157 00:06:54,480 --> 00:06:58,719 Speaker 4: Yes, we used to have this party called the Loser's Lounge. 158 00:06:59,279 --> 00:07:01,720 Speaker 4: Only people who lost the Emmys were invited, and if 159 00:07:01,760 --> 00:07:03,760 Speaker 4: you won, you were not allowed to come in. Unless 160 00:07:03,800 --> 00:07:07,280 Speaker 4: you gave a heavy donation to charity. And I'm proud 161 00:07:07,360 --> 00:07:10,080 Speaker 4: to say that we stopped Julia Louis Dreyfus at the door. 162 00:07:10,360 --> 00:07:11,160 Speaker 1: Oh wow. 163 00:07:11,240 --> 00:07:15,760 Speaker 4: He said pay or leave, and she did because that's 164 00:07:15,920 --> 00:07:18,360 Speaker 4: the kind of winner she is. She's such a winner. 165 00:07:18,400 --> 00:07:19,760 Speaker 3: She wanted to come to the losers. 166 00:07:20,000 --> 00:07:20,720 Speaker 1: Okay. 167 00:07:20,840 --> 00:07:23,760 Speaker 3: So Ham and I have lost many times together. So 168 00:07:23,880 --> 00:07:24,560 Speaker 3: we we. 169 00:07:25,240 --> 00:07:26,800 Speaker 4: And there was one party I think where I broke 170 00:07:26,880 --> 00:07:31,680 Speaker 4: my foot or my toe dancing, I forget, probably his fault, 171 00:07:33,000 --> 00:07:33,680 Speaker 4: I don't remember. 172 00:07:34,200 --> 00:07:36,000 Speaker 3: No, So but we. 173 00:07:38,240 --> 00:07:41,480 Speaker 1: And mean final thing, we heard that you try and 174 00:07:41,560 --> 00:07:43,920 Speaker 1: learn a new skill every month, thank you. Yes, we 175 00:07:43,960 --> 00:07:45,520 Speaker 1: also heard that you haven't got one for June. 176 00:07:45,640 --> 00:07:47,120 Speaker 3: I don't okay any suggestion. 177 00:07:47,240 --> 00:07:49,640 Speaker 1: I've got one for you. Okay, you just have to 178 00:07:49,640 --> 00:07:52,880 Speaker 1: follow me, okay, okay, okay. Think of a number. This 179 00:07:52,920 --> 00:07:54,200 Speaker 1: is something that you can use it on the paper 180 00:07:54,240 --> 00:07:54,480 Speaker 1: as well. 181 00:07:54,520 --> 00:07:54,800 Speaker 2: Okay. 182 00:07:55,080 --> 00:07:57,520 Speaker 1: Think of a number between one and ten. Multiply it 183 00:07:57,520 --> 00:08:01,160 Speaker 1: by none, okay, Okay, Then add the digits of that 184 00:08:01,240 --> 00:08:01,840 Speaker 1: number together. 185 00:08:02,160 --> 00:08:02,480 Speaker 2: Okay. 186 00:08:02,600 --> 00:08:06,640 Speaker 1: Okay, Now subtract five. Now think of a country. So 187 00:08:06,680 --> 00:08:09,120 Speaker 1: if A is one, B is two, C is three. 188 00:08:09,000 --> 00:08:11,360 Speaker 2: D's four, this is going nowhere. 189 00:08:11,600 --> 00:08:13,520 Speaker 1: So there's a letter that lines up with that number 190 00:08:13,520 --> 00:08:17,640 Speaker 1: that you've got. You've got the letter there. Think of 191 00:08:17,640 --> 00:08:20,880 Speaker 1: a country starting with that letter. Now take the last 192 00:08:20,920 --> 00:08:24,280 Speaker 1: letter of that country, okay, and think of an animal. Yeah, 193 00:08:24,360 --> 00:08:26,560 Speaker 1: and now take the last letter of that animal and 194 00:08:26,640 --> 00:08:27,440 Speaker 1: think of a fruit. 195 00:08:28,000 --> 00:08:28,400 Speaker 3: Okay. 196 00:08:28,600 --> 00:08:31,680 Speaker 1: Are you thinking of kangaroos eating oranges in Denmark? 197 00:08:32,320 --> 00:08:33,680 Speaker 3: No, I'm thinking of Kiwi. 198 00:08:34,800 --> 00:08:37,840 Speaker 4: But what else was I supposed to be that did 199 00:08:38,040 --> 00:08:39,800 Speaker 4: not work? 200 00:08:40,040 --> 00:08:40,400 Speaker 2: Did you have? 201 00:08:40,440 --> 00:08:43,920 Speaker 3: What was the country Bulgaria? 202 00:08:44,400 --> 00:08:47,160 Speaker 4: And then the A was Ardvark and then the K 203 00:08:47,480 --> 00:08:48,000 Speaker 4: was Kiwi? 204 00:08:48,400 --> 00:08:50,960 Speaker 3: But I was supposed to remember all that. Yeah, so 205 00:08:51,480 --> 00:08:52,240 Speaker 3: I was thinking of. 206 00:08:55,520 --> 00:08:57,960 Speaker 2: Well that didn't work. Then your skill definitely did not work. 207 00:08:58,440 --> 00:08:58,960 Speaker 1: So you need it. 208 00:08:59,000 --> 00:08:59,800 Speaker 2: You need a new skill. 209 00:09:00,080 --> 00:09:06,440 Speaker 4: I am exhausted and I'm totally sweating. 210 00:09:06,920 --> 00:09:08,480 Speaker 1: Congratulations on inside. 211 00:09:10,080 --> 00:09:10,960 Speaker 2: Was so good. 212 00:09:12,040 --> 00:09:15,680 Speaker 1: Other people say, the kangaroo is eating oranges in Denmark, 213 00:09:15,880 --> 00:09:18,840 Speaker 1: but you have in Bulgaria. 214 00:09:20,840 --> 00:09:24,160 Speaker 4: I love that, even my acoustic album. 215 00:09:26,480 --> 00:09:30,920 Speaker 1: Thanks. Wow. So that was a fail. 216 00:09:31,040 --> 00:09:33,040 Speaker 2: That couldn't have gone worse. Couldn't have gone and that 217 00:09:33,080 --> 00:09:35,280 Speaker 2: couldn't have gone worse. And now I don't think we're 218 00:09:35,280 --> 00:09:36,160 Speaker 2: going to be buds. 219 00:09:36,920 --> 00:09:40,600 Speaker 1: Eating bulgar I thought for a minute I had her 220 00:09:40,960 --> 00:09:43,960 Speaker 1: Eggy is on your face, Paula, because it's your mats 221 00:09:43,960 --> 00:09:46,480 Speaker 1: in the firing line there. I think we just need 222 00:09:46,520 --> 00:09:47,960 Speaker 1: to just call a spade fade. 223 00:09:48,000 --> 00:09:49,320 Speaker 2: Put it back on her, put it back on her. 224 00:09:49,440 --> 00:09:53,640 Speaker 1: Nice nine times tables wasn't enough to scratch. It was 225 00:09:53,679 --> 00:09:55,440 Speaker 1: a great jab with Amy Paula. If you want to 226 00:09:55,440 --> 00:09:59,240 Speaker 1: say it on Will and Woody on the socials, one 227 00:09:59,320 --> 00:10:01,760 Speaker 1: half of your pair. Parents is often easy to make laugh. 228 00:10:02,000 --> 00:10:03,600 Speaker 2: Yeah, my dad would laugh at anything I do. 229 00:10:04,040 --> 00:10:06,560 Speaker 1: Very yeah, yeah, your mum's a pretty hard person to 230 00:10:06,559 --> 00:10:07,000 Speaker 1: make laugh. 231 00:10:07,240 --> 00:10:09,839 Speaker 2: Absolutely. I've been trying for thirty five years now, what 232 00:10:10,000 --> 00:10:12,640 Speaker 2: I am best year since six years old laughing. 233 00:10:13,520 --> 00:10:15,960 Speaker 1: She's the ice green. I mean, if you can make 234 00:10:16,000 --> 00:10:17,240 Speaker 1: her laugh, you can make anyone laugh. 235 00:10:17,240 --> 00:10:17,400 Speaker 5: Man. 236 00:10:17,679 --> 00:10:20,160 Speaker 1: What we've decided is I want to try and hear 237 00:10:20,200 --> 00:10:22,040 Speaker 1: this on the airways. I'm going to give you one minute. 238 00:10:22,280 --> 00:10:24,719 Speaker 2: But like I said, I'm not going to get her 239 00:10:24,760 --> 00:10:26,520 Speaker 2: to laugh. I've been trying for. 240 00:10:26,600 --> 00:10:28,839 Speaker 1: What are you? What are you thinking? What are you 241 00:10:28,880 --> 00:10:30,120 Speaker 1: going to lead with? Like what are you going to 242 00:10:30,120 --> 00:10:32,080 Speaker 1: go to bring up a knock knock joke? Or like 243 00:10:32,120 --> 00:10:32,760 Speaker 1: what are you thinking? 244 00:10:32,960 --> 00:10:34,280 Speaker 2: I know she wents to show it for for a 245 00:10:34,360 --> 00:10:35,920 Speaker 2: knock knock, Drake, What do you trust me? That's what 246 00:10:35,960 --> 00:10:38,280 Speaker 2: I was going for in primary school, are you well? 247 00:10:38,320 --> 00:10:39,760 Speaker 2: I just think I'm going to start. 248 00:10:39,600 --> 00:10:42,120 Speaker 1: To find fart's funny like you find farts very funny. No, 249 00:10:42,240 --> 00:10:44,719 Speaker 1: she does not. Okay, she doesn't find fart's funny at all. 250 00:10:46,320 --> 00:10:49,120 Speaker 2: My dad loves them, and I think that's where I, yeah, 251 00:10:49,240 --> 00:10:52,400 Speaker 2: grew that hobby of mine to laugh at farts, but no, mums. 252 00:10:52,600 --> 00:10:53,600 Speaker 2: What would make mum laugh? 253 00:10:54,480 --> 00:10:54,560 Speaker 1: Me? 254 00:10:56,400 --> 00:11:01,319 Speaker 2: Maybe not me failing, Oh my god, in odd dad 255 00:11:01,360 --> 00:11:04,040 Speaker 2: doing something stupid, okay would maybe make her laugh, but 256 00:11:04,040 --> 00:11:04,960 Speaker 2: it would be sure. 257 00:11:05,120 --> 00:11:06,400 Speaker 1: It's quite angry about that though. 258 00:11:06,480 --> 00:11:06,680 Speaker 6: Yeah. 259 00:11:06,760 --> 00:11:09,120 Speaker 1: At the time that he bought that, what convertible for 260 00:11:09,280 --> 00:11:11,520 Speaker 1: it for mom find funny? A lot of money and 261 00:11:11,559 --> 00:11:13,880 Speaker 1: then it broke down immediately. That was she didn't find 262 00:11:13,920 --> 00:11:14,320 Speaker 1: that funny. 263 00:11:14,360 --> 00:11:16,800 Speaker 2: She does like those ironic laughs to that, but that's 264 00:11:16,840 --> 00:11:17,720 Speaker 2: not a real laugh. 265 00:11:17,960 --> 00:11:19,320 Speaker 1: Last time I think we spoke to her about that, 266 00:11:19,360 --> 00:11:22,120 Speaker 1: I just remember vividly her saying, oh, good one, Steven, 267 00:11:22,360 --> 00:11:23,800 Speaker 1: great idea, and then she hung up. 268 00:11:23,760 --> 00:11:25,959 Speaker 2: Not much laughter. So, to be honest with you, I'm 269 00:11:25,960 --> 00:11:27,240 Speaker 2: still trying to figure that out. All right, Well, you've 270 00:11:27,280 --> 00:11:29,200 Speaker 2: got one minute Okay, we're gonna call her now. I 271 00:11:29,240 --> 00:11:30,360 Speaker 2: think I was going to bring up a few things 272 00:11:30,360 --> 00:11:32,360 Speaker 2: from the radio show, and I think she finds that funny. 273 00:11:32,480 --> 00:11:35,559 Speaker 1: Oh I don't do that. Don't put the clock starts 274 00:11:35,559 --> 00:11:36,800 Speaker 1: as soon as she answers. 275 00:11:36,559 --> 00:11:39,320 Speaker 2: Fine, the clock is not going to matter, mate, she's 276 00:11:39,320 --> 00:11:46,760 Speaker 2: not gonna laugh. Nomm hay guing it's woody. Hello are 277 00:11:46,800 --> 00:11:47,199 Speaker 2: you busy? 278 00:11:47,840 --> 00:11:51,079 Speaker 6: Yeah, I'm just doing ado thing professional development. 279 00:11:51,880 --> 00:11:54,560 Speaker 2: Ah, yes, yes, yes, no w can you call me 280 00:11:54,600 --> 00:11:57,079 Speaker 2: in ten Well no, we'll kind of say you for 281 00:11:57,360 --> 00:11:58,440 Speaker 2: forty five seconds. 282 00:11:59,320 --> 00:12:03,400 Speaker 4: Quick stop it, hang on, I'll pause it. 283 00:12:03,679 --> 00:12:07,160 Speaker 1: Yeah, okay, yeah, got it. 284 00:12:07,480 --> 00:12:11,040 Speaker 2: Yeah, amazing, okay, real quick. So I don't know if 285 00:12:11,080 --> 00:12:14,520 Speaker 2: you were yesterday on the radio show. There was quite 286 00:12:14,520 --> 00:12:16,480 Speaker 2: a funny moment where we were talking about Taylor Swift 287 00:12:16,520 --> 00:12:17,080 Speaker 2: having a hickey. 288 00:12:17,480 --> 00:12:20,160 Speaker 1: Oh I just missed that. 289 00:12:21,160 --> 00:12:26,280 Speaker 2: Surprising anyway, Yes, it ends up. That was a bit 290 00:12:26,320 --> 00:12:30,640 Speaker 2: of a laugh there. You were laughing at my expense. Sorry, 291 00:12:30,960 --> 00:12:33,120 Speaker 2: that's okay, laughs a laugh. 292 00:12:33,760 --> 00:12:35,800 Speaker 1: You're asking me what a hickey is or something. No, 293 00:12:35,880 --> 00:12:36,760 Speaker 1: I just wanted to know what. 294 00:12:36,880 --> 00:12:38,920 Speaker 2: Actually all I've got time for a month, but it 295 00:12:38,960 --> 00:12:42,079 Speaker 2: was great to hear you laughing. Oh, that's it. 296 00:12:42,240 --> 00:12:42,520 Speaker 1: That's it. 297 00:12:42,640 --> 00:12:44,000 Speaker 2: You can go back to you do you do your 298 00:12:44,000 --> 00:12:49,120 Speaker 2: p D if you're like a giggle there as well. Okay, 299 00:12:49,559 --> 00:12:52,120 Speaker 2: all right, all right, we'll see your mom. 300 00:12:52,440 --> 00:12:59,959 Speaker 1: Okay, bye bye, very very strangely, what was going on? 301 00:13:00,040 --> 00:13:01,840 Speaker 2: Well, I didn't think there was a chance that she 302 00:13:01,880 --> 00:13:03,599 Speaker 2: was going to laugh at my expense, which was she 303 00:13:03,840 --> 00:13:04,600 Speaker 2: she made her own. 304 00:13:05,000 --> 00:13:06,720 Speaker 1: She made her She laughed at her own years. 305 00:13:06,720 --> 00:13:08,880 Speaker 2: I just missed your radio show, which is funny because 306 00:13:08,920 --> 00:13:11,960 Speaker 2: she never listens, hates the show, and then she laughs. 307 00:13:12,640 --> 00:13:14,680 Speaker 2: She laughed at that. I think that counts. 308 00:13:14,760 --> 00:13:17,160 Speaker 1: I think I know, well, you didn't make your live. 309 00:13:17,240 --> 00:13:20,360 Speaker 1: She made herself. She made herself laugh. 310 00:13:20,440 --> 00:13:22,640 Speaker 2: I brought up the fact you logged. 311 00:13:22,720 --> 00:13:24,960 Speaker 1: You logged something to which she knew she'd laugh at 312 00:13:25,040 --> 00:13:27,360 Speaker 1: exactly which is that she never watches or listens to 313 00:13:27,440 --> 00:13:30,959 Speaker 1: us exactly right. Almost like a borderline villain. 314 00:13:33,720 --> 00:13:36,000 Speaker 2: It's not a villain. 315 00:13:36,040 --> 00:13:38,840 Speaker 1: She's laughing about the fact that she doesn't listen to 316 00:13:38,880 --> 00:13:40,319 Speaker 1: a chart show. 317 00:13:40,720 --> 00:13:44,120 Speaker 2: He's up there. It is my mum, all right to win. 318 00:13:47,320 --> 00:13:49,320 Speaker 1: You day, look over thirty. If you are over the 319 00:13:49,360 --> 00:13:51,920 Speaker 1: age of thirty, I've got some devastating news and that 320 00:13:52,120 --> 00:13:57,720 Speaker 1: is our text game sucks. Disagree well, and that's the 321 00:13:57,720 --> 00:13:59,480 Speaker 1: issue because you're the same as me. I thought my 322 00:13:59,520 --> 00:14:03,800 Speaker 1: text game red hot, and then I read this thread 323 00:14:03,880 --> 00:14:08,160 Speaker 1: that's going absolutely bunter online about a text message that 324 00:14:08,240 --> 00:14:10,880 Speaker 1: a thirty five year old guy sent a twenty seven 325 00:14:10,960 --> 00:14:14,600 Speaker 1: year old woman after they had a date. Yeah. I 326 00:14:14,679 --> 00:14:19,120 Speaker 1: read the message and I was like, that's the perfect text. 327 00:14:19,400 --> 00:14:23,280 Speaker 1: That is exactly the message that I would send. 328 00:14:23,320 --> 00:14:25,480 Speaker 2: That is a treacherous time though. The old day after 329 00:14:25,600 --> 00:14:28,800 Speaker 2: text after a first date is a stress inducing message, 330 00:14:28,840 --> 00:14:29,200 Speaker 2: no doubt. 331 00:14:29,280 --> 00:14:32,360 Speaker 1: So if, for example, Woods, you'd just been on a 332 00:14:32,440 --> 00:14:34,920 Speaker 1: date with a woman and you sent the message, Hey, 333 00:14:35,600 --> 00:14:38,400 Speaker 1: I had fun last night, have a great day. 334 00:14:39,600 --> 00:14:42,280 Speaker 2: Perfect text. It's not too keen. It's not too keen. 335 00:14:42,320 --> 00:14:44,760 Speaker 2: It's appreciating the time they've spent together. Yeah, but you're 336 00:14:44,800 --> 00:14:47,040 Speaker 2: not going into these weird like I'm a stalker vibe. 337 00:14:47,200 --> 00:14:48,240 Speaker 2: I think it's a perfect text. 338 00:14:48,880 --> 00:14:49,200 Speaker 1: Same. 339 00:14:49,720 --> 00:14:50,920 Speaker 2: What's anyone's issue with that? 340 00:14:51,440 --> 00:14:54,760 Speaker 1: There are five hundred thousand people who have commented on this. 341 00:14:55,240 --> 00:14:56,840 Speaker 2: Wow, that's good numbers. 342 00:14:56,960 --> 00:15:02,440 Speaker 1: Saying that it is fetch in what splash iky? But 343 00:15:02,920 --> 00:15:06,160 Speaker 1: ik I there's the ike around, Hey, I had fun 344 00:15:06,240 --> 00:15:08,000 Speaker 1: last night, have a good day. On the same as 345 00:15:08,000 --> 00:15:11,360 Speaker 1: you that's the perfect text. It's courteous, it's polite, it's 346 00:15:11,440 --> 00:15:12,320 Speaker 1: not too intrusive. 347 00:15:12,440 --> 00:15:14,960 Speaker 2: Exactly what's the main issue with it? 348 00:15:15,320 --> 00:15:19,920 Speaker 1: What's the Apparently it's formal, it's not formal as cash. 349 00:15:20,600 --> 00:15:23,960 Speaker 1: It was cash? She said, This woman has said I 350 00:15:24,000 --> 00:15:26,120 Speaker 1: need to start dating people my own age. 351 00:15:26,720 --> 00:15:31,000 Speaker 2: Oh right, What he was supposed to do an emoji? 352 00:15:31,200 --> 00:15:31,400 Speaker 6: Was he? 353 00:15:31,600 --> 00:15:31,640 Speaker 5: Or? 354 00:15:32,080 --> 00:15:33,920 Speaker 1: I think that makes you? That turns you into a 355 00:15:33,920 --> 00:15:36,440 Speaker 1: fifty five year old woman, very very rigly. I know, 356 00:15:36,720 --> 00:15:39,000 Speaker 1: I know. I used to think emojis were hot as well, 357 00:15:39,040 --> 00:15:42,200 Speaker 1: but apparently just women over the age of fifty the 358 00:15:42,360 --> 00:15:43,560 Speaker 1: days was he supposed to say? 359 00:15:43,600 --> 00:15:43,800 Speaker 6: More? 360 00:15:43,840 --> 00:15:45,680 Speaker 2: Like he was supposed to enjoy it more? 361 00:15:46,360 --> 00:15:50,200 Speaker 1: I don't know. Okay, you're in exactly the same spot 362 00:15:50,240 --> 00:15:52,200 Speaker 1: as me, and I just want to be honest with 363 00:15:52,320 --> 00:15:58,840 Speaker 1: everybody listening that I don't know anymore what a good 364 00:15:59,640 --> 00:16:01,920 Speaker 1: post date message is. 365 00:16:02,560 --> 00:16:03,960 Speaker 2: Well, this is throwing me because I thought that was 366 00:16:04,200 --> 00:16:05,800 Speaker 2: I thought it was a perfect text. I think I've 367 00:16:05,800 --> 00:16:08,120 Speaker 2: written that one hundred percent. I've written that text. 368 00:16:08,200 --> 00:16:10,080 Speaker 1: If I was writing a textbook on how to write 369 00:16:10,400 --> 00:16:13,960 Speaker 1: a post date message, then it wouldn't even be a textbook, 370 00:16:13,960 --> 00:16:16,800 Speaker 1: it just be one line. Absolutely had had fun last night, 371 00:16:17,160 --> 00:16:19,040 Speaker 1: not even had a good time, not just had fun. 372 00:16:19,120 --> 00:16:22,920 Speaker 2: Yeah, because that's what you want to have. 373 00:16:21,480 --> 00:16:24,240 Speaker 1: Have a good day. But what more could you wish someone? 374 00:16:24,520 --> 00:16:25,560 Speaker 1: All love good day? 375 00:16:25,640 --> 00:16:28,000 Speaker 2: There's no holes in that anyway. 376 00:16:28,680 --> 00:16:31,440 Speaker 1: What I want to do because I feel like you, 377 00:16:31,880 --> 00:16:34,040 Speaker 1: I do. I am starting to feel increasingly out of 378 00:16:34,080 --> 00:16:36,320 Speaker 1: touch and I would. 379 00:16:36,120 --> 00:16:39,640 Speaker 2: You have been in a relationship at nine. Yeah, okay, 380 00:16:39,640 --> 00:16:42,400 Speaker 2: you've been almost again for a long. 381 00:16:42,200 --> 00:16:44,000 Speaker 1: Time, and I am I'm willing to put my hand 382 00:16:44,080 --> 00:16:46,480 Speaker 1: up and appreciate that and be a bit vulnerable here. 383 00:16:46,560 --> 00:16:48,520 Speaker 2: To be fair, nothing changed for five years, can I say? 384 00:16:48,520 --> 00:16:50,320 Speaker 2: Because I've had half the time a little bit less 385 00:16:50,320 --> 00:16:54,320 Speaker 2: than half the time taken. Yeah, so in the last 386 00:16:54,320 --> 00:16:55,680 Speaker 2: five years something must have happened. 387 00:16:55,720 --> 00:16:57,280 Speaker 1: And I also think was that there are a lot 388 00:16:57,280 --> 00:16:59,960 Speaker 1: of guys listening right now who are thinking themselves that 389 00:17:00,120 --> 00:17:01,000 Speaker 1: the perfect text. 390 00:17:00,800 --> 00:17:02,200 Speaker 2: I might be able to fire off that text. There 391 00:17:02,240 --> 00:17:05,879 Speaker 2: might have been someone listening going I'm literally about to say. 392 00:17:06,400 --> 00:17:10,200 Speaker 1: In the rapidly backspacing right What I want to know 393 00:17:10,600 --> 00:17:14,040 Speaker 1: right now is from the women out there, what is 394 00:17:14,080 --> 00:17:17,879 Speaker 1: a male like? Maybe just there's just cautionary tales for 395 00:17:17,920 --> 00:17:20,040 Speaker 1: all the guys who are currently in the texting game 396 00:17:20,200 --> 00:17:21,919 Speaker 1: or even if you even if they're about to message 397 00:17:21,960 --> 00:17:26,439 Speaker 1: their partner. What are male messaging nicks like when you 398 00:17:26,440 --> 00:17:29,080 Speaker 1: get a text from a guy? What is just like 399 00:17:29,119 --> 00:17:30,160 Speaker 1: an instant turn off? 400 00:17:30,440 --> 00:17:32,600 Speaker 2: I got told I used to do a I used 401 00:17:32,600 --> 00:17:34,240 Speaker 2: to I thought this was cool. I wouldn't do a 402 00:17:34,240 --> 00:17:39,640 Speaker 2: smiley face emoji. I do semi colon bracket a smile. 403 00:17:39,760 --> 00:17:40,960 Speaker 1: I used to do that, and I. 404 00:17:41,440 --> 00:17:42,240 Speaker 2: A little bit old school. 405 00:17:42,240 --> 00:17:44,600 Speaker 1: Did you occasionally do the semi colon rather than the 406 00:17:44,600 --> 00:17:46,240 Speaker 1: colon so it looks like wink face? You know? 407 00:17:46,400 --> 00:17:49,439 Speaker 2: Absolutely? Yeah, absolutely, rock and. 408 00:17:49,440 --> 00:17:52,080 Speaker 1: A hard place there. You know, the emoji is daggy exactly. 409 00:17:52,280 --> 00:17:54,080 Speaker 1: So you know, just wind it back to the thirty 410 00:17:54,080 --> 00:17:55,639 Speaker 1: three to ten baby. So is that cool or is 411 00:17:55,680 --> 00:17:58,800 Speaker 1: that suggest I'm going to suggest no, because if I 412 00:17:58,800 --> 00:18:00,400 Speaker 1: put a high from the middle, it's got a knows 413 00:18:00,400 --> 00:18:01,879 Speaker 1: as well. I'm not sure if you've ever done that. 414 00:18:02,240 --> 00:18:06,960 Speaker 1: All right, So here's here's thirty one five male messaging X. 415 00:18:07,040 --> 00:18:10,080 Speaker 1: What about LOL? You know, because we don't know Larl's 416 00:18:10,119 --> 00:18:11,560 Speaker 1: out of the game. Yeah, it has to be out 417 00:18:11,560 --> 00:18:11,880 Speaker 1: of the game. 418 00:18:12,240 --> 00:18:15,639 Speaker 2: I knew that. Yeah, I don't I'll ruffle copter. 419 00:18:16,200 --> 00:18:21,119 Speaker 1: Oh no, oh my god. Because we're ladies, we're unaware, 420 00:18:22,000 --> 00:18:24,840 Speaker 1: we don't know, and I think it's time that we 421 00:18:24,920 --> 00:18:26,879 Speaker 1: tabled some of this stuff on a public forum. 422 00:18:26,960 --> 00:18:29,480 Speaker 2: Do they like x'es? These x'es and o's xoxo. 423 00:18:29,840 --> 00:18:32,479 Speaker 1: What's the ickiest thing that a man can send her 424 00:18:32,560 --> 00:18:38,120 Speaker 1: a text? It's will and Woody talking male messaging. X 425 00:18:38,560 --> 00:18:40,680 Speaker 1: what's the ickiest thing a guy can send her a text? 426 00:18:40,760 --> 00:18:43,960 Speaker 1: And that's because there's this forum that's popped off online 427 00:18:44,280 --> 00:18:46,119 Speaker 1: and I naturally click on this. You know this is 428 00:18:46,200 --> 00:18:50,200 Speaker 1: clickbait for me, of course, man, simple text after date 429 00:18:50,400 --> 00:18:54,080 Speaker 1: exposes big generational divide. And here I am thinking that 430 00:18:54,160 --> 00:18:56,359 Speaker 1: she's dating a fifty five year old guy who's written 431 00:18:56,400 --> 00:18:57,360 Speaker 1: back to her in caps lock. 432 00:18:57,800 --> 00:18:59,840 Speaker 2: Yeah, yeah, sure, not at all. 433 00:19:00,080 --> 00:19:03,240 Speaker 1: David, a thirty five year old guy who said, quote, hey, 434 00:19:03,320 --> 00:19:04,040 Speaker 1: I had fun. 435 00:19:03,920 --> 00:19:06,679 Speaker 2: Last night, have a good day, perfect message, and that 436 00:19:07,560 --> 00:19:09,399 Speaker 2: it's kindness dead? Is it is that? What's happened? We 437 00:19:09,400 --> 00:19:10,400 Speaker 2: can't be kind anymore? 438 00:19:10,520 --> 00:19:12,760 Speaker 1: I don't know, but I'm in the wilderness, and I 439 00:19:12,800 --> 00:19:15,000 Speaker 1: think a lot of guys listening are. So We've got 440 00:19:15,040 --> 00:19:17,919 Speaker 1: Genya who's called thirty one and six five. Genya, what 441 00:19:18,200 --> 00:19:21,480 Speaker 1: is just help us recorrect the compass here, what is 442 00:19:21,520 --> 00:19:22,320 Speaker 1: a male messaging? 443 00:19:22,359 --> 00:19:24,160 Speaker 6: Inch male messaging? 444 00:19:24,400 --> 00:19:26,640 Speaker 4: Because when you don't know how to spell, like when 445 00:19:26,640 --> 00:19:29,520 Speaker 4: people are writing beautiful in like five different ways. 446 00:19:30,000 --> 00:19:32,000 Speaker 6: Oh there's no grammar disgusting. 447 00:19:32,119 --> 00:19:33,800 Speaker 2: I don't understand how that can happen. Now when there's 448 00:19:33,800 --> 00:19:36,560 Speaker 2: when there's autocorrect, like if you're still that would mean 449 00:19:36,600 --> 00:19:37,080 Speaker 2: that they're. 450 00:19:36,920 --> 00:19:39,480 Speaker 1: The means they've spelt it wrong that many times that 451 00:19:39,560 --> 00:19:41,960 Speaker 1: their auto correct assumes that it's a new word. 452 00:19:42,040 --> 00:19:44,280 Speaker 2: So series letting them have it. You know what I've told. 453 00:19:44,119 --> 00:19:46,920 Speaker 1: You to such an idiot whatever that I can't even 454 00:19:47,000 --> 00:19:50,000 Speaker 1: be bothered fixing you anymore. I hate fun. Yeah, I 455 00:19:50,000 --> 00:19:51,800 Speaker 1: mean I hate to say it, but mate is just no, 456 00:19:51,880 --> 00:19:54,760 Speaker 1: I can't go into that well personally, A poorly placed 457 00:19:54,800 --> 00:19:58,800 Speaker 1: commo will sting them well, actual friend. 458 00:19:58,680 --> 00:20:02,159 Speaker 2: I actually agree with that if if grammatical issues, I 459 00:20:02,200 --> 00:20:04,119 Speaker 2: can agree with you, Genya, it can be a bit 460 00:20:04,160 --> 00:20:04,639 Speaker 2: of a nick. 461 00:20:05,640 --> 00:20:08,200 Speaker 1: Even in the dating game. It says something says something 462 00:20:08,240 --> 00:20:10,880 Speaker 1: about you. But also like too much grammar. I've been 463 00:20:10,880 --> 00:20:13,840 Speaker 1: told is he's also not good? Sure you can't be. 464 00:20:13,800 --> 00:20:16,080 Speaker 2: Thrown around a semi You can be a bit formal 465 00:20:16,119 --> 00:20:16,480 Speaker 2: in a text. 466 00:20:16,520 --> 00:20:18,920 Speaker 1: I know I can be. I like using your first name. 467 00:20:19,320 --> 00:20:22,760 Speaker 1: Woody Comma Gabriella is called I'm thirty one and six 468 00:20:22,920 --> 00:20:24,840 Speaker 1: five male messaging Gabriella. 469 00:20:25,040 --> 00:20:30,000 Speaker 6: Hey, Hey, I tell you good? Okay. So I don't 470 00:20:30,040 --> 00:20:32,800 Speaker 6: know if I'm too picky or I'm just weird, but 471 00:20:32,920 --> 00:20:36,640 Speaker 6: when I see a message and from a man and 472 00:20:36,760 --> 00:20:39,360 Speaker 6: he's got here in it instead of ha ha ha, 473 00:20:39,840 --> 00:20:41,080 Speaker 6: it just makes me want of womb. 474 00:20:41,280 --> 00:20:42,640 Speaker 2: I'm here going. 475 00:20:44,320 --> 00:20:45,720 Speaker 1: I've actually been mean to pull you up on that 476 00:20:45,760 --> 00:20:46,560 Speaker 1: for years? 477 00:20:46,600 --> 00:20:49,000 Speaker 2: What's right? Because because Gabriella, what I'm going for there? 478 00:20:49,200 --> 00:20:49,360 Speaker 1: Yeah? 479 00:20:49,400 --> 00:20:50,919 Speaker 2: What are you look? It's a laugh, but it's a 480 00:20:50,960 --> 00:20:52,400 Speaker 2: cute laugh picturing I'm. 481 00:20:52,240 --> 00:20:54,359 Speaker 6: Just picturing his eye with his hand over his mouth 482 00:20:54,440 --> 00:20:55,120 Speaker 6: like the emoji. 483 00:20:56,800 --> 00:20:58,560 Speaker 2: But that's that's what I'm doing. What's wrong with a 484 00:20:58,680 --> 00:20:59,640 Speaker 2: guy and covering his mouth? 485 00:21:00,119 --> 00:21:04,200 Speaker 1: Feel like an audible adorable? 486 00:21:04,800 --> 00:21:06,400 Speaker 2: You want to take me home like a little puppy, Doug. 487 00:21:06,960 --> 00:21:08,760 Speaker 6: I'm richurprised you don't get ignored. 488 00:21:12,720 --> 00:21:14,280 Speaker 1: I agree with I've been meaning to put you up 489 00:21:14,320 --> 00:21:15,919 Speaker 1: on that for a while now. If we're in a 490 00:21:15,920 --> 00:21:19,520 Speaker 1: message thread, I like to hear this is we spoke 491 00:21:19,560 --> 00:21:21,639 Speaker 1: to Laura Henshaw before we're in a message there with 492 00:21:22,000 --> 00:21:24,560 Speaker 1: Steph Clesmith and Laura Henshaw. You hear heed in that 493 00:21:24,680 --> 00:21:26,920 Speaker 1: my last message was and there's a reason they haven't 494 00:21:26,960 --> 00:21:27,760 Speaker 1: replied to us for a month. 495 00:21:29,000 --> 00:21:30,240 Speaker 2: I dropped a bomb on that. 496 00:21:30,240 --> 00:21:35,480 Speaker 1: What Sarah Sarah? Yeah, that was riddled with mail message 497 00:21:35,960 --> 00:21:37,880 Speaker 1: Sarah message. 498 00:21:38,720 --> 00:21:39,840 Speaker 2: How are we this afternoon? 499 00:21:40,480 --> 00:21:40,840 Speaker 1: Not great? 500 00:21:40,840 --> 00:21:43,600 Speaker 2: To be honest, I like that. 501 00:21:43,600 --> 00:21:45,680 Speaker 6: You said more than one word to me there as 502 00:21:45,680 --> 00:21:48,720 Speaker 6: your responses because there's nothing nothing more I than you 503 00:21:48,840 --> 00:21:51,320 Speaker 6: writing a big, long thing and getting back yep. 504 00:21:51,840 --> 00:21:55,520 Speaker 2: Okay, yeah you can be guilty of that. 505 00:21:56,640 --> 00:21:58,960 Speaker 6: Are you with the other people you don't have enough 506 00:21:59,000 --> 00:21:59,879 Speaker 6: sentence to write to me? 507 00:22:00,359 --> 00:22:03,720 Speaker 1: Well that's kind of it really, but also like just 508 00:22:04,119 --> 00:22:07,879 Speaker 1: message received to keep it simple, I do, I do 509 00:22:08,040 --> 00:22:10,239 Speaker 1: get frustrated that with like particularly I don't know if 510 00:22:10,240 --> 00:22:11,840 Speaker 1: anyone this thing has this, but like you know when 511 00:22:11,840 --> 00:22:13,719 Speaker 1: you message your dad quite a big text and they 512 00:22:13,760 --> 00:22:14,520 Speaker 1: just write back. 513 00:22:14,480 --> 00:22:20,720 Speaker 2: Okay, okay, okay, or Dad descends his moileyface. Now he's 514 00:22:20,720 --> 00:22:21,400 Speaker 2: just got that up. 515 00:22:21,320 --> 00:22:25,119 Speaker 1: Like obviously he's most us just has like at least 516 00:22:25,200 --> 00:22:30,080 Speaker 1: five like gifts on Rotation and just sends the you know, 517 00:22:30,240 --> 00:22:36,080 Speaker 1: also knows that Gus Warland Gussie walland has ten gifts. 518 00:22:35,680 --> 00:22:39,680 Speaker 2: On Guy let's got to Maddie now, Maddie, male messaging. 519 00:22:39,720 --> 00:22:43,000 Speaker 1: Say gifts in general, you're texting a girl a gift. 520 00:22:43,560 --> 00:22:46,000 Speaker 1: I don't know, hong on, I can ask, I can analysts, 521 00:22:46,280 --> 00:22:48,560 Speaker 1: analyst if you've got a gift from a guy, how 522 00:22:48,600 --> 00:22:49,520 Speaker 1: would that sit with you? 523 00:22:50,320 --> 00:22:51,440 Speaker 3: I feel icky? 524 00:22:51,720 --> 00:22:53,760 Speaker 1: Yeah, yeah, there's no I mean there's no there's no 525 00:22:53,760 --> 00:22:56,640 Speaker 1: safety here. I feel like we're just in like Vietnam 526 00:22:56,680 --> 00:22:58,880 Speaker 1: circond nineteen eighty that just land mines everywhere. 527 00:22:59,000 --> 00:23:02,240 Speaker 2: Let's got to Maddie here, what's the hick for you? 528 00:23:03,359 --> 00:23:04,600 Speaker 1: Hi? Guys, how are we? 529 00:23:04,920 --> 00:23:06,240 Speaker 2: They're not great? To be honest, this. 530 00:23:06,200 --> 00:23:11,919 Speaker 1: Is this is before dramatic, but anyway dramatic, you're just 531 00:23:11,920 --> 00:23:12,720 Speaker 1: a walking. 532 00:23:15,680 --> 00:23:18,960 Speaker 4: Sorry. 533 00:23:19,080 --> 00:23:21,720 Speaker 6: I think when a guy like you're messaging a guy 534 00:23:21,760 --> 00:23:24,040 Speaker 6: and they're like, oh, we should go for drinks and 535 00:23:24,119 --> 00:23:26,600 Speaker 6: you should come back to mine, Like, shut up, bro, 536 00:23:27,000 --> 00:23:30,840 Speaker 6: make it more any obvious? Well you actually want I. 537 00:23:31,359 --> 00:23:33,840 Speaker 2: Fully understand that one. That is a big ig when 538 00:23:33,840 --> 00:23:36,880 Speaker 2: it's like they're assuming or trying so hard and then 539 00:23:36,920 --> 00:23:38,520 Speaker 2: come back to mind and then we'll go back to mind. 540 00:23:38,520 --> 00:23:40,000 Speaker 2: And yeah, agreed, Maddie. 541 00:23:40,040 --> 00:23:42,440 Speaker 1: Another one that is again again, I don't think there's 542 00:23:42,440 --> 00:23:45,639 Speaker 1: any safety here. But a male message is and we 543 00:23:45,760 --> 00:23:48,320 Speaker 1: discussed this woods in the pre show meeting, like I 544 00:23:48,320 --> 00:23:50,800 Speaker 1: think after a date, you're trying to find common ground 545 00:23:50,800 --> 00:23:52,679 Speaker 1: with them. Yeah, that's often a think. You're like, oh, 546 00:23:52,720 --> 00:23:54,800 Speaker 1: what's a that's an in gag that we can go for. 547 00:23:55,320 --> 00:23:57,239 Speaker 1: And I'm gonna go to throw it to Analyse here 548 00:23:57,240 --> 00:23:59,040 Speaker 1: because she had a cracker Analyse, you had a date? 549 00:23:59,080 --> 00:24:01,480 Speaker 1: What did the guys send you after the date? Oh? 550 00:24:01,600 --> 00:24:04,520 Speaker 3: So I had mentioned that I liked to caramelized popcorn. 551 00:24:04,680 --> 00:24:06,760 Speaker 3: So he then went in and said, hey, an I 552 00:24:06,880 --> 00:24:09,080 Speaker 3: he's just walked past some caramelized popcorn. 553 00:24:09,480 --> 00:24:10,240 Speaker 5: I want to go on a. 554 00:24:10,240 --> 00:24:12,400 Speaker 2: Date, And how's it going with him? 555 00:24:13,840 --> 00:24:14,960 Speaker 3: I don't caramelized? 556 00:24:15,160 --> 00:24:18,520 Speaker 1: So so basic. Where are you dude walking through a 557 00:24:18,600 --> 00:24:21,639 Speaker 1: market in the nineteen seventies, Like, who's got the caramelized 558 00:24:21,640 --> 00:24:25,040 Speaker 1: popcorn on the next to the toffee apples? Marie's called Maria. 559 00:24:25,160 --> 00:24:26,919 Speaker 1: We're talking male messaging. Giggs. 560 00:24:28,119 --> 00:24:32,600 Speaker 6: Mine has to be a pet name. So mainly if someone's. 561 00:24:32,200 --> 00:24:34,919 Speaker 2: Like hey, you know, they're like, oh, hey, Trouble, I 562 00:24:34,920 --> 00:24:38,160 Speaker 2: had a great night last and I was like yeah, 563 00:24:37,359 --> 00:24:39,600 Speaker 2: like like trouble. 564 00:24:39,359 --> 00:24:42,000 Speaker 6: Is trouble kiddo, and Missy on my like no go. 565 00:24:42,320 --> 00:24:45,160 Speaker 2: But trouble is Maria, hang on, hang on, what if 566 00:24:45,160 --> 00:24:48,080 Speaker 2: it's a specific kid, What if it's a specific to 567 00:24:48,200 --> 00:24:54,720 Speaker 2: you nickname? Give him ham steaks. Hands that you brought 568 00:24:54,720 --> 00:24:56,000 Speaker 2: that up, but that was an in joke. 569 00:24:56,160 --> 00:24:59,919 Speaker 1: I've got your first text message exchange before you are 570 00:25:00,080 --> 00:25:02,040 Speaker 1: to your first date with Mim. She's sent that through. 571 00:25:03,040 --> 00:25:08,159 Speaker 2: I'd been drinking responsibly, but I so, uh, you're the 572 00:25:08,320 --> 00:25:09,399 Speaker 2: day after all the night off. 573 00:25:09,520 --> 00:25:13,159 Speaker 1: Not sure man twelve twenty three am. She says, I 574 00:25:13,160 --> 00:25:14,480 Speaker 1: don't even know what to say. 575 00:25:14,840 --> 00:25:18,600 Speaker 2: Loll you say, oh. 576 00:25:18,640 --> 00:25:24,040 Speaker 1: No, nothing needs to be said, full stop, and then you. 577 00:25:24,040 --> 00:25:26,720 Speaker 2: Send, oh no, please don't, let's just go, Let's just 578 00:25:26,760 --> 00:25:28,120 Speaker 2: get out of here, please don't. 579 00:25:29,840 --> 00:25:40,080 Speaker 1: Sweet sweet dreams, perfect Hamsteaks. Right now, though, we want 580 00:25:40,080 --> 00:25:45,240 Speaker 1: to talk about our podcast, Share My Mood, Share Mind Mood. 581 00:25:47,000 --> 00:25:50,359 Speaker 1: Very excited about this second season, which we're bringing out 582 00:25:50,359 --> 00:25:53,880 Speaker 1: in the passwords. Steph Claire Smith. We've had your mate 583 00:25:53,960 --> 00:25:56,600 Speaker 1: on there as well, Harry Garside, he's been there, Ned 584 00:25:56,600 --> 00:26:00,520 Speaker 1: Brockman's been on there, Laura Burn, Britt Hockley. That's a 585 00:26:00,560 --> 00:26:02,920 Speaker 1: wonderful chat. It's very emotional. Chats, are very real chats. 586 00:26:02,960 --> 00:26:04,520 Speaker 1: That's what it's all about I mean, it's in the title, 587 00:26:04,560 --> 00:26:06,760 Speaker 1: isn't it. Shamo Mood, the first guest that we have 588 00:26:06,840 --> 00:26:10,439 Speaker 1: on for series two is a guy who I'm going 589 00:26:10,480 --> 00:26:13,560 Speaker 1: to be honest like, I didn't expect to get to 590 00:26:13,640 --> 00:26:15,000 Speaker 1: this point with him. And I don't think a lot 591 00:26:15,000 --> 00:26:19,480 Speaker 1: of people would have seen this guy vulnerable or really 592 00:26:19,560 --> 00:26:22,919 Speaker 1: open at all. Because he's a stand up comedian. A 593 00:26:22,920 --> 00:26:25,240 Speaker 1: lot of them don't do that sort of stuff because 594 00:26:25,280 --> 00:26:28,080 Speaker 1: it kind of brings down the show and the idea 595 00:26:28,119 --> 00:26:29,800 Speaker 1: of who you have as them as an entertainer. 596 00:26:29,960 --> 00:26:33,880 Speaker 2: He's also just deliberately very private, incredibly private. Yeah, that's 597 00:26:33,880 --> 00:26:35,840 Speaker 2: a very conscious decision to my private life is my 598 00:26:35,840 --> 00:26:37,680 Speaker 2: private life. I will choose what I want to share 599 00:26:37,680 --> 00:26:39,000 Speaker 2: when I'm on stage or performing. 600 00:26:39,119 --> 00:26:41,600 Speaker 1: Yeah, and now you can get this chat wherever you 601 00:26:41,600 --> 00:26:44,399 Speaker 1: get your podcasts. Now the podcast is up, share my 602 00:26:44,480 --> 00:26:46,239 Speaker 1: Merger search Chamo Mood or if you want to find it, 603 00:26:46,400 --> 00:26:50,480 Speaker 1: hit on onto Williamwoody on Instagram. In the stories, there 604 00:26:50,560 --> 00:26:52,879 Speaker 1: is a link to the brand new podcast and the 605 00:26:52,920 --> 00:26:57,040 Speaker 1: first episode of the second series, which is will Anderson. 606 00:26:57,880 --> 00:27:00,280 Speaker 2: It feels like mid thirties. You're winning People's Choice of 607 00:27:00,320 --> 00:27:02,760 Speaker 2: Ward at Melbourne Comedy Festival. Year after year after year, 608 00:27:02,800 --> 00:27:05,360 Speaker 2: six years in a row. At the same time, you're 609 00:27:05,359 --> 00:27:07,960 Speaker 2: starting to have lower back pain and hip pain. Can 610 00:27:08,000 --> 00:27:10,320 Speaker 2: you talk me through that stage of your life? And 611 00:27:10,359 --> 00:27:13,080 Speaker 2: you just said before that you love walking around. I've 612 00:27:13,080 --> 00:27:15,320 Speaker 2: read that you used to enjoy running around everywhere. 613 00:27:15,480 --> 00:27:18,480 Speaker 5: Yeah, I did. I've always liked being It's funny, isn't it. 614 00:27:18,480 --> 00:27:20,280 Speaker 5: It's like I wonder if it's to do with growing 615 00:27:20,359 --> 00:27:22,359 Speaker 5: up on a farm and like spending a lot of 616 00:27:22,359 --> 00:27:24,679 Speaker 5: your time outdoors. I've never really thought about it like that. 617 00:27:24,760 --> 00:27:26,600 Speaker 5: But the best thing to do when you've got hip 618 00:27:26,600 --> 00:27:29,720 Speaker 5: pain is to keep moving. The best things to keep moving. 619 00:27:29,760 --> 00:27:32,800 Speaker 1: So motion is losure, I think, is what you said was. 620 00:27:33,119 --> 00:27:35,280 Speaker 5: So it started in my early thirties. It was really 621 00:27:35,359 --> 00:27:37,639 Speaker 5: bad at the time because I did not know what 622 00:27:37,680 --> 00:27:40,600 Speaker 5: it was ostereototis that got misdiagnosed a lot of times, 623 00:27:41,080 --> 00:27:43,479 Speaker 5: and so people were treating all the symptoms of it 624 00:27:43,560 --> 00:27:46,760 Speaker 5: rather than what it actually was for ages. So basically 625 00:27:46,800 --> 00:27:48,360 Speaker 5: what I went through was like a period a couple 626 00:27:48,400 --> 00:27:51,000 Speaker 5: of years where I was still training really hard, doing 627 00:27:51,000 --> 00:27:53,320 Speaker 5: all these things that were actually technically really bad for 628 00:27:53,359 --> 00:27:56,240 Speaker 5: what I was doing. In between, like you know, going 629 00:27:56,280 --> 00:27:59,439 Speaker 5: to like every form of medical treatment that like not 630 00:27:59,640 --> 00:28:01,680 Speaker 5: aware of the fact that I was then going and 631 00:28:01,880 --> 00:28:04,040 Speaker 5: like doing the things that would damage me again. So 632 00:28:04,440 --> 00:28:07,000 Speaker 5: by the time they really worked out what it was, 633 00:28:07,160 --> 00:28:09,080 Speaker 5: I was like I had a whole bunch of other 634 00:28:09,160 --> 00:28:13,680 Speaker 5: things that were also trouble, that were related trouble medication 635 00:28:13,760 --> 00:28:16,320 Speaker 5: other than medicinal cannabis free. I use like an anti 636 00:28:16,320 --> 00:28:18,320 Speaker 5: inflammatory at night to help me sleep through the night. 637 00:28:18,680 --> 00:28:22,600 Speaker 5: But other than that, like completely free of any sort 638 00:28:22,640 --> 00:28:25,919 Speaker 5: of hardcore medication. Haven't had the operation, but managing it 639 00:28:26,000 --> 00:28:28,760 Speaker 5: mostly at the moment through you know, just pain management. 640 00:28:28,840 --> 00:28:31,200 Speaker 5: It's not without pain, sure, and I have to be 641 00:28:31,240 --> 00:28:32,840 Speaker 5: a bit careful about it and at some stage I'll 642 00:28:32,840 --> 00:28:34,720 Speaker 5: have to get both my hips re revise. But it's 643 00:28:34,760 --> 00:28:38,520 Speaker 5: amazing what like lifestyle changes, like just you know, managing 644 00:28:38,560 --> 00:28:40,280 Speaker 5: my pain, knowing what it is that it is good 645 00:28:40,280 --> 00:28:42,480 Speaker 5: and bad for it, Like I mean, if you'd seen 646 00:28:42,480 --> 00:28:44,960 Speaker 5: me at thirty versus now, Like I'm much better at 647 00:28:45,520 --> 00:28:49,040 Speaker 5: managing the lifestyle, Like I mean, I've had some bad 648 00:28:49,080 --> 00:28:51,120 Speaker 5: periods in between, because if it gets out of control, 649 00:28:51,120 --> 00:28:54,000 Speaker 5: it gets really badly out of control, and sometimes you 650 00:28:54,040 --> 00:28:56,960 Speaker 5: give up things obviously because of it. So like when 651 00:28:57,000 --> 00:29:00,320 Speaker 5: I was touring in America. The thing that people have 652 00:29:00,520 --> 00:29:02,200 Speaker 5: often asked me, You're going to go back to America 653 00:29:02,200 --> 00:29:04,480 Speaker 5: and tour, And I like this show that I've written 654 00:29:04,960 --> 00:29:07,600 Speaker 5: could tour. It's a you know, it doesn't have anything 655 00:29:07,640 --> 00:29:11,200 Speaker 5: specifically Australian into it. But I just don't think that 656 00:29:11,280 --> 00:29:15,120 Speaker 5: my body would sustain really the flight not well, because 657 00:29:15,120 --> 00:29:17,480 Speaker 5: it's also then a series of other flights on smaller plays. 658 00:29:17,520 --> 00:29:19,480 Speaker 5: I could probably do the flight ever could have on 659 00:29:19,520 --> 00:29:21,440 Speaker 5: a big old plane, but like a lot of that 660 00:29:21,520 --> 00:29:24,520 Speaker 5: traveling between like that was what really the last time 661 00:29:24,560 --> 00:29:27,440 Speaker 5: my body was really bad was at the end of 662 00:29:27,480 --> 00:29:29,080 Speaker 5: sort of when I was doing all that, because it 663 00:29:29,120 --> 00:29:32,560 Speaker 5: was just so taxing on. Yeah, so that was when 664 00:29:32,560 --> 00:29:34,480 Speaker 5: it really got really bad again. And so not doing 665 00:29:34,520 --> 00:29:37,480 Speaker 5: that has made me my life better in every other 666 00:29:37,520 --> 00:29:39,959 Speaker 5: way other than not getting to do that, If that 667 00:29:40,000 --> 00:29:40,520 Speaker 5: makes sense. 668 00:29:41,600 --> 00:29:43,560 Speaker 1: There you go. That is the first episode of our 669 00:29:43,600 --> 00:29:46,200 Speaker 1: brand new podcast, Share My Mood, which is going to 670 00:29:46,240 --> 00:29:51,720 Speaker 1: host an array of brilliant, interesting or inspiring guests, all 671 00:29:51,760 --> 00:29:53,840 Speaker 1: of them basically just sharing how they are and who 672 00:29:53,880 --> 00:29:55,600 Speaker 1: they are in a really vulnerable space with you, and 673 00:29:55,600 --> 00:29:57,200 Speaker 1: I would, as I said, you can hear there. The 674 00:29:57,240 --> 00:30:00,360 Speaker 1: first chat is Will Anderson. So, Sham, I'm where you 675 00:30:00,360 --> 00:30:02,400 Speaker 1: get your podcasts or headle onto our stories Will and 676 00:30:02,440 --> 00:30:03,640 Speaker 1: what do? You can click on the link and it'll 677 00:30:03,640 --> 00:30:05,600 Speaker 1: bring up that chat with Will And as you said, 678 00:30:05,600 --> 00:30:07,680 Speaker 1: in the place that I didn't think we would get, Will. 679 00:30:07,840 --> 00:30:10,360 Speaker 2: Definitely not yeah, and got on Will for up the 680 00:30:10,360 --> 00:30:12,120 Speaker 2: way that he did. Bloody Lovell Anderson. 681 00:30:12,240 --> 00:30:15,200 Speaker 1: Unbelievable really, and honestly for somebody who is as private 682 00:30:15,200 --> 00:30:16,920 Speaker 1: as he is, a lot of you guys will respect 683 00:30:16,960 --> 00:30:18,480 Speaker 1: how hard that was for him to go there. Maybe 684 00:30:18,480 --> 00:30:21,000 Speaker 1: it wasn't hard. I don't know. He certainly makes everything 685 00:30:21,040 --> 00:30:23,600 Speaker 1: seem effortless. But there were a couple of moments in 686 00:30:23,640 --> 00:30:26,240 Speaker 1: there which made me feel as if we were pulling 687 00:30:26,280 --> 00:30:26,959 Speaker 1: teeth a little bit. 688 00:30:27,000 --> 00:30:28,160 Speaker 2: You guys had a bit of a fight. We had 689 00:30:28,160 --> 00:30:30,680 Speaker 2: a bit, honest little tussle. I felt very awkward. 690 00:30:30,800 --> 00:30:34,960 Speaker 1: So search jem I mad where you get you podcasts