1 00:00:00,400 --> 00:00:03,000 Speaker 1: Jum Mission with Jones and Amanda. 2 00:00:03,160 --> 00:00:05,840 Speaker 2: You probably heard people talking about the music that dropped 3 00:00:05,880 --> 00:00:10,160 Speaker 2: over the weekend from Taylor Swift. I'm not necessarily a Swifty, 4 00:00:10,240 --> 00:00:13,000 Speaker 2: as her fans are called, but it's a very interesting story. 5 00:00:13,080 --> 00:00:16,439 Speaker 2: I do like Taylor Swift. She has re released a 6 00:00:16,440 --> 00:00:19,520 Speaker 2: whole lot of her old songs. So the new album 7 00:00:19,640 --> 00:00:22,760 Speaker 2: is called Red. But the reason she's recording her old 8 00:00:22,840 --> 00:00:26,720 Speaker 2: music is she signed a first record deal when she 9 00:00:26,800 --> 00:00:30,320 Speaker 2: was fifteen years old in two thousand and five, and 10 00:00:30,360 --> 00:00:33,800 Speaker 2: this gave ownership rights for her first six albums to 11 00:00:33,920 --> 00:00:37,400 Speaker 2: Big Machine Records. This is the record label that signed her. 12 00:00:37,880 --> 00:00:40,960 Speaker 2: And also the albums hadn't even been written. They said, 13 00:00:41,000 --> 00:00:42,519 Speaker 2: we want all your future work and when you're young, 14 00:00:42,560 --> 00:00:44,879 Speaker 2: ago isn't this great? I'll sign this, but they've got 15 00:00:44,880 --> 00:00:48,680 Speaker 2: all the publishing rights, so and the masters, they own 16 00:00:48,720 --> 00:00:53,199 Speaker 2: all the masters to her music. Then this they on 17 00:00:53,440 --> 00:00:57,280 Speaker 2: sold this against her wishes for three hundred million dollars. 18 00:00:57,440 --> 00:01:01,480 Speaker 2: Whoa to Scooter Braun, who who is the manager of 19 00:01:01,640 --> 00:01:04,240 Speaker 2: Justin Bieber, Ariana Grande and other people. And he's become 20 00:01:04,280 --> 00:01:07,520 Speaker 2: her nemesis, her enemy because she tried to buy them back, 21 00:01:07,560 --> 00:01:10,720 Speaker 2: but the record company sold them to him for three 22 00:01:10,760 --> 00:01:14,120 Speaker 2: hundred million. He's now on sold her music, her master 23 00:01:14,200 --> 00:01:16,720 Speaker 2: tapes to an investment fund and he's made that money 24 00:01:16,720 --> 00:01:17,200 Speaker 2: back again. 25 00:01:17,360 --> 00:01:20,360 Speaker 1: Wow, it's exactly like what happened with Michael Jackson and 26 00:01:20,400 --> 00:01:23,759 Speaker 1: Paul McCartney. Michael Jackson and Paul McCartney were hanging out 27 00:01:24,240 --> 00:01:26,520 Speaker 1: and Michael said, what do I do with all my money? 28 00:01:26,680 --> 00:01:28,680 Speaker 1: And paulsa is he mickey mouse, what do you What 29 00:01:28,720 --> 00:01:31,399 Speaker 1: you want to do is get into music publishing. That's 30 00:01:31,400 --> 00:01:35,960 Speaker 1: where the money lays. And he cited about how him 31 00:01:36,040 --> 00:01:38,640 Speaker 1: and John Lennon in a deal ended up all their 32 00:01:38,640 --> 00:01:40,920 Speaker 1: Beatles songs or a lot of their Beatles songs. They 33 00:01:40,920 --> 00:01:44,360 Speaker 1: didn't get the money for music publishing owned that, and 34 00:01:44,400 --> 00:01:47,119 Speaker 1: so he just said that as an example. Then when 35 00:01:47,360 --> 00:01:49,920 Speaker 1: this company up kind of was ATV or something like that, 36 00:01:50,080 --> 00:01:52,920 Speaker 1: said we're going to sell the publishing rights. They approached 37 00:01:52,920 --> 00:01:54,960 Speaker 1: Paul McCarthy said you want to buy your songs back? 38 00:01:55,000 --> 00:01:56,160 Speaker 1: And he said what do you want for it? And 39 00:01:56,160 --> 00:01:57,800 Speaker 1: they said thirty million, and he said no, it's too 40 00:01:57,880 --> 00:01:59,800 Speaker 1: rich for my blood, which is a bit id, and 41 00:02:00,520 --> 00:02:03,880 Speaker 1: they offered it to her and Yoko, and Yoko said well, 42 00:02:04,520 --> 00:02:06,320 Speaker 1: and Michael Jackson suddenly said I'll have a go at 43 00:02:06,320 --> 00:02:08,840 Speaker 1: that he bought it for forty seven million dollars. And 44 00:02:08,880 --> 00:02:11,160 Speaker 1: I remember for years you didn't see any Beatles songs 45 00:02:11,160 --> 00:02:14,040 Speaker 1: in TV commercials or radio ads or anything like that. 46 00:02:14,240 --> 00:02:15,800 Speaker 1: Then all of a sudden that happened. 47 00:02:15,919 --> 00:02:18,840 Speaker 2: That it's because Michael said, yeah, sure, use it selling nappies, 48 00:02:18,880 --> 00:02:19,120 Speaker 2: do it. 49 00:02:19,160 --> 00:02:21,040 Speaker 1: And I think it's worth like a billion dollars. 50 00:02:21,080 --> 00:02:24,560 Speaker 2: Now, well, this is what's happened, and so very cleverly, 51 00:02:24,720 --> 00:02:29,440 Speaker 2: Taylor Swift has re recorded her songs and released them herself, 52 00:02:29,720 --> 00:02:34,320 Speaker 2: so on streaming services, the owners of the music now 53 00:02:34,360 --> 00:02:36,640 Speaker 2: make a certain amount of money. She took a gamble 54 00:02:36,680 --> 00:02:38,720 Speaker 2: and said, I'm hoping my fans will invest in the 55 00:02:38,760 --> 00:02:41,320 Speaker 2: integrity of what I'm trying to do. And yes, they're 56 00:02:41,320 --> 00:02:44,880 Speaker 2: buying music from her now. So over the weekend she 57 00:02:45,000 --> 00:02:48,000 Speaker 2: released Red and it has This is a song it's 58 00:02:48,040 --> 00:02:51,239 Speaker 2: become most famous for a song she had called all 59 00:02:51,320 --> 00:02:55,200 Speaker 2: Too Well that was initially released in twenty twelve. The 60 00:02:55,280 --> 00:02:58,160 Speaker 2: song all too Well is believed to be about her 61 00:02:58,200 --> 00:03:01,560 Speaker 2: short lived relationship for three months Jake Gillenhall and the 62 00:03:01,680 --> 00:03:06,560 Speaker 2: breakup thereof He's the chorus of this beautiful song All 63 00:03:06,600 --> 00:03:07,000 Speaker 2: too well. 64 00:03:07,480 --> 00:03:18,880 Speaker 1: Break That's the one real thing have. 65 00:03:25,440 --> 00:03:29,560 Speaker 2: That's the chorus. And accompanying this, I'll get to a 66 00:03:29,560 --> 00:03:32,920 Speaker 2: particular line in it shortly that has fans going because 67 00:03:32,919 --> 00:03:36,240 Speaker 2: she's never said this song's about him, and yet accompanying 68 00:03:36,280 --> 00:03:40,360 Speaker 2: this is a fifteen minute film where two actors, one 69 00:03:40,360 --> 00:03:43,320 Speaker 2: who looks like her, one who looks exactly like Jake Jillenhall, 70 00:03:43,720 --> 00:03:46,880 Speaker 2: act out perhaps paparazzi shots that were taken at the time, 71 00:03:47,360 --> 00:03:49,200 Speaker 2: and sort of tell a love story in a breaking 72 00:03:49,280 --> 00:03:52,880 Speaker 2: up story, and so people are now vilifying him retrospectively 73 00:03:52,960 --> 00:03:55,280 Speaker 2: for a breakup that happened all those years ago. She 74 00:03:55,360 --> 00:03:57,760 Speaker 2: was really stung by that relationship. She was twenty one, 75 00:03:57,840 --> 00:04:00,400 Speaker 2: he was twenty nine. This is the line in the 76 00:04:00,480 --> 00:04:02,960 Speaker 2: song that people feel is the most damaging. 77 00:04:03,280 --> 00:04:12,640 Speaker 1: I was there, I remember all, and I was never good. 78 00:04:12,800 --> 00:04:18,600 Speaker 1: It's hell Gilsbert. The punch line goes again, Oh the 79 00:04:18,839 --> 00:04:22,120 Speaker 1: butch lovers staying my age? 80 00:04:22,600 --> 00:04:25,760 Speaker 2: Did you hear the line? Then the punchline goes she says, Oh, 81 00:04:25,839 --> 00:04:28,320 Speaker 2: get older, but your lovers stay my age. He currently 82 00:04:28,440 --> 00:04:31,799 Speaker 2: is going out with a girl who he's nearly forty, 83 00:04:32,279 --> 00:04:34,240 Speaker 2: she's in her mid Twenties's. 84 00:04:33,760 --> 00:04:36,280 Speaker 1: Got Highland assistant situation going there. 85 00:04:36,480 --> 00:04:39,120 Speaker 2: Well, he's pretty much this weekend gone into hiding because 86 00:04:39,160 --> 00:04:43,720 Speaker 2: all the Swifties villifying him all over again for the 87 00:04:43,760 --> 00:04:46,200 Speaker 2: harsh way he treated her then in the inappropriate nature 88 00:04:46,200 --> 00:04:49,680 Speaker 2: of the relationship apparently, and his girlfriend has had to 89 00:04:50,520 --> 00:04:53,600 Speaker 2: disable her Instagram comments and things because she's being villified 90 00:04:53,600 --> 00:04:56,560 Speaker 2: as well. So ten years later, all of this is 91 00:04:56,640 --> 00:04:57,200 Speaker 2: back again. 92 00:04:57,680 --> 00:05:01,039 Speaker 1: Hell hath no fury than a Taylor Swift scorn. 93 00:05:01,279 --> 00:05:03,479 Speaker 2: Don't go out with a songwriter no. 94 00:05:03,640 --> 00:05:05,719 Speaker 1: Alima's Morris said, you're listening? 95 00:05:06,080 --> 00:05:06,960 Speaker 2: Men? Are you listening? 96 00:05:08,279 --> 00:05:10,040 Speaker 1: Jonesy and Amanda's gamenation