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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Well, if you ever ruined Valentine's Day, cooked it, forgotten

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Speaker 2: about it, got an awful present?

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Speaker 3: Really good question.

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Speaker 4: Well, one time I made a love heart out of clinkers,

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Speaker 4: you know the chocolate the clinkers. Yeah, I made a

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Speaker 4: love heart out of clinkers on an ex ex girlfriend's bed.

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Speaker 3: But I did it in the morning, very hot day,

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Speaker 3: and by the time she got home.

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Speaker 4: It sort of looked like I just puked my pants

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Speaker 4: in her bed because there was just like melted chocolate

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Speaker 4: all through sheets.

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Speaker 3: So yeah, you could say that's cooking it. That was

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Speaker 3: out of your present as well.

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Speaker 2: Yeah, there was also the time that I got my

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Speaker 2: girlfriend flowers and then you saw me getting flowers, then

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Speaker 2: you realized you hadn't got yours flowers, and then you

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Speaker 2: ordered them straight after it because you knew they'd.

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Speaker 3: Took coincidence, coincidence.

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Speaker 4: I was just about to order flowers, and it just

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Speaker 4: so happened that it looked like I was copying you.

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Speaker 2: Anyway, I'm sure there are a lot of people driving

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Speaker 2: home right now who feel like they've ruined Valentine's Day.

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Speaker 2: There are a whole bunch of people that will because

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Speaker 2: they've forgotten about it.

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Speaker 3: I have got anything.

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Speaker 2: They probably woke up this morning and they did the

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Speaker 2: whole presence coming tonight. It's not we want to be

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Speaker 2: able to help one of.

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Speaker 3: You guys, because we know you're desperate.

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Speaker 4: Dylan, your stuffed Valentine's Day mate?

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Speaker 5: Yeah?

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Speaker 6: Correct, boys, I've been with my pardner for a few

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Speaker 6: months now, and yeah, yeah we thought, oh we haven't

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Speaker 6: been together for that long. So yeah, we did that

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Speaker 6: whole agreement that, you know what, we're not going to

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Speaker 6: do anything. But yeah, I feel like guys just shouldn't

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Speaker 6: do that.

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Speaker 3: You know, did you waken?

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Speaker 5: They're going to get in trouble when you get home anyway.

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Speaker 2: Have they got you something, Dylan? Have they have they

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Speaker 2: already got you something? Or do you think they're going

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Speaker 2: to get you something?

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Speaker 5: See, I'm not too sure.

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Speaker 3: Oh it's like walking into a trap, but.

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Speaker 5: That's where you shouldn't go wrong.

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Speaker 3: Yeah, just be ready, just be ready?

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Speaker 2: Yeah, okay, deal, All right's down the line. Sounds like

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Speaker 2: three months relationship. Don't feel that bad for him. He'll

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Speaker 2: still be able to you know, early on, he's got

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Speaker 2: plenty of time to recover. Sure, Anthony, how are you mate?

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Speaker 2: You ruined Valentine's Day. You forgot about it.

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Speaker 5: Look, it's a little my son, a busy, busy day.

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Speaker 7: I was on the lady to get some flailers, but

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Speaker 7: I heard your call on the radio and I said, look,

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Speaker 7: the boys.

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Speaker 8: Can help me.

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Speaker 5: Idea, my girlfriend of.

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Speaker 6: Five years, she's been on the backwards for you, and

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Speaker 6: maybe you've got us at.

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Speaker 2: Yeah, okay, okay, okay, gee wizz Jay sorry years.

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Speaker 4: Yeah, and you and you if you hadn't called us, like,

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Speaker 4: what was the plan?

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Speaker 5: Now?

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Speaker 3: You sound that you're driving on the way home now.

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Speaker 5: Well, obviously take on the weekend, but it was a

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Speaker 5: ninety I got a basketball game, which.

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Speaker 3: Just goes to take her out on the weekend.

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Speaker 2: Mate, it's the weekend, it's the Valentine's Day, Anthony.

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Speaker 3: Thanks the cool.

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Speaker 4: Let's got a rub now, Rob, you've also stuffed Valentine's

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Speaker 4: Day today, mate.

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Speaker 7: Boys, it's a total balls up. So may I've been

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Speaker 7: with my missus for twelve years and every yearly just

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Speaker 7: I get her something and I'd make a big deal.

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Speaker 7: But this cema complete balls I've completely forgot about it,

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Speaker 7: too little, too late, and I've got to do something

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Speaker 7: and I need help. She is the love of my life.

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Speaker 7: If I if I start up after twelve, I think

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Speaker 7: it's all down.

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Speaker 5: Neil.

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Speaker 2: Oh, yeah, Robert, have you ever written her poetry?

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Speaker 7: I wouldn't say I'm a poet by any means.

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Speaker 3: Okay, Okay, here's what we're going to do.

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Speaker 2: This is our I think rob twelve year relationship forgot

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Speaker 2: Valentine's Day. Yeah, I mean, if I'm going to be honest,

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Speaker 2: I think Anthony's over, So I'm not going to try

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Speaker 2: and salvage.

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Speaker 3: He's playing basketball tonight. He's unsalvagable.

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Speaker 5: Rob.

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Speaker 3: On the other hand, Rob, have you heard of chat gpt?

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Speaker 3: Have you heard of that?

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Speaker 5: No? I haven't been.

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Speaker 2: Okay, it's the AI that buzz feeds using to write

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Speaker 2: all of its articles.

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Speaker 4: Okay, now, it's actually amazing that this is. This is

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Speaker 4: an audio We asked chat gpt to write a song

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Speaker 4: about me. This is what this is what did in

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Speaker 4: three seconds.

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Speaker 3: There's a guy his name is Woody, with a fad

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Speaker 3: that's always ready, good bottom and skinny legs. He travels

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Speaker 3: with his loyal friends. That's that was three seconds that

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Speaker 3: came out with that right now? Yeah, Rose, here's what

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Speaker 3: I want you to do. What's your partner's name, Chanel

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Speaker 3: Love the Fragrance. Okay, Chanell Love the Fragmans. All right,

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Speaker 3: can you tell me a little bit about you and Chanel?

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Speaker 5: Yeah.

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Speaker 7: So, like I said, we've been together for twelve years.

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Speaker 5: Yeah.

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Speaker 7: So about about Chanel, She's you know, she's small, but

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Speaker 7: she packs the punch. She's got. She's got beautiful eyes.

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Speaker 7: She's got like these stunning eyes, like they're like this

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Speaker 7: light green sort of bluey color. Yeah, she's she's funny,

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Speaker 7: she's very smart. She's always right, even though I don't

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Speaker 7: like to admit it. Okay, and she's got an awesome

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Speaker 7: singing voice, which she doesn't like many people to know about.

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Speaker 3: Okay, but you've just told Australia that she has a

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Speaker 3: good signation, ye, Rob, So we've got lots there.

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Speaker 2: Here's what we're going to do, because because I'm so

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Speaker 2: fascinated to see that this is going to work, I

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Speaker 2: think a lot of people, particularly probably men who have

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Speaker 2: ballsed up Valentine's Day, going to fuck to chat GPT

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Speaker 2: right now. But I'm going to ask chat GPT to

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Speaker 2: write a poem about Chanelle, and in three minutes on

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Speaker 2: the other side, you're going to call her and read

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Speaker 2: her out to her live on the radio.

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Speaker 3: Okay, and then but don't tell it was chat GPT

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Speaker 3: that was you? Was you?

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Speaker 7: Of course it's me for sure.

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Speaker 2: Okay, Guys, that saying Rob's Day with us saving Valentine's

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Speaker 2: Day out next to willam mony with AI can a

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Speaker 2: I salvage Valentine's Day for a human who's absolutely stuffed it.

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Speaker 2: His name is Rob and he joins us right now,

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Speaker 2: Welcome Rob, he guys.

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Speaker 3: Very importantly, your it's wife, isn't.

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Speaker 9: It Rob wife?

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Speaker 5: Correct?

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Speaker 3: Wife of twelve years?

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Speaker 4: She can't hear us right now, but effectively you've said

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Speaker 4: that in all your twelve years, you've always remembered Valentine's Day,

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Speaker 4: but unfortunately today you completely forgot.

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Speaker 3: You've done nothing, correct, Okay.

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Speaker 4: Now our idea of salvation is that you told us

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Speaker 4: a little bit about your beautiful wife Chanelle before the

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Speaker 4: song there. We have put into a program called chat GPT,

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Speaker 4: which is this AI that writes music, writes poems, etc.

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Speaker 4: And we have said, write us a poem, effectively, a

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Speaker 4: romantic poem about your wife.

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Speaker 2: Yep, yeah, okay, so Rob, just for everyone in playing

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Speaker 2: at home, the things that we put into chat GPT

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Speaker 2: was that she's small, she packs a punch, she's got

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Speaker 2: eyes of light blue or green, she's always right, and

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Speaker 2: she's got a beautiful singing voice.

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Speaker 5: Yep.

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Speaker 4: Okay, Now we sent you the poem that chat GPT

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Speaker 4: came out with.

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Speaker 9: Have you got it?

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Speaker 5: Okay?

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Speaker 2: So chat GPT, by the way, knock this out in

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Speaker 2: like twenty seconds.

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Speaker 3: It's extraordinary. It is extraordinary.

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Speaker 2: If anyone else in trouble on Valentine's Day today, go

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Speaker 2: to chat GPT, put in a few things about your partner,

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Speaker 2: get home and be a lord. Which is what we

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Speaker 2: which is what Rob is about to be. Right now, Okay, Rob,

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Speaker 2: we're going to throw it to Chanelle. She'll just hear you.

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Speaker 2: We're not here, mate, it's all you.

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Speaker 7: Yep, Hello, channel, Hey, Hey, how.

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Speaker 5: I am good?

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Speaker 7: How are you? What are you doing? Ok I've written

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Speaker 7: you a poem for Valentine's Day and I want to

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Speaker 7: and I want to I want to like.

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Speaker 5: Read it to you.

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Speaker 7: Okay, okay, you're ready, am I?

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Speaker 5: Yep? All right?

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Speaker 7: My My love for you run deep a dozen years

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Speaker 7: in counting. Let's keep you may be small, but don't

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Speaker 7: be fooled for your impact. I am forever ruled. Your

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Speaker 7: eyes a hue of light green or blue, captivating.

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Speaker 9: They draw me into you.

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Speaker 7: And when you sing, the world sands still your voice

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Speaker 7: and melody that forever will thrilled in all that time together.

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Speaker 7: One thing's clean. You're wisdom, your intuition always since you're

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Speaker 7: always right in matters big or small, and you my confidence.

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Speaker 5: I trust it all.

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Speaker 9: Love your baby, you like it. I'm sorry to do

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Speaker 9: something different this three days?

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Speaker 1: Like it?

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Speaker 7: You love the baby?

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Speaker 5: Nah?

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Speaker 7: Do you like it as Yeah, it's very cute, very cute,

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Speaker 7: our beautiful baby. All right, well, I'll say you when

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Speaker 7: I get home, all.

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Speaker 2: Right, love you, love you.

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Speaker 3: You can never tell her that you didn't write that.

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Speaker 5: Oh my god.

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Speaker 9: Boys, if it ever gets out with.

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Speaker 4: That, kids, give us a call on thirteen one oh

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Speaker 4: sixty five and tell us what is the best thing

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Speaker 4: that mum or dad has taught you. And we're talking

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Speaker 4: about it because Serena Williams has revealed the best thing

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Speaker 4: that she's taught Olympia, which is her daughter, or she

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Speaker 4: hopes this is the best thing that she's taught her daughter, Olympia.

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Speaker 3: And it's that.

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Speaker 4: Basically, she wants her daughter to have taken away from

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Speaker 4: her that it takes a lot of hard work to

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Speaker 4: be good at something so pretty simple.

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Speaker 3: That's in line.

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Speaker 2: Did you see the movie King Richard? Yep, it's in

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Speaker 2: line with what he with her dad as well. Yeah,

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Speaker 2: that was just practice.

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Speaker 4: Work really really really hard, and then you are good

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Speaker 4: at saying. And she hopes that her daughter Olympia has

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Speaker 4: taken that from just watching her go about her life.

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Speaker 2: Is that what you would want your daughter to take away.

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Speaker 3: From your life?

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Speaker 4: If I if I, if I could hypothesizers as to

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Speaker 4: what I want my daughter to take away from No.

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Speaker 3: It's do we do things you're scared of? Because I

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Speaker 3: don't do that.

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Speaker 4: Yeah, and so I'm now it's really interesting since she's

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Speaker 4: been born, I'm deliberately trying to make moves in my life.

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Speaker 3: I'm like, that scares me. I'm going to do that.

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Speaker 4: And I know that she's really young right now, but

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Speaker 4: I hope that she's somehow taking that on that.

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Speaker 3: Daddy takes on scared going to remember it? Well, she

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Speaker 3: might know, Well, she wats four and a half months old.

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Speaker 2: She might No, you won't remember it at all.

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Speaker 4: Well, you never know. She might be very developed. I

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Speaker 4: actually think that a lot she's very advanced. Anyway, we

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Speaker 4: are asking you, guys on thirteen one oh six y five?

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Speaker 4: What the best thing your parent has taught your?

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Speaker 3: Advice? Yeah? Actually, what was advice? Or is it?

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Speaker 2: We're not padding at all?

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Speaker 5: Six?

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Speaker 3: Good Johnny? Hi, how old are you? Donny?

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Speaker 7: I'm eleven?

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Speaker 3: You're eleven? Okay, Now, what's the best thing your parents

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Speaker 3: have taught you?

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Speaker 10: To paint?

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Speaker 3: To paint? To paint?

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Speaker 11: Yes?

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Speaker 3: What did you paint?

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Speaker 5: I painted in my rabbit cage?

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Speaker 3: That is bloody's bloody impressive, Donnie, that is great work.

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Speaker 3: Eleven years and they to handle skills carried around the world. Donnie,

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Speaker 3: we're talking like skills. Here are we talking? Advice? Whatever?

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Speaker 3: Advice and skills? Whatever? It is? Sky's the lip. What's

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Speaker 3: the best thing your parents have taught you? We are

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Speaker 3: you taking more calls?

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Speaker 5: Here?

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Speaker 3: Are we up next? What's the best thing? Oh, your

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Speaker 3: parents have taught you? Right up next? Yeah? Uh, advice,

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Speaker 3: my best advice? Oh tell me up next? Will you

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Speaker 3: got me?

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Speaker 4: But kids, you got us the best thing your parents

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Speaker 4: have torture talking?

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Speaker 3: The best thing your parents taught you? Woods?

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Speaker 4: Yeah, thirty one oh six five? Kids, give us a call?

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Speaker 4: But will you said before the song. We hooked it

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Speaker 4: over the song. What's the best thing your parents have

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Speaker 4: taught you?

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Speaker 2: It's hard, okay, But the one that's buck to mind

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Speaker 2: was one hour before midnight is worth two after it.

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Speaker 3: That's good. That's really because I go to bed before midnight. Yeah,

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Speaker 3: it's a good way to get you in bed early. Yeah,

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Speaker 3: but good.

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Speaker 2: But it also actually it's true, like if you go

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Speaker 2: to bed, like the difference between going to bed at

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Speaker 2: eleven thirty versus twelve thirty is enormous.

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Speaker 3: You really have become a dad, haven't you. You have

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Speaker 3: you have become full down. I couldn't agree with you, mate,

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Speaker 3: I couldn't agree.

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Speaker 2: Every hour you stay out after midnight, getting there just

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Speaker 2: an hour again, getting there before midnight.

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Speaker 4: Twelve till four is deadtime at a dead time away.

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Speaker 4: All right, ANNELI said, you didn't produce a big dead

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Speaker 4: time woman.

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Speaker 2: All right.

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Speaker 4: Let's go to Xavier here thirteen one O six five Xavier,

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Speaker 4: what did your parents.

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Speaker 3: Teach you.

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Speaker 7: To treat people how you want to be treated?

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Speaker 2: Oh?

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Speaker 5: That is?

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Speaker 3: It is lovely Xavier? And you and do you live

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Speaker 3: up to that? Yeah?

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Speaker 4: Awesome, great stuff, have great word. Let's go to Anika here, Anica.

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Speaker 4: What's the best thing your parents taught you?

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Speaker 8: To muffle up your farts in public?

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Speaker 3: To muffle them? Muffle them? And how do you muffle

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Speaker 3: a fart.

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Speaker 8: Sitting down really hard on the chair, just like let

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Speaker 8: it slide.

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Speaker 4: Don't you lift a cheek because if you lift a cheek,

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Speaker 4: that's when the noise comes out.

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Speaker 3: A Nica, And don't sit on plastic chairs the hard way?

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Speaker 2: In year two, Riley, Riley, Hello, Hi, best thing your

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Speaker 2: parents taught you?

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Speaker 7: The best day of my life was when my dad

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Speaker 7: taught me about slurpies.

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Speaker 3: What do you teach you about slurpies?

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Speaker 7: He said that they're the best drink ever.

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Speaker 3: Yeah, that's pretty good stuff. That's the best day of

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Speaker 3: your life, Riley.

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Speaker 5: Yeah, it was awesome.

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Speaker 3: Had it was slurpy though when you were a kid?

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Speaker 3: Slurpy really slurpies? Yeah? Too much sugar? Yeah it's half

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Speaker 3: you know.

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Speaker 4: The best lesson my dad taught me never pay full

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Speaker 4: price and he never has what do you mean, my dad?

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Speaker 3: What do you mean?

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Speaker 2: Like, what do you go if?

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Speaker 3: If he goes to the zuper market, he only goes

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Speaker 3: for the yellow tag bits.

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Speaker 4: My dad has dreams of of of shopping aisles with

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Speaker 4: yellow tags, honestly has dreams about it.

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Speaker 3: Let's go to Zoe You but you say, you're saying

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Speaker 3: you never pay full price? Now why would you? Because

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Speaker 3: it's what an abiding citizen would do. No, but it'll

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Speaker 3: go on sale. Just wait it out. It's a bit

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Speaker 3: of a Mexican stand up, it's not who's going to

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Speaker 3: crumble first. Let's go to Zoey. What's the most important

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Speaker 3: thing your parents torture and your whole life?

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Speaker 8: Try to keep my animals alive?

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Speaker 3: Okay, you know that's important, animals alive. What was the

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Speaker 3: main lesson there, zoe He.

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Speaker 7: Not to kill them?

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Speaker 3: Yeah, that's a good one. How many did you kill?

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Speaker 5: Any?

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Speaker 3: How many did you kill?

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Speaker 2: I haven't killed any yet?

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Speaker 3: Yeah right, yeah, it's almost eleven. There's a chance. But sorry,

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Speaker 3: I won't ask you how how you might kill an animal?

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Speaker 3: What's so? But what are the ways to keep it alive? Then, Zoey?

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Speaker 7: Yeah, give it a new water every day and feed it.

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Speaker 3: Yeah yeah, hang on, great.

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Speaker 4: No, I only realized this recently, but apparently I used

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Speaker 4: to always kill the family goldfish.

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Speaker 3: And sorry to Goldie, but my.

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Speaker 4: Dad was just replacing the fish on a weekly basis,

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Speaker 4: and how are you a how are you killing it?

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Speaker 3: Overfeeding it? Overfeeding the classic? But dad, I killed my

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Speaker 3: cat when I was little. Okay, very little. Let's go

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Speaker 3: to Francesco.

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Speaker 4: Let's go to We're not going there again, We're not

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Speaker 4: going there.

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Speaker 3: Let's go to Francesco. Francesco, what's the most important thing

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Speaker 3: your parents have taught you in your whole life?

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Speaker 4: When you're bothering the tosh, you put the butter inside

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Speaker 4: the bread to clean the knife. Hang on, say that again,

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Speaker 4: because this sounds good. When you're buttering your toes.

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Speaker 8: Catch you put the you put the knife in the

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Speaker 8: bread to clean your knife.

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Speaker 2: You put the knife in the bread. Yeah, what do

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Speaker 2: you mean by in the bread? Let you slip it

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Speaker 2: like you slip it through through the piece. Yes, afterwards,

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Speaker 2: after you've but what for why just put it in

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Speaker 2: the dishwusher.

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Speaker 8: Just just to clean the knife?

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Speaker 3: Yeah? But why are you put it in the dishwasher?

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Speaker 8: You're going to reuse it because you're going to reuse it.

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Speaker 2: Probably in the background, he's had his whole holes bit dinner.

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Speaker 3: You keep talking to it.

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Speaker 5: Is he going to.

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Speaker 2: Francesco? Thanks that that's when you apparently when you have

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Speaker 2: excess butter, you wipe the butter on the bread.

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Speaker 3: But do you mean stab it?

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Speaker 2: I think you means stab it? Hey, can we just

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Speaker 2: cop it to Francesca. We've gotta say that, Francesco. Francesco,

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Speaker 2: are you there?

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Speaker 3: Yeah? Okay? Do you mean the stab the bread or

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Speaker 3: do you mean wipe it off the end?

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Speaker 5: Like stab the bread?

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Speaker 3: You stab the breath? You stab? Francisco? Is your dad there?

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Speaker 5: Yeah, I'm here.

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Speaker 3: Okay, okay, Dad, talk us through it, mate.

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Speaker 4: So you you like stab the bread after you've buttered

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Speaker 4: your toes to wipe off excess butter.

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Speaker 6: Slide in the edge of the slice bread and you

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Speaker 6: can reuse it, like if you're using a different.

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Speaker 5: Bread, might jam?

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Speaker 3: Couldn't just wipe it on the edge?

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Speaker 5: You could? Yeah?

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Speaker 3: Right after this, it's willing Woody.

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Speaker 2: Can giving your partners something on Valentine's Day do more

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Speaker 2: damage than good?

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Speaker 3: Surely not?

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Speaker 5: Yeah?

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Speaker 3: So when't you? Surely not?

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Speaker 5: Yeah?

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Speaker 2: I disagree, And I think that depends on the situation

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Speaker 2: that your relationship is in. But ultimately I make no

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Speaker 2: bones about the fact that I hate Valentine's Day.

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Speaker 3: Woods.

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Speaker 2: Yeah, I think it's commercial. I think it's pathetic. I

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Speaker 2: think lots of things about it, but I'll put that down.

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Speaker 3: Okay.

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Speaker 5: So I.

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Speaker 2: I think if your relationship is in not a great spot,

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Speaker 2: like if you're not having a good time, if there's

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Speaker 2: something under the surface there and you're not addressing it,

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Speaker 2: getting your partner a gift on Valentine's Day is a

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Speaker 2: really bad thing to do, right, Okay, particularly if it

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Speaker 2: doesn't come with a gift and hey, here's my gift.

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Speaker 3: I love you.

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Speaker 2: Can we talk about something. That's what I don't like

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Speaker 2: about Valentine's Day. It's this obligation that you think that

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Speaker 2: you need to tell the person that you love that

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Speaker 2: you love them just for the sake of the fact

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Speaker 2: that it's happening that day. And that might involve, you know,

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Speaker 2: going by chocolate's gone by roses, but often there's no

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Speaker 2: substance to it. Sure, and I feel like that means

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Speaker 2: that you're almost like absolving yourself of responsibility or accountability

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Speaker 2: in your relationship by almost bandaging over what's going on

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Speaker 2: with a gift.

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Speaker 3: Now.

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Speaker 2: The reason that the reason that I thought more about

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Speaker 2: this I was listening to if you listen to our

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Speaker 2: show We Have the Imperfects Boys on We Have Hugh

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Speaker 2: Van Cohenberg, Josh Van Kleenberg, and Ryan Shelton in the

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Speaker 2: studio every couple of weeks in twenty twenty three. It's

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Speaker 2: it's awesome to have them in the studio and their

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00:19:23,880 --> 00:19:27,359
Speaker 2: podcast is wonderful for listening to really in depth chats.

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Speaker 2: And they had possibly one of my top five favorite

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Speaker 2: speakers in the world on The Imperfect, a woman by

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Speaker 2: the name of Esther Perel. She's Belgian. I'm pretty sure

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Speaker 2: she is a phenomenal speaker on relationships. She's a psychotherapist.

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Speaker 2: She's probably, I'm going to say, the global authority on relationships.

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Speaker 2: And she speaks in this episode about how she used

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Speaker 2: to work with people in their marriage vows and what

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Speaker 2: she had to say here leads me to why I yeah,

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Speaker 2: I got some big suspicions about Valentine's Day vows.

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Speaker 11: These days, it's about many things people promise that are

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Speaker 11: the loftier the better, And I thought that one of

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Speaker 11: the most realistic vows and best funny lines actually for

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Speaker 11: a vows, we'd be to say I promise that I'm

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Speaker 11: going to pick up on a regular basis and on

439
00:20:17,080 --> 00:20:20,919
Speaker 11: occasion I'll apologize about it. So now when you go bless.

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Speaker 11: It becomes a real surprise and you can really delight

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Speaker 11: in it because it says I'm going to do all

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Speaker 11: kinds of things that are going to be really upsetting,

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Speaker 11: and I'm going to try to own them as best

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Speaker 11: I can. You know, because that lets the other person

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Speaker 11: know that you care about them, that you see them,

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Speaker 11: that you see what you do to them, and that

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Speaker 11: you're taking responsibility for trying to change it. That goes

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Speaker 11: a long way in a relationship.

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Speaker 2: Noice esther preage just good, isn't you amazing? Yeah, it's

450
00:20:49,920 --> 00:20:53,000
Speaker 2: so true, she just said, yeah, And I think it

451
00:20:53,119 --> 00:20:55,440
Speaker 2: kind of goes to the same point. So like, why

452
00:20:55,520 --> 00:20:57,960
Speaker 2: would you get up on a wedding day and just

453
00:20:58,119 --> 00:21:00,880
Speaker 2: say all this stuff about your relationship which is not true.

454
00:21:01,280 --> 00:21:03,920
Speaker 2: Why not just be really real about your relationship and say, hey,

455
00:21:04,200 --> 00:21:06,240
Speaker 2: I'm going to make a lot of errors. Things are

456
00:21:06,280 --> 00:21:08,760
Speaker 2: going to get really messy, and sometimes I might not

457
00:21:08,840 --> 00:21:11,840
Speaker 2: apologize for them, and then in that moment you're instantly

458
00:21:11,840 --> 00:21:14,600
Speaker 2: accountable for that. It's the same thing with Valentine's Day,

459
00:21:14,680 --> 00:21:16,800
Speaker 2: right if you if you're if you're not in that

460
00:21:17,000 --> 00:21:19,520
Speaker 2: space where your relationship is really kicking goals at the

461
00:21:19,560 --> 00:21:20,879
Speaker 2: moment and you want to go in there and go

462
00:21:20,960 --> 00:21:22,600
Speaker 2: on like a lovely date and give each other roses

463
00:21:22,640 --> 00:21:25,080
Speaker 2: and chocolate. That's great if that's the spot that you're in.

464
00:21:25,520 --> 00:21:27,920
Speaker 2: But if you're not in that spot, I can't think

465
00:21:27,960 --> 00:21:31,080
Speaker 2: of anything more damaging to a relationship than doing that.

466
00:21:31,280 --> 00:21:33,000
Speaker 3: So things are going all right for mem and I.

467
00:21:34,000 --> 00:21:35,200
Speaker 3: It's back to that.

468
00:21:35,640 --> 00:21:37,760
Speaker 4: Well, it's hard to not just look at your own

469
00:21:37,760 --> 00:21:39,679
Speaker 4: relationship when I'm sure everyone in their cars right now

470
00:21:39,760 --> 00:21:41,560
Speaker 4: is thinking about their own relationship right now when they're

471
00:21:41,560 --> 00:21:43,560
Speaker 4: listening to Things are going pretty well for us at

472
00:21:43,560 --> 00:21:46,000
Speaker 4: the moment. Can I still get something nice on Valentine's

473
00:21:46,560 --> 00:21:50,040
Speaker 4: Like a for sureuse? That's I don't mind Valentine's Day

474
00:21:50,040 --> 00:21:52,160
Speaker 4: because it's like a oh, this is a day where.

475
00:21:52,240 --> 00:21:54,680
Speaker 3: I have an excuse and you shouldn't need an excuse. Sure,

476
00:21:54,800 --> 00:21:57,080
Speaker 3: maybe I should do nice things for her on random day.

477
00:21:57,160 --> 00:22:00,640
Speaker 3: Maybe that's not a bad idea. I should.

478
00:22:00,680 --> 00:22:03,119
Speaker 4: I'm writing it down as we speak, cop that esther Perell,

479
00:22:03,960 --> 00:22:05,320
Speaker 4: But I like it as like, oh, this is the

480
00:22:05,359 --> 00:22:06,040
Speaker 4: day where I can.

481
00:22:05,960 --> 00:22:07,879
Speaker 3: Actually tell you how I feel about it or get

482
00:22:07,880 --> 00:22:08,520
Speaker 3: yourseln small?

483
00:22:08,840 --> 00:22:09,239
Speaker 5: Is that OK?

484
00:22:09,520 --> 00:22:09,600
Speaker 3: Well?

485
00:22:09,640 --> 00:22:11,080
Speaker 2: I think the counter argument to that is you can

486
00:22:11,160 --> 00:22:11,800
Speaker 2: tell her any day.

487
00:22:12,040 --> 00:22:12,960
Speaker 3: Yes, that's very true.

488
00:22:12,960 --> 00:22:14,320
Speaker 2: And you can tell her any time, and you can

489
00:22:14,400 --> 00:22:16,280
Speaker 2: make your own time. That's special for you to do that.

490
00:22:16,480 --> 00:22:19,240
Speaker 2: If it's nice to remind you. I think that that's

491
00:22:19,280 --> 00:22:22,399
Speaker 2: a nice purpose. This relationship is a huge part of

492
00:22:22,480 --> 00:22:24,600
Speaker 2: your life. Why not tell them that you love them? Yeah,

493
00:22:24,680 --> 00:22:27,840
Speaker 2: use this as an opportunity rather than excuse. There's probably

494
00:22:28,040 --> 00:22:30,480
Speaker 2: a good change in words there. Yeah, it's an opportunity

495
00:22:30,520 --> 00:22:31,320
Speaker 2: to tell them that you.

496
00:22:31,359 --> 00:22:32,000
Speaker 3: Love them so much.

497
00:22:32,200 --> 00:22:36,000
Speaker 2: But I would challenge people driving home right now, I

498
00:22:36,560 --> 00:22:38,200
Speaker 2: if you're sitting with a bunch of roses on the

499
00:22:38,240 --> 00:22:40,600
Speaker 2: passenger seat next to you or whatever. Are you doing

500
00:22:40,640 --> 00:22:43,000
Speaker 2: it because you're doing it because you know that's just

501
00:22:43,119 --> 00:22:44,919
Speaker 2: going to kind of make them feel good and then

502
00:22:44,960 --> 00:22:47,000
Speaker 2: you can keep ticking over for a little bit longer.

503
00:22:47,840 --> 00:22:49,960
Speaker 2: Or are you doing it because you're just really really

504
00:22:50,000 --> 00:22:54,280
Speaker 2: happy with where you guys are right now? Not you individually,

505
00:22:54,440 --> 00:22:57,080
Speaker 2: like you together, you're both really happy with it. And

506
00:22:57,160 --> 00:22:59,040
Speaker 2: then the kick out I would say is if you

507
00:22:59,119 --> 00:23:00,919
Speaker 2: are going to give a present on Valentine's Day, why

508
00:23:00,960 --> 00:23:02,439
Speaker 2: not make it more meaningful? Why do not give them

509
00:23:02,480 --> 00:23:05,280
Speaker 2: a gift on Valentine's Day and go Hey, where are

510
00:23:05,359 --> 00:23:05,960
Speaker 2: we at the moment?

511
00:23:06,560 --> 00:23:09,080
Speaker 3: How are we going? Rather than just going like here,

512
00:23:09,119 --> 00:23:09,640
Speaker 3: here's a gift.

513
00:23:09,760 --> 00:23:13,040
Speaker 2: Valentine's Day, La, la la, because it doesn't mean anything.

514
00:23:13,119 --> 00:23:14,440
Speaker 3: Then, so what are you going to do tonight?

515
00:23:14,480 --> 00:23:14,760
Speaker 5: Willie?

516
00:23:15,280 --> 00:23:15,800
Speaker 3: What are you doing?

517
00:23:16,040 --> 00:23:18,560
Speaker 4: You're on your way home with your parents at the moment,

518
00:23:18,600 --> 00:23:20,840
Speaker 4: are in the family homes and not super romantic, but

519
00:23:20,880 --> 00:23:21,640
Speaker 4: what are you doing tonight?

520
00:23:22,160 --> 00:23:26,200
Speaker 3: We don't celebrate Valentine's Day? Cool? Yeah, cool? Anyways, so

521
00:23:26,359 --> 00:23:30,040
Speaker 3: just a movie. It's not just about couples though.

522
00:23:30,400 --> 00:23:33,160
Speaker 2: It is Valentine's Day for singles, yes, and our junior

523
00:23:33,200 --> 00:23:37,280
Speaker 2: producer Analyse is very single. Yes, and right up next

524
00:23:37,359 --> 00:23:39,560
Speaker 2: to celebrate Valentine's Day for singles, she's going to read

525
00:23:39,600 --> 00:23:41,879
Speaker 2: out all the dms she's been sending to a grade

526
00:23:41,880 --> 00:23:45,200
Speaker 2: celebs without responses. We realize that it's Valentine's Day.

527
00:23:45,119 --> 00:23:47,880
Speaker 3: For singles too. And I remember being single on Valentine's Day.

528
00:23:47,960 --> 00:23:50,959
Speaker 2: It sucks, It absolutely sucks, and you hate that day

529
00:23:51,040 --> 00:23:53,159
Speaker 2: because everybody else is celebrating and you're out there and

530
00:23:53,480 --> 00:23:55,639
Speaker 2: it's not really not a nice feeling. And we know

531
00:23:55,720 --> 00:23:57,280
Speaker 2: there are lots of single people this thing. Of course,

532
00:23:57,320 --> 00:23:59,639
Speaker 2: there are always single people. This thing single people the

533
00:23:59,680 --> 00:24:02,919
Speaker 2: people too, of course, and Analyse junior producer is one

534
00:24:02,960 --> 00:24:03,480
Speaker 2: of those people.

535
00:24:04,320 --> 00:24:06,200
Speaker 10: Thank you, guys, thank you for having the voice. The

536
00:24:06,320 --> 00:24:07,720
Speaker 10: voice of the singles is here for you all.

537
00:24:07,960 --> 00:24:08,200
Speaker 5: Great.

538
00:24:08,359 --> 00:24:11,040
Speaker 10: So you have single for how too long?

539
00:24:11,680 --> 00:24:12,360
Speaker 7: And what three?

540
00:24:12,920 --> 00:24:16,480
Speaker 3: Can we mention that an ex partner is someone who's dominating.

541
00:24:17,119 --> 00:24:19,880
Speaker 10: Oh my ears, ex boyfriend, Oh my god.

542
00:24:20,040 --> 00:24:22,680
Speaker 4: His six boyfriend is dominating in India right now playing

543
00:24:22,720 --> 00:24:23,760
Speaker 4: for Australia and crickets.

544
00:24:23,800 --> 00:24:26,400
Speaker 2: So that's that's six weeks at all but never all

545
00:24:26,440 --> 00:24:27,600
Speaker 2: as good as Analyst.

546
00:24:30,520 --> 00:24:31,960
Speaker 3: Absolutely gone.

547
00:24:32,880 --> 00:24:34,520
Speaker 4: And Abe, we've got you in here because so you

548
00:24:34,600 --> 00:24:37,000
Speaker 4: are single and we just thought to you know, celebrate

549
00:24:37,119 --> 00:24:41,520
Speaker 4: single life, that we'd get you to share. Well, the

550
00:24:41,600 --> 00:24:45,760
Speaker 4: direct messages that you've sent to people while you've been single.

551
00:24:45,920 --> 00:24:48,600
Speaker 1: Yeah, like over the times I've like, you know, late

552
00:24:48,640 --> 00:24:51,080
Speaker 1: at night, maybe done like a cheeky DM and been like,

553
00:24:51,240 --> 00:24:52,960
Speaker 1: oh yeah this this could be a chance. Or I've

554
00:24:53,000 --> 00:24:56,200
Speaker 1: seen like a movie and thought, yeah, this guy's hot,

555
00:24:56,720 --> 00:24:59,120
Speaker 1: Like he may be in a grade slab, he may

556
00:24:59,200 --> 00:25:01,440
Speaker 1: be living in the US, but he'll come move to

557
00:25:01,480 --> 00:25:02,080
Speaker 1: Australia for me.

558
00:25:02,560 --> 00:25:03,360
Speaker 3: Go shoot your shot.

559
00:25:03,440 --> 00:25:04,200
Speaker 10: Yeah I did, I did.

560
00:25:07,080 --> 00:25:09,440
Speaker 2: What is it you you don't make a hundred percent

561
00:25:09,480 --> 00:25:10,360
Speaker 2: of the shots you don't take.

562
00:25:11,119 --> 00:25:13,120
Speaker 3: You miss one hundred percent of the shots you don't take.

563
00:25:13,200 --> 00:25:14,720
Speaker 3: We don't miss because you don't make the shot.

564
00:25:14,800 --> 00:25:20,840
Speaker 2: But the point is that, yeah, expression expression you're fighting anyway, analyst,

565
00:25:22,359 --> 00:25:23,239
Speaker 2: Let's just let's just kick.

566
00:25:23,320 --> 00:25:25,439
Speaker 3: I just want to hear whoever you like, mate, take

567
00:25:25,480 --> 00:25:27,080
Speaker 3: your pick. G was you have a whole sheet?

568
00:25:27,200 --> 00:25:27,639
Speaker 2: I do? I have?

569
00:25:27,840 --> 00:25:28,520
Speaker 10: I have a few here.

570
00:25:28,600 --> 00:25:30,880
Speaker 1: So my first one was to a very well known

571
00:25:31,160 --> 00:25:34,160
Speaker 1: tennis player. I won't name names because they are Australian.

572
00:25:34,480 --> 00:25:35,919
Speaker 1: That's all him for your And.

573
00:25:36,680 --> 00:25:41,159
Speaker 10: He played a game he lost to Yeah, let's just

574
00:25:41,200 --> 00:25:45,119
Speaker 10: get so close, great game X.

575
00:25:46,440 --> 00:25:48,960
Speaker 3: You said that after a game, after after the game,

576
00:25:49,359 --> 00:25:54,720
Speaker 3: after so close? Did he watched the whole game?

577
00:25:55,280 --> 00:25:57,880
Speaker 10: I didn't even watch the game. I just found out

578
00:25:57,880 --> 00:26:01,600
Speaker 10: he was sorry he was out and so close, so

579
00:26:01,760 --> 00:26:02,560
Speaker 10: close yet so far?

580
00:26:02,800 --> 00:26:04,399
Speaker 3: Okay, what are you expecting back from that?

581
00:26:05,000 --> 00:26:07,360
Speaker 1: I don't know, just like a little thanks babe, love

582
00:26:07,400 --> 00:26:12,919
Speaker 1: your see you later. Okay, next, Okay, So this one

583
00:26:12,920 --> 00:26:13,840
Speaker 1: I've got a response from.

584
00:26:14,359 --> 00:26:14,600
Speaker 3: Wow.

585
00:26:15,520 --> 00:26:19,160
Speaker 10: So there's this guy from the movie where the crowd ads.

586
00:26:20,640 --> 00:26:21,639
Speaker 9: Very man.

587
00:26:24,240 --> 00:26:24,879
Speaker 10: I levitated.

588
00:26:25,440 --> 00:26:27,080
Speaker 3: What's his name is?

589
00:26:27,119 --> 00:26:27,359
Speaker 2: Taylor?

590
00:26:27,440 --> 00:26:28,000
Speaker 10: John Smith?

591
00:26:28,800 --> 00:26:28,960
Speaker 3: Yes.

592
00:26:29,720 --> 00:26:31,360
Speaker 1: So he plays Tait and where the crowd ad sing?

593
00:26:31,400 --> 00:26:34,879
Speaker 1: And I said, hey, I just saw where the cord adsing,

594
00:26:35,040 --> 00:26:37,760
Speaker 1: and you were amazing in it. Love you work hard eyes,

595
00:26:38,400 --> 00:26:40,840
Speaker 1: he replied, And he said, thanks so much exclamation mark.

596
00:26:40,960 --> 00:26:43,280
Speaker 10: I was, oh my god, an exclamation mark.

597
00:26:43,440 --> 00:26:43,760
Speaker 2: Stop.

598
00:26:44,160 --> 00:26:46,159
Speaker 10: And so I replied to you literally had me on

599
00:26:46,200 --> 00:26:47,879
Speaker 10: the edge of the seat the whole movie.

600
00:26:48,560 --> 00:26:48,800
Speaker 5: Ha ha.

601
00:26:50,680 --> 00:26:51,159
Speaker 3: Why ha ha?

602
00:26:52,400 --> 00:26:56,280
Speaker 10: Because I was just like, you know, trying to likena

603
00:26:57,359 --> 00:27:02,280
Speaker 10: like that. No, he just like, okay, liked it.

604
00:27:02,880 --> 00:27:04,880
Speaker 3: Were balls in your court? There have you responded?

605
00:27:04,920 --> 00:27:06,360
Speaker 10: Since he liked your yes?

606
00:27:07,440 --> 00:27:12,280
Speaker 2: What everyone knows that the liking of a message is

607
00:27:12,320 --> 00:27:13,840
Speaker 2: a soft exit from the conversation.

608
00:27:14,080 --> 00:27:15,719
Speaker 3: It is right, all right, next one here?

609
00:27:15,800 --> 00:27:18,600
Speaker 10: Okay, So after I got with that actor or I

610
00:27:18,600 --> 00:27:19,040
Speaker 10: didn't get with.

611
00:27:19,080 --> 00:27:20,720
Speaker 5: Him, what.

612
00:27:23,240 --> 00:27:26,840
Speaker 2: Do you mean with him after I got the wild.

613
00:27:29,200 --> 00:27:29,680
Speaker 3: No, I didn't.

614
00:27:29,800 --> 00:27:31,240
Speaker 10: I didn't hook up with it. I just like, send

615
00:27:31,240 --> 00:27:35,280
Speaker 10: a message, were communicating. I messaged a guy from Heartbreak High.

616
00:27:35,760 --> 00:27:37,560
Speaker 3: Which one the really hot guy?

617
00:27:37,760 --> 00:27:38,000
Speaker 5: Yeah?

618
00:27:38,080 --> 00:27:41,760
Speaker 3: Obviously, which one the guy looks like?

619
00:27:42,760 --> 00:27:44,760
Speaker 10: Which one the one who I can't remember his name

620
00:27:44,800 --> 00:27:46,360
Speaker 10: in the show, but his name is Josh.

621
00:27:46,200 --> 00:27:48,840
Speaker 3: In real life? Okay, very hot? Watched the show.

622
00:27:48,960 --> 00:27:52,280
Speaker 10: Yeah, of course, I was like, yeah, it's been a while.

623
00:27:53,119 --> 00:27:57,760
Speaker 10: I messaged him twice. One was September twenty seventh, love

624
00:27:57,840 --> 00:27:59,080
Speaker 10: your work in Heartbreak High.

625
00:27:59,440 --> 00:28:00,359
Speaker 3: It's been the nude for.

626
00:28:00,359 --> 00:28:02,960
Speaker 10: Another season exclamation mark, like he already knew that.

627
00:28:05,520 --> 00:28:05,880
Speaker 9: And then.

628
00:28:07,320 --> 00:28:09,520
Speaker 10: December eighth, twenty twenty two.

629
00:28:09,920 --> 00:28:10,439
Speaker 3: No response.

630
00:28:12,480 --> 00:28:15,080
Speaker 1: He posted her a thirst trap on his Instagram and

631
00:28:15,200 --> 00:28:18,840
Speaker 1: so I poke, I replied, and I said, this is ridiculously,

632
00:28:19,280 --> 00:28:20,320
Speaker 1: ridiculously hot.

633
00:28:20,840 --> 00:28:22,919
Speaker 10: I actually can't thank you for sharing.

634
00:28:23,600 --> 00:28:31,400
Speaker 3: Thank you for sharing yours. I love you. I love

635
00:28:31,440 --> 00:28:34,960
Speaker 3: that you just you just keep going being back from me.

636
00:28:35,080 --> 00:28:40,280
Speaker 3: You think we have hope? Yeah right, never hope. Love

637
00:28:40,320 --> 00:28:44,160
Speaker 3: your babe. Is that guys good at basketball? Astralian? Yustralian?

638
00:28:44,200 --> 00:28:44,719
Speaker 10: He's Australian.

639
00:28:44,720 --> 00:28:46,240
Speaker 3: He's the guys that's good at basketball.

640
00:28:46,280 --> 00:28:53,960
Speaker 10: No, No, that's Thomas. Message him too, it's Will and we.

641
00:28:54,040 --> 00:28:55,280
Speaker 3: Are playing a game off.

642
00:28:57,120 --> 00:28:58,280
Speaker 2: On the cell phone.

643
00:29:00,400 --> 00:29:00,920
Speaker 5: Is it just.

644
00:29:03,320 --> 00:29:04,520
Speaker 3: Are you a celebrity?

645
00:29:05,080 --> 00:29:05,360
Speaker 6: Real?

646
00:29:05,760 --> 00:29:05,960
Speaker 5: Ah?

647
00:29:06,400 --> 00:29:06,680
Speaker 8: Fake?

648
00:29:07,720 --> 00:29:10,560
Speaker 4: Super simple? You call us thirteen one oh sixty five.

649
00:29:10,600 --> 00:29:14,280
Speaker 4: You can either be a real celebrity or you can

650
00:29:14,400 --> 00:29:16,040
Speaker 4: just be pretending.

651
00:29:15,840 --> 00:29:19,040
Speaker 3: To be a celebrity. Yes, that's right. If you fool us,

652
00:29:19,120 --> 00:29:19,800
Speaker 3: if we get.

653
00:29:19,680 --> 00:29:23,080
Speaker 4: It wrong, and you go home with two Spinalle's pillows

654
00:29:23,120 --> 00:29:25,440
Speaker 4: on thirteen one six five pillars. And the reason I'm

655
00:29:25,440 --> 00:29:28,320
Speaker 4: doing it today is because post Malone actually got rejected

656
00:29:28,360 --> 00:29:29,479
Speaker 4: from a Perth bar.

657
00:29:32,600 --> 00:29:34,000
Speaker 3: I feel just like a rock star.

658
00:29:34,440 --> 00:29:37,600
Speaker 4: So posty boy rocks up to QT Hotels, very swanky

659
00:29:37,680 --> 00:29:38,040
Speaker 4: Perth bar.

660
00:29:38,320 --> 00:29:41,320
Speaker 3: And because he's got face tattoos, Yeah, the guys.

661
00:29:41,160 --> 00:29:43,040
Speaker 4: On the door gona, sorry, you can't come in here,

662
00:29:43,120 --> 00:29:46,840
Speaker 4: obviously not realizing he was post malone and.

663
00:29:46,920 --> 00:29:49,880
Speaker 2: Suffering your jocks, Like I love, I love that they

664
00:29:49,920 --> 00:29:51,840
Speaker 2: didn't recognize him, and now he goes to go and

665
00:29:51,960 --> 00:29:54,600
Speaker 2: talk about it. You should not be able to discriminate

666
00:29:54,640 --> 00:29:55,240
Speaker 2: between people.

667
00:29:55,960 --> 00:29:58,800
Speaker 3: I couldn't agree more. Now they're like, oh, we didn't

668
00:29:58,840 --> 00:30:01,280
Speaker 3: know it was you, so sorry, you don't apologize. Yeah

669
00:30:01,560 --> 00:30:03,120
Speaker 3: you have a rule, yeah stick to your room.

670
00:30:03,160 --> 00:30:03,240
Speaker 6: Ye.

671
00:30:04,320 --> 00:30:06,680
Speaker 4: Anyway, So the question is can we recognize if this

672
00:30:06,760 --> 00:30:07,800
Speaker 4: is a real celebrity or not.

673
00:30:08,080 --> 00:30:12,840
Speaker 2: Now we've done this beforewards to feel for how this sounds.

674
00:30:13,680 --> 00:30:15,600
Speaker 2: You can pretend to be a celebrity or an actual

675
00:30:15,640 --> 00:30:17,720
Speaker 2: celebrity can call up right, So either one. If you

676
00:30:17,760 --> 00:30:19,120
Speaker 2: are a celebrity out there and you want to use

677
00:30:19,200 --> 00:30:20,880
Speaker 2: the girl, please look, it does say a lot about

678
00:30:20,880 --> 00:30:24,840
Speaker 2: what you're up to, but no judgment here. There is

679
00:30:24,920 --> 00:30:27,920
Speaker 2: a Margot Robbie who's.

680
00:30:27,720 --> 00:30:29,440
Speaker 3: Called up, and you know, I respect the hell out

681
00:30:29,480 --> 00:30:34,960
Speaker 3: of that. Are you there, Margo? Yeah, yeah, definitely, definitely

682
00:30:35,240 --> 00:30:41,080
Speaker 3: not Margot Robbie. Imagine if it was and she put

683
00:30:41,160 --> 00:30:42,440
Speaker 3: on all about this game.

684
00:30:42,960 --> 00:30:46,200
Speaker 2: If Bill Murray's in the car, he could, and he could,

685
00:30:46,480 --> 00:30:48,160
Speaker 2: he doesn't carry a phone with him because he could

686
00:30:48,200 --> 00:30:49,280
Speaker 2: conceivably ask.

687
00:30:49,160 --> 00:30:51,720
Speaker 3: The cab driver to call us exactly.

688
00:30:52,080 --> 00:30:54,080
Speaker 2: Yeah, I mean, what are the chances will we ever

689
00:30:54,120 --> 00:30:55,360
Speaker 2: get a real celebrity this game?

690
00:30:55,600 --> 00:30:57,920
Speaker 3: We did last week Toby from Human Nature.

691
00:30:58,200 --> 00:31:01,000
Speaker 2: Oh that's right, he called the Sheik order. I'm still

692
00:31:01,040 --> 00:31:03,920
Speaker 2: want doctor Carl Kennedy to call it any stage.

693
00:31:04,160 --> 00:31:05,719
Speaker 3: Yeah, we love Carl all right.

694
00:31:05,840 --> 00:31:09,600
Speaker 4: Now, first celebrity who has called us is apparently a

695
00:31:09,760 --> 00:31:14,440
Speaker 4: fictional character, Rocky Balboa from the Rocky Movies.

696
00:31:14,440 --> 00:31:17,280
Speaker 3: Of course, sorry, is this Sylvester Stallone or Rocky Balboa?

697
00:31:18,680 --> 00:31:21,200
Speaker 5: Well, I'm going to be Versa Stallone, but I'm Rocket

698
00:31:21,280 --> 00:31:23,640
Speaker 5: Malbo because I looking for my wife Adrian.

699
00:31:23,760 --> 00:31:24,160
Speaker 6: Is she there?

700
00:31:24,640 --> 00:31:34,200
Speaker 3: Not bad? Like really not bad? Not bad? Rocky good voice,

701
00:31:34,320 --> 00:31:38,440
Speaker 3: right good? I don't think it's the real you though

702
00:31:38,480 --> 00:31:40,240
Speaker 3: I loved it, mate, great voice, Thank you.

703
00:31:40,680 --> 00:31:40,880
Speaker 7: Listen.

704
00:31:40,960 --> 00:31:45,720
Speaker 5: I'm calling from Miami. Man. We get it to me

705
00:31:45,800 --> 00:31:47,680
Speaker 5: a lot of money. You're telling me that it's not me.

706
00:31:47,840 --> 00:31:52,960
Speaker 3: Come Alrighty never knows when to give up Rocky, that's

707
00:31:53,000 --> 00:31:53,680
Speaker 3: the thing about him.

708
00:31:54,360 --> 00:31:59,000
Speaker 4: All right now, apparently we have well Today's Show Entertainment

709
00:31:59,120 --> 00:32:01,480
Speaker 4: reporter Brooke Hello.

710
00:32:01,440 --> 00:32:03,600
Speaker 8: Brook, Hey, guys, how you doing?

711
00:32:05,080 --> 00:32:05,280
Speaker 5: Yeah?

712
00:32:05,400 --> 00:32:08,200
Speaker 3: Good? What are you up to? Broke Beronnie.

713
00:32:09,480 --> 00:32:11,160
Speaker 7: Oh, you know, just getting ready for the Today Show?

714
00:32:11,200 --> 00:32:12,040
Speaker 8: Have been hanging out with Carl.

715
00:32:13,120 --> 00:32:17,360
Speaker 3: Well it's in the morning, so I'm not early prep.

716
00:32:17,520 --> 00:32:19,080
Speaker 3: What are you doing tonight, Brooke Beronnie.

717
00:32:20,720 --> 00:32:22,680
Speaker 5: Oh, after the finalizations, we'll just go have do not

718
00:32:22,760 --> 00:32:23,960
Speaker 5: hang out, get ready for tomorrow.

719
00:32:24,440 --> 00:32:27,160
Speaker 3: It does sound like it's not that brook By twain.

720
00:32:27,280 --> 00:32:30,040
Speaker 3: That is what the brook Bony twain. That's not a thing.

721
00:32:30,360 --> 00:32:32,800
Speaker 3: There's a twain that's not we know Brooke Bony. That

722
00:32:32,960 --> 00:32:35,640
Speaker 3: is is a twain that is not brook Bony. What's

723
00:32:35,680 --> 00:32:42,320
Speaker 3: your favorite food, Broke Beronie, good question, love the Sehi. No,

724
00:32:43,040 --> 00:32:45,400
Speaker 3: that's not it's not brock Beronny. You're not Broke Bony.

725
00:32:45,520 --> 00:32:47,280
Speaker 3: You're not Broke Bony's.

726
00:32:47,320 --> 00:32:51,760
Speaker 8: No, it's not guying, I don't.

727
00:32:51,600 --> 00:32:52,440
Speaker 6: Know who Brook Banne is.

728
00:32:52,480 --> 00:32:54,600
Speaker 7: I fool you guys real well today show.

729
00:32:54,920 --> 00:32:57,560
Speaker 3: I good guess. I think that Brooke Bony is.

730
00:32:57,960 --> 00:33:00,400
Speaker 2: If you're going to fake a celeb, she's the areas

731
00:33:00,440 --> 00:33:01,240
Speaker 2: that you want to be in.

732
00:33:01,720 --> 00:33:02,840
Speaker 3: You're saying she's not big enough.

733
00:33:05,720 --> 00:33:10,040
Speaker 2: So she has a good iconic voice. Yeah, you know,

734
00:33:10,200 --> 00:33:12,320
Speaker 2: so even for people that know her, it's hard for

735
00:33:12,440 --> 00:33:14,440
Speaker 2: us to tell her and not. That's the It wasn't

736
00:33:14,480 --> 00:33:15,400
Speaker 2: her from the start, but.

737
00:33:15,560 --> 00:33:20,800
Speaker 3: I thought the Bony twang was there. Not alright, looks,

738
00:33:20,840 --> 00:33:25,520
Speaker 3: oh no, this is big. Hello. We've got Tina Arena

739
00:33:25,680 --> 00:33:27,600
Speaker 3: on the phone right now. Hello, Tina.

740
00:33:29,000 --> 00:33:32,120
Speaker 8: Our hold on, boys, I'm just I'm just talking for you.

741
00:33:32,160 --> 00:33:34,160
Speaker 8: I'm just in between some gigs. Hold on a.

742
00:33:34,160 --> 00:33:36,960
Speaker 3: Second, in between some gigs.

743
00:33:38,480 --> 00:33:40,040
Speaker 8: All right, boys, I've got you now.

744
00:33:40,480 --> 00:33:43,240
Speaker 2: Now, Tina, I know that you've got number one hits.

745
00:33:44,000 --> 00:33:45,880
Speaker 2: You're one of the very few artists to have number

746
00:33:45,880 --> 00:33:48,760
Speaker 2: one hits in multiple countries in different languages, because obviously

747
00:33:48,800 --> 00:33:49,840
Speaker 2: you're fluent in French.

748
00:33:50,000 --> 00:33:52,040
Speaker 3: So if you could just give us.

749
00:33:52,000 --> 00:33:54,320
Speaker 2: A little bit of French, a little bit of my friend, yeah,

750
00:33:54,400 --> 00:33:55,440
Speaker 2: for sure, that'd be great.

751
00:33:57,720 --> 00:34:04,440
Speaker 4: Comes hang on a second, Tina, I saw you recently before,

752
00:34:04,600 --> 00:34:06,880
Speaker 4: Billy Joel good she's a good chart.

753
00:34:07,240 --> 00:34:08,080
Speaker 3: What were you wearing?

754
00:34:09,640 --> 00:34:09,839
Speaker 2: Oh?

755
00:34:10,760 --> 00:34:15,640
Speaker 8: My favorite favorite outfish. Lots of starkly things are my

756
00:34:15,760 --> 00:34:16,719
Speaker 8: favorite outfish.

757
00:34:19,040 --> 00:34:24,279
Speaker 2: All right, Tina, tinay the corners coming out here seeing

758
00:34:24,400 --> 00:34:24,759
Speaker 2: the music?

759
00:34:24,840 --> 00:34:39,000
Speaker 8: If you like here, Tender, I was last with you, Rancho.

760
00:34:40,080 --> 00:34:43,000
Speaker 3: It's pretty good, Trea, Tina, is it actually you?

761
00:34:44,200 --> 00:34:45,080
Speaker 7: You kidding well?

762
00:34:47,040 --> 00:34:48,680
Speaker 3: Tna? Why are you calling the show?

763
00:34:52,719 --> 00:34:52,960
Speaker 1: Have you?

764
00:34:54,000 --> 00:34:58,279
Speaker 3: I don't know what's happening. Yeah, it's not a Rena.

765
00:35:06,000 --> 00:35:06,239
Speaker 5: Show.

766
00:35:06,640 --> 00:35:11,720
Speaker 3: You get too spinally pillows, No fake Tina. You rest

767
00:35:11,760 --> 00:35:15,120
Speaker 3: your head under that Sorrento moon. Enjoy more, Will and

768
00:35:15,160 --> 00:35:19,680
Speaker 3: Woody Goodness. After this, it's the Will and Woody Podcast.

769
00:35:20,239 --> 00:35:22,440
Speaker 3: Will and Woody, guys, we've got to get out of here.

770
00:35:23,280 --> 00:35:24,920
Speaker 3: Unfortunately we got to go.

771
00:35:25,239 --> 00:35:28,239
Speaker 2: But fortunately right now one of you guys could win

772
00:35:28,400 --> 00:35:30,480
Speaker 2: up to five thousand dollars all thanks to our friends

773
00:35:30,520 --> 00:35:32,000
Speaker 2: at Old El Paso, Old.

774
00:35:31,840 --> 00:35:36,600
Speaker 4: Our Passo, hun Softkit Tuesday into Taco Tuesday, Will.

775
00:35:36,480 --> 00:35:42,320
Speaker 3: And Woodies Sounds of Taco, Sounds of Tacos.

776
00:35:42,360 --> 00:35:45,160
Speaker 2: Would got to guess the five ingredients to win up

777
00:35:45,239 --> 00:35:48,560
Speaker 2: to five thousand dollars. Sally Yesterday a to taco.

778
00:35:48,880 --> 00:35:53,920
Speaker 3: Yes, sorry, what she suffered? Yeah, well she didn't get

779
00:35:53,920 --> 00:35:56,120
Speaker 3: anywhere hear it. No, but she only got one of

780
00:35:56,160 --> 00:35:56,600
Speaker 3: the five.

781
00:35:56,760 --> 00:35:59,040
Speaker 4: Yes, we can't do what she got right, But yesterday

782
00:35:59,120 --> 00:36:02,680
Speaker 4: she guessed. Let us tomato, guacamole, sour cream, and mince.

783
00:36:03,160 --> 00:36:06,840
Speaker 4: One of those ingredients is correct. Now, Laura, you are

784
00:36:06,960 --> 00:36:09,160
Speaker 4: having a correct today. If you get it, you win

785
00:36:09,320 --> 00:36:11,200
Speaker 4: two thousand dollars.

786
00:36:11,760 --> 00:36:12,879
Speaker 3: Are you good to go? Laura?

787
00:36:13,520 --> 00:36:14,440
Speaker 8: I am, Yes, I am.

788
00:36:14,760 --> 00:36:16,800
Speaker 3: Okay, we'll crack into that taco.

789
00:36:16,960 --> 00:36:23,560
Speaker 2: My man, mom, man, there is significant grunch.

790
00:36:26,360 --> 00:36:26,959
Speaker 3: What do you reckon?

791
00:36:27,040 --> 00:36:27,239
Speaker 4: Laura?

792
00:36:27,320 --> 00:36:28,840
Speaker 3: What are you hearing? Talk me through it?

793
00:36:29,719 --> 00:36:32,640
Speaker 8: Oh, I'm not hearing a lot, to be honest, You're

794
00:36:32,640 --> 00:36:33,880
Speaker 8: gonna have to do it again for me.

795
00:36:34,480 --> 00:36:37,600
Speaker 3: Now, I'm gonna have to look outside. Can you go

796
00:36:37,880 --> 00:36:42,480
Speaker 3: one mouthful? Purpo player, I feel I'm not doing them. No,

797
00:36:45,520 --> 00:36:50,680
Speaker 3: I'll have a bite. Then, no, further with you. He

798
00:36:50,760 --> 00:36:54,280
Speaker 3: only gets one bite? Sorry, Laura, you only get one bite.

799
00:36:56,040 --> 00:36:59,320
Speaker 8: Okay, all right, I'm in that case. I'm going to

800
00:36:59,360 --> 00:37:05,000
Speaker 8: go with cheese cheesez yep. I'm going to go with kalipeno.

801
00:37:05,520 --> 00:37:08,720
Speaker 3: Yeah, beef mints, beef mints, yeah.

802
00:37:10,160 --> 00:37:12,520
Speaker 7: Be controversial. I'm going to go with beans.

803
00:37:13,160 --> 00:37:17,399
Speaker 2: Beans, yes, very popular, very popular, refried bean.

804
00:37:18,080 --> 00:37:20,600
Speaker 3: That's four. You've got one more ingredient to go there, Laura.

805
00:37:21,000 --> 00:37:23,480
Speaker 6: Yeah, I'm going to go south salsa.

806
00:37:24,040 --> 00:37:31,120
Speaker 4: Okay, Laura, I can tell you that you got two

807
00:37:32,040 --> 00:37:36,719
Speaker 4: ingredients correct, which runs.

808
00:37:36,520 --> 00:37:39,680
Speaker 2: In addition to the one that Sally got yesterday.

809
00:37:39,760 --> 00:37:41,839
Speaker 3: I can't tell you what do you mean how many

810
00:37:41,880 --> 00:37:43,480
Speaker 3: have been guests? You can tell me that all up

811
00:37:44,800 --> 00:37:47,360
Speaker 3: between the two of them, three have been guests. She

812
00:37:47,560 --> 00:37:54,160
Speaker 3: only got two, right, yeah, yeah, yeah, yeah, Laura, you've

813
00:37:54,160 --> 00:37:56,160
Speaker 3: got a taco kid. You go home with an old

814
00:37:57,480 --> 00:37:58,040
Speaker 3: understand it?

815
00:37:58,280 --> 00:37:59,520
Speaker 8: He doesn't understand beautiful.

816
00:38:00,520 --> 00:38:03,920
Speaker 2: You just stay clear the admin of these bits fair enough,

817
00:38:03,920 --> 00:38:05,440
Speaker 2: because you make it very confusing for me.

818
00:38:05,560 --> 00:38:11,960
Speaker 3: I'm confused now, all right, it should be an easy bit, la. Unfortunately.

819
00:38:12,000 --> 00:38:15,520
Speaker 2: Look, you've edged everybody else closer to the five grand,

820
00:38:15,880 --> 00:38:19,120
Speaker 2: but you can't go home with five thousands. Great newsies,

821
00:38:19,160 --> 00:38:21,399
Speaker 2: you do go with the taco kid from our friends

822
00:38:21,440 --> 00:38:22,120
Speaker 2: and old El Paso.

823
00:38:22,160 --> 00:38:24,759
Speaker 3: How about you got the right stuff registered with them?

824
00:38:24,760 --> 00:38:26,040
Speaker 3: When you don't come for you to play grabbing all

825
00:38:26,040 --> 00:38:26,680
Speaker 3: the passa.

826
00:38:26,520 --> 00:38:29,440
Speaker 2: Hudding soft kits to turn Tuesday into Taco Tuesday.

827
00:38:29,560 --> 00:38:31,520
Speaker 3: We're going to get out of here. We'll see you tomorrow.

828
00:38:31,840 --> 00:38:32,239
Speaker 1: Right now.

829
00:38:32,560 --> 00:38:34,320
Speaker 2: It's a Will and Woody all right.

830
00:38:34,840 --> 00:38:35,680
Speaker 3: To the end of the show.

831
00:38:36,760 --> 00:38:38,880
Speaker 2: I just want to say, like, you know, if you

832
00:38:39,400 --> 00:38:41,640
Speaker 2: decide to celebrate Valentine's Day.

833
00:38:42,080 --> 00:38:45,319
Speaker 3: That's your bag, totally, Like I'm not, I'm not. I'm

834
00:38:45,320 --> 00:38:47,320
Speaker 3: really if you if you're and I really hope I

835
00:38:47,440 --> 00:38:47,960
Speaker 3: made that clear.

836
00:38:48,040 --> 00:38:49,799
Speaker 2: Like, if you're in a great spot in your relationship

837
00:38:50,080 --> 00:38:51,480
Speaker 2: and you want to go home and give each other

838
00:38:51,560 --> 00:38:55,239
Speaker 2: flowers and that gets you off, fucking go for it.

839
00:38:55,719 --> 00:38:59,960
Speaker 3: Rightually and metaphorically, Well, you don't go there, mate.

840
00:39:00,920 --> 00:39:02,600
Speaker 2: In the last podcast, top you know, all we were

841
00:39:02,600 --> 00:39:04,520
Speaker 2: talking about is that you can't say the word penis,

842
00:39:05,000 --> 00:39:06,080
Speaker 2: And now here I am.

843
00:39:06,000 --> 00:39:08,200
Speaker 3: Starting to looking mature. That's obviously getting out, isn't it.

844
00:39:09,200 --> 00:39:13,400
Speaker 3: And it's out not necessarily. I think we still have

845
00:39:13,520 --> 00:39:16,000
Speaker 3: some respect in the community, and I think it's out

846
00:39:17,640 --> 00:39:20,759
Speaker 3: you are mature, But I but I do mean that.

847
00:39:21,000 --> 00:39:22,399
Speaker 2: I do mean that though, Like if you if you're

848
00:39:22,400 --> 00:39:24,440
Speaker 2: happy and Valentine's makes you happy, bloody, go for it.

849
00:39:24,520 --> 00:39:24,960
Speaker 3: That's awesome.

850
00:39:25,000 --> 00:39:28,359
Speaker 2: I'm just saying I think it's duds to nasty when

851
00:39:28,400 --> 00:39:30,200
Speaker 2: you're not happy and you're acting.

852
00:39:30,080 --> 00:39:32,960
Speaker 3: Like you are yeah, well I'm still gonna get it

853
00:39:33,920 --> 00:39:36,239
Speaker 3: to which I'm excited about. I've been there before as well.

854
00:39:36,760 --> 00:39:37,279
Speaker 6: You've been.

855
00:39:38,120 --> 00:39:41,120
Speaker 2: I've been in on Valentine's Days. I felt like I

856
00:39:41,280 --> 00:39:43,200
Speaker 2: needed to do it to sort of keep it going.

857
00:39:44,239 --> 00:39:46,680
Speaker 3: That was the right thing to do, and that would

858
00:39:46,719 --> 00:39:47,360
Speaker 3: make her happy.

859
00:39:47,640 --> 00:39:49,239
Speaker 2: And I would have made a lot better use of

860
00:39:49,280 --> 00:39:51,200
Speaker 2: my Valentine's Day if I had it been like, Hey,

861
00:39:51,239 --> 00:39:53,680
Speaker 2: I'm actually really into you, or I actually you know,

862
00:39:54,080 --> 00:39:55,840
Speaker 2: don't love you, or you know, whatever it is, I

863
00:39:55,920 --> 00:39:57,799
Speaker 2: still want to love you, but this is not going

864
00:39:57,840 --> 00:39:58,279
Speaker 2: the right way.

865
00:39:58,480 --> 00:39:59,960
Speaker 3: That would have been a great use of Valentine.

866
00:40:00,840 --> 00:40:01,040
Speaker 5: Yeah.

867
00:40:01,880 --> 00:40:05,840
Speaker 2: Yeah, Well options other than giving some chocolates.

868
00:40:05,840 --> 00:40:09,240
Speaker 3: Yeah, of course, different gifts. Yeah, you're gonna be created.

869
00:40:09,320 --> 00:40:12,360
Speaker 3: Can you give to sit down and chat as a gift? Bloody?

870
00:40:12,400 --> 00:40:14,080
Speaker 3: Oh that sounds like I mean, light me up, will

871
00:40:14,680 --> 00:40:17,719
Speaker 3: me down and Chat's my birthday this year. IM going

872
00:40:17,760 --> 00:40:24,640
Speaker 3: to sit down chat with Will Tunny for that. Ah No, yeah,

873
00:40:24,640 --> 00:40:27,080
Speaker 3: fair enough, Hey we need to talk. But you're giving

874
00:40:27,120 --> 00:40:31,080
Speaker 3: a gift. Well, it's like a good spot. She might

875
00:40:31,160 --> 00:40:31,480
Speaker 3: listen to this.

876
00:40:31,640 --> 00:40:35,839
Speaker 4: Well, I've written her something, but with within that I've

877
00:40:35,880 --> 00:40:37,319
Speaker 4: apologized a bit, so it's not like.

878
00:40:38,920 --> 00:40:40,920
Speaker 3: An apology about something that's nice.

879
00:40:41,000 --> 00:40:42,960
Speaker 5: Yeah, I was.

880
00:40:43,160 --> 00:40:47,200
Speaker 3: I was affirming what totally done? Totally isn't that good? Yeah,

881
00:40:47,239 --> 00:40:50,319
Speaker 3: well it's good. You're sitting there going like, yes, well.

882
00:40:50,600 --> 00:40:52,279
Speaker 3: I had the same moment though, where I was like,

883
00:40:52,320 --> 00:40:53,840
Speaker 3: but why am I doing it today? Why is it?

884
00:40:53,960 --> 00:40:54,279
Speaker 3: Why is it?

885
00:40:54,360 --> 00:40:56,960
Speaker 4: Why have I waited until Valentine's Day to decide to

886
00:40:57,040 --> 00:40:58,600
Speaker 4: write her something about an apology?

887
00:40:58,840 --> 00:40:59,960
Speaker 3: And that's that's a bit of a shame.

888
00:41:00,440 --> 00:41:02,080
Speaker 2: But if you think about it, like, you know, you

889
00:41:02,320 --> 00:41:04,359
Speaker 2: use the word and I don't. I think the word

890
00:41:04,440 --> 00:41:07,919
Speaker 2: excuse is not a good word to use. I think

891
00:41:08,040 --> 00:41:09,520
Speaker 2: opportunity is a better word.

892
00:41:09,640 --> 00:41:12,839
Speaker 3: Nice. I wish I had a live editor in my brain.

893
00:41:13,320 --> 00:41:17,200
Speaker 2: I want to I want to scribe, scribe that follows

894
00:41:17,280 --> 00:41:17,720
Speaker 2: me around.

895
00:41:18,760 --> 00:41:21,759
Speaker 3: I actually want to do it my ideas actually, because

896
00:41:21,760 --> 00:41:24,279
Speaker 3: then I'm going to feel like, mate, do you know who?

897
00:41:25,160 --> 00:41:27,360
Speaker 2: I've been a great story about this before before we

898
00:41:27,480 --> 00:41:29,479
Speaker 2: get into this, what were we talking about before?

899
00:41:29,560 --> 00:41:31,640
Speaker 3: Then? Valentine's Day cards? Writing?

900
00:41:31,960 --> 00:41:37,040
Speaker 2: Sorry, before I get anob to describe bit birthdays? For example,

901
00:41:37,360 --> 00:41:40,480
Speaker 2: I see as a lovely opportunity to remind myself to

902
00:41:40,560 --> 00:41:43,160
Speaker 2: tell my friends that I love them. Right, that's a

903
00:41:43,200 --> 00:41:46,400
Speaker 2: great opportunity. Definitely, sometimes I remember to, you know, like

904
00:41:46,560 --> 00:41:48,280
Speaker 2: when I'm out in about, But it's a great opportunity

905
00:41:48,320 --> 00:41:50,120
Speaker 2: to go, like, hey, today's their birthday. Ill write them

906
00:41:50,120 --> 00:41:51,840
Speaker 2: really knows car and mate and feel good about themselves.

907
00:41:52,680 --> 00:41:55,040
Speaker 2: Valentine's Day is a great opportunity to remind yourself to

908
00:41:55,120 --> 00:41:57,200
Speaker 2: do that. Sure, but it shouldn't be the only day

909
00:41:57,280 --> 00:41:59,720
Speaker 2: that you do, know, Yeah, of course, Yeah, that's probably

910
00:41:59,719 --> 00:42:00,279
Speaker 2: the dif friends.

911
00:42:00,680 --> 00:42:03,520
Speaker 3: Back to the scribe. So you and I met a guy.

912
00:42:05,200 --> 00:42:08,839
Speaker 2: Who when I'm not sure how much information I can give,

913
00:42:08,840 --> 00:42:12,400
Speaker 2: but his name is Michael. To give me more, Yeah, no,

914
00:42:12,640 --> 00:42:17,440
Speaker 2: Michael Sydney, Michael Driver, Michael Michael.

915
00:42:17,560 --> 00:42:22,880
Speaker 3: Yeah cool. Anyway, he we like Michael. Yeah, we love Michael.

916
00:42:22,920 --> 00:42:23,880
Speaker 3: He's amazing. Anyway.

917
00:42:23,960 --> 00:42:26,400
Speaker 2: So he was working on the set of they did

918
00:42:26,480 --> 00:42:31,839
Speaker 2: that reboot of He Hates Saturday. Who's the host of Okay,

919
00:42:31,880 --> 00:42:37,320
Speaker 2: So Darryl Summers walks around with a scribe. Well, he

920
00:42:37,560 --> 00:42:42,799
Speaker 2: has a guy who follows him everywhere. He follows him

921
00:42:42,840 --> 00:42:46,360
Speaker 2: everywhere and writes down his ideas, so like if he

922
00:42:46,440 --> 00:42:50,840
Speaker 2: has like it, no, he hadn't. Sorry, sorry, he refuses

923
00:42:50,960 --> 00:42:56,560
Speaker 2: to have printed printed, so he writes everything for him.

924
00:42:56,920 --> 00:43:03,280
Speaker 4: Yeah, apparently this has like a page and he refuses

925
00:43:03,320 --> 00:43:04,640
Speaker 4: to read off like screens and stuffing.

926
00:43:06,080 --> 00:43:09,880
Speaker 2: So this guy follows him and he writes, and so

927
00:43:10,080 --> 00:43:11,640
Speaker 2: Daryl be like, oh, no, I've got an idea for

928
00:43:11,719 --> 00:43:13,560
Speaker 2: a sketch, and he'll be like and he was just

929
00:43:13,719 --> 00:43:15,680
Speaker 2: reel and off at him. And this guy goes just

930
00:43:15,800 --> 00:43:18,480
Speaker 2: writes a sketch like like actually as it would come

931
00:43:18,520 --> 00:43:22,880
Speaker 2: out format wise, and then he's sketch.

932
00:43:23,600 --> 00:43:29,360
Speaker 3: I think you should he isn't that insane? Insane? And no,

933
00:43:29,560 --> 00:43:31,680
Speaker 3: that's legit because I was like, how was it working

934
00:43:31,719 --> 00:43:32,520
Speaker 3: on hair Saturday?

935
00:43:32,520 --> 00:43:35,240
Speaker 2: And he's like, mate, Daryl Summons has a professional scribe

936
00:43:35,280 --> 00:43:36,920
Speaker 2: who hands writes, all hand writes.

937
00:43:38,200 --> 00:43:39,520
Speaker 3: But when you're the best in the beers, you can

938
00:43:39,560 --> 00:43:43,360
Speaker 3: get what you want. No, now, hang on, No, he was.

939
00:43:43,920 --> 00:43:46,560
Speaker 4: He was then he started hosting Dancing with the Stars.

940
00:43:46,800 --> 00:43:51,200
Speaker 4: It dominated everything he touched it. Look at Darryl Summer's record.

941
00:43:51,280 --> 00:43:53,800
Speaker 3: He I don't know what he does. The scribe.

942
00:43:53,880 --> 00:43:58,719
Speaker 2: Obviously, when we get the guy on the show, we'll

943
00:43:58,719 --> 00:43:59,719
Speaker 2: get Darryl on the show.

944
00:44:00,080 --> 00:44:04,000
Speaker 3: Yeah, Daryl, I've never had Darryl on the show. Arl,

945
00:44:04,200 --> 00:44:06,279
Speaker 3: I've never met Darryl asking Beatty scribe. See if you

946
00:44:06,280 --> 00:44:09,640
Speaker 3: can hire inscribe for a day? Can I borrow your scribe?

947
00:44:10,360 --> 00:44:13,839
Speaker 4: I'm the idea of a scribe following just from when

948
00:44:13,880 --> 00:44:15,320
Speaker 4: you get into work. So from from the moment you

949
00:44:15,400 --> 00:44:17,319
Speaker 4: get into work, you have this guy following you around

950
00:44:17,320 --> 00:44:19,360
Speaker 4: that rights down everything you say, and then on the

951
00:44:19,440 --> 00:44:22,560
Speaker 4: show we just go like, right, what's the gold.

952
00:44:22,840 --> 00:44:24,320
Speaker 3: That came out of your mouth today?

953
00:44:24,920 --> 00:44:27,799
Speaker 4: Here we'll get the scribe in here, like scriby, give

954
00:44:27,880 --> 00:44:30,200
Speaker 4: us the goal, like what were the highlights of will days?

955
00:44:30,400 --> 00:44:33,960
Speaker 2: I love that bit, right, what would the highlights be though,

956
00:44:34,080 --> 00:44:36,799
Speaker 2: like you mean from meetings and stuff like gold?

957
00:44:36,840 --> 00:44:38,120
Speaker 3: You said? It could be like, oh, Will made a

958
00:44:38,160 --> 00:44:45,320
Speaker 3: great joke here, Will made a great job? Will dropped

959
00:44:45,320 --> 00:44:47,600
Speaker 3: some great philosophy here? Or Will I had an idea

960
00:44:47,880 --> 00:44:50,640
Speaker 3: the radio? Do you then want to borrow the scribe

961
00:44:50,680 --> 00:44:53,120
Speaker 3: as well? That'd be embarrassed? You think that would be good?

962
00:44:53,320 --> 00:44:57,880
Speaker 4: And then and then we can make days like a

963
00:44:57,920 --> 00:45:01,919
Speaker 4: scribe off yahribe, Yes, I'm off here.

964
00:45:03,480 --> 00:45:05,960
Speaker 2: We don't have a scribe on the same day. I'd

965
00:45:05,960 --> 00:45:08,160
Speaker 2: have ascribe one day and then you'd everscribe one day.

966
00:45:08,239 --> 00:45:09,920
Speaker 3: Oh yeah, okay, yeah yeah yeah, and then we can

967
00:45:09,960 --> 00:45:12,760
Speaker 3: still compare. Yeah, what gold we dropped?

968
00:45:12,840 --> 00:45:13,000
Speaker 5: Yeah?

969
00:45:13,000 --> 00:45:14,520
Speaker 3: I like that, Yeah, I like that.

970
00:45:14,560 --> 00:45:17,840
Speaker 2: I love that, and it's amazing because you also do

971
00:45:17,920 --> 00:45:19,520
Speaker 2: a thing where you say something and you go write

972
00:45:19,560 --> 00:45:20,080
Speaker 2: that down.

973
00:45:20,360 --> 00:45:26,160
Speaker 3: And someone actually will will be great. It's so good.

974
00:45:26,239 --> 00:45:27,480
Speaker 3: I'm actually punk for that day.

975
00:45:27,480 --> 00:45:29,319
Speaker 2: I'm going to come in on that day and when

976
00:45:29,360 --> 00:45:32,000
Speaker 2: I have like wrong coffee before I walk in the door,

977
00:45:32,000 --> 00:45:33,680
Speaker 2: and it's going to be like, you know, like a

978
00:45:33,960 --> 00:45:36,720
Speaker 2: like an advertising executive walking into the building in the sixties,

979
00:45:36,840 --> 00:45:40,400
Speaker 2: just like Tina canceled my three o'clock, just like a

980
00:45:40,920 --> 00:45:44,160
Speaker 2: gust of wind. Yeah, people will be delegated things.

981
00:45:44,520 --> 00:45:48,520
Speaker 3: I'll be saying things. Great, hot, you're talking like someone

982
00:45:48,520 --> 00:45:54,160
Speaker 3: who's never worked a real job. Cancel and delegate things.

983
00:45:54,440 --> 00:45:58,279
Speaker 3: That's all people do, like if you're in charge, and

984
00:45:58,360 --> 00:46:00,879
Speaker 3: then you're in charge. Yeah, we'll on that day. Yeah,

985
00:46:01,160 --> 00:46:04,280
Speaker 3: write that down. You've got ascribe. Yeah all right, well amazing.

986
00:46:04,360 --> 00:46:06,719
Speaker 3: There's a hot idea everyone that is going to be

987
00:46:06,840 --> 00:46:07,319
Speaker 3: on the show.

988
00:46:07,760 --> 00:46:09,719
Speaker 2: So we need to call Darryl Summers tomorrow and ask

989
00:46:09,760 --> 00:46:10,880
Speaker 2: him if we can have his describe.

990
00:46:11,160 --> 00:46:13,560
Speaker 3: Yeah. Great, that's obviously the first call we make. What's

991
00:46:13,719 --> 00:46:19,200
Speaker 3: what's up to anyone? Darryl's just chilling. Darryl Summers, I think,

992
00:46:19,840 --> 00:46:22,720
Speaker 3: are you googling. Yeah, he sued his form business manager

993
00:46:22,760 --> 00:46:25,399
Speaker 3: for defamation. Might have been describe Yeah.

994
00:46:28,560 --> 00:46:28,799
Speaker 5: I think.

995
00:46:29,040 --> 00:46:31,080
Speaker 3: I think what he does is he just waits.

996
00:46:31,200 --> 00:46:34,400
Speaker 2: Until Channel seven get desperate enough that they need a

997
00:46:34,560 --> 00:46:37,600
Speaker 2: big Sunday night show, and they go Darryl.

998
00:46:37,920 --> 00:46:40,080
Speaker 3: They've done a couple of those, I know, and they

999
00:46:40,120 --> 00:46:43,280
Speaker 3: go a million viewers, yeah, it kills.

1000
00:46:43,160 --> 00:46:45,480
Speaker 2: And they go Darryl because they know that the TV

1001
00:46:45,600 --> 00:46:47,920
Speaker 2: audience is aging, and you bring back Saturday, you bring

1002
00:46:48,040 --> 00:46:52,520
Speaker 2: back had Saturday, and everyone over sixty goes, I love

1003
00:46:52,600 --> 00:46:52,960
Speaker 2: this show.

1004
00:46:53,360 --> 00:46:56,239
Speaker 3: Here we go, we read and then Darryl goes.

1005
00:46:56,440 --> 00:46:59,840
Speaker 2: Darryl knows, and he's like, cool, I'll do two episodes

1006
00:46:59,880 --> 00:47:01,800
Speaker 2: for three million dollars and I'll see you guys.

1007
00:47:01,640 --> 00:47:03,960
Speaker 3: In three years. I mean, it's pretty good. Pulls up

1008
00:47:04,000 --> 00:47:07,640
Speaker 3: the scribe on again. In fact, start stretching that wrist

1009
00:47:07,760 --> 00:47:13,040
Speaker 3: were on again. All right, I suppose that's it, guys.

1010
00:47:14,239 --> 00:47:14,439
Speaker 5: Yeah,