1 00:00:00,440 --> 00:00:06,480 Speaker 1: This is the Will and Woody podcast Sad Woods, the 2 00:00:06,559 --> 00:00:13,360 Speaker 1: Queen of Pop, has announced a world tour. Forty years 3 00:00:13,360 --> 00:00:18,480 Speaker 1: since this song came out, Madonna is doing a world tour. 4 00:00:18,640 --> 00:00:24,959 Speaker 1: The great news for everybody living here in Australia is 5 00:00:25,000 --> 00:00:25,760 Speaker 1: that she's not coming. 6 00:00:28,640 --> 00:00:31,040 Speaker 2: He's pretty big these days, like they're all coming. Billy 7 00:00:31,120 --> 00:00:33,560 Speaker 2: Joel was there, Johnny was here, Elton john of course, 8 00:00:34,159 --> 00:00:37,840 Speaker 2: Johnny just got Johnny. Everyone calls him Johnny. I feel 9 00:00:37,840 --> 00:00:40,720 Speaker 2: like most world tours now like a straight we're there 10 00:00:40,840 --> 00:00:44,600 Speaker 2: right from from Donzie Madonna of course. 11 00:00:48,320 --> 00:00:50,040 Speaker 1: Yeah. I don't think it's a priority for I don't 12 00:00:50,080 --> 00:00:51,760 Speaker 1: know why. Maybe we've offended her in the past. 13 00:00:52,000 --> 00:00:53,920 Speaker 2: Yeah, how old is Madonna now? 14 00:00:54,040 --> 00:00:57,720 Speaker 1: I'm going to say seventy wild? I reckon that's a 15 00:00:57,760 --> 00:01:00,720 Speaker 1: that's a real stab. I've got three or four different 16 00:01:00,760 --> 00:01:02,720 Speaker 1: monkeys typing on typewriters sixty. 17 00:01:02,440 --> 00:01:05,279 Speaker 2: Four sixty four close close to seventy. 18 00:01:05,360 --> 00:01:10,960 Speaker 1: Thanks Ran. Anyway, she's going everywhere with Australia, which is devastating. Sure, 19 00:01:11,560 --> 00:01:13,960 Speaker 1: and I just thought, you know, how can we cover 20 00:01:14,040 --> 00:01:16,800 Speaker 1: this on this show? How can we give Australia a 21 00:01:16,840 --> 00:01:19,280 Speaker 1: slice of Madonna? Given that we're missing out on her 22 00:01:19,959 --> 00:01:23,559 Speaker 1: and then I remember that we've got this woman who 23 00:01:23,720 --> 00:01:28,040 Speaker 1: is a banker by day, but by night also writes 24 00:01:28,360 --> 00:01:32,319 Speaker 1: amazing song parodies. We just give her an artist, give 25 00:01:32,319 --> 00:01:35,560 Speaker 1: her a topic. She mashes them together. Last time, I'm 26 00:01:35,600 --> 00:01:38,119 Speaker 1: not sure how he got there, but it was Abba 27 00:01:38,480 --> 00:01:39,280 Speaker 1: and the soccer. 28 00:01:39,480 --> 00:01:40,800 Speaker 2: It was because the World Cup was on. 29 00:01:41,600 --> 00:01:42,480 Speaker 3: I was a Abba. 30 00:01:43,040 --> 00:01:45,679 Speaker 2: No, she loves her forehand. 31 00:01:45,920 --> 00:01:47,280 Speaker 3: Ok, her name's Dina. 32 00:01:47,319 --> 00:01:49,160 Speaker 1: If you missed some of it last time, hears her 33 00:01:49,200 --> 00:01:51,080 Speaker 1: doing the soccers to Abba. 34 00:01:52,120 --> 00:01:56,160 Speaker 4: Scoring scoring scoring, oh n in the sok we go, 35 00:01:56,480 --> 00:02:03,720 Speaker 4: no window, woke up. Come on, we are the Stalker Rooms, 36 00:02:04,840 --> 00:02:08,520 Speaker 4: the team from around the world. 37 00:02:09,560 --> 00:02:14,800 Speaker 5: Starker Room. Yes, we're in the World Cup. You were 38 00:02:14,840 --> 00:02:18,079 Speaker 5: going to bring you home. Everyone else get out of 39 00:02:18,120 --> 00:02:18,560 Speaker 5: the way. 40 00:02:22,600 --> 00:02:26,120 Speaker 1: Oh here's the parody queen that joins us right now. Dana, 41 00:02:26,240 --> 00:02:35,120 Speaker 1: welcome back to Will's guarantee. 42 00:02:34,760 --> 00:02:35,799 Speaker 3: To blow your mind. 43 00:02:38,200 --> 00:02:39,679 Speaker 1: Dana, welcome back, mate. 44 00:02:40,400 --> 00:02:42,600 Speaker 5: Thank you, thank you, Hare are you both so well 45 00:02:42,960 --> 00:02:43,440 Speaker 5: better now? 46 00:02:43,600 --> 00:02:45,880 Speaker 2: We're so much better out of it in your presence, Dina, 47 00:02:46,000 --> 00:02:48,320 Speaker 2: how's the how's the writing coming along? 48 00:02:48,400 --> 00:02:50,079 Speaker 6: We know that you you know you can't stop a 49 00:02:50,200 --> 00:02:51,320 Speaker 6: mind like that can't stop. 50 00:02:52,240 --> 00:02:52,840 Speaker 7: No, we can't. 51 00:02:52,880 --> 00:02:55,600 Speaker 5: Look, I took a little break over Christmas put myself 52 00:02:55,639 --> 00:02:56,080 Speaker 5: a bit of a. 53 00:02:56,120 --> 00:02:56,919 Speaker 2: Break, fair enough. 54 00:02:57,639 --> 00:02:59,359 Speaker 8: But now it's a new year's. 55 00:02:59,160 --> 00:03:00,480 Speaker 5: Underway, so am I. 56 00:03:02,440 --> 00:03:08,679 Speaker 1: And the rumor's true, Dina, which are waiting to see 57 00:03:08,720 --> 00:03:12,839 Speaker 1: what you said? Album in the works is what I've heard. 58 00:03:14,240 --> 00:03:17,240 Speaker 5: Look, that's meant to be on the slide. How they 59 00:03:17,360 --> 00:03:19,720 Speaker 5: got out there, but it's under wrapped. 60 00:03:19,840 --> 00:03:21,519 Speaker 1: Didn't want to give this. I didn't want to give this. 61 00:03:22,120 --> 00:03:24,120 Speaker 1: That was unprofessional of me. I'm sorry about that. Okay, 62 00:03:24,600 --> 00:03:26,640 Speaker 1: let's get into it, Dinna, because as I said, as 63 00:03:26,720 --> 00:03:27,480 Speaker 1: you've heard. 64 00:03:27,360 --> 00:03:29,639 Speaker 3: I'm sure Madonna is doing a world tour. 65 00:03:29,720 --> 00:03:31,440 Speaker 1: She's not coming to Australia, but we need to give, 66 00:03:32,040 --> 00:03:35,000 Speaker 1: you know, Australia a little bit of Madonna, and I 67 00:03:35,080 --> 00:03:37,160 Speaker 1: think that's only going to be through the form of Madina. 68 00:03:37,320 --> 00:03:41,080 Speaker 1: So look the standard standard deal here, mate. You've got 69 00:03:41,160 --> 00:03:44,520 Speaker 1: three minutes one song to write, three song parodies about 70 00:03:44,600 --> 00:03:47,800 Speaker 1: Madonna's world tour and not coming to Australia. Obviously all 71 00:03:47,840 --> 00:03:49,560 Speaker 1: the parodies have to be Madonna songs. 72 00:03:49,680 --> 00:03:53,040 Speaker 5: Are you up to the task, I certainly am. Yes, Yep, 73 00:03:53,240 --> 00:03:54,680 Speaker 5: go for it. Yep, you're with that, guys. 74 00:03:55,000 --> 00:03:56,520 Speaker 2: Are you a fan of Madonna? Dina? 75 00:03:57,040 --> 00:03:58,120 Speaker 5: I am I was. 76 00:03:58,200 --> 00:03:58,400 Speaker 1: I was. 77 00:03:58,480 --> 00:04:01,800 Speaker 5: There's her contact guys, only three for first content at 78 00:04:01,840 --> 00:04:08,040 Speaker 5: the G Wow you Oh, I couldn't say much, but yeah, 79 00:04:08,040 --> 00:04:08,480 Speaker 5: I was there. 80 00:04:08,640 --> 00:04:10,080 Speaker 2: Why couldn't you say much? Dina? 81 00:04:10,480 --> 00:04:10,640 Speaker 7: Oh? 82 00:04:10,800 --> 00:04:12,480 Speaker 5: Well, at a G I was sort of in, you know, 83 00:04:12,640 --> 00:04:15,120 Speaker 5: in the back flanks as they say, so I had 84 00:04:15,160 --> 00:04:16,360 Speaker 5: to watch her on the big screen. 85 00:04:16,800 --> 00:04:19,720 Speaker 1: Oh right, how old were you, Dona, nineteen ninety three? 86 00:04:19,760 --> 00:04:20,400 Speaker 1: Who'd you go with? 87 00:04:21,800 --> 00:04:23,599 Speaker 4: I went with my sister in law. 88 00:04:24,040 --> 00:04:26,280 Speaker 5: And how I was I was in my late twenties. 89 00:04:26,320 --> 00:04:28,680 Speaker 4: I think, wow, Yeah, what. 90 00:04:28,760 --> 00:04:31,680 Speaker 2: A time, What a time, Dina. Well, you're definitely the 91 00:04:31,720 --> 00:04:34,320 Speaker 2: one to be doing parodies about Madonna. Songs can be 92 00:04:34,560 --> 00:04:37,440 Speaker 2: right up next. We're going to be graced with them. Well, 93 00:04:37,600 --> 00:04:40,039 Speaker 2: I mean, geez, you're very lucky Australia. 94 00:04:40,080 --> 00:04:40,839 Speaker 1: Stop talking to her. 95 00:04:40,880 --> 00:04:43,279 Speaker 2: She's got three minutes a sorry, Dana, she's got we're 96 00:04:43,279 --> 00:04:44,680 Speaker 2: in the song already, sorry. 97 00:04:44,480 --> 00:04:45,080 Speaker 1: Twenty minutes. 98 00:04:45,120 --> 00:04:45,599 Speaker 6: Get to work. 99 00:04:45,760 --> 00:04:50,080 Speaker 1: Medina takes the airwaves up next devastating news. This afternoon, guys, 100 00:04:50,120 --> 00:04:53,479 Speaker 1: Madonna is doing a world to forty years since Holiday, 101 00:04:53,520 --> 00:04:56,080 Speaker 1: which is epic, But she's not coming to Australia. 102 00:04:57,960 --> 00:04:59,520 Speaker 2: I sort of still hold home. 103 00:04:59,560 --> 00:05:02,080 Speaker 1: And I said this before the show what's enticing her? 104 00:05:02,160 --> 00:05:03,440 Speaker 2: He we I don't know. 105 00:05:03,600 --> 00:05:06,719 Speaker 1: But if you, if you, Madonna's on the phone right now. Yep, 106 00:05:06,920 --> 00:05:09,600 Speaker 1: you've called her. You go, Madonna, you're missing out in Australia. 107 00:05:10,120 --> 00:05:11,360 Speaker 1: Tell her why she should come here. 108 00:05:11,760 --> 00:05:16,000 Speaker 2: The beaches, Madonna, the zoos of your held? Have you 109 00:05:16,200 --> 00:05:18,640 Speaker 2: held kal zoos? People? 110 00:05:18,760 --> 00:05:19,320 Speaker 3: I wouldn't hit. 111 00:05:19,320 --> 00:05:21,200 Speaker 2: I wouldn't hit with the zoos, yes, I would. They 112 00:05:21,279 --> 00:05:22,120 Speaker 2: love the animals here. 113 00:05:22,279 --> 00:05:25,000 Speaker 3: They don't like animals in captivity is not cool, man, No, 114 00:05:25,240 --> 00:05:25,640 Speaker 3: but they. 115 00:05:25,600 --> 00:05:28,160 Speaker 6: Will go to a going to the bush and find 116 00:05:28,200 --> 00:05:28,679 Speaker 6: a koala. 117 00:05:30,600 --> 00:05:32,120 Speaker 1: I mean, you've got me. 118 00:05:33,040 --> 00:05:34,000 Speaker 2: We're down there. 119 00:05:34,240 --> 00:05:36,200 Speaker 1: We stop beach, second stop zoo. 120 00:05:37,760 --> 00:05:41,040 Speaker 6: Here we go, Siara, who is that R and B artist? 121 00:05:41,839 --> 00:05:47,920 Speaker 6: She loved the koalas Ciara, Miss Elliott. 122 00:05:50,240 --> 00:05:51,160 Speaker 1: Talking about. 123 00:05:53,120 --> 00:05:55,880 Speaker 2: She loves Okay, let's just get down, back down. 124 00:05:55,800 --> 00:05:55,880 Speaker 9: And. 125 00:05:57,400 --> 00:06:02,040 Speaker 1: Madonna's coming to Australia. Those beaches and koalas all to 126 00:06:02,160 --> 00:06:02,640 Speaker 1: one side. 127 00:06:02,760 --> 00:06:04,080 Speaker 3: Fine, she's not coming sure. 128 00:06:04,560 --> 00:06:06,480 Speaker 1: So to give you guys a bit of Madonna, we're 129 00:06:06,520 --> 00:06:10,279 Speaker 1: thrown to the Queen of parodies, Dina. Yes, Medina returns 130 00:06:10,440 --> 00:06:13,280 Speaker 1: to Will and Woody with three Madonna parodies that she's 131 00:06:13,320 --> 00:06:16,840 Speaker 1: written in three minutes about Madonna not coming to Australia. 132 00:06:16,920 --> 00:06:17,880 Speaker 3: It's an astounding feat. 133 00:06:18,000 --> 00:06:19,520 Speaker 1: Well is it? She's on the phone right now, Dina, 134 00:06:19,600 --> 00:06:25,960 Speaker 1: welcome back, Gee weez. Three minutes, Dina, three Madonna songs 135 00:06:26,120 --> 00:06:27,839 Speaker 1: about Madonna not coming to Australia. 136 00:06:27,880 --> 00:06:28,479 Speaker 3: How are you feeling? 137 00:06:29,480 --> 00:06:30,320 Speaker 5: Yep, I feel good. 138 00:06:30,640 --> 00:06:32,720 Speaker 1: Yeah, confidence as all hell. Sounds like she's got a 139 00:06:32,720 --> 00:06:34,720 Speaker 1: customer to get back to. All right, let's get let's 140 00:06:34,760 --> 00:06:38,800 Speaker 1: do it, Dina. First one, We're ready when you are? Okay, Okay. 141 00:06:38,800 --> 00:06:41,039 Speaker 5: The first one, I'm really I'm really bummed out guys 142 00:06:41,080 --> 00:06:43,200 Speaker 5: that she's not coming to Australia. So the first one 143 00:06:43,360 --> 00:06:45,760 Speaker 5: is hung up, Oh clever. 144 00:06:45,880 --> 00:06:47,120 Speaker 2: Do we have a grab of hung Up? 145 00:06:47,279 --> 00:06:47,479 Speaker 1: Yeah? 146 00:06:48,480 --> 00:06:49,640 Speaker 5: Oh yeah, yeah, yeah. 147 00:06:51,680 --> 00:06:52,600 Speaker 2: Yeah, great song? 148 00:06:54,200 --> 00:06:55,360 Speaker 3: Anna take it away? 149 00:06:56,120 --> 00:07:00,400 Speaker 5: Okay, every little country that you play in see I'm 150 00:07:00,480 --> 00:07:05,480 Speaker 5: bummed out. I can't move and swings waiting for your 151 00:07:05,600 --> 00:07:09,920 Speaker 5: tour girl, Near and far, I'm bummed out. I can't 152 00:07:09,960 --> 00:07:11,440 Speaker 5: see your pointy e bra. 153 00:07:13,280 --> 00:07:16,800 Speaker 1: She's having as the first one, thing love the wine, 154 00:07:19,560 --> 00:07:23,680 Speaker 1: doubt it, bra, reference and everything. 155 00:07:24,120 --> 00:07:24,480 Speaker 3: Here we go. 156 00:07:24,640 --> 00:07:30,720 Speaker 1: Number two, DNA far Away, material material girl. 157 00:07:30,600 --> 00:07:31,680 Speaker 2: Oh yep, good one. 158 00:07:33,480 --> 00:07:35,800 Speaker 5: Material like she's no spring Chicken anymore. 159 00:07:35,920 --> 00:07:36,840 Speaker 8: Sober let's go with that. 160 00:07:38,240 --> 00:07:42,520 Speaker 5: Madonna's going on too around the world. But she's not 161 00:07:43,440 --> 00:07:47,480 Speaker 5: a spring chicken girl. You know, she has a dodgy 162 00:07:47,600 --> 00:07:51,800 Speaker 5: hip and she's sixty four. I'll go on to I'll 163 00:07:51,840 --> 00:07:53,080 Speaker 5: be her girl. 164 00:07:57,160 --> 00:07:57,600 Speaker 4: Struggled with. 165 00:07:57,840 --> 00:07:58,120 Speaker 5: One of the. 166 00:08:00,960 --> 00:08:03,320 Speaker 2: Happen at the end of that one was the chorus there, 167 00:08:03,560 --> 00:08:09,800 Speaker 2: she's no longer a spring chicken girl. Yes, unbelievable, Dina. 168 00:08:09,880 --> 00:08:11,840 Speaker 2: I think that's unbelievable, girl. 169 00:08:11,960 --> 00:08:18,360 Speaker 5: Yes, Oh God, some. 170 00:08:18,440 --> 00:08:20,880 Speaker 1: Good ones that is out there? All right, here we 171 00:08:20,960 --> 00:08:24,240 Speaker 1: go vital one, Dina, what song is it? 172 00:08:25,240 --> 00:08:29,240 Speaker 5: Okay, it's like a prayer and I'm truly trying to 173 00:08:29,320 --> 00:08:31,840 Speaker 5: get her. I'm praying that you change her mind. 174 00:08:31,920 --> 00:08:40,679 Speaker 1: Yeah, yeah, one of the all time dangers. That one, 175 00:08:40,760 --> 00:08:43,000 Speaker 1: all right, Dina, Geez is one of my favorite songs. 176 00:08:43,040 --> 00:08:44,120 Speaker 3: You better do it justice. 177 00:08:44,240 --> 00:08:48,600 Speaker 1: Madonna's not coming to Australia. Let's hear its three minutes 178 00:08:48,600 --> 00:08:50,640 Speaker 1: to write this parody, Dina, take you. 179 00:08:50,600 --> 00:08:54,280 Speaker 5: Away because it's my favorite too. So okay, when you 180 00:08:54,480 --> 00:09:00,439 Speaker 5: called me name, it's pronounced girl Madonna. Please, one has 181 00:09:00,520 --> 00:09:04,360 Speaker 5: seen your songs. I would stand front row and make 182 00:09:04,440 --> 00:09:08,720 Speaker 5: you look real good. Just come to Australia. I'll buy 183 00:09:08,800 --> 00:09:09,679 Speaker 5: you some songs. 184 00:09:10,840 --> 00:09:12,319 Speaker 2: You buy me some songs. 185 00:09:15,080 --> 00:09:22,160 Speaker 1: Fells Heaven help me. 186 00:09:22,920 --> 00:09:27,920 Speaker 2: Oh wow, that's the bitch Manna come to Australia. 187 00:09:28,600 --> 00:09:35,160 Speaker 1: We'll buy you some thongs, Dina. Yeah. If the bitches 188 00:09:35,160 --> 00:09:37,360 Speaker 1: in the koalas won't get to hear the thongs, will 189 00:09:37,440 --> 00:09:41,160 Speaker 1: there's not about it. Thanks for jos Dina. Hey, double 190 00:09:41,559 --> 00:09:43,440 Speaker 1: double pass to go to Holts Dinut. We love your 191 00:09:43,520 --> 00:09:48,160 Speaker 1: Holts Extreme screen double pass. Yesdna, she's the best. Always 192 00:09:48,240 --> 00:09:50,400 Speaker 1: great to hear your voice. Mate, get back to the 193 00:09:50,840 --> 00:09:51,640 Speaker 1: banking or whatever you. 194 00:09:51,640 --> 00:09:52,360 Speaker 3: Don't wally do with you. 195 00:09:54,520 --> 00:09:57,240 Speaker 2: So it's been revealed in this new sort of docu 196 00:09:57,320 --> 00:10:01,520 Speaker 2: series on Netflix which is called Breakpoint, that Nick Curios's mum, 197 00:10:02,080 --> 00:10:07,480 Speaker 2: whose name is Nil, she keeps every single one of 198 00:10:07,760 --> 00:10:11,839 Speaker 2: Nick's rackets that he smashes. So he's he's a pretty 199 00:10:12,080 --> 00:10:15,079 Speaker 2: hot tempered unit. He smashes a lot of rackets. His 200 00:10:15,280 --> 00:10:18,440 Speaker 2: mum keeps in her house, in her camera home. Every 201 00:10:18,520 --> 00:10:22,559 Speaker 2: single racket that he has has snapped here she is 202 00:10:22,640 --> 00:10:23,240 Speaker 2: talking about it. 203 00:10:24,240 --> 00:10:29,360 Speaker 10: He just became aggressive, was just so angry, always angry 204 00:10:29,440 --> 00:10:30,120 Speaker 10: at something. 205 00:10:36,600 --> 00:10:38,400 Speaker 3: He does get angry. 206 00:10:38,640 --> 00:10:41,560 Speaker 6: He's a hot little pot of hot water. 207 00:10:41,640 --> 00:10:45,920 Speaker 2: Will that's a way to describe him, do you know 208 00:10:46,000 --> 00:10:49,520 Speaker 2: what I feel like all mums just keep really weird 209 00:10:49,640 --> 00:10:52,480 Speaker 2: things from our childhoods. I don't know what goes on 210 00:10:52,600 --> 00:10:54,440 Speaker 2: there where they just go, oh, this is they're going 211 00:10:54,520 --> 00:10:56,679 Speaker 2: to love this. I'm gonna I'm gonna hang on to this. 212 00:10:57,400 --> 00:11:00,400 Speaker 2: But as I'm saying this, I realize that I've recently 213 00:11:00,480 --> 00:11:04,120 Speaker 2: become a father, and like I'm now becoming a culprit 214 00:11:04,200 --> 00:11:07,559 Speaker 2: of weirdly hanging onto stuff. And I mean this, this 215 00:11:07,720 --> 00:11:09,160 Speaker 2: sort of came out on this show when I was 216 00:11:09,240 --> 00:11:11,600 Speaker 2: doing the shows from home, just after my daughter, Remy 217 00:11:11,720 --> 00:11:16,520 Speaker 2: was born, And yeah, I can't throw out her umbilical cord. 218 00:11:17,400 --> 00:11:18,719 Speaker 2: I don't know what I want to do with it, 219 00:11:18,840 --> 00:11:20,959 Speaker 2: but it's just like I feel like I have to 220 00:11:21,840 --> 00:11:24,880 Speaker 2: hang onto that to then give to her when she's older. 221 00:11:25,160 --> 00:11:28,599 Speaker 1: Or it's also where it is like it's you didn't like, 222 00:11:29,280 --> 00:11:30,800 Speaker 1: you know, if you're going to keep a book, if 223 00:11:30,800 --> 00:11:33,480 Speaker 1: you're going to keep an umbilical cord, sure you put 224 00:11:33,520 --> 00:11:35,680 Speaker 1: it in like an air tight filter, you know, an 225 00:11:35,679 --> 00:11:38,000 Speaker 1: air tight can or something and store it somewhere. 226 00:11:38,280 --> 00:11:40,040 Speaker 2: Yeah, you've just got it in a jar next to 227 00:11:40,080 --> 00:11:41,719 Speaker 2: year's bare bed pretty much. And this was when I 228 00:11:41,800 --> 00:11:43,280 Speaker 2: was doing the show from home, and I knocked it over. 229 00:11:44,240 --> 00:11:46,199 Speaker 1: Oh no, what did you break there? 230 00:11:47,080 --> 00:11:48,080 Speaker 2: It's a sound of it sick. 231 00:11:48,160 --> 00:11:51,400 Speaker 6: But Remy's umbilical cord is somewhere on the ground. 232 00:11:54,600 --> 00:11:55,559 Speaker 1: Why did you keep. 233 00:11:57,120 --> 00:11:58,959 Speaker 2: I'm not sure to do it. It was funny. I 234 00:11:59,080 --> 00:12:00,200 Speaker 2: was like, I don't want to keep it. But now 235 00:12:00,240 --> 00:12:01,719 Speaker 2: I've got it, It's like it feels weird. Throw it 236 00:12:01,760 --> 00:12:03,160 Speaker 2: away and. 237 00:12:03,240 --> 00:12:05,960 Speaker 6: I'm still there? What if someone later I'm still there. 238 00:12:06,000 --> 00:12:06,360 Speaker 6: I don't know. 239 00:12:06,520 --> 00:12:07,679 Speaker 2: I'm hanging on to it. 240 00:12:07,800 --> 00:12:09,319 Speaker 1: Is it still in the is it still next to 241 00:12:09,400 --> 00:12:11,160 Speaker 1: this fair bed? What if you have a guess and 242 00:12:11,200 --> 00:12:12,600 Speaker 1: they think it's a bookmark or something. 243 00:12:13,240 --> 00:12:14,880 Speaker 2: How big do you think the umbilical It looks like 244 00:12:14,880 --> 00:12:17,360 Speaker 2: a booger. It looks like a like a large, bloody booger. 245 00:12:17,400 --> 00:12:19,160 Speaker 1: So if someone thinks it's a cockroach and they just 246 00:12:19,280 --> 00:12:21,040 Speaker 1: like squash it or something, well. 247 00:12:20,880 --> 00:12:21,760 Speaker 2: It'd be devastating. 248 00:12:22,120 --> 00:12:24,840 Speaker 1: We'll just put it in a normal place. I don't 249 00:12:24,880 --> 00:12:26,840 Speaker 1: think if I go on sat your house, I shouldn't 250 00:12:26,880 --> 00:12:28,840 Speaker 1: have to worry about the fact there's an unbiblical cord, 251 00:12:29,160 --> 00:12:31,360 Speaker 1: a dried unbiblical cord on the table next to me. 252 00:12:31,440 --> 00:12:33,680 Speaker 2: It's totally reasonable feedback, and I'll take it on board, 253 00:12:33,720 --> 00:12:35,760 Speaker 2: and I'll think of something to do with it when. 254 00:12:35,600 --> 00:12:36,280 Speaker 3: I go home tonight. 255 00:12:36,440 --> 00:12:39,559 Speaker 1: You, but right now, take all future guests in your 256 00:12:39,600 --> 00:12:40,360 Speaker 1: house right now. 257 00:12:40,440 --> 00:12:42,320 Speaker 3: It's just not an obstacle they need to navigate. 258 00:12:42,600 --> 00:12:44,679 Speaker 2: I just right now, I do hope there's more people 259 00:12:45,000 --> 00:12:47,760 Speaker 2: like Nick Kirios's mum and like me, have you have 260 00:12:48,040 --> 00:12:51,440 Speaker 2: have you or your parents held onto something really bizarre 261 00:12:51,640 --> 00:12:54,559 Speaker 2: from your childhood? Thirteen one oh six five is our number. 262 00:12:55,160 --> 00:12:58,000 Speaker 2: For whatever reason, they just felt like, yeah, I need 263 00:12:58,080 --> 00:12:59,800 Speaker 2: to keep love that, I need to keep that. 264 00:13:00,480 --> 00:13:01,280 Speaker 1: The weirder the better. 265 00:13:01,360 --> 00:13:01,480 Speaker 11: Here. 266 00:13:02,200 --> 00:13:02,840 Speaker 3: Yeah, okay, so. 267 00:13:02,960 --> 00:13:08,600 Speaker 2: Far we've got broken rackets. We're asking you, guys, what's 268 00:13:08,640 --> 00:13:11,280 Speaker 2: the really weird thing that your mum has decided to 269 00:13:11,600 --> 00:13:15,800 Speaker 2: keep from your childhood? Because Nick Curios's mum keeps all 270 00:13:15,880 --> 00:13:19,240 Speaker 2: of his broken rackets, and there would be a lot 271 00:13:19,320 --> 00:13:22,079 Speaker 2: of those bad boys. And look, I'm not a mum, 272 00:13:22,200 --> 00:13:24,400 Speaker 2: but i'm a recent dad. I for some reason, I 273 00:13:24,440 --> 00:13:26,400 Speaker 2: don't know why, but I just feel that I have 274 00:13:26,600 --> 00:13:30,200 Speaker 2: to hang on to Remy's umbilical cord. So I've had 275 00:13:30,240 --> 00:13:33,800 Speaker 2: it for three months now, sneeze baby, good boy, bless you, 276 00:13:34,480 --> 00:13:36,280 Speaker 2: and I just keep that in the jar in the 277 00:13:36,360 --> 00:13:40,800 Speaker 2: spare bedroom and javiside. Let's got to Stephanie here on 278 00:13:40,880 --> 00:13:45,160 Speaker 2: thirteen one six five. Steph your mum kept something a 279 00:13:45,240 --> 00:13:45,680 Speaker 2: bit weird. 280 00:13:47,360 --> 00:13:49,360 Speaker 9: Yes, she did what. 281 00:13:51,480 --> 00:13:54,600 Speaker 12: She kept to mine and my sister's teeth. 282 00:13:55,120 --> 00:14:01,040 Speaker 8: That the bracelet. 283 00:14:02,120 --> 00:14:06,679 Speaker 1: On a braceletter? Who is she had alector? That is rank? 284 00:14:07,679 --> 00:14:08,160 Speaker 11: Was she was? 285 00:14:08,200 --> 00:14:08,240 Speaker 4: She? 286 00:14:08,520 --> 00:14:10,880 Speaker 2: Was she paying you for the teeth because obviously you've 287 00:14:10,960 --> 00:14:12,800 Speaker 2: missed out on some sweet coin there from what do 288 00:14:12,880 --> 00:14:14,880 Speaker 2: you mean, fairy Stephanie? 289 00:14:14,920 --> 00:14:17,120 Speaker 8: So was she paying gold coins? 290 00:14:17,920 --> 00:14:19,920 Speaker 2: So she gave you gold coins so she could make 291 00:14:19,960 --> 00:14:21,640 Speaker 2: a tooth bracelet of her children. 292 00:14:23,000 --> 00:14:23,200 Speaker 9: Yeah? 293 00:14:23,320 --> 00:14:24,800 Speaker 8: Literally, they're just like dangling. 294 00:14:24,880 --> 00:14:26,000 Speaker 7: She doesn't wear them anymore. 295 00:14:26,040 --> 00:14:30,520 Speaker 10: Thought with teeth on them? 296 00:14:30,560 --> 00:14:34,600 Speaker 1: Now, yeah, nice, that's that's imbhorum sick. 297 00:14:35,080 --> 00:14:38,720 Speaker 2: That's sick. Stuff that is sick. I'm being aggressive. 298 00:14:38,800 --> 00:14:41,240 Speaker 1: Teeth do a bit cool though, like a shark tooth necklace. 299 00:14:42,240 --> 00:14:44,920 Speaker 1: Human tooth is to step up though, because you have 300 00:14:45,040 --> 00:14:47,200 Speaker 1: a shark tooth necklace, because it's like I've got an 301 00:14:47,200 --> 00:14:49,520 Speaker 1: apex predator a food chain the human. 302 00:14:49,680 --> 00:14:51,240 Speaker 3: Yeah yeah, yeah, tooth necklace. 303 00:14:51,280 --> 00:14:53,080 Speaker 1: There might be a market for that. Could be get 304 00:14:53,120 --> 00:14:54,800 Speaker 1: it going and by and buy and you can get 305 00:14:54,880 --> 00:14:55,680 Speaker 1: teeth pretty cheap. 306 00:14:56,040 --> 00:14:58,080 Speaker 2: Sell I reckon in Byron, you could get teeth cheap 307 00:14:58,120 --> 00:15:00,400 Speaker 2: off off kids to go of coin. 308 00:15:01,520 --> 00:15:03,360 Speaker 1: Sorry, what do you mean you can get teeth cheap 309 00:15:03,400 --> 00:15:06,680 Speaker 1: of kids. Just imagine you're standing at the back of 310 00:15:06,720 --> 00:15:10,120 Speaker 1: a primary school going, maybe you got any wobblies, here's five. 311 00:15:10,280 --> 00:15:11,920 Speaker 1: If you rip it out for me right now, I 312 00:15:11,920 --> 00:15:13,840 Speaker 1: can do it for you. I've got a piece of 313 00:15:13,920 --> 00:15:14,640 Speaker 1: string in a truck. 314 00:15:14,920 --> 00:15:16,960 Speaker 2: I'm just saying, there's a negotiation or a bitting war 315 00:15:16,960 --> 00:15:19,960 Speaker 2: there between your child about his tooth and the tooth fairy. 316 00:15:20,600 --> 00:15:22,080 Speaker 3: You're going to get the tooth theory involved. 317 00:15:22,160 --> 00:15:22,840 Speaker 2: Well she doesn't. 318 00:15:22,840 --> 00:15:25,800 Speaker 6: Who gets I'll go like, look what's you offering? Yeah, 319 00:15:25,800 --> 00:15:27,680 Speaker 6: I'll double it boom. 320 00:15:28,920 --> 00:15:30,040 Speaker 3: And then chug it on a necklace. 321 00:15:30,520 --> 00:15:33,360 Speaker 1: Yeah, and sell it for a price. Let's go to 322 00:15:33,440 --> 00:15:38,800 Speaker 1: Jerry here. Child tooth necklace is sick. 323 00:15:39,400 --> 00:15:40,040 Speaker 2: We should make like. 324 00:15:40,120 --> 00:15:41,880 Speaker 1: That's got to be it's got to be illegal. It's 325 00:15:41,920 --> 00:15:43,760 Speaker 1: on stage now. We have to make one with our 326 00:15:43,840 --> 00:15:47,200 Speaker 1: own daughter's teeth or with another random child's tooth. 327 00:15:47,480 --> 00:15:49,000 Speaker 3: I think I'm actually up for it. 328 00:15:49,040 --> 00:15:51,200 Speaker 2: I think I think if you've got teeth out there, 329 00:15:51,240 --> 00:15:53,280 Speaker 2: if you're a child with a tooth, get in touch 330 00:15:53,320 --> 00:15:55,960 Speaker 2: with us. Send it in and kids, we will pay 331 00:15:56,040 --> 00:15:58,560 Speaker 2: you more what whatever the tooth fairy is offering, let 332 00:15:58,640 --> 00:16:00,920 Speaker 2: us know, we will bloody double. There's good money in 333 00:16:00,960 --> 00:16:04,000 Speaker 2: it for you. And then whatever we have the necklaces. Yeah, 334 00:16:04,040 --> 00:16:05,520 Speaker 2: and then we make we have a little stall at 335 00:16:05,560 --> 00:16:06,000 Speaker 2: a market. 336 00:16:08,040 --> 00:16:16,880 Speaker 1: Two necklaces, five dollars. It will sick, just smells illegal. 337 00:16:17,640 --> 00:16:19,800 Speaker 3: I have a child's tooth on my necklace. 338 00:16:19,920 --> 00:16:23,000 Speaker 2: We're doing a good transaction and feels weird to me. 339 00:16:23,160 --> 00:16:26,040 Speaker 2: Let's got to Jerry here, Jerry, we're moving off teeth. 340 00:16:26,440 --> 00:16:28,440 Speaker 2: What's the weird thing that your mum would keep? 341 00:16:29,800 --> 00:16:31,640 Speaker 5: Well, I'm actually the weird mom. 342 00:16:34,480 --> 00:16:37,240 Speaker 7: When you have a baby. I don't know if you 343 00:16:37,320 --> 00:16:39,280 Speaker 7: still do this, but you know you buy the baby 344 00:16:39,360 --> 00:16:43,320 Speaker 7: book and you you know, you keep like newspaper clippings 345 00:16:43,320 --> 00:16:43,960 Speaker 7: and stuff like that. 346 00:16:45,000 --> 00:16:47,640 Speaker 8: Well, I thought it would be called to keep. 347 00:16:47,520 --> 00:16:51,640 Speaker 7: My daughter's very first cut fingernails. Then I stuck them 348 00:16:51,680 --> 00:16:55,640 Speaker 7: into the book. And she's now twenty seven and has 349 00:16:55,680 --> 00:16:59,080 Speaker 7: her own daughter, and she thinks this is pretty gross. 350 00:16:59,400 --> 00:17:02,360 Speaker 7: So I'm not too sure why I kept him, but 351 00:17:02,520 --> 00:17:03,440 Speaker 7: I still have them. 352 00:17:03,600 --> 00:17:05,840 Speaker 2: Jerry, would you be open to making some sort of 353 00:17:05,960 --> 00:17:08,800 Speaker 2: bracelet fingernails. 354 00:17:09,000 --> 00:17:12,160 Speaker 5: Were not look, you know, with the tepe. 355 00:17:12,200 --> 00:17:13,879 Speaker 7: I've actually got all their taes a. 356 00:17:20,000 --> 00:17:20,280 Speaker 1: Jerry. 357 00:17:20,400 --> 00:17:23,240 Speaker 7: Let's talk of some kind of we do, some kind 358 00:17:23,280 --> 00:17:24,320 Speaker 7: of friendship bracelet. 359 00:17:24,520 --> 00:17:28,720 Speaker 1: The child's like a child's body part, pandora bracelet. You 360 00:17:28,800 --> 00:17:31,360 Speaker 1: know you can get a lot nails. 361 00:17:31,000 --> 00:17:31,560 Speaker 3: Bit of hair. 362 00:17:32,240 --> 00:17:33,480 Speaker 2: I don't mind that, Jerry. 363 00:17:34,480 --> 00:17:35,879 Speaker 1: You would actually look like a cannibal. 364 00:17:35,960 --> 00:17:37,680 Speaker 6: Let's talk of people will be into it. 365 00:17:37,880 --> 00:17:38,800 Speaker 1: I don't think they will. 366 00:17:38,920 --> 00:17:41,879 Speaker 2: They will. It's got a jully here, Jullie thirty one, 367 00:17:42,040 --> 00:17:46,960 Speaker 2: six y five. Your husband's mum kept something a bit odd. 368 00:17:48,040 --> 00:17:48,879 Speaker 10: Yes, that's right. 369 00:17:49,000 --> 00:17:52,560 Speaker 8: So she's kept the first fish that he ever caught fishing. 370 00:17:53,240 --> 00:17:57,680 Speaker 1: Oh the freezer? Where is it? 371 00:17:59,680 --> 00:18:02,560 Speaker 10: It's out at my house and I've been we've been 372 00:18:02,680 --> 00:18:05,200 Speaker 10: married and we've been living together for eight years. 373 00:18:05,880 --> 00:18:09,560 Speaker 1: I bought a couple of What sort of fish is it, Julie. 374 00:18:10,400 --> 00:18:11,040 Speaker 4: I don't. 375 00:18:11,400 --> 00:18:14,480 Speaker 2: I don't, Julie, Julie. Can we eat the fish? 376 00:18:15,640 --> 00:18:19,719 Speaker 8: I don't think so. I just want to throw it's frozen. 377 00:18:19,800 --> 00:18:22,560 Speaker 2: So it's fine, Julie, if you're open to it, you 378 00:18:22,720 --> 00:18:25,400 Speaker 2: bring the fish in you want to eat, Let's eat 379 00:18:25,440 --> 00:18:25,800 Speaker 2: the fish. 380 00:18:26,240 --> 00:18:28,960 Speaker 1: There's no lets about this. I'm not eating an eight 381 00:18:29,040 --> 00:18:30,160 Speaker 1: year old frozen fish. 382 00:18:30,320 --> 00:18:30,840 Speaker 2: Let's bloody. 383 00:18:30,880 --> 00:18:32,639 Speaker 10: Do know it's got to be it's got to be 384 00:18:32,640 --> 00:18:36,840 Speaker 10: about thirty five years old, thirty. 385 00:18:36,640 --> 00:18:38,000 Speaker 1: Five year old frozen fish. 386 00:18:38,160 --> 00:18:38,760 Speaker 4: You want to eat it? 387 00:18:39,000 --> 00:18:39,560 Speaker 2: Eat the fish. 388 00:18:39,720 --> 00:18:40,320 Speaker 1: I'm not eating it. 389 00:18:40,359 --> 00:18:42,399 Speaker 6: I'm gonna I'm gonna eat it with children's teeth. 390 00:18:43,000 --> 00:18:49,640 Speaker 2: Send you to give me Woody Goodness after this, it's 391 00:18:49,720 --> 00:18:51,320 Speaker 2: the Women Woody Podcast. 392 00:18:52,520 --> 00:18:54,920 Speaker 1: You had a run in with the footballer, which I 393 00:18:54,960 --> 00:18:57,760 Speaker 1: would say is your worst type of running. 394 00:18:58,240 --> 00:18:59,640 Speaker 2: I get, I get over excited. 395 00:19:00,119 --> 00:19:03,520 Speaker 1: You're worse around footballers than you are around ex girlfriends. 396 00:19:04,000 --> 00:19:06,000 Speaker 2: Yeah, i'd agree with that. I would definitely agree with that. 397 00:19:06,560 --> 00:19:10,840 Speaker 2: I become a little boy. Anyway, I saw a former 398 00:19:10,880 --> 00:19:14,560 Speaker 2: AFL footballer called Heath Shaw, Yes, who was running at 399 00:19:14,560 --> 00:19:16,760 Speaker 2: the same ath track that I was running at. I 400 00:19:16,840 --> 00:19:19,639 Speaker 2: was actually doing laps with Remy in a pram and 401 00:19:19,760 --> 00:19:21,280 Speaker 2: I had I had a brief interaction with him. 402 00:19:21,280 --> 00:19:23,159 Speaker 1: I said, good, ay, Yeah, So there's a couple of 403 00:19:23,200 --> 00:19:24,439 Speaker 1: things in there unpack here. 404 00:19:24,640 --> 00:19:26,880 Speaker 3: First of all, you're running around a four hundred meters 405 00:19:26,960 --> 00:19:28,280 Speaker 3: track with a baby in a bascinet. 406 00:19:28,480 --> 00:19:28,680 Speaker 8: Yeah. 407 00:19:28,760 --> 00:19:30,439 Speaker 2: I thought that was a great idea because it's obviously 408 00:19:30,520 --> 00:19:32,920 Speaker 2: a very flat surface. Because I was too scared to 409 00:19:32,920 --> 00:19:35,560 Speaker 2: take her to the streets and start. She bubbled out, Yeah, 410 00:19:35,640 --> 00:19:38,639 Speaker 2: exactly right. So I was just just punching. Four hundred. 411 00:19:42,160 --> 00:19:44,639 Speaker 1: Is utterly stranging and of itself, but that might be. 412 00:19:44,760 --> 00:19:47,080 Speaker 1: There's a content arct there. The four hundred meters pram 413 00:19:47,200 --> 00:19:49,600 Speaker 1: bacinet race. I was queer as a race there. 414 00:19:49,800 --> 00:19:52,040 Speaker 2: I was quick changing. There's a race there for. 415 00:19:52,240 --> 00:19:55,360 Speaker 1: Young dads, the four hundred meter bassinet Championship. I tell 416 00:19:55,359 --> 00:19:57,320 Speaker 1: you who else has got a kid in a basinet. 417 00:19:57,640 --> 00:20:00,159 Speaker 1: Hugh van Kylenberg, our friend who runs in. If he 418 00:20:00,200 --> 00:20:01,040 Speaker 1: said he can run. 419 00:20:01,000 --> 00:20:02,960 Speaker 6: He's really quick, he can run. 420 00:20:03,080 --> 00:20:05,840 Speaker 2: I think he'd lose it with mobility or control over 421 00:20:05,920 --> 00:20:08,080 Speaker 2: a pram because I'm a big leg runner. 422 00:20:09,680 --> 00:20:11,639 Speaker 1: I think We're gonna have to another day. Let's just 423 00:20:11,680 --> 00:20:13,720 Speaker 1: get back to the heath Shaw thing. Okay, sure, so 424 00:20:14,640 --> 00:20:18,359 Speaker 1: you see heath Shaw. Yes, you then completely lose it. 425 00:20:18,800 --> 00:20:20,880 Speaker 1: You call him by his nickname, which only other people 426 00:20:20,920 --> 00:20:22,680 Speaker 1: at the club call him, which is another thing that 427 00:20:22,720 --> 00:20:24,760 Speaker 1: you do, which is really weird. You've never met him 428 00:20:24,760 --> 00:20:26,680 Speaker 1: in your life, he's called him the nickname that you 429 00:20:26,880 --> 00:20:28,320 Speaker 1: know that he gets called in the locker rooms. 430 00:20:28,359 --> 00:20:32,000 Speaker 2: Yeah, I said, he goodter, and I actually I passed 431 00:20:32,080 --> 00:20:34,439 Speaker 2: him already three or four times, as any guy's got 432 00:20:34,440 --> 00:20:36,479 Speaker 2: two nervous I said, nat, pull out, and I got 433 00:20:36,520 --> 00:20:37,960 Speaker 2: up to him getting a nut pull out, and I 434 00:20:38,000 --> 00:20:40,399 Speaker 2: did three lamps, and then finally I was like, oh, 435 00:20:40,440 --> 00:20:43,119 Speaker 2: get a heater, and I came up behind him. So 436 00:20:43,240 --> 00:20:45,359 Speaker 2: he got a little bit startled as well, obviously, and 437 00:20:45,400 --> 00:20:47,840 Speaker 2: then I just introduced myself because we interviewed him because 438 00:20:47,840 --> 00:20:50,520 Speaker 2: he was on S as you might actually know him 439 00:20:50,560 --> 00:20:54,440 Speaker 2: from S A S. And I just said, mate, Woody, 440 00:20:54,520 --> 00:20:56,960 Speaker 2: I interviewed you, yes, And then he was like cool. 441 00:20:58,560 --> 00:20:59,960 Speaker 1: With the baby in a mess? 442 00:21:00,119 --> 00:21:03,600 Speaker 3: Yeah, yeah, yeah, yeah, yeah. So it's an awful interaction. 443 00:21:04,160 --> 00:21:07,160 Speaker 1: You've since said that you think you have a way 444 00:21:07,320 --> 00:21:09,360 Speaker 1: to make the interaction that you think would have made 445 00:21:09,359 --> 00:21:10,639 Speaker 1: the interaction a grade. 446 00:21:10,800 --> 00:21:12,920 Speaker 2: He would have loved it and we potentially would have 447 00:21:12,960 --> 00:21:16,000 Speaker 2: become good friends. Okay, So he had a very famous 448 00:21:16,080 --> 00:21:19,520 Speaker 2: moment in an AFL Grand Final where effectively he snuck 449 00:21:19,640 --> 00:21:23,560 Speaker 2: up behind someone yes and stopped a goal from getting kicked. Yeah, 450 00:21:23,680 --> 00:21:24,720 Speaker 2: you don't need to know foot to know that it 451 00:21:24,840 --> 00:21:27,280 Speaker 2: was a brilliant moment. Here's the commentary of that moment. 452 00:21:27,880 --> 00:21:34,440 Speaker 1: Oh my goodness, wonderful chase. Why he sure he came 453 00:21:34,560 --> 00:21:37,720 Speaker 1: up behind like a librarian heard him. 454 00:21:38,200 --> 00:21:41,560 Speaker 2: So hours after my interaction with Heath Show, I was like, 455 00:21:41,600 --> 00:21:43,639 Speaker 2: oh my god, I should have run up behind him 456 00:21:43,680 --> 00:21:46,880 Speaker 2: with the PRAM and said, oh, came up behind him 457 00:21:47,080 --> 00:21:51,200 Speaker 2: like a librarian. He never heard me coming, and he 458 00:21:51,280 --> 00:21:53,520 Speaker 2: would have gone, oh, I see what you've done there. 459 00:21:54,240 --> 00:21:56,560 Speaker 2: You've taken the commentary from my amazing moment in a 460 00:21:56,600 --> 00:21:59,680 Speaker 2: grand final. That's brilliant. Why don't you go right ahead 461 00:21:59,720 --> 00:22:03,199 Speaker 2: and chain your number on my phone. We're getting this. 462 00:22:05,600 --> 00:22:06,879 Speaker 1: Meet the pub tonight. 463 00:22:07,359 --> 00:22:09,800 Speaker 6: You're obviously a funny guyously a funny guy. 464 00:22:10,160 --> 00:22:10,680 Speaker 5: I like it. 465 00:22:11,320 --> 00:22:14,440 Speaker 3: You take your baby in hell, that would have happened. 466 00:22:14,520 --> 00:22:16,159 Speaker 1: And you and I have gone back and forth with 467 00:22:16,240 --> 00:22:17,680 Speaker 1: this for a while, and there's only one way to 468 00:22:17,720 --> 00:22:19,920 Speaker 1: settle it. The great news is I have head Shaw's number. 469 00:22:21,720 --> 00:22:22,120 Speaker 2: Context. 470 00:22:23,840 --> 00:22:25,679 Speaker 1: The only way we're gonna find out up next you're 471 00:22:25,680 --> 00:22:28,440 Speaker 1: gonna call him. You're going to do the bit and 472 00:22:28,520 --> 00:22:29,680 Speaker 1: we're going to see if your mates. 473 00:22:30,200 --> 00:22:32,160 Speaker 3: Oh god, it's beautiful. 474 00:22:32,720 --> 00:22:35,760 Speaker 1: What's your awful at meeting famous people? Here's you And 475 00:22:35,840 --> 00:22:37,600 Speaker 1: when we had the MIC's rolling, when Delta good Room 476 00:22:37,600 --> 00:22:39,640 Speaker 1: walked in one day, that tells a good Room. 477 00:22:39,680 --> 00:22:39,960 Speaker 11: It is. 478 00:22:48,400 --> 00:22:48,760 Speaker 3: Every time. 479 00:22:49,240 --> 00:22:51,760 Speaker 1: Really, you think you're bad with like pop stars and stuff, 480 00:22:52,119 --> 00:22:53,960 Speaker 1: you're far worse with sports people. 481 00:22:54,240 --> 00:22:56,359 Speaker 3: Just yeah, I become him on a pedestal. 482 00:22:56,520 --> 00:22:59,040 Speaker 2: Because I become the twelve year old boy that idolized 483 00:22:59,119 --> 00:23:02,399 Speaker 2: elite athletes effectively. So the other day I find myself 484 00:23:02,440 --> 00:23:05,600 Speaker 2: on an amstraank I'm punching four hundred laps with Remy 485 00:23:05,640 --> 00:23:07,520 Speaker 2: and a pram was our first run together. It was great. 486 00:23:07,800 --> 00:23:11,560 Speaker 2: Former AFL footballer heathshow rocks up he starts running laps. Now, 487 00:23:11,600 --> 00:23:14,560 Speaker 2: if you don't know Heathshaw, he had a very famous 488 00:23:14,640 --> 00:23:17,240 Speaker 2: moment in an AFL Grand Final where effectively he snuck 489 00:23:17,359 --> 00:23:19,600 Speaker 2: up on someone and thwarted a goal in quite an 490 00:23:19,640 --> 00:23:21,520 Speaker 2: incredible moment. Here is the commentary. 491 00:23:22,000 --> 00:23:24,400 Speaker 1: He came up home been like a librarian. 492 00:23:26,400 --> 00:23:29,840 Speaker 2: But I had a look a crap interaction with Heath. 493 00:23:29,840 --> 00:23:32,600 Speaker 2: I just said get a heater. He got startled and 494 00:23:32,720 --> 00:23:35,400 Speaker 2: I said, I'm Woody. I interviewed you when you came 495 00:23:35,440 --> 00:23:37,560 Speaker 2: out of SAS. He was also on the show SAS 496 00:23:37,600 --> 00:23:38,800 Speaker 2: And he goes, oh, yeah right. 497 00:23:39,520 --> 00:23:40,480 Speaker 6: And then I just ran away. 498 00:23:42,080 --> 00:23:45,080 Speaker 2: Now I have since thought about that moment and I've gone, oh, 499 00:23:45,600 --> 00:23:48,520 Speaker 2: wouldn't it have been hilarious? If I came up behind 500 00:23:48,600 --> 00:23:51,359 Speaker 2: him and then said he came up behind him. 501 00:23:51,359 --> 00:23:52,440 Speaker 3: Like a librarian. 502 00:23:52,720 --> 00:23:57,119 Speaker 2: He never heard me coming, and I truly believe that 503 00:23:57,200 --> 00:23:59,679 Speaker 2: if he heard that, he potentially would have fallen over 504 00:23:59,720 --> 00:24:03,360 Speaker 2: in after and then go on, bloody hell, mate, let's 505 00:24:03,400 --> 00:24:05,040 Speaker 2: be not best mates. 506 00:24:04,840 --> 00:24:07,480 Speaker 6: But very good friends, soul mates, because you're obviously a legend. 507 00:24:08,480 --> 00:24:11,720 Speaker 6: In my mind, that's what would have happened if I 508 00:24:11,800 --> 00:24:13,480 Speaker 6: had that interaction, right, Okay. 509 00:24:13,720 --> 00:24:16,160 Speaker 3: I've heard you say that for three days now. I've 510 00:24:16,160 --> 00:24:16,720 Speaker 3: had enough of it. 511 00:24:17,040 --> 00:24:19,879 Speaker 1: I've actually found Heathshaw's number. One way to tell you, 512 00:24:19,920 --> 00:24:20,400 Speaker 1: I think it works. 513 00:24:20,440 --> 00:24:21,119 Speaker 6: Now, this is awkward. 514 00:24:21,200 --> 00:24:23,960 Speaker 1: Now, I'm done with this. I'm sick of hearing, sick 515 00:24:24,000 --> 00:24:26,080 Speaker 1: of hearing about the fact that you could have been 516 00:24:26,119 --> 00:24:27,040 Speaker 1: best mates with heat Show. 517 00:24:27,240 --> 00:24:28,000 Speaker 3: I've got his number. 518 00:24:28,119 --> 00:24:30,240 Speaker 1: We're going to find out if you use that line 519 00:24:30,280 --> 00:24:32,720 Speaker 1: on him, snuck up behind him like a librarian. Okay, 520 00:24:33,160 --> 00:24:35,440 Speaker 1: whether he will actually accept you, because I think you're 521 00:24:35,440 --> 00:24:37,120 Speaker 1: going to make an absolute dickive yourself and I'm looking 522 00:24:37,160 --> 00:24:37,439 Speaker 1: forward to. 523 00:24:38,119 --> 00:24:39,960 Speaker 2: Well now, I hope he's got the you know, the 524 00:24:40,440 --> 00:24:50,640 Speaker 2: creativity to put himself back in ore. You go, good mate? 525 00:24:50,680 --> 00:24:50,920 Speaker 12: How are you? 526 00:24:52,040 --> 00:24:52,240 Speaker 2: Yeah? 527 00:24:52,359 --> 00:24:53,200 Speaker 4: Not to bad man? 528 00:24:53,240 --> 00:24:56,760 Speaker 5: I just just venture down to the driving. 529 00:24:56,920 --> 00:24:59,280 Speaker 6: For a little while, if you don't mind, bit easier 530 00:24:59,280 --> 00:24:59,920 Speaker 6: than the ass track. 531 00:25:01,000 --> 00:25:01,200 Speaker 9: Yeah. 532 00:25:01,400 --> 00:25:04,920 Speaker 2: Well yeah, I don't know why I torture myself and 533 00:25:04,960 --> 00:25:06,280 Speaker 2: go there because I know I'm just going to be 534 00:25:06,320 --> 00:25:07,600 Speaker 2: doing lap on lap on. 535 00:25:07,680 --> 00:25:08,359 Speaker 3: Lap on laps. 536 00:25:08,400 --> 00:25:10,560 Speaker 2: So yeah, mate, you're going hard. It's good. 537 00:25:10,640 --> 00:25:11,240 Speaker 3: I was impressed. 538 00:25:11,600 --> 00:25:12,200 Speaker 2: I was impressed. 539 00:25:12,880 --> 00:25:14,160 Speaker 11: Get it done, mate, get it done. 540 00:25:14,200 --> 00:25:16,720 Speaker 2: And well we should we should link up for a 541 00:25:17,440 --> 00:25:22,000 Speaker 2: for a session down at the track. Yeah, now, reason 542 00:25:22,040 --> 00:25:25,119 Speaker 2: for my call mate. I know we had a brief 543 00:25:25,200 --> 00:25:28,840 Speaker 2: conversation there, but I've sort of since thought about our 544 00:25:28,920 --> 00:25:32,720 Speaker 2: interaction and I just wanted to say, like what I 545 00:25:32,840 --> 00:25:35,120 Speaker 2: should have said to you when I when I said 546 00:25:35,160 --> 00:25:37,840 Speaker 2: good am. I just think it would have been hilarious 547 00:25:37,920 --> 00:25:40,719 Speaker 2: if I actually came behind you and went came up 548 00:25:40,800 --> 00:25:47,600 Speaker 2: behind him like a librarian and tells people said that 549 00:25:47,720 --> 00:25:50,200 Speaker 2: to me, and as I said, I'm all the mate, Okay, 550 00:25:50,720 --> 00:25:53,160 Speaker 2: I can't believe I played three hundred and twenty five 551 00:25:53,320 --> 00:25:55,840 Speaker 2: games and I'm going to be remembered. 552 00:25:55,480 --> 00:25:56,359 Speaker 11: For a mother. 553 00:26:00,720 --> 00:26:02,960 Speaker 6: Yeah right, So it wouldn't have been good if I 554 00:26:03,040 --> 00:26:04,440 Speaker 6: went for it would have just defended you. 555 00:26:05,840 --> 00:26:07,960 Speaker 2: I wonder it just would have been real awkward. 556 00:26:11,840 --> 00:26:12,840 Speaker 10: I would have given you that. 557 00:26:14,960 --> 00:26:15,400 Speaker 5: That was good. 558 00:26:20,480 --> 00:26:21,240 Speaker 3: That was good stuff. 559 00:26:21,560 --> 00:26:23,680 Speaker 1: It was well done. It was one of those awkward things. 560 00:26:23,680 --> 00:26:25,440 Speaker 1: But he said after he managed to say the line 561 00:26:25,480 --> 00:26:26,960 Speaker 1: to you that you guys would probably get beers and 562 00:26:27,080 --> 00:26:29,080 Speaker 1: be best mates forever, which I said was unlikely. And 563 00:26:29,119 --> 00:26:31,119 Speaker 1: it seems like he's proven me wrong because you're going 564 00:26:31,160 --> 00:26:31,960 Speaker 1: to go to the track together. 565 00:26:32,040 --> 00:26:34,359 Speaker 3: Yeah, outrageous, But what are you. 566 00:26:34,400 --> 00:26:34,880 Speaker 11: What are you doing? 567 00:26:35,119 --> 00:26:35,720 Speaker 8: You go to the track. 568 00:26:35,760 --> 00:26:37,200 Speaker 6: You usually go to the pop up because you do 569 00:26:37,280 --> 00:26:38,040 Speaker 6: all the hard work. 570 00:26:38,119 --> 00:26:41,280 Speaker 1: So you should be on for a beer. 571 00:26:41,440 --> 00:26:44,200 Speaker 2: We got We're having a beer. Yeah, I loved We're 572 00:26:44,240 --> 00:26:44,720 Speaker 2: having a beer. 573 00:26:44,800 --> 00:26:46,800 Speaker 5: That's a weird on. 574 00:26:48,200 --> 00:26:49,960 Speaker 2: We can talk about the other three hundred and twenty 575 00:26:50,000 --> 00:26:50,720 Speaker 2: eight games of your. 576 00:26:50,640 --> 00:26:55,440 Speaker 1: Career, hater. Right now, it's a Willin Wood, oldest woman 577 00:26:55,720 --> 00:26:58,240 Speaker 1: in the world dying today, Woods one hundred and eighteen. 578 00:26:58,359 --> 00:27:00,800 Speaker 1: Great knock, unreal, unbelievable. 579 00:27:00,840 --> 00:27:01,480 Speaker 2: Well done at. 580 00:27:01,440 --> 00:27:06,400 Speaker 1: Lucille, Yeah, well done Lucille. Anyway, she said the key 581 00:27:06,440 --> 00:27:08,040 Speaker 1: to long life was a glass wine and a piece 582 00:27:08,080 --> 00:27:08,480 Speaker 1: of chocolate. 583 00:27:08,520 --> 00:27:10,159 Speaker 3: And I said, Lucille, I respect you. 584 00:27:10,520 --> 00:27:13,440 Speaker 1: A respect, your respect your elders, of course, but I 585 00:27:13,520 --> 00:27:15,440 Speaker 1: don't believe you and so I did a bit of 586 00:27:15,520 --> 00:27:17,880 Speaker 1: research what is actually the key to long life? 587 00:27:17,880 --> 00:27:18,800 Speaker 3: How do you actually live long? 588 00:27:18,840 --> 00:27:22,600 Speaker 1: And I stumbled across this guy called Robert Waldinger, who's 589 00:27:22,600 --> 00:27:25,600 Speaker 1: at Harvard University, is the chair of psychology at Harvard University. 590 00:27:25,680 --> 00:27:30,800 Speaker 1: He runs the longest running study on human happiness and 591 00:27:30,920 --> 00:27:32,960 Speaker 1: well being on the planet. How long has been going 592 00:27:32,960 --> 00:27:34,040 Speaker 1: for since nineteen. 593 00:27:33,800 --> 00:27:35,879 Speaker 6: Thirty eight and ding is still alive. 594 00:27:36,480 --> 00:27:37,520 Speaker 3: No, he didn't start it. 595 00:27:38,040 --> 00:27:39,000 Speaker 1: He's just in charge of it. 596 00:27:39,160 --> 00:27:39,320 Speaker 11: Now. 597 00:27:40,440 --> 00:27:42,440 Speaker 1: Don't don't worry about asking the subjects, mate, just ask 598 00:27:42,480 --> 00:27:43,280 Speaker 1: the bloke who runs it. 599 00:27:43,520 --> 00:27:45,840 Speaker 2: It's two hundred and fifty. Dingers has got the secret. 600 00:27:45,960 --> 00:27:47,080 Speaker 2: He's just not telling any of us. 601 00:27:48,560 --> 00:27:51,600 Speaker 1: No. So in nineteen thirty eight they started this actually 602 00:27:51,600 --> 00:27:54,480 Speaker 1: bloody fascinating. It's one of the most famous Ted talks ever. 603 00:27:55,160 --> 00:27:56,280 Speaker 1: So if you go and look it up, you'll be 604 00:27:56,280 --> 00:27:57,480 Speaker 1: able to find it. Robert Waldinger. 605 00:27:59,480 --> 00:28:01,240 Speaker 3: They start how did this study? In nineteen thirty eight? 606 00:28:01,280 --> 00:28:03,640 Speaker 1: So they got a number of families in Boston, which 607 00:28:03,720 --> 00:28:06,200 Speaker 1: is just near where the university is, and they basically 608 00:28:06,240 --> 00:28:07,640 Speaker 1: sat them down and they said, look, we just want 609 00:28:07,680 --> 00:28:10,680 Speaker 1: to study you for as long as we possibly can. You, 610 00:28:10,960 --> 00:28:13,159 Speaker 1: your partner, your kids, and we're just going to come 611 00:28:13,200 --> 00:28:15,240 Speaker 1: around and they go around to their houses every two weeks, 612 00:28:15,240 --> 00:28:17,800 Speaker 1: and they asked them it was meant to be on psychology, 613 00:28:17,960 --> 00:28:20,520 Speaker 1: how are you feeling, how you're going with your partner, etc. 614 00:28:21,160 --> 00:28:24,679 Speaker 1: But then over time their data obviously increased and increased 615 00:28:24,720 --> 00:28:27,760 Speaker 1: and increased and increased, and so they started to draw 616 00:28:27,960 --> 00:28:32,320 Speaker 1: some patterns and metrics where they could actually measure what 617 00:28:32,520 --> 00:28:34,840 Speaker 1: made people happier over the course of their life, what 618 00:28:35,000 --> 00:28:37,040 Speaker 1: made people live longer over the course of their life. 619 00:28:37,480 --> 00:28:40,600 Speaker 1: And the thing that they found that made people live 620 00:28:40,680 --> 00:28:44,360 Speaker 1: the longest. I'm not ready for a drum roll yet. 621 00:28:44,360 --> 00:28:48,560 Speaker 1: I'm going to tease it a little bit more. I 622 00:28:48,760 --> 00:28:49,560 Speaker 1: like teasing people. 623 00:28:50,080 --> 00:28:51,560 Speaker 9: So the. 624 00:28:53,360 --> 00:28:56,280 Speaker 1: Thing that they found, now you dare drum roll me 625 00:28:57,760 --> 00:29:00,520 Speaker 1: was so astonishing to them that they actually had to 626 00:29:00,600 --> 00:29:02,960 Speaker 1: double check it with another study on well being because 627 00:29:02,960 --> 00:29:05,160 Speaker 1: they were like, we do not think this can be right. 628 00:29:05,360 --> 00:29:07,560 Speaker 2: Think this couldn't. This couldn't be the answer to long 629 00:29:07,600 --> 00:29:08,280 Speaker 2: life and happiness. 630 00:29:08,320 --> 00:29:12,640 Speaker 1: This thing killed people more than smoking or alcoholism. 631 00:29:12,760 --> 00:29:15,200 Speaker 2: Comfortably, sorry, there's a negative thing they found. 632 00:29:16,120 --> 00:29:18,040 Speaker 1: Well if it's the same thing, but the other side 633 00:29:18,080 --> 00:29:21,320 Speaker 1: of the coin of this killed people more than smoking 634 00:29:21,440 --> 00:29:34,400 Speaker 1: or alcoholism. Did wow, Yeah about don't relationships? Yeah, people's relationships. 635 00:29:35,240 --> 00:29:37,600 Speaker 1: If you had a good relationship, if you had a lot, 636 00:29:37,680 --> 00:29:41,000 Speaker 1: if you had lots of successful, loving relationships, where you 637 00:29:41,120 --> 00:29:46,520 Speaker 1: felt secure in relationships, you outlived everyone. Even for people 638 00:29:46,600 --> 00:29:50,480 Speaker 1: that like smoked a lot or drank a lot. This 639 00:29:50,760 --> 00:29:53,400 Speaker 1: thing was far more powerful in terms of how long 640 00:29:53,440 --> 00:29:56,120 Speaker 1: they lived. So the strength of their relationship was the 641 00:29:56,320 --> 00:29:59,120 Speaker 1: size of their heart, was how much they loved in 642 00:29:59,200 --> 00:29:59,680 Speaker 1: their life. 643 00:30:00,080 --> 00:30:03,400 Speaker 2: So doctor Victor Frankel, who's a psychiatrist who was in 644 00:30:03,480 --> 00:30:06,040 Speaker 2: the Holocaust and he was in a concentration camp, he 645 00:30:06,200 --> 00:30:07,800 Speaker 2: came to the same thing he did, so he did 646 00:30:07,840 --> 00:30:10,000 Speaker 2: a study from his time in the Holocaust. 647 00:30:10,240 --> 00:30:11,719 Speaker 1: Well, come on, I've come on here with a very 648 00:30:11,760 --> 00:30:12,520 Speaker 1: impressive study. 649 00:30:14,240 --> 00:30:17,880 Speaker 2: The people. Well, it's the same answers, drum wrong. 650 00:30:19,480 --> 00:30:21,840 Speaker 1: You've tried to you've tried to outstudy me, and you 651 00:30:21,960 --> 00:30:22,920 Speaker 1: hear me with the same thing. 652 00:30:23,240 --> 00:30:27,120 Speaker 2: He said, The people who survived overwhelmingly just had someone 653 00:30:27,240 --> 00:30:31,680 Speaker 2: to live for outside of the concentration and overwhelmingly, yeah, 654 00:30:31,720 --> 00:30:34,240 Speaker 2: the people who I'm staying alive for this person because 655 00:30:34,240 --> 00:30:36,000 Speaker 2: I'm looking forward to seeing I've got a relationship with. 656 00:30:37,120 --> 00:30:39,280 Speaker 2: Whereas the people who didn't or the people who found 657 00:30:39,360 --> 00:30:42,520 Speaker 2: out that say family or that love died, they would 658 00:30:42,520 --> 00:30:43,520 Speaker 2: also die almost. 659 00:30:43,360 --> 00:30:47,600 Speaker 1: Yeah right interesting, Yeah, well yeah, so apparently when this 660 00:30:47,680 --> 00:30:51,640 Speaker 1: study began. When they started it, nobody cared about empathy 661 00:30:51,920 --> 00:30:55,920 Speaker 1: or attachment in their relationships. But they started realizing really 662 00:30:56,000 --> 00:30:59,560 Speaker 1: quickly how important it was as they. 663 00:30:59,520 --> 00:31:00,800 Speaker 3: Got older and older, but for something. 664 00:31:00,840 --> 00:31:03,680 Speaker 1: But it was too late, and they die effectively, they 665 00:31:03,800 --> 00:31:05,600 Speaker 1: just die there. As you said, there's no reason to 666 00:31:06,120 --> 00:31:09,560 Speaker 1: be here anymore if you're not living with securely somebody else, 667 00:31:09,640 --> 00:31:11,560 Speaker 1: unless you've got other people in your life to be 668 00:31:11,600 --> 00:31:12,840 Speaker 1: happy with and to share your life with. 669 00:31:13,040 --> 00:31:15,280 Speaker 6: So lots of Instagram followers live along life. 670 00:31:18,120 --> 00:31:20,080 Speaker 3: I think you missed the point. 671 00:31:21,160 --> 00:31:24,719 Speaker 1: More after this, it's Will and Woody. 672 00:31:25,400 --> 00:31:29,320 Speaker 2: There has genuinely been a dancing flash mob at a 673 00:31:29,600 --> 00:31:34,280 Speaker 2: funeral yesterday. Totally wild. Quick question to you, Wilbur if 674 00:31:34,320 --> 00:31:36,680 Speaker 2: you did have a flash mob at your funeral dancing 675 00:31:36,760 --> 00:31:38,560 Speaker 2: to something? What song would it be? 676 00:31:40,560 --> 00:31:42,000 Speaker 1: A great question? 677 00:31:42,200 --> 00:31:43,960 Speaker 2: Thank you so much. Take your time. 678 00:31:45,360 --> 00:31:47,480 Speaker 1: I was going to go with. 679 00:31:50,720 --> 00:31:51,719 Speaker 2: You really are taking your time. 680 00:31:51,760 --> 00:31:53,600 Speaker 1: Oh, it's important. It's a really important question. 681 00:31:54,000 --> 00:31:56,080 Speaker 3: Drive by No, what's an important question? What would I 682 00:31:56,120 --> 00:31:59,240 Speaker 3: go for? Angels brought me here? Really bring the you know, 683 00:32:00,120 --> 00:32:02,400 Speaker 3: you go for a sad one, go for a tear jerker. 684 00:32:03,680 --> 00:32:06,760 Speaker 1: Yeah, so you want people to cry, everyone crying, that's 685 00:32:06,800 --> 00:32:08,160 Speaker 1: what that's your dream, final blow. 686 00:32:08,360 --> 00:32:10,080 Speaker 6: Anyone smiles at my funeral, they get. 687 00:32:10,640 --> 00:32:13,400 Speaker 1: Desolate faces, hearts racked with grief. 688 00:32:13,560 --> 00:32:14,200 Speaker 3: What a legend. 689 00:32:14,480 --> 00:32:16,920 Speaker 1: Yeah, I don't think that'd be good or otherwise, or 690 00:32:16,960 --> 00:32:20,320 Speaker 1: I'd go for something weird like John May your body 691 00:32:20,400 --> 00:32:23,120 Speaker 1: is a wonder lad and you and your body, Yeah, 692 00:32:23,520 --> 00:32:27,320 Speaker 1: and just rattle. It's just no one has any idea 693 00:32:27,360 --> 00:32:28,440 Speaker 1: why it's playing, and it's an. 694 00:32:28,400 --> 00:32:29,400 Speaker 2: Open Coppin funeral. 695 00:32:29,640 --> 00:32:32,120 Speaker 1: Yeah, maybe it could like just bring just have me, 696 00:32:33,600 --> 00:32:35,920 Speaker 1: have people rub oil in me while this place and 697 00:32:36,040 --> 00:32:36,600 Speaker 1: I'm just dead. 698 00:32:36,720 --> 00:32:39,200 Speaker 6: Oh that's so the flash mob is rubbing oil into you. 699 00:32:39,320 --> 00:32:40,800 Speaker 1: It's just your body is a one night and just 700 00:32:40,920 --> 00:32:43,640 Speaker 1: rat just freak people out. I want either grief stricken 701 00:32:44,320 --> 00:32:47,040 Speaker 1: or more grief because people are so rattled about how 702 00:32:47,080 --> 00:32:48,000 Speaker 1: I wanted to be remembered. 703 00:32:48,320 --> 00:32:50,480 Speaker 2: Yeah, well you know what, Oregon, You've done better than 704 00:32:50,520 --> 00:32:52,880 Speaker 2: this actual woman who had a flash mob dance to 705 00:32:53,000 --> 00:32:59,160 Speaker 2: this song. Oh wow, no one, it makes sense right. 706 00:32:59,240 --> 00:32:59,920 Speaker 1: Yeah, another one? 707 00:33:00,880 --> 00:33:02,560 Speaker 3: How would you go with It's a good question. 708 00:33:03,360 --> 00:33:04,760 Speaker 2: It is a good question, isn't it? And I was 709 00:33:04,800 --> 00:33:12,360 Speaker 2: gonna ask something else. It's a great question from poop pants. 710 00:33:12,400 --> 00:33:14,280 Speaker 2: I was going to ask something else, but can we 711 00:33:14,400 --> 00:33:14,960 Speaker 2: just stick on this. 712 00:33:15,040 --> 00:33:15,720 Speaker 3: It's a good question. 713 00:33:15,880 --> 00:33:17,000 Speaker 6: It's a good question, isn't it? 714 00:33:17,080 --> 00:33:17,920 Speaker 2: Okay, let's talk. 715 00:33:18,000 --> 00:33:19,160 Speaker 6: So that person actually. 716 00:33:19,000 --> 00:33:20,960 Speaker 2: Danced on my butts? It does you do? John Mayer? 717 00:33:21,280 --> 00:33:23,440 Speaker 1: Your body is a wonderland while people oil up my 718 00:33:23,520 --> 00:33:24,080 Speaker 1: dead corpse. 719 00:33:24,160 --> 00:33:27,320 Speaker 2: For mine, it's a bit on the nose, isn't that? 720 00:33:27,400 --> 00:33:27,840 Speaker 1: For mine? 721 00:33:28,000 --> 00:33:28,640 Speaker 3: A bit on the nose? 722 00:33:28,880 --> 00:33:32,680 Speaker 2: I would have a moment where so I wouldn't the funeral, 723 00:33:32,720 --> 00:33:35,640 Speaker 2: wouldn't know that a song's about to erupt, obviously, So 724 00:33:35,640 --> 00:33:36,960 Speaker 2: I was come to a normal funeral, and then all 725 00:33:36,960 --> 00:33:39,080 Speaker 2: of a sudden people start jumping up and they've got 726 00:33:39,200 --> 00:33:42,120 Speaker 2: bags of milk, I'm saying, sacks of milk. And then 727 00:33:42,160 --> 00:33:46,080 Speaker 2: all of a sudden they start music, starts pumping Keller's 728 00:33:46,320 --> 00:33:52,560 Speaker 2: milkshags extraordinary, William, and milk milk is being thrown to 729 00:33:52,680 --> 00:33:54,160 Speaker 2: every single person in the crowd. 730 00:33:54,440 --> 00:33:55,680 Speaker 6: I mean, I don't know what you do with my 731 00:33:55,760 --> 00:33:58,320 Speaker 6: body at that point, obviously, and milk. 732 00:34:01,440 --> 00:34:06,720 Speaker 1: So so what are we asking you? How would you 733 00:34:06,800 --> 00:34:08,800 Speaker 1: freak people out with the song of your funeral or 734 00:34:08,880 --> 00:34:10,600 Speaker 1: what song would you have with some what some of 735 00:34:10,680 --> 00:34:11,560 Speaker 1: it would you have at your funeral? 736 00:34:11,640 --> 00:34:12,439 Speaker 3: Have you got it locked away? 737 00:34:12,600 --> 00:34:14,919 Speaker 2: Simple as that thirty one oh six years that number? 738 00:34:15,239 --> 00:34:17,840 Speaker 2: What song do you want played at your funeral? And 739 00:34:17,920 --> 00:34:19,680 Speaker 2: let's think outside the box here a little bit. Well, 740 00:34:19,680 --> 00:34:21,840 Speaker 2: you don't have to, I'm just I'm curious, actually, what 741 00:34:22,040 --> 00:34:23,279 Speaker 2: song is it that you really want to play? 742 00:34:23,320 --> 00:34:24,640 Speaker 3: You know what else would be really funny? 743 00:34:24,760 --> 00:34:27,640 Speaker 1: Well if you if you tied a hot air balloon 744 00:34:27,960 --> 00:34:31,080 Speaker 1: to the coffin and people didn't know that it was 745 00:34:31,160 --> 00:34:34,640 Speaker 1: being tied right, and then all of a sudden it 746 00:34:34,719 --> 00:34:38,719 Speaker 1: inflates like quite rapidly, and it's like sh and the 747 00:34:38,800 --> 00:34:41,360 Speaker 1: coffin starts getting raised up into the air. It just 748 00:34:41,440 --> 00:34:45,239 Speaker 1: floats off into the sky too. Mary Poppins, let's go 749 00:34:45,360 --> 00:34:48,560 Speaker 1: fly a kite like that would be That. 750 00:34:48,600 --> 00:34:49,440 Speaker 3: Would be rattling. 751 00:34:49,719 --> 00:34:52,000 Speaker 1: That's brilliant, beautiful, But at the same time people be 752 00:34:52,080 --> 00:34:53,680 Speaker 1: rattling because I like, geez, where's that thing going to 753 00:34:53,719 --> 00:34:56,560 Speaker 1: fall down? You actually just put you know, one hundred 754 00:34:56,560 --> 00:34:58,759 Speaker 1: and fifty kilos into the air here and that could 755 00:35:00,160 --> 00:35:01,200 Speaker 1: go pretty faint. 756 00:35:01,480 --> 00:35:03,280 Speaker 2: Or you can actually get a live performance. 757 00:35:03,320 --> 00:35:05,759 Speaker 6: We know this guy you could get Anthony cole No, 758 00:35:07,200 --> 00:35:08,320 Speaker 6: you can get Anthony Coleider. 759 00:35:08,360 --> 00:35:09,480 Speaker 2: I come and go, you raise me up? 760 00:35:09,560 --> 00:35:14,359 Speaker 3: You oh yeah? And also showmanship as well. 761 00:35:15,200 --> 00:35:18,080 Speaker 1: All great options, guys, all great options. 762 00:35:21,920 --> 00:35:24,120 Speaker 2: Talking about a flash mob that broke out at a 763 00:35:24,160 --> 00:35:27,760 Speaker 2: funeral very recently. They danced to this song can Plan, 764 00:35:33,640 --> 00:35:37,560 Speaker 2: So this makes a lot of sense. Another one bites 765 00:35:37,560 --> 00:35:40,239 Speaker 2: the dust It works. That's the flash mob that was. 766 00:35:40,239 --> 00:35:41,840 Speaker 6: In real life. And we were just talking before the 767 00:35:41,880 --> 00:35:44,480 Speaker 6: song there and what song we would want played at 768 00:35:44,560 --> 00:35:45,160 Speaker 6: our funeral. 769 00:35:45,239 --> 00:35:47,280 Speaker 2: I think we're in some pretty good areas. Their milkshake 770 00:35:47,360 --> 00:35:53,080 Speaker 2: Kellers for mine. But again, the theater is that some 771 00:35:53,200 --> 00:35:55,560 Speaker 2: people get up and they're all throwing milk in any sense, 772 00:35:56,040 --> 00:35:57,320 Speaker 2: but who cares. It's my funeral. 773 00:35:57,400 --> 00:35:58,640 Speaker 3: It is no one hundred percent is. 774 00:35:58,719 --> 00:36:01,320 Speaker 1: And I think for me there's a there's a slice 775 00:36:01,360 --> 00:36:06,240 Speaker 1: of glee in knowing that everyone who's there is utterly 776 00:36:06,360 --> 00:36:08,960 Speaker 1: rattled by what they were because I'm not there, I 777 00:36:09,040 --> 00:36:10,880 Speaker 1: don't care anymore, and they have to sit through it. 778 00:36:10,960 --> 00:36:12,080 Speaker 1: Would be they have to leave. 779 00:36:12,400 --> 00:36:13,239 Speaker 3: They have to sit through it. 780 00:36:13,400 --> 00:36:16,400 Speaker 1: So when my body is exhumed and John mays your 781 00:36:16,400 --> 00:36:18,200 Speaker 1: body is, the Wonderland is playing and people are rubbing 782 00:36:18,239 --> 00:36:19,080 Speaker 1: oil in my dead body. 783 00:36:19,160 --> 00:36:21,120 Speaker 3: Yes, I mean that that's going to be a hard 784 00:36:21,160 --> 00:36:21,560 Speaker 3: thing to watch. 785 00:36:21,719 --> 00:36:23,960 Speaker 2: And also how disrespect if someone says no to rubbing 786 00:36:23,960 --> 00:36:27,480 Speaker 2: oil in you? It was your dying wish, pig. Anyway, 787 00:36:27,560 --> 00:36:32,080 Speaker 2: before we before we get into other people's suggestions on 788 00:36:32,200 --> 00:36:34,279 Speaker 2: what song they wanted their funeral, we've got Michelle, who 789 00:36:34,280 --> 00:36:36,640 Speaker 2: has given us a ring. Nay, Michelle, you're calling because 790 00:36:36,680 --> 00:36:38,560 Speaker 2: something just happened to you at a funeral. 791 00:36:39,600 --> 00:36:45,040 Speaker 11: It did, oh guys, yeah, a while ago went to 792 00:36:45,120 --> 00:36:50,080 Speaker 11: a funeral and I always turn my phone off on 793 00:36:50,200 --> 00:36:53,360 Speaker 11: this occasion. I don't know what happened, but my phone 794 00:36:53,600 --> 00:36:57,239 Speaker 11: was on and my ring tone with a nickelback song, 795 00:36:58,120 --> 00:37:00,920 Speaker 11: and it blasted out if today was your last day? 796 00:37:06,960 --> 00:37:08,120 Speaker 1: What are the chances? 797 00:37:08,960 --> 00:37:13,040 Speaker 11: Yeah, what are the chances? Like my daughters will wish 798 00:37:13,120 --> 00:37:16,239 Speaker 11: me and they just about they just wanted a whole 799 00:37:16,360 --> 00:37:20,520 Speaker 11: to swallow them up. And Tule grabbed my phone and 800 00:37:20,640 --> 00:37:25,000 Speaker 11: we're turning off to within my bag and. 801 00:37:25,040 --> 00:37:25,720 Speaker 8: Took me ages. 802 00:37:28,600 --> 00:37:31,759 Speaker 2: Fumble is always so good. 803 00:37:31,840 --> 00:37:37,560 Speaker 3: Tot who has that song as their ringtone? 804 00:37:37,760 --> 00:37:37,800 Speaker 11: Like? 805 00:37:38,000 --> 00:37:39,040 Speaker 6: Have you ever heard of that song? 806 00:37:39,280 --> 00:37:43,840 Speaker 1: Never? Wait? Can I just Michelle very quickly? Obviously, Michelle, 807 00:37:44,760 --> 00:37:47,279 Speaker 1: why have you got a B side a Nickelback song 808 00:37:47,440 --> 00:37:48,359 Speaker 1: as your ring time? 809 00:37:50,320 --> 00:37:50,800 Speaker 5: Do you know what? 810 00:37:51,040 --> 00:37:51,279 Speaker 9: It was? 811 00:37:51,440 --> 00:37:51,960 Speaker 1: Ages ago? 812 00:37:52,000 --> 00:37:54,560 Speaker 11: And it was just I loved I don't know who else, 813 00:37:57,040 --> 00:37:58,399 Speaker 11: but I can assure. 814 00:37:58,040 --> 00:37:59,600 Speaker 8: You were not on the nail. 815 00:37:59,840 --> 00:38:03,960 Speaker 1: I'm sure it's not great stuff. You can have one 816 00:38:04,000 --> 00:38:05,880 Speaker 1: hundred bucks of you on spin Red Roast of Michelle. 817 00:38:05,960 --> 00:38:09,040 Speaker 3: Great stuff, Emily, Emily. Funeral songs, let's get down to them. 818 00:38:10,040 --> 00:38:11,759 Speaker 12: Well, first of all, I agree with Michelle. I love 819 00:38:11,840 --> 00:38:17,560 Speaker 12: nickel Back too. Yeah, but songs. I actually already had 820 00:38:17,600 --> 00:38:18,759 Speaker 12: my funeral songs picked out. 821 00:38:18,760 --> 00:38:19,479 Speaker 8: I have for years. 822 00:38:19,960 --> 00:38:23,319 Speaker 12: So it's perfect that I hear of the Flashbob because 823 00:38:23,360 --> 00:38:27,960 Speaker 12: now I can incorporate that instead. So my song is 824 00:38:28,080 --> 00:38:29,880 Speaker 12: Baby Got Back by So mixed a lot. 825 00:38:30,600 --> 00:38:35,399 Speaker 2: Like Wow, Emily, why that song? 826 00:38:36,719 --> 00:38:38,640 Speaker 12: That's the song that I have, like me and my 827 00:38:38,760 --> 00:38:40,400 Speaker 12: sisters who play it every time we go out, we 828 00:38:40,480 --> 00:38:43,239 Speaker 12: do it on karaoke. It's just sort of like our song. 829 00:38:43,880 --> 00:38:46,759 Speaker 12: And the other song that I have picked out is 830 00:38:46,840 --> 00:38:48,520 Speaker 12: You'll Be in My Heart by Pheel Colin. So that's 831 00:38:48,560 --> 00:38:51,160 Speaker 12: sort of the sad part of the ceremony. 832 00:38:51,280 --> 00:38:53,480 Speaker 2: You're going to focus more on the Baby Got Back though, 833 00:38:53,600 --> 00:38:57,080 Speaker 2: So then I'm just spitball in here. But if baby 834 00:38:57,200 --> 00:38:59,160 Speaker 2: got back did play, would you then have an open 835 00:38:59,280 --> 00:38:59,960 Speaker 2: coffin funeral? 836 00:39:00,120 --> 00:39:02,160 Speaker 6: But maybe the bottom half is open and not the 837 00:39:02,239 --> 00:39:02,719 Speaker 6: front half. 838 00:39:04,600 --> 00:39:05,040 Speaker 4: Well, I was. 839 00:39:05,080 --> 00:39:08,600 Speaker 12: Thinking more at the end when you're walking out and 840 00:39:08,719 --> 00:39:11,160 Speaker 12: they're carrying the coffin and they can all sort of 841 00:39:11,200 --> 00:39:13,399 Speaker 12: be dancing, and then everyone has to get up their 842 00:39:13,440 --> 00:39:16,600 Speaker 12: force to get up and exit and dance behind the coffin. 843 00:39:17,880 --> 00:39:19,800 Speaker 6: Great fun, great fun, great family. 844 00:39:21,560 --> 00:39:24,320 Speaker 1: Gabrielle thirty one and six five Your song at your funeral? 845 00:39:24,400 --> 00:39:24,919 Speaker 1: What you Got? 846 00:39:25,600 --> 00:39:26,040 Speaker 3: What do you think? 847 00:39:26,080 --> 00:39:30,799 Speaker 5: Hey guys, I'm thinking drop it like It's Hot by 848 00:39:30,960 --> 00:39:34,200 Speaker 5: Snoop Dogg right when the coffin's being. 849 00:39:34,360 --> 00:39:46,120 Speaker 1: Lowered Shane's coiled one to six five Shana funeral songs. 850 00:39:46,160 --> 00:39:46,920 Speaker 1: What you got for us? 851 00:39:47,880 --> 00:39:51,359 Speaker 5: Are you ever going to see My face again? 852 00:39:51,480 --> 00:39:52,200 Speaker 4: By the Angels? 853 00:39:57,680 --> 00:40:00,080 Speaker 1: No humor or anything else there, Shano. 854 00:40:00,920 --> 00:40:03,040 Speaker 10: But of course I need the audience participation. 855 00:40:03,920 --> 00:40:09,319 Speaker 3: Ah, yes you do. There's a reprise in there. 856 00:40:10,000 --> 00:40:11,480 Speaker 6: We can't do it because it's a lot of swear 857 00:40:11,520 --> 00:40:12,279 Speaker 6: and we can't do that. 858 00:40:12,440 --> 00:40:14,960 Speaker 2: But as we said before the song there Shana, everyone 859 00:40:15,080 --> 00:40:16,799 Speaker 2: has to do it because they don't get involved there, 860 00:40:17,239 --> 00:40:18,520 Speaker 2: they're disrespecting the dead. 861 00:40:19,600 --> 00:40:23,359 Speaker 3: Yeah, so SHANEO, would you expect your mum to yell 862 00:40:23,440 --> 00:40:23,920 Speaker 3: that at you? 863 00:40:25,080 --> 00:40:27,560 Speaker 1: Of course, don't judge. 864 00:40:27,560 --> 00:40:29,360 Speaker 2: You want your mum to rub oil into you. 865 00:40:29,840 --> 00:40:34,400 Speaker 1: To John Mayer's and Bodies of Wonderland, the Secret to 866 00:40:34,600 --> 00:40:39,360 Speaker 1: long life, as she said, by the founder of the 867 00:40:39,640 --> 00:40:43,520 Speaker 1: longest lasting study on human happiness, the secrets as to 868 00:40:43,560 --> 00:40:44,080 Speaker 1: how you're going to. 869 00:40:44,080 --> 00:40:47,680 Speaker 2: Live old she is and paper. I know, right, yeah, absolutely, 870 00:40:47,719 --> 00:40:50,560 Speaker 2: you're ready, a buddy Othae. I'd love to let you're 871 00:40:50,560 --> 00:40:53,280 Speaker 2: excited a long time love life. 872 00:40:57,800 --> 00:40:58,400 Speaker 1: On funerals. 873 00:40:58,960 --> 00:41:01,960 Speaker 6: Right now, it's all right, let's talk about the fish. 874 00:41:02,480 --> 00:41:05,120 Speaker 2: We need to talk about the fish. You've heard the show. 875 00:41:05,360 --> 00:41:07,640 Speaker 6: There's a thirty five year old fish that is in 876 00:41:07,719 --> 00:41:08,240 Speaker 6: a freezer. 877 00:41:08,440 --> 00:41:11,120 Speaker 3: I just I just think, I think we're all thinking 878 00:41:11,160 --> 00:41:11,600 Speaker 3: the same thing. 879 00:41:11,719 --> 00:41:14,080 Speaker 6: There's only so many opportunities you get like this in 880 00:41:14,160 --> 00:41:14,480 Speaker 6: your life. 881 00:41:14,560 --> 00:41:15,000 Speaker 3: I agree. 882 00:41:15,080 --> 00:41:16,960 Speaker 1: There's no way that you would ever have a chance 883 00:41:17,000 --> 00:41:18,719 Speaker 1: to eat anything that's thirty five years old. 884 00:41:19,000 --> 00:41:21,719 Speaker 2: It is extraordinary that it has been frozen for thirty 885 00:41:21,760 --> 00:41:23,840 Speaker 2: five years. Like, I almost think that we're spitting in 886 00:41:23,920 --> 00:41:26,840 Speaker 2: the face of science if we don't make effort to 887 00:41:26,920 --> 00:41:27,560 Speaker 2: eat this fish. 888 00:41:27,719 --> 00:41:29,920 Speaker 3: That's that's a great point Woody, Thank you. 889 00:41:30,000 --> 00:41:32,160 Speaker 1: Do you think that? Do you think? Well, okay, here's 890 00:41:32,160 --> 00:41:34,799 Speaker 1: another question, because I'm all for eating the thirty five 891 00:41:34,880 --> 00:41:35,880 Speaker 1: year old fish. I am. 892 00:41:36,080 --> 00:41:37,920 Speaker 6: I am back of house. By the way, they all 893 00:41:38,000 --> 00:41:39,040 Speaker 6: think it's an awful week. 894 00:41:39,520 --> 00:41:42,480 Speaker 1: We've known that for a long time. Absolutely, I'd stick 895 00:41:42,520 --> 00:41:44,080 Speaker 1: them on a freezer as far as I'm concerned. 896 00:41:44,200 --> 00:41:45,600 Speaker 2: Wow, cop, that guys. 897 00:41:48,080 --> 00:41:50,960 Speaker 3: Cryogenically freeze the team. Now that's a content dark. 898 00:41:51,280 --> 00:41:55,960 Speaker 2: Replace the fish with the team, get a thirty five 899 00:41:56,040 --> 00:41:57,960 Speaker 2: year old frozen fish to try and produce the show. 900 00:42:00,080 --> 00:42:03,279 Speaker 1: Team with the fish. Get him in here? Hell of 901 00:42:03,280 --> 00:42:07,640 Speaker 1: an ape anyway, do you think okay? 902 00:42:07,640 --> 00:42:08,160 Speaker 3: Because there's a. 903 00:42:08,160 --> 00:42:10,400 Speaker 1: Few I'll pull the curtain down for people who are 904 00:42:10,440 --> 00:42:12,960 Speaker 1: listening to the podcast. Where we are at the next 905 00:42:13,000 --> 00:42:17,480 Speaker 1: steps face we had LJ in here, producer LJ. Before Well, No, 906 00:42:17,640 --> 00:42:19,640 Speaker 1: first of all, we had Captain poop Pants naturally trying 907 00:42:19,640 --> 00:42:20,399 Speaker 1: to pooh on the idea. 908 00:42:20,480 --> 00:42:21,160 Speaker 2: No doubt came in. 909 00:42:21,320 --> 00:42:23,480 Speaker 1: Boys, you can't eat the fish predictable, we told them, 910 00:42:24,560 --> 00:42:26,200 Speaker 1: and we said, mate, if you're not careful, if you 911 00:42:26,239 --> 00:42:26,839 Speaker 1: will take your job. 912 00:42:27,000 --> 00:42:27,960 Speaker 3: He panicked, he left. 913 00:42:28,200 --> 00:42:31,200 Speaker 2: Yeah, it was good. That was a good retort, great retort. 914 00:42:32,320 --> 00:42:33,759 Speaker 3: So he's out we've dealt with him. 915 00:42:34,640 --> 00:42:38,040 Speaker 1: He then suns LJ in Obviously, he goes, I can't 916 00:42:38,080 --> 00:42:39,399 Speaker 1: convince them not to eat the fish. 917 00:42:39,680 --> 00:42:40,960 Speaker 3: We're going to have to do something about it. 918 00:42:41,040 --> 00:42:43,080 Speaker 6: They're really excited about it, and we are, and we are. 919 00:42:44,560 --> 00:42:49,040 Speaker 1: LJ comes in, boys, boys, you can't eat the fish. 920 00:42:49,520 --> 00:42:51,960 Speaker 1: We're like, we're going to eat the fish. What do 921 00:42:52,040 --> 00:42:52,799 Speaker 1: we want to do next? 922 00:42:53,080 --> 00:42:53,160 Speaker 2: Ye? 923 00:42:53,560 --> 00:42:57,480 Speaker 1: Yeah. LJ has since told us that we don't necessarily 924 00:42:57,560 --> 00:42:58,480 Speaker 1: have access to the fish. 925 00:42:58,520 --> 00:43:00,719 Speaker 2: It's true because obviously they've been if a woman, if 926 00:43:00,760 --> 00:43:02,919 Speaker 2: the mother has held onto it for thirty five years, 927 00:43:03,600 --> 00:43:05,880 Speaker 2: and then obviously I mean the son that so the 928 00:43:06,000 --> 00:43:08,400 Speaker 2: guy who caught the fish, he would have an emotional 929 00:43:08,560 --> 00:43:10,120 Speaker 2: emotional attachment to it as well. 930 00:43:10,320 --> 00:43:12,520 Speaker 1: Yeah, I think you're assuming there, but yeah, well it 931 00:43:12,640 --> 00:43:15,200 Speaker 1: means would you haven't Yeah, you'd probably, but I don't think. 932 00:43:15,120 --> 00:43:16,919 Speaker 2: If you've kept it for thirty five years, would almost 933 00:43:17,640 --> 00:43:20,120 Speaker 2: We might have to trade. Yeah, exactly, I'll offer him 934 00:43:20,120 --> 00:43:21,080 Speaker 2: some cash, at which. 935 00:43:20,880 --> 00:43:23,000 Speaker 1: Point we give them junior producer analyse and I'm happy 936 00:43:23,040 --> 00:43:24,560 Speaker 1: to do that as. 937 00:43:24,440 --> 00:43:27,160 Speaker 2: In hand her over for a fish. 938 00:43:28,440 --> 00:43:33,879 Speaker 1: Straight, Well, she's editing something she doesn't even know it's open, 939 00:43:35,960 --> 00:43:39,720 Speaker 1: sold it for a fish someone this. You got. 940 00:43:41,160 --> 00:43:43,800 Speaker 2: Ah, okay, you know I would, so we can offer anlese. 941 00:43:43,840 --> 00:43:45,439 Speaker 2: But we need to call the guy and go, look, mate, 942 00:43:45,520 --> 00:43:47,040 Speaker 2: we want to we want to eat the fish. I said, 943 00:43:47,040 --> 00:43:48,919 Speaker 2: we we should invite him. I don't think we should 944 00:43:48,920 --> 00:43:50,919 Speaker 2: be so selfish and greedy to be, you know, having 945 00:43:50,960 --> 00:43:51,800 Speaker 2: this meal by ourself. 946 00:43:51,920 --> 00:43:54,880 Speaker 1: I think he's going to want to eat it. You 947 00:43:56,560 --> 00:43:58,520 Speaker 1: the only ones who want to eat. 948 00:43:58,960 --> 00:43:59,839 Speaker 6: We offer that, we go back. 949 00:43:59,840 --> 00:44:01,840 Speaker 2: You've got to come, you can, you can dish it 950 00:44:01,960 --> 00:44:04,560 Speaker 2: up maybe, or he's got to be part of the ceremony. 951 00:44:04,600 --> 00:44:05,120 Speaker 2: I imagine. 952 00:44:05,239 --> 00:44:08,359 Speaker 1: Yeah, yeah, okay, well let's again. You're jumping steps. You're 953 00:44:08,360 --> 00:44:09,000 Speaker 1: getting too excited. 954 00:44:09,560 --> 00:44:10,200 Speaker 2: We've got to call him. 955 00:44:10,280 --> 00:44:10,600 Speaker 5: I think. 956 00:44:10,920 --> 00:44:12,680 Speaker 1: I think the first step in all of this is 957 00:44:12,719 --> 00:44:14,239 Speaker 1: if we find out whether or not we're going to 958 00:44:14,320 --> 00:44:15,400 Speaker 1: die if we eat the fish. 959 00:44:15,719 --> 00:44:16,920 Speaker 2: Oh yeah, that's pretty important. 960 00:44:17,320 --> 00:44:19,520 Speaker 1: And I think poop pants is not a New Week dog. 961 00:44:19,640 --> 00:44:24,279 Speaker 1: So you're worried about the lawyers, I can say it 962 00:44:24,360 --> 00:44:25,240 Speaker 1: on your face already. 963 00:44:26,760 --> 00:44:32,839 Speaker 2: Who who the World Health Organization? The fisheries who we're 964 00:44:32,880 --> 00:44:33,520 Speaker 2: not calling. 965 00:44:35,320 --> 00:44:35,840 Speaker 1: Fisheries. 966 00:44:36,440 --> 00:44:41,280 Speaker 6: Who's the Minister for fisheries, the fisheries doing fish? 967 00:44:41,640 --> 00:44:44,080 Speaker 10: One of my best majors is the head of fisheries. 968 00:44:44,640 --> 00:44:46,239 Speaker 3: I think we're not calling fish. 969 00:44:46,520 --> 00:44:48,080 Speaker 1: We're going to be calling We're going to be calling 970 00:44:48,160 --> 00:44:52,520 Speaker 1: someone who's specialized in like bio, like a scientist. 971 00:44:53,320 --> 00:44:56,840 Speaker 2: Yes, I think so that's better. Okay, fisheries. 972 00:44:57,160 --> 00:44:59,719 Speaker 1: We might just speak to the head of fisheries. Hello, sir, 973 00:44:59,840 --> 00:45:01,239 Speaker 1: he you're going can we eat a. 974 00:45:01,239 --> 00:45:05,680 Speaker 2: Thirty five year old fish? Depends if it's over under sized? 975 00:45:05,719 --> 00:45:14,920 Speaker 1: Guys, that's all he's worried about. Okay, might actually come 976 00:45:14,960 --> 00:45:16,520 Speaker 1: into it, like if it's under size. 977 00:45:17,280 --> 00:45:18,520 Speaker 2: Oh, that's the least of our worries. 978 00:45:18,680 --> 00:45:19,560 Speaker 3: Okay, we just won't. 979 00:45:19,640 --> 00:45:22,040 Speaker 1: We won't. We won't measure it, but we don't even 980 00:45:22,080 --> 00:45:23,319 Speaker 1: know what sort of fish it is. Like if it's 981 00:45:23,320 --> 00:45:26,120 Speaker 1: a puffer fish, we can't eat it, like it's it's poisonous. 982 00:45:26,400 --> 00:45:27,919 Speaker 2: Yeah, but they won't be a puffer fish. 983 00:45:27,960 --> 00:45:29,040 Speaker 6: It'll bepressive fish. 984 00:45:29,040 --> 00:45:31,080 Speaker 1: First fish I caught was a toad fish, a puff fish. 985 00:45:31,160 --> 00:45:33,400 Speaker 2: Really, it could be a goldfish for all you know. 986 00:45:34,280 --> 00:45:36,840 Speaker 1: I did a goldfish fish, I've eaten a goldfish. 987 00:45:36,920 --> 00:45:38,640 Speaker 6: Are going I'll be a flathead? Are going to be 988 00:45:38,680 --> 00:45:39,080 Speaker 6: a flatty? 989 00:45:40,360 --> 00:45:43,040 Speaker 1: Well, where are they calling from? Where are they calling from? 990 00:45:43,120 --> 00:45:43,360 Speaker 1: Doing that? 991 00:45:43,600 --> 00:45:46,040 Speaker 3: Let's try and guess what the fish is without any knowledge. 992 00:45:47,040 --> 00:45:52,239 Speaker 1: Let's do it for the next five minutes fish. So 993 00:45:53,120 --> 00:45:54,879 Speaker 1: the next so we think the next step is finding 994 00:45:54,920 --> 00:45:56,879 Speaker 1: out how old the fishes, whether we can eat the fish. 995 00:45:57,000 --> 00:45:57,880 Speaker 2: So that's a scientist. 996 00:45:59,080 --> 00:46:01,160 Speaker 3: If they come on and say know, then you're happy, 997 00:46:01,200 --> 00:46:01,520 Speaker 3: aren't you. 998 00:46:04,800 --> 00:46:07,360 Speaker 2: Up a second opinion? 999 00:46:07,440 --> 00:46:07,600 Speaker 5: Yeah? 1000 00:46:08,200 --> 00:46:09,440 Speaker 2: You go like that's the conservative one. 1001 00:46:09,480 --> 00:46:13,360 Speaker 6: Where's the maverick, the maverick of the science with the 1002 00:46:13,480 --> 00:46:15,960 Speaker 6: doctor nick of the it's going. 1003 00:46:15,960 --> 00:46:16,680 Speaker 2: To break the rules? 1004 00:46:17,239 --> 00:46:19,480 Speaker 1: Maybe then we do call the head of fisheries. I 1005 00:46:19,560 --> 00:46:22,200 Speaker 1: think they're a second opinion. Yeah, Head of Fisheries, great, 1006 00:46:22,200 --> 00:46:24,160 Speaker 1: but I reckon that we'll be all right eating it. 1007 00:46:24,239 --> 00:46:29,080 Speaker 2: Like prought Matt Preston asking if he'd be open to 1008 00:46:29,360 --> 00:46:32,480 Speaker 2: like trying to cook it. So you're cooking away all 1009 00:46:32,560 --> 00:46:32,799 Speaker 2: the gym. 1010 00:46:32,960 --> 00:46:35,919 Speaker 1: I think that will be part of it. I think, Yeah. 1011 00:46:36,320 --> 00:46:40,280 Speaker 1: My concern, well, a audio producer, Tim was saying before 1012 00:46:40,360 --> 00:46:42,239 Speaker 1: that he reckons he's not a bacterial this year. He 1013 00:46:42,280 --> 00:46:44,160 Speaker 1: reckons there could be toxins that still exist. 1014 00:46:44,320 --> 00:46:47,920 Speaker 2: Clear out the toxins. Yeah, anti toxin or whatever, anti. 1015 00:46:47,920 --> 00:46:49,080 Speaker 3: Put a bit of round up on there. 1016 00:46:51,440 --> 00:46:56,120 Speaker 1: And then clean it. What just get a dison on it? 1017 00:46:56,280 --> 00:46:59,640 Speaker 1: Or something. Yeah, no, no, we need to look into 1018 00:46:59,719 --> 00:47:01,759 Speaker 1: like looking it properly to make sure we don't die. 1019 00:47:01,880 --> 00:47:03,120 Speaker 1: And I'm up for that. 1020 00:47:03,360 --> 00:47:04,919 Speaker 2: But awesome, this is great. 1021 00:47:05,000 --> 00:47:07,960 Speaker 1: I feel like I feel like in talking to these scientists, 1022 00:47:08,040 --> 00:47:09,880 Speaker 1: we're taking out the fun. 1023 00:47:11,200 --> 00:47:14,760 Speaker 2: Might be a back of house coms, a rogue maverick scientist, 1024 00:47:15,000 --> 00:47:17,320 Speaker 2: like they don't exist. 1025 00:47:17,560 --> 00:47:21,880 Speaker 1: Now they do scientists and they're scientists, but they'd be 1026 00:47:21,960 --> 00:47:23,839 Speaker 1: one of them. But I actually don't want to die, 1027 00:47:24,080 --> 00:47:26,040 Speaker 1: is the other part of it's not just about eating 1028 00:47:26,080 --> 00:47:28,400 Speaker 1: the fish. They actually do want to know if I 1029 00:47:28,480 --> 00:47:30,000 Speaker 1: eat a thirty five year old fish, whether or I 1030 00:47:30,040 --> 00:47:30,360 Speaker 1: want to not. 1031 00:47:30,400 --> 00:47:32,719 Speaker 2: The risks are but yeah, but the conservative scientists will go, 1032 00:47:32,840 --> 00:47:34,160 Speaker 2: this is bad for my rep. 1033 00:47:34,600 --> 00:47:36,279 Speaker 6: So I'm just gonna go the no risk option. 1034 00:47:36,400 --> 00:47:38,560 Speaker 1: And they just don't think this isn't bad for my rep. 1035 00:47:38,600 --> 00:47:39,840 Speaker 1: They just say what the truth is? 1036 00:47:40,080 --> 00:47:40,480 Speaker 3: They did know. 1037 00:47:40,520 --> 00:47:41,960 Speaker 2: The scientists will go like, oh, I don't see the 1038 00:47:41,960 --> 00:47:43,000 Speaker 2: funny this, Why would you do that? 1039 00:47:43,160 --> 00:47:45,040 Speaker 3: I'm very Mum's a scientists. 1040 00:47:45,080 --> 00:47:45,680 Speaker 1: We could call her. 1041 00:47:45,960 --> 00:47:48,160 Speaker 2: She would carbosh this so quickly. 1042 00:47:49,880 --> 00:47:51,760 Speaker 6: We're not going So that's a perfect example. 1043 00:47:53,000 --> 00:47:54,719 Speaker 3: People like to protect a reputation. 1044 00:47:55,320 --> 00:47:56,520 Speaker 6: She just but she wouldn't get it to go. 1045 00:47:56,600 --> 00:47:58,080 Speaker 2: Why would you eat it? Let's just go and go 1046 00:47:58,200 --> 00:47:59,040 Speaker 2: and catch another fish. 1047 00:48:00,080 --> 00:48:00,719 Speaker 1: Can we call her? 1048 00:48:01,560 --> 00:48:02,040 Speaker 2: You could call it? 1049 00:48:03,520 --> 00:48:04,279 Speaker 1: Can we call it now? 1050 00:48:04,440 --> 00:48:04,520 Speaker 11: Oh? 1051 00:48:04,640 --> 00:48:05,960 Speaker 1: Yeah, yeah, I think it's great. 1052 00:48:06,760 --> 00:48:07,480 Speaker 3: That's a great idea. 1053 00:48:07,560 --> 00:48:11,960 Speaker 2: Probably not, she texted me back. 1054 00:48:13,480 --> 00:48:14,479 Speaker 1: What did she teach you about? 1055 00:48:15,680 --> 00:48:15,919 Speaker 11: Hello? 1056 00:48:16,160 --> 00:48:17,000 Speaker 2: Hey, mom, it's Woody. 1057 00:48:18,080 --> 00:48:18,200 Speaker 1: Hi. 1058 00:48:18,800 --> 00:48:22,920 Speaker 2: You're not on it. You're in the podcast top You're 1059 00:48:22,960 --> 00:48:29,600 Speaker 2: not bottom. Sorry, but anyway, we'll see quick question. A 1060 00:48:29,719 --> 00:48:34,480 Speaker 2: woman has frozen a fish for thirty five years and 1061 00:48:34,600 --> 00:48:36,000 Speaker 2: has kept it in the freezer. 1062 00:48:36,760 --> 00:48:37,919 Speaker 8: Yeah, hang on, hang on out. 1063 00:48:41,239 --> 00:48:43,000 Speaker 6: What could possibly be more important than this man? 1064 00:48:43,040 --> 00:48:43,600 Speaker 5: What are you doing? 1065 00:48:44,680 --> 00:48:46,719 Speaker 8: Sorry, no streak of. 1066 00:48:51,719 --> 00:48:52,840 Speaker 1: You wanted to be part of it. 1067 00:48:54,440 --> 00:48:56,960 Speaker 8: Ma'am just started talking about me. 1068 00:49:01,800 --> 00:49:02,400 Speaker 1: You too off to you? 1069 00:49:02,440 --> 00:49:04,719 Speaker 3: You want a hot date or something on the. 1070 00:49:04,800 --> 00:49:07,759 Speaker 8: Radio every day so that we put our back off. 1071 00:49:11,400 --> 00:49:13,120 Speaker 8: We're in the car. 1072 00:49:16,160 --> 00:49:16,560 Speaker 1: William. 1073 00:49:16,680 --> 00:49:19,520 Speaker 2: Yeah, yeah, it's actually good that dad's there because dad's 1074 00:49:19,520 --> 00:49:22,160 Speaker 2: inter fishing. Mum, you're a scientist, you're a doctor, you're 1075 00:49:22,160 --> 00:49:25,160 Speaker 2: a dietitian. So, mum, a woman kept a fish in 1076 00:49:25,239 --> 00:49:29,680 Speaker 2: a freezer for thirty five years, and we are open 1077 00:49:29,719 --> 00:49:31,759 Speaker 2: to the idea. We think it'd be really great to 1078 00:49:32,000 --> 00:49:35,720 Speaker 2: unfreeze the fish and eat the fish? Would that be okay? 1079 00:49:36,440 --> 00:49:38,359 Speaker 1: No? Why? Why? 1080 00:49:38,560 --> 00:49:41,359 Speaker 8: You can probably only cake seafood fries. And I would 1081 00:49:41,400 --> 00:49:42,279 Speaker 8: have thought for a couple of. 1082 00:49:42,360 --> 00:49:44,560 Speaker 6: Months, would it kill us or does make us ill? 1083 00:49:45,040 --> 00:49:46,880 Speaker 8: Well, you'd probably get food poisoning? 1084 00:49:48,040 --> 00:49:48,400 Speaker 2: And would that? 1085 00:49:53,520 --> 00:49:53,719 Speaker 3: Mom? 1086 00:49:53,800 --> 00:49:56,320 Speaker 2: Is there, Mommy? Is there any way we could prepare 1087 00:49:56,400 --> 00:49:59,600 Speaker 2: the fish in a certain way so we boil it 1088 00:49:59,719 --> 00:50:00,200 Speaker 2: or something thing? 1089 00:50:00,360 --> 00:50:00,880 Speaker 3: What you do with? 1090 00:50:01,760 --> 00:50:04,440 Speaker 2: Okay, would you mean I go for it? 1091 00:50:09,960 --> 00:50:10,239 Speaker 5: They're not. 1092 00:50:12,880 --> 00:50:17,080 Speaker 8: No, I wouldn't touch it. It would make you very sick. 1093 00:50:19,080 --> 00:50:19,920 Speaker 6: That's a fair opinion. 1094 00:50:22,080 --> 00:50:25,880 Speaker 8: Well it's it's a proper educated professional opinion. 1095 00:50:26,880 --> 00:50:32,080 Speaker 3: Yeah, I think we all agree with that. Okay, what 1096 00:50:32,160 --> 00:50:33,279 Speaker 3: are your thoughts, Steve. 1097 00:50:34,320 --> 00:50:35,239 Speaker 1: I'll just go for it. 1098 00:50:37,880 --> 00:50:39,400 Speaker 10: Everyone to sea controversy. 1099 00:50:39,560 --> 00:50:42,960 Speaker 8: That's the opinion controversy. 1100 00:50:45,120 --> 00:50:58,440 Speaker 9: Okay, thanks guys, perfect, your mom very dad was give 1101 00:50:58,520 --> 00:51:00,120 Speaker 9: it like, well that's the edgy. 1102 00:51:02,560 --> 00:51:03,000 Speaker 1: Savage. 1103 00:51:04,160 --> 00:51:05,200 Speaker 2: Yeah, that was savage. 1104 00:51:05,560 --> 00:51:06,680 Speaker 1: But he keeps going and. 1105 00:51:06,680 --> 00:51:09,160 Speaker 6: She'll be berating him now, just such a dickhead. 1106 00:51:09,160 --> 00:51:13,520 Speaker 2: S Yeah, and. 1107 00:51:15,920 --> 00:51:18,239 Speaker 1: Feel the joke about taking your clothes off in the car. 1108 00:51:18,840 --> 00:51:24,080 Speaker 6: It should be absolutely tearing treads of him anyway around 1109 00:51:24,200 --> 00:51:25,520 Speaker 6: kid's teeth necklace, isn't there? 1110 00:51:25,600 --> 00:51:25,640 Speaker 4: No? 1111 00:51:27,040 --> 00:51:29,319 Speaker 2: I like that. I was still like, I'm not done 1112 00:51:29,360 --> 00:51:29,799 Speaker 2: with the fish. 1113 00:51:29,960 --> 00:51:33,279 Speaker 1: I'm not done with There's no way what he called 1114 00:51:33,320 --> 00:51:35,239 Speaker 1: him a ball, Like we all know that Melissa is 1115 00:51:35,280 --> 00:51:36,319 Speaker 1: going to be a wet rag there. 1116 00:51:36,360 --> 00:51:37,759 Speaker 3: We all know she was going to come on. 1117 00:51:37,920 --> 00:51:40,840 Speaker 1: She's protecting her reputation and her sons. 1118 00:51:41,800 --> 00:51:44,880 Speaker 6: She's been worried that they're trying to protect me. 1119 00:51:45,080 --> 00:51:47,399 Speaker 3: I think I think we need another opinion, and that'll 1120 00:51:47,440 --> 00:51:48,279 Speaker 3: be tomorrow on the show. 1121 00:51:48,480 --> 00:51:51,160 Speaker 2: A great, amazing. This doesn't end here, This does not 1122 00:51:51,440 --> 00:51:51,799 Speaker 2: end here. 1123 00:51:51,880 --> 00:51:53,359 Speaker 3: How do you feel about the faith that your parents 1124 00:51:53,440 --> 00:51:54,560 Speaker 3: might have just had sex in a car? 1125 00:51:55,680 --> 00:51:57,280 Speaker 2: You got that from that conversation. 1126 00:51:57,640 --> 00:51:58,920 Speaker 3: I don't. I didn't rule it out. 1127 00:51:59,719 --> 00:52:00,719 Speaker 6: Well, they are on the way. 1128 00:52:00,920 --> 00:52:03,680 Speaker 2: Dad is certainly not getting sex now after that conversation 1129 00:52:06,680 --> 00:52:10,879 Speaker 2: and then your teeth, Oh yeah, if you're a job, 1130 00:52:13,400 --> 00:52:14,959 Speaker 2: a job as soon as your. 1131 00:52:14,880 --> 00:52:16,000 Speaker 1: Teake Hell, where do you live? 1132 00:52:16,520 --> 00:52:16,960 Speaker 2: Youorrow