1
00:00:04,480 --> 00:00:11,520
Speaker 1: The Will and Woody Podcast. I want to talk about

2
00:00:11,600 --> 00:00:15,120
Speaker 1: new producer Georgia. Great addition to the team, just just

3
00:00:15,120 --> 00:00:16,400
Speaker 1: as outstanding work.

4
00:00:17,040 --> 00:00:17,400
Speaker 2: Brutal.

5
00:00:17,760 --> 00:00:20,720
Speaker 1: Yeah, I'm starting to really brutal that she offends a

6
00:00:20,760 --> 00:00:23,599
Speaker 1: lot of people. Yeah, and it happens so much that

7
00:00:23,720 --> 00:00:25,480
Speaker 1: like she does it in this way where it's it's

8
00:00:25,600 --> 00:00:28,720
Speaker 1: it's accidental. She like comes across as I always put

9
00:00:28,720 --> 00:00:30,640
Speaker 1: my foot in it, like foot in mouth kind of stuff.

10
00:00:30,960 --> 00:00:33,040
Speaker 1: But she looks for it, and she looks for it.

11
00:00:33,040 --> 00:00:34,800
Speaker 1: It just happens too much for it to be an accident.

12
00:00:35,080 --> 00:00:35,440
Speaker 2: Up for it.

13
00:00:35,600 --> 00:00:38,080
Speaker 3: And I had a great bit on air the other day, Yes,

14
00:00:38,120 --> 00:00:40,080
Speaker 3: and I thought Georgia was coming in here to give

15
00:00:40,080 --> 00:00:41,040
Speaker 3: me a hug afterwards.

16
00:00:41,200 --> 00:00:42,839
Speaker 1: To be fair, this is on you, Will, but you

17
00:00:43,040 --> 00:00:45,559
Speaker 1: would assume that someone radio was.

18
00:00:45,520 --> 00:00:49,000
Speaker 3: So good in hindsight, thinking that I did a huggable

19
00:00:49,000 --> 00:00:51,480
Speaker 3: bit on air, he felt a little bit nacissistic.

20
00:00:51,600 --> 00:00:52,320
Speaker 1: That's on you, mate.

21
00:00:52,360 --> 00:00:55,720
Speaker 2: But she did storm in here, yeah, with some information, mate.

22
00:00:55,760 --> 00:00:57,600
Speaker 1: I don't think she was hugging mad. I didn't make

23
00:00:57,640 --> 00:00:58,840
Speaker 1: them anyway.

24
00:00:58,840 --> 00:01:00,760
Speaker 2: I got way, so I got two meters towards it

25
00:01:00,840 --> 00:01:01,520
Speaker 2: with my arms.

26
00:01:01,320 --> 00:01:04,839
Speaker 1: Outstretched, and she said, I don't do hugs. Yes, again,

27
00:01:05,040 --> 00:01:06,920
Speaker 1: I think this is more your issue. I don't think

28
00:01:06,920 --> 00:01:07,759
Speaker 1: she's wrong.

29
00:01:07,840 --> 00:01:08,360
Speaker 2: You were work.

30
00:01:09,160 --> 00:01:11,319
Speaker 1: It was a great bit, that was a hot bit.

31
00:01:12,200 --> 00:01:17,440
Speaker 1: But on on last week we went to the pub and.

32
00:01:17,440 --> 00:01:19,240
Speaker 2: Effectively you didn't get a hug goodbye.

33
00:01:19,920 --> 00:01:22,160
Speaker 1: Absolutely not. I don't even go for it though, because

34
00:01:22,160 --> 00:01:23,759
Speaker 1: I know she's not a huger. I expect that she's

35
00:01:23,760 --> 00:01:25,080
Speaker 1: put you in the box. She put you in a

36
00:01:25,080 --> 00:01:27,040
Speaker 1: box now, so you're scared of it. And what's happened

37
00:01:27,080 --> 00:01:32,839
Speaker 1: happens fast with you. Well, she's she's powerful, she's very powerful, intimidated.

38
00:01:33,319 --> 00:01:36,399
Speaker 1: But and and and I definitely wasn't going to go for.

39
00:01:36,880 --> 00:01:38,319
Speaker 3: By the way, before we go on here, just just

40
00:01:38,360 --> 00:01:40,120
Speaker 3: to try and like type cast you a little bit.

41
00:01:40,200 --> 00:01:43,680
Speaker 3: So let's just let's stereotype the house down here.

42
00:01:43,959 --> 00:01:45,920
Speaker 2: So she gave me a lift home the other night.

43
00:01:46,000 --> 00:01:48,240
Speaker 3: Yeah yeah, yeah, you know, certainly didn't get a hug,

44
00:01:48,240 --> 00:01:49,080
Speaker 3: but she gave me a lift.

45
00:01:49,280 --> 00:01:50,960
Speaker 1: Did she somehow offend you in car chat?

46
00:01:51,080 --> 00:01:51,840
Speaker 2: A number of times?

47
00:01:52,000 --> 00:01:55,600
Speaker 3: But but what I thought was interesting is we drive

48
00:01:55,760 --> 00:01:57,880
Speaker 3: the same if we drive If I drive home, I

49
00:01:57,920 --> 00:01:59,280
Speaker 3: drive the same route home as her.

50
00:01:59,400 --> 00:02:01,640
Speaker 1: Sure, so this is just.

51
00:02:01,600 --> 00:02:04,320
Speaker 2: Her personality in a nutshell right. She gets soon as

52
00:02:04,320 --> 00:02:04,800
Speaker 2: she gets.

53
00:02:04,600 --> 00:02:06,360
Speaker 3: Into the road, no matter how busy it is, she

54
00:02:06,480 --> 00:02:08,320
Speaker 3: just gets straight in the right hand lane and just

55
00:02:08,360 --> 00:02:13,960
Speaker 3: sits in the right hand lane, which is just like absolutely.

56
00:02:13,560 --> 00:02:14,239
Speaker 4: Not sitting there.

57
00:02:14,680 --> 00:02:16,040
Speaker 1: I'm the fastest one.

58
00:02:15,680 --> 00:02:16,320
Speaker 2: You see what I mean.

59
00:02:16,360 --> 00:02:19,079
Speaker 1: So she just competitive.

60
00:02:19,680 --> 00:02:21,040
Speaker 3: She just gets in there, and I'm like, mate, do

61
00:02:21,120 --> 00:02:24,960
Speaker 3: you know much traffic there is on the horn? I

62
00:02:24,960 --> 00:02:27,040
Speaker 3: was like, just getting the left hand lane, there's traffic

63
00:02:27,080 --> 00:02:28,760
Speaker 3: moving over there. She goes, I'm not leaving the right

64
00:02:28,760 --> 00:02:31,160
Speaker 3: hand lane. But this is it was an entitlement.

65
00:02:32,680 --> 00:02:34,799
Speaker 1: A cyclists didn't realize it was me one time and

66
00:02:34,880 --> 00:02:35,799
Speaker 1: she started abusing me.

67
00:02:36,880 --> 00:02:37,320
Speaker 3: With my car.

68
00:02:37,360 --> 00:02:40,160
Speaker 1: Actually, yeah, you did. Little just a little nude took

69
00:02:40,200 --> 00:02:43,320
Speaker 1: you out anyway, all of these if I can take

70
00:02:43,360 --> 00:02:45,480
Speaker 1: you to Thursday night at the least, so we're having

71
00:02:45,520 --> 00:02:45,919
Speaker 1: a chat.

72
00:02:46,520 --> 00:02:49,120
Speaker 3: It's just your mystery pub night, wasn't it. Actually this

73
00:02:49,200 --> 00:02:51,160
Speaker 3: is the mystery. This is the mystery rooftop.

74
00:02:51,160 --> 00:02:51,720
Speaker 1: There's another one.

75
00:02:51,720 --> 00:02:53,800
Speaker 3: This is why I didn't go along, by the way,

76
00:02:53,800 --> 00:02:55,640
Speaker 3: because I found out where the mystery rooftop was.

77
00:02:55,840 --> 00:02:57,840
Speaker 1: I said to people, I was like, guys, I've booked

78
00:02:57,840 --> 00:02:59,519
Speaker 1: a surprise. I'm really excited about it.

79
00:02:59,560 --> 00:03:03,280
Speaker 2: None of the other books you ever ever, books you know, very.

80
00:03:03,120 --> 00:03:05,400
Speaker 1: Bad at it normally book it's a surprise. Do you

81
00:03:05,440 --> 00:03:07,799
Speaker 1: trust me? That we're on the way and where.

82
00:03:07,560 --> 00:03:08,360
Speaker 2: No one trusted you.

83
00:03:08,400 --> 00:03:10,040
Speaker 3: By the way, the back channeling that was going on,

84
00:03:10,080 --> 00:03:12,320
Speaker 3: everyone was like, oh god.

85
00:03:12,000 --> 00:03:14,960
Speaker 1: We're walking towards a particular pub and in my head,

86
00:03:14,960 --> 00:03:16,960
Speaker 1: I'm like that, yeah, that's the pub. We're going to it. Anyway.

87
00:03:17,080 --> 00:03:19,680
Speaker 1: On the way, Georgia goes, oh, we're not going to

88
00:03:20,040 --> 00:03:21,720
Speaker 1: I'm not going to say the name. Yeah, yeah, yeah,

89
00:03:21,720 --> 00:03:24,120
Speaker 1: because why the hell would that be a surprise because

90
00:03:24,120 --> 00:03:27,919
Speaker 1: it's so basic. Yeah, And at that point you turn

91
00:03:27,960 --> 00:03:31,280
Speaker 1: around and go, yeah, yeah, we're going there. That's exactly

92
00:03:31,320 --> 00:03:32,760
Speaker 1: where we go. And then we got there and she

93
00:03:32,880 --> 00:03:36,200
Speaker 1: really hiped pictures like oh it's lovely, it's really nice.

94
00:03:36,240 --> 00:03:39,200
Speaker 1: It's really nice. Then we're sitting there for dinner, right yeah,

95
00:03:39,240 --> 00:03:40,080
Speaker 1: and I start talking.

96
00:03:40,080 --> 00:03:41,800
Speaker 2: It was a strange surprise of it.

97
00:03:41,800 --> 00:03:44,720
Speaker 3: It was, yeah, doesn't matter where you are in Australia,

98
00:03:44,720 --> 00:03:46,240
Speaker 3: there's a pub around the corner from me that's the

99
00:03:46,240 --> 00:03:46,920
Speaker 3: same as this pub.

100
00:03:46,920 --> 00:03:48,520
Speaker 2: And Boody had it as a surprise for everyone.

101
00:03:48,600 --> 00:03:50,320
Speaker 1: Secretly, I wanted to watch the footy okay to be

102
00:03:50,360 --> 00:03:52,680
Speaker 1: fair if the conversation slows down. I like having footy

103
00:03:52,720 --> 00:03:57,000
Speaker 1: over someone's shoulder. Anyway, We're sitting down and Jay, myself

104
00:03:57,160 --> 00:03:59,800
Speaker 1: and an Alisa talking about dating, how's the dating world going,

105
00:03:59,840 --> 00:04:02,480
Speaker 1: et cetera. And Jay just starts going, you know, well,

106
00:04:02,480 --> 00:04:05,320
Speaker 1: you know what, I'm right off online dating. Wow, I

107
00:04:05,600 --> 00:04:08,760
Speaker 1: just it doesn't work. It's an unnatural way to meet people.

108
00:04:08,960 --> 00:04:11,480
Speaker 1: It's just that it's just not the way to do it.

109
00:04:11,520 --> 00:04:13,400
Speaker 1: And she goes on and on about how bad it is,

110
00:04:13,640 --> 00:04:15,720
Speaker 1: and then she turns to me and she goes, anyway,

111
00:04:16,120 --> 00:04:19,120
Speaker 1: how did you meet Mim? And there was a pause,

112
00:04:19,720 --> 00:04:21,320
Speaker 1: and in my head I was like, I kind of

113
00:04:21,400 --> 00:04:23,760
Speaker 1: I kind of want to lie here because you really

114
00:04:23,760 --> 00:04:25,880
Speaker 1: put your foot in it. And then I informed her

115
00:04:25,920 --> 00:04:29,000
Speaker 1: that Mim and I met online at this very pub

116
00:04:29,160 --> 00:04:34,120
Speaker 1: actually secret date. So again, this is happening far too much.

117
00:04:34,160 --> 00:04:35,640
Speaker 1: But I want to take you to the moment where

118
00:04:35,800 --> 00:04:39,640
Speaker 1: for me, I was like, I think I do want

119
00:04:39,640 --> 00:04:42,440
Speaker 1: to lie about how Mim and I met because I

120
00:04:42,480 --> 00:04:43,279
Speaker 1: think saying that you.

121
00:04:46,000 --> 00:04:48,400
Speaker 2: Need some you feel like it's embarrassing for you.

122
00:04:48,600 --> 00:04:50,280
Speaker 1: I think a more fun story would be nice. But

123
00:04:50,320 --> 00:04:52,560
Speaker 1: thirteen one, six y five is our number. I want

124
00:04:52,560 --> 00:04:55,279
Speaker 1: to know if there's anyone else out there who lies

125
00:04:55,360 --> 00:04:57,000
Speaker 1: about how they met their partner?

126
00:04:57,200 --> 00:04:57,479
Speaker 5: Yeah?

127
00:04:57,680 --> 00:04:58,360
Speaker 2: Right, is it?

128
00:04:58,520 --> 00:05:01,280
Speaker 1: Are you embarrassed about how you met your pretty? Sure?

129
00:05:01,400 --> 00:05:03,320
Speaker 1: And what's the lie you go for?

130
00:05:03,400 --> 00:05:05,680
Speaker 3: And maybe you can take a bit of creative inspiration.

131
00:05:06,040 --> 00:05:08,320
Speaker 3: I'd love that from what they now say.

132
00:05:08,480 --> 00:05:10,680
Speaker 1: I'd love that I met a former partner at a wake?

133
00:05:13,520 --> 00:05:15,240
Speaker 1: Was it open about that one? I'll tell you that much,

134
00:05:15,600 --> 00:05:19,120
Speaker 1: because apparently that is the wrong place, by surprise, that's right.

135
00:05:19,800 --> 00:05:21,520
Speaker 2: George is probably on the Oh you're off the apps now?

136
00:05:21,560 --> 00:05:23,880
Speaker 3: Aren't you matter very clear that it's not cool to

137
00:05:23,920 --> 00:05:25,599
Speaker 3: meet what's the cool app to date on?

138
00:05:25,680 --> 00:05:25,880
Speaker 2: Now?

139
00:05:26,480 --> 00:05:28,760
Speaker 3: I'm not on any of the think I said it's

140
00:05:29,120 --> 00:05:30,880
Speaker 3: the catalyst for destroying human connections.

141
00:05:31,000 --> 00:05:34,240
Speaker 1: Wow, that's right that it was used to see you

142
00:05:34,320 --> 00:05:34,760
Speaker 1: on an app?

143
00:05:34,839 --> 00:05:36,960
Speaker 2: Right now? If you're on a dating app, don't lie.

144
00:05:37,040 --> 00:05:37,400
Speaker 2: Look at her.

145
00:05:37,440 --> 00:05:39,920
Speaker 1: You're going to try she's She's right, she was on

146
00:05:40,440 --> 00:05:43,200
Speaker 1: at the moment, thirty dollars on.

147
00:05:43,920 --> 00:05:45,760
Speaker 2: You mean Lando, stop talking to you? What do you want?

148
00:05:46,560 --> 00:05:47,080
Speaker 2: What do you want?

149
00:05:47,120 --> 00:05:48,360
Speaker 6: I'm on a hinge, hinge.

150
00:05:48,560 --> 00:05:50,680
Speaker 3: I told you hinge still think. But if you meet

151
00:05:50,720 --> 00:05:54,200
Speaker 3: someone who met in twenty ten, it's Tinder. They're always

152
00:05:54,240 --> 00:05:54,840
Speaker 3: met on Tinder.

153
00:05:54,960 --> 00:05:57,440
Speaker 1: Bumble had a few years. Yeah, years in the sun.

154
00:05:57,880 --> 00:06:01,359
Speaker 1: Let's got a grace here. Grace you like your grandpa,

155
00:06:02,360 --> 00:06:05,400
Speaker 1: specifically grandpa about how you met your partner?

156
00:06:05,880 --> 00:06:08,640
Speaker 7: Yeah, well like he made my granny when they were

157
00:06:08,720 --> 00:06:13,640
Speaker 7: like yeah, like eighteen, like hometown sweethearts and yeah, I

158
00:06:13,839 --> 00:06:16,960
Speaker 7: just I think I'm same. Like he just was like, oh,

159
00:06:17,080 --> 00:06:19,480
Speaker 7: people meet, I'm dating out or online, like I can't

160
00:06:19,520 --> 00:06:21,960
Speaker 7: believe that. You know, how did you and your busin meet?

161
00:06:21,960 --> 00:06:24,240
Speaker 7: And I was like, yeah, yeah at a coffee shop.

162
00:06:24,400 --> 00:06:29,880
Speaker 1: Yeah, yeah, coffee shop. Coffee shop's nice, actually funny. And

163
00:06:30,520 --> 00:06:32,560
Speaker 1: Andy Lee's on the show later on. I'm not sure

164
00:06:32,560 --> 00:06:34,560
Speaker 1: whether he still rolls with this one, but he gave

165
00:06:35,160 --> 00:06:39,160
Speaker 1: Beck he's now fiance. Actually they're engaged. He left his

166
00:06:39,480 --> 00:06:42,640
Speaker 1: email address for her when he went to the cafe.

167
00:06:42,480 --> 00:06:44,080
Speaker 3: Not his personally manail dress. I think it was the

168
00:06:44,120 --> 00:06:45,680
Speaker 3: Hamish and Andy business account.

169
00:06:45,480 --> 00:06:48,080
Speaker 1: And at Hamish dot com or something.

170
00:06:52,640 --> 00:06:52,760
Speaker 3: TI.

171
00:06:54,560 --> 00:06:58,120
Speaker 1: TI, if your husband likes to lie about how you met?

172
00:06:59,080 --> 00:07:02,280
Speaker 8: Yes, and I don't know why, but we are now

173
00:07:02,440 --> 00:07:05,800
Speaker 8: married I think thirteen years. I can't remember, but we

174
00:07:05,920 --> 00:07:10,840
Speaker 8: originally did meet online. And he tells everyone that we

175
00:07:10,960 --> 00:07:13,040
Speaker 8: met at subway. I was a subway girl.

176
00:07:13,920 --> 00:07:17,000
Speaker 1: I take if you're going to go for the line subway,

177
00:07:17,040 --> 00:07:19,160
Speaker 1: is that like a fantasy? It is the subway, the

178
00:07:19,240 --> 00:07:21,640
Speaker 1: sandwich artist, the sandwiches artist.

179
00:07:22,240 --> 00:07:23,800
Speaker 8: I'm kind of outing him now, amn't I?

180
00:07:24,240 --> 00:07:25,840
Speaker 1: Yeah, buddy, so you met him?

181
00:07:25,920 --> 00:07:26,160
Speaker 9: Hang on?

182
00:07:26,720 --> 00:07:28,640
Speaker 3: Is there any depth to the story though, tip like,

183
00:07:28,800 --> 00:07:31,320
Speaker 3: is it a is a wood Woody Allen style meet cusu?

184
00:07:31,720 --> 00:07:35,360
Speaker 2: Or is it just he was heating up the meat balls?

185
00:07:35,720 --> 00:07:37,040
Speaker 2: What's the what's the bio?

186
00:07:37,160 --> 00:07:38,840
Speaker 4: I don't know. I'm going to have to ask him.

187
00:07:39,840 --> 00:07:43,120
Speaker 8: I'm actually from work now, so I will ask him

188
00:07:43,160 --> 00:07:43,840
Speaker 8: on the drive home.

189
00:07:44,000 --> 00:07:45,600
Speaker 1: Maybe we can get you to on the show tomorrow.

190
00:07:45,680 --> 00:07:47,400
Speaker 1: I think there's something going on there that he wants

191
00:07:47,440 --> 00:07:49,560
Speaker 1: you to dress up as a subway sandwich artist, and

192
00:07:49,680 --> 00:07:51,640
Speaker 1: I think that's something that's really exciting for the two

193
00:07:51,640 --> 00:07:55,600
Speaker 1: of you to explore. So so far, you have no

194
00:07:55,920 --> 00:07:58,040
Speaker 1: concrete alternative to meet online.

195
00:07:58,160 --> 00:07:59,720
Speaker 2: I would appreciate your subway.

196
00:08:00,160 --> 00:08:02,160
Speaker 1: Actually it is to work out fancy feelings.

197
00:08:02,800 --> 00:08:03,960
Speaker 10: She's there.

198
00:08:04,400 --> 00:08:07,760
Speaker 1: She was actually over the stretch, one of the best.

199
00:08:07,800 --> 00:08:08,400
Speaker 1: According to her.

200
00:08:08,840 --> 00:08:13,640
Speaker 5: Well the visor very well Ray Raise called Ray Fancy

201
00:08:13,680 --> 00:08:20,320
Speaker 5: feelings is a very rogue reference Ray, you lied about

202
00:08:20,320 --> 00:08:21,560
Speaker 5: how you met your ex husband.

203
00:08:22,280 --> 00:08:25,200
Speaker 4: Okay, So I was in year eleven, actually ten when

204
00:08:25,920 --> 00:08:27,640
Speaker 4: I got engaged him. But I was in year eleven

205
00:08:27,760 --> 00:08:30,160
Speaker 4: and I'd never had a boyfriend in my life, and

206
00:08:30,200 --> 00:08:31,640
Speaker 4: I just sent to school and I told all my

207
00:08:31,720 --> 00:08:33,480
Speaker 4: friends at school that I was engaged and I was

208
00:08:33,520 --> 00:08:36,360
Speaker 4: getting married in two weeks, and they were tripping out

209
00:08:36,400 --> 00:08:38,000
Speaker 4: and they just had to make up this It was

210
00:08:38,040 --> 00:08:39,920
Speaker 4: an arranged marriage. So I meet him at the airport.

211
00:08:39,960 --> 00:08:41,280
Speaker 7: Obviously I didn't know from a.

212
00:08:41,280 --> 00:08:45,040
Speaker 2: Bus wow wow, sorry, he did he fly in for

213
00:08:45,120 --> 00:08:47,040
Speaker 2: the marriage or you flew in?

214
00:08:48,679 --> 00:08:50,480
Speaker 4: I was born here. He flew in and he's been

215
00:08:50,559 --> 00:08:51,400
Speaker 4: here seeing Oh.

216
00:08:51,520 --> 00:08:53,880
Speaker 3: Okay, son, So your parents were like, this guy is

217
00:08:53,920 --> 00:08:55,800
Speaker 3: going to come over and he'll be your husband. You're

218
00:08:55,800 --> 00:08:56,560
Speaker 3: sixteen years old.

219
00:08:56,600 --> 00:08:59,400
Speaker 4: Well, what my late dad did actually say to him

220
00:08:59,480 --> 00:09:01,800
Speaker 4: was if I didn't marry him, that he die in

221
00:09:01,920 --> 00:09:04,360
Speaker 4: the war back in Lebanon. So me, with my beautiful

222
00:09:04,400 --> 00:09:07,319
Speaker 4: soft heart, I believed it, and I brought him out here,

223
00:09:07,480 --> 00:09:09,920
Speaker 4: and needless to say, we were married for twenty five years.

224
00:09:10,800 --> 00:09:13,439
Speaker 4: I lied and my brother used to pay baseball and

225
00:09:13,520 --> 00:09:15,320
Speaker 4: I told him that I fell in love with him

226
00:09:15,320 --> 00:09:18,520
Speaker 4: because he played baseball and I fell in love with

227
00:09:18,840 --> 00:09:21,439
Speaker 4: my brother's baseball matches and I mean there but he

228
00:09:21,480 --> 00:09:23,520
Speaker 4: could speak English, so yeah.

229
00:09:23,760 --> 00:09:27,599
Speaker 1: My right, the first time you saw this guy was

230
00:09:27,760 --> 00:09:29,240
Speaker 1: at the airport and I was like, that's going to

231
00:09:29,280 --> 00:09:29,760
Speaker 1: be your husband.

232
00:09:30,440 --> 00:09:34,360
Speaker 2: Yeah, and he didn't speak English. Did you speak his

233
00:09:34,559 --> 00:09:35,160
Speaker 2: language though?

234
00:09:36,200 --> 00:09:36,400
Speaker 10: Yeah?

235
00:09:36,440 --> 00:09:38,560
Speaker 4: Yeah, yeah, we were brought up speaking both language.

236
00:09:38,720 --> 00:09:38,880
Speaker 10: Yeah.

237
00:09:39,440 --> 00:09:41,640
Speaker 1: It was a now married for twenty five years, so

238
00:09:41,760 --> 00:09:43,120
Speaker 1: it obviously went pretty well.

239
00:09:43,360 --> 00:09:46,720
Speaker 4: Right, Yeah, arranged marriages do pretty good unless they, like, yeah,

240
00:09:47,160 --> 00:09:49,439
Speaker 4: accidentally fall into someone else's pants, but like that's a

241
00:09:49,480 --> 00:09:50,120
Speaker 4: different story.

242
00:09:52,040 --> 00:09:54,599
Speaker 3: Right now, you want to talk about torture. Psychologue in

243
00:09:54,600 --> 00:09:55,800
Speaker 3: front a bit strange.

244
00:09:55,760 --> 00:09:58,520
Speaker 1: Yeah, no, I'm right into the torture will I always

245
00:09:58,559 --> 00:10:04,640
Speaker 1: have psychologic all torture is the fave, and one have

246
00:10:04,679 --> 00:10:06,800
Speaker 1: it a little bit of a play with you now please.

247
00:10:06,960 --> 00:10:11,520
Speaker 1: So there's a council Westminster Counsel in the UK. A

248
00:10:11,720 --> 00:10:14,360
Speaker 1: judge has just classified that there's a certain activity that

249
00:10:14,400 --> 00:10:19,319
Speaker 1: happens on the street that's been classified as psychological torture.

250
00:10:20,679 --> 00:10:22,560
Speaker 1: Have a guess what you think it is. You would

251
00:10:22,600 --> 00:10:25,080
Speaker 1: see it, I would say almost every day. You would

252
00:10:25,120 --> 00:10:27,920
Speaker 1: see it, even on the streets of Australia. It's been

253
00:10:27,960 --> 00:10:32,679
Speaker 1: classified as torturing somebody else. It's it's torturous apparently to

254
00:10:32,880 --> 00:10:34,160
Speaker 1: anyone who's.

255
00:10:34,720 --> 00:10:39,640
Speaker 3: Activity on the phone on speaker phone that that should

256
00:10:39,679 --> 00:10:41,720
Speaker 3: be classified on public transport.

257
00:10:41,840 --> 00:10:43,559
Speaker 1: What are your thoughts on people answering the phone on

258
00:10:43,600 --> 00:10:48,400
Speaker 1: public transport? Because I'm a I'm a sure band, not

259
00:10:48,520 --> 00:10:51,439
Speaker 1: that not that. I'll give you a clue.

260
00:10:55,280 --> 00:11:00,839
Speaker 2: Busking, busking. The sheer dog gets her plenty.

261
00:11:01,160 --> 00:11:03,760
Speaker 1: That's how tones and I started. Yes, that's our any

262
00:11:03,840 --> 00:11:04,600
Speaker 1: swim started.

263
00:11:04,920 --> 00:11:08,560
Speaker 3: There was the swim dog on the dogs when they're busking,

264
00:11:08,840 --> 00:11:13,160
Speaker 3: everyone starts on the streets sell dog also known as busking.

265
00:11:14,080 --> 00:11:14,520
Speaker 2: So dog.

266
00:11:14,840 --> 00:11:18,520
Speaker 1: Yeah, So apparently a judge has basically said, yes, busking

267
00:11:18,720 --> 00:11:20,400
Speaker 1: is psychological torture.

268
00:11:20,600 --> 00:11:24,240
Speaker 2: Really sometimes I quite like busking. I agree that sometimes

269
00:11:24,280 --> 00:11:24,720
Speaker 2: it's annoying.

270
00:11:24,760 --> 00:11:27,760
Speaker 1: They've got issues with the repetition of it. There was

271
00:11:27,800 --> 00:11:31,280
Speaker 1: a company in the repetition. Well, I think they're saying

272
00:11:31,440 --> 00:11:33,520
Speaker 1: that these buskers do the same song a lot over

273
00:11:33,600 --> 00:11:38,199
Speaker 1: and over that and the obviously it's a transient location,

274
00:11:38,400 --> 00:11:40,440
Speaker 1: so like, well the first time you've heard this song

275
00:11:40,480 --> 00:11:43,520
Speaker 1: because you're walking past. But for the companies that are there.

276
00:11:45,440 --> 00:11:47,320
Speaker 3: Over and over, you have to apply for a permit.

277
00:11:48,320 --> 00:11:52,120
Speaker 3: I think, I think like it's very illegal to bust

278
00:11:52,520 --> 00:11:53,280
Speaker 3: without a permit.

279
00:11:53,480 --> 00:11:56,360
Speaker 2: Right, you get moved on really quick. Well, appears you're

280
00:11:56,400 --> 00:11:56,920
Speaker 2: making money.

281
00:11:57,320 --> 00:11:59,560
Speaker 1: Yeah yeah, right, Well apparently there was a company nearby

282
00:11:59,679 --> 00:12:02,200
Speaker 1: that some of their staff had to work in cupboards.

283
00:12:03,000 --> 00:12:04,760
Speaker 1: They have said because they were so sick of the

284
00:12:04,840 --> 00:12:07,280
Speaker 1: repetitive songs. They were working from the cupboards.

285
00:12:07,320 --> 00:12:07,640
Speaker 2: That's fair.

286
00:12:07,720 --> 00:12:10,880
Speaker 1: People are doing double glazed windows, et cetera. But look,

287
00:12:12,040 --> 00:12:14,760
Speaker 1: despite yes, hearing the same song over and over being

288
00:12:14,880 --> 00:12:16,120
Speaker 1: quite torturous, I agree.

289
00:12:16,200 --> 00:12:20,880
Speaker 2: What's your least favorite form of busking? Yeah, my least favorite?

290
00:12:20,960 --> 00:12:24,599
Speaker 3: Yeah, yeah, because there's some buzz some busking that I

291
00:12:24,679 --> 00:12:27,400
Speaker 3: look at and I go, gee, whiz you are You're

292
00:12:27,559 --> 00:12:29,800
Speaker 3: so talented. You know when they get like that, you

293
00:12:29,880 --> 00:12:32,520
Speaker 3: know when they tip the empty drums upside down and they.

294
00:12:32,720 --> 00:12:33,839
Speaker 1: Unbelieva rum solo.

295
00:12:35,200 --> 00:12:37,839
Speaker 2: You know that'sred. I watched that all day long.

296
00:12:37,880 --> 00:12:39,599
Speaker 1: I've even seen them doing it with like, you know,

297
00:12:39,760 --> 00:12:44,560
Speaker 1: can empty cans. They build a trunk, making different noises

298
00:12:44,760 --> 00:12:46,360
Speaker 1: and stick extraordinary.

299
00:12:46,360 --> 00:12:48,280
Speaker 3: No, that's great, But on the other night, I would

300
00:12:48,360 --> 00:12:51,520
Speaker 3: going to a concert at ham Hole in Melbourne, and

301
00:12:51,600 --> 00:12:55,199
Speaker 3: I walked past the guy on the bridge and he

302
00:12:55,320 --> 00:12:57,280
Speaker 3: had the iPod out, the iPad out.

303
00:12:57,600 --> 00:12:59,719
Speaker 1: He wears the Fluo, the Floro gear. Right, he's good,

304
00:12:59,760 --> 00:13:02,240
Speaker 1: he's amazing. You're gonna say he's bad, how dare you?

305
00:13:02,840 --> 00:13:05,040
Speaker 1: And no, where's the where's the sunnies? He's the speed

306
00:13:05,120 --> 00:13:07,880
Speaker 1: dealer Sunnis and he is just going for it. You've

307
00:13:07,880 --> 00:13:09,240
Speaker 1: got a bad word to how dire you?

308
00:13:10,320 --> 00:13:12,199
Speaker 2: I thought he was joking. I'm going to get on.

309
00:13:12,720 --> 00:13:13,720
Speaker 1: I'm going to get him on the shade.

310
00:13:14,040 --> 00:13:16,439
Speaker 3: Because we couldn't decide whether I was like, is he

311
00:13:16,679 --> 00:13:20,600
Speaker 3: deliberately ship like is he doing this to go I'm

312
00:13:20,679 --> 00:13:25,280
Speaker 3: so bad that other people should that you're paying that,

313
00:13:25,679 --> 00:13:26,400
Speaker 3: paying me for pity.

314
00:13:26,440 --> 00:13:28,199
Speaker 2: But then one of my friends like, he's cleverer than that.

315
00:13:28,400 --> 00:13:29,280
Speaker 2: He's deliberately bad.

316
00:13:29,360 --> 00:13:30,160
Speaker 1: He wants you pity.

317
00:13:30,559 --> 00:13:30,959
Speaker 10: I don't know.

318
00:13:31,400 --> 00:13:32,280
Speaker 1: I thought he was quite good.

319
00:13:32,520 --> 00:13:35,800
Speaker 3: He's singing Cold Play songs, reading them off an iPad

320
00:13:35,880 --> 00:13:39,559
Speaker 3: and nailing it in Fluoro green, Yes with speed Dealers

321
00:13:39,600 --> 00:13:42,640
Speaker 3: Sunday with not with a tinny backing track.

322
00:13:42,679 --> 00:13:44,400
Speaker 1: He's got a speaker on a little trolley with him

323
00:13:44,679 --> 00:13:47,200
Speaker 1: as well, so you can move around, and a headset. Yeah,

324
00:13:47,440 --> 00:13:49,440
Speaker 1: well we'll get him on. He's on tomorrow. I can

325
00:13:49,600 --> 00:13:50,400
Speaker 1: live at five.

326
00:13:50,520 --> 00:13:53,199
Speaker 2: Oh my god, you actually we actually probably could get him. Actually,

327
00:13:53,400 --> 00:13:58,199
Speaker 2: do you know what great exposure for him I'm talking about. Okay,

328
00:13:59,320 --> 00:14:00,280
Speaker 2: I think we have to I.

329
00:14:00,280 --> 00:14:01,520
Speaker 1: Mean because I think he's busy.

330
00:14:02,640 --> 00:14:03,319
Speaker 2: He could be.

331
00:14:04,040 --> 00:14:06,640
Speaker 1: He could be unless this is shown, because he is busy,

332
00:14:06,679 --> 00:14:09,080
Speaker 1: man show. I'd love to have him anyway. I just thought, though,

333
00:14:09,480 --> 00:14:12,079
Speaker 1: basking not so bad. So thirteen one oh sixty five,

334
00:14:12,360 --> 00:14:15,520
Speaker 1: right now, torture me. I want to be tortured.

335
00:14:15,720 --> 00:14:19,720
Speaker 3: Why audibly tortured? Well, it has to be very audibly sensitive.

336
00:14:19,880 --> 00:14:21,080
Speaker 3: You can't handle much, so.

337
00:14:21,160 --> 00:14:24,440
Speaker 1: You should be able to do it. Do anything right

338
00:14:24,560 --> 00:14:28,080
Speaker 1: up next on thirteen one oh six five, to torture me.

339
00:14:28,640 --> 00:14:29,360
Speaker 2: You're gonna hate that.

340
00:14:30,280 --> 00:14:34,480
Speaker 1: Well, maybe I'll be able to handle it. Yeah, it's

341
00:14:34,520 --> 00:14:36,040
Speaker 1: pretty it's pretty bad. That's pretty bad.

342
00:14:36,120 --> 00:14:37,720
Speaker 2: Gone gone, pretty bad.

343
00:14:38,080 --> 00:14:40,920
Speaker 3: Catulated and I realized that we realize that's a double

344
00:14:40,960 --> 00:14:42,720
Speaker 3: loss because we lose listeners at the same time.

345
00:14:42,800 --> 00:14:46,000
Speaker 1: Then it's a poison shallous. It's a poison shallers.

346
00:14:46,240 --> 00:14:47,320
Speaker 2: And there's no way, no.

347
00:14:47,400 --> 00:14:49,400
Speaker 3: Matter what you do, that your audible torture is going

348
00:14:49,440 --> 00:14:52,640
Speaker 3: to be as bad as this guy. Well, and I've

349
00:14:52,640 --> 00:14:53,680
Speaker 3: got some audio of him.

350
00:14:53,600 --> 00:14:55,040
Speaker 2: Here he is doing a classic.

351
00:15:03,320 --> 00:15:06,640
Speaker 1: You can all you can hear the people, but he

352
00:15:06,760 --> 00:15:09,560
Speaker 1: brings the people in. Listen to the excitement that he's bringing.

353
00:15:12,560 --> 00:15:14,560
Speaker 1: He might have been nailing the notes, but I reckon.

354
00:15:14,680 --> 00:15:17,320
Speaker 1: He does a great show, And personally, I mean, I

355
00:15:17,360 --> 00:15:19,120
Speaker 1: would go down there just to watch him. I don't

356
00:15:19,120 --> 00:15:22,520
Speaker 1: even care that I couldn't be in his radius. Open invitation.

357
00:15:22,760 --> 00:15:24,480
Speaker 1: I don't know if he's down there with his wireless

358
00:15:24,520 --> 00:15:27,040
Speaker 1: listening to Drive Time Radio, but open invitation. I'm not

359
00:15:27,080 --> 00:15:30,560
Speaker 1: sure what his name is. Frankie Lee mate, if you

360
00:15:30,680 --> 00:15:34,360
Speaker 1: can get here to the station tomorrow, you're on. You're

361
00:15:34,400 --> 00:15:37,080
Speaker 1: on a one off performance on radio. He deserves the

362
00:15:37,120 --> 00:15:38,760
Speaker 1: stage right now.

363
00:15:38,880 --> 00:15:39,040
Speaker 10: Though.

364
00:15:40,880 --> 00:15:45,640
Speaker 1: Torture us, well, you know, let's let's just push through it,

365
00:15:45,680 --> 00:15:51,200
Speaker 1: will Kathy. You think you can do something too audibly

366
00:15:51,320 --> 00:15:56,920
Speaker 1: torturous burping? Yeah you can burp on demand?

367
00:15:57,600 --> 00:15:59,560
Speaker 10: Yeah? Oh I can do this.

368
00:16:00,240 --> 00:16:07,080
Speaker 2: Yeah, hear what you were doing?

369
00:16:07,160 --> 00:16:08,520
Speaker 1: What's the second thing you're doing?

370
00:16:09,520 --> 00:16:10,720
Speaker 4: The second one was my docks.

371
00:16:11,080 --> 00:16:11,960
Speaker 2: Oh you're dark.

372
00:16:12,080 --> 00:16:15,960
Speaker 1: You're making ducks quack, making ducks quack.

373
00:16:16,320 --> 00:16:17,480
Speaker 2: Oh God, I'm feeling.

374
00:16:18,920 --> 00:16:21,320
Speaker 1: I wouldn't say it's torturous. I thought the ducks were cute.

375
00:16:22,280 --> 00:16:23,680
Speaker 2: Have you got a torturer's playing.

376
00:16:25,280 --> 00:16:32,080
Speaker 1: Oh, shocking noise, shocking noise, audibly torturous. I'd say, I'm

377
00:16:32,160 --> 00:16:34,960
Speaker 1: surprised you did that on radio. Well, you asked me, mate,

378
00:16:35,040 --> 00:16:36,840
Speaker 1: I don't want to go. I didn't want to go.

379
00:16:36,960 --> 00:16:37,680
Speaker 2: You have to go there.

380
00:16:37,680 --> 00:16:38,200
Speaker 1: I didn't want to go.

381
00:16:38,640 --> 00:16:41,000
Speaker 2: Terrific, it's shocking. I can't believe you pulled that one

382
00:16:41,040 --> 00:16:41,440
Speaker 2: out there.

383
00:16:41,640 --> 00:16:43,240
Speaker 1: I know, very quick, head in the back of the

384
00:16:43,280 --> 00:16:44,800
Speaker 1: head the whole time. I didn't want to use it.

385
00:16:45,440 --> 00:16:48,960
Speaker 1: Let's go to Josie here, so bad shocking noise.

386
00:16:51,240 --> 00:16:55,320
Speaker 8: Has made you?

387
00:16:56,040 --> 00:16:57,640
Speaker 1: This is the bit, right, this is the bit that's

388
00:16:57,640 --> 00:16:59,720
Speaker 1: not actually how you wow?

389
00:17:00,520 --> 00:17:03,000
Speaker 4: Are you having sign with a little microprough.

390
00:17:15,040 --> 00:17:16,800
Speaker 3: Over the last fourteen months, if you're a music fan,

391
00:17:16,840 --> 00:17:18,320
Speaker 3: you've been wondering who the body hell is going to

392
00:17:18,320 --> 00:17:26,560
Speaker 3: be playing the Beatles four part movie set Woods Clever

393
00:17:27,119 --> 00:17:29,320
Speaker 3: Do a movie from each band member's perspective.

394
00:17:29,400 --> 00:17:30,919
Speaker 1: That is just good money, that's.

395
00:17:30,800 --> 00:17:31,760
Speaker 2: Cash, that's just clever.

396
00:17:31,840 --> 00:17:33,960
Speaker 1: Stuff in the bank, that's just clever. And you save

397
00:17:34,160 --> 00:17:35,560
Speaker 1: you save Paul till the end.

398
00:17:36,080 --> 00:17:39,920
Speaker 3: Yeah, oh, you know, I don't think it's get people

399
00:17:39,960 --> 00:17:42,160
Speaker 3: to official land, particularly when you get into you he's

400
00:17:42,160 --> 00:17:45,840
Speaker 3: going to be playing him. So Barry Kogan's playing Ringo Star.

401
00:17:46,160 --> 00:17:46,880
Speaker 1: Oh yeah, he's good.

402
00:17:48,160 --> 00:17:51,760
Speaker 2: What Yeah, going to salt Burn? Yeah, I thought Saltburn

403
00:17:51,840 --> 00:17:52,360
Speaker 2: was overrated.

404
00:17:52,960 --> 00:17:54,879
Speaker 3: We've been over this. There's no narrative. It's just a

405
00:17:54,920 --> 00:17:57,320
Speaker 3: big old tragedy. Oh it turns out everyone's a sick.

406
00:17:59,080 --> 00:17:59,480
Speaker 10: The great.

407
00:17:59,760 --> 00:18:01,000
Speaker 1: Yeah, that's good acting.

408
00:18:01,280 --> 00:18:01,639
Speaker 2: I don't know.

409
00:18:02,000 --> 00:18:04,439
Speaker 1: I think we've all done that before, haven't we. So anyway,

410
00:18:04,560 --> 00:18:06,520
Speaker 1: so good Kogan is inside into you.

411
00:18:07,760 --> 00:18:08,399
Speaker 2: I don't know if he's in.

412
00:18:08,560 --> 00:18:10,159
Speaker 3: And also he's playing Ringo Star. They who gives a

413
00:18:10,200 --> 00:18:12,560
Speaker 3: ship like Ringo Star is still alive. Nobody really cares.

414
00:18:12,640 --> 00:18:14,600
Speaker 3: He owns super yachts in the Caribbean.

415
00:18:14,720 --> 00:18:16,080
Speaker 2: Sounds good. I know, it's fine.

416
00:18:16,119 --> 00:18:17,840
Speaker 1: It's just he was never a great musician. He never

417
00:18:17,840 --> 00:18:19,520
Speaker 1: a great drumper. They got rid of him for a reason,

418
00:18:19,720 --> 00:18:21,119
Speaker 1: it's sure, the Beatles.

419
00:18:20,800 --> 00:18:24,159
Speaker 2: Because he couldn't actually drumph Yeah right. It seems like

420
00:18:24,240 --> 00:18:25,840
Speaker 2: a lovely guy, seems very friendly.

421
00:18:25,880 --> 00:18:27,560
Speaker 1: You've got to have your good people in your teams though,

422
00:18:27,600 --> 00:18:29,400
Speaker 1: you know what I mean, Like, you're not that talented,

423
00:18:29,440 --> 00:18:31,159
Speaker 1: but I'm good for vibe. Kind of guy would have

424
00:18:31,160 --> 00:18:33,400
Speaker 1: been great on the tour bus, I imagine. And I'm

425
00:18:33,400 --> 00:18:35,280
Speaker 1: sure the movie will cover that, you'll.

426
00:18:35,119 --> 00:18:36,640
Speaker 3: Yeah, but I just want to watch a whole movie

427
00:18:36,720 --> 00:18:38,560
Speaker 3: that put Barry Kogan on the tour bus.

428
00:18:38,680 --> 00:18:38,840
Speaker 5: Yeah.

429
00:18:39,680 --> 00:18:43,119
Speaker 3: Anyway, I've worked done as well Barry Kogan recently. I

430
00:18:43,160 --> 00:18:45,480
Speaker 3: didn't know that, But there you go. I'm just suggesting

431
00:18:45,640 --> 00:18:46,480
Speaker 3: that might be the case.

432
00:18:46,520 --> 00:18:47,280
Speaker 2: I don't know that at all.

433
00:18:47,680 --> 00:18:50,159
Speaker 3: While I'm shooting from the Hypno, let's get into the

434
00:18:50,280 --> 00:18:52,680
Speaker 3: piece of wet lettuce that he's going to be playing.

435
00:18:52,720 --> 00:18:55,680
Speaker 3: Paul McCartney, a man I simply cannot stand anymore. It

436
00:18:55,760 --> 00:18:56,479
Speaker 3: is Paul mescal.

437
00:18:58,400 --> 00:18:58,600
Speaker 11: Hey.

438
00:19:00,400 --> 00:19:03,560
Speaker 1: The only reason you're off him is because, sure he's

439
00:19:03,600 --> 00:19:07,960
Speaker 1: spoiled Gladiator too. He didn't bring in the best performance.

440
00:19:08,200 --> 00:19:10,760
Speaker 2: Like we all know that, mate, we all know that.

441
00:19:11,200 --> 00:19:15,679
Speaker 3: But Pedro Pascal got given a script which was Gladiator,

442
00:19:15,720 --> 00:19:18,520
Speaker 3: to which I'm sure he was reading on the toilet

443
00:19:18,560 --> 00:19:19,840
Speaker 3: at the time. I imagine when if I get the

444
00:19:19,840 --> 00:19:21,280
Speaker 3: Centers script as an actor, I'd read it a bit

445
00:19:21,320 --> 00:19:24,040
Speaker 3: on the toilet, straight to the j and and Pedro

446
00:19:24,160 --> 00:19:25,879
Speaker 3: Pascal would have had every right in the world to

447
00:19:25,960 --> 00:19:28,560
Speaker 3: wipe his bottom with that script and say I don't

448
00:19:28,560 --> 00:19:29,600
Speaker 3: want to have anything to do with this.

449
00:19:29,800 --> 00:19:33,200
Speaker 2: He would have. But Pedro Pascal being an actor, Yes,

450
00:19:33,480 --> 00:19:35,919
Speaker 2: got it. Yeah, turned up on the day and did

451
00:19:35,920 --> 00:19:37,080
Speaker 2: a great performance. Yep.

452
00:19:37,320 --> 00:19:41,560
Speaker 12: I thought Denzel was great too. You question questions, Denzel,

453
00:19:41,720 --> 00:19:43,480
Speaker 12: what do you want me to do? Just do the

454
00:19:43,560 --> 00:19:46,040
Speaker 12: thing you always do. What'd you in the academy for

455
00:19:46,200 --> 00:19:48,639
Speaker 12: training day? You know, any kind of like arrogant. Nobody

456
00:19:48,680 --> 00:19:49,960
Speaker 12: knows whether they can trust you or not.

457
00:19:50,040 --> 00:19:51,960
Speaker 3: You kind of flash your teeth a few times with

458
00:19:52,119 --> 00:19:53,920
Speaker 3: people in the eye a few times, smack someone.

459
00:19:53,760 --> 00:19:56,160
Speaker 2: Around at some point, make him a little bit scared.

460
00:19:56,760 --> 00:19:58,160
Speaker 2: Do that, but do it in Gladiator.

461
00:19:58,440 --> 00:20:01,959
Speaker 3: So Denzel's doing his thing. Awesome, Pascal goes, all right,

462
00:20:02,000 --> 00:20:04,880
Speaker 3: I'll act. Yeah, it actually holds it together. Yeah yeah, yeah,

463
00:20:05,520 --> 00:20:09,800
Speaker 3: poor Mescal. Yeah he rocked up trying to do that.

464
00:20:09,920 --> 00:20:12,760
Speaker 2: What what was that he did? Normal people meet the gladiator.

465
00:20:12,880 --> 00:20:14,680
Speaker 2: That's why he did. He rocked up. He was a

466
00:20:14,840 --> 00:20:17,800
Speaker 2: sad I did want to be a gladiator. Yeah, I

467
00:20:17,880 --> 00:20:19,879
Speaker 2: mean love can't do it.

468
00:20:20,080 --> 00:20:22,440
Speaker 1: He tried to do a sensitive new age guy. But

469
00:20:22,520 --> 00:20:24,680
Speaker 1: he's also a fearless leader, and I just don't think

470
00:20:24,720 --> 00:20:25,480
Speaker 1: those two couple of.

471
00:20:25,800 --> 00:20:29,240
Speaker 2: Well, he was wet, he was soggy. I didn't buy

472
00:20:29,320 --> 00:20:29,960
Speaker 2: him for a second.

473
00:20:30,160 --> 00:20:32,399
Speaker 1: The evid of audio of him browsing up his troops.

474
00:20:34,640 --> 00:20:41,040
Speaker 1: We are not well, it's not it didn't even make

475
00:20:41,080 --> 00:20:43,080
Speaker 1: sense that. Sorry, can we just jobs?

476
00:20:43,359 --> 00:20:45,080
Speaker 2: Can we like the big line?

477
00:20:45,119 --> 00:20:47,480
Speaker 3: So you know, you know all though the first Gladiator,

478
00:20:47,520 --> 00:20:49,240
Speaker 3: you know we've got great lines in there, you know,

479
00:20:49,640 --> 00:20:50,400
Speaker 3: strength and honor.

480
00:20:50,560 --> 00:20:52,800
Speaker 2: Yeah, you know there's a big part of Gladiator one.

481
00:20:52,880 --> 00:20:54,679
Speaker 1: If you feel this on your neck, fear not.

482
00:20:56,720 --> 00:21:04,080
Speaker 3: Unbelievable Russell great gear Gladiator the line from Gladiator too,

483
00:21:04,160 --> 00:21:05,919
Speaker 3: and I Reckon Meskill wrote this one himself.

484
00:21:06,480 --> 00:21:07,119
Speaker 1: Now come on, no.

485
00:21:08,680 --> 00:21:09,200
Speaker 2: That's not felt.

486
00:21:09,240 --> 00:21:11,159
Speaker 3: But the line he has from the start of the

487
00:21:11,200 --> 00:21:15,200
Speaker 3: movie is where death hairs. We are where death is

488
00:21:15,320 --> 00:21:16,760
Speaker 3: not where.

489
00:21:17,359 --> 00:21:17,720
Speaker 2: Here is.

490
00:21:19,200 --> 00:21:20,000
Speaker 10: What that day?

491
00:21:21,359 --> 00:21:23,320
Speaker 2: We are not well?

492
00:21:23,400 --> 00:21:23,719
Speaker 5: We are?

493
00:21:25,359 --> 00:21:26,520
Speaker 3: That is not.

494
00:21:26,920 --> 00:21:29,359
Speaker 1: Oh god, I would, I would, I would drop my

495
00:21:29,400 --> 00:21:31,199
Speaker 1: sword and I would quit. I am.

496
00:21:32,000 --> 00:21:32,640
Speaker 2: He's in a hole.

497
00:21:32,760 --> 00:21:34,440
Speaker 3: He's in a whole bunch of hot water right now.

498
00:21:34,560 --> 00:21:37,840
Speaker 3: For having a crack at Donald Trump and the Press

499
00:21:37,880 --> 00:21:42,359
Speaker 3: Club did an impersonation impersonation Trump. If you haven't heard it,

500
00:21:42,440 --> 00:21:44,240
Speaker 3: have a listen. This is this is Malcolm Turnbot the

501
00:21:44,240 --> 00:21:44,640
Speaker 3: Press Club.

502
00:21:45,600 --> 00:21:48,040
Speaker 13: That means you get a brick bat or a truth

503
00:21:48,200 --> 00:21:52,120
Speaker 13: social post. You know I'm saying you're weak and ineffectually.

504
00:21:53,480 --> 00:21:57,159
Speaker 13: You know who don't know anything about China Jaya. Uh,

505
00:21:57,440 --> 00:22:02,520
Speaker 13: then then you should uh yeah, if you won't, if

506
00:22:02,560 --> 00:22:03,840
Speaker 13: you speak by that, you shouldn't be.

507
00:22:03,800 --> 00:22:04,160
Speaker 2: In the job.

508
00:22:04,400 --> 00:22:07,840
Speaker 3: Danny Ovation very great man, and he joins us right now.

509
00:22:07,960 --> 00:22:11,720
Speaker 3: Actually just follow up on his comments from this, Malcolm Chamer,

510
00:22:11,760 --> 00:22:12,640
Speaker 3: welcome to the show.

511
00:22:13,640 --> 00:22:16,480
Speaker 10: Well and what he wasn't I am far at the

512
00:22:16,560 --> 00:22:21,040
Speaker 10: National Press Club. I was really on song there. People

513
00:22:21,240 --> 00:22:24,680
Speaker 10: burst into a spontaneous round of applause, and I felt like,

514
00:22:25,520 --> 00:22:28,359
Speaker 10: it doesn't feel like seven years since I walked away

515
00:22:28,440 --> 00:22:33,000
Speaker 10: from the Prime ministership, walked away or well, backstabbed by Scimo.

516
00:22:33,400 --> 00:22:36,600
Speaker 10: But I've refused to disappear, haven't I? Most prime ministers

517
00:22:36,680 --> 00:22:39,639
Speaker 10: go on and just fade away. Julia, you wouldn't know

518
00:22:39,720 --> 00:22:44,000
Speaker 10: where she is now, Tony munching or Amion somewhere, who

519
00:22:44,119 --> 00:22:46,440
Speaker 10: knows what scom I was doing happy clapping in a

520
00:22:47,560 --> 00:22:50,960
Speaker 10: Hillsong church, but I refused to go away, and I

521
00:22:51,119 --> 00:22:52,440
Speaker 10: was I was loving it.

522
00:22:52,560 --> 00:22:54,560
Speaker 2: Yes, it looks like it. How do you how do

523
00:22:54,640 --> 00:22:57,440
Speaker 2: you procure and invited a place like that? And and

524
00:22:57,760 --> 00:22:58,800
Speaker 2: the other question.

525
00:22:58,840 --> 00:23:02,200
Speaker 3: Woods and I were talking just before mister Turboy's this

526
00:23:02,480 --> 00:23:04,359
Speaker 3: looks like quite lavish lunches that go on at the

527
00:23:04,359 --> 00:23:07,000
Speaker 3: Press Club, Like what actually goes on behind closed doors

528
00:23:07,000 --> 00:23:07,680
Speaker 3: when you get there?

529
00:23:07,720 --> 00:23:09,360
Speaker 2: And who's who's there?

530
00:23:09,920 --> 00:23:11,840
Speaker 10: Oh, I can tell you what the Press Club feels like.

531
00:23:11,960 --> 00:23:16,440
Speaker 10: It's catered by the liberal the labor party, be for

532
00:23:16,480 --> 00:23:18,760
Speaker 10: the boys and chicken for the girls. The gravy you

533
00:23:18,840 --> 00:23:23,119
Speaker 10: could stand a spoon up in it. Tell you what

534
00:23:23,200 --> 00:23:25,960
Speaker 10: it's not Foi Gras and Sandra Vesi at the Press

535
00:23:26,000 --> 00:23:31,080
Speaker 10: Club communists by the feel off? And how do you

536
00:23:31,160 --> 00:23:34,400
Speaker 10: procure an invite? Well, like I an't always do invite yourself.

537
00:23:36,520 --> 00:23:39,000
Speaker 10: I suggest that maybe things have been a little bit

538
00:23:39,119 --> 00:23:43,240
Speaker 10: pallid over there and in a parlous way, and they

539
00:23:43,320 --> 00:23:45,760
Speaker 10: made a bit of a bit of lafe. But Malcolm Turnbull,

540
00:23:46,160 --> 00:23:48,159
Speaker 10: Malcolm Black Turnbull, can I.

541
00:23:48,520 --> 00:23:52,280
Speaker 1: Ask you, mister Turnbull, what what there's a there's a

542
00:23:52,359 --> 00:23:55,080
Speaker 1: there's a famous phone call that comes to mind between

543
00:23:55,160 --> 00:23:59,679
Speaker 1: yourself and Donald Trump. Gonna ask you what actually happened

544
00:23:59,680 --> 00:24:01,199
Speaker 1: on that phone call, mister Turnbull.

545
00:24:01,760 --> 00:24:04,440
Speaker 10: Well, he told me to f off and flamm the

546
00:24:04,560 --> 00:24:05,040
Speaker 10: fine out.

547
00:24:06,240 --> 00:24:06,760
Speaker 1: Yeah right.

548
00:24:07,040 --> 00:24:09,919
Speaker 10: What he was doing is you know classic Donald Trump stuff.

549
00:24:10,840 --> 00:24:15,359
Speaker 10: He was he was backflipping on a previous agreement. We

550
00:24:15,560 --> 00:24:20,679
Speaker 10: didn't want to take illegal immigrants or margareants or whatever

551
00:24:20,720 --> 00:24:25,560
Speaker 10: you call them. Yeah, and we'd agreed to send them

552
00:24:25,600 --> 00:24:28,280
Speaker 10: to the United States of America and then he said, no,

553
00:24:28,480 --> 00:24:32,240
Speaker 10: keep them the poor people caught in the middle. I

554
00:24:32,359 --> 00:24:35,760
Speaker 10: said I won't stand for it, and then he glittled me.

555
00:24:36,200 --> 00:24:38,880
Speaker 10: And so that's a little bit of a grudge going

556
00:24:38,960 --> 00:24:39,400
Speaker 10: on there.

557
00:24:39,760 --> 00:24:40,960
Speaker 1: Yeah, we can hear that.

558
00:24:42,359 --> 00:24:45,040
Speaker 10: Yeah, I'm one that I can nurture a grudge. I

559
00:24:45,119 --> 00:24:48,200
Speaker 10: can bring it into full flower over many years, like

560
00:24:48,280 --> 00:24:52,399
Speaker 10: an old vine in the Rhone Valley until it bears fruit.

561
00:24:53,080 --> 00:24:56,359
Speaker 10: And yeah, if you cross me, I'll never forget.

562
00:24:58,080 --> 00:25:01,160
Speaker 1: And mister Turble, wow, was actually this is a total coincidence,

563
00:25:01,200 --> 00:25:06,639
Speaker 1: malcome to unbelievable. I happened to be in your street coincidentally,

564
00:25:07,240 --> 00:25:10,080
Speaker 1: and and yes, that's exactly.

565
00:25:09,920 --> 00:25:11,680
Speaker 10: Right delivering the leaflet.

566
00:25:14,680 --> 00:25:17,159
Speaker 2: I was, I was hope you got it.

567
00:25:18,160 --> 00:25:22,360
Speaker 1: Were interviewing Billy. I'm not sure if you're across her work,

568
00:25:22,640 --> 00:25:24,439
Speaker 1: mister Turnbull, but I thought I am.

569
00:25:25,080 --> 00:25:27,680
Speaker 10: And the last song that I was just listening to

570
00:25:27,760 --> 00:25:30,480
Speaker 10: it whilst I was on hold, I love it. I

571
00:25:30,600 --> 00:25:34,919
Speaker 10: love that song. Well, don't give up, don't give up.

572
00:25:35,840 --> 00:25:36,480
Speaker 2: I don't think that was.

573
00:25:37,320 --> 00:25:42,239
Speaker 1: Unfortunately, mister Turnbull. During our interview with Billie Eilish, there

574
00:25:42,359 --> 00:25:45,200
Speaker 1: was the noise of a whipper snipper going off, and

575
00:25:45,280 --> 00:25:48,359
Speaker 1: I caught a glimpse of a gentleman wearing only speedos

576
00:25:48,359 --> 00:25:50,840
Speaker 1: whipper snippering in his bookyard. And there's a little bit

577
00:25:50,880 --> 00:25:53,680
Speaker 1: of chatter amongst our radio team that maybe what that was.

578
00:25:53,800 --> 00:25:56,479
Speaker 1: You are you someone who does whip a snipper outside

579
00:25:56,520 --> 00:25:57,960
Speaker 1: in the speedos, mister Turle.

580
00:25:57,760 --> 00:25:59,520
Speaker 10: Well, it couldn't have been, mate. I haven't done any

581
00:25:59,760 --> 00:26:03,359
Speaker 10: man your labor. My hands are as smooth as silk,

582
00:26:04,640 --> 00:26:07,879
Speaker 10: but I don't insist that the gardeners do have a

583
00:26:07,960 --> 00:26:09,960
Speaker 10: kind of a beachy feel to them. So it could

584
00:26:10,000 --> 00:26:16,080
Speaker 10: have been margat Pedro's out there and Lucy loves it,

585
00:26:16,520 --> 00:26:21,720
Speaker 10: Lucy blind holding back the blinds and having a look

586
00:26:21,760 --> 00:26:25,440
Speaker 10: at Bedro and his spados. Now, Billie interview, was this

587
00:26:25,520 --> 00:26:27,080
Speaker 10: the one where you made the girl crime?

588
00:26:27,240 --> 00:26:29,720
Speaker 9: Yes, yes, I'm saying it.

589
00:26:29,840 --> 00:26:30,680
Speaker 10: I'm a big fan.

590
00:26:31,000 --> 00:26:31,520
Speaker 2: Thanks, Marg.

591
00:26:32,080 --> 00:26:34,240
Speaker 10: I'm going to tell you what. You poured some sauce

592
00:26:34,280 --> 00:26:38,480
Speaker 10: on that day, didn't you? How long we are drafting that?

593
00:26:39,640 --> 00:26:40,680
Speaker 10: Or a brown those?

594
00:26:44,119 --> 00:26:44,280
Speaker 5: Oh?

595
00:26:44,440 --> 00:26:46,120
Speaker 3: Malcolm has been great to have you on the show

596
00:26:46,200 --> 00:26:49,119
Speaker 3: before we go the arm finding out? Now, yeah, I

597
00:26:49,200 --> 00:26:50,760
Speaker 3: definitely am one, believably.

598
00:26:51,760 --> 00:26:54,240
Speaker 2: I mean this does be like a bit of a

599
00:26:54,320 --> 00:26:55,760
Speaker 2: cool back to the nineties radio.

600
00:26:56,520 --> 00:27:04,680
Speaker 3: But Donald Trump is called wrong with nies right, I

601
00:27:04,760 --> 00:27:07,160
Speaker 3: don't knowd Trump is mister Trump?

602
00:27:07,600 --> 00:27:07,800
Speaker 10: Wow?

603
00:27:08,000 --> 00:27:08,159
Speaker 2: Are you?

604
00:27:08,760 --> 00:27:08,920
Speaker 6: I know?

605
00:27:09,280 --> 00:27:11,800
Speaker 9: It is good to be back on the number seven

606
00:27:12,000 --> 00:27:17,160
Speaker 9: rated drive show. It is Australian radio. Hamidi, I've always

607
00:27:17,200 --> 00:27:20,359
Speaker 9: been a big fan. Just kidding, just kidding. I know

608
00:27:20,440 --> 00:27:23,320
Speaker 9: who you are, Willing Woodie. Of course one's one's got

609
00:27:23,359 --> 00:27:26,160
Speaker 9: a ponytail and the other one's grumpy. What a combination.

610
00:27:28,920 --> 00:27:31,720
Speaker 9: It's the best combination we've heard since Elon teamed up

611
00:27:31,760 --> 00:27:32,400
Speaker 9: with Rockets.

612
00:27:32,520 --> 00:27:36,240
Speaker 2: What mister Trump, what do you think of Malcolm's impression

613
00:27:36,320 --> 00:27:36,480
Speaker 2: of you?

614
00:27:38,160 --> 00:27:41,159
Speaker 9: Well, frankly, I think it's the worst thing that's ever

615
00:27:41,240 --> 00:27:42,920
Speaker 9: happened in the history of the world. And I don't

616
00:27:42,920 --> 00:27:45,720
Speaker 9: think I'm overstating this. Everyone agrees with me because I'm

617
00:27:45,760 --> 00:27:49,760
Speaker 9: always right. And I'm now putting a tariffs, a new

618
00:27:49,880 --> 00:27:51,720
Speaker 9: tariff that we've just come up in the war room

619
00:27:51,800 --> 00:27:54,680
Speaker 9: that no more Malcolms will be allowed in the United

620
00:27:54,680 --> 00:27:56,879
Speaker 9: States of America. If your name is Malcolm and you

621
00:27:57,440 --> 00:27:59,680
Speaker 9: try to come into the United States, will be shot

622
00:27:59,720 --> 00:28:00,840
Speaker 9: in this read like a dog.

623
00:28:01,359 --> 00:28:03,040
Speaker 2: All right, Wow, that seems aggressive.

624
00:28:06,160 --> 00:28:11,399
Speaker 10: I've got the worst. That's the worst Normald Trumpet person.

625
00:28:27,800 --> 00:28:29,760
Speaker 1: And Lee's in the study.

626
00:28:31,280 --> 00:28:32,359
Speaker 2: Great to have you an in mate.

627
00:28:33,000 --> 00:28:36,720
Speaker 1: So that's a new applause. Yea, change things up. We'll

628
00:28:36,800 --> 00:28:37,439
Speaker 1: change things up.

629
00:28:37,880 --> 00:28:41,000
Speaker 6: People think you're not innovating full sound effect over all.

630
00:28:41,120 --> 00:28:42,720
Speaker 1: Was it like, let's go through everyone from start?

631
00:28:42,800 --> 00:28:43,400
Speaker 2: That's a good question.

632
00:28:43,640 --> 00:28:45,920
Speaker 3: Our ap captain peop Pens had a real issue with

633
00:28:46,000 --> 00:28:46,800
Speaker 3: the game show music.

634
00:28:46,840 --> 00:28:48,640
Speaker 2: Now, I'm not sure. Was this still knocking around while

635
00:28:48,720 --> 00:28:49,160
Speaker 2: you were.

636
00:28:51,400 --> 00:28:57,760
Speaker 1: Yes, yes, that's next it Well, he doesn't like it.

637
00:28:58,000 --> 00:28:59,120
Speaker 1: He thinks it's time to move on.

638
00:28:59,320 --> 00:29:00,560
Speaker 2: He has got a bit used.

639
00:29:01,480 --> 00:29:07,160
Speaker 1: It was every time we did anything, generally speaking, if

640
00:29:07,200 --> 00:29:09,040
Speaker 1: a break is slowing down a little bit, we'll just

641
00:29:09,080 --> 00:29:09,960
Speaker 1: start playing the game.

642
00:29:12,640 --> 00:29:15,960
Speaker 6: Breakfast shows would always play music underneath, just to kick

643
00:29:16,040 --> 00:29:18,280
Speaker 6: the ball in the air. I'm always wary of when

644
00:29:18,320 --> 00:29:21,040
Speaker 6: I'm watching any drama or scripted comedy if a music

645
00:29:21,160 --> 00:29:23,960
Speaker 6: you just starts from nowhere, I always go, oh, you

646
00:29:24,080 --> 00:29:25,520
Speaker 6: guys didn't think this scene was good enough?

647
00:29:26,400 --> 00:29:26,800
Speaker 3: Is that right?

648
00:29:27,240 --> 00:29:29,640
Speaker 1: It's like, oh, you thought this labored a bit. See

649
00:29:29,680 --> 00:29:31,320
Speaker 1: now you're just trying to trick me with some music

650
00:29:31,360 --> 00:29:32,480
Speaker 1: and it's worked quick.

651
00:29:32,600 --> 00:29:36,440
Speaker 2: You never turn after you content brand, you can't turn

652
00:29:36,480 --> 00:29:38,040
Speaker 2: it off. You get a note Ben Ben watching The

653
00:29:38,080 --> 00:29:39,600
Speaker 2: Bob and the Beautiful that gets.

654
00:29:39,520 --> 00:29:42,880
Speaker 6: So annoyed because I'll be watching something I go, she

655
00:29:42,920 --> 00:29:46,040
Speaker 6: goes what No, No, carry on, carry on, and then

656
00:29:46,120 --> 00:29:47,760
Speaker 6: I can't actually let it go, like did you see

657
00:29:47,800 --> 00:29:48,640
Speaker 6: the continue.

658
00:29:50,360 --> 00:29:52,320
Speaker 1: We're wearing a hat. You're not wearing a hat?

659
00:29:52,480 --> 00:29:52,840
Speaker 2: Come on.

660
00:29:54,400 --> 00:29:57,040
Speaker 1: Every time? You also someone who picks the killer all

661
00:29:57,080 --> 00:29:58,760
Speaker 1: the time, like you're just like you know who the

662
00:29:58,800 --> 00:30:01,320
Speaker 1: bad person is. Very early in any TV show or movie,

663
00:30:01,400 --> 00:30:04,960
Speaker 1: I like, I like the pause to discuss what are

664
00:30:04,960 --> 00:30:05,320
Speaker 1: we thinking?

665
00:30:05,440 --> 00:30:08,840
Speaker 6: You guys been watching White Lotus absolutely okay because after

666
00:30:08,920 --> 00:30:13,280
Speaker 6: episode one my early call I've said, oh no, I

667
00:30:13,360 --> 00:30:14,880
Speaker 6: think right, And.

668
00:30:14,920 --> 00:30:18,640
Speaker 1: It was after like the first scene episode you who's

669
00:30:18,680 --> 00:30:21,720
Speaker 1: going to do? So there's there's what we can do.

670
00:30:23,360 --> 00:30:25,680
Speaker 2: First episode, it's the first scene, there's a shooting.

671
00:30:25,520 --> 00:30:28,400
Speaker 6: Lots of gun shops going on, and I actually said

672
00:30:28,400 --> 00:30:31,560
Speaker 6: to Beck pretty full on scene to start with, because

673
00:30:31,560 --> 00:30:35,040
Speaker 6: it sounds like someone's having a mass Shooting's just fun, sure,

674
00:30:35,360 --> 00:30:36,440
Speaker 6: we you know it's fun.

675
00:30:36,960 --> 00:30:38,200
Speaker 2: Just like one person.

676
00:30:39,520 --> 00:30:43,240
Speaker 6: And the backstories to one Yeah, totally. And then I'm like,

677
00:30:43,440 --> 00:30:46,680
Speaker 6: you know what's happened. One of the monkeys in Thailand

678
00:30:46,960 --> 00:30:51,280
Speaker 6: has found a gun running running around and.

679
00:30:51,400 --> 00:30:53,520
Speaker 2: That is good year. And they've been talking.

680
00:30:53,320 --> 00:30:55,800
Speaker 3: About the monkeys from the start. They make a big

681
00:30:55,920 --> 00:30:57,840
Speaker 3: thing about the monkeys in the first episode.

682
00:30:57,880 --> 00:31:01,320
Speaker 6: I think someone someone does try to and a monkey.

683
00:31:01,800 --> 00:31:03,440
Speaker 6: And that's what makes it feel like a bit of

684
00:31:04,800 --> 00:31:05,080
Speaker 6: he's on.

685
00:31:05,120 --> 00:31:07,480
Speaker 2: The record now as well, he's on the record.

686
00:31:07,560 --> 00:31:09,280
Speaker 1: We'll have you on after the finale, I reckon.

687
00:31:09,520 --> 00:31:12,040
Speaker 6: So the problem is they showed a lot of monkeys

688
00:31:12,080 --> 00:31:14,680
Speaker 6: in episode one. They they haven't been showing monkeys a

689
00:31:14,720 --> 00:31:17,320
Speaker 6: lot since I'm going cold of my own theory, or

690
00:31:17,400 --> 00:31:18,560
Speaker 6: maybe they're burying.

691
00:31:19,560 --> 00:31:20,239
Speaker 1: I've given you all.

692
00:31:20,840 --> 00:31:24,040
Speaker 3: Everyone remember the monkeys now, that's all they need to do. Jeez,

693
00:31:24,080 --> 00:31:25,719
Speaker 3: I reckon looking never he's never turns off.

694
00:31:25,920 --> 00:31:29,040
Speaker 1: He never turns off and speaking speaking of like quite

695
00:31:29,080 --> 00:31:31,400
Speaker 1: seriously about never turning off. And I mean, we could

696
00:31:31,400 --> 00:31:33,400
Speaker 1: be talking about so many things right now. So you've

697
00:31:33,440 --> 00:31:35,880
Speaker 1: got the hundred starts to nine at seven thirty. Channel

698
00:31:35,960 --> 00:31:38,760
Speaker 1: nine to nine now new Family friendly slot seven thirty.

699
00:31:38,840 --> 00:31:40,600
Speaker 6: They've pushed us into primetime does.

700
00:31:40,480 --> 00:31:46,240
Speaker 1: That concern you that you've got to and you're not

701
00:31:46,400 --> 00:31:48,280
Speaker 1: sure what you're like?

702
00:31:48,400 --> 00:31:51,360
Speaker 6: What did Mike God say to Sophie in that moment?

703
00:31:51,760 --> 00:31:52,480
Speaker 1: Is my nephews?

704
00:31:52,560 --> 00:31:55,080
Speaker 6: Can they listen to that? But not all good or good?

705
00:31:56,720 --> 00:31:59,120
Speaker 1: The rogue music cue for anyone that's watching.

706
00:32:00,680 --> 00:32:01,000
Speaker 7: In the water.

707
00:32:01,120 --> 00:32:02,240
Speaker 1: You feel some music.

708
00:32:03,920 --> 00:32:07,880
Speaker 2: Second Secrets got that.

709
00:32:07,920 --> 00:32:10,320
Speaker 1: You've also opened an Aussie pub in New York called

710
00:32:10,360 --> 00:32:10,960
Speaker 1: Old Mates.

711
00:32:11,120 --> 00:32:11,320
Speaker 2: Yes.

712
00:32:11,720 --> 00:32:14,040
Speaker 6: Yes, if anyone has friends in New York or you're

713
00:32:14,080 --> 00:32:15,920
Speaker 6: planning to go there, we'd love to see you. This

714
00:32:16,120 --> 00:32:19,720
Speaker 6: essentially is because the last Australian pub closed down in

715
00:32:19,800 --> 00:32:21,760
Speaker 6: twenty twenty. When Hayman and I moved there in twenty

716
00:32:21,800 --> 00:32:24,400
Speaker 6: eleven to the gap year, there were six Ossie venus

717
00:32:24,480 --> 00:32:28,680
Speaker 6: orsi Ish. They were not like hard there was. Yeah,

718
00:32:29,000 --> 00:32:31,160
Speaker 6: so there's no place to watch footy, no place to

719
00:32:31,200 --> 00:32:32,720
Speaker 6: get a Nozzy beer, there's no place to hear a

720
00:32:32,800 --> 00:32:33,400
Speaker 6: Nassy accent.

721
00:32:33,560 --> 00:32:36,880
Speaker 11: If you're feeling in New York obviously, well I did

722
00:32:37,200 --> 00:32:39,160
Speaker 11: really after a while, if you have for long enough,

723
00:32:39,200 --> 00:32:41,880
Speaker 11: and there's thirty four thousand Aussies in Manhattan, and so

724
00:32:42,160 --> 00:32:44,360
Speaker 11: we we thought we'd we thought we build a pub,

725
00:32:44,520 --> 00:32:45,680
Speaker 11: not feel Aussie theme pub.

726
00:32:45,720 --> 00:32:47,920
Speaker 6: You didn't see like a kangaroo next five kilometers sign

727
00:32:48,040 --> 00:32:50,640
Speaker 6: or a half no shark bitten surfboard above the bar

728
00:32:50,800 --> 00:32:54,760
Speaker 6: crocodile you we thought we like the tiles for instance,

729
00:32:54,920 --> 00:32:59,960
Speaker 6: a replica of the builder's arms in Fitzs the down

730
00:33:00,120 --> 00:33:03,560
Speaker 6: stairs laminate red lamonade bar is the rs L in

731
00:33:03,680 --> 00:33:05,320
Speaker 6: Heidelberg like a replication.

732
00:33:06,240 --> 00:33:08,280
Speaker 1: We're just taking it from our favorite pubs around Australia.

733
00:33:08,320 --> 00:33:10,640
Speaker 2: Wow, and it's all in this that's awesome.

734
00:33:10,680 --> 00:33:13,320
Speaker 1: And then ham any podcast just on repeat? Yeah, absolutely,

735
00:33:15,200 --> 00:33:17,479
Speaker 1: you get treated by by B one and B two.

736
00:33:20,080 --> 00:33:22,080
Speaker 1: So you've got the hundred, you've got the pub and

737
00:33:22,320 --> 00:33:23,360
Speaker 1: we've got the dimmy and.

738
00:33:26,000 --> 00:33:28,360
Speaker 3: Which are now in all coals and do not watch

739
00:33:28,400 --> 00:33:30,520
Speaker 3: this show now is getting picked up by the ABC

740
00:33:30,640 --> 00:33:34,040
Speaker 3: for twenty twenty five release, which is amazing. And then hilariously,

741
00:33:34,240 --> 00:33:37,360
Speaker 3: I've got to bring this up so analyse our junior

742
00:33:37,400 --> 00:33:39,640
Speaker 3: producer wrote all these on the sheet right, she's she

743
00:33:39,720 --> 00:33:42,440
Speaker 3: put all these down and then she just wrote.

744
00:33:42,440 --> 00:33:45,280
Speaker 2: He is very busy. When do you think he will retire?

745
00:33:45,880 --> 00:33:50,960
Speaker 1: Question I sink gen Z. Question.

746
00:33:52,400 --> 00:33:54,760
Speaker 2: The correlation is what are you flying?

747
00:33:55,080 --> 00:33:55,120
Speaker 5: Like?

748
00:33:55,200 --> 00:33:57,000
Speaker 1: You setting yourself up? You can just have like a

749
00:33:57,080 --> 00:33:57,680
Speaker 1: break now.

750
00:34:00,200 --> 00:34:02,280
Speaker 6: This is not as crazy as this sound.

751
00:34:02,440 --> 00:34:05,000
Speaker 1: Oh really, hang on? What's going on? Because Beck said

752
00:34:05,040 --> 00:34:05,800
Speaker 1: the same thing to.

753
00:34:05,880 --> 00:34:07,520
Speaker 2: Me, because you're doing the renaut as well.

754
00:34:08,160 --> 00:34:09,959
Speaker 1: Well, yes, you want to go over to the break

755
00:34:11,840 --> 00:34:13,280
Speaker 1: is retiring from.

756
00:34:21,080 --> 00:34:24,440
Speaker 2: Tinys. You're dim sims now exclusive to Carl's.

757
00:34:24,640 --> 00:34:26,040
Speaker 6: When I say I want to do something, I very

758
00:34:26,160 --> 00:34:29,440
Speaker 6: rarely stop it. Yeah, yeah, which is a fault to

759
00:34:29,520 --> 00:34:32,400
Speaker 6: be honest. And so when we said let's try and

760
00:34:32,400 --> 00:34:34,239
Speaker 6: make a premium dim sem, this is four and a

761
00:34:34,239 --> 00:34:34,839
Speaker 6: half years ago.

762
00:34:35,000 --> 00:34:37,160
Speaker 1: Wowah, when you say we we just made a couple

763
00:34:37,160 --> 00:34:39,839
Speaker 1: of mates? Have you sitting around? I reckon I could

764
00:34:39,840 --> 00:34:41,720
Speaker 1: do a better dim than this? Is that what happens?

765
00:34:41,840 --> 00:34:43,399
Speaker 1: It's like, does anyone know what's in a dim sem?

766
00:34:43,520 --> 00:34:43,680
Speaker 3: Nah?

767
00:34:43,760 --> 00:34:44,000
Speaker 2: You know what?

768
00:34:44,040 --> 00:34:46,759
Speaker 6: We should make one with premium ingredients. That'd be funny like.

769
00:34:47,040 --> 00:34:50,880
Speaker 6: And we didn't realize how long it would take. Ye,

770
00:34:51,440 --> 00:34:54,680
Speaker 6: The minimum run was twelve thousand dimmis. Whoa what are

771
00:34:54,719 --> 00:34:57,120
Speaker 6: we going to do with twelve thousand dimmis to pop ups?

772
00:34:57,239 --> 00:34:57,439
Speaker 3: Man?

773
00:34:57,680 --> 00:35:00,760
Speaker 6: And it was just such a dumb business idea because

774
00:35:01,360 --> 00:35:03,560
Speaker 6: we had beers partnering with us, and obviously you go

775
00:35:03,680 --> 00:35:05,320
Speaker 6: there and you have like two dimmies and then you

776
00:35:05,440 --> 00:35:08,680
Speaker 6: drink cans all day. Sure, So the beer partner they

777
00:35:08,800 --> 00:35:10,800
Speaker 6: kept all that money, and that was tens of thousands

778
00:35:10,840 --> 00:35:13,000
Speaker 6: of dollars, and we're selling a dimmy for.

779
00:35:13,120 --> 00:35:16,640
Speaker 1: Like three dollars. Fifty were on a good day. On

780
00:35:16,719 --> 00:35:19,680
Speaker 1: the good day, we sell like five hundred. So I

781
00:35:19,880 --> 00:35:23,160
Speaker 1: was like, let's shut this down. And then a wrapper

782
00:35:23,239 --> 00:35:24,960
Speaker 1: from Coals was at one of the pop ups and

783
00:35:25,040 --> 00:35:26,000
Speaker 1: then we could put.

784
00:35:25,840 --> 00:35:27,600
Speaker 6: Them in stores. It says on the back air fright

785
00:35:27,680 --> 00:35:31,560
Speaker 6: one seventy. And the chef text me this morning and said,

786
00:35:31,600 --> 00:35:34,120
Speaker 6: can you please tell people to air fright one eighty okay?

787
00:35:34,160 --> 00:35:35,680
Speaker 1: And I was like, can it be that? I hate

788
00:35:35,680 --> 00:35:39,160
Speaker 1: to tell you. It says it's two hundred okay, WHI

789
00:35:39,160 --> 00:35:47,240
Speaker 1: should be one eighty a recall on the product.

790
00:35:47,280 --> 00:35:50,000
Speaker 2: Jesus Christ, this has been releasing all coals, isn't it.

791
00:35:50,360 --> 00:35:50,560
Speaker 10: Yeah?

792
00:35:50,680 --> 00:35:50,799
Speaker 6: Right?

793
00:35:51,719 --> 00:35:53,560
Speaker 3: Any So, obviously a big part of the show the

794
00:35:53,600 --> 00:35:56,359
Speaker 3: podcast now is, you know, losing touch with the common man.

795
00:35:56,520 --> 00:35:58,200
Speaker 3: So we want to know whether you've actually lost touch

796
00:35:58,239 --> 00:36:01,040
Speaker 3: with the common radio man or all radio. And we

797
00:36:01,120 --> 00:36:04,759
Speaker 3: don't test that with the highly patented game show music.

798
00:36:06,680 --> 00:36:10,000
Speaker 3: So we've got some of the music that we play

799
00:36:10,120 --> 00:36:11,400
Speaker 3: on the radio these days.

800
00:36:12,000 --> 00:36:12,080
Speaker 4: Now.

801
00:36:12,120 --> 00:36:13,879
Speaker 2: I don't know how. I don't know how much commercial radio.

802
00:36:13,880 --> 00:36:15,520
Speaker 1: You listen to you oh you guys.

803
00:36:17,080 --> 00:36:18,400
Speaker 6: Podcast, and they take out the songs.

804
00:36:19,320 --> 00:36:23,200
Speaker 3: Beautiful blos to be Hey, So let's see whether you

805
00:36:23,280 --> 00:36:29,960
Speaker 3: can complete the lyrics on some of these songs. Yeah, because.

806
00:36:31,640 --> 00:36:34,840
Speaker 6: And I'm so and because I'm.

807
00:36:39,719 --> 00:36:46,680
Speaker 1: Too damn clean clean, change lyrics very hard. Racy Abrams

808
00:36:47,239 --> 00:36:47,799
Speaker 1: does she say?

809
00:36:50,080 --> 00:36:52,759
Speaker 6: At some point she said that it's the back half

810
00:36:52,800 --> 00:36:53,759
Speaker 6: of that chorus, isn't it.

811
00:36:53,800 --> 00:36:54,120
Speaker 2: We'll give it.

812
00:36:54,280 --> 00:36:54,840
Speaker 1: That's the lyrics that.

813
00:36:57,360 --> 00:37:01,440
Speaker 2: It didn't seem sad exactly, Graces in general the moment. Yeah,

814
00:37:02,200 --> 00:37:03,319
Speaker 2: here we go so wrong.

815
00:37:04,400 --> 00:37:12,600
Speaker 1: Ex song, go and f Yourself?

816
00:37:19,719 --> 00:37:23,239
Speaker 5: Oh, very good, just the jaded drive hosting the car,

817
00:37:23,719 --> 00:37:24,840
Speaker 5: go out of yourself.

818
00:37:26,360 --> 00:37:27,520
Speaker 2: I do know this song.

819
00:37:27,600 --> 00:37:29,640
Speaker 6: I don't know the lyrics, but think about a lot

820
00:37:29,680 --> 00:37:34,200
Speaker 6: of these pop songs these days. They're enunciating O Jesus.

821
00:37:37,480 --> 00:37:39,960
Speaker 2: Pop songs these days. And you want to go another one?

822
00:37:40,040 --> 00:37:47,920
Speaker 1: Yeah, okay, boy, I bet you think she's so cool?

823
00:37:52,680 --> 00:37:55,400
Speaker 3: Yeah? Nice?

824
00:37:56,600 --> 00:37:57,960
Speaker 2: Well, Well, I didn't know. I don't know that.

825
00:37:58,080 --> 00:37:58,520
Speaker 10: What was that?

826
00:37:59,120 --> 00:37:59,560
Speaker 5: What is that?

827
00:38:00,080 --> 00:38:01,080
Speaker 6: It's Gracy aprons, isn't it?

828
00:38:01,200 --> 00:38:01,399
Speaker 2: Yeah?

829
00:38:01,440 --> 00:38:02,080
Speaker 1: Gracy again?

830
00:38:02,680 --> 00:38:05,560
Speaker 6: Yeah, looking back like Yeah, The reason the reason I

831
00:38:05,680 --> 00:38:09,759
Speaker 6: know these songs is because Beck plays them all to

832
00:38:09,880 --> 00:38:13,080
Speaker 6: me and dancers looking at me like and and her

833
00:38:13,120 --> 00:38:13,720
Speaker 6: and her friends.

834
00:38:14,160 --> 00:38:17,440
Speaker 1: Still, this is so funny. Actually I shouldn't be saying.

835
00:38:17,239 --> 00:38:18,239
Speaker 2: This, but carry on.

836
00:38:18,800 --> 00:38:20,239
Speaker 1: They go are you going to bed?

837
00:38:20,320 --> 00:38:23,279
Speaker 6: And the great because they run their own concerts, so

838
00:38:23,400 --> 00:38:26,000
Speaker 6: they did the full Ears tour where.

839
00:38:25,920 --> 00:38:28,399
Speaker 1: They hang on Beck and her friends. Yes, and you're

840
00:38:28,480 --> 00:38:29,719
Speaker 1: in bed, I'll go to bed.

841
00:38:29,880 --> 00:38:32,920
Speaker 6: And then they sing till four in the morning, like

842
00:38:33,640 --> 00:38:36,160
Speaker 6: all of Taylor Swift and then Gracy Abrams. They sing

843
00:38:36,239 --> 00:38:38,040
Speaker 6: this one the time. The other thing they do is

844
00:38:38,120 --> 00:38:42,000
Speaker 6: they pretend they're in Victoria's Secret Shows and they put

845
00:38:42,040 --> 00:38:44,800
Speaker 6: on songs and they just strut up and down the

846
00:38:44,880 --> 00:38:47,719
Speaker 6: house as if they're models. And at times they've asked

847
00:38:47,760 --> 00:38:50,719
Speaker 6: me to sit there like I'm Adam Levine's apparently he dates.

848
00:38:53,160 --> 00:38:55,400
Speaker 1: They do. The little wink to me is they go fast,

849
00:38:55,960 --> 00:39:00,600
Speaker 1: so I'm sitting there with the midst out kicking the

850
00:39:00,640 --> 00:39:01,400
Speaker 1: footy stores.

851
00:39:02,800 --> 00:39:04,759
Speaker 2: This is the best and the worst thing I've ever

852
00:39:04,840 --> 00:39:05,279
Speaker 2: been about.

853
00:39:05,680 --> 00:39:07,960
Speaker 1: But yeah, so all these songs are always on a.

854
00:39:09,760 --> 00:39:13,160
Speaker 6: Normally as I'm in bed, just vaguely hearing them, So

855
00:39:13,239 --> 00:39:15,320
Speaker 6: maybe they are enunciating the lyrics. I just hear it

856
00:39:15,480 --> 00:39:17,360
Speaker 6: through five walls as I've tried to get as far

857
00:39:17,440 --> 00:39:18,920
Speaker 6: away from the from as possible.

858
00:39:21,520 --> 00:39:25,120
Speaker 3: One hundred also returns tonight seven thirty, Channel nine and

859
00:39:25,280 --> 00:39:26,960
Speaker 3: nine Now if you want to go and see Andy

860
00:39:27,080 --> 00:39:28,120
Speaker 3: on the TV's games.

861
00:39:28,480 --> 00:39:32,160
Speaker 2: So Mike gold seend hamish as well.

862
00:39:32,280 --> 00:39:35,160
Speaker 6: Yes, pumped to be back. And then one hundred dozzes

863
00:39:35,200 --> 00:39:37,040
Speaker 6: from all around the country and they delivered just the

864
00:39:37,120 --> 00:39:40,280
Speaker 6: greatest stories. I'll leave you with this one. What percent

865
00:39:40,320 --> 00:39:42,760
Speaker 6: of a strange do you think have a secret family?

866
00:39:43,360 --> 00:39:43,560
Speaker 10: Oh?

867
00:39:44,200 --> 00:39:46,600
Speaker 1: Gotta be low the town.

868
00:39:47,280 --> 00:39:49,480
Speaker 6: You think one ten of three?

869
00:39:50,360 --> 00:39:52,400
Speaker 1: I have a secret family five percent?

870
00:39:52,800 --> 00:39:58,000
Speaker 2: That's very high. And what counts you to a secret family?

871
00:39:58,560 --> 00:40:00,759
Speaker 6: Just a family that rest of your family members don't

872
00:40:00,760 --> 00:40:03,320
Speaker 6: know no idea about. What did someone on the on

873
00:40:03,360 --> 00:40:05,839
Speaker 6: the zoom call you have a secret family? And I said, well,

874
00:40:05,880 --> 00:40:07,279
Speaker 6: there should be five people up, there's any want to

875
00:40:07,280 --> 00:40:09,719
Speaker 6: talk about it? And someone's just rung the doorbell and going, yeah, okay,

876
00:40:09,719 --> 00:40:10,239
Speaker 6: I'll have a word.

877
00:40:10,600 --> 00:40:12,919
Speaker 1: So it's great. It's my favorite part of the show.

878
00:40:13,000 --> 00:40:14,959
Speaker 1: It's probably the same when you guys get calls killing

879
00:40:15,040 --> 00:40:15,600
Speaker 1: and surprising.

880
00:40:15,640 --> 00:40:19,520
Speaker 3: It's a part of the show check it out Tonight

881
00:40:19,600 --> 00:40:20,839
Speaker 3: seven thirty John nine nine out.

882
00:40:20,880 --> 00:40:21,319
Speaker 2: Thanks Andy,