1 00:00:00,320 --> 00:00:04,280 Speaker 1: Jonesy and Amanda jam nace Well. A new book, Pump 2 00:00:04,320 --> 00:00:06,400 Speaker 1: Up the Jam Twenty Years of Jonesy and Amanda, is 3 00:00:06,440 --> 00:00:09,440 Speaker 1: on sale now in all good bookstores. 4 00:00:08,840 --> 00:00:11,800 Speaker 2: Full of all the kinds of stories we've covered, the 5 00:00:11,840 --> 00:00:14,640 Speaker 2: behind the scenes stuff of some of the interviews, the incidents, 6 00:00:14,680 --> 00:00:16,080 Speaker 2: the stuff that happens in the studio. 7 00:00:16,280 --> 00:00:18,200 Speaker 1: And when I say all good bookstores, I mean. 8 00:00:18,120 --> 00:00:21,479 Speaker 2: Book topia, which is great, brilliant and twenty years what 9 00:00:21,600 --> 00:00:23,760 Speaker 2: a show? Do you know many words were used on 10 00:00:23,800 --> 00:00:26,119 Speaker 2: this show during those twenty years and how many we 11 00:00:26,200 --> 00:00:28,240 Speaker 2: got right? They're two separate questions. 12 00:00:28,280 --> 00:00:30,760 Speaker 1: And boy did we catch up with some big, big names. 13 00:00:31,040 --> 00:00:34,240 Speaker 2: Dolly Parton for example. Dolly Parton one of the biggest 14 00:00:34,320 --> 00:00:37,080 Speaker 2: names in the world and one of the nicest people 15 00:00:37,440 --> 00:00:40,239 Speaker 2: you could hope to meet. Our next guest is the 16 00:00:40,280 --> 00:00:43,040 Speaker 2: most honored and revered country music star of all time. 17 00:00:43,600 --> 00:00:46,720 Speaker 2: She has both set and broken dozens of music records 18 00:00:46,760 --> 00:00:49,720 Speaker 2: over her career. She's dripping in Grammy's, She's won hearts 19 00:00:49,720 --> 00:00:52,040 Speaker 2: all over the world because she's an incredibly good human. 20 00:00:52,400 --> 00:00:54,960 Speaker 2: I can't believe this is actually happening. I'm a little overwhelmed. 21 00:00:55,120 --> 00:00:58,640 Speaker 2: Dolly Parton, Hello, Well, hello to you. 22 00:00:58,880 --> 00:01:01,560 Speaker 1: Thanks for having me, Thanks for all those nice things 23 00:01:01,560 --> 00:01:01,960 Speaker 1: you said. 24 00:01:02,160 --> 00:01:06,679 Speaker 2: Well, your book is extraordinary. It is called Storyteller, My 25 00:01:06,800 --> 00:01:10,200 Speaker 2: life in lyrics. I know that you're a prolific songwriter, 26 00:01:10,760 --> 00:01:14,920 Speaker 2: but looking through these songs and the stories that go 27 00:01:15,000 --> 00:01:18,920 Speaker 2: with them, you say you can write a song anywhere, anytime. 28 00:01:19,040 --> 00:01:22,000 Speaker 2: What's the strangest place you've been when inspiration has hit. 29 00:01:23,760 --> 00:01:25,959 Speaker 1: Well, I've been in some pretty strange plane. I never 30 00:01:25,959 --> 00:01:29,319 Speaker 1: had that ash before. Probably in the bathroom of an airplane. 31 00:01:30,200 --> 00:01:31,240 Speaker 2: But I often. 32 00:01:30,959 --> 00:01:33,280 Speaker 1: Write on airplanes. But it's like, if it hits me, 33 00:01:33,360 --> 00:01:34,840 Speaker 1: the idea, here's for me, And you say, where can 34 00:01:34,920 --> 00:01:36,520 Speaker 1: I You know, I've got something to write down. I 35 00:01:36,560 --> 00:01:38,240 Speaker 1: got to get back to my seat. But I write 36 00:01:38,600 --> 00:01:42,680 Speaker 1: in the bathtub, I write anywhere. I cook a lot, 37 00:01:43,040 --> 00:01:45,479 Speaker 1: and I write a lot in my kitchen. But there's 38 00:01:45,520 --> 00:01:48,120 Speaker 1: no place that's out of reach for me to write 39 00:01:48,120 --> 00:01:48,520 Speaker 1: a song. 40 00:01:49,240 --> 00:01:51,680 Speaker 2: You say you wrote you think you wrote Joline and 41 00:01:51,720 --> 00:01:54,080 Speaker 2: I Will Always Love You on the same day. What 42 00:01:54,160 --> 00:01:54,920 Speaker 2: a hell of a day. 43 00:01:55,040 --> 00:01:57,680 Speaker 1: That's a day. No, I don't know if it's the 44 00:01:57,680 --> 00:01:59,560 Speaker 1: same day or the same week, but it was on 45 00:01:59,600 --> 00:02:02,400 Speaker 1: the same and they were back to back. I actually 46 00:02:02,440 --> 00:02:06,000 Speaker 1: recorded both those songs though in the same album Jolene 47 00:02:06,040 --> 00:02:08,080 Speaker 1: and on the Joline album. I Will Always Love You 48 00:02:08,480 --> 00:02:11,960 Speaker 1: was also on that album, and so so it was 49 00:02:12,000 --> 00:02:14,600 Speaker 1: a good week for me or a good night because 50 00:02:14,639 --> 00:02:16,960 Speaker 1: it was we found it on the same cassette, those 51 00:02:17,000 --> 00:02:19,640 Speaker 1: two songs, and I thought that was amazing myself. I 52 00:02:19,639 --> 00:02:21,679 Speaker 1: had no idea that I had written at the same 53 00:02:21,760 --> 00:02:23,680 Speaker 1: time with this. 54 00:02:24,040 --> 00:02:26,440 Speaker 2: Many of the songs, the early kind of folk and 55 00:02:26,480 --> 00:02:29,400 Speaker 2: country songs, had a real darkness to them, and I 56 00:02:29,480 --> 00:02:31,480 Speaker 2: know that you've tapped into a lot of You were 57 00:02:31,520 --> 00:02:33,840 Speaker 2: the one of the first female songwriters to tap into 58 00:02:33,840 --> 00:02:37,640 Speaker 2: the to the darkness of real emotion. It's amazing that 59 00:02:37,680 --> 00:02:40,120 Speaker 2: you were able to do that and still sustain such 60 00:02:40,160 --> 00:02:44,560 Speaker 2: a career that it wasn't seen as a downer. Really well, 61 00:02:44,639 --> 00:02:45,560 Speaker 2: I think a lot. 62 00:02:45,400 --> 00:02:47,720 Speaker 1: Of my a lot of my stories actually come from 63 00:02:47,800 --> 00:02:51,320 Speaker 1: the old world songs from Maryland, England, Scotland and all 64 00:02:51,360 --> 00:02:54,000 Speaker 1: those songs that used to tell stories and all the ballads. 65 00:02:54,240 --> 00:02:57,400 Speaker 1: So there's a lot of that kind of darkness in 66 00:02:57,440 --> 00:03:00,800 Speaker 1: my songs. But it's more I think back to the book. 67 00:03:00,840 --> 00:03:03,480 Speaker 1: I'm reading like a song teller. I'm reading like telling 68 00:03:03,639 --> 00:03:06,399 Speaker 1: stories and I'm singing them. But that's how they used 69 00:03:06,440 --> 00:03:09,960 Speaker 1: to carry messages and how they used to carry stories 70 00:03:10,000 --> 00:03:13,240 Speaker 1: years ago before they had television and radio. They were 71 00:03:13,280 --> 00:03:16,679 Speaker 1: just singing these balladeers. Would you write and sing these 72 00:03:16,680 --> 00:03:19,600 Speaker 1: songs and travel around? But I think people just kind 73 00:03:19,600 --> 00:03:23,800 Speaker 1: of hear that in my DNA, I think, and they 74 00:03:23,880 --> 00:03:26,000 Speaker 1: kind of just kind of relate to that. But I 75 00:03:26,000 --> 00:03:28,680 Speaker 1: write a lot of happy songs. Some of my saddest 76 00:03:28,680 --> 00:03:31,840 Speaker 1: songs I've written when I was happiest, and vice versa. 77 00:03:31,919 --> 00:03:34,160 Speaker 1: So as a songwriter, you just write what comes out 78 00:03:34,200 --> 00:03:36,240 Speaker 1: of you. We were just talking about you the other day. 79 00:03:36,320 --> 00:03:38,640 Speaker 1: I didn't realize that Island's in the Stream, which was 80 00:03:38,640 --> 00:03:43,280 Speaker 1: written by the GiB Brothers, but that was originally for 81 00:03:43,400 --> 00:03:46,400 Speaker 1: Marvin Gay. Oh, I didn't even know that. You didn't 82 00:03:46,400 --> 00:03:49,080 Speaker 1: know that. I did not know that. All I know 83 00:03:49,240 --> 00:03:52,960 Speaker 1: about that song was years ago. I was living in 84 00:03:52,960 --> 00:03:56,920 Speaker 1: a little apartment up above in LA and Kenny had 85 00:03:56,920 --> 00:03:59,120 Speaker 1: a studio called Line's Share, I think it was the 86 00:03:59,160 --> 00:04:01,280 Speaker 1: name of the studio. It was just right down further 87 00:04:01,400 --> 00:04:05,000 Speaker 1: hill and so Barry they couldn't get the song wasn't 88 00:04:05,040 --> 00:04:07,640 Speaker 1: coming together, And so Barry said to Kenny, do you 89 00:04:07,720 --> 00:04:10,720 Speaker 1: happen to know Dolly Parton? And Kenny said, well. 90 00:04:10,720 --> 00:04:12,000 Speaker 2: Yeah, I know her. 91 00:04:12,240 --> 00:04:13,920 Speaker 1: You know, I've worked with her. He said, you know 92 00:04:13,960 --> 00:04:16,880 Speaker 1: how to get in touch with her? And Kenny said, well, 93 00:04:16,880 --> 00:04:19,760 Speaker 1: I can call my manager. See, so they called me. 94 00:04:19,880 --> 00:04:22,520 Speaker 1: They thought I was in Nashville, and so they said 95 00:04:23,040 --> 00:04:25,080 Speaker 1: they called me and they said, hey, Kenny wants to 96 00:04:25,120 --> 00:04:27,400 Speaker 1: talk to you. And so he said, well who are you? Said, 97 00:04:27,400 --> 00:04:29,400 Speaker 1: we got a song that we we're likely to do, 98 00:04:29,520 --> 00:04:32,279 Speaker 1: so could we send you a cassette? I said, I said, 99 00:04:32,320 --> 00:04:35,920 Speaker 1: are you here in la and he said, yeah, I'm 100 00:04:35,960 --> 00:04:39,360 Speaker 1: a line share. I said, well, I'm just uphill. I said, 101 00:04:39,360 --> 00:04:41,960 Speaker 1: can I just come on down? So seriously, it went 102 00:04:42,040 --> 00:04:44,680 Speaker 1: that easy, and so I went down to the studio 103 00:04:44,760 --> 00:04:46,600 Speaker 1: soon as I got, you know, cleaned up a little bit, 104 00:04:47,120 --> 00:04:50,400 Speaker 1: and I walked in and I just heard the song 105 00:04:50,400 --> 00:04:52,080 Speaker 1: of Time and Too. I went out and started singing 106 00:04:52,120 --> 00:04:55,039 Speaker 1: it and it clicked and everybody said, that's it. Barry said, 107 00:04:55,080 --> 00:04:56,839 Speaker 1: that's it. That's what I heard, and that's what I 108 00:04:56,920 --> 00:04:59,479 Speaker 1: wanted it to be, and boy, it just turned out great. 109 00:05:00,080 --> 00:05:02,560 Speaker 2: Just apologize to you because that is our duet. 110 00:05:02,720 --> 00:05:06,000 Speaker 1: Whenever we do karaoke, Amanda and I do karaoke, we 111 00:05:06,080 --> 00:05:07,760 Speaker 1: always do islands in the stream. 112 00:05:07,960 --> 00:05:09,000 Speaker 2: It's never a good reception. 113 00:05:09,080 --> 00:05:12,040 Speaker 1: It's a great karaoke. So Amanda plays Kenny's part and 114 00:05:12,120 --> 00:05:16,280 Speaker 1: I play your part. But can I hear a little 115 00:05:16,320 --> 00:05:16,600 Speaker 1: bit of it? 116 00:05:18,120 --> 00:05:20,800 Speaker 2: No, I don't think we've had enough to drug commission. 117 00:05:21,600 --> 00:05:24,200 Speaker 1: I was trying to say with somebody else on a 118 00:05:24,279 --> 00:05:26,200 Speaker 1: zoom call and I was having to sing the harm 119 00:05:26,279 --> 00:05:28,679 Speaker 1: and I said, we need to stop this. We're ruined 120 00:05:28,680 --> 00:05:31,000 Speaker 1: our career. So exactly, let's don't go there. 121 00:05:31,320 --> 00:05:33,160 Speaker 2: Well, Dolly, it's a treat to talk to you. 122 00:05:33,520 --> 00:05:34,680 Speaker 1: Make sure you get the book now. 123 00:05:34,680 --> 00:05:36,680 Speaker 2: It's in the song teller My Life and the lyrics 124 00:05:37,040 --> 00:05:40,480 Speaker 2: Dolly parton, thank you man, what a privilege. Thank you, Dolly,