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Speaker 1: Jump mission with Jones and Amanda.

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Speaker 2: Oh so there's a treat to talk to this woman.

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Speaker 3: She's returning to the stage to the Opera House No

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Speaker 3: List with velvet rewired.

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Speaker 2: This is a show paying homage.

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Speaker 3: To disco greats with more glitter than you can poke

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Speaker 3: a stick out Marsha Heines.

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Speaker 1: Hello, Well, good morning a man, Good morning Joe.

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Speaker 4: Hello, marsh You know I remember you performing at the

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Speaker 4: Opera House nineteen seventy nine to nineteen eighty the Change

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Speaker 4: of the Show, Change, the Change of Decade concert, the

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Speaker 4: New Year's Eve concert, and you yelled at the crowd.

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Speaker 4: Remember the crowd turned and they knocked out Doc Nissan

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Speaker 4: from the Angels with a bottle, and.

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Speaker 1: Yeah, you took the word that somebody got smashed in

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Speaker 1: the head. It was dark, wasn't it.

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Speaker 4: Yeah, damn man, Dock hit the deck and you and

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Speaker 4: you got on the microphone and you just gave the

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Speaker 4: crowd this huge lecture.

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Speaker 5: I remember it being on the news.

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Speaker 1: Yeah, not mate, not nice. And nothing else was roll,

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Speaker 1: which is kind of good.

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Speaker 2: Welcome to the New Decade.

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Speaker 5: You managed to stop the stop them in their tracks.

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Speaker 1: Oh man, you just don't do things like that.

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Speaker 3: Well, your show is paying homage to, as I said,

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Speaker 3: disco greats and New York's Studio fifty four.

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Speaker 2: Did you ever go to Studio fifty four? Yeah?

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Speaker 1: I did. Nobody knew who I was, but I snuck

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Speaker 1: him with a friend and it was very interesting. It

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Speaker 1: was all, let's put like this, it was all happening. Yeah,

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Speaker 1: it was, Yeah, it was all happening. Incredible looking people.

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Speaker 1: I saw Mick Jagger's wife there, and a couple other

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Speaker 1: really really famous people. Mick Jagger's wife, then the anchor.

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Speaker 5: Yeah that's right.

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Speaker 1: Yeah, And you know, but it was a really nice

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Speaker 1: club and the music was stupidly good, and the outfits

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Speaker 1: were mad and you know, the whole butte very very

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Speaker 1: kind of artistic though, you know, in a.

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Speaker 2: Way, you know, because what there We remember seeing images

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Speaker 2: of people riding through. It might have been Bianca Jagger

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Speaker 2: on a horse. The horse, Yeah, how casual. And with

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Speaker 2: the DJs? Were you playing? Were they playing records? Disco records?

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Speaker 1: Yeah, they're playing disco records.

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Speaker 4: Yeah, yes, of course, I'm now they're playing country in

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Speaker 4: Western No, but I mean.

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Speaker 2: With their live performance, that's what I mean. Were they

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Speaker 2: were they live performers?

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Speaker 1: Well, DJs were stars then too, but not quite as

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Speaker 1: as as you know, like step as DJs have become

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Speaker 1: these days. But you know, DJ's were stars. They were

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Speaker 1: famous in the clubs, you know.

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Speaker 4: Yeah, well I used to be when I was a DJ,

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Speaker 4: like radio. Yeah, but no, but I'm a DJ now

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Speaker 4: and then and now all these douchebags that don't do

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Speaker 4: anything are the stars when I do it all. And

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Speaker 4: but you know, we used to be huge. Now we're nothing.

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Speaker 4: They were like nothing like real estate.

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Speaker 1: Age because it's all on computer.

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Speaker 5: Yeah, and they don't do anything.

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Speaker 4: They count beat mixed, man, I.

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Speaker 5: Could beat mix. I used to beat mixed a bunch

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Speaker 5: of your stuff. I'd get I get you know what

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Speaker 5: I'd do with your your song? And if I had

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Speaker 5: a turntable here, i'd do it. I'd get you your song.

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Speaker 4: You and I'd go into knock on Wood by Amy Stewart,

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Speaker 4: and you go and actually do it the other way around.

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Speaker 4: I go Amy Stewart and you know what it does

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Speaker 4: that the drum beat there and then into the nice

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Speaker 4: piano of you. And people used to go mental.

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Speaker 1: Oh how cool is that? You? And I didn't know

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Speaker 1: you could mash up. I can mash We'll be better loon.

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Speaker 2: How does this interview become about him?

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Speaker 3: Tell us this way. Tell us about the show, because

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Speaker 3: this is a show that that has been you couldn't

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Speaker 3: do last year, is that right?

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Speaker 2: And you sort of you've much more music into it.

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Speaker 2: It's going to be amazing.

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Speaker 1: Yeah. Well look we did, man, we did Velvet already.

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Speaker 1: So this is Velvet Rewired. This is a new version

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Speaker 1: of the old Velvet, and it's years gone by. So

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Speaker 1: the young man who enters the club, he was looking

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Speaker 1: for himself in the beginning, and then he leaves us

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Speaker 1: all and only three of us are left. He comes

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Speaker 1: back to Velvety Rewired and the DJ Joey Akaria is there,

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Speaker 1: the Hula boys there, and I'm there, and then new

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Speaker 1: people come into the club, and I mean it's a family.

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Speaker 1: So he's come back to his family, really, you know.

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Speaker 1: And it's all done through music and acrobats and you know,

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Speaker 1: and dancing and but the music is just a bomberman,

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Speaker 1: you know. And you know, I don't I remember saying

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Speaker 1: someone saying to me about the fifties. They said, oh, look,

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Speaker 1: you know, the fifties weren't all that blah blah blah blah.

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Speaker 1: I wish did stop saying what a great time it was.

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Speaker 1: And I heard them, and I was much younger when

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Speaker 1: they said it, but I couldn't say to you guys,

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Speaker 1: the disco era wasn't all that because it was, because

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Speaker 1: it's still it's still resonates with us all, you know.

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Speaker 2: I mean it was.

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Speaker 1: It was a great time, and we'd come out of

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Speaker 1: the war, you know, and Vietnam war, and we were

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Speaker 1: looking for some joy, you know, and that's what the

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Speaker 1: joy and bad fashion, yes, and that's what the disco

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Speaker 1: in he gave us, you know.

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Speaker 5: And you were a party to some of that bad fashion, Masha,

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Speaker 5: I was.

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Speaker 1: Man, and it's okay. I can own that, Jonesy, I'm

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Speaker 1: sure you were too.

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Speaker 5: I'm I'm partty to bad fashion right now.

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Speaker 1: So we won't go there.

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Speaker 5: Well, it's always great to talk to you.

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Speaker 4: Ticke Us to Velvet Rewind are on sound now at

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Speaker 4: Sydney Opera House dot com.

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Speaker 5: Masha will be there, she white yellowt the Crown crowd.

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Speaker 5: It'll be great, Jonsey, No, I will not. Well unless

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Speaker 5: you throw something up on stage, you.

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Speaker 1: Gotta please don't. But you know you guys are gonna

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Speaker 1: come along, you know, because we've just come out of

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Speaker 1: such a bad time, or we're coming out of that

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Speaker 1: bad time, and we're trying to find our new normal

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Speaker 1: in the entertainment industry. I think it's so important that

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Speaker 1: we all try and try and to enjoy in music,

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Speaker 1: in theater, in whatever, you know. Like uh, because like

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Speaker 1: you said, we were supposed to be in the upper

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Speaker 1: House last year, and now we're actually try and get

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Speaker 1: in there this year.

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Speaker 4: All right, Well, I'll bring that, and I promise I

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Speaker 4: might hickl I'll bring my decks and all you gotta.

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Speaker 1: Wear an ourtshit man, you better wear an our shit.

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Speaker 2: Oh look, it might be a little grippy in the front,

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Speaker 2: but I'll go for it.

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Speaker 5: Man, it's got Mana's got a boob chip met pants.

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Speaker 2: It looks like I'm wearing a boob tube down there.

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Speaker 5: Oh dear me, thank you, Marcia. You can go now.

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Speaker 1: Jonesy and Amanda's Nation