1 00:00:00,680 --> 00:00:04,760 Speaker 1: Howerd by the iHeartRadio app from ninety six AIRFM. 2 00:00:04,360 --> 00:00:09,040 Speaker 2: To wherever you're listening today. This is Clearsy and Lisa's podcast. 3 00:00:09,640 --> 00:00:11,560 Speaker 2: Coming up. On the podcast, we hear all of your 4 00:00:11,640 --> 00:00:14,040 Speaker 2: crazy stories about what exploded. 5 00:00:14,240 --> 00:00:16,960 Speaker 3: Identical twins Ben and James Stevenson swing by for a 6 00:00:17,079 --> 00:00:19,200 Speaker 3: laugh to tell us about their new fringe show, The 7 00:00:19,200 --> 00:00:20,280 Speaker 3: Stevenson Experience. 8 00:00:20,400 --> 00:00:22,080 Speaker 2: Bit of fun and a bit of reminiscing from nineteen 9 00:00:22,079 --> 00:00:24,880 Speaker 2: eighty six with the Tragic Music Box this morning. 10 00:00:24,680 --> 00:00:27,160 Speaker 3: And Benochet gives us his thoughts on the new Bob 11 00:00:27,240 --> 00:00:32,000 Speaker 3: Dylan buy a pick a complete unknown things exploding in 12 00:00:32,120 --> 00:00:35,440 Speaker 3: your house, in your hand, in your microwave. 13 00:00:35,360 --> 00:00:37,480 Speaker 2: Might have been in the backyard, in the backyard at work, 14 00:00:37,680 --> 00:00:38,800 Speaker 2: might have been a boss. 15 00:00:38,680 --> 00:00:40,720 Speaker 3: Might have been a carpenter aant. Let me tell you 16 00:00:40,760 --> 00:00:42,240 Speaker 3: about carpenterants in a minute. 17 00:00:42,240 --> 00:00:45,680 Speaker 2: Carpenterants. Oh, they have a little tool belt around them because. 18 00:00:45,479 --> 00:00:49,239 Speaker 3: They'd be really small for our producer, Susie had a 19 00:00:49,240 --> 00:00:51,760 Speaker 3: close call in the kitchen last night. I assume it 20 00:00:51,800 --> 00:00:55,080 Speaker 3: was last night, with an exploding soup in the microwave. 21 00:00:55,480 --> 00:00:57,240 Speaker 4: Aw the lid off, so much fun to clean up 22 00:00:57,400 --> 00:01:00,120 Speaker 4: the Italian job. It blew the bloody door. 23 00:01:00,200 --> 00:01:02,440 Speaker 2: Off, blew the bloody sop, they flew the. 24 00:01:02,360 --> 00:01:03,400 Speaker 4: Bloody lid off. 25 00:01:05,520 --> 00:01:08,800 Speaker 3: Soap everywhere, contained within the microwave, of course, but no 26 00:01:08,840 --> 00:01:11,319 Speaker 3: one likes some cleaning up the microwave after an. 27 00:01:11,280 --> 00:01:13,480 Speaker 2: Explosion or a very hungry producer. 28 00:01:13,720 --> 00:01:16,479 Speaker 3: We want to talk about on thirteen ten sixty five 29 00:01:16,680 --> 00:01:19,120 Speaker 3: or the text zero four seventy six ninety six, ninety 30 00:01:19,120 --> 00:01:24,120 Speaker 3: six ninety six, what exploded. I've had a hair dryer explode, 31 00:01:24,680 --> 00:01:29,320 Speaker 3: but it was a mild explosion because that actually can 32 00:01:29,400 --> 00:01:32,880 Speaker 3: be very full on and floating hair dry Did. 33 00:01:32,760 --> 00:01:34,160 Speaker 2: You see any blue sparks or anything? 34 00:01:34,440 --> 00:01:37,720 Speaker 3: Not really, but you can end up with soot everywhere, 35 00:01:37,880 --> 00:01:41,040 Speaker 3: and you know, a nasty electrocution. 36 00:01:40,600 --> 00:01:41,560 Speaker 4: Style of injury. 37 00:01:41,680 --> 00:01:42,479 Speaker 2: Set your hair on fie. 38 00:01:43,520 --> 00:01:46,800 Speaker 3: More of a bang and a bad hair day, a 39 00:01:46,800 --> 00:01:49,760 Speaker 3: bigger bang bang followed by a bad hair day. 40 00:01:50,680 --> 00:01:53,960 Speaker 4: But yes, it can be very bad. But us talking about. 41 00:01:53,760 --> 00:01:58,560 Speaker 3: Ants opened Southeast Asia, electrician ants or something. You might 42 00:01:58,640 --> 00:02:02,920 Speaker 3: have ants that explode. We all have carpenter ants. They're 43 00:02:03,120 --> 00:02:06,360 Speaker 3: the ants that sort of burrow into not like termites 44 00:02:06,400 --> 00:02:08,480 Speaker 3: eat that eat the wood, but they burrow into wood 45 00:02:08,520 --> 00:02:12,160 Speaker 3: and live there. But in Southeast Asia, there's a species 46 00:02:12,200 --> 00:02:17,280 Speaker 3: of carpenter ants that will explode to protect the queen, 47 00:02:17,639 --> 00:02:19,799 Speaker 3: their worker aunts. Theyre as worker as it gets. They 48 00:02:19,840 --> 00:02:22,560 Speaker 3: explode to kill the rivals. Of course it kills them 49 00:02:22,600 --> 00:02:26,680 Speaker 3: as well. They have this mandibular gland that runs the 50 00:02:26,880 --> 00:02:29,919 Speaker 3: entire length of their body, and they can release their 51 00:02:29,960 --> 00:02:36,080 Speaker 3: contents suicidally by performing auto thesis, where they rupture their 52 00:02:36,120 --> 00:02:40,160 Speaker 3: own body and spray a toxic substance from their head. 53 00:02:40,760 --> 00:02:44,360 Speaker 3: When they explode, a toxic substance comes from the exploding head, 54 00:02:44,800 --> 00:02:45,959 Speaker 3: which kills the rival. 55 00:02:46,400 --> 00:02:50,400 Speaker 2: Can you believe nature? I think that's in my work contract. 56 00:02:50,400 --> 00:02:53,920 Speaker 2: It's in correct. That is loyalty to the monarch, isn't it. 57 00:02:54,000 --> 00:02:55,919 Speaker 4: That'sploding ants. 58 00:02:57,680 --> 00:02:59,600 Speaker 2: I can't never heard of that. Carpenter ants here. 59 00:02:59,520 --> 00:03:03,720 Speaker 3: You go anyway, probably not that extreme, but what has exploded? 60 00:03:04,440 --> 00:03:06,440 Speaker 2: I did boring one over summer. We had a lot 61 00:03:06,440 --> 00:03:09,160 Speaker 2: of people, seventeen people coming for Chrissy. So I stuck 62 00:03:09,200 --> 00:03:11,480 Speaker 2: a whole lot of cans of pepsi in the freezer. 63 00:03:11,840 --> 00:03:15,320 Speaker 2: Oh you just because, yeah, idiot, and i'd left. I'd left, 64 00:03:15,720 --> 00:03:16,960 Speaker 2: so I took them all out in time, put them 65 00:03:17,000 --> 00:03:19,040 Speaker 2: in the in the ice or whatever, and I'd left 66 00:03:19,040 --> 00:03:21,440 Speaker 2: one can of pepsi and it exploded. And I don't 67 00:03:21,480 --> 00:03:22,880 Speaker 2: know if you've ever seen the results of a can 68 00:03:22,919 --> 00:03:25,120 Speaker 2: of soft drink, because it's you know, it's a sugary mess. 69 00:03:25,440 --> 00:03:27,280 Speaker 2: But when it explodes, it comes out to a certain pattern, 70 00:03:27,320 --> 00:03:29,320 Speaker 2: and then freezers in that pattern has all it's come out, 71 00:03:29,600 --> 00:03:31,400 Speaker 2: and I think, and that's a work of art. Banks 72 00:03:31,400 --> 00:03:33,639 Speaker 2: he had loved that. Yeah, it was pretty cool, and 73 00:03:33,680 --> 00:03:34,000 Speaker 2: then I. 74 00:03:34,040 --> 00:03:39,080 Speaker 4: Clean, I've seen worse in modern you know, when you. 75 00:03:39,040 --> 00:03:42,200 Speaker 3: Have a check on that's where from million bucks when 76 00:03:42,200 --> 00:03:45,120 Speaker 3: you're moving an outdoor table. Craig and Singleton confirms what 77 00:03:45,160 --> 00:03:48,080 Speaker 3: we were saying earlier. He had a ten seater glass 78 00:03:48,160 --> 00:03:52,160 Speaker 3: outdoor table and while moving it, it exploded into. 79 00:03:51,960 --> 00:03:54,400 Speaker 4: About a million pieces. 80 00:03:54,480 --> 00:03:56,360 Speaker 2: Yeah, I've done that pick up job before. It's so 81 00:03:56,440 --> 00:03:59,000 Speaker 2: much fun. At least it is that sort of safety glass. 82 00:03:59,000 --> 00:04:00,000 Speaker 2: It's not quite the shark. 83 00:04:00,760 --> 00:04:03,600 Speaker 3: No, it's not going to but it would, I mean, 84 00:04:03,840 --> 00:04:06,040 Speaker 3: it would take five years off your life with the 85 00:04:06,080 --> 00:04:06,960 Speaker 3: fright give to you. 86 00:04:07,080 --> 00:04:09,119 Speaker 2: I reckon, Yeah, you have done that and then tried 87 00:04:09,120 --> 00:04:10,640 Speaker 2: to get out of the grass at mum's place when 88 00:04:11,360 --> 00:04:12,400 Speaker 2: oh yeah, oh my. 89 00:04:12,320 --> 00:04:15,280 Speaker 4: God, stepping on those or bits for ever. 90 00:04:15,280 --> 00:04:18,400 Speaker 2: For a generation. Yes, it's good Peter. 91 00:04:19,680 --> 00:04:21,400 Speaker 4: Morning, guys, how are we good? 92 00:04:21,680 --> 00:04:22,000 Speaker 2: Well? 93 00:04:22,040 --> 00:04:23,400 Speaker 4: What exploded on your Peter? 94 00:04:24,320 --> 00:04:26,920 Speaker 5: This is where my children were about five six. I 95 00:04:26,960 --> 00:04:29,840 Speaker 5: was doing my homemade batch of ginger beer, had it 96 00:04:29,880 --> 00:04:33,080 Speaker 5: already in the fridge, and my oldest son opened the 97 00:04:33,120 --> 00:04:35,680 Speaker 5: fridge to get a juice box hound or something like that, 98 00:04:35,920 --> 00:04:39,360 Speaker 5: closed the fridge. Two seconds later, the fridge stores having 99 00:04:39,440 --> 00:04:43,520 Speaker 5: not thereous gingerbea bottles everywhere and I have never seen 100 00:04:43,600 --> 00:04:48,080 Speaker 5: glass fly so much. Wow, you have my youngest son 101 00:04:48,160 --> 00:04:49,680 Speaker 5: to turn around and goum me. 102 00:04:51,560 --> 00:04:55,200 Speaker 2: One of the science experiments. Wow, they were sort of 103 00:04:55,240 --> 00:04:58,960 Speaker 2: like ginger beer cocktails, like Molotov Molotov cocktails gone on 104 00:04:59,400 --> 00:04:59,760 Speaker 2: very much. 105 00:05:00,440 --> 00:05:02,760 Speaker 5: I think what the giggle was was have the fridge 106 00:05:02,839 --> 00:05:04,240 Speaker 5: door actually hanging off? 107 00:05:04,400 --> 00:05:07,200 Speaker 2: Yeah? Yeah, that's an explosion, blew the doors off. 108 00:05:08,279 --> 00:05:09,480 Speaker 4: Thank you, Peter. 109 00:05:09,640 --> 00:05:12,120 Speaker 3: It's amazing that as you were saying that, we've got 110 00:05:12,160 --> 00:05:15,600 Speaker 3: a text come through from mattin Edgewater who says a 111 00:05:15,800 --> 00:05:19,400 Speaker 3: home brewge ginger beer added too much sugar, went bottling 112 00:05:19,400 --> 00:05:22,080 Speaker 3: and for the next month had the exploding bottle coming 113 00:05:22,080 --> 00:05:27,719 Speaker 3: from the shed and then one exploded in his hand 114 00:05:27,800 --> 00:05:28,880 Speaker 3: when he tried to open it. 115 00:05:29,000 --> 00:05:30,719 Speaker 2: I keep saying on the end sugar he drinks an't 116 00:05:30,720 --> 00:05:31,200 Speaker 2: good for us. 117 00:05:31,560 --> 00:05:31,920 Speaker 4: They do. 118 00:05:32,160 --> 00:05:33,359 Speaker 2: It's not just about what we're thinking. 119 00:05:33,360 --> 00:05:37,320 Speaker 3: First up, well, okay, well, anyone ever done the mentos 120 00:05:37,960 --> 00:05:38,640 Speaker 3: pepsi thing. 121 00:05:38,960 --> 00:05:41,600 Speaker 2: I've not only of us, seen it online someone doing 122 00:05:41,640 --> 00:05:47,720 Speaker 2: it five four three two one. 123 00:05:48,520 --> 00:05:48,599 Speaker 5: Go. 124 00:05:57,960 --> 00:06:01,120 Speaker 1: You're only supposed to bloat up, bloody DAWs. 125 00:06:01,560 --> 00:06:04,920 Speaker 2: You've been bursting because you said it twice already. 126 00:06:07,720 --> 00:06:13,440 Speaker 3: Risen Rockingham, Hello, Chris, what what exploded? 127 00:06:13,520 --> 00:06:13,960 Speaker 4: Chris? 128 00:06:14,640 --> 00:06:15,160 Speaker 6: A mouse? 129 00:06:15,560 --> 00:06:16,080 Speaker 4: A mouse? 130 00:06:16,680 --> 00:06:17,000 Speaker 2: Mouse? 131 00:06:18,200 --> 00:06:18,520 Speaker 5: Mouse? 132 00:06:18,600 --> 00:06:22,279 Speaker 6: Yeahs about the wife used to keep a pet snake. 133 00:06:23,160 --> 00:06:27,400 Speaker 2: Oh god, she wouldn't leave it. 134 00:06:27,520 --> 00:06:30,279 Speaker 6: She wouldn't seed it live food, so she'd only seed 135 00:06:30,279 --> 00:06:33,800 Speaker 6: it frozen food, which she kept in the freezer, and 136 00:06:33,839 --> 00:06:35,880 Speaker 6: she got to check it out one. Then the best 137 00:06:35,920 --> 00:06:38,360 Speaker 6: way the frosted it would put it in the microwave, 138 00:06:38,400 --> 00:06:48,040 Speaker 6: and the mouse exploded. God, he was messier than cleaning soup. 139 00:06:50,400 --> 00:06:50,800 Speaker 4: I reckon. 140 00:06:50,839 --> 00:06:56,240 Speaker 3: I would have just thrown that microwife out. I don't 141 00:06:56,240 --> 00:06:58,800 Speaker 3: think I'd ever be able to get past the fact 142 00:06:58,800 --> 00:07:00,480 Speaker 3: that a mouse exploded. 143 00:07:01,040 --> 00:07:04,800 Speaker 4: Every every time. Or I would have given that. 144 00:07:04,680 --> 00:07:08,000 Speaker 3: One, specifically to the snake. Here go, this is your microwaves, 145 00:07:08,200 --> 00:07:10,800 Speaker 3: you for your. 146 00:07:10,840 --> 00:07:12,600 Speaker 2: Actually, I would have given it to a cast member 147 00:07:12,600 --> 00:07:13,560 Speaker 2: from that show alone. 148 00:07:14,120 --> 00:07:16,760 Speaker 3: That would make every more so absolutely would have a 149 00:07:17,200 --> 00:07:18,200 Speaker 3: nose off and eat that. 150 00:07:18,480 --> 00:07:19,440 Speaker 4: So it's a delicacy. 151 00:07:19,520 --> 00:07:21,280 Speaker 2: Absolutely, Thanks Chris. 152 00:07:21,440 --> 00:07:23,440 Speaker 4: That image. It's going to stay with me all day. 153 00:07:23,760 --> 00:07:25,200 Speaker 2: Can you just go in the microwave and get me 154 00:07:25,200 --> 00:07:25,640 Speaker 2: some member. 155 00:07:27,280 --> 00:07:30,880 Speaker 4: Diane in Morley, what would exploded? 156 00:07:31,800 --> 00:07:33,760 Speaker 5: Oh look, boy, Scout camp in America. 157 00:07:34,000 --> 00:07:36,080 Speaker 4: Last night of their camp, big bonfire. 158 00:07:36,200 --> 00:07:38,960 Speaker 7: Some crazy kids through unopened can of baked. 159 00:07:38,800 --> 00:07:39,559 Speaker 5: Beans in the fire. 160 00:07:39,880 --> 00:07:40,280 Speaker 2: Terrific. 161 00:07:40,440 --> 00:07:43,800 Speaker 3: Oh yeah, close to the tents of course, So all 162 00:07:43,840 --> 00:07:45,960 Speaker 3: these little burnt baked bean holes in the tent. 163 00:07:48,320 --> 00:07:49,760 Speaker 2: Would like bullet hole. 164 00:07:51,040 --> 00:07:53,320 Speaker 4: Yep, yep, yep. Just they just did it just to 165 00:07:53,360 --> 00:07:54,200 Speaker 4: see what would happen. 166 00:07:54,360 --> 00:07:57,080 Speaker 2: Of course. Yeah, it's a little science experiment because they 167 00:07:57,080 --> 00:08:00,760 Speaker 2: were bored. Thanks, no worries. 168 00:08:00,760 --> 00:08:03,400 Speaker 3: It's not Scout trip until someone's throwing to counter bake 169 00:08:03,480 --> 00:08:04,760 Speaker 3: beans in the fart exactly. 170 00:08:04,880 --> 00:08:06,240 Speaker 2: Either that or the kids have eaten the beans and 171 00:08:06,280 --> 00:08:07,160 Speaker 2: you know what happens. 172 00:08:06,840 --> 00:08:08,400 Speaker 4: In the job bang. 173 00:08:09,560 --> 00:08:12,400 Speaker 3: Brian in forest Field has actually, I said, just photographic 174 00:08:12,440 --> 00:08:16,640 Speaker 3: evidence after he was installing a shower screen and exploded 175 00:08:16,680 --> 00:08:19,679 Speaker 3: while he was putting it in position. When there's something 176 00:08:19,720 --> 00:08:24,000 Speaker 3: like this happens it's scarce the banesus. 177 00:08:23,120 --> 00:08:23,520 Speaker 4: Out of you. 178 00:08:24,360 --> 00:08:28,840 Speaker 3: So if the the exploding glass doesn't get you. 179 00:08:28,200 --> 00:08:30,720 Speaker 2: The fright, will that table that I had, that glasstop 180 00:08:30,720 --> 00:08:32,920 Speaker 2: table exploded. It makes a really loud bang when it 181 00:08:32,960 --> 00:08:35,199 Speaker 2: goes to because it's a safety glass up makes it 182 00:08:35,200 --> 00:08:37,160 Speaker 2: because there's so many bits breaking so small. 183 00:08:37,400 --> 00:08:41,240 Speaker 3: Well, you know how I have My house has been 184 00:08:41,280 --> 00:08:44,640 Speaker 3: hit by lightning twice because I'm. 185 00:08:44,520 --> 00:08:46,320 Speaker 4: Some sort of weird conduity. 186 00:08:46,360 --> 00:08:48,440 Speaker 2: You are, Yeah, you're the ground that. 187 00:08:49,000 --> 00:08:52,560 Speaker 3: Made the transponder in the street explode. That that is 188 00:08:52,679 --> 00:08:55,959 Speaker 3: one hell of an or much to yourself. Then the 189 00:08:56,000 --> 00:08:59,920 Speaker 3: whole street gets to enjoy the yeah my stranger thing 190 00:09:00,000 --> 00:09:04,320 Speaker 3: business the games. Lisa and Pamelia said, we actually had 191 00:09:04,400 --> 00:09:07,000 Speaker 3: a bit of an explosion at one forty seven this morning. 192 00:09:07,559 --> 00:09:09,720 Speaker 4: The wall covered in the kitchen came apart and off 193 00:09:09,720 --> 00:09:10,320 Speaker 4: the wall. 194 00:09:10,360 --> 00:09:15,240 Speaker 3: Every glass shattered, plates, bowls, the lot aged doesn't I 195 00:09:15,320 --> 00:09:17,640 Speaker 3: never heard anything like that. You'd wonder what the heck 196 00:09:17,760 --> 00:09:18,160 Speaker 3: was going on? 197 00:09:18,240 --> 00:09:20,760 Speaker 2: Absolutely think, yeah, I think the sky is falling. Let's 198 00:09:20,800 --> 00:09:21,440 Speaker 2: go to Woodridge. 199 00:09:22,320 --> 00:09:24,600 Speaker 4: Hello, mel Hello, what exploded? 200 00:09:25,640 --> 00:09:26,080 Speaker 5: Okay? 201 00:09:26,160 --> 00:09:29,480 Speaker 7: So yeah, yeah, my niece has had a spawty little 202 00:09:29,520 --> 00:09:32,319 Speaker 7: high on die car with the sun wreath yeah, driving 203 00:09:32,440 --> 00:09:37,079 Speaker 7: down Wannery Road and seating explode. 204 00:09:38,600 --> 00:09:42,160 Speaker 3: Sun really, oh my god, right above your head. 205 00:09:43,160 --> 00:09:46,040 Speaker 5: Oh yeah, she got scared the living daylights out of 206 00:09:46,080 --> 00:09:47,480 Speaker 5: her shaking. 207 00:09:47,640 --> 00:09:48,440 Speaker 2: It wasn't hurt. 208 00:09:49,040 --> 00:09:51,319 Speaker 3: Did she run into any other car, because I mean, 209 00:09:51,360 --> 00:09:54,120 Speaker 3: that's excuse. I mean, it's certainly going to put you 210 00:09:54,160 --> 00:09:56,560 Speaker 3: off your trajectory. 211 00:09:58,120 --> 00:10:01,840 Speaker 7: Actually, she was in a double lane, and yeah, she's pretty, 212 00:10:02,040 --> 00:10:03,839 Speaker 7: sheels pretty good. She don't had a life for a 213 00:10:03,880 --> 00:10:04,559 Speaker 7: couple of years. 214 00:10:05,360 --> 00:10:08,000 Speaker 2: Showered in that glass, well it is. 215 00:10:08,960 --> 00:10:10,840 Speaker 5: She sold that a lot more after that. 216 00:10:12,440 --> 00:10:13,880 Speaker 2: You know, they'd still be bits of the glass in 217 00:10:13,920 --> 00:10:19,320 Speaker 2: there somewhere in the cap we got there. Eventually, it 218 00:10:19,400 --> 00:10:20,960 Speaker 2: was like every second word was vanished. 219 00:10:20,960 --> 00:10:23,840 Speaker 4: I know, at first I thought her niece had exploded decipher. 220 00:10:25,320 --> 00:10:30,240 Speaker 4: I think she had ready fellow, good morning exploded. 221 00:10:31,040 --> 00:10:34,000 Speaker 7: So when I was a little about ten, I decided 222 00:10:34,080 --> 00:10:36,120 Speaker 7: I wanted my own room and thought would be good 223 00:10:36,160 --> 00:10:38,120 Speaker 7: I do the share with my little sister, who was 224 00:10:38,480 --> 00:10:43,120 Speaker 7: about eighteen months old. While she was having a sleep, 225 00:10:43,240 --> 00:10:49,160 Speaker 7: she managed to grab my jewelry box from a nearby 226 00:10:49,880 --> 00:10:54,080 Speaker 7: shelf and one of the chains she dropped over the 227 00:10:54,160 --> 00:10:57,360 Speaker 7: side and it landed on the double adapter that was 228 00:10:57,400 --> 00:11:00,880 Speaker 7: hanging out and made the biggest we've ever heard. 229 00:11:02,400 --> 00:11:02,920 Speaker 2: That's going to. 230 00:11:06,760 --> 00:11:10,720 Speaker 7: But yeah, it happened to fall just in the right spot. 231 00:11:10,800 --> 00:11:12,439 Speaker 2: You couldn't do it if you tried a million times. 232 00:11:12,520 --> 00:11:19,520 Speaker 2: It's amazing kinds of different explosions. I wasn't expecting. 233 00:11:19,800 --> 00:11:23,640 Speaker 3: I just I just remembered then too, I had a 234 00:11:23,720 --> 00:11:26,440 Speaker 3: cigarette lighter explode once. 235 00:11:26,480 --> 00:11:28,360 Speaker 4: This is why smoking is so good for you. 236 00:11:28,840 --> 00:11:32,439 Speaker 3: If you leave them in the car, you're a big lighter, 237 00:11:32,520 --> 00:11:35,160 Speaker 3: ye can get a bit overheated and explode. 238 00:11:35,200 --> 00:11:37,280 Speaker 2: Yeah that's not good, not good at all. Yeah, I 239 00:11:37,280 --> 00:11:39,640 Speaker 2: don't make called Peter Fullerton who used to make bombs 240 00:11:39,920 --> 00:11:44,559 Speaker 2: and exploded bombs. Well, he used to put chlorine and 241 00:11:44,600 --> 00:11:47,120 Speaker 2: break fluid together and his dad, dad would of course 242 00:11:47,120 --> 00:11:48,880 Speaker 2: that would explode when he threw it into the sand pit. 243 00:11:49,520 --> 00:11:52,240 Speaker 2: But his dad would explode every time he go. You 244 00:11:52,280 --> 00:11:55,400 Speaker 2: stealing my things out of my shead. You had to 245 00:11:55,480 --> 00:11:58,199 Speaker 2: be really careful explosive dads. 246 00:12:00,080 --> 00:12:04,240 Speaker 3: In swan View says my husband, for some unknown reason, 247 00:12:04,840 --> 00:12:08,720 Speaker 3: put his pie on a plastic plate in the oven. Well, 248 00:12:08,760 --> 00:12:11,600 Speaker 3: of course the plate melted very quickly and dripped onto 249 00:12:11,600 --> 00:12:14,199 Speaker 3: the electric element, causing a mini explosion. 250 00:12:14,600 --> 00:12:17,160 Speaker 4: Fire and smoke ensued. And then guess what. 251 00:12:17,360 --> 00:12:21,600 Speaker 3: He threw water onto the fire in the electric still 252 00:12:21,840 --> 00:12:22,559 Speaker 3: arking oven. 253 00:12:23,360 --> 00:12:26,120 Speaker 4: Luckily a bigger explosion was averted, but the clean up 254 00:12:26,240 --> 00:12:27,040 Speaker 4: lasted days. 255 00:12:27,800 --> 00:12:31,320 Speaker 2: Did he still eat the pie? A bit? A bit plastic? 256 00:12:32,440 --> 00:12:34,400 Speaker 4: Scratched? It was anything like my dad prob would have. 257 00:12:34,400 --> 00:12:36,600 Speaker 3: Just scratched off the bot, get rid of the plastic, 258 00:12:36,679 --> 00:12:39,800 Speaker 3: eaten the pie. 259 00:12:41,320 --> 00:12:46,760 Speaker 2: Hello, Mick, what exploded in your in your world? 260 00:12:47,080 --> 00:12:47,320 Speaker 5: Well? 261 00:12:48,520 --> 00:12:52,040 Speaker 8: I was listening to the Carpentery Yes story this morning 262 00:12:52,080 --> 00:12:54,480 Speaker 8: and reminded me of a party trick we do all the 263 00:12:54,559 --> 00:13:00,920 Speaker 8: time with a MASSI and Skido leaned on your legal 264 00:13:02,840 --> 00:13:05,400 Speaker 8: let it settle, and then grab a couple of fingers 265 00:13:05,480 --> 00:13:09,760 Speaker 8: either side of it and just squeeze out. Lisa, you'd 266 00:13:09,800 --> 00:13:12,800 Speaker 8: be surprised. Mate. The little bob stays here and they 267 00:13:12,840 --> 00:13:16,680 Speaker 8: keeps sucking to the point where you body explodes, exploding 268 00:13:17,160 --> 00:13:18,240 Speaker 8: literally exploding. 269 00:13:19,120 --> 00:13:24,199 Speaker 2: Wow, suck your blood to do this? Punk band? Doesn't 270 00:13:24,200 --> 00:13:24,720 Speaker 2: it exploding? 271 00:13:25,640 --> 00:13:26,080 Speaker 8: Exploding? 272 00:13:28,960 --> 00:13:29,160 Speaker 4: They do? 273 00:13:29,360 --> 00:13:32,120 Speaker 8: They literally literally bow up. 274 00:13:33,880 --> 00:13:37,680 Speaker 3: Okay, I can't muster up too much sympathy for an 275 00:13:37,720 --> 00:13:39,160 Speaker 3: exploding mosquitoes. 276 00:13:41,040 --> 00:13:42,880 Speaker 2: But especially if they've been in your room all night game. 277 00:13:42,960 --> 00:13:44,320 Speaker 4: Especially they've been in your leg. 278 00:13:47,200 --> 00:13:52,199 Speaker 2: There's no noise, more annoying at night, doesn't drive you 279 00:13:52,320 --> 00:13:54,640 Speaker 2: crazy and you know they just have to your blood 280 00:13:54,640 --> 00:13:58,679 Speaker 2: as you say. Sign for another Fringe festival and with 281 00:13:59,040 --> 00:13:59,760 Speaker 2: Clazy and. 282 00:14:01,320 --> 00:14:04,280 Speaker 4: The Stevenson Experience, Oh Brother, Where art They? 283 00:14:04,320 --> 00:14:06,679 Speaker 3: I was in town for Fringe at Lennot's Lounge in 284 00:14:06,800 --> 00:14:10,400 Speaker 3: Northbridge from tonight until Sunday. Tickets are available through fringeworld 285 00:14:10,440 --> 00:14:14,360 Speaker 3: dot com at dot au. Ben and James Stephenson join 286 00:14:14,480 --> 00:14:15,440 Speaker 3: us this morning. 287 00:14:16,120 --> 00:14:18,080 Speaker 2: Hello, thanks for having us. 288 00:14:18,160 --> 00:14:20,800 Speaker 4: So are you touch of the Cohen Brothers about the name? 289 00:14:20,880 --> 00:14:21,800 Speaker 4: What's going on there? 290 00:14:22,000 --> 00:14:24,160 Speaker 2: Yeah, well we thought obviously brothers. 291 00:14:24,240 --> 00:14:26,360 Speaker 1: I guess radio is our best medium for our joke 292 00:14:26,400 --> 00:14:28,360 Speaker 1: because we're identical twins and that's kind of what the 293 00:14:28,440 --> 00:14:29,920 Speaker 1: whole the whole show is about. 294 00:14:30,400 --> 00:14:32,560 Speaker 2: And it's really coming across right now, isn't it that 295 00:14:32,680 --> 00:14:33,320 Speaker 2: we just saw all the. 296 00:14:33,320 --> 00:14:35,960 Speaker 1: Listeners know where identical twins and there's a mild into 297 00:14:36,040 --> 00:14:38,960 Speaker 1: notion difference in our voice. So I'm James and that's Ben. 298 00:14:38,880 --> 00:14:41,720 Speaker 2: That just looked. But the full title is the Stevens Experience. 299 00:14:41,760 --> 00:14:42,400 Speaker 2: That's what we called. 300 00:14:42,440 --> 00:14:43,840 Speaker 1: But the full title of the show is Oh Brother, 301 00:14:43,920 --> 00:14:46,920 Speaker 1: where aren't thou? And then in brackets on stage right, 302 00:14:46,960 --> 00:14:49,240 Speaker 1: next to me, So that's sort of like and we 303 00:14:50,120 --> 00:14:51,960 Speaker 1: wrote that and then we thought that's pretty funny. And 304 00:14:52,200 --> 00:14:54,880 Speaker 1: I just want to guarantee everyone that the title's not 305 00:14:55,080 --> 00:14:57,600 Speaker 1: the funniest part of the show. The show is better 306 00:14:57,640 --> 00:14:59,280 Speaker 1: than the title, but the title. 307 00:14:59,040 --> 00:15:01,960 Speaker 2: Still some other club stuff work's going into it. Yeah, exactly. 308 00:15:02,320 --> 00:15:04,720 Speaker 2: I mean, it's up there, it's up there. It's one 309 00:15:04,760 --> 00:15:05,600 Speaker 2: of the better jokes. 310 00:15:05,920 --> 00:15:07,680 Speaker 1: I mean, when you sit down to write a show 311 00:15:07,760 --> 00:15:09,480 Speaker 1: and you go, okay, what's the title, and then you 312 00:15:09,560 --> 00:15:11,840 Speaker 1: spend four weeks on the title, and then you come 313 00:15:11,920 --> 00:15:13,560 Speaker 1: up with it and you go, oh, I am taking 314 00:15:13,600 --> 00:15:14,120 Speaker 1: a week off. 315 00:15:14,400 --> 00:15:15,120 Speaker 2: Now we've got that. 316 00:15:15,440 --> 00:15:17,600 Speaker 1: If we spent four weeks on the title, imagine how 317 00:15:17,640 --> 00:15:19,840 Speaker 1: many weeks we spent on each of the jokes, you. 318 00:15:19,880 --> 00:15:22,080 Speaker 2: Know, yeah, seventeen years exactly. 319 00:15:22,160 --> 00:15:25,000 Speaker 4: I would have thought that the title would come after 320 00:15:25,560 --> 00:15:26,600 Speaker 4: the show, am I right? 321 00:15:26,680 --> 00:15:26,840 Speaker 2: God? 322 00:15:26,960 --> 00:15:29,600 Speaker 4: No, you know, the fringe guy come up with the title, 323 00:15:29,640 --> 00:15:31,960 Speaker 4: and then you know, the fringe guy. 324 00:15:32,280 --> 00:15:35,480 Speaker 1: Little with the little blurbs and come see, everybody writes 325 00:15:35,560 --> 00:15:40,400 Speaker 1: their blurb before they even start writing. Will you get 326 00:15:40,440 --> 00:15:43,160 Speaker 1: the email from the festivals and they say what's the 327 00:15:43,200 --> 00:15:45,640 Speaker 1: show about? And you say, it's about pirates? And it's 328 00:15:45,680 --> 00:15:48,280 Speaker 1: about ghosts, and it's about this and this and this, 329 00:15:48,440 --> 00:15:50,000 Speaker 1: and then you put it in the print guide and 330 00:15:50,040 --> 00:15:51,920 Speaker 1: then you write the show and you're like, there's no 331 00:15:52,080 --> 00:15:52,960 Speaker 1: pirates in this show. 332 00:15:53,000 --> 00:15:58,080 Speaker 2: Amore print every comedian, I just mentioned what a terrible 333 00:15:58,320 --> 00:16:02,360 Speaker 2: improv for what a show might be. It's about pirates. 334 00:16:02,920 --> 00:16:05,280 Speaker 2: I'm just not assure everyone our show is not about pirates. 335 00:16:05,360 --> 00:16:08,280 Speaker 2: There is actually a joke about ghost. There is a ghost. 336 00:16:09,160 --> 00:16:12,520 Speaker 1: I've got a house recently in it I think it's haunted. Yeah, 337 00:16:12,680 --> 00:16:15,240 Speaker 1: And so the thing with hauntings is you know how 338 00:16:15,280 --> 00:16:16,800 Speaker 1: to get rid of the ghost. And somebody told me 339 00:16:16,840 --> 00:16:18,600 Speaker 1: that you have to have a lot of positive energy, 340 00:16:19,480 --> 00:16:23,160 Speaker 1: which you are definitely not which and the way to 341 00:16:23,200 --> 00:16:25,600 Speaker 1: fix that is if you host a child's birthday party, 342 00:16:26,120 --> 00:16:28,600 Speaker 1: then the positive energy of a children's birthday party will 343 00:16:28,640 --> 00:16:30,880 Speaker 1: vanquish your ghost. Somebody told me that that is a 344 00:16:30,920 --> 00:16:33,320 Speaker 1: really difficult party to organize when you don't have kids 345 00:16:33,720 --> 00:16:33,920 Speaker 1: like it. 346 00:16:34,040 --> 00:16:34,840 Speaker 2: It's difficult. 347 00:16:34,920 --> 00:16:37,600 Speaker 1: You can have to steal some Yeah, I'm handing out 348 00:16:37,600 --> 00:16:39,000 Speaker 1: invitations down the primary school. 349 00:16:39,040 --> 00:16:41,160 Speaker 2: It's on on Saturday. You should can't. It's just a 350 00:16:41,280 --> 00:16:45,360 Speaker 2: hard sell. Even the ghost, like I'm not living, can 351 00:16:45,400 --> 00:16:47,440 Speaker 2: you be haunted by twins. Wouldn't that be bizarre? There 352 00:16:47,480 --> 00:16:49,680 Speaker 2: are two of them in the spirit, would be good. 353 00:16:50,760 --> 00:16:54,560 Speaker 2: I think the premise is unfinished business, so yeah, definitely. 354 00:16:55,240 --> 00:16:58,120 Speaker 3: Well the Beauty about the Stevenson Experience as a title, 355 00:16:58,440 --> 00:17:01,360 Speaker 3: it leaves you open to pretty much fill in the 356 00:17:01,960 --> 00:17:02,880 Speaker 3: blanks with anything. 357 00:17:03,080 --> 00:17:05,399 Speaker 4: So what is this show this one about? 358 00:17:05,800 --> 00:17:08,879 Speaker 2: Well, we are what, we're a blurb, we're what was 359 00:17:08,960 --> 00:17:09,440 Speaker 2: on blurb. 360 00:17:09,480 --> 00:17:11,320 Speaker 1: I'll tell you what the show is actually about, as 361 00:17:11,359 --> 00:17:14,920 Speaker 1: opposed to it was the blows about pirates, about tirrants 362 00:17:15,000 --> 00:17:18,359 Speaker 1: and ghosts, you know, all that good stuff, where musical 363 00:17:18,400 --> 00:17:19,720 Speaker 1: comedians were identical twins. 364 00:17:19,800 --> 00:17:22,719 Speaker 2: We did musical comedy. So but those you haven't seen 365 00:17:22,720 --> 00:17:23,040 Speaker 2: this before. 366 00:17:23,080 --> 00:17:26,919 Speaker 1: We sing funny songs, banter between siblings, family sibling rivalry, 367 00:17:26,960 --> 00:17:29,000 Speaker 1: and lots of standup comedy. But this year, what actually 368 00:17:29,040 --> 00:17:30,600 Speaker 1: happened was we were sitting in a pub. 369 00:17:30,920 --> 00:17:31,359 Speaker 2: And we. 370 00:17:33,240 --> 00:17:35,240 Speaker 1: We decided that we were going to take it seriously, 371 00:17:35,280 --> 00:17:36,879 Speaker 1: and we were wondered if we could become like a 372 00:17:36,960 --> 00:17:40,240 Speaker 1: publicly listed company for the Stevenson Experience. And I sold 373 00:17:40,320 --> 00:17:44,040 Speaker 1: Benjamin one percent of my share, so he owns fifty 374 00:17:44,080 --> 00:17:45,320 Speaker 1: one percent of the Stevens Experience. 375 00:17:45,640 --> 00:17:47,240 Speaker 2: A nine percent for one beer. 376 00:17:47,720 --> 00:17:50,600 Speaker 1: And so now he's my boss and I'm an employee formerly, 377 00:17:50,800 --> 00:17:54,000 Speaker 1: and so he sort of, to put it delicately, owns me. 378 00:17:55,720 --> 00:17:58,120 Speaker 1: I own the band, I own fifty one percent controlling 379 00:17:58,160 --> 00:18:01,280 Speaker 1: stake of the board. James also lives in an apartment 380 00:18:01,320 --> 00:18:03,480 Speaker 1: I own, so I'm also his landlorde. 381 00:18:04,560 --> 00:18:06,359 Speaker 2: So I really just yeah, I didn't know. 382 00:18:08,080 --> 00:18:10,720 Speaker 4: Yeah, I think he is. 383 00:18:10,880 --> 00:18:12,320 Speaker 2: I'm just going to say it just because I didn't 384 00:18:12,320 --> 00:18:14,000 Speaker 2: know who it was about. But I am your bitch. 385 00:18:14,480 --> 00:18:16,239 Speaker 2: That's what the show is about. So you pretty much 386 00:18:16,280 --> 00:18:17,399 Speaker 2: chairman of the board, You're everything. 387 00:18:17,600 --> 00:18:20,960 Speaker 1: Yeah, so I own him, and the show's about exploring that. 388 00:18:21,160 --> 00:18:26,119 Speaker 1: And also just I know it's explorational radio. I know 389 00:18:26,200 --> 00:18:29,920 Speaker 1: it's radio, but you owe me right yeah tomorrow. Yeah, 390 00:18:30,000 --> 00:18:31,840 Speaker 1: I'm waiting for my boss to give me my page. Yeah, 391 00:18:31,880 --> 00:18:34,200 Speaker 1: that's the hurry payment. So yeah, that show is just 392 00:18:34,240 --> 00:18:36,080 Speaker 1: sort of about that sibling rivalry. And then there's a 393 00:18:36,080 --> 00:18:38,440 Speaker 1: bunch of songs about things that we we find funny, 394 00:18:38,440 --> 00:18:40,679 Speaker 1: competition with each other, certain laws, and things that are 395 00:18:40,680 --> 00:18:42,080 Speaker 1: happening in the United States at the moment. 396 00:18:42,119 --> 00:18:45,840 Speaker 2: They get a little bit of a mention and yeah, 397 00:18:46,240 --> 00:18:48,359 Speaker 2: what we should teach kids we. 398 00:18:48,520 --> 00:18:51,639 Speaker 3: Know the beauty of being the employee with forty nine 399 00:18:51,680 --> 00:18:55,520 Speaker 3: percent is you at least get some holiday holiday. 400 00:18:55,600 --> 00:18:59,280 Speaker 2: Here's what we think about. Well, absolutely a lot of 401 00:18:59,359 --> 00:19:01,520 Speaker 2: things that so we have figured this out. 402 00:19:01,560 --> 00:19:03,280 Speaker 1: If I was a full time employee and I worked 403 00:19:03,280 --> 00:19:05,520 Speaker 1: a thirty eight hour week, I'd be getting two point 404 00:19:05,640 --> 00:19:09,720 Speaker 1: six hours of annual leave per week. Right, So I 405 00:19:09,800 --> 00:19:12,720 Speaker 1: work for one hour a night, which means every hour 406 00:19:12,840 --> 00:19:16,639 Speaker 1: that I work, I'm entitled to four point five minutes 407 00:19:16,680 --> 00:19:19,760 Speaker 1: of annual ly and I will be taking that leave 408 00:19:20,480 --> 00:19:25,560 Speaker 1: during the show. So exactly, so that four minutes I 409 00:19:25,640 --> 00:19:30,720 Speaker 1: have to do by myself officially, and I would answer 410 00:19:30,760 --> 00:19:32,439 Speaker 1: you next question, guys, but I'm on stress land at 411 00:19:32,480 --> 00:19:33,600 Speaker 1: the moment, so I can't. 412 00:19:33,720 --> 00:19:35,880 Speaker 3: Well, then let me take the opportunity in that case 413 00:19:35,960 --> 00:19:39,720 Speaker 3: to just quickly ask Ben about the because as we know, 414 00:19:39,800 --> 00:19:43,120 Speaker 3: Ben's written some books, all of which I love. Everyone 415 00:19:43,160 --> 00:19:46,240 Speaker 3: in my family has killed someone was incredible, And that's 416 00:19:46,320 --> 00:19:47,760 Speaker 3: the one that's been picked up. 417 00:19:47,880 --> 00:19:48,639 Speaker 4: Is it by HBO? 418 00:19:48,800 --> 00:19:50,720 Speaker 2: Yeah, we're making a TV show with HBO, and I. 419 00:19:50,760 --> 00:19:54,280 Speaker 3: Love how you we're making a TV Yeah. You know 420 00:19:54,760 --> 00:19:56,840 Speaker 3: how many books are out there? How many books get 421 00:19:56,880 --> 00:19:59,879 Speaker 3: written and then how many get made into series by 422 00:20:00,119 --> 00:20:01,440 Speaker 3: HBO or Netflix or something. 423 00:20:01,640 --> 00:20:03,560 Speaker 2: It is just yeah, it was crazy. 424 00:20:03,680 --> 00:20:05,560 Speaker 4: Do you pinch yourself every other minute? 425 00:20:05,600 --> 00:20:09,240 Speaker 2: It's just Leanne Murriaty and you every day. 426 00:20:09,440 --> 00:20:11,399 Speaker 1: Every day, I pinched myself. I mean it was crazy, 427 00:20:11,480 --> 00:20:14,160 Speaker 1: the kind of the flurry of activity and suddenly you're 428 00:20:14,160 --> 00:20:16,520 Speaker 1: on zooms with all of these people that you're excited 429 00:20:16,640 --> 00:20:18,800 Speaker 1: by to meet. I met with this one director and 430 00:20:18,920 --> 00:20:21,600 Speaker 1: he said I was a big fan of the stuff 431 00:20:21,600 --> 00:20:23,520 Speaker 1: that he'd made. And I'm sitting on the zoom and 432 00:20:23,640 --> 00:20:25,280 Speaker 1: he just goes. At the end of the call, he 433 00:20:25,359 --> 00:20:27,760 Speaker 1: goes and may I say, Benjamin that you are a 434 00:20:28,040 --> 00:20:31,800 Speaker 1: very composed young man. And I said that's because I 435 00:20:31,920 --> 00:20:35,480 Speaker 1: am crapping my pants. And as I said it, his 436 00:20:35,640 --> 00:20:37,680 Speaker 1: assistant hung up the zoom call. And I'm like, that 437 00:20:37,840 --> 00:20:40,800 Speaker 1: is the last thing I said to an OSCAR nominated director, Like, 438 00:20:40,920 --> 00:20:44,800 Speaker 1: I am just and I'm just sitting there mortified. Agent 439 00:20:44,960 --> 00:20:47,840 Speaker 1: was like, it's okay, we all do it, but it 440 00:20:47,960 --> 00:20:51,080 Speaker 1: was it's really cool to maybe don't take zoom meetings 441 00:20:51,119 --> 00:20:51,679 Speaker 1: on the toilet. 442 00:20:54,480 --> 00:20:56,639 Speaker 2: Can think of someone who could be you know, like 443 00:20:56,720 --> 00:20:58,840 Speaker 2: you're leading male. Yeah, but he will go missing for 444 00:20:58,840 --> 00:20:59,879 Speaker 2: four and a half minutes every hour. 445 00:21:00,560 --> 00:21:05,600 Speaker 1: Yeah, exactly, catering van with all respect, James, you're not 446 00:21:05,640 --> 00:21:07,000 Speaker 1: getting a roll on the TV show. 447 00:21:07,400 --> 00:21:07,600 Speaker 5: Sorry. 448 00:21:07,800 --> 00:21:10,879 Speaker 1: Dead body maybe dead body. Maybe dead body's in the 449 00:21:10,960 --> 00:21:13,360 Speaker 1: Diamond a dead body. There's a scene in the first 450 00:21:13,359 --> 00:21:15,399 Speaker 1: book where there's a rave and there's a raver in 451 00:21:15,480 --> 00:21:17,960 Speaker 1: a big unicorn hat, no face in the role, and 452 00:21:18,520 --> 00:21:20,359 Speaker 1: I think that would be a perfect came. It's a 453 00:21:20,400 --> 00:21:23,880 Speaker 1: good start to be raver in a big gun man hat. 454 00:21:23,960 --> 00:21:26,320 Speaker 1: So I've chosen my I've chosen my camera doesn't show 455 00:21:26,320 --> 00:21:28,639 Speaker 1: you the triple fit that you are. But the difficulty is, 456 00:21:28,800 --> 00:21:32,240 Speaker 1: I mean, unfortunately, the difficulty is that it may be filmed, 457 00:21:32,920 --> 00:21:38,359 Speaker 1: you know, with professionals, it may be filmed overseas. I 458 00:21:38,520 --> 00:21:40,919 Speaker 1: don't know if your boss will give you the leads 459 00:21:41,119 --> 00:21:42,000 Speaker 1: to go over. 460 00:21:42,240 --> 00:21:44,440 Speaker 2: Because you used it all during the show. 461 00:21:44,800 --> 00:21:46,720 Speaker 1: So unfortunately you can't take part in the TV shot 462 00:21:47,440 --> 00:21:50,080 Speaker 1: harassment bosses ectly. 463 00:21:50,840 --> 00:21:53,920 Speaker 2: I'm a tough I'm a whip cracker. It's just on 464 00:21:54,000 --> 00:21:56,399 Speaker 2: a fundamental level. How many times in a week do 465 00:21:56,480 --> 00:21:58,639 Speaker 2: you get the which one's with? Yeah? Is that a 466 00:21:58,720 --> 00:22:00,760 Speaker 2: really regular thing? Well? Yeah, all the time. 467 00:22:00,960 --> 00:22:03,240 Speaker 1: We sort of have parted back to a will turn 468 00:22:03,320 --> 00:22:06,840 Speaker 1: around for either name, like, I'll turn around. In fact, 469 00:22:06,880 --> 00:22:08,639 Speaker 1: I reckon, I'll turn around at anything. People in the 470 00:22:08,680 --> 00:22:10,600 Speaker 1: shopping center will be like Jessica, and I'm like, it's 471 00:22:10,600 --> 00:22:11,040 Speaker 1: probably me. 472 00:22:12,440 --> 00:22:13,160 Speaker 2: I just have a look. 473 00:22:14,119 --> 00:22:17,000 Speaker 1: And then we also have downgraded. People have figured out that, 474 00:22:17,280 --> 00:22:19,320 Speaker 1: you know, they're no hope and they can't figure it out, 475 00:22:19,359 --> 00:22:22,040 Speaker 1: and so they'll just yell Stevo's and we both James, 476 00:22:22,520 --> 00:22:24,240 Speaker 1: you will turn around at any name. But what you 477 00:22:24,440 --> 00:22:27,400 Speaker 1: turn around for is tone. So if somebody sounds mad 478 00:22:27,440 --> 00:22:30,280 Speaker 1: at you, James will turn that was probably me, Yeah, exactly. 479 00:22:30,400 --> 00:22:33,960 Speaker 1: But the thing is because we we you know, identical twins, 480 00:22:34,000 --> 00:22:35,760 Speaker 1: you don't look identical all of the time. 481 00:22:36,119 --> 00:22:39,040 Speaker 2: You go, you know, you go up and down different ways. 482 00:22:39,160 --> 00:22:43,120 Speaker 1: Gets a bit better. Hat and lazy one hits last year. 483 00:22:43,680 --> 00:22:45,760 Speaker 1: Last year we're at fringe, or two years ago, we're 484 00:22:45,760 --> 00:22:46,160 Speaker 1: at fringe. 485 00:22:46,200 --> 00:22:47,040 Speaker 2: We're doing all this. 486 00:22:47,720 --> 00:22:49,359 Speaker 1: You know, one of us is fat, one of us 487 00:22:49,400 --> 00:22:52,160 Speaker 1: is skinny jokes, and then this year we're the same 488 00:22:52,480 --> 00:22:54,520 Speaker 1: and we can't use any of those jokes, and people 489 00:22:54,560 --> 00:22:55,800 Speaker 1: are getting us way confused. 490 00:22:55,880 --> 00:22:56,560 Speaker 2: So it's annoying. 491 00:22:56,600 --> 00:22:58,680 Speaker 1: It's annoying when we're like, we write all these jokes 492 00:22:58,680 --> 00:23:01,520 Speaker 1: about the differences between us, and then you know, I 493 00:23:01,640 --> 00:23:03,639 Speaker 1: put on a bit, James loses a bit and I'm like, 494 00:23:03,760 --> 00:23:08,320 Speaker 1: damn it, we can't use any we do deliberately go 495 00:23:08,520 --> 00:23:10,399 Speaker 1: to like a barber and get the same haircu't give 496 00:23:10,480 --> 00:23:12,080 Speaker 1: us when we're just about to start it to off 497 00:23:12,119 --> 00:23:14,840 Speaker 1: because it is I mean, it's an image based guys. 498 00:23:15,240 --> 00:23:17,520 Speaker 1: We're on the stage, so we do try and we 499 00:23:17,640 --> 00:23:19,359 Speaker 1: do try and look similar, but we're not wearing the 500 00:23:19,359 --> 00:23:20,320 Speaker 1: same clothes or anything. 501 00:23:20,359 --> 00:23:20,800 Speaker 2: Weirds. 502 00:23:20,800 --> 00:23:24,200 Speaker 3: It needs the slightest different shade in your T shirts today. 503 00:23:25,000 --> 00:23:27,960 Speaker 2: Yes, yeah, when we. 504 00:23:28,040 --> 00:23:30,080 Speaker 1: Got out of our bunks in the morning and we 505 00:23:30,240 --> 00:23:33,080 Speaker 1: put our hats on the stool and we ate our 506 00:23:33,160 --> 00:23:37,000 Speaker 1: porridge together and well the double couple shower, you know together. 507 00:23:37,600 --> 00:23:40,480 Speaker 2: We've even got the same grapeat we did a whole week. 508 00:23:41,440 --> 00:23:42,120 Speaker 2: You take that off. 509 00:23:42,200 --> 00:23:45,760 Speaker 4: What's going probably a court, you could take that to us. 510 00:23:45,800 --> 00:23:50,240 Speaker 1: The absolutely harassment. Look, it's fringe. Anything can happen, you know. 511 00:23:50,600 --> 00:23:53,680 Speaker 1: If we've got the same gray patch in our beard, 512 00:23:54,600 --> 00:23:58,840 Speaker 1: it's in the same style on the which grows during 513 00:23:58,880 --> 00:23:59,600 Speaker 1: a festival season. 514 00:23:59,640 --> 00:24:00,640 Speaker 2: I was, yes, the grays grow. 515 00:24:00,720 --> 00:24:02,440 Speaker 1: But the other thing is it's the easiest haircut to 516 00:24:02,440 --> 00:24:04,159 Speaker 1: get in the world because James goes in, sits in 517 00:24:04,200 --> 00:24:05,800 Speaker 1: the chair, gets a haircut, and then I sit down 518 00:24:05,840 --> 00:24:06,520 Speaker 1: and say what do you want? 519 00:24:06,600 --> 00:24:11,040 Speaker 2: And I'm like that that guy. Yeah, I don't like 520 00:24:11,080 --> 00:24:12,920 Speaker 2: about the shower. You get the hot shower. He gets 521 00:24:12,920 --> 00:24:15,000 Speaker 2: the cold water tap outside, doesn't it. Yeah, yes, he's 522 00:24:15,040 --> 00:24:15,640 Speaker 2: out at the hose. 523 00:24:15,720 --> 00:24:17,399 Speaker 1: And there's also a bit of a kind of you know, 524 00:24:17,520 --> 00:24:20,080 Speaker 1: a Mexican standoff really with kind. So we both have 525 00:24:20,240 --> 00:24:23,280 Speaker 1: kind of light beards. So if one of us wants 526 00:24:23,359 --> 00:24:26,159 Speaker 1: to shave, they can't because we both have to have 527 00:24:26,240 --> 00:24:28,959 Speaker 1: the same facial hit. But if they shave, the other 528 00:24:29,000 --> 00:24:30,640 Speaker 1: one has no choice but to shave. So if James 529 00:24:30,680 --> 00:24:32,840 Speaker 1: showed up one day to a show with a mohawk, 530 00:24:34,680 --> 00:24:36,160 Speaker 1: good luck probably have to happen. 531 00:24:36,160 --> 00:24:38,600 Speaker 2: It was pretty awkward when I got that Brazilian last year. 532 00:24:38,760 --> 00:24:41,520 Speaker 1: Yeah, he's got a match, you know, the integrity of 533 00:24:41,600 --> 00:24:43,880 Speaker 1: the show. I can't shave, though, you're not at risk 534 00:24:43,920 --> 00:24:46,520 Speaker 1: because I shave. I look like fourteen like I have. 535 00:24:46,760 --> 00:24:49,920 Speaker 1: You know, I got get id'd in an emerated film. 536 00:24:49,960 --> 00:24:52,720 Speaker 1: That's sort of the level I need this bid for 537 00:24:52,840 --> 00:24:56,440 Speaker 1: gravit tasks and authority. You look like Homer Simpson when 538 00:24:56,520 --> 00:24:58,040 Speaker 1: he when he shaves his bid. 539 00:24:58,119 --> 00:25:01,119 Speaker 2: That's what you look like. There's just no definition. 540 00:25:01,440 --> 00:25:03,600 Speaker 4: We'll go to a complete with beards. 541 00:25:04,160 --> 00:25:07,840 Speaker 3: The Stevenson Experience, our brother, we're out there on stage 542 00:25:07,880 --> 00:25:11,399 Speaker 3: beside me. Is at lenotslandger Northbridge from tonight until Sunday. 543 00:25:11,440 --> 00:25:14,199 Speaker 3: Tickets through fringeworld dot com dot are you lovely as 544 00:25:14,240 --> 00:25:16,879 Speaker 3: always to see you both, Thank you, having Thank you 545 00:25:16,920 --> 00:25:17,280 Speaker 3: so much. 546 00:25:17,440 --> 00:25:18,760 Speaker 2: Have you seen those two in the same room at 547 00:25:18,760 --> 00:25:19,160 Speaker 2: the same time? 548 00:25:19,600 --> 00:25:23,200 Speaker 1: We just have He's a hologram. Actually, James is a hologram. 549 00:25:24,200 --> 00:25:27,440 Speaker 3: More clezy, oh, Lisa, more podcasts soon. 550 00:25:29,119 --> 00:25:32,000 Speaker 2: Hell, look out, he's got his box out again. 551 00:25:32,720 --> 00:25:33,480 Speaker 4: It's clears. 552 00:25:33,640 --> 00:25:38,639 Speaker 2: He's Tragic Music Box. It's a bit different, same music, 553 00:25:39,840 --> 00:25:43,399 Speaker 2: groovy music with the creepy guy. It is the Tragic 554 00:25:43,760 --> 00:25:46,560 Speaker 2: week guy from nineteen eighty six. And Lisa, you told 555 00:25:46,600 --> 00:25:47,960 Speaker 2: me you'd love to go back to eighty six. And 556 00:25:48,000 --> 00:25:49,640 Speaker 2: you said something about your lustrous hair. 557 00:25:49,800 --> 00:25:52,800 Speaker 4: I said no, I said, muskin was firm, my hair 558 00:25:52,960 --> 00:25:53,440 Speaker 4: was shiny. 559 00:25:53,720 --> 00:25:54,320 Speaker 2: Oh that's right. 560 00:25:54,440 --> 00:25:55,760 Speaker 4: We didn't complain about. 561 00:25:55,560 --> 00:25:57,760 Speaker 2: Everything because a different world, wasn't it. Nineteen eighty six 562 00:25:58,359 --> 00:26:00,840 Speaker 2: eighty six for Starters saw this art of an incredible 563 00:26:00,880 --> 00:26:03,800 Speaker 2: run of success for Ossie comedian and star Paul Hogan 564 00:26:03,880 --> 00:26:06,720 Speaker 2: with the release of the Crocodile Dundee movie, it brings 565 00:26:06,760 --> 00:26:10,840 Speaker 2: back a memory of two big for Australia. Now, Hi, 566 00:26:11,760 --> 00:26:14,119 Speaker 2: I'm fine, how are you? I just came down for 567 00:26:14,160 --> 00:26:17,840 Speaker 2: a couple of guys, probably show you around. Kroc Dundee was. 568 00:26:18,160 --> 00:26:20,800 Speaker 2: It was a phenomenon. They made it for under ten 569 00:26:20,880 --> 00:26:23,600 Speaker 2: million dollars with some well known Aussie backers, including some 570 00:26:23,680 --> 00:26:27,119 Speaker 2: sports stars. It made over three hundred and twenty million 571 00:26:27,200 --> 00:26:29,159 Speaker 2: at the US box office alone. That was just the 572 00:26:29,200 --> 00:26:32,280 Speaker 2: first one. It was a moment and not only the 573 00:26:32,440 --> 00:26:35,359 Speaker 2: highest grossing Australian film ever, but the movie franchise made 574 00:26:35,359 --> 00:26:38,040 Speaker 2: Paul and his mate dropped John Cornell over two hundred 575 00:26:38,080 --> 00:26:39,919 Speaker 2: million dollars between them, a lot of money. Back then, 576 00:26:41,160 --> 00:26:43,200 Speaker 2: what were we talking about around the water cooler in 577 00:26:43,320 --> 00:26:46,360 Speaker 2: nineteen eighty six? At least the Space Shuttle Challenger You're 578 00:26:46,359 --> 00:26:49,320 Speaker 2: in newsrooms at the time, exploding seventy three seconds after launching, 579 00:26:49,320 --> 00:26:52,439 Speaker 2: the loss of all seven crew members. Dreadful. John Farnham 580 00:26:52,520 --> 00:26:55,119 Speaker 2: was no longer King of pop Johnny Farnham when he 581 00:26:55,160 --> 00:26:57,720 Speaker 2: released his career to finding comeback album with spring Jack 582 00:26:58,000 --> 00:27:00,800 Speaker 2: Out The Power Plays in WA pay of players at 583 00:27:00,840 --> 00:27:02,920 Speaker 2: least in wo Foot voted in favor of a WA 584 00:27:03,040 --> 00:27:06,240 Speaker 2: team joining the expanded VFL competition, and the West Coast 585 00:27:06,280 --> 00:27:09,280 Speaker 2: Eagles did that the following season. It's a pretty quick turnaround, 586 00:27:09,320 --> 00:27:11,560 Speaker 2: wasn't it? Just a few months? And in March of 587 00:27:11,600 --> 00:27:13,720 Speaker 2: eighty six and a gunman. There was an arm bloke 588 00:27:14,440 --> 00:27:16,679 Speaker 2: who stopped a very busy part of Perth that came 589 00:27:16,720 --> 00:27:19,359 Speaker 2: to a standstill in a standoff with police on the 590 00:27:19,440 --> 00:27:21,320 Speaker 2: roof of his station wagon in the middle of the 591 00:27:21,440 --> 00:27:24,280 Speaker 2: Narrows Bridge. Could you imagine that happening? Then I remember 592 00:27:24,320 --> 00:27:25,960 Speaker 2: that we're in the middle of the Narrows Yeah, March 593 00:27:25,960 --> 00:27:29,440 Speaker 2: of nineteen eighty six. Bizarre. In eighty six, we spent 594 00:27:29,480 --> 00:27:32,000 Speaker 2: a lot of time winding tapes back and forward, cassettes 595 00:27:32,040 --> 00:27:36,040 Speaker 2: in the car or the ghetto blaster at home, videotapes 596 00:27:36,119 --> 00:27:38,920 Speaker 2: like your three dollars Overnight VHS rental of the Goonies 597 00:27:39,000 --> 00:27:41,080 Speaker 2: or Back to the Future, and of course. 598 00:27:41,160 --> 00:27:43,480 Speaker 3: They weren't already all taken out exactly, and there was 599 00:27:43,520 --> 00:27:44,400 Speaker 3: all getting quick. 600 00:27:44,200 --> 00:27:46,560 Speaker 2: And you had to wait. It was like really or 601 00:27:46,880 --> 00:27:49,960 Speaker 2: this sound Hi, it's me. I'm out of town until Monday. 602 00:27:50,160 --> 00:27:53,760 Speaker 2: Just leave a message all fan of phone answering machine. Eh, 603 00:27:54,680 --> 00:27:57,359 Speaker 2: how annoying was that in eighty six you could see. 604 00:27:57,280 --> 00:27:58,960 Speaker 4: Love Ben tell someone you were out of town. 605 00:28:01,200 --> 00:28:05,240 Speaker 2: I'm out robbed my house. In eighty six live bands everywhere. 606 00:28:05,280 --> 00:28:08,159 Speaker 2: You could go to the Herdies at the Stadium they 607 00:28:08,200 --> 00:28:10,200 Speaker 2: caught it, and see a band called the Kind the 608 00:28:10,320 --> 00:28:12,600 Speaker 2: Flying Fonds of Rallies in Flash Harry at the Nook 609 00:28:12,640 --> 00:28:15,200 Speaker 2: and Borough at Scarboro Bee's Road in a looo the 610 00:28:15,320 --> 00:28:17,520 Speaker 2: Jets at the Raffles, or go to the Floria and 611 00:28:17,600 --> 00:28:19,840 Speaker 2: see a bunch of young bokes with mullets called Vie Capri. 612 00:28:20,640 --> 00:28:23,840 Speaker 2: Nineteen eighty six on TV Channel seven in Perfect Killer 613 00:28:23,880 --> 00:28:27,439 Speaker 2: lineup included perfect Match that was followed by State Affair 614 00:28:27,880 --> 00:28:30,199 Speaker 2: they get serious with in the news, Sons and Daughters 615 00:28:30,840 --> 00:28:33,880 Speaker 2: and this little one here. It was an Australian soap 616 00:28:33,920 --> 00:28:41,520 Speaker 2: opera that fat shamed one bat. Yes, Country Practice. You 617 00:28:41,600 --> 00:28:43,840 Speaker 2: couldn't cancel them, though, because I did nearly eleven hundred 618 00:28:43,880 --> 00:28:44,800 Speaker 2: episodes of that show. 619 00:28:45,280 --> 00:28:47,440 Speaker 4: Now a few of them are being cancer redible. 620 00:28:47,120 --> 00:28:50,360 Speaker 2: Though you certainly have. Yeah, not wrong. You couldn't. I 621 00:28:50,440 --> 00:28:52,000 Speaker 2: start the year, of course with the box without a 622 00:28:52,000 --> 00:28:54,720 Speaker 2: couple of real estate prices there so in nineteen eighty six, 623 00:28:54,760 --> 00:28:57,240 Speaker 2: the median house price in Dinallo was around sixty grand. 624 00:28:57,680 --> 00:29:01,560 Speaker 2: In coolbel up forty two thousandton thirty eight thousand, and 625 00:29:01,640 --> 00:29:03,480 Speaker 2: he caught a slow You get a decent house for 626 00:29:03,640 --> 00:29:08,440 Speaker 2: ninety thousand dollars by the street, by the street. It's 627 00:29:08,480 --> 00:29:09,120 Speaker 2: more crazy. 628 00:29:09,440 --> 00:29:15,840 Speaker 3: Oh he's more podcast soon great the flick with Billow. 629 00:29:15,720 --> 00:29:30,920 Speaker 2: Shame, Well, that's Bob sick. 630 00:29:32,280 --> 00:29:35,600 Speaker 3: In this movie, Ti Mathey Shallo May does a bit 631 00:29:35,640 --> 00:29:37,480 Speaker 3: of his own work band good Morning. 632 00:29:37,560 --> 00:29:40,720 Speaker 2: Good Morning. He does indeed, look Timothy Shala May. 633 00:29:40,760 --> 00:29:41,960 Speaker 9: I don't know if he can dance, so I don't 634 00:29:41,960 --> 00:29:43,480 Speaker 9: know if he's a triple threat, but he's definitely a 635 00:29:43,560 --> 00:29:44,240 Speaker 9: double threat. 636 00:29:44,480 --> 00:29:45,440 Speaker 2: He's a double threat work. 637 00:29:45,760 --> 00:29:48,600 Speaker 9: And it's really no surprise because you know, it wasn't 638 00:29:48,640 --> 00:29:51,400 Speaker 9: that long ago that he was, you know, sawing up 639 00:29:51,520 --> 00:29:54,880 Speaker 9: the box office charts in Wonka and sort of as 640 00:29:54,920 --> 00:29:57,640 Speaker 9: the you know, sort of all singing we did dance, 641 00:29:57,680 --> 00:30:01,160 Speaker 9: maybe dancing as Willie Wonka. So we know that he's 642 00:30:01,200 --> 00:30:04,680 Speaker 9: got a set of pipes. But fans of Bob Dylan 643 00:30:04,720 --> 00:30:07,240 Speaker 9: will be happy to know that he does an amazing 644 00:30:07,480 --> 00:30:10,920 Speaker 9: job of bringing to life a young Bob Dylan. So 645 00:30:10,960 --> 00:30:15,240 Speaker 9: we're talking. He's kind of just arrived on the scene. 646 00:30:16,240 --> 00:30:18,120 Speaker 9: No one knows who he is, the title of the film, 647 00:30:18,200 --> 00:30:21,160 Speaker 9: A Complete Unknown also describes Bob Dylan at this point 648 00:30:21,200 --> 00:30:23,440 Speaker 9: in his career. He's just this young kid with the 649 00:30:23,520 --> 00:30:28,280 Speaker 9: guitar and big dreams, shy, and in the film it 650 00:30:28,400 --> 00:30:31,280 Speaker 9: depicts him sort of having this early kind of mental 651 00:30:31,400 --> 00:30:35,320 Speaker 9: relationship with the great Pete Seeger, who's played by Ed Norton. 652 00:30:35,480 --> 00:30:39,480 Speaker 9: Ed Norton is just perfect folks ye, kind of really 653 00:30:39,680 --> 00:30:42,880 Speaker 9: sweet dude who takes a young Bob Dylan under his wing, 654 00:30:43,080 --> 00:30:46,200 Speaker 9: introduces him to all of his mates, helps him get 655 00:30:46,280 --> 00:30:49,360 Speaker 9: some gigs in the city, and really sets him up 656 00:30:49,400 --> 00:30:52,760 Speaker 9: for success in the folk scene, where almost straight away 657 00:30:52,880 --> 00:30:56,640 Speaker 9: Bob Dylan is a revelation and he rises up through 658 00:30:56,680 --> 00:30:58,920 Speaker 9: the ranks. Now, this book, this movie has been based 659 00:30:59,000 --> 00:31:02,840 Speaker 9: on a book called Dylan Goes Electric, which chronicles this 660 00:31:03,160 --> 00:31:06,040 Speaker 9: period in music history that is kind of infamous. Where 661 00:31:06,720 --> 00:31:10,160 Speaker 9: as fans of Bob no, he went from being a 662 00:31:10,240 --> 00:31:13,480 Speaker 9: folks singer to very very controversially at I think the 663 00:31:13,600 --> 00:31:17,920 Speaker 9: nineteen sixty five Newport Folk Festival, plugging in an electric 664 00:31:18,040 --> 00:31:21,960 Speaker 9: guitar instead of his acoustic guitar, which you know, angered 665 00:31:22,040 --> 00:31:26,480 Speaker 9: the folk establishment lost in my mind, yeah, because this 666 00:31:27,160 --> 00:31:29,440 Speaker 9: was an iconic folk festival was all about, you know, 667 00:31:29,520 --> 00:31:31,840 Speaker 9: sort of flower power, all of these you know, sort 668 00:31:31,880 --> 00:31:35,040 Speaker 9: of lovees getting together, sitting on the grass and and 669 00:31:35,560 --> 00:31:38,280 Speaker 9: listening to some lovely folk music. And then along comes 670 00:31:38,360 --> 00:31:41,600 Speaker 9: this wild head Bob Dylan with his Ray band, sunglasses, 671 00:31:41,880 --> 00:31:44,960 Speaker 9: plugs in his stratocaster and just starts bashing out some 672 00:31:45,160 --> 00:31:49,600 Speaker 9: rock and roll. And the controversy was they kind of 673 00:31:49,600 --> 00:31:51,200 Speaker 9: suspected that he was going to do it in the 674 00:31:51,280 --> 00:31:53,720 Speaker 9: days leading up to the concert, and all of the 675 00:31:53,760 --> 00:31:56,560 Speaker 9: people involved in the festival, including his mate and mentor 676 00:31:56,680 --> 00:31:58,640 Speaker 9: Pete Seeger, was saying, what are you going to do, Bob? 677 00:31:59,040 --> 00:32:01,240 Speaker 9: You can't play you can't play electric guitar, mate, Like, 678 00:32:01,880 --> 00:32:04,920 Speaker 9: you can't do it, mate, And he's refusing to say 679 00:32:04,960 --> 00:32:07,240 Speaker 9: whether he will or he won't. Right up until the 680 00:32:07,320 --> 00:32:09,280 Speaker 9: moment he walked on stage, they didn't know what he 681 00:32:09,440 --> 00:32:13,800 Speaker 9: was going to do, and they realized pretty quickly where 682 00:32:13,800 --> 00:32:17,120 Speaker 9: it was going. And so this film chronicles that period 683 00:32:17,160 --> 00:32:20,840 Speaker 9: in his life, and it really highlights how Bob Dylan had, 684 00:32:21,160 --> 00:32:23,560 Speaker 9: you know, like he probably did feel that he was 685 00:32:23,640 --> 00:32:27,560 Speaker 9: a bit superior some of these musical biopicks that we've 686 00:32:27,560 --> 00:32:31,200 Speaker 9: seen in recent years are fairly sanitized. They paint a 687 00:32:31,360 --> 00:32:34,560 Speaker 9: very rosy picture of the artist. This one doesn't so much. 688 00:32:34,680 --> 00:32:37,840 Speaker 9: It kind of reveals Bob Dylan to be a bit 689 00:32:37,920 --> 00:32:41,120 Speaker 9: of an ahole, a which which I think anybody who's 690 00:32:41,120 --> 00:32:43,320 Speaker 9: been around the music industry long enough knows kind of 691 00:32:43,360 --> 00:32:45,520 Speaker 9: who he is. You know, like he won the Nobel 692 00:32:45,560 --> 00:32:48,040 Speaker 9: Prize for Literature, didn't show up to collect the award. 693 00:32:48,360 --> 00:32:50,360 Speaker 9: He does kind of feel that he's may be a 694 00:32:50,400 --> 00:32:53,239 Speaker 9: bit better than everybody else, and you know, you can 695 00:32:53,280 --> 00:32:55,240 Speaker 9: make a case that maybe he is, based on some 696 00:32:55,360 --> 00:32:58,040 Speaker 9: of the music that he's produced. But the film also 697 00:32:58,160 --> 00:33:01,680 Speaker 9: shows what impact that attitude his hubris has on those 698 00:33:01,760 --> 00:33:04,360 Speaker 9: around him. So we see it really impacts that relationship 699 00:33:04,400 --> 00:33:07,240 Speaker 9: with Pete Seeger, but also his personal relationships he gets 700 00:33:07,280 --> 00:33:10,880 Speaker 9: into a relationship with in real life, as Susie Rottolo 701 00:33:11,520 --> 00:33:15,560 Speaker 9: in the film, it's it's Sylvie Russo no relation at 702 00:33:15,560 --> 00:33:18,400 Speaker 9: all that they say, oh no, no, no connection to 703 00:33:18,480 --> 00:33:21,840 Speaker 9: any person living or dead, exactly Susie Rittolo but anyway, 704 00:33:22,080 --> 00:33:24,560 Speaker 9: played by el Fanning, who does an amazing job as 705 00:33:24,600 --> 00:33:28,360 Speaker 9: sort of this this long suffering girlfriend and also as 706 00:33:28,400 --> 00:33:31,840 Speaker 9: well he gets into a romantic relationship behind Sylvie's back 707 00:33:32,160 --> 00:33:34,960 Speaker 9: with the great Joan Beayez and the wonderful Wonderful Folks 708 00:33:34,960 --> 00:33:38,320 Speaker 9: singer played by Monica Barbara, who is incredible in this 709 00:33:38,400 --> 00:33:41,480 Speaker 9: film as well. And at one point Joan says to Bob, 710 00:33:41,760 --> 00:33:43,720 Speaker 9: you know, like, do you only come around here so 711 00:33:44,040 --> 00:33:46,360 Speaker 9: you can you can, you know, write songs in front 712 00:33:46,400 --> 00:33:47,840 Speaker 9: of me and show off how good you. 713 00:33:47,880 --> 00:33:50,160 Speaker 2: Are compared to me. So he is a bit of 714 00:33:50,240 --> 00:33:54,440 Speaker 2: a yeah, you know, he's hard to love. I want 715 00:33:54,520 --> 00:33:56,160 Speaker 2: you so yeah. 716 00:33:56,240 --> 00:33:58,480 Speaker 9: But some of the songs that Timote sings in this 717 00:33:58,720 --> 00:34:01,160 Speaker 9: like you hear him sing like a rolling stone Highway 718 00:34:01,200 --> 00:34:06,160 Speaker 9: sixty one revisited, mister tambourine Man, hard rains are going 719 00:34:06,240 --> 00:34:10,839 Speaker 9: to fall. How you've also got don't think twice? It's 720 00:34:10,880 --> 00:34:13,680 Speaker 9: all right, Masters of War, absolute classic, Blowing in the 721 00:34:13,760 --> 00:34:17,520 Speaker 9: Wind of course, you babe that he sings with Monica Babaro. 722 00:34:17,719 --> 00:34:20,360 Speaker 9: So it is all of the hits and he's singing 723 00:34:20,480 --> 00:34:22,600 Speaker 9: every single one of them. And what the film does 724 00:34:22,640 --> 00:34:26,000 Speaker 9: well is even when it's just you know, you're hearing 725 00:34:26,080 --> 00:34:28,319 Speaker 9: the music of Bob Dylan over a montage or something 726 00:34:28,520 --> 00:34:31,320 Speaker 9: that's also Timidates singing the only time you hear actual 727 00:34:31,400 --> 00:34:34,080 Speaker 9: Bob Dylan is right in the closing credits, and so 728 00:34:34,200 --> 00:34:37,719 Speaker 9: that really adds to the authenticity of this portrayal. Very 729 00:34:37,960 --> 00:34:40,520 Speaker 9: very impressive, and he looks exactly like him as well. 730 00:34:40,680 --> 00:34:43,200 Speaker 2: Yeah, but a talk on I came from you Ben 731 00:34:43,360 --> 00:34:47,600 Speaker 2: that Bob wasn't that impressed to. Yeah, well, the state this. 732 00:34:47,680 --> 00:34:50,440 Speaker 9: Film has been directed by James I think in the end, 733 00:34:50,480 --> 00:34:51,359 Speaker 9: I think in the end of war. 734 00:34:51,920 --> 00:34:54,200 Speaker 2: Because it was an early one where imitation yea. 735 00:34:54,280 --> 00:34:56,520 Speaker 9: Yeah, well, I think maybe from the trailer I think 736 00:34:56,560 --> 00:34:59,479 Speaker 9: he was a bit questioning. But now he's seen the film, 737 00:34:59,840 --> 00:35:03,399 Speaker 9: and certainly everybody who's still alive from Bob Dylan's life 738 00:35:03,440 --> 00:35:06,560 Speaker 9: in that period say that the director, James Mangold, has 739 00:35:06,719 --> 00:35:10,320 Speaker 9: absolutely nailed the vibe, even though maybe some of the 740 00:35:10,600 --> 00:35:13,800 Speaker 9: facts twisted a little bit, like there's a few liberty 741 00:35:13,880 --> 00:35:17,440 Speaker 9: is taken maybe with the reality of the story, the 742 00:35:17,560 --> 00:35:19,560 Speaker 9: timelines kind of squished a little bit to make it 743 00:35:19,640 --> 00:35:22,640 Speaker 9: more dramatic. But James Mangold, of course gave us Walk 744 00:35:22,719 --> 00:35:25,319 Speaker 9: the Line a few years ago, which is a great 745 00:35:25,360 --> 00:35:27,600 Speaker 9: film as well, so you can kind of tell that 746 00:35:27,719 --> 00:35:30,760 Speaker 9: this is in good hands. He cast a different Johnny 747 00:35:30,800 --> 00:35:34,200 Speaker 9: Cash for this movie in then he got to a 748 00:35:34,280 --> 00:35:38,279 Speaker 9: Boyd Holbrook from NACo's who steals almost steals the movie. 749 00:35:38,360 --> 00:35:41,520 Speaker 9: He only has a couple of scenes, but it doesn't 750 00:35:41,800 --> 00:35:43,840 Speaker 9: in real life, doesn't look anything like Johnny Cash, so 751 00:35:43,920 --> 00:35:46,319 Speaker 9: they dye his hair, give him a prosthetic nose. 752 00:35:47,160 --> 00:35:50,640 Speaker 2: He is an absolute scene sto budget on Phoenix, Do 753 00:35:50,719 --> 00:35:51,239 Speaker 2: You No No? 754 00:35:51,920 --> 00:35:53,960 Speaker 9: So Boyd Helbrok appears Johny Cash right at the end, 755 00:35:54,000 --> 00:35:55,680 Speaker 9: and a lot of people will be talking about that 756 00:35:55,800 --> 00:35:58,880 Speaker 9: particular character afterwards, So that's one to look out for. 757 00:36:00,120 --> 00:36:02,720 Speaker 9: So overall this is this is a really great example 758 00:36:02,840 --> 00:36:07,120 Speaker 9: of a musical biopic that doesn't doesn't you know, sanitize everything. 759 00:36:07,239 --> 00:36:09,759 Speaker 9: Gives you a pretty realistic portrait of you know, what 760 00:36:10,000 --> 00:36:12,799 Speaker 9: I guess genius can do and how it impacts people 761 00:36:12,840 --> 00:36:16,120 Speaker 9: around them, and amazing music and amazing kind of I 762 00:36:16,160 --> 00:36:18,440 Speaker 9: guess snapshot of a time in musical history. 763 00:36:18,680 --> 00:36:19,120 Speaker 2: Beautiful. 764 00:36:19,440 --> 00:36:21,600 Speaker 4: All right, Well, how many mumble butterings? 765 00:36:27,440 --> 00:36:31,000 Speaker 2: Four stars? I'm going to give it a star, understand there? 766 00:36:31,040 --> 00:36:36,680 Speaker 2: We good? Thank you, Ben, Thanks guys, the Sure Report 767 00:36:36,880 --> 00:36:38,320 Speaker 2: on ninety six am. 768 00:36:40,520 --> 00:36:44,200 Speaker 3: The Academy Award nominations will be announced tonight our time. 769 00:36:44,320 --> 00:36:46,160 Speaker 4: In the meantime, the Razzie. 770 00:36:46,239 --> 00:36:49,960 Speaker 3: Nominations are out the Golden Raspberry Awards for the year's 771 00:36:50,200 --> 00:36:55,720 Speaker 3: Worst in Cinema. Joker Folly adou leads to nominations with seven, 772 00:36:55,960 --> 00:37:00,640 Speaker 3: followed by Madam Webb, Megalopolis, border Lands and Reagan with 773 00:37:00,800 --> 00:37:03,719 Speaker 3: six nominations each. Reagan's not what immediately comes to mind. 774 00:37:04,280 --> 00:37:06,759 Speaker 3: It's not the story of an Olympic B girl or 775 00:37:06,960 --> 00:37:10,680 Speaker 3: in her case, B lady. It's about Ronald Reagan. Australia's 776 00:37:10,760 --> 00:37:15,880 Speaker 3: Kate Blanchette, what really has been nominated for the Worst Actress, Razzie. 777 00:37:15,960 --> 00:37:17,879 Speaker 4: This has got to be a first. Not Kate. 778 00:37:18,560 --> 00:37:21,640 Speaker 3: It's for border Lands, which is a science fiction action 779 00:37:21,800 --> 00:37:24,040 Speaker 3: comedy based on a video game. Okay, so now I'm 780 00:37:24,040 --> 00:37:26,480 Speaker 3: wondering if Kate was high when she agreed to do that. 781 00:37:27,360 --> 00:37:29,879 Speaker 3: Her co stars Jack Black and Kevin Hart are also 782 00:37:30,000 --> 00:37:32,359 Speaker 3: up for acting Razzie's and Jack got a second Worst 783 00:37:32,400 --> 00:37:35,399 Speaker 3: Acting nod for Dear Santa Wak in Phoenix and Lady 784 00:37:35,440 --> 00:37:38,560 Speaker 3: Gaga are nominated for Joker, both individually and for the 785 00:37:38,640 --> 00:37:42,480 Speaker 3: Worst Screen Combo Award. The entire cast of Megalopolis has 786 00:37:42,520 --> 00:37:45,719 Speaker 3: been nominated for Worst Screen Combo, and poor Old John 787 00:37:45,800 --> 00:37:49,319 Speaker 3: Voyce He's been nominated for Worst Supporting Actor in four 788 00:37:49,480 --> 00:37:55,560 Speaker 3: separate films, Megalopolis, Reagan, shadow Land, and Strangers. The Razzies 789 00:37:55,560 --> 00:37:58,680 Speaker 3: Will Be Will announce their winners on March the first, 790 00:37:58,760 --> 00:38:01,800 Speaker 3: one day before the Oscars. Speaking of awards and whatnot, 791 00:38:01,920 --> 00:38:04,400 Speaker 3: Will Smith slapping Chris Rock at the twenty twenty two 792 00:38:04,440 --> 00:38:07,560 Speaker 3: Oscars still lives rent free in a lot of people's minds. Apparently, 793 00:38:07,640 --> 00:38:10,239 Speaker 3: Will Smith is still angry at Rock for cracking a 794 00:38:10,360 --> 00:38:13,359 Speaker 3: joke about his wife, Jada Pinkett Smith. And evidently there 795 00:38:13,360 --> 00:38:16,719 Speaker 3: are sources that say Smith that will never forgive Chris. 796 00:38:17,040 --> 00:38:23,320 Speaker 4: For ruining his life. You hit him, Will. The sources 797 00:38:23,400 --> 00:38:25,879 Speaker 4: say Will still insists Rock is not the victim here. 798 00:38:26,040 --> 00:38:26,320 Speaker 2: He is. 799 00:38:26,800 --> 00:38:30,120 Speaker 3: Other sources say it's time for these two egomaniacs to 800 00:38:30,160 --> 00:38:31,000 Speaker 3: hug it out and move on. 801 00:38:31,160 --> 00:38:32,480 Speaker 4: But they aren't holding their breath. 802 00:38:33,239 --> 00:38:35,680 Speaker 3: It might be a warm huge The Songwriters Hall of 803 00:38:35,760 --> 00:38:38,960 Speaker 3: Fame has announced the Doobie Brothers will be inducted into 804 00:38:39,000 --> 00:38:40,840 Speaker 3: the class of twenty twenty five. 805 00:38:46,800 --> 00:38:48,600 Speaker 4: Other artists getting inducted during this. 806 00:38:48,680 --> 00:38:51,440 Speaker 3: Year's ceremony on June the twelfth include George Clinton and 807 00:38:51,760 --> 00:38:56,759 Speaker 3: The Beach Boys, Mike Love and Britain's largest Choir have 808 00:38:56,880 --> 00:39:00,759 Speaker 3: announced they won't be performing The Police's Every Breath You 809 00:39:00,920 --> 00:39:04,440 Speaker 3: Take anymore due to the quote unquote impact of its 810 00:39:04,560 --> 00:39:10,880 Speaker 3: lyrical content. Really Comprising over thirty one thousand members across 811 00:39:10,880 --> 00:39:13,920 Speaker 3: the UK, the rock Choir has long performed the classic 812 00:39:14,040 --> 00:39:16,920 Speaker 3: nineteen eighty three track, but has now decided to drop it. 813 00:39:17,320 --> 00:39:20,759 Speaker 3: They've decided the song portrays an abusive relationship where the 814 00:39:20,840 --> 00:39:23,760 Speaker 3: protagonist seems to be stalking a romantic interest. 815 00:39:23,800 --> 00:39:25,160 Speaker 4: Now this is despite the fact that. 816 00:39:25,320 --> 00:39:29,439 Speaker 3: Sting, who wrote it, has always insisted it's not about 817 00:39:29,480 --> 00:39:32,720 Speaker 3: a stalker, although he will concede it is quite sinister. 818 00:39:33,400 --> 00:39:37,160 Speaker 3: It's not it's not it's not the love song that 819 00:39:37,680 --> 00:39:41,759 Speaker 3: some people might. He has conceded it is a sinister song. 820 00:39:42,200 --> 00:39:45,160 Speaker 3: He wrote it about his first marriage breaking up, but 821 00:39:45,239 --> 00:39:46,600 Speaker 3: he says it's not about a stalker. 822 00:39:46,719 --> 00:39:52,279 Speaker 2: Okay, so the choir are going that song free already, God, Good, 823 00:39:52,640 --> 00:39:56,000 Speaker 2: Good morning twenty twenty five Crazy and Lisa