WEBVTT - DIY PI

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<v Speaker 1>The Christian O'Connell Breakfast Show podcast Melbourne's Gold one oh

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<v Speaker 1>four point.

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<v Speaker 2>Three Live from Level two twenty one to thirty one

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<v Speaker 2>Goodwood Street. Wretchman, this is the Christian o'condinal Breakfast Show

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<v Speaker 2>on Melbourne's Gold one oh four point three.

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<v Speaker 3>Good morning, It's to Christian O'Connor Breakfast Show and Gold

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<v Speaker 3>one o four point three is just coming off for

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<v Speaker 3>two minutes past six, show number forty seven. Good morning, Pats, Hey,

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<v Speaker 3>how you doing?

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<v Speaker 4>Coome on in Jack? Hey, Christian, I've been working all night.

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<v Speaker 4>I'm waiting for the news to hit me for this

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<v Speaker 4>Melbourne song. Hey feelingm I've only got only got one

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<v Speaker 4>half rime at the moment. What in twenty four hours?

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<v Speaker 3>Oh listen, you know yesterday was very exciting out of

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<v Speaker 3>the shot news that Vienna has now top called this

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<v Speaker 3>great city is most Liverpool city in the world.

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<v Speaker 4>We had on the yesterday the.

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<v Speaker 3>Lord Mayor Sally cap And, who was great and she's

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<v Speaker 3>got behind my idea of trying to get an anthem

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<v Speaker 3>for Melbourne to go against Ultravox's miserable song from the eighties. Vienna,

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<v Speaker 3>who's in front of me? Who can write a song?

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<v Speaker 3>Jack post twenty four half a line.

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<v Speaker 4>Not a lot of things wrong with Melbourne. I'm starting

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<v Speaker 4>at the court card, isn't it. I've got something. I'll

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<v Speaker 4>give it to you later. It's it's not great.

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<v Speaker 3>Great, Okay, well what if I'm exciting. I've written down

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<v Speaker 3>here on things to sort of you know, showcase happening

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<v Speaker 3>later on today's show, updates song for Melbourne with Jack

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<v Speaker 3>and the update.

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<v Speaker 4>Is it's not great. So at least this moved on

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<v Speaker 4>from yesterday.

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<v Speaker 3>Progress bad progress.

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<v Speaker 4>But it's not great.

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<v Speaker 3>Also today's show and then we got incident history and

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<v Speaker 3>we do have an update. Wow, do I have some

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<v Speaker 3>updates from Big Al the PI. Do you remember yesterday

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<v Speaker 3>on the show, I was paying you this sort of

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<v Speaker 3>voice notes thing I've been getting from I've set up

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<v Speaker 3>a WhatsApp group when I gave up my mobile number

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<v Speaker 3>last Friday on the show and Big Hours of Private Detective,

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<v Speaker 3>and yesterday we were hearing updates from him while he

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<v Speaker 3>was tracking this lady who may or may not but

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<v Speaker 3>looks like is having some kind of affair. Do you

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<v Speaker 3>remember he was following them during the breakfast show.

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<v Speaker 4>He was going out to the airport.

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<v Speaker 3>If yeah, there's been an update, not just that. I

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<v Speaker 3>conducted an interview yesterday via WhatsApp. I asked him for

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<v Speaker 3>the top three weirdest cases he's worked on.

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<v Speaker 4>Do you just.

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<v Speaker 3>Sometimes you get answers and you wish you hadn't asked

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<v Speaker 3>the stuff that human beings or two to each other.

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<v Speaker 4>Man.

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<v Speaker 3>I mean, I'll play them this morning so you can

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<v Speaker 3>hear them. It's it's shocking, also on this morning show.

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<v Speaker 3>Then got up early this morning. Had quite a strange night.

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<v Speaker 3>Midnight I woken up from a deep, deep, deep sleep

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<v Speaker 3>and a deep dream. Just a voice calling me back

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<v Speaker 3>to my bed. It was my eleven year old daughter,

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<v Speaker 3>just going dad, Dad, Dad, dad, you know you. And

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<v Speaker 3>she stood over me like someone at the exorcis going,

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<v Speaker 3>I think I'm going to be sick.

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<v Speaker 4>And all I can say.

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<v Speaker 3>That was over me.

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<v Speaker 4>To the toilet.

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<v Speaker 3>And my wife is like snoring deeper sleep, or pretending

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<v Speaker 3>to be snoring deeper sleep. So I get up with

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<v Speaker 3>her and you know, do the thing of just breathe.

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<v Speaker 3>It's got that clammy cold sweat, you know, when vomits coming.

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<v Speaker 3>It's scary, isn't it. So she doesn't get she doesn't

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<v Speaker 3>be sicking. And then my wife gets up a couple

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<v Speaker 3>of hours later. I just get up at four o'clock,

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<v Speaker 3>half an hour earlier than I normally do, and I

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<v Speaker 3>was in the kitchen and start to think about the

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<v Speaker 3>today's show. And then I saw that the slow cooker

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<v Speaker 3>was there. And it is strange the things you get

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<v Speaker 3>excited about when you're grown up, right, I thought, Oh,

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<v Speaker 3>do you know what? I'm going to chuck a load

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<v Speaker 3>of stuff now in the slow cooker. So I've got

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<v Speaker 3>a nice casserole. So it's the family later on today.

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<v Speaker 3>So I started shopping up some vegs. This is at

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<v Speaker 3>four am. Chuck some meat in there. Turn that old

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<v Speaker 3>slow cooker on hours from now. That is going to

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<v Speaker 3>taste beautiful. So Brinks, today's show can just tank because

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<v Speaker 3>at the back of my mind I know that I've

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<v Speaker 3>got a nice casserole waiting for me this afternoon.

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<v Speaker 4>Going to your priority straight and we have nothing lined

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<v Speaker 4>up for today right now?

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<v Speaker 3>Two hours simmering away slowly? Is that slow cooker? Have

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<v Speaker 3>you got a slow cooker? I never used the cooking

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<v Speaker 3>for Christmas?

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<v Speaker 5>Yeah, get on it. Jack's very amazing.

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<v Speaker 3>Oh, welcome to a new life. Are you and your

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<v Speaker 3>wife beanchoed?

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<v Speaker 4>I don't think I would have the foresight to chop

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<v Speaker 4>veggies at four am or even at nine am.

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<v Speaker 3>You don't really need to use it. But honestly, you

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<v Speaker 3>can just chuckst so easy, go out for the day,

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<v Speaker 3>and then it's it's all cooked for you, but slowly.

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<v Speaker 5>It's like having mum do well.

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<v Speaker 4>Well.

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<v Speaker 5>You live at home anyway.

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<v Speaker 4>So that's temporarily staying at home.

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<v Speaker 3>You know you're living there. You are living at home.

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<v Speaker 3>You've got a slow cooker.

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<v Speaker 5>I love it. It's someone gave it to me.

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<v Speaker 6>I think when I had my baby shower and they

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<v Speaker 6>said you're going to love this, and I do. It's brilliant.

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<v Speaker 6>I just whack it on and it cooks itself. I

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<v Speaker 6>wish it could do the housework as well.

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<v Speaker 3>So my question this morning is things you get excited

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<v Speaker 3>about as an adult and you just catch yourself suddenly

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<v Speaker 3>it just catches up and you suddenly you're actually excited

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<v Speaker 3>about a slow cooking like today, thinking, today's fine, whatever

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<v Speaker 3>happens today, whatever bad things for my way, I'm good.

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<v Speaker 4>I've got that casserole waiting from it. At the end

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<v Speaker 4>of the day, it's all good.

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<v Speaker 3>And also, do you know what I've even texted my

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<v Speaker 3>wife going, hey, listen, when you wake up, you don't

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<v Speaker 3>need to worry about tea. I've already got it prepping.

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<v Speaker 3>It's in the slope cooker, you know. And I know

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<v Speaker 3>she's going to excite and go, what's.

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<v Speaker 5>The key to a good marriage?

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<v Speaker 2>Right?

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<v Speaker 4>There?

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<v Speaker 3>Is it?

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<v Speaker 4>Yeah? Exactly?

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<v Speaker 3>The brownie points that dinner's already on me. Has been

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<v Speaker 3>cooking since four point fifteen am. Of course I haven't

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<v Speaker 3>cleaned up. There's mess everywhere, but you can't got a candle.

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<v Speaker 3>There's still your kids vomit all. You're going to need

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<v Speaker 3>to clear that up, but you don't need to worry

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<v Speaker 3>about dinner.

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<v Speaker 4>It's on me, okay.

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<v Speaker 1>The Christian O'Connell breakfast Show Melbourne's Gold one oh four

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<v Speaker 1>point three.

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<v Speaker 3>We need to get the new weather reporter on. Obviously

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<v Speaker 3>we have Pats Official Weather you know comes who gives

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<v Speaker 3>the other weather for Australia. Then what's it called here?

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<v Speaker 5>Perhaps you're of meteorology, love it?

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<v Speaker 4>The Bureau, you know has an official title like that,

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<v Speaker 4>the Bureau.

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<v Speaker 3>Whereas we've got we've got big Job. Big John is

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<v Speaker 3>someone who's broken out the ranks from the world's largest

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<v Speaker 3>breakfast show. WhatsApp group that I've got At the moment,

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<v Speaker 3>there's only a couple of spaces left, and he just

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<v Speaker 3>left a weather report.

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<v Speaker 4>The other morning.

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<v Speaker 3>He's up way before any of us, and here is

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<v Speaker 3>today's Big John weather.

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<v Speaker 7>Good morning, Christian, it's been John here with your daily

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<v Speaker 7>weather report.

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<v Speaker 3>By the way, I should just say right, I woke

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<v Speaker 3>up this morning and I saw there were nine new messages,

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<v Speaker 3>all within about an eight minute moment, and I realized

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<v Speaker 3>what had happened. The pressure he did eight takes, eight

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<v Speaker 3>takes all around forty to forty three seconds each before

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<v Speaker 3>he got to this one. I mean, the pressure's getting

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<v Speaker 3>to on day three, Big John. It's not too easy.

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<v Speaker 3>There's running a trap in the morning, you know.

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<v Speaker 7>Good morning Christian, it's been John here with your daily

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<v Speaker 7>weather report.

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<v Speaker 8>Well it's Thursday and it's cold outside.

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<v Speaker 3>I've just been outside Western side.

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<v Speaker 7>It's five point nine degrees, but it feels like one

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<v Speaker 7>point seven, so I'm gonna have to dig my minie

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<v Speaker 7>out again and get that on and.

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<v Speaker 3>Off to work all go.

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<v Speaker 7>However, today in Melbourne fifteen degrees, there is a slight

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<v Speaker 7>chance of his sharing the late morning and afternoon.

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<v Speaker 4>The sun will rise.

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<v Speaker 7>Five forty anyway, off the work, I go, so have

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<v Speaker 7>a great day and I will hear you guys shortly.

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<v Speaker 3>Thank you very much, Big John. So he's adding to

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<v Speaker 3>it every day. We got the wind last week. This

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<v Speaker 3>morning we're getting sunrise and sunset.

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<v Speaker 4>But what I liked about him is on day one

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<v Speaker 4>he gave us just his vibe of what it was

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<v Speaker 4>going to be. Didn't he give you the feeling that

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<v Speaker 4>he was reading off an app on that one with

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<v Speaker 4>the time of sunrise.

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<v Speaker 3>The It's also I'm like you, now, I know what

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<v Speaker 3>it's going to be because I listen out for whether

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<v Speaker 3>or not he's got to dig out the beanie house,

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<v Speaker 3>and I'm thinking fresh start today he's got this beanie houn.

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<v Speaker 3>I'm thinking, do you know what, Let's take the pressure

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<v Speaker 3>off our friend ern You know, I know you listen

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<v Speaker 3>right now, Big John. What about you give us the temperature,

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<v Speaker 3>then what you think the temperature is, and then we

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<v Speaker 3>just narrow it down to your one word weather update.

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<v Speaker 3>Today it would have been beanie. Then we know it's

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<v Speaker 3>a fresh start. Beanie up. Okay, get a hat or

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<v Speaker 3>a scarf, just one word weather update. Then you haven't

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<v Speaker 3>got to worry about it. Okay, what the temperature, what

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<v Speaker 3>actually feels like to you is very specific? One point

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<v Speaker 3>seven say all right, so this morning asking you Melbourne.

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<v Speaker 3>Things you get excited about as an adult are nine

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<v Speaker 3>four one four, one oh four three.

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<v Speaker 9>Good morning, Rob, Good morning Christian.

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<v Speaker 3>How am I pretty good this morning? One word weather? Updates,

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<v Speaker 3>Beanie and Rob. What excites you as an adult?

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<v Speaker 9>Well, it's took me a little while to work it out,

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<v Speaker 9>but definitely the key thing that excites me as an

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<v Speaker 9>adult is the fact that I don't have to go

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<v Speaker 9>out on the weekend and I can nap.

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<v Speaker 3>Oh my god, forget about the joy of sex, it's

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<v Speaker 3>the joy of napping. I can drop a nap anywhere

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<v Speaker 3>anywhere in the car.

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<v Speaker 4>You know. My wife's driving within night.

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<v Speaker 3>She's not even in second gear, and I'm like catching

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<v Speaker 3>flies anywhere. The other day I went to the park,

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<v Speaker 3>sat on a bench. I'm nodding off walking the dog.

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<v Speaker 3>Just nap, hold the naps to take and I'm gonna

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<v Speaker 3>just get back home before I can start napping.

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<v Speaker 9>I can be asleep before my head. It's a pillar.

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<v Speaker 10>Yeah.

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<v Speaker 3>The best thing it's not being a big grown up baby.

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<v Speaker 4>Get in in that bed.

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<v Speaker 6>I think husbands are renowned for that, though Chris is

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<v Speaker 6>the same.

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<v Speaker 4>I'm gonna like to learn like I still can't nap

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<v Speaker 4>properly and I feel groggy afterwards. I feel worse after.

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<v Speaker 3>A young Yeah, they're gonna learn our ancient knowledge. Rob.

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<v Speaker 3>What I do is, I won't let myself nap for

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<v Speaker 3>an hour. I've got, you know, the little kitchen time

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<v Speaker 3>as you can buy. I've got one upstairs in the

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<v Speaker 3>bedroom and that's another thing.

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<v Speaker 4>Time he Sarah, I can get it even quicker personal best.

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<v Speaker 3>I don't let myself have more than an hour sleeps.

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<v Speaker 4>I do not need an.

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<v Speaker 9>Hour in the middle of the day, Golden.

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<v Speaker 3>Do you know I reckon offices in Melbourne. They should

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<v Speaker 3>do that. Should just have a little area where you

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<v Speaker 3>just go and have a thirty minute nap fleet I think, yeah,

0:10:05.080 --> 0:10:07.720
<v Speaker 3>I think in japanoges be better for productivity to go.

0:10:07.640 --> 0:10:09.560
<v Speaker 6>And do They've got those pods, haven't they that you

0:10:09.600 --> 0:10:11.680
<v Speaker 6>can like little yeah pod.

0:10:11.679 --> 0:10:13.160
<v Speaker 4>I don't know if you've got to notice. I've been

0:10:13.160 --> 0:10:15.560
<v Speaker 4>trying to do it on the couch just outside the studio.

0:10:15.280 --> 0:10:17.800
<v Speaker 3>Event, not between seven and eight during the show. Okay,

0:10:18.080 --> 0:10:20.280
<v Speaker 3>after the show, have a nap there all right, Rob

0:10:20.360 --> 0:10:22.960
<v Speaker 3>dansh you cor buddy. Nine four one four one oh

0:10:23.080 --> 0:10:25.000
<v Speaker 3>four three were two of the things that excite you

0:10:25.000 --> 0:10:25.240
<v Speaker 3>as a.

0:10:25.240 --> 0:10:28.600
<v Speaker 1>Grown up The Christian O'Connell Breakfast Show, Melbourne's Gold one

0:10:28.679 --> 0:10:29.559
<v Speaker 1>oh four point three.

0:10:29.800 --> 0:10:32.560
<v Speaker 3>So I'm asking you this morning there's strange things you

0:10:32.600 --> 0:10:34.800
<v Speaker 3>get excited about when you're grown up. On nine four

0:10:34.920 --> 0:10:39.119
<v Speaker 3>one four one oh four three for me, the irrational

0:10:39.240 --> 0:10:42.040
<v Speaker 3>joy of a slow cooker. And you know, the twenty

0:10:42.120 --> 0:10:43.960
<v Speaker 3>year old me wouldn't have got that whatsoever. It would

0:10:43.960 --> 0:10:46.000
<v Speaker 3>have been really annoyed with the forty five year old

0:10:46.080 --> 0:10:48.240
<v Speaker 3>version of me that takes a delight in the joy

0:10:48.280 --> 0:10:50.440
<v Speaker 3>of the slow cookers. Similar and how long while you're.

0:10:50.320 --> 0:10:50.920
<v Speaker 4>Out at work?

0:10:51.720 --> 0:10:54.280
<v Speaker 3>And then Rob cording earlier about the joy of having

0:10:54.280 --> 0:10:56.840
<v Speaker 3>a nap, which is a great, great pleasure.

0:10:57.559 --> 0:10:59.079
<v Speaker 4>Mark's on the linking one of Mark.

0:10:59.440 --> 0:11:02.720
<v Speaker 11>Good morning, here we go and crew crew is good,

0:11:02.520 --> 0:11:03.560
<v Speaker 11>good crew?

0:11:03.720 --> 0:11:06.080
<v Speaker 9>Now okay, buddy, that's the way.

0:11:06.160 --> 0:11:06.319
<v Speaker 4>Yeah.

0:11:06.360 --> 0:11:09.000
<v Speaker 9>Look, look they've been married thirty years.

0:11:09.040 --> 0:11:10.800
<v Speaker 12>So I get excited.

0:11:10.400 --> 0:11:12.480
<v Speaker 11>When the wife says, you know, what do you want

0:11:12.520 --> 0:11:12.960
<v Speaker 11>for tea?

0:11:14.200 --> 0:11:16.120
<v Speaker 12>So it's when she chooses, you know, I get to

0:11:16.200 --> 0:11:17.040
<v Speaker 12>choose what's for tea?

0:11:17.040 --> 0:11:19.679
<v Speaker 9>But you've got to be prepared to take her advice anyway.

0:11:20.200 --> 0:11:22.720
<v Speaker 3>Yeah, I mean I was waiting for you to realize that,

0:11:22.800 --> 0:11:24.640
<v Speaker 3>because I fall in for that trap.

0:11:24.679 --> 0:11:26.480
<v Speaker 4>You go, you say what you want and then they

0:11:26.520 --> 0:11:27.520
<v Speaker 4>go no.

0:11:28.120 --> 0:11:30.920
<v Speaker 12>Yeah, or they say you're sure you want that, and

0:11:31.200 --> 0:11:33.400
<v Speaker 12>then I'll give you all the health reasons why you should.

0:11:36.840 --> 0:11:40.280
<v Speaker 3>Yeah, you know it's for your blood pressure, it's all

0:11:40.280 --> 0:11:42.680
<v Speaker 3>for for your cholesterol. Oh, they can give you cancer.

0:11:43.320 --> 0:11:47.240
<v Speaker 3>All right, Okay, we'll just have count all right, Thanks Mark, Phil,

0:11:47.280 --> 0:11:47.800
<v Speaker 3>good morning?

0:11:48.440 --> 0:11:49.000
<v Speaker 11>Yeah, Gota.

0:11:49.559 --> 0:11:50.400
<v Speaker 4>How are you? Phil?

0:11:50.840 --> 0:11:55.200
<v Speaker 11>Yeah? Laying down? I'm telling better? Are I?

0:11:55.360 --> 0:11:58.480
<v Speaker 4>Oh? Well fair enough? Yeah? And Phil?

0:11:58.520 --> 0:11:59.400
<v Speaker 3>What do you look forward to?

0:11:59.440 --> 0:11:59.600
<v Speaker 4>Then?

0:12:00.360 --> 0:12:04.679
<v Speaker 11>Well, I'm retiring. It's like this. I have a seven

0:12:04.760 --> 0:12:07.400
<v Speaker 11>day weekend and I all ended.

0:12:07.440 --> 0:12:10.000
<v Speaker 4>Why that is brilliant? You have it?

0:12:10.120 --> 0:12:11.960
<v Speaker 3>So you're retired. How long have you been retired?

0:12:12.679 --> 0:12:15.480
<v Speaker 11>Oh's six feet?

0:12:20.880 --> 0:12:23.520
<v Speaker 4>How many? How many years have you been retired?

0:12:23.679 --> 0:12:24.080
<v Speaker 11>How many?

0:12:24.240 --> 0:12:24.440
<v Speaker 12>Oh?

0:12:24.880 --> 0:12:26.000
<v Speaker 11>You asked me how long?

0:12:26.080 --> 0:12:26.280
<v Speaker 4>Yeah?

0:12:26.280 --> 0:12:27.960
<v Speaker 3>I know, you're quite right. It's my fault. Fault.

0:12:28.400 --> 0:12:30.600
<v Speaker 11>Years Oh, now about seven or eight?

0:12:31.000 --> 0:12:33.199
<v Speaker 4>Seven or eight years? What's it like being retired, sir?

0:12:33.760 --> 0:12:34.679
<v Speaker 11>I can't remember.

0:12:37.720 --> 0:12:39.679
<v Speaker 3>Why are you up so early? If you're retired, you

0:12:39.720 --> 0:12:40.640
<v Speaker 3>don't need to get out of bed.

0:12:40.720 --> 0:12:41.640
<v Speaker 4>You can be like a student.

0:12:41.920 --> 0:12:45.000
<v Speaker 11>Yeah, did you get out of bed to have a peace?

0:12:45.200 --> 0:12:45.360
<v Speaker 4>Right?

0:12:45.400 --> 0:12:50.400
<v Speaker 11>Okay, get back to sleep. So put the rodeo on.

0:12:50.520 --> 0:12:52.439
<v Speaker 3>You put us on hoping that we're so boring, we'll

0:12:52.480 --> 0:12:53.959
<v Speaker 3>put you back to sea.

0:12:55.200 --> 0:12:57.679
<v Speaker 11>But the good thing about it is that every day injured.

0:12:57.720 --> 0:12:59.360
<v Speaker 11>Why there we go?

0:12:59.440 --> 0:13:02.280
<v Speaker 4>Okay, it's good as he's very good? Goody?

0:13:02.679 --> 0:13:05.000
<v Speaker 11>I think I know you're private detective L.

0:13:05.760 --> 0:13:06.719
<v Speaker 4>Do you?

0:13:06.800 --> 0:13:07.280
<v Speaker 11>Yeah?

0:13:07.440 --> 0:13:09.240
<v Speaker 4>How do you know him? Or? Don't say his name?

0:13:09.720 --> 0:13:09.760
<v Speaker 13>No?

0:13:11.640 --> 0:13:13.480
<v Speaker 11>Is it what we used to why? I used to

0:13:13.520 --> 0:13:16.600
<v Speaker 11>work for a big l And if it's very big

0:13:16.640 --> 0:13:19.160
<v Speaker 11>ou he has about seventy sugars that he's coffee?

0:13:19.520 --> 0:13:19.679
<v Speaker 8>Well?

0:13:19.800 --> 0:13:23.079
<v Speaker 4>Ask is that big? Ol? Do you mind? Phil? How

0:13:23.200 --> 0:13:23.840
<v Speaker 4>old are you? Sir?

0:13:23.840 --> 0:13:25.440
<v Speaker 3>If you don't want me ask him?

0:13:25.800 --> 0:13:26.520
<v Speaker 11>Seventy two?

0:13:26.720 --> 0:13:29.360
<v Speaker 3>Seventy two? Do you know what your You're sharp as attack?

0:13:30.080 --> 0:13:33.280
<v Speaker 3>I'm as sharp as you are seventy two? And Phil,

0:13:33.320 --> 0:13:35.040
<v Speaker 3>do you think you might be our oldest listener?

0:13:37.160 --> 0:13:39.599
<v Speaker 11>I don't know how old are I.

0:13:41.520 --> 0:13:42.319
<v Speaker 3>Let's call the questions.

0:13:42.320 --> 0:13:44.280
<v Speaker 4>He's wrung in, he's rung in rings around us?

0:13:44.280 --> 0:13:44.559
<v Speaker 2>This one?

0:13:44.640 --> 0:13:46.880
<v Speaker 4>Isn't he all right? Fell? Listen? You have a good day?

0:13:47.200 --> 0:13:49.280
<v Speaker 11>Oh? You've got to get up only you know, to

0:13:49.320 --> 0:13:50.280
<v Speaker 11>be any better than me?

0:13:50.840 --> 0:13:52.920
<v Speaker 4>Yes, okay, all right, take care now, Phil.

0:13:55.000 --> 0:13:55.760
<v Speaker 5>Blessed film.

0:13:56.520 --> 0:13:57.920
<v Speaker 3>So much going on there, it's going to take me

0:13:57.920 --> 0:13:59.599
<v Speaker 3>a couple of days to pick apart or what just

0:13:59.640 --> 0:14:02.320
<v Speaker 3>happened in phone call. I don't know whether seventy two

0:14:02.360 --> 0:14:05.160
<v Speaker 3>is our oldest listener, but anyway, whatever's trying to work

0:14:05.200 --> 0:14:05.720
<v Speaker 3>out this morning.

0:14:05.720 --> 0:14:07.440
<v Speaker 4>There's the things you get excited about as a grown up.

0:14:07.480 --> 0:14:09.040
<v Speaker 4>Nine four one one oh.

0:14:08.880 --> 0:14:12.439
<v Speaker 1>Four three, The Christian O'Connell Breakfast Show, Melbourne's Gold one

0:14:12.480 --> 0:14:13.440
<v Speaker 1>oh four point three.

0:14:13.600 --> 0:14:15.400
<v Speaker 3>You can start a calling now on nine four one

0:14:15.440 --> 0:14:18.720
<v Speaker 3>four one oh four three. No right answers yesterday morning

0:14:18.840 --> 0:14:21.520
<v Speaker 3>for sounds like a song? You listen to the little

0:14:21.560 --> 0:14:23.600
<v Speaker 3>sound effects. You're gonna try and work out what the

0:14:23.800 --> 0:14:26.960
<v Speaker 3>song title is. This is the current one, rollover day

0:14:26.960 --> 0:14:33.160
<v Speaker 3>two for this one. Someone even texted me this morning

0:14:33.160 --> 0:14:34.800
<v Speaker 3>at half five their guests for it.

0:14:35.080 --> 0:14:36.920
<v Speaker 4>Can I have a guess? I won't say out Land

0:14:36.960 --> 0:14:38.680
<v Speaker 4>in case I get it and ruin the game, but

0:14:38.720 --> 0:14:40.880
<v Speaker 4>I've written it on a No, that's not it.

0:14:40.960 --> 0:14:42.640
<v Speaker 3>Now I'm going to add you to the wrong ones

0:14:42.680 --> 0:14:44.240
<v Speaker 3>we had yesterday, which are these.

0:14:44.360 --> 0:14:49.000
<v Speaker 12>Time after Time, Quench the Fannies. What You're waiting for Time.

0:14:48.720 --> 0:14:51.640
<v Speaker 4>By Pink Point Turn Turn Turn Time.

0:14:51.360 --> 0:14:52.440
<v Speaker 9>By Steve Millerbain.

0:14:53.160 --> 0:14:55.920
<v Speaker 4>I forgot about the guy with the amazing pipes Acordus.

0:14:56.240 --> 0:14:57.080
<v Speaker 4>All right, what do you think?

0:14:57.080 --> 0:14:59.400
<v Speaker 3>The song is? Nine four one four one oh four.

0:14:59.280 --> 0:15:03.040
<v Speaker 1>Three An O'Connell Breakfast Show, Melbourne's Gold one oh four

0:15:03.040 --> 0:15:04.520
<v Speaker 1>point three.

0:15:05.760 --> 0:15:09.280
<v Speaker 4>Just listen to this, Matthew Wilder and Breaking My Stride?

0:15:09.880 --> 0:15:12.680
<v Speaker 3>Do you Reckon? There's a future hour on the Midweek

0:15:12.680 --> 0:15:16.840
<v Speaker 3>Mixtape in songs that reference walking, walking in Memphis.

0:15:17.400 --> 0:15:18.480
<v Speaker 5>Walk like an Egyptian.

0:15:18.640 --> 0:15:20.760
<v Speaker 3>Brian Well as a producer on the show and also

0:15:20.840 --> 0:15:22.480
<v Speaker 3>runs the music here is it's glad to me like,

0:15:22.600 --> 0:15:28.160
<v Speaker 3>come on, come after walking on Sunshine? Yeah, Casey in

0:15:28.200 --> 0:15:31.480
<v Speaker 3>the Sunshine Man run DMC Aerosmith, walk this way.

0:15:31.440 --> 0:15:32.760
<v Speaker 5>Walk like an Egyptians.

0:15:32.840 --> 0:15:37.760
<v Speaker 4>Well, there's about that's actually you know, write it down, Brian.

0:15:40.560 --> 0:15:41.880
<v Speaker 4>He's not taking it seriously.

0:15:43.480 --> 0:15:45.720
<v Speaker 3>All right. Let's played then the new Early Morning Game,

0:15:45.760 --> 0:15:47.200
<v Speaker 3>which we've landed on this week.

0:15:47.360 --> 0:15:50.960
<v Speaker 14>It's six am and time to play the Early Morning Game.

0:15:51.120 --> 0:15:54.400
<v Speaker 4>It sounds like a song to me Christian.

0:15:54.280 --> 0:15:56.560
<v Speaker 3>Doesn't it? Just so this is the one you're stuck

0:15:56.600 --> 0:15:59.120
<v Speaker 3>on at the moment you listen to the little sound effects,

0:15:59.120 --> 0:16:01.440
<v Speaker 3>you've got to work out the clues to the song title.

0:16:09.960 --> 0:16:12.240
<v Speaker 4>Yesterday's guesses, Time after Time.

0:16:12.200 --> 0:16:16.200
<v Speaker 12>Quench the Fani's what You're waiting for? Time by Pink Boy,

0:16:17.800 --> 0:16:20.560
<v Speaker 12>Time by Steve Miller, Ban that guy.

0:16:21.640 --> 0:16:25.280
<v Speaker 3>That guy's voices loosens the feelings in my mouth. All right,

0:16:25.360 --> 0:16:26.960
<v Speaker 3>let's go to lines. Have you got a guest known

0:16:27.000 --> 0:16:30.960
<v Speaker 3>for one for one oh four three jewels? Good morning,

0:16:30.480 --> 0:16:32.640
<v Speaker 3>good morning, good morning jewels. What do you think it is?

0:16:32.680 --> 0:16:33.200
<v Speaker 4>What's the song?

0:16:34.160 --> 0:16:34.520
<v Speaker 5>Counting?

0:16:34.560 --> 0:16:34.840
<v Speaker 11>The beat?

0:16:34.880 --> 0:16:35.440
<v Speaker 4>The singers?

0:16:36.480 --> 0:16:41.000
<v Speaker 3>Uh, good guess Jewels, But it's not the right answer.

0:16:41.080 --> 0:16:45.400
<v Speaker 3>Tough luck, let's getta rob by guys bag go pretty good,

0:16:45.480 --> 0:16:47.040
<v Speaker 3>rob Welcome to the show. What are you hearing? What

0:16:47.080 --> 0:16:48.600
<v Speaker 3>do you think the song is?

0:16:48.600 --> 0:16:50.680
<v Speaker 9>Is it the final can Damn by Europe?

0:16:52.600 --> 0:16:54.480
<v Speaker 3>Yeah, it could be like a bomb chicking down to

0:16:54.560 --> 0:16:58.400
<v Speaker 3>going off, but it's not the right song. Stuffluck and Gie?

0:16:58.640 --> 0:17:02.480
<v Speaker 3>Is you going to say someone else? Good morning?

0:17:03.880 --> 0:17:04.200
<v Speaker 11>Totally?

0:17:04.240 --> 0:17:08.440
<v Speaker 4>Crystal Art ain't ang? Maybe he is if you pay

0:17:08.480 --> 0:17:11.480
<v Speaker 4>him right? Total Clips of the Heart. How do you

0:17:11.520 --> 0:17:12.760
<v Speaker 4>get to total the Clips of the Heart?

0:17:12.840 --> 0:17:17.000
<v Speaker 9>Yeah, well, the Indica is on, so you're turning, turn around,

0:17:17.080 --> 0:17:17.360
<v Speaker 9>you know.

0:17:18.160 --> 0:17:19.680
<v Speaker 4>Oh yeah, turn around.

0:17:20.920 --> 0:17:24.439
<v Speaker 3>That's a lot more totally clips of the heart stuff

0:17:24.480 --> 0:17:27.199
<v Speaker 3>like and Samantha.

0:17:28.040 --> 0:17:29.040
<v Speaker 5>Good morning, Christian.

0:17:29.320 --> 0:17:33.679
<v Speaker 15>I'm thinking it's knock on wood, like a late seventies

0:17:33.720 --> 0:17:34.240
<v Speaker 15>early eighties.

0:17:34.280 --> 0:17:36.560
<v Speaker 4>So do you think the sound that you're hearing is

0:17:36.600 --> 0:17:37.879
<v Speaker 4>like a tapping on wood?

0:17:38.800 --> 0:17:41.880
<v Speaker 3>Yes, it could be like a light drumstick or something

0:17:41.920 --> 0:17:44.200
<v Speaker 3>like that, But Samantha is not the right answer. Darren,

0:17:44.200 --> 0:17:47.160
<v Speaker 3>good morning, Good morning, de man. What do you think

0:17:47.160 --> 0:17:47.479
<v Speaker 3>it is?

0:17:48.119 --> 0:17:53.440
<v Speaker 4>I think it might be clocks by Coldplay, That's what

0:17:53.520 --> 0:17:54.560
<v Speaker 4>I've written down as well.

0:17:56.760 --> 0:17:59.280
<v Speaker 11>Show me the money, show him the money.

0:17:59.480 --> 0:17:59.840
<v Speaker 3>Damn it.

0:17:59.840 --> 0:18:01.840
<v Speaker 4>I thought it would last for longer. It is going

0:18:01.920 --> 0:18:02.240
<v Speaker 4>to last.

0:18:02.240 --> 0:18:03.480
<v Speaker 3>Wrong, it's not that tough, like.

0:18:05.600 --> 0:18:09.440
<v Speaker 4>Sweat to eat it. Sorry.

0:18:10.359 --> 0:18:12.840
<v Speaker 3>Stephanie, good morning, Hi Christian.

0:18:13.400 --> 0:18:15.760
<v Speaker 12>I think it's that didn't really care about us by

0:18:15.760 --> 0:18:16.479
<v Speaker 12>Michael Jackson.

0:18:17.359 --> 0:18:19.160
<v Speaker 3>What how do you are?

0:18:19.800 --> 0:18:22.760
<v Speaker 4>What are you hearing to get? They don't really care

0:18:22.800 --> 0:18:28.480
<v Speaker 4>about us? Oh you're going for a VP and like

0:18:28.560 --> 0:18:30.600
<v Speaker 4>beats per minute matches that tempo.

0:18:30.840 --> 0:18:31.880
<v Speaker 12>Yeah, that's right.

0:18:33.640 --> 0:18:38.840
<v Speaker 4>Check the batteries in your radio. Dear, dear Stephanie.

0:18:38.880 --> 0:18:41.040
<v Speaker 3>That is I'm going to give you a prize anyway, Stephanie.

0:18:41.080 --> 0:18:43.040
<v Speaker 4>Such a creative guess great.

0:18:42.800 --> 0:18:46.000
<v Speaker 3>Wrong guess that is brilliant, Stephanie. I love that.

0:18:46.119 --> 0:18:47.000
<v Speaker 4>Thanks according in.

0:18:47.240 --> 0:18:49.720
<v Speaker 11>Lee, Yes, Christian, how are you?

0:18:50.480 --> 0:18:50.600
<v Speaker 16>Lee?

0:18:50.680 --> 0:18:53.040
<v Speaker 3>I'm good for this morning. I hope you as this

0:18:53.200 --> 0:18:54.800
<v Speaker 3>morning mate as well. What do you think the song is?

0:18:55.640 --> 0:18:57.680
<v Speaker 11>I reckon it's turned back time.

0:18:59.720 --> 0:19:02.440
<v Speaker 3>Pop again. They're on that theme at the moment. Lee,

0:19:02.480 --> 0:19:03.640
<v Speaker 3>It isn't that.

0:19:03.880 --> 0:19:06.000
<v Speaker 4>Half of Melbourne's calling up this morning to get this.

0:19:06.440 --> 0:19:09.600
<v Speaker 4>I'm going to be very disappointed if we don't think

0:19:09.840 --> 0:19:12.119
<v Speaker 4>people who don't know think that it doesn't match what

0:19:12.200 --> 0:19:14.960
<v Speaker 4>the song title is. Well we go, ah, of course,

0:19:14.960 --> 0:19:15.520
<v Speaker 4>and will we go?

0:19:15.640 --> 0:19:17.720
<v Speaker 3>I promise you will do that. It will do that.

0:19:18.320 --> 0:19:20.800
<v Speaker 3>I've got one lined up though, another one that I

0:19:20.840 --> 0:19:22.439
<v Speaker 3>think actually would go for weeks.

0:19:22.440 --> 0:19:26.200
<v Speaker 4>We'd have to give clues. It's it's so hard anyway.

0:19:26.240 --> 0:19:29.560
<v Speaker 3>Ash here you going pretty good? Ash?

0:19:29.600 --> 0:19:30.720
<v Speaker 4>What do you reckon it is? Buddy?

0:19:31.400 --> 0:19:33.600
<v Speaker 12>Well, I'm sitting here in the truck with the hazard lost,

0:19:33.880 --> 0:19:35.040
<v Speaker 12>so I think it might be Hazards.

0:19:35.520 --> 0:19:37.639
<v Speaker 17>I'm not sure the singer is Mark Allen.

0:19:39.240 --> 0:19:41.480
<v Speaker 4>All Right, I tell you what you've got the right title,

0:19:41.920 --> 0:19:42.600
<v Speaker 4>I'll give you it.

0:19:42.600 --> 0:19:42.800
<v Speaker 8>It is.

0:19:42.840 --> 0:19:43.919
<v Speaker 3>It's Richard Marks.

0:19:45.840 --> 0:19:47.840
<v Speaker 4>That is very very good going.

0:19:48.280 --> 0:19:52.640
<v Speaker 3>Very good going. This is it has hazard. That's fair, right,

0:19:54.720 --> 0:19:56.160
<v Speaker 3>they go, mate, you get the choice. You get either

0:19:56.200 --> 0:19:59.560
<v Speaker 3>a George michael c d or all after all that,

0:20:00.080 --> 0:20:05.119
<v Speaker 3>all that and you are rewarded what not with seventy.

0:20:04.760 --> 0:20:07.480
<v Speaker 4>Two virgins week the ten K repet?

0:20:09.160 --> 0:20:13.320
<v Speaker 3>Why do you want ash the Kingdom? You George michael C.

0:20:13.600 --> 0:20:16.119
<v Speaker 3>They're going down a storm this week? All right, okay,

0:20:16.200 --> 0:20:18.520
<v Speaker 3>so we won't be playing tomorrow. We have our different

0:20:18.520 --> 0:20:20.720
<v Speaker 3>Friday morning game. But I'm telling you when we are about Monday,

0:20:21.119 --> 0:20:31.720
<v Speaker 3>this will be the song you're trying to guess. Nothing

0:20:31.840 --> 0:20:34.520
<v Speaker 3>until Monday, Nothing until Christian.

0:20:34.160 --> 0:20:37.840
<v Speaker 1>O'Connell breakfast show on Gold one oh four point three.

0:20:38.160 --> 0:20:41.080
<v Speaker 3>Next song you hear from us after the seven o'ct

0:20:41.160 --> 0:20:44.879
<v Speaker 3>news could be the ten K song, could be the

0:20:44.880 --> 0:20:47.520
<v Speaker 3>song we'd end up playing twice today that could win

0:20:47.600 --> 0:20:50.679
<v Speaker 3>you the ten thousand dollars. And also we have an

0:20:50.760 --> 0:20:55.320
<v Speaker 3>update from Big out the PI. Yesterday we had these

0:20:55.400 --> 0:20:57.320
<v Speaker 3>messages from him or forty.

0:20:57.080 --> 0:20:59.720
<v Speaker 18>Four in the morning. You know, we're currently sitting off

0:20:59.760 --> 0:21:02.359
<v Speaker 18>this in the back of my car. All my cameras

0:21:02.400 --> 0:21:04.520
<v Speaker 18>are ready and sa if you can catch this girld

0:21:04.520 --> 0:21:05.200
<v Speaker 18>doing the wrong thing.

0:21:05.640 --> 0:21:07.680
<v Speaker 4>Camera's ready, Higgins.

0:21:07.880 --> 0:21:09.040
<v Speaker 17>We're on the move, mate.

0:21:09.200 --> 0:21:11.120
<v Speaker 4>She's packed up some bags.

0:21:11.400 --> 0:21:14.480
<v Speaker 17>She looks like she's jumped into an uber with a

0:21:15.080 --> 0:21:19.399
<v Speaker 17>gentleman that is not her husband, and we looks like

0:21:19.400 --> 0:21:20.400
<v Speaker 17>we're heading to the airport.

0:21:20.560 --> 0:21:22.800
<v Speaker 3>We'll keep you posted so there are a couple of

0:21:22.880 --> 0:21:24.720
<v Speaker 3>updates to follow. You can hear them in the next

0:21:24.800 --> 0:21:25.280
<v Speaker 3>ten minutes.

0:21:25.440 --> 0:21:28.840
<v Speaker 1>The Christian O'Connell breakfast Show Melbourne's Gold one oh four

0:21:28.840 --> 0:21:29.480
<v Speaker 1>point three.

0:21:29.800 --> 0:21:32.720
<v Speaker 3>Next song you hear from us after the seven o'clock

0:21:32.800 --> 0:21:36.480
<v Speaker 3>news could be the ten k song, could be the

0:21:36.520 --> 0:21:39.160
<v Speaker 3>song we'd end up playing twice today that could win

0:21:39.200 --> 0:21:42.320
<v Speaker 3>you the ten thousand dollars. And also we have an

0:21:42.400 --> 0:21:46.960
<v Speaker 3>update from Big Olt the PI yesterday. We had these

0:21:47.040 --> 0:21:47.720
<v Speaker 3>messages from.

0:21:47.680 --> 0:21:50.400
<v Speaker 18>Him by forty four in the morning. You know, I'm

0:21:50.440 --> 0:21:53.240
<v Speaker 18>currently sitting off his house in the back of my car.

0:21:53.320 --> 0:21:55.680
<v Speaker 18>All my cameras are ready and saf we can catch

0:21:55.720 --> 0:21:56.840
<v Speaker 18>this girld doing the wrong thing.

0:21:57.280 --> 0:21:59.320
<v Speaker 4>Camera's ready, Higgins.

0:21:59.480 --> 0:22:03.159
<v Speaker 17>We're on the mote. She's packed up some bags. She

0:22:03.320 --> 0:22:07.240
<v Speaker 17>looks like she's jumped into an uber with a gentleman

0:22:07.359 --> 0:22:11.200
<v Speaker 17>that is not her husband, and we looks like we're

0:22:11.240 --> 0:22:12.000
<v Speaker 17>heading to the airport.

0:22:12.160 --> 0:22:13.040
<v Speaker 18>We'll keep you posted.

0:22:13.480 --> 0:22:15.520
<v Speaker 3>So there are a couple of updates to follow. You

0:22:15.520 --> 0:22:16.920
<v Speaker 3>can hear them in the next ten minutes.

0:22:17.080 --> 0:22:20.480
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:22:20.480 --> 0:22:22.360
<v Speaker 1>point three playing in excess.

0:22:23.160 --> 0:22:26.240
<v Speaker 3>Listen like thieves. This could be the song that gets

0:22:26.240 --> 0:22:30.040
<v Speaker 3>played again between now and six pm because the ten

0:22:30.160 --> 0:22:33.440
<v Speaker 3>k is going to be broken today or tomorrow has

0:22:33.480 --> 0:22:35.480
<v Speaker 3>to go. The money must go by the end of

0:22:35.520 --> 0:22:38.160
<v Speaker 3>this week, So is today or tomorrow. All I will

0:22:38.160 --> 0:22:41.560
<v Speaker 3>say is that song in excess, that band, we play

0:22:41.680 --> 0:22:43.600
<v Speaker 3>them a lot on this radio station.

0:22:43.800 --> 0:22:46.200
<v Speaker 4>And all I'll say is, I've got a good feeling

0:22:46.560 --> 0:22:51.040
<v Speaker 4>it'll be today. But no one's told me. I've got

0:22:51.040 --> 0:22:51.560
<v Speaker 4>a good feeling.

0:22:52.320 --> 0:22:54.280
<v Speaker 5>Feel it in your orders, Jack, I.

0:22:54.240 --> 0:22:57.320
<v Speaker 3>Think it'll be today, today or tomorrow.

0:22:57.800 --> 0:23:03.160
<v Speaker 4>Listen like the significant clue or.

0:23:03.160 --> 0:23:04.880
<v Speaker 10>Is it it is?

0:23:05.320 --> 0:23:07.840
<v Speaker 3>I'm not the David Blaine of radio. I'm showing you

0:23:07.960 --> 0:23:09.840
<v Speaker 3>at one hand. Oh what's this hand doing? He spent

0:23:09.880 --> 0:23:10.800
<v Speaker 3>ten can of the back pocket.

0:23:12.440 --> 0:23:15.000
<v Speaker 4>Well, that's a bad way to give it away get

0:23:15.000 --> 0:23:15.480
<v Speaker 4>anything from.

0:23:15.560 --> 0:23:18.720
<v Speaker 3>It's a new way. You know, those winners we've had recently,

0:23:18.720 --> 0:23:20.040
<v Speaker 3>they've given us nothing. I'm just gonna put it in

0:23:20.040 --> 0:23:22.399
<v Speaker 3>someone's back pocket today or tomorrow, all right, so keep

0:23:22.440 --> 0:23:24.800
<v Speaker 3>listening there to gold one A four point three. Keep

0:23:24.840 --> 0:23:28.520
<v Speaker 3>it locked right time now for our pi's new star

0:23:28.640 --> 0:23:30.720
<v Speaker 3>of the show. When he's come out of the come

0:23:30.760 --> 0:23:31.680
<v Speaker 3>out of the shadows.

0:23:31.720 --> 0:23:33.800
<v Speaker 4>I guess in the shadows.

0:23:34.119 --> 0:23:37.480
<v Speaker 3>He's there right now. So this guy. Then I found

0:23:37.520 --> 0:23:39.960
<v Speaker 3>this guy. He joined my WhatsApp group. I'm going to

0:23:40.000 --> 0:23:41.879
<v Speaker 3>give the number out in the next twenty minutes. By

0:23:41.920 --> 0:23:44.120
<v Speaker 3>the way, still a couple of spaces left. It's my

0:23:44.359 --> 0:23:46.360
<v Speaker 3>this is my mobile number, and I'm forming this big

0:23:46.400 --> 0:23:49.600
<v Speaker 3>WhatsApp group. And this guy contacts me two days ago, said, look,

0:23:49.800 --> 0:23:52.680
<v Speaker 3>I'm a PI. Do you want some updates? Whilst I'm

0:23:52.680 --> 0:23:54.840
<v Speaker 3>doing my PI business during the show, I'm always listening.

0:23:54.880 --> 0:23:55.760
<v Speaker 4>I'm like yeah.

0:23:56.000 --> 0:23:58.439
<v Speaker 3>So he starts to leave them. You know these are

0:23:58.600 --> 0:24:01.440
<v Speaker 3>these are Jerry messages. This is from the first two

0:24:01.480 --> 0:24:04.080
<v Speaker 3>we had yesterday morning, five forty four.

0:24:03.880 --> 0:24:06.879
<v Speaker 18>In the morning, and I'm currently sitting off his house

0:24:07.200 --> 0:24:09.000
<v Speaker 18>in the back of my car. All my cameras are

0:24:09.040 --> 0:24:11.240
<v Speaker 18>ready and see if we can catch this guild doing

0:24:11.240 --> 0:24:11.720
<v Speaker 18>the wrong thing.

0:24:12.080 --> 0:24:14.560
<v Speaker 3>So he tells me that he's on this case. Husband's

0:24:14.600 --> 0:24:17.080
<v Speaker 3>hired because thinks his wife is cheating. He's got the

0:24:17.080 --> 0:24:20.040
<v Speaker 3>cameras ready, and then things are about an hour later.

0:24:20.440 --> 0:24:21.800
<v Speaker 4>Start moving, Higgins.

0:24:21.960 --> 0:24:23.159
<v Speaker 17>We're on the move, mate.

0:24:23.320 --> 0:24:25.200
<v Speaker 4>She's packed up some bags.

0:24:25.520 --> 0:24:28.560
<v Speaker 17>She looks like she's jumped into an uber with a

0:24:29.200 --> 0:24:33.480
<v Speaker 17>gentleman that is not her husband. And we looks like

0:24:33.520 --> 0:24:36.120
<v Speaker 17>we're heading to the airport. We'll keep you posted, and then.

0:24:36.040 --> 0:24:39.280
<v Speaker 3>I don't hear anything until midday. Jack, and you're Higgins,

0:24:39.800 --> 0:24:43.040
<v Speaker 3>I'm Higgins. A guitar references to a classic TV show,

0:24:43.359 --> 0:24:49.639
<v Speaker 3>Magnum Pi. Even if you don't know the charman about,

0:24:49.720 --> 0:24:52.359
<v Speaker 3>just check out this. Back when TV shows had to

0:24:52.440 --> 0:24:56.639
<v Speaker 3>have a killer, amazing, chugging guitar themed Joe and a

0:24:56.640 --> 0:24:58.280
<v Speaker 3>guy with a big old trash.

0:25:00.200 --> 0:25:03.600
<v Speaker 4>Oh, I could have a time machine.

0:25:03.600 --> 0:25:05.080
<v Speaker 3>I'd go back and just go up so and just

0:25:05.160 --> 0:25:08.399
<v Speaker 3>run my fingers to his big old tash that like

0:25:08.440 --> 0:25:12.040
<v Speaker 3>Higgins did in the show. No, he had like a

0:25:12.080 --> 0:25:17.280
<v Speaker 3>pencil tash. It was a show of tashes. Actually, before

0:25:17.320 --> 0:25:20.120
<v Speaker 3>there was November, there was a man Pi. You didn't

0:25:20.119 --> 0:25:22.120
<v Speaker 3>get on that show in this yet a proper.

0:25:22.359 --> 0:25:26.120
<v Speaker 4>Tash, all right. So I called him Magnum. You our

0:25:26.119 --> 0:25:27.040
<v Speaker 4>messages back and forth.

0:25:27.040 --> 0:25:29.640
<v Speaker 3>I called him Magnum the TV show magnum magnum PI

0:25:29.840 --> 0:25:32.320
<v Speaker 3>was Tom Selleck. He had this guy that he kind

0:25:32.320 --> 0:25:36.679
<v Speaker 3>of lived in the grounds of Higgins. Strange relationship between

0:25:36.680 --> 0:25:36.960
<v Speaker 3>them both.

0:25:37.000 --> 0:25:37.640
<v Speaker 4>You never really knew.

0:25:37.760 --> 0:25:39.080
<v Speaker 3>Was he the writer Robert Masters?

0:25:39.080 --> 0:25:40.640
<v Speaker 4>Anyway, that's another show.

0:25:41.880 --> 0:25:44.240
<v Speaker 3>So it went cold, Yesterda. I didn't hear anything until

0:25:44.320 --> 0:25:45.960
<v Speaker 3>I got this midday.

0:25:46.600 --> 0:25:51.280
<v Speaker 10>Hey, Higgins, I've been an investigator for six years. I

0:25:51.440 --> 0:25:54.280
<v Speaker 10>was a soldier for five years in the Australian Army

0:25:54.359 --> 0:25:56.920
<v Speaker 10>and then I was a policeman for almost ten years.

0:25:57.920 --> 0:26:00.679
<v Speaker 10>I've never really been in danger doing this job. If

0:26:00.680 --> 0:26:04.640
<v Speaker 10>I'm doing it correctly, the person I'm following or we're

0:26:04.680 --> 0:26:05.919
<v Speaker 10>investigating will never.

0:26:05.840 --> 0:26:06.440
<v Speaker 4>Know we're there.

0:26:07.320 --> 0:26:10.560
<v Speaker 10>And you asked me about some weird jobs made.

0:26:10.600 --> 0:26:11.600
<v Speaker 4>I could write a book.

0:26:11.920 --> 0:26:15.080
<v Speaker 10>Probably the one that stands out the most. I was

0:26:15.160 --> 0:26:20.640
<v Speaker 10>asked to follow a guy's young daughter because she believed

0:26:20.840 --> 0:26:23.400
<v Speaker 10>she was either using or selling drugs and they wanted

0:26:23.440 --> 0:26:26.960
<v Speaker 10>evidence of that so they could confront her with it. Well,

0:26:27.000 --> 0:26:29.119
<v Speaker 10>I followed her and it turns out she was working

0:26:29.160 --> 0:26:31.399
<v Speaker 10>at a brothel. Try explaining that one.

0:26:31.280 --> 0:26:31.800
<v Speaker 4>To the pounds.

0:26:32.400 --> 0:26:34.240
<v Speaker 3>I'll breaking it. I mean, this is the stuff that

0:26:34.320 --> 0:26:36.600
<v Speaker 3>goes on that he has to look into. Then I

0:26:36.680 --> 0:26:40.679
<v Speaker 3>make the mistake of going, oh, that's something to do

0:26:40.720 --> 0:26:41.480
<v Speaker 3>with you, got any more?

0:26:41.880 --> 0:26:43.040
<v Speaker 4>Got more stories for us?

0:26:43.119 --> 0:26:44.200
<v Speaker 3>Big ALUs and.

0:26:44.160 --> 0:26:46.880
<v Speaker 10>I had a job recently where we were all following

0:26:46.880 --> 0:26:50.919
<v Speaker 10>a guy who was claiming center Link benefits, and as

0:26:51.000 --> 0:26:54.480
<v Speaker 10>we continue to follow him, he was claiming seven different

0:26:54.640 --> 0:26:58.040
<v Speaker 10>center Link of payments per week, which I think total

0:26:58.080 --> 0:27:01.399
<v Speaker 10>to about twenty three hundred dollars he was earning a week,

0:27:01.680 --> 0:27:03.679
<v Speaker 10>So not bad work if you can get.

0:27:03.520 --> 0:27:06.840
<v Speaker 3>It, Jack Post he is talking about. Then there was

0:27:07.000 --> 0:27:08.360
<v Speaker 3>another one he left for us.

0:27:08.560 --> 0:27:12.959
<v Speaker 10>One of my all time favorite infidelity jobs was I

0:27:13.040 --> 0:27:13.800
<v Speaker 10>followed a.

0:27:14.119 --> 0:27:14.680
<v Speaker 4>Just by the way.

0:27:14.720 --> 0:27:17.960
<v Speaker 3>I just I just wanted too because I know what's

0:27:18.000 --> 0:27:20.159
<v Speaker 3>coming and I forgot. He says that one of his

0:27:20.480 --> 0:27:24.880
<v Speaker 3>all time favorite infidelity jobs what you're about to hear,

0:27:25.000 --> 0:27:25.960
<v Speaker 3>I couldn't stop.

0:27:25.680 --> 0:27:27.520
<v Speaker 4>Thinking about right this morning, the way into work.

0:27:27.720 --> 0:27:29.560
<v Speaker 3>I don't know how it could go into anyone's top

0:27:29.640 --> 0:27:32.240
<v Speaker 3>favorite things, but anyway, it's his line of work, not mine.

0:27:32.440 --> 0:27:36.840
<v Speaker 10>One of my all time favorite infidelity jobs was I

0:27:36.960 --> 0:27:41.320
<v Speaker 10>followed a woman who was cheating on her partner, and

0:27:41.400 --> 0:27:44.919
<v Speaker 10>we discovered that she was cheating on her partner with

0:27:45.080 --> 0:27:45.560
<v Speaker 10>his brother.

0:27:47.400 --> 0:27:50.080
<v Speaker 3>That one you lose your wife and you lose your brother,

0:27:50.520 --> 0:27:55.359
<v Speaker 3>but what a big our's favorites? Hear the guys, go

0:27:55.480 --> 0:27:57.600
<v Speaker 3>guys and where that tough day? Do you remember that

0:27:57.720 --> 0:28:00.560
<v Speaker 3>time where he got her brother?

0:28:00.680 --> 0:28:02.560
<v Speaker 4>Those were good times everyone.

0:28:02.240 --> 0:28:04.440
<v Speaker 3>And let's go for a beer and we live those

0:28:04.440 --> 0:28:07.840
<v Speaker 3>good times. Okay, I want to this morning. Has anyone

0:28:07.880 --> 0:28:11.520
<v Speaker 3>actually used a PI? Have you ever used a PI?

0:28:11.680 --> 0:28:13.600
<v Speaker 3>I'm trying to know people actually do this. They must

0:28:13.640 --> 0:28:15.919
<v Speaker 3>be keeping them in their line of what have you

0:28:15.960 --> 0:28:16.600
<v Speaker 3>ever used a PI?

0:28:16.640 --> 0:28:19.639
<v Speaker 1>Give us a call the Christian O'Connell breakfast show Melbourne's

0:28:19.680 --> 0:28:21.160
<v Speaker 1>Gold one four point three.

0:28:21.400 --> 0:28:23.840
<v Speaker 3>Couple of you have asked me during that song. Then,

0:28:24.000 --> 0:28:27.840
<v Speaker 3>by the way, what happened to the woman and the guy?

0:28:28.040 --> 0:28:30.320
<v Speaker 3>He was following them yesterday during the show? What happened?

0:28:30.440 --> 0:28:31.280
<v Speaker 3>Here's the update?

0:28:31.280 --> 0:28:31.800
<v Speaker 4>Good afternoon.

0:28:31.920 --> 0:28:36.040
<v Speaker 19>Higgins magnum here followed target to the airport where she target.

0:28:36.600 --> 0:28:38.880
<v Speaker 4>We'll feel that we'll hear that target.

0:28:39.360 --> 0:28:43.160
<v Speaker 19>Good afternoon, Higgins magnum here followed Target to the airport

0:28:43.200 --> 0:28:49.520
<v Speaker 19>where she bordered a plane with unknown male two. I

0:28:49.640 --> 0:28:53.960
<v Speaker 19>then had to call some investigators from Queensland to take

0:28:54.040 --> 0:28:57.600
<v Speaker 19>up the surveillance up there, and I was informed later

0:28:57.640 --> 0:28:59.720
<v Speaker 19>in the day that they had an enjoining flight.

0:29:01.400 --> 0:29:02.120
<v Speaker 3>It's lovely there.

0:29:02.160 --> 0:29:05.080
<v Speaker 4>I'll keep you posting. I can't believe he's got a

0:29:05.160 --> 0:29:07.640
<v Speaker 4>national operation. He can call people in Queensland who.

0:29:07.600 --> 0:29:10.480
<v Speaker 3>Got connections to look like a PI network or something.

0:29:10.960 --> 0:29:13.280
<v Speaker 3>You know, they all some sort of like some clandestine

0:29:13.400 --> 0:29:16.080
<v Speaker 3>organization where like a hotline or something.

0:29:16.440 --> 0:29:18.280
<v Speaker 4>Do you advertise a PI? I don't know.

0:29:18.320 --> 0:29:21.040
<v Speaker 3>And also when the phone goes and it's another PI,

0:29:21.080 --> 0:29:23.080
<v Speaker 3>you go it's PI, big ol know?

0:29:23.200 --> 0:29:25.080
<v Speaker 4>Or do they get the names confused? Right?

0:29:25.080 --> 0:29:25.200
<v Speaker 11>Oh?

0:29:25.240 --> 0:29:26.400
<v Speaker 4>Sorry, big Oul, isn't it?

0:29:26.440 --> 0:29:28.240
<v Speaker 3>Yeah? Looking in their notes or something. It's been a

0:29:28.280 --> 0:29:30.240
<v Speaker 3>lot going on there. So we're asking this morning, have

0:29:30.280 --> 0:29:32.680
<v Speaker 3>you ever used a PI? On nine four one four

0:29:32.840 --> 0:29:35.479
<v Speaker 3>one four three. Now we do have someone online and

0:29:35.560 --> 0:29:39.760
<v Speaker 3>to protect their identity, we've given her a Hollywood name.

0:29:39.840 --> 0:29:45.240
<v Speaker 3>It's Sarah Jessica Parker. Good morning guy, Hey, good morning,

0:29:45.280 --> 0:29:48.480
<v Speaker 3>Sarah Jessica Parker obviously living off the rowties of Sex

0:29:48.520 --> 0:29:50.600
<v Speaker 3>and the City at the moment. But so you try

0:29:50.640 --> 0:29:51.520
<v Speaker 3>to hire a PI.

0:29:52.800 --> 0:29:56.600
<v Speaker 12>Yeah, well, for my girlfriend. We weren't really in a

0:29:56.640 --> 0:29:59.360
<v Speaker 12>position because you know, I haven't been working a lot lately,

0:29:59.400 --> 0:30:00.840
<v Speaker 12>so we didn't have a lot of money. So we

0:30:00.920 --> 0:30:05.040
<v Speaker 12>decided to try something ourselves. We went and we went

0:30:05.160 --> 0:30:10.440
<v Speaker 12>and purchased purchased a DPS that has a very strong

0:30:10.480 --> 0:30:12.240
<v Speaker 12>magnet that sits underneath your car.

0:30:12.440 --> 0:30:14.360
<v Speaker 3>I didn't know you can actually buy those. I seen

0:30:14.400 --> 0:30:17.760
<v Speaker 3>them in movies and put them on. Yeah, I didn't

0:30:17.760 --> 0:30:19.880
<v Speaker 3>know they where'd you buy something like that?

0:30:20.520 --> 0:30:21.920
<v Speaker 12>I just over in ALTONA.

0:30:22.280 --> 0:30:25.800
<v Speaker 4>Yes, over there.

0:30:29.680 --> 0:30:31.680
<v Speaker 3>You know that you got owls outdoors and it's now

0:30:31.760 --> 0:30:33.880
<v Speaker 3>just owls. It's like Pi's.

0:30:34.200 --> 0:30:37.640
<v Speaker 12>Absolutely absolutely So what what I had to do was

0:30:37.760 --> 0:30:39.640
<v Speaker 12>she told me, you know what time he normally goes

0:30:39.680 --> 0:30:42.520
<v Speaker 12>to work, and roughly where he parked when he could

0:30:42.520 --> 0:30:45.680
<v Speaker 12>he commutes, so six o'clock in the morning, on driving

0:30:45.720 --> 0:30:48.240
<v Speaker 12>around a car park looking for his car, which was

0:30:48.320 --> 0:30:50.640
<v Speaker 12>quite easy to identify, so it wasn't too bad. But

0:30:51.520 --> 0:30:53.440
<v Speaker 12>I had to get down on my hands and knees

0:30:53.480 --> 0:30:56.480
<v Speaker 12>and you know, have to watch for people and put

0:30:56.520 --> 0:30:59.200
<v Speaker 12>this device underneath his car. And we tracked him for

0:30:59.240 --> 0:30:59.880
<v Speaker 12>a few weeks.

0:31:00.760 --> 0:31:02.560
<v Speaker 3>You attracked him for a few weeks. And what do

0:31:02.600 --> 0:31:04.479
<v Speaker 3>you track them on? Is it something on a like

0:31:04.520 --> 0:31:06.520
<v Speaker 3>an app or or a laptop like a tracking thing

0:31:06.600 --> 0:31:07.560
<v Speaker 3>like Google Maps.

0:31:07.840 --> 0:31:10.360
<v Speaker 12>Yeah, that's both. You can have the app on your

0:31:10.400 --> 0:31:14.480
<v Speaker 12>phone and and also on the on the internet, and.

0:31:14.920 --> 0:31:17.880
<v Speaker 3>Does it make that noise like in the movies, goes boo,

0:31:19.440 --> 0:31:21.360
<v Speaker 3>he's moving out of range.

0:31:22.120 --> 0:31:24.600
<v Speaker 12>No no noises, But it was It was a lot

0:31:24.640 --> 0:31:26.960
<v Speaker 12>of fun just checking and seeing exactly where.

0:31:26.720 --> 0:31:28.280
<v Speaker 4>He was going. S doing you and your friend are

0:31:28.320 --> 0:31:28.680
<v Speaker 4>you running?

0:31:28.720 --> 0:31:31.560
<v Speaker 3>You're looking at this in shifts because obviously you're not professional.

0:31:31.640 --> 0:31:33.680
<v Speaker 3>So are you doing like nine till one? And then

0:31:33.720 --> 0:31:35.080
<v Speaker 3>your mate those one till four?

0:31:35.120 --> 0:31:38.080
<v Speaker 12>And so somebody I know we got We did get

0:31:38.080 --> 0:31:40.640
<v Speaker 12>the top of the range device that does hold history

0:31:40.680 --> 0:31:42.320
<v Speaker 12>for us, so we didn't have to stay up for

0:31:42.360 --> 0:31:42.960
<v Speaker 12>all hours.

0:31:43.280 --> 0:31:43.840
<v Speaker 15>That was good.

0:31:43.960 --> 0:31:45.600
<v Speaker 3>And what did you did you mind me asking this?

0:31:45.640 --> 0:31:47.200
<v Speaker 3>There was two personal that you don't need to tell me.

0:31:47.280 --> 0:31:49.320
<v Speaker 3>But what did you find out?

0:31:49.320 --> 0:31:50.240
<v Speaker 4>What was he up to? No good?

0:31:51.240 --> 0:31:53.120
<v Speaker 12>No, he just went to Bunning's. Too much.

0:31:59.760 --> 0:32:03.440
<v Speaker 4>Any question I'm going to ask on this show ever?

0:32:04.080 --> 0:32:10.560
<v Speaker 4>Just love bodies? That is classic shot the show. Now

0:32:10.680 --> 0:32:13.040
<v Speaker 4>we're not going to get anything funnier. Let's just go home.

0:32:13.880 --> 0:32:16.160
<v Speaker 4>Oh my god, that is Thank you so much for

0:32:16.240 --> 0:32:16.720
<v Speaker 4>saying that.

0:32:20.760 --> 0:32:23.560
<v Speaker 15>We really thought that he was up to no good.

0:32:23.600 --> 0:32:26.520
<v Speaker 12>I mean we were going to go and hire Burker's

0:32:26.680 --> 0:32:28.680
<v Speaker 12>and follow him and all kinds of stuff.

0:32:29.360 --> 0:32:33.280
<v Speaker 3>Listen, if you're hiring Burker's, I'd be even more alerted.

0:32:33.360 --> 0:32:36.160
<v Speaker 3>If someone behind me was walking down the street following

0:32:36.200 --> 0:32:38.760
<v Speaker 3>me wearing a burker you'd stand out more surely.

0:32:39.000 --> 0:32:42.200
<v Speaker 12>No, no, if we'd be disgrace you know.

0:32:43.400 --> 0:32:45.840
<v Speaker 4>So if he was innocent, why are you protecting your identity?

0:32:47.280 --> 0:32:49.520
<v Speaker 12>Well, because he doesn't know that we did it, and

0:32:49.640 --> 0:32:51.320
<v Speaker 12>I don't want him to know that we did it.

0:32:52.040 --> 0:32:54.080
<v Speaker 4>That's great. So what do you do with the tracking device?

0:32:54.120 --> 0:32:54.840
<v Speaker 4>You still got it?

0:32:55.280 --> 0:32:56.360
<v Speaker 12>Yeah, we still got it.

0:32:56.520 --> 0:32:58.960
<v Speaker 4>Yeah, this is amazing.

0:32:58.960 --> 0:33:01.280
<v Speaker 3>This is the sister This is what women do it

0:33:01.440 --> 0:33:03.360
<v Speaker 3>for each other. Right. I don't think I've got a

0:33:03.360 --> 0:33:06.040
<v Speaker 3>single buddy that I could ring up and go listen.

0:33:06.120 --> 0:33:08.440
<v Speaker 3>I think she's cheating? Would you mind putting a magnet

0:33:08.520 --> 0:33:09.040
<v Speaker 3>under her car?

0:33:10.680 --> 0:33:11.479
<v Speaker 4>I'm not doing that.

0:33:12.680 --> 0:33:17.080
<v Speaker 3>He just liked Bunnings best Bunnings ever. They should make

0:33:17.120 --> 0:33:20.320
<v Speaker 3>that into an advert. Listen, Sarah Jessica Parker, that was

0:33:20.360 --> 0:33:21.920
<v Speaker 3>a great call. Thank you very much for sharing it.

0:33:21.920 --> 0:33:24.400
<v Speaker 3>When it again, you have a great day. Cheers mate.

0:33:24.080 --> 0:33:27.640
<v Speaker 1>By the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

0:33:27.720 --> 0:33:28.560
<v Speaker 1>four point three.

0:33:28.720 --> 0:33:32.720
<v Speaker 3>So with that amazing call, uh di, I y P

0:33:32.920 --> 0:33:34.960
<v Speaker 3>I I think that will end up being the TDD

0:33:35.000 --> 0:33:38.080
<v Speaker 3>of today's shot. That amazing call from Sarah Jessica Parker

0:33:38.120 --> 0:33:41.840
<v Speaker 3>there tracking someone who wasn't cheating, he just loved Bunnings.

0:33:42.120 --> 0:33:46.280
<v Speaker 3>Amazing turn of events. So you in that fame have

0:33:46.360 --> 0:33:49.000
<v Speaker 3>you ever done in terms of you being a diy

0:33:49.160 --> 0:33:51.800
<v Speaker 3>p I. There must people listening who have been asked

0:33:51.840 --> 0:33:53.080
<v Speaker 3>to try and follow somebody.

0:33:53.280 --> 0:33:57.600
<v Speaker 4>Yeah, take it upon themselves to do some p I work.

0:33:57.760 --> 0:33:59.840
<v Speaker 3>You can call it anonymously. We'll give you a Hollywood

0:33:59.880 --> 0:34:02.480
<v Speaker 3>name to protect your identity. But I'd love to hear

0:34:02.480 --> 0:34:06.480
<v Speaker 3>those stories. And here's the thing, I bet we hear

0:34:06.560 --> 0:34:08.719
<v Speaker 3>more calls from women who've done this for other women

0:34:08.719 --> 0:34:10.520
<v Speaker 3>because the sisterho now they look out, which.

0:34:10.600 --> 0:34:11.399
<v Speaker 5>I've never done it.

0:34:11.480 --> 0:34:13.120
<v Speaker 3>If I do, only think it, I'd even ask the

0:34:13.239 --> 0:34:15.160
<v Speaker 3>mate to do that for me, because I know they go,

0:34:15.440 --> 0:34:16.680
<v Speaker 3>I'm not doing that, it's odd.

0:34:16.920 --> 0:34:18.440
<v Speaker 4>Well, if you asked me to follow your wife, I

0:34:18.440 --> 0:34:20.680
<v Speaker 4>would politely decline yeah.

0:34:20.719 --> 0:34:23.120
<v Speaker 3>And if you said, can you place a magnetic tracking

0:34:23.120 --> 0:34:25.960
<v Speaker 3>device under the anchor's car or bike or whatever. She's

0:34:25.960 --> 0:34:28.680
<v Speaker 3>got a trick or something, you know, Penny farthing or whatever,

0:34:29.120 --> 0:34:32.200
<v Speaker 3>I'd I'd say no, that's gonna it's gonna be awkward

0:34:32.200 --> 0:34:34.359
<v Speaker 3>because then if you confront her with it, she's gonna and.

0:34:34.360 --> 0:34:36.880
<v Speaker 4>Who which which which horrible fenn of yours did?

0:34:36.920 --> 0:34:39.239
<v Speaker 3>Is Christians And it's going to come between us and

0:34:39.360 --> 0:34:41.319
<v Speaker 3>it's a whole scene. Meant, I don't think men would

0:34:41.320 --> 0:34:43.440
<v Speaker 3>do this, but maybe maybe we're wrong. Nine four one

0:34:43.480 --> 0:34:44.680
<v Speaker 3>four one oh four three.

0:34:44.760 --> 0:34:48.120
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:34:48.120 --> 0:34:48.800
<v Speaker 1>point three.

0:34:48.840 --> 0:34:51.480
<v Speaker 3>Time out for this week's Internet History, where me and

0:34:51.560 --> 0:34:54.320
<v Speaker 3>the team we open up our tabs and we're honest

0:34:54.320 --> 0:34:56.520
<v Speaker 3>about what being googling in the last twenty four hours.

0:34:56.560 --> 0:34:59.200
<v Speaker 3>I believe that our internet history says a lot about

0:34:59.200 --> 0:35:01.719
<v Speaker 3>what we've got going on our lives. A couple of

0:35:01.719 --> 0:35:04.399
<v Speaker 3>things for me then, First of all, I was saying,

0:35:04.400 --> 0:35:07.480
<v Speaker 3>now over the weekend, got a new couch. It's been

0:35:07.520 --> 0:35:11.680
<v Speaker 3>delivered tomorrow, an L shaped couch, speak moment in our lives.

0:35:11.719 --> 0:35:13.400
<v Speaker 4>Are you serious about the three of us doing the

0:35:13.440 --> 0:35:14.520
<v Speaker 4>show from your living room?

0:35:14.600 --> 0:35:17.200
<v Speaker 3>I'm very happy to invite you around to officially open

0:35:17.239 --> 0:35:21.480
<v Speaker 3>the er shaped couch and really handy delivery time tomorrow

0:35:21.640 --> 0:35:23.879
<v Speaker 3>sometime I can't tell you when, between eight and six

0:35:23.960 --> 0:35:28.080
<v Speaker 3>a PM. Okay, yeah, because no one's got anything going on. Ever,

0:35:28.600 --> 0:35:30.880
<v Speaker 3>we'll just wait around. When he fancied kicking out of

0:35:30.920 --> 0:35:33.920
<v Speaker 3>the side of the van, my l shaped.

0:35:33.600 --> 0:35:36.800
<v Speaker 4>Couch with ottoman. It's the ottoman.

0:35:36.840 --> 0:35:39.439
<v Speaker 3>I'm excited about one because there's a great word to say.

0:35:39.440 --> 0:35:42.600
<v Speaker 3>When would you normally say, I've got atom come round,

0:35:42.680 --> 0:35:44.680
<v Speaker 3>take your shoes off, put it up on the ottoman

0:35:45.120 --> 0:35:46.040
<v Speaker 3>to new Ottoman.

0:35:46.680 --> 0:35:47.719
<v Speaker 4>And I've excited about this.

0:35:47.760 --> 0:35:50.480
<v Speaker 3>So I googled the other day pieces of furniture named

0:35:50.520 --> 0:35:53.960
<v Speaker 3>after empires, because I was suddenly aware Vailee of the

0:35:54.000 --> 0:35:59.239
<v Speaker 3>Ottoman Empire decades ago, centuries ago in Turkey. And also

0:35:59.239 --> 0:36:02.440
<v Speaker 3>again I found another particle, the origins of ten pieces

0:36:02.480 --> 0:36:03.080
<v Speaker 3>of furniture.

0:36:04.239 --> 0:36:06.120
<v Speaker 4>God, no, I'm going to read the whole thing now

0:36:07.040 --> 0:36:07.479
<v Speaker 4>I found.

0:36:07.840 --> 0:36:12.280
<v Speaker 3>I actually found it riveting reading bureau give us one bureau.

0:36:12.600 --> 0:36:14.200
<v Speaker 4>Sofa comes from another French word.

0:36:14.520 --> 0:36:17.080
<v Speaker 3>Lots of the furniture we have, the origins are in

0:36:17.360 --> 0:36:21.760
<v Speaker 3>French words. Sofa, it's from a Sophia is a French

0:36:21.760 --> 0:36:22.680
<v Speaker 3>word chaise lunge.

0:36:23.280 --> 0:36:25.440
<v Speaker 4>So friends were the first people to have furniture, were they? Yeah?

0:36:25.440 --> 0:36:28.520
<v Speaker 3>I believe so, King Louis Before that, everyone stood around

0:36:28.920 --> 0:36:30.719
<v Speaker 3>then King Louis when if any it's someone to put

0:36:30.719 --> 0:36:33.879
<v Speaker 3>my ass on Adeliere, of course it's the French for them.

0:36:34.200 --> 0:36:35.960
<v Speaker 3>And the other thing is, you know, sometimes you just

0:36:36.080 --> 0:36:38.960
<v Speaker 3>have an earworm. An earworm is something which is a

0:36:38.960 --> 0:36:41.759
<v Speaker 3>song or even in an advert, whether you like it

0:36:41.880 --> 0:36:44.280
<v Speaker 3>or not, that has burrowed its way into your brain

0:36:44.320 --> 0:36:46.640
<v Speaker 3>and you just keep hearing it various times during the day.

0:36:46.800 --> 0:36:49.720
<v Speaker 3>You might find yourself even singing it. It's not necessarily

0:36:49.760 --> 0:36:51.920
<v Speaker 3>something you like. It's just lodged there. You can't get

0:36:51.920 --> 0:36:54.399
<v Speaker 3>it out for days. At the moment, for me, it's

0:36:54.440 --> 0:36:57.600
<v Speaker 3>this because I was hoping my daughter get ready for

0:36:57.760 --> 0:37:01.160
<v Speaker 3>her a Laddin audition. She finds out someone if she's

0:37:01.200 --> 0:37:03.399
<v Speaker 3>got any kind of role in it, and she had

0:37:03.440 --> 0:37:05.440
<v Speaker 3>to a part of the audition. She had to sing

0:37:05.480 --> 0:37:06.600
<v Speaker 3>the Prince Ali song.

0:37:07.000 --> 0:37:11.839
<v Speaker 4>You know this one, yep, But I don't remember this bit.

0:37:15.920 --> 0:37:18.640
<v Speaker 3>I found myself walking around the house, go mate, where

0:37:19.560 --> 0:37:20.280
<v Speaker 3>Prince Sally?

0:37:20.480 --> 0:37:24.800
<v Speaker 4>I'm not even I didn't even have to do the audition, biz.

0:37:28.000 --> 0:37:30.719
<v Speaker 3>That's what I heard all weekend upstairs was her practicing

0:37:30.760 --> 0:37:31.600
<v Speaker 3>this all right, Bud?

0:37:34.080 --> 0:37:36.239
<v Speaker 4>Is this one of the chorus things in the in

0:37:36.320 --> 0:37:36.919
<v Speaker 4>the school play?

0:37:37.200 --> 0:37:37.800
<v Speaker 5>Here it comes?

0:37:39.160 --> 0:37:43.719
<v Speaker 4>Yes? So little dad joke, ubygo Prince Sally smelling of

0:37:43.920 --> 0:37:47.640
<v Speaker 4>we no one, No, it's actually the house when I

0:37:47.719 --> 0:37:49.600
<v Speaker 4>do it. That's not funny, but I still.

0:37:49.400 --> 0:37:52.120
<v Speaker 3>Do it, all right? So Jack, what is your internet history?

0:37:52.120 --> 0:37:54.040
<v Speaker 4>What have you got? I've got anywhere in my own

0:37:54.120 --> 0:37:56.200
<v Speaker 4>and this one I'm going to kick out this one

0:37:56.200 --> 0:37:58.120
<v Speaker 4>because I'm ready to for this to go. You don't

0:37:58.160 --> 0:38:01.719
<v Speaker 4>want this. I'm about warning up now that if you

0:38:01.840 --> 0:38:03.879
<v Speaker 4>don't want something that will be stuck in your head

0:38:03.880 --> 0:38:05.719
<v Speaker 4>for the next three days. Tune away now.

0:38:05.760 --> 0:38:07.600
<v Speaker 3>So it's not like a nice song or anything like that.

0:38:07.760 --> 0:38:11.320
<v Speaker 4>No, it's terrible. It's an internet meme that's going around

0:38:11.320 --> 0:38:13.839
<v Speaker 4>from a children's kids show. Are you ready to hear

0:38:13.880 --> 0:38:15.640
<v Speaker 4>it now? No? No, no, no, no, a stick a break

0:38:15.640 --> 0:38:17.560
<v Speaker 4>would come back. You need to give people climb to

0:38:17.640 --> 0:38:18.120
<v Speaker 4>tune away?

0:38:18.200 --> 0:38:21.360
<v Speaker 3>All right? Right now we want to stay stay with

0:38:21.480 --> 0:38:22.920
<v Speaker 3>us for something awful.

0:38:23.440 --> 0:38:26.920
<v Speaker 1>There we go the Christian O'Connell breakfast Show Melbourne's Gold

0:38:27.000 --> 0:38:28.120
<v Speaker 1>one oh four point.

0:38:27.920 --> 0:38:30.840
<v Speaker 3>Three, midway through this week's Internet history, where I go

0:38:30.840 --> 0:38:33.120
<v Speaker 3>around the team and we share what we've been googling

0:38:33.160 --> 0:38:35.920
<v Speaker 3>in the last twenty four hours. All right, So you

0:38:35.960 --> 0:38:38.399
<v Speaker 3>said you're just about to play something and it's an

0:38:38.440 --> 0:38:39.560
<v Speaker 3>irritating earworm.

0:38:39.560 --> 0:38:42.239
<v Speaker 4>It's going to replace my Prince Arnie. That's right. My

0:38:42.320 --> 0:38:44.480
<v Speaker 4>warning is tune away now if you don't want the

0:38:44.560 --> 0:38:47.719
<v Speaker 4>next bit of audio stacking your head for three days.

0:38:48.040 --> 0:38:50.320
<v Speaker 4>So I had to google. I've heard this on the weekend,

0:38:50.520 --> 0:38:52.200
<v Speaker 4>had it in my head since then. I had to

0:38:52.239 --> 0:38:55.400
<v Speaker 4>Google it again last night to show Bianca in like

0:38:55.440 --> 0:38:58.120
<v Speaker 4>a problem Shared is a problem hard Sure if she's

0:38:58.160 --> 0:38:59.680
<v Speaker 4>got it in her head as well, maybe it'll get

0:38:59.680 --> 0:39:03.520
<v Speaker 4>out of my It's a it's a children's show from Japan,

0:39:04.120 --> 0:39:06.960
<v Speaker 4>and it's an internet meme at the moment, this song

0:39:07.040 --> 0:39:16.000
<v Speaker 4>is called baby Shark, Take it away? Oh come on

0:39:17.360 --> 0:39:20.120
<v Speaker 4>their baby Shark. I can I wake up with this

0:39:20.320 --> 0:39:24.160
<v Speaker 4>every day? And I can't? What is this? R and

0:39:24.200 --> 0:39:27.359
<v Speaker 4>B Friday on five. I'm brushing my teeth in the

0:39:27.400 --> 0:39:34.360
<v Speaker 4>shower where it was shucked it Daddy Shared, not get

0:39:34.440 --> 0:39:37.040
<v Speaker 4>rid of it, Shack.

0:39:37.120 --> 0:39:43.960
<v Speaker 6>I think that's even worse than the frozen thing.

0:39:41.040 --> 0:39:51.839
<v Speaker 4>That it is a hook. It'll Grandpa Shack. That's the lyrics.

0:39:52.320 --> 0:39:54.560
<v Speaker 4>You were just busking something there? Did they go through

0:39:54.600 --> 0:39:57.239
<v Speaker 4>the whole shop family? Yes, this is Grandma Shark. I

0:39:57.280 --> 0:39:59.280
<v Speaker 4>think now they're hunting.

0:40:00.960 --> 0:40:02.080
<v Speaker 16>Run away?

0:40:03.760 --> 0:40:04.640
<v Speaker 5>Oh it gets faster.

0:40:08.640 --> 0:40:11.640
<v Speaker 4>How do I get did you run away?

0:40:11.719 --> 0:40:11.879
<v Speaker 19>No?

0:40:11.880 --> 0:40:14.759
<v Speaker 4>No, stop, it carries my stop it. I learned how

0:40:14.760 --> 0:40:15.479
<v Speaker 4>to play it on guitar.

0:40:17.000 --> 0:40:17.759
<v Speaker 5>You're obsessed.

0:40:18.080 --> 0:40:19.799
<v Speaker 4>No, I'm not obsessed. That makes it sound like I

0:40:19.840 --> 0:40:21.560
<v Speaker 4>want to I wanted in my life.

0:40:21.760 --> 0:40:24.719
<v Speaker 3>I can't remember Prince I anymore. I've just got that

0:40:24.760 --> 0:40:27.480
<v Speaker 3>thing in my head already that Pats.

0:40:27.239 --> 0:40:27.759
<v Speaker 4>Don't do that.

0:40:27.760 --> 0:40:28.680
<v Speaker 5>It could be monon news.

0:40:28.719 --> 0:40:40.120
<v Speaker 3>Then no, no, perhaps what have you been googled for

0:40:40.160 --> 0:40:40.640
<v Speaker 3>the last time?

0:40:41.160 --> 0:40:43.759
<v Speaker 5>Looked up if it's illegal to drive barefoot?

0:40:44.520 --> 0:40:47.360
<v Speaker 4>Yes, I've heard. I've heard a rumor that it is.

0:40:47.680 --> 0:40:53.240
<v Speaker 3>It's not this country's problem with having a shoe.

0:40:53.960 --> 0:40:55.640
<v Speaker 6>I was in the supermarket the other day and there

0:40:55.680 --> 0:40:56.479
<v Speaker 6>was a woman in the aisle.

0:40:56.520 --> 0:40:57.280
<v Speaker 5>It's quite weird.

0:40:57.440 --> 0:40:59.320
<v Speaker 6>Something must have happened to her shoes because she was

0:40:59.440 --> 0:41:01.480
<v Speaker 6>dressed very very nicely in business attire.

0:41:01.719 --> 0:41:02.600
<v Speaker 5>But I looked down.

0:41:03.040 --> 0:41:04.879
<v Speaker 6>I thought, oh, she must have some nice shoes, because

0:41:04.880 --> 0:41:07.440
<v Speaker 6>she had a beautiful suit on, but she wasn't wearing

0:41:07.480 --> 0:41:08.160
<v Speaker 6>any This is.

0:41:08.200 --> 0:41:11.399
<v Speaker 4>This is what women do. They scan, They scan each other.

0:41:11.920 --> 0:41:14.080
<v Speaker 3>Okay, you see the business suit, that's enough. Why we

0:41:14.080 --> 0:41:18.800
<v Speaker 3>got to check out the shoes. Scan instead of shoes,

0:41:18.800 --> 0:41:20.160
<v Speaker 3>What does she have on her feet? Nothing?

0:41:20.280 --> 0:41:23.080
<v Speaker 6>She was bare foot in the middle of the supermarket.

0:41:23.120 --> 0:41:25.239
<v Speaker 6>And then it got me to thinking, well, hang on,

0:41:25.280 --> 0:41:26.200
<v Speaker 6>how did she get here?

0:41:26.280 --> 0:41:28.000
<v Speaker 5>Did she drive like that?

0:41:28.480 --> 0:41:31.960
<v Speaker 6>But it's not illegal apparently, and in fact, authorities would

0:41:32.000 --> 0:41:34.640
<v Speaker 6>recommend it. If you've got stilettos on that it can

0:41:34.680 --> 0:41:35.680
<v Speaker 6>be quite dangerous.

0:41:35.719 --> 0:41:38.520
<v Speaker 3>You know, they can get stuck under the sometimes of

0:41:38.600 --> 0:41:39.239
<v Speaker 3>the accelerator.

0:41:39.600 --> 0:41:43.200
<v Speaker 4>Yes, what abouts, I feel like thongs is more dangerous.

0:41:42.840 --> 0:41:45.520
<v Speaker 6>Than they're probably in the same because you get that

0:41:45.520 --> 0:41:47.840
<v Speaker 6>wedge still, it can get loose on it, yeah yeah,

0:41:47.480 --> 0:41:49.640
<v Speaker 6>yeah yeah, or buckle up under your foot in the

0:41:49.680 --> 0:41:52.520
<v Speaker 6>car mat But no, apparently it's not illegal.

0:41:52.560 --> 0:41:55.000
<v Speaker 5>But I don't know why. She nearly felt like asking her.

0:41:55.040 --> 0:42:00.280
<v Speaker 4>But I've gone to a Christmas breakfast without shoes accidentally, because.

0:42:00.120 --> 0:42:03.720
<v Speaker 3>No, no, no, no, no, you don't do that because

0:42:03.760 --> 0:42:05.840
<v Speaker 3>you know you filled with the cold.

0:42:06.160 --> 0:42:10.920
<v Speaker 4>No Christmas. This summer here is so I want to

0:42:10.960 --> 0:42:13.439
<v Speaker 4>walk around everywhere bare feet, And I thought I bought

0:42:13.440 --> 0:42:16.560
<v Speaker 4>the shoes to the car banker's family's over for Christmas.

0:42:16.560 --> 0:42:18.160
<v Speaker 4>We went out to a cafe.

0:42:17.840 --> 0:42:20.000
<v Speaker 5>For break outlaws as well, which makes.

0:42:19.840 --> 0:42:23.880
<v Speaker 4>It I'm walking around no but we're already at the cafe,

0:42:24.040 --> 0:42:24.959
<v Speaker 4>so I went in.

0:42:24.880 --> 0:42:28.280
<v Speaker 5>With that's feral Jack Christmas.

0:42:28.719 --> 0:42:31.000
<v Speaker 4>Not on Christmas Day, thankfully, two days after.

0:42:31.120 --> 0:42:32.160
<v Speaker 5>Oh that's so much better.

0:42:34.080 --> 0:42:36.120
<v Speaker 3>All right, we got the news and spot on the

0:42:36.160 --> 0:42:39.160
<v Speaker 3>way and after this o'clock then we've got some suggestions

0:42:39.160 --> 0:42:41.960
<v Speaker 3>from you Jack, and he really does need them.

0:42:43.080 --> 0:42:43.920
<v Speaker 4>Jack has been.

0:42:44.280 --> 0:42:46.840
<v Speaker 3>It's been a commission to write a song for Melbourne

0:42:46.840 --> 0:42:48.320
<v Speaker 3>by the Lord Mayor.

0:42:48.160 --> 0:42:49.000
<v Speaker 4>Sally Kap and me.

0:42:49.520 --> 0:42:52.279
<v Speaker 3>And what I feel really bad is because obviously the

0:42:52.320 --> 0:42:54.279
<v Speaker 3>Lord Mayor was on the show yesterday. She got really

0:42:54.320 --> 0:42:55.879
<v Speaker 3>excited and I said, hey, how do you feel about

0:42:55.920 --> 0:42:57.799
<v Speaker 3>we get Jack to write a song an anthem for

0:42:57.880 --> 0:43:01.040
<v Speaker 3>Melbourne to go up against Vienna. And there's Vienna because

0:43:01.080 --> 0:43:02.759
<v Speaker 3>they just become number one the most liberal city in

0:43:02.800 --> 0:43:03.120
<v Speaker 3>the world.

0:43:03.480 --> 0:43:03.880
<v Speaker 4>Anyway.

0:43:04.239 --> 0:43:06.800
<v Speaker 3>You know, Tommy he cuts up videos, little clips that

0:43:06.840 --> 0:43:09.000
<v Speaker 3>we've say in every twenty minutes, he loads one up

0:43:09.000 --> 0:43:10.640
<v Speaker 3>on our Twitter and Facebook page.

0:43:10.840 --> 0:43:12.399
<v Speaker 4>I've just seen that there's one he put up about

0:43:12.400 --> 0:43:15.160
<v Speaker 4>an hour ago, just you saying that the only update

0:43:15.239 --> 0:43:16.400
<v Speaker 4>is is not going very well.

0:43:16.560 --> 0:43:19.440
<v Speaker 3>I've written half a lyric I've just seen on my

0:43:19.520 --> 0:43:23.040
<v Speaker 3>Twitter feed. The Lord Mayor Sally Capp has just favorited

0:43:23.080 --> 0:43:26.560
<v Speaker 3>that tweet. Nothing else that the show has said interesting

0:43:26.600 --> 0:43:29.160
<v Speaker 3>and funny today. Just the fact that twenty four hours

0:43:29.200 --> 0:43:31.719
<v Speaker 3>on we've got no update other than it's going bad.

0:43:31.760 --> 0:43:33.920
<v Speaker 4>But it shows she's still interested in the idea.

0:43:34.000 --> 0:43:36.400
<v Speaker 3>Yeah, but now she's knowing that it's going badly. But

0:43:36.440 --> 0:43:38.879
<v Speaker 3>don't worry. We've got some suggestions from you for Jack the.

0:43:38.880 --> 0:43:42.600
<v Speaker 1>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

0:43:42.800 --> 0:43:44.280
<v Speaker 3>What I'm about to do will give you a brand

0:43:44.280 --> 0:43:47.200
<v Speaker 3>new earworm to kick that irritating shark thing out. The

0:43:47.760 --> 0:43:50.320
<v Speaker 3>most recent text of this show, Thank you, Jack post.

0:43:50.320 --> 0:43:53.760
<v Speaker 3>I've just walked into work singing that stupid shark song. Yeah,

0:43:53.840 --> 0:43:55.600
<v Speaker 3>I want to know what work that is, you know

0:43:55.840 --> 0:43:57.920
<v Speaker 3>it maybe it's like a serious meeting or something.

0:43:58.040 --> 0:43:58.200
<v Speaker 4>You know.

0:43:58.200 --> 0:44:00.080
<v Speaker 3>He works at funeral home and he's going.

0:44:00.200 --> 0:44:01.279
<v Speaker 4>Did did did?

0:44:01.440 --> 0:44:03.000
<v Speaker 3>He's got a hear sparked outside?

0:44:03.440 --> 0:44:03.759
<v Speaker 4>All right.

0:44:03.800 --> 0:44:05.680
<v Speaker 3>So this time last week on the show, we were

0:44:05.680 --> 0:44:08.759
<v Speaker 3>doing internet history, and I was saying how I'm obsessed

0:44:08.880 --> 0:44:11.640
<v Speaker 3>and diving on having a deep dive on YouTube and

0:44:11.680 --> 0:44:14.759
<v Speaker 3>looking around for something called isolated vocals. Now it's kind

0:44:14.800 --> 0:44:16.640
<v Speaker 3>of a music term, but the most important thing is

0:44:16.680 --> 0:44:18.920
<v Speaker 3>it's just the it's just the vocals that I don't

0:44:18.960 --> 0:44:22.440
<v Speaker 3>know whether these studio engineers find these tracks now and

0:44:22.480 --> 0:44:24.840
<v Speaker 3>they upload them to the internet, but thank god they do.

0:44:25.320 --> 0:44:27.000
<v Speaker 3>It's just strip back. You don't hear the rest of

0:44:27.040 --> 0:44:28.840
<v Speaker 3>the song. You don't hear the guitars, the bass, the

0:44:28.880 --> 0:44:31.920
<v Speaker 3>piano or any kind I have a production or reverb

0:44:32.000 --> 0:44:34.480
<v Speaker 3>on it. You just hear these amazing vocals like this

0:44:34.640 --> 0:44:35.279
<v Speaker 3>and the beach boys.

0:44:35.480 --> 0:44:39.799
<v Speaker 20>Wouldn't it be nice if we were all then we

0:44:39.840 --> 0:44:44.080
<v Speaker 20>wouldn't have two weeks so long? And wouldn't it be

0:44:44.200 --> 0:44:46.360
<v Speaker 20>nice to live together?

0:44:47.440 --> 0:44:49.320
<v Speaker 4>This is the isolated vocal.

0:44:49.520 --> 0:44:51.160
<v Speaker 3>I love these. They give me the chills. So you

0:44:51.200 --> 0:44:52.640
<v Speaker 3>real us how great the voices are.

0:44:53.239 --> 0:44:54.320
<v Speaker 8>Make it endless?

0:44:55.920 --> 0:44:57.839
<v Speaker 4>Where we can take a nice.

0:44:58.880 --> 0:45:00.840
<v Speaker 3>So you can find load of the There's some brilliant

0:45:00.880 --> 0:45:03.280
<v Speaker 3>Chris Cornell ones as well, the late great Chris Cornell.

0:45:03.400 --> 0:45:11.839
<v Speaker 21>This black Hole Sun, Won't you Come? Why should the

0:45:13.320 --> 0:45:20.640
<v Speaker 21>black hole sound? Won't you come? Won't you come? Won't

0:45:20.719 --> 0:45:21.400
<v Speaker 21>you come?

0:45:24.080 --> 0:45:25.799
<v Speaker 3>So there's loads of them online. You can have a

0:45:25.800 --> 0:45:26.439
<v Speaker 3>look around today.

0:45:26.520 --> 0:45:26.600
<v Speaker 8>Right.

0:45:26.600 --> 0:45:28.560
<v Speaker 3>They're called isolated vocals. And what it is when you

0:45:28.600 --> 0:45:31.319
<v Speaker 3>strip it back, you really feel the song differently and

0:45:31.320 --> 0:45:33.680
<v Speaker 3>you hear it siphony. Definitely, you hear the greatness in

0:45:33.719 --> 0:45:35.960
<v Speaker 3>the voices. And this is a forget about. This is

0:45:35.960 --> 0:45:38.239
<v Speaker 3>a time before auto tune as well. You really, it's

0:45:38.280 --> 0:45:40.440
<v Speaker 3>just how great the vocals are. And there was one

0:45:40.480 --> 0:45:42.280
<v Speaker 3>we played last week and I got so many emails

0:45:42.320 --> 0:45:44.240
<v Speaker 3>and so many texts about it. I thought it'd remind

0:45:44.280 --> 0:45:45.520
<v Speaker 3>you of it, and then we're going to play the

0:45:45.560 --> 0:45:46.920
<v Speaker 3>song in four But this is the one I was

0:45:46.960 --> 0:45:50.000
<v Speaker 3>talking about. The original one was David Bowie and Freddie

0:45:50.000 --> 0:45:52.920
<v Speaker 3>Mercury from under Pressure. Have I listened to this under dress?

0:45:54.000 --> 0:45:55.000
<v Speaker 16>The person.

0:45:56.280 --> 0:45:58.080
<v Speaker 3>Splits the family into.

0:45:58.719 --> 0:46:07.520
<v Speaker 6>Puts people three ba be up it up.

0:46:08.280 --> 0:46:12.120
<v Speaker 16>That's okay. It's a terror of knowing what this world

0:46:12.480 --> 0:46:20.240
<v Speaker 16>is about. Watching some good friends screaming great tomorrow gets

0:46:20.280 --> 0:46:21.839
<v Speaker 16>me high.

0:46:23.080 --> 0:46:30.960
<v Speaker 20>The people on streets dead edit mm hmmm, do that about.

0:46:32.160 --> 0:46:32.600
<v Speaker 4>Okay?

0:46:35.920 --> 0:46:39.839
<v Speaker 3>Chipping the round tip my range around the floor.

0:46:40.040 --> 0:46:41.720
<v Speaker 11>These other days?

0:46:41.719 --> 0:46:42.880
<v Speaker 3>Another range about it?

0:46:43.200 --> 0:46:44.440
<v Speaker 4>Had you know?

0:46:48.320 --> 0:46:53.480
<v Speaker 3>No, it's like the shark clip never happened, okay. And

0:46:53.600 --> 0:46:56.480
<v Speaker 3>then when you listen to it online, it's about four minutes.

0:46:56.520 --> 0:46:59.359
<v Speaker 3>The whole thing of them to singing together, those two

0:46:59.400 --> 0:47:02.080
<v Speaker 3>great But there's a moment when it gets to two

0:47:02.120 --> 0:47:04.920
<v Speaker 3>minutes in. This is where it peaks to me. Freddy's

0:47:04.960 --> 0:47:07.759
<v Speaker 3>voice just goes into this amazing full setto and he

0:47:07.840 --> 0:47:10.120
<v Speaker 3>realized what a one off great he is. Haven't listened

0:47:10.120 --> 0:47:11.440
<v Speaker 3>to it. This is a couple of seconds before it.

0:47:11.640 --> 0:47:14.560
<v Speaker 3>Then it just goes so high pitched. I've forgotten it.

0:47:14.760 --> 0:47:16.600
<v Speaker 3>I've played that song so many times in the radio

0:47:16.640 --> 0:47:33.760
<v Speaker 3>but never heard this bit fairly human. It's a presence.

0:47:33.800 --> 0:47:35.800
<v Speaker 3>That's what the prince of greatness is. That's what true

0:47:35.920 --> 0:47:37.759
<v Speaker 3>genius is. Anyway, we're gonna do these once a.

0:47:37.719 --> 0:47:40.160
<v Speaker 4>Week, play one of those and then play the original song.

0:47:40.239 --> 0:47:42.879
<v Speaker 3>So here it is on Gold one oh four point

0:47:42.960 --> 0:47:45.480
<v Speaker 3>three Christian O'Connor Breakfast Show. We do this once a week,

0:47:45.600 --> 0:47:50.320
<v Speaker 3>isolated vocals. This is David Bowie with Freddie murgley, two greats.

0:47:50.239 --> 0:47:53.680
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:47:53.680 --> 0:47:54.320
<v Speaker 1>point three.

0:47:54.480 --> 0:47:57.799
<v Speaker 3>So talk about music and inspiration and genius. We now

0:47:58.560 --> 0:47:59.759
<v Speaker 3>bounce all could lead to.

0:48:00.360 --> 0:48:01.480
<v Speaker 4>Well, that's a hard act to follow.

0:48:01.560 --> 0:48:06.000
<v Speaker 3>You are artist in residence, okay. The spirit and of

0:48:06.160 --> 0:48:11.000
<v Speaker 3>Freddy and Bowie are definitely missing in you. And yesterday

0:48:11.040 --> 0:48:13.000
<v Speaker 3>we were talking about the news that know no more

0:48:13.040 --> 0:48:15.120
<v Speaker 3>number one spot for Melbourne's most Liverpool city in the

0:48:15.120 --> 0:48:18.279
<v Speaker 3>world has gone to Vienna. And we were chatting to

0:48:18.320 --> 0:48:20.360
<v Speaker 3>with the Lord mess Sally Camp on yesterday show, and

0:48:20.400 --> 0:48:23.040
<v Speaker 3>I said, maybe we need a song, an anthem for Melbourne.

0:48:23.080 --> 0:48:26.680
<v Speaker 3>You've got the classic eighty song Vienna. Who better well, actually,

0:48:26.719 --> 0:48:28.480
<v Speaker 3>who else is? There's no one else so available to

0:48:28.480 --> 0:48:30.520
<v Speaker 3>me that would do this than Jack Posts to take

0:48:30.560 --> 0:48:33.520
<v Speaker 3>on this mission, this important mission, to try and write

0:48:33.520 --> 0:48:37.040
<v Speaker 3>an anthem for this great city. So twenty five hours

0:48:37.080 --> 0:48:39.200
<v Speaker 3>on Where Oh You.

0:48:39.640 --> 0:48:43.759
<v Speaker 4>I'm thinking the chorus will be the this is a

0:48:43.880 --> 0:48:50.520
<v Speaker 4>rhyme my hometown Melbourne, Melbourne, but when you sing it out,

0:48:50.560 --> 0:48:52.759
<v Speaker 4>when you sing it, it's hard to say it as

0:48:52.800 --> 0:48:53.160
<v Speaker 4>a rhyme.

0:48:53.239 --> 0:48:55.240
<v Speaker 3>You're better off going Melbourne.

0:48:58.040 --> 0:49:02.760
<v Speaker 4>No, I think, because we're get other musicians and maybe artists.

0:49:02.880 --> 0:49:05.799
<v Speaker 4>Hopefully the guests sing on this so they'll be able

0:49:05.800 --> 0:49:08.040
<v Speaker 4>to do if they listen to this, they're not picking.

0:49:11.080 --> 0:49:12.799
<v Speaker 4>Twenty five hours you've had with this.

0:49:13.040 --> 0:49:16.200
<v Speaker 3>All you've done is brought in that horrible shark song today.

0:49:17.080 --> 0:49:19.799
<v Speaker 4>No, I got away for that baby Shark song to

0:49:19.880 --> 0:49:22.399
<v Speaker 4>leave my head before I can let a new song inter.

0:49:22.760 --> 0:49:25.320
<v Speaker 3>Okay, so listen, I I've got a couple of suggestions

0:49:25.360 --> 0:49:28.800
<v Speaker 3>and from our listeners. They've left these on my WhatsApp

0:49:28.800 --> 0:49:30.719
<v Speaker 3>group on my phone that's ever listened to some of these?

0:49:31.000 --> 0:49:33.360
<v Speaker 5>Hi Christian, It's Shelley from Hampton.

0:49:34.600 --> 0:49:37.960
<v Speaker 6>Did you know that Melbourne was originally called Batman?

0:49:39.040 --> 0:49:42.040
<v Speaker 5>Maybe you could write that into the song somehow?

0:49:42.280 --> 0:49:43.799
<v Speaker 3>Yeah, right, make it you're writing this down.

0:49:44.520 --> 0:49:46.040
<v Speaker 4>No no, no, no no no no no no no

0:49:46.040 --> 0:49:47.839
<v Speaker 4>no no no Melbourne. There you go.

0:49:47.880 --> 0:49:48.719
<v Speaker 3>It's the inspiration.

0:49:48.840 --> 0:49:54.960
<v Speaker 4>And then there's this you do nothing for me all

0:49:55.160 --> 0:49:57.320
<v Speaker 4>the boom boom.

0:49:57.120 --> 0:50:00.319
<v Speaker 3>Boom, and then what we're about to play is up

0:50:00.320 --> 0:50:02.920
<v Speaker 3>there with that clip from Bowie. Seriously, this is this

0:50:02.960 --> 0:50:04.400
<v Speaker 3>is amazing. Have a listened to this?

0:50:04.440 --> 0:50:04.719
<v Speaker 4>All right?

0:50:04.760 --> 0:50:05.799
<v Speaker 3>Everyone, just stop what you're doing.

0:50:05.880 --> 0:50:06.440
<v Speaker 4>Turn this up.

0:50:06.520 --> 0:50:09.480
<v Speaker 3>This is incredible. I know that we're gonna end up

0:50:09.480 --> 0:50:11.399
<v Speaker 3>putting this in the song. You're going to write around it.

0:50:11.400 --> 0:50:12.400
<v Speaker 3>It's chilling.

0:50:12.920 --> 0:50:16.959
<v Speaker 8>We are Melbourne, we are strong, we are up then

0:50:17.080 --> 0:50:21.239
<v Speaker 8>and number one, we can keep kick people's asses if

0:50:21.280 --> 0:50:21.880
<v Speaker 8>we won't.

0:50:21.920 --> 0:50:28.200
<v Speaker 4>But we are said lead not. Well, if the rules

0:50:28.200 --> 0:50:30.680
<v Speaker 4>of the song are already it doesn't need to rhyme perfectly,

0:50:30.840 --> 0:50:31.880
<v Speaker 4>then that fits straight in.

0:50:32.040 --> 0:50:34.480
<v Speaker 3>Let's just have a second play of this, we have

0:50:34.600 --> 0:50:36.040
<v Speaker 3>to discover a star.

0:50:36.800 --> 0:50:40.839
<v Speaker 8>We are Melbourne, we are strong, we are up then

0:50:40.960 --> 0:50:45.120
<v Speaker 8>and number one, we can keep kick people's asses if

0:50:45.160 --> 0:50:47.440
<v Speaker 8>we won't, but we are said lead not.

0:50:48.239 --> 0:50:52.120
<v Speaker 4>I'm going to try to work something that resembles that

0:50:52.160 --> 0:50:54.719
<v Speaker 4>into the real song. Then there's this from a DJ

0:50:54.760 --> 0:50:55.800
<v Speaker 4>giving himself a plug.

0:50:55.640 --> 0:50:59.480
<v Speaker 13>Gay Christian DJ pain here down in Geelong message for

0:51:00.120 --> 0:51:04.480
<v Speaker 13>Jack's Melbourne song. I don't have a lyrics suggestion for you,

0:51:04.560 --> 0:51:07.319
<v Speaker 13>but this is what it needs. It needs to have

0:51:07.800 --> 0:51:13.880
<v Speaker 13>a massive build up chorus and then like all good

0:51:14.280 --> 0:51:20.080
<v Speaker 13>big songs, it needs to have a dramatic dropout and

0:51:20.120 --> 0:51:23.040
<v Speaker 13>then the two words that you need in this type

0:51:23.080 --> 0:51:29.359
<v Speaker 13>of song, children's choir. Children's choir comes up, rises from

0:51:29.360 --> 0:51:37.040
<v Speaker 13>the ashes and sings Jack's.

0:51:34.080 --> 0:51:36.480
<v Speaker 3>That's why he's out there and long, you know. But

0:51:36.960 --> 0:51:40.759
<v Speaker 3>school choir we never think about this week. The school choir.

0:51:41.160 --> 0:51:43.160
<v Speaker 4>We just can't work in every gimmick if we're doing

0:51:43.200 --> 0:51:46.000
<v Speaker 4>the list right now.

0:51:46.280 --> 0:51:48.200
<v Speaker 3>The only thing this is right in the center. But

0:51:48.280 --> 0:51:49.640
<v Speaker 3>the DNA of this song is this.

0:51:49.880 --> 0:51:53.879
<v Speaker 8>We are Melbourne, we are strong, we are up there

0:51:54.040 --> 0:51:59.640
<v Speaker 8>and number one, we can keep kicking, but we are

0:52:00.160 --> 0:52:01.880
<v Speaker 8>lead and art genius.

0:52:02.040 --> 0:52:05.399
<v Speaker 1>The Christian O'Connell breakfast Show Melbourne's Gold one oh four

0:52:05.440 --> 0:52:06.040
<v Speaker 1>point three.

0:52:06.160 --> 0:52:09.040
<v Speaker 3>We have discovered amongst living here in Melbourne who knew

0:52:09.080 --> 0:52:11.120
<v Speaker 3>there was someone who had the spirit of Lennon and

0:52:11.440 --> 0:52:14.320
<v Speaker 3>McCartney that could give the world this kind of greatness.

0:52:14.600 --> 0:52:17.360
<v Speaker 3>We asked for lyrics for a new anthem for this city,

0:52:17.400 --> 0:52:18.040
<v Speaker 3>for Melbourne.

0:52:18.040 --> 0:52:22.080
<v Speaker 8>We are Melbourne, we are strong, we are up then

0:52:22.200 --> 0:52:27.000
<v Speaker 8>and number one, we can keep people's asses if we want,

0:52:27.000 --> 0:52:29.040
<v Speaker 8>but we are leading art.

0:52:30.080 --> 0:52:32.520
<v Speaker 4>I hope the Lord Mark can hear all this. You

0:52:32.600 --> 0:52:33.560
<v Speaker 4>do not need to worry.

0:52:33.800 --> 0:52:36.839
<v Speaker 3>Sleep well tonight, Lord mayor sely cap knowing that we've

0:52:36.880 --> 0:52:40.040
<v Speaker 3>got this. We have got this because we've got Anthony

0:52:40.120 --> 0:52:43.279
<v Speaker 3>from Dale's car Yard who laid that down last night

0:52:43.280 --> 0:52:43.560
<v Speaker 3>for us.

0:52:43.640 --> 0:52:45.840
<v Speaker 4>And to be fair to Anthony, I mean, we're writing

0:52:45.880 --> 0:52:48.120
<v Speaker 4>a song about Melbourne, and Melbourne is a difficult word

0:52:48.160 --> 0:52:48.680
<v Speaker 4>to rhyme.

0:52:48.880 --> 0:52:50.719
<v Speaker 3>You're right, Actually, I don't think if from that, Yeah,

0:52:50.719 --> 0:52:53.640
<v Speaker 3>I guess for a rhyming couple, even Shakespeare would have struggled.

0:52:53.960 --> 0:52:56.040
<v Speaker 3>So I wonder if people can help Jack out this morning.

0:52:56.480 --> 0:52:58.000
<v Speaker 3>What can you rhyme with Melbourne?

0:52:59.280 --> 0:53:05.120
<v Speaker 4>Be creative, you can change like I've done my hometown Melbourne, like,

0:53:05.360 --> 0:53:08.800
<v Speaker 4>but I'll go my home town Melbourne.

0:53:08.960 --> 0:53:12.120
<v Speaker 3>Can you do anything with Bourne? Melbourne in there?

0:53:12.640 --> 0:53:14.920
<v Speaker 4>No, I haven't born. If people say Melbourne, that's like

0:53:15.000 --> 0:53:16.960
<v Speaker 4>if Rhianna too is here and she doesn't know how

0:53:16.960 --> 0:53:21.920
<v Speaker 4>to say it Melbourne. I like that.

0:53:21.960 --> 0:53:25.280
<v Speaker 3>On day one, all right, what can you rhyme with Melbourne?

0:53:25.320 --> 0:53:28.759
<v Speaker 3>Then nine four one four, one oh four three The.

0:53:28.760 --> 0:53:32.480
<v Speaker 1>Christian oh' connell breakfast show, Melbourne's Gold one oh four point.

0:53:32.280 --> 0:53:34.600
<v Speaker 3>Three, It's goin to helps Jack out with some inspiration

0:53:34.640 --> 0:53:38.080
<v Speaker 3>this morning. She takes on his commission to try and

0:53:38.080 --> 0:53:41.359
<v Speaker 3>create an anthem for Melbourne after we lose the number

0:53:41.360 --> 0:53:45.239
<v Speaker 3>one spot to Ultra Watch Vienna. We haven't lost that

0:53:45.280 --> 0:53:47.399
<v Speaker 3>to number one, but most limpall City. Maybe the song

0:53:47.480 --> 0:53:50.440
<v Speaker 3>helped the judges. I don't know, Tipham, So we need

0:53:50.440 --> 0:53:52.640
<v Speaker 3>a new anthem for Melbourne. You're saying you need out

0:53:52.680 --> 0:53:54.280
<v Speaker 3>with what rhymes with Melbourne?

0:53:54.320 --> 0:53:56.560
<v Speaker 4>Well, I could have done more work overnight. I'll be

0:53:56.560 --> 0:53:58.840
<v Speaker 4>honest about that. Twenty four hours I came up with

0:53:58.880 --> 0:54:02.200
<v Speaker 4>one lyric, which was my home town Melbourne, and that

0:54:02.320 --> 0:54:05.719
<v Speaker 4>I'll rhyme that when it's being sung. It's difficult to

0:54:05.840 --> 0:54:07.920
<v Speaker 4>rhyme Melbourne I'm finding, Christian.

0:54:07.920 --> 0:54:10.480
<v Speaker 3>Part of the issue is that Melbourne has pronounced many

0:54:10.520 --> 0:54:13.279
<v Speaker 3>different ways. You get some people that say Melbourn, some

0:54:13.320 --> 0:54:16.400
<v Speaker 3>people say Melbourne, some people say mel Bun, some people

0:54:16.400 --> 0:54:17.480
<v Speaker 3>say may have been Melbun.

0:54:17.480 --> 0:54:20.200
<v Speaker 4>There are different there are different ways that you say it.

0:54:20.680 --> 0:54:23.160
<v Speaker 3>Christian. Jack just needs to rhyme the born part. So

0:54:23.200 --> 0:54:26.560
<v Speaker 3>I'd like to see Jack work in torn Corn or pawn.

0:54:28.239 --> 0:54:30.319
<v Speaker 4>Corn.

0:54:31.520 --> 0:54:35.200
<v Speaker 3>Poor. No, that's not trying to thought. Good morning, come

0:54:35.239 --> 0:54:38.400
<v Speaker 3>out hi, good morning. When you're live on god one

0:54:38.440 --> 0:54:40.879
<v Speaker 3>of four point three, what's your idea for Jack song?

0:54:42.040 --> 0:54:43.160
<v Speaker 15>Tell them you're going to.

0:54:44.840 --> 0:54:45.520
<v Speaker 4>What was the rhyme?

0:54:46.520 --> 0:54:47.280
<v Speaker 11>Tell them?

0:54:48.239 --> 0:54:51.640
<v Speaker 4>Tell them, tell them you're going to Melbourne's for people

0:54:51.719 --> 0:54:55.560
<v Speaker 4>outside of Melbourne, you're going to Australia. Tell them you're

0:54:55.560 --> 0:55:02.000
<v Speaker 4>going to Melbourne. Tell them, Okay, not bad. Cris Hello,

0:55:02.320 --> 0:55:04.320
<v Speaker 4>will do that? Yea and Chris, we're here.

0:55:06.239 --> 0:55:08.600
<v Speaker 11>Christian, Christian, I rang up the other.

0:55:08.800 --> 0:55:11.279
<v Speaker 4>Yeah, yeah, still good, it's still good. Going to speak

0:55:11.280 --> 0:55:11.720
<v Speaker 4>to you again.

0:55:12.600 --> 0:55:14.239
<v Speaker 9>More and similar to the last one, but I've got

0:55:14.239 --> 0:55:15.000
<v Speaker 9>a little bit more to it.

0:55:15.080 --> 0:55:15.600
<v Speaker 8>It goes.

0:55:17.560 --> 0:55:19.160
<v Speaker 11>Certain place is cool and that's what.

0:55:19.840 --> 0:55:21.000
<v Speaker 6>That's what when you're.

0:55:20.920 --> 0:55:23.960
<v Speaker 4>Hanging in they say this place is cool. That's what

0:55:24.000 --> 0:55:28.120
<v Speaker 4>I tell him. That's what it's like hanging in Melbournebourne, Melbourne.

0:55:28.480 --> 0:55:32.319
<v Speaker 4>That's good. Yes, that's good, Yes, very good. Essa.

0:55:33.239 --> 0:55:34.960
<v Speaker 9>Hi Christian hell are you pretty good?

0:55:35.000 --> 0:55:35.919
<v Speaker 3>Vanessa? I hope you're will.

0:55:36.239 --> 0:55:37.439
<v Speaker 4>Have you got a lyric for Jack?

0:55:38.400 --> 0:55:42.040
<v Speaker 15>Well, I've got something that runs with Melbourne and it's Torellgon.

0:55:43.120 --> 0:55:46.000
<v Speaker 4>Yeah all right, Terrelgon is not part of Melbourne. I

0:55:46.040 --> 0:55:47.800
<v Speaker 4>wouldn't say, isn't it more rural?

0:55:47.840 --> 0:55:49.280
<v Speaker 3>But can't you then use the song.

0:55:49.160 --> 0:55:49.920
<v Speaker 4>To int.

0:55:51.480 --> 0:55:53.080
<v Speaker 15>I'm from Melton sort about Melton?

0:55:53.239 --> 0:55:56.960
<v Speaker 4>Yeah, Melton. Yeah, so maybe I'm traveling through Torellgon.

0:55:56.880 --> 0:55:59.240
<v Speaker 3>And heading to way on the way to Melbourne.

0:56:00.080 --> 0:56:01.120
<v Speaker 4>Three Melton, And.

0:56:01.080 --> 0:56:01.840
<v Speaker 3>Then you work this in.

0:56:02.040 --> 0:56:07.080
<v Speaker 8>We are Melbourne, we are up there and number one,

0:56:07.560 --> 0:56:11.600
<v Speaker 8>we can keep kick people's asses we want, but we

0:56:11.640 --> 0:56:12.360
<v Speaker 8>are said.

0:56:12.280 --> 0:56:15.040
<v Speaker 3>Lead that beautiful line. I know you've got your guitar there.

0:56:15.120 --> 0:56:16.680
<v Speaker 3>Could you just try and put that in again?

0:56:20.080 --> 0:56:25.399
<v Speaker 14>We are Melbourne, we are strong, we are up there,

0:56:26.040 --> 0:56:30.960
<v Speaker 14>number one, we can kick kick people's asses if we want,

0:56:32.040 --> 0:56:34.440
<v Speaker 14>but sadly we are no.

0:56:35.800 --> 0:56:36.080
<v Speaker 4>Wow.

0:56:36.160 --> 0:56:39.600
<v Speaker 3>When you start to hear it like that, you know

0:56:39.680 --> 0:56:41.000
<v Speaker 3>that we can go to number one again.

0:56:41.080 --> 0:56:44.439
<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four

0:56:44.480 --> 0:56:44.960
<v Speaker 1>point three.

0:56:45.280 --> 0:56:47.680
<v Speaker 3>You're going to get one of these first time, says

0:56:47.719 --> 0:56:50.319
<v Speaker 3>I've moved to a powable ticket one hundred million.

0:56:50.320 --> 0:56:53.960
<v Speaker 4>Why not? Oh big, big dollars one hundred million.

0:56:54.360 --> 0:56:55.359
<v Speaker 3>What do you do if you want that?

0:56:55.360 --> 0:56:56.520
<v Speaker 4>You go? Do you know what?

0:56:56.920 --> 0:56:58.640
<v Speaker 3>Many years ago I did a TV show and the

0:56:58.680 --> 0:57:01.279
<v Speaker 3>audience was made up of millionaires who had won the

0:57:01.320 --> 0:57:05.200
<v Speaker 3>money on the lotto for a TV show, and I

0:57:05.239 --> 0:57:06.840
<v Speaker 3>went out for a couple of drinks with them. Afterwards

0:57:06.920 --> 0:57:10.640
<v Speaker 3>they bought them and in the pub right I was saying,

0:57:10.760 --> 0:57:13.200
<v Speaker 3>I asked all of them, did it change your life

0:57:13.200 --> 0:57:15.160
<v Speaker 3>for the better? You know, because you think because you've

0:57:15.160 --> 0:57:17.240
<v Speaker 3>got more money, you got more choice, you got more freedom.

0:57:17.280 --> 0:57:18.920
<v Speaker 3>I guess that's what we think. That's what happen, is

0:57:19.000 --> 0:57:22.040
<v Speaker 3>happiness is. They said it did change their lives, but

0:57:22.080 --> 0:57:23.840
<v Speaker 3>it was interesting. They didn't say it was necessarily for

0:57:23.920 --> 0:57:27.560
<v Speaker 3>the better. They said it ruined every single friendship with

0:57:27.600 --> 0:57:29.880
<v Speaker 3>their family and their They had to get new friends

0:57:29.920 --> 0:57:30.800
<v Speaker 3>because the old friends.

0:57:31.080 --> 0:57:33.600
<v Speaker 4>It just changes everything. Oh, they can only hang out

0:57:33.600 --> 0:57:35.720
<v Speaker 4>with other rich people now. It wasn't that.

0:57:35.800 --> 0:57:39.080
<v Speaker 3>It was just like they're always expected to pay if

0:57:39.120 --> 0:57:42.320
<v Speaker 3>anything goes wrong with their friends, families. They are askeding

0:57:42.320 --> 0:57:44.320
<v Speaker 3>and to pay for medical bills because they've got the money,

0:57:44.520 --> 0:57:47.640
<v Speaker 3>and you're constantly being asked to do something. It changes

0:57:47.680 --> 0:57:49.120
<v Speaker 3>the dynamic and the friendship that you.

0:57:49.120 --> 0:57:51.080
<v Speaker 4>Have before it. Do you think, how do you think

0:57:51.080 --> 0:57:52.560
<v Speaker 4>you would go one hundred million dollars for a jail?

0:57:52.600 --> 0:57:55.040
<v Speaker 4>It did a lot of money. It's ridiculous. Too much money,

0:57:55.400 --> 0:57:55.880
<v Speaker 4>too much ones.

0:57:55.880 --> 0:57:57.800
<v Speaker 3>You know what? Seriously? Right, would you come to work

0:57:57.840 --> 0:57:58.880
<v Speaker 3>so you win it this weekend?

0:57:58.960 --> 0:58:00.680
<v Speaker 4>Right? I mean I I'm doing the show.

0:58:00.720 --> 0:58:03.120
<v Speaker 3>So are you here Monday? If you win one hundred million?

0:58:03.160 --> 0:58:03.840
<v Speaker 4>I'll sleep in.

0:58:04.080 --> 0:58:08.080
<v Speaker 3>I'm going to come because that's what gives you meaning

0:58:08.080 --> 0:58:08.520
<v Speaker 3>in your life.

0:58:08.640 --> 0:58:09.680
<v Speaker 4>Right? Do you know what I do?

0:58:10.360 --> 0:58:11.880
<v Speaker 3>I would give a dollar to all of our one

0:58:12.000 --> 0:58:16.480
<v Speaker 3>hundred million listeners. You may have got those figures slightly confused.

0:58:16.520 --> 0:58:20.040
<v Speaker 1>Actually, the Christian O'Connell breakfast Show, Melbourne's Gold one oh

0:58:20.120 --> 0:58:21.040
<v Speaker 1>four point three.

0:58:21.120 --> 0:58:24.480
<v Speaker 3>Just on this whole thing about obviously Vienna become most

0:58:24.480 --> 0:58:25.160
<v Speaker 3>small City.

0:58:25.360 --> 0:58:27.600
<v Speaker 4>It's a song. Also the eighties song Vienna.

0:58:28.280 --> 0:58:32.080
<v Speaker 3>Is there? Another midweek mixtape in songs with cities in

0:58:32.120 --> 0:58:34.880
<v Speaker 3>the title, You got one night in Bangkok played it

0:58:34.960 --> 0:58:37.840
<v Speaker 3>yesterday on the show Drinking in La brand Down three thousand,

0:58:37.840 --> 0:58:41.280
<v Speaker 3>great song New York, New York, London calling we can't

0:58:41.280 --> 0:58:43.840
<v Speaker 3>play Vienna. That's Bard from this show now, okay.

0:58:43.760 --> 0:58:47.680
<v Speaker 4>Yep, I'm trying to think maybe Paris in the summertime.

0:58:49.080 --> 0:58:52.520
<v Speaker 6>And a guess what's that Eagles classic standing on a

0:58:52.560 --> 0:58:54.720
<v Speaker 6>corner in Winslow, Arizona or something.

0:58:54.840 --> 0:58:58.520
<v Speaker 3>I think it's standing on a corner of Frankston, Chadston,

0:58:58.640 --> 0:59:00.640
<v Speaker 3>Chadston standing them.

0:59:01.280 --> 0:59:02.960
<v Speaker 4>And now we have Christina on the line.

0:59:02.960 --> 0:59:11.200
<v Speaker 3>Good morning, Christina, Christina, Yes, yes, hello, Hello, Yeah, I'm

0:59:11.200 --> 0:59:11.560
<v Speaker 3>pretty good.

0:59:11.560 --> 0:59:12.440
<v Speaker 4>How are you well this morning?

0:59:13.120 --> 0:59:13.720
<v Speaker 12>Yeah, I'm well.

0:59:14.560 --> 0:59:14.880
<v Speaker 4>All right.

0:59:14.880 --> 0:59:17.680
<v Speaker 3>Well listen, Christina, I understand that you've been hearing our

0:59:17.720 --> 0:59:20.640
<v Speaker 3>mission to try and create a brand new anthem for Melbourne.

0:59:20.240 --> 0:59:22.880
<v Speaker 3>And you've got not some lyrics, you've got a rap

0:59:23.040 --> 0:59:23.479
<v Speaker 3>for Jack.

0:59:23.800 --> 0:59:24.080
<v Speaker 11>Yeah.

0:59:24.200 --> 0:59:26.440
<v Speaker 15>I think if you want to really sell it, you

0:59:26.480 --> 0:59:28.560
<v Speaker 15>need to kind of inject like a little bit of

0:59:28.560 --> 0:59:30.800
<v Speaker 15>modern influence in there. So I've written a small little

0:59:30.840 --> 0:59:32.760
<v Speaker 15>rapnurs that I think would go really well. And now

0:59:32.760 --> 0:59:34.400
<v Speaker 15>I don't know if you agree, Jack, but I think

0:59:34.440 --> 0:59:35.640
<v Speaker 15>I might go really nicely.

0:59:35.840 --> 0:59:38.040
<v Speaker 4>Christina. I'm excited to hear I will say, I feel

0:59:38.120 --> 0:59:40.960
<v Speaker 4>like this song is getting too gimmicky. It's got children's

0:59:41.000 --> 0:59:44.959
<v Speaker 4>quiet strings, breakdown rahaps.

0:59:45.000 --> 0:59:47.160
<v Speaker 15>Not a gimmick, it's a way of life exactly.

0:59:47.200 --> 0:59:49.800
<v Speaker 3>Okay, thank you very much, DoD to try on the line.

0:59:50.120 --> 0:59:52.400
<v Speaker 3>Now listen, Christina, off you go where all is?

0:59:53.080 --> 0:59:55.200
<v Speaker 15>All right? So this is what I got so far.

0:59:56.440 --> 0:59:58.919
<v Speaker 15>Christian and Jack. You know, I want to help him

0:59:58.960 --> 1:00:01.320
<v Speaker 15>get out of this rhyming problem that they fell in

1:00:01.400 --> 1:00:03.680
<v Speaker 15>their city in the world. You know what to tell

1:00:03.760 --> 1:00:07.520
<v Speaker 15>them me. I lived in grand old Melbourne botanical gardens

1:00:07.520 --> 1:00:10.040
<v Speaker 15>of flowers. I like to smell them. Nothing like any

1:00:10.080 --> 1:00:12.480
<v Speaker 15>city I've ever dealt in. The stand and take pills

1:00:12.520 --> 1:00:14.640
<v Speaker 15>of beach has lots of shells, and that's all I

1:00:14.680 --> 1:00:17.280
<v Speaker 15>can think that rhymes with Melbourne.

1:00:20.600 --> 1:00:21.400
<v Speaker 4>We are blessed.

1:00:21.400 --> 1:00:24.520
<v Speaker 3>We're the most talented listeners in the world. So again,

1:00:24.680 --> 1:00:26.640
<v Speaker 3>just do that. So have you written that down?

1:00:28.080 --> 1:00:28.320
<v Speaker 8>Yeah?

1:00:28.520 --> 1:00:30.080
<v Speaker 15>I mean I came up with it just now, but

1:00:30.080 --> 1:00:31.520
<v Speaker 15>I had to write it down to remember it.

1:00:31.560 --> 1:00:32.920
<v Speaker 3>Do you reckon? You could do it again. I've just

1:00:32.920 --> 1:00:35.000
<v Speaker 3>got an idea of something we can add at the

1:00:35.080 --> 1:00:37.400
<v Speaker 3>end of that. Can you just do it again the

1:00:37.440 --> 1:00:39.520
<v Speaker 3>whole thing? Yeah, you're go on. Please it's amazing.

1:00:39.720 --> 1:00:42.640
<v Speaker 15>Okay, I will I will add a cabin. It would

1:00:42.680 --> 1:00:44.360
<v Speaker 15>be better if I had a backing beat behind me,

1:00:44.440 --> 1:00:45.120
<v Speaker 15>so bear with me.

1:00:46.920 --> 1:00:55.520
<v Speaker 4>Christians tell you okay, Christina, off.

1:00:55.360 --> 1:00:59.320
<v Speaker 15>You, Christian and Jack. You know I want to help

1:00:59.360 --> 1:01:01.840
<v Speaker 15>them get out of this rhyming problem that they fell

1:01:01.880 --> 1:01:04.000
<v Speaker 15>in their city in the world. You know what to

1:01:04.120 --> 1:01:07.680
<v Speaker 15>tell them me. I live in grand old Melbourne botanical

1:01:07.760 --> 1:01:10.320
<v Speaker 15>gardens of flowers. I like to smell them. Nothing like

1:01:10.400 --> 1:01:13.240
<v Speaker 15>any city I've ever dealt in. Stand and thank kill.

1:01:13.320 --> 1:01:15.440
<v Speaker 15>The beach has lots of shells. Then that's all I

1:01:15.440 --> 1:01:20.000
<v Speaker 15>can think. That rhymes with Melbourne.

1:01:19.120 --> 1:01:23.560
<v Speaker 8>Then we are up there. And number one, we can't

1:01:23.640 --> 1:01:33.640
<v Speaker 8>keep keep people's houses if you want, but we are not.

1:01:35.400 --> 1:01:35.840
<v Speaker 11>No way.

1:01:35.960 --> 1:01:39.400
<v Speaker 3>Christina, that was amazing second time around. You smashed it.

1:01:40.040 --> 1:01:41.960
<v Speaker 15>Thank you so much. Well, I'm here. Could I get

1:01:42.000 --> 1:01:45.760
<v Speaker 15>a plug in for my improv wrath group Rhyme Zone

1:01:48.520 --> 1:01:50.680
<v Speaker 15>in Melbourne Fringe this year. We'd love it if you

1:01:50.800 --> 1:01:51.640
<v Speaker 15>come check us out.

1:01:51.840 --> 1:01:53.720
<v Speaker 4>Yeah, you give yourself a plug. What's the Facebook?

1:01:53.880 --> 1:01:55.040
<v Speaker 3>What's your Facebook page?

1:01:55.440 --> 1:01:58.920
<v Speaker 15>So look us up where Facebook dot com slash, Rhyme Zone, Improv.

1:01:59.520 --> 1:02:01.360
<v Speaker 15>It's a good time. We get a word from the

1:02:01.400 --> 1:02:03.880
<v Speaker 15>audience and from that we kind of make up a

1:02:03.880 --> 1:02:08.200
<v Speaker 15>whole improvised hip hop musical. We start talking and whenever

1:02:08.240 --> 1:02:10.040
<v Speaker 15>the beat drops, we have to rap about whatever we're

1:02:10.080 --> 1:02:10.640
<v Speaker 15>talking about.

1:02:10.720 --> 1:02:12.920
<v Speaker 3>And have you ever done this at the Melbourne Comedy Festival.

1:02:13.760 --> 1:02:15.919
<v Speaker 15>No, we might do it next year. At this moment

1:02:15.960 --> 1:02:18.360
<v Speaker 15>we just kind of have a monthly show. But yeah,

1:02:18.360 --> 1:02:19.280
<v Speaker 15>we're doing fringe.

1:02:19.040 --> 1:02:19.720
<v Speaker 4>For the first time.

1:02:19.800 --> 1:02:23.080
<v Speaker 3>Now. Listen, Christina, do you want to challenge? Normally on

1:02:23.120 --> 1:02:25.240
<v Speaker 3>a Friday, Jack sings the week? Obviously I've had to

1:02:25.240 --> 1:02:28.040
<v Speaker 3>give him tomorrow off because he's, you know, he's trying

1:02:28.080 --> 1:02:31.000
<v Speaker 3>to write lyrics at the moment. I can't overload that young, precious, fragile,

1:02:31.040 --> 1:02:34.680
<v Speaker 3>tender brain. How do you fancy you wrap the week tomorrow?

1:02:35.000 --> 1:02:36.400
<v Speaker 3>What we've been up to on the Breakfast Show this

1:02:36.440 --> 1:02:38.400
<v Speaker 3>week and you can't come and do it live on

1:02:38.480 --> 1:02:39.040
<v Speaker 3>tomorrow show?

1:02:39.800 --> 1:02:44.400
<v Speaker 15>Oh my goodness, yeah sure, yeah, there we go, Christina.

1:02:44.520 --> 1:02:46.560
<v Speaker 4>All right, listen, eminem we see it tomorrow.

1:02:46.240 --> 1:02:49.280
<v Speaker 1>For Christian oh Connell Breakfast Show, Melbourne's Gold one oh

1:02:49.400 --> 1:02:52.640
<v Speaker 1>four point three.

1:02:53.480 --> 1:02:54.600
<v Speaker 4>All right, time for this morning?

1:02:54.640 --> 1:02:56.920
<v Speaker 3>Is that work time waste? For your loaf off? When

1:02:56.920 --> 1:02:59.040
<v Speaker 3>you get into work, you can still do stuff with

1:02:59.080 --> 1:03:01.160
<v Speaker 3>the breakfast show. But you don't need to call in it,

1:03:01.320 --> 1:03:04.520
<v Speaker 3>just just text us. Just pretend not to be listening

1:03:04.560 --> 1:03:06.520
<v Speaker 3>to the show, pretend to be actually starting work in

1:03:06.560 --> 1:03:09.320
<v Speaker 3>your office. If you are playing along in an office,

1:03:09.680 --> 1:03:11.720
<v Speaker 3>put that at the end of your text as well.

1:03:12.360 --> 1:03:14.640
<v Speaker 3>All right, So today's one. I don't know if you're

1:03:14.680 --> 1:03:17.000
<v Speaker 3>aware of this. This is every day for chat, but

1:03:17.000 --> 1:03:24.440
<v Speaker 3>it's National Relaxation Day. Something in the air, and so

1:03:24.480 --> 1:03:27.959
<v Speaker 3>today we want you to relax a song I've got,

1:03:28.280 --> 1:03:32.240
<v Speaker 3>Mama said, knock you out with ambion sleeping on the

1:03:32.280 --> 1:03:34.360
<v Speaker 3>dock of the bay and all the snooze there in

1:03:34.400 --> 1:03:37.560
<v Speaker 3>the sun and hold a notes private tranquilize.

1:03:38.560 --> 1:03:42.840
<v Speaker 4>Oh you are trying to get Yeah, you got it, baby,

1:03:43.000 --> 1:03:49.560
<v Speaker 4>all right, what have you got? Lazy in red? You

1:03:49.600 --> 1:03:52.440
<v Speaker 4>know that the reef song puts your hands out, Yeah, yeah,

1:03:52.440 --> 1:03:56.480
<v Speaker 4>place your hands, yeah, put your feet up, and Lucy

1:03:56.520 --> 1:03:59.760
<v Speaker 4>in the sky with diazepan. Take it.

1:04:02.120 --> 1:04:04.960
<v Speaker 3>Okay, So looking for you two on National Relaxation Day.

1:04:05.000 --> 1:04:07.440
<v Speaker 3>To relax the song text the men we are Jack

1:04:07.480 --> 1:04:09.800
<v Speaker 3>with Martin in ten minutes time gold, silver, bronze or

1:04:09.920 --> 1:04:13.240
<v Speaker 3>plus plus minus minus uh and bits in between nine thing,

1:04:14.280 --> 1:04:15.960
<v Speaker 3>Well you've done plus plus gold and.

1:04:15.880 --> 1:04:18.000
<v Speaker 4>Done plus plus minus minus. Well could you say that

1:04:18.040 --> 1:04:18.479
<v Speaker 4>makes sense?

1:04:18.680 --> 1:04:22.280
<v Speaker 3>Oh right, so gold plus plus or bronze plus plus does? Yeah?

1:04:22.320 --> 1:04:22.600
<v Speaker 4>All right?

1:04:22.640 --> 1:04:26.280
<v Speaker 3>Sorry, stood with me. I can only apologize text us then, yeah,

1:04:26.400 --> 1:04:29.280
<v Speaker 3>you'll relax. The songs to four seven five three, one

1:04:29.320 --> 1:04:30.080
<v Speaker 3>oh four three, The.

1:04:30.120 --> 1:04:33.800
<v Speaker 1>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

1:04:33.680 --> 1:04:39.480
<v Speaker 3>Three brilliant eighties song, great eighties hair as well, Flock

1:04:39.520 --> 1:04:42.200
<v Speaker 3>of Seagulls I Ran Gold one o four point three

1:04:42.320 --> 1:04:46.560
<v Speaker 3>ninth twenty. What are you looking at? What are those people?

1:04:46.560 --> 1:04:48.640
<v Speaker 3>There's about twenty people stood the other side of the

1:04:48.640 --> 1:04:50.720
<v Speaker 3>window as a studio staring in here.

1:04:51.400 --> 1:04:52.800
<v Speaker 4>We're animals in a zoo.

1:04:52.880 --> 1:04:54.640
<v Speaker 3>Now who are they?

1:04:55.880 --> 1:04:58.520
<v Speaker 4>They gotta find out? Oh no, this is the first

1:04:58.560 --> 1:05:04.439
<v Speaker 4>time Christians ever tru picking it out to. Usually it's

1:05:04.440 --> 1:05:07.240
<v Speaker 4>like a sales department or you know, it could.

1:05:07.000 --> 1:05:10.040
<v Speaker 6>Be doing to a school group or something they looked

1:05:10.480 --> 1:05:11.000
<v Speaker 6>to school.

1:05:11.040 --> 1:05:15.280
<v Speaker 3>Great, it's about twenty people with almost folded just staring

1:05:15.360 --> 1:05:18.280
<v Speaker 3>in at us. It's almost intimidating, isn't it.

1:05:18.840 --> 1:05:24.280
<v Speaker 4>I actually don't mind it. Did you book them?

1:05:24.320 --> 1:05:26.800
<v Speaker 3>You changed since you were on a True Stories Tuesday night?

1:05:26.880 --> 1:05:27.000
<v Speaker 17>You know?

1:05:27.280 --> 1:05:28.320
<v Speaker 3>He demands an audience.

1:05:28.360 --> 1:05:30.680
<v Speaker 4>I said, let the fans in. Don't keep them waiting

1:05:30.680 --> 1:05:32.280
<v Speaker 4>out in Nicole, let them in. All right?

1:05:32.320 --> 1:05:36.040
<v Speaker 3>Today's that what time waster on national relaxation days to

1:05:36.080 --> 1:05:36.720
<v Speaker 3>relax a song?

1:05:36.800 --> 1:05:37.440
<v Speaker 4>Jack? You ready to?

1:05:37.440 --> 1:05:41.080
<v Speaker 3>Mark really can't get you out of my bed, Kylie

1:05:42.440 --> 1:05:45.800
<v Speaker 3>Civil Plus that's Liam and Elwood living on a chair.

1:05:46.600 --> 1:05:48.880
<v Speaker 4>That's like that Gold.

1:05:49.160 --> 1:05:51.040
<v Speaker 3>The Undertones with teenage kIPS.

1:05:51.960 --> 1:05:54.080
<v Speaker 4>Don't know the song kicks?

1:05:54.160 --> 1:05:58.840
<v Speaker 3>The Undertones one of the greatest songs ever, teenage Kicks

1:05:58.920 --> 1:06:02.160
<v Speaker 3>right through the night thing. It must have heard it, Pat,

1:06:02.280 --> 1:06:05.160
<v Speaker 3>do you know any one? You must have heard teenage Kicks?

1:06:06.560 --> 1:06:09.720
<v Speaker 3>Teenage Kicks right through the night. Oh yeah, that's not singing.

1:06:10.200 --> 1:06:13.560
<v Speaker 3>Friends watching the show right now, one.

1:06:13.440 --> 1:06:16.320
<v Speaker 4>Nod of twenty they're all looking at It's likely is

1:06:16.320 --> 1:06:19.000
<v Speaker 4>that the British band? Is that why we don't know? Irish?

1:06:19.640 --> 1:06:20.080
<v Speaker 1>There you go?

1:06:20.760 --> 1:06:24.720
<v Speaker 4>Didn't travel well? I thought it's gold.

1:06:24.960 --> 1:06:27.800
<v Speaker 3>I'm Mitch Elvis Presidy blue suede snooze.

1:06:28.120 --> 1:06:29.160
<v Speaker 4>That's good, that's gold.

1:06:29.200 --> 1:06:32.680
<v Speaker 3>He traveled. That's what my stratos were done. Poppa was

1:06:32.720 --> 1:06:33.640
<v Speaker 3>a rolling stoner.

1:06:34.880 --> 1:06:41.720
<v Speaker 4>Yeah, that would relax. Yeah, Gold sledge Hammock, that's a

1:06:41.800 --> 1:06:42.520
<v Speaker 4>gold classic.

1:06:42.880 --> 1:06:45.480
<v Speaker 3>Well done. Rachel snoozing my religion.

1:06:46.400 --> 1:06:48.520
<v Speaker 4>That's great. That's actually the gold classic.

1:06:48.200 --> 1:06:53.120
<v Speaker 3>Plus Wow, we jake, well done, massage in a bottle.

1:06:53.360 --> 1:06:55.640
<v Speaker 4>That's great, Gold jade, well done.

1:06:55.760 --> 1:06:59.440
<v Speaker 3>Every doze has its thorn.

1:07:01.000 --> 1:07:02.919
<v Speaker 4>That's great. Gold plus, I reckon.

1:07:02.960 --> 1:07:06.240
<v Speaker 3>These are all goals coming up now, Lionel Richie with pillow?

1:07:06.320 --> 1:07:10.760
<v Speaker 4>Does that mean you're looking for a gold platinum?

1:07:10.800 --> 1:07:12.480
<v Speaker 3>I might start singing that when I go for my

1:07:12.560 --> 1:07:13.960
<v Speaker 3>afternoon nap to my pillow.

1:07:14.000 --> 1:07:16.120
<v Speaker 4>That's a great we're a world record gold of the moment?

1:07:16.160 --> 1:07:18.120
<v Speaker 4>Is that five or six? I think we've got six?

1:07:18.960 --> 1:07:19.360
<v Speaker 4>All right?

1:07:19.960 --> 1:07:23.720
<v Speaker 3>Rick Astley, never going to wake you up? Silvil plus

1:07:24.080 --> 1:07:25.120
<v Speaker 3>sleeping class man.

1:07:27.880 --> 1:07:30.880
<v Speaker 4>Actually it's only silver.

1:07:32.120 --> 1:07:39.720
<v Speaker 3>Michael Jackson, Chiller, civil plus. Everything I do, I do

1:07:39.760 --> 1:07:45.439
<v Speaker 3>it for yoga. I can say with the gold one

1:07:45.440 --> 1:07:48.920
<v Speaker 3>here beatles my guitar gently sleeps.

1:07:50.000 --> 1:07:52.880
<v Speaker 4>Silver. Ah, Well, I don't everyone.

1:07:52.920 --> 1:07:53.840
<v Speaker 3>There's some great stuff there.

1:07:54.000 --> 1:07:57.920
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourn's Gold one four point.

1:07:57.720 --> 1:07:58.800
<v Speaker 4>Three Tomorrow Morning.

1:07:58.800 --> 1:08:00.480
<v Speaker 3>All the music is picked by you, So if you

1:08:00.520 --> 1:08:03.600
<v Speaker 3>want to get your song suggestions in early, i'd dumbe

1:08:03.600 --> 1:08:04.760
<v Speaker 3>the one. We're not dumb, and that's not a good

1:08:04.760 --> 1:08:07.880
<v Speaker 3>way to say, place them gently over on our Facebook

1:08:07.920 --> 1:08:10.400
<v Speaker 3>page O C one O four three. If I was

1:08:10.440 --> 1:08:13.080
<v Speaker 3>to play you and your Lovely Wife a song tomorrow,

1:08:13.080 --> 1:08:13.560
<v Speaker 3>what would it be.

1:08:14.040 --> 1:08:16.880
<v Speaker 4>Well, I'd be scared to request it because she walked

1:08:16.880 --> 1:08:19.639
<v Speaker 4>down the aisle to every breath you take the Police song,

1:08:19.720 --> 1:08:22.880
<v Speaker 4>And I know you hate sting. I don't hate sting.

1:08:23.000 --> 1:08:24.720
<v Speaker 4>I never even met to do. Okay, and I like

1:08:24.800 --> 1:08:27.000
<v Speaker 4>the Police on this is that true?

1:08:27.360 --> 1:08:30.479
<v Speaker 3>I thought you were joking about that. I was joking

1:08:30.760 --> 1:08:33.479
<v Speaker 3>it was a stalker's anthem. I know, well we didn't

1:08:33.479 --> 1:08:35.880
<v Speaker 3>have a teacher that falls in love with the kids.

1:08:36.320 --> 1:08:37.800
<v Speaker 4>Yeah, but it's a nice tune, you know.

1:08:38.320 --> 1:08:42.000
<v Speaker 3>It's about a stalker. Your wife to be walked down

1:08:42.040 --> 1:08:45.160
<v Speaker 3>the aisle looking at you think about a future life

1:08:45.240 --> 1:08:46.799
<v Speaker 3>to a stalker's anthem.

1:08:47.360 --> 1:08:49.760
<v Speaker 4>It was like it was a nice cello version of

1:08:49.800 --> 1:08:52.719
<v Speaker 4>the song. So is this song, but it was too cello.

1:08:53.200 --> 1:08:58.120
<v Speaker 3>It was a cello version of a stalking anthem. Yes, okay, Pat,

1:08:58.120 --> 1:08:58.880
<v Speaker 3>what did you come down?

1:08:58.880 --> 1:08:59.200
<v Speaker 4>The arty?

1:08:59.600 --> 1:09:01.000
<v Speaker 5>Just the additional wedding march.

1:09:01.040 --> 1:09:03.640
<v Speaker 6>But for our wedding song, I wanted Titanic We'll go

1:09:03.680 --> 1:09:05.120
<v Speaker 6>on because it was huge at the time when we

1:09:05.160 --> 1:09:07.160
<v Speaker 6>got married and the band refused to play it.

1:09:08.479 --> 1:09:11.880
<v Speaker 3>Did you know what was in the wedding sing?

1:09:12.479 --> 1:09:15.559
<v Speaker 6>Yeah, you wouldn't play it, so we had It had

1:09:15.560 --> 1:09:17.080
<v Speaker 6>to be You by Harry Connick Jr.

1:09:17.360 --> 1:09:18.160
<v Speaker 4>That's a lovely song.

1:09:18.200 --> 1:09:18.800
<v Speaker 5>It's a great song.

1:09:18.880 --> 1:09:21.160
<v Speaker 4>Yeah, that's great. And you when did Sarah walk down

1:09:21.200 --> 1:09:27.360
<v Speaker 4>the articles a couple years ago? Twenty years ago?

1:09:27.560 --> 1:09:34.960
<v Speaker 3>And I do know it was a soundtrack. It was wrong,

1:09:35.520 --> 1:09:44.120
<v Speaker 3>doesn't no way I know it. I notice it was

1:09:44.120 --> 1:09:46.680
<v Speaker 3>from the soundtrack to Romeo and Juliet. You know the

1:09:47.200 --> 1:09:48.719
<v Speaker 3>bael of the movie is on.

1:09:48.640 --> 1:09:51.120
<v Speaker 5>That madly deeply No not that.

1:09:53.600 --> 1:09:54.320
<v Speaker 3>Get me out this thing.

1:09:56.080 --> 1:10:00.479
<v Speaker 1>Let's go the song the Christian O'Connell breakfast Show gold

1:10:00.560 --> 1:10:01.679
<v Speaker 1>one oh four point three.

1:10:01.960 --> 1:10:05.080
<v Speaker 3>Phone lines are going because the plan in excess.

1:10:05.439 --> 1:10:07.960
<v Speaker 4>What I tell you, I've got a good feeling about

1:10:08.000 --> 1:10:09.240
<v Speaker 4>the ten k today.

1:10:09.760 --> 1:10:11.439
<v Speaker 3>Well that doesn't make any sense because it's not the

1:10:11.479 --> 1:10:17.040
<v Speaker 3>song I played. It's national relaxation.

1:10:17.200 --> 1:10:20.120
<v Speaker 4>That he's taken it to doesn't mean you can't win

1:10:20.240 --> 1:10:20.880
<v Speaker 4>later in the day.

1:10:21.400 --> 1:10:23.840
<v Speaker 3>You're quite right, So runs up until six o'clock tonight.

1:10:23.880 --> 1:10:27.040
<v Speaker 3>We are back tomorrow morning. I'll have that song title

1:10:27.520 --> 1:10:29.800
<v Speaker 3>that's momentarily slipped by that I came down. I didn't

1:10:29.800 --> 1:10:31.760
<v Speaker 3>come down now too, my wife did. And the title

1:10:31.760 --> 1:10:33.400
<v Speaker 3>of today's show is d I y.

1:10:34.439 --> 1:10:36.960
<v Speaker 4>The last twenty minutes just to research this soundtrack to

1:10:37.040 --> 1:10:37.719
<v Speaker 4>Romeo and Julie.

1:10:37.920 --> 1:10:41.439
<v Speaker 3>I'm gonna you know, I need Yeah in a suspense.

1:10:42.479 --> 1:10:45.559
<v Speaker 3>It's a radio building, Yeah, to get people to tune

1:10:45.560 --> 1:10:47.760
<v Speaker 3>in tomorrow morning to hear the big reveal.

1:10:47.520 --> 1:10:50.720
<v Speaker 4>Of what song you your wife worked twenty years ago.

1:10:50.760 --> 1:10:52.000
<v Speaker 3>It's going to be a revealed when I get home

1:10:52.080 --> 1:10:53.800
<v Speaker 3>later on and I ask her what it was again.

1:10:54.040 --> 1:10:57.439
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1:10:57.479 --> 1:10:57.960
<v Speaker 1>point three