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Speaker 1: The Christian O'Connell Breakfast Show podcast Melbourne's Gold one oh

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Speaker 1: four point.

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Speaker 2: Three Live from Level two twenty one to thirty one

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Speaker 2: Goodwood Street. Wretchman, this is the Christian o'condinal Breakfast Show

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Speaker 2: on Melbourne's Gold one oh four point three.

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Speaker 3: Good morning, It's to Christian O'Connor Breakfast Show and Gold

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Speaker 3: one o four point three is just coming off for

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Speaker 3: two minutes past six, show number forty seven. Good morning, Pats, Hey,

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Speaker 3: how you doing?

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Speaker 4: Coome on in Jack? Hey, Christian, I've been working all night.

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Speaker 4: I'm waiting for the news to hit me for this

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Speaker 4: Melbourne song. Hey feelingm I've only got only got one

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Speaker 4: half rime at the moment. What in twenty four hours?

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Speaker 3: Oh listen, you know yesterday was very exciting out of

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Speaker 3: the shot news that Vienna has now top called this

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Speaker 3: great city is most Liverpool city in the world.

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Speaker 4: We had on the yesterday the.

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Speaker 3: Lord Mayor Sally cap And, who was great and she's

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Speaker 3: got behind my idea of trying to get an anthem

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Speaker 3: for Melbourne to go against Ultravox's miserable song from the eighties. Vienna,

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Speaker 3: who's in front of me? Who can write a song?

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Speaker 3: Jack post twenty four half a line.

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Speaker 4: Not a lot of things wrong with Melbourne. I'm starting

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Speaker 4: at the court card, isn't it. I've got something. I'll

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Speaker 4: give it to you later. It's it's not great.

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Speaker 3: Great, Okay, well what if I'm exciting. I've written down

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Speaker 3: here on things to sort of you know, showcase happening

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Speaker 3: later on today's show, updates song for Melbourne with Jack

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Speaker 3: and the update.

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Speaker 4: Is it's not great. So at least this moved on

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Speaker 4: from yesterday.

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Speaker 3: Progress bad progress.

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Speaker 4: But it's not great.

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Speaker 3: Also today's show and then we got incident history and

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Speaker 3: we do have an update. Wow, do I have some

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Speaker 3: updates from Big Al the PI. Do you remember yesterday

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Speaker 3: on the show, I was paying you this sort of

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Speaker 3: voice notes thing I've been getting from I've set up

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Speaker 3: a WhatsApp group when I gave up my mobile number

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Speaker 3: last Friday on the show and Big Hours of Private Detective,

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Speaker 3: and yesterday we were hearing updates from him while he

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Speaker 3: was tracking this lady who may or may not but

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Speaker 3: looks like is having some kind of affair. Do you

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Speaker 3: remember he was following them during the breakfast show.

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Speaker 4: He was going out to the airport.

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Speaker 3: If yeah, there's been an update, not just that. I

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Speaker 3: conducted an interview yesterday via WhatsApp. I asked him for

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Speaker 3: the top three weirdest cases he's worked on.

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Speaker 4: Do you just.

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Speaker 3: Sometimes you get answers and you wish you hadn't asked

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Speaker 3: the stuff that human beings or two to each other.

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Speaker 4: Man.

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Speaker 3: I mean, I'll play them this morning so you can

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Speaker 3: hear them. It's it's shocking, also on this morning show.

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Speaker 3: Then got up early this morning. Had quite a strange night.

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Speaker 3: Midnight I woken up from a deep, deep, deep sleep

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Speaker 3: and a deep dream. Just a voice calling me back

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Speaker 3: to my bed. It was my eleven year old daughter,

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Speaker 3: just going dad, Dad, Dad, dad, you know you. And

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Speaker 3: she stood over me like someone at the exorcis going,

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Speaker 3: I think I'm going to be sick.

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Speaker 4: And all I can say.

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Speaker 3: That was over me.

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Speaker 4: To the toilet.

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Speaker 3: And my wife is like snoring deeper sleep, or pretending

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Speaker 3: to be snoring deeper sleep. So I get up with

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Speaker 3: her and you know, do the thing of just breathe.

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Speaker 3: It's got that clammy cold sweat, you know, when vomits coming.

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Speaker 3: It's scary, isn't it. So she doesn't get she doesn't

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Speaker 3: be sicking. And then my wife gets up a couple

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Speaker 3: of hours later. I just get up at four o'clock,

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Speaker 3: half an hour earlier than I normally do, and I

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Speaker 3: was in the kitchen and start to think about the

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Speaker 3: today's show. And then I saw that the slow cooker

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Speaker 3: was there. And it is strange the things you get

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Speaker 3: excited about when you're grown up, right, I thought, Oh,

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Speaker 3: do you know what? I'm going to chuck a load

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Speaker 3: of stuff now in the slow cooker. So I've got

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Speaker 3: a nice casserole. So it's the family later on today.

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Speaker 3: So I started shopping up some vegs. This is at

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Speaker 3: four am. Chuck some meat in there. Turn that old

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Speaker 3: slow cooker on hours from now. That is going to

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Speaker 3: taste beautiful. So Brinks, today's show can just tank because

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Speaker 3: at the back of my mind I know that I've

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Speaker 3: got a nice casserole waiting for me this afternoon.

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Speaker 4: Going to your priority straight and we have nothing lined

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Speaker 4: up for today right now?

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Speaker 3: Two hours simmering away slowly? Is that slow cooker? Have

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Speaker 3: you got a slow cooker? I never used the cooking

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Speaker 3: for Christmas?

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Speaker 5: Yeah, get on it. Jack's very amazing.

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Speaker 3: Oh, welcome to a new life. Are you and your

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Speaker 3: wife beanchoed?

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Speaker 4: I don't think I would have the foresight to chop

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Speaker 4: veggies at four am or even at nine am.

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Speaker 3: You don't really need to use it. But honestly, you

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Speaker 3: can just chuckst so easy, go out for the day,

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Speaker 3: and then it's it's all cooked for you, but slowly.

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Speaker 5: It's like having mum do well.

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Speaker 4: Well.

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Speaker 5: You live at home anyway.

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Speaker 4: So that's temporarily staying at home.

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Speaker 3: You know you're living there. You are living at home.

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Speaker 3: You've got a slow cooker.

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Speaker 5: I love it. It's someone gave it to me.

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Speaker 6: I think when I had my baby shower and they

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Speaker 6: said you're going to love this, and I do. It's brilliant.

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Speaker 6: I just whack it on and it cooks itself. I

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Speaker 6: wish it could do the housework as well.

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Speaker 3: So my question this morning is things you get excited

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Speaker 3: about as an adult and you just catch yourself suddenly

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Speaker 3: it just catches up and you suddenly you're actually excited

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Speaker 3: about a slow cooking like today, thinking, today's fine, whatever

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Speaker 3: happens today, whatever bad things for my way, I'm good.

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Speaker 4: I've got that casserole waiting from it. At the end

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Speaker 4: of the day, it's all good.

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Speaker 3: And also, do you know what I've even texted my

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Speaker 3: wife going, hey, listen, when you wake up, you don't

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Speaker 3: need to worry about tea. I've already got it prepping.

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Speaker 3: It's in the slope cooker, you know. And I know

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Speaker 3: she's going to excite and go, what's.

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Speaker 5: The key to a good marriage?

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Speaker 2: Right?

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Speaker 4: There?

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Speaker 3: Is it?

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Speaker 4: Yeah? Exactly?

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Speaker 3: The brownie points that dinner's already on me. Has been

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Speaker 3: cooking since four point fifteen am. Of course I haven't

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Speaker 3: cleaned up. There's mess everywhere, but you can't got a candle.

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Speaker 3: There's still your kids vomit all. You're going to need

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Speaker 3: to clear that up, but you don't need to worry

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Speaker 3: about dinner.

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Speaker 4: It's on me, okay.

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Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: We need to get the new weather reporter on. Obviously

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Speaker 3: we have Pats Official Weather you know comes who gives

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Speaker 3: the other weather for Australia. Then what's it called here?

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Speaker 5: Perhaps you're of meteorology, love it?

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Speaker 4: The Bureau, you know has an official title like that,

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Speaker 4: the Bureau.

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Speaker 3: Whereas we've got we've got big Job. Big John is

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Speaker 3: someone who's broken out the ranks from the world's largest

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Speaker 3: breakfast show. WhatsApp group that I've got At the moment,

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Speaker 3: there's only a couple of spaces left, and he just

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Speaker 3: left a weather report.

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Speaker 4: The other morning.

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Speaker 3: He's up way before any of us, and here is

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Speaker 3: today's Big John weather.

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Speaker 7: Good morning, Christian, it's been John here with your daily

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Speaker 7: weather report.

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Speaker 3: By the way, I should just say right, I woke

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Speaker 3: up this morning and I saw there were nine new messages,

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Speaker 3: all within about an eight minute moment, and I realized

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Speaker 3: what had happened. The pressure he did eight takes, eight

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Speaker 3: takes all around forty to forty three seconds each before

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Speaker 3: he got to this one. I mean, the pressure's getting

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Speaker 3: to on day three, Big John. It's not too easy.

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Speaker 3: There's running a trap in the morning, you know.

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Speaker 7: Good morning Christian, it's been John here with your daily

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Speaker 7: weather report.

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Speaker 8: Well it's Thursday and it's cold outside.

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Speaker 3: I've just been outside Western side.

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Speaker 7: It's five point nine degrees, but it feels like one

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Speaker 7: point seven, so I'm gonna have to dig my minie

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Speaker 7: out again and get that on and.

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Speaker 3: Off to work all go.

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Speaker 7: However, today in Melbourne fifteen degrees, there is a slight

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Speaker 7: chance of his sharing the late morning and afternoon.

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Speaker 4: The sun will rise.

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Speaker 7: Five forty anyway, off the work, I go, so have

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Speaker 7: a great day and I will hear you guys shortly.

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Speaker 3: Thank you very much, Big John. So he's adding to

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Speaker 3: it every day. We got the wind last week. This

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Speaker 3: morning we're getting sunrise and sunset.

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Speaker 4: But what I liked about him is on day one

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Speaker 4: he gave us just his vibe of what it was

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Speaker 4: going to be. Didn't he give you the feeling that

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Speaker 4: he was reading off an app on that one with

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Speaker 4: the time of sunrise.

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Speaker 3: The It's also I'm like you, now, I know what

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Speaker 3: it's going to be because I listen out for whether

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Speaker 3: or not he's got to dig out the beanie house,

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Speaker 3: and I'm thinking fresh start today he's got this beanie houn.

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Speaker 3: I'm thinking, do you know what, Let's take the pressure

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Speaker 3: off our friend ern You know, I know you listen

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Speaker 3: right now, Big John. What about you give us the temperature,

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Speaker 3: then what you think the temperature is, and then we

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Speaker 3: just narrow it down to your one word weather update.

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Speaker 3: Today it would have been beanie. Then we know it's

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Speaker 3: a fresh start. Beanie up. Okay, get a hat or

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Speaker 3: a scarf, just one word weather update. Then you haven't

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Speaker 3: got to worry about it. Okay, what the temperature, what

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Speaker 3: actually feels like to you is very specific? One point

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Speaker 3: seven say all right, so this morning asking you Melbourne.

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Speaker 3: Things you get excited about as an adult are nine

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Speaker 3: four one four, one oh four three.

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Speaker 9: Good morning, Rob, Good morning Christian.

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Speaker 3: How am I pretty good this morning? One word weather? Updates,

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Speaker 3: Beanie and Rob. What excites you as an adult?

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Speaker 9: Well, it's took me a little while to work it out,

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Speaker 9: but definitely the key thing that excites me as an

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Speaker 9: adult is the fact that I don't have to go

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Speaker 9: out on the weekend and I can nap.

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Speaker 3: Oh my god, forget about the joy of sex, it's

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Speaker 3: the joy of napping. I can drop a nap anywhere

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Speaker 3: anywhere in the car.

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Speaker 4: You know. My wife's driving within night.

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Speaker 3: She's not even in second gear, and I'm like catching

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Speaker 3: flies anywhere. The other day I went to the park,

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Speaker 3: sat on a bench. I'm nodding off walking the dog.

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Speaker 3: Just nap, hold the naps to take and I'm gonna

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Speaker 3: just get back home before I can start napping.

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Speaker 9: I can be asleep before my head. It's a pillar.

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Speaker 10: Yeah.

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Speaker 3: The best thing it's not being a big grown up baby.

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Speaker 4: Get in in that bed.

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Speaker 6: I think husbands are renowned for that, though Chris is

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Speaker 6: the same.

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Speaker 4: I'm gonna like to learn like I still can't nap

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Speaker 4: properly and I feel groggy afterwards. I feel worse after.

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Speaker 3: A young Yeah, they're gonna learn our ancient knowledge. Rob.

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Speaker 3: What I do is, I won't let myself nap for

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Speaker 3: an hour. I've got, you know, the little kitchen time

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Speaker 3: as you can buy. I've got one upstairs in the

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Speaker 3: bedroom and that's another thing.

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Speaker 4: Time he Sarah, I can get it even quicker personal best.

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Speaker 3: I don't let myself have more than an hour sleeps.

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Speaker 4: I do not need an.

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Speaker 9: Hour in the middle of the day, Golden.

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Speaker 3: Do you know I reckon offices in Melbourne. They should

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Speaker 3: do that. Should just have a little area where you

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Speaker 3: just go and have a thirty minute nap fleet I think, yeah,

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Speaker 3: I think in japanoges be better for productivity to go.

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Speaker 6: And do They've got those pods, haven't they that you

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Speaker 6: can like little yeah pod.

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Speaker 4: I don't know if you've got to notice. I've been

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Speaker 4: trying to do it on the couch just outside the studio.

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Speaker 3: Event, not between seven and eight during the show. Okay,

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Speaker 3: after the show, have a nap there all right, Rob

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Speaker 3: dansh you cor buddy. Nine four one four one oh

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Speaker 3: four three were two of the things that excite you

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Speaker 3: as a.

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Speaker 1: Grown up The Christian O'Connell Breakfast Show, Melbourne's Gold one

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Speaker 1: oh four point three.

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Speaker 3: So I'm asking you this morning there's strange things you

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Speaker 3: get excited about when you're grown up. On nine four

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Speaker 3: one four one oh four three for me, the irrational

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Speaker 3: joy of a slow cooker. And you know, the twenty

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Speaker 3: year old me wouldn't have got that whatsoever. It would

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Speaker 3: have been really annoyed with the forty five year old

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Speaker 3: version of me that takes a delight in the joy

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Speaker 3: of the slow cookers. Similar and how long while you're.

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Speaker 4: Out at work?

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Speaker 3: And then Rob cording earlier about the joy of having

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Speaker 3: a nap, which is a great, great pleasure.

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Speaker 4: Mark's on the linking one of Mark.

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Speaker 11: Good morning, here we go and crew crew is good,

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Speaker 11: good crew?

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Speaker 9: Now okay, buddy, that's the way.

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Speaker 4: Yeah.

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Speaker 9: Look, look they've been married thirty years.

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Speaker 12: So I get excited.

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Speaker 11: When the wife says, you know, what do you want

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Speaker 11: for tea?

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Speaker 12: So it's when she chooses, you know, I get to

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Speaker 12: choose what's for tea?

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Speaker 9: But you've got to be prepared to take her advice anyway.

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Speaker 3: Yeah, I mean I was waiting for you to realize that,

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Speaker 3: because I fall in for that trap.

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Speaker 4: You go, you say what you want and then they

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Speaker 4: go no.

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Speaker 12: Yeah, or they say you're sure you want that, and

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Speaker 12: then I'll give you all the health reasons why you should.

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Speaker 3: Yeah, you know it's for your blood pressure, it's all

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Speaker 3: for for your cholesterol. Oh, they can give you cancer.

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Speaker 3: All right, Okay, we'll just have count all right, Thanks Mark, Phil,

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Speaker 3: good morning?

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Speaker 11: Yeah, Gota.

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Speaker 4: How are you? Phil?

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Speaker 11: Yeah? Laying down? I'm telling better? Are I?

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Speaker 4: Oh? Well fair enough? Yeah? And Phil?

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Speaker 3: What do you look forward to?

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Speaker 4: Then?

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Speaker 11: Well, I'm retiring. It's like this. I have a seven

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Speaker 11: day weekend and I all ended.

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Speaker 4: Why that is brilliant? You have it?

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Speaker 3: So you're retired. How long have you been retired?

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Speaker 11: Oh's six feet?

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Speaker 4: How many? How many years have you been retired?

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Speaker 11: How many?

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Speaker 12: Oh?

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Speaker 11: You asked me how long?

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Speaker 4: Yeah?

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Speaker 3: I know, you're quite right. It's my fault. Fault.

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Speaker 11: Years Oh, now about seven or eight?

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Speaker 4: Seven or eight years? What's it like being retired, sir?

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Speaker 11: I can't remember.

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Speaker 3: Why are you up so early? If you're retired, you

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Speaker 3: don't need to get out of bed.

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Speaker 4: You can be like a student.

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Speaker 11: Yeah, did you get out of bed to have a peace?

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Speaker 4: Right?

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Speaker 11: Okay, get back to sleep. So put the rodeo on.

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Speaker 3: You put us on hoping that we're so boring, we'll

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Speaker 3: put you back to sea.

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Speaker 11: But the good thing about it is that every day injured.

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Speaker 11: Why there we go?

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Speaker 4: Okay, it's good as he's very good? Goody?

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Speaker 11: I think I know you're private detective L.

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Speaker 4: Do you?

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Speaker 11: Yeah?

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Speaker 4: How do you know him? Or? Don't say his name?

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Speaker 13: No?

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Speaker 11: Is it what we used to why? I used to

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Speaker 11: work for a big l And if it's very big

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Speaker 11: ou he has about seventy sugars that he's coffee?

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Speaker 8: Well?

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Speaker 4: Ask is that big? Ol? Do you mind? Phil? How

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Speaker 4: old are you? Sir?

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Speaker 3: If you don't want me ask him?

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Speaker 11: Seventy two?

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Speaker 3: Seventy two? Do you know what your You're sharp as attack?

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Speaker 3: I'm as sharp as you are seventy two? And Phil,

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Speaker 3: do you think you might be our oldest listener?

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Speaker 11: I don't know how old are I.

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Speaker 3: Let's call the questions.

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Speaker 4: He's wrung in, he's rung in rings around us?

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Speaker 2: This one?

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Speaker 4: Isn't he all right? Fell? Listen? You have a good day?

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Speaker 11: Oh? You've got to get up only you know, to

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Speaker 11: be any better than me?

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Speaker 4: Yes, okay, all right, take care now, Phil.

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Speaker 5: Blessed film.

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Speaker 3: So much going on there, it's going to take me

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Speaker 3: a couple of days to pick apart or what just

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Speaker 3: happened in phone call. I don't know whether seventy two

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Speaker 3: is our oldest listener, but anyway, whatever's trying to work

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Speaker 3: out this morning.

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Speaker 4: There's the things you get excited about as a grown up.

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Speaker 4: Nine four one one oh.

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Speaker 1: Four three, The Christian O'Connell Breakfast Show, Melbourne's Gold one

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Speaker 1: oh four point three.

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Speaker 3: You can start a calling now on nine four one

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Speaker 3: four one oh four three. No right answers yesterday morning

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Speaker 3: for sounds like a song? You listen to the little

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Speaker 3: sound effects. You're gonna try and work out what the

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Speaker 3: song title is. This is the current one, rollover day

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Speaker 3: two for this one. Someone even texted me this morning

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Speaker 3: at half five their guests for it.

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Speaker 4: Can I have a guess? I won't say out Land

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Speaker 4: in case I get it and ruin the game, but

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Speaker 4: I've written it on a No, that's not it.

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Speaker 3: Now I'm going to add you to the wrong ones

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Speaker 3: we had yesterday, which are these.

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Speaker 12: Time after Time, Quench the Fannies. What You're waiting for Time.

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Speaker 4: By Pink Point Turn Turn Turn Time.

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Speaker 9: By Steve Millerbain.

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Speaker 4: I forgot about the guy with the amazing pipes Acordus.

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Speaker 4: All right, what do you think?

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Speaker 3: The song is? Nine four one four one oh four.

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Speaker 1: Three An O'Connell Breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 4: Just listen to this, Matthew Wilder and Breaking My Stride?

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Speaker 3: Do you Reckon? There's a future hour on the Midweek

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Speaker 3: Mixtape in songs that reference walking, walking in Memphis.

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Speaker 5: Walk like an Egyptian.

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Speaker 3: Brian Well as a producer on the show and also

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Speaker 3: runs the music here is it's glad to me like,

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Speaker 3: come on, come after walking on Sunshine? Yeah, Casey in

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Speaker 3: the Sunshine Man run DMC Aerosmith, walk this way.

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Speaker 5: Walk like an Egyptians.

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Speaker 4: Well, there's about that's actually you know, write it down, Brian.

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Speaker 4: He's not taking it seriously.

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Speaker 3: All right. Let's played then the new Early Morning Game,

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Speaker 3: which we've landed on this week.

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Speaker 14: It's six am and time to play the Early Morning Game.

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Speaker 4: It sounds like a song to me Christian.

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Speaker 3: Doesn't it? Just so this is the one you're stuck

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Speaker 3: on at the moment you listen to the little sound effects,

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Speaker 3: you've got to work out the clues to the song title.

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Speaker 4: Yesterday's guesses, Time after Time.

383
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Speaker 12: Quench the Fani's what You're waiting for? Time by Pink Boy,

384
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Speaker 12: Time by Steve Miller, Ban that guy.

385
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Speaker 3: That guy's voices loosens the feelings in my mouth. All right,

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Speaker 3: let's go to lines. Have you got a guest known

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Speaker 3: for one for one oh four three jewels? Good morning,

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Speaker 3: good morning, good morning jewels. What do you think it is?

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Speaker 4: What's the song?

390
00:16:34,160 --> 00:16:34,520
Speaker 5: Counting?

391
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Speaker 11: The beat?

392
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Speaker 4: The singers?

393
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Speaker 3: Uh, good guess Jewels, But it's not the right answer.

394
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Speaker 3: Tough luck, let's getta rob by guys bag go pretty good,

395
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Speaker 3: rob Welcome to the show. What are you hearing? What

396
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Speaker 3: do you think the song is?

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Speaker 9: Is it the final can Damn by Europe?

398
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Speaker 3: Yeah, it could be like a bomb chicking down to

399
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Speaker 3: going off, but it's not the right song. Stuffluck and Gie?

400
00:16:58,640 --> 00:17:02,480
Speaker 3: Is you going to say someone else? Good morning?

401
00:17:03,880 --> 00:17:04,200
Speaker 11: Totally?

402
00:17:04,240 --> 00:17:08,440
Speaker 4: Crystal Art ain't ang? Maybe he is if you pay

403
00:17:08,480 --> 00:17:11,480
Speaker 4: him right? Total Clips of the Heart. How do you

404
00:17:11,520 --> 00:17:12,760
Speaker 4: get to total the Clips of the Heart?

405
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Speaker 9: Yeah, well, the Indica is on, so you're turning, turn around,

406
00:17:17,080 --> 00:17:17,360
Speaker 9: you know.

407
00:17:18,160 --> 00:17:19,680
Speaker 4: Oh yeah, turn around.

408
00:17:20,920 --> 00:17:24,439
Speaker 3: That's a lot more totally clips of the heart stuff

409
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Speaker 3: like and Samantha.

410
00:17:28,040 --> 00:17:29,040
Speaker 5: Good morning, Christian.

411
00:17:29,320 --> 00:17:33,679
Speaker 15: I'm thinking it's knock on wood, like a late seventies

412
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Speaker 15: early eighties.

413
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Speaker 4: So do you think the sound that you're hearing is

414
00:17:36,600 --> 00:17:37,879
Speaker 4: like a tapping on wood?

415
00:17:38,800 --> 00:17:41,880
Speaker 3: Yes, it could be like a light drumstick or something

416
00:17:41,920 --> 00:17:44,200
Speaker 3: like that, But Samantha is not the right answer. Darren,

417
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Speaker 3: good morning, Good morning, de man. What do you think

418
00:17:47,160 --> 00:17:47,479
Speaker 3: it is?

419
00:17:48,119 --> 00:17:53,440
Speaker 4: I think it might be clocks by Coldplay, That's what

420
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Speaker 4: I've written down as well.

421
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Speaker 11: Show me the money, show him the money.

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Speaker 3: Damn it.

423
00:17:59,840 --> 00:18:01,840
Speaker 4: I thought it would last for longer. It is going

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Speaker 4: to last.

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Speaker 3: Wrong, it's not that tough, like.

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Speaker 4: Sweat to eat it. Sorry.

427
00:18:10,359 --> 00:18:12,840
Speaker 3: Stephanie, good morning, Hi Christian.

428
00:18:13,400 --> 00:18:15,760
Speaker 12: I think it's that didn't really care about us by

429
00:18:15,760 --> 00:18:16,479
Speaker 12: Michael Jackson.

430
00:18:17,359 --> 00:18:19,160
Speaker 3: What how do you are?

431
00:18:19,800 --> 00:18:22,760
Speaker 4: What are you hearing to get? They don't really care

432
00:18:22,800 --> 00:18:28,480
Speaker 4: about us? Oh you're going for a VP and like

433
00:18:28,560 --> 00:18:30,600
Speaker 4: beats per minute matches that tempo.

434
00:18:30,840 --> 00:18:31,880
Speaker 12: Yeah, that's right.

435
00:18:33,640 --> 00:18:38,840
Speaker 4: Check the batteries in your radio. Dear, dear Stephanie.

436
00:18:38,880 --> 00:18:41,040
Speaker 3: That is I'm going to give you a prize anyway, Stephanie.

437
00:18:41,080 --> 00:18:43,040
Speaker 4: Such a creative guess great.

438
00:18:42,800 --> 00:18:46,000
Speaker 3: Wrong guess that is brilliant, Stephanie. I love that.

439
00:18:46,119 --> 00:18:47,000
Speaker 4: Thanks according in.

440
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Speaker 11: Lee, Yes, Christian, how are you?

441
00:18:50,480 --> 00:18:50,600
Speaker 16: Lee?

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00:18:50,680 --> 00:18:53,040
Speaker 3: I'm good for this morning. I hope you as this

443
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Speaker 3: morning mate as well. What do you think the song is?

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Speaker 11: I reckon it's turned back time.

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Speaker 3: Pop again. They're on that theme at the moment. Lee,

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Speaker 3: It isn't that.

447
00:19:03,880 --> 00:19:06,000
Speaker 4: Half of Melbourne's calling up this morning to get this.

448
00:19:06,440 --> 00:19:09,600
Speaker 4: I'm going to be very disappointed if we don't think

449
00:19:09,840 --> 00:19:12,119
Speaker 4: people who don't know think that it doesn't match what

450
00:19:12,200 --> 00:19:14,960
Speaker 4: the song title is. Well we go, ah, of course,

451
00:19:14,960 --> 00:19:15,520
Speaker 4: and will we go?

452
00:19:15,640 --> 00:19:17,720
Speaker 3: I promise you will do that. It will do that.

453
00:19:18,320 --> 00:19:20,800
Speaker 3: I've got one lined up though, another one that I

454
00:19:20,840 --> 00:19:22,439
Speaker 3: think actually would go for weeks.

455
00:19:22,440 --> 00:19:26,200
Speaker 4: We'd have to give clues. It's it's so hard anyway.

456
00:19:26,240 --> 00:19:29,560
Speaker 3: Ash here you going pretty good? Ash?

457
00:19:29,600 --> 00:19:30,720
Speaker 4: What do you reckon it is? Buddy?

458
00:19:31,400 --> 00:19:33,600
Speaker 12: Well, I'm sitting here in the truck with the hazard lost,

459
00:19:33,880 --> 00:19:35,040
Speaker 12: so I think it might be Hazards.

460
00:19:35,520 --> 00:19:37,639
Speaker 17: I'm not sure the singer is Mark Allen.

461
00:19:39,240 --> 00:19:41,480
Speaker 4: All Right, I tell you what you've got the right title,

462
00:19:41,920 --> 00:19:42,600
Speaker 4: I'll give you it.

463
00:19:42,600 --> 00:19:42,800
Speaker 8: It is.

464
00:19:42,840 --> 00:19:43,919
Speaker 3: It's Richard Marks.

465
00:19:45,840 --> 00:19:47,840
Speaker 4: That is very very good going.

466
00:19:48,280 --> 00:19:52,640
Speaker 3: Very good going. This is it has hazard. That's fair, right,

467
00:19:54,720 --> 00:19:56,160
Speaker 3: they go, mate, you get the choice. You get either

468
00:19:56,200 --> 00:19:59,560
Speaker 3: a George michael c d or all after all that,

469
00:20:00,080 --> 00:20:05,119
Speaker 3: all that and you are rewarded what not with seventy.

470
00:20:04,760 --> 00:20:07,480
Speaker 4: Two virgins week the ten K repet?

471
00:20:09,160 --> 00:20:13,320
Speaker 3: Why do you want ash the Kingdom? You George michael C.

472
00:20:13,600 --> 00:20:16,119
Speaker 3: They're going down a storm this week? All right, okay,

473
00:20:16,200 --> 00:20:18,520
Speaker 3: so we won't be playing tomorrow. We have our different

474
00:20:18,520 --> 00:20:20,720
Speaker 3: Friday morning game. But I'm telling you when we are about Monday,

475
00:20:21,119 --> 00:20:31,720
Speaker 3: this will be the song you're trying to guess. Nothing

476
00:20:31,840 --> 00:20:34,520
Speaker 3: until Monday, Nothing until Christian.

477
00:20:34,160 --> 00:20:37,840
Speaker 1: O'Connell breakfast show on Gold one oh four point three.

478
00:20:38,160 --> 00:20:41,080
Speaker 3: Next song you hear from us after the seven o'ct

479
00:20:41,160 --> 00:20:44,879
Speaker 3: news could be the ten K song, could be the

480
00:20:44,880 --> 00:20:47,520
Speaker 3: song we'd end up playing twice today that could win

481
00:20:47,600 --> 00:20:50,679
Speaker 3: you the ten thousand dollars. And also we have an

482
00:20:50,760 --> 00:20:55,320
Speaker 3: update from Big out the PI. Yesterday we had these

483
00:20:55,400 --> 00:20:57,320
Speaker 3: messages from him or forty.

484
00:20:57,080 --> 00:20:59,720
Speaker 18: Four in the morning. You know, we're currently sitting off

485
00:20:59,760 --> 00:21:02,359
Speaker 18: this in the back of my car. All my cameras

486
00:21:02,400 --> 00:21:04,520
Speaker 18: are ready and sa if you can catch this girld

487
00:21:04,520 --> 00:21:05,200
Speaker 18: doing the wrong thing.

488
00:21:05,640 --> 00:21:07,680
Speaker 4: Camera's ready, Higgins.

489
00:21:07,880 --> 00:21:09,040
Speaker 17: We're on the move, mate.

490
00:21:09,200 --> 00:21:11,120
Speaker 4: She's packed up some bags.

491
00:21:11,400 --> 00:21:14,480
Speaker 17: She looks like she's jumped into an uber with a

492
00:21:15,080 --> 00:21:19,399
Speaker 17: gentleman that is not her husband, and we looks like

493
00:21:19,400 --> 00:21:20,400
Speaker 17: we're heading to the airport.

494
00:21:20,560 --> 00:21:22,800
Speaker 3: We'll keep you posted so there are a couple of

495
00:21:22,880 --> 00:21:24,720
Speaker 3: updates to follow. You can hear them in the next

496
00:21:24,800 --> 00:21:25,280
Speaker 3: ten minutes.

497
00:21:25,440 --> 00:21:28,840
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

498
00:21:28,840 --> 00:21:29,480
Speaker 1: point three.

499
00:21:29,800 --> 00:21:32,720
Speaker 3: Next song you hear from us after the seven o'clock

500
00:21:32,800 --> 00:21:36,480
Speaker 3: news could be the ten k song, could be the

501
00:21:36,520 --> 00:21:39,160
Speaker 3: song we'd end up playing twice today that could win

502
00:21:39,200 --> 00:21:42,320
Speaker 3: you the ten thousand dollars. And also we have an

503
00:21:42,400 --> 00:21:46,960
Speaker 3: update from Big Olt the PI yesterday. We had these

504
00:21:47,040 --> 00:21:47,720
Speaker 3: messages from.

505
00:21:47,680 --> 00:21:50,400
Speaker 18: Him by forty four in the morning. You know, I'm

506
00:21:50,440 --> 00:21:53,240
Speaker 18: currently sitting off his house in the back of my car.

507
00:21:53,320 --> 00:21:55,680
Speaker 18: All my cameras are ready and saf we can catch

508
00:21:55,720 --> 00:21:56,840
Speaker 18: this girld doing the wrong thing.

509
00:21:57,280 --> 00:21:59,320
Speaker 4: Camera's ready, Higgins.

510
00:21:59,480 --> 00:22:03,159
Speaker 17: We're on the mote. She's packed up some bags. She

511
00:22:03,320 --> 00:22:07,240
Speaker 17: looks like she's jumped into an uber with a gentleman

512
00:22:07,359 --> 00:22:11,200
Speaker 17: that is not her husband, and we looks like we're

513
00:22:11,240 --> 00:22:12,000
Speaker 17: heading to the airport.

514
00:22:12,160 --> 00:22:13,040
Speaker 18: We'll keep you posted.

515
00:22:13,480 --> 00:22:15,520
Speaker 3: So there are a couple of updates to follow. You

516
00:22:15,520 --> 00:22:16,920
Speaker 3: can hear them in the next ten minutes.

517
00:22:17,080 --> 00:22:20,480
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

518
00:22:20,480 --> 00:22:22,360
Speaker 1: point three playing in excess.

519
00:22:23,160 --> 00:22:26,240
Speaker 3: Listen like thieves. This could be the song that gets

520
00:22:26,240 --> 00:22:30,040
Speaker 3: played again between now and six pm because the ten

521
00:22:30,160 --> 00:22:33,440
Speaker 3: k is going to be broken today or tomorrow has

522
00:22:33,480 --> 00:22:35,480
Speaker 3: to go. The money must go by the end of

523
00:22:35,520 --> 00:22:38,160
Speaker 3: this week, So is today or tomorrow. All I will

524
00:22:38,160 --> 00:22:41,560
Speaker 3: say is that song in excess, that band, we play

525
00:22:41,680 --> 00:22:43,600
Speaker 3: them a lot on this radio station.

526
00:22:43,800 --> 00:22:46,200
Speaker 4: And all I'll say is, I've got a good feeling

527
00:22:46,560 --> 00:22:51,040
Speaker 4: it'll be today. But no one's told me. I've got

528
00:22:51,040 --> 00:22:51,560
Speaker 4: a good feeling.

529
00:22:52,320 --> 00:22:54,280
Speaker 5: Feel it in your orders, Jack, I.

530
00:22:54,240 --> 00:22:57,320
Speaker 3: Think it'll be today, today or tomorrow.

531
00:22:57,800 --> 00:23:03,160
Speaker 4: Listen like the significant clue or.

532
00:23:03,160 --> 00:23:04,880
Speaker 10: Is it it is?

533
00:23:05,320 --> 00:23:07,840
Speaker 3: I'm not the David Blaine of radio. I'm showing you

534
00:23:07,960 --> 00:23:09,840
Speaker 3: at one hand. Oh what's this hand doing? He spent

535
00:23:09,880 --> 00:23:10,800
Speaker 3: ten can of the back pocket.

536
00:23:12,440 --> 00:23:15,000
Speaker 4: Well, that's a bad way to give it away get

537
00:23:15,000 --> 00:23:15,480
Speaker 4: anything from.

538
00:23:15,560 --> 00:23:18,720
Speaker 3: It's a new way. You know, those winners we've had recently,

539
00:23:18,720 --> 00:23:20,040
Speaker 3: they've given us nothing. I'm just gonna put it in

540
00:23:20,040 --> 00:23:22,399
Speaker 3: someone's back pocket today or tomorrow, all right, so keep

541
00:23:22,440 --> 00:23:24,800
Speaker 3: listening there to gold one A four point three. Keep

542
00:23:24,840 --> 00:23:28,520
Speaker 3: it locked right time now for our pi's new star

543
00:23:28,640 --> 00:23:30,720
Speaker 3: of the show. When he's come out of the come

544
00:23:30,760 --> 00:23:31,680
Speaker 3: out of the shadows.

545
00:23:31,720 --> 00:23:33,800
Speaker 4: I guess in the shadows.

546
00:23:34,119 --> 00:23:37,480
Speaker 3: He's there right now. So this guy. Then I found

547
00:23:37,520 --> 00:23:39,960
Speaker 3: this guy. He joined my WhatsApp group. I'm going to

548
00:23:40,000 --> 00:23:41,879
Speaker 3: give the number out in the next twenty minutes. By

549
00:23:41,920 --> 00:23:44,120
Speaker 3: the way, still a couple of spaces left. It's my

550
00:23:44,359 --> 00:23:46,360
Speaker 3: this is my mobile number, and I'm forming this big

551
00:23:46,400 --> 00:23:49,600
Speaker 3: WhatsApp group. And this guy contacts me two days ago, said, look,

552
00:23:49,800 --> 00:23:52,680
Speaker 3: I'm a PI. Do you want some updates? Whilst I'm

553
00:23:52,680 --> 00:23:54,840
Speaker 3: doing my PI business during the show, I'm always listening.

554
00:23:54,880 --> 00:23:55,760
Speaker 4: I'm like yeah.

555
00:23:56,000 --> 00:23:58,439
Speaker 3: So he starts to leave them. You know these are

556
00:23:58,600 --> 00:24:01,440
Speaker 3: these are Jerry messages. This is from the first two

557
00:24:01,480 --> 00:24:04,080
Speaker 3: we had yesterday morning, five forty four.

558
00:24:03,880 --> 00:24:06,879
Speaker 18: In the morning, and I'm currently sitting off his house

559
00:24:07,200 --> 00:24:09,000
Speaker 18: in the back of my car. All my cameras are

560
00:24:09,040 --> 00:24:11,240
Speaker 18: ready and see if we can catch this guild doing

561
00:24:11,240 --> 00:24:11,720
Speaker 18: the wrong thing.

562
00:24:12,080 --> 00:24:14,560
Speaker 3: So he tells me that he's on this case. Husband's

563
00:24:14,600 --> 00:24:17,080
Speaker 3: hired because thinks his wife is cheating. He's got the

564
00:24:17,080 --> 00:24:20,040
Speaker 3: cameras ready, and then things are about an hour later.

565
00:24:20,440 --> 00:24:21,800
Speaker 4: Start moving, Higgins.

566
00:24:21,960 --> 00:24:23,159
Speaker 17: We're on the move, mate.

567
00:24:23,320 --> 00:24:25,200
Speaker 4: She's packed up some bags.

568
00:24:25,520 --> 00:24:28,560
Speaker 17: She looks like she's jumped into an uber with a

569
00:24:29,200 --> 00:24:33,480
Speaker 17: gentleman that is not her husband. And we looks like

570
00:24:33,520 --> 00:24:36,120
Speaker 17: we're heading to the airport. We'll keep you posted, and then.

571
00:24:36,040 --> 00:24:39,280
Speaker 3: I don't hear anything until midday. Jack, and you're Higgins,

572
00:24:39,800 --> 00:24:43,040
Speaker 3: I'm Higgins. A guitar references to a classic TV show,

573
00:24:43,359 --> 00:24:49,639
Speaker 3: Magnum Pi. Even if you don't know the charman about,

574
00:24:49,720 --> 00:24:52,359
Speaker 3: just check out this. Back when TV shows had to

575
00:24:52,440 --> 00:24:56,639
Speaker 3: have a killer, amazing, chugging guitar themed Joe and a

576
00:24:56,640 --> 00:24:58,280
Speaker 3: guy with a big old trash.

577
00:25:00,200 --> 00:25:03,600
Speaker 4: Oh, I could have a time machine.

578
00:25:03,600 --> 00:25:05,080
Speaker 3: I'd go back and just go up so and just

579
00:25:05,160 --> 00:25:08,399
Speaker 3: run my fingers to his big old tash that like

580
00:25:08,440 --> 00:25:12,040
Speaker 3: Higgins did in the show. No, he had like a

581
00:25:12,080 --> 00:25:17,280
Speaker 3: pencil tash. It was a show of tashes. Actually, before

582
00:25:17,320 --> 00:25:20,120
Speaker 3: there was November, there was a man Pi. You didn't

583
00:25:20,119 --> 00:25:22,120
Speaker 3: get on that show in this yet a proper.

584
00:25:22,359 --> 00:25:26,120
Speaker 4: Tash, all right. So I called him Magnum. You our

585
00:25:26,119 --> 00:25:27,040
Speaker 4: messages back and forth.

586
00:25:27,040 --> 00:25:29,640
Speaker 3: I called him Magnum the TV show magnum magnum PI

587
00:25:29,840 --> 00:25:32,320
Speaker 3: was Tom Selleck. He had this guy that he kind

588
00:25:32,320 --> 00:25:36,679
Speaker 3: of lived in the grounds of Higgins. Strange relationship between

589
00:25:36,680 --> 00:25:36,960
Speaker 3: them both.

590
00:25:37,000 --> 00:25:37,640
Speaker 4: You never really knew.

591
00:25:37,760 --> 00:25:39,080
Speaker 3: Was he the writer Robert Masters?

592
00:25:39,080 --> 00:25:40,640
Speaker 4: Anyway, that's another show.

593
00:25:41,880 --> 00:25:44,240
Speaker 3: So it went cold, Yesterda. I didn't hear anything until

594
00:25:44,320 --> 00:25:45,960
Speaker 3: I got this midday.

595
00:25:46,600 --> 00:25:51,280
Speaker 10: Hey, Higgins, I've been an investigator for six years. I

596
00:25:51,440 --> 00:25:54,280
Speaker 10: was a soldier for five years in the Australian Army

597
00:25:54,359 --> 00:25:56,920
Speaker 10: and then I was a policeman for almost ten years.

598
00:25:57,920 --> 00:26:00,679
Speaker 10: I've never really been in danger doing this job. If

599
00:26:00,680 --> 00:26:04,640
Speaker 10: I'm doing it correctly, the person I'm following or we're

600
00:26:04,680 --> 00:26:05,919
Speaker 10: investigating will never.

601
00:26:05,840 --> 00:26:06,440
Speaker 4: Know we're there.

602
00:26:07,320 --> 00:26:10,560
Speaker 10: And you asked me about some weird jobs made.

603
00:26:10,600 --> 00:26:11,600
Speaker 4: I could write a book.

604
00:26:11,920 --> 00:26:15,080
Speaker 10: Probably the one that stands out the most. I was

605
00:26:15,160 --> 00:26:20,640
Speaker 10: asked to follow a guy's young daughter because she believed

606
00:26:20,840 --> 00:26:23,400
Speaker 10: she was either using or selling drugs and they wanted

607
00:26:23,440 --> 00:26:26,960
Speaker 10: evidence of that so they could confront her with it. Well,

608
00:26:27,000 --> 00:26:29,119
Speaker 10: I followed her and it turns out she was working

609
00:26:29,160 --> 00:26:31,399
Speaker 10: at a brothel. Try explaining that one.

610
00:26:31,280 --> 00:26:31,800
Speaker 4: To the pounds.

611
00:26:32,400 --> 00:26:34,240
Speaker 3: I'll breaking it. I mean, this is the stuff that

612
00:26:34,320 --> 00:26:36,600
Speaker 3: goes on that he has to look into. Then I

613
00:26:36,680 --> 00:26:40,679
Speaker 3: make the mistake of going, oh, that's something to do

614
00:26:40,720 --> 00:26:41,480
Speaker 3: with you, got any more?

615
00:26:41,880 --> 00:26:43,040
Speaker 4: Got more stories for us?

616
00:26:43,119 --> 00:26:44,200
Speaker 3: Big ALUs and.

617
00:26:44,160 --> 00:26:46,880
Speaker 10: I had a job recently where we were all following

618
00:26:46,880 --> 00:26:50,919
Speaker 10: a guy who was claiming center Link benefits, and as

619
00:26:51,000 --> 00:26:54,480
Speaker 10: we continue to follow him, he was claiming seven different

620
00:26:54,640 --> 00:26:58,040
Speaker 10: center Link of payments per week, which I think total

621
00:26:58,080 --> 00:27:01,399
Speaker 10: to about twenty three hundred dollars he was earning a week,

622
00:27:01,680 --> 00:27:03,679
Speaker 10: So not bad work if you can get.

623
00:27:03,520 --> 00:27:06,840
Speaker 3: It, Jack Post he is talking about. Then there was

624
00:27:07,000 --> 00:27:08,360
Speaker 3: another one he left for us.

625
00:27:08,560 --> 00:27:12,959
Speaker 10: One of my all time favorite infidelity jobs was I

626
00:27:13,040 --> 00:27:13,800
Speaker 10: followed a.

627
00:27:14,119 --> 00:27:14,680
Speaker 4: Just by the way.

628
00:27:14,720 --> 00:27:17,960
Speaker 3: I just I just wanted too because I know what's

629
00:27:18,000 --> 00:27:20,159
Speaker 3: coming and I forgot. He says that one of his

630
00:27:20,480 --> 00:27:24,880
Speaker 3: all time favorite infidelity jobs what you're about to hear,

631
00:27:25,000 --> 00:27:25,960
Speaker 3: I couldn't stop.

632
00:27:25,680 --> 00:27:27,520
Speaker 4: Thinking about right this morning, the way into work.

633
00:27:27,720 --> 00:27:29,560
Speaker 3: I don't know how it could go into anyone's top

634
00:27:29,640 --> 00:27:32,240
Speaker 3: favorite things, but anyway, it's his line of work, not mine.

635
00:27:32,440 --> 00:27:36,840
Speaker 10: One of my all time favorite infidelity jobs was I

636
00:27:36,960 --> 00:27:41,320
Speaker 10: followed a woman who was cheating on her partner, and

637
00:27:41,400 --> 00:27:44,919
Speaker 10: we discovered that she was cheating on her partner with

638
00:27:45,080 --> 00:27:45,560
Speaker 10: his brother.

639
00:27:47,400 --> 00:27:50,080
Speaker 3: That one you lose your wife and you lose your brother,

640
00:27:50,520 --> 00:27:55,359
Speaker 3: but what a big our's favorites? Hear the guys, go

641
00:27:55,480 --> 00:27:57,600
Speaker 3: guys and where that tough day? Do you remember that

642
00:27:57,720 --> 00:28:00,560
Speaker 3: time where he got her brother?

643
00:28:00,680 --> 00:28:02,560
Speaker 4: Those were good times everyone.

644
00:28:02,240 --> 00:28:04,440
Speaker 3: And let's go for a beer and we live those

645
00:28:04,440 --> 00:28:07,840
Speaker 3: good times. Okay, I want to this morning. Has anyone

646
00:28:07,880 --> 00:28:11,520
Speaker 3: actually used a PI? Have you ever used a PI?

647
00:28:11,680 --> 00:28:13,600
Speaker 3: I'm trying to know people actually do this. They must

648
00:28:13,640 --> 00:28:15,919
Speaker 3: be keeping them in their line of what have you

649
00:28:15,960 --> 00:28:16,600
Speaker 3: ever used a PI?

650
00:28:16,640 --> 00:28:19,639
Speaker 1: Give us a call the Christian O'Connell breakfast show Melbourne's

651
00:28:19,680 --> 00:28:21,160
Speaker 1: Gold one four point three.

652
00:28:21,400 --> 00:28:23,840
Speaker 3: Couple of you have asked me during that song. Then,

653
00:28:24,000 --> 00:28:27,840
Speaker 3: by the way, what happened to the woman and the guy?

654
00:28:28,040 --> 00:28:30,320
Speaker 3: He was following them yesterday during the show? What happened?

655
00:28:30,440 --> 00:28:31,280
Speaker 3: Here's the update?

656
00:28:31,280 --> 00:28:31,800
Speaker 4: Good afternoon.

657
00:28:31,920 --> 00:28:36,040
Speaker 19: Higgins magnum here followed target to the airport where she target.

658
00:28:36,600 --> 00:28:38,880
Speaker 4: We'll feel that we'll hear that target.

659
00:28:39,360 --> 00:28:43,160
Speaker 19: Good afternoon, Higgins magnum here followed Target to the airport

660
00:28:43,200 --> 00:28:49,520
Speaker 19: where she bordered a plane with unknown male two. I

661
00:28:49,640 --> 00:28:53,960
Speaker 19: then had to call some investigators from Queensland to take

662
00:28:54,040 --> 00:28:57,600
Speaker 19: up the surveillance up there, and I was informed later

663
00:28:57,640 --> 00:28:59,720
Speaker 19: in the day that they had an enjoining flight.

664
00:29:01,400 --> 00:29:02,120
Speaker 3: It's lovely there.

665
00:29:02,160 --> 00:29:05,080
Speaker 4: I'll keep you posting. I can't believe he's got a

666
00:29:05,160 --> 00:29:07,640
Speaker 4: national operation. He can call people in Queensland who.

667
00:29:07,600 --> 00:29:10,480
Speaker 3: Got connections to look like a PI network or something.

668
00:29:10,960 --> 00:29:13,280
Speaker 3: You know, they all some sort of like some clandestine

669
00:29:13,400 --> 00:29:16,080
Speaker 3: organization where like a hotline or something.

670
00:29:16,440 --> 00:29:18,280
Speaker 4: Do you advertise a PI? I don't know.

671
00:29:18,320 --> 00:29:21,040
Speaker 3: And also when the phone goes and it's another PI,

672
00:29:21,080 --> 00:29:23,080
Speaker 3: you go it's PI, big ol know?

673
00:29:23,200 --> 00:29:25,080
Speaker 4: Or do they get the names confused? Right?

674
00:29:25,080 --> 00:29:25,200
Speaker 11: Oh?

675
00:29:25,240 --> 00:29:26,400
Speaker 4: Sorry, big Oul, isn't it?

676
00:29:26,440 --> 00:29:28,240
Speaker 3: Yeah? Looking in their notes or something. It's been a

677
00:29:28,280 --> 00:29:30,240
Speaker 3: lot going on there. So we're asking this morning, have

678
00:29:30,280 --> 00:29:32,680
Speaker 3: you ever used a PI? On nine four one four

679
00:29:32,840 --> 00:29:35,479
Speaker 3: one four three. Now we do have someone online and

680
00:29:35,560 --> 00:29:39,760
Speaker 3: to protect their identity, we've given her a Hollywood name.

681
00:29:39,840 --> 00:29:45,240
Speaker 3: It's Sarah Jessica Parker. Good morning guy, Hey, good morning,

682
00:29:45,280 --> 00:29:48,480
Speaker 3: Sarah Jessica Parker obviously living off the rowties of Sex

683
00:29:48,520 --> 00:29:50,600
Speaker 3: and the City at the moment. But so you try

684
00:29:50,640 --> 00:29:51,520
Speaker 3: to hire a PI.

685
00:29:52,800 --> 00:29:56,600
Speaker 12: Yeah, well, for my girlfriend. We weren't really in a

686
00:29:56,640 --> 00:29:59,360
Speaker 12: position because you know, I haven't been working a lot lately,

687
00:29:59,400 --> 00:30:00,840
Speaker 12: so we didn't have a lot of money. So we

688
00:30:00,920 --> 00:30:05,040
Speaker 12: decided to try something ourselves. We went and we went

689
00:30:05,160 --> 00:30:10,440
Speaker 12: and purchased purchased a DPS that has a very strong

690
00:30:10,480 --> 00:30:12,240
Speaker 12: magnet that sits underneath your car.

691
00:30:12,440 --> 00:30:14,360
Speaker 3: I didn't know you can actually buy those. I seen

692
00:30:14,400 --> 00:30:17,760
Speaker 3: them in movies and put them on. Yeah, I didn't

693
00:30:17,760 --> 00:30:19,880
Speaker 3: know they where'd you buy something like that?

694
00:30:20,520 --> 00:30:21,920
Speaker 12: I just over in ALTONA.

695
00:30:22,280 --> 00:30:25,800
Speaker 4: Yes, over there.

696
00:30:29,680 --> 00:30:31,680
Speaker 3: You know that you got owls outdoors and it's now

697
00:30:31,760 --> 00:30:33,880
Speaker 3: just owls. It's like Pi's.

698
00:30:34,200 --> 00:30:37,640
Speaker 12: Absolutely absolutely So what what I had to do was

699
00:30:37,760 --> 00:30:39,640
Speaker 12: she told me, you know what time he normally goes

700
00:30:39,680 --> 00:30:42,520
Speaker 12: to work, and roughly where he parked when he could

701
00:30:42,520 --> 00:30:45,680
Speaker 12: he commutes, so six o'clock in the morning, on driving

702
00:30:45,720 --> 00:30:48,240
Speaker 12: around a car park looking for his car, which was

703
00:30:48,320 --> 00:30:50,640
Speaker 12: quite easy to identify, so it wasn't too bad. But

704
00:30:51,520 --> 00:30:53,440
Speaker 12: I had to get down on my hands and knees

705
00:30:53,480 --> 00:30:56,480
Speaker 12: and you know, have to watch for people and put

706
00:30:56,520 --> 00:30:59,200
Speaker 12: this device underneath his car. And we tracked him for

707
00:30:59,240 --> 00:30:59,880
Speaker 12: a few weeks.

708
00:31:00,760 --> 00:31:02,560
Speaker 3: You attracked him for a few weeks. And what do

709
00:31:02,600 --> 00:31:04,479
Speaker 3: you track them on? Is it something on a like

710
00:31:04,520 --> 00:31:06,520
Speaker 3: an app or or a laptop like a tracking thing

711
00:31:06,600 --> 00:31:07,560
Speaker 3: like Google Maps.

712
00:31:07,840 --> 00:31:10,360
Speaker 12: Yeah, that's both. You can have the app on your

713
00:31:10,400 --> 00:31:14,480
Speaker 12: phone and and also on the on the internet, and.

714
00:31:14,920 --> 00:31:17,880
Speaker 3: Does it make that noise like in the movies, goes boo,

715
00:31:19,440 --> 00:31:21,360
Speaker 3: he's moving out of range.

716
00:31:22,120 --> 00:31:24,600
Speaker 12: No no noises, But it was It was a lot

717
00:31:24,640 --> 00:31:26,960
Speaker 12: of fun just checking and seeing exactly where.

718
00:31:26,720 --> 00:31:28,280
Speaker 4: He was going. S doing you and your friend are

719
00:31:28,320 --> 00:31:28,680
Speaker 4: you running?

720
00:31:28,720 --> 00:31:31,560
Speaker 3: You're looking at this in shifts because obviously you're not professional.

721
00:31:31,640 --> 00:31:33,680
Speaker 3: So are you doing like nine till one? And then

722
00:31:33,720 --> 00:31:35,080
Speaker 3: your mate those one till four?

723
00:31:35,120 --> 00:31:38,080
Speaker 12: And so somebody I know we got We did get

724
00:31:38,080 --> 00:31:40,640
Speaker 12: the top of the range device that does hold history

725
00:31:40,680 --> 00:31:42,320
Speaker 12: for us, so we didn't have to stay up for

726
00:31:42,360 --> 00:31:42,960
Speaker 12: all hours.

727
00:31:43,280 --> 00:31:43,840
Speaker 15: That was good.

728
00:31:43,960 --> 00:31:45,600
Speaker 3: And what did you did you mind me asking this?

729
00:31:45,640 --> 00:31:47,200
Speaker 3: There was two personal that you don't need to tell me.

730
00:31:47,280 --> 00:31:49,320
Speaker 3: But what did you find out?

731
00:31:49,320 --> 00:31:50,240
Speaker 4: What was he up to? No good?

732
00:31:51,240 --> 00:31:53,120
Speaker 12: No, he just went to Bunning's. Too much.

733
00:31:59,760 --> 00:32:03,440
Speaker 4: Any question I'm going to ask on this show ever?

734
00:32:04,080 --> 00:32:10,560
Speaker 4: Just love bodies? That is classic shot the show. Now

735
00:32:10,680 --> 00:32:13,040
Speaker 4: we're not going to get anything funnier. Let's just go home.

736
00:32:13,880 --> 00:32:16,160
Speaker 4: Oh my god, that is Thank you so much for

737
00:32:16,240 --> 00:32:16,720
Speaker 4: saying that.

738
00:32:20,760 --> 00:32:23,560
Speaker 15: We really thought that he was up to no good.

739
00:32:23,600 --> 00:32:26,520
Speaker 12: I mean we were going to go and hire Burker's

740
00:32:26,680 --> 00:32:28,680
Speaker 12: and follow him and all kinds of stuff.

741
00:32:29,360 --> 00:32:33,280
Speaker 3: Listen, if you're hiring Burker's, I'd be even more alerted.

742
00:32:33,360 --> 00:32:36,160
Speaker 3: If someone behind me was walking down the street following

743
00:32:36,200 --> 00:32:38,760
Speaker 3: me wearing a burker you'd stand out more surely.

744
00:32:39,000 --> 00:32:42,200
Speaker 12: No, no, if we'd be disgrace you know.

745
00:32:43,400 --> 00:32:45,840
Speaker 4: So if he was innocent, why are you protecting your identity?

746
00:32:47,280 --> 00:32:49,520
Speaker 12: Well, because he doesn't know that we did it, and

747
00:32:49,640 --> 00:32:51,320
Speaker 12: I don't want him to know that we did it.

748
00:32:52,040 --> 00:32:54,080
Speaker 4: That's great. So what do you do with the tracking device?

749
00:32:54,120 --> 00:32:54,840
Speaker 4: You still got it?

750
00:32:55,280 --> 00:32:56,360
Speaker 12: Yeah, we still got it.

751
00:32:56,520 --> 00:32:58,960
Speaker 4: Yeah, this is amazing.

752
00:32:58,960 --> 00:33:01,280
Speaker 3: This is the sister This is what women do it

753
00:33:01,440 --> 00:33:03,360
Speaker 3: for each other. Right. I don't think I've got a

754
00:33:03,360 --> 00:33:06,040
Speaker 3: single buddy that I could ring up and go listen.

755
00:33:06,120 --> 00:33:08,440
Speaker 3: I think she's cheating? Would you mind putting a magnet

756
00:33:08,520 --> 00:33:09,040
Speaker 3: under her car?

757
00:33:10,680 --> 00:33:11,479
Speaker 4: I'm not doing that.

758
00:33:12,680 --> 00:33:17,080
Speaker 3: He just liked Bunnings best Bunnings ever. They should make

759
00:33:17,120 --> 00:33:20,320
Speaker 3: that into an advert. Listen, Sarah Jessica Parker, that was

760
00:33:20,360 --> 00:33:21,920
Speaker 3: a great call. Thank you very much for sharing it.

761
00:33:21,920 --> 00:33:24,400
Speaker 3: When it again, you have a great day. Cheers mate.

762
00:33:24,080 --> 00:33:27,640
Speaker 1: By the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

763
00:33:27,720 --> 00:33:28,560
Speaker 1: four point three.

764
00:33:28,720 --> 00:33:32,720
Speaker 3: So with that amazing call, uh di, I y P

765
00:33:32,920 --> 00:33:34,960
Speaker 3: I I think that will end up being the TDD

766
00:33:35,000 --> 00:33:38,080
Speaker 3: of today's shot. That amazing call from Sarah Jessica Parker

767
00:33:38,120 --> 00:33:41,840
Speaker 3: there tracking someone who wasn't cheating, he just loved Bunnings.

768
00:33:42,120 --> 00:33:46,280
Speaker 3: Amazing turn of events. So you in that fame have

769
00:33:46,360 --> 00:33:49,000
Speaker 3: you ever done in terms of you being a diy

770
00:33:49,160 --> 00:33:51,800
Speaker 3: p I. There must people listening who have been asked

771
00:33:51,840 --> 00:33:53,080
Speaker 3: to try and follow somebody.

772
00:33:53,280 --> 00:33:57,600
Speaker 4: Yeah, take it upon themselves to do some p I work.

773
00:33:57,760 --> 00:33:59,840
Speaker 3: You can call it anonymously. We'll give you a Hollywood

774
00:33:59,880 --> 00:34:02,480
Speaker 3: name to protect your identity. But I'd love to hear

775
00:34:02,480 --> 00:34:06,480
Speaker 3: those stories. And here's the thing, I bet we hear

776
00:34:06,560 --> 00:34:08,719
Speaker 3: more calls from women who've done this for other women

777
00:34:08,719 --> 00:34:10,520
Speaker 3: because the sisterho now they look out, which.

778
00:34:10,600 --> 00:34:11,399
Speaker 5: I've never done it.

779
00:34:11,480 --> 00:34:13,120
Speaker 3: If I do, only think it, I'd even ask the

780
00:34:13,239 --> 00:34:15,160
Speaker 3: mate to do that for me, because I know they go,

781
00:34:15,440 --> 00:34:16,680
Speaker 3: I'm not doing that, it's odd.

782
00:34:16,920 --> 00:34:18,440
Speaker 4: Well, if you asked me to follow your wife, I

783
00:34:18,440 --> 00:34:20,680
Speaker 4: would politely decline yeah.

784
00:34:20,719 --> 00:34:23,120
Speaker 3: And if you said, can you place a magnetic tracking

785
00:34:23,120 --> 00:34:25,960
Speaker 3: device under the anchor's car or bike or whatever. She's

786
00:34:25,960 --> 00:34:28,680
Speaker 3: got a trick or something, you know, Penny farthing or whatever,

787
00:34:29,120 --> 00:34:32,200
Speaker 3: I'd I'd say no, that's gonna it's gonna be awkward

788
00:34:32,200 --> 00:34:34,359
Speaker 3: because then if you confront her with it, she's gonna and.

789
00:34:34,360 --> 00:34:36,880
Speaker 4: Who which which which horrible fenn of yours did?

790
00:34:36,920 --> 00:34:39,239
Speaker 3: Is Christians And it's going to come between us and

791
00:34:39,360 --> 00:34:41,319
Speaker 3: it's a whole scene. Meant, I don't think men would

792
00:34:41,320 --> 00:34:43,440
Speaker 3: do this, but maybe maybe we're wrong. Nine four one

793
00:34:43,480 --> 00:34:44,680
Speaker 3: four one oh four three.

794
00:34:44,760 --> 00:34:48,120
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

795
00:34:48,120 --> 00:34:48,800
Speaker 1: point three.

796
00:34:48,840 --> 00:34:51,480
Speaker 3: Time out for this week's Internet History, where me and

797
00:34:51,560 --> 00:34:54,320
Speaker 3: the team we open up our tabs and we're honest

798
00:34:54,320 --> 00:34:56,520
Speaker 3: about what being googling in the last twenty four hours.

799
00:34:56,560 --> 00:34:59,200
Speaker 3: I believe that our internet history says a lot about

800
00:34:59,200 --> 00:35:01,719
Speaker 3: what we've got going on our lives. A couple of

801
00:35:01,719 --> 00:35:04,399
Speaker 3: things for me then, First of all, I was saying,

802
00:35:04,400 --> 00:35:07,480
Speaker 3: now over the weekend, got a new couch. It's been

803
00:35:07,520 --> 00:35:11,680
Speaker 3: delivered tomorrow, an L shaped couch, speak moment in our lives.

804
00:35:11,719 --> 00:35:13,400
Speaker 4: Are you serious about the three of us doing the

805
00:35:13,440 --> 00:35:14,520
Speaker 4: show from your living room?

806
00:35:14,600 --> 00:35:17,200
Speaker 3: I'm very happy to invite you around to officially open

807
00:35:17,239 --> 00:35:21,480
Speaker 3: the er shaped couch and really handy delivery time tomorrow

808
00:35:21,640 --> 00:35:23,879
Speaker 3: sometime I can't tell you when, between eight and six

809
00:35:23,960 --> 00:35:28,080
Speaker 3: a PM. Okay, yeah, because no one's got anything going on. Ever,

810
00:35:28,600 --> 00:35:30,880
Speaker 3: we'll just wait around. When he fancied kicking out of

811
00:35:30,920 --> 00:35:33,920
Speaker 3: the side of the van, my l shaped.

812
00:35:33,600 --> 00:35:36,800
Speaker 4: Couch with ottoman. It's the ottoman.

813
00:35:36,840 --> 00:35:39,439
Speaker 3: I'm excited about one because there's a great word to say.

814
00:35:39,440 --> 00:35:42,600
Speaker 3: When would you normally say, I've got atom come round,

815
00:35:42,680 --> 00:35:44,680
Speaker 3: take your shoes off, put it up on the ottoman

816
00:35:45,120 --> 00:35:46,040
Speaker 3: to new Ottoman.

817
00:35:46,680 --> 00:35:47,719
Speaker 4: And I've excited about this.

818
00:35:47,760 --> 00:35:50,480
Speaker 3: So I googled the other day pieces of furniture named

819
00:35:50,520 --> 00:35:53,960
Speaker 3: after empires, because I was suddenly aware Vailee of the

820
00:35:54,000 --> 00:35:59,239
Speaker 3: Ottoman Empire decades ago, centuries ago in Turkey. And also

821
00:35:59,239 --> 00:36:02,440
Speaker 3: again I found another particle, the origins of ten pieces

822
00:36:02,480 --> 00:36:03,080
Speaker 3: of furniture.

823
00:36:04,239 --> 00:36:06,120
Speaker 4: God, no, I'm going to read the whole thing now

824
00:36:07,040 --> 00:36:07,479
Speaker 4: I found.

825
00:36:07,840 --> 00:36:12,280
Speaker 3: I actually found it riveting reading bureau give us one bureau.

826
00:36:12,600 --> 00:36:14,200
Speaker 4: Sofa comes from another French word.

827
00:36:14,520 --> 00:36:17,080
Speaker 3: Lots of the furniture we have, the origins are in

828
00:36:17,360 --> 00:36:21,760
Speaker 3: French words. Sofa, it's from a Sophia is a French

829
00:36:21,760 --> 00:36:22,680
Speaker 3: word chaise lunge.

830
00:36:23,280 --> 00:36:25,440
Speaker 4: So friends were the first people to have furniture, were they? Yeah?

831
00:36:25,440 --> 00:36:28,520
Speaker 3: I believe so, King Louis Before that, everyone stood around

832
00:36:28,920 --> 00:36:30,719
Speaker 3: then King Louis when if any it's someone to put

833
00:36:30,719 --> 00:36:33,879
Speaker 3: my ass on Adeliere, of course it's the French for them.

834
00:36:34,200 --> 00:36:35,960
Speaker 3: And the other thing is, you know, sometimes you just

835
00:36:36,080 --> 00:36:38,960
Speaker 3: have an earworm. An earworm is something which is a

836
00:36:38,960 --> 00:36:41,759
Speaker 3: song or even in an advert, whether you like it

837
00:36:41,880 --> 00:36:44,280
Speaker 3: or not, that has burrowed its way into your brain

838
00:36:44,320 --> 00:36:46,640
Speaker 3: and you just keep hearing it various times during the day.

839
00:36:46,800 --> 00:36:49,720
Speaker 3: You might find yourself even singing it. It's not necessarily

840
00:36:49,760 --> 00:36:51,920
Speaker 3: something you like. It's just lodged there. You can't get

841
00:36:51,920 --> 00:36:54,399
Speaker 3: it out for days. At the moment, for me, it's

842
00:36:54,440 --> 00:36:57,600
Speaker 3: this because I was hoping my daughter get ready for

843
00:36:57,760 --> 00:37:01,160
Speaker 3: her a Laddin audition. She finds out someone if she's

844
00:37:01,200 --> 00:37:03,399
Speaker 3: got any kind of role in it, and she had

845
00:37:03,440 --> 00:37:05,440
Speaker 3: to a part of the audition. She had to sing

846
00:37:05,480 --> 00:37:06,600
Speaker 3: the Prince Ali song.

847
00:37:07,000 --> 00:37:11,839
Speaker 4: You know this one, yep, But I don't remember this bit.

848
00:37:15,920 --> 00:37:18,640
Speaker 3: I found myself walking around the house, go mate, where

849
00:37:19,560 --> 00:37:20,280
Speaker 3: Prince Sally?

850
00:37:20,480 --> 00:37:24,800
Speaker 4: I'm not even I didn't even have to do the audition, biz.

851
00:37:28,000 --> 00:37:30,719
Speaker 3: That's what I heard all weekend upstairs was her practicing

852
00:37:30,760 --> 00:37:31,600
Speaker 3: this all right, Bud?

853
00:37:34,080 --> 00:37:36,239
Speaker 4: Is this one of the chorus things in the in

854
00:37:36,320 --> 00:37:36,919
Speaker 4: the school play?

855
00:37:37,200 --> 00:37:37,800
Speaker 5: Here it comes?

856
00:37:39,160 --> 00:37:43,719
Speaker 4: Yes? So little dad joke, ubygo Prince Sally smelling of

857
00:37:43,920 --> 00:37:47,640
Speaker 4: we no one, No, it's actually the house when I

858
00:37:47,719 --> 00:37:49,600
Speaker 4: do it. That's not funny, but I still.

859
00:37:49,400 --> 00:37:52,120
Speaker 3: Do it, all right? So Jack, what is your internet history?

860
00:37:52,120 --> 00:37:54,040
Speaker 4: What have you got? I've got anywhere in my own

861
00:37:54,120 --> 00:37:56,200
Speaker 4: and this one I'm going to kick out this one

862
00:37:56,200 --> 00:37:58,120
Speaker 4: because I'm ready to for this to go. You don't

863
00:37:58,160 --> 00:38:01,719
Speaker 4: want this. I'm about warning up now that if you

864
00:38:01,840 --> 00:38:03,879
Speaker 4: don't want something that will be stuck in your head

865
00:38:03,880 --> 00:38:05,719
Speaker 4: for the next three days. Tune away now.

866
00:38:05,760 --> 00:38:07,600
Speaker 3: So it's not like a nice song or anything like that.

867
00:38:07,760 --> 00:38:11,320
Speaker 4: No, it's terrible. It's an internet meme that's going around

868
00:38:11,320 --> 00:38:13,839
Speaker 4: from a children's kids show. Are you ready to hear

869
00:38:13,880 --> 00:38:15,640
Speaker 4: it now? No? No, no, no, no, a stick a break

870
00:38:15,640 --> 00:38:17,560
Speaker 4: would come back. You need to give people climb to

871
00:38:17,640 --> 00:38:18,120
Speaker 4: tune away?

872
00:38:18,200 --> 00:38:21,360
Speaker 3: All right? Right now we want to stay stay with

873
00:38:21,480 --> 00:38:22,920
Speaker 3: us for something awful.

874
00:38:23,440 --> 00:38:26,920
Speaker 1: There we go the Christian O'Connell breakfast Show Melbourne's Gold

875
00:38:27,000 --> 00:38:28,120
Speaker 1: one oh four point.

876
00:38:27,920 --> 00:38:30,840
Speaker 3: Three, midway through this week's Internet history, where I go

877
00:38:30,840 --> 00:38:33,120
Speaker 3: around the team and we share what we've been googling

878
00:38:33,160 --> 00:38:35,920
Speaker 3: in the last twenty four hours. All right, So you

879
00:38:35,960 --> 00:38:38,399
Speaker 3: said you're just about to play something and it's an

880
00:38:38,440 --> 00:38:39,560
Speaker 3: irritating earworm.

881
00:38:39,560 --> 00:38:42,239
Speaker 4: It's going to replace my Prince Arnie. That's right. My

882
00:38:42,320 --> 00:38:44,480
Speaker 4: warning is tune away now if you don't want the

883
00:38:44,560 --> 00:38:47,719
Speaker 4: next bit of audio stacking your head for three days.

884
00:38:48,040 --> 00:38:50,320
Speaker 4: So I had to google. I've heard this on the weekend,

885
00:38:50,520 --> 00:38:52,200
Speaker 4: had it in my head since then. I had to

886
00:38:52,239 --> 00:38:55,400
Speaker 4: Google it again last night to show Bianca in like

887
00:38:55,440 --> 00:38:58,120
Speaker 4: a problem Shared is a problem hard Sure if she's

888
00:38:58,160 --> 00:38:59,680
Speaker 4: got it in her head as well, maybe it'll get

889
00:38:59,680 --> 00:39:03,520
Speaker 4: out of my It's a it's a children's show from Japan,

890
00:39:04,120 --> 00:39:06,960
Speaker 4: and it's an internet meme at the moment, this song

891
00:39:07,040 --> 00:39:16,000
Speaker 4: is called baby Shark, Take it away? Oh come on

892
00:39:17,360 --> 00:39:20,120
Speaker 4: their baby Shark. I can I wake up with this

893
00:39:20,320 --> 00:39:24,160
Speaker 4: every day? And I can't? What is this? R and

894
00:39:24,200 --> 00:39:27,359
Speaker 4: B Friday on five. I'm brushing my teeth in the

895
00:39:27,400 --> 00:39:34,360
Speaker 4: shower where it was shucked it Daddy Shared, not get

896
00:39:34,440 --> 00:39:37,040
Speaker 4: rid of it, Shack.

897
00:39:37,120 --> 00:39:43,960
Speaker 6: I think that's even worse than the frozen thing.

898
00:39:41,040 --> 00:39:51,839
Speaker 4: That it is a hook. It'll Grandpa Shack. That's the lyrics.

899
00:39:52,320 --> 00:39:54,560
Speaker 4: You were just busking something there? Did they go through

900
00:39:54,600 --> 00:39:57,239
Speaker 4: the whole shop family? Yes, this is Grandma Shark. I

901
00:39:57,280 --> 00:39:59,280
Speaker 4: think now they're hunting.

902
00:40:00,960 --> 00:40:02,080
Speaker 16: Run away?

903
00:40:03,760 --> 00:40:04,640
Speaker 5: Oh it gets faster.

904
00:40:08,640 --> 00:40:11,640
Speaker 4: How do I get did you run away?

905
00:40:11,719 --> 00:40:11,879
Speaker 19: No?

906
00:40:11,880 --> 00:40:14,759
Speaker 4: No, stop, it carries my stop it. I learned how

907
00:40:14,760 --> 00:40:15,479
Speaker 4: to play it on guitar.

908
00:40:17,000 --> 00:40:17,759
Speaker 5: You're obsessed.

909
00:40:18,080 --> 00:40:19,799
Speaker 4: No, I'm not obsessed. That makes it sound like I

910
00:40:19,840 --> 00:40:21,560
Speaker 4: want to I wanted in my life.

911
00:40:21,760 --> 00:40:24,719
Speaker 3: I can't remember Prince I anymore. I've just got that

912
00:40:24,760 --> 00:40:27,480
Speaker 3: thing in my head already that Pats.

913
00:40:27,239 --> 00:40:27,759
Speaker 4: Don't do that.

914
00:40:27,760 --> 00:40:28,680
Speaker 5: It could be monon news.

915
00:40:28,719 --> 00:40:40,120
Speaker 3: Then no, no, perhaps what have you been googled for

916
00:40:40,160 --> 00:40:40,640
Speaker 3: the last time?

917
00:40:41,160 --> 00:40:43,759
Speaker 5: Looked up if it's illegal to drive barefoot?

918
00:40:44,520 --> 00:40:47,360
Speaker 4: Yes, I've heard. I've heard a rumor that it is.

919
00:40:47,680 --> 00:40:53,240
Speaker 3: It's not this country's problem with having a shoe.

920
00:40:53,960 --> 00:40:55,640
Speaker 6: I was in the supermarket the other day and there

921
00:40:55,680 --> 00:40:56,479
Speaker 6: was a woman in the aisle.

922
00:40:56,520 --> 00:40:57,280
Speaker 5: It's quite weird.

923
00:40:57,440 --> 00:40:59,320
Speaker 6: Something must have happened to her shoes because she was

924
00:40:59,440 --> 00:41:01,480
Speaker 6: dressed very very nicely in business attire.

925
00:41:01,719 --> 00:41:02,600
Speaker 5: But I looked down.

926
00:41:03,040 --> 00:41:04,879
Speaker 6: I thought, oh, she must have some nice shoes, because

927
00:41:04,880 --> 00:41:07,440
Speaker 6: she had a beautiful suit on, but she wasn't wearing

928
00:41:07,480 --> 00:41:08,160
Speaker 6: any This is.

929
00:41:08,200 --> 00:41:11,399
Speaker 4: This is what women do. They scan, They scan each other.

930
00:41:11,920 --> 00:41:14,080
Speaker 3: Okay, you see the business suit, that's enough. Why we

931
00:41:14,080 --> 00:41:18,800
Speaker 3: got to check out the shoes. Scan instead of shoes,

932
00:41:18,800 --> 00:41:20,160
Speaker 3: What does she have on her feet? Nothing?

933
00:41:20,280 --> 00:41:23,080
Speaker 6: She was bare foot in the middle of the supermarket.

934
00:41:23,120 --> 00:41:25,239
Speaker 6: And then it got me to thinking, well, hang on,

935
00:41:25,280 --> 00:41:26,200
Speaker 6: how did she get here?

936
00:41:26,280 --> 00:41:28,000
Speaker 5: Did she drive like that?

937
00:41:28,480 --> 00:41:31,960
Speaker 6: But it's not illegal apparently, and in fact, authorities would

938
00:41:32,000 --> 00:41:34,640
Speaker 6: recommend it. If you've got stilettos on that it can

939
00:41:34,680 --> 00:41:35,680
Speaker 6: be quite dangerous.

940
00:41:35,719 --> 00:41:38,520
Speaker 3: You know, they can get stuck under the sometimes of

941
00:41:38,600 --> 00:41:39,239
Speaker 3: the accelerator.

942
00:41:39,600 --> 00:41:43,200
Speaker 4: Yes, what abouts, I feel like thongs is more dangerous.

943
00:41:42,840 --> 00:41:45,520
Speaker 6: Than they're probably in the same because you get that

944
00:41:45,520 --> 00:41:47,840
Speaker 6: wedge still, it can get loose on it, yeah yeah,

945
00:41:47,480 --> 00:41:49,640
Speaker 6: yeah yeah, or buckle up under your foot in the

946
00:41:49,680 --> 00:41:52,520
Speaker 6: car mat But no, apparently it's not illegal.

947
00:41:52,560 --> 00:41:55,000
Speaker 5: But I don't know why. She nearly felt like asking her.

948
00:41:55,040 --> 00:42:00,280
Speaker 4: But I've gone to a Christmas breakfast without shoes accidentally, because.

949
00:42:00,120 --> 00:42:03,720
Speaker 3: No, no, no, no, no, you don't do that because

950
00:42:03,760 --> 00:42:05,840
Speaker 3: you know you filled with the cold.

951
00:42:06,160 --> 00:42:10,920
Speaker 4: No Christmas. This summer here is so I want to

952
00:42:10,960 --> 00:42:13,439
Speaker 4: walk around everywhere bare feet, And I thought I bought

953
00:42:13,440 --> 00:42:16,560
Speaker 4: the shoes to the car banker's family's over for Christmas.

954
00:42:16,560 --> 00:42:18,160
Speaker 4: We went out to a cafe.

955
00:42:17,840 --> 00:42:20,000
Speaker 5: For break outlaws as well, which makes.

956
00:42:19,840 --> 00:42:23,880
Speaker 4: It I'm walking around no but we're already at the cafe,

957
00:42:24,040 --> 00:42:24,959
Speaker 4: so I went in.

958
00:42:24,880 --> 00:42:28,280
Speaker 5: With that's feral Jack Christmas.

959
00:42:28,719 --> 00:42:31,000
Speaker 4: Not on Christmas Day, thankfully, two days after.

960
00:42:31,120 --> 00:42:32,160
Speaker 5: Oh that's so much better.

961
00:42:34,080 --> 00:42:36,120
Speaker 3: All right, we got the news and spot on the

962
00:42:36,160 --> 00:42:39,160
Speaker 3: way and after this o'clock then we've got some suggestions

963
00:42:39,160 --> 00:42:41,960
Speaker 3: from you Jack, and he really does need them.

964
00:42:43,080 --> 00:42:43,920
Speaker 4: Jack has been.

965
00:42:44,280 --> 00:42:46,840
Speaker 3: It's been a commission to write a song for Melbourne

966
00:42:46,840 --> 00:42:48,320
Speaker 3: by the Lord Mayor.

967
00:42:48,160 --> 00:42:49,000
Speaker 4: Sally Kap and me.

968
00:42:49,520 --> 00:42:52,279
Speaker 3: And what I feel really bad is because obviously the

969
00:42:52,320 --> 00:42:54,279
Speaker 3: Lord Mayor was on the show yesterday. She got really

970
00:42:54,320 --> 00:42:55,879
Speaker 3: excited and I said, hey, how do you feel about

971
00:42:55,920 --> 00:42:57,799
Speaker 3: we get Jack to write a song an anthem for

972
00:42:57,880 --> 00:43:01,040
Speaker 3: Melbourne to go up against Vienna. And there's Vienna because

973
00:43:01,080 --> 00:43:02,759
Speaker 3: they just become number one the most liberal city in

974
00:43:02,800 --> 00:43:03,120
Speaker 3: the world.

975
00:43:03,480 --> 00:43:03,880
Speaker 4: Anyway.

976
00:43:04,239 --> 00:43:06,800
Speaker 3: You know, Tommy he cuts up videos, little clips that

977
00:43:06,840 --> 00:43:09,000
Speaker 3: we've say in every twenty minutes, he loads one up

978
00:43:09,000 --> 00:43:10,640
Speaker 3: on our Twitter and Facebook page.

979
00:43:10,840 --> 00:43:12,399
Speaker 4: I've just seen that there's one he put up about

980
00:43:12,400 --> 00:43:15,160
Speaker 4: an hour ago, just you saying that the only update

981
00:43:15,239 --> 00:43:16,400
Speaker 4: is is not going very well.

982
00:43:16,560 --> 00:43:19,440
Speaker 3: I've written half a lyric I've just seen on my

983
00:43:19,520 --> 00:43:23,040
Speaker 3: Twitter feed. The Lord Mayor Sally Capp has just favorited

984
00:43:23,080 --> 00:43:26,560
Speaker 3: that tweet. Nothing else that the show has said interesting

985
00:43:26,600 --> 00:43:29,160
Speaker 3: and funny today. Just the fact that twenty four hours

986
00:43:29,200 --> 00:43:31,719
Speaker 3: on we've got no update other than it's going bad.

987
00:43:31,760 --> 00:43:33,920
Speaker 4: But it shows she's still interested in the idea.

988
00:43:34,000 --> 00:43:36,400
Speaker 3: Yeah, but now she's knowing that it's going badly. But

989
00:43:36,440 --> 00:43:38,879
Speaker 3: don't worry. We've got some suggestions from you for Jack the.

990
00:43:38,880 --> 00:43:42,600
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

991
00:43:42,800 --> 00:43:44,280
Speaker 3: What I'm about to do will give you a brand

992
00:43:44,280 --> 00:43:47,200
Speaker 3: new earworm to kick that irritating shark thing out. The

993
00:43:47,760 --> 00:43:50,320
Speaker 3: most recent text of this show, Thank you, Jack post.

994
00:43:50,320 --> 00:43:53,760
Speaker 3: I've just walked into work singing that stupid shark song. Yeah,

995
00:43:53,840 --> 00:43:55,600
Speaker 3: I want to know what work that is, you know

996
00:43:55,840 --> 00:43:57,920
Speaker 3: it maybe it's like a serious meeting or something.

997
00:43:58,040 --> 00:43:58,200
Speaker 4: You know.

998
00:43:58,200 --> 00:44:00,080
Speaker 3: He works at funeral home and he's going.

999
00:44:00,200 --> 00:44:01,279
Speaker 4: Did did did?

1000
00:44:01,440 --> 00:44:03,000
Speaker 3: He's got a hear sparked outside?

1001
00:44:03,440 --> 00:44:03,759
Speaker 4: All right.

1002
00:44:03,800 --> 00:44:05,680
Speaker 3: So this time last week on the show, we were

1003
00:44:05,680 --> 00:44:08,759
Speaker 3: doing internet history, and I was saying how I'm obsessed

1004
00:44:08,880 --> 00:44:11,640
Speaker 3: and diving on having a deep dive on YouTube and

1005
00:44:11,680 --> 00:44:14,759
Speaker 3: looking around for something called isolated vocals. Now it's kind

1006
00:44:14,800 --> 00:44:16,640
Speaker 3: of a music term, but the most important thing is

1007
00:44:16,680 --> 00:44:18,920
Speaker 3: it's just the it's just the vocals that I don't

1008
00:44:18,960 --> 00:44:22,440
Speaker 3: know whether these studio engineers find these tracks now and

1009
00:44:22,480 --> 00:44:24,840
Speaker 3: they upload them to the internet, but thank god they do.

1010
00:44:25,320 --> 00:44:27,000
Speaker 3: It's just strip back. You don't hear the rest of

1011
00:44:27,040 --> 00:44:28,840
Speaker 3: the song. You don't hear the guitars, the bass, the

1012
00:44:28,880 --> 00:44:31,920
Speaker 3: piano or any kind I have a production or reverb

1013
00:44:32,000 --> 00:44:34,480
Speaker 3: on it. You just hear these amazing vocals like this

1014
00:44:34,640 --> 00:44:35,279
Speaker 3: and the beach boys.

1015
00:44:35,480 --> 00:44:39,799
Speaker 20: Wouldn't it be nice if we were all then we

1016
00:44:39,840 --> 00:44:44,080
Speaker 20: wouldn't have two weeks so long? And wouldn't it be

1017
00:44:44,200 --> 00:44:46,360
Speaker 20: nice to live together?

1018
00:44:47,440 --> 00:44:49,320
Speaker 4: This is the isolated vocal.

1019
00:44:49,520 --> 00:44:51,160
Speaker 3: I love these. They give me the chills. So you

1020
00:44:51,200 --> 00:44:52,640
Speaker 3: real us how great the voices are.

1021
00:44:53,239 --> 00:44:54,320
Speaker 8: Make it endless?

1022
00:44:55,920 --> 00:44:57,839
Speaker 4: Where we can take a nice.

1023
00:44:58,880 --> 00:45:00,840
Speaker 3: So you can find load of the There's some brilliant

1024
00:45:00,880 --> 00:45:03,280
Speaker 3: Chris Cornell ones as well, the late great Chris Cornell.

1025
00:45:03,400 --> 00:45:11,839
Speaker 21: This black Hole Sun, Won't you Come? Why should the

1026
00:45:13,320 --> 00:45:20,640
Speaker 21: black hole sound? Won't you come? Won't you come? Won't

1027
00:45:20,719 --> 00:45:21,400
Speaker 21: you come?

1028
00:45:24,080 --> 00:45:25,799
Speaker 3: So there's loads of them online. You can have a

1029
00:45:25,800 --> 00:45:26,439
Speaker 3: look around today.

1030
00:45:26,520 --> 00:45:26,600
Speaker 8: Right.

1031
00:45:26,600 --> 00:45:28,560
Speaker 3: They're called isolated vocals. And what it is when you

1032
00:45:28,600 --> 00:45:31,319
Speaker 3: strip it back, you really feel the song differently and

1033
00:45:31,320 --> 00:45:33,680
Speaker 3: you hear it siphony. Definitely, you hear the greatness in

1034
00:45:33,719 --> 00:45:35,960
Speaker 3: the voices. And this is a forget about. This is

1035
00:45:35,960 --> 00:45:38,239
Speaker 3: a time before auto tune as well. You really, it's

1036
00:45:38,280 --> 00:45:40,440
Speaker 3: just how great the vocals are. And there was one

1037
00:45:40,480 --> 00:45:42,280
Speaker 3: we played last week and I got so many emails

1038
00:45:42,320 --> 00:45:44,240
Speaker 3: and so many texts about it. I thought it'd remind

1039
00:45:44,280 --> 00:45:45,520
Speaker 3: you of it, and then we're going to play the

1040
00:45:45,560 --> 00:45:46,920
Speaker 3: song in four But this is the one I was

1041
00:45:46,960 --> 00:45:50,000
Speaker 3: talking about. The original one was David Bowie and Freddie

1042
00:45:50,000 --> 00:45:52,920
Speaker 3: Mercury from under Pressure. Have I listened to this under dress?

1043
00:45:54,000 --> 00:45:55,000
Speaker 16: The person.

1044
00:45:56,280 --> 00:45:58,080
Speaker 3: Splits the family into.

1045
00:45:58,719 --> 00:46:07,520
Speaker 6: Puts people three ba be up it up.

1046
00:46:08,280 --> 00:46:12,120
Speaker 16: That's okay. It's a terror of knowing what this world

1047
00:46:12,480 --> 00:46:20,240
Speaker 16: is about. Watching some good friends screaming great tomorrow gets

1048
00:46:20,280 --> 00:46:21,839
Speaker 16: me high.

1049
00:46:23,080 --> 00:46:30,960
Speaker 20: The people on streets dead edit mm hmmm, do that about.

1050
00:46:32,160 --> 00:46:32,600
Speaker 4: Okay?

1051
00:46:35,920 --> 00:46:39,839
Speaker 3: Chipping the round tip my range around the floor.

1052
00:46:40,040 --> 00:46:41,720
Speaker 11: These other days?

1053
00:46:41,719 --> 00:46:42,880
Speaker 3: Another range about it?

1054
00:46:43,200 --> 00:46:44,440
Speaker 4: Had you know?

1055
00:46:48,320 --> 00:46:53,480
Speaker 3: No, it's like the shark clip never happened, okay. And

1056
00:46:53,600 --> 00:46:56,480
Speaker 3: then when you listen to it online, it's about four minutes.

1057
00:46:56,520 --> 00:46:59,359
Speaker 3: The whole thing of them to singing together, those two

1058
00:46:59,400 --> 00:47:02,080
Speaker 3: great But there's a moment when it gets to two

1059
00:47:02,120 --> 00:47:04,920
Speaker 3: minutes in. This is where it peaks to me. Freddy's

1060
00:47:04,960 --> 00:47:07,759
Speaker 3: voice just goes into this amazing full setto and he

1061
00:47:07,840 --> 00:47:10,120
Speaker 3: realized what a one off great he is. Haven't listened

1062
00:47:10,120 --> 00:47:11,440
Speaker 3: to it. This is a couple of seconds before it.

1063
00:47:11,640 --> 00:47:14,560
Speaker 3: Then it just goes so high pitched. I've forgotten it.

1064
00:47:14,760 --> 00:47:16,600
Speaker 3: I've played that song so many times in the radio

1065
00:47:16,640 --> 00:47:33,760
Speaker 3: but never heard this bit fairly human. It's a presence.

1066
00:47:33,800 --> 00:47:35,800
Speaker 3: That's what the prince of greatness is. That's what true

1067
00:47:35,920 --> 00:47:37,759
Speaker 3: genius is. Anyway, we're gonna do these once a.

1068
00:47:37,719 --> 00:47:40,160
Speaker 4: Week, play one of those and then play the original song.

1069
00:47:40,239 --> 00:47:42,879
Speaker 3: So here it is on Gold one oh four point

1070
00:47:42,960 --> 00:47:45,480
Speaker 3: three Christian O'Connor Breakfast Show. We do this once a week,

1071
00:47:45,600 --> 00:47:50,320
Speaker 3: isolated vocals. This is David Bowie with Freddie murgley, two greats.

1072
00:47:50,239 --> 00:47:53,680
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1073
00:47:53,680 --> 00:47:54,320
Speaker 1: point three.

1074
00:47:54,480 --> 00:47:57,799
Speaker 3: So talk about music and inspiration and genius. We now

1075
00:47:58,560 --> 00:47:59,759
Speaker 3: bounce all could lead to.

1076
00:48:00,360 --> 00:48:01,480
Speaker 4: Well, that's a hard act to follow.

1077
00:48:01,560 --> 00:48:06,000
Speaker 3: You are artist in residence, okay. The spirit and of

1078
00:48:06,160 --> 00:48:11,000
Speaker 3: Freddy and Bowie are definitely missing in you. And yesterday

1079
00:48:11,040 --> 00:48:13,000
Speaker 3: we were talking about the news that know no more

1080
00:48:13,040 --> 00:48:15,120
Speaker 3: number one spot for Melbourne's most Liverpool city in the

1081
00:48:15,120 --> 00:48:18,279
Speaker 3: world has gone to Vienna. And we were chatting to

1082
00:48:18,320 --> 00:48:20,360
Speaker 3: with the Lord mess Sally Camp on yesterday show, and

1083
00:48:20,400 --> 00:48:23,040
Speaker 3: I said, maybe we need a song, an anthem for Melbourne.

1084
00:48:23,080 --> 00:48:26,680
Speaker 3: You've got the classic eighty song Vienna. Who better well, actually,

1085
00:48:26,719 --> 00:48:28,480
Speaker 3: who else is? There's no one else so available to

1086
00:48:28,480 --> 00:48:30,520
Speaker 3: me that would do this than Jack Posts to take

1087
00:48:30,560 --> 00:48:33,520
Speaker 3: on this mission, this important mission, to try and write

1088
00:48:33,520 --> 00:48:37,040
Speaker 3: an anthem for this great city. So twenty five hours

1089
00:48:37,080 --> 00:48:39,200
Speaker 3: on Where Oh You.

1090
00:48:39,640 --> 00:48:43,759
Speaker 4: I'm thinking the chorus will be the this is a

1091
00:48:43,880 --> 00:48:50,520
Speaker 4: rhyme my hometown Melbourne, Melbourne, but when you sing it out,

1092
00:48:50,560 --> 00:48:52,759
Speaker 4: when you sing it, it's hard to say it as

1093
00:48:52,800 --> 00:48:53,160
Speaker 4: a rhyme.

1094
00:48:53,239 --> 00:48:55,240
Speaker 3: You're better off going Melbourne.

1095
00:48:58,040 --> 00:49:02,760
Speaker 4: No, I think, because we're get other musicians and maybe artists.

1096
00:49:02,880 --> 00:49:05,799
Speaker 4: Hopefully the guests sing on this so they'll be able

1097
00:49:05,800 --> 00:49:08,040
Speaker 4: to do if they listen to this, they're not picking.

1098
00:49:11,080 --> 00:49:12,799
Speaker 4: Twenty five hours you've had with this.

1099
00:49:13,040 --> 00:49:16,200
Speaker 3: All you've done is brought in that horrible shark song today.

1100
00:49:17,080 --> 00:49:19,799
Speaker 4: No, I got away for that baby Shark song to

1101
00:49:19,880 --> 00:49:22,399
Speaker 4: leave my head before I can let a new song inter.

1102
00:49:22,760 --> 00:49:25,320
Speaker 3: Okay, so listen, I I've got a couple of suggestions

1103
00:49:25,360 --> 00:49:28,800
Speaker 3: and from our listeners. They've left these on my WhatsApp

1104
00:49:28,800 --> 00:49:30,719
Speaker 3: group on my phone that's ever listened to some of these?

1105
00:49:31,000 --> 00:49:33,360
Speaker 5: Hi Christian, It's Shelley from Hampton.

1106
00:49:34,600 --> 00:49:37,960
Speaker 6: Did you know that Melbourne was originally called Batman?

1107
00:49:39,040 --> 00:49:42,040
Speaker 5: Maybe you could write that into the song somehow?

1108
00:49:42,280 --> 00:49:43,799
Speaker 3: Yeah, right, make it you're writing this down.

1109
00:49:44,520 --> 00:49:46,040
Speaker 4: No no, no, no no no no no no no

1110
00:49:46,040 --> 00:49:47,839
Speaker 4: no no no Melbourne. There you go.

1111
00:49:47,880 --> 00:49:48,719
Speaker 3: It's the inspiration.

1112
00:49:48,840 --> 00:49:54,960
Speaker 4: And then there's this you do nothing for me all

1113
00:49:55,160 --> 00:49:57,320
Speaker 4: the boom boom.

1114
00:49:57,120 --> 00:50:00,319
Speaker 3: Boom, and then what we're about to play is up

1115
00:50:00,320 --> 00:50:02,920
Speaker 3: there with that clip from Bowie. Seriously, this is this

1116
00:50:02,960 --> 00:50:04,400
Speaker 3: is amazing. Have a listened to this?

1117
00:50:04,440 --> 00:50:04,719
Speaker 4: All right?

1118
00:50:04,760 --> 00:50:05,799
Speaker 3: Everyone, just stop what you're doing.

1119
00:50:05,880 --> 00:50:06,440
Speaker 4: Turn this up.

1120
00:50:06,520 --> 00:50:09,480
Speaker 3: This is incredible. I know that we're gonna end up

1121
00:50:09,480 --> 00:50:11,399
Speaker 3: putting this in the song. You're going to write around it.

1122
00:50:11,400 --> 00:50:12,400
Speaker 3: It's chilling.

1123
00:50:12,920 --> 00:50:16,959
Speaker 8: We are Melbourne, we are strong, we are up then

1124
00:50:17,080 --> 00:50:21,239
Speaker 8: and number one, we can keep kick people's asses if

1125
00:50:21,280 --> 00:50:21,880
Speaker 8: we won't.

1126
00:50:21,920 --> 00:50:28,200
Speaker 4: But we are said lead not. Well, if the rules

1127
00:50:28,200 --> 00:50:30,680
Speaker 4: of the song are already it doesn't need to rhyme perfectly,

1128
00:50:30,840 --> 00:50:31,880
Speaker 4: then that fits straight in.

1129
00:50:32,040 --> 00:50:34,480
Speaker 3: Let's just have a second play of this, we have

1130
00:50:34,600 --> 00:50:36,040
Speaker 3: to discover a star.

1131
00:50:36,800 --> 00:50:40,839
Speaker 8: We are Melbourne, we are strong, we are up then

1132
00:50:40,960 --> 00:50:45,120
Speaker 8: and number one, we can keep kick people's asses if

1133
00:50:45,160 --> 00:50:47,440
Speaker 8: we won't, but we are said lead not.

1134
00:50:48,239 --> 00:50:52,120
Speaker 4: I'm going to try to work something that resembles that

1135
00:50:52,160 --> 00:50:54,719
Speaker 4: into the real song. Then there's this from a DJ

1136
00:50:54,760 --> 00:50:55,800
Speaker 4: giving himself a plug.

1137
00:50:55,640 --> 00:50:59,480
Speaker 13: Gay Christian DJ pain here down in Geelong message for

1138
00:51:00,120 --> 00:51:04,480
Speaker 13: Jack's Melbourne song. I don't have a lyrics suggestion for you,

1139
00:51:04,560 --> 00:51:07,319
Speaker 13: but this is what it needs. It needs to have

1140
00:51:07,800 --> 00:51:13,880
Speaker 13: a massive build up chorus and then like all good

1141
00:51:14,280 --> 00:51:20,080
Speaker 13: big songs, it needs to have a dramatic dropout and

1142
00:51:20,120 --> 00:51:23,040
Speaker 13: then the two words that you need in this type

1143
00:51:23,080 --> 00:51:29,359
Speaker 13: of song, children's choir. Children's choir comes up, rises from

1144
00:51:29,360 --> 00:51:37,040
Speaker 13: the ashes and sings Jack's.

1145
00:51:34,080 --> 00:51:36,480
Speaker 3: That's why he's out there and long, you know. But

1146
00:51:36,960 --> 00:51:40,759
Speaker 3: school choir we never think about this week. The school choir.

1147
00:51:41,160 --> 00:51:43,160
Speaker 4: We just can't work in every gimmick if we're doing

1148
00:51:43,200 --> 00:51:46,000
Speaker 4: the list right now.

1149
00:51:46,280 --> 00:51:48,200
Speaker 3: The only thing this is right in the center. But

1150
00:51:48,280 --> 00:51:49,640
Speaker 3: the DNA of this song is this.

1151
00:51:49,880 --> 00:51:53,879
Speaker 8: We are Melbourne, we are strong, we are up there

1152
00:51:54,040 --> 00:51:59,640
Speaker 8: and number one, we can keep kicking, but we are

1153
00:52:00,160 --> 00:52:01,880
Speaker 8: lead and art genius.

1154
00:52:02,040 --> 00:52:05,399
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

1155
00:52:05,440 --> 00:52:06,040
Speaker 1: point three.

1156
00:52:06,160 --> 00:52:09,040
Speaker 3: We have discovered amongst living here in Melbourne who knew

1157
00:52:09,080 --> 00:52:11,120
Speaker 3: there was someone who had the spirit of Lennon and

1158
00:52:11,440 --> 00:52:14,320
Speaker 3: McCartney that could give the world this kind of greatness.

1159
00:52:14,600 --> 00:52:17,360
Speaker 3: We asked for lyrics for a new anthem for this city,

1160
00:52:17,400 --> 00:52:18,040
Speaker 3: for Melbourne.

1161
00:52:18,040 --> 00:52:22,080
Speaker 8: We are Melbourne, we are strong, we are up then

1162
00:52:22,200 --> 00:52:27,000
Speaker 8: and number one, we can keep people's asses if we want,

1163
00:52:27,000 --> 00:52:29,040
Speaker 8: but we are leading art.

1164
00:52:30,080 --> 00:52:32,520
Speaker 4: I hope the Lord Mark can hear all this. You

1165
00:52:32,600 --> 00:52:33,560
Speaker 4: do not need to worry.

1166
00:52:33,800 --> 00:52:36,839
Speaker 3: Sleep well tonight, Lord mayor sely cap knowing that we've

1167
00:52:36,880 --> 00:52:40,040
Speaker 3: got this. We have got this because we've got Anthony

1168
00:52:40,120 --> 00:52:43,279
Speaker 3: from Dale's car Yard who laid that down last night

1169
00:52:43,280 --> 00:52:43,560
Speaker 3: for us.

1170
00:52:43,640 --> 00:52:45,840
Speaker 4: And to be fair to Anthony, I mean, we're writing

1171
00:52:45,880 --> 00:52:48,120
Speaker 4: a song about Melbourne, and Melbourne is a difficult word

1172
00:52:48,160 --> 00:52:48,680
Speaker 4: to rhyme.

1173
00:52:48,880 --> 00:52:50,719
Speaker 3: You're right, Actually, I don't think if from that, Yeah,

1174
00:52:50,719 --> 00:52:53,640
Speaker 3: I guess for a rhyming couple, even Shakespeare would have struggled.

1175
00:52:53,960 --> 00:52:56,040
Speaker 3: So I wonder if people can help Jack out this morning.

1176
00:52:56,480 --> 00:52:58,000
Speaker 3: What can you rhyme with Melbourne?

1177
00:52:59,280 --> 00:53:05,120
Speaker 4: Be creative, you can change like I've done my hometown Melbourne, like,

1178
00:53:05,360 --> 00:53:08,800
Speaker 4: but I'll go my home town Melbourne.

1179
00:53:08,960 --> 00:53:12,120
Speaker 3: Can you do anything with Bourne? Melbourne in there?

1180
00:53:12,640 --> 00:53:14,920
Speaker 4: No, I haven't born. If people say Melbourne, that's like

1181
00:53:15,000 --> 00:53:16,960
Speaker 4: if Rhianna too is here and she doesn't know how

1182
00:53:16,960 --> 00:53:21,920
Speaker 4: to say it Melbourne. I like that.

1183
00:53:21,960 --> 00:53:25,280
Speaker 3: On day one, all right, what can you rhyme with Melbourne?

1184
00:53:25,320 --> 00:53:28,759
Speaker 3: Then nine four one four, one oh four three The.

1185
00:53:28,760 --> 00:53:32,480
Speaker 1: Christian oh' connell breakfast show, Melbourne's Gold one oh four point.

1186
00:53:32,280 --> 00:53:34,600
Speaker 3: Three, It's goin to helps Jack out with some inspiration

1187
00:53:34,640 --> 00:53:38,080
Speaker 3: this morning. She takes on his commission to try and

1188
00:53:38,080 --> 00:53:41,359
Speaker 3: create an anthem for Melbourne after we lose the number

1189
00:53:41,360 --> 00:53:45,239
Speaker 3: one spot to Ultra Watch Vienna. We haven't lost that

1190
00:53:45,280 --> 00:53:47,399
Speaker 3: to number one, but most limpall City. Maybe the song

1191
00:53:47,480 --> 00:53:50,440
Speaker 3: helped the judges. I don't know, Tipham, So we need

1192
00:53:50,440 --> 00:53:52,640
Speaker 3: a new anthem for Melbourne. You're saying you need out

1193
00:53:52,680 --> 00:53:54,280
Speaker 3: with what rhymes with Melbourne?

1194
00:53:54,320 --> 00:53:56,560
Speaker 4: Well, I could have done more work overnight. I'll be

1195
00:53:56,560 --> 00:53:58,840
Speaker 4: honest about that. Twenty four hours I came up with

1196
00:53:58,880 --> 00:54:02,200
Speaker 4: one lyric, which was my home town Melbourne, and that

1197
00:54:02,320 --> 00:54:05,719
Speaker 4: I'll rhyme that when it's being sung. It's difficult to

1198
00:54:05,840 --> 00:54:07,920
Speaker 4: rhyme Melbourne I'm finding, Christian.

1199
00:54:07,920 --> 00:54:10,480
Speaker 3: Part of the issue is that Melbourne has pronounced many

1200
00:54:10,520 --> 00:54:13,279
Speaker 3: different ways. You get some people that say Melbourn, some

1201
00:54:13,320 --> 00:54:16,400
Speaker 3: people say Melbourne, some people say mel Bun, some people

1202
00:54:16,400 --> 00:54:17,480
Speaker 3: say may have been Melbun.

1203
00:54:17,480 --> 00:54:20,200
Speaker 4: There are different there are different ways that you say it.

1204
00:54:20,680 --> 00:54:23,160
Speaker 3: Christian. Jack just needs to rhyme the born part. So

1205
00:54:23,200 --> 00:54:26,560
Speaker 3: I'd like to see Jack work in torn Corn or pawn.

1206
00:54:28,239 --> 00:54:30,319
Speaker 4: Corn.

1207
00:54:31,520 --> 00:54:35,200
Speaker 3: Poor. No, that's not trying to thought. Good morning, come

1208
00:54:35,239 --> 00:54:38,400
Speaker 3: out hi, good morning. When you're live on god one

1209
00:54:38,440 --> 00:54:40,879
Speaker 3: of four point three, what's your idea for Jack song?

1210
00:54:42,040 --> 00:54:43,160
Speaker 15: Tell them you're going to.

1211
00:54:44,840 --> 00:54:45,520
Speaker 4: What was the rhyme?

1212
00:54:46,520 --> 00:54:47,280
Speaker 11: Tell them?

1213
00:54:48,239 --> 00:54:51,640
Speaker 4: Tell them, tell them you're going to Melbourne's for people

1214
00:54:51,719 --> 00:54:55,560
Speaker 4: outside of Melbourne, you're going to Australia. Tell them you're

1215
00:54:55,560 --> 00:55:02,000
Speaker 4: going to Melbourne. Tell them, Okay, not bad. Cris Hello,

1216
00:55:02,320 --> 00:55:04,320
Speaker 4: will do that? Yea and Chris, we're here.

1217
00:55:06,239 --> 00:55:08,600
Speaker 11: Christian, Christian, I rang up the other.

1218
00:55:08,800 --> 00:55:11,279
Speaker 4: Yeah, yeah, still good, it's still good. Going to speak

1219
00:55:11,280 --> 00:55:11,720
Speaker 4: to you again.

1220
00:55:12,600 --> 00:55:14,239
Speaker 9: More and similar to the last one, but I've got

1221
00:55:14,239 --> 00:55:15,000
Speaker 9: a little bit more to it.

1222
00:55:15,080 --> 00:55:15,600
Speaker 8: It goes.

1223
00:55:17,560 --> 00:55:19,160
Speaker 11: Certain place is cool and that's what.

1224
00:55:19,840 --> 00:55:21,000
Speaker 6: That's what when you're.

1225
00:55:20,920 --> 00:55:23,960
Speaker 4: Hanging in they say this place is cool. That's what

1226
00:55:24,000 --> 00:55:28,120
Speaker 4: I tell him. That's what it's like hanging in Melbournebourne, Melbourne.

1227
00:55:28,480 --> 00:55:32,319
Speaker 4: That's good. Yes, that's good, Yes, very good. Essa.

1228
00:55:33,239 --> 00:55:34,960
Speaker 9: Hi Christian hell are you pretty good?

1229
00:55:35,000 --> 00:55:35,919
Speaker 3: Vanessa? I hope you're will.

1230
00:55:36,239 --> 00:55:37,439
Speaker 4: Have you got a lyric for Jack?

1231
00:55:38,400 --> 00:55:42,040
Speaker 15: Well, I've got something that runs with Melbourne and it's Torellgon.

1232
00:55:43,120 --> 00:55:46,000
Speaker 4: Yeah all right, Terrelgon is not part of Melbourne. I

1233
00:55:46,040 --> 00:55:47,800
Speaker 4: wouldn't say, isn't it more rural?

1234
00:55:47,840 --> 00:55:49,280
Speaker 3: But can't you then use the song.

1235
00:55:49,160 --> 00:55:49,920
Speaker 4: To int.

1236
00:55:51,480 --> 00:55:53,080
Speaker 15: I'm from Melton sort about Melton?

1237
00:55:53,239 --> 00:55:56,960
Speaker 4: Yeah, Melton. Yeah, so maybe I'm traveling through Torellgon.

1238
00:55:56,880 --> 00:55:59,240
Speaker 3: And heading to way on the way to Melbourne.

1239
00:56:00,080 --> 00:56:01,120
Speaker 4: Three Melton, And.

1240
00:56:01,080 --> 00:56:01,840
Speaker 3: Then you work this in.

1241
00:56:02,040 --> 00:56:07,080
Speaker 8: We are Melbourne, we are up there and number one,

1242
00:56:07,560 --> 00:56:11,600
Speaker 8: we can keep kick people's asses we want, but we

1243
00:56:11,640 --> 00:56:12,360
Speaker 8: are said.

1244
00:56:12,280 --> 00:56:15,040
Speaker 3: Lead that beautiful line. I know you've got your guitar there.

1245
00:56:15,120 --> 00:56:16,680
Speaker 3: Could you just try and put that in again?

1246
00:56:20,080 --> 00:56:25,399
Speaker 14: We are Melbourne, we are strong, we are up there,

1247
00:56:26,040 --> 00:56:30,960
Speaker 14: number one, we can kick kick people's asses if we want,

1248
00:56:32,040 --> 00:56:34,440
Speaker 14: but sadly we are no.

1249
00:56:35,800 --> 00:56:36,080
Speaker 4: Wow.

1250
00:56:36,160 --> 00:56:39,600
Speaker 3: When you start to hear it like that, you know

1251
00:56:39,680 --> 00:56:41,000
Speaker 3: that we can go to number one again.

1252
00:56:41,080 --> 00:56:44,439
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

1253
00:56:44,480 --> 00:56:44,960
Speaker 1: point three.

1254
00:56:45,280 --> 00:56:47,680
Speaker 3: You're going to get one of these first time, says

1255
00:56:47,719 --> 00:56:50,319
Speaker 3: I've moved to a powable ticket one hundred million.

1256
00:56:50,320 --> 00:56:53,960
Speaker 4: Why not? Oh big, big dollars one hundred million.

1257
00:56:54,360 --> 00:56:55,359
Speaker 3: What do you do if you want that?

1258
00:56:55,360 --> 00:56:56,520
Speaker 4: You go? Do you know what?

1259
00:56:56,920 --> 00:56:58,640
Speaker 3: Many years ago I did a TV show and the

1260
00:56:58,680 --> 00:57:01,279
Speaker 3: audience was made up of millionaires who had won the

1261
00:57:01,320 --> 00:57:05,200
Speaker 3: money on the lotto for a TV show, and I

1262
00:57:05,239 --> 00:57:06,840
Speaker 3: went out for a couple of drinks with them. Afterwards

1263
00:57:06,920 --> 00:57:10,640
Speaker 3: they bought them and in the pub right I was saying,

1264
00:57:10,760 --> 00:57:13,200
Speaker 3: I asked all of them, did it change your life

1265
00:57:13,200 --> 00:57:15,160
Speaker 3: for the better? You know, because you think because you've

1266
00:57:15,160 --> 00:57:17,240
Speaker 3: got more money, you got more choice, you got more freedom.

1267
00:57:17,280 --> 00:57:18,920
Speaker 3: I guess that's what we think. That's what happen, is

1268
00:57:19,000 --> 00:57:22,040
Speaker 3: happiness is. They said it did change their lives, but

1269
00:57:22,080 --> 00:57:23,840
Speaker 3: it was interesting. They didn't say it was necessarily for

1270
00:57:23,920 --> 00:57:27,560
Speaker 3: the better. They said it ruined every single friendship with

1271
00:57:27,600 --> 00:57:29,880
Speaker 3: their family and their They had to get new friends

1272
00:57:29,920 --> 00:57:30,800
Speaker 3: because the old friends.

1273
00:57:31,080 --> 00:57:33,600
Speaker 4: It just changes everything. Oh, they can only hang out

1274
00:57:33,600 --> 00:57:35,720
Speaker 4: with other rich people now. It wasn't that.

1275
00:57:35,800 --> 00:57:39,080
Speaker 3: It was just like they're always expected to pay if

1276
00:57:39,120 --> 00:57:42,320
Speaker 3: anything goes wrong with their friends, families. They are askeding

1277
00:57:42,320 --> 00:57:44,320
Speaker 3: and to pay for medical bills because they've got the money,

1278
00:57:44,520 --> 00:57:47,640
Speaker 3: and you're constantly being asked to do something. It changes

1279
00:57:47,680 --> 00:57:49,120
Speaker 3: the dynamic and the friendship that you.

1280
00:57:49,120 --> 00:57:51,080
Speaker 4: Have before it. Do you think, how do you think

1281
00:57:51,080 --> 00:57:52,560
Speaker 4: you would go one hundred million dollars for a jail?

1282
00:57:52,600 --> 00:57:55,040
Speaker 4: It did a lot of money. It's ridiculous. Too much money,

1283
00:57:55,400 --> 00:57:55,880
Speaker 4: too much ones.

1284
00:57:55,880 --> 00:57:57,800
Speaker 3: You know what? Seriously? Right, would you come to work

1285
00:57:57,840 --> 00:57:58,880
Speaker 3: so you win it this weekend?

1286
00:57:58,960 --> 00:58:00,680
Speaker 4: Right? I mean I I'm doing the show.

1287
00:58:00,720 --> 00:58:03,120
Speaker 3: So are you here Monday? If you win one hundred million?

1288
00:58:03,160 --> 00:58:03,840
Speaker 4: I'll sleep in.

1289
00:58:04,080 --> 00:58:08,080
Speaker 3: I'm going to come because that's what gives you meaning

1290
00:58:08,080 --> 00:58:08,520
Speaker 3: in your life.

1291
00:58:08,640 --> 00:58:09,680
Speaker 4: Right? Do you know what I do?

1292
00:58:10,360 --> 00:58:11,880
Speaker 3: I would give a dollar to all of our one

1293
00:58:12,000 --> 00:58:16,480
Speaker 3: hundred million listeners. You may have got those figures slightly confused.

1294
00:58:16,520 --> 00:58:20,040
Speaker 1: Actually, the Christian O'Connell breakfast Show, Melbourne's Gold one oh

1295
00:58:20,120 --> 00:58:21,040
Speaker 1: four point three.

1296
00:58:21,120 --> 00:58:24,480
Speaker 3: Just on this whole thing about obviously Vienna become most

1297
00:58:24,480 --> 00:58:25,160
Speaker 3: small City.

1298
00:58:25,360 --> 00:58:27,600
Speaker 4: It's a song. Also the eighties song Vienna.

1299
00:58:28,280 --> 00:58:32,080
Speaker 3: Is there? Another midweek mixtape in songs with cities in

1300
00:58:32,120 --> 00:58:34,880
Speaker 3: the title, You got one night in Bangkok played it

1301
00:58:34,960 --> 00:58:37,840
Speaker 3: yesterday on the show Drinking in La brand Down three thousand,

1302
00:58:37,840 --> 00:58:41,280
Speaker 3: great song New York, New York, London calling we can't

1303
00:58:41,280 --> 00:58:43,840
Speaker 3: play Vienna. That's Bard from this show now, okay.

1304
00:58:43,760 --> 00:58:47,680
Speaker 4: Yep, I'm trying to think maybe Paris in the summertime.

1305
00:58:49,080 --> 00:58:52,520
Speaker 6: And a guess what's that Eagles classic standing on a

1306
00:58:52,560 --> 00:58:54,720
Speaker 6: corner in Winslow, Arizona or something.

1307
00:58:54,840 --> 00:58:58,520
Speaker 3: I think it's standing on a corner of Frankston, Chadston,

1308
00:58:58,640 --> 00:59:00,640
Speaker 3: Chadston standing them.

1309
00:59:01,280 --> 00:59:02,960
Speaker 4: And now we have Christina on the line.

1310
00:59:02,960 --> 00:59:11,200
Speaker 3: Good morning, Christina, Christina, Yes, yes, hello, Hello, Yeah, I'm

1311
00:59:11,200 --> 00:59:11,560
Speaker 3: pretty good.

1312
00:59:11,560 --> 00:59:12,440
Speaker 4: How are you well this morning?

1313
00:59:13,120 --> 00:59:13,720
Speaker 12: Yeah, I'm well.

1314
00:59:14,560 --> 00:59:14,880
Speaker 4: All right.

1315
00:59:14,880 --> 00:59:17,680
Speaker 3: Well listen, Christina, I understand that you've been hearing our

1316
00:59:17,720 --> 00:59:20,640
Speaker 3: mission to try and create a brand new anthem for Melbourne.

1317
00:59:20,240 --> 00:59:22,880
Speaker 3: And you've got not some lyrics, you've got a rap

1318
00:59:23,040 --> 00:59:23,479
Speaker 3: for Jack.

1319
00:59:23,800 --> 00:59:24,080
Speaker 11: Yeah.

1320
00:59:24,200 --> 00:59:26,440
Speaker 15: I think if you want to really sell it, you

1321
00:59:26,480 --> 00:59:28,560
Speaker 15: need to kind of inject like a little bit of

1322
00:59:28,560 --> 00:59:30,800
Speaker 15: modern influence in there. So I've written a small little

1323
00:59:30,840 --> 00:59:32,760
Speaker 15: rapnurs that I think would go really well. And now

1324
00:59:32,760 --> 00:59:34,400
Speaker 15: I don't know if you agree, Jack, but I think

1325
00:59:34,440 --> 00:59:35,640
Speaker 15: I might go really nicely.

1326
00:59:35,840 --> 00:59:38,040
Speaker 4: Christina. I'm excited to hear I will say, I feel

1327
00:59:38,120 --> 00:59:40,960
Speaker 4: like this song is getting too gimmicky. It's got children's

1328
00:59:41,000 --> 00:59:44,959
Speaker 4: quiet strings, breakdown rahaps.

1329
00:59:45,000 --> 00:59:47,160
Speaker 15: Not a gimmick, it's a way of life exactly.

1330
00:59:47,200 --> 00:59:49,800
Speaker 3: Okay, thank you very much, DoD to try on the line.

1331
00:59:50,120 --> 00:59:52,400
Speaker 3: Now listen, Christina, off you go where all is?

1332
00:59:53,080 --> 00:59:55,200
Speaker 15: All right? So this is what I got so far.

1333
00:59:56,440 --> 00:59:58,919
Speaker 15: Christian and Jack. You know, I want to help him

1334
00:59:58,960 --> 01:00:01,320
Speaker 15: get out of this rhyming problem that they fell in

1335
01:00:01,400 --> 01:00:03,680
Speaker 15: their city in the world. You know what to tell

1336
01:00:03,760 --> 01:00:07,520
Speaker 15: them me. I lived in grand old Melbourne botanical gardens

1337
01:00:07,520 --> 01:00:10,040
Speaker 15: of flowers. I like to smell them. Nothing like any

1338
01:00:10,080 --> 01:00:12,480
Speaker 15: city I've ever dealt in. The stand and take pills

1339
01:00:12,520 --> 01:00:14,640
Speaker 15: of beach has lots of shells, and that's all I

1340
01:00:14,680 --> 01:00:17,280
Speaker 15: can think that rhymes with Melbourne.

1341
01:00:20,600 --> 01:00:21,400
Speaker 4: We are blessed.

1342
01:00:21,400 --> 01:00:24,520
Speaker 3: We're the most talented listeners in the world. So again,

1343
01:00:24,680 --> 01:00:26,640
Speaker 3: just do that. So have you written that down?

1344
01:00:28,080 --> 01:00:28,320
Speaker 8: Yeah?

1345
01:00:28,520 --> 01:00:30,080
Speaker 15: I mean I came up with it just now, but

1346
01:00:30,080 --> 01:00:31,520
Speaker 15: I had to write it down to remember it.

1347
01:00:31,560 --> 01:00:32,920
Speaker 3: Do you reckon? You could do it again. I've just

1348
01:00:32,920 --> 01:00:35,000
Speaker 3: got an idea of something we can add at the

1349
01:00:35,080 --> 01:00:37,400
Speaker 3: end of that. Can you just do it again the

1350
01:00:37,440 --> 01:00:39,520
Speaker 3: whole thing? Yeah, you're go on. Please it's amazing.

1351
01:00:39,720 --> 01:00:42,640
Speaker 15: Okay, I will I will add a cabin. It would

1352
01:00:42,680 --> 01:00:44,360
Speaker 15: be better if I had a backing beat behind me,

1353
01:00:44,440 --> 01:00:45,120
Speaker 15: so bear with me.

1354
01:00:46,920 --> 01:00:55,520
Speaker 4: Christians tell you okay, Christina, off.

1355
01:00:55,360 --> 01:00:59,320
Speaker 15: You, Christian and Jack. You know I want to help

1356
01:00:59,360 --> 01:01:01,840
Speaker 15: them get out of this rhyming problem that they fell

1357
01:01:01,880 --> 01:01:04,000
Speaker 15: in their city in the world. You know what to

1358
01:01:04,120 --> 01:01:07,680
Speaker 15: tell them me. I live in grand old Melbourne botanical

1359
01:01:07,760 --> 01:01:10,320
Speaker 15: gardens of flowers. I like to smell them. Nothing like

1360
01:01:10,400 --> 01:01:13,240
Speaker 15: any city I've ever dealt in. Stand and thank kill.

1361
01:01:13,320 --> 01:01:15,440
Speaker 15: The beach has lots of shells. Then that's all I

1362
01:01:15,440 --> 01:01:20,000
Speaker 15: can think. That rhymes with Melbourne.

1363
01:01:19,120 --> 01:01:23,560
Speaker 8: Then we are up there. And number one, we can't

1364
01:01:23,640 --> 01:01:33,640
Speaker 8: keep keep people's houses if you want, but we are not.

1365
01:01:35,400 --> 01:01:35,840
Speaker 11: No way.

1366
01:01:35,960 --> 01:01:39,400
Speaker 3: Christina, that was amazing second time around. You smashed it.

1367
01:01:40,040 --> 01:01:41,960
Speaker 15: Thank you so much. Well, I'm here. Could I get

1368
01:01:42,000 --> 01:01:45,760
Speaker 15: a plug in for my improv wrath group Rhyme Zone

1369
01:01:48,520 --> 01:01:50,680
Speaker 15: in Melbourne Fringe this year. We'd love it if you

1370
01:01:50,800 --> 01:01:51,640
Speaker 15: come check us out.

1371
01:01:51,840 --> 01:01:53,720
Speaker 4: Yeah, you give yourself a plug. What's the Facebook?

1372
01:01:53,880 --> 01:01:55,040
Speaker 3: What's your Facebook page?

1373
01:01:55,440 --> 01:01:58,920
Speaker 15: So look us up where Facebook dot com slash, Rhyme Zone, Improv.

1374
01:01:59,520 --> 01:02:01,360
Speaker 15: It's a good time. We get a word from the

1375
01:02:01,400 --> 01:02:03,880
Speaker 15: audience and from that we kind of make up a

1376
01:02:03,880 --> 01:02:08,200
Speaker 15: whole improvised hip hop musical. We start talking and whenever

1377
01:02:08,240 --> 01:02:10,040
Speaker 15: the beat drops, we have to rap about whatever we're

1378
01:02:10,080 --> 01:02:10,640
Speaker 15: talking about.

1379
01:02:10,720 --> 01:02:12,920
Speaker 3: And have you ever done this at the Melbourne Comedy Festival.

1380
01:02:13,760 --> 01:02:15,919
Speaker 15: No, we might do it next year. At this moment

1381
01:02:15,960 --> 01:02:18,360
Speaker 15: we just kind of have a monthly show. But yeah,

1382
01:02:18,360 --> 01:02:19,280
Speaker 15: we're doing fringe.

1383
01:02:19,040 --> 01:02:19,720
Speaker 4: For the first time.

1384
01:02:19,800 --> 01:02:23,080
Speaker 3: Now. Listen, Christina, do you want to challenge? Normally on

1385
01:02:23,120 --> 01:02:25,240
Speaker 3: a Friday, Jack sings the week? Obviously I've had to

1386
01:02:25,240 --> 01:02:28,040
Speaker 3: give him tomorrow off because he's, you know, he's trying

1387
01:02:28,080 --> 01:02:31,000
Speaker 3: to write lyrics at the moment. I can't overload that young, precious, fragile,

1388
01:02:31,040 --> 01:02:34,680
Speaker 3: tender brain. How do you fancy you wrap the week tomorrow?

1389
01:02:35,000 --> 01:02:36,400
Speaker 3: What we've been up to on the Breakfast Show this

1390
01:02:36,440 --> 01:02:38,400
Speaker 3: week and you can't come and do it live on

1391
01:02:38,480 --> 01:02:39,040
Speaker 3: tomorrow show?

1392
01:02:39,800 --> 01:02:44,400
Speaker 15: Oh my goodness, yeah sure, yeah, there we go, Christina.

1393
01:02:44,520 --> 01:02:46,560
Speaker 4: All right, listen, eminem we see it tomorrow.

1394
01:02:46,240 --> 01:02:49,280
Speaker 1: For Christian oh Connell Breakfast Show, Melbourne's Gold one oh

1395
01:02:49,400 --> 01:02:52,640
Speaker 1: four point three.

1396
01:02:53,480 --> 01:02:54,600
Speaker 4: All right, time for this morning?

1397
01:02:54,640 --> 01:02:56,920
Speaker 3: Is that work time waste? For your loaf off? When

1398
01:02:56,920 --> 01:02:59,040
Speaker 3: you get into work, you can still do stuff with

1399
01:02:59,080 --> 01:03:01,160
Speaker 3: the breakfast show. But you don't need to call in it,

1400
01:03:01,320 --> 01:03:04,520
Speaker 3: just just text us. Just pretend not to be listening

1401
01:03:04,560 --> 01:03:06,520
Speaker 3: to the show, pretend to be actually starting work in

1402
01:03:06,560 --> 01:03:09,320
Speaker 3: your office. If you are playing along in an office,

1403
01:03:09,680 --> 01:03:11,720
Speaker 3: put that at the end of your text as well.

1404
01:03:12,360 --> 01:03:14,640
Speaker 3: All right, So today's one. I don't know if you're

1405
01:03:14,680 --> 01:03:17,000
Speaker 3: aware of this. This is every day for chat, but

1406
01:03:17,000 --> 01:03:24,440
Speaker 3: it's National Relaxation Day. Something in the air, and so

1407
01:03:24,480 --> 01:03:27,959
Speaker 3: today we want you to relax a song I've got,

1408
01:03:28,280 --> 01:03:32,240
Speaker 3: Mama said, knock you out with ambion sleeping on the

1409
01:03:32,280 --> 01:03:34,360
Speaker 3: dock of the bay and all the snooze there in

1410
01:03:34,400 --> 01:03:37,560
Speaker 3: the sun and hold a notes private tranquilize.

1411
01:03:38,560 --> 01:03:42,840
Speaker 4: Oh you are trying to get Yeah, you got it, baby,

1412
01:03:43,000 --> 01:03:49,560
Speaker 4: all right, what have you got? Lazy in red? You

1413
01:03:49,600 --> 01:03:52,440
Speaker 4: know that the reef song puts your hands out, Yeah, yeah,

1414
01:03:52,440 --> 01:03:56,480
Speaker 4: place your hands, yeah, put your feet up, and Lucy

1415
01:03:56,520 --> 01:03:59,760
Speaker 4: in the sky with diazepan. Take it.

1416
01:04:02,120 --> 01:04:04,960
Speaker 3: Okay, So looking for you two on National Relaxation Day.

1417
01:04:05,000 --> 01:04:07,440
Speaker 3: To relax the song text the men we are Jack

1418
01:04:07,480 --> 01:04:09,800
Speaker 3: with Martin in ten minutes time gold, silver, bronze or

1419
01:04:09,920 --> 01:04:13,240
Speaker 3: plus plus minus minus uh and bits in between nine thing,

1420
01:04:14,280 --> 01:04:15,960
Speaker 3: Well you've done plus plus gold and.

1421
01:04:15,880 --> 01:04:18,000
Speaker 4: Done plus plus minus minus. Well could you say that

1422
01:04:18,040 --> 01:04:18,479
Speaker 4: makes sense?

1423
01:04:18,680 --> 01:04:22,280
Speaker 3: Oh right, so gold plus plus or bronze plus plus does? Yeah?

1424
01:04:22,320 --> 01:04:22,600
Speaker 4: All right?

1425
01:04:22,640 --> 01:04:26,280
Speaker 3: Sorry, stood with me. I can only apologize text us then, yeah,

1426
01:04:26,400 --> 01:04:29,280
Speaker 3: you'll relax. The songs to four seven five three, one

1427
01:04:29,320 --> 01:04:30,080
Speaker 3: oh four three, The.

1428
01:04:30,120 --> 01:04:33,800
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

1429
01:04:33,680 --> 01:04:39,480
Speaker 3: Three brilliant eighties song, great eighties hair as well, Flock

1430
01:04:39,520 --> 01:04:42,200
Speaker 3: of Seagulls I Ran Gold one o four point three

1431
01:04:42,320 --> 01:04:46,560
Speaker 3: ninth twenty. What are you looking at? What are those people?

1432
01:04:46,560 --> 01:04:48,640
Speaker 3: There's about twenty people stood the other side of the

1433
01:04:48,640 --> 01:04:50,720
Speaker 3: window as a studio staring in here.

1434
01:04:51,400 --> 01:04:52,800
Speaker 4: We're animals in a zoo.

1435
01:04:52,880 --> 01:04:54,640
Speaker 3: Now who are they?

1436
01:04:55,880 --> 01:04:58,520
Speaker 4: They gotta find out? Oh no, this is the first

1437
01:04:58,560 --> 01:05:04,439
Speaker 4: time Christians ever tru picking it out to. Usually it's

1438
01:05:04,440 --> 01:05:07,240
Speaker 4: like a sales department or you know, it could.

1439
01:05:07,000 --> 01:05:10,040
Speaker 6: Be doing to a school group or something they looked

1440
01:05:10,480 --> 01:05:11,000
Speaker 6: to school.

1441
01:05:11,040 --> 01:05:15,280
Speaker 3: Great, it's about twenty people with almost folded just staring

1442
01:05:15,360 --> 01:05:18,280
Speaker 3: in at us. It's almost intimidating, isn't it.

1443
01:05:18,840 --> 01:05:24,280
Speaker 4: I actually don't mind it. Did you book them?

1444
01:05:24,320 --> 01:05:26,800
Speaker 3: You changed since you were on a True Stories Tuesday night?

1445
01:05:26,880 --> 01:05:27,000
Speaker 17: You know?

1446
01:05:27,280 --> 01:05:28,320
Speaker 3: He demands an audience.

1447
01:05:28,360 --> 01:05:30,680
Speaker 4: I said, let the fans in. Don't keep them waiting

1448
01:05:30,680 --> 01:05:32,280
Speaker 4: out in Nicole, let them in. All right?

1449
01:05:32,320 --> 01:05:36,040
Speaker 3: Today's that what time waster on national relaxation days to

1450
01:05:36,080 --> 01:05:36,720
Speaker 3: relax a song?

1451
01:05:36,800 --> 01:05:37,440
Speaker 4: Jack? You ready to?

1452
01:05:37,440 --> 01:05:41,080
Speaker 3: Mark really can't get you out of my bed, Kylie

1453
01:05:42,440 --> 01:05:45,800
Speaker 3: Civil Plus that's Liam and Elwood living on a chair.

1454
01:05:46,600 --> 01:05:48,880
Speaker 4: That's like that Gold.

1455
01:05:49,160 --> 01:05:51,040
Speaker 3: The Undertones with teenage kIPS.

1456
01:05:51,960 --> 01:05:54,080
Speaker 4: Don't know the song kicks?

1457
01:05:54,160 --> 01:05:58,840
Speaker 3: The Undertones one of the greatest songs ever, teenage Kicks

1458
01:05:58,920 --> 01:06:02,160
Speaker 3: right through the night thing. It must have heard it, Pat,

1459
01:06:02,280 --> 01:06:05,160
Speaker 3: do you know any one? You must have heard teenage Kicks?

1460
01:06:06,560 --> 01:06:09,720
Speaker 3: Teenage Kicks right through the night. Oh yeah, that's not singing.

1461
01:06:10,200 --> 01:06:13,560
Speaker 3: Friends watching the show right now, one.

1462
01:06:13,440 --> 01:06:16,320
Speaker 4: Nod of twenty they're all looking at It's likely is

1463
01:06:16,320 --> 01:06:19,000
Speaker 4: that the British band? Is that why we don't know? Irish?

1464
01:06:19,640 --> 01:06:20,080
Speaker 1: There you go?

1465
01:06:20,760 --> 01:06:24,720
Speaker 4: Didn't travel well? I thought it's gold.

1466
01:06:24,960 --> 01:06:27,800
Speaker 3: I'm Mitch Elvis Presidy blue suede snooze.

1467
01:06:28,120 --> 01:06:29,160
Speaker 4: That's good, that's gold.

1468
01:06:29,200 --> 01:06:32,680
Speaker 3: He traveled. That's what my stratos were done. Poppa was

1469
01:06:32,720 --> 01:06:33,640
Speaker 3: a rolling stoner.

1470
01:06:34,880 --> 01:06:41,720
Speaker 4: Yeah, that would relax. Yeah, Gold sledge Hammock, that's a

1471
01:06:41,800 --> 01:06:42,520
Speaker 4: gold classic.

1472
01:06:42,880 --> 01:06:45,480
Speaker 3: Well done. Rachel snoozing my religion.

1473
01:06:46,400 --> 01:06:48,520
Speaker 4: That's great. That's actually the gold classic.

1474
01:06:48,200 --> 01:06:53,120
Speaker 3: Plus Wow, we jake, well done, massage in a bottle.

1475
01:06:53,360 --> 01:06:55,640
Speaker 4: That's great, Gold jade, well done.

1476
01:06:55,760 --> 01:06:59,440
Speaker 3: Every doze has its thorn.

1477
01:07:01,000 --> 01:07:02,919
Speaker 4: That's great. Gold plus, I reckon.

1478
01:07:02,960 --> 01:07:06,240
Speaker 3: These are all goals coming up now, Lionel Richie with pillow?

1479
01:07:06,320 --> 01:07:10,760
Speaker 4: Does that mean you're looking for a gold platinum?

1480
01:07:10,800 --> 01:07:12,480
Speaker 3: I might start singing that when I go for my

1481
01:07:12,560 --> 01:07:13,960
Speaker 3: afternoon nap to my pillow.

1482
01:07:14,000 --> 01:07:16,120
Speaker 4: That's a great we're a world record gold of the moment?

1483
01:07:16,160 --> 01:07:18,120
Speaker 4: Is that five or six? I think we've got six?

1484
01:07:18,960 --> 01:07:19,360
Speaker 4: All right?

1485
01:07:19,960 --> 01:07:23,720
Speaker 3: Rick Astley, never going to wake you up? Silvil plus

1486
01:07:24,080 --> 01:07:25,120
Speaker 3: sleeping class man.

1487
01:07:27,880 --> 01:07:30,880
Speaker 4: Actually it's only silver.

1488
01:07:32,120 --> 01:07:39,720
Speaker 3: Michael Jackson, Chiller, civil plus. Everything I do, I do

1489
01:07:39,760 --> 01:07:45,439
Speaker 3: it for yoga. I can say with the gold one

1490
01:07:45,440 --> 01:07:48,920
Speaker 3: here beatles my guitar gently sleeps.

1491
01:07:50,000 --> 01:07:52,880
Speaker 4: Silver. Ah, Well, I don't everyone.

1492
01:07:52,920 --> 01:07:53,840
Speaker 3: There's some great stuff there.

1493
01:07:54,000 --> 01:07:57,920
Speaker 1: The Christian O'Connell Breakfast Show, Melbourn's Gold one four point.

1494
01:07:57,720 --> 01:07:58,800
Speaker 4: Three Tomorrow Morning.

1495
01:07:58,800 --> 01:08:00,480
Speaker 3: All the music is picked by you, So if you

1496
01:08:00,520 --> 01:08:03,600
Speaker 3: want to get your song suggestions in early, i'd dumbe

1497
01:08:03,600 --> 01:08:04,760
Speaker 3: the one. We're not dumb, and that's not a good

1498
01:08:04,760 --> 01:08:07,880
Speaker 3: way to say, place them gently over on our Facebook

1499
01:08:07,920 --> 01:08:10,400
Speaker 3: page O C one O four three. If I was

1500
01:08:10,440 --> 01:08:13,080
Speaker 3: to play you and your Lovely Wife a song tomorrow,

1501
01:08:13,080 --> 01:08:13,560
Speaker 3: what would it be.

1502
01:08:14,040 --> 01:08:16,880
Speaker 4: Well, I'd be scared to request it because she walked

1503
01:08:16,880 --> 01:08:19,639
Speaker 4: down the aisle to every breath you take the Police song,

1504
01:08:19,720 --> 01:08:22,880
Speaker 4: And I know you hate sting. I don't hate sting.

1505
01:08:23,000 --> 01:08:24,720
Speaker 4: I never even met to do. Okay, and I like

1506
01:08:24,800 --> 01:08:27,000
Speaker 4: the Police on this is that true?

1507
01:08:27,360 --> 01:08:30,479
Speaker 3: I thought you were joking about that. I was joking

1508
01:08:30,760 --> 01:08:33,479
Speaker 3: it was a stalker's anthem. I know, well we didn't

1509
01:08:33,479 --> 01:08:35,880
Speaker 3: have a teacher that falls in love with the kids.

1510
01:08:36,320 --> 01:08:37,800
Speaker 4: Yeah, but it's a nice tune, you know.

1511
01:08:38,320 --> 01:08:42,000
Speaker 3: It's about a stalker. Your wife to be walked down

1512
01:08:42,040 --> 01:08:45,160
Speaker 3: the aisle looking at you think about a future life

1513
01:08:45,240 --> 01:08:46,799
Speaker 3: to a stalker's anthem.

1514
01:08:47,360 --> 01:08:49,760
Speaker 4: It was like it was a nice cello version of

1515
01:08:49,800 --> 01:08:52,719
Speaker 4: the song. So is this song, but it was too cello.

1516
01:08:53,200 --> 01:08:58,120
Speaker 3: It was a cello version of a stalking anthem. Yes, okay, Pat,

1517
01:08:58,120 --> 01:08:58,880
Speaker 3: what did you come down?

1518
01:08:58,880 --> 01:08:59,200
Speaker 4: The arty?

1519
01:08:59,600 --> 01:09:01,000
Speaker 5: Just the additional wedding march.

1520
01:09:01,040 --> 01:09:03,640
Speaker 6: But for our wedding song, I wanted Titanic We'll go

1521
01:09:03,680 --> 01:09:05,120
Speaker 6: on because it was huge at the time when we

1522
01:09:05,160 --> 01:09:07,160
Speaker 6: got married and the band refused to play it.

1523
01:09:08,479 --> 01:09:11,880
Speaker 3: Did you know what was in the wedding sing?

1524
01:09:12,479 --> 01:09:15,559
Speaker 6: Yeah, you wouldn't play it, so we had It had

1525
01:09:15,560 --> 01:09:17,080
Speaker 6: to be You by Harry Connick Jr.

1526
01:09:17,360 --> 01:09:18,160
Speaker 4: That's a lovely song.

1527
01:09:18,200 --> 01:09:18,800
Speaker 5: It's a great song.

1528
01:09:18,880 --> 01:09:21,160
Speaker 4: Yeah, that's great. And you when did Sarah walk down

1529
01:09:21,200 --> 01:09:27,360
Speaker 4: the articles a couple years ago? Twenty years ago?

1530
01:09:27,560 --> 01:09:34,960
Speaker 3: And I do know it was a soundtrack. It was wrong,

1531
01:09:35,520 --> 01:09:44,120
Speaker 3: doesn't no way I know it. I notice it was

1532
01:09:44,120 --> 01:09:46,680
Speaker 3: from the soundtrack to Romeo and Juliet. You know the

1533
01:09:47,200 --> 01:09:48,719
Speaker 3: bael of the movie is on.

1534
01:09:48,640 --> 01:09:51,120
Speaker 5: That madly deeply No not that.

1535
01:09:53,600 --> 01:09:54,320
Speaker 3: Get me out this thing.

1536
01:09:56,080 --> 01:10:00,479
Speaker 1: Let's go the song the Christian O'Connell breakfast Show gold

1537
01:10:00,560 --> 01:10:01,679
Speaker 1: one oh four point three.

1538
01:10:01,960 --> 01:10:05,080
Speaker 3: Phone lines are going because the plan in excess.

1539
01:10:05,439 --> 01:10:07,960
Speaker 4: What I tell you, I've got a good feeling about

1540
01:10:08,000 --> 01:10:09,240
Speaker 4: the ten k today.

1541
01:10:09,760 --> 01:10:11,439
Speaker 3: Well that doesn't make any sense because it's not the

1542
01:10:11,479 --> 01:10:17,040
Speaker 3: song I played. It's national relaxation.

1543
01:10:17,200 --> 01:10:20,120
Speaker 4: That he's taken it to doesn't mean you can't win

1544
01:10:20,240 --> 01:10:20,880
Speaker 4: later in the day.

1545
01:10:21,400 --> 01:10:23,840
Speaker 3: You're quite right, So runs up until six o'clock tonight.

1546
01:10:23,880 --> 01:10:27,040
Speaker 3: We are back tomorrow morning. I'll have that song title

1547
01:10:27,520 --> 01:10:29,800
Speaker 3: that's momentarily slipped by that I came down. I didn't

1548
01:10:29,800 --> 01:10:31,760
Speaker 3: come down now too, my wife did. And the title

1549
01:10:31,760 --> 01:10:33,400
Speaker 3: of today's show is d I y.

1550
01:10:34,439 --> 01:10:36,960
Speaker 4: The last twenty minutes just to research this soundtrack to

1551
01:10:37,040 --> 01:10:37,719
Speaker 4: Romeo and Julie.

1552
01:10:37,920 --> 01:10:41,439
Speaker 3: I'm gonna you know, I need Yeah in a suspense.

1553
01:10:42,479 --> 01:10:45,559
Speaker 3: It's a radio building, Yeah, to get people to tune

1554
01:10:45,560 --> 01:10:47,760
Speaker 3: in tomorrow morning to hear the big reveal.

1555
01:10:47,520 --> 01:10:50,720
Speaker 4: Of what song you your wife worked twenty years ago.

1556
01:10:50,760 --> 01:10:52,000
Speaker 3: It's going to be a revealed when I get home

1557
01:10:52,080 --> 01:10:53,800
Speaker 3: later on and I ask her what it was again.

1558
01:10:54,040 --> 01:10:57,439
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1559
01:10:57,479 --> 01:10:57,960
Speaker 1: point three