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Speaker 1: Woods, we are trying to pull off a grand scale

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Speaker 1: prank with the help of Disney. Willingness Hanway's Disney Inside

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Speaker 1: Out two only in cinemas June thirteen.

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Speaker 2: So basically, we're trying to prank a whole bunch of

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Speaker 2: artsy fasi people. Right.

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Speaker 1: So the idea is we're going to put on like

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Speaker 1: an awesome art exhibition that they'll look like one of

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Speaker 1: these legit trendy ones, as you said, San Pellegrino water,

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Speaker 1: maybe an ice sculpture, maybe a smoke machine exposed brick,

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Speaker 1: and then a real artsy fancy theme or something, right. Okay,

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Speaker 1: so that's all in place, and then the artwork is

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Speaker 1: actually going to be done by children and then hopefully

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Speaker 1: these artsy faci people are like, oh wow, I love this,

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Speaker 1: and then they pay tens of thous of dollars for it,

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Speaker 1: and then it's a big laugh at them because they've

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Speaker 1: actually just bought a child's piece of art.

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Speaker 3: It's a great idea, Disney think it's a great idea

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Speaker 3: as well, which is amazing bloody Earth. They're Inside Out too,

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Speaker 3: which is coming out June thirteen in cinemas. Awesome, and

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Speaker 3: they've given us the stimulus for the kids, which is huge. Yes, emotions.

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Speaker 1: Kids will be painting emotions because we weren't sure what

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Speaker 1: the hat's paint. And that's perfect because painting an emotion

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Speaker 1: is pretty artsy farts on dred percent.

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Speaker 3: I feel as if, like, you know, we kind of

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Speaker 3: spoke about it. Obviously were spoken about this a bit

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Speaker 3: off air as well, but just the idea if we

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Speaker 3: call the exhibition like through a child's eyes or something,

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Speaker 3: that the really funny thing about this is like the

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Speaker 3: more childlike you make it, the more art world it becomes,

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Speaker 3: exactly we tell them, just fascinating.

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Speaker 1: The theme could be dressed like you're a child. The

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Speaker 1: artsy FATSI folk will love it. We can have people

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Speaker 1: in diapers serving drinks, but.

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Speaker 4: That's what doesn't do that. Okay, really showing your colors now.

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Speaker 2: But still the concern is still the fact that we're

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Speaker 2: gonna have to fool these people into thinking that children's

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Speaker 2: art has been done by a professional adult.

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Speaker 3: Yeah right, and yeah, despite of that, we've got all

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Speaker 3: the bells and whistles and everything there.

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Speaker 4: Yes, it is. It is a slight concern.

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Speaker 2: It's an ask. It's a bit of an ask. So

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Speaker 2: I thought as one step towards winning this or pulling

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Speaker 2: this off. I think to paint like.

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Speaker 3: An adult, you need to sound like an adult.

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Speaker 2: So here's the test, right, I think that it's not too.

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Speaker 3: Much of a giant's you've got me, You've got me.

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Speaker 2: Here's what I want to do. Thirteen one sixty five

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Speaker 2: is the number.

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Speaker 1: Yeah, if you're a kid and you think you could

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Speaker 1: you can come on the show and talk like an

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Speaker 1: adult talking about art, then I think I'm starting to

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Speaker 1: believe that we can pull this thing off.

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Speaker 3: We're not getting Yeah, the kids aren't hosting the gallery.

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Speaker 1: No, But I just think if if kids can come

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Speaker 1: on here right now and prove to me that they

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Speaker 1: can talk like an adult, they can talk, they can

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Speaker 1: paint like an adult, and.

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Speaker 3: They can walk the walk exactly. So thirty one and

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Speaker 3: six y five, how old are the kids we want

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Speaker 3: painting the art?

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Speaker 2: Between five and twelve?

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Speaker 3: You're bad with children ages, let's say under the age

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Speaker 3: of twelve.

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Speaker 2: Okay, under the age of twelve.

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Speaker 1: If you're a kid under the age of twelve, give

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Speaker 1: us a call on thirteen one oh sixty five and

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Speaker 1: see if you can pull off talking like an adult

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Speaker 1: about art.

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Speaker 4: Does it need to be about art.

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Speaker 2: Well, it makes sense.

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Speaker 4: I think that's hard.

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Speaker 2: All right, Just sound like an adult in an adult

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Speaker 2: conversation with Will and I bring up the weather, bring

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Speaker 2: up politics, okay, bring up stocks stocks. To be honest,

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Speaker 2: I can't hold adult conversation that well. We've got Joel here. Hello, Joel, Hello,

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Speaker 2: all right, so what's your what do you want to

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Speaker 2: bring up? What adult conversation do you want to have

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Speaker 2: with us? Joel?

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Speaker 5: I love abstract art because it just expresses emotions. Does

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Speaker 5: you know what I mean?

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Speaker 2: I do know what you mean? Who's your favorite artist?

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Speaker 3: Man?

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Speaker 2: Go, Bob Ross or Bob Rice, Bob Ross.

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Speaker 4: Bob Ross?

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Speaker 2: Oh that dude from that TV show with the afro? Yeah? Nice. Now,

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Speaker 2: I'm going to be honest, Joel. I could tell you

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Speaker 2: were a child, but from the start, I just it's

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Speaker 2: the voice.

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Speaker 4: The voice can't change that.

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Speaker 2: Yes, no, I'm hoping they can not. Great job his preview.

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Speaker 6: Persons the deal.

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Speaker 3: How old are you, Joel eleven?

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Speaker 4: Are it's not his fault?

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Speaker 2: Are you maintaining your adult voice? Can they hear your

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Speaker 2: real voice? Joel?

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Speaker 3: Hello?

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Speaker 7: Hi?

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Speaker 2: You really did change very Yeah, great attempt, Joel.

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Speaker 3: We've got Anaki here who also thinks she's an adult, Anika,

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Speaker 3: can you convince this you're an adult?

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Speaker 8: I really love art.

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Speaker 5: The living crisis right now, it's so odd, it's so

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Speaker 5: expense to just get one ouse.

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Speaker 4: British end.

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Speaker 2: What's the solution? And it go to the current housing crisis.

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Speaker 9: It ever seems free, get everything for free.

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Speaker 2: That's just a classic adult solution.

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Speaker 1: I think ann is absolutely Nowded's going to Roland.

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Speaker 2: Hi, Roland?

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Speaker 4: Hello, Hello Roland? Wow? How old are you?

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Speaker 3: I am eighteen eighteen. What sort of hobbies have you

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Speaker 3: got as an eighteen year old?

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Speaker 7: Oh?

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Speaker 9: I play golf.

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Speaker 5: I quite enjoy doing golf.

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Speaker 3: Quite enjoy doing golf. And if you're going to watch

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Speaker 3: something on television, what would you watch?

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Speaker 9: I love watching the news.

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Speaker 2: Yeah, And what's the latest news story that's really got

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Speaker 2: you interested?

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Speaker 1: Roland?

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Speaker 5: Oh, lots of stuff.

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Speaker 8: I can't remember.

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Speaker 4: So many things, so many of the things, so many things.

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Speaker 3: If you had to describe the current financial crisis, Roland,

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Speaker 3: what would you say?

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Speaker 8: Mmmm?

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Speaker 3: I don't know, Yeah, I don't know.

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Speaker 2: What about your thoughts on the budget? The most recent

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Speaker 2: budget rolland.

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Speaker 9: Same?

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Speaker 1: I don't know. Okay, you are starting to Eloise elowais

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Speaker 1: same question to you thoughts on the.

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Speaker 5: Budget, I'd say, honestly, no, let me go off topic.

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Speaker 5: My boss does not pay me enough, like really everything

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Speaker 5: is so expensive, and like she doesn't pay me like

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Speaker 5: minimum wage.

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Speaker 10: More.

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Speaker 2: What do you do for work? Eloais? What's your job?

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Speaker 5: I'm just finishing high school, so I'm currently working at

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Speaker 5: Woolly's and geez, they don't pay me.

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Speaker 2: Are you just calling up to vendor? Are you pretending

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Speaker 2: to be an adult? Are you?

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Speaker 7: Yeah?

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Speaker 4: What's going on this, Eloise?

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Speaker 3: How old are you?

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Speaker 4: Actually?

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Speaker 5: I need to spend money on my Answerpplies, I'm going

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Speaker 5: I think that issues.

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Speaker 3: She's just a seventeen year old who's actually just really

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Speaker 3: annoyed with the fact that he's not getting paid enough

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Speaker 3: at Wiwords Classic do the right thing WI Words now Woods,

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Speaker 3: I need to ask you because I'm given that we

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Speaker 3: are trying to get all these kids to behave like adults.

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Speaker 4: Yeah, you've shot with the budget question.

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Speaker 3: Yes, as an adult, what are your thoughts on the budget?

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Speaker 2: If you concerns definite?

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Speaker 3: Season two of Task Master Australia premiere tonight seven thirty

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Speaker 3: on Channel ten and ten Play and the host Tom

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Speaker 3: Gleason is in the studio.

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Speaker 2: Thanks for having me. What a what a pleasure.

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Speaker 3: It's great to have you in here.

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Speaker 10: Mate.

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Speaker 4: It's really good. This is a wonderful show. I've got

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Speaker 4: a stress.

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Speaker 2: Thanks.

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Speaker 11: Yeah.

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Speaker 4: Absolutely, people love it.

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Speaker 6: It's got it's almost got its own weird cult following.

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Speaker 6: There are people who try to watch every version of

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Speaker 6: task Master from around the world. And yeah, right, I

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Speaker 6: mean because it's on YouTube as well as ten play,

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Speaker 6: Like the rest of the world watches it on YouTube.

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Speaker 6: So you get like Americans on social media talking about

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Speaker 6: how much I like it?

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Speaker 2: What what is for you?

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Speaker 3: This is yours.

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Speaker 2: I don't want to remind you of that.

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Speaker 3: You are here to promote your show.

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Speaker 11: Now you do this.

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Speaker 6: I mean, just so they're watching Australian comedians they've never

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Speaker 6: heard off slag each other off.

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Speaker 4: Yeah, there's no Yeah, how good is that?

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Speaker 5: Right?

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Speaker 2: It's perfect.

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Speaker 3: Speaking of chemistry, you've got the unbelievable set up here

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Speaker 3: where you've got Anne Edmunds and Lloyd Langford in the

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Speaker 3: same car.

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Speaker 4: So that's husband and wife.

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Speaker 2: Yeah, and people may have seen them on have you

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Speaker 2: been paying attention?

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Speaker 6: They're they're really good acts and they they've got they're

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Speaker 6: really quick with the one liners. And but now they're

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Speaker 6: in front of the same crowd. And so you know,

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Speaker 6: I'm just saying medians that perform live they want to

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Speaker 6: get bigger laughs, and if that involves torching your own relationship,

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Speaker 6: they are happy to do it. I'm not sure they're

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Speaker 6: going to make it. Really Tis, it's worse than maths

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Speaker 6: watching them to go at each other.

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Speaker 2: It's worse than maths.

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Speaker 3: But you really turned maps then when you said them

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Speaker 3: too as well.

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Speaker 6: I don't want to give I don't want to give

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Speaker 6: Channel nine ideas, but cast Lloyd and air.

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Speaker 2: Them in the mix at the dinner party.

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Speaker 3: Speaking of dinner parties, I've noticed that you haven't commented

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Speaker 3: all on what he's wearing, which was just like a

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Speaker 3: bit of a dinner party kid at the moment.

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Speaker 6: Yeah, well, I like, I like what he's wearing. But

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Speaker 6: I also work at the A b C. So you

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Speaker 6: just look like a colleague. You look like a colleague.

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Speaker 2: This is working perfectly. We don't have to we don't

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Speaker 2: have to talk about it.

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Speaker 6: And you look like you're from the inner city, and

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Speaker 6: and you look like you've had a sheltered existence. I

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Speaker 6: had no time in regional Australia. That's what you look like.

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Speaker 3: I am in turtle neck to describe what you're wearing, Like,

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Speaker 3: what else does that strike you?

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Speaker 2: So maybe that's is that called a sash? It's not

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Speaker 2: a scarf, not a scarf, it's not quite a scarf,

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Speaker 2: summary scarf.

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Speaker 6: It's a summary scarf, but it's been pulled through in

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Speaker 6: the knotted style. Yeah, it's very brightly colored and a

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Speaker 6: bright bright red sweat.

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Speaker 3: It's pretty bright as well as a coral and chinos.

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Speaker 3: It's a wild kid made it really is.

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Speaker 2: I think it's a great outfit.

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Speaker 6: I think it's I think it's I like it. But

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Speaker 6: I mean, like I said, I work at the ABC.

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Speaker 6: I'm used to yeah, weirdo stress like this.

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Speaker 1: The ABC don't have VERM spare houses, all right, And

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Speaker 1: you were told by a friend to not talk about

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Speaker 1: your spare house.

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Speaker 2: And I did a twenty minute routine on it.

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Speaker 3: What is?

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Speaker 11: What is?

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Speaker 3: Is it?

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Speaker 4: Just how you work?

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Speaker 11: Like?

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Speaker 5: It?

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Speaker 4: Is you just like some the fact that you're a

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Speaker 4: villain do I.

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Speaker 6: Like I'm doing whenever I'm coming at a new stand

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Speaker 6: up show and I'm still doing the show round. So

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Speaker 6: if you want to see how it unfolds, come along.

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Speaker 6: Actually it's sold out. If you're in cambery can come along.

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Speaker 2: That's about it.

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Speaker 6: And Narry warren't nobody And anyway, I know that there's

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Speaker 6: a housing crisis going on. So I was thinking, what's

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Speaker 6: the worst thing you can say in that situation? And yeah,

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Speaker 6: it's true, as I've got a spare house and I

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Speaker 6: don't want to share it, so that your safety several

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Speaker 6: houses to hide.

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Speaker 3: Now, we were going to address the scarff in the

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Speaker 3: room because I did. We do need to tell what

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Speaker 3: do you what do you.

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Speaker 4: Think is going on? Tom? That's a good question.

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Speaker 3: I'm feeling like he's wearing a he's wearing a turtleneck

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Speaker 3: and a summary scarf.

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Speaker 6: I feel like your partner did the shopping for you.

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Speaker 6: I think it was online and your partner saw some

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Speaker 6: things that they wanted and she got you to wear

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Speaker 6: this stuff.

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Speaker 2: Am I right?

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Speaker 3: That does happen? But no, yeah, I'm very much trying

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Speaker 3: to hide the neck.

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Speaker 1: I've double hit the neck scarf and oh dear turtle

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Speaker 1: neck because.

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Speaker 2: Oh that's weird. My god, you got it. You've got

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Speaker 2: a hickey. How old are you?

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Speaker 6: I mean that still seems young to me, but you're

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Speaker 6: still beyond hickey, right, you know, I said, you look

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Speaker 6: like you're from the A B C. I don't see

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Speaker 6: any hickeys at the AB set. I don't see a

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Speaker 6: newsreader walking down.

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Speaker 2: Last one on the weekend. You grow out of hickeys

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Speaker 2: about fifteen maybe.

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Speaker 3: How did you get He was so worried because he

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Speaker 3: had the hickey, and then we were worried that you

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Speaker 3: were coming in today, and I was like, Gleason is

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Speaker 3: the wrong guy to have a hickey in front of So,

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Speaker 3: you know, we put it, put him in the What happened?

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Speaker 2: You have an accident with a vacuum cleaner, if you

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Speaker 2: call that accident.

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Speaker 1: And executive producer Captain Poopen's he actually delivered hickey to

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Speaker 1: my neck.

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Speaker 2: On the railway. Yeah, that isn't that harassment?

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Speaker 4: It was contented?

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Speaker 12: Great point.

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Speaker 2: Yeah, I'm not sure that that's Yeah, who made who

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Speaker 2: do it?

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Speaker 4: What made him do it? I will a bit of

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Speaker 4: a love triangle going on.

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Speaker 6: Okay, say both of the two most powerful senior members

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Speaker 6: of your radio show for someone in a subservient position

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Speaker 6: to do something musical on their neck, this is an outrage.

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Speaker 2: We'll move on. We need to get down the papers,

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Speaker 2: we need to get it onto daily mail, and I

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Speaker 2: feel like that this is the starting point. You're kid,

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Speaker 2: you want to press charges? I think you should.

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Speaker 6: I'll press charge love to Yeah, I reckon, you should

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Speaker 6: just like to represent me. Yeah, this is not even primer.

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Speaker 6: I'm just concerned about your future in the industry. What

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Speaker 6: would you go for if he wants to make you complain?

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Speaker 2: What do you reagon?

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Speaker 3: What would you go as he's lawyer?

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Speaker 6: Well, their salaries are still pretty low because they're you

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Speaker 6: in the industry. I mean, I know they've been around

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Speaker 6: a while, so you don't want to clean them out

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Speaker 6: because you want the.

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Speaker 2: Show to still be going.

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Speaker 3: Sure, you're going for the company there, you're triggering a

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Speaker 3: bit of vicarious liability.

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Speaker 4: Go for the big fish, go to RN.

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Speaker 3: That's what that's dip into a bit of the Kyle

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Speaker 3: and Jackie O two hundred million over ten years.

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Speaker 2: That's it's good to me.

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Speaker 6: Actually, yeah, they would pay your hush money. But the

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Speaker 6: problems is how can they pay hush money when all

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Speaker 6: the mics are open.

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Speaker 3: All the time. Hey, Tom, I was reading.

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Speaker 2: I didn't think I've talked to a thirty five year

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Speaker 2: old with a hickey today, But yeah, tick that.

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Speaker 3: He just speaking about I read an article on the

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Speaker 3: paper the other day which was referencing it was about

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Speaker 3: water bottles, right, it was about like gen z EDAs

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Speaker 3: carrying around water bottles, and they referenced the fact that

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Speaker 3: you not surprisingly had an issue with this.

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Speaker 2: Yeah, I know that.

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Speaker 6: It was an opinion piece about why everyone needed to

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Speaker 6: have a water bottle, and that opinion piece was pretty

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Speaker 6: much a stand up routine that I used to do.

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Speaker 6: So I just really applaud them for writing down a

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Speaker 6: comedy route.

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Speaker 2: I mean it was.

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Speaker 6: I read it and I was like, oh wow, what

337
00:15:01,520 --> 00:15:04,479
Speaker 6: a great angle I came up with in twenty nineteen.

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Speaker 2: Someone's career.

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Speaker 3: Just watch your stand up wait a few years and

340
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Speaker 3: then go ef this his show.

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00:15:12,320 --> 00:15:13,960
Speaker 4: It was from a while ago, from a while ago.

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Speaker 6: Now, I used to have a bit about stainless steel

343
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Speaker 6: water bottles everyone, and you can just use a cap

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Speaker 6: cups workers.

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Speaker 4: Well, but your wife used to have one, is that right?

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Speaker 2: Oh yeah, that's true. She didn't get one.

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Speaker 5: Yeah.

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Speaker 2: It was like, it's it's because you wanted to measure

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Speaker 2: that she had two leaders every.

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Speaker 4: Day, which is which is the kind of the benchmark, right, Yeah, but.

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Speaker 6: When she's out of the room, I top it up.

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Speaker 6: That's what I do, and you'll never get. She couldn't get.

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Speaker 6: She thought she couldn't achieve the two leaders.

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Speaker 2: I reckon. I might have had half around four and

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Speaker 2: a half back and forth from the toilet all day,

356
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Speaker 2: all day like it. Yeah, anyway it was. She couldn't get.

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Speaker 2: It was not great. The kidneys were going to explode.

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Speaker 1: You're also against against a lot of vessels, Tomson. You

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Speaker 1: don't like keep caps either, No, well, all cups of

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00:16:01,320 --> 00:16:02,040
Speaker 1: keep cups.

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Speaker 2: Carry around I carry around it.

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Speaker 6: Yeah, A nice little wedgewood cup of tea and a

363
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Speaker 6: saucer and like, and I just use that and you

364
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Speaker 6: know what I do with it. I don't throw it

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Speaker 6: out at the end. I keep it because that's a

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Speaker 6: keep cup. Every cup in your cup it is a

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00:16:18,160 --> 00:16:20,240
Speaker 6: keep cup. Do you throw them out every time?

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00:16:20,320 --> 00:16:20,680
Speaker 7: Do you do that?

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Speaker 2: You get a coffee cup and go that's in the bin.

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Speaker 9: No, you keep it.

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00:16:23,360 --> 00:16:26,320
Speaker 2: You have to get another key, do you you all keep?

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00:16:26,440 --> 00:16:28,760
Speaker 3: You actually go to the cafe with like a porcelain mug.

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Speaker 6: Yeah, yeah, moan tea spoons and I put it under

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00:16:34,640 --> 00:16:37,240
Speaker 6: the bristers thing. I just stand next to them help

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Speaker 6: out with the washing up. When I'm done.

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Speaker 2: Of the people.

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00:16:42,240 --> 00:16:46,000
Speaker 3: If you want to that, you are not Season two

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00:16:46,680 --> 00:16:49,560
Speaker 3: Masters Premier Tonight seven thirty, Channel ten and ten play.

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00:16:49,560 --> 00:16:51,240
Speaker 3: You want to see Tom Gleason there, you can see

380
00:16:51,320 --> 00:16:54,080
Speaker 3: him there or across any other network at any other

381
00:16:54,160 --> 00:17:02,280
Speaker 3: time of the years. Our text game sucks. Disagree well,

382
00:17:02,360 --> 00:17:04,119
Speaker 3: and that's the issue because you're the same as me.

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00:17:04,240 --> 00:17:06,159
Speaker 3: I thought my text game was red hot, and then

384
00:17:06,200 --> 00:17:12,320
Speaker 3: I read this thread that's going absolutely bunter online about

385
00:17:12,359 --> 00:17:14,840
Speaker 3: a text message that a thirty five year old guy

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00:17:15,000 --> 00:17:18,040
Speaker 3: sent a twenty seven year old woman after they had

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Speaker 3: a date.

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Speaker 2: Yeah.

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00:17:19,640 --> 00:17:23,440
Speaker 3: I read the message and I was like, that's the

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00:17:23,480 --> 00:17:28,360
Speaker 3: perfect text. That is exactly the message that I would send.

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Speaker 1: That is a treacherous time though, the old day after

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Speaker 1: text after a first date is a stress inducing message,

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Speaker 1: no doubt.

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Speaker 3: So if, for example, Woods, you'd just been on a

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Speaker 3: date with a woman and you sent the message, Hey,

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00:17:40,720 --> 00:17:43,480
Speaker 3: I had fun last night, have a great day.

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00:17:44,720 --> 00:17:47,399
Speaker 2: Perfect text. It's not too keen. It's not too keen.

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00:17:47,440 --> 00:17:49,880
Speaker 1: It's appreciating the time they've spent together. Yeah, but you're

399
00:17:49,920 --> 00:17:52,160
Speaker 1: not going into these weird like I'm a stalker vibe.

400
00:17:52,359 --> 00:17:55,800
Speaker 1: I think it's a perfect text. Same, what's anyone's issue

401
00:17:55,840 --> 00:17:56,040
Speaker 1: with that.

402
00:17:56,560 --> 00:18:00,600
Speaker 3: There are five hundred thousand people who have commented on there. Wow,

403
00:18:00,840 --> 00:18:06,080
Speaker 3: that's good numbers, saying that it is pathetic in what

404
00:18:06,240 --> 00:18:10,800
Speaker 3: splash icky? But ik I there's ike around. Hey, I

405
00:18:10,880 --> 00:18:12,720
Speaker 3: had fun last night, have a good day. I'm the

406
00:18:12,760 --> 00:18:15,920
Speaker 3: same as you. That's the perfect text. It's courteous, it's polite,

407
00:18:16,560 --> 00:18:17,400
Speaker 3: not too intrusive.

408
00:18:17,600 --> 00:18:19,960
Speaker 2: Exactly what's the main issue with it?

409
00:18:20,640 --> 00:18:23,199
Speaker 4: What's the Apparently it's formal.

410
00:18:23,840 --> 00:18:25,000
Speaker 3: It's not formal as cash.

411
00:18:25,720 --> 00:18:29,000
Speaker 4: It was cash, she said. This woman has said I

412
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Speaker 4: need to start dating people my own age.

413
00:18:31,840 --> 00:18:36,000
Speaker 2: Oh right, What he was supposed to do an emoji?

414
00:18:36,320 --> 00:18:36,480
Speaker 5: Was he?

415
00:18:37,200 --> 00:18:37,920
Speaker 4: I think that makes you?

416
00:18:38,080 --> 00:18:40,080
Speaker 3: That turns you into a fifty five year old woman,

417
00:18:40,240 --> 00:18:43,000
Speaker 3: very very grigly. I know, I know, I usually think

418
00:18:43,040 --> 00:18:45,399
Speaker 3: emojis were hot as well, but apparently just women over

419
00:18:45,440 --> 00:18:46,440
Speaker 3: the age of fifty.

420
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Speaker 2: The days was he supposed to say? More like he

421
00:18:49,560 --> 00:18:50,720
Speaker 2: was supposed to enjoy it more?

422
00:18:51,520 --> 00:18:55,320
Speaker 3: I don't know. Okay, you're in exactly the same spot

423
00:18:55,359 --> 00:18:57,320
Speaker 3: as me, and I just want to be honest with

424
00:18:57,440 --> 00:19:03,880
Speaker 3: everybody listening that I don't know anymore what a good

425
00:19:04,800 --> 00:19:07,000
Speaker 3: post date message is.

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00:19:07,680 --> 00:19:09,080
Speaker 1: Well, this is throwing me because I thought that was

427
00:19:09,280 --> 00:19:10,919
Speaker 1: I thought it was a perfect text. I think I've

428
00:19:10,960 --> 00:19:13,240
Speaker 1: written that. I one hundred percent I've written that text.

429
00:19:13,280 --> 00:19:15,240
Speaker 3: If I was writing a textbook on how to write

430
00:19:15,560 --> 00:19:19,080
Speaker 3: a post date message, then it wouldn't even be a textbook.

431
00:19:19,080 --> 00:19:19,840
Speaker 4: It just be one line.

432
00:19:19,920 --> 00:19:22,840
Speaker 3: Absolutely, had had fun last night, not even had a

433
00:19:22,880 --> 00:19:24,120
Speaker 3: good time, not just had fun.

434
00:19:24,240 --> 00:19:26,800
Speaker 4: Yeah, because that's what you want to have, have a

435
00:19:26,880 --> 00:19:29,680
Speaker 4: good day. But what more could you wish someone.

436
00:19:29,680 --> 00:19:30,640
Speaker 2: All good day?

437
00:19:30,760 --> 00:19:34,320
Speaker 3: There's no holes in that anyway what I want to

438
00:19:34,400 --> 00:19:38,080
Speaker 3: do because I feel like I do. I am starting

439
00:19:38,119 --> 00:19:41,320
Speaker 3: to feel increasingly out of touch and I would you.

440
00:19:41,440 --> 00:19:45,240
Speaker 2: Have been in a relationship at nine? Yeah, okay, you've been.

441
00:19:46,840 --> 00:19:48,239
Speaker 4: For a long time, and I am.

442
00:19:48,359 --> 00:19:49,960
Speaker 3: I'm willing to put my hand up and appreciate that

443
00:19:50,080 --> 00:19:51,600
Speaker 3: and be a bit vulnerable here.

444
00:19:51,680 --> 00:19:53,639
Speaker 1: To be fair, nothing changed for five years, can I say?

445
00:19:53,640 --> 00:19:55,400
Speaker 1: Because I've had half the time a little bit less

446
00:19:55,440 --> 00:19:59,400
Speaker 1: than half the time taken. Yeah, so in the last

447
00:19:59,440 --> 00:20:00,800
Speaker 1: five years must have happened.

448
00:20:00,840 --> 00:20:02,359
Speaker 3: And I also think was that there are a lot

449
00:20:02,400 --> 00:20:05,200
Speaker 3: of guys listening right now who are thinking themselves, that's

450
00:20:05,240 --> 00:20:05,840
Speaker 3: the perfect text.

451
00:20:05,920 --> 00:20:07,320
Speaker 2: I might be able to fire off that text. There

452
00:20:07,359 --> 00:20:09,760
Speaker 2: might have been someone listening going. I'm literally about.

453
00:20:09,560 --> 00:20:14,400
Speaker 3: To say in the whole rapidly backspacing right.

454
00:20:14,560 --> 00:20:16,960
Speaker 4: What I want to know right now is from the

455
00:20:17,000 --> 00:20:19,920
Speaker 4: women out there, what is a male like?

456
00:20:20,960 --> 00:20:23,480
Speaker 3: Maybe just there's just cautionary tales for all the guys

457
00:20:23,520 --> 00:20:25,679
Speaker 3: who are currently in the texting game, or even if

458
00:20:25,920 --> 00:20:28,840
Speaker 3: even if they're about to message their partner. What are

459
00:20:29,000 --> 00:20:32,320
Speaker 3: male messaging nicks like when you get a text from

460
00:20:32,359 --> 00:20:35,280
Speaker 3: a guy? What is just like an instant turnoff?

461
00:20:35,560 --> 00:20:36,359
Speaker 2: I got told I.

462
00:20:36,480 --> 00:20:38,200
Speaker 1: Used to do a I used to. I thought this

463
00:20:38,280 --> 00:20:40,800
Speaker 1: was cool. I wouldn't do a smiley face emoji. I

464
00:20:41,040 --> 00:20:44,720
Speaker 1: do semi colon bracket I smile.

465
00:20:44,880 --> 00:20:47,359
Speaker 2: I used to do that and a little bit old school.

466
00:20:47,359 --> 00:20:49,720
Speaker 3: Did you occasionally do the semi colon rather than the

467
00:20:49,760 --> 00:20:51,000
Speaker 3: colon so it looks like wink face?

468
00:20:51,200 --> 00:20:51,320
Speaker 10: You know?

469
00:20:51,520 --> 00:20:54,560
Speaker 2: Absolutely? Yeah, absolutely rock and.

470
00:20:54,520 --> 00:20:55,199
Speaker 4: A hard place there.

471
00:20:55,240 --> 00:20:57,840
Speaker 3: You know the emoji is daggy exactly, so you know,

472
00:20:58,040 --> 00:20:59,920
Speaker 3: just wind it back to the thirty three to ten baby?

473
00:21:00,160 --> 00:21:00,840
Speaker 2: Is that cool or that?

474
00:21:02,800 --> 00:21:04,520
Speaker 3: I suggest no, because if I put a hyphrom in

475
00:21:04,520 --> 00:21:05,919
Speaker 3: the middle, it's got a little nose as well. I'm

476
00:21:05,920 --> 00:21:07,840
Speaker 3: not sure if you've ever done that's all right, So

477
00:21:08,000 --> 00:21:12,920
Speaker 3: here's here's thirty one five male messaging? X what about lol?

478
00:21:13,400 --> 00:21:15,600
Speaker 3: You know, because we don't know Larl's.

479
00:21:15,240 --> 00:21:16,639
Speaker 4: Out of the game. Yeah, it has to be out

480
00:21:16,680 --> 00:21:17,000
Speaker 4: of the game.

481
00:21:17,119 --> 00:21:21,680
Speaker 2: I knew that. Yeah, I don't. Oh, Ruffle Copter, Oh no,

482
00:21:22,359 --> 00:21:23,160
Speaker 2: oh my god.

483
00:21:24,000 --> 00:21:29,119
Speaker 3: Because we're ladies, we're unaware, we don't know. And I

484
00:21:29,200 --> 00:21:31,119
Speaker 3: think it's time that we tabled some of this stuff

485
00:21:31,160 --> 00:21:31,960
Speaker 3: on a public forum.

486
00:21:32,080 --> 00:21:34,600
Speaker 2: Do they like x'es, these x's and o's xo XO.

487
00:21:35,000 --> 00:21:37,639
Speaker 4: What's the ickiest thing that a man can send them

488
00:21:37,680 --> 00:21:38,760
Speaker 4: a text? Genia?

489
00:21:38,880 --> 00:21:42,280
Speaker 3: What is just help us recorrect the compass here? What

490
00:21:42,480 --> 00:21:43,360
Speaker 3: is a male messaging?

491
00:21:43,440 --> 00:21:43,600
Speaker 4: Inch?

492
00:21:44,600 --> 00:21:47,199
Speaker 8: Male messaging? Because when you don't know how to spell,

493
00:21:47,359 --> 00:21:51,199
Speaker 8: like when people are writing beautiful in like five different ways, Oh,

494
00:21:51,240 --> 00:21:53,040
Speaker 8: there's no grammar disgusting.

495
00:21:53,119 --> 00:21:54,359
Speaker 2: I don't understand how that can happen.

496
00:21:54,400 --> 00:21:56,560
Speaker 1: Now when there's when there's auto correct, like if you're

497
00:21:56,600 --> 00:21:58,080
Speaker 1: still that would mean that they're.

498
00:21:58,119 --> 00:22:00,800
Speaker 3: Means they've spelled it wrong that many times that their

499
00:22:00,840 --> 00:22:03,480
Speaker 3: auto correct assumes that it's a new word series.

500
00:22:03,560 --> 00:22:04,040
Speaker 2: Letting them have it.

501
00:22:04,240 --> 00:22:06,120
Speaker 3: You know what I've told you to you, I'm such

502
00:22:06,160 --> 00:22:08,800
Speaker 3: an idiot whatever that I can't even be bothered fixing

503
00:22:08,880 --> 00:22:09,359
Speaker 3: you anymore.

504
00:22:10,280 --> 00:22:10,840
Speaker 2: Fine, yeah.

505
00:22:10,960 --> 00:22:12,359
Speaker 4: I mean, I hate to say it, but may is

506
00:22:12,440 --> 00:22:12,760
Speaker 4: just no.

507
00:22:12,920 --> 00:22:15,800
Speaker 3: I can't go into that well personally, A poorly placed

508
00:22:15,880 --> 00:22:19,600
Speaker 3: commo will sting them well, actual.

509
00:22:19,400 --> 00:22:20,639
Speaker 2: Friend, I actually agree with that.

510
00:22:20,760 --> 00:22:24,680
Speaker 1: If grammatical issues, I can agree with you, Gena. It

511
00:22:24,760 --> 00:22:25,920
Speaker 1: can be a bit of a nick one.

512
00:22:25,880 --> 00:22:29,040
Speaker 3: Hundred even in the dating game. It says something says

513
00:22:29,080 --> 00:22:31,680
Speaker 3: something about you, but also like too much grammar. I've

514
00:22:31,760 --> 00:22:34,760
Speaker 3: been told is he's also not good. Sure you can't

515
00:22:34,760 --> 00:22:35,840
Speaker 3: be thrown around a semi colon.

516
00:22:36,359 --> 00:22:37,560
Speaker 2: You can be a bit formal in a text.

517
00:22:37,600 --> 00:22:39,920
Speaker 4: I know I can. I like using your first name

518
00:22:40,359 --> 00:22:41,600
Speaker 4: Woody Comma, yeah you.

519
00:22:42,000 --> 00:22:44,680
Speaker 3: Gabriella is called I'm thirty one and sixty five male

520
00:22:44,720 --> 00:22:45,879
Speaker 3: messaging Gabriella.

521
00:22:46,119 --> 00:22:48,160
Speaker 7: Hey, hey, buye, I tell you good?

522
00:22:48,240 --> 00:22:48,480
Speaker 2: Thanks?

523
00:22:49,760 --> 00:22:50,040
Speaker 8: Okay.

524
00:22:50,320 --> 00:22:52,399
Speaker 7: So I don't know if I'm too pick you or

525
00:22:52,560 --> 00:22:56,040
Speaker 7: I'm just weird. But when I see a message and

526
00:22:56,560 --> 00:22:59,720
Speaker 7: from a man and he's got here in it instead

527
00:22:59,720 --> 00:23:02,119
Speaker 7: of high aha, it just makes me want a bomb.

528
00:23:02,880 --> 00:23:03,680
Speaker 8: He going.

529
00:23:05,400 --> 00:23:06,760
Speaker 4: I've actually been meaning to pull you up on that

530
00:23:06,840 --> 00:23:07,640
Speaker 4: for years?

531
00:23:07,640 --> 00:23:08,000
Speaker 3: What's right?

532
00:23:08,040 --> 00:23:10,040
Speaker 2: Because because Gabrielle, what I'm going for there?

533
00:23:10,240 --> 00:23:10,440
Speaker 3: Yeah?

534
00:23:10,440 --> 00:23:11,960
Speaker 2: What are you look? It's a laugh, but it's a

535
00:23:12,000 --> 00:23:13,399
Speaker 2: cute laugh picturing I'm.

536
00:23:13,320 --> 00:23:15,400
Speaker 7: Just picturing his eye with his hand over his mouth,

537
00:23:15,480 --> 00:23:16,200
Speaker 7: like the emergency.

538
00:23:17,840 --> 00:23:19,639
Speaker 2: But that's that's what I'm doing. What's wrong with a

539
00:23:19,720 --> 00:23:21,600
Speaker 2: guy and covering his mouth getting.

540
00:23:21,520 --> 00:23:25,240
Speaker 3: Like an audible adorable?

541
00:23:25,840 --> 00:23:27,400
Speaker 2: You want to take me home like a little puppy dog.

542
00:23:28,040 --> 00:23:29,760
Speaker 7: I'm re surprised that you don't get ignored.

543
00:23:32,359 --> 00:23:34,320
Speaker 9: I agree.

544
00:23:34,400 --> 00:23:35,600
Speaker 3: I've been meaning to pull you up in that for

545
00:23:35,680 --> 00:23:37,879
Speaker 3: a while now. If we're in a message thread, I

546
00:23:38,040 --> 00:23:40,639
Speaker 3: like to hear. I mean this is we spoke to

547
00:23:40,800 --> 00:23:43,760
Speaker 3: Laura Henshall before we're in a message with Steph Klesmith

548
00:23:43,760 --> 00:23:46,639
Speaker 3: and Laura Henshaw. He heed in that my last message

549
00:23:46,720 --> 00:23:48,480
Speaker 3: was and there's a reason they haven't replied to us

550
00:23:48,480 --> 00:23:48,800
Speaker 3: for a month.

551
00:23:50,040 --> 00:23:51,159
Speaker 2: I dropped a bomb on that.

552
00:23:51,320 --> 00:23:51,879
Speaker 3: What Sarah?

553
00:23:53,320 --> 00:23:58,960
Speaker 4: Sarah? Yeah, that was riddled with mail message Sarah, male message.

554
00:24:00,040 --> 00:24:01,880
Speaker 12: Are this afternoon not great?

555
00:24:01,920 --> 00:24:02,600
Speaker 2: To be honest.

556
00:24:04,520 --> 00:24:06,320
Speaker 8: That you said more than one word to me?

557
00:24:06,400 --> 00:24:08,960
Speaker 5: There as your responses because there's nothing nothing more I

558
00:24:09,520 --> 00:24:12,360
Speaker 5: than you writing a big, long thing and getting back yep.

559
00:24:12,920 --> 00:24:16,560
Speaker 3: Okay, yeah you can be guilty of that.

560
00:24:16,800 --> 00:24:19,200
Speaker 8: Will the other people?

561
00:24:19,320 --> 00:24:20,920
Speaker 5: You don't have enough sentence to write to me?

562
00:24:21,440 --> 00:24:24,760
Speaker 3: Well, that's kind of it, really but also like just

563
00:24:25,200 --> 00:24:28,920
Speaker 3: message received to keep it simple. I do, I do

564
00:24:29,080 --> 00:24:31,280
Speaker 3: get frustrated that with like particularly, I don't know if

565
00:24:31,320 --> 00:24:32,879
Speaker 3: anyone this thing has this, but like you know when

566
00:24:32,920 --> 00:24:34,760
Speaker 3: you message your dad quite a big text and they

567
00:24:34,840 --> 00:24:36,240
Speaker 3: just write back okay.

568
00:24:38,520 --> 00:24:41,840
Speaker 1: Okay, okay, our dad descends us moileyface. Now he's just

569
00:24:41,880 --> 00:24:43,120
Speaker 1: got that on like obviously he's.

570
00:24:43,040 --> 00:24:48,560
Speaker 3: Most us just has like at least five gifts on

571
00:24:48,760 --> 00:24:52,080
Speaker 3: rotation and just sends, you know, also knows that Gus

572
00:24:52,240 --> 00:24:57,000
Speaker 3: Warland Gussie walland has ten gifts.

573
00:24:56,760 --> 00:25:00,720
Speaker 2: On guy, let's go to Maddie now, Maddie mail messaging.

574
00:25:00,920 --> 00:25:04,240
Speaker 4: Gifts in general, if you're texting a girl a gift.

575
00:25:04,600 --> 00:25:07,920
Speaker 3: I don't know on I can ask analyst if you

576
00:25:08,000 --> 00:25:10,200
Speaker 3: got a gift from a guy, how would that sit

577
00:25:10,280 --> 00:25:14,320
Speaker 3: with you? I feel yeah, yeah, there's I mean, there's

578
00:25:14,320 --> 00:25:16,840
Speaker 3: no there's no safety here. I feel like we're just

579
00:25:16,920 --> 00:25:19,840
Speaker 3: in like Vietnam circond nineteen eighty that just land mines everywhere.

580
00:25:22,400 --> 00:25:23,159
Speaker 2: What's the heck for you?

581
00:25:24,440 --> 00:25:24,560
Speaker 10: Hi?

582
00:25:24,680 --> 00:25:24,960
Speaker 3: Guys?

583
00:25:25,040 --> 00:25:25,520
Speaker 12: How are we?

584
00:25:25,960 --> 00:25:26,560
Speaker 2: They're not great?

585
00:25:26,600 --> 00:25:30,480
Speaker 9: To be honest, this is this is before dramatic, but anyway.

586
00:25:31,200 --> 00:25:33,760
Speaker 4: Dramatic, you're just a walking.

587
00:25:36,720 --> 00:25:39,960
Speaker 3: Sorry fair enough to me?

588
00:25:40,119 --> 00:25:42,760
Speaker 8: I think when a guy like you're messaging a guy

589
00:25:42,840 --> 00:25:45,080
Speaker 8: and they're like, oh, we should go for drinks and

590
00:25:45,200 --> 00:25:47,600
Speaker 8: you should come back to mine, Like, shut up, bro,

591
00:25:48,040 --> 00:25:49,560
Speaker 8: make it more any obvious?

592
00:25:50,119 --> 00:25:51,919
Speaker 12: Well you actually want I.

593
00:25:52,400 --> 00:25:53,680
Speaker 2: Fully understand that one.

594
00:25:53,880 --> 00:25:56,040
Speaker 1: That is a big ig when it's like they're assuming

595
00:25:56,200 --> 00:25:58,600
Speaker 1: or trying so hard and then come back to mind

596
00:25:58,640 --> 00:25:59,560
Speaker 1: and then we'll go back to mine.

597
00:26:00,320 --> 00:26:01,000
Speaker 2: Agreed, Maddie.

598
00:26:01,119 --> 00:26:03,520
Speaker 3: Another one that is again again I don't think there's

599
00:26:03,520 --> 00:26:06,280
Speaker 3: any safety here but a male message. Dick is And

600
00:26:06,640 --> 00:26:09,000
Speaker 3: we discussed this woods in the pre show meeting, Like,

601
00:26:09,280 --> 00:26:11,480
Speaker 3: I think after a date you're trying to find common

602
00:26:11,560 --> 00:26:13,719
Speaker 3: ground with them. Yeah, that's off, And I think you're like, oh,

603
00:26:13,760 --> 00:26:16,240
Speaker 3: what's a that's an in gag that we can go for. Yeah,

604
00:26:16,400 --> 00:26:18,280
Speaker 3: and I'm going to go to throw to analyse here

605
00:26:18,280 --> 00:26:20,080
Speaker 3: because she had a cracker analyse, you had a date.

606
00:26:20,160 --> 00:26:22,520
Speaker 3: What did the guys end you after the date? Oh?

607
00:26:22,680 --> 00:26:25,600
Speaker 2: So I had mentioned that I liked caramelized popcorn.

608
00:26:25,720 --> 00:26:28,200
Speaker 12: So he then went in and said, Hey, Anily's just

609
00:26:28,280 --> 00:26:30,080
Speaker 12: walked past some caramelized popcorn.

610
00:26:30,560 --> 00:26:32,800
Speaker 2: I want to go on a date, and how's it

611
00:26:32,880 --> 00:26:33,399
Speaker 2: going with him?

612
00:26:34,880 --> 00:26:38,840
Speaker 3: I don't caramelized, so so basic. Where are you dude

613
00:26:39,000 --> 00:26:41,960
Speaker 3: walking through a market in the nineteen seventies, who's got

614
00:26:42,040 --> 00:26:43,920
Speaker 3: the caramelized popcorn on the next to the top of

615
00:26:43,920 --> 00:26:44,359
Speaker 3: the apples?

616
00:26:44,800 --> 00:26:48,879
Speaker 4: Marina's called Maria. We're talking male messaging gigs. O.

617
00:26:49,200 --> 00:26:50,520
Speaker 11: Mine has to be a pet name.

618
00:26:50,960 --> 00:26:55,760
Speaker 8: So mainly if someone's like hey, you know, they're like, oh, hey, trouble.

619
00:26:55,880 --> 00:26:57,159
Speaker 8: I had a great night last night.

620
00:26:57,160 --> 00:26:58,720
Speaker 7: And I was like, yeah, like what.

621
00:27:00,480 --> 00:27:02,199
Speaker 8: Is trouble, and Missy and.

622
00:27:02,240 --> 00:27:05,800
Speaker 2: My like, no, but trouble, ma, Marie. Hang on, hang on?

623
00:27:05,960 --> 00:27:08,359
Speaker 1: What if it's a specific kid, what if it's a

624
00:27:08,440 --> 00:27:15,720
Speaker 1: specific to you nickname? Ham Steaks hands that you brought

625
00:27:15,760 --> 00:27:17,040
Speaker 1: that up, but that was an in joke.

626
00:27:17,200 --> 00:27:21,120
Speaker 3: I've got your first text message exchange before you after

627
00:27:21,200 --> 00:27:22,160
Speaker 3: your first date with Mim.

628
00:27:22,280 --> 00:27:23,080
Speaker 4: She sent that through.

629
00:27:24,119 --> 00:27:29,240
Speaker 2: I'd been drinking responsibly, but I so, uh, you're the

630
00:27:29,359 --> 00:27:30,439
Speaker 2: day after all the night off.

631
00:27:30,480 --> 00:27:33,960
Speaker 3: I'm not sure man twelve twenty three am. She says,

632
00:27:34,119 --> 00:27:38,040
Speaker 3: I don't even know what to say. Loll you say.

633
00:27:42,200 --> 00:27:44,240
Speaker 4: Nothing needs to be said, full stop.

634
00:27:44,600 --> 00:27:47,440
Speaker 2: And then you said, oh no, please don't, let's just go,

635
00:27:47,560 --> 00:27:49,440
Speaker 2: Let's just get out of here. Please don't.

636
00:27:51,240 --> 00:28:00,720
Speaker 3: Sweet sweet dreams, perfect ham Steaks. There were some really

637
00:28:01,000 --> 00:28:05,000
Speaker 3: sad news today woulds that the bassist.

638
00:28:04,760 --> 00:28:07,280
Speaker 4: From the rock band Train.

639
00:28:11,880 --> 00:28:15,960
Speaker 3: Died slipped and fell in the shower. Yeah, fell in

640
00:28:16,000 --> 00:28:18,520
Speaker 3: the shower just seems like a very untimely way to go.

641
00:28:18,640 --> 00:28:20,040
Speaker 3: But look, we are all going to die, and there

642
00:28:20,080 --> 00:28:21,880
Speaker 3: are very weird ways that people can die.

643
00:28:22,040 --> 00:28:23,159
Speaker 4: It happens to all of us.

644
00:28:23,960 --> 00:28:25,760
Speaker 3: I'm sure each of them is very strange, but not

645
00:28:25,920 --> 00:28:28,280
Speaker 3: as strange as the weird deaths I've got listed here.

646
00:28:31,200 --> 00:28:33,119
Speaker 3: I thought you'd be interested if you were absolutely one

647
00:28:33,160 --> 00:28:34,400
Speaker 3: of the stranger's deaths of all time.

648
00:28:34,480 --> 00:28:36,320
Speaker 2: Absolutely, so I would kick it off.

649
00:28:37,640 --> 00:28:41,040
Speaker 3: Dar Robinson, who's that he was a legendary stunt man,

650
00:28:41,120 --> 00:28:46,040
Speaker 3: broke nineteen world records and stunt driving very impressive, accidentally

651
00:28:46,200 --> 00:28:48,680
Speaker 3: drove his motorbike off a cliff when he confused the

652
00:28:48,760 --> 00:28:51,280
Speaker 3: accelerator for the break and he was a stunt man,

653
00:28:52,120 --> 00:28:55,160
Speaker 3: had nineteen world records as a stunt guy, accidentally drove

654
00:28:55,200 --> 00:28:55,920
Speaker 3: his bike off a cliff.

655
00:28:57,120 --> 00:28:57,520
Speaker 1: There you go.

656
00:28:57,760 --> 00:29:00,320
Speaker 3: Michael Godwin, who's that it was a twenty eight year

657
00:29:00,320 --> 00:29:03,880
Speaker 3: old convicted criminal. I thought you said celebrities, famous deaths

658
00:29:03,920 --> 00:29:07,240
Speaker 3: man so much he was initially given a death sentence

659
00:29:07,280 --> 00:29:10,840
Speaker 3: by electrocution. This guy Michael Godwin. It was then reduced

660
00:29:10,840 --> 00:29:15,160
Speaker 3: to life imprisonment. Okay, huge win for the god anyway,

661
00:29:15,680 --> 00:29:18,120
Speaker 3: first day in prison, first day life imprisonment, gets to

662
00:29:18,160 --> 00:29:19,960
Speaker 3: live on the planet. How good's that He goes to

663
00:29:20,040 --> 00:29:24,200
Speaker 3: go and fix a broken television set and electricated himself

664
00:29:24,240 --> 00:29:24,560
Speaker 3: to death.

665
00:29:25,200 --> 00:29:26,280
Speaker 2: You are kidding me.

666
00:29:26,760 --> 00:29:27,880
Speaker 3: It's like it was meant to be.

667
00:29:28,960 --> 00:29:30,600
Speaker 2: That's that's crazy. Hey.

668
00:29:30,720 --> 00:29:35,640
Speaker 3: The daughter of Archduke Albrecht in Austria, she set her

669
00:29:35,760 --> 00:29:37,440
Speaker 3: dress on fire while she was trying to hide a

670
00:29:37,440 --> 00:29:38,320
Speaker 3: cigarette from her father.

671
00:29:39,440 --> 00:29:40,440
Speaker 4: Burned to death, and.

672
00:29:40,520 --> 00:29:43,280
Speaker 1: The message there is honesty with your parents is the

673
00:29:43,360 --> 00:29:45,600
Speaker 1: best way for and hope Remy heeds those words.

674
00:29:46,000 --> 00:29:51,600
Speaker 3: Monica Meyers was the mayor of Maryland. Yeah, it's in

675
00:29:51,640 --> 00:29:53,960
Speaker 3: the US. She was carrying out maintenance work on the

676
00:29:54,000 --> 00:29:56,520
Speaker 3: sewerage tanks for the city. Sure, walking around on the

677
00:29:56,600 --> 00:29:58,080
Speaker 3: catwalk above the sewerage tanks.

678
00:29:58,760 --> 00:29:59,840
Speaker 4: She fell one point two me.

679
00:30:03,160 --> 00:30:07,560
Speaker 3: Into the into one of these vats and literally drowned

680
00:30:07,600 --> 00:30:07,920
Speaker 3: in shit.

681
00:30:09,000 --> 00:30:12,560
Speaker 2: Oh that's a shocking way to go.

682
00:30:13,440 --> 00:30:15,840
Speaker 10: Oh oh.

683
00:30:17,920 --> 00:30:21,840
Speaker 3: Hans Steiger was an Austrian man. He had a four

684
00:30:21,880 --> 00:30:24,400
Speaker 3: and a half foot beard. He used to beer, used

685
00:30:24,400 --> 00:30:25,320
Speaker 3: to keep it in his pocket.

686
00:30:25,800 --> 00:30:27,160
Speaker 4: Oh no, lovely.

687
00:30:27,640 --> 00:30:29,360
Speaker 3: At one point he forgot to roll it up when

688
00:30:29,360 --> 00:30:30,280
Speaker 3: he was hanging out at home.

689
00:30:32,440 --> 00:30:34,000
Speaker 4: He caught fire and he burned to death.

690
00:30:34,680 --> 00:30:39,480
Speaker 2: No fire, one free. I kin't like the guy who

691
00:30:39,520 --> 00:30:41,360
Speaker 2: created the segway. You have you heard about him?

692
00:30:42,760 --> 00:30:46,120
Speaker 1: He created the segway, inventor of the segway, drove a

693
00:30:46,160 --> 00:30:48,440
Speaker 1: segway off cliff accidentally.

694
00:30:48,800 --> 00:30:51,600
Speaker 2: Well yeah, no, absolutely accidentally. Yeah, real quick.

695
00:30:52,200 --> 00:30:54,720
Speaker 1: So about half an hour ago we were talking about

696
00:30:54,800 --> 00:30:59,960
Speaker 1: male messaging X yes, yes, yes, so Captain poop Pants's part.

697
00:31:00,800 --> 00:31:06,280
Speaker 1: Georgie texted me and she revealed that one time, one

698
00:31:06,400 --> 00:31:11,800
Speaker 1: time Georgie sent Poopants a nude Yeah, poo Pants response

699
00:31:12,160 --> 00:31:13,200
Speaker 1: was a thumbs up emoji.

700
00:31:22,320 --> 00:31:27,200
Speaker 2: That's keep texting me, Georgie. I love it.

701
00:31:27,360 --> 00:31:31,800
Speaker 4: He's been he's really been taken down there. That was

702
00:31:32,240 --> 00:31:35,560
Speaker 4: just a punch to the dummay thumbs up, totally depleted.

703
00:31:36,000 --> 00:31:37,240
Speaker 4: I like the look of them.

704
00:31:41,000 --> 00:31:44,240
Speaker 1: There are some situations that arise where you feel like

705
00:31:44,320 --> 00:31:48,880
Speaker 1: you have to contact your ex. It's desperate times generally

706
00:31:48,960 --> 00:31:52,200
Speaker 1: speaking of times you don't want to. You know it's ended,

707
00:31:52,240 --> 00:31:54,960
Speaker 1: even if it's ended really well, you're just like that's

708
00:31:55,120 --> 00:31:57,720
Speaker 1: I think that that's behind me and we're both moving

709
00:31:57,760 --> 00:32:00,680
Speaker 1: on with our lives. But every now and then something

710
00:32:00,720 --> 00:32:04,320
Speaker 1: happens and you're like, oh, I have I have to

711
00:32:04,400 --> 00:32:07,040
Speaker 1: contact them potentially reopen the wound.

712
00:32:08,200 --> 00:32:08,760
Speaker 3: That doesn't it.

713
00:32:08,840 --> 00:32:11,040
Speaker 4: But it doesn't need to be a reopening of the wound.

714
00:32:11,160 --> 00:32:13,560
Speaker 4: That's the thing can be though, but scary, but it's not.

715
00:32:13,760 --> 00:32:16,400
Speaker 3: But it's like, you know, if it is like I

716
00:32:16,520 --> 00:32:21,320
Speaker 3: assume you're talking about purely mechanical messages.

717
00:32:21,200 --> 00:32:23,160
Speaker 1: Well I think so, but it really can be anything.

718
00:32:23,240 --> 00:32:25,120
Speaker 1: Thirteen one O six five is our number. I would

719
00:32:25,200 --> 00:32:29,360
Speaker 1: love to know when did you have to contact your ex?

720
00:32:31,200 --> 00:32:32,080
Speaker 2: Oh, I don't play that.

721
00:32:32,160 --> 00:32:33,040
Speaker 4: I hate I love that song.

722
00:32:33,120 --> 00:32:35,720
Speaker 3: I hate that that was that was a trap.

723
00:32:35,840 --> 00:32:36,920
Speaker 2: It was a trap. I hate that.

724
00:32:37,240 --> 00:32:39,400
Speaker 4: I love that song. That's perfect for the topic as well.

725
00:32:39,440 --> 00:32:41,440
Speaker 2: Yeah it is perfect. But who does that again?

726
00:32:41,880 --> 00:32:44,440
Speaker 1: The Dixies, the pussy Cat does Little Mixed Oh you

727
00:32:44,720 --> 00:32:47,520
Speaker 1: little mixies anyway, throw mix?

728
00:32:47,560 --> 00:32:50,120
Speaker 3: I hate it so because I'm saying that it could

729
00:32:50,160 --> 00:32:52,880
Speaker 3: be like, uh, where do I you know, I hate

730
00:32:52,920 --> 00:32:54,200
Speaker 3: to have to send you this, but you know we've

731
00:32:54,240 --> 00:32:55,280
Speaker 3: split over a pet.

732
00:32:55,920 --> 00:32:58,680
Speaker 4: One of the pets gone one way? What are the

733
00:32:58,760 --> 00:32:59,680
Speaker 4: details for the vet?

734
00:33:00,120 --> 00:33:02,960
Speaker 3: That would be a great example. We take that call, boy,

735
00:33:03,720 --> 00:33:04,320
Speaker 3: get right into it.

736
00:33:04,880 --> 00:33:07,880
Speaker 2: I once had to contact an ex because I realized

737
00:33:07,960 --> 00:33:11,680
Speaker 2: that I had my sunglasses were in I was like,

738
00:33:11,760 --> 00:33:13,920
Speaker 2: I looked everywhere for these sunglasses, and I was like,

739
00:33:14,560 --> 00:33:17,040
Speaker 2: I think they're in our house. They're definitely in our house.

740
00:33:17,280 --> 00:33:18,640
Speaker 1: And I think for both of us, it was just

741
00:33:18,720 --> 00:33:20,560
Speaker 1: like we've we've we've moved on, we've had a breakup

742
00:33:20,640 --> 00:33:22,960
Speaker 1: kind of thing. And I remember at length was just like,

743
00:33:23,040 --> 00:33:27,160
Speaker 1: it's probably not worth the seven eleven sunglasses that I bought.

744
00:33:26,960 --> 00:33:31,840
Speaker 3: But there were seven elevens. That was seven eleven Jeep sunglasses.

745
00:33:31,840 --> 00:33:32,320
Speaker 4: That's got to go.

746
00:33:33,000 --> 00:33:33,480
Speaker 2: It's got to be.

747
00:33:34,280 --> 00:33:38,160
Speaker 4: It's got to be. It's got to be worth a

748
00:33:38,240 --> 00:33:39,000
Speaker 4: thousand bucks.

749
00:33:39,080 --> 00:33:39,440
Speaker 3: I reckon.

750
00:33:39,520 --> 00:33:45,000
Speaker 10: For me, well, yeah, it's not that big Bucks. It's

751
00:33:45,040 --> 00:33:48,680
Speaker 10: just big bucks. It's more bid. It's more bad bad breakups,

752
00:33:49,040 --> 00:33:50,760
Speaker 10: to be honest, that's what it is.

753
00:33:50,880 --> 00:33:54,560
Speaker 3: I just don't like just the pain of having to

754
00:33:54,640 --> 00:33:57,520
Speaker 3: go back into their house and like that. That is

755
00:33:58,120 --> 00:34:01,040
Speaker 3: I'm sorry, but yeah, a lot of people listening in

756
00:34:01,120 --> 00:34:02,720
Speaker 3: the same thing. I put a thousand dollars on that.

757
00:34:02,920 --> 00:34:05,360
Speaker 1: Well, okay, I'm interesting to the interaction that I want

758
00:34:05,480 --> 00:34:09,399
Speaker 1: to have in any single way thirteen one O sixty five.

759
00:34:10,280 --> 00:34:13,440
Speaker 1: What did you have to contact the X about and

760
00:34:13,600 --> 00:34:16,239
Speaker 1: was it under one thousand dollars of worth? Poling Yao

761
00:34:16,320 --> 00:34:18,440
Speaker 1: revealed to us Poling our off master. Shep reveal to

762
00:34:18,520 --> 00:34:22,560
Speaker 1: us why she regularly contacts her ex. That was bizarre.

763
00:34:23,400 --> 00:34:26,520
Speaker 4: Yeah, that was strange, Harriet.

764
00:34:26,560 --> 00:34:28,280
Speaker 2: When did you have to talk to an ex.

765
00:34:30,080 --> 00:34:32,080
Speaker 11: Every day? Not by choice?

766
00:34:32,160 --> 00:34:34,440
Speaker 2: So why every day? Harriet?

767
00:34:35,200 --> 00:34:39,800
Speaker 11: Because we work together? Oh no, Yeah, it's horrible.

768
00:34:40,800 --> 00:34:43,040
Speaker 4: Why do you have to talk? Like what's your job?

769
00:34:43,239 --> 00:34:45,000
Speaker 4: Surely you just on the other side of the office.

770
00:34:45,880 --> 00:34:48,640
Speaker 11: Ah, Like we work in the same office.

771
00:34:48,480 --> 00:34:52,640
Speaker 4: But what's what's the like in a meeting or or.

772
00:34:52,880 --> 00:34:55,600
Speaker 11: Just for everything that I do. He's the big boss,

773
00:34:55,680 --> 00:35:00,400
Speaker 11: so I have to run it past him. But we're like,

774
00:35:00,560 --> 00:35:03,799
Speaker 11: it's so awkward. We don't communicate in person. We walk

775
00:35:03,840 --> 00:35:05,680
Speaker 11: past each other like we don't know each other and

776
00:35:05,760 --> 00:35:09,840
Speaker 11: we don't exist, and then we email and like call, Oh.

777
00:35:11,520 --> 00:35:12,480
Speaker 4: How long were you together for?

778
00:35:13,680 --> 00:35:17,880
Speaker 11: I like only six months? But still it's I wouldn't

779
00:35:18,000 --> 00:35:20,280
Speaker 11: recommend mixing work and personal together.

780
00:35:20,520 --> 00:35:22,120
Speaker 4: Do you ever, like do you.

781
00:35:22,280 --> 00:35:24,880
Speaker 3: Talk about the relations, Like does it ever come up

782
00:35:24,920 --> 00:35:28,799
Speaker 3: with him? You talk to like, Oh no, it's Okay,

783
00:35:28,920 --> 00:35:30,320
Speaker 3: it's just extremely professional.

784
00:35:30,320 --> 00:35:31,239
Speaker 4: And did you agree on that?

785
00:35:31,480 --> 00:35:31,600
Speaker 5: Was that?

786
00:35:31,719 --> 00:35:33,320
Speaker 4: Like, okay, cool? We got to keep waking together so

787
00:35:33,680 --> 00:35:35,000
Speaker 4: you can never be discussed ever again.

788
00:35:35,800 --> 00:35:35,840
Speaker 5: No.

789
00:35:36,320 --> 00:35:38,520
Speaker 11: I really wanted to work on it and fix things,

790
00:35:38,600 --> 00:35:41,759
Speaker 11: but it was just instantly cut off and we it

791
00:35:41,920 --> 00:35:43,520
Speaker 11: was like we don't even know each other.

792
00:35:44,000 --> 00:35:44,880
Speaker 4: That's the same.

793
00:35:45,640 --> 00:35:49,840
Speaker 1: Thanks for the call, Harriet. Let's go to Grace hard situation.

794
00:35:50,040 --> 00:35:52,239
Speaker 1: I think if I'm Harry and I'm probably quitting there,

795
00:35:53,520 --> 00:35:56,279
Speaker 1: that's she might love it. She loves her jobs.

796
00:35:56,560 --> 00:35:59,600
Speaker 4: It is your boss, like that is a film script

797
00:36:00,040 --> 00:36:00,400
Speaker 4: to be Hi?

798
00:36:00,960 --> 00:36:03,800
Speaker 2: That is I just can't it's the proposal Ryan Reynolds,

799
00:36:03,960 --> 00:36:04,480
Speaker 2: is it? Yeah?

800
00:36:05,040 --> 00:36:05,680
Speaker 4: The film script?

801
00:36:05,840 --> 00:36:08,000
Speaker 2: Yeah, got different, but you know, similar.

802
00:36:11,880 --> 00:36:13,080
Speaker 4: Different. It's a bit different.

803
00:36:15,880 --> 00:36:17,919
Speaker 2: What you've got to contact from?

804
00:36:19,200 --> 00:36:19,640
Speaker 4: Nutshell?

805
00:36:19,920 --> 00:36:21,720
Speaker 2: Why do you have to contact your eggs graze?

806
00:36:22,440 --> 00:36:23,400
Speaker 5: Hey, guys, I.

807
00:36:25,239 --> 00:36:27,919
Speaker 12: Had to contact my ex because my dog had killed

808
00:36:27,920 --> 00:36:30,920
Speaker 12: a possum and I went to put it in the

809
00:36:31,000 --> 00:36:32,719
Speaker 12: bin but it was still alive and I didn't know

810
00:36:32,800 --> 00:36:36,800
Speaker 12: what to do, so I called he found out that

811
00:36:36,960 --> 00:36:37,640
Speaker 12: he'd blocked me.

812
00:36:38,400 --> 00:36:43,959
Speaker 3: Oh grist, So did you Grace? Can I ask? Because

813
00:36:43,960 --> 00:36:46,160
Speaker 3: I'm not sure I'm going to take a guess here,

814
00:36:46,600 --> 00:36:47,640
Speaker 3: Just tell me if I'm nowhere.

815
00:36:48,520 --> 00:36:50,560
Speaker 4: Did did you end it with him?

816
00:36:51,640 --> 00:36:51,680
Speaker 5: No?

817
00:36:52,200 --> 00:36:54,879
Speaker 12: So he ended up with you and then he lived

818
00:36:54,920 --> 00:36:56,680
Speaker 12: down the road, which is why we called him.

819
00:36:57,000 --> 00:36:59,480
Speaker 3: Okay, so that's why he was your first. So there

820
00:36:59,520 --> 00:37:02,080
Speaker 3: was no Because this is the thing, obviously with all

821
00:37:02,160 --> 00:37:03,920
Speaker 3: of these phone calls, if you're calling your ex. As

822
00:37:03,960 --> 00:37:05,879
Speaker 3: soon as your ex gets a text or a call

823
00:37:05,960 --> 00:37:10,799
Speaker 3: from you, they're obviously questioning whether there's an ulterior motive.

824
00:37:11,160 --> 00:37:17,000
Speaker 1: Yeah right, so naturally, so you think the expert, I reckon,

825
00:37:17,040 --> 00:37:20,120
Speaker 1: you killed that possum just an excuse to bring No.

826
00:37:20,440 --> 00:37:22,360
Speaker 3: No, no, the ulterior motive is that they want to

827
00:37:22,400 --> 00:37:25,759
Speaker 3: hook up, all right. Yeah, sorry, not that she killed

828
00:37:25,760 --> 00:37:26,280
Speaker 3: the potom.

829
00:37:28,360 --> 00:37:30,640
Speaker 1: I thought you were saying that she faked the whole

830
00:37:30,680 --> 00:37:32,080
Speaker 1: possum incident to get him on.

831
00:37:32,480 --> 00:37:34,960
Speaker 4: Oh wow, yes exactly.

832
00:37:35,480 --> 00:37:35,759
Speaker 9: But no.

833
00:37:38,560 --> 00:37:41,320
Speaker 3: To grace, Grace, did you feel like you had to

834
00:37:41,400 --> 00:37:44,799
Speaker 3: convince him that you didn't kill the possum? Well? I never,

835
00:37:45,040 --> 00:37:52,800
Speaker 3: he never, Deacon, Why do you have to get in

836
00:37:52,880 --> 00:37:53,560
Speaker 3: touch with your ex?

837
00:37:55,239 --> 00:37:59,560
Speaker 8: So we had a pretty bad photo and he left

838
00:37:59,600 --> 00:38:04,680
Speaker 8: me on my birthday, but he he got me this

839
00:38:04,920 --> 00:38:07,279
Speaker 8: necklace for my birthday, but then took it with him,

840
00:38:08,040 --> 00:38:09,120
Speaker 8: and I wanted it back.

841
00:38:09,680 --> 00:38:11,120
Speaker 3: Yeah, yeah, fair enough.

842
00:38:11,200 --> 00:38:11,800
Speaker 2: So what happened?

843
00:38:12,680 --> 00:38:15,600
Speaker 8: So he packed up all his staff left and I

844
00:38:15,719 --> 00:38:19,360
Speaker 8: realized he had taken my necklace and I about a

845
00:38:19,520 --> 00:38:22,120
Speaker 8: month or two later, when he had a new girlfriend,

846
00:38:23,440 --> 00:38:28,360
Speaker 8: he had posted a photo with her wearing it.

847
00:38:28,840 --> 00:38:31,480
Speaker 3: Wearing it and what did you do?

848
00:38:31,719 --> 00:38:33,279
Speaker 4: What did you do when you reached out to him?

849
00:38:34,000 --> 00:38:36,520
Speaker 9: Yeah, I was like, I want my necklace back, and

850
00:38:36,640 --> 00:38:39,280
Speaker 9: then he fully was like, I never got you anything.

851
00:38:39,520 --> 00:38:43,359
Speaker 9: It wasn't yours, like you know, and tried to tell

852
00:38:43,440 --> 00:38:44,640
Speaker 9: me that wasn't.

853
00:38:44,400 --> 00:38:46,480
Speaker 4: My Necklathen's advocate is it?

854
00:38:46,560 --> 00:38:47,320
Speaker 2: Is it your necklace?

855
00:38:47,320 --> 00:38:49,759
Speaker 3: At that point it is her birthday blaying on? But

856
00:38:49,960 --> 00:38:52,360
Speaker 3: it did she actually did you actually receive the present?

857
00:38:52,440 --> 00:38:53,520
Speaker 3: Taking did you open the box?

858
00:38:53,600 --> 00:38:54,120
Speaker 4: Did you put it on?

859
00:38:54,280 --> 00:38:54,480
Speaker 11: Yeah?

860
00:38:54,520 --> 00:38:56,279
Speaker 8: Yeah, yeah. He took me out to dinner in the

861
00:38:56,400 --> 00:38:58,040
Speaker 8: city and we had a full dinner.

862
00:38:58,200 --> 00:39:00,520
Speaker 9: We came home and then the next day he was like, no,

863
00:39:01,560 --> 00:39:03,640
Speaker 9: I don't want to do this anymore and he took everything.

864
00:39:03,800 --> 00:39:05,839
Speaker 2: Tagan, where is the necklace at now?

865
00:39:08,120 --> 00:39:11,160
Speaker 8: Probably on her next still so she she still has it,

866
00:39:12,120 --> 00:39:13,000
Speaker 8: I assume.

867
00:39:12,719 --> 00:39:15,520
Speaker 3: So we need to get it back. I'm sorry, we

868
00:39:15,680 --> 00:39:16,480
Speaker 3: need to get it back.

869
00:39:16,719 --> 00:39:18,279
Speaker 4: Have you got his number, Tagan.

870
00:39:19,000 --> 00:39:19,839
Speaker 11: No, I don't.

871
00:39:20,560 --> 00:39:23,480
Speaker 2: We'll find it'll find