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Speaker 1: Hey, tell the body on your Friday brought to you

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Speaker 1: by missing this afternoon. Now, whats this does need contact?

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Speaker 1: Because you and I interviewed Kyli and Oak from a bed.

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Speaker 1: Now I needed. The first thing I needed is clarify

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Speaker 1: here she was not in the bed right. Nope, So

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Speaker 1: that request obviously went through the record company and came

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Speaker 1: back with a swift No. Of course Robbie Williams might

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Speaker 1: have pulled that off back in the day, but no,

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Speaker 1: we were not interviewing Kylmon and Oak from bed. She

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Speaker 1: was on a zoom and we it was a zoom audio.

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Speaker 1: It was actually a zoom audio. I'm gonna pull the

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Speaker 1: curtain down here a little bit. So they actually said

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Speaker 1: to us, she's not going to turn her video on,

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Speaker 1: which is why you and I were in bed, because

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Speaker 1: we were like, who cares, don't need to be in

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Speaker 1: a studio. We can sit in bed. We were traveling

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Speaker 1: and traveling all day. We woke up in this motel

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Speaker 1: today and we were like, you know what, let's just

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Speaker 1: do the interview in bed together. She's not going to

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Speaker 1: know immediately the audio is sounded a bit weird, and

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Speaker 1: she was like, where are you guys? And we were

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Speaker 1: actually giggling like school girls. Like, I don't know what happened.

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Speaker 1: We just went into like school camp year five models.

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Speaker 1: She was like, where are you? We were like in

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Speaker 1: a bed and she was like, okay, turn your video on, she.

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Speaker 2: Said, She goes, I'm going to play a bit similar

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Speaker 2: and wait till you hear where that goes?

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Speaker 3: Hi, Kylie, how are you.

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Speaker 4: Dumb to you?

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Speaker 1: How are you?

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Speaker 2: Hi?

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Speaker 3: We're ring matchy here?

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Speaker 5: I like it.

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Speaker 1: We're actually in bed together. Well, it's late.

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Speaker 3: There or something?

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Speaker 1: A cup of coco?

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Speaker 4: Oh no, we don't.

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Speaker 1: Actually, I actually have got one up there that I've

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Speaker 1: been brewing on the side.

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Speaker 6: Mate.

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Speaker 1: Let's talk about the new record, shall we tension out now?

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Speaker 1: Very exciting? You must be excited to finally have it

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Speaker 1: all out there.

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Speaker 5: Oh, it's crazy exciting. It's not even been out for

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Speaker 5: a week yet.

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Speaker 3: In the world.

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Speaker 5: Obviously, I've been It's been a long time in my life,

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Speaker 5: like two years ago on this as always Water Journey.

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Speaker 5: But I feel like there's a lot within this album.

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Speaker 5: And to start with Padam, padamn, everyone no.

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Speaker 3: One could be the same anymore.

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Speaker 5: She was like, Padam and then roll into attention and

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Speaker 5: now people are discovering more in the album It's Yeah,

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Speaker 5: it's a really special time for me.

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Speaker 4: Just on Padamn, Kylie.

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Speaker 2: I had a friend who very recently bought a new

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Speaker 2: pair of pants, and when he entered the room wearing

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Speaker 2: incredibly exciting, incredibly exciting. I've got a new young baby,

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Speaker 2: so really small things excite me these days.

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Speaker 4: But he walked into this.

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Speaker 1: Room, Well, you're in with another man, don't say small

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Speaker 1: things excite you.

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Speaker 7: He's walking.

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Speaker 2: He walked into a room and he had these new

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Speaker 2: pants on. He was very excited about these pants, and

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Speaker 2: he just sort of like did a spin. He clicked

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Speaker 2: his fingers and he said, perdamn. Now I had no

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Speaker 2: idea what he was referring to. So I feel like

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Speaker 2: you're the right person to ask here, what do you

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Speaker 2: actually mean when you say padan?

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Speaker 5: I think for your friends with the whole pant situation,

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Speaker 5: he was meaning check me out, Yes, predamnformentioned new pants.

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Speaker 5: Can I just check away? Like meaning long pant or

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Speaker 5: meaning like it was other pants?

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Speaker 2: It was actually it was a three quarter pant. Actually

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Speaker 2: it was right in between there. Yeah, it was like

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Speaker 2: a tied It was a tied three quarter pair. I mean,

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Speaker 2: if I'm to be really honest and critical. I didn't

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Speaker 2: think it was a pant worthy of a padan, but

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Speaker 2: that's why I wanted to ask you what mean it was.

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Speaker 5: It didn't know if it was long shorts or short

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Speaker 5: longs Okay, so he was in a three quarter ibe.

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Speaker 3: Yeah, I think great.

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Speaker 5: So pudam can mean hey, it can mean hello, goodbye,

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Speaker 5: it can mean.

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Speaker 7: Or how do you predomn?

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Speaker 5: How do I?

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Speaker 6: I always double?

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Speaker 3: I have to.

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Speaker 1: You're contractually obliged, so you should know then, and I'm

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Speaker 1: interested to get your interpretation. Woody has irritable bow syndrome

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Speaker 1: and as a result, like he gets like really really

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Speaker 1: flatulent sometimes and it's awful. So I forced him to

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Speaker 1: have a Persisto's eucalypt spray in the studio because it's

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Speaker 1: just it can be intolerable. And I've said, look, are

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Speaker 1: you obviously going to keep farting. I'm happy with that,

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Speaker 1: but every time you need to spray, and to remind

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Speaker 1: himself to spray, he now sprays and says, perdam oh, not.

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Speaker 5: Taking it down.

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Speaker 6: I think we need to freethinking and give a differench.

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Speaker 3: Scriptor to the spulation.

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Speaker 1: He does it with a bit of flair like he doesn't.

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Speaker 1: He spins on spot turns a little bit, camp sprays

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Speaker 1: the air, and it's a nice little like reminder, you know,

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Speaker 1: I don't know, rememb there's a metaphor and you're going.

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Speaker 4: And there's that multiple use of the word again.

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Speaker 5: That's a segue you can say, you know, people have

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Speaker 5: been predamning a lot. One of my favorite moments is

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Speaker 5: my guitarists we were heading towards stage not long ago,

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Speaker 5: and you know, you get kind of vibed up and

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Speaker 5: now's the time we're going to go, and you go

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Speaker 5: with a kind of northern accents like, let's do some

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Speaker 5: for damage.

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Speaker 4: I like it.

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Speaker 1: I love that.

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Speaker 2: Let's say we're starting all of our radio shows, now

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Speaker 2: let's do.

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Speaker 1: Don't ever know that to me, we're in the same

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Speaker 1: bed together, let's do some damage. You got to remember

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Speaker 1: the context here, everyone, we are in the same bed together.

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Speaker 1: We can't be talking about the damage. Family Show, Family Show.

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Speaker 1: I actually did like the idea of the old idea

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Speaker 1: of a pedamn. You know, like really, you know, if

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Speaker 1: your partner's yeah exactly, like yeah, if your partners put

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Speaker 1: something on it looks really good, per damn.

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Speaker 7: Yeah.

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Speaker 2: Yeah, So Padam is also a very sexy song, and

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Speaker 2: I think so many of your songs could be classified

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Speaker 2: as sexy. I'm probably mincing the line here, but I

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Speaker 2: think there's a line in Padam which is like I

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Speaker 2: want to take you home and take off all your clothes,

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Speaker 2: or you're thinking that is that?

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Speaker 1: Is that right? You might just be what you're thinking.

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Speaker 5: You flipped it, but it's close.

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Speaker 4: But yes, yes, okay, yes, that's it. That's it.

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Speaker 2: So my partner just speaking about, you know, always having

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Speaker 2: that confidence to you know, perform sexy songs and be sexy.

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Speaker 2: My partner had a baby, I referred to it before

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Speaker 2: eleven months ago, and she was actually trying to put

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Speaker 2: back on a dress that she wanted to put on

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Speaker 2: before pregnancy and it didn't quite fit. And it was

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Speaker 2: actually sort of heartbreaking for me as her partner, to

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Speaker 2: see her have that moment where she I mean, I

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Speaker 2: still think she's the sexiest girl on this earth, but

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Speaker 2: to see her why not right right, but to see

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Speaker 2: her question that, you know, with you know what she's

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Speaker 2: been through. My question to you would be what advice

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Speaker 2: would you give to women or men out there who

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Speaker 2: maybe aren't feeling so sexy and how they can be

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Speaker 2: feeling sexy.

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Speaker 5: Firstly, I'd say I get it because we all go

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Speaker 5: through those stages. I mean, I'm in my fifties now,

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Speaker 5: I've been through all the you know, all the different stages.

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Speaker 5: I've been through years of being on you know, medication

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Speaker 5: for treatment that made me it's like I was in

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Speaker 5: someone else's body, someone else's.

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Speaker 6: Face, Like I was really kind.

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Speaker 7: Of puffed up for years.

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Speaker 5: And we all have it at different stages that insecurity,

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Speaker 5: and it can become overwhelming. So I don't know that

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Speaker 5: there's an easy cut through for that, but at least

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Speaker 5: to say you're not. We all feel like that. And

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Speaker 5: I adore hearing you talk like that about her, And

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Speaker 5: that's just, you know, that's love, and what we think

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Speaker 5: about ourselves can be soon awful, damaging sometimes self love.

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Speaker 5: It's great that we all talk about it, that you

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Speaker 5: can talk openly about that.

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Speaker 1: I don't know.

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Speaker 5: You've made my day hearing that. That's amazing.

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Speaker 1: Oh, that's so nice. Yes, do you think there's a

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Speaker 1: bit of tension going on here? Like have you picked

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Speaker 1: up on that at all?

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Speaker 5: Love vibes only strong live.

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Speaker 1: Yeah, that's true, it's true. Great to see you so

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Speaker 1: good to see you.

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Speaker 5: Congratulations, thank you, thanks very much.

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Speaker 2: For damage for damage by. Here's a big question, it's

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Speaker 2: a loaded question. Is my mum the most unsupportive mum

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Speaker 2: out there?

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Speaker 8: Now?

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Speaker 4: I know that's brutal.

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Speaker 2: I know that sounds brutal, and I just say actually

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Speaker 2: before I do go in, Yes, I actually for a

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Speaker 2: long time, I sort of like, you know, I worried

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Speaker 2: about this that you know, she doesn't like express pride

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Speaker 2: in things that I do very very openly or freely.

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Speaker 2: And I love that she does that because it's forged

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Speaker 2: this very honest relationship between the two of us. Anyway,

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Speaker 2: cover me bas as well enough. I was watching the Deli.

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Speaker 2: I was watching the DAIM a couple of nights ago,

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Speaker 2: and the winner of the DAIM, which is like the

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Speaker 2: best the best.

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Speaker 4: Player in the NRL.

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Speaker 2: Yeah, okay, this guy, Kaylen Ponger won the award. But

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Speaker 2: before the awards ceremony, this is what his mum said.

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Speaker 1: I know you did want to say anything, but do

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Speaker 1: you just do you think he's a chance of winning tonight? Hopeful? No,

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Speaker 1: I've got a vacuum.

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Speaker 3: I'll be proud no matter what.

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Speaker 1: Well said, Thanks man, Thanks Caylen. Thank you so much.

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Speaker 1: I love those interviews at Footy Award tonight. So they're

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Speaker 1: just awesome, aren't they?

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Speaker 2: Sparkling audio goal back like uh, I saw that though,

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Speaker 2: and I saw this mum just going like, nah, I

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Speaker 2: don't think he's a chance to win. And it just

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Speaker 2: reminded me straight away of my own mum. By the way,

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Speaker 2: Calen Ponger went on and won the.

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Speaker 1: Award the Extraordinary, his mom all you was the only

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Speaker 1: person that didn't think he could do it.

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Speaker 2: Mum had money on someone else. Obviously you do, and

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Speaker 2: she's been.

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Speaker 1: So I do it is because I mean, you'd think

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Speaker 1: first role as a mum is just get around him,

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Speaker 1: just get around them, just just just give him a

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Speaker 1: little bit there, well, just give him a little bit.

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Speaker 4: Maybe not the way I was raised. Yeah, he's just

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Speaker 4: a tiny.

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Speaker 2: Bit of audio of every time I try and get

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Speaker 2: mum on this radio show, it's a pretty low priority

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Speaker 2: for it.

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Speaker 4: Mum, Yeah there are you going very good?

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Speaker 3: Thanks?

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Speaker 4: Are you free to chat quickly?

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Speaker 3: Really quickly. I'm just in the middle of doing something,

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Speaker 3: but yeah, what.

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Speaker 4: Were you doing?

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Speaker 5: Work?

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Speaker 9: Yeah?

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Speaker 4: Fair enough, and she hung up about twenty seconds later. Anyway,

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Speaker 4: So been retired for a year as well.

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Speaker 1: We're not sure what that means. You just hear the

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Speaker 1: gears ticking where she's like, I don't want to talk

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Speaker 1: to you, but I've got to come up with any excuse.

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Speaker 2: Yes, work, Yes, So I've devised a plan just to

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Speaker 2: really sort of punctuate and show the relationship I have

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Speaker 2: with my mum.

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Speaker 1: And just how supportive she is.

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Speaker 4: Yeah.

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Speaker 2: So I'm going to call her and effectively I'm going

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Speaker 2: to say that we're up for like a radio award.

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Speaker 1: Which we are. Congratulations mozeltop to the whole team. Best

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Speaker 1: network show. Am I right? No one's listening outside good

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Speaker 1: tonight Blood.

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Speaker 4: Very supportive team as well, very supportive team.

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Speaker 1: All guys, last time anyway, sure to thank all of you.

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Speaker 1: When were up there, I.

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Speaker 2: Thought it'd be funny to call my mum and effectively go, hey, Mom,

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Speaker 2: we need some audio for our nomination for.

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Speaker 4: This award, and I'll ask a specific questions about the

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Speaker 4: radio show.

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Speaker 2: Now, I think I'm what we're going to find out

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Speaker 2: is that she has not listened to a second of

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Speaker 2: this radio That's true.

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Speaker 1: Do you like when do you actually think was the

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Speaker 1: last time she listened outside of outside of the fact

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Speaker 1: that she obviously gets the background noise because your dad

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Speaker 1: is and has it up loud and sits in front

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Speaker 1: of the wireless like he's in nineteen thirty five, and.

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Speaker 4: He's a prolific listener that doesn't miss a minute apart from.

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Speaker 1: The secondhand listening from your dad in the front room.

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Speaker 1: Do you think she's actively like do you think we're

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Speaker 1: on the presets in the car?

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Speaker 2: Definitely not okay, but I'm to be honest, you can

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Speaker 2: roll of presets. It wouldn't have thought so, But to

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Speaker 2: be honest, I'm not sure if it's like a joke

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Speaker 2: that she's going for an hour. It's like, ha ha ha,

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Speaker 2: never listened to you. I'm not sure if it's a joke.

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Speaker 1: Yeah, Because she's in an uber or like a taxi

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Speaker 1: between four Jolsey she's like, hey, oh yes, son, she.

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Speaker 2: Said to me once, she said, I'll listen to if

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Speaker 2: you played per Dumb by Kylie Minogue.

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Speaker 1: Oh well, Kyle's coming up on the show soon, so.

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Speaker 4: They might get her on today's show something Beautiful right

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Speaker 4: up next.

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Speaker 2: I want to call out, let's find out if she

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Speaker 2: actually listens to any of our radio show at all.

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Speaker 1: Are you confident like, are you feeling good about yourself today?

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Speaker 1: Because you could just have your Pride's about to have

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Speaker 1: a bit of a work I reckon.

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Speaker 4: But it could also go the other way and get

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Speaker 4: a big boost.

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Speaker 1: Probably doesn't even like me, to be honest.

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Speaker 4: Yeah, no, she's made that quite clear.

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Speaker 1: You're a bad influence apparently.

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Speaker 4: Anyway, So look, I.

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Speaker 2: Want to call my mum now and just find out

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Speaker 2: is it just a joke or is it actually genuine?

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Speaker 2: So I'm going to call her under the guise of

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Speaker 2: basically that we're nominated for a radio award or whatever

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Speaker 2: and we need some people talking about the show. So

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Speaker 2: the question is is she actually going to be able

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Speaker 2: to answer any questions about our radio show?

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Speaker 1: And you don't think she's listened to a second you

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Speaker 1: know last year.

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Speaker 4: I've just been thinking about it during the song I'm now.

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Speaker 2: I hope it's a joke, and I hope we find

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Speaker 2: it in this phone call that she's actually a huge fan.

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Speaker 2: She brings up heaps of great stuff that we've done,

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Speaker 2: and this is going to be a beautiful moment between

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Speaker 2: mother and son.

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Speaker 4: Okay, the fingers crossed for that one. Hello, Mum, it's

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Speaker 4: your son.

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Speaker 9: Hello.

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Speaker 2: The reason I'm calling you from the radio studio is

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Speaker 2: because the Radio Awards are coming up and we want

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Speaker 2: to effectively submit ourselves for best Show. And the way

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Speaker 2: to do that is we get a whole bunch of

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Speaker 2: like audio grabs of people to effectively talk about the

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Speaker 2: show and how good the show is, and then you

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Speaker 2: send that as your submission, and then from that you

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Speaker 2: might get nominated.

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Speaker 4: So the radio team thought it would be a good

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Speaker 4: idea to.

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Speaker 2: Get like family talking about the show as one angle.

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Speaker 2: So can I like just ask you some questions about

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Speaker 2: the radio show and we can use that in the submission.

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Speaker 3: You think that's a good idea?

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Speaker 4: Yeah, why would Why wouldn't that be a good idea?

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Speaker 3: Well, if father listens every single night without sail?

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Speaker 2: Yeah, I see too obvious. That's too obvious that I reckon,

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Speaker 2: Like it's almost like he go too hard. Whereas this

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Speaker 2: is like a bit more of a realistic.

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Speaker 4: Appraisal.

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Speaker 2: So like it's easy ones, Mom, So like, what's your

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Speaker 2: favorite segment on the show? O, I can answer that? Okay,

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Speaker 2: because you can't choose between all your favorites or because

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Speaker 2: you literally can't.

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Speaker 3: It's all it's actually all my favorite.

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Speaker 4: Can you name one.

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Speaker 2: Can I So, what's what, okay of of of our

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Speaker 2: entire show in the last like, what's your favorite thing

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Speaker 2: we've done? And if you had to say, like broadly,

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Speaker 2: why our radio show is good, what would you say?

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Speaker 5: Mmmm?

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Speaker 3: Because you're funny?

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Speaker 7: Good?

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Speaker 1: Go on next.

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Speaker 3: So you're possibly getting a vibe. But often I'm busy between.

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Speaker 1: So busy, the busiest what are the chances?

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Speaker 4: Well, yeah, what are you busy? What are you busy with?

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Speaker 9: Mum?

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Speaker 4: Because you don't work Monday to Friday anymore?

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Speaker 3: I do, no, I work Mondays and Tuesdays.

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Speaker 4: The show also runs from Wednesday to Friday.

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Speaker 3: Mum, Sure, I'm preparing the dinner, bringing in the washing.

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Speaker 4: Every day for two hours from.

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Speaker 3: I do enjoy Russia National at that time?

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Speaker 2: There it is okay, all right, well thanks, but I'm

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Speaker 2: not sure if you can use any of that.

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Speaker 3: But that's great, good best wishes. I'm with you all

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Speaker 3: the way.

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Speaker 4: Clearly not clearly not.

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Speaker 1: The stand original series. This looks. I'm still not sure

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Speaker 1: how this has worked out, but you guys can put

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Speaker 1: it together in your heads. There's a new series called Court,

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Speaker 1: which is going to premiere on the twenty eighth of September,

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Speaker 1: all the episodes only on stand and here's the bit,

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Speaker 1: try and make this leapboards. We've got Sean Penn, obviously

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Speaker 1: one of the biggest names in Hollywood starting starting alongside

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Speaker 1: Brooke Boney, Alison Langdon and Sarah Arbo from Channel nine,

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Speaker 1: as well as Carl Stefanovic Seems odd.

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Speaker 4: Seems odd.

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Speaker 1: Carl Jones is now.

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Speaker 9: I'm not an after thought. I'm not an extra. They

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Speaker 9: told me that was going to be a big star,

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Speaker 9: a big, big star.

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Speaker 10: Man.

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Speaker 9: I'm just not How is this?

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Speaker 1: What's the coup here? Like? Do you know how is

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Speaker 1: Susan Sarandon's in this? I mean speaking of when the

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Speaker 1: credits roll out, because you know you've got kind of

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Speaker 1: like six pages of credits at the end of every

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Speaker 1: Are you You're not on the same page as Penn

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Speaker 1: and surrounding, aren't you?

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Speaker 9: I don't think I'm on a page. Is the worst thing.

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Speaker 2: It's humiliating, and I think the producers obviously aren't confident

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Speaker 2: in your acting Chops as well, Carl, because you're playing yourself.

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Speaker 9: You know what. Actually, very mean, boy, very mean. I

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00:17:51,880 --> 00:17:53,520
Speaker 9: actually got off there this one day and they said, right,

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Speaker 9: are you going to go to this court thing downstairs,

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Speaker 9: and I said not to have a court thing, and

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Speaker 9: so I wanted downstairs, go on to the set. What's

383
00:18:04,920 --> 00:18:06,280
Speaker 9: the brief? And they said, well, you just got to

384
00:18:06,280 --> 00:18:08,840
Speaker 9: play a heightened version of yourself. And I was like,

385
00:18:09,040 --> 00:18:12,240
Speaker 9: heightened is in logis quashy? You heightened? Or you know,

386
00:18:13,800 --> 00:18:16,640
Speaker 9: how height do you want? And they said, well, just

387
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Speaker 9: slightly more Carl stevenov than Carl Stevenovik. And then I

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Speaker 9: started and I had no idea what that meant I was.

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Speaker 9: And then and I started it, and then Sean Pan

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Speaker 9: literally walks out and stands right next to my camera.

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Speaker 9: Now you saw a heightened version of Carl steven Ok.

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Speaker 9: When that happened, I was like.

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Speaker 1: Holy ship, shocking? Was shocking to that?

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Speaker 9: Is it?

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Speaker 6: So?

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Speaker 1: What was it like not being the big dick on set?

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Speaker 1: As soon as Pen walks on.

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Speaker 9: I don't know about that, mate, He held my own.

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Speaker 1: Definitely.

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Speaker 9: It was frightening.

401
00:18:58,480 --> 00:19:01,800
Speaker 1: It was frightening, scary, like he's intimidating customer.

402
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Speaker 4: He goes into war zones and stuff.

403
00:19:05,240 --> 00:19:07,360
Speaker 9: Yeah, I know he's been in the Ukraine. Yeah, he's

404
00:19:07,440 --> 00:19:11,040
Speaker 9: a poor proper he's a proper dude. He watches you

405
00:19:11,119 --> 00:19:14,959
Speaker 9: intently and then like I just nailed this scene and

406
00:19:14,960 --> 00:19:17,040
Speaker 9: and then he just sort of rolled his eyes and

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Speaker 9: walked away and put a dart in his mouth and

408
00:19:19,280 --> 00:19:20,760
Speaker 9: went out the smoke And I was like, I go,

409
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Speaker 9: howd I go?

410
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Speaker 2: So was there any Was there any backstage chat with

411
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Speaker 2: Penn at all colors?

412
00:19:28,840 --> 00:19:32,280
Speaker 9: Yeah? I went outside with him and watched him with him.

413
00:19:36,040 --> 00:19:38,960
Speaker 9: I just love the mumble. Back in the day, I

414
00:19:39,040 --> 00:19:41,160
Speaker 9: was more a stivo guy. But that's the guy they're

415
00:19:41,160 --> 00:19:51,720
Speaker 9: doing him, and I completely lost credibility. Yeah, anyway, I

416
00:19:51,720 --> 00:19:53,280
Speaker 9: had a chat with him. He was He's a great

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00:19:53,320 --> 00:19:55,479
Speaker 9: fellow though. Look, I really got to tell you he was.

418
00:19:55,560 --> 00:19:57,080
Speaker 9: And it's a big kind of thing for him to

419
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Speaker 9: come out and do this spiricle, you know, but he's

420
00:19:59,720 --> 00:20:02,879
Speaker 9: so he's so bloody good. He was much more relaxed

421
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Speaker 9: than I thought he was going to be.

422
00:20:04,400 --> 00:20:08,199
Speaker 1: He's playing a heightened version of himself.

423
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Speaker 4: Does anyone play a character in this show?

424
00:20:14,240 --> 00:20:15,080
Speaker 1: In all seriousness?

425
00:20:15,080 --> 00:20:15,280
Speaker 6: Though?

426
00:20:15,400 --> 00:20:19,560
Speaker 1: He is playing himself in this show? Right? Can like

427
00:20:19,600 --> 00:20:21,640
Speaker 1: what this is about? Because I'm really struggling to put

428
00:20:21,640 --> 00:20:24,520
Speaker 1: this together. Sean Penn doing the Today Show on cut Like,

429
00:20:24,600 --> 00:20:25,040
Speaker 1: what's the.

430
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Speaker 9: I don't know.

431
00:20:29,440 --> 00:20:29,800
Speaker 6: Myself?

432
00:20:29,840 --> 00:20:30,720
Speaker 9: And then left.

433
00:20:32,640 --> 00:20:35,480
Speaker 4: Your bit with Sean Penn is all about you.

434
00:20:35,560 --> 00:20:38,320
Speaker 2: Guys clearly challenge each other to say a word on

435
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Speaker 2: live TV.

436
00:20:39,359 --> 00:20:39,479
Speaker 9: Now.

437
00:20:39,480 --> 00:20:40,919
Speaker 2: I don't want to give too much away because the

438
00:20:40,920 --> 00:20:43,760
Speaker 2: scene does sound very, very funny in your real line

439
00:20:43,800 --> 00:20:45,000
Speaker 2: of work on the Today Show.

440
00:20:45,040 --> 00:20:45,760
Speaker 4: Does that happen?

441
00:20:46,359 --> 00:20:48,600
Speaker 9: Yeah? It does. So you know Travis Film, you know

442
00:20:48,640 --> 00:20:53,040
Speaker 9: the Viking. Yes, So he texts me every morning from

443
00:20:53,080 --> 00:20:55,440
Speaker 9: wherever it is because we both acted in this big

444
00:20:55,640 --> 00:20:59,240
Speaker 9: production together. Caught I saw him, you know, vaguely from

445
00:20:59,240 --> 00:21:02,040
Speaker 9: a distance. So he keeps every day. He sends me

446
00:21:02,040 --> 00:21:05,520
Speaker 9: messages like you've got to say, you know something horrendous,

447
00:21:05,800 --> 00:21:07,760
Speaker 9: and I've got to work it into the show. I

448
00:21:07,800 --> 00:21:10,159
Speaker 9: generally do you know what it's like? He's got no

449
00:21:10,200 --> 00:21:12,600
Speaker 9: one really to entertain except for yourself.

450
00:21:15,400 --> 00:21:17,520
Speaker 1: When the producer's eyes are glazed over.

451
00:21:20,560 --> 00:21:22,879
Speaker 2: I want to take it at five past six this morning, Carors,

452
00:21:22,880 --> 00:21:25,080
Speaker 2: because I actually wake up with Today and I get

453
00:21:25,080 --> 00:21:27,320
Speaker 2: the generally the five thirty till six.

454
00:21:27,440 --> 00:21:28,760
Speaker 4: I feel like you guys are a little bit loose,

455
00:21:28,800 --> 00:21:29,600
Speaker 4: and I really enjoy that.

456
00:21:29,720 --> 00:21:29,880
Speaker 9: Yeah.

457
00:21:30,640 --> 00:21:32,760
Speaker 2: I flicked on this morning and you were talking about

458
00:21:32,840 --> 00:21:34,280
Speaker 2: trying condoms.

459
00:21:34,040 --> 00:21:36,920
Speaker 9: Right, Yeah, quondongs Quang dong.

460
00:21:37,200 --> 00:21:38,399
Speaker 4: What's a quan dong.

461
00:21:39,240 --> 00:21:41,160
Speaker 9: It's like a Chinese fruit or something.

462
00:21:42,040 --> 00:21:46,000
Speaker 2: Watching I flicked on and all I hear Cal going

463
00:21:46,160 --> 00:21:48,280
Speaker 2: is like, yeah, yeah, I'm trying a couple of kwandongs,

464
00:21:48,320 --> 00:21:49,920
Speaker 2: and it goes they didn't work.

465
00:21:49,920 --> 00:21:52,240
Speaker 4: I've got a baby, now, isn't that funny?

466
00:21:52,280 --> 00:21:52,440
Speaker 6: Half?

467
00:21:52,440 --> 00:21:53,719
Speaker 9: But daddy was playing with condom?

468
00:21:53,880 --> 00:21:58,000
Speaker 11: Well not with mummy.

469
00:21:58,040 --> 00:21:59,680
Speaker 9: You came along. You're a beautiful little thing.

470
00:22:00,800 --> 00:22:00,960
Speaker 6: Yeah.

471
00:22:01,040 --> 00:22:01,200
Speaker 2: Yeah.

472
00:22:01,200 --> 00:22:03,760
Speaker 1: Everyone wants to see Carl playing himself in the stand

473
00:22:03,800 --> 00:22:08,400
Speaker 1: original series Court twenty September only on Stan Carl It's

474
00:22:08,400 --> 00:22:10,080
Speaker 1: been great to chat mate. Thank you so much.

475
00:22:10,320 --> 00:22:13,480
Speaker 9: Probably not the world's greatest primo for it, but anyway, anyway.

476
00:22:13,280 --> 00:22:13,680
Speaker 1: Check it out.

477
00:22:15,800 --> 00:22:20,520
Speaker 10: Staling all Legends Friday. I wasn't actually going to come

478
00:22:20,560 --> 00:22:22,000
Speaker 10: in today, but I got a May Day call from

479
00:22:22,040 --> 00:22:24,200
Speaker 10: you both. Yeah, because you weren't sure about that guest.

480
00:22:24,240 --> 00:22:27,760
Speaker 10: You had them before they go hang on and then

481
00:22:27,760 --> 00:22:28,760
Speaker 10: I was like, yeah, I'll help you out.

482
00:22:28,800 --> 00:22:30,680
Speaker 7: But she was great, what did you talking about?

483
00:22:31,320 --> 00:22:35,479
Speaker 1: You have confidence where he cooks that anyway, you can hear

484
00:22:35,480 --> 00:22:37,000
Speaker 1: it on the podcast. We don't need to go into it.

485
00:22:38,800 --> 00:22:40,800
Speaker 7: On your show. I'm going to let everyone down with

486
00:22:40,840 --> 00:22:41,280
Speaker 7: this interview.

487
00:22:42,520 --> 00:22:45,000
Speaker 4: I'm sorry you met Kyle Minogue.

488
00:22:44,720 --> 00:22:46,760
Speaker 10: Briefly at the Grand Prix this year bit of a

489
00:22:47,000 --> 00:22:49,880
Speaker 10: high five, but didn't have a chance sake today, I'd

490
00:22:49,920 --> 00:22:50,440
Speaker 10: like Seconday.

491
00:22:50,520 --> 00:22:51,760
Speaker 7: Yeah, yeah, she was a legend.

492
00:22:51,800 --> 00:22:53,159
Speaker 4: Did you shoot with the high five or did she

493
00:22:53,200 --> 00:22:53,640
Speaker 4: shoot with.

494
00:22:53,560 --> 00:22:54,320
Speaker 7: The I remember?

495
00:22:54,359 --> 00:22:59,800
Speaker 10: Like, kay Kylie, have you got anyone like have you

496
00:22:59,880 --> 00:23:03,000
Speaker 10: not ticked off anyone on your like celebrity bucket list?

497
00:23:03,040 --> 00:23:05,360
Speaker 1: Because like you, I mean the places that you go

498
00:23:05,600 --> 00:23:08,240
Speaker 1: and the people that you see in the last twelve months,

499
00:23:08,520 --> 00:23:10,560
Speaker 1: you must have seen everyone there is to see.

500
00:23:11,080 --> 00:23:13,560
Speaker 10: I've covered a bit of ground. Yeah, Queen's funerals. The

501
00:23:13,560 --> 00:23:14,760
Speaker 10: few people there that you probably know.

502
00:23:14,880 --> 00:23:18,399
Speaker 1: That's like like you, You've been in the same room

503
00:23:19,080 --> 00:23:21,879
Speaker 1: with I think more than anyone that ever there the

504
00:23:21,960 --> 00:23:23,080
Speaker 1: most famous people on the planet.

505
00:23:23,119 --> 00:23:24,520
Speaker 7: And you two both go to me when you come.

506
00:23:29,680 --> 00:23:32,640
Speaker 1: We avoid like the place he's coming down.

507
00:23:32,720 --> 00:23:34,920
Speaker 7: Now you're like, oh, wheelchair, will chair oie?

508
00:23:37,600 --> 00:23:39,359
Speaker 2: But can I throw some names you quite seriously though,

509
00:23:39,440 --> 00:23:41,320
Speaker 2: Like Hemsworth, yeap met them.

510
00:23:41,400 --> 00:23:44,240
Speaker 7: I was actually neighbors with Liam Hemsworth back when I

511
00:23:44,240 --> 00:23:44,800
Speaker 7: was seventeen.

512
00:23:44,880 --> 00:23:47,040
Speaker 4: Shut up seventeen.

513
00:23:47,080 --> 00:23:49,439
Speaker 10: Yeah, he in his story his plot, he broke his

514
00:23:49,520 --> 00:23:51,760
Speaker 10: back and He had to challenge a guy to wheelchair

515
00:23:51,760 --> 00:23:54,000
Speaker 10: basketball to win his girlfriend, and I taught.

516
00:23:53,920 --> 00:23:54,920
Speaker 7: Him how to basketball.

517
00:23:55,200 --> 00:23:56,840
Speaker 10: Yeah, it was still because I like my basketball for

518
00:23:56,960 --> 00:24:00,160
Speaker 10: tennis around another. So yeah, they're rag.

519
00:24:00,080 --> 00:24:01,520
Speaker 4: Did okay Crow Russell Crowe.

520
00:24:01,680 --> 00:24:03,760
Speaker 7: Yeah, my uncle used to his physio eral Walcott.

521
00:24:05,080 --> 00:24:06,359
Speaker 1: Yeah, I think we need are I think we need

522
00:24:06,359 --> 00:24:07,919
Speaker 1: to shoot a lot higher than that. He was at

523
00:24:07,920 --> 00:24:09,840
Speaker 1: the he was at the queen's funeral.

524
00:24:10,680 --> 00:24:13,480
Speaker 7: Yeah, we just named drop him for the next absolute.

525
00:24:14,440 --> 00:24:16,080
Speaker 1: Queen's funeral, Beckham.

526
00:24:16,119 --> 00:24:18,040
Speaker 4: Do you go up to Becka?

527
00:24:18,119 --> 00:24:19,520
Speaker 7: He didn't get invited the Queen's funeral.

528
00:24:19,800 --> 00:24:21,359
Speaker 1: You got an invite over David?

529
00:24:21,920 --> 00:24:24,960
Speaker 10: Yeah, because he lined up remember in the line to

530
00:24:25,000 --> 00:24:27,719
Speaker 10: Sam and then the line up because we were at

531
00:24:27,720 --> 00:24:28,119
Speaker 10: the funeral.

532
00:24:28,920 --> 00:24:32,320
Speaker 1: Well yeah, great before we lined up one more rather

533
00:24:32,320 --> 00:24:34,639
Speaker 1: than us guessing. Just paint a picture a few of

534
00:24:34,680 --> 00:24:36,200
Speaker 1: the conversations get at the Queen's funeral.

535
00:24:36,320 --> 00:24:38,280
Speaker 7: You know we flew there. I couldn't. I had no

536
00:24:38,320 --> 00:24:39,800
Speaker 7: idea why I was there. It was very strange.

537
00:24:39,840 --> 00:24:40,440
Speaker 12: Yeah, yeah, yeah.

538
00:24:40,520 --> 00:24:44,080
Speaker 7: Our hotel was like mccron was there, Trudeau?

539
00:24:45,640 --> 00:24:47,479
Speaker 2: Did you go to they'll go to the buffet at

540
00:24:47,960 --> 00:24:49,679
Speaker 2: did they go to the A secret handshake?

541
00:24:49,720 --> 00:24:53,920
Speaker 7: You got to get in and then I was there.

542
00:24:53,920 --> 00:24:55,560
Speaker 7: I was like, well, my god, what is your chat?

543
00:24:56,720 --> 00:24:59,680
Speaker 1: What do you lead with? Though? Like you just oh yeah, we'd.

544
00:24:59,520 --> 00:25:01,600
Speaker 10: Like you know, federal police and that around us and

545
00:25:02,080 --> 00:25:06,240
Speaker 10: representeds and Elbow was there and always really great, Yeah,

546
00:25:06,680 --> 00:25:08,919
Speaker 10: good dude, and always I would introduce us and I

547
00:25:09,000 --> 00:25:09,960
Speaker 10: never felt like awkward.

548
00:25:09,960 --> 00:25:11,960
Speaker 7: It was this down is part of us, and yeah

549
00:25:12,000 --> 00:25:13,920
Speaker 7: I felt like my mum cried that I was there.

550
00:25:13,920 --> 00:25:14,159
Speaker 1: It was.

551
00:25:14,160 --> 00:25:20,480
Speaker 7: It was a very strange thing to go to its nuts.

552
00:25:20,920 --> 00:25:22,560
Speaker 2: So now let's talk about while you're here, though, deal

553
00:25:22,680 --> 00:25:25,480
Speaker 2: like we don't have name dropping now made me very uncomfortable.

554
00:25:26,840 --> 00:25:30,120
Speaker 4: The way everyone you plug you PL's.

555
00:25:29,640 --> 00:25:31,879
Speaker 2: An amazing thing that you that you are doing here

556
00:25:31,920 --> 00:25:33,520
Speaker 2: with Shift twenty. Can you tell us a bit about that?

557
00:25:33,600 --> 00:25:35,800
Speaker 10: Yeah, Look, you know we've been mates for a while,

558
00:25:35,960 --> 00:25:38,080
Speaker 10: all of us. And one thing, you know, I didn't

559
00:25:38,080 --> 00:25:40,480
Speaker 10: always be the guy that I am comfortable with my disability.

560
00:25:40,480 --> 00:25:42,439
Speaker 10: And one thing I really struggled with growing up is

561
00:25:42,440 --> 00:25:44,280
Speaker 10: when I turned on the TV, I never saw anybody

562
00:25:44,359 --> 00:25:44,560
Speaker 10: like me.

563
00:25:44,960 --> 00:25:46,399
Speaker 7: I saw people like like you both.

564
00:25:46,440 --> 00:25:48,720
Speaker 10: And when I did, it was a road safety ad

565
00:25:48,720 --> 00:25:50,760
Speaker 10: where someone speeds has a car accident. What's the next

566
00:25:50,800 --> 00:25:53,479
Speaker 10: sent someone like me in tears because their life's over.

567
00:25:53,800 --> 00:25:55,600
Speaker 10: What does that tell you about disability, That it's the

568
00:25:55,640 --> 00:25:58,280
Speaker 10: worst possible thing that can happen to you? And I

569
00:25:58,400 --> 00:26:00,840
Speaker 10: used to believe that people listening still might believe that,

570
00:26:01,200 --> 00:26:03,200
Speaker 10: right because that's what you're told. You believe the stories

571
00:26:03,200 --> 00:26:04,680
Speaker 10: were told. And you know there are four and a

572
00:26:04,680 --> 00:26:07,200
Speaker 10: half million people in Australia. One in five have some

573
00:26:07,280 --> 00:26:10,800
Speaker 10: form of visible or invisible disability, right so one if

574
00:26:10,960 --> 00:26:14,119
Speaker 10: people think right now are disabled, we don't see ourselves represented.

575
00:26:14,160 --> 00:26:15,920
Speaker 10: And of that four and a half million, the twenty

576
00:26:15,960 --> 00:26:18,960
Speaker 10: percent less than one percent on our screens globally and

577
00:26:19,000 --> 00:26:19,720
Speaker 10: that breaks my heart.

578
00:26:19,760 --> 00:26:19,960
Speaker 7: Right.

579
00:26:20,080 --> 00:26:22,280
Speaker 10: So the Shift Toy Initiative we partner with the biggest

580
00:26:22,280 --> 00:26:25,240
Speaker 10: brands in the country. There's macas Amy, Bonds, A and

581
00:26:25,320 --> 00:26:27,359
Speaker 10: Z just to name a few, and we've replaced all

582
00:26:27,359 --> 00:26:29,960
Speaker 10: their talent, their everybody talent with people with disability in

583
00:26:30,320 --> 00:26:32,600
Speaker 10: their ads at the moment and it's so cool to

584
00:26:32,600 --> 00:26:34,120
Speaker 10: see it, Like they just keep popping up on TV,

585
00:26:34,320 --> 00:26:36,240
Speaker 10: like the Whet Bigs kid is a young girl Eva

586
00:26:36,240 --> 00:26:37,080
Speaker 10: who's in a wheelchair.

587
00:26:37,880 --> 00:26:39,600
Speaker 7: That would have changed my life if I saw.

588
00:26:40,920 --> 00:26:43,600
Speaker 10: The Bonds ad Nathan Borg He's signing in Osland in

589
00:26:43,600 --> 00:26:46,240
Speaker 10: the ad in his underwear. You know the amiy woman laa,

590
00:26:46,880 --> 00:26:49,840
Speaker 10: she's blind. She's also singing the jingle. Right then they've redone,

591
00:26:49,840 --> 00:26:51,960
Speaker 10: the whole jingle And the coolest part of all these

592
00:26:51,960 --> 00:26:53,800
Speaker 10: brands have committed over the next sort of while to

593
00:26:54,119 --> 00:26:56,400
Speaker 10: keep shifting the needle hence the name, to just get

594
00:26:56,400 --> 00:26:59,199
Speaker 10: more and more representation in their marketing materials. And you

595
00:26:59,240 --> 00:27:01,560
Speaker 10: know the reason we should do it is we're just

596
00:27:01,600 --> 00:27:04,200
Speaker 10: normal people. We shop, we we travel, we go to events.

597
00:27:04,320 --> 00:27:05,960
Speaker 10: We just want to be seen as normal, not as

598
00:27:06,000 --> 00:27:08,800
Speaker 10: items of pity and not as items of inspiration, as

599
00:27:08,960 --> 00:27:11,560
Speaker 10: say a paralympian from the hospital bed to a gold matter.

600
00:27:11,560 --> 00:27:12,879
Speaker 7: We just do normal things and to be able to

601
00:27:12,920 --> 00:27:13,920
Speaker 7: see ourselves is pretty cool.

602
00:27:13,960 --> 00:27:14,480
Speaker 4: It's so true.

603
00:27:14,480 --> 00:27:16,840
Speaker 2: You off from the said at zero or one hundred zero,

604
00:27:16,920 --> 00:27:18,359
Speaker 2: this is this is a sad story or it's one

605
00:27:18,440 --> 00:27:20,680
Speaker 2: hundred Ready to celebrate this person because they're in a wheelchair,

606
00:27:20,760 --> 00:27:22,680
Speaker 2: because we got disability and they're doing this thing.

607
00:27:22,840 --> 00:27:24,720
Speaker 10: And the amount of people disabi get in the street

608
00:27:24,720 --> 00:27:26,640
Speaker 10: and they go and disabled them, Oh you're paralympiic. It's

609
00:27:26,640 --> 00:27:28,679
Speaker 10: like you don't just get it because you're disabled.

610
00:27:28,880 --> 00:27:29,359
Speaker 7: All the time.

611
00:27:29,920 --> 00:27:31,919
Speaker 10: So the people who aren't. What if you were to say, well,

612
00:27:31,920 --> 00:27:33,480
Speaker 10: you don't like sport, what if you want to be

613
00:27:33,880 --> 00:27:34,639
Speaker 10: a radio host?

614
00:27:34,680 --> 00:27:36,560
Speaker 7: Yeah, work in a bank, would you know?

615
00:27:36,640 --> 00:27:39,280
Speaker 1: Whatever changed my perspective on that. I don't know who

616
00:27:39,320 --> 00:27:42,479
Speaker 1: told me it is, but Paralympics. The prefix para you

617
00:27:42,480 --> 00:27:44,720
Speaker 1: think paraplegic and every like, that's the first thing that

618
00:27:44,720 --> 00:27:48,040
Speaker 1: I thought as a kid. But parai just means runs alongside,

619
00:27:48,240 --> 00:27:50,320
Speaker 1: runs next to has in like parallel.

620
00:27:50,359 --> 00:27:52,000
Speaker 10: You've just ruined a major part of my keynote. So

621
00:27:52,000 --> 00:27:55,200
Speaker 10: I thinks that it's.

622
00:27:55,040 --> 00:27:57,480
Speaker 1: True because when I discovered that, I was like, oh

623
00:27:57,520 --> 00:27:57,920
Speaker 1: my god.

624
00:27:58,080 --> 00:27:59,680
Speaker 7: The para means parallel power.

625
00:27:59,760 --> 00:28:02,600
Speaker 10: Yeah, so I thought it was the paraplegical paradly even

626
00:28:02,640 --> 00:28:04,920
Speaker 10: when I went so don't feel Yeah.

627
00:28:04,880 --> 00:28:06,600
Speaker 1: But yeah, someone told me that. I was like, you've

628
00:28:06,600 --> 00:28:06,919
Speaker 1: got to know.

629
00:28:07,280 --> 00:28:09,560
Speaker 10: The only the only difference is at the Paralympics. It's

630
00:28:09,800 --> 00:28:14,000
Speaker 10: we're all disabled and better looking and more marketable.

631
00:28:14,160 --> 00:28:16,480
Speaker 1: To Fridays Friday, we're just hanging out.

632
00:28:16,520 --> 00:28:18,920
Speaker 2: He's ever at the moment he pops into radio stations,

633
00:28:18,920 --> 00:28:20,679
Speaker 2: your host play school, tell us about that.

634
00:28:20,720 --> 00:28:22,080
Speaker 4: Actually, we've got to we've got to grab a view.

635
00:28:22,160 --> 00:28:25,560
Speaker 4: Hosting play School, Well win, don't.

636
00:28:25,320 --> 00:28:28,840
Speaker 2: Look back the wheels around long ago.

637
00:28:30,600 --> 00:28:35,080
Speaker 7: Brom Off Week, I still remember.

638
00:28:36,240 --> 00:28:36,840
Speaker 1: That's amazing.

639
00:28:37,040 --> 00:28:39,840
Speaker 10: I've got so many messages online from my mates and

640
00:28:39,840 --> 00:28:41,520
Speaker 10: people I don't know, saying God I love you, but

641
00:28:41,560 --> 00:28:42,480
Speaker 10: God I hate you because my.

642
00:28:42,520 --> 00:28:43,000
Speaker 1: Kids like.

643
00:28:46,920 --> 00:28:53,000
Speaker 7: Grabbling voice like what a cool experience?

644
00:28:53,120 --> 00:28:56,840
Speaker 10: Yeah, up on play school obvious an indigenous guy going

645
00:28:56,880 --> 00:28:59,880
Speaker 10: a wheelchair hosting play school blew our minds. We're pretty

646
00:29:00,040 --> 00:29:02,760
Speaker 10: out of that. We did one take and they were like, cool,

647
00:29:03,520 --> 00:29:06,440
Speaker 10: thanks so much. Really like what they're like, you know,

648
00:29:06,760 --> 00:29:08,520
Speaker 10: like energy's great, and they have a live band there

649
00:29:09,120 --> 00:29:10,280
Speaker 10: right full.

650
00:29:10,360 --> 00:29:11,520
Speaker 7: I thought would just be like, I don't know, I

651
00:29:11,560 --> 00:29:12,520
Speaker 7: played on speaker.

652
00:29:12,320 --> 00:29:15,280
Speaker 10: Full live band composer and we did a lesson and

653
00:29:15,280 --> 00:29:17,480
Speaker 10: we get there and they're like, did you Tony the words?

654
00:29:17,480 --> 00:29:20,000
Speaker 7: We're like, what words? And then they were just holding

655
00:29:20,040 --> 00:29:21,920
Speaker 7: off on big cards, gonna buy.

656
00:29:23,960 --> 00:29:26,760
Speaker 2: It was awesome, A big show, right, so there is

657
00:29:26,760 --> 00:29:28,680
Speaker 2: is there like an epic like spread of food and

658
00:29:28,720 --> 00:29:30,800
Speaker 2: stuff a budget?

659
00:29:30,920 --> 00:29:33,400
Speaker 10: Yeah, the lights on have a good spread. Actually, you

660
00:29:33,400 --> 00:29:35,200
Speaker 10: had to sack three people just to afford Tony.

661
00:29:39,080 --> 00:29:44,360
Speaker 1: Heydyl. I know that your girlfriend Chantell you go, we go, Yeah,

662
00:29:44,360 --> 00:29:47,040
Speaker 1: we go. Partner so Chantelle's sex ologist. And we were

663
00:29:47,720 --> 00:29:50,520
Speaker 1: said to say, by the way, did she's a legend.

664
00:29:50,920 --> 00:29:53,120
Speaker 1: She's a legend. We've got a called rude dude. She's

665
00:29:53,120 --> 00:29:54,880
Speaker 1: his seventy four year old who owns a bait and

666
00:29:54,880 --> 00:29:57,280
Speaker 1: tackle shop with a naughty corner in Queensland.

667
00:29:57,320 --> 00:29:58,640
Speaker 4: You met her, you met her at the at the

668
00:29:58,640 --> 00:30:02,800
Speaker 4: logo audio my super start. You lost your head?

669
00:30:03,200 --> 00:30:05,960
Speaker 7: Yeah, ship Paralympics.

670
00:30:08,640 --> 00:30:13,600
Speaker 10: I'm gonna sit on this showing white you can set

671
00:30:13,640 --> 00:30:15,520
Speaker 10: them all up at any time or on o good

672
00:30:15,920 --> 00:30:20,960
Speaker 10: I sat on there, you'd bring up the water. Was

673
00:30:21,000 --> 00:30:25,520
Speaker 10: she offering to sit on who's your Yeah? Yees, yeah,

674
00:30:25,680 --> 00:30:26,920
Speaker 10: you have the clearish and tel first.

675
00:30:26,920 --> 00:30:28,120
Speaker 7: But that was loose.

676
00:30:29,640 --> 00:30:30,000
Speaker 5: Before.

677
00:30:30,080 --> 00:30:31,840
Speaker 4: That's before the logis starts.

678
00:30:32,000 --> 00:30:34,000
Speaker 10: Well, that's just for everyone that he's The logo starts

679
00:30:34,080 --> 00:30:36,560
Speaker 10: seven thirty. That's three thirty in the afternoon, the red

680
00:30:36,560 --> 00:30:39,840
Speaker 10: Cup with that earlier. Yeah, everyone's stone out those bot

681
00:30:40,200 --> 00:30:41,720
Speaker 10: and I was looking at you, but I'm like, is

682
00:30:41,720 --> 00:30:42,120
Speaker 10: this normal?

683
00:30:43,200 --> 00:30:44,040
Speaker 7: It's no one? Oh cool?

684
00:30:45,600 --> 00:30:47,840
Speaker 1: She was getting it from like yoga? Was he cool

685
00:30:47,840 --> 00:30:48,000
Speaker 1: with it?

686
00:30:48,080 --> 00:30:48,240
Speaker 9: Right?

687
00:30:48,280 --> 00:30:50,120
Speaker 1: Like she was doing that to KOCHI Like it was.

688
00:30:50,200 --> 00:30:52,600
Speaker 7: Was Cos's reaction cause she was actually wheedling into Cosh.

689
00:30:52,600 --> 00:30:54,640
Speaker 1: She ended up taking a dildo from it, didn't.

690
00:30:54,400 --> 00:30:57,640
Speaker 2: He He took a pack of sex cards. But then

691
00:30:57,680 --> 00:31:00,400
Speaker 2: he was also like, I'm keen on some of your products,

692
00:31:00,400 --> 00:31:02,200
Speaker 2: but and I couldn't to these joking or not, you.

693
00:31:02,200 --> 00:31:03,040
Speaker 1: Can never listen here again.

694
00:31:03,760 --> 00:31:07,440
Speaker 4: I'm a retired TV person, married.

695
00:31:07,200 --> 00:31:09,760
Speaker 1: For forty four years.

696
00:31:10,200 --> 00:31:15,120
Speaker 2: What sex toy would you recommend for lib or iron Head?

697
00:31:15,680 --> 00:31:19,200
Speaker 1: No? Some tips? Well, I'm happy with.

698
00:31:22,320 --> 00:31:25,000
Speaker 7: What shells well in the search, scored.

699
00:31:25,680 --> 00:31:29,400
Speaker 3: A condoms so they can see you coming.

700
00:31:30,160 --> 00:31:35,280
Speaker 1: About those things of movie. I could get the juices.

701
00:31:34,880 --> 00:31:39,280
Speaker 4: Flowing sex guys sex card, so.

702
00:31:39,280 --> 00:31:40,840
Speaker 1: I'll take those home to Lib.

703
00:31:41,000 --> 00:31:43,840
Speaker 7: I'll give you a review that'll be lovely.

704
00:31:44,320 --> 00:31:46,840
Speaker 10: Asking me he's had a good at TV. That sounds

705
00:31:46,840 --> 00:31:50,120
Speaker 10: pretty legit, right, Yeah, she's got to hook up with Jude,

706
00:31:50,480 --> 00:31:51,440
Speaker 10: not hook up, well, hang.

707
00:31:51,360 --> 00:31:58,080
Speaker 1: On anything I was trying to. I was going to

708
00:31:58,160 --> 00:32:00,360
Speaker 1: ask you whether you were saying to to get down

709
00:32:00,400 --> 00:32:02,400
Speaker 1: to the naughty Corner. But it's a long way away.

710
00:32:02,400 --> 00:32:04,840
Speaker 1: It's eight hours in land from Brisbane next.

711
00:32:04,600 --> 00:32:05,680
Speaker 7: Week next week?

712
00:32:05,800 --> 00:32:06,760
Speaker 1: Yeah, is this.

713
00:32:06,720 --> 00:32:07,240
Speaker 7: A real offer?

714
00:32:07,440 --> 00:32:10,200
Speaker 2: She's actually closing the store and we want to get

715
00:32:10,200 --> 00:32:12,440
Speaker 2: a celebrity. Light yourself down there to get some food

716
00:32:12,440 --> 00:32:14,719
Speaker 2: traffic down there, you know, give some attention to her

717
00:32:14,720 --> 00:32:15,440
Speaker 2: closing store.

718
00:32:15,480 --> 00:32:16,560
Speaker 4: So we thought, who better.

719
00:32:16,440 --> 00:32:18,960
Speaker 7: I'm clear with the bosses. We'll see how we go. Yeah, seriously,

720
00:32:19,040 --> 00:32:22,120
Speaker 7: Yeah that's not a gasp by the way, that's tomorrow.

721
00:32:22,160 --> 00:32:22,960
Speaker 7: And then I lose my phone?

722
00:32:23,000 --> 00:32:23,120
Speaker 9: Num.

723
00:32:29,280 --> 00:32:31,600
Speaker 1: How about that review? How about the end of coche there?

724
00:32:31,640 --> 00:32:33,640
Speaker 1: He was like just offering to do a review, like

725
00:32:33,920 --> 00:32:35,560
Speaker 1: that's what you want to read over the Saturday paper

726
00:32:35,600 --> 00:32:38,360
Speaker 1: with breakfast Coshie's sex review of the Sex Cards with

727
00:32:38,400 --> 00:32:38,840
Speaker 1: his wife.

728
00:32:38,880 --> 00:32:44,000
Speaker 10: Yeah, disgusting radio show on at nine pm. Good honor

729
00:32:44,000 --> 00:32:47,680
Speaker 10: though positive sex positive aboo subject.

730
00:32:47,800 --> 00:32:49,680
Speaker 2: Especially in that region as well, where they didn't have

731
00:32:49,680 --> 00:32:52,080
Speaker 2: any don't have any sex toys in those towns, so people.

732
00:32:51,800 --> 00:32:54,560
Speaker 4: Come from all the surrounding towns to Charlaville to go

733
00:32:54,640 --> 00:32:58,560
Speaker 4: and get sex toys from her store. Now now, buddy,

734
00:32:58,920 --> 00:33:00,240
Speaker 4: including Koshi, how deal?

735
00:33:00,240 --> 00:33:03,400
Speaker 7: Thanks much coming in mane, love you both everyone here?

736
00:33:04,280 --> 00:33:08,720
Speaker 10: Is this the Australian I mean I shouldn't be retired

737
00:33:08,720 --> 00:33:11,320
Speaker 10: for a while thinking on top of the podium.

738
00:33:13,440 --> 00:33:15,440
Speaker 1: Great to see you, matey. To find out more, get

739
00:33:15,480 --> 00:33:18,720
Speaker 1: involved a head to Shift twenty dot org to get

740
00:33:18,760 --> 00:33:20,680
Speaker 1: involved with Shift twenty, which is the wonderful initiative that

741
00:33:20,720 --> 00:33:21,320
Speaker 1: Deal's been involved with.

742
00:33:21,320 --> 00:33:21,520
Speaker 7: Hope you.

743
00:33:21,520 --> 00:33:26,760
Speaker 1: I was having wonderful Friday's Will and Kylie Minogue she

744
00:33:26,840 --> 00:33:28,640
Speaker 1: was on the show with the boys. I mean we

745
00:33:28,720 --> 00:33:30,560
Speaker 1: were we were in bed actually when we did that interview.

746
00:33:30,560 --> 00:33:31,280
Speaker 1: It was totally wild.

747
00:33:31,400 --> 00:33:32,840
Speaker 4: Yeah, great chat hop chat.

748
00:33:32,880 --> 00:33:35,000
Speaker 1: I'm not sure it was great, but there was certainly

749
00:33:35,000 --> 00:33:36,800
Speaker 1: a moment that I enjoyed, which is when you tried

750
00:33:36,840 --> 00:33:39,240
Speaker 1: to quote Kylie's lyrics back at her and you cooked it.

751
00:33:39,720 --> 00:33:42,040
Speaker 2: When there's a line in Padan which is like I

752
00:33:42,080 --> 00:33:44,120
Speaker 2: want to take you home and take off all your clothes,

753
00:33:44,240 --> 00:33:47,120
Speaker 2: or you're thinking that is that? Is that right?

754
00:33:47,720 --> 00:33:49,000
Speaker 1: You might just do what you're thinking.

755
00:33:49,360 --> 00:33:49,960
Speaker 8: You flipped it.

756
00:33:50,040 --> 00:33:51,000
Speaker 3: But it's close, but.

757
00:33:51,080 --> 00:33:56,040
Speaker 1: Yes, yes, okay, very close, as I said to you

758
00:33:56,080 --> 00:33:58,600
Speaker 1: before the stakes are too high. Yeah, that'd be like

759
00:33:58,720 --> 00:34:01,280
Speaker 1: volunteering to shoot in our pull off your daughter's head

760
00:34:01,480 --> 00:34:03,800
Speaker 1: and being like, oh missed, but it was close.

761
00:34:04,240 --> 00:34:07,440
Speaker 2: And then you've shot your daughter. So you're stuffing up

762
00:34:07,440 --> 00:34:08,839
Speaker 2: that lyric in front of Colie, Me and Igue. I've

763
00:34:08,840 --> 00:34:11,920
Speaker 2: effectively metaphorically shot her in the face, which I think

764
00:34:12,000 --> 00:34:15,080
Speaker 2: is a fair You can talk, you.

765
00:34:14,960 --> 00:34:16,080
Speaker 1: Can talk, you can talk.

766
00:34:16,200 --> 00:34:16,719
Speaker 7: You can talk.

767
00:34:16,840 --> 00:34:18,880
Speaker 1: You can talk, you can talk, you can talk, and

768
00:34:19,080 --> 00:34:22,640
Speaker 1: see it's woody whales short abound me.

769
00:34:24,160 --> 00:34:25,040
Speaker 4: It isn't fair.

770
00:34:26,200 --> 00:34:33,359
Speaker 1: I've had enough, and it's term Yeah, the worst person

771
00:34:33,480 --> 00:34:37,240
Speaker 1: lyrics on the planet, which again astonishes me that you

772
00:34:37,600 --> 00:34:39,480
Speaker 1: went to go and quote her lyrics back to her,

773
00:34:39,520 --> 00:34:42,120
Speaker 1: like knowing your pedigree that we can go back to

774
00:34:42,200 --> 00:34:44,640
Speaker 1: the apple on your daughter's head metaphor. Again, it's almost

775
00:34:44,680 --> 00:34:47,000
Speaker 1: like you're doing that but blind, like that's pretty much

776
00:34:47,120 --> 00:34:47,480
Speaker 1: they were that.

777
00:34:47,800 --> 00:34:50,120
Speaker 4: But I read the lyric like just before the interview,

778
00:34:50,120 --> 00:34:52,680
Speaker 4: I just flipped it. I flipped it by accident. Anyway.

779
00:34:53,000 --> 00:34:54,880
Speaker 2: I actually do think I know a lot of Kylie's

780
00:34:54,920 --> 00:34:57,960
Speaker 2: music though, so so I think you're in my wheelhouse somewhat.

781
00:34:59,000 --> 00:35:02,799
Speaker 1: So bring us going to confidence. The confidence with your

782
00:35:02,880 --> 00:35:04,640
Speaker 1: history is quite amazing. But let's give it a go.

783
00:35:04,960 --> 00:35:07,200
Speaker 1: So I've going to call her here on thirteen or

784
00:35:07,239 --> 00:35:09,200
Speaker 1: one oh six five. Who is going to play Kathy?

785
00:35:09,600 --> 00:35:12,680
Speaker 1: Its names is buther buzzers cat. So just say your

786
00:35:12,719 --> 00:35:14,239
Speaker 1: name if you think you know the next lyric.

787
00:35:14,280 --> 00:35:16,680
Speaker 4: Okay, beautiful Kathy.

788
00:35:17,120 --> 00:35:20,080
Speaker 3: Yeah, I've known her since I was like little. She

789
00:35:20,360 --> 00:35:22,320
Speaker 3: went to Young Time and Time and stuff to watch

790
00:35:22,600 --> 00:35:24,120
Speaker 3: when before she was famous.

791
00:35:24,239 --> 00:35:27,160
Speaker 4: She whizz, all right, that's totally well, that's not fair.

792
00:35:27,200 --> 00:35:30,200
Speaker 1: So should we kick it up? Should we should kick

793
00:35:30,200 --> 00:35:32,719
Speaker 1: it off with perdam the one that you got wrong? Yeah?

794
00:35:32,800 --> 00:35:33,040
Speaker 9: Sure?

795
00:35:33,160 --> 00:35:34,880
Speaker 1: All right, Well well i'll tell you what bad the

796
00:35:34,960 --> 00:35:36,800
Speaker 1: names is. Buzzers will do one at a time. Okay,

797
00:35:36,960 --> 00:35:38,359
Speaker 1: just so that you know what. He has a crack?

798
00:35:38,920 --> 00:35:40,239
Speaker 1: What do you do? Get this wrong? So you can

799
00:35:40,239 --> 00:35:44,400
Speaker 1: go first. Here we go.

800
00:35:48,000 --> 00:35:53,240
Speaker 12: But I'm feeling him my chest, per dumb, per dumb.

801
00:35:53,640 --> 00:35:55,600
Speaker 12: I'm gonna give you my best to.

802
00:35:57,080 --> 00:35:59,200
Speaker 1: Incorrect.

803
00:35:59,760 --> 00:36:00,880
Speaker 4: She talking about a heartbeat.

804
00:36:02,000 --> 00:36:03,560
Speaker 1: Cat, Do you want to have a crack, then.

805
00:36:03,480 --> 00:36:12,840
Speaker 9: Yeah, I'll go to Burnham.

806
00:36:13,280 --> 00:36:17,640
Speaker 3: I hear it on the phone, but I want to

807
00:36:17,719 --> 00:36:18,840
Speaker 3: take you home.

808
00:36:19,239 --> 00:36:22,120
Speaker 1: But it's pretty good, not bad, not great, not bad,

809
00:36:23,040 --> 00:36:25,360
Speaker 1: definitely better than me. I don't think she says I

810
00:36:25,440 --> 00:36:27,640
Speaker 1: hear it on the phone. I think she says, I

811
00:36:27,680 --> 00:36:30,719
Speaker 1: hear it, and I know, and I know you want

812
00:36:30,760 --> 00:36:34,799
Speaker 1: to take me home. Yeah, sixty's wrong. No, No, that's

813
00:36:34,840 --> 00:36:37,319
Speaker 1: not the game. Cat, it's getting the lyrics right. You've

814
00:36:37,360 --> 00:36:38,880
Speaker 1: got up for the wrong segment if you're going for

815
00:36:38,920 --> 00:36:40,759
Speaker 1: close enough. That's all what he tried to say before

816
00:36:40,800 --> 00:36:42,879
Speaker 1: when he quoted Carle's lyrics back at him, and look

817
00:36:42,920 --> 00:36:44,560
Speaker 1: where that landed him. All right, next song? This is

818
00:36:44,560 --> 00:36:46,880
Speaker 1: a bag, This is you?

819
00:36:47,000 --> 00:36:55,800
Speaker 12: What's it's in your eyes? I can tell what you're thinking.

820
00:36:56,360 --> 00:37:00,760
Speaker 12: My heart is thinking it too. It's no so prass.

821
00:37:01,600 --> 00:37:05,399
Speaker 12: I've been watching you lately. I want to make it

822
00:37:05,480 --> 00:37:05,840
Speaker 12: with you.

823
00:37:08,920 --> 00:37:15,520
Speaker 1: Belave it. Well done, yeah so, but just slight correction.

824
00:37:15,680 --> 00:37:18,240
Speaker 1: It's not my heart is also her heart's not thinking.

825
00:37:18,400 --> 00:37:22,600
Speaker 1: Her heart is sinking. But it was a we'll put

826
00:37:22,600 --> 00:37:24,120
Speaker 1: it down to a lisp. Sure, we'll put it down

827
00:37:24,160 --> 00:37:26,839
Speaker 1: to a lisp weight. Well done. You're actually you're beating

828
00:37:26,920 --> 00:37:30,000
Speaker 1: Kathy here, coppycat dead rubber on the first. You're beating

829
00:37:30,000 --> 00:37:31,600
Speaker 1: her on the first. Cat. You can have first shot

830
00:37:31,600 --> 00:37:33,239
Speaker 1: of this one if you want. This is I can't

831
00:37:33,239 --> 00:37:34,239
Speaker 1: get you out of my head.

832
00:37:40,080 --> 00:37:43,359
Speaker 9: Well your loving I think them back.

833
00:37:43,840 --> 00:37:46,399
Speaker 3: I just can't get you out of my head.

834
00:37:47,640 --> 00:37:52,879
Speaker 1: Yeah, pretty good. Nice one.

835
00:37:53,600 --> 00:37:54,520
Speaker 4: What about one?

836
00:37:54,920 --> 00:37:56,439
Speaker 1: Well we're going to go to the final one here

837
00:37:56,600 --> 00:37:59,239
Speaker 1: it's woods he's up firstigating it. We are alternating. It's

838
00:37:59,280 --> 00:38:01,399
Speaker 1: one a piece of best of three? What do you lost?

839
00:38:01,440 --> 00:38:04,080
Speaker 1: Every Woody Whales in his life, he's awful at lyrics,

840
00:38:04,080 --> 00:38:06,480
Speaker 1: possibly the worst person on the planet with lyrics including

841
00:38:06,560 --> 00:38:09,319
Speaker 1: children that can't speak yet. So let's get into the

842
00:38:09,360 --> 00:38:12,600
Speaker 1: final song. Here it woulds you ready.

843
00:38:12,320 --> 00:38:14,160
Speaker 4: I'm bloody ready, and I'll tell you what kat You've

844
00:38:14,160 --> 00:38:16,160
Speaker 4: noticed since she was young. So if I beat you here,

845
00:38:16,480 --> 00:38:19,440
Speaker 4: egg on your face, devastated you bloody should be.

846
00:38:20,560 --> 00:38:21,719
Speaker 1: I'm not going to tell you what the song is,

847
00:38:21,880 --> 00:38:22,560
Speaker 1: just going to play.

848
00:38:22,480 --> 00:38:36,040
Speaker 8: Okay, I'm spinning around, move out on my way.

849
00:38:36,480 --> 00:38:38,439
Speaker 12: I know you're feeling it because you're.

850
00:38:38,560 --> 00:38:41,400
Speaker 1: Like it like this breaking a gun.

851
00:38:42,280 --> 00:38:43,320
Speaker 4: I'm not the same.

852
00:38:44,120 --> 00:38:47,120
Speaker 1: I know you're feeling it couse you like it like this.

853
00:38:52,520 --> 00:38:57,560
Speaker 1: Loved Katy, tell you so walking you can't make you

854
00:38:57,719 --> 00:38:58,640
Speaker 1: can't love.

855
00:38:58,480 --> 00:39:00,640
Speaker 4: That music video? Love music video.

856
00:39:00,680 --> 00:39:03,319
Speaker 1: Starting to get a bit sickning to get a bit sick,

857
00:39:03,760 --> 00:39:07,600
Speaker 1: really sick. You're on top from hero to zero. Jeez,

858
00:39:07,640 --> 00:39:10,080
Speaker 1: that happened fast. I'm going to go jive home and

859
00:39:18,800 --> 00:39:20,960
Speaker 1: hates well and right now we want to celebrate the

860
00:39:21,000 --> 00:39:24,120
Speaker 1: best callers of the week or thanks to Horby Normans.

861
00:39:24,440 --> 00:39:26,880
Speaker 1: Right now at Harvey Normans save up to forty percent

862
00:39:26,920 --> 00:39:29,880
Speaker 1: off lounges, a huge range of sizes and styles, limited

863
00:39:29,920 --> 00:39:32,399
Speaker 1: time only.

864
00:39:36,840 --> 00:39:39,600
Speaker 2: Hey, Wellbert, today, I mean we're going to be rewarding

865
00:39:39,640 --> 00:39:43,279
Speaker 2: someone who probably doesn't deserve to be rewarded because she.

866
00:39:43,440 --> 00:39:49,120
Speaker 4: Genuinely didn't know what her husband did as a job. Lisa,

867
00:39:49,200 --> 00:39:51,279
Speaker 4: you genuinely don't know what your partner does for work?

868
00:39:51,360 --> 00:39:54,279
Speaker 6: Yeah, I genuinely have no idea. So he's been in

869
00:39:54,320 --> 00:39:58,240
Speaker 6: this He's been with the same company for about ten years.

870
00:39:58,320 --> 00:40:00,400
Speaker 6: Anytime we talk about what is I want to do

871
00:40:00,480 --> 00:40:03,239
Speaker 6: for work, I'm like, oh, yeah, he does operations. I

872
00:40:03,280 --> 00:40:07,920
Speaker 6: think like he does rosters. I've got no idea rosters.

873
00:40:08,120 --> 00:40:09,759
Speaker 1: Lisa, how long have you been saying him for?

874
00:40:10,480 --> 00:40:13,439
Speaker 6: Oh my god, we're married with two kids together over

875
00:40:13,560 --> 00:40:16,640
Speaker 6: ten years. Where best friends like I have no clue.

876
00:40:17,120 --> 00:40:20,400
Speaker 6: Turns out about probably six months to a year ago.

877
00:40:20,520 --> 00:40:22,640
Speaker 6: Again I don't know because apparently I don't know anything.

878
00:40:22,960 --> 00:40:25,560
Speaker 6: But he actually got a promotion and he does data analytics,

879
00:40:25,600 --> 00:40:26,560
Speaker 6: which is again.

880
00:40:27,440 --> 00:40:33,480
Speaker 2: Completely You got to get this guy out so vague. Now, Lisa,

881
00:40:33,640 --> 00:40:36,200
Speaker 2: you join us on the show again. Do you want

882
00:40:36,239 --> 00:40:39,080
Speaker 2: to have another cracket like what you think your husband does?

883
00:40:39,840 --> 00:40:42,720
Speaker 6: Oh? Mate, you just made me look like completely naughty,

884
00:40:42,760 --> 00:40:45,400
Speaker 6: didn't you that to yourself?

885
00:40:45,400 --> 00:40:48,120
Speaker 3: There? I did look that?

886
00:40:48,440 --> 00:40:48,640
Speaker 8: Yeah?

887
00:40:48,719 --> 00:40:49,080
Speaker 3: All right?

888
00:40:49,360 --> 00:40:51,960
Speaker 6: Now the crack the funny thing is after that phone call,

889
00:40:52,160 --> 00:40:55,000
Speaker 6: I actually saw him for a quick strive together and

890
00:40:55,120 --> 00:40:57,359
Speaker 6: I had a chance to ask. And now you know what,

891
00:40:57,400 --> 00:41:03,279
Speaker 6: I still have no idea, but I don't numbers, and

892
00:41:03,320 --> 00:41:04,799
Speaker 6: he's good at Excel spreadsheet.

893
00:41:04,880 --> 00:41:07,200
Speaker 1: All right, we've got you actually get your husband, Ed,

894
00:41:07,200 --> 00:41:11,440
Speaker 1: who's on the phone right now. Welcome Ed. All right, Ed,

895
00:41:11,440 --> 00:41:13,200
Speaker 1: we're gonna have to we've got to get to get

896
00:41:13,280 --> 00:41:16,520
Speaker 1: get to the bottom of this. Mate. What do you do?

897
00:41:17,760 --> 00:41:23,239
Speaker 4: Oh, I don't know, you don't you don't even know.

898
00:41:25,280 --> 00:41:29,279
Speaker 11: It's one of those things. It's corporate world. I've gone through.

899
00:41:29,560 --> 00:41:31,960
Speaker 11: I've got a lot of experience. So so now I'm

900
00:41:31,960 --> 00:41:34,000
Speaker 11: in a position where I'm able to leverage my experience

901
00:41:34,000 --> 00:41:37,359
Speaker 11: of my ability to put out flowers, you know, put

902
00:41:37,400 --> 00:41:41,720
Speaker 11: out flowers, put out fires, get out.

903
00:41:41,920 --> 00:41:45,879
Speaker 1: It's all auras, it's all as you a drug dealer out.

904
00:41:48,520 --> 00:41:50,359
Speaker 11: Let's take that off one and then circle back.

905
00:41:54,160 --> 00:41:57,040
Speaker 1: Hey, guys, you've w on a thousand dollars, Harvey Norman, give.

906
00:41:58,080 --> 00:42:02,080
Speaker 3: Holy smoke, that's.

907
00:42:01,120 --> 00:42:06,640
Speaker 1: What yours enjoy. That was amazing. Have a great Friday,

908
00:42:06,960 --> 00:42:08,280
Speaker 1: Lasculated safe Place,