1 00:00:01,080 --> 00:00:04,760 Speaker 1: Powered by the radio WAB from ninety six air m 2 00:00:04,960 --> 00:00:07,040 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,840 Speaker 2: This is Clearzy and Lisa's podcast. 4 00:00:10,039 --> 00:00:12,920 Speaker 3: Coming up on the podcast today, Benochet reviews Force of Nature, 5 00:00:13,000 --> 00:00:13,640 Speaker 3: The Dry Too. 6 00:00:14,080 --> 00:00:16,840 Speaker 4: Lisa's theory about Prince Harry it's about his quick visit 7 00:00:16,880 --> 00:00:17,920 Speaker 4: to the King, not who's he's real? 8 00:00:18,000 --> 00:00:19,440 Speaker 2: Dad. I have questions. 9 00:00:19,760 --> 00:00:22,639 Speaker 3: We took your calls on a Space Invady, you know 10 00:00:23,000 --> 00:00:26,680 Speaker 3: personal Space Trappis Parker ignores the fans for buggers just. 11 00:00:26,720 --> 00:00:28,800 Speaker 2: Let h him. You didn't want anyone in his personal. 12 00:00:28,520 --> 00:00:32,479 Speaker 3: Space and the Oscar Award winning roles that went to 13 00:00:32,520 --> 00:00:33,040 Speaker 3: someone else. 14 00:00:33,400 --> 00:00:34,760 Speaker 4: I did mention to you earlier that I want to 15 00:00:34,760 --> 00:00:38,800 Speaker 4: talk about Space Invaders, but not the gun. No, not 16 00:00:38,960 --> 00:00:40,560 Speaker 4: the game. I know you're a bit of a hero 17 00:00:40,680 --> 00:00:42,200 Speaker 4: there in the Hills, Superstar. 18 00:00:42,360 --> 00:00:42,920 Speaker 2: I loved it. 19 00:00:43,000 --> 00:00:44,440 Speaker 4: Do you have the name top of them? When you 20 00:00:44,520 --> 00:00:46,000 Speaker 4: play spaces you have the name top of the walls? 21 00:00:46,479 --> 00:00:46,839 Speaker 2: Gamer? 22 00:00:47,280 --> 00:00:52,199 Speaker 3: You can't, And the reason is it's too dexterous for me. 23 00:00:52,280 --> 00:00:54,920 Speaker 3: You know you're the skilltrol. Yeah, I do too many 24 00:00:54,920 --> 00:00:55,880 Speaker 3: things on that control. 25 00:00:56,240 --> 00:00:58,760 Speaker 4: So you love playing? You weren't for a champ pardon 26 00:00:59,040 --> 00:01:00,520 Speaker 4: you love playing? But you and a champion. 27 00:01:00,640 --> 00:01:03,040 Speaker 3: No, I was a champion of space invaders. You didn't 28 00:01:03,040 --> 00:01:05,600 Speaker 3: have that gaming control thing. It was all in the 29 00:01:05,959 --> 00:01:08,960 Speaker 3: one thumb and the top and the toggle thing. And 30 00:01:09,000 --> 00:01:10,840 Speaker 3: I used to just toggle like a mania can hit 31 00:01:10,840 --> 00:01:11,520 Speaker 3: the thumb. 32 00:01:12,440 --> 00:01:15,680 Speaker 4: Between eating their fish and chips, and yeah, like that, 33 00:01:15,720 --> 00:01:16,120 Speaker 4: none of this. 34 00:01:16,360 --> 00:01:18,800 Speaker 3: You know, what do you call that thing that they 35 00:01:18,840 --> 00:01:22,600 Speaker 3: hold and it's got six hundred gaming control control and 36 00:01:22,640 --> 00:01:25,800 Speaker 3: you've got to turn down and all and then you know, 37 00:01:25,880 --> 00:01:27,360 Speaker 3: hit things and maneuver. 38 00:01:27,280 --> 00:01:27,840 Speaker 4: To be like a joke. 39 00:01:28,360 --> 00:01:30,959 Speaker 2: Give me one thumb, one toggle and I'm done. 40 00:01:31,040 --> 00:01:33,399 Speaker 4: Okay, Well you were, You were a championship. Have got 41 00:01:33,400 --> 00:01:36,240 Speaker 4: a trophy for your skills at that kind of space invader. 42 00:01:36,280 --> 00:01:37,440 Speaker 4: But I want to talk about a different kind of 43 00:01:37,480 --> 00:01:40,839 Speaker 4: space invasion today, and this is about personal space because 44 00:01:40,840 --> 00:01:43,600 Speaker 4: I don't like So I've got this weird thing right 45 00:01:43,640 --> 00:01:47,720 Speaker 4: where for some reason, like I go parking a local 46 00:01:47,760 --> 00:01:49,559 Speaker 4: car park when I'm waiting for my son to finish 47 00:01:49,640 --> 00:01:51,920 Speaker 4: work because I'm picking them up nowhere to park in 48 00:01:52,000 --> 00:01:53,640 Speaker 4: his work. So I go and park in this park 49 00:01:53,760 --> 00:01:56,120 Speaker 4: and for some reason, I'm there's no one else in 50 00:01:56,120 --> 00:01:57,880 Speaker 4: this car park. The next person who comes to the 51 00:01:57,880 --> 00:01:59,760 Speaker 4: car park parks right next to me. And it happens 52 00:01:59,760 --> 00:02:02,440 Speaker 4: on a regular basis, like a park anyway, like a part. 53 00:02:02,480 --> 00:02:04,720 Speaker 2: Those four hunds sitting next to you at the cinema 54 00:02:05,360 --> 00:02:06,120 Speaker 2: in an empty. 55 00:02:05,880 --> 00:02:08,280 Speaker 4: Cinema happened to meet a Now, of course people have 56 00:02:08,360 --> 00:02:10,720 Speaker 4: the right. I'm fussy, But yesterday I go to a cafe. 57 00:02:10,760 --> 00:02:12,280 Speaker 4: I want to get the quiet part of the cafe. 58 00:02:12,320 --> 00:02:14,160 Speaker 4: I go to sit down at the cafe. Anyone has 59 00:02:14,160 --> 00:02:15,679 Speaker 4: the right to sit next to me, but there were 60 00:02:16,000 --> 00:02:18,600 Speaker 4: forty other seats, and this woman sits right next to me, 61 00:02:18,680 --> 00:02:20,560 Speaker 4: and then two loud women sit on the other side 62 00:02:20,600 --> 00:02:22,720 Speaker 4: start bitching about their workplace, and I go, why did 63 00:02:22,760 --> 00:02:24,760 Speaker 4: you pick those seats right there? Now that's just me 64 00:02:24,880 --> 00:02:25,200 Speaker 4: with my. 65 00:02:25,320 --> 00:02:31,720 Speaker 2: Zer a Magnet. No, maybe, Lady Magnet, definitely not. There's 66 00:02:31,919 --> 00:02:34,040 Speaker 2: the dining out of that story for the next week. 67 00:02:34,280 --> 00:02:35,000 Speaker 2: Did you bring it up? 68 00:02:35,919 --> 00:02:37,360 Speaker 4: My wife calls me a big head, but I'm not. 69 00:02:38,320 --> 00:02:43,280 Speaker 4: But I digress. So on the space and it could 70 00:02:43,320 --> 00:02:45,800 Speaker 4: be in the workplace, It could be on a plane, 71 00:02:45,880 --> 00:02:48,840 Speaker 4: it could be at a family lunch at Christmas. It 72 00:02:48,919 --> 00:02:50,639 Speaker 4: might be at a sporting event or at the movies. 73 00:02:50,760 --> 00:02:53,560 Speaker 4: Like you said, yeah, yeah, And you know when you 74 00:02:53,560 --> 00:02:55,680 Speaker 4: get those close talkers and you go, oh, that's just 75 00:02:55,720 --> 00:02:56,280 Speaker 4: too close. 76 00:02:56,680 --> 00:02:58,799 Speaker 3: At the movies is where I find it happens. Yeah, 77 00:02:59,400 --> 00:03:03,120 Speaker 3: empty cinema. Why are you right? Why behind me or 78 00:03:03,240 --> 00:03:04,040 Speaker 3: right next to me? 79 00:03:04,720 --> 00:03:05,600 Speaker 2: Yeah? Go a way. 80 00:03:05,720 --> 00:03:08,320 Speaker 4: You call me the magnet mind you you Lisa? 81 00:03:08,320 --> 00:03:08,519 Speaker 2: Sure? 82 00:03:08,520 --> 00:03:10,880 Speaker 4: So you've got the paps after you if they get 83 00:03:10,880 --> 00:03:11,359 Speaker 4: that photo? 84 00:03:12,000 --> 00:03:15,480 Speaker 2: What's you eating talking about today? 85 00:03:17,520 --> 00:03:19,480 Speaker 4: You're in the paparazzi. We would love to hear from 86 00:03:19,480 --> 00:03:22,520 Speaker 4: you and tell us about the personal space invasion that 87 00:03:22,560 --> 00:03:24,480 Speaker 4: you that really puts you off. A mighty person, you know, 88 00:03:24,680 --> 00:03:28,040 Speaker 4: could be those talkers are the worst close talkers. Buddy, 89 00:03:28,880 --> 00:03:31,120 Speaker 4: do you know a space invader? Brian and Bayford. 90 00:03:31,000 --> 00:03:35,440 Speaker 2: Morning, Brian, Welcome, good one guys. Who's your space invader? Well, 91 00:03:35,960 --> 00:03:39,160 Speaker 2: we were in a motor home for six years. 92 00:03:38,560 --> 00:03:39,720 Speaker 5: The road sold up. 93 00:03:39,960 --> 00:03:44,640 Speaker 2: Yeah, and we were free campers. We didn't go to 94 00:03:44,800 --> 00:03:47,360 Speaker 2: care abmpire to save their money. Yeah. 95 00:03:47,400 --> 00:03:50,360 Speaker 6: We're never on the road for long, maybe one or 96 00:03:50,360 --> 00:03:52,760 Speaker 6: two hours a day. Then we'd pull over and enjoyed 97 00:03:52,840 --> 00:03:53,400 Speaker 6: the scenery. 98 00:03:53,600 --> 00:03:53,760 Speaker 2: Yep. 99 00:03:54,120 --> 00:03:56,720 Speaker 6: We were usually the first one of the place there's 100 00:03:56,720 --> 00:03:59,720 Speaker 6: spot we can find. Next person would come up a 101 00:03:59,760 --> 00:04:04,920 Speaker 6: new we packed right alongside. They had second best spot. 102 00:04:05,280 --> 00:04:07,960 Speaker 4: Yeah, you just want to feel to enjoy the serenity. 103 00:04:08,080 --> 00:04:10,080 Speaker 2: Yeah, that's rights. 104 00:04:10,320 --> 00:04:12,400 Speaker 6: The worst ones with the with the backpackers in their 105 00:04:12,400 --> 00:04:13,440 Speaker 6: little vans. 106 00:04:15,320 --> 00:04:17,120 Speaker 2: At the trailer. 107 00:04:17,400 --> 00:04:21,480 Speaker 6: Yeah, sometimes we get wedged in annoying. 108 00:04:22,080 --> 00:04:24,000 Speaker 4: Well, that's the problem, Brian. You're too good at picking 109 00:04:24,000 --> 00:04:27,320 Speaker 4: good spots, prime position. 110 00:04:27,839 --> 00:04:29,120 Speaker 2: All the time and know where to be. 111 00:04:29,640 --> 00:04:32,320 Speaker 3: There would be a bit of an unwritten understanding, would 112 00:04:32,360 --> 00:04:35,800 Speaker 3: you among the people on the road give me some room, 113 00:04:35,839 --> 00:04:40,360 Speaker 3: especially those van lifers. I think that get away from you, 114 00:04:40,360 --> 00:04:42,120 Speaker 3: you know, thanks. 115 00:04:41,800 --> 00:04:44,760 Speaker 2: Brian, Brian, sure, this is the soiler. 116 00:04:46,120 --> 00:04:48,600 Speaker 4: Probably right. They probably didn't start wanting to borrow things 117 00:04:48,600 --> 00:04:51,080 Speaker 4: if you've got to create the setup. Yeah, that's annoying. 118 00:04:51,240 --> 00:04:52,320 Speaker 2: Kevin in Ridgward. 119 00:04:52,040 --> 00:04:57,680 Speaker 7: Hello, okay, good, this is what actually happened yesterday. Now, 120 00:04:58,000 --> 00:05:01,800 Speaker 7: driver a Coop, as you know, massive, pulled up at 121 00:05:01,839 --> 00:05:05,360 Speaker 7: the post office near work and I was about I 122 00:05:05,400 --> 00:05:07,960 Speaker 7: was just doing something in the passage, wasn't looking at 123 00:05:07,960 --> 00:05:11,279 Speaker 7: the driver's side window. And what I didn't realize is 124 00:05:11,320 --> 00:05:13,560 Speaker 7: a car had pulled up beside me. Even though there 125 00:05:13,600 --> 00:05:15,960 Speaker 7: was like three car parks three he could have gone 126 00:05:16,000 --> 00:05:16,600 Speaker 7: up the other end. 127 00:05:16,680 --> 00:05:19,800 Speaker 8: Of course, I was about to turn around open the door, 128 00:05:19,839 --> 00:05:21,960 Speaker 8: realize he don't give me about eight eight inches of space, 129 00:05:23,560 --> 00:05:25,479 Speaker 8: and he must have got a little bit of a guilt. 130 00:05:25,279 --> 00:05:27,200 Speaker 7: Trip himself because he decided to move over. 131 00:05:27,600 --> 00:05:28,720 Speaker 2: Ah that's good. 132 00:05:29,080 --> 00:05:30,240 Speaker 4: That's rare, but that's good. 133 00:05:31,240 --> 00:05:34,120 Speaker 8: Yeah, so I had the space invaded. Then he realized 134 00:05:34,520 --> 00:05:36,240 Speaker 8: maybe this guy might need a bit more. 135 00:05:37,960 --> 00:05:41,000 Speaker 4: He had some That was good, Yeah, it was. 136 00:05:41,480 --> 00:05:44,680 Speaker 8: He kind of realized that, yeah, he was invading some 137 00:05:44,680 --> 00:05:48,480 Speaker 8: space and warted to move over him, probably only enough. 138 00:05:49,000 --> 00:05:50,800 Speaker 8: He had another park beside him. He could have gone 139 00:05:50,839 --> 00:05:51,200 Speaker 8: in the buck. 140 00:05:51,440 --> 00:05:54,560 Speaker 4: Yeah. 141 00:05:54,640 --> 00:05:54,919 Speaker 2: Yeah. 142 00:05:55,080 --> 00:05:56,720 Speaker 4: If not, he will climbing out the window then. 143 00:05:57,720 --> 00:05:58,600 Speaker 2: Yeah. 144 00:05:58,640 --> 00:06:00,919 Speaker 8: So yeah, it's not great in your you're in watching 145 00:06:01,360 --> 00:06:03,040 Speaker 8: what I mean? You book around and he's actually a 146 00:06:03,040 --> 00:06:07,920 Speaker 8: great big four wheel drive. Right where did you come from? 147 00:06:08,400 --> 00:06:10,720 Speaker 2: You had a good one there, thanks, Kevin. Kevin. 148 00:06:12,279 --> 00:06:15,080 Speaker 4: So, these personal space invaders happen all over the place, 149 00:06:15,080 --> 00:06:17,880 Speaker 4: don't I absolutely? What if it happens with people with private. 150 00:06:17,680 --> 00:06:21,880 Speaker 2: Jets behind you with their trolley? Oh yeah, that's a 151 00:06:21,880 --> 00:06:23,719 Speaker 2: weird one, isn't it invading your ankle space? 152 00:06:23,800 --> 00:06:24,000 Speaker 5: Yeah? 153 00:06:24,160 --> 00:06:26,280 Speaker 4: You know, private space. Do you think that includes tailgators? 154 00:06:26,320 --> 00:06:29,479 Speaker 4: Because I can't stand tailgaters. You really need to be 155 00:06:29,520 --> 00:06:31,800 Speaker 4: that close you're not a Cabby in. 156 00:06:31,960 --> 00:06:35,240 Speaker 2: Manhattan, and you're not going to make me go any faster. 157 00:06:35,480 --> 00:06:38,480 Speaker 4: No, that's right. Probably we're going to be a protest 158 00:06:38,720 --> 00:06:39,320 Speaker 4: break or two. 159 00:06:39,520 --> 00:06:45,560 Speaker 3: Yeah, absolutely, Diane in heath Rich, Hello, how are you good? 160 00:06:45,680 --> 00:06:48,239 Speaker 2: Tell us about the space invader? Oh, definitely. 161 00:06:48,279 --> 00:06:52,120 Speaker 9: I've got a couple of them to her manager business. 162 00:06:52,680 --> 00:06:57,520 Speaker 9: And I have two bosses. And they come into my 163 00:06:57,720 --> 00:06:59,480 Speaker 9: They don't ring or tell me to go, and they 164 00:06:59,520 --> 00:07:00,320 Speaker 9: come into my office. 165 00:07:00,360 --> 00:07:02,880 Speaker 5: They come and sit themselves down at my office, take their. 166 00:07:02,839 --> 00:07:05,800 Speaker 10: Chairs, they push all my paperwork out the way. It's 167 00:07:05,839 --> 00:07:10,000 Speaker 10: a very quite a narrow office, and so and then 168 00:07:10,040 --> 00:07:12,360 Speaker 10: they just start to you know, what are you doing? 169 00:07:12,600 --> 00:07:16,160 Speaker 10: I'm talking to you and and then you know, ask 170 00:07:16,200 --> 00:07:18,200 Speaker 10: me all these questions, which is sign that's that's they're 171 00:07:18,280 --> 00:07:21,200 Speaker 10: right and everything. But but they can sit there for 172 00:07:21,320 --> 00:07:22,160 Speaker 10: up to like. 173 00:07:22,520 --> 00:07:24,760 Speaker 2: Four hours really. 174 00:07:25,200 --> 00:07:26,720 Speaker 11: And then to get up and go to the toilet 175 00:07:26,800 --> 00:07:29,360 Speaker 11: or whatever. I've got a squeeze pass the more, to 176 00:07:29,960 --> 00:07:32,320 Speaker 11: get up and do this and that, and then and 177 00:07:32,360 --> 00:07:34,920 Speaker 11: then they'll say, oh, we haven't had a very productive day. 178 00:07:38,160 --> 00:07:40,520 Speaker 2: Uncomfortable the boss. 179 00:07:40,920 --> 00:07:44,000 Speaker 11: Actually, yeah, it can be quite oppressive because it's like 180 00:07:44,040 --> 00:07:45,720 Speaker 11: I feel tracked in the environment. 181 00:07:45,800 --> 00:07:48,280 Speaker 4: You know, are you there? Are there, superior? Are you 182 00:07:48,280 --> 00:07:49,040 Speaker 4: the boss there to die? 183 00:07:50,080 --> 00:07:53,920 Speaker 10: Well, I'm the manager, right, Okay. 184 00:07:53,680 --> 00:07:54,680 Speaker 4: I was going to say it should be time. 185 00:07:55,640 --> 00:07:59,640 Speaker 5: But if you can't, no, no, no, I can't do that. 186 00:08:00,440 --> 00:08:02,720 Speaker 10: So I have to I have to have to develop 187 00:08:02,760 --> 00:08:07,520 Speaker 10: some strategic opportunities to but to not allow this to 188 00:08:07,560 --> 00:08:08,600 Speaker 10: continue to happen. 189 00:08:08,720 --> 00:08:12,720 Speaker 2: Yeah. Yeah, they realize what they do. 190 00:08:12,840 --> 00:08:13,760 Speaker 4: Yeah, you're probably right. 191 00:08:13,960 --> 00:08:15,800 Speaker 2: Maybe a case of the flu or something. 192 00:08:16,000 --> 00:08:18,320 Speaker 3: Just give it a bit of sneezing, a bit of 193 00:08:18,440 --> 00:08:22,160 Speaker 3: sneezing around the room and maybe that will mak Yeah. 194 00:08:22,840 --> 00:08:24,280 Speaker 4: You know what I'd do. If you've got an old 195 00:08:24,480 --> 00:08:26,440 Speaker 4: COVID positive test, bring it in, just let it on 196 00:08:26,440 --> 00:08:30,160 Speaker 4: the desk, bolt run. 197 00:08:31,440 --> 00:08:31,720 Speaker 9: Yeah. 198 00:08:32,480 --> 00:08:39,319 Speaker 3: Definitely a case of double Scratch. 199 00:08:36,640 --> 00:08:39,160 Speaker 2: Your head a lot today, she said, double space invasion. 200 00:08:39,440 --> 00:08:39,960 Speaker 4: That's great. 201 00:08:41,320 --> 00:08:41,720 Speaker 2: Keep from that. 202 00:08:42,080 --> 00:08:44,920 Speaker 3: Scratch your head a lot, pull pull your two fingers 203 00:08:44,920 --> 00:08:53,360 Speaker 3: a well, bring the nit comb. Yeah it's a bit extreme, Diane. 204 00:08:53,720 --> 00:08:55,599 Speaker 10: Good luck with it all right, Thank you have a 205 00:08:55,640 --> 00:08:56,040 Speaker 10: great day. 206 00:08:56,720 --> 00:08:58,520 Speaker 4: Pulled Diane in the Double Space Invasion. 207 00:08:58,679 --> 00:09:00,400 Speaker 2: Jamie and bullsbrook Ondlocke. 208 00:09:00,040 --> 00:09:01,840 Speaker 5: To nominate my missus and kids. 209 00:09:02,600 --> 00:09:04,240 Speaker 4: Yeah, yeah, what have they done? 210 00:09:04,600 --> 00:09:08,280 Speaker 5: Yeah, just seems like every now and then when I 211 00:09:08,320 --> 00:09:11,080 Speaker 5: get home from work and feeling yuck and go and 212 00:09:11,120 --> 00:09:13,320 Speaker 5: have a shower. It doesn't matter that we've got to 213 00:09:13,320 --> 00:09:16,680 Speaker 5: four B two. You know, they've got their own bathroom, 214 00:09:16,800 --> 00:09:18,920 Speaker 5: we've got ours. But as soon as I jump in 215 00:09:18,960 --> 00:09:21,800 Speaker 5: the shower, you can guarantee within five minutes the missus 216 00:09:21,880 --> 00:09:25,000 Speaker 5: z let me know about her day. Ye, and then 217 00:09:25,040 --> 00:09:26,920 Speaker 5: a couple of seconds after that. I've got no worries 218 00:09:26,920 --> 00:09:28,880 Speaker 5: with that, don't get me wrong. But then if the 219 00:09:28,960 --> 00:09:31,120 Speaker 5: knock on the door a minute after that, and then 220 00:09:31,160 --> 00:09:34,600 Speaker 5: one of the kids walks in explaining their day, and 221 00:09:34,640 --> 00:09:36,560 Speaker 5: then the other kid things, well, they're in there, I'm 222 00:09:36,559 --> 00:09:42,520 Speaker 5: going in there, and before you know it, you're you're 223 00:09:42,559 --> 00:09:44,920 Speaker 5: standing in the corner of the shower, protecting yourself, and 224 00:09:45,000 --> 00:09:47,480 Speaker 5: you've got five, five kids, the missus and a dog 225 00:09:47,520 --> 00:09:49,240 Speaker 5: will standing there staying that you're trying to tell you 226 00:09:49,280 --> 00:09:49,880 Speaker 5: about their day. 227 00:09:51,679 --> 00:09:51,880 Speaker 10: Yeah. 228 00:09:51,960 --> 00:09:53,920 Speaker 5: I don't really care at this point of time. I 229 00:09:54,040 --> 00:09:57,120 Speaker 5: just want to drown myself slowly and when I come 230 00:09:57,200 --> 00:09:58,240 Speaker 5: out there and tell me. 231 00:09:58,320 --> 00:10:01,920 Speaker 2: Everything you want, Yeah, you just want to. 232 00:10:04,559 --> 00:10:07,439 Speaker 5: Yeah. I like cooking in the afternoons on a Sunday, 233 00:10:07,480 --> 00:10:09,079 Speaker 5: you know, get all the kids around, have a big 234 00:10:09,160 --> 00:10:14,240 Speaker 5: food but yeah, we've got the you know, the kitchen, dining, 235 00:10:14,400 --> 00:10:17,920 Speaker 5: family room, big area. So they decided to play a 236 00:10:17,960 --> 00:10:21,319 Speaker 5: board game. My dad's cooking right table or in the 237 00:10:21,400 --> 00:10:27,280 Speaker 5: family room or anything like that, away from three or 238 00:10:27,280 --> 00:10:29,240 Speaker 5: four on one side, five on the other side of 239 00:10:29,320 --> 00:10:30,640 Speaker 5: me in the middle, trying to do my thing. 240 00:10:31,160 --> 00:10:31,400 Speaker 2: Face. 241 00:10:33,040 --> 00:10:35,880 Speaker 4: We're resistible, mate, that's what it is, the family making. 242 00:10:36,200 --> 00:10:37,800 Speaker 2: They could be ignoring you, so you know. 243 00:10:37,960 --> 00:10:39,000 Speaker 4: You're the family magnet. 244 00:10:39,360 --> 00:10:40,160 Speaker 5: I don't mind that ever. 245 00:10:43,240 --> 00:10:45,000 Speaker 2: Give me a little bit of the ignoring just. 246 00:10:46,720 --> 00:10:47,960 Speaker 4: Way towards the quarter of the shower. 247 00:10:51,120 --> 00:10:53,199 Speaker 5: It's not even like I'm looking at you know. 248 00:10:56,559 --> 00:10:59,480 Speaker 4: Thanks, mate, have a good day avoiding avoiding the family 249 00:10:59,559 --> 00:11:00,439 Speaker 4: members were possible. 250 00:11:01,200 --> 00:11:05,079 Speaker 1: More Crazy More Lisa More podcast soon. 251 00:11:07,480 --> 00:11:09,480 Speaker 4: At least. I've got a lot of family coming in 252 00:11:09,600 --> 00:11:12,280 Speaker 4: to visit. Just happen to be Laurie's daughters coming in 253 00:11:12,320 --> 00:11:15,160 Speaker 4: from one from Melbourne, one from Sydney this week. So 254 00:11:15,240 --> 00:11:17,000 Speaker 4: I went to the airport to pick one up yesterday 255 00:11:17,360 --> 00:11:20,160 Speaker 4: and last night and at thet heard airport staff very 256 00:11:20,200 --> 00:11:22,360 Speaker 4: excited as I'm going through. You know, you're taking all 257 00:11:22,400 --> 00:11:24,079 Speaker 4: your stuff out of your pockets and going through the 258 00:11:24,120 --> 00:11:26,640 Speaker 4: scanner and that. Yeah, take the belt off and the 259 00:11:26,679 --> 00:11:29,640 Speaker 4: pants fall down. As I'm going through there, you hear 260 00:11:29,679 --> 00:11:31,559 Speaker 4: all that kind of stuff. You made a metal no, 261 00:11:32,280 --> 00:11:34,800 Speaker 4: and the airport staff getting very excited because one guy 262 00:11:34,840 --> 00:11:38,400 Speaker 4: said to two female stuff members at the airport, Travis 263 00:11:38,480 --> 00:11:41,400 Speaker 4: Barker was from one eight two was coming in today. 264 00:11:41,400 --> 00:11:44,440 Speaker 4: I saw him. I saw him, and immediately he barely 265 00:11:44,480 --> 00:11:46,600 Speaker 4: got that out, and both girls at the same time went, 266 00:11:46,920 --> 00:11:49,280 Speaker 4: was Courtney can now she and with him, and he 267 00:11:49,360 --> 00:11:52,800 Speaker 4: went no. And so they're very disappointed. 268 00:11:53,840 --> 00:11:55,760 Speaker 2: You have to take out all his piercings and things. 269 00:11:55,840 --> 00:11:57,440 Speaker 2: It's he there for you do think so. 270 00:11:57,920 --> 00:12:00,599 Speaker 4: Actually probably be there for longer than the tour. I 271 00:12:00,679 --> 00:12:02,959 Speaker 4: think you're right, But I was interested to hear that 272 00:12:03,160 --> 00:12:05,880 Speaker 4: thing of star spotting and the celebrity coming into town. 273 00:12:05,960 --> 00:12:07,760 Speaker 2: Well, yesterday it was the lead sing of my Coppice. 274 00:12:08,080 --> 00:12:10,240 Speaker 3: They very excited out at the airport about that, and 275 00:12:10,320 --> 00:12:13,559 Speaker 3: he was quite gracious, signing autographs and taking selfies with 276 00:12:13,600 --> 00:12:17,360 Speaker 3: people and stuff. Poor Travis has been numb. He's copying 277 00:12:17,400 --> 00:12:19,800 Speaker 3: it a bit because he didn't stop. Because he didn't stop, 278 00:12:20,760 --> 00:12:22,800 Speaker 3: and no, Courtney cuttersh was not with him. I think 279 00:12:22,840 --> 00:12:27,800 Speaker 3: she's based herself up in Sydney, and yeah, she's booked 280 00:12:27,800 --> 00:12:31,439 Speaker 3: in and she's there for the probably the duration of 281 00:12:31,520 --> 00:12:34,120 Speaker 3: the Australian leg of the tour. 282 00:12:34,240 --> 00:12:35,000 Speaker 2: I get the feeling. 283 00:12:35,200 --> 00:12:36,880 Speaker 3: I mean, that's face and they've got a what a 284 00:12:37,240 --> 00:12:39,000 Speaker 3: five or six month old baby or something. 285 00:12:39,120 --> 00:12:39,640 Speaker 2: They're kind of. 286 00:12:39,720 --> 00:12:42,800 Speaker 3: Parting all over the place, from town to town, and 287 00:12:42,920 --> 00:12:45,080 Speaker 3: it makes sense that she stops him. 288 00:12:45,240 --> 00:12:47,199 Speaker 4: Which she's probably checking business emails. 289 00:12:46,920 --> 00:12:48,920 Speaker 2: In one place. She's probably not. 290 00:12:53,040 --> 00:12:56,839 Speaker 3: Good for her, yes, probably taking mirror selfies and posting those, 291 00:12:56,960 --> 00:13:00,120 Speaker 3: of course. But Travis copped it because he didn't he well, 292 00:13:00,120 --> 00:13:02,040 Speaker 3: they're saying he snubbed. I think snubbed is a bit 293 00:13:02,040 --> 00:13:05,520 Speaker 3: of a you know, harsh. He didn't stop to talk 294 00:13:05,840 --> 00:13:08,679 Speaker 3: to a group of fans waiting outside the hotel in 295 00:13:08,760 --> 00:13:11,080 Speaker 3: anticipation of his arrav It looks like they was pulling 296 00:13:11,160 --> 00:13:16,160 Speaker 3: up at Crown Towels. A few a few guys, young 297 00:13:16,400 --> 00:13:18,880 Speaker 3: young guys were out the front and they were like Travis, Travis, 298 00:13:19,120 --> 00:13:22,040 Speaker 3: and here Travis. They wanted an autograph, they wanted a selfie, 299 00:13:22,559 --> 00:13:27,320 Speaker 3: and he just sort of looked straight down and told his. 300 00:13:27,400 --> 00:13:28,640 Speaker 2: Car to keep moment and keep moment. 301 00:13:28,960 --> 00:13:32,080 Speaker 3: And he didn't say anything, and he just got inside 302 00:13:32,200 --> 00:13:36,640 Speaker 3: and but you know, in his defense, sometimes you just 303 00:13:36,760 --> 00:13:38,080 Speaker 3: want to get to where you're going. 304 00:13:38,880 --> 00:13:42,480 Speaker 2: And it was, however hot it was yesterday. The guy 305 00:13:42,640 --> 00:13:44,640 Speaker 2: was dressed for a New York winter. Did you see 306 00:13:47,360 --> 00:13:48,720 Speaker 2: bodies on. He's got a hoodie. 307 00:13:48,760 --> 00:13:51,760 Speaker 3: Then he's got a heavy jacket over the hoodie. He's 308 00:13:51,760 --> 00:13:54,360 Speaker 3: got long pads, he's got boots, he's got you know. 309 00:13:54,559 --> 00:13:58,640 Speaker 3: So he was probably hot, hair breeze, and. 310 00:13:58,840 --> 00:14:00,760 Speaker 4: He wanted to get him his hotel room, have a 311 00:14:00,800 --> 00:14:04,000 Speaker 4: good shower. Absolutely, And I think part of the problem 312 00:14:04,040 --> 00:14:05,679 Speaker 4: with the celebs you see it, you know, when the 313 00:14:05,720 --> 00:14:08,800 Speaker 4: paparazzi and those visions, that vision from the States in particular, 314 00:14:09,400 --> 00:14:11,880 Speaker 4: they can get into that situation where their security go. 315 00:14:12,080 --> 00:14:14,640 Speaker 4: If you start signing autographs or it's not momal selfies, 316 00:14:14,679 --> 00:14:16,880 Speaker 4: some want these. You start doing selfies, you will get 317 00:14:16,920 --> 00:14:18,959 Speaker 4: stuck here for an hour and a half or four hours. 318 00:14:19,040 --> 00:14:21,840 Speaker 4: Because people learn that there's celebrity in the zone. They 319 00:14:21,920 --> 00:14:23,840 Speaker 4: see that frenzy. It's like a frenzy kind of thing. 320 00:14:23,960 --> 00:14:27,200 Speaker 3: They're not always that, they don't always want to do it, 321 00:14:27,280 --> 00:14:30,600 Speaker 3: and we can't. You can go them for it, and 322 00:14:30,720 --> 00:14:33,640 Speaker 3: then people go, oh, they're here to do a concert. 323 00:14:34,760 --> 00:14:38,160 Speaker 4: Just let them, and some fans, especially Rolling Stones fans, 324 00:14:38,200 --> 00:14:42,000 Speaker 4: sometimes entertain Stones fans who will check into the hotel 325 00:14:42,040 --> 00:14:45,680 Speaker 4: where the boys are creepy and bet in the pool 326 00:14:45,680 --> 00:14:46,200 Speaker 4: around the pot. 327 00:14:46,560 --> 00:14:51,560 Speaker 2: Blame them for not talking to you like you know, stalking. 328 00:14:51,760 --> 00:14:55,040 Speaker 4: Well, can you grab his drink his glass or is 329 00:14:55,800 --> 00:14:56,320 Speaker 4: he keeps sake? 330 00:14:56,360 --> 00:14:58,160 Speaker 2: Will put it on the look he wiped his nose 331 00:14:58,240 --> 00:14:58,440 Speaker 2: with that. 332 00:15:00,000 --> 00:15:00,760 Speaker 5: To get it. 333 00:15:01,200 --> 00:15:05,280 Speaker 2: Abay famous, not famous, not famous, not great. 334 00:15:05,120 --> 00:15:07,200 Speaker 1: To flick with. Ben o'she. 335 00:15:09,200 --> 00:15:12,000 Speaker 2: Good enough. I could be a bit longer like another person. 336 00:15:13,120 --> 00:15:16,360 Speaker 2: More book columns. I's just got going. Let's talk about 337 00:15:17,360 --> 00:15:18,760 Speaker 2: what they're calling The Dry Too. 338 00:15:19,720 --> 00:15:22,800 Speaker 12: People know the connection force of nature, and so just 339 00:15:22,880 --> 00:15:26,680 Speaker 12: to rewind a little bit, because the studio and the 340 00:15:26,760 --> 00:15:30,400 Speaker 12: directors and the filmmakers and Eric Banner hoping, everybody thinks 341 00:15:30,640 --> 00:15:32,720 Speaker 12: when they hear Dry Too, they think of The Dry 342 00:15:32,840 --> 00:15:35,720 Speaker 12: which came out on January one, twenty twenty one, and 343 00:15:35,840 --> 00:15:38,240 Speaker 12: it was a huge hit, one of the biggest opening 344 00:15:38,280 --> 00:15:41,280 Speaker 12: weekends for an Australian movie in the domestic bodle Well. 345 00:15:41,280 --> 00:15:43,760 Speaker 12: It was a huge book top five top five opening 346 00:15:43,960 --> 00:15:48,480 Speaker 12: opening weekend selling book by Jane Harper, starring Eric Banner 347 00:15:49,360 --> 00:15:53,680 Speaker 12: as a special agent Aaron Folk who goes back to 348 00:15:53,760 --> 00:15:57,360 Speaker 12: his hometown in regional Victoria and there's some demons from 349 00:15:57,360 --> 00:15:59,480 Speaker 12: his past that he has to confront and he gets 350 00:15:59,560 --> 00:16:02,800 Speaker 12: roped into a murder investigation and the whole thing comes 351 00:16:02,800 --> 00:16:04,840 Speaker 12: together in kind of pretty spectacular fashion. 352 00:16:06,000 --> 00:16:06,240 Speaker 2: It was. 353 00:16:06,360 --> 00:16:07,840 Speaker 12: It was a good movie. Like I think it was 354 00:16:07,880 --> 00:16:10,600 Speaker 12: a very solid movie. The book Justice Did the Bank 355 00:16:10,720 --> 00:16:14,200 Speaker 12: Are Justice? Thanks to Eric Banner, you know, it's just phenomenal. 356 00:16:14,240 --> 00:16:16,600 Speaker 12: It's great to see big Hollywood stars like him come 357 00:16:16,680 --> 00:16:19,920 Speaker 12: back to Australia and make movies locally. We don't see 358 00:16:19,960 --> 00:16:21,600 Speaker 12: it all the time. And part of it, part of 359 00:16:21,640 --> 00:16:23,240 Speaker 12: it was probably because of the pandemic. 360 00:16:23,360 --> 00:16:24,080 Speaker 4: Well, I think the timing. 361 00:16:26,000 --> 00:16:28,040 Speaker 12: And the film is directed by Robert Connolly, one of 362 00:16:28,160 --> 00:16:30,960 Speaker 12: Eric's best mates. They actually share off of Space in Melbourne. 363 00:16:31,440 --> 00:16:35,360 Speaker 12: And Robert Connelly is a director behind Balibo, paper Planes, 364 00:16:35,440 --> 00:16:38,600 Speaker 12: The Turning. He did Blue Back just recently, so he's 365 00:16:38,640 --> 00:16:42,800 Speaker 12: one of those Australian directors who's very consistent and always 366 00:16:42,880 --> 00:16:46,880 Speaker 12: delivers like quality, quality stuff. And you could see that 367 00:16:47,040 --> 00:16:50,160 Speaker 12: with the dry like some beautiful landscape shots of the 368 00:16:50,360 --> 00:16:53,040 Speaker 12: really dry Victorian out back in the middle of a drought, 369 00:16:53,120 --> 00:16:55,320 Speaker 12: like it was a stunning film, and it did so 370 00:16:55,440 --> 00:16:57,560 Speaker 12: well partly because there was really nothing else out at 371 00:16:57,600 --> 00:16:59,600 Speaker 12: the time, you know, in the Pandemic, there wasn't a 372 00:16:59,600 --> 00:17:01,840 Speaker 12: lot of compt t at the box office, and so 373 00:17:02,160 --> 00:17:04,040 Speaker 12: it did really well because of that, and so there. 374 00:17:03,960 --> 00:17:05,879 Speaker 2: Was well So it had been a hugely popular in 375 00:17:05,920 --> 00:17:06,200 Speaker 2: the book. 376 00:17:06,240 --> 00:17:08,080 Speaker 12: The book so successful, and so there was always going 377 00:17:08,119 --> 00:17:10,760 Speaker 12: to be sequels, especially because Jane Harper had written a 378 00:17:10,800 --> 00:17:14,399 Speaker 12: couple more books featuring this Aaron Folk character. And now, 379 00:17:14,440 --> 00:17:16,840 Speaker 12: as we were talking off the books are not really 380 00:17:16,960 --> 00:17:20,720 Speaker 12: direct sequels. They're kind of standards of recurring. It's a 381 00:17:20,800 --> 00:17:24,040 Speaker 12: character that books. And that's the same with The Dry Too. 382 00:17:24,160 --> 00:17:26,040 Speaker 12: Like it's funny calling it The Dry Too because it's 383 00:17:26,040 --> 00:17:28,960 Speaker 12: set in the extremely damp Victorian Alps. 384 00:17:29,240 --> 00:17:30,560 Speaker 2: Like he could not be more rainy. 385 00:17:31,000 --> 00:17:34,159 Speaker 3: Get what they're doing it they want people. It's all marketing, right, 386 00:17:34,320 --> 00:17:37,000 Speaker 3: Otherwise they just hear Force of Nature standalone. 387 00:17:38,119 --> 00:17:40,920 Speaker 12: So this is definitely a standalone movie, and it's more 388 00:17:41,000 --> 00:17:43,840 Speaker 12: about his his job, you know, sort of as a 389 00:17:43,920 --> 00:17:48,359 Speaker 12: federal agent. And in the story, he's worried about the 390 00:17:48,600 --> 00:17:51,359 Speaker 12: safety of one of his sources in an investigation of 391 00:17:52,040 --> 00:17:55,000 Speaker 12: a big company that launders money for arms dealers and 392 00:17:55,080 --> 00:17:56,920 Speaker 12: drug dealers and who knows what. The head of that 393 00:17:57,080 --> 00:18:00,359 Speaker 12: organization is played by the Great Richard Rocksborough and so 394 00:18:00,560 --> 00:18:03,359 Speaker 12: his source is played by Anatole from the Newsreader. She 395 00:18:03,480 --> 00:18:06,639 Speaker 12: was in Mind Hunter as well, great Australian actress. She 396 00:18:07,240 --> 00:18:10,240 Speaker 12: is on a corporate retreat for this company that she 397 00:18:10,359 --> 00:18:12,880 Speaker 12: works for, but she was supposed to be gathering intel 398 00:18:13,080 --> 00:18:15,960 Speaker 12: on Richard Roxborough and some of his dodgy dealings, and 399 00:18:16,080 --> 00:18:19,159 Speaker 12: the last thing that Eric Banner's character heard was she 400 00:18:19,280 --> 00:18:23,000 Speaker 12: was getting this thumb drive of secret documents. But then 401 00:18:23,040 --> 00:18:25,879 Speaker 12: she goes missing in the Victorian Alps on this corporate 402 00:18:25,960 --> 00:18:29,399 Speaker 12: team building retreat, and so he and his partner played 403 00:18:29,400 --> 00:18:33,359 Speaker 12: by Rober Stompers Jacqueline Mackenzie, who doesn't really do as 404 00:18:33,440 --> 00:18:34,680 Speaker 12: much as she should. I'd love to see her on 405 00:18:34,720 --> 00:18:37,520 Speaker 12: the screen more. They go up into the Alps and 406 00:18:37,560 --> 00:18:41,080 Speaker 12: it's a race against time to find their sauce before 407 00:18:41,160 --> 00:18:44,359 Speaker 12: this huge stormfront comes in and then there's really very 408 00:18:44,400 --> 00:18:47,840 Speaker 12: little chance of her survival after that happens, and the 409 00:18:47,960 --> 00:18:50,800 Speaker 12: only clues they have to go on are the people 410 00:18:50,880 --> 00:18:54,000 Speaker 12: from the company at this corporate team building retreat, who 411 00:18:54,200 --> 00:18:57,600 Speaker 12: all have kind of different stories about what transpired over 412 00:18:57,640 --> 00:19:00,320 Speaker 12: the couple of days they spent in the bush, supposed 413 00:19:00,320 --> 00:19:02,680 Speaker 12: to sort of navigate from point A to point B, 414 00:19:02,920 --> 00:19:04,960 Speaker 12: they lose their map. All this sort of stuff happens, 415 00:19:05,000 --> 00:19:06,679 Speaker 12: and it's kind of like almost Lord of the Flies 416 00:19:06,760 --> 00:19:09,520 Speaker 12: ish when they're stuck out there in the bush. And 417 00:19:10,280 --> 00:19:14,280 Speaker 12: it also starts Debra le Furness Hugh Jackman's ex who 418 00:19:14,359 --> 00:19:17,359 Speaker 12: have to say, not very good in this No, really 419 00:19:17,560 --> 00:19:20,639 Speaker 12: not good as a polished to acting chop slightly m 420 00:19:20,880 --> 00:19:21,600 Speaker 12: it's a bit rusty. 421 00:19:21,640 --> 00:19:23,360 Speaker 4: I think very good. 422 00:19:24,320 --> 00:19:26,920 Speaker 12: And now the issue for me with this film, I'll 423 00:19:26,920 --> 00:19:28,560 Speaker 12: start with the good things. So the good things are 424 00:19:28,760 --> 00:19:34,080 Speaker 12: Eric Banner amazing, Anna Torv is awesome. Richard Rocksbury is 425 00:19:34,119 --> 00:19:35,960 Speaker 12: great as this kind of you know, guy who you 426 00:19:36,000 --> 00:19:38,160 Speaker 12: can tell is a bit nefarious, but he's always kind 427 00:19:38,160 --> 00:19:40,960 Speaker 12: of like so, you know, sort of sugary sweet to everybody. 428 00:19:42,720 --> 00:19:44,480 Speaker 12: And there's a great young cast as well of actors 429 00:19:44,560 --> 00:19:47,879 Speaker 12: that people probably not that familiar with, really really good performances. 430 00:19:48,400 --> 00:19:51,640 Speaker 12: Robert Connolly's direction is great, like he's he really makes 431 00:19:51,680 --> 00:19:54,080 Speaker 12: the landscape one of the characters of the film, just 432 00:19:54,160 --> 00:19:57,160 Speaker 12: like he did the drought character in the first Dry movie. 433 00:19:57,880 --> 00:19:59,000 Speaker 2: And so all of that is great. 434 00:20:00,119 --> 00:20:03,520 Speaker 12: Where it falls down is like I'm just not sure 435 00:20:03,600 --> 00:20:07,720 Speaker 12: about how they've gone about adapting the source material. The 436 00:20:07,960 --> 00:20:12,359 Speaker 12: plot to me felt, you know, like quite basic, like 437 00:20:12,520 --> 00:20:16,440 Speaker 12: really quite rudimentary. And the dialogue between the characters is 438 00:20:17,600 --> 00:20:21,000 Speaker 12: so basic, like verging on cliche. Like there's only so 439 00:20:21,080 --> 00:20:24,600 Speaker 12: many times you can see like Jacqueline Mackenzie's character say 440 00:20:24,720 --> 00:20:27,560 Speaker 12: to Eric Banners, Aaron Folk, you know, we've got to 441 00:20:27,600 --> 00:20:30,280 Speaker 12: do things by the book. That's the job. Like she 442 00:20:30,400 --> 00:20:32,800 Speaker 12: literally says that exact line twenty times in the film. 443 00:20:32,880 --> 00:20:36,960 Speaker 12: And it is just it's very unimaginative, the dialogue and 444 00:20:37,080 --> 00:20:40,000 Speaker 12: so and it kind of wastes the talent of a 445 00:20:40,119 --> 00:20:43,440 Speaker 12: really good cast and it's it does. It definitely doesn't 446 00:20:43,480 --> 00:20:47,679 Speaker 12: live up to the first film. And so yeah, from 447 00:20:47,760 --> 00:20:49,480 Speaker 12: that perspective, I have to say it was probably a 448 00:20:49,480 --> 00:20:50,560 Speaker 12: bit of a disappoint that's. 449 00:20:50,760 --> 00:20:53,439 Speaker 2: Because I actually liked this Folk you like. 450 00:20:53,440 --> 00:20:57,520 Speaker 4: That better than the fan Yeah, because of that, you 451 00:20:57,520 --> 00:20:58,879 Speaker 4: would have been really looking forward to this. 452 00:21:01,320 --> 00:21:04,800 Speaker 12: It's not terrible, it is it is good luckily for 453 00:21:04,920 --> 00:21:07,560 Speaker 12: them again, like there's not much else being released this 454 00:21:07,640 --> 00:21:09,520 Speaker 12: week at the box office, so I think it'll probably 455 00:21:09,640 --> 00:21:10,639 Speaker 12: have a pretty good opening. 456 00:21:10,720 --> 00:21:10,840 Speaker 7: Week. 457 00:21:10,880 --> 00:21:12,719 Speaker 12: It's got quite a bit of marketing. Especially, it's got 458 00:21:12,720 --> 00:21:16,600 Speaker 12: a bit of marketing behind it. Yeah, ultimately probably a 459 00:21:16,640 --> 00:21:20,600 Speaker 12: bit disappointed. Very solid film though, and thanks to the performances. 460 00:21:21,080 --> 00:21:22,760 Speaker 12: If you go along and watch this, I don't think 461 00:21:23,080 --> 00:21:25,680 Speaker 12: you know, like I don't think you hate it. I 462 00:21:25,800 --> 00:21:27,320 Speaker 12: think a lot of people watch and go, yeah, it's 463 00:21:27,359 --> 00:21:29,240 Speaker 12: pretty good, but it's not going to rock your world? 464 00:21:29,840 --> 00:21:32,919 Speaker 2: All right? How many Aaron fk is not Colombo's? Are 465 00:21:32,960 --> 00:21:33,480 Speaker 2: you giving it? 466 00:21:34,000 --> 00:21:34,040 Speaker 9: Not? 467 00:21:34,160 --> 00:21:34,919 Speaker 4: The hell gum sho? 468 00:21:35,600 --> 00:21:37,800 Speaker 2: Not quite the same? Gary, I'm going to give it 469 00:21:37,960 --> 00:21:38,480 Speaker 2: three stars. 470 00:21:38,560 --> 00:21:41,560 Speaker 4: Okay, solid, not spectacular. 471 00:21:41,640 --> 00:21:49,840 Speaker 1: More crazy more Lisa Poor podcast soon, there's sure report 472 00:21:50,080 --> 00:21:51,440 Speaker 1: on ninety six AIRFM. 473 00:21:53,920 --> 00:21:56,359 Speaker 3: I love sorry about the role that got away, And 474 00:21:56,880 --> 00:21:59,400 Speaker 3: with the Oscars just over a month away, there's one 475 00:21:59,480 --> 00:22:02,520 Speaker 3: doing the round today about Academy Award winning roles that 476 00:22:02,560 --> 00:22:06,280 Speaker 3: were supposed to go to other actors. For example, Sandra 477 00:22:06,359 --> 00:22:08,959 Speaker 3: Bullock wasn't supposed to be in the blind Side. They 478 00:22:09,040 --> 00:22:12,840 Speaker 3: wanted Julia Roberts, and they wanted Julia Roberts bad. 479 00:22:12,840 --> 00:22:13,639 Speaker 2: But she couldn't do it. 480 00:22:14,280 --> 00:22:18,280 Speaker 3: Russell Crowe won the Oscar for playing Maximus sink Ladiator, 481 00:22:18,320 --> 00:22:22,080 Speaker 3: but the producer's first pick for the role was Mel Gibson. 482 00:22:22,280 --> 00:22:26,320 Speaker 3: Oh okay, John Travolta was He would have said, I'm 483 00:22:26,359 --> 00:22:31,800 Speaker 3: mad Maximus. John Travolta was in the running for Forrest 484 00:22:31,920 --> 00:22:33,919 Speaker 3: Gump before they cast Tom Hanks. 485 00:22:34,200 --> 00:22:34,879 Speaker 2: Can't picture it. 486 00:22:35,040 --> 00:22:36,640 Speaker 4: I think goodness, you know, I mean. 487 00:22:36,600 --> 00:22:38,840 Speaker 2: Obviously, how can you picture anything other than Tom? 488 00:22:38,920 --> 00:22:41,920 Speaker 3: Now In A Tale of Two Emmas, Emma Watson was 489 00:22:42,000 --> 00:22:44,720 Speaker 3: first picked for Lala Land, which ended up winning. 490 00:22:44,560 --> 00:22:46,320 Speaker 2: Best Actress for Emma Stone. 491 00:22:47,480 --> 00:22:50,920 Speaker 3: Julia Roberts again they wanted her bad and Kate Winslet 492 00:22:50,960 --> 00:22:54,239 Speaker 3: both turned down Shakespeare in Love before it won an 493 00:22:54,280 --> 00:22:58,080 Speaker 3: Oscar for Gwyneth Paltrow still not sure why, and Jack 494 00:22:58,200 --> 00:23:01,920 Speaker 3: Nicholson Nelly wasn't into of endearment. The nineteen eighty four 495 00:23:02,040 --> 00:23:04,640 Speaker 3: role that won in Best Supporting Actor was first turned 496 00:23:04,680 --> 00:23:08,040 Speaker 3: down by Burt Reynolds, a decision that Bert said he 497 00:23:08,359 --> 00:23:09,480 Speaker 3: sorely regretted. 498 00:23:09,840 --> 00:23:10,359 Speaker 2: Oh wow. 499 00:23:11,080 --> 00:23:14,080 Speaker 3: Margot Robbie has signed on for her first film since 500 00:23:14,119 --> 00:23:17,720 Speaker 3: Blockbuster Barbie dominated the box office. She's going to start 501 00:23:17,720 --> 00:23:20,680 Speaker 3: alongside Colin Farrell in a movie called A Big, Bold, 502 00:23:20,840 --> 00:23:24,560 Speaker 3: Beautiful Journey. Apparently, it's about two strangers who go on 503 00:23:24,640 --> 00:23:30,440 Speaker 3: a big, beautiful, beautiful sometimes you know that it's all 504 00:23:30,520 --> 00:23:31,080 Speaker 3: in the watching. 505 00:23:31,280 --> 00:23:34,000 Speaker 2: Yeah, not the describing the name of it. But I 506 00:23:34,080 --> 00:23:35,600 Speaker 2: always love Colin Farrell. Yeah. 507 00:23:35,760 --> 00:23:37,919 Speaker 3: Well, I'm still a bit mixed about the Old Bad 508 00:23:38,000 --> 00:23:42,520 Speaker 3: She's a inter sheared. Still, I was so looking forward 509 00:23:42,560 --> 00:23:46,000 Speaker 3: to that film. Yeah, it ticked every one of my 510 00:23:46,119 --> 00:23:46,960 Speaker 3: ali boxes. 511 00:23:47,280 --> 00:23:50,160 Speaker 4: It's a really odd movies train. 512 00:23:50,760 --> 00:23:51,720 Speaker 5: Yeah. Yeah. 513 00:23:52,000 --> 00:23:55,680 Speaker 3: Anyway, fresh from being embarrassed by her husband at the Grammys, 514 00:23:55,800 --> 00:23:59,400 Speaker 3: Beyonce is launching her own line of hair care products 515 00:23:59,480 --> 00:24:01,720 Speaker 3: this month. You know, if she's got a sense of humor, 516 00:24:01,880 --> 00:24:06,000 Speaker 3: she'll call it Becky. Actually, you're right, you know, you know, Yeah, 517 00:24:07,440 --> 00:24:13,399 Speaker 3: it's gold. Oh god, give it, give it a go. 518 00:24:13,720 --> 00:24:16,359 Speaker 3: Your husband didn't, I'll give he's embarrassed her. I think 519 00:24:16,880 --> 00:24:20,679 Speaker 3: Andre on the Night on the Day, Yes, and his daughter. 520 00:24:23,040 --> 00:24:23,200 Speaker 2: Thing. 521 00:24:24,280 --> 00:24:27,360 Speaker 4: We know that the King sadly has cancer, right, we're 522 00:24:27,359 --> 00:24:28,920 Speaker 4: not sure of what it is. The palace aren't saying, 523 00:24:29,119 --> 00:24:30,879 Speaker 4: but King Charles has got cancer. So he's going to 524 00:24:31,160 --> 00:24:32,679 Speaker 4: have the very best of treatment. 525 00:24:32,920 --> 00:24:33,080 Speaker 2: Yes. 526 00:24:33,240 --> 00:24:35,439 Speaker 4: But what I can't work out. We've been discussing this one. 527 00:24:35,440 --> 00:24:38,000 Speaker 4: I can't work out is Harry made the trip from 528 00:24:38,240 --> 00:24:41,240 Speaker 4: la But are they playing a game of royal tag? 529 00:24:41,280 --> 00:24:42,640 Speaker 4: Because he was only there for a few minutes. 530 00:24:42,480 --> 00:24:44,720 Speaker 3: With the king and was got home literally had a 531 00:24:44,840 --> 00:24:47,760 Speaker 3: meeting with the King for forty five minutes, see your dad, 532 00:24:48,000 --> 00:24:50,000 Speaker 3: and then he was back on a plane. But I 533 00:24:50,280 --> 00:24:52,879 Speaker 3: reckon this might sound a bit harsh, but I've got 534 00:24:52,920 --> 00:24:56,160 Speaker 3: a bit of a theory about Harry rushing over there. 535 00:24:57,080 --> 00:24:57,320 Speaker 11: He did. 536 00:24:57,400 --> 00:25:00,639 Speaker 3: I think it's a giant manipulation on his behalf. It's like, 537 00:25:01,320 --> 00:25:03,720 Speaker 3: you know, I mean, obviously, the King having cancer is 538 00:25:04,080 --> 00:25:08,600 Speaker 3: going to be a huge news story, and it puts 539 00:25:08,680 --> 00:25:11,080 Speaker 3: pressure on William. It puts pressure on everyone, and in 540 00:25:11,240 --> 00:25:15,000 Speaker 3: terms of the paparazzi being totally on it, they're going 541 00:25:15,080 --> 00:25:17,840 Speaker 3: to you know, be deflecting from all sorts of stories 542 00:25:17,880 --> 00:25:20,800 Speaker 3: and so on. I think Harry was on the first 543 00:25:20,840 --> 00:25:23,399 Speaker 3: plane over there because it made it look like he 544 00:25:23,600 --> 00:25:25,920 Speaker 3: was rushing to his bedside, like the King was a 545 00:25:26,000 --> 00:25:27,720 Speaker 3: lot worse. 546 00:25:28,119 --> 00:25:29,040 Speaker 2: Than he probably is. 547 00:25:29,280 --> 00:25:32,760 Speaker 3: I mean, William's resumed normal duties and so on this morning, 548 00:25:34,080 --> 00:25:36,480 Speaker 3: and I'm not too downgrade what the King has done, 549 00:25:37,000 --> 00:25:40,359 Speaker 3: but I think, I mean, I believe he's going to 550 00:25:40,440 --> 00:25:45,120 Speaker 3: be okay. He's but getting over there on the first 551 00:25:45,160 --> 00:25:48,040 Speaker 3: plane made and you haven't even talked to them for 552 00:25:48,240 --> 00:25:50,879 Speaker 3: years made it look like, oh herr, I am rushing 553 00:25:50,920 --> 00:25:53,320 Speaker 3: to his bedside because he's minutes away from death. And 554 00:25:53,720 --> 00:25:56,399 Speaker 3: then he did it to put the pressure on the 555 00:25:56,520 --> 00:26:00,719 Speaker 3: King and William nasty. I think it was since the coronation. 556 00:26:00,760 --> 00:26:02,920 Speaker 2: I think it was a total manipulation and I would 557 00:26:03,000 --> 00:26:04,000 Speaker 2: not put it past him. 558 00:26:04,119 --> 00:26:06,240 Speaker 4: Yeah, because he didn't see his brother. He was only 559 00:26:06,280 --> 00:26:08,560 Speaker 4: seen dad for forty five minutes. That's been diagnosed with cancer, 560 00:26:08,600 --> 00:26:10,560 Speaker 4: anything for forty five minutes. I find it very well. 561 00:26:10,600 --> 00:26:12,320 Speaker 3: I reckon he did it. I reckon it was a 562 00:26:12,440 --> 00:26:16,960 Speaker 3: calculated move. It was a calculated move to draw more attention. 563 00:26:16,720 --> 00:26:18,920 Speaker 2: And you know, so on to the king. 564 00:26:19,359 --> 00:26:23,199 Speaker 4: Okay, nasty stuff and William Yeah, there's it's all going 565 00:26:23,280 --> 00:26:24,840 Speaker 4: to come out in seventeen different books, isn't it. 566 00:26:24,920 --> 00:26:26,879 Speaker 2: We know that in time, Well, it'll come out on 567 00:26:26,960 --> 00:26:28,159 Speaker 2: his next Netflix special. 568 00:26:28,240 --> 00:26:31,640 Speaker 3: First, I suppose how I rushed to the King's side 569 00:26:31,680 --> 00:26:34,439 Speaker 3: and he gave forty five lousy minutes. 570 00:26:34,720 --> 00:26:36,080 Speaker 4: Oh yeah, how are you blame it back? 571 00:26:36,119 --> 00:26:36,199 Speaker 12: There? 572 00:26:36,280 --> 00:26:39,880 Speaker 3: That's what Look he look at how quick I got there? Yeah, 573 00:26:40,000 --> 00:26:42,040 Speaker 3: And I was, you know, here's your hat, what's your hurry? 574 00:26:42,080 --> 00:26:43,960 Speaker 3: After forty five minutes trying to get rid of Meghan 575 00:26:44,480 --> 00:26:46,400 Speaker 3: just get hung around. I don't think there was any 576 00:26:46,480 --> 00:26:47,960 Speaker 3: rules that said he had to get on the first 577 00:26:48,000 --> 00:26:48,640 Speaker 3: plane home again. 578 00:26:48,680 --> 00:26:50,119 Speaker 4: Would have seen his brother, even though his brother's a 579 00:26:50,200 --> 00:26:50,600 Speaker 4: bit busy, you know. 580 00:26:50,680 --> 00:26:52,080 Speaker 2: I mean, I'm sure they could have had a room 581 00:26:52,160 --> 00:26:52,399 Speaker 2: for you. 582 00:26:53,119 --> 00:26:55,240 Speaker 4: Could he help that, I know he's not doing raw judies. 583 00:26:55,280 --> 00:26:56,760 Speaker 4: It couldn't help Wills out, who's now on. 584 00:26:57,400 --> 00:27:00,920 Speaker 3: I just experience him anymore, and I just think that 585 00:27:01,000 --> 00:27:05,080 Speaker 3: it was a giant manipulation on his. 586 00:27:06,560 --> 00:27:11,000 Speaker 2: Right, royal conspiracy, gigantic, you know what. Stir Clazy and 587 00:27:11,240 --> 00:27:12,840 Speaker 2: Lisaess