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Speaker 1: Woods.

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Speaker 2: One of the benefits of working with Disney to create

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Speaker 2: our modern art gallery done with all the art done

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Speaker 2: by children. One of the great perks is that we've

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Speaker 2: been working with Disney to put this on. It's been

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Speaker 2: a lot of fun and it also means. One of

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Speaker 2: the perks of working with Disney for the release of

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Speaker 2: Disney and Pixars Inside Out Too, which goes in Ciny

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Speaker 2: was June thirteen, is we had to sit down chat

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Speaker 2: with Amy Pohla, who plays Joy in Inside.

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Speaker 3: Out pretty much buds now, there's no doubt about it.

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Speaker 3: Us and the poll as I refer to her now

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Speaker 3: around the office.

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Speaker 4: No, sir, I've never got her that.

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Speaker 3: But we aren't tight, even though when we did interview

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Speaker 3: her earlier today, I'm going to say this started in

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Speaker 3: the most awkward fashion ever because of I requested.

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Speaker 2: Well, you requested something, which was horrific. But even before then,

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Speaker 2: you and I rocked up to interview Amy today and

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Speaker 2: we realized we were wearing exactly the same thing.

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Speaker 5: Yeah.

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Speaker 3: Now, Amy, one of the new emotions in the new

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Speaker 3: film is anxiety, and if I'm being honest, I am

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Speaker 3: feeling a little bit anxious right now. You and I

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Speaker 3: know in your book, you said that if you can

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Speaker 3: dance and be free and not be embarrassed, then you.

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Speaker 5: Can rule the world.

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Speaker 6: So should we dance?

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Speaker 5: I feel like we should dance.

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Speaker 6: Okay, let's do it.

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Speaker 5: Can can you dance with me?

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Speaker 7: Yes?

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Speaker 6: I'm with no music. This isn't this isn't anxiety and

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Speaker 6: do sing it all.

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Speaker 2: In a cave as well, because I like that.

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Speaker 6: This feels totally natural, weird.

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Speaker 7: The two men who addressed the same and I are

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Speaker 7: really closely dancing mouth to mouth.

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Speaker 2: We are going to rule the world on that.

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Speaker 5: My anxiety is gone.

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Speaker 6: Don't you feel when you shake it up? When you shake?

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Speaker 6: For some people, dancing is the biggest nightmare.

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Speaker 2: But for me, if you shake it up, yeah, you

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Speaker 2: always feel better for it. Yeah.

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Speaker 5: Actually that was very awkward, but I feel great it was.

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Speaker 6: I mean, it can only go uphill from there, right.

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Speaker 8: Amy.

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Speaker 2: I want to talk to you about I know that

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Speaker 2: you've got two little boys who are kind of like teenagers.

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Speaker 2: Are on them a teenager and obviously the movie is

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Speaker 2: about Riley becoming a teenager, and I want to ask

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Speaker 2: you specifically obviously being a woman as a teenager, you

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Speaker 2: know what that's like. That's what the movie's about. But

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Speaker 2: now you've got two little boys who are teenagers and

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Speaker 2: any kind of like differences you say between them, and

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Speaker 2: if you think one sort of easier than.

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Speaker 7: The other, well, because they're teens, I'm going to not

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Speaker 7: talk about them because they'll hate that I'm talking about them.

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Speaker 6: Of course, that's what teens do.

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Speaker 7: But what I like about the movie is there's this

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Speaker 7: universal feeling and theme that we can relate to. I

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Speaker 7: can still relate to it my age, which is you

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Speaker 7: cross over the threshold and you go from kind of

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Speaker 7: living joyously to realizing people are looking at you, and

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Speaker 7: then you don't want to disappoint your friends, and like

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Speaker 7: you have stress about are you going to make the team?

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Speaker 7: All of a sudden, life gets really weird and.

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Speaker 2: You're finding that hard to parent because I have, you.

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Speaker 7: Know, I think that the one thing I try to do,

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Speaker 7: and I think Pixtar does it as well as you

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Speaker 7: have to kind of treat young people's feelings, you know,

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Speaker 7: as very valid, and you kind of dismiss people, young

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Speaker 7: people especially and say like.

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Speaker 6: Don't worry.

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Speaker 7: There's a really great moment in the film where Joy

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Speaker 7: says like just don't worry, worry about it, you know,

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Speaker 7: and we do that all the time to young people.

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Speaker 6: But there's a lot to worry about. It's been a

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Speaker 6: wild well.

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Speaker 2: I think we've had it really hard. We've both got

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Speaker 2: daughters and they're very young, and you know, just the

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Speaker 2: idea of this black hole of being a teenager is

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Speaker 2: so scary for both of us because everyone's just like,

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Speaker 2: you're gonna lose them for long?

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Speaker 1: You don't know.

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Speaker 7: I've found every for me anyway, every every section of

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Speaker 7: parenting has been like a short story. And you start

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Speaker 7: the story and you start it.

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Speaker 6: And you're like, I don't know about this. Then in

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Speaker 6: the middle you think this is the best, Yeah, best,

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Speaker 6: pease yet.

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Speaker 7: And then it's over and you think, oh, the next

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Speaker 7: story cannot be as good, and it is.

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Speaker 3: It always goes so much faster, and you think, all

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Speaker 3: the better. Mine's twenty months old.

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Speaker 6: Oh yeah, you're in the thick of it.

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Speaker 5: Then, yeah, thank you.

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Speaker 6: That's why you're wearing shorts.

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Speaker 7: You have to be ready to just left, and carry's

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Speaker 7: so much carrying and they move.

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Speaker 3: As soon as they start locomoting, it gets very stress.

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Speaker 6: Yeah, they're just always about to fall down stairs.

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Speaker 2: Yeah, constantly, were constantly about to fall somewhere so differently.

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Speaker 7: Now, Yeah, there's no longer hour in the day than

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Speaker 7: right before bedtime.

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Speaker 6: It's the long Oh.

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Speaker 2: My god, you're most tired.

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Speaker 3: Totally, totally. I mean, I wouldn't mind if we could.

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Speaker 3: The movies all about being inside Riley's mind and seeing

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Speaker 3: how her emotions deal with certain situations. There have been

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Speaker 3: a number of situations in your life, and I'm just

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Speaker 3: intrigued to hear what was going on in your Bryan

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Speaker 3: at the time, or what emotions were coming forth.

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Speaker 6: Very good.

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Speaker 5: First one meeting Prince.

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Speaker 6: Oh, fight, flight or freeze.

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Speaker 7: So what happened when I met Prince is he was

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Speaker 7: doing a sound check at SNL, So he came towards

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Speaker 7: me like a dream, and so I asked him, how

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Speaker 7: is your summer?

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Speaker 6: That's what I asked him. That was my one chance

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Speaker 6: to meet Prince.

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Speaker 7: So I guess if blowing it could be an emotion,

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Speaker 7: it would mean sadness.

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Speaker 2: I guess had some adjust Bane had some adjust Bane

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Speaker 2: like it was it was it a relative question or

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Speaker 2: are you kind of in the depth?

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Speaker 7: I don't even remember what season it was, No idea,

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Speaker 7: that's awesome. I just tried to just yeah, just reach

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Speaker 7: out to him like the shooting Star.

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Speaker 2: We also read that you were known as handcuff Girl

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Speaker 2: in high school. What emotion were we going through?

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Speaker 7: You were doing yes, please, thank you, which is when

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Speaker 7: I was young, a friend of mine brought a pair

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Speaker 7: of handcuffs into school and put them on, and then.

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Speaker 6: We lost the key.

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Speaker 7: That emotion was, uh excitement because everyone was paying attention

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Speaker 7: to us. And I don't know if you remember that

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Speaker 7: feeling when you're little and there's like a low stake

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Speaker 7: situation where you know you're eventually going to get out

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Speaker 7: of handcuffs, but you're kind of a celebrity.

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Speaker 2: For that moment.

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Speaker 6: Yeah, that was a big deal.

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Speaker 2: Yeah that was that sounds huge.

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Speaker 7: On the map, Yeah, yeah, I mean we were close

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Speaker 7: to getting a local story in the paper.

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Speaker 2: We didn't fail it.

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Speaker 4: Could you could have.

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Speaker 5: Your mom was a teacher at the school.

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Speaker 7: Yeah, my mom, Both my parents were public school teachers.

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Speaker 9: Yeah.

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Speaker 6: I mean probably good good news.

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Speaker 9: Bad news.

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Speaker 6: Good news is.

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Speaker 7: Your daughter is out of handcuffs. Bad news, she was

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Speaker 7: in them.

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Speaker 3: She chained herself to another student and one moment here

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Speaker 3: this was after an Emmy's Award ceremony, and it involves John.

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Speaker 6: Hamm Oh, well, what story?

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Speaker 5: There are lots of stories with John Okay, which one?

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Speaker 5: This one was dancing on a table.

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Speaker 7: Yes, we used to have this party called the Loser's Lounge.

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Speaker 7: Only people who lost the Emmys were invited, and if

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Speaker 7: you won, you were not allowed to come in unless

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Speaker 7: you gave a heavy donation to charity.

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Speaker 6: And I'm proud to say that.

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Speaker 7: We stopped Julia Louis Dreyfus at the door and he

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Speaker 7: said pay or leave, and she did because that's.

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Speaker 6: The kind of winner she is.

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Speaker 7: She's such a winner, she wanted to come to the

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Speaker 7: losers Okay. So Ham and I have lost many times together,

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Speaker 7: so we we.

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Speaker 6: And there was one party I think where I broke my.

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Speaker 7: Foot or my toe dancing, I forget, probably his fault.

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Speaker 7: I don't remember, no, so, but so I guess my

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Speaker 7: emotion during that would be.

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Speaker 6: Drunk with the emotional.

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Speaker 2: Yeah, that's an emotion. Ay. Final thing. We heard that

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Speaker 2: you try and learn a new skill every month, thank you. Yes,

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Speaker 2: we also heard that you haven't got one for June.

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Speaker 6: I don't okay, suggestion.

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Speaker 2: I've got one for you. Okay, you just have to

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Speaker 2: follow me, okay, okay, okay, think of a number. This

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Speaker 2: is something that you can use in other people as well.

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Speaker 2: Think of a number between one and ten. Multiply it

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Speaker 2: by nine, okay, okay, then add the digits of that

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Speaker 2: number together.

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Speaker 7: Okay.

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Speaker 2: Okay. Now subtract five.

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Speaker 6: Ok okay, subtract five. Okay.

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Speaker 2: Do you think you got you should have? I want

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Speaker 2: to tell you what you should have. Okay. Now think

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Speaker 2: of a country. So if A is one, B is two,

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Speaker 2: C is three, d's.

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Speaker 6: Four, this is going nowhere. Okay, you got my number?

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Speaker 2: Okay? Have you got the country that lines up? So

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Speaker 2: there's a letter that lines up with that number that

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Speaker 2: you've got. You got the letter there?

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Speaker 4: Okay?

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Speaker 2: Yeah, Think of a country starting with that letter.

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Speaker 6: Okay.

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Speaker 2: Now take the last letter of that country. Take the

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Speaker 2: last letter of that country. Okay, and think of an

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Speaker 2: animal okay, yeah, yeah. And now take the last letter

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Speaker 2: of that animal and think of a fruit.

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Speaker 6: Okay.

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Speaker 2: Are you thinking of kangaroos eating oranges in Denmark? No?

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Speaker 6: I'm thinking of kiwi? But what else was I supposed

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Speaker 6: to be?

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Speaker 2: That don't work?

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Speaker 1: Okay?

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Speaker 2: Did you have?

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Speaker 7: What was the country Bulgaria? And then the A was ardvark,

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Speaker 7: and then the K was kiwi.

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Speaker 6: But I was supposed to remember all that. Yeah, I

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Speaker 6: was thinking of eating.

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Speaker 5: Well that didn't work. Then your skill definitely did not work,

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Speaker 5: so you need it. You need a new skill.

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Speaker 7: I am exhausted and I'm totally sweating.

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Speaker 2: Congratulations on other people. Kangaroo is eating oranges in Denmark,

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Speaker 2: but you have in Bulgaria.

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Speaker 10: I love that.

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Speaker 7: Name of my acoustic album.

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Speaker 2: I want to talk about the most pathetic thing I think,

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Speaker 2: or the most pathetic situation a man can be in.

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Speaker 2: And I am I am being gender specific here because

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Speaker 2: I feel as if when your partner leaves you as

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Speaker 2: a man, you descend into primal sort of area.

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Speaker 3: We clarify when you say your partner's left you, you

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Speaker 3: mean she's gone back to Europe to go and hang

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Speaker 3: out with her family. She hasn't divorced you. That's fair,

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Speaker 3: just because I want to clarify. That feels a bit

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Speaker 3: like that, like that my child and ran I had

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Speaker 3: to say goodbye to the other night. You guys new

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Speaker 3: to the show.

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Speaker 2: My partner is Sam is Dutch, and so she's gone

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Speaker 2: back to see a family for a couple of I'm

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Speaker 2: going to join the very shortly, but yeah, they've left

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Speaker 2: me alone and and and she left me this present,

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Speaker 2: which was really nice. I got home after I dropped

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Speaker 2: them at the airport.

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Speaker 5: It was late.

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Speaker 2: It was late.

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Speaker 4: Stop complaining it was late.

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Speaker 2: It was late. It was about ten o'clock at night.

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Speaker 2: I mean, she had a twenty two hour flight with

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Speaker 2: the two year old. But you know, let's just think

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Speaker 2: about the real victim here. If you could, you had

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Speaker 2: to go to bed at eleven, how quickly you slip

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Speaker 2: into victim as well as it just comes like breathing

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Speaker 2: for me. Anyway, So I dropped with the airport, got home,

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Speaker 2: and she left a little present for me. And the

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Speaker 2: present was that she'd removed all of the covers from

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Speaker 2: the couch cushions to be dry cleaned on the day

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Speaker 2: that she left.

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Speaker 3: And that was a present because that was a job

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Speaker 3: you didn't have to do me sarcastic at presenting sarcastic.

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Speaker 2: So I got home and the couch was.

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Speaker 3: Vacant, because all you want to do when you get

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Speaker 3: home is if first and the girls are out, so

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Speaker 3: I'm going to have TV selection, I get to hit

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Speaker 3: the couch. You couldn't even hit the couch.

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Speaker 5: The couch.

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Speaker 2: Next thing that she did as well, she cleared the

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Speaker 2: fridge obviously, because she was like, there's you know, lots

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Speaker 2: of food that was going off, et cetera. I had

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Speaker 2: neat and yet had eaten. So I got home. I mean,

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Speaker 2: it really does have to show a mirror ap to

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Speaker 2: how dependent you are.

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Speaker 4: You can go to the supermarket.

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Speaker 2: You know it's close. I got home late. You're not trying.

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Speaker 3: If I said that enough, I don't know, you know,

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Speaker 3: but Colson wool words A pretty much opened twenty five

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Speaker 3: on home.

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Speaker 2: I wasn't going to beyond the Woolworths Metro, which is

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Speaker 2: in anyway, I got home late. I'm not sorry if

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Speaker 2: I said that enough. The couch covers are gone. So

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Speaker 2: I found myself the only the only thing that was available,

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Speaker 2: the only the only thing that was on TV was

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Speaker 2: the I p L the Indian Premier League, the cricket

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Speaker 2: and you're on the ground watching this. I was, And

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Speaker 2: the only food that was available was that my child's

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Speaker 2: packet food in the pantry.

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Speaker 5: Ypathetic.

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Speaker 2: So I was sitting on a carcass of a couch

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Speaker 2: eating a cabbage patch banana and coconut chea packet pudding,

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Speaker 2: watching the Chennai super Kings play the Mumbai rats, and

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Speaker 2: it was. It was was, yeah, it was. And I

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Speaker 2: had a moment there and I actually I called the

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Speaker 2: dog over to me for a bit of comfort because

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Speaker 2: she left me with the dog as well.

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Speaker 5: That's nice of it.

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Speaker 2: I mean, what a curse she left me with the dogs.

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Speaker 2: I've got to look after the dog. And I called

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Speaker 2: the dog over to the couch and the dog, the

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Speaker 2: dog looked up from his bed and was like that

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Speaker 2: looks ampty, this shit house nothing so not even the

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Speaker 2: dog would sit with me in my position. I prefer

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Speaker 2: my dog for I thought to myself. I thought, I

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Speaker 2: I can't be the only person who's had their partner

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Speaker 2: leave and just found themselves in an overwhelmingly pathetic spot

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Speaker 2: because you realize how dependent you are. You realize that

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Speaker 2: you don't have any saying what's in the fridge. You

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Speaker 2: don't know when the supermarkets are open. I didn't even know.

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Speaker 2: I didn't even know where the cushions were. Like there

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Speaker 2: were these like cushions that had that were meant to

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Speaker 2: have covers on them, just the stuffings that would have sufficed,

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Speaker 2: But I didn't know where the cushion cupboard was.

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Speaker 3: Didn't your brother famously, when you when your brother was

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Speaker 3: home alone when your parents went away, saying didn't he

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Speaker 3: famously say I'm good for meals.

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Speaker 4: I'm good for meals.

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Speaker 5: I'll just have leftovers.

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Speaker 3: He has, like mate, the idea of leftovers is that

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Speaker 3: there was a meal the night before. Leftovers don't appear

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Speaker 3: in the fridge in the day after.

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Speaker 2: So exactly. And then I used to mock him for that,

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Speaker 2: But look now, I now all I can do is empathize,

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Speaker 2: and I want to hear from from other people. Third

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Speaker 2: end one and six five. What is the most pathetic

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Speaker 2: thing you've done or first pathetic situation you've found yourself

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Speaker 2: in When your partner left you at home alone.

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Speaker 3: You said to me before the show, will that you

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Speaker 3: think you can survive until you join them in Europe

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Speaker 3: with the amount of clothes you've got, so you don't

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Speaker 3: have to do any washing because you can't figure out

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Speaker 3: your washing machine. Rationing jocks, you're you're wearing among jock rations,

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Speaker 3: You're you're wearing inside and outside. Get double uses. I

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Speaker 3: don't know how to use the washing machine. I've been

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Speaker 3: banned from using the washing machine.

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Speaker 2: For two years. One button, it's what I've been banned woods,

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00:14:50,480 --> 00:14:52,320
Speaker 2: which vaguely reminded me of this time that I was

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Speaker 2: watching bear grills in the desert and he slept inside

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00:14:56,280 --> 00:14:59,760
Speaker 2: a dead camel very similar, like a like a camel carcass. Yeah,

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Speaker 2: very feels that bear that isolating, and I feel pathetic

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00:15:04,360 --> 00:15:06,000
Speaker 2: every time I sit down on my couch and I'm

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Speaker 2: just sitting there just with the white pages out cooling

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Speaker 2: dry cleaners.

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Speaker 3: Give us if you do have Will's cushion covers. He's

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Speaker 3: still looking for me and.

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Speaker 2: Get my couch back. It's been a tough time, actually.

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Speaker 2: I actually the other day I realed my little brother

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Speaker 2: was coming over for a drink, and I realized that

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Speaker 2: how many beers in the fridge? You are pathetic, So

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Speaker 2: I realized, how.

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Speaker 4: Do you do anything at your house?

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Speaker 2: No, I'm banned from going to the supermarket as well.

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Speaker 2: You know, I s been too much there, So when

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Speaker 2: you're gonna get some beers? He came over. He also

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Speaker 2: had to go to the toilet and reminded me that

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Speaker 2: I'd been using baby wet wipes in the toilet instead

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Speaker 2: of toilet paper for the last three days.

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Speaker 4: That is better, though, that's a treat.

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Speaker 3: That's to step up using the baby wives that's like

355
00:15:46,360 --> 00:15:48,080
Speaker 3: flying first class in the toilet game.

356
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Speaker 2: Hey, Jared's called Jared this one. You mum went away?

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Speaker 1: Yeah, right, So my mom's gone away to America. And

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Speaker 1: she always reminded me, make sure you eat, make sure

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Speaker 1: you're cooking, make sure go to the shop. So i'much,

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Speaker 1: I got this.

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00:16:01,040 --> 00:16:01,840
Speaker 2: It's okay, I got this.

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Speaker 9: Just go.

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Speaker 1: So I'm at home, it's only a couple of days ago,

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Speaker 1: and I'm like, okay, So I've ate all the left over,

365
00:16:08,280 --> 00:16:10,360
Speaker 1: and there's a little packet of you know that round

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Speaker 1: pasta that has like spinach and like meat in it.

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00:16:12,960 --> 00:16:19,680
Speaker 1: It's like a round Still I think it's yeah, let

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Speaker 1: me eat this. And I'm like, wait, how do I

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00:16:21,400 --> 00:16:25,280
Speaker 1: actually cook this? And I'm like, okay, I just put

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00:16:25,320 --> 00:16:28,440
Speaker 1: it on a boil. I fill up a pan completely

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Speaker 1: pretty much to the brim.

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Speaker 7: And then put it in a.

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Speaker 1: Look at this to the boil.

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Speaker 10: And then I'm cooking it.

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Speaker 1: I don't know how long to cook it for. It's

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Speaker 1: just overspilling and puts out the flame. So now I

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00:16:46,480 --> 00:16:50,720
Speaker 1: have water all over the stove and I'm like, okay,

378
00:16:50,960 --> 00:16:53,360
Speaker 1: all right, I'll recook it. So now I have soggy

379
00:16:53,400 --> 00:16:56,080
Speaker 1: pasta cooking, and I'm like, crap, okay, I also.

380
00:16:55,840 --> 00:16:56,480
Speaker 7: Need the sauce.

381
00:16:56,840 --> 00:16:59,800
Speaker 1: So I put the sauce on a pan and then

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00:17:00,040 --> 00:17:02,880
Speaker 1: start cooking that I've now burnt the sauce and I

383
00:17:02,960 --> 00:17:06,240
Speaker 1: read the package. Turns out I only needed to microwave

384
00:17:06,359 --> 00:17:09,439
Speaker 1: for thirty seconds, so I've got burnt sauce. I'm sitting

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Speaker 1: upstairs home alone, eating Sonny pasta with burnt sauce.

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Speaker 11: It was, Yeah, it wasn't that going.

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00:17:14,800 --> 00:17:18,120
Speaker 2: With an extinguished stove. Janed, You're the first person I'd

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Speaker 2: take to go and live on a deserted island.

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00:17:19,560 --> 00:17:23,040
Speaker 3: Mate, And he called mini pasta dubbling, which I really

390
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Speaker 3: really enjoyed.

391
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Speaker 2: That he caught a potter pan. He didn't even know

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Speaker 2: the difference.

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00:17:31,680 --> 00:17:35,760
Speaker 3: Now, been left alone, toning, Now, now you're dubbing your

394
00:17:35,840 --> 00:17:37,280
Speaker 3: husbands here when you left him alone?

395
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Speaker 4: What happened?

396
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Speaker 12: Absolutely? I am well, I often go away for work

397
00:17:42,040 --> 00:17:45,520
Speaker 12: and he just is absolutely useless with our bees, especially

398
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Speaker 12: cooking his dinner. So he's got this habit of face

399
00:17:49,680 --> 00:17:54,200
Speaker 12: timing me whilst he's cooking something like steak and asking

400
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Speaker 12: me if he should flip it yet.

401
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Speaker 2: Oh that's good, that's all the shop. Yeah, but what

402
00:18:05,040 --> 00:18:07,040
Speaker 2: are you reckon? Angelina?

403
00:18:07,080 --> 00:18:11,320
Speaker 4: Is called Hello, Hi Angelena.

404
00:18:12,880 --> 00:18:15,960
Speaker 2: Angelina. We're talking about pathetic things, pathetic things people have

405
00:18:16,040 --> 00:18:17,080
Speaker 2: done when them and left home alone.

406
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Speaker 5: What have you got?

407
00:18:18,520 --> 00:18:18,680
Speaker 11: So?

408
00:18:19,320 --> 00:18:21,600
Speaker 9: Last year, my moment to Europe without me and I

409
00:18:21,680 --> 00:18:25,800
Speaker 9: was doing my HC and she told me to keep

410
00:18:25,840 --> 00:18:29,520
Speaker 9: the dogs apart, but I naturally just had study to do.

411
00:18:29,720 --> 00:18:36,879
Speaker 9: So they had babies together a month after we found out. Hello,

412
00:18:38,119 --> 00:18:40,400
Speaker 9: and my mom was like yelling at me. So then

413
00:18:40,440 --> 00:18:43,639
Speaker 9: I had but they were only pregnant for like sixty

414
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Speaker 9: eight days and then yep, they had ten puppies.

415
00:18:48,400 --> 00:18:51,359
Speaker 3: Your mom came home, she left with two dogs and

416
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Speaker 3: came home to fourteen dogs.

417
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Speaker 12: Yep.

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Speaker 2: Mood Yeah, here, Reyalan, what do you reckon? That? Sharing

419
00:19:04,320 --> 00:19:05,960
Speaker 2: your mood, telling other people how are you going is

420
00:19:06,320 --> 00:19:09,800
Speaker 2: probably the most important skill anybody can have in terms

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Speaker 2: of being happy. Really, that's what it comes down to.

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00:19:12,800 --> 00:19:14,760
Speaker 2: So we've got this podcast. We interview a range of

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Speaker 2: guests about how they get in touch with how they're

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Speaker 2: feeling and how they share how they're feeling.

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Speaker 5: Woods Absolutely.

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Speaker 3: The guest this week is Laura Henshaw. She's one half

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Speaker 3: of Kick with Steph Claire Smith. Of course, she's a model,

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Speaker 3: she's an influencer and honestly just an inspiring, amazing person.

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Speaker 3: So in this grab of the chat, we're gonna hear

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Speaker 3: how she goes about sharing her feelings and emotions with

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Speaker 3: the people who are closest to her, which which I know,

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Speaker 3: funnily enough, sometimes these are the ones that are the

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Speaker 3: hardest to share with the people that are closest to you.

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Speaker 3: So in particular, she's talking about how she shares this

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Speaker 3: with with Steph, her business partner, and her husband Dalton.

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Speaker 8: Within Steph and with Jolson, I'm very open about my

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00:19:53,440 --> 00:19:56,200
Speaker 8: mood and how I'm feeling and if I am going through,

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00:19:56,280 --> 00:19:58,520
Speaker 8: you know, a day that's shit, and like especially with

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00:19:58,840 --> 00:20:00,240
Speaker 8: like what you guys do when you have to come

440
00:20:00,240 --> 00:20:04,119
Speaker 8: and show up on the microphone and be fun, it

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00:20:04,160 --> 00:20:06,280
Speaker 8: can be really difficult, like right before that, if you

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00:20:06,400 --> 00:20:09,399
Speaker 8: just don't feel good in yourself or whatever it might be.

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Speaker 8: But I find more generally than that, and maybe I

444
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Speaker 8: don't know if this is a good thing, but I

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00:20:14,320 --> 00:20:18,080
Speaker 8: do find I if something's really bad, I can't do this.

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Speaker 8: But most of the time I try and show up,

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Speaker 8: even if I'm not feeling one hundred percent. Sometimes trying

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Speaker 8: to show up in myself as kind of happy and everything,

449
00:20:28,680 --> 00:20:30,600
Speaker 8: and it's not. Maybe it's faking it a little bit

450
00:20:30,880 --> 00:20:35,560
Speaker 8: can then make me feel happy in that moment as well.

451
00:20:35,600 --> 00:20:39,680
Speaker 8: But I find too with me for so long exactly right.

452
00:20:40,000 --> 00:20:45,639
Speaker 2: And I think that your romantic relationship is naturally fraught

453
00:20:45,680 --> 00:20:48,760
Speaker 2: with all of these kind of like well, you've got

454
00:20:48,800 --> 00:20:52,080
Speaker 2: like desire and like obligation to each other and all

455
00:20:52,080 --> 00:20:56,440
Speaker 2: those things which can complicate a romantic relationship. But kind

456
00:20:56,440 --> 00:20:59,240
Speaker 2: of what's beautiful about the business partner friendship relationship is

457
00:20:59,280 --> 00:21:02,679
Speaker 2: you kind of take out love and sex effectively, so

458
00:21:03,119 --> 00:21:05,200
Speaker 2: you don't really kind of have to get into those

459
00:21:05,240 --> 00:21:09,000
Speaker 2: ikey areas but complicate or kind of jade your conversation.

460
00:21:09,080 --> 00:21:11,920
Speaker 2: It's like we're talking about it a friendship here purely,

461
00:21:12,400 --> 00:21:15,399
Speaker 2: and if that's not on the right rails, then we

462
00:21:15,480 --> 00:21:18,520
Speaker 2: both know that this is going to fall apart, and

463
00:21:18,560 --> 00:21:20,639
Speaker 2: it does really quickly as well, like if you're not

464
00:21:20,960 --> 00:21:23,040
Speaker 2: really honest with each other. It's funny, and I wanted

465
00:21:23,040 --> 00:21:24,119
Speaker 2: to bring of a story with you while that it

466
00:21:24,119 --> 00:21:25,440
Speaker 2: woulds bring up because he brought it up with me,

467
00:21:25,480 --> 00:21:26,680
Speaker 2: But I'm throwing him under the bus.

468
00:21:27,359 --> 00:21:30,119
Speaker 5: If you feel comfortable, If you feel comfortable, I can't remember.

469
00:21:29,840 --> 00:21:31,679
Speaker 3: Whether we did this on the mics or off the

470
00:21:31,720 --> 00:21:35,359
Speaker 3: mics after I came on the kickpod where you talked

471
00:21:35,359 --> 00:21:38,560
Speaker 3: about a holiday that you and are you okay to

472
00:21:38,600 --> 00:21:39,040
Speaker 3: talk about it?

473
00:21:39,119 --> 00:21:39,359
Speaker 4: Yes?

474
00:21:39,920 --> 00:21:41,600
Speaker 3: So you and Stefan on a holiday with both your

475
00:21:41,600 --> 00:21:45,239
Speaker 3: respective partners and there was obviously just a little bit

476
00:21:45,280 --> 00:21:47,480
Speaker 3: of tension going on, with which again Will and I

477
00:21:47,480 --> 00:21:50,159
Speaker 3: can absolutely relate to that. It can the fact that

478
00:21:50,200 --> 00:21:52,600
Speaker 3: we literally spend every single second together. Of course there's

479
00:21:52,600 --> 00:21:54,040
Speaker 3: going to be a little bit of tension in it

480
00:21:54,040 --> 00:21:56,480
Speaker 3: can be such a business thing or whatever. And it

481
00:21:56,520 --> 00:21:58,879
Speaker 3: got to a point on the holiday where your partners

482
00:21:59,280 --> 00:22:02,040
Speaker 3: actually said to both of you, you guys need to

483
00:22:02,040 --> 00:22:04,119
Speaker 3: go and sit in the room and have a chat.

484
00:22:04,840 --> 00:22:06,080
Speaker 5: Can you talk a bit more about that?

485
00:22:06,320 --> 00:22:07,200
Speaker 4: Yeah, of course.

486
00:22:07,800 --> 00:22:10,240
Speaker 8: So I don't think we've ever spoken about this publicly,

487
00:22:10,359 --> 00:22:12,040
Speaker 8: but happy as you now.

488
00:22:13,119 --> 00:22:15,160
Speaker 3: Yeah, it's one half of Kick with Steph Klaire Smith,

489
00:22:15,359 --> 00:22:18,879
Speaker 3: model influencer and truly just a very very inspiring person.

490
00:22:18,960 --> 00:22:23,199
Speaker 3: So if you've just joined us, we stopped the audio

491
00:22:23,240 --> 00:22:25,520
Speaker 3: of the part where she's talking about the fact that

492
00:22:25,520 --> 00:22:29,399
Speaker 3: her and Steph have never publicly spoken about a particular

493
00:22:29,520 --> 00:22:33,800
Speaker 3: incident and you're about to hear what that is.

494
00:22:34,280 --> 00:22:37,040
Speaker 8: We're away for a couple of nights, and it was

495
00:22:37,040 --> 00:22:39,120
Speaker 8: the second night and they actually stayed in the room

496
00:22:39,280 --> 00:22:41,679
Speaker 8: the whole time. Okay, Yeah, And what I found that

497
00:22:41,720 --> 00:22:43,800
Speaker 8: Steph and I and this is something we are always

498
00:22:43,840 --> 00:22:46,400
Speaker 8: working through and recently we've worked through it a lot

499
00:22:46,440 --> 00:22:49,040
Speaker 8: more and it's made such an impact of our relationship

500
00:22:49,520 --> 00:22:52,200
Speaker 8: in a positive way. But what we do and I

501
00:22:52,400 --> 00:22:55,680
Speaker 8: was going to ask if you both do this as well,

502
00:22:55,720 --> 00:22:59,240
Speaker 8: But because we love and respect each other so much,

503
00:23:00,119 --> 00:23:04,359
Speaker 8: protect we share ninety five percent of everything in our lives.

504
00:23:05,240 --> 00:23:07,960
Speaker 8: But then we don't share or we weren't sharing the

505
00:23:08,080 --> 00:23:11,919
Speaker 8: five percent because and maybe that was the thing about

506
00:23:12,000 --> 00:23:14,440
Speaker 8: being open about what we actually really want or how

507
00:23:14,440 --> 00:23:18,080
Speaker 8: we're really feeling, because we didn't want to hurt the

508
00:23:18,160 --> 00:23:21,359
Speaker 8: other person. And we knew that, like because we are

509
00:23:21,400 --> 00:23:23,160
Speaker 8: so open with each other, like Seth might have known

510
00:23:23,160 --> 00:23:26,000
Speaker 8: that I was going through something really hard or vice versa.

511
00:23:26,200 --> 00:23:29,240
Speaker 8: So then either of us didn't feel comfortable then being like, well, hey,

512
00:23:29,320 --> 00:23:32,480
Speaker 8: I'm actually really struggling with this. Knowing that that might

513
00:23:32,520 --> 00:23:34,520
Speaker 8: put more load on the other person and might put

514
00:23:34,520 --> 00:23:37,199
Speaker 8: more responsibility on the other person. It might change you know,

515
00:23:37,560 --> 00:23:40,720
Speaker 8: it could change things. That was and so that was

516
00:23:40,800 --> 00:23:50,960
Speaker 8: kind of what dot Doosh has a combination Doosh said

517
00:23:51,200 --> 00:23:53,800
Speaker 8: to us, They said, like, we we know it's because

518
00:23:53,840 --> 00:23:58,560
Speaker 8: you care about each other so much, and so they said, like,

519
00:23:58,800 --> 00:24:02,320
Speaker 8: you just need to be open with each other. And

520
00:24:02,400 --> 00:24:05,440
Speaker 8: it was actually a really uncomfortable conversation. We speak about

521
00:24:05,440 --> 00:24:08,320
Speaker 8: it every now and then in terms of where we've

522
00:24:08,359 --> 00:24:12,440
Speaker 8: actually just more recently had another really open, fantastic conversation.

523
00:24:12,560 --> 00:24:15,440
Speaker 8: We actually worked with a coach on that conversation, which

524
00:24:15,560 --> 00:24:18,040
Speaker 8: was it was really helpful because I think when there

525
00:24:18,160 --> 00:24:20,920
Speaker 8: is two of you having you don't have anyone who's

526
00:24:20,920 --> 00:24:24,200
Speaker 8: objective because you're in it all the time, you can

527
00:24:24,240 --> 00:24:27,280
Speaker 8: also get like, especially because we just try to protect

528
00:24:27,320 --> 00:24:30,720
Speaker 8: each other so much, it ends up. But what actually

529
00:24:30,960 --> 00:24:34,000
Speaker 8: in our most recent conversation, we both said, and you

530
00:24:34,080 --> 00:24:36,680
Speaker 8: have to create a very safe space to have conversations

531
00:24:37,119 --> 00:24:41,680
Speaker 8: where you are being not faux vulnerable, really actually vulnerable,

532
00:24:42,400 --> 00:24:44,119
Speaker 8: where you know you go into and we said an

533
00:24:44,119 --> 00:24:46,680
Speaker 8: intention actually going to the conversation saying that we both

534
00:24:46,720 --> 00:24:49,640
Speaker 8: want in this conversation out of this, we both want

535
00:24:49,680 --> 00:24:52,320
Speaker 8: to create this really safe space and we know that

536
00:24:52,400 --> 00:24:54,320
Speaker 8: it's safe and that we're not going to nothing, we say,

537
00:24:54,440 --> 00:24:56,920
Speaker 8: is going to end our friendship or relationship, like we

538
00:24:57,480 --> 00:24:58,520
Speaker 8: want to work through.

539
00:24:58,320 --> 00:25:01,840
Speaker 3: It right funnily enough, continuing to hold off, which is

540
00:25:01,880 --> 00:25:04,960
Speaker 3: what we're doing. We're keeping the boat afloat, but a

541
00:25:05,080 --> 00:25:07,960
Speaker 3: leak has sprung. Yes, there is a small leak, which

542
00:25:08,040 --> 00:25:11,760
Speaker 3: is it's unnoticeable kind of day to day, but over

543
00:25:11,800 --> 00:25:12,920
Speaker 3: time this will sink the boat.

544
00:25:13,960 --> 00:25:16,760
Speaker 2: To get the whole Share my Mood chat with Laura Henshaw,

545
00:25:16,800 --> 00:25:18,400
Speaker 2: just head over to Share my Mood wherever you get

546
00:25:18,440 --> 00:25:20,600
Speaker 2: your podcast, you can see all those other conversations there,

547
00:25:20,600 --> 00:25:24,000
Speaker 2: Will Anderson, Kate Langbrook, Kyl and Jack Polling Yow and

548
00:25:24,040 --> 00:25:28,000
Speaker 2: now Laura Henshaw joins the Share My Mood podcast. They're

549
00:25:28,040 --> 00:25:30,440
Speaker 2: wonderful conversations. We're loving them, guys. Really hope you're getting

550
00:25:30,440 --> 00:25:33,000
Speaker 2: something out of them as well, because it's really important stuff.

551
00:25:33,000 --> 00:25:34,520
Speaker 2: This all of this big shout out to Laura as

552
00:25:34,520 --> 00:25:36,960
Speaker 2: well for giving us so much chat. It was such

553
00:25:37,000 --> 00:25:44,680
Speaker 2: a good conversation. She's a brilliant, brilliant person. Slewing Money's

554
00:25:44,800 --> 00:25:49,280
Speaker 2: needs Hanaway. It's Disney Pixars Inside Out two only in

555
00:25:49,320 --> 00:25:54,000
Speaker 2: cinemas June thirteen, So as I said, Amy Pohler plays

556
00:25:54,160 --> 00:25:56,239
Speaker 2: Joy in Inside Out for anyone that's already say it's

557
00:25:56,240 --> 00:25:59,200
Speaker 2: brilliant Inside Out two in Cinemas June thirteen, Woods And

558
00:25:59,320 --> 00:26:01,159
Speaker 2: so another kid called us the other day, I mean

559
00:26:01,200 --> 00:26:02,920
Speaker 2: we are really leaning heavily on the children here.

560
00:26:03,520 --> 00:26:06,280
Speaker 3: We need to lift Sorry, I mean we've had the idea,

561
00:26:06,359 --> 00:26:08,800
Speaker 3: but there art needs to be at a serviceable level

562
00:26:08,800 --> 00:26:09,359
Speaker 3: where we can.

563
00:26:09,280 --> 00:26:10,440
Speaker 4: Actually fool these arts.

564
00:26:10,480 --> 00:26:11,359
Speaker 2: Now that's true.

565
00:26:11,440 --> 00:26:12,720
Speaker 4: Stick figures aren't going to do it.

566
00:26:12,720 --> 00:26:14,800
Speaker 2: It was actually a kid that had the idea that

567
00:26:14,880 --> 00:26:17,280
Speaker 2: all the children who paint the art in the art

568
00:26:17,320 --> 00:26:21,560
Speaker 2: gallery should paint the emotions that are present in Inside

569
00:26:21,560 --> 00:26:23,960
Speaker 2: Out too. So what we're doing every day this week

570
00:26:24,000 --> 00:26:26,760
Speaker 2: is we're meeting another one of our kid artists who's

571
00:26:26,840 --> 00:26:29,720
Speaker 2: volunteered to try and paint some of the art that's

572
00:26:29,720 --> 00:26:32,680
Speaker 2: going to go in our art gallery. Yesterday we had

573
00:26:32,720 --> 00:26:36,199
Speaker 2: Embarrassment that was amazing that piece of art. You can

574
00:26:36,240 --> 00:26:39,359
Speaker 2: see this Instagram TikTok withy feel and checking out for yourself.

575
00:26:39,400 --> 00:26:42,919
Speaker 2: But today we're gonna meet Zali. She's painting Joy. But

576
00:26:43,000 --> 00:26:46,159
Speaker 2: before we meet Zali, We've got Zali's mum, Catherine in

577
00:26:46,280 --> 00:26:51,520
Speaker 2: the studio. So Zali is painting Joy Yes, Wow, which

578
00:26:51,560 --> 00:26:54,520
Speaker 2: is who Amy Pohler plays in Inside Out Too.

579
00:26:54,720 --> 00:27:00,240
Speaker 11: Yeah, pretty much describes zally Okay, and it's a middle aime.

580
00:27:00,440 --> 00:27:04,639
Speaker 4: Actually, genuinely, she's painting her middle name. The middle name is.

581
00:27:04,680 --> 00:27:07,120
Speaker 11: Joey, after her deceased grandmother.

582
00:27:07,520 --> 00:27:08,080
Speaker 8: Beautiful.

583
00:27:08,680 --> 00:27:12,040
Speaker 2: Yeah okay, so joy obviously means a lot to you

584
00:27:12,080 --> 00:27:14,359
Speaker 2: as well. Rather than just being an emotion, it's a person.

585
00:27:14,480 --> 00:27:14,720
Speaker 5: Yeah.

586
00:27:15,000 --> 00:27:19,200
Speaker 11: Yeah, this is lining up beautiful her favorite colors yellow.

587
00:27:19,560 --> 00:27:20,520
Speaker 2: Oh wow.

588
00:27:21,200 --> 00:27:24,679
Speaker 3: Wow, We've we've absolutely picked the right child artist for

589
00:27:24,720 --> 00:27:25,119
Speaker 3: the emotion.

590
00:27:25,640 --> 00:27:26,960
Speaker 11: She was definitely cut out for doing.

591
00:27:27,040 --> 00:27:28,520
Speaker 2: Do you do you think that is going to be

592
00:27:28,560 --> 00:27:29,560
Speaker 2: able to pull it up that? Do you think that

593
00:27:30,119 --> 00:27:33,439
Speaker 2: even adult looks at Daly's artwork, they're gonna they're going

594
00:27:33,520 --> 00:27:34,840
Speaker 2: to think that it could be an adults heart work?

595
00:27:34,920 --> 00:27:35,400
Speaker 11: Definitely?

596
00:27:35,520 --> 00:27:37,960
Speaker 3: Really yeah, Okay, she's phenomenal.

597
00:27:38,119 --> 00:27:40,840
Speaker 11: Okay, I don't want to sound it's pretty awesome.

598
00:27:40,880 --> 00:27:42,480
Speaker 2: I hope you are you are at the end of

599
00:27:42,480 --> 00:27:42,720
Speaker 2: the day.

600
00:27:42,760 --> 00:27:45,720
Speaker 5: Has she confused people before with previous.

601
00:27:45,480 --> 00:27:49,280
Speaker 11: Yeah, like myself and her all the time, and quite

602
00:27:49,280 --> 00:27:52,480
Speaker 11: often people think that like hers is mine or yeah,

603
00:27:53,119 --> 00:27:57,720
Speaker 11: oh wow it really okay good with her details.

604
00:27:58,960 --> 00:28:01,480
Speaker 2: I love this. This is a that's exactly what I

605
00:28:01,560 --> 00:28:02,000
Speaker 2: already hear.

606
00:28:02,200 --> 00:28:06,160
Speaker 4: Okay, hello Sali, Hi so Zali.

607
00:28:06,240 --> 00:28:09,399
Speaker 3: As you know, Disney on board with this idea with

608
00:28:09,480 --> 00:28:10,840
Speaker 3: a new movie inside out too.

609
00:28:10,960 --> 00:28:12,879
Speaker 4: So we're painting emotions.

610
00:28:13,320 --> 00:28:14,560
Speaker 5: What emotion were you given?

611
00:28:14,960 --> 00:28:16,400
Speaker 13: I was given joy?

612
00:28:16,600 --> 00:28:19,600
Speaker 3: How did you begin to put that down on a canvas?

613
00:28:19,720 --> 00:28:20,000
Speaker 5: Joy?

614
00:28:22,200 --> 00:28:25,040
Speaker 13: I kind of thought of things that I really liked

615
00:28:25,200 --> 00:28:28,000
Speaker 13: and that made me happy, and I thought of them

616
00:28:28,040 --> 00:28:31,119
Speaker 13: and then I put them on the canvas.

617
00:28:31,320 --> 00:28:31,679
Speaker 5: Awesome.

618
00:28:31,680 --> 00:28:34,920
Speaker 3: Okay, And do you we haven't seen your art yet.

619
00:28:35,160 --> 00:28:37,560
Speaker 3: Your mum cat in the studio as well. She hasn't

620
00:28:37,600 --> 00:28:40,160
Speaker 3: seen the art either. You know what we're trying to do.

621
00:28:40,320 --> 00:28:42,360
Speaker 3: You know the prank you have very much a big

622
00:28:42,400 --> 00:28:46,160
Speaker 3: part of this prank against art lovers. Do you think

623
00:28:46,200 --> 00:28:47,960
Speaker 3: with your art we can pull this off?

624
00:28:48,640 --> 00:28:49,160
Speaker 13: Maybe?

625
00:28:49,680 --> 00:28:52,200
Speaker 5: Maybe? Okay, I'll take it maybe as well.

626
00:28:52,680 --> 00:28:53,880
Speaker 2: You know, we've got to put some work in it

627
00:28:54,000 --> 00:28:55,920
Speaker 2: in the background. But I feel if we call the

628
00:28:55,960 --> 00:28:59,360
Speaker 2: exhibition through a child's eyes or the child on the

629
00:28:59,400 --> 00:29:01,560
Speaker 2: other side, then you know it would we could just

630
00:29:01,560 --> 00:29:04,360
Speaker 2: claim that it's adults painting from a kid's perspective.

631
00:29:03,880 --> 00:29:07,800
Speaker 3: And that sounds a bit artsy fancy, which I liked.

632
00:29:08,680 --> 00:29:09,120
Speaker 4: Channeling.

633
00:29:11,400 --> 00:29:14,120
Speaker 2: It's very in vogue. At the moment as well. Yes, okay,

634
00:29:14,200 --> 00:29:16,120
Speaker 2: so what But but if I was going to ask

635
00:29:16,160 --> 00:29:18,640
Speaker 2: you though, Zali, what do you think what is joy

636
00:29:18,680 --> 00:29:19,240
Speaker 2: for adults?

637
00:29:20,120 --> 00:29:23,960
Speaker 13: Um? Probably not going to work?

638
00:29:25,840 --> 00:29:26,760
Speaker 4: What's joy for mum?

639
00:29:27,200 --> 00:29:29,600
Speaker 2: She's worried. Mom's worried look on her face.

640
00:29:29,760 --> 00:29:30,720
Speaker 5: What's joy for Dad?

641
00:29:32,560 --> 00:29:36,560
Speaker 13: Probably watching motorbikes on his phone sometimes?

642
00:29:37,000 --> 00:29:41,360
Speaker 3: Yeah? Yeah, classic, yeah, Dad guilty there he is watching

643
00:29:41,400 --> 00:29:42,560
Speaker 3: watching motorbikes on his phone.

644
00:29:42,560 --> 00:29:48,800
Speaker 5: As okay, should we should we see the art?

645
00:29:48,880 --> 00:29:49,040
Speaker 10: Yeah?

646
00:29:49,080 --> 00:29:52,840
Speaker 2: I'm ready, all right, here we go, Okay, this is joy.

647
00:29:53,880 --> 00:29:59,960
Speaker 13: Oh so there's a hot air balloone in the sky

648
00:30:00,120 --> 00:30:02,720
Speaker 13: I about to land on the hill in the distance,

649
00:30:03,400 --> 00:30:05,960
Speaker 13: and it's small because it's in the distance. And then

650
00:30:06,240 --> 00:30:12,680
Speaker 13: there's a feather floating downful that it's a real feather

651
00:30:12,760 --> 00:30:19,240
Speaker 13: from my bird. And then the butterflies going towards the

652
00:30:19,280 --> 00:30:23,200
Speaker 13: sunflower to collect pollen. And I used a real butterfly

653
00:30:23,280 --> 00:30:24,200
Speaker 13: wing for that as well.

654
00:30:26,200 --> 00:30:27,120
Speaker 8: We're all done.

655
00:30:27,320 --> 00:30:28,200
Speaker 5: That looks amazing.

656
00:30:29,240 --> 00:30:33,280
Speaker 13: And then there is like a barn kind of shed

657
00:30:33,360 --> 00:30:37,080
Speaker 13: thing with a tree above it, and then a path

658
00:30:37,160 --> 00:30:41,440
Speaker 13: leading to it. And then there's a pond with a

659
00:30:41,680 --> 00:30:44,120
Speaker 13: duck and a fish.

660
00:30:43,640 --> 00:30:45,840
Speaker 5: Oh awesome, And.

661
00:30:45,800 --> 00:30:51,360
Speaker 13: Then the whole field is like sunflowers. One has one's blooming,

662
00:30:51,560 --> 00:30:54,040
Speaker 13: one's already bloomed, and then the rest are like just

663
00:30:54,120 --> 00:30:57,960
Speaker 13: little buds or like one's in the distance kind of thing.

664
00:30:58,440 --> 00:31:00,480
Speaker 13: And then there's a girl with a lamb on lead

665
00:31:00,520 --> 00:31:01,440
Speaker 13: running through the paddock.

666
00:31:02,880 --> 00:31:06,960
Speaker 2: Oh so happy that painting?

667
00:31:07,520 --> 00:31:08,160
Speaker 5: Maybe the girl?

668
00:31:08,320 --> 00:31:11,320
Speaker 2: Yeah maybe maybe awesome. Don't make it to the true

669
00:31:12,920 --> 00:31:15,080
Speaker 2: She doesn't need to be the girl. It might be

670
00:31:15,120 --> 00:31:15,600
Speaker 2: a metaphor.

671
00:31:15,600 --> 00:31:18,200
Speaker 5: It's art, now, Cat, what do you think?

672
00:31:18,400 --> 00:31:23,200
Speaker 11: I think it's beautiful? Yeah, I love the realistic features

673
00:31:23,200 --> 00:31:26,160
Speaker 11: that I find about to bring from home, which I

674
00:31:26,320 --> 00:31:28,840
Speaker 11: think might just sort of sway some people too to

675
00:31:28,880 --> 00:31:30,160
Speaker 11: think that it's adult.

676
00:31:29,800 --> 00:31:34,160
Speaker 2: Like one hundred per se that's the goal here, But

677
00:31:34,240 --> 00:31:39,040
Speaker 2: I'm thinking tens of thousands of dollars for this. Well,

678
00:31:39,080 --> 00:31:40,720
Speaker 2: you're no very good, cat. As long as you said it,

679
00:31:40,720 --> 00:31:41,560
Speaker 2: you're the adult in the room.

680
00:31:42,040 --> 00:31:44,640
Speaker 3: What do you think people would offer to Again, keep

681
00:31:44,640 --> 00:31:46,160
Speaker 3: in mind that this is going to be an exhibition,

682
00:31:46,200 --> 00:31:48,760
Speaker 3: like a very professional looking exhibition, and people may make

683
00:31:48,920 --> 00:31:50,920
Speaker 3: offers for the pieces of art.

684
00:31:50,920 --> 00:31:52,240
Speaker 5: How much do you think it'd be worth?

685
00:31:53,000 --> 00:31:55,200
Speaker 13: I said maybe twenty thousand.

686
00:31:55,560 --> 00:32:02,360
Speaker 2: Yeah, that's the goal here. She's got her eyes on

687
00:32:02,400 --> 00:32:06,080
Speaker 2: the prize. Guys, thank you so much for coming in.

688
00:32:06,280 --> 00:32:08,680
Speaker 2: Great jobs, Aali, We will see you on the night

689
00:32:08,800 --> 00:32:11,400
Speaker 2: at the Kids Art Gallery. Thank you so much for

690
00:32:11,400 --> 00:32:15,520
Speaker 2: coming in. Thanks Kats, having no pleasure, no worries at all.

691
00:32:15,520 --> 00:32:24,239
Speaker 2: Guys alone, it's Will and Woodies. Can you put some

692
00:32:24,400 --> 00:32:32,320
Speaker 2: echo on this channel? All rights. Every generation likes to

693
00:32:32,320 --> 00:32:34,800
Speaker 2: claim that the other generations are the ones who are

694
00:32:34,840 --> 00:32:39,120
Speaker 2: out of touch, got the goggles on, no matter what generation,

695
00:32:39,240 --> 00:32:42,680
Speaker 2: and even the boomers like to call to call everyone

696
00:32:42,680 --> 00:32:45,480
Speaker 2: else out of touch. But the reality is we've got

697
00:32:45,480 --> 00:32:47,320
Speaker 2: a test for that right now. We've got Junior Bruce

698
00:32:47,320 --> 00:32:49,239
Speaker 2: Analysts in the studio. She's the voice of gen Z

699
00:32:49,320 --> 00:32:52,040
Speaker 2: in this you're not both millennials probably the most relevant generation.

700
00:32:53,120 --> 00:32:54,720
Speaker 3: Yeah, I'd say so, because we're still in touch with

701
00:32:54,760 --> 00:32:56,400
Speaker 3: the with the youth out there, what they're up to.

702
00:32:56,520 --> 00:32:59,120
Speaker 3: And I think we're still very much to hold conversations

703
00:32:59,120 --> 00:33:02,200
Speaker 3: with the baby boom Absolutely, we absolutely.

704
00:33:01,760 --> 00:33:01,959
Speaker 1: We are.

705
00:33:02,000 --> 00:33:04,400
Speaker 2: We're connected, analyst. When the last time you spoke to

706
00:33:04,400 --> 00:33:05,080
Speaker 2: a baby boomer?

707
00:33:05,280 --> 00:33:08,720
Speaker 10: Ah, my dad, So today you didn get us there

708
00:33:09,800 --> 00:33:12,000
Speaker 10: us there, But he still wears Daisy Duke cut off

709
00:33:12,040 --> 00:33:15,640
Speaker 10: dnim shorts, so weirdly he doesn't count anyway.

710
00:33:16,240 --> 00:33:17,440
Speaker 4: Today we do have a theme.

711
00:33:17,560 --> 00:33:22,440
Speaker 3: It's famous families because yesterday Northwest Kanye and Kim's daughter

712
00:33:22,520 --> 00:33:24,840
Speaker 3: performed at the Hollywood Bowl this classic from the Lime

713
00:33:24,960 --> 00:33:41,840
Speaker 3: King standing ovation for that performance? She yeah, now, Avy

714
00:33:42,320 --> 00:33:43,440
Speaker 3: do you sorry about that?

715
00:33:47,960 --> 00:33:53,360
Speaker 2: He's out of touch already? Okay, So we're doing famous families.

716
00:33:53,360 --> 00:33:55,880
Speaker 2: Today's to see who's out of touch. So every every

717
00:33:55,920 --> 00:33:59,120
Speaker 2: person that gets suggested here is part of a famous family.

718
00:33:59,160 --> 00:34:01,440
Speaker 2: I mean obviously knowing who the person is. The first

719
00:34:01,480 --> 00:34:03,160
Speaker 2: set of points bonus points. If you can tell us

720
00:34:03,320 --> 00:34:05,120
Speaker 2: which family they are famous in.

721
00:34:05,920 --> 00:34:07,120
Speaker 4: You go first, analys.

722
00:34:06,880 --> 00:34:09,080
Speaker 14: Heay, first one, mind you, This is a little bit

723
00:34:09,080 --> 00:34:11,760
Speaker 14: hard because a lot of these NEPO babies have kept

724
00:34:12,280 --> 00:34:16,600
Speaker 14: their surnames. So first one Mason.

725
00:34:16,280 --> 00:34:19,280
Speaker 4: Disick Scott.

726
00:34:22,760 --> 00:34:25,640
Speaker 2: Copy it spang and when he was in Entourage, wasn't

727
00:34:25,640 --> 00:34:28,879
Speaker 2: he Scott Scott.

728
00:34:28,560 --> 00:34:30,040
Speaker 4: Was married to Courtney Karashian.

729
00:34:30,160 --> 00:34:31,840
Speaker 2: Yeah, very good.

730
00:34:33,800 --> 00:34:39,680
Speaker 4: Yeah, here we go. Okay, one for you, ab okay.

731
00:34:40,200 --> 00:34:41,360
Speaker 4: Ozzy Osbourne.

732
00:34:42,480 --> 00:34:46,879
Speaker 14: Oh I know him, Ozzy Osborne? Is it sounds he's

733
00:34:46,960 --> 00:34:49,279
Speaker 14: the guitar player from a C D C.

734
00:34:51,840 --> 00:34:57,239
Speaker 2: No, No, I'll give you a guitar player, analyst. I'll

735
00:34:57,280 --> 00:34:58,560
Speaker 2: give you a guitar.

736
00:34:59,400 --> 00:35:01,440
Speaker 4: Australian. Is he Australian, Analys.

737
00:35:02,080 --> 00:35:03,799
Speaker 14: I was going to say yes, but then I moved

738
00:35:03,840 --> 00:35:06,040
Speaker 14: to Americans, so maybe I'll go back to Australia.

739
00:35:07,000 --> 00:35:07,480
Speaker 2: Australian.

740
00:35:07,719 --> 00:35:08,160
Speaker 10: Australian.

741
00:35:08,320 --> 00:35:09,280
Speaker 2: He's an Astralian guitarist.

742
00:35:10,680 --> 00:35:12,640
Speaker 4: Yeah, Australian.

743
00:35:12,760 --> 00:35:14,840
Speaker 2: No, Australian.

744
00:35:17,800 --> 00:35:19,040
Speaker 14: He's a big guitarist.

745
00:35:21,600 --> 00:35:23,600
Speaker 2: And he's from America, is.

746
00:35:23,520 --> 00:35:25,560
Speaker 14: He No, he's from Australia.

747
00:35:26,120 --> 00:35:29,400
Speaker 2: No, he's from the UK. Perfect and he was in

748
00:35:29,440 --> 00:35:30,919
Speaker 2: a band called Black Sabbath.

749
00:35:32,440 --> 00:35:36,239
Speaker 4: Famously bit the heads off bats. I believe horrorm uh.

750
00:35:37,480 --> 00:35:39,680
Speaker 4: Back to you, Analyse one Neil okay.

751
00:35:40,200 --> 00:35:42,960
Speaker 2: And he's Jack Osborne's father, of course, yes.

752
00:35:42,920 --> 00:35:45,720
Speaker 4: Jack and the daughter.

753
00:35:46,160 --> 00:35:50,400
Speaker 3: I don't know them, Kelly, Kelly, Jack and Kelly Osborne.

754
00:35:50,520 --> 00:35:55,799
Speaker 4: Yes, and he's married to Sharon Osbourne. You might know

755
00:35:55,920 --> 00:35:59,399
Speaker 4: Shas anyway. Back to you, Analys, Okay, Sophie.

756
00:35:59,040 --> 00:36:02,279
Speaker 2: You're Richie so phil with Richie's daughter.

757
00:36:02,440 --> 00:36:06,160
Speaker 3: No, no, will stop stop stop stop stop. Lionel Richie,

758
00:36:06,200 --> 00:36:11,000
Speaker 3: Lionel Richie's daughter, Lionel Richie's daughter. Well come listen to

759
00:36:11,000 --> 00:36:13,520
Speaker 3: your boy, would he? Lionel Richie's daughter, Lionel Richie's daughter,

760
00:36:14,120 --> 00:36:14,600
Speaker 3: What she do?

761
00:36:15,600 --> 00:36:16,520
Speaker 2: What did she do?

762
00:36:17,120 --> 00:36:19,640
Speaker 3: She she she sings like like daddy. She sings like

763
00:36:19,640 --> 00:36:20,080
Speaker 3: like like.

764
00:36:20,400 --> 00:36:22,440
Speaker 2: She could be an actress.

765
00:36:22,160 --> 00:36:24,200
Speaker 4: She she's a double threat. She sings and she.

766
00:36:24,520 --> 00:36:27,359
Speaker 2: Sings an axe, but also not exclusively either.

767
00:36:27,400 --> 00:36:29,080
Speaker 4: And I think sometimes she has reality TV. You can

768
00:36:29,120 --> 00:36:30,399
Speaker 4: I just throw that one there as well.

769
00:36:31,200 --> 00:36:36,319
Speaker 3: Open the YouTuber and she.

770
00:36:36,239 --> 00:36:45,880
Speaker 14: Does all your Richie's daughter, yeah, singer, yeah.

771
00:36:47,800 --> 00:36:52,120
Speaker 2: Those things. Another one here for your analyse. I feel

772
00:36:52,120 --> 00:36:55,000
Speaker 2: like you should get this one. Martin Sheen.

773
00:36:56,600 --> 00:36:59,040
Speaker 4: He is Charlie Sheen's dad.

774
00:36:59,280 --> 00:37:01,160
Speaker 2: Bang, what does he do?

775
00:37:02,120 --> 00:37:03,800
Speaker 14: He's an actor?

776
00:37:04,480 --> 00:37:06,080
Speaker 2: Well, who's Charlie.

777
00:37:07,360 --> 00:37:08,319
Speaker 14: Charlie Sheen's an actor?

778
00:37:08,360 --> 00:37:09,279
Speaker 2: To what's he?

779
00:37:11,840 --> 00:37:17,040
Speaker 14: I know his name? He does something really important. He

780
00:37:17,080 --> 00:37:20,840
Speaker 14: has like black hair with like whimsy bits, like really

781
00:37:20,880 --> 00:37:22,320
Speaker 14: straight black hair.

782
00:37:23,760 --> 00:37:26,520
Speaker 2: He described his fan because I know what he looks like,

783
00:37:26,600 --> 00:37:27,360
Speaker 2: but I can't.

784
00:37:27,160 --> 00:37:28,919
Speaker 4: Remember what he's in. One TV show

785
00:37:29,000 --> 00:37:32,720
Speaker 14: Or movie Charlie's Angels, Oh my Jesus Christ