1 00:00:00,600 --> 00:00:02,200 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,600 --> 00:00:06,960 Speaker 2: Jen y Rye has been working harder than Blaze the 3 00:00:07,000 --> 00:00:11,520 Speaker 2: bird's cloaka mess can that bird make? And he's come 4 00:00:11,600 --> 00:00:14,240 Speaker 2: up with this Jen White Rise Jabber. 5 00:00:17,040 --> 00:00:21,560 Speaker 3: But isn't it fo Friday? The bossiness of you two 6 00:00:21,800 --> 00:00:26,640 Speaker 3: knows no bounds because of your stupid make it happen edic. 7 00:00:26,880 --> 00:00:30,200 Speaker 3: Now we're stuck looking after some random's pet bird. 8 00:00:30,560 --> 00:00:33,440 Speaker 2: Jevity has become real. I thought, why is the bird shaking? 9 00:00:33,479 --> 00:00:33,760 Speaker 3: Somemo? 10 00:00:33,840 --> 00:00:35,640 Speaker 1: I know, I don't know, I don't know. My heart 11 00:00:35,680 --> 00:00:36,960 Speaker 1: is hammering. I'm a little bit nervous. 12 00:00:37,000 --> 00:00:39,120 Speaker 2: This is another fine mess you've gotten us into. 13 00:00:39,200 --> 00:00:41,800 Speaker 1: Well, remember we had Jack had a bird that he 14 00:00:41,840 --> 00:00:45,040 Speaker 1: found in the gutter, a minor bird. Tweet called it tweet. 15 00:00:45,600 --> 00:00:49,280 Speaker 1: The grief when the inevitable happened hit him hard. Remember 16 00:00:49,320 --> 00:00:52,760 Speaker 1: that at Mother's Day years later we clink a glass 17 00:00:52,800 --> 00:00:55,480 Speaker 1: to my mother or something and our dog that had 18 00:00:55,520 --> 00:00:56,840 Speaker 1: lasted until seventeen. 19 00:00:56,440 --> 00:00:58,280 Speaker 3: He said, tweet tweet. 20 00:01:01,680 --> 00:01:03,560 Speaker 2: What about. 21 00:01:04,400 --> 00:01:06,800 Speaker 3: You? Even roped in the PM to get his bird 22 00:01:06,880 --> 00:01:07,959 Speaker 3: handling tips. 23 00:01:08,080 --> 00:01:10,039 Speaker 2: Do you know anything about Laura Keets where we've had 24 00:01:10,040 --> 00:01:12,440 Speaker 2: a listener Craig who's gone away to Broken Hill, to 25 00:01:12,480 --> 00:01:14,160 Speaker 2: see his mum for a week, and someone in the 26 00:01:14,200 --> 00:01:16,720 Speaker 2: studio not me, has said that they will look after 27 00:01:16,920 --> 00:01:18,040 Speaker 2: a nineteen year. 28 00:01:17,840 --> 00:01:21,680 Speaker 1: Old Lori keep. I had a gala called Andy when 29 00:01:22,200 --> 00:01:22,600 Speaker 1: a kid. 30 00:01:23,640 --> 00:01:28,120 Speaker 3: We always had canaries as well. That didn't last that long. 31 00:01:28,600 --> 00:01:34,399 Speaker 1: To say so, I'm probably nervous now sitting right next 32 00:01:34,480 --> 00:01:35,440 Speaker 1: to me as we speak. 33 00:01:35,480 --> 00:01:37,120 Speaker 2: My dream was to have a nineteen year old bird 34 00:01:37,120 --> 00:01:39,000 Speaker 2: sitting across from me, but not an old Lorikee. 35 00:01:41,400 --> 00:01:44,959 Speaker 1: Anyway, I'm not going to risk responding to that comment, 36 00:01:45,040 --> 00:01:47,119 Speaker 1: nor should you, thank you, Prime Minister. 37 00:01:47,480 --> 00:01:50,000 Speaker 3: Away from that, a new painting of King Charles has 38 00:01:50,040 --> 00:01:50,800 Speaker 3: been unveiled. 39 00:01:50,920 --> 00:01:54,960 Speaker 1: King Charles the Third has had his first official portrait unveiled. 40 00:01:55,120 --> 00:01:59,040 Speaker 1: His face and his hands are in skin tone, but 41 00:01:59,120 --> 00:02:00,920 Speaker 1: the rest of it seemed to be caught up in 42 00:02:00,960 --> 00:02:03,520 Speaker 1: this fiery red like he's walking through flames. 43 00:02:03,560 --> 00:02:06,240 Speaker 2: Almost imagine that the Internet has been kind to this pane. 44 00:02:06,360 --> 00:02:08,920 Speaker 1: Well, interesting comments. All the blood of the Empire's brutal 45 00:02:08,919 --> 00:02:12,600 Speaker 1: colonial past in this painting. What about this comment? Maybe 46 00:02:12,680 --> 00:02:17,120 Speaker 1: sugar with blue? No, because this one's nailed it. The 47 00:02:17,160 --> 00:02:18,600 Speaker 1: tampon who always wanted. 48 00:02:18,360 --> 00:02:23,560 Speaker 3: To be still on the art world. A so called 49 00:02:23,639 --> 00:02:27,000 Speaker 3: portal between Dublin and New York has had to be 50 00:02:27,040 --> 00:02:30,760 Speaker 3: taken down because people are using it inappropriately. 51 00:02:31,000 --> 00:02:33,720 Speaker 1: So you may have heard about this art portal, a 52 00:02:33,840 --> 00:02:39,000 Speaker 1: live streaming Big Circle and art installation links in real 53 00:02:39,080 --> 00:02:42,680 Speaker 1: time Dublin and New York. All the footage I saw 54 00:02:43,400 --> 00:02:46,320 Speaker 1: because of New York's going isn't this wonderful? And Dublin 55 00:02:46,440 --> 00:02:50,800 Speaker 1: is holding up potatoes, holding up this was bad, holding 56 00:02:50,840 --> 00:02:55,720 Speaker 1: up screens with images of September eleven attacks. One woman 57 00:02:55,760 --> 00:02:57,799 Speaker 1: was escorted away by Irish police which she was seeing 58 00:02:57,880 --> 00:03:00,920 Speaker 1: grinding against the portal. This is why we can't have 59 00:03:01,040 --> 00:03:04,320 Speaker 1: nice sea. This is boat in the boat face. People 60 00:03:04,360 --> 00:03:06,760 Speaker 1: think we will have be loftier than we are. Set 61 00:03:06,800 --> 00:03:07,640 Speaker 1: it up and we're not. 62 00:03:09,560 --> 00:03:12,959 Speaker 3: Back to your birdminding. Amanda, who has a child pet 63 00:03:13,000 --> 00:03:15,519 Speaker 3: minded her neighbor's cat and took it upon herself to 64 00:03:15,560 --> 00:03:18,799 Speaker 3: try and put it in a dress, with disastrous results. 65 00:03:18,919 --> 00:03:22,440 Speaker 3: Tried to get Blaze the lorikeet into the bar. That 66 00:03:22,520 --> 00:03:23,600 Speaker 3: was never going to end. 67 00:03:23,600 --> 00:03:25,480 Speaker 1: Well, come on, Blaze, Okay, I'm going to have to 68 00:03:25,480 --> 00:03:28,360 Speaker 1: grab Blaze. I'm going to put one of these grapes 69 00:03:28,440 --> 00:03:31,520 Speaker 1: in her food in the bath. Okay, you're right. She's 70 00:03:31,600 --> 00:03:34,639 Speaker 1: running around the cage. Let me grab it. Don't make 71 00:03:34,680 --> 00:03:37,360 Speaker 1: me get aggressive, blade Grace. Did you like this? 72 00:03:39,960 --> 00:03:40,200 Speaker 3: Wow? 73 00:03:40,800 --> 00:03:44,800 Speaker 2: Okay, let's Amanda. You don't need to put the bird. 74 00:03:45,360 --> 00:03:46,080 Speaker 3: I wanted to have. 75 00:03:46,080 --> 00:03:48,440 Speaker 2: A bath to separate you too. 76 00:03:48,600 --> 00:03:49,680 Speaker 1: Can you get a cat in here? I want to 77 00:03:49,680 --> 00:03:50,360 Speaker 1: put in a dress. 78 00:03:51,200 --> 00:03:54,520 Speaker 3: I'm in a mood. I'm not cleaning that up. By 79 00:03:54,560 --> 00:03:57,560 Speaker 3: the way, this has been jen Wi eyes jibber, jabber. 80 00:03:57,400 --> 00:03:58,000 Speaker 2: Thank you, mate. 81 00:03:58,160 --> 00:04:00,200 Speaker 1: Jonesy and Amanda in the morning one 82 00:04:00,240 --> 00:04:01,680 Speaker 3: Point seven w A s F M.