1
00:00:01,240 --> 00:00:01,599
Speaker 1: All right.

2
00:00:01,800 --> 00:00:04,160
Speaker 2: Well, look, normally we don't like talking about things from

3
00:00:04,160 --> 00:00:05,479
Speaker 2: the show in the podcast.

4
00:00:07,200 --> 00:00:08,920
Speaker 3: This this goes above and beyond that.

5
00:00:09,000 --> 00:00:10,760
Speaker 4: I think so this is this has gone outside of

6
00:00:10,760 --> 00:00:13,680
Speaker 4: the radio show with this, this video went so viral

7
00:00:13,720 --> 00:00:15,640
Speaker 4: all around the world. This guy called Rick. If you

8
00:00:15,640 --> 00:00:18,599
Speaker 4: haven't seen it, just go now, or get your phone.

9
00:00:18,640 --> 00:00:20,960
Speaker 4: You're obviously listening on some sort of phone device. Get

10
00:00:21,000 --> 00:00:24,720
Speaker 4: your phone right now. Watch an instagram of this guy

11
00:00:24,760 --> 00:00:25,239
Speaker 4: called Rick.

12
00:00:25,320 --> 00:00:26,880
Speaker 3: Frankiness twice in twenty minutes.

13
00:00:26,920 --> 00:00:29,760
Speaker 4: In this I just made up a story because I

14
00:00:29,840 --> 00:00:32,159
Speaker 4: want to get through and say, hey, boys, take you going.

15
00:00:34,080 --> 00:00:37,080
Speaker 4: Every time you sneak on air, We'll give you some

16
00:00:37,200 --> 00:00:37,880
Speaker 4: epic price.

17
00:00:38,120 --> 00:00:42,680
Speaker 5: I'll be on every day, mark my word, every day.

18
00:00:45,479 --> 00:00:48,040
Speaker 1: Hey Jared, Jared, what's your opinion on this? Hey? Boys,

19
00:00:48,240 --> 00:00:50,560
Speaker 1: I think it's disgusting. I think they should get said.

20
00:00:50,600 --> 00:00:52,279
Speaker 1: But do you know what I find more disgusting.

21
00:00:52,320 --> 00:01:03,040
Speaker 5: It's Rick unbelievable.

22
00:01:03,720 --> 00:01:05,280
Speaker 3: Again, that's been seen by six million people.

23
00:01:05,280 --> 00:01:07,039
Speaker 4: Go and see it. Actually, it's so much better to watch.

24
00:01:07,120 --> 00:01:09,240
Speaker 4: But we tried to get him back today.

25
00:01:09,800 --> 00:01:10,080
Speaker 1: Yep.

26
00:01:11,040 --> 00:01:13,679
Speaker 4: I hate to say it, but I was like, we can't.

27
00:01:13,680 --> 00:01:15,480
Speaker 4: We just don't have the strength right now to be

28
00:01:15,520 --> 00:01:17,959
Speaker 4: taking on the king like this. You tried to call

29
00:01:18,040 --> 00:01:18,360
Speaker 4: him with.

30
00:01:18,319 --> 00:01:19,039
Speaker 3: A silly voice.

31
00:01:19,400 --> 00:01:22,240
Speaker 4: Mostly you were clearly nervous as well, because you said

32
00:01:22,280 --> 00:01:23,320
Speaker 4: you were going to say it with Steve.

33
00:01:23,360 --> 00:01:24,080
Speaker 3: You said it's.

34
00:01:24,000 --> 00:01:28,759
Speaker 4: Will, so he was already onto us from the start. Anyway,

35
00:01:29,160 --> 00:01:34,120
Speaker 4: it backfired. He then claimed he wasn't rigged and called.

36
00:01:37,200 --> 00:01:37,959
Speaker 1: Here from MBN.

37
00:01:38,200 --> 00:01:41,160
Speaker 2: I mean, like Eve hadn't been Steve from NBN. Maybe

38
00:01:41,360 --> 00:01:44,080
Speaker 2: maybe maybe, But I feel like this guy, he's like

39
00:01:45,000 --> 00:01:49,040
Speaker 2: you mean, for anyone that's seen those Benedict come about Sherlock.

40
00:01:50,640 --> 00:01:52,480
Speaker 1: Like TV show, did you did you watch that?

41
00:01:52,600 --> 00:01:52,800
Speaker 4: Yeah?

42
00:01:52,840 --> 00:01:54,240
Speaker 3: Yeah, I watched the early early on.

43
00:01:55,720 --> 00:01:58,400
Speaker 1: He reminds me of Moriarty, Oh.

44
00:01:58,400 --> 00:01:59,240
Speaker 3: The main villain.

45
00:01:59,480 --> 00:02:03,760
Speaker 2: Yes, like this guy there's one step ahead who's just right,

46
00:02:04,120 --> 00:02:07,440
Speaker 2: like every time you think you've got him, you don't

47
00:02:07,560 --> 00:02:11,320
Speaker 2: have him. And exactly he's always one. He's like all

48
00:02:11,360 --> 00:02:12,880
Speaker 2: those great villains where you're like.

49
00:02:12,960 --> 00:02:14,400
Speaker 1: I've got you, I've got you, i've.

50
00:02:14,280 --> 00:02:16,440
Speaker 2: Got you, you get there, you spring the trap on

51
00:02:16,440 --> 00:02:18,680
Speaker 2: it is that the joker, Right, I've got the joker,

52
00:02:18,680 --> 00:02:19,000
Speaker 2: I've got.

53
00:02:19,000 --> 00:02:20,040
Speaker 1: Him, got him and you get them.

54
00:02:20,160 --> 00:02:21,359
Speaker 3: That's what he wants to think, I know.

55
00:02:21,480 --> 00:02:22,679
Speaker 1: And then as soon as you got him. He goes

56
00:02:23,080 --> 00:02:26,000
Speaker 1: by the way, you know, I've got your I've got

57
00:02:26,040 --> 00:02:27,920
Speaker 1: you two best friends hostage, you know exactly.

58
00:02:28,520 --> 00:02:30,799
Speaker 4: It's like, it's like it's a bit like and there's

59
00:02:30,800 --> 00:02:32,400
Speaker 4: a lot of people we can relate him to it.

60
00:02:32,520 --> 00:02:34,280
Speaker 3: Have you seen Laura Biden Citizen?

61
00:02:34,639 --> 00:02:34,880
Speaker 1: Sure?

62
00:02:35,040 --> 00:02:37,080
Speaker 4: You know when they find out that Jared Butler is

63
00:02:37,120 --> 00:02:39,560
Speaker 4: like this epic assassin and they're like, if he is

64
00:02:39,600 --> 00:02:42,119
Speaker 4: in prison, he wants to be in prison. Yes, such

65
00:02:42,160 --> 00:02:43,760
Speaker 4: a good scene. Yes, that's ricky.

66
00:02:44,160 --> 00:02:45,480
Speaker 3: Anyway, I've got on.

67
00:02:45,440 --> 00:02:47,079
Speaker 1: A good movie Jared Butler's ever done.

68
00:02:47,320 --> 00:02:49,000
Speaker 3: Oh three hundred amazing.

69
00:02:49,240 --> 00:02:51,359
Speaker 1: Wouldn't have called it a great movie, but yeah.

70
00:02:51,280 --> 00:02:55,639
Speaker 4: Ugly truth first ten minutes. Not bad anyway, Oh, ps,

71
00:02:55,680 --> 00:02:56,080
Speaker 4: I love you.

72
00:02:56,520 --> 00:02:57,200
Speaker 3: Great movie.

73
00:02:57,520 --> 00:02:59,640
Speaker 1: Butler notoriously makes shit movies.

74
00:03:00,320 --> 00:03:02,680
Speaker 3: I love you, though, come on, give me I love you.

75
00:03:03,600 --> 00:03:07,120
Speaker 2: It's not bad that one hands everywhere with He's renowned

76
00:03:07,120 --> 00:03:10,079
Speaker 2: for making really crap movies. Do you think actually he's

77
00:03:10,120 --> 00:03:11,760
Speaker 2: actually like I heard them talking about it on the

78
00:03:12,200 --> 00:03:15,480
Speaker 2: Bill Simmons podcast recently, and like they all they do

79
00:03:15,520 --> 00:03:17,720
Speaker 2: is joke about how shit I feel like he's so

80
00:03:17,880 --> 00:03:20,280
Speaker 2: much fine, just the fat that he doesn't care, just

81
00:03:20,280 --> 00:03:22,120
Speaker 2: just everyone knows that he just doesn't give a shit.

82
00:03:22,520 --> 00:03:24,079
Speaker 1: If you're gonna give me money, I'll make a movie

83
00:03:24,120 --> 00:03:25,400
Speaker 1: for you. Yeah.

84
00:03:25,560 --> 00:03:27,200
Speaker 4: I think he's done five different movies where the White

85
00:03:27,200 --> 00:03:29,079
Speaker 4: House has gone down and he's like head of security,

86
00:03:29,400 --> 00:03:30,720
Speaker 4: you know what I mean. And then I think in

87
00:03:30,760 --> 00:03:33,680
Speaker 4: one of them is the President. It's it's just silly guys.

88
00:03:33,720 --> 00:03:35,720
Speaker 4: Actually ask you. I've got an idea to get Rick back.

89
00:03:35,720 --> 00:03:38,360
Speaker 4: But I'm gonna just one question about pass love you.

90
00:03:38,360 --> 00:03:40,720
Speaker 4: You've seen pairs I Love You, right, I.

91
00:03:40,720 --> 00:03:42,600
Speaker 1: Think I saw half its all where it was going

92
00:03:42,640 --> 00:03:43,160
Speaker 1: and hated it.

93
00:03:43,400 --> 00:03:47,840
Speaker 4: Concept is he dies and he leads all these messages. Okay,

94
00:03:48,000 --> 00:03:50,840
Speaker 4: I can't help but feel like during that whole film,

95
00:03:51,160 --> 00:03:53,680
Speaker 4: like you've got to let your partner get over you,

96
00:03:53,720 --> 00:03:57,560
Speaker 4: like because she followed these messages for months, like these

97
00:03:57,560 --> 00:03:58,520
Speaker 4: clues and stuff.

98
00:03:58,680 --> 00:03:59,840
Speaker 3: So I kind of looked at it and I was like,

99
00:03:59,840 --> 00:04:01,320
Speaker 3: this kind of selfish.

100
00:04:01,080 --> 00:04:03,480
Speaker 1: And draws it out a bit. Yeah, did you feel

101
00:04:03,480 --> 00:04:03,880
Speaker 1: did you feel?

102
00:04:03,920 --> 00:04:05,400
Speaker 3: I was like, you're kind of a bit of a

103
00:04:05,400 --> 00:04:05,920
Speaker 3: dick move.

104
00:04:06,120 --> 00:04:07,640
Speaker 1: Yeah, yeah, that's true.

105
00:04:07,680 --> 00:04:10,400
Speaker 2: Like if my if, like if Sam died and then

106
00:04:10,440 --> 00:04:12,840
Speaker 2: I found out she had left me like a scavenger

107
00:04:12,880 --> 00:04:14,120
Speaker 2: hunt afterwards all.

108
00:04:13,960 --> 00:04:15,840
Speaker 3: Over the world I would have been like for a

109
00:04:15,880 --> 00:04:16,440
Speaker 3: long time.

110
00:04:17,640 --> 00:04:20,440
Speaker 1: Yeah, all over the world that m's be expensive.

111
00:04:20,440 --> 00:04:22,480
Speaker 3: Expensive, So I don't know what she's doing with her job,

112
00:04:22,640 --> 00:04:24,280
Speaker 3: but I really have to change her.

113
00:04:24,480 --> 00:04:26,120
Speaker 1: Just let me move on, just let me get on

114
00:04:26,160 --> 00:04:26,800
Speaker 1: with my life.

115
00:04:27,000 --> 00:04:30,479
Speaker 3: But then I think, weirdly he leads her to his

116
00:04:30,520 --> 00:04:33,599
Speaker 3: brother and then like sleeps with his brother. My memory

117
00:04:33,680 --> 00:04:35,120
Speaker 3: is my memory of the film's a bit. Did you

118
00:04:35,120 --> 00:04:35,640
Speaker 3: get to that bit?

119
00:04:36,000 --> 00:04:38,680
Speaker 1: I didn't quite get to this leaping with the brother scene.

120
00:04:39,680 --> 00:04:43,800
Speaker 4: Cousin or anyway, I do want to talk about Rick

121
00:04:43,839 --> 00:04:44,960
Speaker 4: that that's far more important.

122
00:04:45,279 --> 00:04:46,839
Speaker 3: I think this time, yeah, we.

123
00:04:46,839 --> 00:04:49,000
Speaker 1: Should lead him on a scavengerhann hey, just before we

124
00:04:49,040 --> 00:04:51,240
Speaker 1: get to that, though, you worried that he's going to

125
00:04:51,279 --> 00:04:56,640
Speaker 1: hear this, But maybe I don't want that. You're like

126
00:04:56,720 --> 00:04:58,800
Speaker 1: Jared Butler in prison, But maybe I want that.

127
00:04:59,000 --> 00:05:02,839
Speaker 4: That's what I'm saying this, Okay, Well, whether whether I

128
00:05:02,880 --> 00:05:04,120
Speaker 4: think I'm going to do this or not.

129
00:05:04,240 --> 00:05:08,520
Speaker 3: He really mess with him. So I think this time we.

130
00:05:08,480 --> 00:05:12,760
Speaker 4: Have to call him right and and be sound like

131
00:05:12,800 --> 00:05:15,040
Speaker 4: Will and Woody, like I won't even change my voice

132
00:05:15,080 --> 00:05:17,520
Speaker 4: and he'll be sitting there going, you dick, what like

133
00:05:17,640 --> 00:05:18,880
Speaker 4: this sounds so much like.

134
00:05:18,839 --> 00:05:21,400
Speaker 1: You Woody and da da da dad strong.

135
00:05:21,680 --> 00:05:25,760
Speaker 4: Yeah, well, he's probably thinking that he's aggressive anyway.

136
00:05:25,839 --> 00:05:29,040
Speaker 3: But then's very strong. But then I.

137
00:05:28,960 --> 00:05:31,960
Speaker 4: Don't know how we do the sleight of hand, but

138
00:05:32,040 --> 00:05:37,679
Speaker 4: it's actually an important phone call. So we we set

139
00:05:37,760 --> 00:05:41,480
Speaker 4: the trap of him being like, it's obviously.

140
00:05:41,000 --> 00:05:41,640
Speaker 1: Will and Woody.

141
00:05:43,360 --> 00:05:50,279
Speaker 3: What do you mean? What I want? What I want?

142
00:05:50,480 --> 00:05:51,760
Speaker 1: I know? Are we trying to mess with him?

143
00:05:51,800 --> 00:05:52,040
Speaker 2: Still?

144
00:05:52,800 --> 00:05:58,400
Speaker 1: Yeah? Just in what I well, maybe, but this is

145
00:05:58,440 --> 00:05:59,320
Speaker 1: really confusing for me.

146
00:05:59,440 --> 00:05:59,640
Speaker 5: Now.

147
00:05:59,800 --> 00:06:03,760
Speaker 4: What I want to do, yeah, is make him say

148
00:06:03,760 --> 00:06:05,200
Speaker 4: to someone on the phone.

149
00:06:05,600 --> 00:06:07,279
Speaker 1: You darecare it's Will and Woody.

150
00:06:07,440 --> 00:06:09,440
Speaker 3: But then it's not us on the phone.

151
00:06:10,520 --> 00:06:14,640
Speaker 2: So we get people to impersonate us yes, and then

152
00:06:14,760 --> 00:06:18,039
Speaker 2: they call him yes, and then he's like, oh.

153
00:06:17,960 --> 00:06:19,760
Speaker 1: It's obviously Will and Woody yes.

154
00:06:20,480 --> 00:06:23,680
Speaker 4: And then but are you saying person won't be Will

155
00:06:23,720 --> 00:06:26,960
Speaker 4: and Woody? But then we're actually there. But we've been

156
00:06:27,040 --> 00:06:33,120
Speaker 4: listening the entire getting him stop winking.

157
00:06:33,360 --> 00:06:36,279
Speaker 2: It's really confusing. I don't like this prank doesn't make

158
00:06:36,279 --> 00:06:36,719
Speaker 2: any sense.

159
00:06:37,720 --> 00:06:38,680
Speaker 3: That doesn't it.

160
00:06:39,800 --> 00:06:43,000
Speaker 1: Don't wink at me? What he say still winking it

161
00:06:43,080 --> 00:06:46,800
Speaker 1: makes sense? It doesn't make any sense. I'm going for.

162
00:06:48,960 --> 00:06:50,039
Speaker 3: Do you think Rick does.

163
00:06:52,760 --> 00:06:54,479
Speaker 4: We need the next step, guys, and that's the best

164
00:06:54,520 --> 00:06:58,919
Speaker 4: we've got, or we find him, or we find him physically.

165
00:06:58,920 --> 00:07:02,960
Speaker 4: What are you trying to say, Let's find him, let's

166
00:07:02,960 --> 00:07:05,320
Speaker 4: physically kidnap him.

167
00:07:05,680 --> 00:07:08,120
Speaker 3: Why don't we You've done this on the phone.

168
00:07:08,000 --> 00:07:12,120
Speaker 1: Ring, You're you're losing all credibility.

169
00:07:12,200 --> 00:07:13,560
Speaker 3: I can't sleep. I can't sleep since he.

170
00:07:15,600 --> 00:07:17,240
Speaker 4: You know, you know then those if you've seen True

171
00:07:17,280 --> 00:07:19,960
Speaker 4: Detective obviously Matthew McConaughey's apartment.

172
00:07:20,120 --> 00:07:22,000
Speaker 1: When he sleeps with Woody Helson's wife.

173
00:07:22,000 --> 00:07:26,440
Speaker 4: Well, I'm not sleeping with anyone's wife, but I'm talking

174
00:07:26,520 --> 00:07:30,280
Speaker 4: about his apartment. It's just photos and like drawings on

175
00:07:30,320 --> 00:07:34,600
Speaker 4: the walls and stuff. That's my house right now. I

176
00:07:34,600 --> 00:07:35,680
Speaker 4: can't stop thinking about this.

177
00:07:36,680 --> 00:07:39,520
Speaker 2: Well, they were both really shit ideas, So I'm not

178
00:07:39,560 --> 00:07:42,480
Speaker 2: sure if that's both bad awful, Like, I'm not sure

179
00:07:42,520 --> 00:07:46,560
Speaker 2: if that's I think what you're trying to say, yes, yes,

180
00:07:46,600 --> 00:07:48,760
Speaker 2: here we go. No, But I think what you're trying

181
00:07:48,800 --> 00:07:52,080
Speaker 2: to say, broad brushstroke wise, is like you want him,

182
00:07:52,280 --> 00:07:55,440
Speaker 2: but you want to lure him in with thinking that

183
00:07:55,520 --> 00:07:56,160
Speaker 2: it's a prank.

184
00:07:56,560 --> 00:07:59,520
Speaker 1: Yes, but then it's not a prank. Yes, but then

185
00:07:59,560 --> 00:08:00,440
Speaker 1: it is a prank.

186
00:08:00,720 --> 00:08:08,200
Speaker 4: Yes, right, So I'm thinking we get his nearest and dearest,

187
00:08:08,240 --> 00:08:08,960
Speaker 4: we need to, like.

188
00:08:10,440 --> 00:08:11,000
Speaker 1: I don't know.

189
00:08:13,160 --> 00:08:17,280
Speaker 2: So, but he's still if we are getting still getting,

190
00:08:17,400 --> 00:08:18,440
Speaker 2: he's still getting us.

191
00:08:20,080 --> 00:08:20,880
Speaker 1: Damn. So what that?

192
00:08:20,920 --> 00:08:20,960
Speaker 4: What?

193
00:08:21,680 --> 00:08:22,520
Speaker 1: How is he getting?

194
00:08:22,800 --> 00:08:25,640
Speaker 4: Because because because if it's still doing it, then it

195
00:08:25,680 --> 00:08:28,160
Speaker 4: doesn't matter that we're confusing that it's not us, because

196
00:08:28,160 --> 00:08:28,840
Speaker 4: it is.

197
00:08:31,080 --> 00:08:31,720
Speaker 1: I see what you mean?

198
00:08:32,000 --> 00:08:36,640
Speaker 3: Yeah, what does he do for work? We don't know.

199
00:08:36,760 --> 00:08:38,640
Speaker 1: Have we done any intel on Rick? Do we know

200
00:08:38,720 --> 00:08:39,440
Speaker 1: anything about him?

201
00:08:39,480 --> 00:08:42,000
Speaker 3: We know where he lives, exact address.

202
00:08:42,040 --> 00:08:43,040
Speaker 1: She's that happened quickly.

203
00:08:43,679 --> 00:08:45,319
Speaker 3: We know where he lives and all of a sudden

204
00:08:45,360 --> 00:08:46,240
Speaker 3: physically kidnapping.

205
00:08:46,960 --> 00:08:48,280
Speaker 1: We know his exact address.

206
00:08:49,240 --> 00:08:49,840
Speaker 3: Do we send him?

207
00:08:51,400 --> 00:08:53,360
Speaker 1: We send him, We send him his mind on his pillow?

208
00:08:54,440 --> 00:08:57,720
Speaker 1: Yeah no, no, no, would have done that.

209
00:08:58,600 --> 00:08:59,440
Speaker 3: So we have suburb?

210
00:08:59,520 --> 00:09:02,040
Speaker 1: How do we know what suburb is he living? I

211
00:09:02,080 --> 00:09:05,400
Speaker 1: can't tell you that, but of course, of course yeah.

212
00:09:05,559 --> 00:09:07,880
Speaker 2: He dos what suburbs and like tens of thousands of

213
00:09:07,920 --> 00:09:08,960
Speaker 2: people live in suburbs.

214
00:09:09,040 --> 00:09:09,720
Speaker 3: How about state?

215
00:09:09,840 --> 00:09:12,200
Speaker 1: Can we know state? We know state and it's the

216
00:09:12,200 --> 00:09:13,400
Speaker 1: state of New South Wales.

217
00:09:13,720 --> 00:09:19,360
Speaker 4: Okay, okay, work don't know his occupation.

218
00:09:20,800 --> 00:09:22,480
Speaker 2: He answered the phone today that when we tried to

219
00:09:22,480 --> 00:09:24,559
Speaker 2: get him back, and he actually did sound very serious.

220
00:09:25,080 --> 00:09:27,439
Speaker 1: He's sounded totally totally different sounds.

221
00:09:27,600 --> 00:09:29,880
Speaker 3: Was he playing a character from the get go? That's

222
00:09:29,920 --> 00:09:31,120
Speaker 3: the that's the thing we don't know.

223
00:09:31,760 --> 00:09:34,520
Speaker 4: That was the big thing about today's Revenge, Sir, because

224
00:09:34,559 --> 00:09:37,320
Speaker 4: I think after today, no one knows what the real

225
00:09:37,400 --> 00:09:40,239
Speaker 4: Rick sounds like, because I've always thought.

226
00:09:40,000 --> 00:09:43,000
Speaker 3: His real voice was ah byes. But I think that's

227
00:09:43,040 --> 00:09:43,480
Speaker 3: an act.

228
00:09:43,880 --> 00:09:50,000
Speaker 2: You know what he's like, He's like, he's like John Malkovich.

229
00:09:50,120 --> 00:09:54,760
Speaker 2: When John Malkovich is that villain in that nineties called

230
00:09:55,000 --> 00:09:57,800
Speaker 2: No It's called the Enemy of the State or something.

231
00:09:58,400 --> 00:10:02,280
Speaker 4: That's amazing is that your I don't recall John Malkovich

232
00:10:02,320 --> 00:10:03,800
Speaker 4: being in that film.

233
00:10:04,000 --> 00:10:09,160
Speaker 1: He's a villain disguises himself really well, that's how the.

234
00:10:09,080 --> 00:10:11,880
Speaker 4: Film being John Malkovich, he's a whole bunch of John Malcolvi.

235
00:10:12,600 --> 00:10:15,720
Speaker 4: Such a good movie Conair, con Air, he's Cyrus the

236
00:10:15,760 --> 00:10:17,560
Speaker 4: virus and he's amazing of mice and.

237
00:10:17,640 --> 00:10:20,720
Speaker 1: Men in the line of fire, in the line of fire.

238
00:10:21,960 --> 00:10:23,760
Speaker 3: Yes, I haven't seen in the Line of he's.

239
00:10:23,600 --> 00:10:26,280
Speaker 1: Like John Malkovich in the Line of Fire. And why

240
00:10:26,360 --> 00:10:26,600
Speaker 1: is that?

241
00:10:28,520 --> 00:10:31,840
Speaker 4: Like, what's what's the big take home from John just

242
00:10:31,880 --> 00:10:36,360
Speaker 4: good disguises and then never knowing what, Like, is this

243
00:10:36,440 --> 00:10:38,040
Speaker 4: a chance he lives his life like this? He's got

244
00:10:38,040 --> 00:10:41,599
Speaker 4: like multiple identities, multiple passports.

245
00:10:41,240 --> 00:10:43,520
Speaker 1: Ninety six percent. Oh, in the Line of Fire is

246
00:10:43,559 --> 00:10:45,960
Speaker 1: an amazing movie. He's terrifying in it.

247
00:10:46,000 --> 00:10:48,120
Speaker 3: I understanding they think that the producers think they know

248
00:10:48,160 --> 00:10:50,040
Speaker 3: where he lives. But that's what he wants us to think.

249
00:10:50,320 --> 00:10:53,600
Speaker 4: Yeah, I don't think we've got we know anything about

250
00:10:53,600 --> 00:10:53,960
Speaker 4: this guy.

251
00:10:55,960 --> 00:10:59,320
Speaker 2: Whatever we say, if we say, it's just met with

252
00:11:00,040 --> 00:11:06,199
Speaker 2: that's what you want, which with that editude.

253
00:11:05,880 --> 00:11:06,439
Speaker 5: We can't.

254
00:11:07,920 --> 00:11:08,079
Speaker 4: Want.

255
00:11:08,160 --> 00:11:12,080
Speaker 2: So heads So phone in Woody his head, what do

256
00:11:12,120 --> 00:11:13,520
Speaker 2: you I think you're going to have to be removed

257
00:11:13,520 --> 00:11:14,719
Speaker 2: from all discussions about Rick.

258
00:11:14,840 --> 00:11:16,959
Speaker 3: I'm sorry, I think you've.

259
00:11:16,480 --> 00:11:18,079
Speaker 1: Included yourself from the conversation.

260
00:11:18,559 --> 00:11:22,400
Speaker 3: I think I made that very clear. It I'm doing deep.

261
00:11:22,640 --> 00:11:23,520
Speaker 1: You've lost the plants.

262
00:11:23,640 --> 00:11:26,240
Speaker 4: It's like the captain of the police stations, just that

263
00:11:26,280 --> 00:11:27,280
Speaker 4: you're going to hand in your badge.

264
00:11:27,280 --> 00:11:29,200
Speaker 1: Man, you're too close to you, you're too close to it.

265
00:11:29,280 --> 00:11:31,360
Speaker 3: Fair enough, give me another case. I'm going to be

266
00:11:31,400 --> 00:11:32,360
Speaker 3: a traffic cop for now.

267
00:11:32,440 --> 00:11:33,240
Speaker 1: We might just rest you.

268
00:11:33,559 --> 00:11:34,520
Speaker 3: Not even traffic cops.

269
00:11:34,600 --> 00:11:39,319
Speaker 2: No, actually, this is your exit interview, Goodbye, we'll see

270
00:11:39,400 --> 00:11:39,840
Speaker 2: the moment