WEBVTT - TASKMASTERS AUSTRALIA - TOM CASHMAN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. Thereby, Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading on today's episode with Tom Cashman, who

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<v Speaker 1>is currently on Network ten's Taskmasters, which is on weekly

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<v Speaker 1>Thursday nights at seven thirty, which you can also catch

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<v Speaker 1>up on on ten Play once those episodes drop. Sitting

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<v Speaker 1>by Tom Gleeson's side is his trusty assistant, Tom Cashman,

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<v Speaker 1>dutifully taking notes and reporting back on all the ups

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<v Speaker 1>and downs of each and individual task. For several weeks,

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<v Speaker 1>the comedians face tasks that are then played in front

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<v Speaker 1>of each other and to a live audience. They're all

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<v Speaker 1>competing to score the highest amount of points to take

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<v Speaker 1>out the competition. Based on the UK series, task Masters

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<v Speaker 1>has become a worldwide phenomenon, meaning that when the Australian

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<v Speaker 1>version was launched in twenty twenty three, there was a

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<v Speaker 1>pressure to stand up to the success of the other

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<v Speaker 1>international spin offs. I have to say I have absolutely

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<v Speaker 1>loved catching up with Tom Cashman. Here's a very funny

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<v Speaker 1>comedian and you will get to know him in a

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<v Speaker 1>way that I don't think we've really heard from him before.

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<v Speaker 1>I will talk about being cast alongside Tom Gleeson and

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<v Speaker 1>what their relationship was like before shooting the series. We

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<v Speaker 1>will unpack the pressure of being a comedian and how

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<v Speaker 1>it can affect your day to day life. Tom will

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<v Speaker 1>share some honest stories from meeting his idols like Peter Hellier,

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<v Speaker 1>and he will explain why he ignored Anne Edmund when

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<v Speaker 1>he first met her. You will find out how the

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<v Speaker 1>show is actually put together, and we'll find out why

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<v Speaker 1>the skits are never shown in order of how they're

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<v Speaker 1>actually screened in front of the live audience. There's actually

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<v Speaker 1>so much to unpack with Tom, so sit back and

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<v Speaker 1>relax as we unpack the wonderful world of Task Masters Australia. Then, Hey, Tom,

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<v Speaker 1>how are you well? Yeah, I'm good. I was just

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<v Speaker 1>saying before that I've been watching. I watched like three

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<v Speaker 1>episodes back to back last night with my partner because

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<v Speaker 1>I wanted to watch someone's reaction of the show different

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<v Speaker 1>to what I think of it. Oh wow, just wanted

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<v Speaker 1>to have his graduly. Yeah, he loved it. It's good.

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<v Speaker 1>It's fun because I love watching reactions of things and

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<v Speaker 1>I think that's the magic of this show is that

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<v Speaker 1>tasks are being done and then you're unpacking it and

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<v Speaker 1>there's some hilarity in reflection.

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<v Speaker 2>Totally. I agree with you. I think it's kind of

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<v Speaker 2>more like Google Bops than people think comedians watching themselves

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<v Speaker 2>in the past. Sale that's a good show.

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<v Speaker 1>Whoever was in the Network ten pitch room when that

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<v Speaker 1>was being pitched is a great idea. Actually, no, because

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<v Speaker 1>we have to understand that Task Masters is so big

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<v Speaker 1>in the UK. This is a show that's been around

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<v Speaker 1>for a while over there and it's massive there.

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<v Speaker 2>The other thing to consider is that if you did

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<v Speaker 2>a Google Bop version where they watched themselves, Yeah, that

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<v Speaker 2>would be fun, like Google watching google Bop. But then

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<v Speaker 2>the problem with that was then then they'd be the

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<v Speaker 2>feat to do it again, and then Google would be

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<v Speaker 2>watching Google.

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<v Speaker 1>Is your favorite movie inception? By any chance.

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<v Speaker 2>I got there, it's up there.

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<v Speaker 1>I love Christopher Nolan. You know, it was interesting. I

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<v Speaker 1>was like scaring the internet for things while I was

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<v Speaker 1>preparing myself to chat with you today, and I read

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<v Speaker 1>somewhere that you felt more relaxed this season going into it.

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<v Speaker 1>You know, what was the difference, Like, what did it

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<v Speaker 1>take for you to feel more relaxed from season one

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<v Speaker 1>into season two.

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<v Speaker 2>It's just going through the whole process. So I suppose

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<v Speaker 2>you're always a bit more anxious when you're going into

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<v Speaker 2>you don't know what's going to be. Obviously I had

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<v Speaker 2>it of a sense of what it was going to be,

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<v Speaker 2>but you know, it's a very specific job running around

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<v Speaker 2>in a field with comedians and basically being the referee.

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<v Speaker 2>But it also was the biggest TV gig I've had,

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<v Speaker 2>so you're a bit nervous going into something that we

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<v Speaker 2>haven't done. The stakes of it were higher than something

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<v Speaker 2>that I was doing before. And I think the other

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<v Speaker 2>thing is just that it's an established format. It's very

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<v Speaker 2>popular in the UK overtwe which has been in such

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<v Speaker 2>a treat Like the first episode of the first season,

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<v Speaker 2>the crowd was full, there were one hundreds of people there,

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<v Speaker 2>really enthusiastic to watch, and what a privilege for like

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<v Speaker 2>the first episode of the show. At most shows, you know,

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<v Speaker 2>you start from scratching. You've got to build an audience.

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<v Speaker 2>But I suppose the kid side of that is there

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<v Speaker 2>are exist exams that kind of expected to be a

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<v Speaker 2>certain way, so a lot to move up to. But

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<v Speaker 2>I was after season one, it was received pretty well,

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<v Speaker 2>I thought, like, and then although watching myself back like

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<v Speaker 2>I was happy with about a web and that obviously

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<v Speaker 2>come be down somewhere.

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<v Speaker 1>I mean, I don't know how I would do this,

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<v Speaker 1>but I feel like for me, I would watch a

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<v Speaker 1>whole lot of the UK version, or maybe I would,

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<v Speaker 1>because I'd then be worried that I was impersonating that role. Again,

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<v Speaker 1>how did you go with that process? Because there's that

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<v Speaker 1>temptation to sort of go and dive deep right into

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<v Speaker 1>it to see how something else has made it successful

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<v Speaker 1>and then go, oh, how do I make this my own?

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<v Speaker 2>Like?

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<v Speaker 1>What was that process like for you?

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<v Speaker 2>I was lucky enough so when I got off to

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<v Speaker 2>do it, I happened to have been already going over

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<v Speaker 2>to London to do some shows, and while I was there,

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<v Speaker 2>I got to meet Alic Horn, who created the UK show,

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<v Speaker 2>and when like a pretty quick tour of the UK

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<v Speaker 2>the house and I chatting in about it. I was

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<v Speaker 2>kind of expecting in that kind of it wasn't so

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<v Speaker 2>much a meeting as it took a bit of a

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<v Speaker 2>catch up. I was kind of expecting him, I guess

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<v Speaker 2>to have a few points or like instructions on what

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<v Speaker 2>to do, but he was so relaxed about it, and

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<v Speaker 2>I think the only I mean, I think the only

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<v Speaker 2>things in said is kind of make note of what

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<v Speaker 2>people do after it, because you forget the funny things

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<v Speaker 2>they did. And he's only other advices, just like see

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<v Speaker 2>yourself with that kind of thing. And I think that

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<v Speaker 2>will last me because yeah, he wasn't being prescriptive about it,

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<v Speaker 2>I suppose, but here's a format that you know, you've

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<v Speaker 2>still got to fix the format and in doing the show.

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<v Speaker 2>But I have exactly the thought you just said. I

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<v Speaker 2>watch I forget exactly how many, but like I've already

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<v Speaker 2>seen a few seasons but not for a while, and

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<v Speaker 2>then I think I watched like maybe one more season,

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<v Speaker 2>and then have that exact thought that you said before.

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<v Speaker 2>I don't want to keep watching this and then get

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<v Speaker 2>into the lynt of because you just naturally copy. If

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<v Speaker 2>I watch a bunch of like a stand up comedian,

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<v Speaker 2>for example, we find himself the next day kind of

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<v Speaker 2>talking the way they talk. You know, we do it

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<v Speaker 2>naturally adaptive in that way. So I wanted to kind

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<v Speaker 2>of familiarize myself at the format again and then kind

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<v Speaker 2>of just keep it out of my head and go in.

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<v Speaker 2>But then after doing the third season, I watched every

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<v Speaker 2>single UK to them.

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<v Speaker 1>Because you kind of know that you're owning what, you

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<v Speaker 1>kind of understand how to own your own space by

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<v Speaker 1>that point, because you've found, yeah, I don't you know

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<v Speaker 1>what I mean exactly.

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<v Speaker 2>I already kind of had found kind of how I

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<v Speaker 2>was going to be. And then because you know, we're

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<v Speaker 2>doing completing seasons, you're writing involved in the past writing

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<v Speaker 2>and stuff now, so you've got to make sure you're

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<v Speaker 2>not overlapping too much past. And I thought, after I've

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<v Speaker 2>kind of got the tone of what I'm doing, why

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<v Speaker 2>not all of it's kind of become a bit of

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<v Speaker 2>a completion of in terms of and understand that that's

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<v Speaker 2>the kind of work and how we can do a

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<v Speaker 2>bit of a push the boundaries in our own and stuff.

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<v Speaker 1>What's the process though, on watching yourself Because I can

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<v Speaker 1>imagine watching this with you know, watching it all back

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<v Speaker 1>and watching a whole season of it back and seeing

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<v Speaker 1>what works and what doesn't work. I'd want to know

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<v Speaker 1>whether or not you lean into the things that you

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<v Speaker 1>think worked better, and so you now start sort of

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<v Speaker 1>doing that or I mean ridiculously or does it. You

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<v Speaker 1>just start feeling like you're impersonating yourself.

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<v Speaker 2>Yeah, I think it's not funny. I'll worry about I

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<v Speaker 2>think it's a bit of something that I'm that you

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<v Speaker 2>do with stand up comedy, Like when you start watching

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<v Speaker 2>yourself it cringe. It's prim as hell, whats yourself about there?

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<v Speaker 2>Because you're going to know what's going in a little

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<v Speaker 2>bit more and you're kind of worry about how you're

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<v Speaker 2>going to be the seas and stuff. But I think

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<v Speaker 2>I'm I'm like seeing me over that just by the

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<v Speaker 2>stand up comedy you're going to have to you don't

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<v Speaker 2>have to live to do. I need to yourself on

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<v Speaker 2>the internet that you get a lot of. It's going

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<v Speaker 2>to get a shot of stand up social last year

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<v Speaker 2>and the state money I edited it, so it's like

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<v Speaker 2>you watching yourself perform from for the angle to hours

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<v Speaker 2>doing an edit. You kind of get over it a

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<v Speaker 2>little bit.

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<v Speaker 1>I find to be in the editing room of my

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<v Speaker 1>own work to be quite complicated because it actually infiltrates

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<v Speaker 1>my way of being social.

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<v Speaker 2>Would you say it affects how you are socially?

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<v Speaker 1>Yeah, I find it really strange if I edit my

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<v Speaker 1>own work and I'm listening to the way in which

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<v Speaker 1>I do podcasting, it does start to affect the way

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<v Speaker 1>that I socialize, because when you're socializing is a different

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<v Speaker 1>flow of conversation and so you've got to try and

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<v Speaker 1>break Yeah, you know, and I know that from my

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<v Speaker 1>friends that are comedians they feel that as well, Like

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<v Speaker 1>I've had that conversation about it, where they're like, when

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<v Speaker 1>they're being social, what's the difference between the personality that

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<v Speaker 1>they are on stage when they're being comical. And the

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<v Speaker 1>expectation that you also have is that you think other

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<v Speaker 1>people have a view, you know what I mean that

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<v Speaker 1>you're like, I'm a comedian, so does everyone expect that

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<v Speaker 1>I'm funny? And then for me that I'm like talking

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<v Speaker 1>to someone, I'm like, I'm a podcaster, I'm an interviewer.

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<v Speaker 1>You know, I should be being very interesting and I

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<v Speaker 1>should be asking questions, and then like that can sort

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<v Speaker 1>of penetrate my social ability because when you're just hanging

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<v Speaker 1>out with people, it shouldn't be like that.

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<v Speaker 2>I agree, Yeah, I think that's like, yeah, I'm I

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<v Speaker 2>don't think it's about the editing and watching yourself as

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<v Speaker 2>much as it just the instinctive Like right now, I mean,

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<v Speaker 2>I'm loving the chat, which is very beached up in

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<v Speaker 2>terms of what it's like. I now like I have

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<v Speaker 2>an obligation to talk when you book, Yeah, and if

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<v Speaker 2>they's silence in this conversation and awkward causes and stuff

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<v Speaker 2>like that, and we're not doing a right job, Whereas

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<v Speaker 2>in a social contact that's still a bit true. And

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<v Speaker 2>I think that's the thing that I've got of struggled

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<v Speaker 2>with so much. I'm a bit like this anyway, and

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<v Speaker 2>that kind of part is why I think I became

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<v Speaker 2>a air median early. Is ultimately I just hate awkward vibalance.

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<v Speaker 2>So I feel like, over the course of my life,

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<v Speaker 2>I've been battling off with violence. So you just get

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<v Speaker 2>better and better at coming up with things to say

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<v Speaker 2>in social situation to feel silent. But I have had

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<v Speaker 2>to get better at son of yet if you're just

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<v Speaker 2>hanging out with trends or whatever, not feeling responsible for

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<v Speaker 2>the pisk Exactly, it's not it's not my problem. It's

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<v Speaker 2>as an awkward thing. There's five people here, it's the

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<v Speaker 2>fifth of my problem. Whereactly, Yeah, it can feel like

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<v Speaker 2>one hundred percent of your problem, because that's kind of

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<v Speaker 2>just how I'm wired I think the problem with comedians,

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<v Speaker 2>and some comedians are like this, and they're kind of

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<v Speaker 2>almost like warning times when like my friends who you know,

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<v Speaker 2>aren't comedians, just normal, very funny people, very interesting people,

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<v Speaker 2>and then you induce them become comedian persons who just

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<v Speaker 2>and then they just talk for like, you know, you

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<v Speaker 2>hang out for an hour of the time, it's just

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<v Speaker 2>a comedian talking and they don't even they never asked

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<v Speaker 2>the question of a friend that I've introduced them to.

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<v Speaker 2>And it's a bit that you feel a bit and

0:10:15.520 --> 0:10:17.440
<v Speaker 2>it's because of exactly what we're saying. They just usually

0:10:17.520 --> 0:10:19.880
<v Speaker 2>kind of having to do the talking, but like and

0:10:20.559 --> 0:10:23.440
<v Speaker 2>be able to such that off otherwise who isolated them.

0:10:23.679 --> 0:10:25.640
<v Speaker 1>I've got friends though, that are comedians that are very

0:10:25.640 --> 0:10:27.400
<v Speaker 1>well known, and I don't want to throw them under

0:10:27.440 --> 0:10:29.640
<v Speaker 1>the bus because they'll be listening to they'll hear it.

0:10:29.760 --> 0:10:31.960
<v Speaker 1>But you know what's really funny is that the more

0:10:32.000 --> 0:10:35.800
<v Speaker 1>successful that they become, the more introverted that they've become.

0:10:36.000 --> 0:10:38.920
<v Speaker 1>It's so bizarre. Yeah, really, I'll be out with them

0:10:38.960 --> 0:10:40.400
<v Speaker 1>and I'll be like, oh, you know, this is such

0:10:40.440 --> 0:10:42.840
<v Speaker 1>and such, and you watch people's face go, oh, I

0:10:42.880 --> 0:10:45.280
<v Speaker 1>know who you are, and then they say nothing, and

0:10:45.320 --> 0:10:48.760
<v Speaker 1>I'm like yeah, and I'm like, but they weren't like

0:10:48.840 --> 0:10:50.320
<v Speaker 1>that to start with, do you know what I mean? Like,

0:10:50.320 --> 0:10:54.559
<v Speaker 1>as they were entering the careers, they were feeling the silences,

0:10:54.559 --> 0:10:57.680
<v Speaker 1>they were performing, they were you know, and then the

0:10:57.760 --> 0:11:01.040
<v Speaker 1>more and more successful they got them now mutes, I'm like,

0:11:01.480 --> 0:11:02.080
<v Speaker 1>say something.

0:11:04.400 --> 0:11:06.000
<v Speaker 2>I think the thing to me, I mean, now we're

0:11:06.000 --> 0:11:09.360
<v Speaker 2>talking about how to kind of approach social thing is

0:11:09.880 --> 0:11:12.800
<v Speaker 2>the difference trying to be present. Yeah, no, I mean

0:11:12.840 --> 0:11:14.679
<v Speaker 2>I'm very happy talk about it. It's just trying to

0:11:14.720 --> 0:11:18.240
<v Speaker 2>be present and listening because I think, yeah, it's fine

0:11:18.360 --> 0:11:21.160
<v Speaker 2>to when necessary, like if you if I've come in

0:11:21.200 --> 0:11:23.280
<v Speaker 2>with a I've got a few funny stories in the

0:11:23.360 --> 0:11:25.960
<v Speaker 2>past few weeks, and then there's the silent, and I

0:11:26.000 --> 0:11:28.760
<v Speaker 2>think everyone's happy to hear the story. Well I can

0:11:29.280 --> 0:11:31.160
<v Speaker 2>you know, I can talk the Sailand I suppose. Yeah,

0:11:31.200 --> 0:11:33.679
<v Speaker 2>I don't know whether your friends are like overtheaking it

0:11:34.000 --> 0:11:36.640
<v Speaker 2>more more and they're kind of worried about what I'm

0:11:36.679 --> 0:11:39.120
<v Speaker 2>talking about, like being seen to be the kind of

0:11:39.160 --> 0:11:42.079
<v Speaker 2>like coffee guy. Who ll maybe there could be some

0:11:42.160 --> 0:11:43.680
<v Speaker 2>other reasons out have just said this tie.

0:11:44.440 --> 0:11:46.360
<v Speaker 1>I remember this is now going to haunt you, because

0:11:46.360 --> 0:11:48.560
<v Speaker 1>it still haunts me. I remember once I was hanging

0:11:48.559 --> 0:11:50.480
<v Speaker 1>out with someone who had just met and then they

0:11:50.520 --> 0:11:52.760
<v Speaker 1>said to me after a while, they said, you know,

0:11:53.280 --> 0:11:55.080
<v Speaker 1>you're not as interesting as I thought you would be.

0:11:57.480 --> 0:12:00.840
<v Speaker 1>I remember being like I remember being like what, and

0:12:00.840 --> 0:12:03.200
<v Speaker 1>they're like, oh, yeah, because I had seen me, that's

0:12:03.240 --> 0:12:05.520
<v Speaker 1>seen some of my work, and that sort of sort

0:12:05.520 --> 0:12:07.440
<v Speaker 1>of had a heightened version of who I am. And

0:12:07.480 --> 0:12:09.480
<v Speaker 1>I was like, Okay, that's lovely.

0:12:10.080 --> 0:12:13.240
<v Speaker 2>Yeah that's dud then yeah it is.

0:12:13.400 --> 0:12:13.719
<v Speaker 1>It is.

0:12:14.000 --> 0:12:16.800
<v Speaker 2>Yeah, that's such an inevitable part of I think sometimes

0:12:16.840 --> 0:12:19.040
<v Speaker 2>you will make people on people Oh your Canadian told

0:12:19.080 --> 0:12:23.120
<v Speaker 2>the birth whatever, and it's like, oh no, that's not really. Yeah,

0:12:24.679 --> 0:12:26.840
<v Speaker 2>they're kind of wanting you to do a weird thing

0:12:27.120 --> 0:12:28.960
<v Speaker 2>and they're kind of teasing you, but it's all out

0:12:28.960 --> 0:12:31.600
<v Speaker 2>of awkwardness. I think. I think there is something natural

0:12:31.640 --> 0:12:34.520
<v Speaker 2>about I've never being like fifteen, I was went to

0:12:34.520 --> 0:12:37.120
<v Speaker 2>see a company show with my family and Peter Hellier

0:12:37.240 --> 0:12:40.000
<v Speaker 2>was in the pa foyer and I just walked past

0:12:40.040 --> 0:12:43.160
<v Speaker 2>him and he wasn't smiling, he just had a regular

0:12:43.200 --> 0:12:45.840
<v Speaker 2>normal face. And I remember, as a gen year old

0:12:45.840 --> 0:12:49.120
<v Speaker 2>that kind of disturbing me or I'm like, oh my god,

0:12:49.160 --> 0:12:54.880
<v Speaker 2>what's wrong with that? As hell? Because and then it

0:12:55.000 --> 0:12:57.000
<v Speaker 2>was close to you. I've never su seen him, not

0:12:57.240 --> 0:13:00.320
<v Speaker 2>with his grid because he's always like in performed. So

0:13:00.760 --> 0:13:03.000
<v Speaker 2>that's just part of the meeting of someone in regular life.

0:13:03.360 --> 0:13:06.560
<v Speaker 2>Get you to it better. Yeah, people can't be like

0:13:06.640 --> 0:13:08.640
<v Speaker 2>on the whole time, and the people that.

0:13:08.600 --> 0:13:11.560
<v Speaker 1>Are on the whole time, they well, that's exhausted.

0:13:11.600 --> 0:13:14.120
<v Speaker 2>Alf A. I did live, which is the connected people

0:13:14.160 --> 0:13:15.560
<v Speaker 2>because they're gone nuts.

0:13:15.880 --> 0:13:19.680
<v Speaker 1>I wanted to ask you about Tom Gleeson and the

0:13:19.760 --> 0:13:22.200
<v Speaker 1>chemistry that the two of you have been able to

0:13:22.400 --> 0:13:24.800
<v Speaker 1>put together on this show, which is great. Did they

0:13:24.840 --> 0:13:27.600
<v Speaker 1>screen test you before getting you in, Like what was

0:13:27.600 --> 0:13:30.599
<v Speaker 1>your relationship with Tom Gleeson before you know, stepping in

0:13:30.640 --> 0:13:31.760
<v Speaker 1>front of the cameras well.

0:13:31.800 --> 0:13:34.599
<v Speaker 2>I mean we'd already kind of been booked and we

0:13:34.800 --> 0:13:38.439
<v Speaker 2>filmed all the filmed all the task Season one Comedian

0:13:39.080 --> 0:13:41.400
<v Speaker 2>and then we did a we did like A show

0:13:41.520 --> 0:13:44.880
<v Speaker 2>zero or like a because we shoot more tasks than

0:13:44.920 --> 0:13:46.840
<v Speaker 2>the youth. So with some of the tusks we weren't

0:13:46.840 --> 0:13:49.040
<v Speaker 2>going to use for the benefit I think mainly of

0:13:49.120 --> 0:13:51.680
<v Speaker 2>me and song Beton, but also for the benefit of

0:13:51.720 --> 0:13:54.640
<v Speaker 2>the contestants. And I guess for the people working on

0:13:54.679 --> 0:13:56.959
<v Speaker 2>the show, like shooting it and stuff with the larting

0:13:56.960 --> 0:13:59.200
<v Speaker 2>and gamers and stuff. We did like that fake first

0:13:59.240 --> 0:14:01.440
<v Speaker 2>one that was a bit of a stink cap looking

0:14:01.480 --> 0:14:04.199
<v Speaker 2>at the chemistry between us. In terms of our relationship before,

0:14:04.760 --> 0:14:06.520
<v Speaker 2>I've met him a few times at stand up big

0:14:06.600 --> 0:14:08.559
<v Speaker 2>but like we know that way.

0:14:08.880 --> 0:14:09.160
<v Speaker 1>Wow.

0:14:09.480 --> 0:14:11.559
<v Speaker 2>I mean I grew up watching him on I was

0:14:11.640 --> 0:14:14.080
<v Speaker 2>the perfect gauge to be a shitouse fan. I was

0:14:14.080 --> 0:14:18.880
<v Speaker 2>thirteen and yeah, Ali Bowler and Stuff was the one DV.

0:14:19.200 --> 0:14:21.560
<v Speaker 2>So I was a big Vanitis and I've seen multiple

0:14:21.560 --> 0:14:24.320
<v Speaker 2>of his stand up shows of the views, but in

0:14:24.400 --> 0:14:28.280
<v Speaker 2>terms of the relationship back neither action. Yeah, we've only

0:14:28.400 --> 0:14:30.560
<v Speaker 2>met a few times shows, and.

0:14:30.520 --> 0:14:33.480
<v Speaker 1>Then you'd probably meet a lot of comedians, you know,

0:14:33.520 --> 0:14:35.920
<v Speaker 1>because that's what happens when you're on those comedies. You know,

0:14:35.920 --> 0:14:38.480
<v Speaker 1>when you're on the comedy circuit at the festivals, you're

0:14:38.480 --> 0:14:40.880
<v Speaker 1>always meeting people. Now that you've got your TV show,

0:14:41.040 --> 0:14:43.040
<v Speaker 1>and you know, spoiler a lot for people listening to this.

0:14:43.200 --> 0:14:45.400
<v Speaker 1>You know, you guys have already filmed a season three,

0:14:46.240 --> 0:14:49.160
<v Speaker 1>so you have a successful show. Comedians being nicer to you.

0:14:49.520 --> 0:14:52.080
<v Speaker 2>I mean, I've joked about that, but because we were

0:14:52.120 --> 0:14:55.440
<v Speaker 2>talking on the play about social interaction platform, I now

0:14:55.480 --> 0:14:58.320
<v Speaker 2>want this one on the floor in the direct way

0:14:58.560 --> 0:15:02.720
<v Speaker 2>I reckon had. Maybe, But like I don't book the show,

0:15:02.960 --> 0:15:05.440
<v Speaker 2>and I think people know that. I don't think really,

0:15:05.680 --> 0:15:08.560
<v Speaker 2>I think it hasn't really changed my relationship to I

0:15:08.600 --> 0:15:11.160
<v Speaker 2>guess I knew what people. I think it's someone if

0:15:11.200 --> 0:15:14.320
<v Speaker 2>I hadn't met them before and they've just started, then

0:15:14.400 --> 0:15:17.480
<v Speaker 2>perhaps people are a bit more like deferential or something

0:15:17.520 --> 0:15:20.360
<v Speaker 2>because they've been aware of you as a played to,

0:15:20.400 --> 0:15:22.960
<v Speaker 2>you know, five years ago or something where like actually

0:15:22.960 --> 0:15:25.440
<v Speaker 2>introducing yourself. Yeah, but I don't think anyone that I

0:15:25.480 --> 0:15:27.760
<v Speaker 2>had a relationship with before. I don't think I've noticed

0:15:27.800 --> 0:15:28.680
<v Speaker 2>any actual different thing.

0:15:30.040 --> 0:15:32.320
<v Speaker 1>It's interesting because I'm going to say something really embarrassing

0:15:32.320 --> 0:15:35.000
<v Speaker 1>at this point, and I feel like it's just really appropriate.

0:15:35.280 --> 0:15:38.680
<v Speaker 1>About twenty years ago, one of my friends was dating

0:15:38.720 --> 0:15:42.720
<v Speaker 1>Hamish Blake and so okay, she is. This is like

0:15:42.840 --> 0:15:45.520
<v Speaker 1>in between I think him being sort of like on

0:15:46.120 --> 0:15:49.160
<v Speaker 1>Community TV and sort of getting his radio gigs. It

0:15:49.200 --> 0:15:51.200
<v Speaker 1>was early days, but he was sort of up and coming.

0:15:51.240 --> 0:15:51.440
<v Speaker 2>Wow.

0:15:51.560 --> 0:15:53.800
<v Speaker 1>Yeah, anyway, I was invited to this breakfast and I

0:15:53.880 --> 0:15:56.680
<v Speaker 1>literally treated the breakfast like an audition. I didn't mean to,

0:15:57.160 --> 0:15:59.280
<v Speaker 1>but I just was there. I was like, you know,

0:15:59.320 --> 0:16:02.640
<v Speaker 1>and then I just started being this version of myself

0:16:03.120 --> 0:16:05.640
<v Speaker 1>and I was like, yeah, I wonder you know if

0:16:05.680 --> 0:16:09.120
<v Speaker 1>that happens, you know, to you, whether all of a

0:16:09.120 --> 0:16:11.880
<v Speaker 1>sudden you say, like this person being themselves or are

0:16:11.880 --> 0:16:13.800
<v Speaker 1>they auditioning for me? What's going on?

0:16:14.000 --> 0:16:17.160
<v Speaker 2>I think, pretty honest, I think that's naturally kind of

0:16:17.200 --> 0:16:20.320
<v Speaker 2>what happens with new comedians. That's how I felt when

0:16:20.360 --> 0:16:23.680
<v Speaker 2>I started. Whenever I met and they're not talking about

0:16:23.920 --> 0:16:26.640
<v Speaker 2>people like Cambis Blake even or you know, it's just

0:16:26.720 --> 0:16:29.360
<v Speaker 2>someone who's been doing comedy for ten years. I idolized

0:16:29.400 --> 0:16:31.600
<v Speaker 2>someone like that because they were just so good at

0:16:31.600 --> 0:16:33.200
<v Speaker 2>what they did and I thought they were so funny.

0:16:33.360 --> 0:16:35.920
<v Speaker 2>And then you have this natural inflamation when you meet them,

0:16:36.000 --> 0:16:37.880
<v Speaker 2>because like, I want to impress them so bad. I'm

0:16:37.880 --> 0:16:40.000
<v Speaker 2>going to I'm going to show them how funny I am,

0:16:40.040 --> 0:16:41.480
<v Speaker 2>and then I'm going to be best mate. And then

0:16:41.520 --> 0:16:43.880
<v Speaker 2>I think what happens is you do that and you

0:16:43.960 --> 0:16:47.200
<v Speaker 2>have situations you just to tribe where you're humiliated because

0:16:47.200 --> 0:16:49.040
<v Speaker 2>you're flying way too hard and you're not being.

0:16:49.760 --> 0:16:51.640
<v Speaker 1>Will you drive that home feeling embarrassed, you know what

0:16:51.680 --> 0:16:53.120
<v Speaker 1>I mean, Like, that's what happened to me. I drove

0:16:53.160 --> 0:16:54.800
<v Speaker 1>a when I was like, who was that guy?

0:16:56.080 --> 0:16:59.680
<v Speaker 2>You're creating business between because you're trying, you're kind of pretending,

0:16:59.800 --> 0:17:02.280
<v Speaker 2>and they're awkward because they know what you're doing and

0:17:02.480 --> 0:17:04.639
<v Speaker 2>they're trying to be nice, but you know, no actual

0:17:04.640 --> 0:17:07.040
<v Speaker 2>connections going on. And then I look to a second phase,

0:17:07.080 --> 0:17:08.840
<v Speaker 2>and I think a lot of people do this as well,

0:17:09.160 --> 0:17:12.560
<v Speaker 2>where then, because I've had a few humiliating experiences, then

0:17:12.640 --> 0:17:15.960
<v Speaker 2>when I meet someone that I was beet or kind

0:17:16.000 --> 0:17:18.560
<v Speaker 2>of want to show off to, really, I'll just be like, look,

0:17:18.720 --> 0:17:20.639
<v Speaker 2>I'm not going to talk to me. You know, I

0:17:20.640 --> 0:17:22.320
<v Speaker 2>don't want to. I don't want to go through that,

0:17:22.440 --> 0:17:24.879
<v Speaker 2>like say you're doing it. I remember this happening a

0:17:24.880 --> 0:17:27.960
<v Speaker 2>few stand up so I reckon an Dan, who you know,

0:17:28.040 --> 0:17:29.959
<v Speaker 2>was on the season of chap and after now as

0:17:29.960 --> 0:17:32.439
<v Speaker 2>a friends but back then, yeah, I've never met her,

0:17:32.560 --> 0:17:35.640
<v Speaker 2>love her work. I remember just kind of doing one

0:17:35.680 --> 0:17:37.280
<v Speaker 2>of shows that her and just kind of avoiding her

0:17:37.280 --> 0:17:38.639
<v Speaker 2>really because I'm like, I don't want to do the

0:17:38.720 --> 0:17:40.719
<v Speaker 2>thing where I'm trying to suck up. And then a

0:17:40.720 --> 0:17:43.520
<v Speaker 2>friend of mine said well, now you're actually being rude,

0:17:43.840 --> 0:17:46.199
<v Speaker 2>you know what I mean, But now you're on the

0:17:46.240 --> 0:17:49.119
<v Speaker 2>same show. Like if you're normal or nice, like, it

0:17:49.160 --> 0:17:52.040
<v Speaker 2>doesn't mean you're being sucked up in embarrassing. You can

0:17:52.080 --> 0:17:55.359
<v Speaker 2>just be normal and just avoiding is actually because the

0:17:55.400 --> 0:17:58.280
<v Speaker 2>other way. And then that really resonated with me. I'm like,

0:17:58.280 --> 0:18:01.680
<v Speaker 2>oh yeah, true, And then I think after that, I'd

0:18:01.720 --> 0:18:03.439
<v Speaker 2>like to think I became normal. But every now and

0:18:03.440 --> 0:18:05.280
<v Speaker 2>then you kind of find yourself doing the show off

0:18:05.280 --> 0:18:07.960
<v Speaker 2>eating and whatever it is, what it is. I do

0:18:08.080 --> 0:18:10.520
<v Speaker 2>feel that from and got nothing to do with TV

0:18:10.680 --> 0:18:13.760
<v Speaker 2>or anything. I think just any community and stand ups

0:18:13.760 --> 0:18:15.760
<v Speaker 2>an example of one. When you're new, you're kind of

0:18:16.240 --> 0:18:18.760
<v Speaker 2>you're exactly what you at that preference, you're trying it

0:18:18.840 --> 0:18:21.240
<v Speaker 2>too hard. I remember having an experience with a friend

0:18:22.000 --> 0:18:24.639
<v Speaker 2>when I was eighteen. We went to see a play

0:18:25.119 --> 0:18:28.720
<v Speaker 2>called I think called Like Dead Singer. Why I'm not sure,

0:18:28.800 --> 0:18:32.479
<v Speaker 2>but Andrew Henson and Chris Taylor from the chaper and

0:18:32.760 --> 0:18:35.320
<v Speaker 2>they were doing like a meet and greet afterwards, and

0:18:35.359 --> 0:18:37.919
<v Speaker 2>I was like seventeen, eighteen years old. We a freentered

0:18:37.960 --> 0:18:40.000
<v Speaker 2>school and we got to the front and my friend,

0:18:40.240 --> 0:18:41.919
<v Speaker 2>I forget what he did that he was just trying

0:18:41.960 --> 0:18:45.760
<v Speaker 2>really hard to contest them, and it was it was

0:18:45.760 --> 0:18:49.119
<v Speaker 2>a bit cringy Okay, not to tell him about it

0:18:49.320 --> 0:18:51.000
<v Speaker 2>just felt wrong, you know what I mean? Like it

0:18:51.040 --> 0:18:54.359
<v Speaker 2>became clear of what we're only talking them for ten seconds.

0:18:54.400 --> 0:18:55.960
<v Speaker 2>What do we think that they're going to be?

0:18:55.960 --> 0:18:56.080
<v Speaker 1>Like?

0:18:56.320 --> 0:18:58.399
<v Speaker 2>You guys are actually awesome years off you.

0:19:00.320 --> 0:19:00.840
<v Speaker 1>That's the true.

0:19:00.920 --> 0:19:02.520
<v Speaker 2>I think that's something that I think of as well.

0:19:02.560 --> 0:19:05.280
<v Speaker 2>That's like, what are you actually hoping for here? Just

0:19:05.359 --> 0:19:06.439
<v Speaker 2>be just be normal?

0:19:06.680 --> 0:19:08.680
<v Speaker 1>And then you now know, because when you do those

0:19:08.680 --> 0:19:11.520
<v Speaker 1>sort of meet and greets yourself, you never remember anyone,

0:19:11.760 --> 0:19:15.040
<v Speaker 1>you know. I remember I used to do this. Sounds ridiculous,

0:19:15.080 --> 0:19:16.800
<v Speaker 1>but I used to do like meet and greets at

0:19:16.880 --> 0:19:21.479
<v Speaker 1>dream World after doing Big Brother and Yeah, and there

0:19:21.480 --> 0:19:25.080
<v Speaker 1>would be hundreds of people queuing up to like just

0:19:25.119 --> 0:19:27.280
<v Speaker 1>get a photo of it, and they all would just

0:19:27.359 --> 0:19:31.480
<v Speaker 1>be in this hyper sensitive, hypercentual. I don't know what

0:19:31.520 --> 0:19:33.800
<v Speaker 1>the word is for it. I'm not saying it correctly,

0:19:34.080 --> 0:19:35.960
<v Speaker 1>but I could see them all sort of being this

0:19:36.240 --> 0:19:39.199
<v Speaker 1>sort of bonkers version wanting to sort of stand out

0:19:39.240 --> 0:19:41.240
<v Speaker 1>and have an interaction. And the weird thing is you

0:19:41.280 --> 0:19:42.360
<v Speaker 1>don't remember any of it.

0:19:42.760 --> 0:19:44.879
<v Speaker 2>Yeah, you're the thing kind of. I think that was

0:19:44.960 --> 0:19:46.440
<v Speaker 2>part of it as well. I think you can kind

0:19:46.480 --> 0:19:48.600
<v Speaker 2>of tell not to go back to my career because

0:19:48.600 --> 0:19:50.280
<v Speaker 2>I've never done that, that meet and great thing.

0:19:50.280 --> 0:19:53.000
<v Speaker 1>Haven't you. Oh you've got to do that. Bonkers, they're

0:19:53.080 --> 0:19:53.600
<v Speaker 1>so weird.

0:19:55.080 --> 0:19:59.240
<v Speaker 2>I don't know. I remember feeling that the Shaper guys

0:19:59.320 --> 0:20:01.879
<v Speaker 2>were out of the nessity putting on a bit of

0:20:01.880 --> 0:20:03.560
<v Speaker 2>a show in terms of how they were, like they

0:20:03.600 --> 0:20:10.119
<v Speaker 2>weren't being completely because they're yeah, it's a very artificial. Yeah,

0:20:10.160 --> 0:20:12.240
<v Speaker 2>you've got to be just keep up or whatever.

0:20:12.640 --> 0:20:13.440
<v Speaker 1>It's very much.

0:20:13.560 --> 0:20:16.880
<v Speaker 2>Are you an extrovert? No, I'm like, that's so much energy.

0:20:17.200 --> 0:20:21.120
<v Speaker 1>I'm an introverted extrovert. So I can be highly extroverted,

0:20:21.280 --> 0:20:23.560
<v Speaker 1>but then I also can be really quiet, which is

0:20:23.600 --> 0:20:27.960
<v Speaker 1>a lot like comedians, Like all my comedian friends, their personality.

0:20:28.280 --> 0:20:30.920
<v Speaker 1>It just feels that way because when you watch them working,

0:20:31.040 --> 0:20:33.840
<v Speaker 1>there's this big, larger than life personality, and then in

0:20:33.880 --> 0:20:37.040
<v Speaker 1>their real time, in their personal time, they're really really quiet.

0:20:37.240 --> 0:20:39.280
<v Speaker 1>You know, it sort of makes it stand out a

0:20:39.280 --> 0:20:41.440
<v Speaker 1>little bit more. But you know, I think that most

0:20:41.440 --> 0:20:44.840
<v Speaker 1>comedians are introverted extroverts to be honest, and if you're

0:20:44.880 --> 0:20:48.520
<v Speaker 1>a very good comedian. My belief is it's the it's

0:20:48.560 --> 0:20:51.560
<v Speaker 1>what you've captured with what you watch from other people

0:20:52.000 --> 0:20:55.080
<v Speaker 1>that makes good comedy. You do need to be quiet

0:20:55.160 --> 0:20:57.120
<v Speaker 1>to be able to capture what you're watching.

0:20:57.560 --> 0:20:58.480
<v Speaker 2>Yeah, totally.

0:20:58.640 --> 0:21:01.240
<v Speaker 1>That's where I think comedy works really well. And Chris

0:21:01.280 --> 0:21:02.960
<v Speaker 1>Lily is like that. I remember I went to the

0:21:02.960 --> 0:21:05.280
<v Speaker 1>same gym as Chris Lily wants for a long time.

0:21:05.320 --> 0:21:07.080
<v Speaker 1>Actually he went to the sink kilto Sea Bars. He

0:21:07.080 --> 0:21:09.160
<v Speaker 1>doesn't go there anymore, so don't go there. For people

0:21:09.160 --> 0:21:10.959
<v Speaker 1>who Chris Lily fans, they'll be down at the sinkilter

0:21:11.040 --> 0:21:13.080
<v Speaker 1>Sea Bars waiting for him, and then he'll send me

0:21:13.080 --> 0:21:15.480
<v Speaker 1>a text message and say fuck you for running my privacy.

0:21:15.560 --> 0:21:17.280
<v Speaker 1>But you know, it's really funny. I had a conversation

0:21:17.359 --> 0:21:21.119
<v Speaker 1>with him one day about him watching people, and I

0:21:21.200 --> 0:21:25.280
<v Speaker 1>noticed that at the gym he was borrowing things, he

0:21:25.359 --> 0:21:28.080
<v Speaker 1>was stealing things, he was capturing what he was watching

0:21:28.840 --> 0:21:31.439
<v Speaker 1>and using it for his work. You know, it's fascinating.

0:21:32.000 --> 0:21:34.440
<v Speaker 2>I think that's also another argument for trying to be authentic,

0:21:34.640 --> 0:21:36.600
<v Speaker 2>because it does feel bad if you kind of break

0:21:36.640 --> 0:21:38.560
<v Speaker 2>someone and then they're trying to keep the point at

0:21:38.600 --> 0:21:41.160
<v Speaker 2>what that rood. But I think that's an inventive also

0:21:41.320 --> 0:21:43.040
<v Speaker 2>to be like to the extent that you can be

0:21:43.600 --> 0:21:47.640
<v Speaker 2>yourself in your work, then you have to worry about

0:21:47.640 --> 0:21:48.840
<v Speaker 2>that lass I agree.

0:21:49.160 --> 0:21:52.120
<v Speaker 1>I also saw an IMDb that, you know, You've got

0:21:52.160 --> 0:21:55.399
<v Speaker 1>the most bizarre thing in your IMDb credits, which is

0:21:55.600 --> 0:21:57.000
<v Speaker 1>a Beastie Boys movie.

0:21:57.280 --> 0:21:59.520
<v Speaker 2>Do you know that?

0:22:00.359 --> 0:22:02.159
<v Speaker 1>Why is that there is someone put that there as

0:22:02.200 --> 0:22:03.360
<v Speaker 1>a joke like were you in.

0:22:03.320 --> 0:22:07.399
<v Speaker 2>A beast I have no idea what that is, but

0:22:07.440 --> 0:22:10.320
<v Speaker 2>I'm used to it because my name is also the

0:22:10.400 --> 0:22:13.680
<v Speaker 2>name of one of the best Irish hurlers of all time,

0:22:15.000 --> 0:22:19.440
<v Speaker 2>Irish hurling being a sport, the sport, but they don't

0:22:19.640 --> 0:22:21.920
<v Speaker 2>kind of like look off or something like, I think

0:22:22.320 --> 0:22:25.800
<v Speaker 2>he's he's got a fantastic irishurler that he's also I

0:22:25.800 --> 0:22:28.280
<v Speaker 2>think for maybe like five foot six or something like that.

0:22:28.720 --> 0:22:31.920
<v Speaker 2>So if you google my name, one of the comes

0:22:32.040 --> 0:22:35.639
<v Speaker 2>it's kind of merges out two identities together and says

0:22:35.680 --> 0:22:38.360
<v Speaker 2>that I'm much shorter than I actually am. So I'm

0:22:38.440 --> 0:22:40.720
<v Speaker 2>used to I'm used to being mugged off by people.

0:22:40.760 --> 0:22:43.359
<v Speaker 2>It's the same name as me, and it's being said

0:22:43.359 --> 0:22:45.679
<v Speaker 2>to be in a Busy Boys video is not the

0:22:45.720 --> 0:22:48.400
<v Speaker 2>worst of it. It happened to be three years before

0:22:48.400 --> 0:22:49.439
<v Speaker 2>I bar that's the trouble.

0:22:49.760 --> 0:22:51.359
<v Speaker 1>It was so weird because I looked at it and

0:22:51.440 --> 0:22:54.040
<v Speaker 1>I was like the credit was like nineteen eighty four

0:22:54.240 --> 0:22:56.840
<v Speaker 1>or something, and I was like, pretty sure times were

0:22:56.880 --> 0:23:00.399
<v Speaker 1>alive at this point this maybe your dad was there?

0:23:01.240 --> 0:23:05.280
<v Speaker 2>Yeah, might you have my dad's ball with that counts me.

0:23:06.600 --> 0:23:09.639
<v Speaker 1>I mean, he's an abusive boys movie. Anyway, I have

0:23:09.680 --> 0:23:11.000
<v Speaker 1>to finish this off the same way I do with

0:23:11.040 --> 0:23:14.480
<v Speaker 1>all my podcasts. Could not not do this after this

0:23:14.640 --> 0:23:16.840
<v Speaker 1>many episodes. But what's something from behind the scenes of

0:23:16.880 --> 0:23:20.639
<v Speaker 1>Taskbusters that we as an audience might not necessarily know?

0:23:20.800 --> 0:23:22.840
<v Speaker 1>Kind of kind of like the behind the scenes secret

0:23:22.920 --> 0:23:25.160
<v Speaker 1>about what it's like to be in this show?

0:23:25.640 --> 0:23:27.800
<v Speaker 2>Good question. The thing that comes to mind for me,

0:23:28.400 --> 0:23:30.080
<v Speaker 2>I guess, and the kind of touched on after with

0:23:30.160 --> 0:23:33.240
<v Speaker 2>me as like being nervous about there first season. But

0:23:33.680 --> 0:23:36.000
<v Speaker 2>I think the show, which is kind of most of

0:23:36.000 --> 0:23:38.879
<v Speaker 2>it in a way, but every time wise is shooting

0:23:38.880 --> 0:23:41.640
<v Speaker 2>the pask sover on location in the path mater or tree,

0:23:41.880 --> 0:23:44.440
<v Speaker 2>and it's a bit I think it's basically all real

0:23:44.480 --> 0:23:47.280
<v Speaker 2>that the contestants don't know what they're walking into. It's

0:23:47.320 --> 0:23:50.960
<v Speaker 2>a bit more like a psychological experiment rode than I

0:23:51.000 --> 0:23:54.119
<v Speaker 2>think people probably understand, and that the contestants are all

0:23:54.480 --> 0:23:58.400
<v Speaker 2>in a room between the past where they're pretty much

0:23:58.400 --> 0:24:00.600
<v Speaker 2>not like to believe we're not lost or anything. But

0:24:00.640 --> 0:24:04.520
<v Speaker 2>if they left it would you know what, you can't

0:24:04.520 --> 0:24:07.159
<v Speaker 2>have any clues about time that's walking for And I

0:24:07.160 --> 0:24:08.760
<v Speaker 2>mean I've never been a contestive, but this is what

0:24:09.040 --> 0:24:11.359
<v Speaker 2>they all say, is that like a big part of

0:24:11.359 --> 0:24:13.640
<v Speaker 2>the challenge is, you know, he's got half an hour,

0:24:13.720 --> 0:24:15.879
<v Speaker 2>did the silliest thing with this hat? Go, you're being filmed,

0:24:15.920 --> 0:24:18.000
<v Speaker 2>blah blah blah. But then they have to go back

0:24:18.160 --> 0:24:21.000
<v Speaker 2>afterwards and suit in this room for like forty minutes

0:24:21.119 --> 0:24:24.520
<v Speaker 2>and overthink the last past and they did well, then

0:24:24.840 --> 0:24:27.280
<v Speaker 2>so what the next one is? And so by the

0:24:27.359 --> 0:24:30.640
<v Speaker 2>end of the week that they're doing past and real

0:24:30.760 --> 0:24:34.040
<v Speaker 2>by the end of each day they're pretty exhausted emotionally

0:24:34.160 --> 0:24:37.000
<v Speaker 2>from performing. But also just like the overthinking as well,

0:24:37.200 --> 0:24:39.280
<v Speaker 2>I do the right thing then forms a big part

0:24:39.280 --> 0:24:41.439
<v Speaker 2>of why. Like when people make a big mistake or

0:24:41.440 --> 0:24:44.800
<v Speaker 2>something or they kind of miss a detail, and then

0:24:45.480 --> 0:24:48.639
<v Speaker 2>it's often because I think they're like overthinking what they

0:24:48.680 --> 0:24:51.000
<v Speaker 2>thought they did wrong in the last pluck because they've

0:24:51.040 --> 0:24:53.720
<v Speaker 2>been kind of stuck alone for half an hour. So

0:24:53.760 --> 0:24:57.320
<v Speaker 2>I think that kind of isolation together with the nerves

0:24:57.320 --> 0:24:58.960
<v Speaker 2>are coming out and being filmed and they're trying to

0:24:58.960 --> 0:25:02.400
<v Speaker 2>be funny, and I think it's often, yeah, I take

0:25:02.440 --> 0:25:05.680
<v Speaker 2>a bit of a behind reason for why they're they're

0:25:05.720 --> 0:25:08.080
<v Speaker 2>doing what they're doing, particularly when what they're doing is

0:25:08.160 --> 0:25:11.720
<v Speaker 2>kind of pretty stupid or something big oversight. I think

0:25:12.040 --> 0:25:13.600
<v Speaker 2>all they have some change of boats. I think that's

0:25:13.640 --> 0:25:16.680
<v Speaker 2>often kind of why where you don't see the audience

0:25:16.680 --> 0:25:19.440
<v Speaker 2>doesn't see, you know, we don't show the task in order,

0:25:19.520 --> 0:25:23.040
<v Speaker 2>so they might they might have done one in episode one,

0:25:23.440 --> 0:25:25.800
<v Speaker 2>they've just been a task in reality that was from

0:25:26.240 --> 0:25:30.119
<v Speaker 2>episode nine. And also because I think don't do the

0:25:30.119 --> 0:25:33.360
<v Speaker 2>same order a task, so you know, some people might

0:25:33.400 --> 0:25:35.720
<v Speaker 2>do like a creative one after they've just been tricked

0:25:35.920 --> 0:25:38.160
<v Speaker 2>and they think the creative one is a trick as well,

0:25:38.200 --> 0:25:39.600
<v Speaker 2>and then they get kind of they got from some

0:25:39.800 --> 0:25:43.040
<v Speaker 2>new whereas everyone else did it in a different order,

0:25:43.040 --> 0:25:44.560
<v Speaker 2>so no one else bought that was the trick. So

0:25:44.560 --> 0:25:47.400
<v Speaker 2>I think, yeah, the order and the isolation is kind

0:25:47.400 --> 0:25:49.200
<v Speaker 2>of formerly a bigger part of the approach.

0:25:49.880 --> 0:25:51.480
<v Speaker 1>Do you know what I think you should do. From

0:25:51.520 --> 0:25:53.880
<v Speaker 1>just listening to you talking about this, I've gone going

0:25:53.880 --> 0:25:55.160
<v Speaker 1>off on a bit of a tangent, but I reckon

0:25:55.160 --> 0:25:56.919
<v Speaker 1>you should go and do the UK one. Would you

0:25:56.960 --> 0:25:59.399
<v Speaker 1>be a contestant? Could you be a contestant? Could you

0:25:59.400 --> 0:26:02.000
<v Speaker 1>put yourself in that position now that you've been in

0:26:02.160 --> 0:26:03.560
<v Speaker 1>I mean, I mean.

0:26:03.640 --> 0:26:06.480
<v Speaker 2>I mean yeah, would love the opportunity.

0:26:06.720 --> 0:26:07.080
<v Speaker 1>Yeah.

0:26:07.280 --> 0:26:10.119
<v Speaker 2>But the trouble is, I think how I become myself

0:26:10.160 --> 0:26:11.879
<v Speaker 2>down if I go and do an audition or like

0:26:11.920 --> 0:26:15.359
<v Speaker 2>a job, I'm like, the people here want me to succeed.

0:26:15.640 --> 0:26:18.359
<v Speaker 2>Everyone wants to just half this part, or anyone just

0:26:18.359 --> 0:26:21.439
<v Speaker 2>wants to just have yourself where If I went and

0:26:21.560 --> 0:26:25.919
<v Speaker 2>should because I'm now for fifteen different Australian comedians stood

0:26:25.920 --> 0:26:29.200
<v Speaker 2>there and kind of smurf that people sail and needle

0:26:29.240 --> 0:26:31.600
<v Speaker 2>them to the mistakes they're making. If I then go

0:26:31.680 --> 0:26:34.119
<v Speaker 2>and do it like, it's better be pretty good. Otherwise

0:26:34.359 --> 0:26:37.120
<v Speaker 2>all the people that I've been criticizing the whole line

0:26:37.520 --> 0:26:39.679
<v Speaker 2>would very much enjoy me failing.

0:26:40.040 --> 0:26:41.919
<v Speaker 1>I would love to see her on that show. You know,

0:26:41.960 --> 0:26:45.000
<v Speaker 1>my best friend's daughter, she's about seven. She calls you

0:26:45.040 --> 0:26:47.480
<v Speaker 1>the dirty man, and I thought that was hilarious. To

0:26:47.480 --> 0:26:49.560
<v Speaker 1>finish the podcast on that, which I think is funny

0:26:49.640 --> 0:26:51.760
<v Speaker 1>because you know, younger the ready man, she calls you

0:26:51.800 --> 0:26:53.719
<v Speaker 1>the dirty man, and I was like, well, I love

0:26:53.720 --> 0:26:56.119
<v Speaker 1>the dirty Who are you talking because you've got the beard,

0:26:56.440 --> 0:26:57.480
<v Speaker 1>like the s double.

0:26:57.560 --> 0:27:01.560
<v Speaker 2>Oh my god? How dirty? How know I'm never going

0:27:01.560 --> 0:27:03.679
<v Speaker 2>to go down food out there? I know.

0:27:04.400 --> 0:27:06.800
<v Speaker 1>How hilarious is that? That? That's why what my friend's

0:27:06.880 --> 0:27:07.800
<v Speaker 1>daughter thinks of you.

0:27:07.880 --> 0:27:13.200
<v Speaker 2>And I was like, dirty man, she's a dirty girl

0:27:13.440 --> 0:27:14.639
<v Speaker 2>than an adult.

0:27:14.760 --> 0:27:17.080
<v Speaker 1>And she was like, you know, Ben's interviewing the dirty

0:27:17.119 --> 0:27:19.119
<v Speaker 1>man and she I was like, what are you talking about?

0:27:19.119 --> 0:27:21.240
<v Speaker 1>And she's like, oh yeah, Harriet think calls him the

0:27:21.280 --> 0:27:23.600
<v Speaker 1>dirty man. And I was like why and she was like,

0:27:23.600 --> 0:27:25.520
<v Speaker 1>oh no, it's because he's got the beard, like she

0:27:25.640 --> 0:27:27.239
<v Speaker 1>was saying it to me like it was fact, like

0:27:27.280 --> 0:27:29.560
<v Speaker 1>it was like something you should all know. And I

0:27:29.600 --> 0:27:30.400
<v Speaker 1>was like, just.

0:27:30.359 --> 0:27:38.639
<v Speaker 2>A dirty stick guy, okay. Mate biologue involved in Dirty

0:27:38.640 --> 0:27:40.480
<v Speaker 2>to seven year old said I win.

0:27:41.720 --> 0:27:42.680
<v Speaker 1>I told her she can't.

0:27:44.080 --> 0:27:46.440
<v Speaker 2>Ye first play with her child mate.

0:27:46.480 --> 0:27:48.080
<v Speaker 1>I just want to say I had such a good

0:27:48.080 --> 0:27:49.840
<v Speaker 1>time talking to you. I think that this has just

0:27:49.880 --> 0:27:52.200
<v Speaker 1>been so fun and I love the show. I hope

0:27:52.200 --> 0:27:55.560
<v Speaker 1>people get to keep enjoying this series. I'm excited about

0:27:55.560 --> 0:27:58.720
<v Speaker 1>season three, which I know we're getting, and I can't

0:27:58.720 --> 0:28:00.679
<v Speaker 1>wait to be in your audience and and watch this

0:28:00.760 --> 0:28:03.359
<v Speaker 1>show evolve. I think it's I think it's fun.

0:28:03.480 --> 0:28:05.520
<v Speaker 2>Yeah, it's so much fun to do. And yeah, thanks

0:28:05.520 --> 0:28:07.920
<v Speaker 2>for the chat, which is lovely to get into the

0:28:09.680 --> 0:28:10.160
<v Speaker 2>nitty greet.

0:28:10.320 --> 0:28:11.879
<v Speaker 1>Yeah, because you're used to being on shows where they

0:28:11.920 --> 0:28:13.400
<v Speaker 1>make you do it like a three minute ad break,

0:28:13.440 --> 0:28:14.960
<v Speaker 1>and you're like, you turn up and you're on the

0:28:14.960 --> 0:28:16.920
<v Speaker 1>show movie and it's over in three minutes, and you're like,

0:28:16.960 --> 0:28:19.760
<v Speaker 1>did I say anything good? Was that? And then when

0:28:19.760 --> 0:28:22.280
<v Speaker 1>you're in a long form podcast, you're like, yeah, I'm

0:28:22.320 --> 0:28:24.840
<v Speaker 1>happy to just tell you about meeting Harish Blake at

0:28:24.840 --> 0:28:25.800
<v Speaker 1>a breakfast, you know what I mean.

0:28:25.920 --> 0:28:29.879
<v Speaker 2>Like, it's just yeah, when it gets into times one

0:28:29.920 --> 0:28:31.600
<v Speaker 2>of your stategies and both of them brush, it was

0:28:31.640 --> 0:28:34.679
<v Speaker 2>just like, oh, I'm.

0:28:36.560 --> 0:28:39.320
<v Speaker 1>Overthought enjoy chatting to the media about the show today.

0:28:39.360 --> 0:28:41.640
<v Speaker 1>So I just want to say thank you so much

0:28:41.680 --> 0:28:44.200
<v Speaker 1>for your generosity with your time as well to even

0:28:44.640 --> 0:28:46.520
<v Speaker 1>be to be here and to do this, So thank you.

0:28:46.880 --> 0:28:49.520
<v Speaker 2>Oh thanks, Then all right, I'll chat to you soon.

0:28:49.520 --> 0:28:52.120
<v Speaker 1>I'm sure I'll see you around fine ske