1 00:00:00,480 --> 00:00:04,920 Speaker 1: Ego The Michael Goodinski Stories in cinemas tomorrow. The director 2 00:00:04,960 --> 00:00:07,800 Speaker 1: of the film, Paul Goldman's joining us now. Good morning, Paul. 3 00:00:07,920 --> 00:00:09,160 Speaker 2: Paul, welcome, Good morning. 4 00:00:10,039 --> 00:00:14,800 Speaker 1: So Michael Kodinski, let's talk about the title of the documentary, ego. 5 00:00:15,560 --> 00:00:19,960 Speaker 1: It really wasn't a dirty word where Michael was a concern, 6 00:00:20,040 --> 00:00:24,040 Speaker 1: But he was a complicated, complex character, wasn't he. 7 00:00:25,720 --> 00:00:28,720 Speaker 2: Michael was a bit of a conundrum. But the public 8 00:00:28,760 --> 00:00:33,920 Speaker 2: persona was this big, loud, brash, rude, arrogant guy who 9 00:00:34,920 --> 00:00:36,080 Speaker 2: you could always have a lot of fun with. 10 00:00:36,400 --> 00:00:39,920 Speaker 1: Yeah, yeah, but he could I mean, and people loved him, 11 00:00:40,120 --> 00:00:41,640 Speaker 1: but he could rub him up the wrong way at 12 00:00:41,640 --> 00:00:43,400 Speaker 1: the same time. I guess you could love him and 13 00:00:43,440 --> 00:00:45,480 Speaker 1: hate him in the same week if you knew him well, 14 00:00:45,640 --> 00:00:46,320 Speaker 1: like you would. 15 00:00:46,159 --> 00:00:48,800 Speaker 2: Have in the same minute. 16 00:00:50,600 --> 00:00:57,320 Speaker 1: Michael Melbourne seasons, Hey, yeah everything, Yeah, yes, had Paul. 17 00:00:57,360 --> 00:01:00,800 Speaker 3: He had an incredible energy. He very rarely sit stood 18 00:01:00,800 --> 00:01:03,640 Speaker 3: still or sat still. I remember sharing a box with 19 00:01:03,720 --> 00:01:06,039 Speaker 3: him at there he got some radio people a box 20 00:01:06,040 --> 00:01:08,000 Speaker 3: at the edge hear and concert the first gig at 21 00:01:08,040 --> 00:01:09,920 Speaker 3: gopped the stadium and he was with us, but he 22 00:01:09,959 --> 00:01:11,959 Speaker 3: wasn't because he had so much going on. But he 23 00:01:12,000 --> 00:01:14,679 Speaker 3: had a band It looked like a bandage or a 24 00:01:14,680 --> 00:01:16,800 Speaker 3: piece of tape around his hand and it said something 25 00:01:16,880 --> 00:01:19,000 Speaker 3: like behave on it. It was a reminder for him 26 00:01:19,280 --> 00:01:23,360 Speaker 3: to look after himself that night and behave. Like I said, 27 00:01:23,360 --> 00:01:26,000 Speaker 3: he was quite complex and that energy was it was 28 00:01:26,400 --> 00:01:27,039 Speaker 3: hard to miss. 29 00:01:28,440 --> 00:01:32,960 Speaker 2: Michael was in perpetual motion. I think he lived five lifetimes, 30 00:01:33,120 --> 00:01:35,640 Speaker 2: singly eight years. I went out to dinner within one 31 00:01:35,880 --> 00:01:39,200 Speaker 2: and he got up from the table that I and 32 00:01:39,280 --> 00:01:41,639 Speaker 2: others were at, and then he cruised over to another 33 00:01:41,680 --> 00:01:43,680 Speaker 2: table and sat down with them. Then he got up 34 00:01:43,720 --> 00:01:46,800 Speaker 2: and cruised to another table and sat down with that. 35 00:01:47,280 --> 00:01:49,120 Speaker 2: You couldn't pin Michael. 36 00:01:48,800 --> 00:01:50,760 Speaker 4: Down, and he could do that the world over. 37 00:01:50,840 --> 00:01:53,840 Speaker 1: I mean, there were so many people that you had 38 00:01:53,840 --> 00:01:57,360 Speaker 1: to narrow down a group of to speak in this 39 00:01:57,440 --> 00:01:59,200 Speaker 1: film about Michael. 40 00:01:59,560 --> 00:02:02,080 Speaker 4: How did how did you decide who to include? 41 00:02:02,120 --> 00:02:05,080 Speaker 1: I mean you've included people like Bruce Springsteen, Billy Joel, 42 00:02:05,200 --> 00:02:07,880 Speaker 1: Kylie Minogue, Jimmy Barnes of course seeing. 43 00:02:09,040 --> 00:02:12,799 Speaker 2: Yeah, well I think people probably in Australia, don't. I mean, 44 00:02:12,880 --> 00:02:16,120 Speaker 2: Michael is an impresario and a promoter who owned a 45 00:02:16,160 --> 00:02:19,600 Speaker 2: record company. So even though he loved the limelight and 46 00:02:19,760 --> 00:02:23,160 Speaker 2: loved the camera. You know, he was always out promoting artists. 47 00:02:23,160 --> 00:02:26,800 Speaker 2: I think people in Australia probably don't realize how well 48 00:02:26,960 --> 00:02:30,800 Speaker 2: loved and known he was overseas as well. I mean, 49 00:02:30,840 --> 00:02:33,400 Speaker 2: we could have spoken to any number of people. The 50 00:02:33,440 --> 00:02:36,080 Speaker 2: only thing that stood in our way was time and 51 00:02:36,200 --> 00:02:39,840 Speaker 2: their availability. I mean everyone from Taylor Swift and Madonna 52 00:02:39,880 --> 00:02:42,160 Speaker 2: were quite happy to talk. Was just about how we 53 00:02:42,160 --> 00:02:45,920 Speaker 2: could get to them. Michael was loved everywhere. 54 00:02:45,680 --> 00:02:48,760 Speaker 3: Yeah, particularly and Sheering. In recent years he helped with 55 00:02:48,760 --> 00:02:52,120 Speaker 3: those incredible record breaking tours, which was mind blowing. But 56 00:02:52,480 --> 00:02:55,679 Speaker 3: what about your first meeting with the man himself? What 57 00:02:55,720 --> 00:02:56,960 Speaker 3: was that like? Do you recall it? 58 00:02:56,960 --> 00:03:03,600 Speaker 2: Well? I was a humble film school student who made 59 00:03:03,639 --> 00:03:07,600 Speaker 2: a music video for Nick Cave's first band, the Boys 60 00:03:07,680 --> 00:03:11,520 Speaker 2: next Door, who were good friends of mine, and Michael 61 00:03:11,880 --> 00:03:14,640 Speaker 2: had heard from the band's management that I'd done that 62 00:03:14,760 --> 00:03:19,840 Speaker 2: and demanded that I come in and see and demanded 63 00:03:19,880 --> 00:03:23,640 Speaker 2: that he would use the video on his show Night Moves. 64 00:03:24,680 --> 00:03:24,920 Speaker 4: Wow. 65 00:03:25,919 --> 00:03:28,680 Speaker 2: He pointed out that in fact, we didn't own it, 66 00:03:28,800 --> 00:03:33,520 Speaker 2: the college owned it, and Michael said, well, bad luck, 67 00:03:35,080 --> 00:03:37,160 Speaker 2: and the rest is history. I've done a lot of 68 00:03:37,200 --> 00:03:39,800 Speaker 2: work with Michael over the years. We've had a very fractious, 69 00:03:39,960 --> 00:03:41,240 Speaker 2: turbulent relationship. 70 00:03:41,520 --> 00:03:45,480 Speaker 1: Yeah, the only one I'm sure to describe it as such. 71 00:03:45,960 --> 00:03:49,080 Speaker 1: The soundtrack of the movie, I imagine, big important character 72 00:03:49,160 --> 00:03:49,360 Speaker 1: of it. 73 00:03:50,680 --> 00:03:55,280 Speaker 2: Yes, so I think you know. The film is a 74 00:03:55,320 --> 00:03:58,000 Speaker 2: love letter to the Australian music industry, so obviously the 75 00:03:58,120 --> 00:04:01,760 Speaker 2: music plays an enormous pud in it. The best place 76 00:04:01,800 --> 00:04:04,280 Speaker 2: to see the film is actually in the cinema because 77 00:04:04,400 --> 00:04:09,400 Speaker 2: we've turned it up loud. It's raucus. I mean, Michael 78 00:04:09,520 --> 00:04:13,200 Speaker 2: was behind and nurtured and signed and so many iconic 79 00:04:13,520 --> 00:04:16,360 Speaker 2: artists and was behind so many classic records, so from 80 00:04:16,880 --> 00:04:22,919 Speaker 2: Skyhook's Split Ends to Jimmy Barnes to Kylie Minogue and 81 00:04:22,960 --> 00:04:26,080 Speaker 2: you'll even hear some international artists there as well, whom 82 00:04:26,080 --> 00:04:29,840 Speaker 2: Michael was very very personally involved with and behind their 83 00:04:29,880 --> 00:04:31,440 Speaker 2: touring of Australia. 84 00:04:31,480 --> 00:04:34,880 Speaker 1: He directed the video clip for The Better the Devil 85 00:04:34,880 --> 00:04:36,920 Speaker 1: you know by Kylie minotuldn't you? That would have been 86 00:04:36,960 --> 00:04:39,880 Speaker 1: one of your earlier meetings with Michael. I suppose nineteen ninety. 87 00:04:40,200 --> 00:04:43,320 Speaker 4: You probably go back than that, Yes, I did. 88 00:04:43,560 --> 00:04:48,200 Speaker 2: That's that's I always say that's not the best music video. 89 00:04:48,400 --> 00:04:54,600 Speaker 2: Kylie in May by her mission, it's the most important one. 90 00:04:54,720 --> 00:04:56,840 Speaker 2: It's the one that kind of changed everything. It's the 91 00:04:56,880 --> 00:04:58,920 Speaker 2: one to her from the girl next door. 92 00:05:00,920 --> 00:05:04,800 Speaker 3: That's right. Yeah, yeah, some Blameel Hutchins. 93 00:05:05,279 --> 00:05:07,320 Speaker 1: And when she hooked up with your mate Nick Cave, 94 00:05:07,480 --> 00:05:09,200 Speaker 1: that's when I really thought I'll hang on. 95 00:05:11,240 --> 00:05:13,000 Speaker 2: I think that was mutually beneficial. 96 00:05:13,560 --> 00:05:17,200 Speaker 3: Yeah, no doubt, Yeah, no doubt whatsoever. Yes, for sure, Yeah, absolutely, 97 00:05:17,240 --> 00:05:19,200 Speaker 3: And I guess there was no unless it brought up 98 00:05:19,200 --> 00:05:20,600 Speaker 3: the ego title, it was never going to be. I 99 00:05:20,640 --> 00:05:23,640 Speaker 3: should be so lucky for this one. It was very 100 00:05:23,640 --> 00:05:24,720 Speaker 3: supportive of Kylie. 101 00:05:25,640 --> 00:05:28,560 Speaker 2: No we toyed was calling it. Most people I know 102 00:05:28,680 --> 00:05:29,479 Speaker 2: think I'm crazy. 103 00:05:29,520 --> 00:05:35,040 Speaker 1: Oh yeah yeah, save that one. Save Paul for the 104 00:05:35,080 --> 00:05:38,279 Speaker 1: next to the next project. Well, it's in the ego, 105 00:05:38,360 --> 00:05:41,320 Speaker 1: the Michael Gitinski story. He really was the Mench's in 106 00:05:41,400 --> 00:05:45,080 Speaker 1: cinemas tomorrow. Paul, thank you so much for joining us. 107 00:05:46,040 --> 00:05:47,160 Speaker 2: Pleasure go out and see it. 108 00:05:47,560 --> 00:05:50,960 Speaker 3: We still can't believe sometimes I go, oh, that's what 109 00:05:51,160 --> 00:05:52,159 Speaker 3: he's no longer with us. 110 00:05:53,360 --> 00:05:55,400 Speaker 4: He certainly left his legacy. 111 00:05:55,160 --> 00:05:59,120 Speaker 2: Special he was. He was pulling believers in the streams 112 00:05:59,120 --> 00:05:59,960 Speaker 2: well beyond the great. 113 00:06:00,240 --> 00:06:04,400 Speaker 3: Yeah, it's so absolutely thanks for so bye. 114 00:06:04,680 --> 00:06:05,960 Speaker 4: Thank you. 115 00:06:06,640 --> 00:06:08,960 Speaker 3: Was you could imagine and some of some of the 116 00:06:08,960 --> 00:06:10,760 Speaker 3: deals and things that have been done and things have been. 117 00:06:10,640 --> 00:06:14,640 Speaker 1: Said, they come off shelves, like if Paul's thinking, I 118 00:06:14,720 --> 00:06:16,599 Speaker 1: think I'll do this this way, and something will just 119 00:06:16,640 --> 00:06:17,320 Speaker 1: fall off the shell. 120 00:06:17,360 --> 00:06:19,840 Speaker 3: Yeah yeah, yeah, Okay, it's like the ad where the 121 00:06:19,880 --> 00:06:21,080 Speaker 3: dead comes back and grabs the keys. 122 00:06:21,160 --> 00:06:21,880 Speaker 4: Yeah,