1 00:00:00,320 --> 00:00:03,080 Speaker 1: We're very excited to catch up. Our star joining us 2 00:00:03,120 --> 00:00:05,160 Speaker 1: on the show this morning. Has had an incredible career 3 00:00:05,160 --> 00:00:08,080 Speaker 1: at just thirty three years of age, slum Dog, Millionaire, Lion, 4 00:00:08,200 --> 00:00:10,799 Speaker 1: and so many other great films. And Johnny to talk 5 00:00:10,800 --> 00:00:13,080 Speaker 1: about his new one which is not only directed but 6 00:00:13,160 --> 00:00:14,600 Speaker 1: stars and it's called Monkey Man. 7 00:00:14,680 --> 00:00:18,599 Speaker 2: Dev Patel Welcome, good morning, Hey guys, how are you 8 00:00:18,760 --> 00:00:19,400 Speaker 2: Dev Patel? 9 00:00:19,520 --> 00:00:26,239 Speaker 3: This movie is intense, like like really intense, and I 10 00:00:26,320 --> 00:00:28,159 Speaker 3: kept thinking, gee, it's a good thing you were the 11 00:00:28,200 --> 00:00:31,320 Speaker 3: director of this film because the director asked a lot 12 00:00:31,320 --> 00:00:35,920 Speaker 3: of his leading man also you, so on the tough days, 13 00:00:36,080 --> 00:00:37,560 Speaker 3: you only had yourself to blame. 14 00:00:38,280 --> 00:00:41,839 Speaker 4: I know. It's quite the for meal, isn't it. Yeah? 15 00:00:41,920 --> 00:00:44,360 Speaker 5: Yeah, yeah it was. I mean I poured all of 16 00:00:44,400 --> 00:00:48,120 Speaker 5: myself into it. It was very humbling, lots happened. I 17 00:00:48,200 --> 00:00:52,800 Speaker 5: broke all sorts of bits of myself. Yeah, and we survived. 18 00:00:53,280 --> 00:00:55,520 Speaker 2: You did survive well, zickly and figuratively. 19 00:00:56,040 --> 00:01:00,400 Speaker 1: Yeah, working on choreography for fight scenes can be grueling, intense. 20 00:01:00,440 --> 00:01:02,520 Speaker 1: But did you do three years of preparation for this smoke? 21 00:01:02,520 --> 00:01:04,040 Speaker 1: Because it was full on you know. 22 00:01:04,880 --> 00:01:08,720 Speaker 5: It was pretty crazy because we started off, you know, location. 23 00:01:08,400 --> 00:01:10,280 Speaker 4: Scouting in India and then the pandemic hit. 24 00:01:10,520 --> 00:01:14,200 Speaker 5: Yeah, you know, the film was going to tank, and 25 00:01:14,240 --> 00:01:17,080 Speaker 5: then we blagged our way to a small island in Indonesia. 26 00:01:17,640 --> 00:01:20,560 Speaker 5: You know, it was really bootstrap like the movie. We 27 00:01:20,600 --> 00:01:22,840 Speaker 5: didn't have any training equipment, so I was doing a 28 00:01:22,880 --> 00:01:25,800 Speaker 5: full Jaine Fonder with the rubber band and like you know, 29 00:01:25,920 --> 00:01:29,560 Speaker 5: buckets and whatever I could. But you know it was 30 00:01:30,200 --> 00:01:33,280 Speaker 5: it was nine months of sweet potato, salmon and lettuce 31 00:01:33,360 --> 00:01:34,240 Speaker 5: three times a day. 32 00:01:34,880 --> 00:01:36,560 Speaker 4: It was pretty intense. 33 00:01:36,880 --> 00:01:38,920 Speaker 2: The fight scenes are full on, like really full on. 34 00:01:38,959 --> 00:01:41,120 Speaker 3: I'm pretty I think there's one that goes for about 35 00:01:41,120 --> 00:01:46,320 Speaker 3: twenty five minutes non stop. Now on the screen, it's 36 00:01:46,360 --> 00:01:51,120 Speaker 3: seamless in its continuity, it's completely flawless. But how long 37 00:01:51,160 --> 00:01:53,760 Speaker 3: does it actually take to film a scene like that? 38 00:01:54,400 --> 00:01:54,640 Speaker 2: Yeah? 39 00:01:54,720 --> 00:01:57,520 Speaker 5: I mean I was lucky because I, you know, not 40 00:01:57,840 --> 00:02:01,080 Speaker 5: like normal directors wouldn't get to be in the in 41 00:02:01,120 --> 00:02:03,520 Speaker 5: the ring opposite the stun men, you know, performing, So 42 00:02:03,560 --> 00:02:06,240 Speaker 5: I would get hours upon hours in the morning with 43 00:02:06,360 --> 00:02:09,360 Speaker 5: the stunt team. And I saw this one guy, you know, Stephen, 44 00:02:09,400 --> 00:02:11,120 Speaker 5: who was one of the stunt guys. You had a 45 00:02:11,120 --> 00:02:13,160 Speaker 5: little canon camera and I was like, you know, you 46 00:02:13,160 --> 00:02:15,560 Speaker 5: should you should operate some of these scenes because you're 47 00:02:15,600 --> 00:02:16,160 Speaker 5: like a ninja. 48 00:02:16,280 --> 00:02:17,160 Speaker 4: So he started. 49 00:02:17,680 --> 00:02:20,880 Speaker 5: We incorporated him into the choreography so we could keep 50 00:02:20,880 --> 00:02:23,400 Speaker 5: the camera rolling for longer and really get under the 51 00:02:23,480 --> 00:02:25,760 Speaker 5: armpit of the moves and inside the action like no 52 00:02:25,800 --> 00:02:28,800 Speaker 5: one else has. And yeah, and it became more balletic 53 00:02:28,840 --> 00:02:29,239 Speaker 5: in a way. 54 00:02:29,280 --> 00:02:32,480 Speaker 1: And yeah, Dave, I got the blood banks like a dance. 55 00:02:32,720 --> 00:02:34,079 Speaker 2: It isn't really violent. 56 00:02:34,600 --> 00:02:35,880 Speaker 4: It is choreographic. 57 00:02:36,240 --> 00:02:39,160 Speaker 1: Yeah, it might have got the blood ballet the local 58 00:02:39,160 --> 00:02:41,280 Speaker 1: bloodbank asking for more blood, but I said, just called 59 00:02:41,320 --> 00:02:43,440 Speaker 1: divail because he's got so much. 60 00:02:44,120 --> 00:02:46,040 Speaker 2: There's a bit of there's a bit of cleric going around, 61 00:02:46,120 --> 00:02:49,160 Speaker 2: wasn't there. You made extra supplies blood man. 62 00:02:49,520 --> 00:02:51,200 Speaker 4: Yeah, it's really weird. 63 00:02:51,440 --> 00:02:54,680 Speaker 3: So the movie is based The story is inspired by 64 00:02:55,160 --> 00:03:02,080 Speaker 3: a centuries old Hindu legend about Hindu mynkey deity Hannahman. Is, 65 00:03:02,160 --> 00:03:04,120 Speaker 3: are these the kind of stories that you would be 66 00:03:04,200 --> 00:03:05,320 Speaker 3: told as a kid. 67 00:03:05,560 --> 00:03:05,800 Speaker 2: Yeah. 68 00:03:05,880 --> 00:03:08,440 Speaker 5: I mean my grandfather who lived in Kenya. Every so 69 00:03:08,480 --> 00:03:10,600 Speaker 5: often he would come to London and I would, you know, 70 00:03:11,080 --> 00:03:13,520 Speaker 5: drag him and and like make him cuddle me in 71 00:03:13,560 --> 00:03:15,160 Speaker 5: the little box room, and he would tell me these 72 00:03:15,200 --> 00:03:18,919 Speaker 5: stories of these Indian mythologies and this character of Hannahman, 73 00:03:19,000 --> 00:03:22,239 Speaker 5: this like half man, half monkey, this kind of simeon Superhero. 74 00:03:23,040 --> 00:03:26,359 Speaker 5: He totally captured my imagination and the older I got 75 00:03:26,400 --> 00:03:29,880 Speaker 5: I was like, Wow, these iconographies, you know, you know, 76 00:03:29,960 --> 00:03:32,480 Speaker 5: comic books like Superman and things have pulled from you know, 77 00:03:32,480 --> 00:03:35,440 Speaker 5: you can fly, you can split his chest open, you know, 78 00:03:35,560 --> 00:03:39,120 Speaker 5: reveal his powers, and you know, I wanted to ground it. 79 00:03:39,200 --> 00:03:41,400 Speaker 5: And the inception of this was like, you know, this 80 00:03:41,480 --> 00:03:44,240 Speaker 5: guy and this literal performing monkey in this kind of 81 00:03:44,320 --> 00:03:47,080 Speaker 5: underground wrestling ring, and how is he going to work 82 00:03:47,120 --> 00:03:49,640 Speaker 5: his way up to challenge the kind of gods of society? 83 00:03:49,760 --> 00:03:52,040 Speaker 5: That was the kind of early inception of the film. 84 00:03:52,600 --> 00:03:53,200 Speaker 2: Is that a thing? 85 00:03:53,280 --> 00:03:56,880 Speaker 3: The undergrounds, the underground fighting ring? Is that a Oh no, 86 00:03:56,960 --> 00:03:58,600 Speaker 3: this is all kind of that's all. 87 00:03:58,440 --> 00:04:00,480 Speaker 2: Just part of the story. 88 00:04:00,680 --> 00:04:03,280 Speaker 1: Okay, yeah, mate, I've always wanted to tell you that 89 00:04:03,360 --> 00:04:05,480 Speaker 1: when my mom passed in twenty eighteen, her two favorite 90 00:04:05,480 --> 00:04:08,880 Speaker 1: actors were both British, Roger Moore and yourself. Did you 91 00:04:08,920 --> 00:04:11,800 Speaker 1: realize it's seventeen you'd have an influence on an old 92 00:04:11,880 --> 00:04:14,240 Speaker 1: lady in the Perth in Perth, Western Australia. 93 00:04:14,280 --> 00:04:16,960 Speaker 5: Oh man, God, bless her Soul's so sweet? 94 00:04:17,480 --> 00:04:21,960 Speaker 1: Man, very cool, yeah, I mean the Yearly movies. Mate, 95 00:04:22,040 --> 00:04:25,280 Speaker 1: You're so young. It was just incredible success with the 96 00:04:25,279 --> 00:04:27,960 Speaker 1: exotic mental congratulations. 97 00:04:28,040 --> 00:04:31,680 Speaker 3: Off topic of monkey Man for a moment in line, 98 00:04:32,320 --> 00:04:35,760 Speaker 3: will you do the best Australian accent? Because it's not 99 00:04:35,800 --> 00:04:37,359 Speaker 3: an easy accent to do and it can be a 100 00:04:37,360 --> 00:04:39,599 Speaker 3: bit of a caricature and yours is up there with 101 00:04:39,640 --> 00:04:41,160 Speaker 3: Kate Winslet and the dressmaker. 102 00:04:41,560 --> 00:04:44,080 Speaker 2: How did you? How did you? I mean, it probably 103 00:04:44,080 --> 00:04:46,200 Speaker 2: doesn't hurt having an Australian girlfriend, but how did you 104 00:04:46,320 --> 00:04:49,440 Speaker 2: nail it? Although mine would have been before that, it. 105 00:04:49,920 --> 00:04:52,200 Speaker 5: Was a lot of you know, I'm the biggest fan 106 00:04:52,240 --> 00:04:57,320 Speaker 5: of Australian Master Chef, so that watching that NonStop, and 107 00:04:57,360 --> 00:05:01,599 Speaker 5: then you know, I had this incredible dialect coach, Jenny Kent, 108 00:05:01,839 --> 00:05:04,960 Speaker 5: and she was super patient and I told my agents 109 00:05:05,000 --> 00:05:06,400 Speaker 5: I was like, I don't want to work on anything 110 00:05:06,440 --> 00:05:08,480 Speaker 5: else but this. So I spent I think eight months 111 00:05:08,560 --> 00:05:11,880 Speaker 5: just prepping the accent and like, you know, being in 112 00:05:11,920 --> 00:05:15,040 Speaker 5: the skin of this guy. And it was the most profound, 113 00:05:15,120 --> 00:05:19,080 Speaker 5: nourishing experience of my life. I adore Australia, every part 114 00:05:19,120 --> 00:05:21,640 Speaker 5: of it, from Adelaide to Melbourne to the outback of 115 00:05:21,880 --> 00:05:24,720 Speaker 5: you know, I'm slowly trying to adventure through all of it. 116 00:05:24,800 --> 00:05:27,240 Speaker 2: Oh, you have to come to Perth best of all. 117 00:05:27,360 --> 00:05:28,480 Speaker 4: Yeah, man, I had the. 118 00:05:28,440 --> 00:05:33,719 Speaker 3: Great fortune of interviewing Sorrow when the when the story 119 00:05:33,760 --> 00:05:36,560 Speaker 3: first came out. I've read the book about six times. 120 00:05:36,600 --> 00:05:38,839 Speaker 3: It is the most incredible story. 121 00:05:39,040 --> 00:05:42,440 Speaker 4: Yeah. Yeah, he's he's a pretty amazing guy. Yeah, just 122 00:05:42,440 --> 00:05:43,320 Speaker 4: getting them wind up. 123 00:05:43,480 --> 00:05:44,800 Speaker 2: We are getting them wind up. 124 00:05:44,839 --> 00:05:46,600 Speaker 1: I meant we would love to see him Perth eventually. 125 00:05:46,640 --> 00:05:49,359 Speaker 1: But congratulations. This is incredible feat this movie with you 126 00:05:49,440 --> 00:05:53,120 Speaker 1: taking on so much troubling times to make films. 127 00:05:53,120 --> 00:05:54,159 Speaker 2: So congratulations. 128 00:05:54,279 --> 00:05:55,599 Speaker 4: Yeah, thank you and so much. 129 00:05:55,640 --> 00:05:57,400 Speaker 3: I would imagine you'd be putting your feet up for 130 00:05:57,400 --> 00:06:00,360 Speaker 3: about the next I'm a. 131 00:06:00,320 --> 00:06:02,640 Speaker 4: Walking course right now, right holiday. 132 00:06:02,760 --> 00:06:05,520 Speaker 2: Thanks thanks for your time, man, Thank you very much