WEBVTT - RHOBH - RECAP - WEEK 15 - ALANA MCLEAN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. Thereby, Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading. On today's episode with Alana MacLean, the

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<v Speaker 1>gossip coin of the Airways, the Hostess with the Most

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<v Speaker 1>us and soon to be Ricky Lee, and Natalie Bassingthwaite's

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<v Speaker 1>best friend. I will probably need to explain that in

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<v Speaker 1>the podcast. This week we will go deep on episode

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<v Speaker 1>fifteen of the Real Housewives of Beverly Hills season fourteen,

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<v Speaker 1>which is correctly titled Trouble in Paradise. We are kind

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<v Speaker 1>of back agreeing of the pacing of this episode, and

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<v Speaker 1>I have to say that while Durton PK looks set

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<v Speaker 1>to go to war, Kyle and Moe are still battling

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<v Speaker 1>it out for their friendship, there's actually a lot to

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<v Speaker 1>unpack there. We will discuss the way on which Erica

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<v Speaker 1>has been recruited by Deret and Bosma, including what we

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<v Speaker 1>think of a potential new Fox Falls five friend group.

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<v Speaker 1>I will get Alana's perspective on Bozma's red flags with

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<v Speaker 1>old mate and her potential new alliance with Kyle Richards.

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<v Speaker 1>We will address the fact that Garsell shone some light

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<v Speaker 1>into Sutton's jealousy with Derete and Kyle finally being able

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<v Speaker 1>to address a huge elephant in the room. You were

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<v Speaker 1>going to get plenty of chat on the girl's trip,

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<v Speaker 1>what we think of them all flying in what looked

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<v Speaker 1>like coach and we will also debate who is paying

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<v Speaker 1>for these girls trips? Is it Bravo? Is it the

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<v Speaker 1>women who knows? There's actually so much to talk about

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<v Speaker 1>with so many revelations from Alana and Ice perspective, So guys,

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<v Speaker 1>sit back and relax as we unpack the wonderful world

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<v Speaker 1>of the Real Housewives of Beverly Hills Season fourteen, Episode fifteen, Hello, Hello, Hello, Hello.

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<v Speaker 1>Coffee in tow Is that coffee number one? Coffee number

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<v Speaker 1>two or coffee number three?

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<v Speaker 2>This is the third, which look probably is one too many.

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<v Speaker 3>See how that goes. I just feel like I.

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<v Speaker 2>Could be a brand ambassador for Espresso at this point,

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<v Speaker 2>like alongside George Clooney.

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<v Speaker 1>They would be lucky to have you.

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<v Speaker 3>Okay, I almost smash out into the microphone.

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<v Speaker 1>Could you imagine what's George Clooney's wife's name?

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<v Speaker 3>So it's not too far from Milana.

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<v Speaker 1>Can I tell you My favorite thing that I did

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<v Speaker 1>today was that I went to send the notes You're

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<v Speaker 1>going to die about today's episode, and I emailed Alan

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<v Speaker 1>oh oh no in my list. I don't know Alan

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<v Speaker 1>very well. Alan, which I had never realized, is just

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<v Speaker 1>Alana without the A.

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<v Speaker 3>He just learned all about the Real Housewives. He's had

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<v Speaker 3>a real crash course.

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<v Speaker 1>And you know the notes that I write are basically

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<v Speaker 1>scribble from a primary school kid.

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<v Speaker 2>Well, there's also some stuff in there that you just

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<v Speaker 2>drop in the context, like I'm so hungover, I'm really

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<v Speaker 2>drunk still from the weekend, like things that are just

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<v Speaker 2>for me, not necessarily to even chat through the podcast.

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<v Speaker 1>I love that all of the notes involved me being

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<v Speaker 1>an absolute mess. I'm a big mess.

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<v Speaker 2>They always give me a laugh, they always and then

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<v Speaker 2>do you know what, I shut the notes down and

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<v Speaker 2>I just let you take it wherever you want to

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<v Speaker 2>take it, because you are the wiz, you Harvey, conversational wizard.

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<v Speaker 1>You know, we didn't talk enough about the Academy Awards.

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<v Speaker 1>How weird was it that they decided to do those

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<v Speaker 1>homages to the original, you know, Wizard of Oz universe.

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<v Speaker 1>It was great every time it was a Wizard of

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<v Speaker 1>Oz song, but when it was a Wiz song, which

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<v Speaker 1>was the we were like, no one knows about the Wiz,

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<v Speaker 1>Like I can tell you the three people three rows

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<v Speaker 1>deep of me, no one knew what those songs were.

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<v Speaker 1>And it had to be like a friend of mine

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<v Speaker 1>who texted me and said, what an amazing opening sequence

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<v Speaker 1>and a beautiful tribute to the Wiz, And I was like,

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<v Speaker 1>you're joking.

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<v Speaker 2>Oh, the one that was all the montage and then

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<v Speaker 2>it went into Ariana and Cynthia. Yeah, oh yeah, Well

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<v Speaker 2>I didn't mind that so much. But I'll tell you

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<v Speaker 2>the one that was weird was that James Bond tribute.

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<v Speaker 2>I was like, what the hell is going on? Why

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<v Speaker 2>is Margaret Coully from the Substance suddenly doing a ballroom

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<v Speaker 2>dancing routine?

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<v Speaker 3>It was very confusing.

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<v Speaker 1>It was very confusing. It was like she came out

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<v Speaker 1>and you're like, this is nice. I guess I guess

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<v Speaker 1>they wanted something for her to do. And then you

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<v Speaker 1>were kind of like, hang in a second, who were

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<v Speaker 1>these other singers? Is I was expecting for you to

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<v Speaker 1>come out and sing?

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<v Speaker 3>Well?

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<v Speaker 2>I probably could have given what was going on up

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<v Speaker 2>at that stage, I would never take Synthia on. I

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<v Speaker 2>reckon I could have taken those Bond people on.

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<v Speaker 1>Remember wedding karaoke. I could imagine, Oh yes, yeah, defying

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<v Speaker 1>gravity in your web.

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<v Speaker 4>You know.

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<v Speaker 2>After the wedding, my dad came up to me and

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<v Speaker 2>was like, did I just pay fifty thousand dollars for

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<v Speaker 2>you to have your own concert? Like it's literally his

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<v Speaker 2>takeaway from the night. He was like, I don't think

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<v Speaker 2>this was a wedding. I think this was a big

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<v Speaker 2>ruse for you to get one hundred people in a

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<v Speaker 2>room and make them watch you like it was a show.

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<v Speaker 1>Everyone loved it, though, like in a gown with goodiful

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<v Speaker 1>because it was your wedding gown and the song's perfection.

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<v Speaker 1>At one point you cribbed me to get me to

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<v Speaker 1>be a part of the song, but it was more

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<v Speaker 1>like a headlock in a foot match, and you called

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<v Speaker 1>me in a When you realize they got one word wrong,

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<v Speaker 1>you pushed me away. Did it disappear amateur?

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<v Speaker 3>You're peasant?

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<v Speaker 2>Yeah, you were a good one for the karaoke. Some

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<v Speaker 2>people that didn't want to participate, they hung out in

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<v Speaker 2>the balcony, and you know what, that's fine.

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<v Speaker 1>They weren't even smokers, but they were all in the

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<v Speaker 1>smokers pure fear. Like just every song with perfection, I

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<v Speaker 1>was like, Oh, she's going to put the microphone down,

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<v Speaker 1>and then all of a sudden you'd hear the backing

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<v Speaker 1>track to or Whitney song coming, and you've been around,

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<v Speaker 1>I'm back, back, back back again.

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<v Speaker 2>Beyond call that no one's asking for, but here it

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<v Speaker 2>is everyone. P number seventy five is up.

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<v Speaker 1>Okay, Housewives? Yes, I think it was good thinking Yes,

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<v Speaker 1>me too, it was good. Okay, great, so we're back.

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<v Speaker 1>We're back with this. So episode fifteen, this, as we

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<v Speaker 1>were saying, is a sort of a return to form.

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<v Speaker 1>I know you were sort of saying that it was

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<v Speaker 1>picking itself up, but I kind of felt like with

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<v Speaker 1>this one it was a bit more Housewives. It did

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<v Speaker 1>feel as though they were like, are we going on

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<v Speaker 1>this trip? In this episode, Like it felt like every

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<v Speaker 1>ad break or sort of moment where you would be

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<v Speaker 1>coming back from an ad break, we would be seeing

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<v Speaker 1>the girls trip start. And it did seem like they

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<v Speaker 1>held that off for quite a while.

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<v Speaker 2>Yes, but do you know what I loved And it's

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<v Speaker 2>sort of like in real life when you know you've

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<v Speaker 2>got a trip coming, and there's the anticipation and you're like,

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<v Speaker 2>a couple of days to the trip, I'm going to pack,

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<v Speaker 2>I'm going to do my ten like all the things,

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<v Speaker 2>and it's that slow build up is half the fun.

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<v Speaker 3>Of the cast trip. So I actually didn't mind that

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<v Speaker 3>that had.

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<v Speaker 2>Sort of, you know, a bit of a sort of

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<v Speaker 2>woven thread through every scene because you knew that was

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<v Speaker 2>coming and they were all going to be together, and

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<v Speaker 2>that just those first visual scenes of Saint Lucia, I

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<v Speaker 2>was like, oh my god, I want to book this

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<v Speaker 2>trip immediately.

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<v Speaker 3>We're finally getting some opulents.

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<v Speaker 1>Except for the fact that they, for some reason, for

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<v Speaker 1>the first time in Real Housewives of Beverly Hill's history,

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<v Speaker 1>they were all flying economy. I don't know what was

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<v Speaker 1>going on here. They flashed to Jennifer Tilly and she

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<v Speaker 1>looked like, am I on the set of a movie?

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<v Speaker 1>What is going on here? What's this?

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<v Speaker 3>I know?

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<v Speaker 2>I was waiting for Lisa Barlow from Salt Lake City

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<v Speaker 2>to rock up and be like, I haven't flown coach

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<v Speaker 2>since I was in college. I am not sitting in

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<v Speaker 2>seat seventeen. See where was Lisa Barlow? She would have

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<v Speaker 2>sort of that shit right out.

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<v Speaker 1>You know that people tag her, people tag her when

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<v Speaker 1>they sit in that same seat.

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<v Speaker 3>Oh my god, say genius, it's actually genius.

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<v Speaker 1>She's great on that show. She does look like, you know,

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<v Speaker 1>like a Royal Melbourne show balloon animals being slightly let

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<v Speaker 1>out just a little bit.

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<v Speaker 2>Oh you are into it already, honey, and the fur

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<v Speaker 2>is flying from Benjamin Norris.

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<v Speaker 1>That show would not be the same without her, Like

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<v Speaker 1>she is phenomenal on that show.

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<v Speaker 2>We will do Redcaps of Salt Lake City next season.

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<v Speaker 2>One hundred is that has literally taken over the Bravo universes.

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<v Speaker 3>Like the Darling.

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<v Speaker 1>I mean, I didn't think I could get into another

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<v Speaker 1>Housewive series this late in my life, but I mean, it's.

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<v Speaker 2>Got it all. It just delivers week after week after week.

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<v Speaker 2>They've just got the formula just down. Anyway, back to

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<v Speaker 2>our original love.

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<v Speaker 1>Speaking of people that we would be friends with, Erica Jane,

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<v Speaker 1>I feel like you and I would be friends with it.

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<v Speaker 1>Ereka Jane. How is she being pulled into this direete

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<v Speaker 1>Bo's universe? Because when they came over to her house,

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<v Speaker 1>she kind of was like, hey, girls, thanks for coming over,

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<v Speaker 1>But like secretly, I'm really better friends with Kyle, and

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<v Speaker 1>probably three seasons it goes Housewives Teddy Mellencamp and Lisa,

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<v Speaker 1>Rinna and all those other people.

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<v Speaker 3>Three of us are together.

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<v Speaker 1>Yeah, we got our villa, but she's being pulled into that.

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<v Speaker 1>And I don't like it. I don't you don't like it.

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<v Speaker 2>I feel like the three of them, I was like, oh,

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<v Speaker 2>is this going to be a little bit new Fox

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<v Speaker 2>Force five? Like I was honestly thinking that when I

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<v Speaker 2>was watching it, and they were so excited that they

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<v Speaker 2>were all going to be in the same room together

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<v Speaker 2>and all of that on the.

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<v Speaker 3>Trip, and I thought, oh.

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<v Speaker 2>I actually was left wondering. I wonder where Kyle was

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<v Speaker 2>going to fit into this equation. But I think because

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<v Speaker 2>she's got the safety net of Kathy this season, she's

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<v Speaker 2>sort of a little bit allowed to float between the

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<v Speaker 2>different groups.

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<v Speaker 3>But I definitely feel like Eric has.

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<v Speaker 2>Been a bit more on line to Derete this season,

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<v Speaker 2>and I feel like in terms of personality, her and

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<v Speaker 2>Bows are very compatible because there's straight shooters and no bullshit,

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<v Speaker 2>and I feel like they're really going to bond over that.

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<v Speaker 1>Okay, so let's play a game. You're going away to

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<v Speaker 1>Saint Lucia.

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<v Speaker 2>Oh okay, we're already the great game, great gas game ever.

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<v Speaker 1>And you get told you're in one of these rooms,

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<v Speaker 1>so you get given the garcel sudden Jennifer Tilly room.

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<v Speaker 1>You're disappointed. I don't know. You told me.

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<v Speaker 3>Yeah, I would not appreciate being in that room.

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<v Speaker 1>I'd need those pills in that suitcase to.

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<v Speaker 2>Be There was a second where I saw the pills

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<v Speaker 2>all spilled in the bag and I actually thought they

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<v Speaker 2>were pills until she said they were candy. I was like,

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<v Speaker 2>good God, what is going on and how did you

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<v Speaker 2>get it all through customs?

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<v Speaker 3>Oh no, mister Bill, I'm panicking.

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<v Speaker 2>The idea of being without my candy for the next

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<v Speaker 2>three or four days is very true to me.

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<v Speaker 1>I was waiting for it to pull out a little

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<v Speaker 1>note from Lisa Rinner.

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<v Speaker 2>You'll need these, Yeah, this is a lot of hormone

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<v Speaker 2>replacement therapy.

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<v Speaker 1>You get asked to be in the derete Erica Bow's room,

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<v Speaker 1>you'd be I think you'd be fine with that.

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<v Speaker 3>You'd probaps, that would be Yeah, that's that's good.

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<v Speaker 1>I'm going Kathy Hilton, Kyle Richards. I'd be in that

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<v Speaker 1>room and no other room.

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<v Speaker 2>Oh no, I would like the Erica Derete one. I

0:10:24.600 --> 0:10:26.560
<v Speaker 2>feel like that would be a bit more high energy.

0:10:26.640 --> 0:10:28.560
<v Speaker 2>And I just imagine Bos all night with that.

0:10:29.240 --> 0:10:32.480
<v Speaker 1>Oh how much have you been doing that in the

0:10:32.520 --> 0:10:34.800
<v Speaker 1>real world, because I'm doing it recently and now that

0:10:34.840 --> 0:10:37.440
<v Speaker 1>I make those noises and people that I know don't

0:10:37.440 --> 0:10:39.840
<v Speaker 1>watch the show, they just look at me like, is

0:10:39.880 --> 0:10:41.319
<v Speaker 1>there something wrong with you? What?

0:10:41.559 --> 0:10:41.800
<v Speaker 4>Boy?

0:10:42.080 --> 0:10:47.320
<v Speaker 2>You can't be doing that? Yeah, it's iconic, like so good.

0:10:47.640 --> 0:10:50.000
<v Speaker 2>Like I'm obsessed with Bos. I've gone in and out

0:10:50.040 --> 0:10:53.040
<v Speaker 2>with bows, and I just if we could just get

0:10:53.080 --> 0:10:55.520
<v Speaker 2>rid of the storyline with her boyfriend who needs to go,

0:10:56.040 --> 0:10:58.680
<v Speaker 2>I'd be loving, Like every time I see her on

0:10:58.720 --> 0:11:01.280
<v Speaker 2>the screen, I'm loving her actions. But when she gets

0:11:01.280 --> 0:11:03.400
<v Speaker 2>her own storyline where she's with the sad daughter and

0:11:03.440 --> 0:11:06.480
<v Speaker 2>the sad boyfriend, I'm like, no, oh, well, I quite

0:11:06.520 --> 0:11:08.840
<v Speaker 2>like her daughter. But that dinner, I mean, I don't

0:11:08.840 --> 0:11:10.080
<v Speaker 2>know if you want to get to that now. At

0:11:10.120 --> 0:11:13.040
<v Speaker 2>that dinner, I've been the one that's saying a few

0:11:13.080 --> 0:11:15.480
<v Speaker 2>red flags, like minor, You've been the one that's like,

0:11:15.520 --> 0:11:17.160
<v Speaker 2>I don't like the look of any of this. I'm

0:11:17.200 --> 0:11:19.640
<v Speaker 2>feeling uncomfortable about it. I've got major red flags and

0:11:19.640 --> 0:11:22.200
<v Speaker 2>I was like, Ah, I think you're overreacting this dinner

0:11:22.920 --> 0:11:23.880
<v Speaker 2>with her.

0:11:23.640 --> 0:11:24.800
<v Speaker 3>And Kiley and Lael.

0:11:25.520 --> 0:11:29.400
<v Speaker 2>I was like, oh, no, honey, it's not it the

0:11:29.400 --> 0:11:33.680
<v Speaker 2>fact that the fifteen year old daughter was asking questions

0:11:33.840 --> 0:11:37.559
<v Speaker 2>about living together, the engagement, how many kids they want

0:11:37.600 --> 0:11:40.000
<v Speaker 2>to have, and she just kept looking at him like

0:11:40.360 --> 0:11:42.560
<v Speaker 2>I don't know, I don't know what do you want

0:11:42.559 --> 0:11:44.200
<v Speaker 2>to say and let him answer everything.

0:11:44.240 --> 0:11:45.920
<v Speaker 3>They had not discussed any of that.

0:11:47.280 --> 0:11:52.800
<v Speaker 4>Kyle and Durte having beef helps Sutton and Kyle have

0:11:52.880 --> 0:11:56.319
<v Speaker 4>a better relationship, right, because it's like now can get

0:11:56.360 --> 0:11:58.960
<v Speaker 4>in with Kyle even more, and I think it's all

0:11:59.440 --> 0:12:03.320
<v Speaker 4>what is once she wants to be really good friends

0:12:03.360 --> 0:12:03.840
<v Speaker 4>with Kayle.

0:12:04.920 --> 0:12:06.080
<v Speaker 3>They hadn't discovered so awkward.

0:12:06.120 --> 0:12:08.200
<v Speaker 1>The only question she didn't ask was what's what's this

0:12:08.320 --> 0:12:11.200
<v Speaker 1>man's name? Like she was running down the list of

0:12:11.240 --> 0:12:13.320
<v Speaker 1>things that you would definitely have worked out by now.

0:12:13.440 --> 0:12:15.000
<v Speaker 1>And the fact that we had a piece to camera

0:12:15.040 --> 0:12:17.959
<v Speaker 1>where she's confessed, oh. It was the conversation with other

0:12:18.000 --> 0:12:20.440
<v Speaker 1>women where they were like, oh, it's a bit strange.

0:12:20.440 --> 0:12:22.400
<v Speaker 1>We haven't said I love you yet, but we're having

0:12:22.440 --> 0:12:26.559
<v Speaker 1>a baby at fifty And also he looks like he's

0:12:26.679 --> 0:12:28.840
<v Speaker 1>on a dating app the entire time he is talking,

0:12:29.000 --> 0:12:30.719
<v Speaker 1>you know, like those people that have just got the

0:12:30.800 --> 0:12:31.520
<v Speaker 1>dating app on the.

0:12:31.440 --> 0:12:33.880
<v Speaker 3>Stoe a glance, always the glance.

0:12:35.280 --> 0:12:38.120
<v Speaker 1>If this doesn't work out, it's okay, because I'm already

0:12:38.120 --> 0:12:42.440
<v Speaker 1>talking to Patricia who's from Pocious. How awkward it will

0:12:42.440 --> 0:12:43.920
<v Speaker 1>be making sure?

0:12:44.160 --> 0:12:45.960
<v Speaker 3>Oh my god. Yeah.

0:12:46.000 --> 0:12:48.640
<v Speaker 2>I just was like, oh, this is not good. Like

0:12:48.800 --> 0:12:51.080
<v Speaker 2>the fact they hadn't discussed any of these the fact

0:12:51.080 --> 0:12:54.120
<v Speaker 2>that she was so scared to ask, Like she's so direct,

0:12:54.200 --> 0:12:57.120
<v Speaker 2>yet with him, she's so scared to ask these questions.

0:12:57.360 --> 0:13:00.160
<v Speaker 2>She was letting him lead all the answers. It was like,

0:13:00.200 --> 0:13:02.040
<v Speaker 2>you know, where are we going to move? Are we

0:13:02.080 --> 0:13:04.880
<v Speaker 2>going to move to San Diego? I think is where

0:13:04.880 --> 0:13:06.960
<v Speaker 2>he's from. And she was just defaulting to him to

0:13:07.000 --> 0:13:09.240
<v Speaker 2>answer all of that, and I thought, oh god, Like

0:13:09.320 --> 0:13:12.079
<v Speaker 2>when you're starting to pull yourself back that much.

0:13:12.679 --> 0:13:15.240
<v Speaker 3>And the multiple kids question, I'm like, I don't even

0:13:15.240 --> 0:13:15.920
<v Speaker 3>know if they can have.

0:13:15.960 --> 0:13:17.480
<v Speaker 1>One multiple children?

0:13:17.679 --> 0:13:21.600
<v Speaker 3>What multiple children? And then there was just so many

0:13:21.679 --> 0:13:24.959
<v Speaker 3>there were so many flags on display there. Do you

0:13:25.000 --> 0:13:27.680
<v Speaker 3>guys think that you like move in together, like before

0:13:28.280 --> 0:13:28.880
<v Speaker 3>I not married?

0:13:29.360 --> 0:13:32.360
<v Speaker 5>Well that's a tough question because have I lived with

0:13:32.440 --> 0:13:37.200
<v Speaker 5>somebody before marriage, Yes, but I think in this case

0:13:38.080 --> 0:13:41.440
<v Speaker 5>I would probably wait well.

0:13:41.720 --> 0:13:44.840
<v Speaker 2>And also when he walked in and he said to Layel,

0:13:45.120 --> 0:13:46.600
<v Speaker 2>remember when I met you in Ganda?

0:13:46.720 --> 0:13:50.720
<v Speaker 3>Did you think I was cool? And my thought, oh,

0:13:50.800 --> 0:13:52.480
<v Speaker 3>what is that your first.

0:13:52.559 --> 0:13:55.960
<v Speaker 2>Thought to have a fifteen year old's approval on whether

0:13:56.000 --> 0:13:57.000
<v Speaker 2>you were cool?

0:13:57.240 --> 0:14:00.680
<v Speaker 3>I just oh God. I like that he bought her flowers.

0:14:00.720 --> 0:14:04.760
<v Speaker 3>I thought that was sweet, loved it. But everything after that,

0:14:04.800 --> 0:14:07.160
<v Speaker 3>I was like, oh god, oh god, oh god, oh god.

0:14:07.600 --> 0:14:09.800
<v Speaker 1>Yeah, the scene should have finished with just her picking

0:14:09.840 --> 0:14:11.600
<v Speaker 1>up the flowers and just putting them in the trash can,

0:14:11.760 --> 0:14:13.400
<v Speaker 1>like that should have just been the end of it.

0:14:14.280 --> 0:14:17.120
<v Speaker 3>I just yeah, all the best, but I'm worried.

0:14:17.280 --> 0:14:19.760
<v Speaker 1>I think what worked for me in Bosa's contribution in

0:14:19.840 --> 0:14:24.240
<v Speaker 1>this episode is her going over to see Kyle, because

0:14:24.360 --> 0:14:27.280
<v Speaker 1>that's a friendship dynamic that I think could work, and

0:14:27.760 --> 0:14:30.840
<v Speaker 1>I could honestly see bos being able to help Kyle

0:14:30.880 --> 0:14:32.680
<v Speaker 1>in a way that some of the other women haven't

0:14:32.720 --> 0:14:35.120
<v Speaker 1>been able to do it. What is your read on

0:14:35.520 --> 0:14:36.520
<v Speaker 1>how that played out?

0:14:36.760 --> 0:14:40.440
<v Speaker 2>Oh, I absolutely loved that scene. I think Kyle being

0:14:40.520 --> 0:14:43.400
<v Speaker 2>so vulnerable given that she'd kind of had her guard

0:14:43.520 --> 0:14:47.800
<v Speaker 2>up about Bo's That moment was so authentic and so

0:14:48.000 --> 0:14:50.920
<v Speaker 2>real between them and both sort of looking at her

0:14:51.160 --> 0:14:54.560
<v Speaker 2>without any judgment but being like, girl, I'm here, like

0:14:54.680 --> 0:14:57.080
<v Speaker 2>I'm ready to go to war as a friend, I'm

0:14:57.080 --> 0:14:59.320
<v Speaker 2>sitting here on your couch. I've been where you are.

0:15:00.160 --> 0:15:02.760
<v Speaker 2>Let's like, you know, get through this, like you can

0:15:02.760 --> 0:15:04.480
<v Speaker 2>tell me what you want to say. And I just

0:15:04.520 --> 0:15:06.240
<v Speaker 2>feel like that is a friendship that I want to

0:15:06.280 --> 0:15:10.200
<v Speaker 2>see more of. And I feel like they have both

0:15:10.320 --> 0:15:14.360
<v Speaker 2>navigated that misunderstanding of where they're at with grace.

0:15:14.360 --> 0:15:17.600
<v Speaker 3>And I just loved it. I really did. He feels

0:15:17.720 --> 0:15:19.960
<v Speaker 3>bad enough as it is. I know he feels horrible.

0:15:20.000 --> 0:15:21.120
<v Speaker 3>I know him well enough to know.

0:15:21.040 --> 0:15:22.400
<v Speaker 1>That, Well, why is it?

0:15:22.440 --> 0:15:24.080
<v Speaker 3>Because he feels like you're embarrassed?

0:15:24.120 --> 0:15:27.280
<v Speaker 1>Like what is it? Some of the best relationships in

0:15:27.320 --> 0:15:30.240
<v Speaker 1>this series have ended up being people that didn't mesh

0:15:30.280 --> 0:15:32.600
<v Speaker 1>well to start with, you know, and I think that

0:15:32.600 --> 0:15:35.720
<v Speaker 1>that's probably what we're going to see with these two women.

0:15:35.840 --> 0:15:38.320
<v Speaker 1>I think they probably just needed to find their footing

0:15:38.440 --> 0:15:40.480
<v Speaker 1>with how it was going to work and what they

0:15:40.480 --> 0:15:42.920
<v Speaker 1>could bring to that kind of a friendship. But I

0:15:42.960 --> 0:15:45.600
<v Speaker 1>don't feel like we're getting a repeat of a dynamic

0:15:45.640 --> 0:15:49.120
<v Speaker 1>that already exists. I actually feel like Bosemark has a

0:15:49.160 --> 0:15:52.040
<v Speaker 1>lot that she can say to Kyle in a way

0:15:52.200 --> 0:15:53.640
<v Speaker 1>that's going to land differently.

0:15:53.800 --> 0:15:56.000
<v Speaker 2>I agree, and I think the fact that Darit and

0:15:56.080 --> 0:15:58.320
<v Speaker 2>Kyle are in a better place is going to allow

0:15:58.400 --> 0:16:02.560
<v Speaker 2>for that. I think seems, you know, she's a loyal friend,

0:16:02.720 --> 0:16:05.200
<v Speaker 2>as is Kyle, but because there's been you know, the

0:16:05.240 --> 0:16:08.560
<v Speaker 2>animosity between Kyle and Dereitch, she's naturally sort of fallen

0:16:08.560 --> 0:16:10.960
<v Speaker 2>a bit more to Derete's side. But now that has

0:16:11.040 --> 0:16:13.560
<v Speaker 2>resolved itself, I think there's going to be room for

0:16:13.600 --> 0:16:16.560
<v Speaker 2>growth within that friendship as a three and also the

0:16:16.600 --> 0:16:19.360
<v Speaker 2>friendship as a two with Kyle and Bose separately. And

0:16:19.440 --> 0:16:21.920
<v Speaker 2>I am here for it. And that is the kind of,

0:16:22.200 --> 0:16:23.920
<v Speaker 2>you know, stuff we want to see play out.

0:16:24.080 --> 0:16:27.480
<v Speaker 1>Although I just I'm going to predict something here. Love

0:16:27.600 --> 0:16:31.320
<v Speaker 1>hate can be very similar emotions, and I think that

0:16:31.560 --> 0:16:35.080
<v Speaker 1>Bozma jumped into that relationship with Dereit way too fast,

0:16:35.400 --> 0:16:38.320
<v Speaker 1>and I think there's going to be some interesting dynamics

0:16:38.360 --> 0:16:40.080
<v Speaker 1>that comes off the back of that. I think that

0:16:40.400 --> 0:16:43.720
<v Speaker 1>Bozma obviously jumped on and was like, yep, you're my

0:16:43.880 --> 0:16:45.800
<v Speaker 1>entry point to this girl group. To make it Yep,

0:16:45.960 --> 0:16:50.080
<v Speaker 1>I'm doing it. However, dereite is not consistent enough for

0:16:50.160 --> 0:16:52.840
<v Speaker 1>someone like Boseman, Like could you imagine Bosema employing to

0:16:52.880 --> 0:16:54.720
<v Speaker 1>read at work? She would have fired her by now

0:16:54.800 --> 0:16:55.280
<v Speaker 1>do you know what I mean?

0:16:55.720 --> 0:16:56.520
<v Speaker 3>Well, we'll see.

0:16:56.560 --> 0:16:58.920
<v Speaker 2>I mean this is all where it gets interesting when

0:16:58.960 --> 0:17:01.840
<v Speaker 2>we start looking down the barrel of where next season

0:17:01.880 --> 0:17:04.400
<v Speaker 2>may go. And I think the fact that we're sort

0:17:04.440 --> 0:17:06.680
<v Speaker 2>of getting a little bit of a change in dynamic

0:17:06.720 --> 0:17:09.160
<v Speaker 2>with some of these women, it's going to pique our

0:17:09.160 --> 0:17:11.600
<v Speaker 2>interest for next season and that's really what they need.

0:17:11.800 --> 0:17:14.800
<v Speaker 1>Okay, So we have two things that are epic about

0:17:14.800 --> 0:17:17.800
<v Speaker 1>this episode because it's sort of been brewing. We've really

0:17:17.800 --> 0:17:20.200
<v Speaker 1>needed to see to read back with PK. We've really

0:17:20.240 --> 0:17:23.840
<v Speaker 1>needed to see Kyle with Mauricio. And I also need

0:17:23.880 --> 0:17:27.879
<v Speaker 1>to learn how to say Marizio. So I need you

0:17:28.040 --> 0:17:31.080
<v Speaker 1>just said it wrong, just to get what do I say, Marie?

0:17:31.119 --> 0:17:35.120
<v Speaker 3>You say Maritzio like with a Z, but it's Maurice Cio.

0:17:35.080 --> 0:17:37.480
<v Speaker 1>Like Maurisio ce for cat.

0:17:37.680 --> 0:17:40.639
<v Speaker 2>I just don't know found the word out, Benjamin Mauricio,

0:17:41.520 --> 0:17:43.840
<v Speaker 2>Mauricio Mauricio softer.

0:17:44.240 --> 0:17:46.200
<v Speaker 3>Yeah, we did it.

0:17:46.280 --> 0:17:51.760
<v Speaker 1>Okay, don't do the accent you've been canceled? Which one

0:17:51.920 --> 0:17:54.000
<v Speaker 1>shall we talk about? Which hot mess do you want

0:17:54.040 --> 0:17:55.920
<v Speaker 1>to talk about first? But these two, I.

0:17:55.840 --> 0:17:58.119
<v Speaker 2>Think let's talk about to Read and PK because I

0:17:58.119 --> 0:18:02.440
<v Speaker 2>thought it wasn't expecting that scene. They hadn't really promoted

0:18:02.480 --> 0:18:05.080
<v Speaker 2>that much in the trailers, you know, for the season,

0:18:05.119 --> 0:18:08.440
<v Speaker 2>whereas that Kyle and Mauricio moment, they've plugged that the

0:18:08.480 --> 0:18:11.120
<v Speaker 2>whole time. So I sort of was surprised to see

0:18:11.160 --> 0:18:16.639
<v Speaker 2>this PK injury restaurant chat, and holy shit, it's bad.

0:18:17.080 --> 0:18:19.760
<v Speaker 1>It was bad, and like we saw him catch up

0:18:19.760 --> 0:18:23.040
<v Speaker 1>with her earlier in the season episode two. If I

0:18:23.119 --> 0:18:26.160
<v Speaker 1>checked my facts and he turned up looking good for PK,

0:18:26.440 --> 0:18:28.680
<v Speaker 1>do you know what I mean? Like he looked like

0:18:28.720 --> 0:18:30.320
<v Speaker 1>he had just been given a voucher for the gap

0:18:30.320 --> 0:18:33.440
<v Speaker 1>and gone down to the Beverly Stone books that did

0:18:33.440 --> 0:18:35.520
<v Speaker 1>not suit him. But his hair and his face and

0:18:35.560 --> 0:18:38.159
<v Speaker 1>he looked okay. This time around, he looked like he

0:18:38.240 --> 0:18:40.960
<v Speaker 1>was fresh from a bender. He was like sitting down

0:18:41.000 --> 0:18:43.280
<v Speaker 1>and he did not look happy. He looked like you know,

0:18:43.359 --> 0:18:45.640
<v Speaker 1>previously it looked like he was cashing in on still

0:18:45.680 --> 0:18:48.199
<v Speaker 1>being a part of Housewives. This time he felt like

0:18:48.240 --> 0:18:51.000
<v Speaker 1>he was being brought in at gunpoint, like he did

0:18:51.040 --> 0:18:53.440
<v Speaker 1>not want to be talking to her, and also they

0:18:53.440 --> 0:18:57.880
<v Speaker 1>didn't really complete the interaction that surely wasn't all that happened.

0:18:58.000 --> 0:19:00.639
<v Speaker 1>They sat down and he was like, I don't drink anymore,

0:19:00.680 --> 0:19:03.120
<v Speaker 1>but clearly I need to. She was like, I need

0:19:03.119 --> 0:19:05.480
<v Speaker 1>the you know, standard carcass ound.

0:19:06.600 --> 0:19:08.920
<v Speaker 3>What mocktails have you got? You don't know the venue

0:19:08.960 --> 0:19:11.800
<v Speaker 3>for motels? Do you do a phony NIGRONI I can.

0:19:11.760 --> 0:19:13.960
<v Speaker 4>Do that for your Yeah, is that what you d.

0:19:15.760 --> 0:19:18.440
<v Speaker 3>Belvedere with klepsas lemon squeezed in?

0:19:18.640 --> 0:19:18.880
<v Speaker 2>Really?

0:19:18.920 --> 0:19:21.960
<v Speaker 1>Well, I'll be right back with that, which I thought

0:19:22.040 --> 0:19:25.560
<v Speaker 1>was really inappropriate. If your bestief, your ex husband, if

0:19:25.640 --> 0:19:28.399
<v Speaker 1>actually anyone you've ever met you're going out to drink

0:19:28.400 --> 0:19:30.800
<v Speaker 1>with and then you know they're an alcoholic, you just

0:19:30.800 --> 0:19:32.040
<v Speaker 1>don't order a drink Ryan.

0:19:32.480 --> 0:19:34.840
<v Speaker 2>Yeah, but she probably is like, well fuck you, Like

0:19:35.200 --> 0:19:37.240
<v Speaker 2>I'm going to drink whatever I want and do whatever

0:19:37.280 --> 0:19:38.200
<v Speaker 2>I want at this point.

0:19:38.800 --> 0:19:39.680
<v Speaker 3>Yeah, it was bad.

0:19:39.800 --> 0:19:43.040
<v Speaker 2>I just I think when we talked earlier in the season,

0:19:43.080 --> 0:19:45.359
<v Speaker 2>there was a lot of you know, stuff in the

0:19:45.440 --> 0:19:50.760
<v Speaker 2>room or mill about whether this split was potentially a storyline,

0:19:50.800 --> 0:19:53.919
<v Speaker 2>whether this was not legit, whether this was all playing

0:19:53.960 --> 0:19:56.240
<v Speaker 2>out and they were both part of it, and we

0:19:56.240 --> 0:19:58.439
<v Speaker 2>were the ones that were getting fooled, just so there

0:19:58.440 --> 0:20:00.480
<v Speaker 2>would be some drama and Dreek could hold on too

0:20:00.520 --> 0:20:03.199
<v Speaker 2>that diamond. And after watching this dinner, I was like,

0:20:03.280 --> 0:20:04.199
<v Speaker 2>I do not buy that.

0:20:04.320 --> 0:20:05.439
<v Speaker 3>This is so done.

0:20:05.640 --> 0:20:11.800
<v Speaker 2>The anger, the animosity is so great between those two.

0:20:11.960 --> 0:20:14.480
<v Speaker 2>I just do not see them coming back from this.

0:20:14.520 --> 0:20:17.080
<v Speaker 2>That was like oil and water. They are on completely

0:20:17.160 --> 0:20:20.919
<v Speaker 2>different pages. There was no sensitivity there, and I feel

0:20:20.920 --> 0:20:21.440
<v Speaker 2>like it's going.

0:20:21.359 --> 0:20:22.160
<v Speaker 3>To get really ugly.

0:20:23.000 --> 0:20:25.240
<v Speaker 1>To me. I kind of felt like she seems a

0:20:25.240 --> 0:20:28.439
<v Speaker 1>bit clueless, like as in, he looks like he's left

0:20:28.560 --> 0:20:30.879
<v Speaker 1>and he's that's the path that he's going on, that

0:20:31.080 --> 0:20:33.600
<v Speaker 1>he's out and he's gone, you know, like he's completed

0:20:33.640 --> 0:20:36.800
<v Speaker 1>the race. And she's like, oh, you know, I'm just

0:20:36.800 --> 0:20:38.920
<v Speaker 1>going to order a drink. And what's happening? What about

0:20:38.960 --> 0:20:43.720
<v Speaker 1>that email? Oh my god, the email that's a legal letter.

0:20:43.880 --> 0:20:46.959
<v Speaker 1>He literally said in that email, which should have been

0:20:46.960 --> 0:20:49.720
<v Speaker 1>titled fuck you, we're getting a divorce. And she's like,

0:20:50.200 --> 0:20:52.920
<v Speaker 1>so yeah, I just didn't really see this divorce coming.

0:20:53.080 --> 0:20:56.720
<v Speaker 1>Who are these women in these relationships, in these marriages

0:20:56.720 --> 0:20:59.280
<v Speaker 1>of however long that they haven't realized that when they

0:20:59.359 --> 0:21:01.159
<v Speaker 1>kick the man out of the house. That man is

0:21:01.200 --> 0:21:03.840
<v Speaker 1>getting it from somewhere else, Like he's finished with you,

0:21:03.920 --> 0:21:06.359
<v Speaker 1>He's gone to find the next woman who is going

0:21:06.400 --> 0:21:07.800
<v Speaker 1>to look after him. That's what I mean.

0:21:07.920 --> 0:21:10.119
<v Speaker 2>Yeah, well, I mean, look, he left her. I think

0:21:10.200 --> 0:21:13.160
<v Speaker 2>this is different to the Kylo Mauricio thing. I think

0:21:13.200 --> 0:21:16.000
<v Speaker 2>she kicked him out, but then she expected him to

0:21:16.040 --> 0:21:17.720
<v Speaker 2>come back, and that's a whole other story. But in

0:21:17.760 --> 0:21:19.919
<v Speaker 2>this one, I feel like, you know, I remember you

0:21:20.000 --> 0:21:22.120
<v Speaker 2>mentioning earlier in the year when we talked about this,

0:21:22.520 --> 0:21:26.800
<v Speaker 2>if someone's leaving that quickly, it's because they've already mentally

0:21:26.840 --> 0:21:29.640
<v Speaker 2>been preparing for that for a long time. They've got

0:21:29.680 --> 0:21:32.240
<v Speaker 2>a plan and they're out. And so to the other person,

0:21:32.240 --> 0:21:35.320
<v Speaker 2>they're very blindsided by that, but really they're like, Okay,

0:21:35.320 --> 0:21:37.400
<v Speaker 2>well this is just how it is, and they're out.

0:21:37.640 --> 0:21:39.360
<v Speaker 3>That's exactly what she actually.

0:21:39.080 --> 0:21:42.000
<v Speaker 2>Ended up saying in her confessional, and she said, you know,

0:21:42.520 --> 0:21:45.840
<v Speaker 2>I just didn't see it coming, and I'm fifty steps behind,

0:21:46.080 --> 0:21:48.920
<v Speaker 2>and this is where we are now. But there's absolutely

0:21:48.920 --> 0:21:50.720
<v Speaker 2>no way those two are getting back together. And I

0:21:50.760 --> 0:21:52.760
<v Speaker 2>do not believe that this was the storyline. I think

0:21:52.760 --> 0:21:55.680
<v Speaker 2>it was like almost in a weird, awful way a

0:21:55.680 --> 0:21:58.120
<v Speaker 2>little bit convenient for her, that is planning to her

0:21:58.520 --> 0:22:01.159
<v Speaker 2>sort of having this renaissance, and that everyone's been so

0:22:01.240 --> 0:22:01.960
<v Speaker 2>invested in.

0:22:01.920 --> 0:22:04.920
<v Speaker 1>Her, she has locked herself down for more seasons, that

0:22:05.240 --> 0:22:07.679
<v Speaker 1>is for sure, because you better believe that audiences are

0:22:07.680 --> 0:22:10.360
<v Speaker 1>going to want to see Derete living in an apartment.

0:22:10.480 --> 0:22:12.879
<v Speaker 1>We want to see that, you know, and we also

0:22:12.920 --> 0:22:15.840
<v Speaker 1>want to see Erica Jane come around with her you know,

0:22:16.080 --> 0:22:19.280
<v Speaker 1>camp room decorator and be like, hey, you want someone

0:22:19.280 --> 0:22:23.360
<v Speaker 1>on a budget. This guy it's never been the same sense.

0:22:23.680 --> 0:22:26.879
<v Speaker 2>It's a friend referral fee. It's like, oh, another woman

0:22:26.920 --> 0:22:29.159
<v Speaker 2>with a divorce. You get ten percent off, Like.

0:22:29.400 --> 0:22:30.720
<v Speaker 1>You're not going to be living in a place like

0:22:30.800 --> 0:22:32.640
<v Speaker 1>Erica Jane. I can tell you that Erica Jane has

0:22:32.800 --> 0:22:35.880
<v Speaker 1>a little bit of understanding about how to split a dime.

0:22:36.119 --> 0:22:39.720
<v Speaker 1>Dereite has no idea. Like she's this woman from Connecticut

0:22:39.760 --> 0:22:42.280
<v Speaker 1>whose mother and father has given her everything. I don't

0:22:42.280 --> 0:22:44.200
<v Speaker 1>think she's had a hard day in her life. Erica

0:22:44.280 --> 0:22:46.639
<v Speaker 1>Jane used to book. Basically, serf Hamburg is a strip

0:22:46.720 --> 0:22:49.560
<v Speaker 1>joint outside of York City. She knows how to split

0:22:49.560 --> 0:22:52.720
<v Speaker 1>a dime. Where Derete going into an apartment. She's going

0:22:52.800 --> 0:22:55.080
<v Speaker 1>to be like, I wonder whether or not I should

0:22:55.119 --> 0:22:58.200
<v Speaker 1>spend the only money I've still got left on some

0:22:58.800 --> 0:23:02.199
<v Speaker 1>Chanel wallpaper. And then you go into her apartment and

0:23:02.240 --> 0:23:05.720
<v Speaker 1>there'd be one wall and she kind of bought a

0:23:05.800 --> 0:23:07.879
<v Speaker 1>fucking thing. She got two minute noodles in the kitchen

0:23:07.880 --> 0:23:10.919
<v Speaker 1>and Jagger's like, Mum, we're going to live with PK. Goodbye.

0:23:11.080 --> 0:23:14.560
<v Speaker 2>Well, I think, you know, the audiences do like to

0:23:14.600 --> 0:23:18.439
<v Speaker 2>see the grittiness, the rawness when it all all the

0:23:18.480 --> 0:23:21.800
<v Speaker 2>facades go away and the mask falls down, and that

0:23:22.000 --> 0:23:24.040
<v Speaker 2>is what we're getting. And you know, I think with

0:23:24.160 --> 0:23:29.480
<v Speaker 2>the Mauriceo Kyle split, we're seeing the niceness, Like, yes,

0:23:29.520 --> 0:23:32.320
<v Speaker 2>we saw those photos, but between them, the interactions have

0:23:32.359 --> 0:23:34.520
<v Speaker 2>still be like hey, honey, and he comes in, he

0:23:34.560 --> 0:23:36.600
<v Speaker 2>gives her a hug, and he's playing with the dogs,

0:23:36.600 --> 0:23:38.760
<v Speaker 2>and he's helping himself to the cups of tea and

0:23:38.960 --> 0:23:42.359
<v Speaker 2>they're still doing family vacas and we're not seeing any

0:23:42.400 --> 0:23:44.720
<v Speaker 2>of that. But with this to Eat PK thing, we're

0:23:44.760 --> 0:23:46.920
<v Speaker 2>getting a real glimpse into something that is going to

0:23:47.000 --> 0:23:47.960
<v Speaker 2>be nasty.

0:23:48.280 --> 0:23:49.200
<v Speaker 3>And even with the.

0:23:49.320 --> 0:23:52.720
<v Speaker 2>Erica Tom split, obviously we never saw anything from Tom.

0:23:52.760 --> 0:23:55.560
<v Speaker 2>We didn't see the interaction, so I think from a

0:23:55.640 --> 0:23:57.560
<v Speaker 2>viewer point of view, we've never really had this in

0:23:57.600 --> 0:24:02.520
<v Speaker 2>Beverly Hills, where we're almost watching pretty ugly split play out.

0:24:02.320 --> 0:24:03.159
<v Speaker 3>In real time.

0:24:03.400 --> 0:24:06.280
<v Speaker 2>So I do think even though it's unfortunate and you

0:24:06.280 --> 0:24:09.200
<v Speaker 2>wouldn't wish it upon anyone, let alone anyone with small

0:24:09.280 --> 0:24:12.000
<v Speaker 2>children to be going through this, I think from a

0:24:12.119 --> 0:24:14.480
<v Speaker 2>ratings point of view, they're going to skyrocket because people

0:24:14.480 --> 0:24:15.600
<v Speaker 2>want to see the messiness.

0:24:15.840 --> 0:24:18.199
<v Speaker 1>I think that they do. I'd love to get and

0:24:18.320 --> 0:24:21.800
<v Speaker 1>next week, as we I think, are doing episode seventeen,

0:24:21.880 --> 0:24:23.360
<v Speaker 1>we should have a look at the ratings and see

0:24:23.359 --> 0:24:25.440
<v Speaker 1>what's happened, because I think that might be really interesting

0:24:25.520 --> 0:24:28.080
<v Speaker 1>about the trajectory of what has happened in the evolution

0:24:28.119 --> 0:24:31.000
<v Speaker 1>of this show, with housewives leaving, housewives staying, and a

0:24:31.080 --> 0:24:34.119
<v Speaker 1>shift of I think some of the content points as well,

0:24:34.200 --> 0:24:37.440
<v Speaker 1>like they definitely have listened to everyone about the opulence,

0:24:37.600 --> 0:24:39.880
<v Speaker 1>so we do get to see whenever Durit turns up

0:24:39.920 --> 0:24:43.320
<v Speaker 1>at any restaurant, and it's probably because she actually arrives

0:24:43.320 --> 0:24:45.200
<v Speaker 1>two hours early and ask them to film at ninety

0:24:45.200 --> 0:24:49.240
<v Speaker 1>five times. But she I loved why today feel bad

0:24:49.280 --> 0:24:51.199
<v Speaker 1>because you just brought up something about the fact that

0:24:51.240 --> 0:24:53.280
<v Speaker 1>this woman's getting a divorce and about the small children.

0:24:53.320 --> 0:24:55.879
<v Speaker 1>I feel like I'm being way too savage, Like if

0:24:55.880 --> 0:24:58.520
<v Speaker 1>anyone spoke about someone one of my friends the way

0:24:58.560 --> 0:25:00.760
<v Speaker 1>I've been talking about this small situation, and I would

0:25:00.840 --> 0:25:02.840
<v Speaker 1>come for them. But I guess it's TV, so I

0:25:02.840 --> 0:25:05.320
<v Speaker 1>guess you know this is what we do. Don't get

0:25:05.320 --> 0:25:05.960
<v Speaker 1>a conscience.

0:25:06.080 --> 0:25:06.280
<v Speaker 3>Now.

0:25:07.480 --> 0:25:09.520
<v Speaker 1>I think I'm going to need more botox and a

0:25:09.560 --> 0:25:12.720
<v Speaker 1>face lift after the amount of tension I had on

0:25:12.800 --> 0:25:17.440
<v Speaker 1>my face watching Kyle with Mauricio. Oh did I say

0:25:17.440 --> 0:25:19.480
<v Speaker 1>his name right? Not really?

0:25:19.720 --> 0:25:21.679
<v Speaker 2>Okay, I'm just gonna let it go because if we

0:25:21.760 --> 0:25:24.080
<v Speaker 2>have to like Maria every time and give you a

0:25:24.160 --> 0:25:28.399
<v Speaker 2>lesson Marie Cio Mauricio. Where Maurice is in can we

0:25:28.440 --> 0:25:30.680
<v Speaker 2>could just call him Mo? Like Mo, just call him

0:25:30.680 --> 0:25:33.800
<v Speaker 2>Mo bye and called bos bos Mo when he was

0:25:33.800 --> 0:25:36.679
<v Speaker 2>walking around that kitchen was stressing me out. Neither of

0:25:36.720 --> 0:25:39.000
<v Speaker 2>them wanted to talk about the elephant in the room,

0:25:39.080 --> 0:25:42.600
<v Speaker 2>but they were like very respectful, Like Kyle was sitting

0:25:42.600 --> 0:25:44.800
<v Speaker 2>there going, He's allowed to do this, so I'm not

0:25:44.840 --> 0:25:46.320
<v Speaker 2>supposed to be angry.

0:25:47.480 --> 0:25:49.080
<v Speaker 3>Seeing that photo of Mo.

0:25:50.880 --> 0:25:55.040
<v Speaker 2>Was like, Okay, things have a change, and I don't

0:25:55.080 --> 0:25:56.880
<v Speaker 2>know how he's going to be towards me now.

0:25:58.119 --> 0:26:01.199
<v Speaker 1>So she was playing very much an adult, and I

0:26:01.200 --> 0:26:03.639
<v Speaker 1>think he was also still playing very much an adult,

0:26:03.640 --> 0:26:06.800
<v Speaker 1>and he was the person to acknowledge it. And I

0:26:07.040 --> 0:26:11.359
<v Speaker 1>also have props for him for saying, I am sorry.

0:26:11.640 --> 0:26:14.080
<v Speaker 1>You know obviously the Meeka knows. You know I got photographed,

0:26:14.119 --> 0:26:14.920
<v Speaker 1>you know, in the airport.

0:26:15.720 --> 0:26:17.399
<v Speaker 5>Do you know that I would never want to do

0:26:17.600 --> 0:26:21.159
<v Speaker 5>or anything on purpose that would hurt you or the kids.

0:26:22.320 --> 0:26:23.520
<v Speaker 1>I really am sorry for.

0:26:25.560 --> 0:26:26.840
<v Speaker 3>You know, hurtying you.

0:26:26.880 --> 0:26:30.600
<v Speaker 1>I would never want to hurt you on purpose. And

0:26:30.640 --> 0:26:33.080
<v Speaker 1>he didn't say I'm sorry and I'm never doing this

0:26:33.119 --> 0:26:36.400
<v Speaker 1>again kind of sorry. He acknowledged this as being hard

0:26:36.400 --> 0:26:39.240
<v Speaker 1>for her, and he laid it out and he took accountability,

0:26:39.400 --> 0:26:42.600
<v Speaker 1>and I thought, this is amazing. These two people are

0:26:42.680 --> 0:26:45.320
<v Speaker 1>clearly still connected.

0:26:45.920 --> 0:26:50.000
<v Speaker 2>I know it's really really hard to watch because I

0:26:50.040 --> 0:26:53.400
<v Speaker 2>think as we've seen these episodes unfold and we've seen

0:26:53.440 --> 0:26:56.600
<v Speaker 2>the journey, it's just become more and more evident she

0:26:56.840 --> 0:26:58.679
<v Speaker 2>never planned for this to happen.

0:26:58.800 --> 0:27:01.600
<v Speaker 3>I think she really on had a moment where she

0:27:01.760 --> 0:27:02.960
<v Speaker 3>was like, that is it.

0:27:03.359 --> 0:27:05.119
<v Speaker 2>Fuck you, I'm going to go out and give you

0:27:05.119 --> 0:27:07.639
<v Speaker 2>a taste of your own medicine and expected that was

0:27:07.680 --> 0:27:10.280
<v Speaker 2>going to be the catalyst for him to pollice finger

0:27:10.320 --> 0:27:13.400
<v Speaker 2>out and come back and fight for her in an

0:27:13.440 --> 0:27:17.040
<v Speaker 2>emotional way, and that it would be the turning point

0:27:17.040 --> 0:27:19.440
<v Speaker 2>for their marriage to become bigger and stronger than ever.

0:27:19.800 --> 0:27:23.840
<v Speaker 2>And the whole thing has backfired, and him and Pique

0:27:23.960 --> 0:27:26.720
<v Speaker 2>they're out living like twenty year olds and finding other

0:27:26.760 --> 0:27:31.440
<v Speaker 2>women and whatever, and she's watching her decision be thrown

0:27:31.520 --> 0:27:34.160
<v Speaker 2>in her face and there is no way that man

0:27:34.280 --> 0:27:36.320
<v Speaker 2>is coming back to her. But the way she hugs

0:27:36.400 --> 0:27:40.879
<v Speaker 2>him with all her might, she just loves him so much,

0:27:40.960 --> 0:27:41.600
<v Speaker 2>and I just.

0:27:41.800 --> 0:27:44.280
<v Speaker 3>Yeah, I really feel I really feel for her.

0:27:44.320 --> 0:27:46.960
<v Speaker 2>I don't know, we still understand his Morgan piece, but

0:27:47.119 --> 0:27:50.320
<v Speaker 2>I still feel like she never expected he was just

0:27:50.359 --> 0:27:53.280
<v Speaker 2>going to go okay, no worries and mosey on.

0:27:53.800 --> 0:27:56.240
<v Speaker 1>She could be in the crosshairs of something here, which

0:27:56.320 --> 0:27:58.600
<v Speaker 1>is where I'm starting to think it is. And that

0:27:58.720 --> 0:28:01.719
<v Speaker 1>is the I think for her. She has spent so

0:28:01.840 --> 0:28:05.320
<v Speaker 1>much time trying to present the perfect life and the

0:28:05.320 --> 0:28:10.399
<v Speaker 1>perfect family, and it's not for us. She herself, after

0:28:10.600 --> 0:28:14.760
<v Speaker 1>her upbringing and her struggles throughout all of that trouble,

0:28:14.840 --> 0:28:18.080
<v Speaker 1>and if you hear about the three sisters upbringing, it

0:28:18.119 --> 0:28:21.040
<v Speaker 1>is pretty hard to hear. She just chose to put

0:28:21.119 --> 0:28:23.960
<v Speaker 1>up this relationship to say. She was like, I have

0:28:24.040 --> 0:28:26.800
<v Speaker 1>come from this mess. I don't want that anymore. I've

0:28:26.800 --> 0:28:29.360
<v Speaker 1>now held this thing up. And there's a difference between

0:28:29.400 --> 0:28:33.760
<v Speaker 1>wanting to have an amazing relationship and actually having one.

0:28:33.840 --> 0:28:36.600
<v Speaker 1>So I think that she didn't quite have. She may

0:28:36.640 --> 0:28:38.880
<v Speaker 1>have checked out of that relationship with him, do you

0:28:38.960 --> 0:28:39.400
<v Speaker 1>know what I mean?

0:28:39.480 --> 0:28:42.200
<v Speaker 2>Like, if you're not something, I think I honestly think

0:28:42.600 --> 0:28:45.120
<v Speaker 2>there was stuff happening that we heard all those rumors,

0:28:45.160 --> 0:28:47.000
<v Speaker 2>and like Kathy said, well we never.

0:28:46.880 --> 0:28:49.000
<v Speaker 3>Knew for sure because no one came forward.

0:28:49.320 --> 0:28:52.120
<v Speaker 2>Kyle was a woman of integrity, and I think there

0:28:52.200 --> 0:28:54.040
<v Speaker 2>was a point where she's like, I've taken it.

0:28:54.080 --> 0:28:56.720
<v Speaker 3>I've taken it. I've covered for you, I've hidden things.

0:28:56.960 --> 0:28:58.800
<v Speaker 2>I've had to put my own head on my pillow

0:28:58.840 --> 0:29:01.080
<v Speaker 2>at night and pretend things didn't happen.

0:29:01.480 --> 0:29:02.920
<v Speaker 3>And there was a moment.

0:29:02.880 --> 0:29:04.840
<v Speaker 2>Where she obviously got pushed too far. I was like,

0:29:04.880 --> 0:29:07.120
<v Speaker 2>I have to stand up for myself. I can't allow

0:29:07.160 --> 0:29:10.800
<v Speaker 2>this behavior for whatever reason. And I've got four daughters,

0:29:10.880 --> 0:29:13.040
<v Speaker 2>and what example am I setting if I just keep

0:29:13.080 --> 0:29:15.320
<v Speaker 2>turning a blind eye to this man's actions.

0:29:15.360 --> 0:29:17.440
<v Speaker 3>This is all conjecture, but this is my take.

0:29:17.720 --> 0:29:20.640
<v Speaker 2>And now she is in the midst of going would

0:29:20.720 --> 0:29:23.440
<v Speaker 2>I have done the same thing or would it have

0:29:23.520 --> 0:29:26.320
<v Speaker 2>been better to just continue living the life? And I

0:29:26.360 --> 0:29:29.160
<v Speaker 2>think she's watching it play out in real time, and

0:29:29.200 --> 0:29:32.040
<v Speaker 2>I think she's honestly questioning her decision, even though she

0:29:32.040 --> 0:29:35.600
<v Speaker 2>wouldn't admit to that, because I think people be like, well, no,

0:29:35.960 --> 0:29:37.680
<v Speaker 2>you know you've done the right thing. If he wasn't

0:29:37.720 --> 0:29:40.800
<v Speaker 2>treating you right, you deserve to be treated properly. But

0:29:40.880 --> 0:29:44.280
<v Speaker 2>as we know, every relationship, you know, there's trade offs,

0:29:44.320 --> 0:29:46.720
<v Speaker 2>and I think for her, she's wondering if she made

0:29:46.720 --> 0:29:47.280
<v Speaker 2>the right call.

0:29:47.560 --> 0:29:50.480
<v Speaker 1>What's going to be very interesting with where I think

0:29:50.480 --> 0:29:53.240
<v Speaker 1>they're leading with this big Bravo announcement that's about to

0:29:53.240 --> 0:29:55.920
<v Speaker 1>come out next week is where this universe is going.

0:29:56.240 --> 0:29:59.160
<v Speaker 1>And I believe the universe of Bravo is going to

0:29:59.200 --> 0:30:02.320
<v Speaker 1>do standalone characters as in these I think we're going

0:30:02.360 --> 0:30:05.800
<v Speaker 1>to this. Denise Richard's rollout is an example of just

0:30:05.840 --> 0:30:08.680
<v Speaker 1>giving a housewife their own show, and I think they're

0:30:08.680 --> 0:30:12.040
<v Speaker 1>going to drop a Kyle Richard show. I genuinely think oh,

0:30:12.120 --> 0:30:14.000
<v Speaker 1>where we're going. I think that must be what the

0:30:14.040 --> 0:30:16.120
<v Speaker 1>announcement is, because they're like, We've got this big announcement

0:30:16.160 --> 0:30:18.000
<v Speaker 1>that's going to change the universe. And I think it's

0:30:18.040 --> 0:30:21.560
<v Speaker 1>going to be the standalone episode. These standalone series, so

0:30:21.640 --> 0:30:25.000
<v Speaker 1>like a Kyle Richard series and then Lisa Barlow season,

0:30:25.040 --> 0:30:26.160
<v Speaker 1>do you know what I mean? Like they're all going

0:30:26.240 --> 0:30:28.480
<v Speaker 1>to give and they'll be like, wond a full season.

0:30:28.520 --> 0:30:30.280
<v Speaker 1>It's obviously not going to be twenty episodes, but I

0:30:30.280 --> 0:30:32.640
<v Speaker 1>think that they'll be like, you know, to thirty minute

0:30:32.640 --> 0:30:35.440
<v Speaker 1>episodes drops of that, and I think that they're maybe

0:30:35.520 --> 0:30:38.600
<v Speaker 1>saving a lot of these huge questions that we've been

0:30:38.640 --> 0:30:41.840
<v Speaker 1>having for weeks now for a Kyle Richard season, and

0:30:41.840 --> 0:30:43.560
<v Speaker 1>I don't think we're going to get any answers about

0:30:43.560 --> 0:30:46.320
<v Speaker 1>what has gone down and what is going to happen

0:30:46.480 --> 0:30:48.640
<v Speaker 1>until we see Kyle Richards in her own series, which

0:30:48.680 --> 0:30:51.720
<v Speaker 1>would work, by the way, because Kathy and Kim could

0:30:51.760 --> 0:30:54.080
<v Speaker 1>be involved with that in a completely different capacity.

0:30:54.360 --> 0:30:55.840
<v Speaker 3>Yeah, I mean, I can see it.

0:30:55.920 --> 0:30:57.720
<v Speaker 2>I mean, to be honest, I have been watching the

0:30:57.760 --> 0:31:01.400
<v Speaker 2>Denise Richard show, Richard Denise Richards and Her Wild Things,

0:31:01.400 --> 0:31:03.520
<v Speaker 2>and it's quite good. They do it in you know,

0:31:03.600 --> 0:31:05.840
<v Speaker 2>only twenty minutes. It doesn't have to be too deep.

0:31:05.920 --> 0:31:08.600
<v Speaker 2>It's right in the pocket for Denise. But to your point,

0:31:09.000 --> 0:31:11.160
<v Speaker 2>what we did see on that show, and I was like, well,

0:31:11.280 --> 0:31:13.800
<v Speaker 2>it was her and Erica Jane having a sit down

0:31:14.240 --> 0:31:17.320
<v Speaker 2>about their relationship and how Denise was really hurt that

0:31:17.520 --> 0:31:20.920
<v Speaker 2>Erica sort of went off her and her relationship changed

0:31:21.000 --> 0:31:23.000
<v Speaker 2>with her and she was really upset about it. And

0:31:23.160 --> 0:31:27.080
<v Speaker 2>Erica gave her the details of why she was upset.

0:31:27.200 --> 0:31:29.920
<v Speaker 2>She said, you know, after we did that barbecue at

0:31:29.920 --> 0:31:32.720
<v Speaker 2>your house, everyone was talking about sex. Everyone's talking about reasons,

0:31:32.840 --> 0:31:34.920
<v Speaker 2>blah blah blah, but you were the only one that

0:31:35.040 --> 0:31:38.320
<v Speaker 2>singled me out and that changed things for me. That

0:31:38.480 --> 0:31:41.000
<v Speaker 2>was a big moment. That was something that had stemmed

0:31:41.040 --> 0:31:43.440
<v Speaker 2>from Beverly Hills. But yet we were watching the resolution

0:31:43.560 --> 0:31:45.360
<v Speaker 2>of it play out on a show that's been on

0:31:45.400 --> 0:31:48.240
<v Speaker 2>TV for a hot minute. So I can see and

0:31:48.640 --> 0:31:51.320
<v Speaker 2>the social media eclips for that are going everywhere because

0:31:51.360 --> 0:31:54.000
<v Speaker 2>people are interested in that. So I can see how

0:31:54.000 --> 0:31:57.720
<v Speaker 2>they would dangle the carrots for the new shows to

0:31:57.760 --> 0:31:58.800
<v Speaker 2>get us across to them.

0:31:59.480 --> 0:31:59.680
<v Speaker 3>You know.

0:32:00.200 --> 0:32:02.760
<v Speaker 2>Interesting, and it's sort of part of a broader discussion

0:32:02.840 --> 0:32:05.440
<v Speaker 2>to see where we go, I mean, all these women

0:32:05.520 --> 0:32:08.400
<v Speaker 2>are getting older. How much longer do we watch them

0:32:08.400 --> 0:32:14.080
<v Speaker 2>in this format forever? The succession plan around that, yeah,

0:32:14.400 --> 0:32:15.160
<v Speaker 2>we will see.

0:32:15.240 --> 0:32:18.360
<v Speaker 1>The girl's trip to me looked a little different to

0:32:18.440 --> 0:32:20.960
<v Speaker 1>any girls trip that we had seen before. I don't

0:32:21.000 --> 0:32:23.640
<v Speaker 1>know whether it was because we launched the Girl's trip

0:32:23.680 --> 0:32:25.960
<v Speaker 1>with them all on a plane that, as we mentioned,

0:32:26.040 --> 0:32:28.040
<v Speaker 1>looked a bit like they were flying in coach, and

0:32:28.080 --> 0:32:31.479
<v Speaker 1>then they showed these apartments that they were in, and

0:32:31.520 --> 0:32:33.080
<v Speaker 1>I know you were sort of alluding to the fact

0:32:33.120 --> 0:32:35.640
<v Speaker 1>that you were like, oh my god, Saint Lucia's looks amazing.

0:32:35.840 --> 0:32:39.240
<v Speaker 1>Saint Lucia looks amazing. And then I was like, I

0:32:39.240 --> 0:32:41.360
<v Speaker 1>don't know if this this looks like a budget and

0:32:41.400 --> 0:32:43.160
<v Speaker 1>then used next message.

0:32:44.080 --> 0:32:46.080
<v Speaker 3>That beautiful pool overlooking the ocean.

0:32:46.280 --> 0:32:47.960
<v Speaker 1>You could be in Barley. With that, you can get

0:32:48.000 --> 0:32:50.560
<v Speaker 1>a little villa and Barley and have those infinity pools

0:32:50.600 --> 0:32:52.800
<v Speaker 1>and that kind of stuff, like it's not completely I

0:32:52.840 --> 0:32:55.600
<v Speaker 1>don't know. I was underwhelmed with what we've seen. So

0:32:55.880 --> 0:32:58.520
<v Speaker 1>you're devastated, but you send me a text mezitch about this,

0:32:58.560 --> 0:33:01.520
<v Speaker 1>which I really appreciated and I wanted to explore. And

0:33:01.560 --> 0:33:04.280
<v Speaker 1>that is who is paying for these things. Are these

0:33:04.560 --> 0:33:07.920
<v Speaker 1>being provided by Bravo? Are the housewives paying? Did Bosma

0:33:08.160 --> 0:33:11.080
<v Speaker 1>just decide to drop a bomb and take everyone to

0:33:11.200 --> 0:33:14.160
<v Speaker 1>this holiday? Like is it being comped? Like as in,

0:33:14.400 --> 0:33:17.600
<v Speaker 1>is this money can't buy advertising for these venues? Like

0:33:17.800 --> 0:33:19.640
<v Speaker 1>who do you think is coughing up that cash?

0:33:19.840 --> 0:33:22.200
<v Speaker 2>Well, I've always wondered this about a car's trip because

0:33:22.200 --> 0:33:25.520
<v Speaker 2>there's always someone who's like the point person who's organizing

0:33:25.560 --> 0:33:27.960
<v Speaker 2>all of these trips. And you know, Lisa Rinner is

0:33:28.040 --> 0:33:30.560
<v Speaker 2>organized for them to go to Rome, and Erica, is

0:33:30.800 --> 0:33:32.400
<v Speaker 2>you know, organized for them to go to New York

0:33:32.400 --> 0:33:34.560
<v Speaker 2>And now this one Bo's is organized for them to

0:33:34.760 --> 0:33:37.240
<v Speaker 2>go to Saint Lucia. And I have always wanted like,

0:33:37.680 --> 0:33:39.760
<v Speaker 2>is it production saying we're going to go to Saint Lucia?

0:33:39.840 --> 0:33:41.320
<v Speaker 2>But this could be your trip?

0:33:41.560 --> 0:33:43.840
<v Speaker 3>And then they just make it sound like these are.

0:33:43.760 --> 0:33:45.920
<v Speaker 2>All the activities that she's got booked in, but really

0:33:45.960 --> 0:33:48.880
<v Speaker 2>this stuff's already booked in or is this stuff where

0:33:48.880 --> 0:33:51.280
<v Speaker 2>they go, Okay, we do want you to sort of

0:33:51.600 --> 0:33:54.400
<v Speaker 2>run this And it is actually her behind the scenes

0:33:54.440 --> 0:33:55.960
<v Speaker 2>saying this is where I think it'd be called go.

0:33:56.200 --> 0:33:58.440
<v Speaker 2>And this is why I've always wondered that I mean,

0:33:58.680 --> 0:34:01.600
<v Speaker 2>I have no doubt that there's sponsorships and partnerships in

0:34:01.640 --> 0:34:05.680
<v Speaker 2>place to get free, you know, exposure for these hotels

0:34:05.720 --> 0:34:08.200
<v Speaker 2>and the activities in the brands that are involved. But

0:34:08.239 --> 0:34:11.600
<v Speaker 2>I've just kind of always wondered that who is organizing them?

0:34:11.680 --> 0:34:12.319
<v Speaker 3>Is that fake?

0:34:12.920 --> 0:34:15.400
<v Speaker 1>Is it? A little bit of a look inside of

0:34:15.400 --> 0:34:18.239
<v Speaker 1>that when you hear some of the housewives saying, you know,

0:34:18.400 --> 0:34:23.440
<v Speaker 1>Kyle Richards used to drop million dollar venues for housewives,

0:34:23.480 --> 0:34:25.560
<v Speaker 1>like she used to do events, and that was coming

0:34:25.560 --> 0:34:28.320
<v Speaker 1>out of Kyle Richards's money. You know, I am still

0:34:28.360 --> 0:34:32.640
<v Speaker 1>curious about that. If she was paying for those extravagant

0:34:32.640 --> 0:34:36.000
<v Speaker 1>parties and it was for content for housewives, maybe some

0:34:36.040 --> 0:34:38.840
<v Speaker 1>of these housewives can afford I mean, maybe Jennifer Tilly

0:34:38.840 --> 0:34:40.200
<v Speaker 1>put her on the credit card. She put it on

0:34:40.239 --> 0:34:41.560
<v Speaker 1>the black Amex.

0:34:41.280 --> 0:34:43.440
<v Speaker 2>Going back to Salt Lake City for a moment. That

0:34:43.640 --> 0:34:45.120
<v Speaker 2>was one of the first times I was like, oh,

0:34:45.200 --> 0:34:47.440
<v Speaker 2>maybe they aren't paying for it, because that fight that

0:34:47.480 --> 0:34:49.440
<v Speaker 2>we were just talking about with Lisa Barlow where she

0:34:49.560 --> 0:34:51.759
<v Speaker 2>was like, oh, I'm sitting in coach, I can't believe it.

0:34:51.960 --> 0:34:54.000
<v Speaker 2>Why would I be sitting there And Browan goes, well,

0:34:54.000 --> 0:34:56.640
<v Speaker 2>it was my goddamn credit card, and so I put

0:34:56.640 --> 0:34:59.440
<v Speaker 2>myself in first class and I've put you in coach, Like,

0:34:59.480 --> 0:34:59.880
<v Speaker 2>deal with it.

0:35:00.000 --> 0:35:00.960
<v Speaker 3>I'm the one paying for it.

0:35:01.239 --> 0:35:04.440
<v Speaker 2>So that was one of the first moments where I thought, oh,

0:35:04.640 --> 0:35:07.759
<v Speaker 2>maybe they actually are paying for this. But that just

0:35:07.760 --> 0:35:09.200
<v Speaker 2>still kind of surprises me.

0:35:09.800 --> 0:35:11.279
<v Speaker 1>I don't know, well, how we're going to get to

0:35:11.280 --> 0:35:13.080
<v Speaker 1>the end of that. We're gonna have to text, you know.

0:35:13.239 --> 0:35:18.319
<v Speaker 2>We need an insider to actually confirm immediately, that's all.

0:35:18.360 --> 0:35:20.520
<v Speaker 3>Immediately, I need to investigate that.

0:35:20.560 --> 0:35:21.960
<v Speaker 1>I'm going to get onto that because I needed to

0:35:22.000 --> 0:35:23.160
<v Speaker 1>get to the end of this. I mean, I need

0:35:23.160 --> 0:35:25.880
<v Speaker 1>to solve this riddle. You know who was really interesting

0:35:26.400 --> 0:35:29.040
<v Speaker 1>was Jennifer Tilly back to her again on this trip,

0:35:29.239 --> 0:35:31.280
<v Speaker 1>when she saw that flight of stairs and she looked

0:35:31.280 --> 0:35:32.760
<v Speaker 1>like she was not going to go up that flighter

0:35:32.800 --> 0:35:35.600
<v Speaker 1>stairs unless someone carried her up there. I was thinking,

0:35:35.920 --> 0:35:39.080
<v Speaker 1>she seems really out of touch with reality, Like, you know,

0:35:39.239 --> 0:35:40.799
<v Speaker 1>she looked at that stairs and she was like, I'm

0:35:40.800 --> 0:35:42.360
<v Speaker 1>not going up there, and it's not like she couldn't

0:35:42.360 --> 0:35:46.719
<v Speaker 1>do with a stair climb every now and again. I mean,

0:35:46.800 --> 0:35:50.319
<v Speaker 1>come on, even no, you did not you know, at

0:35:50.440 --> 0:35:52.640
<v Speaker 1>least someone could tease her about the lollies in her bag.

0:35:52.680 --> 0:35:54.680
<v Speaker 1>Don't worry, we've taken his circus upstairs. All the lollies

0:35:54.719 --> 0:35:56.200
<v Speaker 1>are up there. She would have been whipped straight up

0:35:56.200 --> 0:35:57.560
<v Speaker 1>the stairs to go and get those lollies.

0:35:57.640 --> 0:35:57.960
<v Speaker 2>I don't know.

0:35:58.080 --> 0:36:00.279
<v Speaker 1>She just seems a little bit out of touch of reality,

0:36:00.280 --> 0:36:01.080
<v Speaker 1>are you. Yeah?

0:36:01.160 --> 0:36:04.320
<v Speaker 2>But she's got fuck you money, and she doesn't strike

0:36:04.400 --> 0:36:07.560
<v Speaker 2>me as someone who's doing a lot of normal stuff.

0:36:07.640 --> 0:36:10.200
<v Speaker 2>Like she literally hangs out with her partner who's a

0:36:10.200 --> 0:36:14.280
<v Speaker 2>professional gambler, and they go like wear sunglasses at eleven

0:36:14.320 --> 0:36:16.520
<v Speaker 2>in the morning and sit around a poker table, like,

0:36:16.760 --> 0:36:19.319
<v Speaker 2>and she's you know, she's got assistance and all of

0:36:19.360 --> 0:36:21.359
<v Speaker 2>that sort of stuff. So, I mean, it doesn't really

0:36:21.400 --> 0:36:23.520
<v Speaker 2>surprise me that she's a bit out of touch.

0:36:23.640 --> 0:36:24.560
<v Speaker 3>It's sort of like the.

0:36:24.640 --> 0:36:26.880
<v Speaker 2>In a way, you know, they're just looking a completely

0:36:26.880 --> 0:36:27.759
<v Speaker 2>different lifestyle.

0:36:27.960 --> 0:36:29.759
<v Speaker 1>I just think that Jennifer Tilly, she's just been at

0:36:29.760 --> 0:36:32.440
<v Speaker 1>home sitting with those chucky dolls talking to them for years,

0:36:32.480 --> 0:36:34.120
<v Speaker 1>and then they've broken her out and told her to

0:36:34.160 --> 0:36:36.200
<v Speaker 1>be social, and she's like, I'm just used to pouring,

0:36:36.280 --> 0:36:39.040
<v Speaker 1>you know, some thousand dollars tequila into a glass for

0:36:39.080 --> 0:36:40.759
<v Speaker 1>an adult to drink do you know what I mean?

0:36:40.800 --> 0:36:42.319
<v Speaker 3>Like she is, Yeah, I.

0:36:42.239 --> 0:36:44.799
<v Speaker 2>Mean, but it's kind of I don't feel like that

0:36:44.960 --> 0:36:45.840
<v Speaker 2>was surprising to me.

0:36:45.920 --> 0:36:48.200
<v Speaker 3>I feel like that's been pretty evident the whole time.

0:36:48.360 --> 0:36:50.600
<v Speaker 1>Do you think that she really should be playing a

0:36:50.640 --> 0:36:52.640
<v Speaker 1>more juiciar role? This is where I'm kind of getting too,

0:36:52.760 --> 0:36:55.360
<v Speaker 1>because when you see her sitting with Garsel and Sudden,

0:36:55.560 --> 0:36:58.160
<v Speaker 1>there should be some more conversation going on here. Like,

0:36:58.280 --> 0:37:01.560
<v Speaker 1>I just think Garcel is on the verge of cracking

0:37:01.640 --> 0:37:04.640
<v Speaker 1>with Sudden. That's where I see that friendship going because Sudden.

0:37:04.440 --> 0:37:06.200
<v Speaker 3>Yes is crazy, so here for it.

0:37:06.480 --> 0:37:08.640
<v Speaker 1>And I feel like before this season ends or it

0:37:08.719 --> 0:37:11.240
<v Speaker 1>needs to happen in the reunion, we need to see

0:37:11.520 --> 0:37:14.560
<v Speaker 1>Garcel take Sudden to task. And I think if she

0:37:14.600 --> 0:37:16.799
<v Speaker 1>doesn't do that after this season where we've seen her

0:37:16.840 --> 0:37:19.040
<v Speaker 1>see enough, we're all going to be like, what the

0:37:19.080 --> 0:37:21.600
<v Speaker 1>fuck are you doing? Mate? I mean, if I acted

0:37:21.600 --> 0:37:23.719
<v Speaker 1>a damn full and I've done that before, you you

0:37:23.719 --> 0:37:25.560
<v Speaker 1>would tell me. You'd be like, you know, that was

0:37:25.560 --> 0:37:26.840
<v Speaker 1>a bit strange, do you know what I mean? Like,

0:37:27.000 --> 0:37:29.520
<v Speaker 1>I feel like a good friendship you hold up a

0:37:29.520 --> 0:37:31.680
<v Speaker 1>mirror and you ask the questions. It doesn't need to

0:37:31.719 --> 0:37:34.880
<v Speaker 1>be nasty but you know, if people start behaving differently

0:37:35.160 --> 0:37:37.200
<v Speaker 1>or you don't agree with what they're doing, you are

0:37:37.280 --> 0:37:40.200
<v Speaker 1>co signing by not saying anything, just sitting around and

0:37:40.239 --> 0:37:42.200
<v Speaker 1>watching it all happen and not asking the questions. I

0:37:42.239 --> 0:37:44.840
<v Speaker 1>think is really it's not the sign of a good friendship.

0:37:45.080 --> 0:37:48.799
<v Speaker 2>I think Garcel is starting to see. I think we

0:37:48.840 --> 0:37:53.560
<v Speaker 2>are watching a very slow removing of the rose tinted

0:37:53.600 --> 0:37:56.680
<v Speaker 2>glasses that Dreit referred to, and I think she is

0:37:56.760 --> 0:37:59.560
<v Speaker 2>starting to realize. And I think earlier in the episode

0:37:59.560 --> 0:38:02.640
<v Speaker 2>where we or her bring up Morgan Wade, she said,

0:38:02.719 --> 0:38:05.320
<v Speaker 2>I think it's strange we can't talk about Morgan Wade

0:38:05.600 --> 0:38:08.319
<v Speaker 2>and Sutton was like, oh God, like no, I don't

0:38:08.320 --> 0:38:10.759
<v Speaker 2>want to be involved, like in making Kyle upset, And

0:38:10.760 --> 0:38:12.920
<v Speaker 2>she was like, but why can't we? Like so you

0:38:12.960 --> 0:38:16.279
<v Speaker 2>can see they were having a dis difference of opinion there.

0:38:16.680 --> 0:38:19.480
<v Speaker 2>And I mean, just going back to your point about

0:38:19.560 --> 0:38:23.279
<v Speaker 2>Jennifer Tilly, I think the question with her we don't

0:38:23.320 --> 0:38:25.359
<v Speaker 2>know how much to invest with her because we're like,

0:38:25.600 --> 0:38:28.040
<v Speaker 2>are they going to bring her in more and therefore

0:38:28.080 --> 0:38:30.360
<v Speaker 2>we should value her opinion more and her take on

0:38:30.480 --> 0:38:33.320
<v Speaker 2>things or is she just kind of this extra filler

0:38:33.440 --> 0:38:36.840
<v Speaker 2>on the side, we don't need to be wasting time

0:38:36.920 --> 0:38:40.040
<v Speaker 2>watching her have these, you know, really big conversations because

0:38:40.080 --> 0:38:41.960
<v Speaker 2>she's only going to flit in and out like Kathy.

0:38:42.200 --> 0:38:42.760
<v Speaker 3>So I think.

0:38:42.640 --> 0:38:45.279
<v Speaker 2>It's a little bit hard to place her and then

0:38:45.280 --> 0:38:47.520
<v Speaker 2>put a value on how much she is going to bring.

0:38:47.840 --> 0:38:49.920
<v Speaker 2>But I tell you what was one of the biggest

0:38:50.040 --> 0:38:53.640
<v Speaker 2>aha moments for me. It was the oprah aha moment

0:38:54.280 --> 0:38:58.800
<v Speaker 2>with Sutton talking about the fact that Kyle and Deurite

0:38:58.840 --> 0:39:01.600
<v Speaker 2>were having a great time at the fashion show, rolling around,

0:39:01.600 --> 0:39:03.480
<v Speaker 2>how they used to laughing, how they used to it,

0:39:03.560 --> 0:39:07.400
<v Speaker 2>and you could see the jealousy and the steam coming

0:39:07.440 --> 0:39:11.120
<v Speaker 2>out from her ears and Garcel doing that confessional saying

0:39:11.400 --> 0:39:14.600
<v Speaker 2>that is what Sutton wants. She wants them to not

0:39:14.680 --> 0:39:16.759
<v Speaker 2>be friends so that she can be better friends. And

0:39:16.840 --> 0:39:19.359
<v Speaker 2>I just thought, oh my god, is this the micro

0:39:19.400 --> 0:39:23.520
<v Speaker 2>drop moment we have been waiting for to understand where

0:39:23.520 --> 0:39:26.520
<v Speaker 2>this sudden to eat beef is coming from, because we

0:39:26.680 --> 0:39:28.720
<v Speaker 2>have been saying for a couple of weeks something about

0:39:28.719 --> 0:39:31.480
<v Speaker 2>this is not adding up. She just keeps poking the

0:39:31.480 --> 0:39:33.920
<v Speaker 2>bear for no real reason, and now I'm starting to

0:39:33.960 --> 0:39:37.319
<v Speaker 2>wonder if this all is an attention seeking game. So

0:39:37.360 --> 0:39:40.279
<v Speaker 2>she can get Kyle on her side. She's waiting for

0:39:40.320 --> 0:39:41.120
<v Speaker 2>her to step up.

0:39:42.440 --> 0:39:46.319
<v Speaker 4>Sutton and Kyle have a better relationship, right, because it's

0:39:46.320 --> 0:39:48.520
<v Speaker 4>like sometin now can get in with Kyle even more.

0:39:48.800 --> 0:39:52.000
<v Speaker 4>And I think it's all what Sutton wants.

0:39:52.239 --> 0:39:53.440
<v Speaker 1>She wants to be.

0:39:53.320 --> 0:39:54.800
<v Speaker 4>Really good friends with Kyle.

0:39:56.000 --> 0:39:59.720
<v Speaker 1>Why do you think though Sutton can't see why Kyle's

0:39:59.719 --> 0:40:02.440
<v Speaker 1>not turning the favor because Kyle isn't going to be

0:40:02.480 --> 0:40:05.320
<v Speaker 1>her best friend. And that's because we have a dorseer

0:40:05.719 --> 0:40:09.520
<v Speaker 1>of shitty behavior from Sutton's behalf. You know when you're

0:40:09.560 --> 0:40:12.239
<v Speaker 1>with a friend and you're not bff's, but you're a

0:40:12.280 --> 0:40:14.400
<v Speaker 1>friend and they start talking about you like your own

0:40:14.440 --> 0:40:17.279
<v Speaker 1>BFF status and you're like, no, that is not what's

0:40:17.320 --> 0:40:19.760
<v Speaker 1>going on here. I feel like it's been really awkward.

0:40:19.960 --> 0:40:23.080
<v Speaker 1>Sutton will say we're about to lose another sister, and

0:40:23.120 --> 0:40:25.920
<v Speaker 1>she's like referring to herself as being a sister like

0:40:26.080 --> 0:40:29.399
<v Speaker 1>Kathy and Kim like, yeah, you are giving yourself way

0:40:29.400 --> 0:40:32.640
<v Speaker 1>too much credibility here. If she wants Kyle's friendship, she

0:40:32.680 --> 0:40:34.920
<v Speaker 1>needs to understand that the sort of person that Kyle

0:40:34.960 --> 0:40:38.040
<v Speaker 1>hangs out with is a Teddy Mellencamp. You know that's right.

0:40:38.880 --> 0:40:43.360
<v Speaker 2>She wants consistency, she wants honesty, she wants a level

0:40:43.400 --> 0:40:46.080
<v Speaker 2>playing field. And now I think she spent enough time

0:40:46.120 --> 0:40:46.920
<v Speaker 2>with Sutton that.

0:40:46.880 --> 0:40:49.200
<v Speaker 3>She goes this is a rollercoaster of.

0:40:49.160 --> 0:40:51.560
<v Speaker 2>A friendship that I don't really want to be on.

0:40:51.560 --> 0:40:54.000
<v Speaker 2>One week we're getting this, one week we're getting that.

0:40:54.239 --> 0:40:57.360
<v Speaker 2>But I can understand it's so weird because I feel

0:40:57.400 --> 0:40:59.560
<v Speaker 2>like with this sudden to read thing, I could not

0:40:59.640 --> 0:41:03.200
<v Speaker 2>see that. I knew something was a miss with the beef,

0:41:03.360 --> 0:41:05.719
<v Speaker 2>and I could not place it. And remember I said

0:41:05.719 --> 0:41:08.080
<v Speaker 2>to you, I said, I wonder if this is coming

0:41:08.080 --> 0:41:12.160
<v Speaker 2>from production. They're trying to create a false fight here

0:41:12.280 --> 0:41:14.240
<v Speaker 2>because they're just wanting something.

0:41:14.400 --> 0:41:15.439
<v Speaker 3>I couldn't figure it out.

0:41:15.560 --> 0:41:18.480
<v Speaker 2>But now that I've realized, I think it is about

0:41:18.520 --> 0:41:22.200
<v Speaker 2>Sutton trying to get Kyle's attention, giving Kyle an opportunity

0:41:22.239 --> 0:41:24.480
<v Speaker 2>to jump in and defend her so that she can

0:41:24.520 --> 0:41:26.919
<v Speaker 2>be like, see, Kyle's my best friend. Now that I've

0:41:26.960 --> 0:41:30.560
<v Speaker 2>seen that, I can't unsee it. I honestly feel like

0:41:30.600 --> 0:41:33.319
<v Speaker 2>that has been the driver that is making sense of

0:41:33.360 --> 0:41:36.359
<v Speaker 2>why she keeps peaking on deret. It isn't even risk

0:41:36.640 --> 0:41:40.160
<v Speaker 2>really about Dereat. It's about her relationship with Kyle, and

0:41:40.160 --> 0:41:42.680
<v Speaker 2>she is pissed that Kyle and Deurrete are friends again,

0:41:42.800 --> 0:41:45.960
<v Speaker 2>exactly like how Garcel read the situation in that confessional.

0:41:46.239 --> 0:41:48.040
<v Speaker 1>Even in the promo for next week, I thought that

0:41:48.080 --> 0:41:51.160
<v Speaker 1>was pretty outrageous. We got another sudden catchphrase that can

0:41:51.200 --> 0:41:54.160
<v Speaker 1>be stitched onto her blouse because she's like, what the

0:41:54.200 --> 0:41:56.279
<v Speaker 1>fuck do you even want from me? Or whatever that

0:41:56.360 --> 0:41:58.719
<v Speaker 1>saying was, and I'm like, that isn't the sort of

0:41:58.760 --> 0:42:01.640
<v Speaker 1>person that Kyle's friends with. I just don't think it's

0:42:01.680 --> 0:42:02.440
<v Speaker 1>what she wants.

0:42:02.719 --> 0:42:05.160
<v Speaker 2>But it's another example of Who being a ratic and

0:42:05.239 --> 0:42:08.400
<v Speaker 2>having another meltdown. And that trailer was so telling because

0:42:08.480 --> 0:42:10.719
<v Speaker 2>you know, Erica Jane was there saying, you know, you

0:42:10.800 --> 0:42:13.240
<v Speaker 2>act as a friend and you pose as an enemy

0:42:13.280 --> 0:42:15.080
<v Speaker 2>or whatever she says to her and then.

0:42:14.920 --> 0:42:16.080
<v Speaker 3>She loses her shit again.

0:42:16.120 --> 0:42:19.480
<v Speaker 2>But that is very accurate, and that is what I

0:42:19.640 --> 0:42:22.439
<v Speaker 2>have struggled with as a viewer because I just don't

0:42:22.480 --> 0:42:23.040
<v Speaker 2>relate to.

0:42:23.000 --> 0:42:24.360
<v Speaker 3>That personality type.

0:42:24.560 --> 0:42:26.799
<v Speaker 2>I have moments where I'm like, oh, what she said

0:42:26.840 --> 0:42:29.359
<v Speaker 2>was amazing, what she said was on point, but the

0:42:29.400 --> 0:42:32.720
<v Speaker 2>next episode, I'm way off the wagon because she's acted

0:42:33.000 --> 0:42:36.600
<v Speaker 2>so differently again, and there's just no level playing field.

0:42:36.840 --> 0:42:38.359
<v Speaker 3>So I just feel like.

0:42:38.520 --> 0:42:40.680
<v Speaker 2>That is where Kyle's kept a little bit of distance

0:42:40.680 --> 0:42:43.160
<v Speaker 2>from her. But we're starting to see that Sutton is

0:42:43.200 --> 0:42:45.439
<v Speaker 2>not going to, you know, let that fly. She wants

0:42:45.480 --> 0:42:47.920
<v Speaker 2>them to be besties, and I don't think Kyle wants that.

0:42:48.160 --> 0:42:50.960
<v Speaker 1>How many Alana McLean's are you going to give Episode fifteen?

0:42:51.080 --> 0:42:53.000
<v Speaker 3>Okay, I'm going to give this four and a half.

0:42:53.200 --> 0:42:55.160
<v Speaker 3>I thought it was really good. I really liked.

0:42:55.000 --> 0:42:58.080
<v Speaker 2>Seeing the dret PK drama unfold. I liked that vulnerable

0:42:58.120 --> 0:43:01.240
<v Speaker 2>moment between Kyle and Bow's. I really like seeing them

0:43:01.320 --> 0:43:03.239
<v Speaker 2>and I think that's a friendship that I am keen

0:43:03.280 --> 0:43:05.279
<v Speaker 2>to see more of. I like seeing the start of

0:43:05.360 --> 0:43:08.239
<v Speaker 2>the trip and the excitement building around that. And I

0:43:08.239 --> 0:43:09.880
<v Speaker 2>don't care what you say, I would love to be

0:43:09.960 --> 0:43:12.680
<v Speaker 2>in that Saint Lucia apartment with that pool, overlooking the

0:43:12.680 --> 0:43:14.120
<v Speaker 2>beach with a cocktail.

0:43:14.600 --> 0:43:16.040
<v Speaker 3>So I'm going to give it four and a half.

0:43:16.280 --> 0:43:18.319
<v Speaker 1>Well, I'm going to give it four stars because I

0:43:18.400 --> 0:43:20.879
<v Speaker 1>just think I need to save some room for when

0:43:20.920 --> 0:43:24.399
<v Speaker 1>we actually get like big things, you know, like some

0:43:24.680 --> 0:43:26.359
<v Speaker 1>Morgan Waite or you.

0:43:26.280 --> 0:43:29.840
<v Speaker 3>Know some you aren't getting that you're kidding yourself, Well.

0:43:29.680 --> 0:43:31.120
<v Speaker 1>That's when you jump on the fire.

0:43:32.000 --> 0:43:36.040
<v Speaker 2>Okay, but you kill me the one can give it

0:43:36.120 --> 0:43:37.200
<v Speaker 2>and not be able to take it.

0:43:37.440 --> 0:43:40.480
<v Speaker 1>You pose as a friend and then often times work

0:43:40.520 --> 0:43:43.719
<v Speaker 1>as an enemy. This is not going to be gonna trial.

0:43:43.800 --> 0:43:45.839
<v Speaker 1>Let's see. Okay, now you're being ridiculous.

0:43:45.960 --> 0:43:52.640
<v Speaker 3>I want you're what from me? Seriously? What do you think?

0:43:52.760 --> 0:43:53.320
<v Speaker 3>What from me?

0:44:00.040 --> 0:44:03.720
<v Speaker 2>Well, I'm very much looking forward to next week. I

0:44:03.800 --> 0:44:07.120
<v Speaker 2>am very excited about where the reunion is going to go.

0:44:07.320 --> 0:44:09.279
<v Speaker 2>We can see a few different things turning, and I

0:44:09.320 --> 0:44:11.560
<v Speaker 2>think for me that has made me feel a whole

0:44:11.600 --> 0:44:13.439
<v Speaker 2>lot better because it was only a few weeks ago

0:44:13.480 --> 0:44:15.359
<v Speaker 2>that we were sitting here saying we just it's hit

0:44:15.400 --> 0:44:17.560
<v Speaker 2>this flat spot and we don't know where it's going

0:44:17.600 --> 0:44:20.319
<v Speaker 2>to go. We can't see how this is going to

0:44:20.360 --> 0:44:23.239
<v Speaker 2>turn around and where the relationships are kind of going

0:44:23.320 --> 0:44:26.000
<v Speaker 2>to change and evolve. I think we are starting to

0:44:26.000 --> 0:44:28.560
<v Speaker 2>see some of that now, and I'm really excited for

0:44:28.600 --> 0:44:29.400
<v Speaker 2>the end of the season.

0:44:29.600 --> 0:44:33.879
<v Speaker 1>I want a big, epic boat trip, just like they

0:44:33.920 --> 0:44:36.920
<v Speaker 1>did when they were in Amsterdam. I want people to

0:44:36.960 --> 0:44:37.560
<v Speaker 1>be slapped.

0:44:37.960 --> 0:44:39.880
<v Speaker 2>Oh we don't want slaps, but I'm all for a

0:44:39.880 --> 0:44:42.160
<v Speaker 2>boat trip because the boat trip seems to be where

0:44:42.200 --> 0:44:45.520
<v Speaker 2>the drama really ensues. Plus you've just got the glamor

0:44:45.680 --> 0:44:47.920
<v Speaker 2>of everyone in a fantastic boat outfit.

0:44:48.080 --> 0:44:50.160
<v Speaker 1>What's happening for you this weekend? I just want to

0:44:50.239 --> 0:44:52.799
<v Speaker 1>quickly touch in with your mum. You sent me a

0:44:52.800 --> 0:44:53.319
<v Speaker 1>photo of her.

0:44:53.400 --> 0:44:56.480
<v Speaker 3>Yes, Oh she's okay. We're a little bit worried.

0:44:56.520 --> 0:44:59.799
<v Speaker 2>She's got a fracture in one of her vertebrae and

0:44:59.800 --> 0:45:01.320
<v Speaker 2>we I didn't know if she was going to need surgery.

0:45:01.400 --> 0:45:03.280
<v Speaker 3>She doesn't. She just needs to wear a neck brace

0:45:03.640 --> 0:45:06.279
<v Speaker 3>for a few months, which look is a little bit

0:45:06.280 --> 0:45:06.959
<v Speaker 3>of a long road.

0:45:07.000 --> 0:45:10.120
<v Speaker 2>However, she's fine and I'm about to go see her,

0:45:10.160 --> 0:45:11.799
<v Speaker 2>and then I've got a big weekend of here. There's

0:45:11.840 --> 0:45:14.320
<v Speaker 2>a huge event happening a couple of hours south of Perth,

0:45:14.480 --> 0:45:16.880
<v Speaker 2>and there's like a music stage that's happening across the

0:45:16.920 --> 0:45:19.359
<v Speaker 2>two days, and so I'm hosting that. I've got a pack,

0:45:19.400 --> 0:45:21.120
<v Speaker 2>I've got to get a blow dry, I've got to

0:45:21.120 --> 0:45:24.200
<v Speaker 2>do all the things today for two days. For two days,

0:45:24.360 --> 0:45:27.000
<v Speaker 2>I'm like there for Tudor, Like it's like I'm hosting

0:45:27.040 --> 0:45:28.359
<v Speaker 2>Coachella and me the.

0:45:28.320 --> 0:45:33.439
<v Speaker 1>Look book one of the Queen Coachella look book yep,

0:45:33.680 --> 0:45:37.560
<v Speaker 1>I hear that rickularly called Her is headlining with and

0:45:37.719 --> 0:45:40.920
<v Speaker 1>Nat Bass love both of those women. That is a

0:45:40.960 --> 0:45:43.520
<v Speaker 1>lot of fun. Like, oh my god, I'm very jealous.

0:45:43.719 --> 0:45:46.680
<v Speaker 2>I am so excited to hang out with both of them,

0:45:46.920 --> 0:45:48.600
<v Speaker 2>and they're just going to bring the good vibes.

0:45:48.680 --> 0:45:50.600
<v Speaker 3>And I think the weather is slated to be very good,

0:45:50.680 --> 0:45:51.520
<v Speaker 3>so it's going to be amazing.

0:45:51.680 --> 0:45:54.880
<v Speaker 1>What about you, Slipslop and slack. I have Zobe Klein's

0:45:55.440 --> 0:46:00.000
<v Speaker 1>birthday tomorrow, her forty ab so I'll be putting slaph

0:46:00.160 --> 0:46:02.400
<v Speaker 1>on some O my glow and looking very tanned and

0:46:02.440 --> 0:46:06.239
<v Speaker 1>looking amazing. And yeah, I think that's about all for

0:46:06.400 --> 0:46:09.400
<v Speaker 1>this weekend that I'm doing. That's going to take up

0:46:09.400 --> 0:46:11.880
<v Speaker 1>the whole weekend though at Zobe Climb party will be

0:46:11.920 --> 0:46:13.160
<v Speaker 1>at Oh you won't.

0:46:12.920 --> 0:46:15.759
<v Speaker 2>Be doing much the next day except eating some McDonald's

0:46:15.840 --> 0:46:16.920
<v Speaker 2>and lying on the couch.

0:46:17.320 --> 0:46:17.839
<v Speaker 1>Oh my god.

0:46:17.880 --> 0:46:21.520
<v Speaker 3>Okay, I love you, Okay, love you. Chat next week.

0:46:21.680 --> 0:46:22.719
<v Speaker 1>Bye bye,