1 00:00:05,600 --> 00:00:07,400 Speaker 1: Sean from the news booth The Truth All One. 2 00:00:07,440 --> 00:00:08,240 Speaker 2: Jeno's here as well. 3 00:00:08,280 --> 00:00:10,600 Speaker 1: Sean's going to be playing live with one of Australia's 4 00:00:10,640 --> 00:00:13,680 Speaker 1: foremost singer songwriters. He's got a gig coming up this 5 00:00:13,760 --> 00:00:16,880 Speaker 1: Saturday at the State Theater, celebrating his fifty years. It's 6 00:00:16,880 --> 00:00:17,439 Speaker 1: only the. 7 00:00:17,320 --> 00:00:19,520 Speaker 2: One and only. Richard came. I plan. 8 00:00:21,920 --> 00:00:23,520 Speaker 1: And Sean, you're not just playing guitar, You're going to 9 00:00:23,560 --> 00:00:24,599 Speaker 1: sing back your vocals too. 10 00:00:24,760 --> 00:00:26,000 Speaker 2: He said, all right, this. 11 00:00:25,800 --> 00:00:29,159 Speaker 1: Is the spin out fifty years, the anniversary at the 12 00:00:29,160 --> 00:00:32,720 Speaker 1: State Theater, and it's gonna be a moment in time. 13 00:00:32,960 --> 00:00:34,919 Speaker 3: Went back last year to the State, went there and 14 00:00:34,960 --> 00:00:35,960 Speaker 3: did all these hippie songs? 15 00:00:36,040 --> 00:00:38,560 Speaker 1: Is there any one song that thought? Wow, I can't 16 00:00:38,600 --> 00:00:39,360 Speaker 1: believe I wrote this. 17 00:00:39,479 --> 00:00:40,840 Speaker 3: I was clanning around in the back of a boat 18 00:00:40,840 --> 00:00:42,720 Speaker 3: in which Sundays the Daryl Braithwait and it was on 19 00:00:42,760 --> 00:00:46,159 Speaker 3: my birthday and Darryl said, you've been around a while, Ralph, 20 00:00:46,240 --> 00:00:47,920 Speaker 3: you know how long has it been? And then I 21 00:00:47,960 --> 00:00:50,320 Speaker 3: realized Prussian Blue came out in nineteen seventy three, and 22 00:00:50,360 --> 00:00:51,800 Speaker 3: I said, Jesus, Darryl. 23 00:00:51,600 --> 00:00:52,640 Speaker 2: Fifty years years. 24 00:00:53,159 --> 00:00:55,320 Speaker 3: I listened to all the prodige good Children for the 25 00:00:55,360 --> 00:00:58,400 Speaker 3: first time in about thirty years, and hey man, I 26 00:00:58,440 --> 00:01:03,040 Speaker 3: wrote that. I wrote that I must be a genius. 27 00:01:03,280 --> 00:01:05,640 Speaker 3: I saw something that really resonated with me. It was 28 00:01:05,680 --> 00:01:08,760 Speaker 3: Bob Dylan being interviewed and the question was could he 29 00:01:08,800 --> 00:01:11,559 Speaker 3: ever write songs like that again, to which he said, nah, 30 00:01:11,800 --> 00:01:14,080 Speaker 3: it's interesting because I sort of feel the same way. 31 00:01:14,280 --> 00:01:15,880 Speaker 3: You know, I don't know whether I could write songs 32 00:01:15,920 --> 00:01:17,119 Speaker 3: like I did fifty years ago. 33 00:01:17,280 --> 00:01:18,600 Speaker 2: But that's interesting, isn't it? 34 00:01:18,600 --> 00:01:20,800 Speaker 1: Because you kind of wondered then what the muse was 35 00:01:20,840 --> 00:01:24,160 Speaker 1: at that particular stage. Was it a search for recognition? 36 00:01:24,560 --> 00:01:25,399 Speaker 1: Was it hunger? 37 00:01:25,640 --> 00:01:27,440 Speaker 3: It was Bob Dylan. I think I would have been 38 00:01:27,440 --> 00:01:28,200 Speaker 3: about fifteen. 39 00:01:28,640 --> 00:01:29,240 Speaker 4: Prior to that. 40 00:01:29,440 --> 00:01:32,520 Speaker 3: As a teenager, I'd been into Smokey Robinson, Marvin Gay. 41 00:01:32,800 --> 00:01:34,840 Speaker 3: I just really loved all the black singers and the 42 00:01:34,880 --> 00:01:36,559 Speaker 3: black blues singers like Harlem Wolf. 43 00:01:36,640 --> 00:01:38,399 Speaker 4: Then one night somebody's. 44 00:01:38,000 --> 00:01:40,560 Speaker 3: Older brother brought back all these Bob Dylan albums from 45 00:01:40,640 --> 00:01:43,360 Speaker 3: Europe and it's all I now. Baby Blue came on 46 00:01:43,880 --> 00:01:47,240 Speaker 3: and this brilliant shaft white luck came down from the heavens. 47 00:01:47,560 --> 00:01:50,280 Speaker 3: That was my epiphany, and that was the point where 48 00:01:50,280 --> 00:01:52,480 Speaker 3: I said I want to be that guy. 49 00:01:52,360 --> 00:01:56,040 Speaker 1: Because that sometimes happening sometimes that this incredible lyricly dude, 50 00:01:56,080 --> 00:01:58,440 Speaker 1: it's out of the blue, and you're going, I'm got 51 00:01:58,480 --> 00:01:58,760 Speaker 1: a pen. 52 00:01:59,320 --> 00:02:01,680 Speaker 3: We live on a street in rose Bay and Sydney 53 00:02:01,720 --> 00:02:04,600 Speaker 3: called Charlie Avenue. Next street along in rose Bay was 54 00:02:04,600 --> 00:02:07,440 Speaker 3: called the Avenue. There's three pretty girls who lived in 55 00:02:07,440 --> 00:02:09,560 Speaker 3: the house on the Avenue and they still around by 56 00:02:09,560 --> 00:02:11,799 Speaker 3: the way and they're sitting out in the porch. So 57 00:02:12,040 --> 00:02:14,440 Speaker 3: I wrote girls in the Avenue. Now, the ironic thing 58 00:02:14,480 --> 00:02:16,919 Speaker 3: about me doing that, I had started hanging around with 59 00:02:16,960 --> 00:02:19,000 Speaker 3: the Melbourne band called the Dingoes, who are you know, 60 00:02:19,000 --> 00:02:21,680 Speaker 3: to this day still my icons. So I got a 61 00:02:21,720 --> 00:02:24,480 Speaker 3: banjo Patterson lyric called Traveling down the Castle Ragh and 62 00:02:24,520 --> 00:02:27,560 Speaker 3: I set it to Dingo esque Australian country walk music 63 00:02:27,720 --> 00:02:29,919 Speaker 3: and festival thought that was the ants pants. Girls in 64 00:02:29,960 --> 00:02:31,880 Speaker 3: the Avenue shot up number one for me. It was 65 00:02:31,880 --> 00:02:34,239 Speaker 3: sort of weird. Then I went on countdown and it 66 00:02:34,360 --> 00:02:36,760 Speaker 3: was girls chasing me down the street and all that 67 00:02:36,880 --> 00:02:39,440 Speaker 3: kind of stuff. I'm a cool hippie, you know. I 68 00:02:39,560 --> 00:02:41,280 Speaker 3: want to be Bob Dylan. I want to be throwing 69 00:02:41,280 --> 00:02:43,760 Speaker 3: down the street like one of the basity rollers. 70 00:02:44,160 --> 00:02:46,640 Speaker 1: Which is why Jenn's here because You've still got that appeal, 71 00:02:47,880 --> 00:02:49,760 Speaker 1: and that, of course is why Sean is here as well, 72 00:02:49,800 --> 00:02:52,120 Speaker 1: because you mentioned that song. Sean the lead singer and 73 00:02:52,160 --> 00:02:54,440 Speaker 1: guitarist from up and coming Sydney band The Young. 74 00:02:54,320 --> 00:02:59,200 Speaker 3: Radical What is it the Richie Kids? Yeah, right on, Mike, 75 00:03:00,200 --> 00:03:00,520 Speaker 3: and he. 76 00:03:00,480 --> 00:03:02,200 Speaker 1: Could have told me. And he's going to play guitar 77 00:03:02,320 --> 00:03:04,800 Speaker 1: with you. Four girls on the Avenue, have you been practicing? 78 00:03:05,440 --> 00:03:08,440 Speaker 2: H well, look at it this morning and. 79 00:03:07,760 --> 00:03:10,240 Speaker 3: Yeah, yeah, just how many chords on this seventeen? 80 00:03:10,400 --> 00:03:12,200 Speaker 1: So you've got to play the song and do some 81 00:03:12,280 --> 00:03:13,799 Speaker 1: backing vocals to you, okay with those? 82 00:03:13,800 --> 00:03:14,000 Speaker 3: Sure? 83 00:03:16,000 --> 00:03:18,200 Speaker 1: Yeah, okay, Well let's see how we go and then 84 00:03:18,200 --> 00:03:20,680 Speaker 1: we'll tell everybody about the gig Ladies and gentlemen live 85 00:03:20,760 --> 00:03:24,400 Speaker 1: in Studio A of International Broadcasting House at WSFM, Richard 86 00:03:24,400 --> 00:03:27,960 Speaker 1: Clapton with Sewn from the Young Radicals and Jenna's going 87 00:03:28,040 --> 00:03:30,720 Speaker 1: to be doing the tambourine, except we haven't got one. 88 00:03:31,160 --> 00:03:36,800 Speaker 1: Girls on the Avenue. 89 00:03:37,800 --> 00:03:43,160 Speaker 3: Girls on the Avenue, they're trying to get you here 90 00:03:47,200 --> 00:03:48,560 Speaker 3: with a Roseberg smile. 91 00:03:53,440 --> 00:03:55,080 Speaker 2: They're dressed after kill. 92 00:03:57,400 --> 00:03:57,440 Speaker 1: Me. 93 00:03:57,760 --> 00:04:04,120 Speaker 2: I sup looking away life afar. 94 00:04:08,760 --> 00:04:10,040 Speaker 4: But don't you slip? 95 00:04:12,920 --> 00:04:16,480 Speaker 2: Don't you slip? In love with the girls on the 96 00:04:16,760 --> 00:04:22,560 Speaker 2: elb on you, Friday. 97 00:04:22,760 --> 00:04:29,520 Speaker 5: I see the girls on the aven line churchild that 98 00:04:29,760 --> 00:04:33,120 Speaker 5: big story knows you feel confused. 99 00:04:33,480 --> 00:04:37,040 Speaker 2: So many on the ab on you. 100 00:04:43,600 --> 00:04:48,760 Speaker 4: Girls on the avenue know how to get you in. 101 00:04:51,120 --> 00:04:59,960 Speaker 3: Casting outside like tricks from my coat, all the mess. 102 00:05:00,080 --> 00:05:00,880 Speaker 2: Only heart. 103 00:05:02,760 --> 00:05:04,400 Speaker 4: Ooh did an apple heart? 104 00:05:06,720 --> 00:05:10,160 Speaker 3: It's sometimes they say it's fragile, it's closed. 105 00:05:14,560 --> 00:05:19,720 Speaker 4: But don't you slept? Don't you slept? 106 00:05:20,200 --> 00:05:20,760 Speaker 2: In love? 107 00:05:20,960 --> 00:05:30,479 Speaker 4: Other girls on the eye on you, Frid, I see these. 108 00:05:30,560 --> 00:05:35,160 Speaker 2: Girls on the eye you lie, your child. 109 00:05:35,320 --> 00:05:38,960 Speaker 5: That be stormy in those you feel confused? 110 00:05:39,360 --> 00:05:54,360 Speaker 2: So many girls on the eye on you love. 111 00:06:09,080 --> 00:06:13,960 Speaker 4: Don't you slip? Don't you slip? 112 00:06:14,480 --> 00:06:22,080 Speaker 2: In love? Over the girls on the elb on you, rid? 113 00:06:22,560 --> 00:06:25,359 Speaker 4: Ain't I see these girls on. 114 00:06:25,600 --> 00:06:30,480 Speaker 5: The eyes learn you lie, cut out and be the 115 00:06:30,600 --> 00:06:33,279 Speaker 5: story and knows your feeling confused? 116 00:06:33,640 --> 00:06:41,880 Speaker 4: So many girls on the eyes on you, d don't 117 00:06:41,960 --> 00:06:47,559 Speaker 4: you slip? Don't you slip in love? 118 00:06:47,720 --> 00:06:51,320 Speaker 2: For the girls on the elb on you? Why? 119 00:06:54,960 --> 00:06:56,400 Speaker 4: Why don't you slip? 120 00:06:58,440 --> 00:07:01,600 Speaker 2: Right now? Why don't you do you love it? The 121 00:07:01,800 --> 00:07:03,640 Speaker 2: girls on the camp on you? 122 00:07:11,160 --> 00:07:14,200 Speaker 1: That was something else? I mean, yeah, Richard, you're good, 123 00:07:14,280 --> 00:07:16,320 Speaker 1: but sean something else? 124 00:07:16,840 --> 00:07:18,880 Speaker 3: Oh yeah, it's amazed. 125 00:07:18,960 --> 00:07:19,280 Speaker 1: Yeah, I know. 126 00:07:19,440 --> 00:07:20,040 Speaker 4: I was amazed. 127 00:07:20,040 --> 00:07:21,600 Speaker 2: It's a spot for him at the State Theater. 128 00:07:23,000 --> 00:07:25,280 Speaker 3: Like I said, i'd well, I'm sorry. 129 00:07:27,600 --> 00:07:32,360 Speaker 1: Okay, State Theater tickets still available. 130 00:07:32,480 --> 00:07:34,360 Speaker 3: Yeah, I think it's getting close to sold out, so 131 00:07:34,680 --> 00:07:35,560 Speaker 3: do not ruminate.