WEBVTT - Cake for breakfast

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<v Speaker 1>Imagine, if you will, that you are in a place

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<v Speaker 1>of great beauty. Some teenage boys walk past you, they

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<v Speaker 1>yell out, they bitch tits. The world you see is

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<v Speaker 1>a place of paradox of beauty and cruelty. It will

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<v Speaker 1>cut you off at the knees, then gift you a

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<v Speaker 1>pair of easies. And that, my friends, why always always

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<v Speaker 1>a fuck up? But bye bye bye bye back bye

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<v Speaker 1>bye bye bye bye better better, batter better, better bae

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<v Speaker 1>ba batter bye bye.

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<v Speaker 2>Sometimes I do things better bad better if we just

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<v Speaker 2>let her go? Sash, how long this bit would go for?

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<v Speaker 1>I've got to take my headphones off, so why can

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<v Speaker 1>he use me?

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<v Speaker 2>I know some technical I've had too much, Clare, It's

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<v Speaker 2>time for a nap. Actually, okay, I necked that high

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<v Speaker 2>Katelane Brook, Hello Nate Valvo, Happy buck. I can't wait

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<v Speaker 2>to get a deep deep bucking. You know when you're

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<v Speaker 2>just driving somewhere ready for a buck?

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<v Speaker 1>Are you ready for it? And hello to all our friends.

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<v Speaker 2>Sitting in the traffic on I'm about to get bucked.

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<v Speaker 1>For our money back guarantee, which is that you will

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<v Speaker 1>leave this pod feeling better than you did at the start.

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<v Speaker 2>Wow, and in this world. It's been a while since

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<v Speaker 2>you've reminded them of that. Yes, I forget all the time.

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<v Speaker 1>Do you know what? Every week my husband sits at

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<v Speaker 1>his desk and he pulls out a check book. Oh yeah,

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<v Speaker 1>he's prepared eighties. I imagine him in a day. I

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<v Speaker 1>imagine him as like a checkbook Daddy Bucks. Uh huh

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<v Speaker 1>was that?

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<v Speaker 2>Don't know who that is?

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<v Speaker 1>An orphan Annie Daddy war Bucks? Sasha friend, greatest producer

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<v Speaker 1>in the world. Somehow cannot turn our MIC's on. But

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<v Speaker 1>that's you know what, She's a she's a picture person.

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<v Speaker 2>We fixed the Oh, smush a free God, you're good.

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<v Speaker 2>Pretend how did you do it? Classic one problem? You know,

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<v Speaker 2>who would have solved this? Osama bin Laden? So you

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<v Speaker 2>are proving yourself different?

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<v Speaker 1>No, but you know why what he would have had

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<v Speaker 1>someone to sort it out for him?

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<v Speaker 2>My god?

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<v Speaker 1>Oh yeah.

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<v Speaker 2>The last week's episode to get those jokes, I know.

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<v Speaker 1>It was quite extraordinary. Who Sasha French has modeled her personality.

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<v Speaker 1>She has a little bitter of him in a mirror

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<v Speaker 1>at home.

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<v Speaker 2>Today's the day going to change. You want to be

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<v Speaker 2>s in the world.

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<v Speaker 1>And also, as I like to say, dress for the job.

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<v Speaker 1>You want, not the job you have, which is look

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<v Speaker 1>at her modesty dressing.

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<v Speaker 2>Yeah yeah, good, very lovely, Onesie, well, very lovely.

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<v Speaker 1>And here we are.

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<v Speaker 2>Speaking of signing checks. Just made me think of signatures

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<v Speaker 2>very quickly. Mother, Lean, hello Lynn, my mother.

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<v Speaker 1>How do you even need to sign things now?

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<v Speaker 2>Like that? We're out for dinner the other night for

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<v Speaker 2>my nephew's birthday. Two things about that evening. My niece

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<v Speaker 2>and nephews could not care less about what I do

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<v Speaker 2>for a living. And I love it, almost crave the

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<v Speaker 2>thud that they give me when I asked them about

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<v Speaker 2>my job. Yes, I said to Jude, have a birthday, dude,

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<v Speaker 2>I said, you know my job. I'm a I'm a comedian, right,

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<v Speaker 2>you know. He's nine. And he's like, eh, well, you

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<v Speaker 2>know sometimes I do fun stuff. I get to be

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<v Speaker 2>on stage and crack jokes. No one cares. He said,

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<v Speaker 2>no one cares, no one, And he said, he ruined

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<v Speaker 2>my night. He's nine. If you're so famous, how come

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<v Speaker 2>no one in this restaurant has said, hello, hey, good point,

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<v Speaker 2>don't be so rude.

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<v Speaker 1>He got me, he got you good, and I was

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<v Speaker 1>he he he, I love him. That's getting on the

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<v Speaker 1>phone to hear his disinterest, the disinterest of the children.

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<v Speaker 2>And you know what we can look job, Kate, Tell

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<v Speaker 2>me what job do your kids think is cool?

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<v Speaker 1>TikToker ohn Sport, Sporting, Sporting, Sporting should be my son

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<v Speaker 1>and his sister my daughter. They went today to a

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<v Speaker 1>new cafe opened by a footballer.

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<v Speaker 2>Look at they got invited.

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<v Speaker 1>No, no, they weren't down.

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<v Speaker 2>And I suppose have changed in my day it was

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<v Speaker 2>nightclubs and hotels and yeah, yeah, yeah, and you know

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<v Speaker 2>the lines down the road to get in.

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<v Speaker 1>Now they want to enjoy that someone else's ven you

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<v Speaker 1>because they really they've very hard watched the footballers. As

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<v Speaker 1>it turns out, often.

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<v Speaker 2>You're about to be pushed out of the She's going

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<v Speaker 2>to push me here. She can't blocking the camera for me.

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<v Speaker 1>Don't pretend you can't push the ninety.

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<v Speaker 2>Pushing Kate out of the way. So I'm shining in

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<v Speaker 2>the shot. So at the dinner, so firstly getting burned

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<v Speaker 2>by a dude.

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<v Speaker 1>What nationality of food did you eat? Or were you

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<v Speaker 1>at a pub?

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<v Speaker 2>Jude got to choose. It was his birthday, so he

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<v Speaker 2>wanted to go down to the lower plenty part.

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<v Speaker 1>Did he what let me geese. Did he have a

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<v Speaker 1>kid's meal or did he order off the adult the

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<v Speaker 1>kids nuggets and cheer?

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<v Speaker 2>Question for you, why can't restaurants make everyone's food as

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<v Speaker 2>quickly as they make the kids food? That food comes out.

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<v Speaker 1>It's a good point that those nuggets and chipis got

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<v Speaker 1>it ready to go.

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<v Speaker 2>Those little kid pasta balls are out there before you

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<v Speaker 2>even all stunning away for minute, wait for my PARMI.

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<v Speaker 1>You're right, is a glorified chicken nugget just with some

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<v Speaker 1>ham and tomatoes.

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<v Speaker 2>Mum and dad chicken nuggy.

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<v Speaker 1>Oh, that's actually brilliant.

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<v Speaker 2>I'm on restaurants. What's going on restaurants? And I always

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<v Speaker 2>want the kid meal delicious?

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<v Speaker 1>The kids meals delicious, especially if it comes with free jelly,

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<v Speaker 1>a perfect amount of no loves jelly.

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<v Speaker 2>Jelly.

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<v Speaker 1>I think jelly is regarded as something you know, you know, Okay.

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<v Speaker 2>You know what's done in jelly with jam mate? What's

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<v Speaker 2>with you in my texture?

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<v Speaker 1>All right, I'm going to say this, how do you

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<v Speaker 1>feel about jelly has been done a great disservice by hospitals,

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<v Speaker 1>by your ill people. Ill people have ruined jelly for

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<v Speaker 1>the nation.

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<v Speaker 2>And do you remember how my autobiography book's going to

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<v Speaker 2>be called Begging for Panada because Lyn wouldn't give us

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<v Speaker 2>drugs when we was sick. We what I used to

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<v Speaker 2>get when I was sick was honey on toast, specially

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<v Speaker 2>if I had a sore throat or whatever.

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<v Speaker 1>Very good.

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<v Speaker 2>And the taste of honey now really throws me like,

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<v Speaker 2>I feel like I'm sick because my body thinks I'm

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<v Speaker 2>sick because it's honey.

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<v Speaker 1>All right, if I may take us into a dark

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<v Speaker 1>place here.

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<v Speaker 2>On the buck up money back guarantee.

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<v Speaker 1>Will pop you out at the air to quickly finish flag.

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<v Speaker 2>That very quickly. The other thing at the restaurant. The

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<v Speaker 2>reason I brought up the restaurant. You talked about checks

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<v Speaker 2>and the signatures.

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<v Speaker 1>Oh yes, yes, Daddy wore bucks to Marrow told me

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<v Speaker 1>that when I was in high school.

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<v Speaker 2>Once she thinks that she found my wallet, I e

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<v Speaker 2>searched everywhere for it and went through my things and

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<v Speaker 2>found a sheet of paper where I had been practicing

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<v Speaker 2>her signature over and over and over again to perfect

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<v Speaker 2>for sick note to get out of detention slips, And

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<v Speaker 2>then she found good, it's the detention slips signed by home.

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<v Speaker 2>But isn't that lovely that I at least practiced first.

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<v Speaker 2>That shows commitment, It doesn't.

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<v Speaker 1>It shows respect, proactive, not one of those duncers who

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<v Speaker 1>writes signed Yanni's mom right that. Yeah, that always happens

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<v Speaker 1>at some point. That always happen.

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<v Speaker 2>Made me think about that signature and in the dark

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<v Speaker 2>place about jail.

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<v Speaker 1>Because you can't eat honey on toast.

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<v Speaker 2>I can. It just makes me feel weird.

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<v Speaker 1>Yeah, so Lewis doesn't. My eldest son doesn't like chocolate,

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<v Speaker 1>almost unheard of.

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<v Speaker 2>And then one day, oh yeah food.

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<v Speaker 1>Imagine where is that? Has that come back to us?

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<v Speaker 1>If we had any messages the one person.

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<v Speaker 2>That we've cleaned some shit chocolate events.

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<v Speaker 1>Should they be listening to murdered women in ditches? That's

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<v Speaker 1>not going to buck them up anyway. So Lewis, as

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<v Speaker 1>you know, had leukemia for and the treatment was when

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<v Speaker 1>he was six. The treatment was for four years. It

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<v Speaker 1>was arduous, it was terrible, blah blah blah blah blah.

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<v Speaker 1>And part of his treatment was he had to have

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<v Speaker 1>lumber punctures, Oh god, and he had to have them

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<v Speaker 1>once a month. And because he's little, the anesthetic the

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<v Speaker 1>hospital would put flavorings in the anesthetic to try and

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<v Speaker 1>make it nicer for the kids or less horrible to

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<v Speaker 1>get it. And they used chocolate for his gas for

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<v Speaker 1>his anesthetic, and because he was too small to swallow

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<v Speaker 1>pills when he had to take his chemo, we had

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<v Speaker 1>a pill grinder and we used to have to grind

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<v Speaker 1>it up and use Cottie's chocolate syrup. And one day

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<v Speaker 1>I was.

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<v Speaker 2>Clean one Harden no, no, not nice magic.

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<v Speaker 1>Ice magic. No, No, the ice magic is not I'm

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<v Speaker 1>not on board with ice.

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<v Speaker 2>Magic late nineties Australian more than yeah.

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<v Speaker 1>Anyway, So one day I was. And we were would

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<v Speaker 1>come up quite often in the family or when people

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<v Speaker 1>would make a chocolate cake or whatever, or people would

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<v Speaker 1>bring over chocolates. Lewis doesn't like chocolate. I never understood.

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<v Speaker 1>And one day I was cleaning out the top cupboard

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<v Speaker 1>and there was his chemo bag that we used to

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<v Speaker 1>keep all these drugs in, and behind it was a

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<v Speaker 1>jar of the Cotties chocolate syrup. And I went, that's

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<v Speaker 1>why here we go like chocolates.

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<v Speaker 2>You worked it out?

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<v Speaker 1>How's that? And I'm happy to say he's with us today.

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<v Speaker 2>And did you not literally did you dabble with the

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<v Speaker 2>sauce that you found.

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<v Speaker 1>I did look at I did look at the exp

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<v Speaker 1>You know what I believe in expiry dates? You do? No,

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<v Speaker 1>I don't.

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<v Speaker 2>Cook her up?

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<v Speaker 1>Well, of course I don't.

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<v Speaker 2>What is it with particular people in the world. I'll

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<v Speaker 2>tell you what it is. Don't care for it. You

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<v Speaker 2>know what else? Does it? Your Maitlyn, my mother? No,

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<v Speaker 2>going through that woman's fridge?

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<v Speaker 1>Just like what because why?

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<v Speaker 2>What's to go on other than one of your grown

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<v Speaker 2>children that's moved out.

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<v Speaker 1>What if it's something really specific that you rarely use,

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<v Speaker 1>like what molasses? Molasses can't go off. It's a treackily

0:11:09.440 --> 0:11:11.400
<v Speaker 1>syrup sugar, it can't go off?

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<v Speaker 2>All right?

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<v Speaker 1>Anyway, all right, I'm going to present to you an

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<v Speaker 1>exhibit A, and you can take this home to your

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<v Speaker 1>big harm a husband.

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<v Speaker 2>They can't who confess to you, Yes, more than dabbles,

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<v Speaker 2>More than dabbles. He's probably listening to this round on

0:11:28.200 --> 0:11:30.079
<v Speaker 2>a long haul flight. But nothing else to do.

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<v Speaker 1>Anyway. So a couple of years ago there was a

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<v Speaker 1>shortage of epipins. Oh yeah, disastrous, crazy for people who.

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<v Speaker 2>Before ozam pick was stealing all the other needles.

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<v Speaker 1>Oh yeah, but you can't substitute.

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<v Speaker 2>It's not like for like no, but I thought there

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<v Speaker 2>was also a red shortage of liking, the shortage of

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<v Speaker 2>like the tools that you need to inject. Yeah, something

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<v Speaker 2>like that a while ago. Not that I was googling

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<v Speaker 2>how to get ozam pick or anything.

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<v Speaker 1>Right anyway, So I remember saying them put out a

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<v Speaker 1>press relief saying ignore the expiry date on your EpiPen.

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<v Speaker 1>Even up to five years old, it has fifty to

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<v Speaker 1>eighty percent efficacy.

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<v Speaker 2>So if you'll listening, and I was like you, you're

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<v Speaker 2>talking about EpiPen, I'm talking about mustard.

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<v Speaker 1>Still, do you know how many have to replace the

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<v Speaker 1>EpiPen every year because I think it's going to expireaise?

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<v Speaker 1>By the way, can we just insert do not take

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<v Speaker 1>this as.

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<v Speaker 2>Medical I've got a feeling regular listeners of the buck

0:12:42.720 --> 0:12:46.559
<v Speaker 2>up here for medical advice cooker. Are you what?

0:12:47.000 --> 0:12:50.679
<v Speaker 1>Why wouldn't they be? People want? Do you know what?

0:12:51.000 --> 0:12:55.439
<v Speaker 1>People know that mainstream media has led them down a

0:12:55.760 --> 0:12:56.679
<v Speaker 1>dark park?

0:12:56.800 --> 0:12:57.400
<v Speaker 2>There we go.

0:12:59.559 --> 0:13:01.280
<v Speaker 1>This eat tallow's skin.

0:13:01.440 --> 0:13:02.280
<v Speaker 2>It looks glowing.

0:13:02.480 --> 0:13:04.960
<v Speaker 1>Look at this thing. You guys that don't need glasses

0:13:05.040 --> 0:13:07.080
<v Speaker 1>that gaze into the sun every day.

0:13:07.200 --> 0:13:09.720
<v Speaker 2>But you say that but I've also seen you try

0:13:09.800 --> 0:13:13.439
<v Speaker 2>to read small prints, just anything, and I do give

0:13:13.480 --> 0:13:15.920
<v Speaker 2>me something to read, and I give me something to.

0:13:17.200 --> 0:13:22.880
<v Speaker 1>That says hang on hold, it's still wobbling in it,

0:13:23.040 --> 0:13:25.600
<v Speaker 1>says mid roll markers.

0:13:25.720 --> 0:13:31.360
<v Speaker 2>Alright, yeah, that's a technical break, the technical turn.

0:13:31.440 --> 0:13:33.040
<v Speaker 1>I love that you knew that. I would not have

0:13:33.120 --> 0:13:33.959
<v Speaker 1>been able to guess that.

0:13:34.280 --> 0:13:37.079
<v Speaker 2>I know, right, what is a mid roll marker? What's that?

0:13:37.400 --> 0:13:38.880
<v Speaker 1>Oh, it's an ad that goes in the middle.

0:13:38.920 --> 0:13:40.520
<v Speaker 2>I think we learn things on this pop.

0:13:40.600 --> 0:13:42.600
<v Speaker 1>We do learn things. Hate learning.

0:13:42.720 --> 0:13:46.800
<v Speaker 2>Speaking of food, this is gonna. Yes, we were off

0:13:46.920 --> 0:13:51.360
<v Speaker 2>food in the fridge. We were talking about so you

0:13:51.400 --> 0:13:53.520
<v Speaker 2>don't eat epi bend. I suppose you don't.

0:13:53.520 --> 0:13:56.240
<v Speaker 1>Actually, my son always has to have an epi bean,

0:13:56.320 --> 0:13:59.120
<v Speaker 1>by the way, because he's allergic to bees and bees

0:13:59.240 --> 0:14:01.000
<v Speaker 1>make honey.

0:14:01.040 --> 0:14:03.600
<v Speaker 2>And we're all connected. Life is a rug. We're all

0:14:03.640 --> 0:14:06.319
<v Speaker 2>in it. That's so that you mentioned so wasps. This

0:14:06.440 --> 0:14:09.040
<v Speaker 2>is so off the topic. A lot of wasps coming

0:14:09.080 --> 0:14:10.559
<v Speaker 2>into our house recently that you know.

0:14:10.640 --> 0:14:12.280
<v Speaker 1>They love yellow and they love meat.

0:14:14.520 --> 0:14:17.120
<v Speaker 2>So this is we are working life out as we

0:14:17.240 --> 0:14:19.360
<v Speaker 2>go to right, we won't bit my dog the other day,

0:14:19.600 --> 0:14:21.840
<v Speaker 2>not happy, but you dare bite Derby.

0:14:21.800 --> 0:14:23.280
<v Speaker 1>Did you take a photo of her?

0:14:23.600 --> 0:14:25.280
<v Speaker 2>She didn't have too much of a reaction, but she.

0:14:25.320 --> 0:14:29.400
<v Speaker 1>Did the butler take it for her? A snobby dog?

0:14:29.520 --> 0:14:33.160
<v Speaker 2>AnyWho nerd alert Cody, the husband said, there's some sort

0:14:33.200 --> 0:14:39.480
<v Speaker 2>of wasp taking wasp breed taking Melbourne or something or

0:14:39.800 --> 0:14:42.800
<v Speaker 2>the regions, and it's coming down in Melbourne. Heaps more

0:14:42.920 --> 0:14:43.840
<v Speaker 2>wasps than usual.

0:14:44.120 --> 0:14:48.560
<v Speaker 1>There's some really vi wasp. It's this might come from overseas.

0:14:49.000 --> 0:14:51.280
<v Speaker 1>This was this, I can't remember what it's called.

0:14:51.400 --> 0:14:54.600
<v Speaker 2>This wasp was not around away?

0:14:55.080 --> 0:14:55.840
<v Speaker 1>Was it solow?

0:14:56.560 --> 0:14:59.520
<v Speaker 2>And it bit my dog and still didn't on her

0:14:59.560 --> 0:15:00.720
<v Speaker 2>neck under unerneath her like.

0:15:00.760 --> 0:15:02.560
<v Speaker 1>Do you know what now? Not that I wish this

0:15:02.760 --> 0:15:03.320
<v Speaker 1>for Darby?

0:15:03.800 --> 0:15:04.800
<v Speaker 2>What are you about to say?

0:15:05.400 --> 0:15:08.680
<v Speaker 1>Okay, have you a googled? Yes, dogs and dogs have

0:15:08.800 --> 0:15:13.040
<v Speaker 1>been bitten by bees stung by bees, and they're gorgeous

0:15:14.000 --> 0:15:19.320
<v Speaker 1>and faces, they're adorable. Look, yeah, we love a bee.

0:15:19.440 --> 0:15:20.200
<v Speaker 2>Don't like a wasp?

0:15:20.440 --> 0:15:23.800
<v Speaker 1>No, I don't like a wasp. But wasp serves no purpose,

0:15:23.960 --> 0:15:27.400
<v Speaker 1>although I haven't ruled out are.

0:15:27.320 --> 0:15:30.520
<v Speaker 2>You looking up wasps? What we've done this before. We've

0:15:30.520 --> 0:15:32.520
<v Speaker 2>talked about wasp and they do have a purpose. What

0:15:34.600 --> 0:15:35.600
<v Speaker 2>more do they make?

0:15:35.680 --> 0:15:37.120
<v Speaker 1>Honey? Do they make honey?

0:15:37.640 --> 0:15:39.200
<v Speaker 2>But it's about the pollination and something.

0:15:39.320 --> 0:15:42.840
<v Speaker 1>Oh, yeah, whatever, we don't care because you know what, No,

0:15:43.080 --> 0:15:55.040
<v Speaker 1>you know what, we don't care. Sorry. Also, can we

0:15:55.200 --> 0:15:57.360
<v Speaker 1>hear you know what? I thought about all week? And

0:15:57.440 --> 0:16:02.080
<v Speaker 1>it bucked them out every time? Princess Lily bit oh

0:16:02.200 --> 0:16:06.840
<v Speaker 1>the kid talking to a mother three year old Meghan Markle.

0:16:06.840 --> 0:16:15.560
<v Speaker 2>Just like bees food.

0:16:15.640 --> 0:16:18.560
<v Speaker 1>I love bees because she harvested bees in her show

0:16:19.120 --> 0:16:22.040
<v Speaker 1>We Love Meghan that you never watched, which has really

0:16:22.120 --> 0:16:23.720
<v Speaker 1>made me question your sexuality.

0:16:25.280 --> 0:16:27.200
<v Speaker 2>How many times in this pod are we going to

0:16:27.240 --> 0:16:29.720
<v Speaker 2>have a lovely argument in front of our buckheads about

0:16:29.760 --> 0:16:31.200
<v Speaker 2>I'm not interested in Megan.

0:16:31.000 --> 0:16:33.400
<v Speaker 1>Or anything to do with it, Understand, I.

0:16:33.480 --> 0:16:36.040
<v Speaker 2>Know I don't know either. I don't know why I'm

0:16:36.080 --> 0:16:36.640
<v Speaker 2>not interested.

0:16:36.840 --> 0:16:37.880
<v Speaker 1>What about Prince Harry.

0:16:38.360 --> 0:16:40.960
<v Speaker 2>I'm very much into anything the Royals, But.

0:16:41.440 --> 0:16:51.040
<v Speaker 1>Prince Harry was in a dream I had. She's dre

0:16:51.280 --> 0:16:53.280
<v Speaker 1>by the one I had to finish beautiful.

0:16:53.320 --> 0:16:54.960
<v Speaker 2>I had to finish something, but I forgot what.

0:16:55.040 --> 0:16:57.280
<v Speaker 1>It was, something about Cody and our food.

0:16:57.920 --> 0:16:59.680
<v Speaker 2>It was food. I haven't told you about the food.

0:17:00.000 --> 0:17:02.840
<v Speaker 2>I tell you. You know, be so excited. Everyone listening

0:17:02.960 --> 0:17:04.280
<v Speaker 2>is going to be so excited for what I have

0:17:04.359 --> 0:17:07.600
<v Speaker 2>to tell you. Guess what I bought today?

0:17:08.000 --> 0:17:08.280
<v Speaker 1>Food?

0:17:08.680 --> 0:17:15.960
<v Speaker 2>Yes, well done, good talk. Are you ready? You're gonna

0:17:16.000 --> 0:17:20.120
<v Speaker 2>get you're gonna celebrate. That's avocado.

0:17:21.280 --> 0:17:32.679
<v Speaker 1>Oh it's the shepherd. Shepherd is bad season back again,

0:17:35.280 --> 0:17:44.359
<v Speaker 1>his back, his back. But baby, wow, so shepherd'sy for

0:17:44.480 --> 0:17:46.960
<v Speaker 1>a short time, only a short time, not a good time.

0:17:47.640 --> 0:17:51.040
<v Speaker 2>They were grown to fill the gap. Now it's time

0:17:51.080 --> 0:17:52.160
<v Speaker 2>for you to off.

0:17:53.520 --> 0:17:56.440
<v Speaker 1>That's Oh, he's had a glass of colors. She's very

0:17:56.720 --> 0:18:00.399
<v Speaker 1>I don't feel like I think. It wasn't a safe space.

0:18:00.560 --> 0:18:02.600
<v Speaker 2>It was three dollars ninety By the way, that's for

0:18:02.680 --> 0:18:03.280
<v Speaker 2>another day.

0:18:03.800 --> 0:18:06.399
<v Speaker 1>Oh yeah, no two, I got two two two for

0:18:06.480 --> 0:18:07.040
<v Speaker 1>three ninety.

0:18:07.080 --> 0:18:08.920
<v Speaker 2>Yeah, not bad, not even two dollars.

0:18:09.359 --> 0:18:11.800
<v Speaker 1>And guess what you can afford a house deposit now?

0:18:12.040 --> 0:18:13.240
<v Speaker 1>That say cheap?

0:18:13.280 --> 0:18:16.280
<v Speaker 2>Purchased at about eleven am. Had some at two pm?

0:18:16.640 --> 0:18:21.640
<v Speaker 1>Right, good to go. Unheard what they've been cuddling them

0:18:21.680 --> 0:18:22.480
<v Speaker 1>somewhere out the back?

0:18:22.560 --> 0:18:23.000
<v Speaker 2>You reckon?

0:18:23.119 --> 0:18:25.240
<v Speaker 1>All right, You've got two choices now of where we go.

0:18:25.480 --> 0:18:28.760
<v Speaker 2>Oh, I want one more thing on food. I'm so sorry,

0:18:28.840 --> 0:18:32.040
<v Speaker 2>so much food. One more thing. It's about you, though

0:18:32.840 --> 0:18:34.359
<v Speaker 2>I don't want to it's about you. What is it

0:18:34.680 --> 0:18:37.600
<v Speaker 2>you were. It's my new favorite quote of yours, even

0:18:37.600 --> 0:18:39.000
<v Speaker 2>though you don't even know you said it, because.

0:18:38.800 --> 0:18:39.439
<v Speaker 1>It was the text.

0:18:40.359 --> 0:18:42.520
<v Speaker 2>You were insane the other day on text to Sash

0:18:42.600 --> 0:18:45.440
<v Speaker 2>and there was a bunch of these crazy little voicemails

0:18:45.520 --> 0:18:45.679
<v Speaker 2>and it.

0:18:45.760 --> 0:18:48.879
<v Speaker 1>Was all just deliberate. No, was it four am?

0:18:50.080 --> 0:18:52.119
<v Speaker 2>There was that one when you text us at four am?

0:18:52.560 --> 0:18:55.240
<v Speaker 1>Four am? It was ten bassifall a monster and.

0:18:55.280 --> 0:18:57.359
<v Speaker 2>Then you were all over the joint and I was like,

0:18:57.440 --> 0:19:00.840
<v Speaker 2>you're being pretty nuts today or something. And this was

0:19:00.880 --> 0:19:02.879
<v Speaker 2>your reply on the text. I've been thinking about it

0:19:02.960 --> 0:19:07.040
<v Speaker 2>a lot. This is your excuse with food. This is

0:19:07.080 --> 0:19:08.720
<v Speaker 2>what you wrote when I called you out on your

0:19:08.760 --> 0:19:21.080
<v Speaker 2>psychotic texts. Sorry I had cake for breakfast. Sorry I

0:19:21.240 --> 0:19:24.359
<v Speaker 2>had cake for breakfast. Let's break that down. Are you

0:19:24.480 --> 0:19:26.320
<v Speaker 2>saying that you're too hyper from the sugar? Are you

0:19:26.400 --> 0:19:28.040
<v Speaker 2>saying that you've crushed from the sugar?

0:19:28.440 --> 0:19:31.520
<v Speaker 1>All of the above, because you know, normally I fast

0:19:31.640 --> 0:19:35.720
<v Speaker 1>till lunchtime. From what time to laugh, Well, I don't

0:19:35.720 --> 0:19:39.239
<v Speaker 1>really time things. This will surprise you, but basically from

0:19:39.280 --> 0:19:42.280
<v Speaker 1>when I eat the night before, which could be dinner

0:19:42.440 --> 0:19:45.320
<v Speaker 1>finished at eight or finished at midnight, depending on if

0:19:45.320 --> 0:19:47.880
<v Speaker 1>we're out or whatever we're doing, and then I don't

0:19:47.920 --> 0:19:51.880
<v Speaker 1>eat till lunchtime the next day. Right, But I make

0:19:52.000 --> 0:19:56.119
<v Speaker 1>exceptions because my husband loves breakfast. I always make him

0:19:56.160 --> 0:19:59.119
<v Speaker 1>a breakfast. I make the boys breakfast often, but I

0:19:59.480 --> 0:20:04.000
<v Speaker 1>have hewed hunger. But on holidays, I will eat with

0:20:04.119 --> 0:20:05.680
<v Speaker 1>my husband because he likes it.

0:20:06.280 --> 0:20:06.840
<v Speaker 2>That's nice.

0:20:07.000 --> 0:20:09.200
<v Speaker 1>I mean, I know it's hard to imagine anyone wanting

0:20:09.240 --> 0:20:10.480
<v Speaker 1>to experience anything.

0:20:10.760 --> 0:20:14.440
<v Speaker 2>Sitting there talking to him. He does not good enough much.

0:20:14.560 --> 0:20:15.760
<v Speaker 1>No, he doesn't like it as much.

0:20:15.880 --> 0:20:17.560
<v Speaker 2>Just like when you're out with someone and you're drinking

0:20:17.640 --> 0:20:19.200
<v Speaker 2>and they're not feels weird.

0:20:20.000 --> 0:20:21.760
<v Speaker 1>You do it, Or if you're with someone and they go,

0:20:21.880 --> 0:20:25.119
<v Speaker 1>I've eaten earlier, Yeah, it's weird. Anyway, Why was I

0:20:25.200 --> 0:20:27.159
<v Speaker 1>telling you that? Because I had you had cake for

0:20:27.240 --> 0:20:29.280
<v Speaker 1>bread cake? Remember what cake?

0:20:29.400 --> 0:20:30.800
<v Speaker 2>I had left over? Cake?

0:20:30.960 --> 0:20:31.560
<v Speaker 1>What day was?

0:20:31.800 --> 0:20:33.840
<v Speaker 2>I don't know, I don't think anyway.

0:20:33.560 --> 0:20:37.000
<v Speaker 1>I loved it. I remember I loved it. I often

0:20:37.160 --> 0:20:38.480
<v Speaker 1>love cake for breakfast.

0:20:38.840 --> 0:20:39.879
<v Speaker 2>I'm going to I've never done it.

0:20:39.920 --> 0:20:41.160
<v Speaker 1>I don't have to be my diet.

0:20:41.920 --> 0:20:44.040
<v Speaker 2>What a great diet Cake for breakfast?

0:20:44.200 --> 0:20:48.040
<v Speaker 1>Yeah, cake for breakfast? What about cake for breakfast? Diabetes

0:20:48.119 --> 0:20:49.439
<v Speaker 1>for your fortieth and.

0:20:49.520 --> 0:20:53.200
<v Speaker 2>It doesn't matter if you get diabetes because your little pen.

0:20:53.119 --> 0:20:55.440
<v Speaker 1>Thing correct your rosine prick anyway.

0:20:56.560 --> 0:21:00.280
<v Speaker 2>EpiPens and you've got two choices, okay, cake or no, Okay,

0:21:01.119 --> 0:21:02.720
<v Speaker 2>You've got my dream.

0:21:03.000 --> 0:21:05.960
<v Speaker 1>And I know this is terrible. I know, I know

0:21:06.600 --> 0:21:08.520
<v Speaker 1>that's an involuntary sound.

0:21:08.840 --> 0:21:10.399
<v Speaker 2>I have a question for you, and I'm not going

0:21:10.440 --> 0:21:13.360
<v Speaker 2>to judge either of you with this. In your fifteen

0:21:13.560 --> 0:21:16.240
<v Speaker 2>years or twenty years of doing breakfast radio, did you

0:21:16.320 --> 0:21:18.880
<v Speaker 2>ever have someone on to tell you what your dreams meant?

0:21:20.000 --> 0:21:22.720
<v Speaker 1>Of course I think we did, but we were always like,

0:21:22.880 --> 0:21:26.080
<v Speaker 1>we know, the worst people in the world are people

0:21:26.240 --> 0:21:29.320
<v Speaker 1>that expect you to hear about their dreams. So I

0:21:29.359 --> 0:21:34.000
<v Speaker 1>would like you to meet me that person because it

0:21:34.200 --> 0:21:37.520
<v Speaker 1>was so topical, and I'll tell you why. As part

0:21:37.560 --> 0:21:41.159
<v Speaker 1>of my work avoidance, I've gone on deep darts. You

0:21:41.280 --> 0:21:44.560
<v Speaker 1>know you're going to dita on how you end up.

0:21:45.560 --> 0:21:48.479
<v Speaker 1>It's so horrible, it's so horrible.

0:21:48.520 --> 0:21:49.639
<v Speaker 2>I'm taking an interest.

0:21:49.920 --> 0:21:53.440
<v Speaker 1>I know your something. I don't have your I don't

0:21:53.520 --> 0:21:57.400
<v Speaker 1>have your work ethic, which is amazing. In fact, I'm

0:21:57.440 --> 0:22:00.520
<v Speaker 1>going to say too much. Your work ethic is. You

0:22:00.640 --> 0:22:04.040
<v Speaker 1>need to calm down, right, because you make those of

0:22:04.160 --> 0:22:06.919
<v Speaker 1>us who are procrastinators feel bad about ourselves, and.

0:22:06.960 --> 0:22:13.760
<v Speaker 2>This is just what helps what meds Hello baer getting

0:22:13.800 --> 0:22:14.359
<v Speaker 2>ship done.

0:22:14.720 --> 0:22:17.560
<v Speaker 1>I had gone on a deep dive of people fighting,

0:22:17.800 --> 0:22:19.800
<v Speaker 1>having fights on cruise ships.

0:22:20.560 --> 0:22:25.800
<v Speaker 2>Oh, it's so great the love boat, let me tell you.

0:22:26.880 --> 0:22:29.520
<v Speaker 2>And I confessed confessed on the buck Up a few

0:22:29.560 --> 0:22:32.120
<v Speaker 2>weeks ago. I have dabbled in cruise ship gigs because

0:22:32.160 --> 0:22:35.320
<v Speaker 2>the money is fantastic and the people that run it excellent,

0:22:35.400 --> 0:22:39.640
<v Speaker 2>and it's a very genuine lovely time. However, this does

0:22:39.840 --> 0:22:42.600
<v Speaker 2>not surprise me every time I see footage. Yeah, see

0:22:42.640 --> 0:22:46.320
<v Speaker 2>the news article. Cruisers are the jet styles of the seas.

0:22:46.480 --> 0:22:50.120
<v Speaker 1>And in the dream this is so topical.

0:22:50.200 --> 0:22:54.160
<v Speaker 2>This just before you fall asleep, you were waiting people

0:22:54.320 --> 0:22:55.919
<v Speaker 2>punch on on kind of.

0:22:56.000 --> 0:22:58.919
<v Speaker 1>Cruise ship that's on a cruise ship. I passed out.

0:22:59.000 --> 0:23:01.520
<v Speaker 1>Truth be told, it wasn't nighttime. I was having a

0:23:01.600 --> 0:23:05.159
<v Speaker 1>secret nap because you know, my husband's been teaching and

0:23:05.280 --> 0:23:07.159
<v Speaker 1>he's out of the house all day and it's so

0:23:07.359 --> 0:23:11.639
<v Speaker 1>blissful soul. I love it isn't it, jiltree, It's just heaven.

0:23:12.440 --> 0:23:15.919
<v Speaker 1>Although two children came in my room, I know they

0:23:16.000 --> 0:23:18.480
<v Speaker 1>are and they both want, you know what they see.

0:23:18.760 --> 0:23:21.119
<v Speaker 1>Both of them. Where's the independently of each other? What

0:23:21.960 --> 0:23:30.480
<v Speaker 1>are you all right? Anyway? So I had so really

0:23:30.560 --> 0:23:33.400
<v Speaker 1>it was a day dream, but I was asleep.

0:23:35.280 --> 0:23:36.920
<v Speaker 2>Kids were worried about your health.

0:23:37.560 --> 0:23:40.440
<v Speaker 1>I must have been anyway, So I Okame, you haven't

0:23:40.480 --> 0:23:46.199
<v Speaker 1>touched your Your breakfast cake is untouched. So I had

0:23:46.240 --> 0:23:48.680
<v Speaker 1>a dream that I was with a group of people

0:23:49.280 --> 0:23:52.200
<v Speaker 1>on a cruise. For some reason, we're wheeling out a

0:23:52.320 --> 0:23:56.080
<v Speaker 1>big trolley full of our luggage. I don't know where

0:23:56.160 --> 0:23:59.240
<v Speaker 1>all the staff were. So there I am pulling my

0:23:59.359 --> 0:24:03.120
<v Speaker 1>own with some people I can't remember, Hell on Earth.

0:24:03.200 --> 0:24:09.960
<v Speaker 1>And we walked a big table of cake, different cakes,

0:24:10.200 --> 0:24:14.640
<v Speaker 1>run different cakes. Breakfast was still on, and I'm like, oh,

0:24:14.760 --> 0:24:16.840
<v Speaker 1>I really, I know we haven't got to our room yet,

0:24:16.880 --> 0:24:19.240
<v Speaker 1>but I really feel like a piece of cake. And

0:24:19.400 --> 0:24:22.280
<v Speaker 1>the cakes looked great. They looked you know, like how

0:24:22.320 --> 0:24:25.040
<v Speaker 1>a homemade cakes got a nice crust on top.

0:24:25.240 --> 0:24:26.359
<v Speaker 2>What you want, you don't get it.

0:24:26.400 --> 0:24:28.680
<v Speaker 1>If you make it from a box. I will always

0:24:28.840 --> 0:24:32.560
<v Speaker 1>know you just don't get that beautiful fresh crust. Anyway,

0:24:32.600 --> 0:24:34.800
<v Speaker 1>So I was like, I feel like a piece of cake.

0:24:35.359 --> 0:24:43.080
<v Speaker 1>And Prince Harry, who was with me, came over and

0:24:43.440 --> 0:24:45.360
<v Speaker 1>I said, but for some reason. I had to hop

0:24:45.440 --> 0:24:48.200
<v Speaker 1>on to the other side of the counter, and he said,

0:24:48.320 --> 0:24:50.080
<v Speaker 1>and I had to write this down when I woke up,

0:24:50.240 --> 0:24:56.560
<v Speaker 1>just to get it right, he said. Prince Harry said,

0:24:56.880 --> 0:25:00.440
<v Speaker 1>I'll whoop you. Gave me a leg over to the

0:25:00.520 --> 0:25:04.240
<v Speaker 1>other side. So he put his hands out and I

0:25:04.359 --> 0:25:06.080
<v Speaker 1>put my footnote and you know how you use it

0:25:06.200 --> 0:25:09.280
<v Speaker 1>to propel yourself, like over a fence. And my question

0:25:09.560 --> 0:25:13.400
<v Speaker 1>is is that a real expression? I'll whoop you, I'll

0:25:13.440 --> 0:25:22.359
<v Speaker 1>whoop you, I'll whoop you, I'll whoop you. And it

0:25:22.520 --> 0:25:25.040
<v Speaker 1>was so great. And you know what else?

0:25:25.080 --> 0:25:28.680
<v Speaker 2>I like, oh whoop you? Hear people in a dream?

0:25:28.760 --> 0:25:30.320
<v Speaker 1>I don't know. I wrote it down as soon as

0:25:30.359 --> 0:25:33.800
<v Speaker 1>I woke up because it was so fantastic. A cake

0:25:34.359 --> 0:25:36.520
<v Speaker 1>b cruise. Prince Harry.

0:25:36.680 --> 0:25:38.879
<v Speaker 2>Was there sexual tension going on? I don't think so.

0:25:39.000 --> 0:25:41.160
<v Speaker 1>But we really liked each other and I liked him,

0:25:41.480 --> 0:25:43.920
<v Speaker 1>which I found reassuring because it's been very hard to

0:25:44.160 --> 0:25:44.840
<v Speaker 1>like him lately.

0:25:45.320 --> 0:25:47.639
<v Speaker 2>Like him? Do you you have issues with the wife?

0:25:47.680 --> 0:25:48.840
<v Speaker 2>I don't think there's any wrong with him.

0:25:48.840 --> 0:25:51.320
<v Speaker 1>You have issues with the wife? I loved the wife.

0:25:52.000 --> 0:25:58.920
<v Speaker 1>I love the wife. Do you know what people take

0:25:59.000 --> 0:26:01.960
<v Speaker 1>the wrong view of people? That they don't like in

0:26:02.040 --> 0:26:05.680
<v Speaker 1>the public. Do you know what? What if you just

0:26:06.200 --> 0:26:09.920
<v Speaker 1>slightly reoriented? So people are always like they want to hate,

0:26:10.840 --> 0:26:11.440
<v Speaker 1>to hate.

0:26:11.400 --> 0:26:11.800
<v Speaker 2>You hate?

0:26:12.560 --> 0:26:15.280
<v Speaker 1>Who? Do I hate his wife? No? I don't hate her.

0:26:15.440 --> 0:26:17.199
<v Speaker 2>You're jealous given her.

0:26:18.840 --> 0:26:21.280
<v Speaker 1>He didn't give her a woop. He gave me a wook.

0:26:21.880 --> 0:26:25.400
<v Speaker 2>Have you heard the dream theory that they don't think

0:26:25.440 --> 0:26:30.320
<v Speaker 2>anyone ever dreams about their phone? Have you ever had

0:26:30.320 --> 0:26:32.840
<v Speaker 2>a dream? I think I've heard this, But checking your

0:26:32.920 --> 0:26:37.840
<v Speaker 2>phone doesn't happen in dreams. M can't tell you something depressing.

0:26:38.080 --> 0:26:40.760
<v Speaker 1>What I don't think I ever dream?

0:26:41.440 --> 0:26:41.600
<v Speaker 2>Oh?

0:26:41.800 --> 0:26:44.360
<v Speaker 1>I really dream. I don't think you need to take

0:26:44.400 --> 0:26:48.280
<v Speaker 1>meloton And my husband can't take melotonin because he said

0:26:48.280 --> 0:26:49.760
<v Speaker 1>it gives you a bad dreams.

0:26:51.040 --> 0:26:54.600
<v Speaker 2>I don't I've I've had malotonin.

0:26:55.080 --> 0:26:56.159
<v Speaker 1>I didn't give you dreams.

0:26:56.359 --> 0:26:58.560
<v Speaker 2>I think I dream. I love.

0:26:58.760 --> 0:27:02.080
<v Speaker 1>I don't dream very often. Did you dream occasionally? And

0:27:02.160 --> 0:27:02.920
<v Speaker 1>I love it when I do?

0:27:03.119 --> 0:27:07.879
<v Speaker 2>Yeah, show me, let's look into that. Why don't I dream?

0:27:08.119 --> 0:27:14.040
<v Speaker 1>Oh's but maybe because you're Maybe because your waking life

0:27:14.280 --> 0:27:19.680
<v Speaker 1>is so vivid and stimulated that when you're asleep, everyone's

0:27:19.800 --> 0:27:23.720
<v Speaker 1>just like, Oh, praise be, He's just out like a

0:27:23.880 --> 0:27:26.919
<v Speaker 1>light you know, it's like people who have a border Collie.

0:27:27.040 --> 0:27:29.560
<v Speaker 2>You know when someone says something and you're not too

0:27:29.600 --> 0:27:31.240
<v Speaker 2>sure if it means it's a good thing or not.

0:27:32.400 --> 0:27:35.439
<v Speaker 2>Your friend Georgie, who was in the green room at

0:27:35.480 --> 0:27:39.520
<v Speaker 2>Sam Payne show because that show yes, said to me today,

0:27:40.080 --> 0:27:41.920
<v Speaker 2>Oh yes, And I was just just saw you in

0:27:41.960 --> 0:27:43.720
<v Speaker 2>the green room and you were just you're just like

0:27:43.800 --> 0:27:47.399
<v Speaker 2>an energizer. Bunny, you just didn't stop an over thing,

0:27:47.520 --> 0:27:48.919
<v Speaker 2>and then I walked off with me. Is that.

0:27:50.720 --> 0:27:55.760
<v Speaker 1>She has great energizer? But Bunny and her boyfriend.

0:27:55.480 --> 0:27:58.680
<v Speaker 2>You didn't stop. No, I don't know if it's a

0:27:58.800 --> 0:27:59.280
<v Speaker 2>good thing.

0:28:00.359 --> 0:28:03.920
<v Speaker 1>And you know what, you never will and you know

0:28:04.080 --> 0:28:05.080
<v Speaker 1>when you'll find out.

0:28:05.280 --> 0:28:08.359
<v Speaker 2>I want to dream, Kate, what when you finally stop?

0:28:08.600 --> 0:28:11.640
<v Speaker 1>Rip? When you finally stop.

0:28:11.400 --> 0:28:12.359
<v Speaker 2>Will I dream? Then? No?

0:28:12.600 --> 0:28:15.440
<v Speaker 1>People will say so many beautiful things about you.

0:28:18.080 --> 0:28:21.440
<v Speaker 2>My tombstone is going to read he never stopped until

0:28:21.520 --> 0:28:23.640
<v Speaker 2>he did, And then your tombstone is going to read

0:28:23.960 --> 0:28:26.160
<v Speaker 2>gone to early because of cake for breakfast.

0:28:27.440 --> 0:28:29.720
<v Speaker 1>Will we be next to each other? Absolutely not.

0:28:29.760 --> 0:28:30.760
<v Speaker 2>I'm not getting buried.

0:28:31.240 --> 0:28:33.680
<v Speaker 1>I want to be you know you're not going to

0:28:33.720 --> 0:28:34.520
<v Speaker 1>be flaming.

0:28:34.640 --> 0:28:36.440
<v Speaker 2>Yeah, I want ashes. I want to be scattered. I

0:28:36.520 --> 0:28:38.240
<v Speaker 2>want to be everywhere like I was in life. I

0:28:38.320 --> 0:28:39.400
<v Speaker 2>want to be all over the plane.

0:28:39.640 --> 0:28:41.000
<v Speaker 1>Where would you like to be scattered?

0:28:41.240 --> 0:28:43.680
<v Speaker 2>Yeah, I haven't thought that through because people say things

0:28:43.760 --> 0:28:45.480
<v Speaker 2>like the ocean or you go at the end of

0:28:45.520 --> 0:28:47.280
<v Speaker 2>a pier. I'm like, why would you take me to

0:28:47.360 --> 0:28:50.200
<v Speaker 2>a place that I would hate for all eternity?

0:28:50.440 --> 0:28:55.120
<v Speaker 1>Well, right, we know the answer. What revenge? I mean,

0:28:55.160 --> 0:28:56.320
<v Speaker 1>what would you like? Sash?

0:28:58.200 --> 0:28:59.480
<v Speaker 2>I would like to be buried.

0:29:00.400 --> 0:29:01.840
<v Speaker 1>I'd like to be buried too, But.

0:29:02.120 --> 0:29:04.000
<v Speaker 2>I still want a plaque so my name's there so

0:29:04.120 --> 0:29:05.360
<v Speaker 2>people don't forget you know.

0:29:05.400 --> 0:29:10.280
<v Speaker 1>What, cromation plarques don't have the same you're plenty flowers.

0:29:11.040 --> 0:29:13.000
<v Speaker 2>You don't have the same drama, and I know they've

0:29:13.080 --> 0:29:13.320
<v Speaker 2>done it.

0:29:13.480 --> 0:29:18.520
<v Speaker 1>Yes, they don't have the same gravitas, which I'm sure

0:29:18.600 --> 0:29:23.600
<v Speaker 1>comes from the word grave. I think it tipity tap.

0:29:23.640 --> 0:29:25.120
<v Speaker 2>Wouldn't it come from like gravity?

0:29:25.360 --> 0:29:30.720
<v Speaker 1>About like a gravity grave I imagine comes from the

0:29:30.840 --> 0:29:34.480
<v Speaker 1>same route as gravity. I can dam it.

0:29:34.920 --> 0:29:37.400
<v Speaker 2>Do you visit cemeteries?

0:29:37.600 --> 0:29:40.720
<v Speaker 1>Yes, you do, not very often, not very often. And

0:29:40.840 --> 0:29:44.800
<v Speaker 1>in fact, when my beautiful dad he was in lockdown

0:29:45.240 --> 0:29:48.880
<v Speaker 1>and we didn't get a gravestone done for him and

0:29:48.960 --> 0:29:53.400
<v Speaker 1>there's so many decisions to make with a gravestone, what's

0:29:53.440 --> 0:29:56.560
<v Speaker 1>it going to say? And we just never could come

0:29:56.640 --> 0:29:58.640
<v Speaker 1>up with the right thing. The one thing that we

0:29:58.720 --> 0:30:01.200
<v Speaker 1>wanted to put was he would always say, and it

0:30:01.240 --> 0:30:03.560
<v Speaker 1>always made us laugh, and we still sat. Now, my

0:30:03.720 --> 0:30:08.240
<v Speaker 1>father could detect a draft from that's called five hundred

0:30:08.280 --> 0:30:11.640
<v Speaker 1>meters anywhere on a property, right, be his there, window

0:30:11.720 --> 0:30:14.160
<v Speaker 1>open somewhere, I can feel a draft, right. And he

0:30:14.200 --> 0:30:16.480
<v Speaker 1>would always say, the Dutch have a saying a draft

0:30:16.560 --> 0:30:19.480
<v Speaker 1>can kill. And so we were going to put on

0:30:19.640 --> 0:30:26.640
<v Speaker 1>his tombstone, on his gravestone, yarn Langbrook, a draft can kill, right,

0:30:26.760 --> 0:30:28.800
<v Speaker 1>which we loved, we loved. I don't think I might

0:30:28.880 --> 0:30:33.000
<v Speaker 1>still do it because we're done. He's out at I

0:30:33.040 --> 0:30:37.000
<v Speaker 1>think he's at in Necropolis, study of the Dutch. He's

0:30:37.040 --> 0:30:38.640
<v Speaker 1>out there. I mean I know where he is. I

0:30:38.760 --> 0:30:41.360
<v Speaker 1>just don't know what it's called. But he's got they've

0:30:41.400 --> 0:30:45.080
<v Speaker 1>just put up a cross of a mirror cross that

0:30:45.200 --> 0:30:46.160
<v Speaker 1>actually looks quite.

0:30:46.000 --> 0:30:47.800
<v Speaker 2>Beautiful, a mirror cross on wood.

0:30:47.960 --> 0:30:49.440
<v Speaker 1>But it's often when we go out there, it's a

0:30:49.480 --> 0:30:53.400
<v Speaker 1>bit lopsided. And he's got some lovely neighbors, a Chinese guy,

0:30:54.080 --> 0:30:56.120
<v Speaker 1>a German, I don't know how that's working out.

0:30:56.280 --> 0:30:59.719
<v Speaker 2>But this is Australia, yep, it is. They all look

0:30:59.720 --> 0:31:01.840
<v Speaker 2>the same, great zones.

0:31:01.840 --> 0:31:06.480
<v Speaker 1>I meant, I mean what, oh, but what about gravitas.

0:31:07.360 --> 0:31:10.840
<v Speaker 1>Gravitas is a Latin word that means weight or heaviness.

0:31:12.240 --> 0:31:13.239
<v Speaker 2>I think I was more right.

0:31:13.360 --> 0:31:15.600
<v Speaker 1>I think he were because it says a figurative weight,

0:31:16.400 --> 0:31:18.440
<v Speaker 1>something primarily scientific.

0:31:18.640 --> 0:31:22.280
<v Speaker 2>I'm really right, that was extraordinary.

0:31:23.160 --> 0:31:26.400
<v Speaker 1>That's what we're going to put on your grade once.

0:31:26.480 --> 0:31:27.200
<v Speaker 1>He was right.

0:31:29.320 --> 0:31:32.320
<v Speaker 2>Really, when you watch me on the ABC's news show

0:31:32.640 --> 0:31:35.040
<v Speaker 2>House of Games in a couple of weeks, you will

0:31:35.960 --> 0:31:38.840
<v Speaker 2>genuinely be shocked at how bad I went on that game.

0:31:39.080 --> 0:31:40.440
<v Speaker 1>I don't think I will be so.

0:31:41.160 --> 0:31:43.360
<v Speaker 2>I am smart in different ways, Kate. I'm not good

0:31:43.440 --> 0:31:45.080
<v Speaker 2>with shapes and colors and wars.

0:31:45.480 --> 0:31:48.280
<v Speaker 1>Right, concepts.

0:31:48.480 --> 0:31:49.600
<v Speaker 2>Concepts not for me?

0:31:49.800 --> 0:31:55.000
<v Speaker 1>All right now, right on the agenda of what this show. Sorry,

0:31:55.080 --> 0:31:57.800
<v Speaker 1>we're starting, we have we're starting the show.

0:31:58.080 --> 0:32:08.040
<v Speaker 2>Okay, how far into it are we stash? Now, my

0:32:08.280 --> 0:32:13.200
<v Speaker 2>husband has a new toy. He has a toy and

0:32:13.280 --> 0:32:17.800
<v Speaker 2>it's not me, Kate, not me. Oh wow, whoa it comes.

0:32:18.840 --> 0:32:20.840
<v Speaker 2>There comes a time in a man's life when I

0:32:20.920 --> 0:32:24.120
<v Speaker 2>feel like he is old enough and wise enough and

0:32:24.320 --> 0:32:27.520
<v Speaker 2>bored enough to make this purchase.

0:32:27.600 --> 0:32:28.120
<v Speaker 1>Can I guess?

0:32:28.160 --> 0:32:29.960
<v Speaker 2>And it's going to happen to every man that we

0:32:30.080 --> 0:32:31.240
<v Speaker 2>know at a certain age.

0:32:31.320 --> 0:32:35.280
<v Speaker 1>Shall we guess? Is it something mechanical ish? Is Is

0:32:35.360 --> 0:32:40.040
<v Speaker 1>it a lawn mower? No? Okay, it's not a jet

0:32:40.120 --> 0:32:41.640
<v Speaker 1>ski No, I love it.

0:32:41.680 --> 0:32:43.160
<v Speaker 2>If he got a jet scare, he would.

0:32:43.160 --> 0:32:46.040
<v Speaker 1>Actually, you know what jet skis are? What are brilliant

0:32:46.320 --> 0:32:50.040
<v Speaker 1>for the person that's on it, and hell for every

0:32:50.200 --> 0:32:53.920
<v Speaker 1>other person. But just I have a vision of myself

0:32:53.960 --> 0:32:57.000
<v Speaker 1>being like Rihanna, you know those pictures of her on

0:32:57.080 --> 0:33:00.600
<v Speaker 1>a jet skime. Well, I love it. Okay, so it's

0:33:00.720 --> 0:33:03.040
<v Speaker 1>not I give up.

0:33:03.280 --> 0:33:10.320
<v Speaker 2>He has purchased and installed a home security camera. Oh,

0:33:10.920 --> 0:33:15.560
<v Speaker 2>it has finally happened, and watches it all the time.

0:33:16.120 --> 0:33:20.920
<v Speaker 2>We're sixty hello, ak, we're bored boomers. He watches it

0:33:21.000 --> 0:33:25.600
<v Speaker 2>all the time, but it activates obviously when something happens. Yeah,

0:33:25.760 --> 0:33:28.600
<v Speaker 2>then he has you're already the app. He gets the

0:33:28.680 --> 0:33:32.920
<v Speaker 2>notification on the app, he can watch the notification. Then

0:33:33.000 --> 0:33:35.760
<v Speaker 2>he can do many things. He can cross live to

0:33:35.840 --> 0:33:38.920
<v Speaker 2>the camera and continue watching. He can press a button

0:33:39.120 --> 0:33:40.840
<v Speaker 2>and speak to you through the camera.

0:33:41.200 --> 0:33:43.000
<v Speaker 1>Oh, that's how you frightened burglars.

0:33:43.080 --> 0:33:46.520
<v Speaker 2>Well, he said some very naughty water of property. He

0:33:46.560 --> 0:33:48.719
<v Speaker 2>said some very naughty words to me the other day

0:33:48.760 --> 0:33:49.680
<v Speaker 2>when I was coming home.

0:33:49.880 --> 0:33:52.160
<v Speaker 1>Why because he disturbed him? No, he wasn't.

0:33:52.560 --> 0:33:57.960
<v Speaker 2>He got a notifications overseas and he was Washington.

0:33:58.840 --> 0:33:59.680
<v Speaker 1>What did he say to you?

0:34:00.280 --> 0:34:01.000
<v Speaker 2>I can't repeat it?

0:34:01.200 --> 0:34:02.040
<v Speaker 1>Oh? Was it fun?

0:34:02.240 --> 0:34:03.880
<v Speaker 2>Fun? But very bad words?

0:34:04.080 --> 0:34:04.360
<v Speaker 1>Kids?

0:34:04.400 --> 0:34:07.760
<v Speaker 2>You can't say those words. Absolutely not.

0:34:08.480 --> 0:34:09.000
<v Speaker 1>It wasn't.

0:34:10.680 --> 0:34:14.279
<v Speaker 2>So he's just moving it here, moving it there. Hang on,

0:34:14.320 --> 0:34:16.280
<v Speaker 2>I got to go back out, doesn't I the angle?

0:34:16.760 --> 0:34:20.399
<v Speaker 2>Checking this? Checking that? Checking that? Okay? So I came

0:34:20.440 --> 0:34:22.800
<v Speaker 2>home the other day and may of a little slip,

0:34:23.560 --> 0:34:25.080
<v Speaker 2>a little slip because I had the dog.

0:34:25.320 --> 0:34:26.359
<v Speaker 1>You forgot to lock the door.

0:34:26.440 --> 0:34:29.160
<v Speaker 2>No I slipped literally physically, I had a little slip.

0:34:31.040 --> 0:34:33.359
<v Speaker 2>No I didn't. It didn't pick it up too much.

0:34:33.520 --> 0:34:36.720
<v Speaker 2>But of course he gets the notification sent to his phone.

0:34:36.800 --> 0:34:39.680
<v Speaker 2>I get the screen cap having fun there, mate, like

0:34:39.920 --> 0:34:42.720
<v Speaker 2>is this my life? Now? Is this my life?

0:34:43.040 --> 0:34:43.359
<v Speaker 1>All right?

0:34:43.760 --> 0:34:45.960
<v Speaker 2>But do you know what the final straw was for him?

0:34:46.040 --> 0:34:49.160
<v Speaker 2>Where he went this isn't we're getting this camera? When

0:34:49.200 --> 0:34:51.359
<v Speaker 2>my jars were stolen? Oh?

0:34:51.640 --> 0:34:55.120
<v Speaker 1>He needed security? Were they stolen from the porch? That

0:34:55.239 --> 0:34:56.120
<v Speaker 1>was stolen from your car.

0:34:56.440 --> 0:34:58.360
<v Speaker 2>You can see that because we don't have a driveway.

0:34:58.719 --> 0:35:03.240
<v Speaker 2>That's one of those townhouse places where you know fence

0:35:03.320 --> 0:35:05.440
<v Speaker 2>then the street so you can see the car.

0:35:05.600 --> 0:35:07.120
<v Speaker 1>You know what, I just realized, I've never been to

0:35:07.200 --> 0:35:07.520
<v Speaker 1>your hand.

0:35:07.600 --> 0:35:13.160
<v Speaker 2>I've invited you many times, and you actually go, We'll

0:35:13.200 --> 0:35:14.120
<v Speaker 2>go back to the records.

0:35:14.280 --> 0:35:18.480
<v Speaker 1>You don't believe a Sama. She just told you straight.

0:35:19.520 --> 0:35:21.440
<v Speaker 2>We were talking about our dogs and you said you

0:35:21.480 --> 0:35:22.960
<v Speaker 2>don't come over, and I said, because you live too

0:35:23.000 --> 0:35:25.480
<v Speaker 2>far in the parking and I said you could come

0:35:25.520 --> 0:35:26.759
<v Speaker 2>to mine, and you went, I.

0:35:26.840 --> 0:35:30.880
<v Speaker 1>Don't consider that a real invitation. Yeah, I do recall

0:35:30.960 --> 0:35:31.319
<v Speaker 1>that comment.

0:35:31.400 --> 0:35:34.359
<v Speaker 2>And when you come over, Cody will be watching when

0:35:34.440 --> 0:35:37.040
<v Speaker 2>you walk in the gate, and when you knock, why.

0:35:36.920 --> 0:35:40.920
<v Speaker 1>Don't we brank him? And oh my goodness, pretend to steal.

0:35:40.960 --> 0:35:45.160
<v Speaker 1>We pretend we're porch pirates, which Megan referred to in

0:35:45.280 --> 0:35:49.200
<v Speaker 1>her Yeah with hoodies porch pirates. Never heard that one before.

0:35:49.600 --> 0:35:51.880
<v Speaker 1>She said, So there we go.

0:35:52.080 --> 0:35:54.040
<v Speaker 2>Maybe something's going to happen. Maybe in a few buck

0:35:54.120 --> 0:35:55.719
<v Speaker 2>Up episodes, I'll have some footage.

0:35:55.800 --> 0:35:56.600
<v Speaker 1>Oh I love it.

0:35:56.880 --> 0:35:58.960
<v Speaker 2>But he has never ignored me more.

0:35:59.320 --> 0:36:02.840
<v Speaker 1>He is on that thing day and night in his defense,

0:36:03.080 --> 0:36:06.560
<v Speaker 1>save me attention. We well, you need to do something

0:36:06.600 --> 0:36:08.200
<v Speaker 1>on the porch, and he'll pay you attention.

0:36:08.520 --> 0:36:09.320
<v Speaker 2>Yeah, that's what I'll do.

0:36:10.960 --> 0:36:12.040
<v Speaker 1>Take a dumb on the front.

0:36:12.120 --> 0:36:12.279
<v Speaker 2>Law.

0:36:12.880 --> 0:36:17.120
<v Speaker 1>But this fun, flirtatious frolicking on the camera.

0:36:17.719 --> 0:36:22.040
<v Speaker 2>Hey, b guy, you know, go out there with a

0:36:22.080 --> 0:36:25.280
<v Speaker 2>little towel on after a show, this little thing.

0:36:25.480 --> 0:36:27.080
<v Speaker 1>A little flishity flash.

0:36:28.120 --> 0:36:31.920
<v Speaker 2>Come on, Why wouldn't you because I have Yeah, all right,

0:36:32.040 --> 0:36:32.400
<v Speaker 2>leave it with.

0:36:32.520 --> 0:36:35.879
<v Speaker 1>Me, all right. So we have one at the front

0:36:35.920 --> 0:36:38.719
<v Speaker 1>of our house, which I think Peter put in when

0:36:38.760 --> 0:36:41.800
<v Speaker 1>we moved in. I think similar because cars kept getting

0:36:41.800 --> 0:36:44.759
<v Speaker 1>broken into or whatever. And you know, there's a lot

0:36:44.800 --> 0:36:48.040
<v Speaker 1>of crackheads in our area, right, not so many in

0:36:48.120 --> 0:36:49.680
<v Speaker 1>our street now is where we used to live, but

0:36:49.800 --> 0:36:53.880
<v Speaker 1>still it's killed us, so, you know, gnarly. And you

0:36:54.000 --> 0:36:56.359
<v Speaker 1>know who's obsessed with it in our house.

0:36:56.440 --> 0:36:57.359
<v Speaker 2>The sons or the daughter.

0:36:57.680 --> 0:37:03.640
<v Speaker 1>My daughter, she's obs with what she watches the Apple.

0:37:03.719 --> 0:37:05.960
<v Speaker 1>I literally wouldn't even know how to watch it. She

0:37:06.120 --> 0:37:09.080
<v Speaker 1>watches it all the time. And she's always been the

0:37:09.160 --> 0:37:12.759
<v Speaker 1>town crier ever since she was She's always like, where

0:37:12.800 --> 0:37:15.560
<v Speaker 1>did you get that from? Luis? Did eat the last cookie?

0:37:15.920 --> 0:37:16.920
<v Speaker 1>You know that sort of thing.

0:37:17.000 --> 0:37:20.120
<v Speaker 2>I would love our buckheads listening to message your Instagram

0:37:20.320 --> 0:37:22.440
<v Speaker 2>if their camera has found.

0:37:22.200 --> 0:37:24.880
<v Speaker 1>Something, because they're everywhere now they're everywhere.

0:37:24.920 --> 0:37:28.680
<v Speaker 2>I want someone to say, yeah and we saw someone.

0:37:28.800 --> 0:37:32.560
<v Speaker 1>This, Oh yeah, that's really good. I want to do it, Sash, I.

0:37:32.640 --> 0:37:34.920
<v Speaker 2>Just said, contact us Instagram.

0:37:35.000 --> 0:37:39.240
<v Speaker 1>Instagram kicking might have changed.

0:37:39.520 --> 0:37:41.799
<v Speaker 2>Do you swear words, because then it gets I think

0:37:41.880 --> 0:37:46.680
<v Speaker 2>it gets barred. Yeah, if you write, I know, but

0:37:46.719 --> 0:37:49.320
<v Speaker 2>if they're hey, I love your pod, I think it

0:37:49.400 --> 0:37:50.880
<v Speaker 2>goes to some weird folded.

0:37:50.719 --> 0:37:59.239
<v Speaker 1>With face that they're very unlikely to say that. So

0:37:59.400 --> 0:38:02.920
<v Speaker 1>this is my lemma, and I don't know where it stands.

0:38:03.000 --> 0:38:07.239
<v Speaker 1>You're very good at returning things that you have bought yep,

0:38:07.480 --> 0:38:12.040
<v Speaker 1>And as we know, I am not. So I don't

0:38:12.080 --> 0:38:14.600
<v Speaker 1>return anything that I bought online. I don't think I

0:38:14.719 --> 0:38:16.239
<v Speaker 1>ever have successfully.

0:38:16.320 --> 0:38:18.120
<v Speaker 2>But I also told you that time that someone told

0:38:18.160 --> 0:38:20.560
<v Speaker 2>me that what I return doesn't even go back, just

0:38:20.600 --> 0:38:21.640
<v Speaker 2>go straight to landfilm.

0:38:21.920 --> 0:38:24.960
<v Speaker 1>Don't think about that. Don't think about that. Sad, but

0:38:26.880 --> 0:38:29.000
<v Speaker 1>that just regifted to people won't stop me doing it.

0:38:29.560 --> 0:38:32.120
<v Speaker 1>I actually think it goes overseas and it ends up

0:38:32.200 --> 0:38:33.040
<v Speaker 1>in March.

0:38:33.000 --> 0:38:36.680
<v Speaker 2>But landfill over there out of mind, give me my

0:38:36.760 --> 0:38:37.279
<v Speaker 2>money back.

0:38:37.400 --> 0:38:42.640
<v Speaker 1>All right. What I'm quite good at, it's a relative concept,

0:38:42.760 --> 0:38:45.600
<v Speaker 1>is returning things that I bought in the flesh. So

0:38:45.719 --> 0:38:48.759
<v Speaker 1>I'm often like old, keep that receipt. Well, it's the

0:38:48.840 --> 0:38:51.360
<v Speaker 1>only hope I've got. I can't get to a post office,

0:38:51.360 --> 0:38:52.480
<v Speaker 1>I can't repackage something.

0:38:52.560 --> 0:38:55.200
<v Speaker 2>Are you returning? If you've physically held something and seen

0:38:55.239 --> 0:38:57.840
<v Speaker 2>it and touched it, why would you be returning it?

0:38:58.000 --> 0:38:59.120
<v Speaker 1>It's not the right size?

0:38:59.360 --> 0:39:01.359
<v Speaker 2>Did you try it? You're in the shop.

0:39:01.560 --> 0:39:04.520
<v Speaker 1>No, Sometimes I've got something for Peter. Let's face it.

0:39:04.600 --> 0:39:14.040
<v Speaker 1>I don't really return things. I just don't need so

0:39:14.360 --> 0:39:18.160
<v Speaker 1>much trouble. But sometimes my girlfriend Alice will say, who

0:39:18.239 --> 0:39:18.800
<v Speaker 1>say something?

0:39:19.160 --> 0:39:22.680
<v Speaker 2>I asked two questions and you crumble? It would be

0:39:22.840 --> 0:39:24.200
<v Speaker 2>so bad at a crime.

0:39:25.239 --> 0:39:27.200
<v Speaker 1>Do you think the the cops would get you in

0:39:27.280 --> 0:39:28.239
<v Speaker 1>that room, get me?

0:39:28.800 --> 0:39:29.920
<v Speaker 2>You know why crumble?

0:39:30.080 --> 0:39:32.800
<v Speaker 1>I just I'd lose interest. Even the truth is always

0:39:32.880 --> 0:39:34.560
<v Speaker 1>better than a made up story.

0:39:34.440 --> 0:39:36.600
<v Speaker 2>And pass Codey's camera's got you on footage doing it.

0:39:36.640 --> 0:39:40.160
<v Speaker 1>I'm caught one hundred percent. But this is my dilemma.

0:39:40.719 --> 0:39:42.920
<v Speaker 1>I know, in principle, if you've got a receipt, you

0:39:43.000 --> 0:39:49.320
<v Speaker 1>can return things. This is my question to you and buckwets.

0:39:50.520 --> 0:40:02.680
<v Speaker 1>Can I return a pineapple? Can I return a pineapple?

0:40:02.719 --> 0:40:03.600
<v Speaker 2>How many days old?

0:40:04.280 --> 0:40:07.279
<v Speaker 1>No? No, don't ask how old is? It's wrong with it?

0:40:07.360 --> 0:40:08.640
<v Speaker 2>Okay? What was wrong with it?

0:40:08.920 --> 0:40:13.799
<v Speaker 1>They sold me an unripe pineapple and they charge eight

0:40:14.080 --> 0:40:18.640
<v Speaker 1>dollars for it, and I just was like this, Okay,

0:40:18.760 --> 0:40:19.960
<v Speaker 1>let me set the context for you.

0:40:20.080 --> 0:40:21.800
<v Speaker 2>I will say that I think ripe is in the

0:40:21.920 --> 0:40:24.120
<v Speaker 2>eye of the beholder. I brought it in.

0:40:24.400 --> 0:40:27.040
<v Speaker 1>Who's to say some of these pineapple but who's to

0:40:27.040 --> 0:40:27.759
<v Speaker 1>say it what's ripe?

0:40:28.600 --> 0:40:28.799
<v Speaker 2>Well?

0:40:29.360 --> 0:40:32.080
<v Speaker 1>I don't think the idea is that when you bite

0:40:32.160 --> 0:40:36.239
<v Speaker 1>into a pineapple, your face puckers like one of the

0:40:36.400 --> 0:40:39.319
<v Speaker 1>greyhounds in the at the Dish liquors when they used

0:40:39.360 --> 0:40:45.719
<v Speaker 1>to try and make them run fast. Denko rub ready

0:40:45.760 --> 0:40:48.720
<v Speaker 1>to go take the turn tonight, all yours. They're charging

0:40:48.800 --> 0:40:50.120
<v Speaker 1>eight dollars for a pineapple.

0:40:50.160 --> 0:40:52.040
<v Speaker 2>Out of all of the fruits that you squeeze and

0:40:52.120 --> 0:40:55.279
<v Speaker 2>poke and prod and finger to figure out nearly impossible.

0:40:55.360 --> 0:40:57.080
<v Speaker 2>Who the hell knows what they're doing with the pineapple?

0:40:57.080 --> 0:40:59.920
<v Speaker 1>Okay, I do know, because I'm a Queenslander. But they

0:41:00.120 --> 0:41:03.040
<v Speaker 1>made it impossible. So you know, the rough end of

0:41:03.080 --> 0:41:07.719
<v Speaker 1>the pineapple. Yeah, we do you've had a few times. Yeah,

0:41:10.920 --> 0:41:11.880
<v Speaker 1>you know that expression.

0:41:12.120 --> 0:41:14.399
<v Speaker 2>I do. I don't know in regards to what you're meant.

0:41:14.880 --> 0:41:17.960
<v Speaker 2>Oh life, all right, so you're doing some sex thing

0:41:18.680 --> 0:41:22.400
<v Speaker 2>Cody and I have filmed on the camera out the frond.

0:41:25.800 --> 0:41:30.480
<v Speaker 1>Okay. So if you have a pineapple that's intact, then

0:41:30.520 --> 0:41:34.239
<v Speaker 1>you can pull one of the spines out of the headdress.

0:41:35.080 --> 0:41:35.640
<v Speaker 2>Do not know this.

0:41:36.000 --> 0:41:39.480
<v Speaker 1>And if it pulls out easily, then it's ripe. The

0:41:39.600 --> 0:41:42.600
<v Speaker 1>other way you can tell is with smell with pineapple.

0:41:42.640 --> 0:41:46.600
<v Speaker 1>But because they've been picked so unripe. Also, they sold

0:41:46.680 --> 0:41:50.440
<v Speaker 1>me the pineapple denuded. I'm going to show it to you.

0:41:50.560 --> 0:41:53.960
<v Speaker 1>I brought it in. Also, since here on Google, pineapples

0:41:54.000 --> 0:41:55.720
<v Speaker 1>do not ripen after being picked.

0:41:57.640 --> 0:41:59.879
<v Speaker 2>Why we're being sold a lot?

0:42:01.000 --> 0:42:05.960
<v Speaker 1>Cook us up? Okay, Now this pineapple, I had no

0:42:06.239 --> 0:42:06.840
<v Speaker 1>chance with it.

0:42:07.000 --> 0:42:10.279
<v Speaker 2>It smells like cordial in like not right.

0:42:10.680 --> 0:42:13.400
<v Speaker 1>It's just anyway, I gotta be in my bonnet, and

0:42:13.400 --> 0:42:16.000
<v Speaker 1>I'll tell you why this wasn't from a Stuba market.

0:42:16.440 --> 0:42:19.799
<v Speaker 1>It was a Stuba market. I wouldn't return it there either,

0:42:19.960 --> 0:42:22.439
<v Speaker 1>but I would know that they would take it back.

0:42:22.480 --> 0:42:24.960
<v Speaker 1>Although once I tried to return sushi to Woolworths that

0:42:25.040 --> 0:42:25.960
<v Speaker 1>was a terrible.

0:42:26.880 --> 0:42:28.440
<v Speaker 2>What you get for buying sushi at all?

0:42:28.560 --> 0:42:32.160
<v Speaker 1>Correct? Correct with so humiliating.

0:42:32.239 --> 0:42:34.000
<v Speaker 2>Actually the some wall is now that have the sushi

0:42:34.080 --> 0:42:36.880
<v Speaker 2>man in there making it, that's as bad as the

0:42:36.960 --> 0:42:39.839
<v Speaker 2>just the one. I love that from the one near

0:42:39.840 --> 0:42:41.000
<v Speaker 2>the croissants.

0:42:40.640 --> 0:42:43.439
<v Speaker 1>And he'll always give you extra pickle ginger. But they're

0:42:43.520 --> 0:42:46.279
<v Speaker 1>very stingy with it in the pre packs anyway. But

0:42:46.440 --> 0:42:50.000
<v Speaker 1>this was from one of those overpriced free veggie shops,

0:42:50.040 --> 0:42:51.759
<v Speaker 1>which I love. It's a beautiful shop.

0:42:51.840 --> 0:42:54.440
<v Speaker 2>There is a taste difference that's not one hundred percent,

0:42:54.600 --> 0:42:55.879
<v Speaker 2>well not this particular item.

0:42:56.400 --> 0:43:00.239
<v Speaker 1>Well, there was a taste difference, mouth puckeringly unripe. Was

0:43:00.360 --> 0:43:01.480
<v Speaker 1>the taste different.

0:43:01.960 --> 0:43:05.279
<v Speaker 2>If you walk into that shop, yes, and say I'm

0:43:05.360 --> 0:43:08.120
<v Speaker 2>returning this because it doesn't taste right or it's not ripe.

0:43:08.520 --> 0:43:09.520
<v Speaker 2>It is the end of this pot.

0:43:10.560 --> 0:43:12.320
<v Speaker 1>Okay, I'm going to do that.

0:43:12.840 --> 0:43:15.000
<v Speaker 2>I can't be doing a podcast.

0:43:14.640 --> 0:43:16.120
<v Speaker 1>With someone who returns pineapple.

0:43:17.680 --> 0:43:19.680
<v Speaker 2>Why an't you calling AM radio about this?

0:43:21.120 --> 0:43:25.320
<v Speaker 1>I just need to answer, can I return it or nose?

0:43:25.400 --> 0:43:28.320
<v Speaker 1>Do we want? No?

0:43:30.200 --> 0:43:33.239
<v Speaker 2>I was kidding. Go on in tomorrow, please and please report, but.

0:43:33.400 --> 0:43:34.600
<v Speaker 1>I can't go back to winnesday.

0:43:34.800 --> 0:43:38.840
<v Speaker 2>Well that's insanity. Hi, this pineapple I bought fresh to

0:43:38.920 --> 0:43:41.440
<v Speaker 2>eat seven days ago isn't.

0:43:41.360 --> 0:43:45.160
<v Speaker 1>Good seventeen But that doesn't matter. I've kept it to

0:43:45.320 --> 0:43:47.440
<v Speaker 1>return to them. What do they think that I'm going

0:43:47.520 --> 0:43:48.160
<v Speaker 1>out of my way?

0:43:48.280 --> 0:43:51.880
<v Speaker 2>Do you remember like ten fifteen years ago where pineapple

0:43:52.200 --> 0:43:55.799
<v Speaker 2>things were a thing, decorations everyone had like.

0:43:55.840 --> 0:43:58.240
<v Speaker 1>And a girlfriend of ours was devastated because she'd always

0:43:58.280 --> 0:44:03.600
<v Speaker 1>been into pineapple like fake when in maximum retail she

0:44:03.840 --> 0:44:05.920
<v Speaker 1>was devo because it had taken her years to work

0:44:05.960 --> 0:44:07.480
<v Speaker 1>on her vintage pineapple collection.

0:44:07.640 --> 0:44:11.080
<v Speaker 2>There is a particular girl that I know, but I

0:44:11.200 --> 0:44:13.200
<v Speaker 2>know a lot of them, that has like a framed

0:44:13.280 --> 0:44:16.640
<v Speaker 2>picture of like a fluo pineapples. Yeah, painting, is that

0:44:16.800 --> 0:44:19.960
<v Speaker 2>Andy Warhol? No, it's not a specific one. It's like

0:44:20.120 --> 0:44:21.080
<v Speaker 2>just in general.

0:44:21.320 --> 0:44:23.520
<v Speaker 1>Anything we say today, She googles.

0:44:23.320 --> 0:44:23.719
<v Speaker 2>I love it.

0:44:24.000 --> 0:44:26.000
<v Speaker 1>I love it. You were having a go at me

0:44:26.120 --> 0:44:29.000
<v Speaker 1>last week that I don't do anything. No, well you don't.

0:44:33.200 --> 0:44:35.440
<v Speaker 2>Hello to the pineapple decorations still.

0:44:36.480 --> 0:44:41.040
<v Speaker 1>And remember before that, before that, and this was the era.

0:44:41.360 --> 0:44:42.440
<v Speaker 2>I've got another one as well.

0:44:42.600 --> 0:44:47.240
<v Speaker 1>Okay, you remember what was that acually came offspring? Offspring?

0:44:47.520 --> 0:44:48.000
<v Speaker 2>Huh huh?

0:44:48.440 --> 0:44:49.800
<v Speaker 1>Was it offspring? The owls?

0:44:50.320 --> 0:44:53.399
<v Speaker 2>The owl the owl, the owls.

0:44:53.480 --> 0:44:57.239
<v Speaker 1>Because she collected owls. I have always that secret life

0:44:57.280 --> 0:45:00.640
<v Speaker 1>of us. Maybe maybe a secret li for that when

0:45:00.680 --> 0:45:02.720
<v Speaker 1>you're I think, actually, Kitty collected owls.

0:45:03.200 --> 0:45:06.400
<v Speaker 2>So I'm forty Google back, google that forty one.

0:45:07.080 --> 0:45:09.960
<v Speaker 1>Right, Just every time you say it's a shock to me.

0:45:10.200 --> 0:45:13.160
<v Speaker 2>Whatever, I'm saying that because fresh face. All the girls

0:45:13.160 --> 0:45:15.239
<v Speaker 2>that I grew up with went through particular phases, and

0:45:15.280 --> 0:45:18.040
<v Speaker 2>I always remember them. Here's some other ones I remember.

0:45:19.440 --> 0:45:23.439
<v Speaker 1>Dream catches, dream, dream catches, dream?

0:45:23.560 --> 0:45:25.200
<v Speaker 2>Why did women have dream catches?

0:45:25.360 --> 0:45:28.239
<v Speaker 1>Because we have dreams? We need to Prince Harry giving

0:45:28.280 --> 0:45:29.040
<v Speaker 1>in some warps?

0:45:30.719 --> 0:45:32.960
<v Speaker 2>All right, So DreamCatcher phase happened to a lot of

0:45:33.000 --> 0:45:33.560
<v Speaker 2>girls I know.

0:45:34.040 --> 0:45:36.719
<v Speaker 1>And it still does. I defy anyone to go to

0:45:36.800 --> 0:45:40.120
<v Speaker 1>Ballei and not be suckered in by one of the

0:45:40.440 --> 0:45:43.560
<v Speaker 1>giant white cotton ones. You know, girls, we've always all

0:45:43.640 --> 0:45:46.920
<v Speaker 1>got a white cotton or linen fantasy. We've got a

0:45:46.960 --> 0:45:48.880
<v Speaker 1>fantasy that we're gonna have white sheets.

0:45:49.080 --> 0:45:49.840
<v Speaker 2>Yes all that?

0:45:50.120 --> 0:45:50.520
<v Speaker 1>What is that?

0:45:51.880 --> 0:45:54.920
<v Speaker 2>That's just scribbled white plus wicker?

0:45:55.080 --> 0:45:58.400
<v Speaker 1>Oh? Yes? Yes, what's with this hospital.

0:45:58.040 --> 0:46:01.279
<v Speaker 2>Braid white lounge? I don't know. Everywhere girls of a

0:46:01.360 --> 0:46:03.120
<v Speaker 2>certain age, my age, I've got one more fact.

0:46:03.280 --> 0:46:05.160
<v Speaker 1>Yeah, a girlfriend of mine was going to come down

0:46:05.239 --> 0:46:07.279
<v Speaker 1>the beach with us, and I realized I could never

0:46:07.360 --> 0:46:09.400
<v Speaker 1>invite her because I heard her say one day, I

0:46:09.480 --> 0:46:12.640
<v Speaker 1>can only sleep on white sheets and use a white towel.

0:46:12.760 --> 0:46:16.760
<v Speaker 1>And I I have literally not had white sheets since

0:46:17.480 --> 0:46:18.759
<v Speaker 1>I first put them on the bed.

0:46:19.560 --> 0:46:24.000
<v Speaker 2>Who is responsible for this whiteness? It's something that the

0:46:24.160 --> 0:46:26.879
<v Speaker 2>aesthetic of white. The girls just aspire too.

0:46:27.200 --> 0:46:32.080
<v Speaker 1>It's very hotel is luxury is I think that's why we.

0:46:32.160 --> 0:46:34.120
<v Speaker 2>Like cream, white, gray wicker.

0:46:34.360 --> 0:46:36.439
<v Speaker 1>Yeah, I don't like it. Give me some color, please,

0:46:36.520 --> 0:46:38.080
<v Speaker 1>I will, As you know, I'm a color person.

0:46:38.120 --> 0:46:38.720
<v Speaker 2>Pop the color.

0:46:39.040 --> 0:46:39.239
<v Speaker 1>Yeah.

0:46:39.440 --> 0:46:43.960
<v Speaker 2>And do you remember this as well? Flamingos, Oh, FLAMI

0:46:44.400 --> 0:46:47.640
<v Speaker 2>was a real flamingo thing going on for a while.

0:46:48.680 --> 0:46:53.360
<v Speaker 2>People had inflatable flamingos of their laund room. We still do,

0:46:53.719 --> 0:46:54.080
<v Speaker 2>do they?

0:46:54.520 --> 0:46:57.080
<v Speaker 1>People have I guarantee if you have a flamingo in

0:46:57.160 --> 0:46:59.439
<v Speaker 1>your front yard, it'll get stolen old people.

0:46:59.600 --> 0:47:01.040
<v Speaker 2>They're bad, Yeah, no, they just.

0:47:01.200 --> 0:47:02.919
<v Speaker 1>It's just very attractive to people.

0:47:02.960 --> 0:47:05.760
<v Speaker 2>Of put a flamingo at the front of our house

0:47:05.880 --> 0:47:10.000
<v Speaker 2>with our camera, which also hangs off the camera is

0:47:10.040 --> 0:47:11.319
<v Speaker 2>a dream catcher.

0:47:11.200 --> 0:47:14.880
<v Speaker 1>Yes, of course, get a Is that next to the

0:47:15.000 --> 0:47:19.279
<v Speaker 1>rubber catcher. The framed pineapple picture, isn't it? I think

0:47:19.320 --> 0:47:19.840
<v Speaker 1>I've seen it.

0:47:20.400 --> 0:47:22.319
<v Speaker 2>I love this, Please take it back.

0:47:22.760 --> 0:47:25.400
<v Speaker 1>And if you've got a line's head door knocker, by

0:47:25.440 --> 0:47:27.680
<v Speaker 1>the way, is a perennial that never goes out.

0:47:27.520 --> 0:47:28.600
<v Speaker 2>Of I don't remember that one.

0:47:29.239 --> 0:47:29.680
<v Speaker 1>We've got that?

0:47:30.280 --> 0:47:30.560
<v Speaker 2>What's that?

0:47:31.200 --> 0:47:35.080
<v Speaker 1>A line's head brass door knocker shap like a lion's head.

0:47:35.160 --> 0:47:37.279
<v Speaker 2>All I remember from your house tour that you gave me.

0:47:37.440 --> 0:47:41.320
<v Speaker 2>One was the insane pool upstairs that defied sign that

0:47:41.480 --> 0:47:44.120
<v Speaker 2>leaks and has kills possums too. You kill a pool,

0:47:46.719 --> 0:47:50.640
<v Speaker 2>you kill a pool. Your upstairs bathroom had a thing

0:47:50.680 --> 0:47:53.760
<v Speaker 2>in it that anyone that knows anything about you, anyone

0:47:53.840 --> 0:47:55.799
<v Speaker 2>listening to our pod, would go, of course, and they

0:47:55.800 --> 0:48:00.640
<v Speaker 2>would expect that from you, which was this very gold

0:48:01.120 --> 0:48:05.120
<v Speaker 2>Oh yes, swan, swan tap yes, so the tap nozzle

0:48:05.239 --> 0:48:08.040
<v Speaker 2>is a swan. Let's not tell them how much it was,

0:48:08.080 --> 0:48:10.280
<v Speaker 2>because when you told me, I had to process.

0:48:09.920 --> 0:48:11.879
<v Speaker 1>No no, but that one wasn't because my husband bought

0:48:11.920 --> 0:48:15.560
<v Speaker 1>it off. It'sy Yeah, the original was worth how much?

0:48:16.160 --> 0:48:16.960
<v Speaker 1>I can't remember that.

0:48:17.120 --> 0:48:19.520
<v Speaker 2>You said it was like fifteenth grand or something.

0:48:19.520 --> 0:48:23.440
<v Speaker 1>Oh no, no, no, no, no, no, oh no, no, sure, no, no,

0:48:23.600 --> 0:48:24.640
<v Speaker 1>but it was expensive.

0:48:25.080 --> 0:48:28.120
<v Speaker 2>It was probably like so anyone listening knows that. Yeah,

0:48:28.160 --> 0:48:30.280
<v Speaker 2>of course you have a tap that's a swan.

0:48:30.400 --> 0:48:30.880
<v Speaker 1>It's stunning.

0:48:30.920 --> 0:48:32.520
<v Speaker 2>I'll take a photo of it. And the water comes

0:48:32.560 --> 0:48:33.440
<v Speaker 2>out of this I forgot that.

0:48:33.480 --> 0:48:34.440
<v Speaker 1>That doesn't look normal.

0:48:34.600 --> 0:48:37.200
<v Speaker 2>It's not normal. But someone has a gigantic very.

0:48:37.840 --> 0:48:39.560
<v Speaker 1>And I'll tell you what is on this one that

0:48:39.680 --> 0:48:41.480
<v Speaker 1>wasn't on our last one. Is when you go to

0:48:41.520 --> 0:48:45.040
<v Speaker 1>turn the taps on, the taps are it's wings, little wings,

0:48:45.080 --> 0:48:47.520
<v Speaker 1>So you flip the wings there when I was there, Yeah,

0:48:48.040 --> 0:48:49.640
<v Speaker 1>you wouldn't have noticed it. They're only small.

0:48:49.840 --> 0:48:50.520
<v Speaker 2>A lot of who ha.

0:48:52.160 --> 0:48:54.600
<v Speaker 1>Why wouldn't you have who in your bathroom? That's a

0:48:54.640 --> 0:48:57.640
<v Speaker 1>good point with bathroom, I believe. All right, can I

0:48:57.719 --> 0:48:58.239
<v Speaker 1>proffer you.

0:48:58.600 --> 0:49:00.799
<v Speaker 2>Better than you're doing? You want carp in there? Makes

0:49:00.840 --> 0:49:01.719
<v Speaker 2>me physically sick.

0:49:01.800 --> 0:49:04.960
<v Speaker 1>Okay, never carpet in the bathroom or the kitchen.

0:49:05.000 --> 0:49:08.239
<v Speaker 2>Thank you. But you can have a rug sure, all right.

0:49:08.520 --> 0:49:11.279
<v Speaker 1>You know how you were talking before about the lack

0:49:11.360 --> 0:49:13.839
<v Speaker 1>of color and women loving white and blah blah blah,

0:49:14.120 --> 0:49:15.680
<v Speaker 1>And you know I've got to be in my bonnet

0:49:15.760 --> 0:49:17.840
<v Speaker 1>about the beigification of the world.

0:49:17.960 --> 0:49:20.919
<v Speaker 2>Yes, we've spoken about abouts of color. We've spoken about

0:49:20.920 --> 0:49:23.560
<v Speaker 2>this week's ago, and we used McDonald's as the example.

0:49:23.920 --> 0:49:26.759
<v Speaker 2>All markers now were gray yeah and black yeah.

0:49:26.880 --> 0:49:29.120
<v Speaker 1>Correct, And they've got that if you're lucky, if you

0:49:29.200 --> 0:49:32.440
<v Speaker 1>get a bit of fake wood paneling. All right. But

0:49:32.680 --> 0:49:37.000
<v Speaker 1>I believe in your life that there are two rooms

0:49:37.040 --> 0:49:39.600
<v Speaker 1>that should have feminine energy.

0:49:39.600 --> 0:49:46.280
<v Speaker 2>Right the bathroom, yes, and the kitchen. The bedroom, okay,

0:49:46.440 --> 0:49:52.839
<v Speaker 2>bedroom the kitchen. Hello, Hello women, and we're joined today

0:49:52.880 --> 0:49:53.840
<v Speaker 2>by Tony Abbotts.

0:49:55.520 --> 0:49:59.600
<v Speaker 1>No, the bedroom and a lot of women and my girlfriends.

0:49:59.680 --> 0:50:02.399
<v Speaker 1>I had this conversation with him where they're like, you're

0:50:02.440 --> 0:50:06.799
<v Speaker 1>going to put that because hind like me. I'm like, well,

0:50:06.840 --> 0:50:09.400
<v Speaker 1>he is in there too, yeah, but he but men

0:50:09.480 --> 0:50:13.359
<v Speaker 1>don't feel the same way about Dallo's. So I think

0:50:13.520 --> 0:50:16.080
<v Speaker 1>for a relationship, it's very nice when you come into

0:50:16.160 --> 0:50:19.239
<v Speaker 1>a when he comes into a space, he's coming into

0:50:19.320 --> 0:50:22.959
<v Speaker 1>a feminine space, and then he can be a man

0:50:23.200 --> 0:50:26.759
<v Speaker 1>in a feminine space. It seems more masculine. But why

0:50:26.800 --> 0:50:28.800
<v Speaker 1>am I going to walk into a room like a

0:50:29.480 --> 0:50:31.319
<v Speaker 1>like a mirror or a.

0:50:32.840 --> 0:50:37.880
<v Speaker 2>Plasmic remote foul and gray?

0:50:38.680 --> 0:50:42.640
<v Speaker 1>You can jam your gray anyway. That's just my theory

0:50:42.719 --> 0:50:46.960
<v Speaker 1>because I like it. It's feminine energy is sensual energy.

0:50:47.600 --> 0:50:51.320
<v Speaker 1>I don't want hard masculine, but I want it in

0:50:51.400 --> 0:50:53.120
<v Speaker 1>contrast to my own softness.

0:50:53.280 --> 0:50:56.560
<v Speaker 2>You don't want any links Africa anywhere near your bathroom.

0:50:56.880 --> 0:50:58.840
<v Speaker 1>And he's the rough end of the pineapple.

0:51:00.280 --> 0:51:02.640
<v Speaker 2>It's you know we ran. Cody made a very good

0:51:02.640 --> 0:51:05.479
<v Speaker 2>point the other day, in his polite way, basically said,

0:51:05.680 --> 0:51:08.839
<v Speaker 2>when we eventually do have a place of our own

0:51:09.160 --> 0:51:12.880
<v Speaker 2>and actually buy and have the job of painting and decorating,

0:51:13.520 --> 0:51:17.480
<v Speaker 2>He's like, we we will divorce, and he probably will.

0:51:18.080 --> 0:51:19.920
<v Speaker 2>I don't know. He doesn't have one. He just hates

0:51:19.920 --> 0:51:22.640
<v Speaker 2>everything I like. But what do you like at a

0:51:22.680 --> 0:51:23.200
<v Speaker 2>bit of color?

0:51:23.320 --> 0:51:27.320
<v Speaker 1>But when I say colors, color.

0:51:27.600 --> 0:51:29.719
<v Speaker 2>When I say color, I think people think like, oh

0:51:29.760 --> 0:51:34.719
<v Speaker 2>on a fluo yellow wall. People I like just what

0:51:35.040 --> 0:51:37.279
<v Speaker 2>I'd like to be stimulated. And I said to him, well,

0:51:37.320 --> 0:51:40.440
<v Speaker 2>the more boring the house, the moral nor you for stimulation.

0:51:40.719 --> 0:51:42.840
<v Speaker 1>So does he not like the stimulation.

0:51:43.000 --> 0:51:45.640
<v Speaker 2>Well, he's from the Gold Coast and he's grown up

0:51:45.680 --> 0:51:51.000
<v Speaker 2>in color. No, they don't. They like white, cold white tiles, wicker,

0:51:51.840 --> 0:51:55.680
<v Speaker 2>very white summary, all the doors are open. You know

0:51:55.719 --> 0:51:58.960
<v Speaker 2>what I'm talking can kill a draft can kill our marriage,

0:51:59.280 --> 0:52:02.760
<v Speaker 2>and it will. So we'll see if we eventually get ours.

0:52:02.920 --> 0:52:05.640
<v Speaker 1>Oh, I can't wait till you're decorating and we have

0:52:05.719 --> 0:52:10.920
<v Speaker 1>to have the most tiresome conversations about tiles files.

0:52:11.800 --> 0:52:13.400
<v Speaker 2>Tis going. I don't want tiles.

0:52:14.520 --> 0:52:16.080
<v Speaker 1>What are you gonna have in your bathroom? Mate? Oh?

0:52:16.160 --> 0:52:18.239
<v Speaker 2>Yeah, all right, Well maybe I have time. I want

0:52:18.280 --> 0:52:19.840
<v Speaker 2>to There's this thing I want to get. It's a

0:52:19.920 --> 0:52:21.520
<v Speaker 2>swan and it's a tap.

0:52:21.719 --> 0:52:25.879
<v Speaker 1>Oh my god, where did you get that? That sounds amazing?

0:52:26.800 --> 0:52:28.200
<v Speaker 2>And it's got do you know why what?

0:52:28.560 --> 0:52:30.640
<v Speaker 1>I hope you're sure about it, because if you order

0:52:30.719 --> 0:52:34.719
<v Speaker 1>it and it arrives, you cannot return it. In fact,

0:52:34.760 --> 0:52:37.960
<v Speaker 1>we've got a tiny basin that my husband also ordered

0:52:38.000 --> 0:52:40.920
<v Speaker 1>from Etsy. That was when it arrived, it was like

0:52:41.239 --> 0:52:44.200
<v Speaker 1>for a doll's house and it was too tiny. We've

0:52:44.239 --> 0:52:46.960
<v Speaker 1>still got it. It's in his study. Would anyone like it?

0:52:47.200 --> 0:52:50.760
<v Speaker 1>I remember sort of a Moroccan pattern. It's enamels.

0:52:50.880 --> 0:52:54.080
<v Speaker 2>I bought a couch online once never again, years and

0:52:54.200 --> 0:52:58.520
<v Speaker 2>years and years ago, and it was so small we

0:52:58.640 --> 0:53:02.040
<v Speaker 2>gave it to the dog. Like the couch was so

0:53:02.400 --> 0:53:05.399
<v Speaker 2>small that were like dog couch, and I think even

0:53:05.440 --> 0:53:08.279
<v Speaker 2>wied to my husband and said, I bought it for

0:53:08.360 --> 0:53:08.760
<v Speaker 2>the dogged.

0:53:09.440 --> 0:53:10.880
<v Speaker 1>You didn't, you bought it for humans.

0:53:11.239 --> 0:53:12.120
<v Speaker 2>It was tiny.

0:53:12.239 --> 0:53:13.000
<v Speaker 1>It's a verdict.

0:53:13.680 --> 0:53:17.560
<v Speaker 2>Please take it back because everyone wants to know what actually.

0:53:17.880 --> 0:53:18.640
<v Speaker 1>Going to happen to hang on.

0:53:18.760 --> 0:53:20.440
<v Speaker 2>My next question is this before we wrap up with

0:53:20.520 --> 0:53:26.040
<v Speaker 2>textro mum. Is it's not like some cute, old, old

0:53:26.239 --> 0:53:27.960
<v Speaker 2>Italian couple that run this fruit shop?

0:53:28.120 --> 0:53:31.239
<v Speaker 1>Is it this series? It's the whitest shop you will

0:53:31.360 --> 0:53:35.719
<v Speaker 1>ever set foot, rich inner city white people in a

0:53:35.840 --> 0:53:36.600
<v Speaker 1>beautiful shop.

0:53:36.760 --> 0:53:37.399
<v Speaker 2>Take them down.

0:53:37.840 --> 0:53:39.360
<v Speaker 1>No, I'm not going to take them down. I just

0:53:39.719 --> 0:53:42.480
<v Speaker 1>I just want to say to them, I feel uncomfortable

0:53:42.480 --> 0:53:44.000
<v Speaker 1>about this. This is what I'll say.

0:53:44.239 --> 0:53:45.280
<v Speaker 2>I feel uncomfortable.

0:53:46.000 --> 0:53:49.040
<v Speaker 1>I feel uncomfortable about it. But I really think that

0:53:49.160 --> 0:53:53.600
<v Speaker 1>you've sold me an pineapple and there's no reason for

0:53:53.680 --> 0:53:57.840
<v Speaker 1>it because your whole field of expertise is f and V.

0:53:59.120 --> 0:54:01.719
<v Speaker 2>But Sasha's drop the bomb that there's no such thing

0:54:01.760 --> 0:54:04.520
<v Speaker 2>as a ripe pineapple. It is what it is when

0:54:04.560 --> 0:54:05.439
<v Speaker 2>it gets taken out.

0:54:05.360 --> 0:54:08.279
<v Speaker 1>Of the when they go to the market. What's right?

0:54:08.920 --> 0:54:12.040
<v Speaker 1>So my other fruit and vege guy at the Pran market,

0:54:12.160 --> 0:54:15.719
<v Speaker 1>Lady Johnny, we love him. He's always like, this is

0:54:15.840 --> 0:54:18.239
<v Speaker 1>the sweetest. These are the best. His fruit and vege

0:54:18.360 --> 0:54:21.680
<v Speaker 1>is unbelievable. I'm not on board with this. I'm not

0:54:21.800 --> 0:54:24.800
<v Speaker 1>on board with buying an unripe sour mouth.

0:54:24.719 --> 0:54:31.680
<v Speaker 2>Puckering wraps from It's a text so passionate.

0:54:31.920 --> 0:54:36.680
<v Speaker 1>I've got it. Thank you, Kenneth.

0:54:36.920 --> 0:54:41.000
<v Speaker 2>This is from Kenneth Buckhead. Kenneth Kenneth is a buckhead.

0:54:43.719 --> 0:54:44.719
<v Speaker 1>This is from his mom.

0:54:45.440 --> 0:54:49.600
<v Speaker 2>Well, that's the segment, and.

0:54:49.719 --> 0:54:53.000
<v Speaker 1>I think his mummy is what could only be described

0:54:53.000 --> 0:54:55.000
<v Speaker 1>as a piece of work. Oh, I love it, and

0:54:55.080 --> 0:54:59.880
<v Speaker 1>there's some classic he'd fit in here. Your sister ca

0:55:00.040 --> 0:55:03.080
<v Speaker 1>it's going out and has many different men like a

0:55:03.239 --> 0:55:07.560
<v Speaker 1>tramp burn. She needs to calm down, she does did

0:55:07.640 --> 0:55:10.080
<v Speaker 1>you hear that she lost her job again? Anyway? What

0:55:10.239 --> 0:55:13.120
<v Speaker 1>do I know? She doesn't speak to me anymore. I

0:55:13.200 --> 0:55:14.160
<v Speaker 1>don't know what I did.

0:55:16.920 --> 0:55:21.960
<v Speaker 2>A text from what could she possibly have done? Got

0:55:22.000 --> 0:55:23.040
<v Speaker 2>a few suggestions?

0:55:23.239 --> 0:55:25.800
<v Speaker 1>What could she possibly have done?

0:55:26.120 --> 0:55:28.279
<v Speaker 2>She needs to go and buy her a pineapple and

0:55:28.400 --> 0:55:28.920
<v Speaker 2>talk it out?

0:55:29.120 --> 0:55:32.040
<v Speaker 1>Whitch end of it got unbucked?

0:55:35.000 --> 0:55:36.680
<v Speaker 2>Was so good that I need a cigarette?

0:55:37.880 --> 0:55:38.600
<v Speaker 1>Have it on the pool.

0:55:39.960 --> 0:55:41.880
<v Speaker 2>I tried to when I was young. I just vomited.

0:55:42.480 --> 0:55:46.200
<v Speaker 1>Oh god, I've got to find out who made this brilliant?

0:55:50.040 --> 0:55:53.280
<v Speaker 1>The buck Up Podcast is hosted by me Kate Lanebrook

0:55:53.320 --> 0:55:58.520
<v Speaker 1>and him Nathanvalvo. It's produced by the brilliant Sasha French

0:55:59.120 --> 0:56:05.120
<v Speaker 1>Audio and sadound by the magnificent Yack Lawrence you might

0:56:05.160 --> 0:56:08.240
<v Speaker 1>call him Jack. And Tom Evans, Oh we're lucky.