1 00:00:00,960 --> 00:00:05,200 Speaker 1: Houred by the iHeartRadio Waffle from ninety six AIRVM to 2 00:00:05,240 --> 00:00:06,960 Speaker 1: whereever you're listening today. 3 00:00:07,280 --> 00:00:09,719 Speaker 2: This is Clearsy and Lisa's. 4 00:00:09,280 --> 00:00:13,440 Speaker 3: Podcast coming up with the podcast Local and Docker's Legend 5 00:00:13,560 --> 00:00:14,680 Speaker 3: the retiring David Munday. 6 00:00:14,920 --> 00:00:17,720 Speaker 4: We talked about the perfect albums, the ones that are 7 00:00:17,760 --> 00:00:19,520 Speaker 4: brilliant from beginning to end. 8 00:00:19,760 --> 00:00:21,639 Speaker 3: I got frustrated trying to get a car park and 9 00:00:21,640 --> 00:00:23,560 Speaker 3: we talk about bins in the way of car parking 10 00:00:23,600 --> 00:00:24,520 Speaker 3: spaces and. 11 00:00:24,520 --> 00:00:28,520 Speaker 4: Stay out of people's canola fields. Selfie taking people. You 12 00:00:28,560 --> 00:00:30,960 Speaker 4: know how we live in this world of loving ourselves. 13 00:00:31,040 --> 00:00:34,280 Speaker 4: Sick some people anyway, your many the ego is strong. 14 00:00:34,680 --> 00:00:34,960 Speaker 5: Ah. 15 00:00:35,560 --> 00:00:38,600 Speaker 4: The people that just can't get enough of their own selfies, well, 16 00:00:38,680 --> 00:00:41,479 Speaker 4: these people are putting our canola crops at risk in 17 00:00:41,520 --> 00:00:44,880 Speaker 4: a bid to get the perfect social media shot. Social 18 00:00:44,880 --> 00:00:47,560 Speaker 4: media platforms like Instagram are full of images and videos 19 00:00:47,600 --> 00:00:50,720 Speaker 4: of users captured amid the vivid yellow canola crops in 20 00:00:50,760 --> 00:00:54,120 Speaker 4: our wheat Belt and Great Southern Way produces about forty 21 00:00:54,120 --> 00:00:58,880 Speaker 4: percent of Australia's canola crop, almost three million tons WOW 22 00:00:59,600 --> 00:01:03,920 Speaker 4: per year. Biosecurity Officer Jeff Russell says the stunning crops 23 00:01:03,960 --> 00:01:08,000 Speaker 4: always attract tourists keen to snap a photo, but he's warned, well, 24 00:01:08,000 --> 00:01:10,679 Speaker 4: it might seem harmless to quickly walk into a paddock 25 00:01:10,720 --> 00:01:14,160 Speaker 4: for a photo. By the way, that's trespassing. It is 26 00:01:14,200 --> 00:01:16,640 Speaker 4: like it is like climbing over someone's fence to take 27 00:01:16,680 --> 00:01:20,200 Speaker 4: a photo by their front door. Not only is it trespassing, 28 00:01:20,240 --> 00:01:22,920 Speaker 4: it creates a biosecurity risk to spread pests and disease. 29 00:01:23,240 --> 00:01:25,240 Speaker 4: He says. The number of people entering crops to take 30 00:01:25,240 --> 00:01:28,000 Speaker 4: photos seems to have increased in the past few years. 31 00:01:28,600 --> 00:01:32,600 Speaker 4: Tells the prize with some even driving. 32 00:01:32,880 --> 00:01:35,959 Speaker 3: No they are you do the crop, through the crop 33 00:01:37,319 --> 00:01:39,720 Speaker 3: you believe a great video? 34 00:01:39,720 --> 00:01:41,520 Speaker 6: Tho would you would stop it? 35 00:01:41,720 --> 00:01:44,520 Speaker 4: Vehicles could easily collect mud, which might include a sore 36 00:01:44,600 --> 00:01:47,600 Speaker 4: pathogenal weed not present on another farm. If they go 37 00:01:47,640 --> 00:01:49,080 Speaker 4: into one place to get a photo and then they 38 00:01:49,080 --> 00:01:51,480 Speaker 4: go to another place that looks better just down the road, 39 00:01:52,000 --> 00:01:54,960 Speaker 4: they're in the process of potentially transferring any issues from 40 00:01:54,960 --> 00:01:57,920 Speaker 4: one paddic to another paddic. And it's very serious. Please 41 00:01:57,960 --> 00:02:01,120 Speaker 4: do not take your photos any further than from the fence. Linzy, 42 00:02:01,320 --> 00:02:02,000 Speaker 4: I know it's. 43 00:02:01,840 --> 00:02:04,120 Speaker 3: Pretty Yeah, you and I both been to Pink Lake 44 00:02:04,120 --> 00:02:06,560 Speaker 3: on the Coral Coast, that salt lake thing. Yeah, and 45 00:02:06,600 --> 00:02:08,600 Speaker 3: there are a lot of apparently it's a lot of Chinese. 46 00:02:08,639 --> 00:02:11,280 Speaker 3: I love the combination of nature and the color pink 47 00:02:11,840 --> 00:02:14,120 Speaker 3: and so that is that is such a draw card 48 00:02:14,160 --> 00:02:15,600 Speaker 3: for them. So they go and take the photos. And 49 00:02:15,680 --> 00:02:18,600 Speaker 3: there's there's a problem there because no public toilets around 50 00:02:18,639 --> 00:02:22,119 Speaker 3: that area of the world. That's an issue for lots 51 00:02:22,160 --> 00:02:24,280 Speaker 3: of tourists rolling up to get their Instagram photos. 52 00:02:24,360 --> 00:02:26,480 Speaker 6: Well, you know, for me, no, no. 53 00:02:26,480 --> 00:02:28,840 Speaker 4: Because I'm not a problem for twenty seven hours. 54 00:02:28,840 --> 00:02:30,880 Speaker 3: Wait till you get back from the coast. Yeah, and 55 00:02:30,960 --> 00:02:33,200 Speaker 3: leave the canola crops alone now at least. I was 56 00:02:33,240 --> 00:02:36,440 Speaker 3: in one of your old stomping grounds yesterday in the beautiful, 57 00:02:36,560 --> 00:02:39,440 Speaker 3: beautiful downtown VIC Park or John Hughes Park as I 58 00:02:39,880 --> 00:02:41,520 Speaker 3: like to call it, because he dominates the landscape there. 59 00:02:41,560 --> 00:02:43,840 Speaker 6: Johnny and I was catching. 60 00:02:43,639 --> 00:02:45,400 Speaker 3: Up with a coffee with a mate for coffee and 61 00:02:45,520 --> 00:02:47,240 Speaker 3: I thought, okay, I'll head down this side street to 62 00:02:47,320 --> 00:02:48,680 Speaker 3: try and get a park. No parks on the street 63 00:02:48,760 --> 00:02:51,280 Speaker 3: near the cafe. And I start driving down and all 64 00:02:51,280 --> 00:02:53,600 Speaker 3: of the paid bays right near the cafe around the 65 00:02:53,600 --> 00:02:55,560 Speaker 3: corner were all taken, So I keep driving. 66 00:02:55,600 --> 00:02:58,200 Speaker 6: Then I see a bay of free bay. Awesome. 67 00:02:58,320 --> 00:03:00,560 Speaker 3: I go to pull in and there are bins in 68 00:03:00,600 --> 00:03:04,120 Speaker 3: the bay, and I realize it's it's been dag park. 69 00:03:04,560 --> 00:03:06,519 Speaker 3: So then i'd drive a bit further and I noticed 70 00:03:06,520 --> 00:03:09,240 Speaker 3: there's some paid bays that have got no cars in 71 00:03:09,400 --> 00:03:12,720 Speaker 3: because there are sixteen bins in there, and sixteen sixteen 72 00:03:12,760 --> 00:03:14,880 Speaker 3: bins all lined up in a row waiting for it's bin. 73 00:03:14,960 --> 00:03:17,480 Speaker 3: D No, that bin has a ten. 74 00:03:17,400 --> 00:03:19,520 Speaker 4: Bins in one car ba. You exaggerated just. 75 00:03:19,480 --> 00:03:21,919 Speaker 3: A little one one section of carbo. They're probably six 76 00:03:21,960 --> 00:03:23,360 Speaker 3: bays there in a row and. 77 00:03:23,720 --> 00:03:24,760 Speaker 4: Six bays in that section. 78 00:03:25,720 --> 00:03:27,519 Speaker 3: I keep driving and you know the point where you 79 00:03:27,840 --> 00:03:29,480 Speaker 3: start to get a bit impatient. And we were talking 80 00:03:29,480 --> 00:03:31,480 Speaker 3: about how your dad used to be able to find 81 00:03:31,480 --> 00:03:33,040 Speaker 3: a car park like that. I was trying to channel 82 00:03:33,080 --> 00:03:34,960 Speaker 3: some of his energy of a great man. 83 00:03:35,000 --> 00:03:36,000 Speaker 4: And Max can do that. 84 00:03:36,080 --> 00:03:37,000 Speaker 6: What's coming my way? 85 00:03:37,120 --> 00:03:38,880 Speaker 3: Yeah, it was not coming my way. I had the like, 86 00:03:39,000 --> 00:03:40,280 Speaker 3: So I just kept driving. Then you get to that 87 00:03:40,280 --> 00:03:42,680 Speaker 3: point where you go, I reckon. I'm about two hundred 88 00:03:42,720 --> 00:03:44,440 Speaker 3: meters from the cafe. Now do I turn back and 89 00:03:44,440 --> 00:03:45,840 Speaker 3: try and see if someone's pulled out of one of 90 00:03:45,880 --> 00:03:46,640 Speaker 3: the availables. 91 00:03:46,680 --> 00:03:48,760 Speaker 4: Now you're parking como i'nbelievable book. 92 00:03:49,080 --> 00:03:49,880 Speaker 6: I Reckon. 93 00:03:49,920 --> 00:03:52,800 Speaker 3: I went to I reckonized saw about four hundred bins 94 00:03:52,840 --> 00:03:54,640 Speaker 3: sitting in the bays. And as I'm looking at I'm 95 00:03:54,640 --> 00:03:57,200 Speaker 3: going do I am I allowed to get out here 96 00:03:57,520 --> 00:04:01,200 Speaker 3: and move these bins consciously? Sure you can't puck in 97 00:04:01,200 --> 00:04:02,960 Speaker 3: front of the bins because their truck can't get them. 98 00:04:03,000 --> 00:04:05,400 Speaker 4: No, And I did. My bin didn't get emptied one 99 00:04:05,480 --> 00:04:08,440 Speaker 4: day in Big Park because there was cars parked on 100 00:04:08,480 --> 00:04:11,760 Speaker 4: the street. My bin was on the verge. But it 101 00:04:11,800 --> 00:04:13,360 Speaker 4: is hard to get a park in Big Park. 102 00:04:13,440 --> 00:04:18,400 Speaker 6: Yeah, rename it park. 103 00:04:20,560 --> 00:04:22,560 Speaker 4: So I don't think you can move someone's bin. 104 00:04:23,200 --> 00:04:25,000 Speaker 3: And then if you do move it, then you you're 105 00:04:25,000 --> 00:04:27,880 Speaker 3: moving it into a driveway. That's dangerously moving to a place. 106 00:04:28,279 --> 00:04:31,000 Speaker 4: Can be touching someone else's bin. I'd love to because 107 00:04:31,000 --> 00:04:32,280 Speaker 4: you're annoyed that you can't get it up. 108 00:04:32,360 --> 00:04:34,800 Speaker 3: So I ended up parking around the corner and I 109 00:04:34,960 --> 00:04:37,040 Speaker 3: was on that straight I reckon. I was four hundred 110 00:04:37,040 --> 00:04:38,479 Speaker 3: meters away, but I did the walk and caught it. 111 00:04:39,080 --> 00:04:41,120 Speaker 4: You have to eat that's Big Park for it, because 112 00:04:41,960 --> 00:04:42,480 Speaker 4: should ask. 113 00:04:42,400 --> 00:04:45,760 Speaker 6: The people should move the bin? Or do I risk? 114 00:04:45,839 --> 00:04:46,000 Speaker 6: You know? 115 00:04:46,040 --> 00:04:47,520 Speaker 3: And I didn't want to risk doing what that person 116 00:04:47,560 --> 00:04:49,000 Speaker 3: did to you that day. Were you've been stuck for 117 00:04:49,040 --> 00:04:49,520 Speaker 3: another week? 118 00:04:49,680 --> 00:04:49,880 Speaker 5: Yeah? 119 00:04:50,040 --> 00:04:53,200 Speaker 4: Stick, Let's ask Paul and tapping who is our bin guy? 120 00:04:53,320 --> 00:04:53,640 Speaker 6: Someone in? 121 00:04:54,120 --> 00:04:57,240 Speaker 7: Hello Paul, Hello morning, how are you? 122 00:04:57,839 --> 00:04:59,680 Speaker 6: It's frustrating? Could I have done? 123 00:05:01,600 --> 00:05:01,920 Speaker 7: Well? 124 00:05:01,960 --> 00:05:02,920 Speaker 5: You can move it? 125 00:05:03,040 --> 00:05:06,279 Speaker 7: Like, it shouldn't be in our parking where are car 126 00:05:06,360 --> 00:05:08,720 Speaker 7: parks anyway? It should be on the edges of both 127 00:05:08,800 --> 00:05:12,080 Speaker 7: edges of the driveway either side, okay or something or 128 00:05:12,080 --> 00:05:14,400 Speaker 7: something like that. But to move it, That's what I 129 00:05:14,400 --> 00:05:18,240 Speaker 7: would do if it was me looking for a parking spot. 130 00:05:18,520 --> 00:05:22,719 Speaker 7: So yeah, because really, if you can't put it without 131 00:05:22,720 --> 00:05:25,279 Speaker 7: blocking the parking, it should go across the road even 132 00:05:25,360 --> 00:05:26,040 Speaker 7: or something like that. 133 00:05:26,400 --> 00:05:29,320 Speaker 4: Yeah, Cley, why was it in a parking spot not 134 00:05:29,360 --> 00:05:29,919 Speaker 4: on the verge? 135 00:05:30,120 --> 00:05:33,280 Speaker 3: There were on the street? People must just do it? 136 00:05:33,279 --> 00:05:36,080 Speaker 3: It was actually on the street And answer that, yeah. 137 00:05:36,360 --> 00:05:38,960 Speaker 7: Because it would take it would take half a second 138 00:05:39,040 --> 00:05:42,760 Speaker 7: to move it a bit further and like killer pascals 139 00:05:42,800 --> 00:05:50,279 Speaker 7: of energy. 140 00:05:46,839 --> 00:05:48,919 Speaker 4: Pushing it into a car parking, they would be pushing 141 00:05:48,920 --> 00:05:50,080 Speaker 4: it further from the house. 142 00:05:50,160 --> 00:05:53,040 Speaker 3: I'm not sure if your driveway you're not having you 143 00:05:53,080 --> 00:05:55,280 Speaker 3: lifted up. But it was weird there were so many 144 00:05:55,320 --> 00:05:57,280 Speaker 3: of them. Wouldn't been the only one heading up and 145 00:05:57,320 --> 00:05:58,919 Speaker 3: down Macky Street looking for a bay yesterday. 146 00:05:59,800 --> 00:06:03,360 Speaker 7: Yeah, yeah, I know it's I think it took someone 147 00:06:03,520 --> 00:06:06,000 Speaker 7: ten years of university to think of no parking in 148 00:06:06,040 --> 00:06:07,560 Speaker 7: a high density area as well. 149 00:06:08,120 --> 00:06:11,200 Speaker 3: Yeah yeah, fully qualified by then. 150 00:06:11,520 --> 00:06:14,760 Speaker 4: Thanks. 151 00:06:12,960 --> 00:06:16,640 Speaker 6: Thanks, So there you go. 152 00:06:16,760 --> 00:06:19,719 Speaker 4: B Ward, Clarsey and Paul will move your bed. 153 00:06:19,760 --> 00:06:22,239 Speaker 6: We may move you be I will not will be guilty. 154 00:06:22,440 --> 00:06:23,520 Speaker 4: I'll just hate you. 155 00:06:23,560 --> 00:06:26,400 Speaker 6: No, you'll just packing como rare at. 156 00:06:26,279 --> 00:06:29,080 Speaker 4: You Cursey for the rest of the day. But I 157 00:06:29,120 --> 00:06:29,960 Speaker 4: won't move your bean. 158 00:06:30,080 --> 00:06:32,080 Speaker 3: I'll parking the way of it because that's what happened 159 00:06:32,080 --> 00:06:34,839 Speaker 3: to you. You don't want that rubbish thinking. 160 00:06:36,240 --> 00:06:48,160 Speaker 1: More Lisa More podcasts soon ninety six Freemantle Docker David Monday, Mate, 161 00:06:48,160 --> 00:06:48,800 Speaker 1: how are you Dave? 162 00:06:49,480 --> 00:06:51,360 Speaker 5: Good morning goes here it's going well. Thank you. 163 00:06:52,080 --> 00:06:55,600 Speaker 4: Oh you sound tired, No, he's not. Are you tired? 164 00:06:56,240 --> 00:06:57,680 Speaker 5: Have you follow children? 165 00:06:57,720 --> 00:07:00,280 Speaker 6: I'm always way yeah, father's. 166 00:07:01,680 --> 00:07:05,840 Speaker 4: That old chestnut. Free Medal lost to Collingwood by twenty 167 00:07:05,839 --> 00:07:08,200 Speaker 4: points in the semi final at the MCG on Saturday night. 168 00:07:08,720 --> 00:07:11,360 Speaker 4: Free Metal with goalless again in the first quarter. Well 169 00:07:11,440 --> 00:07:14,040 Speaker 4: Collingwood kicked four straight on outs and goals, and this 170 00:07:14,240 --> 00:07:17,920 Speaker 4: time because it had happened so many times, but this 171 00:07:18,160 --> 00:07:20,800 Speaker 4: time the team was not able to catch up. 172 00:07:21,680 --> 00:07:24,720 Speaker 5: That's right. Yeah, we again really let ourselves down, I 173 00:07:24,720 --> 00:07:27,880 Speaker 5: guess is how we started the game. And yeah, similar 174 00:07:27,960 --> 00:07:29,920 Speaker 5: kind of things that have been rearing its head, I 175 00:07:29,920 --> 00:07:33,280 Speaker 5: guess all year, but particularly out of that Bulldog's first final. 176 00:07:33,640 --> 00:07:35,320 Speaker 5: We just went good enough with the ball in hand 177 00:07:35,440 --> 00:07:38,400 Speaker 5: and some of our really basic stuff led to some 178 00:07:38,880 --> 00:07:41,520 Speaker 5: pretty horrible turnovers in really ordinary spots of the ground. 179 00:07:41,600 --> 00:07:46,200 Speaker 5: So Collin was credited, they're really well structured well with 180 00:07:46,280 --> 00:07:48,119 Speaker 5: a nized team at the moment, they played really well 181 00:07:48,240 --> 00:07:50,120 Speaker 5: and we just went up to it. 182 00:07:50,360 --> 00:07:52,560 Speaker 3: Yeah, there were a few mistakes made throughout the game day, 183 00:07:52,600 --> 00:07:54,920 Speaker 3: but if you haven't, you young fellow Walker had a 184 00:07:54,960 --> 00:07:58,320 Speaker 3: bit of a nightmare our first half. A young player 185 00:07:58,360 --> 00:08:00,200 Speaker 3: like that will learn from that and build for that, 186 00:08:00,240 --> 00:08:03,160 Speaker 3: because you know it must out there, you with that 187 00:08:03,160 --> 00:08:05,440 Speaker 3: pressure of ninety thousand people. You want to think that 188 00:08:05,480 --> 00:08:07,160 Speaker 3: he'd become a bit of player because of that day. 189 00:08:07,800 --> 00:08:11,040 Speaker 5: Yeah, I guess that's certainly the hope. It's it's unfortunately 190 00:08:11,120 --> 00:08:14,640 Speaker 5: no guarantee those so each one of our players in 191 00:08:14,640 --> 00:08:17,720 Speaker 5: that environment, you know, we're really exposed to that kind 192 00:08:17,720 --> 00:08:20,040 Speaker 5: of atmosphere and intensity for the first time in their 193 00:08:20,160 --> 00:08:23,320 Speaker 5: NFL careers. So hopefully each of them go away and 194 00:08:23,400 --> 00:08:25,280 Speaker 5: have a good thing about it and you know, ways 195 00:08:25,280 --> 00:08:28,680 Speaker 5: to implement change and improvement in their games, and you know, 196 00:08:28,720 --> 00:08:31,480 Speaker 5: over summer summer period that can be a really driving 197 00:08:31,520 --> 00:08:32,600 Speaker 5: force for them moving forward. 198 00:08:33,200 --> 00:08:34,080 Speaker 6: Itys want to improve. 199 00:08:34,679 --> 00:08:39,599 Speaker 4: So it is career over now, Has it sunk in? 200 00:08:41,160 --> 00:08:44,160 Speaker 4: Not really, No, we won't sink in until next year 201 00:08:44,480 --> 00:08:46,400 Speaker 4: when they start playing again, and you don't. 202 00:08:47,200 --> 00:08:50,720 Speaker 5: Yeah, yeah, possibly, I guess. And the impact of it 203 00:08:50,800 --> 00:08:54,160 Speaker 5: being so immediate, you know, with the final you know 204 00:08:54,200 --> 00:08:58,640 Speaker 5: you lose and then that's it. Coupled with, as Closy 205 00:08:58,640 --> 00:09:00,920 Speaker 5: said last week, the rolling retire moment that I've been 206 00:09:01,520 --> 00:09:04,440 Speaker 5: meaning over the last few weeks, it's I guess it's 207 00:09:04,800 --> 00:09:08,520 Speaker 5: dead in the impact of the immediacy of it. But yeah, 208 00:09:08,640 --> 00:09:10,880 Speaker 5: it's still my boys asking me what I'm going to 209 00:09:10,920 --> 00:09:12,760 Speaker 5: be doing for a job every second minute and all 210 00:09:12,760 --> 00:09:15,960 Speaker 5: that kind of stuff. So yeah, it's pretty It's been 211 00:09:16,040 --> 00:09:18,760 Speaker 5: a pretty cool ride. It's pretty surreal kind of feeling 212 00:09:18,800 --> 00:09:19,120 Speaker 5: right now. 213 00:09:19,440 --> 00:09:21,040 Speaker 4: You didn't see us upset as Hudson. 214 00:09:21,840 --> 00:09:23,640 Speaker 6: Hudson, did you say to. 215 00:09:23,640 --> 00:09:27,360 Speaker 5: Him, Yeah, he was just feeling some pretty big emotions 216 00:09:27,360 --> 00:09:29,640 Speaker 5: at the moment, obviously, And yeah, he was pretty upset 217 00:09:29,720 --> 00:09:32,280 Speaker 5: that we'd last. And he's hit big into numbers and 218 00:09:32,920 --> 00:09:35,720 Speaker 5: all that kind of stuff, and so he've been following 219 00:09:35,760 --> 00:09:38,040 Speaker 5: the score along and yeah, upset at the moment that 220 00:09:38,120 --> 00:09:40,800 Speaker 5: it was all over. And yeah, I think it hit 221 00:09:40,880 --> 00:09:42,480 Speaker 5: him more than it hit anyone else there. 222 00:09:42,720 --> 00:09:44,520 Speaker 3: Yeah, Mum had a few, quite a few tears on 223 00:09:44,559 --> 00:09:46,120 Speaker 3: the boundary right there at the end before you got 224 00:09:46,120 --> 00:09:48,640 Speaker 3: to him. And so that's probably influence Hudson as well, 225 00:09:48,679 --> 00:09:50,440 Speaker 3: if they were sad together there. 226 00:09:50,880 --> 00:09:53,040 Speaker 5: Yeah, absolutely, And they had to hustle to get down 227 00:09:53,080 --> 00:09:55,079 Speaker 5: there as well, So they was sprinting from their seats 228 00:09:55,120 --> 00:09:58,040 Speaker 5: up to get down there for that last little bit. 229 00:09:58,120 --> 00:10:00,160 Speaker 5: So it was nice to haven't they what. 230 00:10:00,120 --> 00:10:02,199 Speaker 4: About got tears now? But she's also got a list. 231 00:10:02,240 --> 00:10:07,360 Speaker 3: You're going to be busy, you're seeing that Bunnings list. 232 00:10:08,200 --> 00:10:10,199 Speaker 5: Yeah, absolutely, no, I can't wait. 233 00:10:12,200 --> 00:10:14,640 Speaker 3: Well, we said, Lisa did say has it soaked in? 234 00:10:14,920 --> 00:10:16,520 Speaker 3: And we know what soaked in? Have a listen to this. 235 00:10:25,880 --> 00:10:28,480 Speaker 6: The feeling your teammates now for the team, Let's love 236 00:10:28,520 --> 00:10:29,280 Speaker 6: you a little bit, Dave. 237 00:10:30,520 --> 00:10:33,080 Speaker 5: Yeah, that was pretty special. I found a new way 238 00:10:33,120 --> 00:10:35,920 Speaker 5: to exit any place that I'm at at any time. 239 00:10:36,040 --> 00:10:42,440 Speaker 5: So yeah, you know that was obviously, Ye, pretty cool. 240 00:10:42,480 --> 00:10:45,280 Speaker 5: There was obviously a whole heap of our guys and 241 00:10:45,640 --> 00:10:50,000 Speaker 5: the staff there, and there's another actually footall club celebrating 242 00:10:50,040 --> 00:10:53,480 Speaker 5: into their season as well. So it's pretty jovial kind 243 00:10:53,520 --> 00:10:54,400 Speaker 5: of night, which is great. 244 00:10:55,080 --> 00:10:57,160 Speaker 4: So not only do you end things in eighth place 245 00:10:57,200 --> 00:11:00,680 Speaker 4: for the most AFL slash VFL games play of all time, 246 00:11:01,120 --> 00:11:05,240 Speaker 4: you have never been suspended in that entire career. That 247 00:11:05,320 --> 00:11:06,760 Speaker 4: must be a small club too. 248 00:11:08,360 --> 00:11:10,720 Speaker 5: Oh yeah, I'm not sure how big that club is even. 249 00:11:10,760 --> 00:11:13,080 Speaker 4: Didn't Tim Watson even got suspended once? Didn't he? I 250 00:11:13,120 --> 00:11:14,800 Speaker 4: know he got reported. 251 00:11:15,480 --> 00:11:17,200 Speaker 6: Did he get that bug? 252 00:11:17,320 --> 00:11:17,520 Speaker 4: Yeah? 253 00:11:17,600 --> 00:11:25,600 Speaker 5: No, I'm not be sure. Yeah, I'm not too sure. 254 00:11:25,640 --> 00:11:28,240 Speaker 5: I know my nana mentioned it to me actually after 255 00:11:28,240 --> 00:11:32,920 Speaker 5: the game. Yeah, very proud of me, obviously particulous. 256 00:11:33,480 --> 00:11:37,200 Speaker 3: Yeah, yeah, be careful of those Collingood supporters. Matey're everywhere 257 00:11:37,200 --> 00:11:37,679 Speaker 3: in your family. 258 00:11:38,320 --> 00:11:41,640 Speaker 4: Extremely impressive statistics with your grandmother. 259 00:11:41,760 --> 00:11:43,760 Speaker 3: But we're talking about when it will sink in, you know, like, 260 00:11:44,480 --> 00:11:46,320 Speaker 3: were you a hater we always a hater of the 261 00:11:46,320 --> 00:11:48,360 Speaker 3: pre season and all that running and hard work, or 262 00:11:48,400 --> 00:11:49,920 Speaker 3: were you someone who really thrived on it. 263 00:11:50,960 --> 00:11:52,920 Speaker 5: No, I was never very good at it, so I 264 00:11:52,960 --> 00:11:55,760 Speaker 5: guess in that sense I always hated it. But yeah, 265 00:11:55,760 --> 00:11:58,559 Speaker 5: I mentioned I think maybe last week that it's probably 266 00:11:58,559 --> 00:12:01,199 Speaker 5: going to be one of my biggest things that I'll 267 00:12:01,960 --> 00:12:04,720 Speaker 5: miss in terms of just that really hard work over 268 00:12:04,720 --> 00:12:09,080 Speaker 5: the preseason. And yeah, it's it is really physically challenging 269 00:12:09,200 --> 00:12:12,200 Speaker 5: and mentally challenging as well. But you know, out of 270 00:12:12,200 --> 00:12:14,320 Speaker 5: that you get a great sense of accomplishment and achievement. 271 00:12:14,440 --> 00:12:17,040 Speaker 5: So I'm not sure there's going to be you know, 272 00:12:17,160 --> 00:12:20,280 Speaker 5: Guss half full and Gus half in that kind of sense. 273 00:12:20,520 --> 00:12:23,400 Speaker 4: You're staying in Melbourne until after the Grand Final? Is 274 00:12:23,800 --> 00:12:26,040 Speaker 4: there more? Now? Do you do something on the day? 275 00:12:26,080 --> 00:12:28,160 Speaker 4: Do you get a is there like a lap or 276 00:12:28,200 --> 00:12:29,240 Speaker 4: something that happens? 277 00:12:30,240 --> 00:12:32,920 Speaker 5: Yeah, the retirees get a little motivated lap of honor 278 00:12:32,960 --> 00:12:36,640 Speaker 5: which is really nice to take all the kids on that, 279 00:12:36,760 --> 00:12:39,839 Speaker 5: which is really great. Yeah, So there's a going on. 280 00:12:39,920 --> 00:12:44,200 Speaker 5: So and I go into the brown Low this Sunday different. Yeah, 281 00:12:44,240 --> 00:12:45,760 Speaker 5: So it's a bit of dressing up and a bit. 282 00:12:45,679 --> 00:12:49,040 Speaker 4: Of you know, that's not about you, that's about so. 283 00:12:50,720 --> 00:12:55,720 Speaker 6: Low a couple now and winning it. 284 00:12:55,760 --> 00:12:58,640 Speaker 4: Of course there is that secondary but it's all about 285 00:12:58,679 --> 00:13:01,480 Speaker 4: sales dress one and we're going. 286 00:13:01,400 --> 00:13:06,240 Speaker 5: Through the nervousness and anxiety of getting ready for dresses 287 00:13:06,240 --> 00:13:08,719 Speaker 5: and the rest of that before. So hopefully it's a 288 00:13:08,760 --> 00:13:09,680 Speaker 5: smooth eye this year. 289 00:13:09,920 --> 00:13:10,840 Speaker 4: Hopefully enjoy it. 290 00:13:10,920 --> 00:13:12,600 Speaker 3: You'll be like the Pope on Grand Final day, mate, 291 00:13:12,600 --> 00:13:14,240 Speaker 3: but you'll be in the Monday Mobile. They'll set it 292 00:13:14,280 --> 00:13:15,280 Speaker 3: up for you, just for the family. 293 00:13:15,800 --> 00:13:18,599 Speaker 5: Yeah, boys are really looking forward to in particular, so 294 00:13:18,640 --> 00:13:19,400 Speaker 5: it'll be great. 295 00:13:19,600 --> 00:13:22,520 Speaker 6: Hey, Dave, Christmas and all the silly season. What's the one? 296 00:13:22,920 --> 00:13:24,400 Speaker 3: There are certain things you'll be able to eat and 297 00:13:24,480 --> 00:13:26,800 Speaker 3: drink you couldn't in the past. What are you going 298 00:13:26,840 --> 00:13:27,680 Speaker 3: to binge on? 299 00:13:29,080 --> 00:13:29,280 Speaker 1: Yeah? 300 00:13:29,320 --> 00:13:32,040 Speaker 5: I'm not too sure. I've always been fairly lucky with 301 00:13:32,720 --> 00:13:36,360 Speaker 5: diet and foods and things like that. In terms of yah, 302 00:13:36,960 --> 00:13:40,560 Speaker 5: I happen to really tuck into a Christmas lunch. It 303 00:13:40,600 --> 00:13:42,480 Speaker 5: doesn't have too much effect as long as it's not 304 00:13:43,000 --> 00:13:45,040 Speaker 5: Christmas and then Boxing Day and then the second out 305 00:13:45,040 --> 00:13:50,280 Speaker 5: of the tent and all of that. But my Mum's 306 00:13:50,280 --> 00:13:53,400 Speaker 5: Pavlover is always one that I particularly like looking forward to, 307 00:13:53,480 --> 00:13:54,360 Speaker 5: and that some view. 308 00:13:54,360 --> 00:13:58,760 Speaker 4: Who doesn't love your mum's pavlover? Actually, my brother makes 309 00:13:58,800 --> 00:14:02,839 Speaker 4: the best plover. But yeah, someone in the family doesn't 310 00:14:02,920 --> 00:14:05,520 Speaker 4: have Well listen, we will catch up with you again 311 00:14:05,559 --> 00:14:08,360 Speaker 4: when you get back and we can catch up for 312 00:14:08,559 --> 00:14:10,679 Speaker 4: one last time in the studio. 313 00:14:11,440 --> 00:14:12,920 Speaker 5: Awesome, that sounds great. Thank you guys. 314 00:14:13,480 --> 00:14:16,760 Speaker 4: Joy the next week and a half, Oh well, thank you. 315 00:14:17,280 --> 00:14:20,640 Speaker 3: As we said mate recently, you love the contest more 316 00:14:20,680 --> 00:14:22,320 Speaker 3: than the backslapping. But lap it up while you can. 317 00:14:23,040 --> 00:14:23,880 Speaker 5: Jeers, Thank you. 318 00:14:25,680 --> 00:14:30,400 Speaker 1: No c more Lisa more podcasts soon. Ninety six. 319 00:14:34,880 --> 00:14:37,440 Speaker 6: A sure report on ninety six Air FM. 320 00:14:40,040 --> 00:14:43,840 Speaker 4: Mark David Chapman has been denied parole for the twelfth time. 321 00:14:44,120 --> 00:14:47,200 Speaker 4: Chapman killed John Lennon on December the eighth, nineteen eighty. 322 00:14:47,640 --> 00:14:50,320 Speaker 4: Transcripts haven't been made available of this latest hearing, but 323 00:14:50,600 --> 00:14:53,560 Speaker 4: at his last one back in twenty twenty, Chapman said 324 00:14:53,640 --> 00:14:56,720 Speaker 4: killing Lennon was despicable and that he had no complaints. 325 00:14:56,760 --> 00:14:58,360 Speaker 4: If he spent the rest of his life in prison, 326 00:14:58,560 --> 00:15:01,400 Speaker 4: well that should work out well. Then his next parole 327 00:15:01,440 --> 00:15:04,040 Speaker 4: hearing will be in twenty twenty four. Done hold your breath, Mark, 328 00:15:04,200 --> 00:15:08,760 Speaker 4: keep writing. French Swiss film director Jean Luca Goddard has died. 329 00:15:08,800 --> 00:15:11,920 Speaker 4: He was ninety one. The legendary movie maker known for 330 00:15:12,000 --> 00:15:16,080 Speaker 4: his French New wave films like nineteen sixties Breathless inspired 331 00:15:16,080 --> 00:15:19,640 Speaker 4: a generation of directors, including Quentin Tarantino and mont Scorsese. 332 00:15:19,760 --> 00:15:22,200 Speaker 4: The guy was prolific. Sometimes he'd make three or four 333 00:15:22,320 --> 00:15:23,600 Speaker 4: or five movies in one year. 334 00:15:23,760 --> 00:15:24,560 Speaker 6: Wind If You Went Home. 335 00:15:25,520 --> 00:15:28,160 Speaker 4: Taylor Swift has lost her last ditch attempt to avoid 336 00:15:28,200 --> 00:15:31,680 Speaker 4: a trial and the copyright infringement lawsuit filed against her 337 00:15:31,760 --> 00:15:34,400 Speaker 4: over the lyrics of her song shake It Off. The 338 00:15:34,640 --> 00:15:37,080 Speaker 4: Grammy winning singer will now have to stand trial in 339 00:15:37,120 --> 00:15:41,640 Speaker 4: the lawsuit filed by the songwriters of three LW's players 340 00:15:42,200 --> 00:15:51,400 Speaker 4: Gonna play That's playasgn apostrophe play after the judge rejected 341 00:15:51,480 --> 00:15:55,280 Speaker 4: Swift's challenge to his summary judgment, and fans of Olivington 342 00:15:55,360 --> 00:15:58,200 Speaker 4: John are not happy. They have slammed the Emmy Awards 343 00:15:58,240 --> 00:16:01,360 Speaker 4: for failing to include her in the in Memoriam tribute 344 00:16:01,440 --> 00:16:04,160 Speaker 4: during yesterday's show. Now this always happens, doesn't it. There's 345 00:16:04,200 --> 00:16:07,440 Speaker 4: always one Well, Olivia wasn't mentioned during the live tribute. 346 00:16:07,520 --> 00:16:11,080 Speaker 4: Her name does appear in the Emmys Online in Memoriam page. 347 00:16:11,680 --> 00:16:18,640 Speaker 4: What album do you consider perfect from beginning to end? Now, 348 00:16:18,720 --> 00:16:20,960 Speaker 4: there's I mean, there's some wonderful albums that have been 349 00:16:21,080 --> 00:16:23,720 Speaker 4: put out over the many, many years, but quite often 350 00:16:23,760 --> 00:16:26,720 Speaker 4: there's a couple of fillers on there. It's rare. It's 351 00:16:26,800 --> 00:16:29,120 Speaker 4: always rare when you find an album that you could 352 00:16:29,160 --> 00:16:31,480 Speaker 4: put on, especially in the days when we put an 353 00:16:31,520 --> 00:16:36,240 Speaker 4: album one and just let it play from one end 354 00:16:37,040 --> 00:16:37,720 Speaker 4: to the other end. 355 00:16:38,600 --> 00:16:41,320 Speaker 3: I know you well and you're true. Cure one early, 356 00:16:41,400 --> 00:16:43,360 Speaker 3: but if you go, I'm not sure. There's plenty. But 357 00:16:43,520 --> 00:16:45,360 Speaker 3: have you got a list or have you picked up one? 358 00:16:46,800 --> 00:16:47,760 Speaker 4: I'll give you two more. 359 00:16:48,360 --> 00:16:49,040 Speaker 6: Yeah, I want to hear it. 360 00:16:49,240 --> 00:16:52,800 Speaker 4: One is Grace by Jeff Buckley. I love that from 361 00:16:52,880 --> 00:16:53,520 Speaker 4: beginning to end. 362 00:16:53,880 --> 00:16:54,120 Speaker 6: Album. 363 00:16:54,240 --> 00:16:57,560 Speaker 4: But there's one that I really really really love. Every 364 00:16:57,880 --> 00:17:02,720 Speaker 4: single song on it. Cold Players Parachutes their first album 365 00:17:03,800 --> 00:17:08,640 Speaker 4: from Don't Panic right to the end. Every song is killer, 366 00:17:09,000 --> 00:17:09,600 Speaker 4: no filler. 367 00:17:09,840 --> 00:17:12,600 Speaker 3: Love it when there's every song and winner, Yeah about you, 368 00:17:12,680 --> 00:17:16,760 Speaker 3: I go one for you David Gray White Ladder it is. 369 00:17:16,840 --> 00:17:19,399 Speaker 3: I mean, we talk about Babylon being great, sail away 370 00:17:19,520 --> 00:17:20,200 Speaker 3: Please forgive Me? 371 00:17:20,359 --> 00:17:20,720 Speaker 6: Was on there? 372 00:17:20,760 --> 00:17:23,520 Speaker 3: This is love and yeah, no filler, no filler. The 373 00:17:23,600 --> 00:17:25,680 Speaker 3: guy's like a songwriting It is such a superstar, no 374 00:17:25,840 --> 00:17:26,560 Speaker 3: filler whatsoever. 375 00:17:26,720 --> 00:17:28,960 Speaker 6: Yeah, gotta love that Debra in Rivervale. 376 00:17:29,040 --> 00:17:31,159 Speaker 8: Hello, good morning. 377 00:17:31,480 --> 00:17:32,480 Speaker 4: What do you think. 378 00:17:33,880 --> 00:17:37,280 Speaker 8: I love Alice Cooper's Welcome to My Nightmare from start 379 00:17:37,359 --> 00:17:37,840 Speaker 8: to finish? 380 00:17:38,000 --> 00:17:41,200 Speaker 4: Yep, Yes, I love department and even. 381 00:17:41,160 --> 00:17:43,760 Speaker 8: Goes to hell that his follower after that one. There's 382 00:17:43,840 --> 00:17:45,840 Speaker 8: also one that you play from start to finish. 383 00:17:47,200 --> 00:17:50,719 Speaker 4: Yeah, he has March nineteen seventy five certain sound about him. 384 00:17:50,760 --> 00:17:52,919 Speaker 6: Diddey Allison always had great players in his bands. 385 00:17:54,000 --> 00:17:58,159 Speaker 8: Yes, yes, And as I say, every single song is 386 00:17:58,240 --> 00:18:01,040 Speaker 8: something that it told the whole is the whole story 387 00:18:01,119 --> 00:18:02,040 Speaker 8: from Statug. 388 00:18:01,880 --> 00:18:04,880 Speaker 4: Oh yeah, the black in there and yeah absolutely, Yeah, 389 00:18:05,080 --> 00:18:06,320 Speaker 4: he's the last time you listen to it? 390 00:18:06,359 --> 00:18:06,720 Speaker 6: Do you think? 391 00:18:08,680 --> 00:18:11,040 Speaker 8: I actually listened to it quite often, but it might 392 00:18:11,160 --> 00:18:14,080 Speaker 8: be maybe twelve months ago because I had to actually 393 00:18:14,119 --> 00:18:16,680 Speaker 8: put it on the record player rather. Yeah, have it 394 00:18:17,359 --> 00:18:19,000 Speaker 8: because I've got it as an LP because it was 395 00:18:19,040 --> 00:18:20,760 Speaker 8: one of the first ones that I'd ever bought. 396 00:18:21,000 --> 00:18:22,440 Speaker 4: I can get it out this weekend. 397 00:18:23,080 --> 00:18:23,280 Speaker 6: Yeah. 398 00:18:24,200 --> 00:18:27,520 Speaker 8: I put it sitting in my hand now because the radio. 399 00:18:27,680 --> 00:18:28,720 Speaker 8: I thought I'll go and get that. 400 00:18:28,920 --> 00:18:29,600 Speaker 6: Yeah. Absolutely. 401 00:18:29,880 --> 00:18:30,080 Speaker 8: Yeah. 402 00:18:30,440 --> 00:18:32,399 Speaker 3: Well you're probably the gig over the years where the 403 00:18:32,800 --> 00:18:34,600 Speaker 3: fans start cheering for their favorites and you get a 404 00:18:34,680 --> 00:18:35,960 Speaker 3: bit of a chance for Cold Ethel or one of 405 00:18:36,000 --> 00:18:39,119 Speaker 3: those favorites on there, Black Widow, some absolute rock. 406 00:18:40,040 --> 00:18:43,760 Speaker 8: Thanks they are You're Welcome by Alice Cooper. 407 00:18:44,000 --> 00:18:44,600 Speaker 6: So you do it? 408 00:18:44,720 --> 00:18:47,119 Speaker 4: What album do you consider perfect from beginning to end? 409 00:18:47,240 --> 00:18:49,320 Speaker 4: Peter and Marangaro, Hello, good morning? 410 00:18:49,400 --> 00:18:50,320 Speaker 5: Hell are what is it. 411 00:18:53,119 --> 00:18:55,840 Speaker 6: I see at their best? Wow? 412 00:18:57,240 --> 00:19:01,120 Speaker 8: Yeah, they'd have to be the I mean there's there's 413 00:19:01,160 --> 00:19:01,480 Speaker 8: plenty of. 414 00:19:01,520 --> 00:19:04,600 Speaker 6: Others, of course, yeah, yeah, but for. 415 00:19:04,680 --> 00:19:06,920 Speaker 7: Me a c DC Back in Black, you know, just 416 00:19:08,160 --> 00:19:08,800 Speaker 7: I've had it for. 417 00:19:11,040 --> 00:19:11,240 Speaker 1: Yeah. 418 00:19:12,680 --> 00:19:14,040 Speaker 4: It doesn't want you anything. 419 00:19:15,880 --> 00:19:17,320 Speaker 5: From beginning to end of the thing. 420 00:19:17,400 --> 00:19:20,560 Speaker 8: It's just just a classic classic rock album. 421 00:19:20,680 --> 00:19:20,800 Speaker 5: Yea. 422 00:19:20,880 --> 00:19:22,600 Speaker 3: It is so many beauties. From the title track You 423 00:19:22,640 --> 00:19:24,560 Speaker 3: Shook Me it was a huge hit, but some of 424 00:19:24,600 --> 00:19:25,200 Speaker 3: the other gems. 425 00:19:25,320 --> 00:19:28,480 Speaker 4: If you looked up classic rock album in the dictionary, 426 00:19:29,000 --> 00:19:29,639 Speaker 4: you would say it. 427 00:19:29,720 --> 00:19:33,000 Speaker 6: You hear Brian singing what do you do for money? Thanks? Peter? 428 00:19:34,440 --> 00:19:35,080 Speaker 7: All a great. 429 00:19:36,000 --> 00:19:37,760 Speaker 4: I've got another one for you. Yeah, it's a little 430 00:19:37,760 --> 00:19:40,239 Speaker 4: bit different to Back in Black. Okay, Blue Lines by 431 00:19:40,320 --> 00:19:41,000 Speaker 4: Massive Attack. 432 00:19:41,400 --> 00:19:41,920 Speaker 6: Now you're talking? 433 00:19:42,000 --> 00:19:42,600 Speaker 4: Do you know that one? 434 00:19:42,720 --> 00:19:44,320 Speaker 6: Yeah? I don't know the album as well as you do. 435 00:19:45,080 --> 00:19:47,120 Speaker 4: That's where my favorite line in the song comes from. 436 00:19:47,200 --> 00:19:49,560 Speaker 4: I was looking I was looking back to see if 437 00:19:49,560 --> 00:19:50,920 Speaker 4: you were looking back at me, to see me looking 438 00:19:50,960 --> 00:19:51,280 Speaker 4: back at you. 439 00:19:51,520 --> 00:19:53,359 Speaker 6: Now you're talking, don't think about that one? 440 00:19:53,520 --> 00:19:57,280 Speaker 3: Yeah, yeah, absolutely, And other people may say there are 441 00:19:57,280 --> 00:19:59,240 Speaker 3: other a CDC albums in the Bond Scott era that 442 00:19:59,320 --> 00:20:01,760 Speaker 3: that was the the pick of the Brian Johnson here 443 00:20:01,800 --> 00:20:04,800 Speaker 3: of course with Akadeca, what is the one that maybe 444 00:20:04,880 --> 00:20:06,000 Speaker 3: rumors has popped up as well. 445 00:20:06,080 --> 00:20:08,040 Speaker 6: It's the album that you love and there's no. 446 00:20:08,119 --> 00:20:09,960 Speaker 4: Feel on it beginning to end perfection. 447 00:20:10,119 --> 00:20:12,320 Speaker 3: We're getting a little excited and you're talking about favorite albums. 448 00:20:12,320 --> 00:20:14,200 Speaker 3: If you're talking about rock vand Halen fifty one to 449 00:20:14,280 --> 00:20:17,639 Speaker 3: fifty in the Sammy Hagar era. And I know a 450 00:20:17,640 --> 00:20:19,359 Speaker 3: lot of people get annoyed by Jimiro Required, but I 451 00:20:19,400 --> 00:20:21,679 Speaker 3: love Jimmy Required. That album The Funk Got Funk Got 452 00:20:21,760 --> 00:20:23,640 Speaker 3: to Scene was just an album of its time. 453 00:20:24,280 --> 00:20:27,879 Speaker 4: Mary, quite great. We are talking about those albums that 454 00:20:28,000 --> 00:20:31,600 Speaker 4: are perfect from beginning to end. Every song is brilliant. 455 00:20:31,680 --> 00:20:35,240 Speaker 4: Diane and Leader, Hello, Hi, what's yours? 456 00:20:36,280 --> 00:20:38,639 Speaker 2: It has to be bon Jovie, Crosswood. 457 00:20:39,960 --> 00:20:42,000 Speaker 6: Which one? Diane, which one? Which bon Jovi one? 458 00:20:42,840 --> 00:20:44,240 Speaker 2: Crosshood there you go? 459 00:20:45,000 --> 00:20:48,400 Speaker 6: Yeah, yeah, all of bon Jovi stuff, solo. 460 00:20:48,520 --> 00:20:52,480 Speaker 8: Yeah, yeah, absolutely the Crosshoord album is the very first 461 00:20:52,600 --> 00:20:54,160 Speaker 8: CD that I actually purchased. 462 00:20:54,640 --> 00:20:57,560 Speaker 6: Really, never forget first CD or you do it? 463 00:20:57,720 --> 00:20:59,080 Speaker 5: No, no, definitely not. 464 00:20:59,320 --> 00:21:01,560 Speaker 4: Well, you'd love our music directory doesn't mind putting in. 465 00:21:01,560 --> 00:21:05,200 Speaker 5: A Yeah, I love it. 466 00:21:07,560 --> 00:21:07,879 Speaker 2: Thank you. 467 00:21:08,520 --> 00:21:09,160 Speaker 6: Have a great day. 468 00:21:10,880 --> 00:21:14,959 Speaker 4: Alice in swan View. What's what's the album you consider 469 00:21:14,960 --> 00:21:16,119 Speaker 4: perfect from beginning to end? 470 00:21:17,040 --> 00:21:20,440 Speaker 2: It would have to be Bruce Sprinsteen Born in the USA. 471 00:21:21,960 --> 00:21:24,840 Speaker 3: That is a classic Glory Days and Dancing in the Dark. 472 00:21:24,920 --> 00:21:27,520 Speaker 3: And there's so many good songs on that album, oh 473 00:21:27,600 --> 00:21:27,959 Speaker 3: there are. 474 00:21:28,040 --> 00:21:31,200 Speaker 2: There are so many hits and so many different styles 475 00:21:31,320 --> 00:21:34,560 Speaker 2: as well when you consider Born in the USA versus 476 00:21:35,119 --> 00:21:38,720 Speaker 2: Dancing in the Dark versus I'm on Fire, which and 477 00:21:38,920 --> 00:21:42,520 Speaker 2: I'm on Fire is just my absolute ultimate, so on 478 00:21:42,640 --> 00:21:46,920 Speaker 2: that one, that's incredible. And yeah, I was actually lucky 479 00:21:47,040 --> 00:21:51,040 Speaker 2: enough to see Bruce in Melbourne on the Born in 480 00:21:51,160 --> 00:21:53,000 Speaker 2: the USA too really. 481 00:21:55,160 --> 00:21:57,440 Speaker 6: Muscles that the ages. 482 00:21:57,720 --> 00:22:01,880 Speaker 2: Yeah, yeah, yeah, that's right exactly. It was eighty five 483 00:22:02,119 --> 00:22:05,040 Speaker 2: and it was the best concert I've ever been too. 484 00:22:05,480 --> 00:22:10,200 Speaker 2: And yeah, the absolute clincher for being the best album 485 00:22:10,440 --> 00:22:13,440 Speaker 2: is is the album cover. I mean, you know, for 486 00:22:13,960 --> 00:22:16,640 Speaker 2: a young adult female to see that album. 487 00:22:16,440 --> 00:22:20,960 Speaker 3: Covers, he's done a lot of working out there. 488 00:22:21,320 --> 00:22:23,000 Speaker 6: All of a sudden, Bruce was huge. You mean Pump 489 00:22:23,040 --> 00:22:24,119 Speaker 6: and Iron had to. 490 00:22:24,160 --> 00:22:25,640 Speaker 4: Remind me what was on the cover. 491 00:22:25,880 --> 00:22:27,680 Speaker 6: Yeah, and Alice. 492 00:22:27,720 --> 00:22:30,280 Speaker 3: I've met a couple of record people who sell a 493 00:22:30,320 --> 00:22:33,000 Speaker 3: lot of records, the record collectors in that and quite 494 00:22:33,040 --> 00:22:34,840 Speaker 3: often the people who buy and sell records will buy 495 00:22:35,200 --> 00:22:37,360 Speaker 3: multiple copies. No matter what condition it is in Bruce 496 00:22:37,359 --> 00:22:40,159 Speaker 3: Springs things, it always sells. So that's that's born in 497 00:22:40,160 --> 00:22:41,359 Speaker 3: the USA. I love that album. 498 00:22:42,000 --> 00:22:45,800 Speaker 2: Yeah, it's just absolutely awesome, you know, from beginning to end. 499 00:22:45,880 --> 00:22:46,280 Speaker 5: There you go. 500 00:22:46,640 --> 00:22:47,920 Speaker 4: Yeah, that's what we're asking for. 501 00:22:48,280 --> 00:22:52,520 Speaker 6: Boy from Jersey, Thank you, thank you. I love the 502 00:22:52,600 --> 00:22:54,120 Speaker 6: passion people come out with their music. 503 00:22:55,320 --> 00:22:56,680 Speaker 4: I love how much she loves the cover. 504 00:22:56,760 --> 00:22:57,679 Speaker 6: You're thinking about the cover now? 505 00:22:57,920 --> 00:23:01,160 Speaker 4: I am old Bruce Oh Elamara, Hello. 506 00:23:01,680 --> 00:23:02,600 Speaker 5: Morning morning. 507 00:23:02,920 --> 00:23:07,480 Speaker 7: How are you really the only band in the world? 508 00:23:07,640 --> 00:23:11,800 Speaker 6: Kiss the Best? You got the best? Which album was it? 509 00:23:11,880 --> 00:23:13,120 Speaker 7: Paul Destroyer? 510 00:23:13,320 --> 00:23:14,680 Speaker 4: Did you go and see them the other way? 511 00:23:15,119 --> 00:23:15,520 Speaker 8: Of course? 512 00:23:15,600 --> 00:23:15,879 Speaker 6: I did. 513 00:23:16,000 --> 00:23:19,600 Speaker 4: Pull We make up on everything right, you poor legend. 514 00:23:19,720 --> 00:23:21,280 Speaker 6: It was a great gig, wasn't it? Great night? 515 00:23:21,760 --> 00:23:23,280 Speaker 5: Honestly for guys in their seventies. 516 00:23:24,160 --> 00:23:26,560 Speaker 3: Yeah, Paul Stanley flying down the back and holding on 517 00:23:26,600 --> 00:23:28,399 Speaker 3: to that ring and flying down and doing the and 518 00:23:28,480 --> 00:23:30,040 Speaker 3: then going to the peak saying to the crowd down 519 00:23:30,040 --> 00:23:31,280 Speaker 3: the back, you're all front row. 520 00:23:32,440 --> 00:23:35,639 Speaker 6: One of the best showman groups in the world for sure, 521 00:23:36,240 --> 00:23:37,480 Speaker 6: and you talking about Destroyer. 522 00:23:37,560 --> 00:23:39,800 Speaker 3: They played obviously they start with Detroit Rock City, but 523 00:23:39,800 --> 00:23:41,639 Speaker 3: they put on do You Love Me? And Beth and 524 00:23:41,720 --> 00:23:44,159 Speaker 3: Shady played a lot of songs from that album on 525 00:23:44,240 --> 00:23:44,840 Speaker 3: the Life That. 526 00:23:45,600 --> 00:23:49,840 Speaker 4: Awesome night, mate, It was really awesome, great, Thank thank you, 527 00:23:49,920 --> 00:23:53,600 Speaker 4: Paul than all the best, You are the best, You 528 00:23:53,680 --> 00:23:57,240 Speaker 4: got the best. Jeana and Heath Rich. What's yours? 529 00:23:58,800 --> 00:24:00,520 Speaker 8: The Eagles Hotel, California? 530 00:24:00,680 --> 00:24:01,320 Speaker 4: That's not a bad one? 531 00:24:01,560 --> 00:24:02,120 Speaker 6: What an album? 532 00:24:02,200 --> 00:24:04,120 Speaker 3: It became, Jena like, just this snowball? 533 00:24:04,160 --> 00:24:04,480 Speaker 6: Didn't it? 534 00:24:05,160 --> 00:24:05,200 Speaker 5: It? 535 00:24:05,320 --> 00:24:05,520 Speaker 2: Did? 536 00:24:05,600 --> 00:24:05,639 Speaker 5: It? 537 00:24:05,800 --> 00:24:08,560 Speaker 8: Definitely did? It was my husband's favorite. 538 00:24:09,080 --> 00:24:09,320 Speaker 4: Yeah. 539 00:24:09,720 --> 00:24:11,560 Speaker 6: So many beautiful songs on there as well. They're right 540 00:24:11,600 --> 00:24:12,080 Speaker 6: in their prime. 541 00:24:12,359 --> 00:24:12,560 Speaker 5: Yeah. 542 00:24:12,800 --> 00:24:16,320 Speaker 4: Yeah, thanks Gene, thank you, thanks for sharing. A few 543 00:24:16,320 --> 00:24:20,200 Speaker 4: people would share that with Jenna absolute last call Aaron 544 00:24:20,240 --> 00:24:22,200 Speaker 4: in several growth, Hello, Hi. 545 00:24:22,200 --> 00:24:23,240 Speaker 8: How are you going good? 546 00:24:23,760 --> 00:24:24,800 Speaker 4: What is yours? 547 00:24:25,840 --> 00:24:28,000 Speaker 8: Brian Adams eighteen Till I Die? 548 00:24:28,200 --> 00:24:31,040 Speaker 3: Eighteen Till I Die? He was rocking out big time. 549 00:24:31,119 --> 00:24:32,359 Speaker 3: He'd been doing it for a long time, but then 550 00:24:32,400 --> 00:24:32,960 Speaker 3: hadn aeron. 551 00:24:33,520 --> 00:24:37,639 Speaker 8: Yeah yeah, yeah, I am saw I mean concert that year. 552 00:24:37,720 --> 00:24:38,399 Speaker 8: It was awesome. 553 00:24:38,600 --> 00:24:38,800 Speaker 5: Yeah. 554 00:24:38,960 --> 00:24:40,119 Speaker 3: He he was one who used to go and do 555 00:24:40,160 --> 00:24:43,160 Speaker 3: a little set up the back of these gigs as well. Yeah, 556 00:24:45,080 --> 00:24:47,520 Speaker 3: Brian Adams was a bit like John Mellen Cape when 557 00:24:47,520 --> 00:24:48,960 Speaker 3: you play live, you want to pop up up the 558 00:24:49,000 --> 00:24:52,080 Speaker 3: back log pull standard, Yeah, just play it up the 559 00:24:52,119 --> 00:24:54,080 Speaker 3: back and get his band on a tiny little riser 560 00:24:54,160 --> 00:24:54,440 Speaker 3: or whatever. 561 00:24:54,760 --> 00:24:54,960 Speaker 2: Yeah. 562 00:24:55,080 --> 00:24:58,400 Speaker 4: Awesome, Thanks Aaron, thank you, Bye. 563 00:24:58,720 --> 00:24:59,920 Speaker 6: Eighteen Till I Die from Brian. 564 00:25:00,320 --> 00:25:00,480 Speaker 4: Oh. 565 00:25:00,960 --> 00:25:03,399 Speaker 6: I thought Reckless was a good album for Brian Teacher. 566 00:25:04,160 --> 00:25:05,440 Speaker 6: What Beauty of Solid Airs 567 00:25:05,960 --> 00:25:08,600 Speaker 1: Ninety six AFM Crazzi and Lisa