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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: Yes, sorry for rejected ideas.

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Speaker 3: So I would suggested guys that we do COVID parodies

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Speaker 3: of Abba songs.

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Speaker 2: It's great. I think this was a great idea. I

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Speaker 2: truly did.

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Speaker 4: I pitched this today and you you'll hear this on air. Jeez,

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Speaker 4: did you stitch me? Because I said to you so

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Speaker 4: I knew I was going to pitch the idea. Yeah,

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Speaker 4: and sure, ten to fifteen minutes before the idea, at.

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Speaker 2: Least half an hour before then, you've been in the audio.

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Speaker 3: Picture about forty five you've been in the audio.

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Speaker 2: I was doing a radio show. How could I have

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Speaker 2: been in the booth? Well, mate, I hate to pull

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Speaker 2: down the curtain here.

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Speaker 3: There's a couple of tasty prerecorded bits going into five

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Speaker 3: o'clock there.

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Speaker 2: The weekend review was a nice long package.

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Speaker 5: For you, Tom, I've ever seen Woody not in the

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Speaker 5: studio when we went to air.

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Speaker 2: But actually you got caught out. Yeah you'll hear that.

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Speaker 3: You're out of the studio and the voice but preparing

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Speaker 3: the bit now, I don't know why you're so ashamed

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Speaker 3: about this.

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Speaker 2: Your song parodies were still good, thank you.

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Speaker 4: Oh yeah, But anyway, the stitch up was that I

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Speaker 4: wanted to make it seem more impressive. I said to

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Speaker 4: Will mate, don't say I was out of.

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Speaker 2: The shod, I said to him. I said to him,

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Speaker 2: just say that.

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Speaker 6: I'm gonna say that I'm gonna write mine over the

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Speaker 6: song to make myself seem more impressive. Anyway, Will jumps

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Speaker 6: on air and just goes what he's been in.

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Speaker 4: The audio both for half an hour preparing his pants off,

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Speaker 4: which absolutely cooked me.

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Speaker 6: Anyway, So you will hear your pants off?

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Speaker 3: Well, whatever I was doing, Oh sorry, you mean, like

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Speaker 3: preparing so much that your pants right, Yeah.

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Speaker 2: It just made it. Yeah, don't worry.

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Speaker 3: It was a weird It made it sound like you were,

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Speaker 3: you know, standing in there without your pants on.

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Speaker 6: But you know, well, sometimes to get the creative juices blowing,

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Speaker 6: just me and there.

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Speaker 2: Dim gets his pants off.

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Speaker 6: No, no, none of us remove our pants.

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Speaker 2: But you will hear. I will need Tim to confirm

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Speaker 2: that he doesn't. Tim, Tim, sometimes I do, Tim are

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Speaker 2: there can is that going on the recording? Tim talking?

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Speaker 3: Go again, Tim just coming out of here.

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Speaker 2: We just need to confirm that, you know, just just

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Speaker 2: for Tim and I took my that I didn't take

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Speaker 2: my pants on.

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Speaker 3: Tim, neither if you had your pants off in the

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Speaker 3: audio booths together, did you?

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Speaker 7: It was so long ago, I can't quite remember.

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Speaker 2: He was in there for a while, that's true, you know,

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Speaker 2: a lot of time passed. I was in there.

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Speaker 6: We had a great time and there, didn't we, Tim,

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Speaker 6: We had a great time, and you had.

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Speaker 2: Such a good time that you didn't actually end up

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Speaker 2: music into.

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Speaker 8: The audio that you made together when he did an

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Speaker 8: acapella at the end a little bit.

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Speaker 2: No, that's fair, that's fair.

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Speaker 6: I just wanted to be an evil competition and even

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Speaker 6: competition with the listeners, yes, because they didn't have musical backing.

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Speaker 6: You know, Tim, I'm a fair man.

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Speaker 2: Yeah, we had a great time with that. Did you

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Speaker 2: say that, Tim? Did you say fu? Fair? What?

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Speaker 9: What?

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Speaker 2: What?

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Speaker 10: How?

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Speaker 2: Did you did you say fair?

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Speaker 8: No?

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Speaker 11: Ed was playing a game next to me and swore

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Speaker 11: just before I hit the button, I was a bit

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Speaker 11: right a.

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Speaker 2: So I regret going back to you for that. Tim.

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Speaker 2: Now I do recall what he's saying.

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Speaker 5: At one point I could be checked the tape on it,

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Speaker 5: but you said no, no, no, I've just realized that singing

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Speaker 5: a cappella over the songs is actually very hard.

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Speaker 2: Yeah, it's hard.

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Speaker 4: So just when you don't know the the part of

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Speaker 4: the song, you don't know the song, well you don't

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Speaker 4: know which bit, so you were.

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Speaker 5: Singing fifteen minutes into it, and then it got to them.

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Speaker 6: I hadn't actually yourself. I hadn't sung them.

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Speaker 4: I heard footsteps and then I was on air and

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Speaker 4: I was like, I haven't actually sung these yet. Yeah everywhere,

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Speaker 4: and I was like, I don't even know if this

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Speaker 4: this is the right part of the song. Yeah, anyway,

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Speaker 4: and you'll you'll hear that chaos on air, and that

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Speaker 4: was the excitement of the bit.

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Speaker 3: Nice mate, but Radio, thanks for the master class.

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Speaker 2: That on air.

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Speaker 4: Guys, I mean your girlfriend she messaged you after the

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Speaker 4: bit and said that she was in an ODS post.

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Speaker 3: And yeah, she said, you're first of all the ODS

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Speaker 3: post had not in the post office.

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Speaker 2: Oh boys, we're running my cup bit of a coup here.

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Speaker 5: Or should we get to dinner?

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Speaker 6: Yeah, we should get to dinner. Absolutely, let's get.

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Speaker 12: To da.

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Speaker 13: Let's hear one of the callers had to offer for it,

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Speaker 13: cod it's not so funny in this COVID well shocking.

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Speaker 3: One of the not just worst musical performances ever on

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Speaker 3: this show. Just worst performances from a caller ever. And

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Speaker 3: that's why we loved it so much.

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Speaker 2: The courage. It was the courage, pure coach. She had nothing.

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Speaker 3: She knew that she was sitting on supplementing the word

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Speaker 3: money for COVID without a rhyme, without a singing voice,

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Speaker 3: and without any other change of the lyrics. She to

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Speaker 3: call up and say COVID, COVID.

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Speaker 6: She changed it's funny into it's not funny, which I

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Speaker 6: thought was genius.

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Speaker 2: And then she went for rather than in a rich

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Speaker 2: man's world, in a COVID.

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Speaker 5: World's Wayne Brady's going to sign her on his next tour.

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Speaker 5: I think he's going to tour across Australia doing parodies

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Speaker 5: with her.

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Speaker 2: Guy now nice Geldo.

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Speaker 3: Now Gelding's referencing a show from the nineteen seventies.

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Speaker 2: You on the Comedy Channel when you were three years old. Everyone,

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Speaker 2: but we're going to get out of here.

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Speaker 14: He's brought it so funny in this COVID.

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Speaker 2: Enjoy the podcast and we'll see you guys on the mat.

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Speaker 2: What he thinks here's the boss of goss in Australia

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Speaker 2: is the boss of gods? Oh well, Richard Reid knock

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Speaker 2: him from him Steed, Yeah, that's the question. What's reckons?

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Speaker 2: He's boss and goss.

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Speaker 3: He wants to prove it by taking down every entertainment

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Speaker 3: reporter in the country.

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Speaker 2: It's been a clean sweep so far. And to be honest, guys,

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Speaker 2: if you've missed it.

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Speaker 3: Renee Barges see you ladders gone Brook Bony Gone. Really

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Speaker 3: stepped up in class last week when Anne Bishop, who's

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Speaker 3: been the game for twenty six years, she's Channel ten's

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Speaker 3: number one entertainment reporter.

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Speaker 6: She was, she was, she was a great adversary. Actually,

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Speaker 6: Angela Bishop, she's the Queen of gossip, no doubt about her.

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Speaker 2: At the end of the day, I wiped the floor

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Speaker 2: with him.

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Speaker 3: Now today it was speaking of step ups in class.

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Speaker 3: This guy has done daily stories for Access Hollywood Entertainment

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Speaker 3: Tonight The Insider.

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Speaker 2: He's currently a panelist on Studio ten. Please welcome Richard Raid. Wow.

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Speaker 15: Oh hello, oh my god, Hey hello. You know what,

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Speaker 15: I the Boss of God. Got a lot of nerve, mister,

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Speaker 15: a lot of nerves.

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Speaker 2: But I'm walking the walk Richard Read.

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Speaker 4: I mean, sure, it was all talk a couple of

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Speaker 4: weeks ago, but I am knocking off you goss reporters left,

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Speaker 4: right and center. My friend and I look forward to

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Speaker 4: knocking you off your purchase.

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Speaker 16: Well Richard, oh yes, you've knocked off Oh my god,

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Speaker 16: Brook Nah nah, you know and yeah, no, come on now,

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Speaker 16: and that was it was very close AND's a.

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Speaker 14: Special Actually, I got to tell you she warned me

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Speaker 14: a little bit. I got a voicemail from her earlier today.

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Speaker 10: Richard, it's a know today today you're taking you on morning. Now, listen,

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Speaker 10: make sure you beat him. I lost all the technicality,

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Speaker 10: and the only thing worth being beaten by you is

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Speaker 10: being beaten by him technicality.

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Speaker 3: Let's let's get down to it, shall we. We're gonna

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Speaker 3: be going head to head, Richie. You know the rules here,

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Speaker 3: so obviously speeds. The key name is buzzers. That will

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Speaker 3: get you an answer to the question. But if you

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Speaker 3: don't get to answer the question, you can trump the

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Speaker 3: other person's answer with a tidbit about the same question.

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Speaker 2: Are you ready to go, Richard?

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Speaker 14: I'm ready.

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Speaker 2: Okay, buzzes, here we go, Good luck rich True or false.

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Speaker 3: Zach Efron played a shirtless bartender in Ricky Martin's She

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Speaker 3: Bangs music video.

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Speaker 2: Would he.

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Speaker 6: False?

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Speaker 2: False is correct.

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Speaker 3: It was, it was not. It was not zach Efron,

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Speaker 3: who was the bartender in Ricky Martin She Bangs.

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Speaker 13: It was.

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Speaker 2: Any Idea Channing Tatum. It was Channing Titum.

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Speaker 13: It was.

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Speaker 2: Channing Tatum was actually a stripper. You don't get any

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Speaker 2: double points. Absolutely not. All right, we're gonna move on.

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Speaker 2: Where are you?

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Speaker 17: Richard did so.

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Speaker 14: The first time I met zach Efron, I was still

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Speaker 14: doing high school musical And I will say I'm not

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Speaker 14: saying he's not pretty, but he's good from far from

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Speaker 14: far from good. Because when I got up clothes, he

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Speaker 14: was wearing so much makeup, so much foundation. Wow, I

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Speaker 14: really thought he might be trans Wow.

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Speaker 2: Not bad, Richard, not going to give it to you

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Speaker 2: like wow, it was.

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Speaker 14: It was pretty desperate me.

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Speaker 9: Here we go.

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Speaker 2: Next question.

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Speaker 3: Sandra Bullock's marriage ended just days after what huge moment

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Speaker 3: in her career.

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Speaker 14: Whet, wretch, wretch, rich you're up Academy award?

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Speaker 2: She yes, she did.

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Speaker 3: She won the Academy Award for the blind Side in

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Speaker 3: twenty ten. All right, so you're one apiece, well done,

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Speaker 3: and rich Ge whiz you were hot on that one

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Speaker 3: mate starting to prove his he.

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Speaker 2: Was hot.

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Speaker 3: All right, here we go, which Ossie TV host completely

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Speaker 3: cooked the finale of Australia's Next Top Model in two

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Speaker 3: thousand and seven.

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Speaker 14: Rich she's blonde and I've worked with her and she's

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Speaker 14: married to a packer.

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Speaker 2: Now, I'm not going to get to your originally, I

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Speaker 2: need her name.

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Speaker 3: I need her name, Sarah Sarah Medock's correct, Sarah Meddock

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Speaker 3: is correct.

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Speaker 2: We're going to go to a song. The gossip continues

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Speaker 2: up next Wood. He is two to one against Richard

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Speaker 2: Reeve Woods.

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Speaker 8: Thinks he could be the best goss reporter in the

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Speaker 8: country and he's about to prove it by taking on

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Speaker 8: the entertainment reporters in Australia one at a time and

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Speaker 8: a genuine gossip what he is the.

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Speaker 2: Boss of go oh well, Richard read just knock him

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Speaker 2: from him, Steve, Yeah, that's right.

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Speaker 3: If you're just joining us, it's been Renee Bash gone

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Speaker 3: Brooke Boney. He beat her as well, Channel nine's entertainent reporter.

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Speaker 3: He's taken out and bishop Channel ten's entertainment reporter. Today,

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Speaker 3: Richard Reid joins us in the goss off. It's a

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Speaker 3: best of five names is Buzzes style quiz scenario, a

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Speaker 3: tidbit will get you a reversal of the points as well.

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Speaker 3: We haven't seen a tidbit provider reversal just yet, Richard.

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Speaker 2: How are you feeling?

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Speaker 4: Oh oh wow?

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Speaker 14: That was like acid beads thrown in my.

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Speaker 2: We're both attempted tidbits. We both had failed.

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Speaker 3: We both had attempted tidbits, no doubt about it. They

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Speaker 3: haven't quite been up to the scratch yet. But as

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Speaker 3: I said, it's two to one best of five. So

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Speaker 3: when he gets another one, Richard, he will win.

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Speaker 2: Are you ready? Yeah, Okay, get out of my head, Richard.

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Speaker 3: In twenty fourteen, whilst visiting Australia, which singers send a

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Speaker 3: twenty one page report on what journalists can and can't do,

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Speaker 3: would he?

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Speaker 2: Yeah?

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Speaker 14: Arianna Grande, Richard got in there.

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Speaker 7: He got in there.

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Speaker 2: Rich Wow, sneaky.

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Speaker 6: Ariana Grande in that on that same trip, was embroiled

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Speaker 6: in a scandal where she spat on donuts.

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Speaker 2: She spat on some donuts and she was videos. Do

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Speaker 2: you know that story, Richard?

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Speaker 14: I don't know the donut story. I know the fake

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Speaker 14: tan story.

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Speaker 2: What's the fake tan story?

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Speaker 14: Someone gave her a fake tan and she threw a

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Speaker 14: fifty fit. She goes, I am not tanned orange. I

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Speaker 14: need to be mocha brown.

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Speaker 3: Wow, shut a meltdown. Both pretty awful tidbits, believe it, Richard.

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Speaker 3: Both your tidbits to date have been fake tan stories.

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Speaker 2: Believe it or not.

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Speaker 14: Well, did I mention I've got a can brand?

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Speaker 9: This is it?

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Speaker 2: Final question?

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Speaker 3: Okay, place these former John Mayer girlfriends in chronological order.

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Speaker 3: Oh you are Jessica Simpson, Jennifer Aniston, Katie Perry, Vanessa Carlton.

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Speaker 2: Can I have a pin?

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Speaker 15: No?

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Speaker 2: He said, no, John Mayer, Carlton. Who's who's the second one?

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Speaker 3: Who's Secon Carlton Simpson and Aniston and Perry?

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Speaker 2: Yeah, yeah, it's Carlton. I'm going to give you five.

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Speaker 6: The last two, it's it's Perry most recent, then Aniston, Perry,

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Speaker 6: Aniston the other one, I said, and then Carlton.

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Speaker 2: Who's the Jessica Simpson, Carlton, Let's get it.

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Speaker 14: Let's get a final.

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Speaker 4: Ch Carlton, Simpson, Ye, Aniston, Perry, that's correct, Richard.

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Speaker 14: It reminds me of that time that Tanya Harding clubbed

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Speaker 14: that other skater's foot and she said, why, oh go.

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Speaker 8: Richard, woll wait, what a performance, rich I imagine you

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Speaker 8: had them as well.

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Speaker 2: Carlton Simpson, Aniston Perry, Oh I did. It was so close.

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Speaker 17: You know what I am.

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Speaker 14: I hand it to you, I again to you, and

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Speaker 14: I can't wait until my friend Big Dick Richard Wilkins.

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Speaker 2: You Yeah, he's my Moby Dick. He's my Moby Dickie.

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Speaker 2: I want him. I want him bad.

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Speaker 15: He's a lot of people's Moby Dick.

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Speaker 14: I got it, Brookshield, that's gonna be.

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Speaker 2: Richard. Hey, thank you so much for joining us.

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Speaker 3: If we don't say to Richards, but he's currently writing

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Speaker 3: for New Idea and this weekend you can see him

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Speaker 3: on Celebrity Mastermind, which is not S B S.

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Speaker 2: Richard, it's been a pleasure having all the show, mat

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Speaker 2: thanks so much for coming on.

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Speaker 14: A pleasure. I'm not a sore loser, but I'm a

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Speaker 14: loser and I'm sore.

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Speaker 2: Joining us, right, It's been a pleasure. You got it

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Speaker 2: there on Will and what he moves on in the Gossip.

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Speaker 2: Give me Dicky?

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Speaker 13: Wow, give me the.

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Speaker 2: Next stip is Richard Wilkins, give me the dick? Can

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Speaker 2: he do it?

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Speaker 13: Wowa?

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Speaker 2: We're gonna find that next time.

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Speaker 1: It's the Will and Woody podcast.

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Speaker 3: Why do you think we go back to the X

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Speaker 3: for a bit of stuff and the muffin?

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Speaker 2: Hard to know, isn't it. We've all done it.

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Speaker 3: We all know that it can be pretty good to

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Speaker 3: split the guinea pig with your ex partner.

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Speaker 2: So thirty one and six five, what do you what

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Speaker 2: do you?

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Speaker 13: What do you?

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Speaker 9: What do you?

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Speaker 2: Guys? Reckon? Two thirds of people. I'll add to this.

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Speaker 3: I've got the answer, by the way, Yeah, yeah, sex

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Speaker 3: therapist is confirmed. Oh why we like going back there

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Speaker 3: so much? But two thirds of people have admitted to

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Speaker 3: their ex being.

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Speaker 2: On their mind too often.

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Speaker 18: Wow.

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Speaker 3: Two thirds of people, and this is the forty three

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Speaker 3: percent of single women admit to sweeping the chimney with

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Speaker 3: their ex whilst looking for a new partner.

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Speaker 2: Whoa extraordinary yeah wow.

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Speaker 3: Forty seven percent of guys stuff, yep, they stuffed the

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Speaker 3: taco with another girl while they're.

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Speaker 2: Looking for another partner or another guy. We're looking for

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Speaker 2: another partner.

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Speaker 3: So that I suppose I've already given up a little

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Speaker 3: bit of the answer. Some of it is that it's

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Speaker 3: the comfort of knowing that you've got someone to be

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Speaker 3: with while you're looking for something else that.

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Speaker 6: Was probably gonna be my guess. I think it's the

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Speaker 6: comfort factor. The other one i'd throw in there is

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Speaker 6: if if you've been single for a while and maybe

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Speaker 6: you've had like a really bad date or a really

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Speaker 6: bad experience with a new guy or girl.

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Speaker 4: I think that is often a real hot time to

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Speaker 4: go back to your ex because you can't help but

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Speaker 4: compare your most recent bad experience, yes, with your ex,

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Speaker 4: and you go, oh, whoa, my ex was way better

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Speaker 4: than that. Yes, So then all of a sudden you

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Speaker 4: find yourself going back. But then I think most people

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Speaker 4: find that.

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Speaker 6: I think I was probably remembering time with the X

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Speaker 6: through rose colored glasses, and there's a reason why we broke.

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Speaker 2: Up in the Yeah. Well, interestingly, and this person, Tracy Cox.

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Speaker 2: Funnily enough, she she was born to be a sex.

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Speaker 6: That iseous.

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Speaker 3: That's radio do your research beforehand. But I can't get

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Speaker 3: around that. It name's Tracy Cox. So Tracy Cox seems

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Speaker 3: to think that they are very separate things, being with

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Speaker 3: your ex in a relationship and the sex that.

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Speaker 2: You have with your.

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Speaker 19: Okay, so's them because the issues often arise as you

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Speaker 19: well know you can have you can you can have

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Speaker 19: wonderful slop hockey with an ex partner or with someone

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Speaker 19: in general, and then not have a great time with them.

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Speaker 3: Outside of yeas so they are separate. It's not about

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Speaker 3: just the relationship being bad or toxic. We're talking specifically,

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Speaker 3: specifically about splurging.

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Speaker 4: The nergean here, let's go to Stefan. Stefan, why do

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Speaker 4: you think you you go back to the ex too?

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Speaker 6: Humpty? Do for one of a better word?

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Speaker 8: There?

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Speaker 17: You're going boy good fun?

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Speaker 20: I think because I think we can all agree.

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Speaker 2: I mean, the sex is just that much better.

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Speaker 3: Yeah, No, we've agreed on that. That's the premise of

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Speaker 3: the bit step fun. We're looking for the why. We're

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Speaker 3: looking for the why why ye comfortability, M well, comfort comfort,

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Speaker 3: the comfort, the comfort. Yeah, although there's a big part,

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Speaker 3: there's a big thing to say that when it comes

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Speaker 3: for searching for pocket change with another person, a lot

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Speaker 3: of the time it's more about the excitement as opposed

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Speaker 3: to the comfort.

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Speaker 12: Yeah.

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Speaker 3: So that's one of the I'll tell you more of

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Speaker 3: what Tracy Couch says to add after this because we'll take.

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Speaker 2: More calls on this.

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Speaker 3: Thirdn't want to six five, but she says that One

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Speaker 3: of the reasons that a lot of people will do

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Speaker 3: it is because it's much because you know you're going

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Speaker 3: to get a yes when you ask them if they

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Speaker 3: want to. So a lot of the time putting yourself

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Speaker 3: out there if you are in a dating app, or

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Speaker 3: if you have to make yourself very vulnerable to extend

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Speaker 3: it to do you want to come to Netflix and chill?

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Speaker 6: Whereas with an X, we'll have done it before.

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Speaker 2: Yeah, let's face it.

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Speaker 3: Like a message, you know, I'll put the shoe on

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Speaker 3: the other foot if I know, for a guy, if

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Speaker 3: you get a message from an X saying you up

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Speaker 3: or you still out, that's effectively like them lowering the

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Speaker 3: drawbridge and bringing out a whole bunch of trumpetears in

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Speaker 3: a red carpet, like you know you're going to be

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Speaker 3: welcome and you're going to have a good time.

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Speaker 2: It's easy.

400
00:19:20,400 --> 00:19:22,400
Speaker 3: You don't have to worry about getting to know them

401
00:19:22,720 --> 00:19:25,400
Speaker 3: all those things. Yere talking about it more. X Cox

402
00:19:25,480 --> 00:19:31,200
Speaker 3: has got more tracy. That is talking about why all

403
00:19:31,320 --> 00:19:36,360
Speaker 3: of us enjoy polishing the paupers with an X. Why

404
00:19:36,400 --> 00:19:45,320
Speaker 3: don't we all enjoy stuff in the muffin with the X. Certainly, well,

405
00:19:45,400 --> 00:19:49,080
Speaker 3: we know we know for a fact that Jlo has

406
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Speaker 3: been riding the Bonie Express about ben Afflex to be

407
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Speaker 3: more specific, Yeah, totally wild.

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Speaker 6: But that wasn't just about parking the muff and bus.

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00:20:00,440 --> 00:20:02,640
Speaker 6: That was also they're in a relationship.

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Speaker 3: Yeah, now they're back in a relationship, and some would

411
00:20:04,760 --> 00:20:08,119
Speaker 3: say it's doomed. Don't be fooled by how good roasting

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00:20:08,160 --> 00:20:10,119
Speaker 3: the broomstick is with your ex partner? Thirty one and

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Speaker 3: six y five? Why do you think it's good? Happy

414
00:20:12,320 --> 00:20:14,240
Speaker 3: to go to Vanessa here? I've got the answer to

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Speaker 3: this question. By the way, I'm not just throwing it

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Speaker 3: out of there.

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Speaker 2: There's a lot of teas. Tracy Cox is a sex

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Speaker 2: therapist for Daily Mail in the UK.

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Speaker 6: What's got Vanessa here?

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Speaker 2: Vanessa?

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Speaker 6: Why do you think people go back to the X

422
00:20:26,040 --> 00:20:27,359
Speaker 6: to do hanky panky?

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Speaker 20: Hey, guys, are you good?

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Speaker 2: What do you reckon? Vanessa?

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Speaker 20: My ex and I used to well, we would never

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Speaker 20: actually dated. We just became friends with benefits, but we

427
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Speaker 20: would go back to each other between people we dated

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Speaker 20: because the sex was good. It was easy, we knew

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Speaker 20: what each other liked and there was no strings.

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Speaker 2: Yeah, the no strings thing.

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Speaker 3: So she's she's here she's she had a couple of winsy,

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Speaker 3: so we got a couple of beings for it. The

433
00:20:56,640 --> 00:21:00,199
Speaker 3: connection is already there. You get a tip that it's

434
00:21:00,280 --> 00:21:00,800
Speaker 3: to start with.

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00:21:01,320 --> 00:21:02,960
Speaker 2: So I've already got the connection there, you know how

436
00:21:03,000 --> 00:21:03,320
Speaker 2: it works.

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Speaker 3: The other one is and I'm using Tracy Cox's language,

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Speaker 3: not not my own, but she said, and I quote,

439
00:21:10,119 --> 00:21:16,400
Speaker 3: you know what the orgasm triggers are, so you don't

440
00:21:16,440 --> 00:21:17,720
Speaker 3: need you don't need to do the work. You don't

441
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Speaker 3: need to do the instructing there as well, well done, Vanessa,

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Speaker 3: So you get two of them?

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Speaker 6: Yeah, Vaness? Can I ask you so? Is that is

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Speaker 6: that still an arrangement you have with this guy?

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Speaker 20: So as of like two weeks ago, he's now in

446
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Speaker 20: a relationship. So all right, and we're both we're both

447
00:21:34,080 --> 00:21:36,159
Speaker 20: okay with that. Like we had this agreement from the

448
00:21:36,240 --> 00:21:39,760
Speaker 20: start where we weren't going to catch feelings. He did

449
00:21:39,760 --> 00:21:41,440
Speaker 20: at one point and we had to end sing for

450
00:21:41,560 --> 00:21:41,880
Speaker 20: a while.

451
00:21:44,000 --> 00:21:46,679
Speaker 3: But did you draw up this contract though, Vanessa? Were

452
00:21:46,720 --> 00:21:49,080
Speaker 3: you the one who said that you'd like it to

453
00:21:49,200 --> 00:21:53,520
Speaker 3: be this way? And then he's the one? Wow, his

454
00:21:53,640 --> 00:21:55,719
Speaker 3: eyes his eyes probably would have lit up when that happened.

455
00:21:57,400 --> 00:21:58,119
Speaker 11: Well, I don't know.

456
00:21:58,280 --> 00:22:00,080
Speaker 20: I was like, we were hanging out one night. It

457
00:22:00,200 --> 00:22:01,680
Speaker 20: just kind of happened, and I was like, look, we

458
00:22:01,800 --> 00:22:03,399
Speaker 20: are mates at the end of the day, Like, I.

459
00:22:03,400 --> 00:22:04,280
Speaker 14: Don't want to ruin that.

460
00:22:04,720 --> 00:22:09,040
Speaker 6: So yeah, wow, we kept it like that and it's woke, like, yeah.

461
00:22:08,920 --> 00:22:12,280
Speaker 20: It was a bit shoot when he was like telling

462
00:22:12,359 --> 00:22:13,359
Speaker 20: me how he felt.

463
00:22:14,200 --> 00:22:15,359
Speaker 2: Yeah, and you did the good thing.

464
00:22:15,760 --> 00:22:16,480
Speaker 20: I'm not in a place to.

465
00:22:16,480 --> 00:22:17,159
Speaker 14: Feel that for you.

466
00:22:17,359 --> 00:22:18,080
Speaker 2: You got out of there.

467
00:22:18,600 --> 00:22:21,720
Speaker 20: I have lots of issues want to ruin our friendship.

468
00:22:21,880 --> 00:22:26,400
Speaker 2: Extraordinary, very mature of you. Round of applause. I've never

469
00:22:26,520 --> 00:22:28,320
Speaker 2: heard of that working out before.

470
00:22:28,320 --> 00:22:29,920
Speaker 6: And it sounds like they're still friends, which.

471
00:22:29,760 --> 00:22:31,879
Speaker 2: Is well, he's just started seeing someone.

472
00:22:31,920 --> 00:22:33,920
Speaker 3: I mean, it feels like the stage is set for

473
00:22:34,000 --> 00:22:37,080
Speaker 3: a bit of a tragedy, isn't it every other story

474
00:22:37,160 --> 00:22:38,440
Speaker 3: I've ever heard about.

475
00:22:38,200 --> 00:22:39,159
Speaker 2: That sort of a setup.

476
00:22:39,200 --> 00:22:42,080
Speaker 3: Well, I was going to say, there's there's a storm

477
00:22:42,160 --> 00:22:46,000
Speaker 3: coming from Vanessa. Now another one here woulds and look,

478
00:22:46,119 --> 00:22:49,520
Speaker 3: I was never really It's been a long time since

479
00:22:49,560 --> 00:22:53,480
Speaker 3: I have been single and peeling the bark with multiple suitors.

480
00:22:53,960 --> 00:22:59,280
Speaker 3: But apparently they're saying that. Tracy Cox, this sex therapist,

481
00:22:59,320 --> 00:23:03,280
Speaker 3: said it's better than having a meaningless one night with

482
00:23:03,400 --> 00:23:07,040
Speaker 3: somebody where you don't get a chance to have any connection.

483
00:23:07,160 --> 00:23:10,239
Speaker 3: You'd rather that people would rather revisit something that they

484
00:23:10,640 --> 00:23:13,680
Speaker 3: previously had rather than trying to fumble your way through

485
00:23:13,760 --> 00:23:15,040
Speaker 3: a connection with a new person.

486
00:23:15,160 --> 00:23:17,840
Speaker 6: My only argument to miss Cox there would be that

487
00:23:18,040 --> 00:23:20,879
Speaker 6: you what you sacrificed there. There was that excitement around

488
00:23:20,960 --> 00:23:22,560
Speaker 6: that first time, like, well this.

489
00:23:22,680 --> 00:23:23,200
Speaker 2: Is all new.

490
00:23:23,359 --> 00:23:25,680
Speaker 3: Although like first time, like, let's face it, that's pretty

491
00:23:25,760 --> 00:23:27,159
Speaker 3: much ninety percent of the time awful.

492
00:23:28,240 --> 00:23:38,080
Speaker 2: M think, I think block No, No, I agree, like, well,

493
00:23:38,119 --> 00:23:38,760
Speaker 2: it depends what you say.

494
00:23:38,760 --> 00:23:40,280
Speaker 6: It depends what metric is there.

495
00:23:40,280 --> 00:23:43,399
Speaker 4: If your metric is getting to as miss Cox's words,

496
00:23:44,200 --> 00:23:47,520
Speaker 4: the oh yeah, then no, I think first time, good

497
00:23:47,600 --> 00:23:50,359
Speaker 4: luck to you. It's like you're driving through Darwin without

498
00:23:50,359 --> 00:23:55,439
Speaker 4: a map but weird metaphor, but that.

499
00:23:57,240 --> 00:24:00,480
Speaker 3: Experience you think, yeah, yeah, all of a sudden, you

500
00:24:00,520 --> 00:24:01,120
Speaker 3: got the GPS.

501
00:24:01,200 --> 00:24:04,280
Speaker 6: Baby, it doesn't matter where you're driving at the end

502
00:24:04,280 --> 00:24:04,679
Speaker 6: of the day.

503
00:24:04,880 --> 00:24:10,600
Speaker 2: No, no, take the goddown plane. Let's go to Jessica. Jessica.

504
00:24:10,720 --> 00:24:13,200
Speaker 3: Why do you think that people enjoy parking the beef

505
00:24:13,240 --> 00:24:15,679
Speaker 3: bus in Juneatown with their ex Hey.

506
00:24:15,640 --> 00:24:19,560
Speaker 21: Guys, so I've totally related and agreed with pretty much

507
00:24:19,640 --> 00:24:24,359
Speaker 21: everything said so far in terms of relationships. I was

508
00:24:24,440 --> 00:24:27,080
Speaker 21: with my ex about oh god, we broke up six

509
00:24:27,200 --> 00:24:29,600
Speaker 21: years ago. I still think about him now, actually believe

510
00:24:29,720 --> 00:24:29,800
Speaker 21: or not.

511
00:24:30,680 --> 00:24:32,960
Speaker 3: Did you hear the stat I said before, Jess, two

512
00:24:33,080 --> 00:24:35,679
Speaker 3: thirds of people admit to thinking about their ex far

513
00:24:35,840 --> 00:24:36,280
Speaker 3: too often.

514
00:24:36,640 --> 00:24:37,840
Speaker 2: You're not alone.

515
00:24:38,000 --> 00:24:42,080
Speaker 21: I haven't had anything official or substantial since, so be

516
00:24:42,320 --> 00:24:45,320
Speaker 21: the last official thing I've had, So that's all I've

517
00:24:45,359 --> 00:24:48,920
Speaker 21: got to refer to. But after breaking up with him,

518
00:24:49,359 --> 00:24:51,920
Speaker 21: because we did start out as dating and then friends

519
00:24:51,960 --> 00:24:55,800
Speaker 21: with benefits, then we dated officially, then we broke up,

520
00:24:55,840 --> 00:24:57,960
Speaker 21: then we got back to a very messy story. Sure,

521
00:24:58,960 --> 00:25:01,080
Speaker 21: and then you broke up six years ago, and then

522
00:25:01,840 --> 00:25:03,960
Speaker 21: I've been with a couple other guys since who have

523
00:25:04,160 --> 00:25:08,280
Speaker 21: been honestly so much better. So one of them for

524
00:25:08,359 --> 00:25:12,080
Speaker 21: the last six years since I met him, we've corn

525
00:25:12,400 --> 00:25:14,320
Speaker 21: kind of on and off for the last six years.

526
00:25:14,440 --> 00:25:18,000
Speaker 2: So that's just it's just a contractual relationship.

527
00:25:19,160 --> 00:25:21,160
Speaker 21: You said before, you don't want to have to keep,

528
00:25:21,760 --> 00:25:24,480
Speaker 21: you know, starting over again and getting used to someone

529
00:25:24,600 --> 00:25:25,480
Speaker 21: once you're comfortable.

530
00:25:28,520 --> 00:25:31,840
Speaker 3: Yeah, yeah, yeah, so Jess, that's another I'll give you

531
00:25:31,880 --> 00:25:34,399
Speaker 3: a point. Just Jess gets a bing, Jess gets a

532
00:25:34,440 --> 00:25:36,479
Speaker 3: being you can't hear. It doesn't matter, Jesse. You've provided

533
00:25:36,520 --> 00:25:39,040
Speaker 3: some great insight there. So that was the final one.

534
00:25:39,119 --> 00:25:43,119
Speaker 3: There was that you you can actually and this is

535
00:25:43,200 --> 00:25:46,760
Speaker 3: I think very interesting when you're with when you're hooking up,

536
00:25:46,840 --> 00:25:50,239
Speaker 3: when you're passing the gravy with your ex, because they

537
00:25:50,320 --> 00:25:52,840
Speaker 3: are your ex and you know that you're not going

538
00:25:52,920 --> 00:25:56,240
Speaker 3: to end up with them again, you can be a

539
00:25:56,320 --> 00:26:03,480
Speaker 3: bit It's interesting, you can almost be a bit more explorative, vulnerable, open,

540
00:26:04,000 --> 00:26:06,960
Speaker 3: not like emotionally, but in the bedroom because you don't

541
00:26:07,040 --> 00:26:09,960
Speaker 3: have to see them anymore. But we've closed that, we're

542
00:26:09,960 --> 00:26:12,399
Speaker 3: not even trying to be in a relationship anymore.

543
00:26:12,480 --> 00:26:14,160
Speaker 2: This is just for the fun of the activity.

544
00:26:14,359 --> 00:26:14,600
Speaker 12: Yeah.

545
00:26:14,960 --> 00:26:17,119
Speaker 6: Sure, let's go to the monkey bar sort of, you know,

546
00:26:17,359 --> 00:26:18,400
Speaker 6: let's hang ourselves.

547
00:26:18,119 --> 00:26:20,560
Speaker 2: Up monkey bars. Yeah, I'm not as wild as I

548
00:26:20,720 --> 00:26:21,160
Speaker 2: was thought.

549
00:26:21,720 --> 00:26:21,920
Speaker 12: Now.

550
00:26:22,040 --> 00:26:23,520
Speaker 6: I'm just trying to think of a family friendly thing.

551
00:26:23,560 --> 00:26:23,720
Speaker 12: You know.

552
00:26:24,720 --> 00:26:25,959
Speaker 6: It's Buddy, Get the Hula Hoop bad.

553
00:26:26,000 --> 00:26:26,720
Speaker 2: You know, I don't know.

554
00:26:28,200 --> 00:26:31,639
Speaker 6: It's Lot's get the Teddy Bear Out.

555
00:26:31,640 --> 00:26:31,920
Speaker 15: I don't know.

556
00:26:32,160 --> 00:26:32,800
Speaker 2: It's go Crazy.

557
00:26:34,720 --> 00:26:36,520
Speaker 1: It's the Will and Woody podcast.

558
00:26:36,960 --> 00:26:38,760
Speaker 3: Every week Woods you and I pitch lots and lots

559
00:26:38,800 --> 00:26:40,720
Speaker 3: of ideas. We only get one spot where we get

560
00:26:40,760 --> 00:26:42,720
Speaker 3: to repitch those ideas on the show.

561
00:26:43,240 --> 00:26:44,480
Speaker 2: It's our rejected ideas.

562
00:26:47,000 --> 00:26:49,240
Speaker 1: It's Will and Woodies rejected ideas.

563
00:26:49,920 --> 00:26:53,280
Speaker 4: All right, you guys votes for an idea that Will

564
00:26:53,320 --> 00:26:56,200
Speaker 4: and I repitch, and then the idea you vote for

565
00:26:56,400 --> 00:26:58,920
Speaker 4: actually goes on air. You take control of the show

566
00:26:59,000 --> 00:27:01,800
Speaker 4: here Australia. Now, will I mean, I wouldn't mind just

567
00:27:01,920 --> 00:27:02,680
Speaker 4: kicking things off.

568
00:27:03,920 --> 00:27:05,480
Speaker 2: You know, I'm going to be honest. I'm going to

569
00:27:05,520 --> 00:27:07,399
Speaker 2: wave the right what the white flag before we get

570
00:27:07,440 --> 00:27:07,680
Speaker 2: into this.

571
00:27:08,480 --> 00:27:09,120
Speaker 6: You don't have one.

572
00:27:09,480 --> 00:27:11,479
Speaker 3: No, I'm just worried about you because, like, I think

573
00:27:11,520 --> 00:27:12,880
Speaker 3: your credibility is a bit shot.

574
00:27:13,119 --> 00:27:15,440
Speaker 2: I won last week, yes, and then proved that you

575
00:27:15,480 --> 00:27:16,160
Speaker 2: shouldn't have won.

576
00:27:16,960 --> 00:27:18,000
Speaker 3: Well, I think it was a good bit when you

577
00:27:18,119 --> 00:27:20,440
Speaker 3: just tore paper and sprayed a can of Glenn twenty

578
00:27:20,480 --> 00:27:22,920
Speaker 3: into the microphone. And on top of that, you've spent

579
00:27:22,960 --> 00:27:26,240
Speaker 3: the last half an hour preparing some sort of song

580
00:27:26,320 --> 00:27:28,120
Speaker 3: hooks or something with our audio producer Tim.

581
00:27:28,480 --> 00:27:29,760
Speaker 2: I haven't. I was in the toilet.

582
00:27:31,359 --> 00:27:34,639
Speaker 6: I wasn't taught now my idea, so I feel like

583
00:27:34,800 --> 00:27:36,639
Speaker 6: I saw it. I wasn't the tall you're the Toiler

584
00:27:36,760 --> 00:27:39,840
Speaker 6: wasn't the tall junior producer Analys brought us some canatonies

585
00:27:39,880 --> 00:27:45,560
Speaker 6: today and anyway, I wasn't taught, so I will pitch

586
00:27:45,640 --> 00:27:49,399
Speaker 6: an idea. I have not been prepared. Okay, have not

587
00:27:49,520 --> 00:27:52,159
Speaker 6: been prepared, that's fine, but I think this is a

588
00:27:52,200 --> 00:27:54,760
Speaker 6: great idea. So apparently Abba is returning.

589
00:27:56,400 --> 00:27:58,680
Speaker 4: This is a this is a true story that they've

590
00:27:58,760 --> 00:28:01,399
Speaker 4: they made a website or some which is big for

591
00:28:01,480 --> 00:28:02,920
Speaker 4: these oldie songs.

592
00:28:03,560 --> 00:28:07,400
Speaker 2: To make a website. I regret waving the white yeah yeah, yeah.

593
00:28:07,520 --> 00:28:09,760
Speaker 4: So and then there's talk, there's rumors that they are

594
00:28:09,800 --> 00:28:11,800
Speaker 4: going to bring out a new album, which is very exciting.

595
00:28:11,880 --> 00:28:14,359
Speaker 4: So my idea today was, okay, here we could we

596
00:28:14,560 --> 00:28:17,679
Speaker 4: just COVID up a whole bunch of old Abba songs.

597
00:28:18,240 --> 00:28:20,000
Speaker 4: So because you know that, you know, if they want

598
00:28:20,000 --> 00:28:21,359
Speaker 4: to bring back music now, they're going to have to

599
00:28:21,440 --> 00:28:22,879
Speaker 4: go with the times and they're going to have to

600
00:28:22,920 --> 00:28:24,080
Speaker 4: sing songs about COVID.

601
00:28:24,440 --> 00:28:27,080
Speaker 2: So again, my idea is to go with the times

602
00:28:27,119 --> 00:28:28,359
Speaker 2: and sing songs about COVID.

603
00:28:28,800 --> 00:28:32,639
Speaker 6: Can we change classic Abba songs into COVID themed songs?

604
00:28:34,640 --> 00:28:34,800
Speaker 13: Right?

605
00:28:35,240 --> 00:28:35,440
Speaker 12: Yes?

606
00:28:36,200 --> 00:28:40,040
Speaker 2: Do you like it? Yeah? Yeah? Oh absolutely I like it.

607
00:28:40,880 --> 00:28:43,200
Speaker 2: So you've so okay, so you're going to give that

608
00:28:43,280 --> 00:28:43,600
Speaker 2: a crack.

609
00:28:43,880 --> 00:28:45,800
Speaker 4: Yeah, well, I was hoping people would call up as well.

610
00:28:45,880 --> 00:28:49,160
Speaker 4: Thirty but thirty one and six five out number. If

611
00:28:49,200 --> 00:28:52,920
Speaker 4: you think you can COVID up, ye, a famous Abba

612
00:28:53,040 --> 00:28:53,840
Speaker 4: song and then it's come.

613
00:28:53,760 --> 00:28:55,960
Speaker 3: On the air and sing it so parody an Abba

614
00:28:56,080 --> 00:28:59,800
Speaker 3: song but make it COVID but making the parody about COVID.

615
00:29:00,120 --> 00:29:04,320
Speaker 2: Yes, any unversing Woody, you're going one on one? Yes, exactly.

616
00:29:04,400 --> 00:29:05,880
Speaker 2: Have you got an example of one of these?

617
00:29:06,040 --> 00:29:08,280
Speaker 4: I don't know if we're prepared because I definitely haven't

618
00:29:08,320 --> 00:29:15,280
Speaker 4: been preparing. But as audio produced, I'm sorry we haven't prepared. Look,

619
00:29:15,360 --> 00:29:17,120
Speaker 4: no one's going to call Let's be honest, because it's

620
00:29:17,200 --> 00:29:17,760
Speaker 4: very hard to do it.

621
00:29:17,920 --> 00:29:19,240
Speaker 2: Come on, what about what about this? What about?

622
00:29:19,280 --> 00:29:21,080
Speaker 3: I throw a hundred old or about tree out there

623
00:29:21,760 --> 00:29:24,239
Speaker 3: for the best one. If you do get it, if

624
00:29:24,280 --> 00:29:26,320
Speaker 3: I win not? Yes, okay fine. If you think you

625
00:29:26,400 --> 00:29:30,400
Speaker 3: can beat Woody at parodying an Abba song and making

626
00:29:30,480 --> 00:29:32,560
Speaker 3: it COVID theme, do you pick the Abba song, you

627
00:29:32,720 --> 00:29:34,280
Speaker 3: pick the COVID gag you want to go with?

628
00:29:34,480 --> 00:29:37,120
Speaker 2: Do you have the Waterloo instrumental? There? Oh buddy, give

629
00:29:37,120 --> 00:29:40,720
Speaker 2: you one? Okay? Stuck on the loo.

630
00:29:41,600 --> 00:29:43,960
Speaker 6: There's no darning paper, and I'm doing it too.

631
00:29:44,600 --> 00:29:50,280
Speaker 9: Sing it with me, Well stuck on the loo, Hell,

632
00:29:50,600 --> 00:29:55,800
Speaker 9: you wrecked it, We get it. Maybe I should just

633
00:29:55,960 --> 00:29:57,080
Speaker 9: wipe with my shoe.

634
00:29:59,640 --> 00:30:00,240
Speaker 6: That's my words.

635
00:30:00,280 --> 00:30:03,440
Speaker 2: One, Just an example.

636
00:30:03,600 --> 00:30:06,880
Speaker 3: Alright, you told me to join you, and then I

637
00:30:07,040 --> 00:30:08,960
Speaker 3: just repeated the lyric you did beforehand.

638
00:30:09,000 --> 00:30:10,000
Speaker 2: I don't know the next lyric.

639
00:30:10,080 --> 00:30:11,760
Speaker 6: I thought, you wander that will thing where you don't

640
00:30:11,840 --> 00:30:14,080
Speaker 6: join in. You anti willed me and sang over me.

641
00:30:14,160 --> 00:30:15,680
Speaker 2: So we're going to go to a song. You invited

642
00:30:15,720 --> 00:30:16,640
Speaker 2: me to a single long way.

643
00:30:16,880 --> 00:30:17,960
Speaker 6: We're going to go to a song.

644
00:30:19,360 --> 00:30:21,240
Speaker 2: If you want to cove it up, an ab a song.

645
00:30:21,440 --> 00:30:24,200
Speaker 3: You give us a call six one hundred old door

646
00:30:24,240 --> 00:30:26,240
Speaker 3: Dash voucher for the person that thinks they can beat Woody.

647
00:30:26,240 --> 00:30:28,120
Speaker 3: I've got two mems like he's pretty buddy beatable at

648
00:30:28,120 --> 00:30:28,360
Speaker 3: the moment.

649
00:30:28,960 --> 00:30:29,520
Speaker 2: Let's do it up.

650
00:30:29,600 --> 00:30:32,440
Speaker 1: Next, it's the Will and Woody Podcast.

651
00:30:33,360 --> 00:30:35,240
Speaker 2: It's our rejected ideas on a Friday.

652
00:30:37,840 --> 00:30:40,040
Speaker 1: It's Will and Woodi's rejected ideas.

653
00:30:41,240 --> 00:30:43,120
Speaker 2: What's every week? You and I pitch a lot of ideas.

654
00:30:43,200 --> 00:30:44,440
Speaker 2: Not all of them can make the show.

655
00:30:44,520 --> 00:30:46,880
Speaker 3: The producers give us the saving grace of ten minutes

656
00:30:46,920 --> 00:30:49,720
Speaker 3: on a Friday, where we get to repitch those ideas.

657
00:30:49,800 --> 00:30:52,400
Speaker 2: Now, look, we normally compete for this spot. I've waived

658
00:30:52,440 --> 00:30:53,000
Speaker 2: the white flag.

659
00:30:53,040 --> 00:30:54,440
Speaker 3: You put a lot of time and effort into this,

660
00:30:54,520 --> 00:30:55,720
Speaker 3: and I respect that I haven't.

661
00:30:55,760 --> 00:30:57,400
Speaker 2: I've actually been on the I've been in the bathroom.

662
00:30:57,400 --> 00:30:58,080
Speaker 6: As I kept telling you.

663
00:30:58,840 --> 00:31:00,200
Speaker 4: This is just I've thought of this on the spot,

664
00:31:00,240 --> 00:31:04,560
Speaker 4: which is very impressive. So my idea is to covid

665
00:31:04,760 --> 00:31:06,440
Speaker 4: up some classic Abba songs.

666
00:31:08,360 --> 00:31:11,560
Speaker 6: This is actually true story Abba potentially bringing out a

667
00:31:11,600 --> 00:31:13,960
Speaker 6: new album first time in thirty nine years.

668
00:31:14,120 --> 00:31:15,800
Speaker 2: I thought it was I thought I were doing like

669
00:31:15,840 --> 00:31:18,680
Speaker 2: a virtual tour, like a hologram tour or something. Really,

670
00:31:19,280 --> 00:31:20,440
Speaker 2: I didn't read past the headline.

671
00:31:20,760 --> 00:31:23,360
Speaker 3: But all we need to know is they said there's

672
00:31:23,360 --> 00:31:26,320
Speaker 3: a big announcement. They haven't announced what the announcement is yet, sure,

673
00:31:26,400 --> 00:31:28,200
Speaker 3: so this speculation as to what it might be.

674
00:31:28,360 --> 00:31:30,160
Speaker 6: So my contention is, if they're going to come back,

675
00:31:30,200 --> 00:31:32,400
Speaker 6: they're going to have to covid theme up their songs.

676
00:31:32,440 --> 00:31:32,680
Speaker 2: You know that.

677
00:31:32,760 --> 00:31:34,479
Speaker 3: That's the time, and that's what every artist does when

678
00:31:34,480 --> 00:31:36,200
Speaker 3: they bring out an album these days. That's what Beba's

679
00:31:36,240 --> 00:31:42,040
Speaker 3: last album was about. COVID Hell yeah, it was It wasn't.

680
00:31:42,040 --> 00:31:42,760
Speaker 2: It wasn't at all.

681
00:31:42,840 --> 00:31:44,720
Speaker 4: No, it was very I got my pictures up in

682
00:31:44,840 --> 00:31:47,960
Speaker 4: Georgia because COVID hit my fruit shop in Washington.

683
00:31:48,040 --> 00:31:58,040
Speaker 2: You know, we all know it. So my fit shop

684
00:32:00,080 --> 00:32:04,360
Speaker 2: and washing Oh wow.

685
00:32:04,640 --> 00:32:07,360
Speaker 4: So we've opened the phone lines thirteen one oh six

686
00:32:07,480 --> 00:32:09,680
Speaker 4: five if you want to have a crack at coviding

687
00:32:09,800 --> 00:32:11,080
Speaker 4: up a classic ABA song.

688
00:32:11,200 --> 00:32:13,440
Speaker 6: I love this Angela. You've given the show a call.

689
00:32:13,600 --> 00:32:16,120
Speaker 2: Thank you. What is the ABA song? You want to

690
00:32:16,160 --> 00:32:16,640
Speaker 2: cove it up?

691
00:32:17,720 --> 00:32:19,440
Speaker 6: Jimmy, gimme, gimme amazing.

692
00:32:19,920 --> 00:32:21,520
Speaker 2: Everyone knows that song to be a little grab that

693
00:32:21,640 --> 00:32:24,840
Speaker 2: had a remick obviously remix of it recently.

694
00:32:25,280 --> 00:32:27,520
Speaker 3: Now I'd like just trans before and gets into this

695
00:32:27,680 --> 00:32:29,880
Speaker 3: that I have offered one hundred dollars door dash boutcher.

696
00:32:29,640 --> 00:32:31,880
Speaker 2: If you can beat Woody because I get it.

697
00:32:32,760 --> 00:32:34,720
Speaker 3: Yeah, because because what he spent the last half hour

698
00:32:34,760 --> 00:32:36,440
Speaker 3: prepping these and so if you can beat him on

699
00:32:36,480 --> 00:32:37,719
Speaker 3: the spot, then you definitely win.

700
00:32:37,840 --> 00:32:38,480
Speaker 2: Are you ready to go?

701
00:32:38,640 --> 00:32:40,040
Speaker 14: And I'm ready?

702
00:32:40,160 --> 00:32:40,880
Speaker 2: Okay, where are we going?

703
00:32:41,080 --> 00:32:42,400
Speaker 3: Have we got some music for Ange or we're just

704
00:32:42,400 --> 00:32:43,920
Speaker 3: gonna She's just gonna do it. She's gonna do it

705
00:32:43,920 --> 00:32:46,040
Speaker 3: a cappella And what he's doing it with music. No

706
00:32:46,240 --> 00:32:47,080
Speaker 3: nonie beats you like.

707
00:32:48,760 --> 00:32:50,840
Speaker 2: You want to go a coapela. It's harder with the music. Okay,

708
00:32:50,880 --> 00:32:51,880
Speaker 2: all right, let's kick it off.

709
00:32:51,920 --> 00:32:57,120
Speaker 12: And all right, Jimmy, gimmy, gimmy your jab after midnight?

710
00:32:57,280 --> 00:32:59,920
Speaker 14: Want somebody help me take this virus?

711
00:33:00,280 --> 00:33:03,800
Speaker 21: Worry not bad, not bad?

712
00:33:04,640 --> 00:33:05,760
Speaker 2: Off it crackup?

713
00:33:06,320 --> 00:33:12,120
Speaker 6: Actually, well all my reply, I'm not gonna go with music.

714
00:33:12,120 --> 00:33:14,360
Speaker 2: Be just confused. But I'm doing them. Do we have

715
00:33:14,440 --> 00:33:19,920
Speaker 2: a grab of Fernando the Okay, so I'm just doing

716
00:33:20,000 --> 00:33:20,720
Speaker 2: the start.

717
00:33:20,480 --> 00:33:20,840
Speaker 11: Of the song.

718
00:33:21,080 --> 00:33:23,320
Speaker 2: You're not doing the chorus. Now I'm doing the Can

719
00:33:23,400 --> 00:33:25,000
Speaker 2: I hear the drums? Fernande?

720
00:33:26,560 --> 00:33:32,440
Speaker 18: Another day at the time, Commando, it's been three days

721
00:33:32,520 --> 00:33:35,640
Speaker 18: and one. We're jocks when you don't leave the house

722
00:33:36,000 --> 00:33:38,160
Speaker 18: another day at the time, Commando.

723
00:33:41,080 --> 00:33:49,560
Speaker 2: My notes, I'm not fit. I'm sorry. I thought you

724
00:33:49,680 --> 00:33:54,000
Speaker 2: didn't work. Okay, sorry, do we get you off that?

725
00:33:54,600 --> 00:33:56,320
Speaker 2: I want to pick it up off my thro That

726
00:33:56,400 --> 00:33:58,960
Speaker 2: was only one more? Okay, what was the line? Okay?

727
00:33:59,000 --> 00:34:02,560
Speaker 3: Alright, so currently I think that was better than Andres.

728
00:34:02,680 --> 00:34:04,360
Speaker 3: Oh yeah, that was really funny.

729
00:34:04,520 --> 00:34:07,520
Speaker 6: Joshi, you want to have a crack at coviding up

730
00:34:07,640 --> 00:34:09,080
Speaker 6: a A A song.

731
00:34:10,280 --> 00:34:11,640
Speaker 18: Yeah, boys, I'll give it a shot.

732
00:34:12,880 --> 00:34:13,360
Speaker 14: I'm gonna go.

733
00:34:13,760 --> 00:34:15,319
Speaker 17: I'm gonna go with dancing.

734
00:34:15,040 --> 00:34:16,200
Speaker 2: Queen, dancing queen.

735
00:34:19,000 --> 00:34:21,480
Speaker 4: So this is this is a huge because we're going

736
00:34:21,520 --> 00:34:24,040
Speaker 4: head to head here. I also have one of dancing queen.

737
00:34:24,360 --> 00:34:27,879
Speaker 2: But you go first, Josh, Oh, thank you, sir.

738
00:34:28,200 --> 00:34:31,319
Speaker 14: All right, just go without the music or go.

739
00:34:31,560 --> 00:34:34,200
Speaker 3: Yeah, now we're going chapella, Josh, I'm sorry, it's a

740
00:34:34,239 --> 00:34:36,959
Speaker 3: bit hard, all right, give it a crack, mate.

741
00:34:37,840 --> 00:34:45,600
Speaker 14: So you are the COVID queen, good higien looking down unseen.

742
00:34:47,719 --> 00:34:51,800
Speaker 2: Genuinely awful, Josh, that's COVID queen.

743
00:34:51,920 --> 00:34:54,440
Speaker 8: But you didn't even parody both words, mate, You just

744
00:34:54,600 --> 00:34:57,400
Speaker 8: subbed in COVID for dancing Josh.

745
00:34:57,520 --> 00:35:02,440
Speaker 2: That was an absolute steaker dancing Gwen. Yeah, well do

746
00:35:02,440 --> 00:35:03,560
Speaker 2: you want what do you want to finish? Because IVE

747
00:35:03,560 --> 00:35:05,720
Speaker 2: got another call here. So currently I think you're beating

748
00:35:05,760 --> 00:35:07,799
Speaker 2: and you've got one hundred dollars door dash voucher. Okay,

749
00:35:07,840 --> 00:35:13,640
Speaker 2: let's go to Dinna. Looks I've got Dinna, Dinna. You're there? Yes, yes, okay, Dina,

750
00:35:13,800 --> 00:35:16,160
Speaker 2: you want the hundred dollars voucher? Trying to COVID up

751
00:35:16,800 --> 00:35:20,239
Speaker 2: an abba song? Are you? What's song? You're going for.

752
00:35:21,239 --> 00:35:22,640
Speaker 14: I'm going money, money, money.

753
00:35:22,480 --> 00:35:23,280
Speaker 3: Money, money.

754
00:35:24,280 --> 00:35:24,560
Speaker 2: Nice.

755
00:35:26,440 --> 00:35:28,640
Speaker 3: All right, let's see what you got Dina. We haven't

756
00:35:28,640 --> 00:35:30,560
Speaker 3: got any music. Tobaccy off you go.

757
00:35:31,520 --> 00:35:34,240
Speaker 14: That's okay, it's cod cod covid.

758
00:35:34,960 --> 00:35:38,440
Speaker 12: It's not so funny in this COVID world.

759
00:35:39,000 --> 00:35:48,279
Speaker 2: Shocking. There was no rhyme, there was no rhym, there

760
00:35:48,400 --> 00:35:55,719
Speaker 2: was no pitch. I didn't even notice. It's not back

761
00:35:55,760 --> 00:35:59,320
Speaker 2: to me. It's not funny in this COVID world. My

762
00:36:00,280 --> 00:36:02,040
Speaker 2: I almost want to give it a voucher. Just be

763
00:36:02,239 --> 00:36:04,360
Speaker 2: trying with that, because that takes balls.

764
00:36:04,640 --> 00:36:07,719
Speaker 3: She's dealing up a radio station with F grade material

765
00:36:07,840 --> 00:36:09,040
Speaker 3: and she just had a crack.

766
00:36:09,400 --> 00:36:11,160
Speaker 2: I almost want to give it to Dina, but you

767
00:36:11,200 --> 00:36:13,759
Speaker 2: gotta ride around. So this is huge. I mean, I'm

768
00:36:13,760 --> 00:36:14,320
Speaker 2: gonna stand up for.

769
00:36:14,360 --> 00:36:17,680
Speaker 6: I'm going to stand up for. I'm gonna go a coropella.

770
00:36:17,360 --> 00:36:24,000
Speaker 2: Again because old door dashboucher. For dinner, I'm having ice cream.

771
00:36:24,760 --> 00:36:27,400
Speaker 2: I've run out of ideas.

772
00:36:26,920 --> 00:36:28,360
Speaker 17: For what to cook.

773
00:36:29,000 --> 00:36:35,320
Speaker 6: Oh yeah, should I take a chance and cook with chipes?

774
00:36:36,120 --> 00:36:42,200
Speaker 2: Maybe I need a wife. I was either twelve or

775
00:36:42,440 --> 00:36:43,240
Speaker 2: bake beans.

776
00:36:43,600 --> 00:36:45,480
Speaker 1: Give me the ice cream.

777
00:36:47,040 --> 00:36:55,799
Speaker 2: That was the worst thing I've ever I don't even

778
00:36:56,000 --> 00:37:01,880
Speaker 2: know where to start. Hi, I don't know who we

779
00:37:01,960 --> 00:37:03,719
Speaker 2: got Ange and Dina geez. I don't know who to

780
00:37:03,760 --> 00:37:05,879
Speaker 2: give it to because Angreew was genuinely good.

781
00:37:07,440 --> 00:37:10,200
Speaker 3: Tina, we're celebrating mediocrity if Dina gets it.

782
00:37:10,280 --> 00:37:13,319
Speaker 2: But I love that, Tina. Get the hundred dollars door

783
00:37:13,400 --> 00:37:21,120
Speaker 2: dash boucher. It's off yours, Thank Dina. Honestly the most

784
00:37:21,239 --> 00:37:24,600
Speaker 2: brilliant piece of unimaginative songwriting I've ever heard.

785
00:37:26,360 --> 00:37:29,960
Speaker 3: Oh yours one hundred dollars, Just spend on your food

786
00:37:30,000 --> 00:37:30,719
Speaker 3: this weekend.

787
00:37:30,920 --> 00:37:33,879
Speaker 2: Christ well done, Woods. You put yourself out there as well.

788
00:37:34,120 --> 00:37:36,440
Speaker 2: That's a good bit. Yeah, no, I didn't mind it.

789
00:37:36,560 --> 00:37:38,759
Speaker 2: I reckon that was a good bit. I'm not sure

790
00:37:38,800 --> 00:37:41,560
Speaker 2: if it was worth a half hour in the boys.

791
00:37:42,800 --> 00:37:48,040
Speaker 3: You didn't even have any musical music is not really

792
00:37:48,080 --> 00:37:48,359
Speaker 3: my thing.

793
00:37:48,600 --> 00:37:50,440
Speaker 1: It's the Yam Woody podcast.

794
00:37:50,920 --> 00:37:54,520
Speaker 2: An actor who didn't blink for eight years. Yes, it's

795
00:37:54,520 --> 00:37:55,399
Speaker 2: like a faked line.

796
00:37:55,480 --> 00:37:57,640
Speaker 6: Well no, it's a genuine headline, my friend. It is

797
00:37:57,719 --> 00:37:58,680
Speaker 6: hot on the gost today.

798
00:37:58,760 --> 00:38:01,000
Speaker 4: But before I get to who that actor was and

799
00:38:01,080 --> 00:38:04,040
Speaker 4: why they tried not to blink, thirteen one oh sixty

800
00:38:04,080 --> 00:38:04,960
Speaker 4: five is our number.

801
00:38:05,400 --> 00:38:09,239
Speaker 6: Have you ever put your body on the line for

802
00:38:09,360 --> 00:38:15,640
Speaker 6: the job and then here comes So you sacrificed your

803
00:38:15,760 --> 00:38:20,640
Speaker 6: body in any way for your job, for your job? Yeah, okay,

804
00:38:20,760 --> 00:38:22,520
Speaker 6: And the reason we're talking about that is because that

805
00:38:22,680 --> 00:38:23,800
Speaker 6: is exactly.

806
00:38:24,239 --> 00:38:29,840
Speaker 4: What Michael Kane, Michael Caine, Michael Kate, Michael. He's the

807
00:38:29,960 --> 00:38:34,759
Speaker 4: actor who spent eight years trying not to blink. He

808
00:38:34,880 --> 00:38:36,680
Speaker 4: read in an acting book. Can you say that Michael

809
00:38:36,719 --> 00:38:40,880
Speaker 4: Kain was he spent eight years trying not to blink?

810
00:38:42,640 --> 00:38:43,600
Speaker 2: You know who's really good at it?

811
00:38:43,640 --> 00:38:43,680
Speaker 15: That.

812
00:38:43,760 --> 00:38:45,560
Speaker 6: I was going to play some Michael Kaine, but you know,

813
00:38:45,680 --> 00:38:49,480
Speaker 6: it's way more fun playing Rob Brydon as an English

814
00:38:49,520 --> 00:38:52,440
Speaker 6: comedian doing impersonations of Michael Caine.

815
00:38:53,080 --> 00:38:59,480
Speaker 13: I can't go fast because Michael Kane talks very very slowly.

816
00:39:00,120 --> 00:39:02,400
Speaker 17: It's not quite nasal enough the way you're doing it,

817
00:39:02,480 --> 00:39:04,960
Speaker 17: all right, you're not doing it the way he speaks.

818
00:39:05,360 --> 00:39:06,520
Speaker 2: She was only six step.

819
00:39:06,600 --> 00:39:09,279
Speaker 17: You're only supposed to blow the bloody does.

820
00:39:10,480 --> 00:39:14,799
Speaker 2: Blow the buddy step and the other part there.

821
00:39:15,560 --> 00:39:19,360
Speaker 4: Yeah, anyway, both great impersonations. But yeah, again, Michael Caine

822
00:39:19,480 --> 00:39:22,800
Speaker 4: was of the view that if he could control his eyes,

823
00:39:23,440 --> 00:39:26,040
Speaker 4: if he didn't have to blink on screen, he would

824
00:39:26,040 --> 00:39:29,480
Speaker 4: be far more engaging when he was acting. So if

825
00:39:29,520 --> 00:39:35,080
Speaker 4: you actually watch any Michael Caine movie, he never blinks ever.

826
00:39:35,400 --> 00:39:37,880
Speaker 2: He never blinks. He never blinks. And he's got the.

827
00:39:37,960 --> 00:39:40,280
Speaker 6: Nickname on set of snake eyes.

828
00:39:41,040 --> 00:39:42,239
Speaker 2: Really that's actually a thing.

829
00:39:42,320 --> 00:39:44,759
Speaker 6: Yeah, that is actually a thing because he never ever

830
00:39:44,840 --> 00:39:46,960
Speaker 6: blinks when he is on screen.

831
00:39:47,120 --> 00:39:48,640
Speaker 2: Saw a child with a ruby.

832
00:39:48,560 --> 00:39:50,960
Speaker 4: So again, so again, that is a huge sacrifice. He

833
00:39:51,000 --> 00:39:53,479
Speaker 4: has put his eyes on the line effectively cut off.

834
00:39:53,400 --> 00:39:56,000
Speaker 2: My ruby, my batman bit. I'm not happy about that, sorry,

835
00:39:56,080 --> 00:39:58,520
Speaker 2: going saw a child with a ruby de size of

836
00:39:58,640 --> 00:40:02,320
Speaker 2: a tangerine. Definitely it. So so yeah, he's put his

837
00:40:02,360 --> 00:40:04,439
Speaker 2: body on the line for the job. I know you've

838
00:40:04,440 --> 00:40:06,360
Speaker 2: put your body on the line. Have I for the

839
00:40:06,440 --> 00:40:06,920
Speaker 2: job before?

840
00:40:07,000 --> 00:40:09,880
Speaker 4: You once copped a hit in the face with a

841
00:40:10,000 --> 00:40:13,080
Speaker 4: fish from a UFC fighter FU.

842
00:40:15,040 --> 00:40:15,920
Speaker 2: True story everyone.

843
00:40:16,520 --> 00:40:18,880
Speaker 6: I don't know why we did it. I can't remember.

844
00:40:19,360 --> 00:40:23,120
Speaker 2: My producer was a meglo maniac. You hated me. Ah

845
00:40:23,680 --> 00:40:26,040
Speaker 2: that's the reason anyway. So you've done it.

846
00:40:26,680 --> 00:40:31,719
Speaker 4: I've done it. I've done it so many times. I've

847
00:40:31,760 --> 00:40:34,160
Speaker 4: done it so many times that there isn't enough time

848
00:40:34,200 --> 00:40:35,640
Speaker 4: in this spot for me to go through it. I'll

849
00:40:35,680 --> 00:40:38,920
Speaker 4: play my sacrificial acts after the song. But again, for

850
00:40:39,000 --> 00:40:40,680
Speaker 4: you guys out there, thirty one or six five is

851
00:40:40,680 --> 00:40:41,040
Speaker 4: the number.

852
00:40:41,320 --> 00:40:43,719
Speaker 6: Have you put your body on the line for the

853
00:40:43,840 --> 00:40:44,879
Speaker 6: job for the job?

854
00:40:45,320 --> 00:40:49,719
Speaker 3: Yeah, you once swam in great white infested waters for

855
00:40:49,800 --> 00:40:50,120
Speaker 3: the job.

856
00:40:50,200 --> 00:40:51,960
Speaker 6: I've got a lot of examples. We'll talk about mine

857
00:40:52,040 --> 00:40:52,279
Speaker 6: up now.

858
00:40:52,600 --> 00:40:54,120
Speaker 2: That you put your body on the line there. Yeah,

859
00:40:54,120 --> 00:40:56,160
Speaker 2: almost appreciated that you were naked as well. It was

860
00:40:56,200 --> 00:41:01,440
Speaker 2: totally wild woods. Hear a bit of a package of

861
00:41:01,480 --> 00:41:03,960
Speaker 2: some of your worst work, very short, which I'm looking

862
00:41:04,040 --> 00:41:06,760
Speaker 2: forward to. I wasn't gonna call it my worst work.

863
00:41:08,160 --> 00:41:09,120
Speaker 2: That was my worst word.

864
00:41:10,280 --> 00:41:12,040
Speaker 4: No, it's me putting my body on the line for

865
00:41:12,120 --> 00:41:14,960
Speaker 4: the show, which is actually quite quite impressive in something

866
00:41:15,000 --> 00:41:17,839
Speaker 4: to thy cap to if you are wearing one.

867
00:41:18,440 --> 00:41:19,319
Speaker 2: But the reason I'm going to.

868
00:41:19,280 --> 00:41:21,080
Speaker 4: Play that is because we are taking your calls now,

869
00:41:21,120 --> 00:41:23,239
Speaker 4: and if you have put your body on the line for.

870
00:41:23,280 --> 00:41:28,399
Speaker 2: The job and then comes, it's a a rya.

871
00:41:29,560 --> 00:41:32,160
Speaker 4: We're talking about it because Michael Kaine doesn't blink on

872
00:41:32,280 --> 00:41:35,480
Speaker 4: screen every single movie he's been in. If you're watch

873
00:41:35,480 --> 00:41:37,520
Speaker 4: a Michael Kaine movie this weekend, if you happen to

874
00:41:37,640 --> 00:41:40,759
Speaker 4: stumble across one, he will never blink on camera, because

875
00:41:40,760 --> 00:41:42,239
Speaker 4: you're more engaging when you don't blink.

876
00:41:42,600 --> 00:41:43,800
Speaker 6: Do you know how painful that would be?

877
00:41:44,600 --> 00:41:44,839
Speaker 2: Yeah?

878
00:41:45,600 --> 00:41:47,640
Speaker 3: Yeah, I was gonna ask, how is that putting your body?

879
00:41:47,680 --> 00:41:51,359
Speaker 3: I mean, I don't mean to stinging. Hold your eyes

880
00:41:51,400 --> 00:41:52,080
Speaker 3: open now.

881
00:41:53,760 --> 00:41:55,799
Speaker 2: This is a very audible bit. No, no, but wait

882
00:41:55,880 --> 00:41:56,040
Speaker 2: for it.

883
00:41:57,120 --> 00:41:58,279
Speaker 6: Sting stinging yet?

884
00:41:58,440 --> 00:42:02,440
Speaker 2: Yeah, it's not there a stingy for me.

885
00:42:05,760 --> 00:42:07,680
Speaker 6: You're trying to do a whole scene without blinket.

886
00:42:07,960 --> 00:42:09,839
Speaker 2: Let's just get get the calls we get.

887
00:42:10,040 --> 00:42:16,080
Speaker 6: I prefer to have the wind. This was a new Victoria.

888
00:42:16,160 --> 00:42:18,200
Speaker 6: This was your gardener that put their body on the line.

889
00:42:19,320 --> 00:42:23,000
Speaker 12: Yes, that's correct what they do. So they were washing

890
00:42:23,040 --> 00:42:26,040
Speaker 12: out the bottom of the lawn after they'd finished the lord,

891
00:42:26,080 --> 00:42:28,239
Speaker 12: and they chopped the tip of their finger off.

892
00:42:28,360 --> 00:42:32,480
Speaker 3: Oh and now you know what you meant to do

893
00:42:32,560 --> 00:42:34,719
Speaker 3: in that scenario. You meant to put your finger in

894
00:42:34,800 --> 00:42:35,560
Speaker 3: a bag of ice.

895
00:42:36,040 --> 00:42:39,600
Speaker 12: Yes, because we were pretty quick thinking about that. So

896
00:42:39,680 --> 00:42:41,960
Speaker 12: we heard the hollering from outside, and that was my

897
00:42:42,200 --> 00:42:45,040
Speaker 12: handy job to find his finger in the cut grass.

898
00:42:46,360 --> 00:42:47,719
Speaker 2: And did you get it back on? Did you get

899
00:42:47,719 --> 00:42:49,520
Speaker 2: it back on? Yeah? Yeah they did.

900
00:42:49,600 --> 00:42:50,480
Speaker 12: They managed to get it.

901
00:42:50,520 --> 00:42:50,840
Speaker 2: Back on.

902
00:42:52,600 --> 00:42:53,080
Speaker 9: A story.

903
00:42:53,520 --> 00:42:55,440
Speaker 2: It almost feels like something you want to try out?

904
00:42:55,480 --> 00:42:56,759
Speaker 2: Doesn't it like it seems.

905
00:42:58,360 --> 00:43:00,400
Speaker 3: Because my mom, you know, my mom works in hands,

906
00:43:00,719 --> 00:43:02,200
Speaker 3: so she used to do it all the time. So

907
00:43:02,280 --> 00:43:04,120
Speaker 3: people would call her and they have trot my finger off,

908
00:43:04,160 --> 00:43:05,400
Speaker 3: and she'd be like, right, put in a bag with

909
00:43:05,480 --> 00:43:07,480
Speaker 3: ice driving in And then it sounds like, you know,

910
00:43:07,600 --> 00:43:08,959
Speaker 3: it's almost just like pulling out.

911
00:43:08,880 --> 00:43:11,239
Speaker 6: A tooth to a radio bit next week, trop me

912
00:43:11,320 --> 00:43:11,759
Speaker 6: finger off?

913
00:43:12,239 --> 00:43:14,200
Speaker 2: Oh you're volunteering your finger. I thought it might have

914
00:43:14,239 --> 00:43:15,799
Speaker 2: to rock off or something. That'd be a good bit.

915
00:43:15,920 --> 00:43:16,920
Speaker 2: O man, I'd love to do that.

916
00:43:17,640 --> 00:43:19,640
Speaker 6: Write that down for a brainstorm it that that could

917
00:43:19,680 --> 00:43:20,560
Speaker 6: be a good bit next week?

918
00:43:20,800 --> 00:43:21,120
Speaker 2: What's that?

919
00:43:21,680 --> 00:43:22,480
Speaker 6: Trop me finger off?

920
00:43:23,600 --> 00:43:25,520
Speaker 2: And then we put him back and then can we

921
00:43:25,560 --> 00:43:27,960
Speaker 2: get him back together again? You a humpty dumpty song.

922
00:43:28,120 --> 00:43:30,280
Speaker 6: I don't mind it, and we put him back together.

923
00:43:30,480 --> 00:43:38,000
Speaker 2: That's definitely not grab put him back together again.

924
00:43:41,960 --> 00:43:43,839
Speaker 3: We just go for a different thing so we can

925
00:43:43,920 --> 00:43:47,040
Speaker 3: just steadily dismember you. So like first first weeks.

926
00:43:46,719 --> 00:43:48,680
Speaker 2: Of finger get me pinking, and then we're like, can

927
00:43:48,760 --> 00:43:49,759
Speaker 2: we take his nose off?

928
00:43:49,920 --> 00:43:50,719
Speaker 18: Oh no, you know.

929
00:43:52,360 --> 00:43:54,400
Speaker 2: We need to go damn chainsaw. Anyway, let's go to

930
00:43:54,520 --> 00:44:00,760
Speaker 2: Chris Amber.

931
00:44:01,560 --> 00:44:04,680
Speaker 6: Chris, you put your body on the line regularly, regularly

932
00:44:04,760 --> 00:44:05,239
Speaker 6: for the job.

933
00:44:05,320 --> 00:44:09,480
Speaker 2: Chris, Yeah, mate, so well not anymore.

934
00:44:09,520 --> 00:44:11,680
Speaker 14: But I am a snake handler at the moment, But

935
00:44:11,800 --> 00:44:13,440
Speaker 14: I used to be a professional adventurer.

936
00:44:14,000 --> 00:44:17,360
Speaker 2: A professional adventurer, yes, does that involved?

937
00:44:18,800 --> 00:44:22,000
Speaker 14: So I'm actually the first person in history to ascend

938
00:44:22,160 --> 00:44:22,799
Speaker 14: the Murray River.

939
00:44:23,000 --> 00:44:25,480
Speaker 21: So kayak against the flow for six months?

940
00:44:25,719 --> 00:44:26,279
Speaker 6: Bloody hell?

941
00:44:26,480 --> 00:44:28,120
Speaker 2: Wow? So when did you put your body on the

942
00:44:28,160 --> 00:44:28,879
Speaker 2: line though, Chris?

943
00:44:30,000 --> 00:44:33,440
Speaker 14: So two and a half thousand kilometers forty seven degree

944
00:44:33,520 --> 00:44:34,000
Speaker 14: heat down.

945
00:44:34,080 --> 00:44:35,719
Speaker 2: But this isn't just a chance for you to tell

946
00:44:35,800 --> 00:44:38,960
Speaker 2: us what happened, Chris. We're looking for did you fighter?

947
00:44:39,120 --> 00:44:40,680
Speaker 2: Did you fight a crocodile on the river?

948
00:44:41,840 --> 00:44:45,000
Speaker 14: I did twenty six snake rescue, spent three days with

949
00:44:45,080 --> 00:44:48,120
Speaker 14: an Eastern brown snake in my tent, ended up in

950
00:44:48,239 --> 00:44:51,080
Speaker 14: hospital halfway through with mercury poisoning.

951
00:44:51,280 --> 00:44:51,520
Speaker 3: Jeez.

952
00:44:52,840 --> 00:44:55,440
Speaker 2: But I suppose to question, is is he putting his

953
00:44:55,560 --> 00:44:58,319
Speaker 2: body on the line or is or is that the job?

954
00:44:59,000 --> 00:44:59,680
Speaker 2: Do you know what I mean?

955
00:45:00,560 --> 00:45:02,759
Speaker 15: I'm putting my body on the line for the job.

956
00:45:03,040 --> 00:45:05,640
Speaker 2: That's the topic. On the topic, that's a topic. I

957
00:45:05,719 --> 00:45:07,439
Speaker 2: feel like it was the job though.

958
00:45:08,080 --> 00:45:10,560
Speaker 3: No, No, if you're putting your body on if your job,

959
00:45:11,040 --> 00:45:14,160
Speaker 3: if your job is swimming with sharks, you can't say

960
00:45:14,160 --> 00:45:15,680
Speaker 3: I put your body on the line for the job,

961
00:45:15,680 --> 00:45:16,799
Speaker 3: because that is the job.

962
00:45:17,000 --> 00:45:18,759
Speaker 6: Yeah, but I mean, who cares, mate, it's a good story.

963
00:45:20,480 --> 00:45:21,400
Speaker 2: Chris has just leveraged.

964
00:45:21,400 --> 00:45:22,680
Speaker 3: That is a way for him to call up and

965
00:45:22,719 --> 00:45:24,920
Speaker 3: say that he was the first manager to paddle against

966
00:45:24,920 --> 00:45:25,920
Speaker 3: the flow on the Murray River.

967
00:45:26,040 --> 00:45:27,400
Speaker 6: Well, that's off to the big film and we'll come

968
00:45:27,440 --> 00:45:27,680
Speaker 6: in up.

969
00:45:27,760 --> 00:45:29,920
Speaker 2: Bunny good on him anyway before the end.

970
00:45:29,840 --> 00:45:30,239
Speaker 13: Of the day.

971
00:45:30,239 --> 00:45:31,520
Speaker 2: I mean, there's a fit. We all were a bit

972
00:45:31,560 --> 00:45:32,600
Speaker 2: pissed off about that, weren't we.

973
00:45:32,880 --> 00:45:34,480
Speaker 6: You're the only person who was pissed off.

974
00:45:34,520 --> 00:45:36,800
Speaker 2: I don't know why we're going to go to traffic.

975
00:45:36,920 --> 00:45:39,800
Speaker 4: But before before we do go to traffic, here is

976
00:45:39,960 --> 00:45:43,000
Speaker 4: a montage that Tiam mail audio producer has put together

977
00:45:43,040 --> 00:45:44,719
Speaker 4: of me putting my body on the lawn.

978
00:45:45,280 --> 00:45:48,480
Speaker 6: Who has chili balls? One of us is dipped in ice.

979
00:45:54,760 --> 00:45:57,399
Speaker 3: You're gonna hum a jingle of what he doesn't guess

980
00:45:57,440 --> 00:45:59,920
Speaker 3: the jingle He has to brand himself.

981
00:46:00,080 --> 00:46:04,640
Speaker 6: With a four. I'm now strapped to a birth simulator.

982
00:46:04,920 --> 00:46:08,000
Speaker 4: Effectively, it simulates the contractions that you get during pregnancy.

983
00:46:14,400 --> 00:46:16,200
Speaker 3: And let's play wax it you just have to suggest

984
00:46:16,560 --> 00:46:18,880
Speaker 3: a person and woulds will say whether or not anything's

985
00:46:18,880 --> 00:46:20,720
Speaker 3: through and Madame Dussord's wax museum.

986
00:46:20,719 --> 00:46:26,399
Speaker 2: If he gets it wrong, care on machine goes wow,

987
00:46:27,320 --> 00:46:28,640
Speaker 2: you actually have heard yourself.

988
00:46:28,680 --> 00:46:31,200
Speaker 3: A lot for this show is that there's more you

989
00:46:31,280 --> 00:46:33,600
Speaker 3: haven't poundled up straight up the Murray River and slipt

990
00:46:33,640 --> 00:46:35,920
Speaker 3: in the tent with the brown snakes for three days.

991
00:46:36,000 --> 00:46:36,760
Speaker 2: You bring.

992
00:46:38,440 --> 00:46:40,279
Speaker 1: It's the Wooden Podcast.

993
00:46:40,800 --> 00:46:42,640
Speaker 3: What we do every week on a Friday afternoon at

994
00:46:42,719 --> 00:46:44,400
Speaker 3: times we play the best of the week in the

995
00:46:44,440 --> 00:46:47,240
Speaker 3: week and review Our audio producer Tim puts this together

996
00:46:47,320 --> 00:46:50,640
Speaker 3: and narrates from his perspective, which is always.

997
00:46:50,360 --> 00:46:52,359
Speaker 2: Something really enjoyable for us to listen to as well.

998
00:46:52,400 --> 00:46:56,080
Speaker 3: Would have a listen previously, may I turn the gas

999
00:46:56,200 --> 00:46:57,400
Speaker 3: on and then I get out there?

1000
00:46:57,440 --> 00:47:01,200
Speaker 7: Ass don't You can say a lot about this show

1001
00:47:01,480 --> 00:47:04,719
Speaker 7: that is derivative, pasinine in nature, or even.

1002
00:47:04,680 --> 00:47:07,799
Speaker 4: Lot like a very intelligent person trying to walk two

1003
00:47:08,160 --> 00:47:11,640
Speaker 4: very dumb monkeys through some complicated stuff.

1004
00:47:11,920 --> 00:47:13,839
Speaker 7: But one thing you could never say is they don't

1005
00:47:13,920 --> 00:47:14,200
Speaker 7: try it.

1006
00:47:14,680 --> 00:47:16,520
Speaker 11: And what he tried his best this week to talk

1007
00:47:16,560 --> 00:47:18,120
Speaker 11: about a guy who was sent to the shops to

1008
00:47:18,160 --> 00:47:19,480
Speaker 11: get his wife's some toilet.

1009
00:47:19,200 --> 00:47:23,360
Speaker 4: Paper, but instead, unfortunately Neil brought back some paper towns.

1010
00:47:24,400 --> 00:47:27,360
Speaker 7: He was rightly and swiftly banned from ever going shopping again.

1011
00:47:27,680 --> 00:47:29,640
Speaker 2: Jemmy, you've banned your partner as well.

1012
00:47:29,920 --> 00:47:32,600
Speaker 12: Yeah, he comes back with lizard food.

1013
00:47:33,080 --> 00:47:33,640
Speaker 2: Lizard food.

1014
00:47:33,920 --> 00:47:36,160
Speaker 6: Lizardman has called the show to defend himself.

1015
00:47:37,840 --> 00:47:38,680
Speaker 14: Get I boxed the cricket.

1016
00:47:38,760 --> 00:47:41,120
Speaker 12: He'll come back your hand, tis if I have the pet.

1017
00:47:41,000 --> 00:47:46,160
Speaker 2: Shop way to defend yourself, Chris, I was totally hear

1018
00:47:46,200 --> 00:47:46,400
Speaker 2: from that.

1019
00:47:46,640 --> 00:47:48,680
Speaker 7: They no doubt to have a rock solid relationship.

1020
00:47:48,800 --> 00:47:49,920
Speaker 2: Chris, would you choose.

1021
00:47:49,719 --> 00:47:51,760
Speaker 3: To marry one of your lizards over married, Jemma?

1022
00:47:56,840 --> 00:47:58,880
Speaker 2: Not a question you should think about, mate, Not a

1023
00:47:58,960 --> 00:47:59,960
Speaker 2: question you should.

1024
00:47:59,760 --> 00:48:02,879
Speaker 7: Think And indeed it's not. We'll learn the hard way

1025
00:48:02,920 --> 00:48:04,360
Speaker 7: this week. Then, Rather than just trust the.

1026
00:48:04,400 --> 00:48:06,919
Speaker 11: Rubbish that comes out of his mouth, it's actually best

1027
00:48:06,960 --> 00:48:07,960
Speaker 11: to think about it first.

1028
00:48:08,120 --> 00:48:10,759
Speaker 4: The Queen Yes, has been known to cover her toes

1029
00:48:10,800 --> 00:48:13,440
Speaker 4: in peanut butter, Yes, and have the care he's licked off.

1030
00:48:13,719 --> 00:48:16,120
Speaker 2: I actually think that's true. I actually think that's true.

1031
00:48:16,160 --> 00:48:20,719
Speaker 2: For some reason, after.

1032
00:48:20,560 --> 00:48:22,560
Speaker 11: Hearing that the boys had a hankering for a bit

1033
00:48:22,600 --> 00:48:25,480
Speaker 11: of prankering. Just that's the word don't bother looking it up.

1034
00:48:25,760 --> 00:48:26,239
Speaker 7: Just trust me.

1035
00:48:26,560 --> 00:48:29,800
Speaker 2: My dad is currently ripe for the picking.

1036
00:48:29,920 --> 00:48:31,839
Speaker 7: Yes, so they set out to try and trick him

1037
00:48:31,840 --> 00:48:33,959
Speaker 7: into thinking he'd been hacked.

1038
00:48:34,680 --> 00:48:37,160
Speaker 2: Which is just a rich area with the elderly, isn't it.

1039
00:48:37,200 --> 00:48:38,319
Speaker 2: I mean sorry when I say.

1040
00:48:42,320 --> 00:48:45,160
Speaker 5: Stephen, it's Frank Cosentino from Disney Place here.

1041
00:48:45,200 --> 00:48:45,560
Speaker 12: How are you?

1042
00:48:46,360 --> 00:48:49,040
Speaker 2: I can't believe you've never seen Iron Man Stephen.

1043
00:48:50,560 --> 00:48:54,799
Speaker 11: You when it comes down to it, what he has

1044
00:48:54,800 --> 00:48:56,879
Speaker 11: a pretty terrible track record when it comes to show

1045
00:48:56,920 --> 00:48:58,719
Speaker 11: his dad much, if any respect at all.

1046
00:48:59,160 --> 00:49:01,480
Speaker 6: He's an absolute but I love him and respects him.

1047
00:49:02,440 --> 00:49:04,920
Speaker 11: But somehow that was still not the most disrespectful thing

1048
00:49:05,000 --> 00:49:06,719
Speaker 11: someone said to the eldest on the show.

1049
00:49:06,600 --> 00:49:09,439
Speaker 17: This week, just kid coming out before the class even

1050
00:49:09,480 --> 00:49:13,400
Speaker 17: started and just said, mate, you are quite honestly the

1051
00:49:13,480 --> 00:49:16,839
Speaker 17: worst teacher I've ever had, and probably this whole plane

1052
00:49:16,840 --> 00:49:17,399
Speaker 17: has ever had.

1053
00:49:21,120 --> 00:49:23,239
Speaker 11: But you know, the saying sticks and stones might break

1054
00:49:23,280 --> 00:49:25,239
Speaker 11: your bones. But at least Ji didn't crash your car

1055
00:49:25,480 --> 00:49:26,560
Speaker 11: and lie about how he did it.

1056
00:49:26,680 --> 00:49:28,879
Speaker 3: What's the biggest secret you've kept from your mum?

1057
00:49:29,320 --> 00:49:32,120
Speaker 12: Oh Jesus, oh.

1058
00:49:32,840 --> 00:49:34,160
Speaker 15: I crushed her car one.

1059
00:49:36,560 --> 00:49:39,960
Speaker 14: And blamed it on dropping at Dorito.

1060
00:49:41,480 --> 00:49:42,560
Speaker 11: Yeah, No, that wasn't the case.

1061
00:49:42,560 --> 00:49:43,279
Speaker 12: I just wasn't walking.

1062
00:49:44,320 --> 00:49:46,759
Speaker 7: Only played this water to Jai's mother. She said, this,

1063
00:49:47,400 --> 00:49:51,960
Speaker 7: you little bathtard. Don't feel too bad for's mother, though

1064
00:49:52,160 --> 00:49:53,680
Speaker 7: she did call him and the sister.

1065
00:49:54,120 --> 00:49:54,680
Speaker 17: Look dog.

1066
00:49:56,160 --> 00:49:59,319
Speaker 7: When they were younger. The person who you should really

1067
00:49:59,320 --> 00:49:59,960
Speaker 7: feel sorry.

1068
00:49:59,800 --> 00:50:00,680
Speaker 2: For is Nathan.

1069
00:50:00,800 --> 00:50:03,279
Speaker 6: Nathan, your son over committed to something more.

1070
00:50:03,680 --> 00:50:06,200
Speaker 14: It was one day he listened to the Baby Sharks song.

1071
00:50:08,000 --> 00:50:09,840
Speaker 17: The next night we put him in the bathtub.

1072
00:50:10,280 --> 00:50:13,040
Speaker 14: He would not hop out for three straight hours thinking

1073
00:50:13,120 --> 00:50:13,360
Speaker 14: of the.

1074
00:50:13,360 --> 00:50:16,040
Speaker 2: Shark, Oh my gosh.

1075
00:50:16,360 --> 00:50:18,520
Speaker 8: And every time I tried to get him out, I'd

1076
00:50:18,560 --> 00:50:20,120
Speaker 8: either get bitten or in script.

1077
00:50:22,160 --> 00:50:24,840
Speaker 1: I've see what you're hearing. Find us on Instagram and

1078
00:50:24,960 --> 00:50:26,680
Speaker 1: Facebook search Will and Woody