1 00:00:00,640 --> 00:00:04,560 Speaker 1: This is a Will and Woody podcast. Nimmi, we've got time. 2 00:00:04,680 --> 00:00:06,840 Speaker 1: It is in the studio with this now welcome. 3 00:00:06,920 --> 00:00:12,399 Speaker 2: Time's good checking the phone on silent there, Yeah, making sure. 4 00:00:12,440 --> 00:00:15,800 Speaker 3: You know, I gotta be very locked in. We're in Australia. 5 00:00:15,880 --> 00:00:17,920 Speaker 3: Australia's are locked in, so I gotta be locked in. 6 00:00:18,400 --> 00:00:19,280 Speaker 1: Is it the vibe so far? 7 00:00:19,520 --> 00:00:19,640 Speaker 4: Oh? 8 00:00:19,680 --> 00:00:21,200 Speaker 3: When I went to the shows, when I went to 9 00:00:21,200 --> 00:00:22,959 Speaker 3: Splendor in the Grass, it didn't matter if they were 10 00:00:23,000 --> 00:00:23,800 Speaker 3: in six feet of mud. 11 00:00:23,840 --> 00:00:25,599 Speaker 4: They were locked in. I told them to jump. They said, 12 00:00:27,200 --> 00:00:28,639 Speaker 4: tried to jump out of the mud. You know. 13 00:00:30,120 --> 00:00:32,240 Speaker 1: So he came to Australia for Splending in the Grass. 14 00:00:32,360 --> 00:00:32,479 Speaker 4: You know. 15 00:00:32,479 --> 00:00:36,520 Speaker 2: Australia's is you know, beautiful, tropical ish remote island. 16 00:00:36,760 --> 00:00:38,920 Speaker 1: You're gonna have a whole bunch of fun. Are you 17 00:00:38,960 --> 00:00:43,720 Speaker 1: get here? You're just cleander? What's what's interception made? 18 00:00:43,800 --> 00:00:45,800 Speaker 4: What sort of a journey was that? I mean, honestly, 19 00:00:45,840 --> 00:00:46,360 Speaker 4: it was great. 20 00:00:46,960 --> 00:00:49,599 Speaker 3: Yeah, it was good because not only was like Splendor 21 00:00:49,640 --> 00:00:53,440 Speaker 3: when I played, Yeah, I felt I'm a pretty lucky person. 22 00:00:53,680 --> 00:00:56,400 Speaker 3: I went to a radiso before and they were like, oh, 23 00:00:56,440 --> 00:00:58,360 Speaker 3: they're they're canceling stuff, and I was like, they're not 24 00:00:58,400 --> 00:00:59,080 Speaker 3: going to cancel me. 25 00:01:01,720 --> 00:01:03,080 Speaker 4: So I was ready. 26 00:01:03,320 --> 00:01:05,720 Speaker 5: I'll tell you what, though, you're someone who seems like 27 00:01:05,840 --> 00:01:09,360 Speaker 5: someone who's ready for rejection or being blocked in your life, 28 00:01:09,400 --> 00:01:11,640 Speaker 5: because I reckon you, my friend, Like I've read your 29 00:01:11,640 --> 00:01:14,560 Speaker 5: story and it's an awesome story. You you auditioned for 30 00:01:14,600 --> 00:01:17,320 Speaker 5: both American Idol and The Voice This is over in 31 00:01:17,360 --> 00:01:20,640 Speaker 5: the States, and got rejected time and time again. 32 00:01:20,840 --> 00:01:21,720 Speaker 4: Yeah, can you. 33 00:01:21,600 --> 00:01:25,039 Speaker 5: Tell me a bit about how your confidence pushes through that, 34 00:01:25,160 --> 00:01:27,240 Speaker 5: you know, because obviously now you can look back and 35 00:01:27,319 --> 00:01:28,800 Speaker 5: you know you've made it to an extent and your 36 00:01:28,920 --> 00:01:31,479 Speaker 5: touring in Australia, But how do you get through rejections? 37 00:01:31,560 --> 00:01:32,880 Speaker 4: It's not really my confidence. 38 00:01:32,880 --> 00:01:36,600 Speaker 3: It's just that I have no I have no confidence 39 00:01:36,640 --> 00:01:39,399 Speaker 3: in human beings. I think that we're all like like, 40 00:01:39,440 --> 00:01:41,399 Speaker 3: what is it? What is an opinion? Can you hold it? 41 00:01:41,640 --> 00:01:41,760 Speaker 2: No? 42 00:01:42,360 --> 00:01:46,200 Speaker 3: So am I supposed to take your opinion or or 43 00:01:46,319 --> 00:01:48,360 Speaker 3: just figure out how to make myself better? And that's 44 00:01:48,360 --> 00:01:51,480 Speaker 3: what I did after those shows, rejecting, getting myself rejected 45 00:01:51,520 --> 00:01:52,800 Speaker 3: like three or four times a year. 46 00:01:52,800 --> 00:01:54,360 Speaker 4: It was like my daily routine. 47 00:01:54,240 --> 00:01:57,840 Speaker 3: My my yearly routine was like going on and be like, okay, 48 00:01:57,920 --> 00:01:59,360 Speaker 3: the Voice, what I got? I'm going to write a 49 00:01:59,400 --> 00:02:02,240 Speaker 3: silly little song and figure it out. Yeah, but yeah, 50 00:02:02,240 --> 00:02:04,520 Speaker 3: I would just practice. I practiced in my car for 51 00:02:04,560 --> 00:02:05,880 Speaker 3: like an hour and a half every single day. And 52 00:02:05,880 --> 00:02:08,639 Speaker 3: the first thing I recorded after practicing, after getting rejected 53 00:02:08,639 --> 00:02:09,200 Speaker 3: for the fourth. 54 00:02:09,040 --> 00:02:10,840 Speaker 4: Time, I was just like, Okay, I'm gonna do myself. 55 00:02:11,160 --> 00:02:14,280 Speaker 3: And yeah, I recorded two songs, something to Cry About 56 00:02:14,320 --> 00:02:15,519 Speaker 3: and Stuck in the Middle, and they're both on my 57 00:02:15,560 --> 00:02:16,240 Speaker 3: first album. 58 00:02:16,320 --> 00:02:16,600 Speaker 5: Yeah. 59 00:02:16,720 --> 00:02:18,000 Speaker 1: Right, and then and then they went. 60 00:02:18,040 --> 00:02:20,520 Speaker 2: And then this is where the advent of TikTok is 61 00:02:20,919 --> 00:02:23,280 Speaker 2: so phenomenal, because we had Tate mccrayan here during the 62 00:02:23,280 --> 00:02:26,520 Speaker 2: week as well, and she exactly the same as you, 63 00:02:26,520 --> 00:02:29,440 Speaker 2: you know, very young upcoming artists who you know, wasn't 64 00:02:29,440 --> 00:02:31,120 Speaker 2: getting anywhere with any record leavels or anything like that, 65 00:02:31,120 --> 00:02:32,680 Speaker 2: and then all of a sudden writes her own stuff, 66 00:02:32,760 --> 00:02:35,520 Speaker 2: goes on our own on TikTok and nang. 67 00:02:36,080 --> 00:02:36,360 Speaker 4: Yeah. 68 00:02:36,440 --> 00:02:38,040 Speaker 3: I mean the thing is you have to start with 69 00:02:38,400 --> 00:02:42,079 Speaker 3: good something good music. I mean even then you can 70 00:02:42,120 --> 00:02:43,919 Speaker 3: you can have like very music that's me. 71 00:02:43,960 --> 00:02:47,519 Speaker 2: In terms of in terms of a vehicle, nothing like 72 00:02:47,600 --> 00:02:49,520 Speaker 2: this has existed before where it can actually put you 73 00:02:49,560 --> 00:02:50,960 Speaker 2: on the map like that. 74 00:02:51,040 --> 00:02:51,679 Speaker 1: It's phenomenal. 75 00:02:51,800 --> 00:02:54,480 Speaker 2: Right like twenty seventeen, you were you were sleeping on 76 00:02:54,480 --> 00:02:55,160 Speaker 2: your mate's couch. 77 00:02:55,360 --> 00:02:57,840 Speaker 3: Yeah, well, okay, here's the real story about that. I 78 00:02:57,880 --> 00:02:59,920 Speaker 3: was sleeping on my friends. Everyone's like, oh, he was 79 00:03:00,080 --> 00:03:01,880 Speaker 3: been on a French couch. I was paying five hundred 80 00:03:01,919 --> 00:03:04,680 Speaker 3: and fifty dollars in rent all the living room and 81 00:03:04,720 --> 00:03:07,600 Speaker 3: I put them a bed sheet, you know. So I 82 00:03:07,639 --> 00:03:09,720 Speaker 3: was really struggling. What I didn't said after I drop 83 00:03:09,800 --> 00:03:11,560 Speaker 3: out of college, that went on a reality TV show 84 00:03:11,560 --> 00:03:13,360 Speaker 3: and won fifty grand, and I was like, how do 85 00:03:13,400 --> 00:03:16,399 Speaker 3: I make this stretch out for as long as possible? 86 00:03:16,840 --> 00:03:19,120 Speaker 3: And I just was paying five hundred fifty dollars in 87 00:03:19,160 --> 00:03:20,960 Speaker 3: that living room. And that lasted two years, and then 88 00:03:21,000 --> 00:03:25,000 Speaker 3: I had to get a job. AKA did some modeling 89 00:03:25,200 --> 00:03:28,160 Speaker 3: and then for like Nike, and then I also did 90 00:03:28,200 --> 00:03:30,120 Speaker 3: like work at the sunglass store, and then I worked 91 00:03:30,120 --> 00:03:32,280 Speaker 3: at Verizon because I do like phones. 92 00:03:32,360 --> 00:03:34,440 Speaker 4: I can put on a mean phone screen. You know 93 00:03:34,480 --> 00:03:36,800 Speaker 4: what I'm saying, what phone? What do you make a 94 00:03:36,840 --> 00:03:38,360 Speaker 4: mean it's a phone protector? 95 00:03:39,080 --> 00:03:40,760 Speaker 1: Yeah, that's a yeah. 96 00:03:41,080 --> 00:03:41,360 Speaker 4: Yeah. 97 00:03:41,400 --> 00:03:43,280 Speaker 3: And now it's like the people there now are like 98 00:03:43,560 --> 00:03:45,800 Speaker 3: they cheat. They have this machine that just lays it 99 00:03:45,840 --> 00:03:46,120 Speaker 3: on there. 100 00:03:46,160 --> 00:03:50,560 Speaker 1: I guess now but wow, it's like a real journey. 101 00:03:50,600 --> 00:03:52,440 Speaker 4: Yeah, it's been a journey. I was filming tiktoks in 102 00:03:52,480 --> 00:03:52,840 Speaker 4: the store. 103 00:03:53,600 --> 00:03:56,840 Speaker 5: Yeah, he's making money, so I'm still paying for you 104 00:03:56,920 --> 00:03:58,800 Speaker 5: five and fifty couch. 105 00:03:58,960 --> 00:04:01,000 Speaker 1: Yeah, yeah, got the job. 106 00:04:01,120 --> 00:04:02,400 Speaker 5: Yeah, I was working on music. 107 00:04:02,480 --> 00:04:03,200 Speaker 4: Wow, exactly. 108 00:04:03,280 --> 00:04:05,080 Speaker 3: I would just leave the phone store go to my 109 00:04:05,400 --> 00:04:08,119 Speaker 3: produced house, Adam Friedman, And yeah, he was the guy 110 00:04:08,120 --> 00:04:11,680 Speaker 3: who had the demo in his computer of a okay 111 00:04:11,800 --> 00:04:12,800 Speaker 3: living in the well. 112 00:04:12,840 --> 00:04:13,960 Speaker 2: I was going to say one of the songs I 113 00:04:14,000 --> 00:04:16,520 Speaker 2: went viral on TikTok was a okay, do you want 114 00:04:16,560 --> 00:04:17,039 Speaker 2: to introduce it? 115 00:04:17,080 --> 00:04:20,359 Speaker 4: Now? You on the other side, what's good? This is 116 00:04:20,400 --> 00:04:22,479 Speaker 4: tiber days and this is a okay on Will? 117 00:04:22,520 --> 00:04:25,000 Speaker 1: And what time it is he's in the studio with 118 00:04:25,040 --> 00:04:26,640 Speaker 1: this right now? Fresh? 119 00:04:26,720 --> 00:04:29,359 Speaker 2: I fit soggy after Splendor in the. 120 00:04:29,400 --> 00:04:31,400 Speaker 4: Grass, Yeah, just a little bit got some mud on me. 121 00:04:31,480 --> 00:04:33,479 Speaker 1: Did you when you when you're splanning, do you did you? 122 00:04:33,680 --> 00:04:35,880 Speaker 2: Obviously those cues that want to go for tens of 123 00:04:35,920 --> 00:04:37,360 Speaker 2: hours in order to get to the festival, did you? 124 00:04:37,400 --> 00:04:38,119 Speaker 4: Guys? Did you? 125 00:04:38,160 --> 00:04:39,040 Speaker 1: Did you chop her in? 126 00:04:39,120 --> 00:04:41,360 Speaker 2: Or was that just the strokes and a few other Yeah, 127 00:04:41,400 --> 00:04:42,360 Speaker 2: that was the strokes. 128 00:04:42,440 --> 00:04:43,640 Speaker 4: I took I took a van. 129 00:04:44,680 --> 00:04:45,359 Speaker 1: You were in the cues. 130 00:04:45,480 --> 00:04:47,000 Speaker 4: Yeah, I mean in the cues as well. 131 00:04:47,040 --> 00:04:48,960 Speaker 3: I mean I think that all the artists were vanned 132 00:04:49,000 --> 00:04:51,000 Speaker 3: in and then we also, you know, we were stepping 133 00:04:51,040 --> 00:04:52,160 Speaker 3: on wood plans and stuff like that. 134 00:04:53,200 --> 00:04:54,880 Speaker 1: The conditions obviously we kind of scaped. 135 00:04:54,880 --> 00:04:58,280 Speaker 4: You can't sit that band. Yeah, they weren't that bad. 136 00:04:58,320 --> 00:05:01,320 Speaker 3: I think that I been to other festivals and others, 137 00:05:01,360 --> 00:05:04,080 Speaker 3: like I went to Argentina and there was some you know, 138 00:05:04,200 --> 00:05:06,200 Speaker 3: rain and stuff like that. But people usually handle it 139 00:05:06,200 --> 00:05:08,160 Speaker 3: really well, the people that work there at the festival course. 140 00:05:08,160 --> 00:05:10,280 Speaker 2: You know, so you guys obviously, but you get a 141 00:05:10,320 --> 00:05:11,680 Speaker 2: different set of standaritive treatment. 142 00:05:12,000 --> 00:05:12,240 Speaker 4: Yeah. 143 00:05:12,279 --> 00:05:15,720 Speaker 3: Yeah, you know, hopefully I'm trying to you know, I'm 144 00:05:15,760 --> 00:05:17,120 Speaker 3: trying to be possible. 145 00:05:19,200 --> 00:05:20,880 Speaker 1: You expect that. You can't expect that. 146 00:05:20,920 --> 00:05:22,480 Speaker 3: Well, no, no, even when I wasn't an artist, I 147 00:05:22,560 --> 00:05:24,320 Speaker 3: was still boozy, you know what I'm saying. Like I 148 00:05:24,400 --> 00:05:26,760 Speaker 3: was in that living room and listen, I had a pool. 149 00:05:26,800 --> 00:05:28,920 Speaker 3: There was a rooftop pool in the living room that I. 150 00:05:28,839 --> 00:05:30,040 Speaker 4: Was staying in. You know what I'm saying. 151 00:05:30,279 --> 00:05:32,240 Speaker 5: I can ask you when you are backstage, are you 152 00:05:32,279 --> 00:05:34,040 Speaker 5: this sort of person who's, like I want to make 153 00:05:34,640 --> 00:05:37,080 Speaker 5: the other artists or are you just like I'm just 154 00:05:37,120 --> 00:05:39,240 Speaker 5: gonna go about my own business or. 155 00:05:39,680 --> 00:05:41,600 Speaker 3: Yeah, I'm going about my own business. Ntil they want 156 00:05:41,600 --> 00:05:44,440 Speaker 3: to meet me to be honest, because I'm you know. 157 00:05:44,400 --> 00:05:46,200 Speaker 1: What, you don't want to feed on fangirl around them 158 00:05:46,200 --> 00:05:46,480 Speaker 1: at all. 159 00:05:46,600 --> 00:05:49,360 Speaker 3: Well, the thing is I've fangled over one artist and 160 00:05:49,360 --> 00:05:50,840 Speaker 3: now was a chance of rapper and I met him 161 00:05:50,839 --> 00:05:56,480 Speaker 3: in Lex. I met him in the Lax Airport and I. 162 00:05:56,400 --> 00:05:57,520 Speaker 4: Was like, dude, I love your music. 163 00:05:57,720 --> 00:05:59,160 Speaker 3: He was like thanks, and that was all we had 164 00:05:59,200 --> 00:06:00,760 Speaker 3: to talk about. 165 00:06:00,920 --> 00:06:02,599 Speaker 4: And I was like, yeah, this sucks. 166 00:06:02,640 --> 00:06:03,440 Speaker 1: I don't want to do that. 167 00:06:03,560 --> 00:06:04,440 Speaker 4: I don't want to do that. 168 00:06:04,520 --> 00:06:07,040 Speaker 2: You know when I say, you know the expression didn't 169 00:06:07,040 --> 00:06:09,760 Speaker 2: make your heroes, yeah, you have nothing to talk about 170 00:06:09,800 --> 00:06:10,359 Speaker 2: with your heroes. 171 00:06:10,520 --> 00:06:11,400 Speaker 4: There's a reason why. 172 00:06:11,440 --> 00:06:13,000 Speaker 3: Like if I had to talk to Superman right now, 173 00:06:13,040 --> 00:06:16,359 Speaker 3: he'd be like, yeah, you're a peasant dog, and like like, 174 00:06:16,400 --> 00:06:18,560 Speaker 3: what do you want me to do? He has to 175 00:06:18,560 --> 00:06:21,119 Speaker 3: talk to like the Justice you know, yeah, I gotta 176 00:06:21,160 --> 00:06:23,240 Speaker 3: be one of the Justice League members, and then it's 177 00:06:23,279 --> 00:06:23,719 Speaker 3: more fun. 178 00:06:24,720 --> 00:06:26,400 Speaker 5: Or if Superman says I'm a fan of you, and 179 00:06:26,440 --> 00:06:28,599 Speaker 5: I'll yeah, yeah, yeah exactly. 180 00:06:28,720 --> 00:06:30,680 Speaker 2: Conn, you just find some common ground like, you know, 181 00:06:30,839 --> 00:06:33,080 Speaker 2: like you can, but he's you boys say. 182 00:06:32,960 --> 00:06:34,839 Speaker 1: Breakfast in the morning's fun. 183 00:06:35,160 --> 00:06:38,600 Speaker 4: Yeah, but the weather. Yeah, do you want to talk 184 00:06:38,600 --> 00:06:39,360 Speaker 4: about breakfast? 185 00:06:39,440 --> 00:06:40,159 Speaker 1: But Superman? 186 00:06:40,560 --> 00:06:40,839 Speaker 2: Sure? 187 00:06:41,080 --> 00:06:42,840 Speaker 1: What does he eat though? I don't know what are 188 00:06:42,839 --> 00:06:43,320 Speaker 1: we talking? 189 00:06:44,960 --> 00:06:45,159 Speaker 4: Yeah? 190 00:06:45,640 --> 00:06:47,480 Speaker 1: Yeah he does. He does what he gets his paler 191 00:06:47,480 --> 00:06:48,520 Speaker 1: from the sun, But yeah he does. 192 00:06:48,680 --> 00:06:50,600 Speaker 4: I don't think he hates. He gets apart from you 193 00:06:50,640 --> 00:06:52,640 Speaker 4: just answer your own question. He just gets from. 194 00:06:52,520 --> 00:06:54,520 Speaker 2: Something he doesn't get. He's like, he's sustance. What about fiber? 195 00:06:54,640 --> 00:06:56,480 Speaker 2: You know, Biggs think about. 196 00:06:56,240 --> 00:07:01,880 Speaker 3: His guts and then can't We're acting like Google doesn't exist. 197 00:07:02,000 --> 00:07:03,200 Speaker 1: You need to be googling. 198 00:07:04,920 --> 00:07:06,640 Speaker 4: Check anything. 199 00:07:08,360 --> 00:07:09,920 Speaker 1: Sorry, when you're splinter in the grass. 200 00:07:10,720 --> 00:07:12,840 Speaker 2: You have a genuine Superman complex with everyone. You're not 201 00:07:12,840 --> 00:07:14,240 Speaker 2: going up to them and bang like mm. 202 00:07:14,560 --> 00:07:16,960 Speaker 1: Yeah, I mean like for me, do you actually you haven't? 203 00:07:17,280 --> 00:07:17,440 Speaker 4: Yeah? 204 00:07:17,480 --> 00:07:19,400 Speaker 3: I mean like, if I'm a fan of somebody, and 205 00:07:19,640 --> 00:07:21,480 Speaker 3: at this point, if it's not somebody that's like, you know, 206 00:07:21,520 --> 00:07:23,280 Speaker 3: top one hundred artists that you've like heard of, Like 207 00:07:23,360 --> 00:07:26,480 Speaker 3: if I see someone, I'll go say hi. But honestly, 208 00:07:26,520 --> 00:07:29,280 Speaker 3: I really have no interest in like collaborating with anyone 209 00:07:29,720 --> 00:07:32,560 Speaker 3: until my own lane out so that people know what 210 00:07:32,600 --> 00:07:35,080 Speaker 3: I'm trying to do because right now, even even even 211 00:07:35,120 --> 00:07:37,200 Speaker 3: you guys kind of you only have like the first album. 212 00:07:37,200 --> 00:07:39,480 Speaker 3: I have like a four album quadrilogy that I'm planning 213 00:07:39,520 --> 00:07:42,000 Speaker 3: out right now. Yeah, like I've planned it out for 214 00:07:42,080 --> 00:07:44,080 Speaker 3: Like I knew that the Blue, the first album is 215 00:07:44,120 --> 00:07:46,160 Speaker 3: gonna be blue, the next one's gonna be red. Then 216 00:07:46,320 --> 00:07:47,800 Speaker 3: after that it's gonna be blue and red. It's gonna 217 00:07:47,800 --> 00:07:49,360 Speaker 3: be called three D. I mean, like, I know what's 218 00:07:49,400 --> 00:07:53,320 Speaker 3: gonna happen in the future, but it's hard for people 219 00:07:53,320 --> 00:07:54,600 Speaker 3: to understand unless I put it out. 220 00:07:54,640 --> 00:07:55,760 Speaker 4: You know, so nice. 221 00:07:56,600 --> 00:07:59,360 Speaker 2: Wow, sounds like a hell of a Jenny Bloody. 222 00:07:59,600 --> 00:08:03,120 Speaker 5: And you're also your music's in movies too. Oh yeah, 223 00:08:03,440 --> 00:08:07,120 Speaker 5: man from Toronto, your song Right or Die is in 224 00:08:07,120 --> 00:08:09,400 Speaker 5: that film. Did you meet Kevin Hart and Woody Harrelson. 225 00:08:09,760 --> 00:08:12,080 Speaker 4: No, I didn't. I didn't. 226 00:08:12,120 --> 00:08:14,440 Speaker 3: I don't honestly didn't even know when the premiere was. 227 00:08:14,480 --> 00:08:16,960 Speaker 3: I just they asked, I'm so. 228 00:08:17,040 --> 00:08:17,640 Speaker 4: On my own way. 229 00:08:17,760 --> 00:08:19,400 Speaker 3: I got a lot of music to make you know 230 00:08:19,400 --> 00:08:22,000 Speaker 3: what I'm saying. 231 00:08:22,760 --> 00:08:26,240 Speaker 1: It was a shocking question. You wrote the soundtrack for 232 00:08:26,280 --> 00:08:28,080 Speaker 1: a film, what He's like? Did you meet the actors 233 00:08:28,080 --> 00:08:30,960 Speaker 1: in the movie? Yeah, I mean they're busy too. 234 00:08:32,360 --> 00:08:33,240 Speaker 4: Just beat them up. 235 00:08:33,240 --> 00:08:34,920 Speaker 1: They're totally different energies. 236 00:08:36,320 --> 00:08:39,120 Speaker 2: You know what, you guys should catch up for coffee. 237 00:08:39,120 --> 00:08:41,000 Speaker 1: He did the score. 238 00:08:40,760 --> 00:08:45,080 Speaker 2: Can think of the thing going on. 239 00:08:45,240 --> 00:08:47,559 Speaker 3: You know what, if I saw them, I'll be like, yo, 240 00:08:47,600 --> 00:08:56,680 Speaker 3: you know I'm in the end credits. 241 00:08:52,280 --> 00:08:54,640 Speaker 1: Before about meeting papers. 242 00:08:55,000 --> 00:08:55,760 Speaker 3: What have you got? 243 00:08:56,040 --> 00:08:57,959 Speaker 1: Yeah, I've once wrote a song for a film. You're 244 00:08:58,000 --> 00:09:00,680 Speaker 1: in sweet so little fails. 245 00:09:00,720 --> 00:09:02,880 Speaker 4: Just go hey, guys, Drik and Superman eats. 246 00:09:04,600 --> 00:09:09,080 Speaker 1: Exactly, Todd, thanksging to the studio. To me, good luck, 247 00:09:09,360 --> 00:09:10,760 Speaker 1: good luck, good luck with everything. 248 00:09:10,800 --> 00:09:13,600 Speaker 2: Man. Honestly like sounds like I love. I love the 249 00:09:13,720 --> 00:09:16,240 Speaker 2: sense of trajectory that you've gotten. I love the confidence 250 00:09:16,240 --> 00:09:17,559 Speaker 2: that you've got in that as well. It's a really 251 00:09:17,559 --> 00:09:19,520 Speaker 2: wonderful story. It's great to have you in studio. Good 252 00:09:19,559 --> 00:09:20,800 Speaker 2: luck with it all time. It is pleasure. 253 00:09:20,920 --> 00:09:23,640 Speaker 5: Hear more of the boys on the full podcast. 254 00:09:24,040 --> 00:09:24,880 Speaker 1: Just scroll up.