1 00:00:00,120 --> 00:00:00,360 Speaker 1: JD. 2 00:00:00,560 --> 00:00:03,480 Speaker 2: Fortune is going to be playing in Excess on Saturday, 3 00:00:03,520 --> 00:00:05,840 Speaker 2: October twenty five at the rose Mount Hotel and Frio 4 00:00:05,920 --> 00:00:08,159 Speaker 2: Social on Sunday, October twenty six. Got to tell you 5 00:00:08,240 --> 00:00:10,360 Speaker 2: the rose Mount show is sold out, it is, but 6 00:00:10,560 --> 00:00:13,480 Speaker 2: you can get tickets for the Frio Social show through 7 00:00:13,560 --> 00:00:17,400 Speaker 2: metropolistouring dot com. And he's joining us right now. 8 00:00:17,440 --> 00:00:18,759 Speaker 1: Good morning, morning, JD. 9 00:00:19,040 --> 00:00:19,640 Speaker 3: Good morning. 10 00:00:20,079 --> 00:00:23,239 Speaker 1: Well you guys, very well. All right, where do we 11 00:00:23,239 --> 00:00:24,160 Speaker 1: find you this morning? 12 00:00:24,600 --> 00:00:30,080 Speaker 3: Well right now I'm in Nova Scotia, Canada, okay, and yeah, 13 00:00:30,200 --> 00:00:32,360 Speaker 3: things are things are good, you guys, and. 14 00:00:32,320 --> 00:00:34,800 Speaker 1: You're packing your bags. Well, you're ready to come and 15 00:00:34,800 --> 00:00:37,840 Speaker 1: see us in Perth. Ah, My bags are pair. 16 00:00:38,080 --> 00:00:40,080 Speaker 2: Have you been to Perth before? I know you've been 17 00:00:40,120 --> 00:00:41,920 Speaker 2: to Broom, but have you been to Perth? 18 00:00:42,280 --> 00:00:45,080 Speaker 3: Yes, I've been to Perth. In a funny story, the 19 00:00:45,159 --> 00:00:47,680 Speaker 3: last time I was in Perth, I was sitting next 20 00:00:47,680 --> 00:00:51,720 Speaker 3: to Tim Ferris on the on the airplane. Yeah, and 21 00:00:51,760 --> 00:00:54,920 Speaker 3: he said, it's been so long since I've been out here, mate, 22 00:00:55,200 --> 00:00:57,280 Speaker 3: It's been so long since I've been out here, mate. 23 00:00:57,920 --> 00:01:00,360 Speaker 3: He said, it's been years, like ten years years since 24 00:01:00,400 --> 00:01:02,360 Speaker 3: up and out here mate. And I went, oh wow, 25 00:01:02,440 --> 00:01:04,280 Speaker 3: he's like, we're from here, and I was like really. 26 00:01:05,000 --> 00:01:07,120 Speaker 3: And then we landed and we did our first interview 27 00:01:07,760 --> 00:01:10,200 Speaker 3: and they're like, so, Tim, you were here last year 28 00:01:10,240 --> 00:01:14,120 Speaker 3: for the thing. He's like, oh yeah, I forgot about that. 29 00:01:14,120 --> 00:01:18,600 Speaker 1: That's what happens. That's life on that's life on the roads. Yeah, 30 00:01:18,920 --> 00:01:20,000 Speaker 1: that's life on the road. 31 00:01:20,720 --> 00:01:22,400 Speaker 4: Well, it's actually it's good that you're coming back and 32 00:01:22,720 --> 00:01:25,960 Speaker 4: you're doing obviously the rose Mount Hotel, that's all that 33 00:01:26,160 --> 00:01:28,920 Speaker 4: you're doing, the free session, because that's that's kind of 34 00:01:29,040 --> 00:01:31,120 Speaker 4: how it all began for in Excess here before they 35 00:01:31,120 --> 00:01:33,039 Speaker 4: were in Excess, when they were the Farris Brothers, it 36 00:01:33,120 --> 00:01:35,360 Speaker 4: was it was playing the pubs of w y They 37 00:01:35,400 --> 00:01:37,279 Speaker 4: probably played the rose Mount once or twice. 38 00:01:38,000 --> 00:01:40,080 Speaker 3: Oh yeah, I bet they have. And it was you 39 00:01:40,120 --> 00:01:43,160 Speaker 3: know grind for them back then. But you know, they 40 00:01:43,280 --> 00:01:46,040 Speaker 3: told me stories about just playing across Australia back in 41 00:01:46,080 --> 00:01:49,080 Speaker 3: the day when you know, Original Sin was like considered, 42 00:01:49,520 --> 00:01:53,240 Speaker 3: you know, a really risky song to play on stage, 43 00:01:53,360 --> 00:01:56,160 Speaker 3: you know, and I really felt that because you know, 44 00:01:56,200 --> 00:02:00,360 Speaker 3: I've been in situations before where you know, you're not 45 00:02:00,360 --> 00:02:03,040 Speaker 3: sure how it's going to go over, you know, and 46 00:02:03,440 --> 00:02:07,480 Speaker 3: to have people that might not like what you're doing, 47 00:02:08,560 --> 00:02:10,440 Speaker 3: but also love what you're doing is kind of a 48 00:02:10,480 --> 00:02:13,440 Speaker 3: weird headspace to be and like we love the band, 49 00:02:13,480 --> 00:02:15,480 Speaker 3: just don't play that freakin song, you know what I mean? 50 00:02:15,520 --> 00:02:18,440 Speaker 3: Like you know, so yeah, So I'm glad that we've 51 00:02:18,480 --> 00:02:23,200 Speaker 3: moved on, and everybody's sort of like, you know, over 52 00:02:23,280 --> 00:02:25,880 Speaker 3: that you know kind of thing. But I can't wait 53 00:02:25,919 --> 00:02:26,560 Speaker 3: to get down there. 54 00:02:26,960 --> 00:02:29,080 Speaker 2: There are cover bands that pretend to be in excess 55 00:02:29,200 --> 00:02:31,840 Speaker 2: and then they're are shows by the guy that was 56 00:02:31,919 --> 00:02:35,480 Speaker 2: in in excess. How does the show tell us about 57 00:02:35,480 --> 00:02:36,480 Speaker 2: the show? How does it work? 58 00:02:36,560 --> 00:02:40,280 Speaker 3: I'm a legitimate band member, yah yeah, former band member, 59 00:02:40,280 --> 00:02:45,239 Speaker 3: but legitimately co wrote their last original album with them, 60 00:02:45,440 --> 00:02:48,200 Speaker 3: which was a true blessing and an honor love Andrew. 61 00:02:48,280 --> 00:02:51,360 Speaker 3: I love everybody, but Andrew is an incredible, you know, 62 00:02:51,919 --> 00:02:54,119 Speaker 3: force to be reckoned with. And he's a genius. They're 63 00:02:54,120 --> 00:02:58,160 Speaker 3: all geniuses, but it was really nice to be involved 64 00:02:58,200 --> 00:03:01,320 Speaker 3: in the songwriting process. So I I got to understand 65 00:03:01,320 --> 00:03:03,600 Speaker 3: how seriously they all took it, whereas you know, other 66 00:03:03,680 --> 00:03:06,639 Speaker 3: bands that I was in, you know, uh, like I 67 00:03:06,760 --> 00:03:09,080 Speaker 3: I'd written a couple of songs with Andrew and and 68 00:03:09,120 --> 00:03:11,640 Speaker 3: we'd go back and forth with lyric ideas. But the 69 00:03:11,680 --> 00:03:14,080 Speaker 3: other bands that I was, you know before in Excess, 70 00:03:14,280 --> 00:03:17,880 Speaker 3: they're like, whatever, whatever rhymes with June, throw it in there, 71 00:03:17,960 --> 00:03:22,400 Speaker 3: spoon or moon or whatever. Just let's just like that. 72 00:03:22,560 --> 00:03:26,800 Speaker 3: I'm like, it makes no sense. Yeah, this song even 73 00:03:26,800 --> 00:03:29,880 Speaker 3: about and it's like, he tell me, tell me a 74 00:03:29,960 --> 00:03:32,359 Speaker 3: very valuable lesson. Write a song that people can sing 75 00:03:32,400 --> 00:03:35,240 Speaker 3: along to, that's your biggest you know, and then and 76 00:03:35,280 --> 00:03:37,840 Speaker 3: then and then make it real and make it something 77 00:03:37,840 --> 00:03:40,640 Speaker 3: that's special. So that's, uh, that's the lesson that I 78 00:03:40,720 --> 00:03:43,800 Speaker 3: learned from Andrew and in Excess. And sorry, like I said, 79 00:03:43,800 --> 00:03:45,480 Speaker 3: I didn't know I was gonna have to put clothes on, 80 00:03:45,520 --> 00:03:46,880 Speaker 3: so like. 81 00:03:48,520 --> 00:03:52,440 Speaker 4: I thought, at least it's a wist high shot and 82 00:03:52,480 --> 00:03:56,200 Speaker 4: he's got to on. 83 00:03:53,400 --> 00:03:57,880 Speaker 3: The you don't want to know what's going on down here. 84 00:03:59,600 --> 00:04:00,640 Speaker 1: And I could say the same. 85 00:04:04,680 --> 00:04:08,000 Speaker 2: Right on. I've always wondered what it was like for 86 00:04:08,080 --> 00:04:11,560 Speaker 2: you to have to feel to fill the shoes of 87 00:04:11,920 --> 00:04:15,800 Speaker 2: someone like Michael Hutchins. He was so huge, so. 88 00:04:15,800 --> 00:04:17,440 Speaker 1: Loved, such a rock star. 89 00:04:18,240 --> 00:04:20,880 Speaker 2: It must have been I mean, it would have been 90 00:04:21,080 --> 00:04:23,520 Speaker 2: an offer you couldn't refuse, but at the same time 91 00:04:23,600 --> 00:04:24,640 Speaker 2: incredibly daunting. 92 00:04:24,960 --> 00:04:28,559 Speaker 3: Oh absolutely, yeah, Lisa It's like it's like the dog 93 00:04:28,640 --> 00:04:31,120 Speaker 3: that catches the car that he's chasing on the street. 94 00:04:32,320 --> 00:04:34,960 Speaker 3: What do you do with it once? What do you 95 00:04:35,000 --> 00:04:37,039 Speaker 3: do with it once you've got the tire in your mouth? 96 00:04:37,640 --> 00:04:39,360 Speaker 1: Okay, you've made it this far. 97 00:04:39,360 --> 00:04:39,960 Speaker 3: Mate, Yeah? 98 00:04:40,400 --> 00:04:41,760 Speaker 1: No, now what Yeah? 99 00:04:41,880 --> 00:04:47,000 Speaker 3: And if you're not careful, you're gonna get run over. 100 00:04:47,200 --> 00:04:51,000 Speaker 3: So I had to approach it. Yeah, I don't think 101 00:04:51,040 --> 00:04:53,240 Speaker 3: I've ever filled Michael's shoes. I try my best just 102 00:04:53,240 --> 00:04:55,040 Speaker 3: to be myself, which I think is the essence of 103 00:04:55,120 --> 00:04:58,680 Speaker 3: rock and roll, and the music is yourself. Leave leave 104 00:04:58,720 --> 00:05:01,760 Speaker 3: yourself on stage. That's what I've grown up with. Leave 105 00:05:01,800 --> 00:05:04,479 Speaker 3: yourself on stage. No one wants to see you pretend 106 00:05:04,560 --> 00:05:06,880 Speaker 3: to be something. And I've never pretended to be anything 107 00:05:07,480 --> 00:05:09,960 Speaker 3: other than myself, which has sort of sometimes gotten me 108 00:05:10,000 --> 00:05:15,039 Speaker 3: into more trouble than I anticipated, but it also got 109 00:05:15,040 --> 00:05:18,120 Speaker 3: me out of that trouble because I'm just myself. And 110 00:05:16,920 --> 00:05:20,360 Speaker 3: I think the reason why we all got along is 111 00:05:20,400 --> 00:05:24,520 Speaker 3: because there was a good natured vibe amongst all of 112 00:05:24,600 --> 00:05:26,880 Speaker 3: us and in excess, and we all were good natured people. 113 00:05:26,880 --> 00:05:30,479 Speaker 3: There's no maliciousness. There was nothing was ever malicious, and 114 00:05:30,600 --> 00:05:33,840 Speaker 3: I think you know, and just speaking from previous experiences. 115 00:05:34,279 --> 00:05:37,200 Speaker 3: I've worked in situations where people are like malicious and 116 00:05:37,200 --> 00:05:39,320 Speaker 3: they're like, and how do you expect to be creative 117 00:05:39,320 --> 00:05:41,360 Speaker 3: when someone's, you know, trying to do that? So I 118 00:05:41,440 --> 00:05:43,240 Speaker 3: was really grateful for in access to just give me 119 00:05:43,279 --> 00:05:46,120 Speaker 3: the freedom to be myself. And when they did that, 120 00:05:46,240 --> 00:05:48,720 Speaker 3: it was like I finally caught the car, and now 121 00:05:48,720 --> 00:05:50,920 Speaker 3: we're going to drive it. Now know what the dog 122 00:05:50,960 --> 00:05:53,680 Speaker 3: does and he catches the car, he puts that he 123 00:05:53,720 --> 00:05:56,200 Speaker 3: puts that thing in overdrive and drives it down the 124 00:05:56,279 --> 00:05:57,400 Speaker 3: highway as fast as. 125 00:05:57,240 --> 00:06:01,520 Speaker 1: He can tongue. 126 00:06:05,600 --> 00:06:05,919 Speaker 2: That's me. 127 00:06:06,279 --> 00:06:07,200 Speaker 1: I've had it. 128 00:06:08,800 --> 00:06:11,680 Speaker 4: Some people may not know you you were did a 129 00:06:11,720 --> 00:06:15,359 Speaker 4: bit of Elvis impersonating in your in your earlier years. 130 00:06:15,680 --> 00:06:16,800 Speaker 1: Uh does that? 131 00:06:16,839 --> 00:06:19,720 Speaker 3: I wouldn't call it exactly impersonating my friend. I wasn't 132 00:06:19,720 --> 00:06:24,000 Speaker 3: that good, were you? Like I said before, I'm about 133 00:06:24,000 --> 00:06:26,679 Speaker 3: as much as of an Elvis impersonator as Jamie Fox 134 00:06:26,760 --> 00:06:28,160 Speaker 3: is a rig Charleston personator. 135 00:06:28,360 --> 00:06:30,640 Speaker 1: But he was a great, right, he was great. 136 00:06:30,800 --> 00:06:33,520 Speaker 3: But like I took dramatic arts in school, I took 137 00:06:33,600 --> 00:06:36,120 Speaker 3: you in school. I took acting in school, and it 138 00:06:36,200 --> 00:06:39,599 Speaker 3: was a gig that came along. And like I worked 139 00:06:39,600 --> 00:06:42,720 Speaker 3: with some real Elvis impersonators, like guys that were twenty 140 00:06:42,760 --> 00:06:46,159 Speaker 3: four to seven sideburns and you know, and and and 141 00:06:46,200 --> 00:06:49,080 Speaker 3: they're from like they're from Ireland. But they're like, hey man, 142 00:06:49,480 --> 00:06:53,359 Speaker 3: you want to get in a few Hey man, what happened? 143 00:06:53,600 --> 00:06:54,560 Speaker 3: Are We're not going to go out and grab a 144 00:06:54,600 --> 00:06:58,240 Speaker 3: few sandwiches? You like, that's not your real voice. Like 145 00:06:58,720 --> 00:07:00,840 Speaker 3: when they were out in public, they were Elvis and 146 00:07:01,000 --> 00:07:03,320 Speaker 3: and and it was like it was weird, Like I 147 00:07:03,400 --> 00:07:05,720 Speaker 3: had cyburns that I could like take off at the 148 00:07:05,800 --> 00:07:08,000 Speaker 3: end of the night because I was acting in a role. 149 00:07:08,360 --> 00:07:11,680 Speaker 3: And they were like, have you met my wife? Uh? 150 00:07:12,240 --> 00:07:14,440 Speaker 3: Her name is Jenny, but I call her Scilla, And 151 00:07:14,480 --> 00:07:17,720 Speaker 3: I'm like Jesus man, and now your wife has to 152 00:07:17,760 --> 00:07:20,560 Speaker 3: be Priscilla. Like that's a bit heavy, dude. 153 00:07:20,360 --> 00:07:23,760 Speaker 1: Like for you you couldn't fow man. 154 00:07:23,840 --> 00:07:24,080 Speaker 2: Yeah. 155 00:07:24,120 --> 00:07:26,720 Speaker 3: I was working for a company out of Las Vegas 156 00:07:26,840 --> 00:07:29,440 Speaker 3: and uh and then one in Toronto and I got 157 00:07:29,440 --> 00:07:31,800 Speaker 3: to meet and it was always funny because we'd have 158 00:07:32,120 --> 00:07:34,680 Speaker 3: like the people that were just doing it as a gig. 159 00:07:34,920 --> 00:07:37,880 Speaker 3: We were musicians and singers and we needed work and 160 00:07:37,920 --> 00:07:40,640 Speaker 3: we'd meet the people that were really like, you know, 161 00:07:40,880 --> 00:07:43,360 Speaker 3: I am Neil diamond and you're like, no. 162 00:07:43,560 --> 00:07:44,160 Speaker 2: You are not. 163 00:07:46,640 --> 00:07:49,160 Speaker 1: As the audience think you. That's the mind thing. 164 00:07:49,240 --> 00:07:51,320 Speaker 3: Yeah. I'll tell you this quick story where I was 165 00:07:51,360 --> 00:07:53,040 Speaker 3: working with a guy named Dave I won't give you 166 00:07:53,080 --> 00:07:58,720 Speaker 3: his last name, Natta, And Dave Batta was a Rod 167 00:07:58,760 --> 00:08:02,640 Speaker 3: Stuart impersonator, and we were in Montreal, Canada, and he said, 168 00:08:02,720 --> 00:08:06,400 Speaker 3: after a show, Hey, I've got reservations at this restaurant. 169 00:08:06,400 --> 00:08:08,640 Speaker 3: I think it was called Thirsty's or Thirstays or something 170 00:08:08,680 --> 00:08:10,320 Speaker 3: like that, like as in like having a punt. 171 00:08:10,440 --> 00:08:10,640 Speaker 1: Yeah. 172 00:08:10,640 --> 00:08:13,280 Speaker 3: Anyway, we get there and it was like red carpet. 173 00:08:13,520 --> 00:08:16,040 Speaker 3: I mean, people are freaking out, they're taking photos and 174 00:08:16,120 --> 00:08:18,960 Speaker 3: he's dressed with the Rod hair yeah, and he's got 175 00:08:18,960 --> 00:08:21,760 Speaker 3: the glasses. And in his defense, when he dressed like 176 00:08:21,840 --> 00:08:24,160 Speaker 3: Rod Stewart, he looked at the same stature that we 177 00:08:24,240 --> 00:08:28,880 Speaker 3: get inside, people are at snapping photos. There's about six 178 00:08:28,920 --> 00:08:31,360 Speaker 3: of us. We sat down, we ordered a drink, and 179 00:08:31,440 --> 00:08:34,320 Speaker 3: about ten minutes after we got inside, the owner comes 180 00:08:34,400 --> 00:08:38,679 Speaker 3: up and says, get out of here. Now, do not 181 00:08:38,720 --> 00:08:41,640 Speaker 3: come back to my bar, and we're like, what is happening. 182 00:08:42,000 --> 00:08:44,480 Speaker 3: Come to find out, he called the place and said 183 00:08:44,880 --> 00:08:48,200 Speaker 3: I can get Rod Stewart down there. As himself, and 184 00:08:48,240 --> 00:08:51,840 Speaker 3: I was like, okay, jeez man, show business is hard. 185 00:08:51,920 --> 00:08:55,520 Speaker 3: So he pretended to be his own manager, who's managing 186 00:08:55,600 --> 00:08:58,400 Speaker 3: Rod Stewart, and then pretended to be Rod Stewart. Dave, 187 00:08:58,440 --> 00:09:02,120 Speaker 3: if you're listening, sorry, but you know you know the score. 188 00:09:04,559 --> 00:09:08,880 Speaker 1: Posse absolutely so when you when you come to town 189 00:09:09,400 --> 00:09:09,880 Speaker 1: next month. 190 00:09:10,160 --> 00:09:13,760 Speaker 4: Obviously once again, Rose Mound Hotel sold out Freo social 191 00:09:13,800 --> 00:09:18,160 Speaker 4: on the twenty sixth of October. Tickets still available through 192 00:09:18,200 --> 00:09:22,600 Speaker 4: Metropolis touring dot com. What's the range of inexcess songs 193 00:09:22,679 --> 00:09:26,080 Speaker 4: that you do? Are we talking right from the beginning 194 00:09:26,320 --> 00:09:29,720 Speaker 4: through to your time with Switch? I mean basically, what's 195 00:09:29,720 --> 00:09:30,319 Speaker 4: the reports wire? 196 00:09:30,320 --> 00:09:33,400 Speaker 3: I like, well, I don't want to give too much away, Russ, 197 00:09:33,480 --> 00:09:37,440 Speaker 3: but it's it's touching on all of the peaks of 198 00:09:37,480 --> 00:09:40,680 Speaker 3: where the yeah and the eras that when it started. 199 00:09:41,000 --> 00:09:43,400 Speaker 3: So you know, I don't want to give too much away, 200 00:09:44,040 --> 00:09:48,400 Speaker 3: but let's just say, let's just say surprise. Let's just 201 00:09:48,440 --> 00:09:52,600 Speaker 3: say you will not leave disappointed, Yeah, and probably more 202 00:09:52,600 --> 00:09:55,280 Speaker 3: fulfilled because my whole mission. First of all, I would 203 00:09:55,280 --> 00:09:56,959 Speaker 3: love to get in access inducted into the Rock and 204 00:09:57,080 --> 00:09:59,080 Speaker 3: Roll Hall of Fame here in North America. That'd be amazing. 205 00:09:59,080 --> 00:10:00,960 Speaker 3: I think they've deserved it for a long time now. 206 00:10:01,280 --> 00:10:03,400 Speaker 3: And secondly, if you're in the audience and you buy 207 00:10:03,440 --> 00:10:05,160 Speaker 3: a ticket, what you're going to see on stage is 208 00:10:05,160 --> 00:10:07,240 Speaker 3: a guy who loves those songs as much as you do. 209 00:10:08,000 --> 00:10:11,640 Speaker 3: And that's where I'm coming from. It has nothing to 210 00:10:11,679 --> 00:10:15,000 Speaker 3: do with like just just my experience with them. My 211 00:10:15,120 --> 00:10:17,720 Speaker 3: experience with them is you know, I was three years 212 00:10:17,760 --> 00:10:20,160 Speaker 3: old when they played their first gig. Yeah, and so 213 00:10:20,760 --> 00:10:23,600 Speaker 3: you know, by the time I was twelve, I had 214 00:10:23,600 --> 00:10:26,160 Speaker 3: been introduced to the band and to the sound and 215 00:10:26,720 --> 00:10:29,040 Speaker 3: have fallen in love with it ever since then. And 216 00:10:29,120 --> 00:10:34,080 Speaker 3: so it's my interpretation of everything that has happened to 217 00:10:34,160 --> 00:10:36,280 Speaker 3: lead me up to that. And I tell a few 218 00:10:36,400 --> 00:10:39,520 Speaker 3: anecdotes in the show, and and but we keep it moving. 219 00:10:39,559 --> 00:10:41,600 Speaker 3: It's not going to be like, oh this guy's still talking, 220 00:10:42,040 --> 00:10:44,040 Speaker 3: Holy jeez, come on. 221 00:10:43,920 --> 00:10:44,640 Speaker 1: My play. 222 00:10:46,000 --> 00:10:49,119 Speaker 2: And what we will get as songs we can sing along. 223 00:10:48,880 --> 00:10:51,520 Speaker 3: With absolutely, just like Andrew Ferris. 224 00:10:51,600 --> 00:10:54,400 Speaker 2: Just like he said, all right, well, the tickets are 225 00:10:54,520 --> 00:10:58,640 Speaker 2: for the Frio Social Show through metropolisturing dot Com. You're 226 00:10:58,640 --> 00:11:00,240 Speaker 2: going to have to find someone who's got some gets 227 00:11:00,240 --> 00:11:01,600 Speaker 2: for the rose Mount show. And so if you can 228 00:11:01,679 --> 00:11:02,720 Speaker 2: go with it touring. 229 00:11:02,960 --> 00:11:05,600 Speaker 3: Yeah, Fraser, everybody over there, thank you and thank you. 230 00:11:05,559 --> 00:11:07,719 Speaker 1: To you guys, especially thank you to you Joy to 231 00:11:07,760 --> 00:11:08,800 Speaker 1: guess this morning. 232 00:11:08,760 --> 00:11:10,800 Speaker 3: Well I had to get dressed at some point, so. 233 00:11:12,320 --> 00:11:12,679 Speaker 1: It is. 234 00:11:14,559 --> 00:11:15,160 Speaker 2: It's time. 235 00:11:15,400 --> 00:11:18,920 Speaker 1: The day is just beginning as you were. 236 00:11:19,040 --> 00:11:26,240 Speaker 4: Now, Thank you, bye, see you next month, Lisa,