1 00:00:00,360 --> 00:00:02,160 Speaker 1: It's the podcast. 2 00:00:02,759 --> 00:00:09,600 Speaker 2: Yeah, I mean huge news on the show today, flagship show. 3 00:00:10,920 --> 00:00:12,360 Speaker 3: I don't think you know what that means fair. 4 00:00:14,200 --> 00:00:20,200 Speaker 4: Huge show, yeah, poignan For us, poignant means deep and 5 00:00:20,280 --> 00:00:22,800 Speaker 4: how deep can it possibly get? We we have got 6 00:00:22,800 --> 00:00:24,200 Speaker 4: our first ever billboards? 7 00:00:24,200 --> 00:00:25,119 Speaker 2: So why is that deep? 8 00:00:25,520 --> 00:00:28,000 Speaker 4: Because a huge moment for us. It gets to the 9 00:00:28,040 --> 00:00:31,000 Speaker 4: depths of Marianna's trench. My friend, I. 10 00:00:30,920 --> 00:00:33,360 Speaker 2: Don't think it's deep. Whyman, you say big? Why want 11 00:00:33,360 --> 00:00:34,000 Speaker 2: to say big moment? 12 00:00:34,880 --> 00:00:37,760 Speaker 4: The show has no advertising, like none, So. 13 00:00:37,720 --> 00:00:39,599 Speaker 2: The show does have no advertising. I don't know how 14 00:00:39,720 --> 00:00:42,520 Speaker 2: you guys listening to this actually, like obviously someone must 15 00:00:42,520 --> 00:00:45,120 Speaker 2: have told you to listen to us. Yeah, or you've 16 00:00:45,120 --> 00:00:46,479 Speaker 2: got in your car one day and. 17 00:00:46,400 --> 00:00:50,360 Speaker 3: You've been like, wow, Actually, I don't mind these guys. 18 00:00:50,400 --> 00:00:51,800 Speaker 4: I might have seen a son who wants to be 19 00:00:51,840 --> 00:00:53,400 Speaker 4: a millionaires a few little ways. 20 00:00:54,000 --> 00:00:55,560 Speaker 3: I might have seen you on the project that time 21 00:00:55,560 --> 00:00:56,440 Speaker 3: and you've got to speak. 22 00:00:57,640 --> 00:00:59,760 Speaker 4: They wouldn't have seen that one, definitely, that wouldn't make 23 00:00:59,800 --> 00:01:00,440 Speaker 4: so I would. 24 00:01:00,280 --> 00:01:02,120 Speaker 2: Have heard of it to you that much, very good one. 25 00:01:02,880 --> 00:01:06,560 Speaker 2: So the reality is though us getting a billboard is 26 00:01:06,560 --> 00:01:08,880 Speaker 2: a big deal, but wod it's you know, it's not 27 00:01:09,720 --> 00:01:11,560 Speaker 2: it's not what you expect. You can elaborate. I mean, 28 00:01:11,560 --> 00:01:12,880 Speaker 2: I'm still happy with the result. 29 00:01:13,319 --> 00:01:16,200 Speaker 4: You'll hear in the show as to how I have 30 00:01:16,319 --> 00:01:18,840 Speaker 4: managed to secure as a billboard. But it comes with 31 00:01:18,880 --> 00:01:22,760 Speaker 4: a few hurdles. Hurdle one it's it's blaming nothing on 32 00:01:22,800 --> 00:01:25,400 Speaker 4: it and we don't have any money to fill it out, 33 00:01:25,800 --> 00:01:27,200 Speaker 4: so I've got dad. 34 00:01:27,040 --> 00:01:29,280 Speaker 2: To do it's put his hand out. Fine. It means 35 00:01:29,280 --> 00:01:30,640 Speaker 2: a bit that I'm like, geez, why didn't you come 36 00:01:30,680 --> 00:01:32,480 Speaker 2: to your old pal will here? Who I mean, like 37 00:01:32,560 --> 00:01:38,840 Speaker 2: generally speaking, who has who has ideas? And you know 38 00:01:39,360 --> 00:01:40,200 Speaker 2: it's this Thursday. 39 00:01:40,560 --> 00:01:41,480 Speaker 4: It's this Thursday the. 40 00:01:41,480 --> 00:01:45,560 Speaker 2: Billboard gets up, So just put it on Taskmaster, put 41 00:01:45,720 --> 00:01:50,040 Speaker 2: in guys money, No, you just go zero dollars. But 42 00:01:50,200 --> 00:01:53,360 Speaker 2: the chance to advertise your wares, I mean the cleaner. 43 00:01:53,400 --> 00:01:55,200 Speaker 2: The sooner that you come clean and say your dad's 44 00:01:55,200 --> 00:01:59,000 Speaker 2: retired and needed something to do. Mm hmm, then you 45 00:01:59,040 --> 00:02:02,400 Speaker 2: know we're all good. What well, like this is obviously 46 00:02:02,480 --> 00:02:03,760 Speaker 2: your dad's retired and need something to do. 47 00:02:03,840 --> 00:02:09,280 Speaker 4: Yeah, yeah, go on, So what's the point to other point? 48 00:02:09,520 --> 00:02:11,440 Speaker 2: The point the point we could have got a good 49 00:02:11,520 --> 00:02:14,720 Speaker 2: artist to do it for notoriety, like they would. 50 00:02:14,560 --> 00:02:17,480 Speaker 4: Have got I'm under the pump with I get air tasker. 51 00:02:17,520 --> 00:02:18,960 Speaker 4: How does that take to do an ad? You know, 52 00:02:19,960 --> 00:02:22,919 Speaker 4: four hours maybe, but then you gotta find responses and 53 00:02:22,919 --> 00:02:25,600 Speaker 4: all of a sudden it's Wednesday. We don't have someone. Basically, 54 00:02:25,680 --> 00:02:27,520 Speaker 4: Dad's there standing in the wings. He's ready to go. 55 00:02:27,680 --> 00:02:29,840 Speaker 4: He's fresh off doing he painted a dog on my 56 00:02:29,880 --> 00:02:32,400 Speaker 4: back fence, big dog with a kennel. And by the way, 57 00:02:32,520 --> 00:02:35,840 Speaker 4: three D depth, you've seen it the kettle look three D. 58 00:02:35,919 --> 00:02:39,400 Speaker 2: I have seen it, baby. Yeah, that's perspective. I think 59 00:02:39,400 --> 00:02:41,840 Speaker 2: you probably that in the second day of art class. 60 00:02:41,840 --> 00:02:44,480 Speaker 2: But look, he didn't do art class. Wow, how impressed 61 00:02:44,560 --> 00:02:44,679 Speaker 2: was that? 62 00:02:44,760 --> 00:02:48,240 Speaker 4: Bit like Vincent van Gerd than the flowing Dutchman anyway, 63 00:02:49,320 --> 00:02:51,960 Speaker 4: So Dad's only got a few days to get it together. 64 00:02:52,440 --> 00:02:54,280 Speaker 4: And the good news is if you keep following along 65 00:02:54,320 --> 00:02:57,600 Speaker 4: this podcast, we'll we'll touch base with Dad. How he's 66 00:02:57,720 --> 00:02:59,440 Speaker 4: apparently he's going for a go to. 67 00:02:59,400 --> 00:03:01,679 Speaker 2: Get it done by So you've forgot to add, You've 68 00:03:01,680 --> 00:03:03,520 Speaker 2: got to add we only have the billboard for twenty 69 00:03:03,520 --> 00:03:07,360 Speaker 2: four hours. Oh yeah, yeah, it's not a billboard, it's 70 00:03:07,720 --> 00:03:10,799 Speaker 2: it's one of those big signs that a truck toes 71 00:03:10,840 --> 00:03:13,440 Speaker 2: behind it. Yeah, so we'll have one truck that's actually 72 00:03:13,480 --> 00:03:15,680 Speaker 2: more impacted toes the sign for twenty four hours. 73 00:03:15,680 --> 00:03:17,440 Speaker 3: I'm not sure, not too sure. 74 00:03:17,280 --> 00:03:17,680 Speaker 2: If it is. 75 00:03:18,120 --> 00:03:18,639 Speaker 3: I don't see. 76 00:03:18,800 --> 00:03:20,760 Speaker 2: I don't see Kyl and Jack yell on the back 77 00:03:20,800 --> 00:03:24,720 Speaker 2: of trucks. They're on there on the big enormous unmissible 78 00:03:25,360 --> 00:03:26,480 Speaker 2: freeway billboards. 79 00:03:26,760 --> 00:03:29,760 Speaker 4: Size what sized truck would like. We're talking like I 80 00:03:29,760 --> 00:03:31,799 Speaker 4: don't know your mate's truck to help you move. 81 00:03:31,720 --> 00:03:34,720 Speaker 2: Or say, this is somebody's ute and there's a sheet 82 00:03:34,880 --> 00:03:37,680 Speaker 2: we actually like sheet on the back that he's hanging 83 00:03:37,720 --> 00:03:40,240 Speaker 2: from a couple of bags. We actually need a ute. Oh, 84 00:03:40,920 --> 00:03:43,480 Speaker 2: I got because I've got the trailer. I've got the 85 00:03:43,520 --> 00:03:44,960 Speaker 2: trailer to it. 86 00:03:45,040 --> 00:03:47,840 Speaker 4: Yeah, no, but that's easy. We'll find a ute. That's easy. 87 00:03:48,000 --> 00:03:50,160 Speaker 4: Get in touch. You've got a youth, please, but I've 88 00:03:50,160 --> 00:03:53,600 Speaker 4: got I've got a trailer. And the thing's ten meters tall. 89 00:03:53,960 --> 00:03:55,960 Speaker 4: The billboards ten meters to ten. 90 00:03:57,320 --> 00:04:00,600 Speaker 2: I don't believe you wouldn't be allowed. He would be 91 00:04:00,640 --> 00:04:02,000 Speaker 2: allowed on the road. It won't be more than two 92 00:04:02,040 --> 00:04:05,520 Speaker 2: meters old. I am, I am under it won't be 93 00:04:05,520 --> 00:04:06,160 Speaker 2: more than two. 94 00:04:06,040 --> 00:04:07,760 Speaker 4: Meters T No, no, it's no, it's bigger. 95 00:04:08,280 --> 00:04:12,280 Speaker 2: Three meters T three and a half minutes. Alright, So 96 00:04:12,280 --> 00:04:14,600 Speaker 2: we got three and a half meters billboard on Thursday, 97 00:04:14,600 --> 00:04:18,440 Speaker 2: that'll get driven around for twenty four hours somewhere in Australia. 98 00:04:18,440 --> 00:04:20,320 Speaker 2: We still don't know where the billboard is. You haven't 99 00:04:20,320 --> 00:04:22,359 Speaker 2: gotten touch with him there. He could live in remote 100 00:04:22,400 --> 00:04:25,600 Speaker 2: long system for all we know. I'm broadcasted down in lass. 101 00:04:25,920 --> 00:04:28,120 Speaker 4: I married him. I married him two weeks ago. So 102 00:04:28,600 --> 00:04:31,600 Speaker 4: he lives in He lives in Melbourne. He lives in Melbourne, 103 00:04:31,640 --> 00:04:33,520 Speaker 4: so that's reachable by plane. 104 00:04:34,720 --> 00:04:39,000 Speaker 2: Of car, right, and then we'll drive drive around Melbourne 105 00:04:39,000 --> 00:04:41,640 Speaker 2: with the sign your dad is painted into two days. 106 00:04:41,839 --> 00:04:43,320 Speaker 4: Yeah, So if you if you want to see this, 107 00:04:43,440 --> 00:04:46,280 Speaker 4: by the way, get to our Instagram and obviously it'll 108 00:04:46,279 --> 00:04:48,599 Speaker 4: be unveiled on Thursday. It's going to be a great moment. 109 00:04:48,640 --> 00:04:50,599 Speaker 4: It's gonna be a great moment. Really excited. 110 00:04:50,760 --> 00:04:51,360 Speaker 3: Yeah me too. 111 00:04:53,680 --> 00:04:55,880 Speaker 2: If you know, look, if you got a good design, 112 00:04:55,920 --> 00:04:57,880 Speaker 2: not to not to rub it, not to offend your dad, 113 00:04:57,880 --> 00:05:00,200 Speaker 2: but if you're a designer, yeah and you know little 114 00:05:00,200 --> 00:05:03,000 Speaker 2: bit about design, just hit us up with a great 115 00:05:03,040 --> 00:05:06,200 Speaker 2: design and maybe Steve can you get some inspiration, wouldn't 116 00:05:06,200 --> 00:05:08,159 Speaker 2: copy it, but might get some inspiration from you. 117 00:05:08,279 --> 00:05:11,520 Speaker 4: Oh, he'll take suggestions. Great, he just might not listen 118 00:05:11,600 --> 00:05:14,640 Speaker 4: to He probably won't. You know what he's like anyway, 119 00:05:15,000 --> 00:05:16,360 Speaker 4: enjoying the podcast? 120 00:05:18,920 --> 00:05:32,840 Speaker 5: Yeah, who's along? And where is Bud? Nobody doesn't care? 121 00:05:33,640 --> 00:05:47,800 Speaker 2: What else I care? Listen, listen, listen. We have a 122 00:05:48,040 --> 00:05:51,320 Speaker 2: very special guest in the studio right now in Adam Hills, 123 00:05:52,240 --> 00:05:56,120 Speaker 2: who joins us now. Adam first time in a radio 124 00:05:56,120 --> 00:05:58,960 Speaker 2: studio for a very long time. Yes, yeah, and he'd 125 00:05:59,000 --> 00:06:01,839 Speaker 2: like to start off by having a crack at someone 126 00:06:01,839 --> 00:06:02,840 Speaker 2: in the studio. Not a crack. 127 00:06:02,880 --> 00:06:03,960 Speaker 4: I want to stick up for it. 128 00:06:04,080 --> 00:06:04,240 Speaker 6: Yeah. 129 00:06:04,480 --> 00:06:07,279 Speaker 7: I thought that during that last quiz when when you know, 130 00:06:07,320 --> 00:06:08,960 Speaker 7: the lady on the phone said I couldn't hear. I 131 00:06:09,000 --> 00:06:10,480 Speaker 7: didn't know what was going on, and then all of 132 00:06:10,480 --> 00:06:14,960 Speaker 7: a sudden just caught in the moment. I thought, Joel, 133 00:06:15,040 --> 00:06:17,080 Speaker 7: he was doing that radio thing of going Yeah, she 134 00:06:17,160 --> 00:06:17,919 Speaker 7: was caught in the moment. 135 00:06:17,960 --> 00:06:18,800 Speaker 4: She had no idea what. 136 00:06:18,680 --> 00:06:19,640 Speaker 2: She was doing. You know what I mean? 137 00:06:22,279 --> 00:06:24,200 Speaker 4: That's going to be your new thing? 138 00:06:24,279 --> 00:06:24,880 Speaker 2: Were you, Joel? 139 00:06:26,040 --> 00:06:26,640 Speaker 4: Per accident? 140 00:06:26,680 --> 00:06:26,880 Speaker 3: Adam? 141 00:06:26,920 --> 00:06:33,760 Speaker 4: I appreciate you. If the boss is listening, can that 142 00:06:33,839 --> 00:06:35,000 Speaker 4: be your new thing? On this show? 143 00:06:35,040 --> 00:06:35,240 Speaker 8: Though? 144 00:06:36,160 --> 00:06:37,680 Speaker 4: Is playing random songs. 145 00:06:37,480 --> 00:06:40,360 Speaker 7: When someone just drifts off and gives a terrible answer 146 00:06:40,400 --> 00:06:43,159 Speaker 7: and they remember just a little bit of just cut 147 00:06:43,240 --> 00:06:44,080 Speaker 7: in much. 148 00:06:45,760 --> 00:06:47,640 Speaker 2: It worked pretty well. 149 00:06:47,680 --> 00:06:50,120 Speaker 4: All good things happened by accident. I mean, Adam, is 150 00:06:50,160 --> 00:06:53,240 Speaker 4: it true that Spicks and Specs, Yes, is getting going 151 00:06:53,320 --> 00:06:57,320 Speaker 4: again and the reason behind it is sort of accidental. Yes. 152 00:06:57,640 --> 00:07:01,160 Speaker 7: So I was meant to be covering the Paralympics last 153 00:07:01,240 --> 00:07:04,839 Speaker 7: year for Channel four and doing series of the last 154 00:07:04,920 --> 00:07:06,359 Speaker 7: leg in the UK and all that kind of stuff, 155 00:07:06,360 --> 00:07:08,599 Speaker 7: and then COVID hit and so I was in Melbourne. 156 00:07:08,680 --> 00:07:10,440 Speaker 7: I had a lot of time on my hands and 157 00:07:10,480 --> 00:07:12,280 Speaker 7: the ab so you went, hang on, if you're in Melbourne, 158 00:07:12,280 --> 00:07:14,360 Speaker 7: do you want to do some Sticks and Specs? And 159 00:07:14,400 --> 00:07:16,640 Speaker 7: I kind of rang Allen and rang Mif the old 160 00:07:16,840 --> 00:07:18,920 Speaker 7: team captains and went what do you guys reckon? And 161 00:07:18,960 --> 00:07:20,840 Speaker 7: we all went, yeah, let's have a crack at this. 162 00:07:21,720 --> 00:07:23,760 Speaker 7: So we busted out ten episodes. We filmed them all 163 00:07:23,840 --> 00:07:25,800 Speaker 7: last year in stage four lockdown. 164 00:07:25,920 --> 00:07:28,960 Speaker 4: Wow, So no audience, how. 165 00:07:28,920 --> 00:07:29,320 Speaker 2: Do you know what? 166 00:07:29,400 --> 00:07:32,480 Speaker 7: Social distancing and masks, so everyone had to have their 167 00:07:32,520 --> 00:07:34,760 Speaker 7: own buzzer, do you know in the old because the 168 00:07:34,760 --> 00:07:37,680 Speaker 7: old show you all had the hands, so everyone had 169 00:07:37,720 --> 00:07:39,960 Speaker 7: to have a different buzzer. We had to make them 170 00:07:39,960 --> 00:07:42,440 Speaker 7: sit a meter and a half apart from each other, 171 00:07:42,960 --> 00:07:45,160 Speaker 7: but to make that not look weird on camera, we 172 00:07:45,240 --> 00:07:50,120 Speaker 7: made like a curved desk so that when you look 173 00:07:50,120 --> 00:07:51,880 Speaker 7: at it straight on, it looks like they're kind of close, 174 00:07:52,160 --> 00:07:53,960 Speaker 7: but actually they're a meter and a half apart. 175 00:07:54,200 --> 00:07:54,640 Speaker 6: Wow. 176 00:07:54,760 --> 00:07:56,960 Speaker 7: We had to wear masks right up until the camera 177 00:07:57,040 --> 00:08:00,720 Speaker 7: started filming. We had no audience. Wow, we couldn't even 178 00:08:00,760 --> 00:08:04,480 Speaker 7: bring anyone in from into state. Luckily, Melbourne's the place. 179 00:08:04,320 --> 00:08:05,440 Speaker 4: To make a music quiz show. 180 00:08:05,560 --> 00:08:05,800 Speaker 9: Yeah. 181 00:08:05,960 --> 00:08:07,160 Speaker 3: Yeah, you had some good comedians. 182 00:08:07,160 --> 00:08:09,320 Speaker 2: It's stilling because I mean you get your great comedians 183 00:08:09,320 --> 00:08:11,360 Speaker 2: in the Ann Edmunds Museum. M Luke McGregor's on there, 184 00:08:11,400 --> 00:08:14,320 Speaker 2: Dave O'Neil, Denise Scott so yeah, ripping and still great 185 00:08:14,400 --> 00:08:16,720 Speaker 2: musical against Gee Flip, Missy Higgins, Teskey brothers are all 186 00:08:16,720 --> 00:08:19,360 Speaker 2: going to be on there. So that's back April eighteen and. 187 00:08:19,400 --> 00:08:20,520 Speaker 7: The first time I have to say, I think the 188 00:08:20,560 --> 00:08:22,440 Speaker 7: first episode we did was with the Teski brothers. 189 00:08:22,640 --> 00:08:22,880 Speaker 10: Wow. 190 00:08:23,000 --> 00:08:25,480 Speaker 7: And when they they hadn't even rehearsed together because they 191 00:08:25,520 --> 00:08:28,400 Speaker 7: weren't allowed, couldn't, So they came into the studio and rehearsed. 192 00:08:28,520 --> 00:08:31,480 Speaker 7: And then when they played live. Everyone was in tears. 193 00:08:31,600 --> 00:08:35,439 Speaker 2: Wow, because we haven't music and beautiful. 194 00:08:35,559 --> 00:08:37,440 Speaker 4: It was amazing. So yeah, when you see it, when 195 00:08:37,480 --> 00:08:39,400 Speaker 4: you see it on screen, just know that everyone was 196 00:08:39,440 --> 00:08:40,040 Speaker 4: crying behind it. 197 00:08:40,920 --> 00:08:44,280 Speaker 2: Were the people at the ABC also crying? When you 198 00:08:44,360 --> 00:08:46,439 Speaker 2: ask for the budget for two more buzzes during COVID? 199 00:08:49,440 --> 00:08:50,320 Speaker 2: How did that go down? 200 00:08:51,280 --> 00:08:53,920 Speaker 7: Not only that in the budget that someone in the 201 00:08:53,960 --> 00:08:56,240 Speaker 7: budget must have gone, can we have a one point 202 00:08:56,320 --> 00:08:57,240 Speaker 7: five meter ruler? 203 00:08:57,920 --> 00:08:57,959 Speaker 6: No? 204 00:09:00,360 --> 00:09:01,240 Speaker 4: Not just the buzzers? 205 00:09:01,400 --> 00:09:04,080 Speaker 7: If you were talking to someone on the studio floor, wow, 206 00:09:04,360 --> 00:09:07,520 Speaker 7: it was someone's job to come up with a one 207 00:09:07,559 --> 00:09:08,679 Speaker 7: point five meter ruler. 208 00:09:08,760 --> 00:09:11,280 Speaker 4: And he was so cool about it. He was like, guys, 209 00:09:11,320 --> 00:09:13,600 Speaker 4: I'm so sorry, I really don't want. 210 00:09:13,480 --> 00:09:13,800 Speaker 6: To do this. 211 00:09:15,880 --> 00:09:17,920 Speaker 2: Well, you guys can check it out. Speaks and Specs 212 00:09:17,960 --> 00:09:20,040 Speaker 2: On April ten, Adam Hill's gonna stick around. He's gonna 213 00:09:20,080 --> 00:09:23,040 Speaker 2: shot the Melbourne Comedy Festival as well, Tuesdays, April sixth, 214 00:09:23,080 --> 00:09:25,000 Speaker 2: all the way through to Sunday, April ten. You can 215 00:09:25,000 --> 00:09:25,440 Speaker 2: see him there. 216 00:09:25,440 --> 00:09:26,760 Speaker 3: He's got more of Adam Hills. Why don't make some 217 00:09:26,880 --> 00:09:27,080 Speaker 3: of them? 218 00:09:27,080 --> 00:09:28,760 Speaker 2: What do you, hey, Willam? What are you monday to do? 219 00:09:28,920 --> 00:09:31,840 Speaker 2: Great news for you guys. Speaks and Specs obviously one 220 00:09:31,840 --> 00:09:33,559 Speaker 2: of the greatest shows to ever be on television on 221 00:09:33,559 --> 00:09:38,240 Speaker 2: the ABC is back April eighteen. Adam Hills is going 222 00:09:38,320 --> 00:09:40,760 Speaker 2: to be back hosting as well. He's in the studio 223 00:09:40,840 --> 00:09:42,480 Speaker 2: right now. It's gonna be in the Melbourne Comedy Festival 224 00:09:42,480 --> 00:09:44,480 Speaker 2: as well, Tuesday April six all the way through Sunday 225 00:09:44,800 --> 00:09:45,439 Speaker 2: April eighteen. 226 00:09:45,480 --> 00:09:45,880 Speaker 8: Now made it. 227 00:09:46,040 --> 00:09:47,560 Speaker 2: It is a pleasure to have you back in Australia. 228 00:09:47,600 --> 00:09:50,720 Speaker 2: But obviously that has come with the you've been quarantining. 229 00:09:50,960 --> 00:09:52,320 Speaker 2: Oh yeah most of the year. 230 00:09:53,120 --> 00:09:56,280 Speaker 7: I well, okay, So I got to Melbourne last year 231 00:09:56,360 --> 00:09:59,480 Speaker 7: in March from the UK. Just got out in time. 232 00:09:59,520 --> 00:10:03,360 Speaker 7: It was like the plane out of sidegone's just all going. 233 00:10:03,600 --> 00:10:04,199 Speaker 2: Did you get out? 234 00:10:04,280 --> 00:10:04,480 Speaker 6: Yeah? 235 00:10:04,480 --> 00:10:07,679 Speaker 7: I got out MATEO got home, went into lockdown here. 236 00:10:07,760 --> 00:10:09,240 Speaker 7: We came out for like two weeks and then we 237 00:10:09,320 --> 00:10:12,000 Speaker 7: had the full on Melbourne lockdown. Just as it came 238 00:10:12,040 --> 00:10:13,400 Speaker 7: to an end. I had to go back to London 239 00:10:13,960 --> 00:10:15,880 Speaker 7: to do the last leg the TV show over there. 240 00:10:16,160 --> 00:10:18,240 Speaker 7: I had about two weeks of normal life and then 241 00:10:18,240 --> 00:10:22,080 Speaker 7: another London lockdown. Came home here for Christmas, two weeks 242 00:10:22,080 --> 00:10:24,520 Speaker 7: of quarantine, two weeks with my wife and kids, back 243 00:10:24,559 --> 00:10:27,559 Speaker 7: into a London lockdown, and then got back two and 244 00:10:27,559 --> 00:10:29,240 Speaker 7: a half weeks ago and did another two weeks. 245 00:10:30,520 --> 00:10:32,319 Speaker 4: I've spent a lot of time on my own in 246 00:10:32,360 --> 00:10:34,840 Speaker 4: the last twelve months. Have there been any like real, 247 00:10:35,080 --> 00:10:38,400 Speaker 4: like pivotal or like life changing moments or thoughts you've 248 00:10:38,440 --> 00:10:40,920 Speaker 4: had in a quarantine where you've gone this is the 249 00:10:41,000 --> 00:10:49,520 Speaker 4: secret to life? No, really wish there was. I really 250 00:10:49,559 --> 00:10:51,440 Speaker 4: wish I'd learned something about myself. 251 00:10:51,520 --> 00:10:53,800 Speaker 7: The only thing I've learned is that I'm quite okay 252 00:10:54,000 --> 00:10:56,280 Speaker 7: with being stuck in a hotel room while someone brings 253 00:10:56,320 --> 00:10:56,839 Speaker 7: food to me. 254 00:10:57,120 --> 00:10:58,680 Speaker 2: Yes, I've found. 255 00:10:58,960 --> 00:11:01,320 Speaker 7: The hardest part of quaran is going back to normal life. 256 00:11:01,800 --> 00:11:03,559 Speaker 7: It's like the first day at home. It gets to 257 00:11:03,600 --> 00:11:05,319 Speaker 7: six thirty and I'm looking at my wife, going, so 258 00:11:05,360 --> 00:11:06,120 Speaker 7: we're going to knock at. 259 00:11:06,040 --> 00:11:11,520 Speaker 2: The door and bring a stool, all right, So we 260 00:11:11,640 --> 00:11:13,280 Speaker 2: have to go out and do stuff you want. 261 00:11:13,440 --> 00:11:17,120 Speaker 4: You want me to make my dinner. It's really and 262 00:11:17,200 --> 00:11:19,000 Speaker 4: the weirdest thing is I'm now doing so. 263 00:11:19,080 --> 00:11:21,200 Speaker 7: I'm starting at the Melbourne Comedy Festival next week. I'm 264 00:11:21,240 --> 00:11:23,720 Speaker 7: doing a show in Sydney at the m Or Theater. 265 00:11:23,960 --> 00:11:26,520 Speaker 7: I'm doing Canberra. I've got a trial show tonight. 266 00:11:26,920 --> 00:11:27,680 Speaker 2: Oh wow. Yeah. 267 00:11:27,679 --> 00:11:30,040 Speaker 7: So I'm going from here to a very small audience 268 00:11:30,200 --> 00:11:33,839 Speaker 7: who have very low expectations to do a show that 269 00:11:33,920 --> 00:11:36,719 Speaker 7: I haven't done for twelve months, Oh wow, because I 270 00:11:36,800 --> 00:11:38,559 Speaker 7: did a little tour of England last year and I 271 00:11:38,679 --> 00:11:39,600 Speaker 7: ended up in bake. 272 00:11:39,679 --> 00:11:39,920 Speaker 10: Well. 273 00:11:40,280 --> 00:11:42,920 Speaker 4: My last show was canceled because suddenly they went into. 274 00:11:42,800 --> 00:11:45,640 Speaker 7: Lockdown and I haven't done the show since, so I'm 275 00:11:45,720 --> 00:11:47,400 Speaker 7: not sure how much of it's still going to work. 276 00:11:48,280 --> 00:11:50,360 Speaker 4: Do you do any zoom gigs or anything? I know 277 00:11:50,559 --> 00:11:52,640 Speaker 4: Dave Thornton did a couple of zoom gigs, which he 278 00:11:52,679 --> 00:11:53,840 Speaker 4: said was just really tough. 279 00:11:53,880 --> 00:11:54,160 Speaker 2: You get it. 280 00:11:54,240 --> 00:11:56,040 Speaker 4: You get a boss at five o'clock on a Wednesday, goes, 281 00:11:56,080 --> 00:11:57,760 Speaker 4: I've got Dave Thornton here to do some stand up 282 00:11:57,760 --> 00:11:58,280 Speaker 4: over zoom. 283 00:11:58,559 --> 00:11:58,800 Speaker 9: Yeah. 284 00:11:58,960 --> 00:11:59,839 Speaker 2: Did you know? 285 00:12:00,080 --> 00:12:02,360 Speaker 7: The only thing we did was in May and June 286 00:12:02,400 --> 00:12:06,080 Speaker 7: last year we did some shows at Easy Comedy in Collingwood, 287 00:12:06,440 --> 00:12:09,040 Speaker 7: excuse me, and we had about twelve people in the audience, 288 00:12:09,280 --> 00:12:12,400 Speaker 7: oh wow. But we had three hundred on Zoom and 289 00:12:12,520 --> 00:12:15,280 Speaker 7: so it felt like a comedy gig. And so the 290 00:12:15,400 --> 00:12:18,040 Speaker 7: thing is, when you're a comedian, it's like we've all 291 00:12:18,080 --> 00:12:20,560 Speaker 7: got a little laughter monster inside of us that needs 292 00:12:20,600 --> 00:12:22,280 Speaker 7: to be fed, and it doesn't matter if. 293 00:12:22,160 --> 00:12:24,440 Speaker 4: That's twelve or twelve hundred. As long as people are laughing, 294 00:12:24,559 --> 00:12:25,800 Speaker 4: it doesn't laughing. 295 00:12:25,960 --> 00:12:28,120 Speaker 7: And it was amazing to watch comedians turn up having 296 00:12:28,160 --> 00:12:30,320 Speaker 7: been in lockdown and get that first laugh and they 297 00:12:30,360 --> 00:12:31,320 Speaker 7: were like, oh my god. 298 00:12:31,240 --> 00:12:33,600 Speaker 4: I've missed this, this so much. 299 00:12:33,720 --> 00:12:34,839 Speaker 3: It's so nourishing for you. 300 00:12:34,960 --> 00:12:35,600 Speaker 2: It's what you need. 301 00:12:35,840 --> 00:12:38,000 Speaker 7: So normally at the Comedy Festival, I would say, go 302 00:12:38,080 --> 00:12:39,880 Speaker 7: out and see some new comedians, take a pun on 303 00:12:39,920 --> 00:12:40,840 Speaker 7: some up and coming talent. 304 00:12:40,920 --> 00:12:44,280 Speaker 4: But this year, more than ever, because like the establishment. 305 00:12:44,720 --> 00:12:46,480 Speaker 3: More than ever, ignore the new comers. 306 00:12:49,640 --> 00:12:53,320 Speaker 2: Gon't see the established people with the cash guys missed 307 00:12:53,360 --> 00:12:55,760 Speaker 2: the don't worry about the. 308 00:12:57,600 --> 00:13:00,319 Speaker 4: Big does Dave Hughes has got a big has to 309 00:13:00,360 --> 00:13:05,720 Speaker 4: pay for No, it's the opposite. 310 00:13:06,200 --> 00:13:09,040 Speaker 7: Shoosy, myself, Tom Lease and Julia Morris, all of us 311 00:13:09,559 --> 00:13:13,080 Speaker 7: have have missed it, but financially we've managed to get through. 312 00:13:13,240 --> 00:13:15,600 Speaker 7: It's the up and comers who rely on that gig 313 00:13:16,080 --> 00:13:17,440 Speaker 7: every night for the next week. 314 00:13:17,559 --> 00:13:19,320 Speaker 2: So yeah, it just so flip flipped. 315 00:13:19,320 --> 00:13:19,560 Speaker 11: You there. 316 00:13:21,400 --> 00:13:24,800 Speaker 2: You realize you said something totally unethical, and I line 317 00:13:24,800 --> 00:13:30,560 Speaker 2: that all right, you can go and see you real 318 00:13:30,679 --> 00:13:35,319 Speaker 2: patron up and coming comedy and just imagine. 319 00:13:35,040 --> 00:13:37,679 Speaker 4: Dave Hughes on radio right now again. Come on, I've 320 00:13:37,720 --> 00:13:42,079 Speaker 4: got a new car. Daddy's got to feed the kids. 321 00:13:44,840 --> 00:13:47,360 Speaker 2: Tuesday April sixth, all the ray to Sunday April ten. 322 00:13:47,480 --> 00:13:49,760 Speaker 2: You can see Adam Hills and you're gonna see it, 323 00:13:49,800 --> 00:13:51,960 Speaker 2: as you said in Sydney and the Nmal Theater, touring 324 00:13:52,000 --> 00:13:53,760 Speaker 2: all over straight so you get comedy dot com dot 325 00:13:53,800 --> 00:13:54,760 Speaker 2: a you for all his dates. 326 00:13:54,760 --> 00:13:55,880 Speaker 3: Mate, thanks for coming in. 327 00:13:56,160 --> 00:13:59,719 Speaker 4: Oh you busted my cherry. I feel like, yes, I've 328 00:13:59,760 --> 00:14:01,040 Speaker 4: got through that awkwardness. 329 00:14:01,080 --> 00:14:02,360 Speaker 2: It was our first radio interview. 330 00:14:02,440 --> 00:14:03,560 Speaker 7: Do you know what this is like when you've had 331 00:14:03,600 --> 00:14:06,000 Speaker 7: a dry spell relationship wise for quite some time and 332 00:14:06,080 --> 00:14:07,360 Speaker 7: you get that first one out of the way. 333 00:14:07,720 --> 00:14:09,440 Speaker 4: I just want to apologize to you, but I'm glad 334 00:14:09,440 --> 00:14:10,040 Speaker 4: you're here for it. 335 00:14:11,960 --> 00:14:13,559 Speaker 1: It's the Will and Woody Podcast. 336 00:14:14,000 --> 00:14:23,520 Speaker 2: Does being married enable or encourage rather than prevent bad behavior? Cheez? 337 00:14:23,800 --> 00:14:25,560 Speaker 4: It is a great contention to explore. 338 00:14:25,600 --> 00:14:28,920 Speaker 2: Can I just say now, I'll explain myself, because on 339 00:14:29,040 --> 00:14:31,280 Speaker 2: the surface, when someone gets married, I mean, the whole 340 00:14:31,320 --> 00:14:34,040 Speaker 2: principle is and the connotation that goes with that is 341 00:14:34,080 --> 00:14:35,120 Speaker 2: that you're settling down. 342 00:14:35,560 --> 00:14:36,880 Speaker 3: It's time to get serious. 343 00:14:37,120 --> 00:14:39,880 Speaker 2: You're committed, and that's why you're choosing to marriage each other. 344 00:14:40,240 --> 00:14:43,520 Speaker 2: But in reality, I think and I think this is 345 00:14:43,640 --> 00:14:46,240 Speaker 2: just this is just my thoughts. I think it can 346 00:14:46,480 --> 00:14:51,000 Speaker 2: mean that because you're married, because you have that security, 347 00:14:51,600 --> 00:14:58,560 Speaker 2: some people abuse the contract and rely on its security 348 00:14:59,280 --> 00:14:59,880 Speaker 2: rather than. 349 00:15:00,760 --> 00:15:05,200 Speaker 4: And you're saying, like, if I do this bad behavior, 350 00:15:05,480 --> 00:15:07,480 Speaker 4: let's use if I stay out a bit later or 351 00:15:07,560 --> 00:15:09,440 Speaker 4: anger them a little bit, it doesn't really matter because 352 00:15:09,440 --> 00:15:11,400 Speaker 4: we're not going to get a divorce over it. Well, 353 00:15:11,520 --> 00:15:15,240 Speaker 4: a divorce is a big hassle, whereas baking for marriage 354 00:15:15,880 --> 00:15:18,840 Speaker 4: as big as you don't have as many monetary obligations 355 00:15:18,920 --> 00:15:21,120 Speaker 4: to each other. I mean, there's all sorts of things 356 00:15:21,200 --> 00:15:25,000 Speaker 4: that come with this promise of getting married that ensures that. Yeah, 357 00:15:25,040 --> 00:15:27,480 Speaker 4: as you said, people might be able to get away 358 00:15:27,520 --> 00:15:31,160 Speaker 4: with more because they know that the hassle of getting formally. 359 00:15:30,880 --> 00:15:34,960 Speaker 2: Divorced is a security blanket effectively. Now, the reason I'll 360 00:15:34,960 --> 00:15:43,000 Speaker 2: bring this up is because Justin Bieber, who ran to 361 00:15:43,120 --> 00:15:45,160 Speaker 2: the altar like a track star in that song, and 362 00:15:45,200 --> 00:15:47,160 Speaker 2: I don't really know what that means, but he's married. 363 00:15:48,120 --> 00:15:53,040 Speaker 2: He's married the big fellow, and he recently got another tattoo, 364 00:15:53,720 --> 00:15:57,280 Speaker 2: he got a peach on his neck. He got a 365 00:15:57,320 --> 00:15:58,520 Speaker 2: new song called Peaches. 366 00:16:03,800 --> 00:16:04,400 Speaker 6: California. 367 00:16:04,640 --> 00:16:07,720 Speaker 2: Sure gets his weed from California, and he'll get his 368 00:16:07,800 --> 00:16:08,400 Speaker 2: peaches for you. 369 00:16:08,480 --> 00:16:09,760 Speaker 3: I mean he's the best for a reason. 370 00:16:10,720 --> 00:16:11,680 Speaker 2: Anyway. He's got early. 371 00:16:11,720 --> 00:16:13,200 Speaker 4: The peaches in California are very good. 372 00:16:13,280 --> 00:16:17,160 Speaker 2: He's got a peach tattooed on his neck. And his wife, 373 00:16:17,240 --> 00:16:20,000 Speaker 2: Hailey Bieber, you know she's not she's unhappy with him. 374 00:16:20,280 --> 00:16:24,960 Speaker 2: And my contention here is that I don't, well, none 375 00:16:24,960 --> 00:16:27,080 Speaker 2: of my close mates, but I've certainly heard of men 376 00:16:27,200 --> 00:16:30,440 Speaker 2: before who have gone and done this sort of stuff 377 00:16:30,560 --> 00:16:34,240 Speaker 2: and have said to me literally like, what's she going 378 00:16:34,320 --> 00:16:39,840 Speaker 2: to do? I'm married now, she married into this sort 379 00:16:39,840 --> 00:16:40,080 Speaker 2: of thing. 380 00:16:41,360 --> 00:16:45,000 Speaker 4: But for me, like that highlights a bad marriage. Absolutely, 381 00:16:45,080 --> 00:16:47,120 Speaker 4: if you're viewing marriage like that, or is it a 382 00:16:47,160 --> 00:16:48,000 Speaker 4: bad marriage or is. 383 00:16:47,960 --> 00:16:51,720 Speaker 2: It a bad institution? That's my contention. And the other 384 00:16:51,760 --> 00:16:53,360 Speaker 2: thing I want to throw back at you here is that, 385 00:16:53,480 --> 00:16:56,000 Speaker 2: please do you are a marriage celebrant and I realize 386 00:16:56,040 --> 00:16:58,480 Speaker 2: that you're also protecting any future business for yourself because 387 00:16:58,480 --> 00:17:00,720 Speaker 2: you want to propot from marriage. 388 00:17:00,840 --> 00:17:04,119 Speaker 4: There's no bias here. I also do commitment ceremonies. It's fine, 389 00:17:04,640 --> 00:17:09,040 Speaker 4: my business is safe baby. No, no, but I I 390 00:17:09,080 --> 00:17:11,040 Speaker 4: think sure, like maybe it's the institution, but but I 391 00:17:11,080 --> 00:17:12,960 Speaker 4: think you're highly on a bad marriage. I would argue 392 00:17:13,000 --> 00:17:14,639 Speaker 4: that when you are married with someone, it would be 393 00:17:14,760 --> 00:17:18,199 Speaker 4: far harder to commit bad behavior which will hurt your 394 00:17:18,240 --> 00:17:21,119 Speaker 4: partner when it's your wife or your husband's Like that 395 00:17:21,160 --> 00:17:22,800 Speaker 4: wouldn't wouldn't that be hard to do with you if 396 00:17:22,840 --> 00:17:24,120 Speaker 4: you've got any sort of conscience. 397 00:17:24,560 --> 00:17:27,720 Speaker 2: I see, I don't necessarily think that getting married makes 398 00:17:27,800 --> 00:17:30,359 Speaker 2: you more in love with someone. Yeah, I mean, it 399 00:17:30,359 --> 00:17:32,800 Speaker 2: doesn't really matter because the other side of it me 400 00:17:32,880 --> 00:17:35,560 Speaker 2: and again, my partner and I, Sami, we sort of 401 00:17:35,600 --> 00:17:40,520 Speaker 2: agree that we're currently we're not getting married. And I 402 00:17:40,640 --> 00:17:43,240 Speaker 2: feel like the opposite side of this is that when 403 00:17:43,240 --> 00:17:47,879 Speaker 2: you're not married, the weight of the fact that you 404 00:17:48,200 --> 00:17:51,520 Speaker 2: know that the relationship could end if one of you 405 00:17:51,640 --> 00:17:53,560 Speaker 2: treats the other one badly enough and can end on 406 00:17:53,640 --> 00:17:55,720 Speaker 2: a dime. You don't have to get a divorce, you 407 00:17:55,760 --> 00:17:59,399 Speaker 2: don't have to go through legal proceedings. That for me 408 00:17:59,720 --> 00:18:04,880 Speaker 2: lee to us working harder at the current relationship because 409 00:18:04,920 --> 00:18:08,320 Speaker 2: we haven't got the security blanket of just thinking, oh, well, 410 00:18:08,840 --> 00:18:13,840 Speaker 2: we're married. So I would argue that if we were married, well, 411 00:18:13,880 --> 00:18:15,520 Speaker 2: you know, you sort of get this vision like, oh, 412 00:18:15,560 --> 00:18:18,800 Speaker 2: we're married, and then you're kind of forced to sort 413 00:18:18,840 --> 00:18:23,840 Speaker 2: of let some things go more because you can't be 414 00:18:23,920 --> 00:18:26,800 Speaker 2: bothered following them up because it's just going to create 415 00:18:26,840 --> 00:18:28,560 Speaker 2: this tension and you both think, oh, jee don't want 416 00:18:28,560 --> 00:18:31,359 Speaker 2: to get a divorce. Divorce comes with labels and money 417 00:18:31,840 --> 00:18:35,640 Speaker 2: and all those other things. So look, that's my contention. 418 00:18:36,000 --> 00:18:37,600 Speaker 2: I'd love to hear from some other people here. I'm 419 00:18:37,680 --> 00:18:40,320 Speaker 2: not married, so you know, I can't speak on your behalf. 420 00:18:40,400 --> 00:18:46,960 Speaker 2: But does being married enable or encourage bad behavior rather 421 00:18:47,119 --> 00:18:47,760 Speaker 2: than prevent it? 422 00:18:48,880 --> 00:18:51,760 Speaker 4: Let's go to Adam here on thirteen one oh six ' five. Adam, 423 00:18:51,920 --> 00:18:53,680 Speaker 4: what are your thoughts on this made it? Can a 424 00:18:53,760 --> 00:18:55,440 Speaker 4: marriage promote that bad behavior? 425 00:18:56,359 --> 00:18:58,080 Speaker 12: I don't know, man, I think there's more at stake 426 00:18:58,200 --> 00:19:00,560 Speaker 12: in a marriage, so you kind of tend to change 427 00:19:00,600 --> 00:19:04,360 Speaker 12: your behavior to keep the marriage going. If you've committed 428 00:19:04,760 --> 00:19:06,840 Speaker 12: into a relationship like that, you want it to work 429 00:19:06,880 --> 00:19:09,119 Speaker 12: and you want it to go to distance. So I'm married. 430 00:19:09,240 --> 00:19:11,200 Speaker 12: I you know, I don't want to sound like goody 431 00:19:11,240 --> 00:19:13,560 Speaker 12: two shoes, but I feel like I've definitely yeah. 432 00:19:14,840 --> 00:19:17,399 Speaker 2: Yeaheah, it kind of goes one way or the other doesn't. 433 00:19:17,880 --> 00:19:20,399 Speaker 2: That's That's what I'm saying, is you see these people 434 00:19:20,480 --> 00:19:22,680 Speaker 2: that you know do become a lot more responsible. Have 435 00:19:22,800 --> 00:19:24,800 Speaker 2: you got kids, Adam, Yeah, I do. 436 00:19:25,240 --> 00:19:27,280 Speaker 12: That's the other thing is you work toward souls and 437 00:19:27,359 --> 00:19:29,200 Speaker 12: you kind of thet kids coming to the picture, and 438 00:19:29,280 --> 00:19:30,800 Speaker 12: you don't want to your kids to grow up in 439 00:19:30,840 --> 00:19:31,359 Speaker 12: a broken home. 440 00:19:31,440 --> 00:19:35,480 Speaker 2: It happened the kids thing, I can see adding responsibility 441 00:19:35,880 --> 00:19:36,240 Speaker 2: that's all. 442 00:19:36,520 --> 00:19:37,560 Speaker 4: That's marriage. 443 00:19:37,600 --> 00:19:41,120 Speaker 2: But I think that's different to marriage because the kid, Yeah, yeah, 444 00:19:41,400 --> 00:19:43,560 Speaker 2: it's undeniable that you've got a responsibility to the child, 445 00:19:43,680 --> 00:19:46,879 Speaker 2: not just to your other person, which I think is 446 00:19:46,920 --> 00:19:49,840 Speaker 2: a heavier weight than marriage. I feel like most married 447 00:19:49,880 --> 00:19:51,600 Speaker 2: people would say that you and I got at a 448 00:19:51,680 --> 00:19:54,280 Speaker 2: very good friend Zavirielle's got married a little while ago. 449 00:19:54,880 --> 00:19:58,240 Speaker 3: And not to say that zav didn't say his wedding 450 00:19:58,320 --> 00:19:59,080 Speaker 3: day is a big deal for me. 451 00:19:59,119 --> 00:20:00,719 Speaker 2: But when Imber walked out from on the wedding day 452 00:20:00,720 --> 00:20:02,200 Speaker 2: and I was like, wow, is that a big deals happened, 453 00:20:02,200 --> 00:20:04,960 Speaker 2: He's like, mate, I've got two kids. Yeah, that's true, 454 00:20:05,200 --> 00:20:06,800 Speaker 2: a special day for me. But at the end of 455 00:20:06,840 --> 00:20:08,920 Speaker 2: the day, we've made a big promise to each other. 456 00:20:09,160 --> 00:20:10,720 Speaker 4: It was a great day to celebrate, but it was 457 00:20:10,760 --> 00:20:12,760 Speaker 4: like when we had a child together, Little Teddy, if 458 00:20:12,760 --> 00:20:14,360 Speaker 4: you're listening, I don't give you old enough to listen, 459 00:20:14,480 --> 00:20:18,480 Speaker 4: Little ted Not sure, alfhie, I mean definitely not. But anyway, 460 00:20:18,520 --> 00:20:20,280 Speaker 4: there's your two kids. Let's go to Bree. 461 00:20:22,760 --> 00:20:26,240 Speaker 2: What do you reckon just being married enable bad behavior 462 00:20:26,280 --> 00:20:27,040 Speaker 2: rather than prevent it? 463 00:20:28,760 --> 00:20:31,320 Speaker 10: A Hi, boys, So from. 464 00:20:31,240 --> 00:20:33,800 Speaker 8: What I gather from you guys are talking about as 465 00:20:34,000 --> 00:20:37,680 Speaker 8: marriage as an institution. I don't think marriage itself is 466 00:20:37,760 --> 00:20:41,520 Speaker 8: the issue. I think for an already pre existing toxic relationship, 467 00:20:42,040 --> 00:20:44,880 Speaker 8: marriage is used as a weapon to enable and further 468 00:20:45,040 --> 00:20:47,960 Speaker 8: enhance the toxic relationship married. 469 00:20:48,480 --> 00:20:52,840 Speaker 2: Yeah, it's it's the intention going into the marriage, isn't it. Yeah, 470 00:20:53,200 --> 00:20:55,440 Speaker 2: And if you've got the wrong intent, then that kind 471 00:20:55,480 --> 00:20:58,040 Speaker 2: of means that you're going to end up in a 472 00:20:58,119 --> 00:21:01,280 Speaker 2: situation that's a really good work because the intent of 473 00:21:01,440 --> 00:21:05,280 Speaker 2: marriage is a beautiful one. It's just about how It's 474 00:21:05,320 --> 00:21:08,399 Speaker 2: just about whether or not that intent is going to 475 00:21:08,520 --> 00:21:10,920 Speaker 2: work with that couple in a lot of ways, doesn't 476 00:21:10,920 --> 00:21:12,399 Speaker 2: it because it might not work. It just might not 477 00:21:12,520 --> 00:21:13,399 Speaker 2: work for some people. 478 00:21:13,480 --> 00:21:15,679 Speaker 4: Yeah, But as Brie said, I think if that if 479 00:21:15,760 --> 00:21:17,960 Speaker 4: that bad intent is already there. Marriage to one something 480 00:21:18,040 --> 00:21:19,840 Speaker 4: that just sounds like a toxic relationship. If you're the 481 00:21:19,840 --> 00:21:21,800 Speaker 4: sort of person who's going to go, oh no, you're 482 00:21:21,800 --> 00:21:23,080 Speaker 4: not going to break up with me, So I'm going 483 00:21:23,119 --> 00:21:26,600 Speaker 4: to continue that bad behavior. Yeah, whether you're married or not. Yeah, 484 00:21:26,720 --> 00:21:28,120 Speaker 4: that's just a bad relationship. 485 00:21:28,400 --> 00:21:28,600 Speaker 9: Yeah. 486 00:21:28,680 --> 00:21:30,520 Speaker 2: And can I just say, like, the other side of this, 487 00:21:30,800 --> 00:21:34,320 Speaker 2: I think is Brie were saying, you know, it depends 488 00:21:34,359 --> 00:21:36,920 Speaker 2: on depends on the couple. I seem to think that 489 00:21:37,080 --> 00:21:38,359 Speaker 2: a lot of the time, you know, we're looking at 490 00:21:38,400 --> 00:21:40,920 Speaker 2: these guys, and you know, stereotypically it is guys, but 491 00:21:40,960 --> 00:21:43,240 Speaker 2: obviously it can be girls as well. You've got this 492 00:21:43,960 --> 00:21:45,959 Speaker 2: Oh I'm going to use the marriage as a shield 493 00:21:46,119 --> 00:21:49,280 Speaker 2: for my naughty behavior stuff. But I also think that 494 00:21:49,680 --> 00:21:55,520 Speaker 2: there's also pressure beforehand for these guys or girls who 495 00:21:55,720 --> 00:21:59,800 Speaker 2: might be bad boys or bad girls to get married. 496 00:22:00,119 --> 00:22:02,520 Speaker 2: Like society says that you've been with someone for so long, 497 00:22:02,600 --> 00:22:04,880 Speaker 2: you need to get married. Maybe they don't actually want 498 00:22:04,960 --> 00:22:08,200 Speaker 2: to get married. Yeah. Yeah, And by the same token, 499 00:22:08,800 --> 00:22:10,280 Speaker 2: you've got this thing. So I was talking to Sam 500 00:22:10,320 --> 00:22:12,920 Speaker 2: about it the other day. She said to me, she 501 00:22:13,119 --> 00:22:16,040 Speaker 2: was like, I started having this thing recently about getting 502 00:22:16,040 --> 00:22:18,800 Speaker 2: married to you, where she said, you know, one of 503 00:22:18,840 --> 00:22:20,640 Speaker 2: the reasons I felt like I'm going to get married 504 00:22:20,640 --> 00:22:22,080 Speaker 2: to you is because I wanted to lock you down. 505 00:22:22,320 --> 00:22:24,480 Speaker 2: There was this fear that you know, I needed to 506 00:22:25,119 --> 00:22:26,560 Speaker 2: have this contract that was going to have you, and 507 00:22:26,680 --> 00:22:28,880 Speaker 2: she was like, all of a sudden, marriage got pushed 508 00:22:28,880 --> 00:22:32,160 Speaker 2: away even further for me because I hate that as 509 00:22:32,160 --> 00:22:35,480 Speaker 2: an intention to try and lock you down as a person, Like, 510 00:22:35,920 --> 00:22:39,200 Speaker 2: that's already a recipe for disaster. If you're marrieding someone 511 00:22:39,280 --> 00:22:41,879 Speaker 2: to stop them from being free, it's not going to 512 00:22:41,920 --> 00:22:42,760 Speaker 2: be a healthy marriage. 513 00:22:42,760 --> 00:22:44,560 Speaker 4: So did she changed that word in slowly? Just have 514 00:22:44,640 --> 00:22:46,800 Speaker 4: a teammate for the rest of your life. And I 515 00:22:46,840 --> 00:22:48,800 Speaker 4: don't even know if teammates right, but lock you down 516 00:22:48,920 --> 00:22:51,840 Speaker 4: is sad there that has connotations of oppressing someone, right, 517 00:22:52,400 --> 00:22:54,720 Speaker 4: that's right having a teammate though for the rest I 518 00:22:55,000 --> 00:22:57,120 Speaker 4: love that word. Oh I am going to get married, 519 00:22:57,160 --> 00:22:57,960 Speaker 4: but that's going to get married. 520 00:22:58,000 --> 00:23:00,760 Speaker 2: That's a different intention to locking someone down. Oh sure. 521 00:23:00,800 --> 00:23:02,320 Speaker 4: And if you're if your intention to get married is 522 00:23:02,320 --> 00:23:04,960 Speaker 4: pear pressure from others and I want to lock you down, yeah, 523 00:23:05,640 --> 00:23:09,120 Speaker 4: you're you're in a bad relationship if their intentions Again 524 00:23:09,160 --> 00:23:10,119 Speaker 4: regards to you get married or not. 525 00:23:10,280 --> 00:23:12,680 Speaker 2: Yeah, well, and on let's go to father that. Yeah, 526 00:23:12,800 --> 00:23:15,680 Speaker 2: we're on you. If we're talking about whether or not 527 00:23:15,880 --> 00:23:20,159 Speaker 2: being married enables rather than prevents, bad behavior, what do 528 00:23:20,280 --> 00:23:20,640 Speaker 2: you reckon? 529 00:23:22,000 --> 00:23:26,400 Speaker 10: I reckon it promotes kind of bad behavior. Like we've 530 00:23:26,440 --> 00:23:29,840 Speaker 10: been in situation where my husband will be he's been 531 00:23:30,280 --> 00:23:32,600 Speaker 10: recently got invited to a barbecue at one of his 532 00:23:33,160 --> 00:23:36,360 Speaker 10: friends of a friend's place. He doesn't really like the guy. 533 00:23:36,480 --> 00:23:38,879 Speaker 10: So instead of straight up saying, look, we've got to 534 00:23:38,960 --> 00:23:41,600 Speaker 10: be somewhere or we've got somewhere else, we he'll be like, oh, 535 00:23:41,720 --> 00:23:44,040 Speaker 10: souther've got by toothpaste, so I'm going to go cold 536 00:23:44,119 --> 00:23:45,560 Speaker 10: with her on Saturday. 537 00:23:46,200 --> 00:23:49,080 Speaker 12: So I get made out a little like that idiot. 538 00:23:49,480 --> 00:23:53,000 Speaker 10: So basically, yeah, I think the scapegoat sort of. 539 00:23:53,000 --> 00:23:54,640 Speaker 11: Thing happens in the marriage as well. 540 00:23:54,680 --> 00:23:56,480 Speaker 12: It's not just all serious. 541 00:23:56,640 --> 00:23:57,840 Speaker 10: I reckon they use. 542 00:23:57,800 --> 00:24:01,680 Speaker 2: Us to Oh you've got the wife, your wife is 543 00:24:01,720 --> 00:24:05,359 Speaker 2: a scapegoat. Yeah, right, I can understand that. I'm going 544 00:24:05,400 --> 00:24:07,960 Speaker 2: to be honest. You mentioned toothpaste in there somewhere, and 545 00:24:08,440 --> 00:24:10,639 Speaker 2: that didn't make any sense to me. But ye, the 546 00:24:10,720 --> 00:24:13,080 Speaker 2: scapegoat point was strong. Yeah, bit off. 547 00:24:13,000 --> 00:24:16,200 Speaker 4: Topic, but interesting point all the same far but interesting point. 548 00:24:16,920 --> 00:24:18,560 Speaker 1: It's the Will and Woody podcast. 549 00:24:19,560 --> 00:24:23,200 Speaker 3: Woods you have a very very dangerous look in your eye. 550 00:24:23,240 --> 00:24:25,800 Speaker 4: It's a landmark Dave for us, my friend, I have 551 00:24:26,000 --> 00:24:35,200 Speaker 4: made a substantial business deal. What is the one thing 552 00:24:35,480 --> 00:24:37,280 Speaker 4: this show has never had? 553 00:24:37,960 --> 00:24:38,360 Speaker 2: Class? 554 00:24:40,160 --> 00:24:45,480 Speaker 4: Yeah, probably true glimpses of class. Another thing Big Guests 555 00:24:46,160 --> 00:24:48,200 Speaker 4: has had Adam Hills in the studios. 556 00:24:53,040 --> 00:24:56,120 Speaker 2: We love you know, we're not pulling in the Keith 557 00:24:56,200 --> 00:24:57,040 Speaker 2: Urbans of the world. 558 00:24:57,320 --> 00:25:00,240 Speaker 4: We've spoken to Keith Urban before on the phone. Yeah, 559 00:25:00,600 --> 00:25:02,440 Speaker 4: we had him in person. Ama, I'm gonna stop getting 560 00:25:02,440 --> 00:25:04,760 Speaker 4: you to guess because this is just embarrassing. Now we've 561 00:25:04,880 --> 00:25:10,920 Speaker 4: never had a billboard to promote this show. 562 00:25:11,119 --> 00:25:11,320 Speaker 2: Yeah. 563 00:25:11,440 --> 00:25:13,000 Speaker 3: Now we've stamped out feet a bit. 564 00:25:13,080 --> 00:25:13,240 Speaker 10: Here. 565 00:25:13,440 --> 00:25:17,119 Speaker 2: We stamped out feet. Were organized an appointment with the 566 00:25:17,359 --> 00:25:21,359 Speaker 2: content director. He didn't show so yeah, but we are 567 00:25:22,680 --> 00:25:22,960 Speaker 2: about it. 568 00:25:23,000 --> 00:25:25,840 Speaker 4: We write an aggressive email. We said, could we please 569 00:25:25,880 --> 00:25:27,280 Speaker 4: have a billboard anyway? 570 00:25:27,480 --> 00:25:28,160 Speaker 2: Next year? Maybe? 571 00:25:28,880 --> 00:25:33,600 Speaker 4: But I took matters into my own hands. William, and 572 00:25:33,960 --> 00:25:35,760 Speaker 4: you know how I did that wedding a few weeks ago. 573 00:25:36,880 --> 00:25:37,800 Speaker 2: Uh. Yeah. 574 00:25:39,480 --> 00:25:44,120 Speaker 4: Instead of receiving money for the wedding, I have been 575 00:25:44,160 --> 00:25:51,880 Speaker 4: given my friend access to a billboard. What I've got 576 00:25:51,920 --> 00:25:56,240 Speaker 4: an actual it's a huge billboard. Here's the thing. It's 577 00:25:56,280 --> 00:26:01,480 Speaker 4: a huge billboard on a trailer. It's on a huge 578 00:26:01,600 --> 00:26:04,280 Speaker 4: billboard on a trailer, and it can be driven around. 579 00:26:05,080 --> 00:26:08,080 Speaker 3: Is it like one of those little things on the 580 00:26:08,119 --> 00:26:08,480 Speaker 3: back of the. 581 00:26:08,560 --> 00:26:10,600 Speaker 4: Mope bed, I know what you're picturing. No, it's huge. 582 00:26:11,200 --> 00:26:15,399 Speaker 4: It's honestly, it's billboard size, but just a permanent billboard, 583 00:26:15,440 --> 00:26:17,320 Speaker 4: not a permanent one. But it gets driven around and 584 00:26:17,400 --> 00:26:19,359 Speaker 4: we've got it for a full twenty four hours. 585 00:26:20,160 --> 00:26:20,360 Speaker 9: Yeah. 586 00:26:20,880 --> 00:26:22,399 Speaker 4: And then the second thing watching it to tell you 587 00:26:22,560 --> 00:26:23,120 Speaker 4: twenty four. 588 00:26:23,080 --> 00:26:25,800 Speaker 2: Hours, the second thing in two day you advertising off 589 00:26:25,840 --> 00:26:27,320 Speaker 2: the back of a truck. Where's the truck? 590 00:26:27,600 --> 00:26:30,359 Speaker 4: Well, anyway we want it to be. We're just driving around, baby, right, No, 591 00:26:30,440 --> 00:26:33,240 Speaker 4: but where's the truck What do you mean starting? I 592 00:26:33,720 --> 00:26:35,359 Speaker 4: don't know. I don't know where the truck is starting. 593 00:26:35,440 --> 00:26:36,840 Speaker 4: But we've got it for twenty four hours. 594 00:26:37,040 --> 00:26:38,760 Speaker 2: Right still? I still pretty good? 595 00:26:38,840 --> 00:26:39,399 Speaker 4: Still pretty good. 596 00:26:39,480 --> 00:26:39,520 Speaker 6: Ca. 597 00:26:39,640 --> 00:26:41,080 Speaker 2: You waved your complete wedding fee. 598 00:26:41,160 --> 00:26:41,240 Speaker 8: Ye. 599 00:26:41,960 --> 00:26:45,000 Speaker 4: Wow, it's a good deal anyway, small caveat. I couldn't 600 00:26:45,000 --> 00:26:48,800 Speaker 4: actually afford anyone to do the billboard, so I just 601 00:26:48,880 --> 00:26:50,000 Speaker 4: have a blank billboard. 602 00:26:50,720 --> 00:26:51,320 Speaker 2: But we don't. 603 00:26:51,960 --> 00:26:54,200 Speaker 4: I've got it Okay, sorry, what's questions? 604 00:26:55,320 --> 00:26:57,240 Speaker 2: Not a question? What does this satement? So we don't 605 00:26:57,280 --> 00:27:01,879 Speaker 2: have a billboard, Well, we've got it. We've got the canvas, 606 00:27:01,920 --> 00:27:04,440 Speaker 2: We've got the cavn got we haven't we haven't haven't 607 00:27:04,440 --> 00:27:07,000 Speaker 2: got a billboard. No, and what we have is a 608 00:27:07,160 --> 00:27:11,760 Speaker 2: blank space behind a truck. Let's look, let's just yep. 609 00:27:12,160 --> 00:27:13,840 Speaker 3: That's good terminology. 610 00:27:13,960 --> 00:27:16,840 Speaker 4: That's what we've got. But I'm still I've solved the 611 00:27:16,920 --> 00:27:21,160 Speaker 4: problem for blank canvas, and I have recruited, yes, designer 612 00:27:21,359 --> 00:27:26,280 Speaker 4: on board, designer, slash artist, slash poet. How you're paying, 613 00:27:26,359 --> 00:27:29,359 Speaker 4: slash retiree. They're willing to do it for free. 614 00:27:30,200 --> 00:27:34,640 Speaker 2: It's my dad, Dad. 615 00:27:37,520 --> 00:27:38,560 Speaker 4: Will, obviously will. 616 00:27:41,960 --> 00:27:43,600 Speaker 13: It seems like a good idea at the time. 617 00:27:43,680 --> 00:27:46,600 Speaker 4: Now Dad actually he's been doing a lot of art recently. 618 00:27:46,680 --> 00:27:55,440 Speaker 4: He recently painted my back fence. Did you get in 619 00:27:55,560 --> 00:27:58,760 Speaker 4: the end, You're arrested. 620 00:28:00,080 --> 00:28:00,439 Speaker 6: Dollars. 621 00:28:01,440 --> 00:28:04,560 Speaker 4: It's a bargain anyway. It's a painting of a kennel 622 00:28:05,160 --> 00:28:07,760 Speaker 4: and a big dog, isn't it do on a back fence? 623 00:28:07,960 --> 00:28:08,920 Speaker 9: Yes, yes it is. 624 00:28:10,640 --> 00:28:12,280 Speaker 4: It's one of the great works of ar in the suburb. 625 00:28:12,320 --> 00:28:14,919 Speaker 4: I'd say house prices have gone up since Dad put 626 00:28:14,960 --> 00:28:21,160 Speaker 4: that piece of art, a bit like a banks. But Dad, 627 00:28:21,880 --> 00:28:24,440 Speaker 4: you are being recruited by me to do the billboard 628 00:28:25,560 --> 00:28:28,240 Speaker 4: now that we've got have you got any ideas yet 629 00:28:28,280 --> 00:28:30,200 Speaker 4: as to what you are going to paint? Because I 630 00:28:30,320 --> 00:28:31,440 Speaker 4: throw that to you as an artist. 631 00:28:31,640 --> 00:28:34,800 Speaker 13: I don't want to worry both of you. But I've 632 00:28:34,840 --> 00:28:38,600 Speaker 13: had a like a painter's block, like a writer's block, right, 633 00:28:39,000 --> 00:28:42,400 Speaker 13: and I'm struggling to come up with a concept. But 634 00:28:42,520 --> 00:28:46,040 Speaker 13: I've still got tonight and I'm going out pizza tonight, 635 00:28:46,240 --> 00:28:48,680 Speaker 13: have a class, a few glasses of read and open. 636 00:28:49,120 --> 00:28:53,240 Speaker 13: That's where I make my most creative. And look, boys, 637 00:28:53,280 --> 00:28:54,040 Speaker 13: don't worry. 638 00:28:56,160 --> 00:28:56,360 Speaker 12: Through. 639 00:28:57,760 --> 00:29:01,000 Speaker 2: Imagine, I love this Steve, I'm not can I like? 640 00:29:01,120 --> 00:29:04,600 Speaker 2: So just a couple of things, like it's Steve is 641 00:29:04,640 --> 00:29:07,760 Speaker 2: Steve is Steve our only option. 642 00:29:08,280 --> 00:29:09,320 Speaker 4: Well he's the only one who's doing it. 643 00:29:09,360 --> 00:29:13,600 Speaker 2: Fore, yeah, I see, I see. Okay, Sorry, sorry, Steve. 644 00:29:13,640 --> 00:29:14,800 Speaker 2: I'm I'm just not saying. 645 00:29:15,360 --> 00:29:17,000 Speaker 4: I'm not saying you're doing a bad job. I did 646 00:29:17,080 --> 00:29:20,600 Speaker 4: reach out to und Oh yeah, he asked for a 647 00:29:20,640 --> 00:29:21,720 Speaker 4: lot of money. 648 00:29:22,360 --> 00:29:26,440 Speaker 2: He's a painter. And then my next thing is when 649 00:29:27,400 --> 00:29:29,600 Speaker 2: like we've only got this thing for twenty four hours, right, Yes, 650 00:29:30,240 --> 00:29:34,040 Speaker 2: when when is the twenty I imagine it's a defined period. 651 00:29:34,280 --> 00:29:36,680 Speaker 4: I mean to say, Dad, it's so this Thursday didn't 652 00:29:36,680 --> 00:29:36,800 Speaker 4: have it? 653 00:29:36,840 --> 00:29:37,000 Speaker 6: Really? 654 00:29:39,960 --> 00:29:41,120 Speaker 4: Are you freeing the next few days? 655 00:29:41,200 --> 00:29:41,360 Speaker 8: Dad? 656 00:29:42,440 --> 00:29:42,560 Speaker 2: Oh? 657 00:29:42,720 --> 00:29:43,720 Speaker 13: Well I'm retired. 658 00:29:43,840 --> 00:29:50,440 Speaker 2: So right, okay, I'm not so just to just to 659 00:29:50,640 --> 00:29:53,000 Speaker 2: again break this down. So for our only piece of 660 00:29:53,160 --> 00:29:58,240 Speaker 2: visible advertising. Ever, your dad, who's not a painter, has 661 00:29:58,400 --> 00:29:59,520 Speaker 2: two days to paint. 662 00:30:00,520 --> 00:30:02,719 Speaker 13: It doesn't sound good. 663 00:30:02,960 --> 00:30:11,640 Speaker 2: It's not promising. I'm backing your dad. My god. All right, Well, 664 00:30:12,280 --> 00:30:14,040 Speaker 2: I mean I'm gonna want to know if anybod who's 665 00:30:14,040 --> 00:30:15,600 Speaker 2: got any ideas as to how this is going to work. 666 00:30:16,000 --> 00:30:18,240 Speaker 2: If you're just joining us, I'll run it through. What's 667 00:30:18,240 --> 00:30:20,760 Speaker 2: happened here woods a marriage celebrant and look wards, I'm 668 00:30:20,760 --> 00:30:23,680 Speaker 2: grateful for this rather than taking money to do the wedding. 669 00:30:23,800 --> 00:30:26,040 Speaker 3: The guy owns a business where he makes billboards. 670 00:30:26,880 --> 00:30:30,880 Speaker 2: To give you guys a background in our advertising history, 671 00:30:32,920 --> 00:30:34,120 Speaker 2: well there is none that we have. 672 00:30:34,280 --> 00:30:36,120 Speaker 3: No, we've never had any public advertising. 673 00:30:36,240 --> 00:30:38,440 Speaker 4: We had a shelter, we had a buster bush shelter 674 00:30:38,600 --> 00:30:39,400 Speaker 4: and the back of a cab. 675 00:30:39,840 --> 00:30:43,280 Speaker 2: Huge, But our first billboard you did a deal. You're 676 00:30:43,280 --> 00:30:45,800 Speaker 2: doing a free wedding for the billboard. Massive, but he's 677 00:30:45,840 --> 00:30:47,800 Speaker 2: not putting anything on the billboard. That was an extra charge. 678 00:30:48,080 --> 00:30:53,120 Speaker 2: No cash here, So you've got your retired dad to 679 00:30:53,280 --> 00:30:58,440 Speaker 2: paint this for free. Welcome, Welcome back, Steve, welcome back. 680 00:30:58,520 --> 00:30:58,760 Speaker 9: Thanks. 681 00:30:58,800 --> 00:31:02,280 Speaker 2: Well, so I'll add to this the billboard. We have 682 00:31:02,480 --> 00:31:04,959 Speaker 2: only for twenty four hours to get towed behind a car, 683 00:31:05,080 --> 00:31:07,320 Speaker 2: and that twenty four hours begins on Thursday morning, and 684 00:31:07,520 --> 00:31:08,960 Speaker 2: Steve hasn't started it. 685 00:31:09,760 --> 00:31:11,640 Speaker 4: And he also doesn't have any idea of what he 686 00:31:12,440 --> 00:31:14,720 Speaker 4: no idea, and dak if I'm wrong, but you think 687 00:31:14,800 --> 00:31:16,760 Speaker 4: of a pizza and a couple of glasses of wine 688 00:31:16,880 --> 00:31:18,640 Speaker 4: is going to spark your creativity tonight. 689 00:31:19,640 --> 00:31:22,560 Speaker 13: It's worked before, so there's no reason why I won't 690 00:31:22,560 --> 00:31:23,360 Speaker 13: work for all. 691 00:31:23,440 --> 00:31:26,560 Speaker 2: Right, Well, look, the great news is is that people 692 00:31:26,840 --> 00:31:29,320 Speaker 2: care for our for us thankfully. So if I don't 693 00:31:29,320 --> 00:31:30,960 Speaker 2: one to six to five of us, if you guys 694 00:31:31,280 --> 00:31:34,720 Speaker 2: have any design ideas for our first billboard for Steve, 695 00:31:34,760 --> 00:31:36,360 Speaker 2: I'll keep Steve on the line so he can hear 696 00:31:36,400 --> 00:31:38,720 Speaker 2: all these. Well, we've got Adam here first. Adam, you've 697 00:31:38,760 --> 00:31:39,920 Speaker 2: got an idea for the billboard? 698 00:31:40,720 --> 00:31:41,920 Speaker 6: I have the best idea. 699 00:31:42,360 --> 00:31:42,880 Speaker 2: Got what you got? 700 00:31:42,920 --> 00:31:45,880 Speaker 6: What you got? Okay, So I'm thinking since we don't 701 00:31:45,920 --> 00:31:49,240 Speaker 6: have much time. Right, what we'll do is we'll go 702 00:31:50,280 --> 00:31:53,680 Speaker 6: will so w and w so willem will. 703 00:31:53,560 --> 00:31:58,480 Speaker 2: He yeah, and then listen on its listen. 704 00:32:00,080 --> 00:32:03,320 Speaker 6: Auto your heart content on iHeart Radio or wherever you 705 00:32:03,400 --> 00:32:04,120 Speaker 6: get your podcast. 706 00:32:04,520 --> 00:32:07,040 Speaker 2: Yeah right, so just the words there, just the words. 707 00:32:08,120 --> 00:32:08,840 Speaker 11: We don't got time. 708 00:32:08,880 --> 00:32:09,920 Speaker 6: I'll even come help paint it. 709 00:32:10,160 --> 00:32:11,840 Speaker 2: Yeah right, Okay, that's a lovely offer. 710 00:32:11,880 --> 00:32:14,360 Speaker 4: I think you're very much underselling my dad's quality as 711 00:32:14,400 --> 00:32:16,520 Speaker 4: an artist there, you know, just two letters? Dad's better 712 00:32:16,560 --> 00:32:17,200 Speaker 4: than two letters? 713 00:32:17,400 --> 00:32:20,200 Speaker 2: Steve? What do you, Steve? What do you think about that? 714 00:32:20,320 --> 00:32:22,680 Speaker 2: Are you happy with just the just the words? 715 00:32:23,400 --> 00:32:26,800 Speaker 13: I appreciate the support, but I think I'm a little 716 00:32:26,800 --> 00:32:28,719 Speaker 13: bit better than just a few letters. 717 00:32:28,760 --> 00:32:32,840 Speaker 3: So interesting, I don't but look, I. 718 00:32:35,080 --> 00:32:36,760 Speaker 2: Haven't seen a lot of your work. You don't mind 719 00:32:36,800 --> 00:32:39,360 Speaker 2: Adam's take. Let's just keep it simple, get them, I 720 00:32:39,400 --> 00:32:41,239 Speaker 2: mean what we're gonna get the message out there. 721 00:32:41,320 --> 00:32:43,400 Speaker 3: This isn't a this isn't like a piece of art. 722 00:32:43,480 --> 00:32:45,040 Speaker 2: People are going to look at this and go like, wow, 723 00:32:45,080 --> 00:32:48,240 Speaker 2: that's such an inspiring bit of artgraph Sure see whether 724 00:32:48,360 --> 00:32:49,440 Speaker 2: where they listen to us. 725 00:32:49,840 --> 00:32:51,440 Speaker 4: They should be inspired by? 726 00:32:52,360 --> 00:32:53,520 Speaker 13: How could it promote you? Guys? 727 00:32:56,120 --> 00:32:59,320 Speaker 2: This is not just a free hit for a retirement project. Mate, 728 00:32:59,360 --> 00:33:01,760 Speaker 2: this is the only billboard I've ever had, So I. 729 00:33:01,840 --> 00:33:03,840 Speaker 13: Was going to paint my Ron Barrassi, which is a 730 00:33:03,920 --> 00:33:06,840 Speaker 13: great support football. 731 00:33:08,360 --> 00:33:09,200 Speaker 4: Let's go to Craig. 732 00:33:09,560 --> 00:33:11,920 Speaker 2: This is a nightmare already. Craig got a billboard, our 733 00:33:11,960 --> 00:33:14,960 Speaker 2: first and only billboard on Thursday. We've got only two 734 00:33:15,080 --> 00:33:16,880 Speaker 2: days to paint it. What have you got for us? 735 00:33:17,720 --> 00:33:20,600 Speaker 11: Yeah, so obviously you need to take on Carl and 736 00:33:20,680 --> 00:33:22,920 Speaker 11: Jackie O what they've got up on their billboard. 737 00:33:23,160 --> 00:33:23,360 Speaker 2: Yeah. 738 00:33:23,400 --> 00:33:25,960 Speaker 11: I think the only way to beat them really is 739 00:33:26,120 --> 00:33:28,720 Speaker 11: to relate it back to what you did on the 740 00:33:28,760 --> 00:33:32,080 Speaker 11: show the other week when you were broadcasting nude. And 741 00:33:32,240 --> 00:33:35,640 Speaker 11: I think Steve should just paint you both broadcasting nude 742 00:33:35,960 --> 00:33:39,600 Speaker 11: from the bathrooms. But I'm not going to come and help, mate. 743 00:33:39,680 --> 00:33:40,920 Speaker 4: Yeah, no, I love that great. 744 00:33:42,560 --> 00:33:43,480 Speaker 13: I'm flying the house. 745 00:33:44,960 --> 00:33:46,840 Speaker 4: You're not comfortable painting your son nude. 746 00:33:48,680 --> 00:33:50,800 Speaker 2: Like that scene from the Titanic. You can both wear 747 00:33:50,880 --> 00:33:53,880 Speaker 2: some necklaces, all right, Go to Laura. These are all shocking. 748 00:33:53,920 --> 00:33:55,520 Speaker 2: By the way, we've got more suggestions. Got to Will 749 00:33:55,560 --> 00:33:58,560 Speaker 2: and Woody on our stories. Apparently you can provide a 750 00:33:58,640 --> 00:34:02,040 Speaker 2: suggestion there for us. Maybe if you're an artist yourself, 751 00:34:02,080 --> 00:34:04,280 Speaker 2: and you've got to design the e kenon hit us 752 00:34:04,360 --> 00:34:06,120 Speaker 2: up there. We've got a Laura final one though, Laura, 753 00:34:06,200 --> 00:34:08,239 Speaker 2: what you got for us for our first ever twenty 754 00:34:08,280 --> 00:34:11,400 Speaker 2: four hour test billboard? What have you got? What is 755 00:34:11,520 --> 00:34:12,120 Speaker 2: Dad's planer? 756 00:34:12,840 --> 00:34:15,640 Speaker 9: I did offer true designer, but I have been beaten 757 00:34:15,680 --> 00:34:19,080 Speaker 9: to the punch there. But you know, obviously we're notorious 758 00:34:19,200 --> 00:34:22,160 Speaker 9: for getting things wrong. So let's continue with that trend, 759 00:34:22,239 --> 00:34:25,640 Speaker 9: but also be multicultural. So why not incorporate the Great 760 00:34:25,680 --> 00:34:29,520 Speaker 9: Wall of China but incorporates both China's flag and India's 761 00:34:29,560 --> 00:34:32,520 Speaker 9: because well we're good at incorporation, aren't. 762 00:34:32,520 --> 00:34:34,840 Speaker 2: We don't mind it? Do mind it? 763 00:34:36,360 --> 00:34:36,520 Speaker 6: Well? 764 00:34:36,960 --> 00:34:38,960 Speaker 4: You shouldn't like that, Dad. It's embarrassing for us, for 765 00:34:39,040 --> 00:34:41,279 Speaker 4: those that don't know Dad, we were once as where 766 00:34:41,280 --> 00:34:43,560 Speaker 4: the Great Wall of China was, and somehow we thought 767 00:34:43,600 --> 00:34:45,720 Speaker 4: it was in India. I'm gonna lock in India. 768 00:34:46,920 --> 00:34:48,160 Speaker 13: I still haven't conceited. 769 00:34:50,480 --> 00:34:52,800 Speaker 2: You're making it worse, all right, Steve, I'm gonna leave you. 770 00:34:52,800 --> 00:34:54,760 Speaker 2: I'm gonna leave everybody else. If you've got a suggestion 771 00:34:55,520 --> 00:34:58,319 Speaker 2: for the billboard, then please get onto Will and would 772 00:34:58,360 --> 00:35:00,800 Speaker 2: he get Aloto? Our stories is it's chans to design 773 00:35:00,880 --> 00:35:04,239 Speaker 2: the billboard there apparently, and it's only going to be live. 774 00:35:04,360 --> 00:35:07,160 Speaker 2: Let me get the straight Woods twenty four hours. 775 00:35:07,080 --> 00:35:09,360 Speaker 4: On Thursday, so keep your eyes peeled on Thursday. 776 00:35:09,600 --> 00:35:11,840 Speaker 2: Somewhere on the road that will be a tuck throwing 777 00:35:12,719 --> 00:35:16,080 Speaker 2: or a truck towing I should say, a billboard. Yes, 778 00:35:16,160 --> 00:35:18,759 Speaker 2: that your dad's painted over the course of two days. 779 00:35:18,840 --> 00:35:20,440 Speaker 4: Yeah, so we'll touch base with dad over the next 780 00:35:20,480 --> 00:35:23,160 Speaker 4: couple of days. Is it, you know, puts the masterpiece together. 781 00:35:24,320 --> 00:35:28,760 Speaker 2: I'd almost prefer that people don't see this as opposed 782 00:35:28,800 --> 00:35:31,799 Speaker 2: to see it. Maybe we'll get the truck to tour 783 00:35:31,880 --> 00:35:33,720 Speaker 2: a remote part of Tasmania or something. 784 00:35:34,160 --> 00:35:35,719 Speaker 1: It's the Will and Woody Podcast. 785 00:35:35,960 --> 00:35:37,799 Speaker 2: Got a question for you guys that end one, six 786 00:35:37,880 --> 00:35:40,360 Speaker 2: or five, feel free to join the show. What's the 787 00:35:40,440 --> 00:35:45,239 Speaker 2: most embarrassing thing you've been caught doing? I realize there's 788 00:35:45,239 --> 00:35:46,879 Speaker 2: a bit of an honesty system here, but if you're 789 00:35:46,880 --> 00:35:48,440 Speaker 2: willing to put your hand up on a Monday afternoon, 790 00:35:48,760 --> 00:35:53,040 Speaker 2: greatly appreciate the phone call. Alternatively, what's the most embarrassing 791 00:35:53,160 --> 00:35:56,120 Speaker 2: thing you've caught someone else doing? 792 00:35:56,320 --> 00:35:58,920 Speaker 4: That's easier to op someone in, much easier, much easier. 793 00:35:58,960 --> 00:36:01,359 Speaker 2: Now, the reason I'm bringing this up is because we've 794 00:36:01,360 --> 00:36:04,040 Speaker 2: all heard the story about this cargo ship which has 795 00:36:04,080 --> 00:36:08,440 Speaker 2: been locked on the Suez Canal or Suez Canal, depending 796 00:36:08,480 --> 00:36:12,000 Speaker 2: on where you're coming from. And it's unfortunate for the bloke. 797 00:36:12,120 --> 00:36:14,920 Speaker 2: It's unfortunate for the bloke driving the ship, the captain 798 00:36:14,960 --> 00:36:21,239 Speaker 2: of the ship, I should say, because his tracking has 799 00:36:21,360 --> 00:36:27,120 Speaker 2: showed that prior to locking the big cargo ship in 800 00:36:27,160 --> 00:36:29,280 Speaker 2: the Sewer's canal, which is like one of the world's 801 00:36:29,960 --> 00:36:32,680 Speaker 2: greatest and most integral roots to the world of economy 802 00:36:32,719 --> 00:36:34,120 Speaker 2: in terms of logistics, is it. 803 00:36:34,120 --> 00:36:37,439 Speaker 4: Blocking thirteen percent of all products being sent around the world? 804 00:36:37,440 --> 00:36:39,719 Speaker 2: Did I read that right? Yeah, that's right, because the 805 00:36:39,840 --> 00:36:41,759 Speaker 2: canal was built so that people didn't have to go 806 00:36:41,960 --> 00:36:47,000 Speaker 2: round Africa, right, right, so it cuts through through the 807 00:36:47,120 --> 00:36:50,720 Speaker 2: northeast corner of Africa or southwest Asia. Yeah, extraordinary, amazing, 808 00:36:50,800 --> 00:36:54,239 Speaker 2: amazing feat he's blocked that whole thing. So he's blocked 809 00:36:54,280 --> 00:36:55,960 Speaker 2: the whole thing, so every ship has to go all 810 00:36:56,000 --> 00:36:57,839 Speaker 2: the way around the bottom of Africa because of this guy. 811 00:36:58,000 --> 00:37:00,360 Speaker 4: It's been stuck since like last Wednesday, a. 812 00:37:00,400 --> 00:37:02,959 Speaker 2: Really long time. And as I said before, the worst 813 00:37:03,000 --> 00:37:07,920 Speaker 2: part about this is that prior prior to locking the 814 00:37:08,000 --> 00:37:10,200 Speaker 2: ship in the middle of the canal. He's gone and 815 00:37:10,320 --> 00:37:12,120 Speaker 2: drawn a big doodle in the middle of the sea. 816 00:37:13,000 --> 00:37:18,120 Speaker 2: So isn't If you see the image on the GPS, 817 00:37:18,239 --> 00:37:22,440 Speaker 2: there's just an enormous Johnson somewhere in the Caspian z 818 00:37:22,600 --> 00:37:23,200 Speaker 2: or wherever it is. 819 00:37:23,200 --> 00:37:25,600 Speaker 4: Which must have been deliberate. Surely he's deliberately gone. 820 00:37:26,640 --> 00:37:28,759 Speaker 2: It's a Friday afternoon. He's had a couple of beers, 821 00:37:28,760 --> 00:37:32,920 Speaker 2: he's got this song in the background, and he's just 822 00:37:33,920 --> 00:37:37,680 Speaker 2: charging through the sea thinking I'm on a boat, who cares. 823 00:37:38,160 --> 00:37:39,719 Speaker 2: All of a sudden he's had to sober up, hit 824 00:37:39,760 --> 00:37:42,560 Speaker 2: the sewers canal, and then he's done the Austin powers 825 00:37:42,680 --> 00:37:44,600 Speaker 2: and just rammed one in into one side and the 826 00:37:44,640 --> 00:37:46,440 Speaker 2: other into the other side. Can't get out of there 827 00:37:46,440 --> 00:37:48,320 Speaker 2: with a three point ten. And now the whole world 828 00:37:48,719 --> 00:37:51,200 Speaker 2: has caught him doing what I think is probably the 829 00:37:51,280 --> 00:37:55,520 Speaker 2: most embarrassing thing ever for an international ship captain. 830 00:37:55,640 --> 00:37:56,360 Speaker 4: Yeah, great call, So. 831 00:37:56,320 --> 00:37:57,960 Speaker 2: I'd love to hear some more calls from you guys. 832 00:37:58,000 --> 00:38:00,200 Speaker 2: Thirdn't one to six five the most embarrassing thing you've 833 00:38:00,239 --> 00:38:02,000 Speaker 2: been caught doing. I'm happy to put my hand up 834 00:38:02,040 --> 00:38:05,440 Speaker 2: here if we need to. Certainly, nothing I'm proud of. 835 00:38:06,040 --> 00:38:08,560 Speaker 2: But when I first met my girlfriend Sam, I found 836 00:38:08,600 --> 00:38:10,720 Speaker 2: out that she used to do a bit of acting, 837 00:38:11,120 --> 00:38:15,839 Speaker 2: which's from back in the Netherlands, and I naturally when 838 00:38:15,880 --> 00:38:17,919 Speaker 2: I when I got home after our first date or whatever, 839 00:38:17,960 --> 00:38:19,480 Speaker 2: I googled her. I googled her. 840 00:38:19,560 --> 00:38:21,800 Speaker 4: It's not really a natural thing that it's a bit creepy. 841 00:38:22,480 --> 00:38:24,800 Speaker 2: Well better than being ten to fifteen weeks back in 842 00:38:24,840 --> 00:38:30,000 Speaker 2: their Instagram. You know, when you got fifteen twenty fifteen 843 00:38:30,000 --> 00:38:32,520 Speaker 2: Thailand album up, then you get yourself an issue. 844 00:38:32,320 --> 00:38:36,960 Speaker 4: And Instagram stalk is normal googling someone that's excessive. 845 00:38:37,040 --> 00:38:39,120 Speaker 3: Fends how far back you are on the Facebook, mate. 846 00:38:38,960 --> 00:38:41,440 Speaker 4: Now that's fair. It's always bad when you're still swiping, 847 00:38:41,520 --> 00:38:42,720 Speaker 4: you realize nope, I'm at the bottom. 848 00:38:42,800 --> 00:38:46,920 Speaker 2: Yeah, So anyway, I'm googling her. I've googled her to 849 00:38:46,960 --> 00:38:49,160 Speaker 2: see what her I amdbs. I find it like, I 850 00:38:49,239 --> 00:38:53,640 Speaker 2: have a look around. Yeah, And then little did I know, 851 00:38:53,719 --> 00:38:56,239 Speaker 2: as she actually came over the following night, flipped over 852 00:38:56,280 --> 00:38:58,640 Speaker 2: my computer, went to go and search something to win 853 00:38:58,680 --> 00:39:01,200 Speaker 2: an argument with you or something, typed the letter s 854 00:39:01,560 --> 00:39:06,560 Speaker 2: into my Google search, and then quickly realized that I'd 855 00:39:06,600 --> 00:39:14,399 Speaker 2: been googling her. Yeah, creepy, embarrassingly embarrassing, said, well, look, 856 00:39:14,800 --> 00:39:17,440 Speaker 2: I've laid my laid my guns down there, guys, WOULDS 857 00:39:17,480 --> 00:39:18,120 Speaker 2: I once caught you? 858 00:39:19,320 --> 00:39:20,879 Speaker 4: I was about to confess. 859 00:39:22,640 --> 00:39:25,600 Speaker 2: For him if I can. I once caught you on 860 00:39:25,760 --> 00:39:30,160 Speaker 2: your hands and knees cleaning your entire apartment floor with. 861 00:39:30,239 --> 00:39:31,360 Speaker 3: Two packets of wet wipes. 862 00:39:31,400 --> 00:39:34,400 Speaker 4: And the only reason I was news is because I 863 00:39:34,600 --> 00:39:36,800 Speaker 4: was worried about bleach getting on my clothes. 864 00:39:36,920 --> 00:39:39,960 Speaker 2: But all right, I will tell your cause what's the 865 00:39:40,000 --> 00:39:43,799 Speaker 2: most embarrassing thing you've been caught doing or that you've 866 00:39:43,880 --> 00:39:46,319 Speaker 2: caught someone else doing. We would love to know what's 867 00:39:46,320 --> 00:39:50,040 Speaker 2: the most embarrassing thing that you've been caught doing, or 868 00:39:50,080 --> 00:39:52,840 Speaker 2: certainly the most the most embarrassing thing you've got somebody 869 00:39:52,840 --> 00:39:54,560 Speaker 2: else doing. WOULDS. 870 00:39:54,560 --> 00:39:56,600 Speaker 3: You appear to have a story which I'm I'm looking 871 00:39:56,719 --> 00:39:57,080 Speaker 3: forward to. 872 00:39:57,440 --> 00:39:59,680 Speaker 4: It might be too anaughty. Actually it involves Nad's hair 873 00:39:59,760 --> 00:40:03,839 Speaker 4: and oval, but I'll tell I'll tell it after here. 874 00:40:04,840 --> 00:40:06,640 Speaker 2: Let's go to Alyssa on thirty one and six five 875 00:40:06,680 --> 00:40:08,920 Speaker 2: A list what you got for us? I? 876 00:40:09,080 --> 00:40:12,040 Speaker 9: Hey, well, we were on holidays with the family and 877 00:40:12,200 --> 00:40:15,000 Speaker 9: my mum needed to get the hair dryer out of 878 00:40:15,040 --> 00:40:16,840 Speaker 9: the bathroom and I was in the shower and I 879 00:40:16,880 --> 00:40:19,200 Speaker 9: thought it would be the perfect time to get. 880 00:40:19,080 --> 00:40:19,960 Speaker 8: Some exercise in. 881 00:40:21,560 --> 00:40:23,880 Speaker 9: She walked in on me doing squats in the shower. 882 00:40:26,280 --> 00:40:30,640 Speaker 4: Elvany is squatting in the shower, ALYSSA, what story out of. 883 00:40:32,200 --> 00:40:33,960 Speaker 10: I'd wash off the sweat as it came. 884 00:40:34,520 --> 00:40:38,600 Speaker 4: Yeah, I mean it makes sense. I always I always 885 00:40:38,680 --> 00:40:41,440 Speaker 4: think that the game sweaty in the shower is a 886 00:40:41,520 --> 00:40:43,400 Speaker 4: dangerous airy because you're trying to clean yourself and it 887 00:40:43,520 --> 00:40:44,759 Speaker 4: seems sort of like but. 888 00:40:44,800 --> 00:40:46,680 Speaker 2: It would have looked suspect though, what did you say, 889 00:40:46,680 --> 00:40:47,040 Speaker 2: a Lissa? 890 00:40:47,120 --> 00:40:47,480 Speaker 6: Were you like? 891 00:40:47,600 --> 00:40:51,120 Speaker 9: I was just well, I had my eyes closed, so I. 892 00:40:53,360 --> 00:40:55,880 Speaker 2: Was very doesn't get much better than that. And I mean, 893 00:40:55,960 --> 00:40:57,600 Speaker 2: your poor mum then has to walk out to your 894 00:40:57,640 --> 00:40:59,640 Speaker 2: dad and say, just go to Lissa squatting in the shower. 895 00:40:59,719 --> 00:41:02,560 Speaker 2: I mean, it's just it's also it's a wrong for you. Sorry, sorry, 896 00:41:02,760 --> 00:41:03,319 Speaker 2: sorry to hear that. 897 00:41:06,200 --> 00:41:06,520 Speaker 4: Tray. 898 00:41:06,920 --> 00:41:09,680 Speaker 2: Tray, you're an amazing place. You caught them doing something 899 00:41:09,719 --> 00:41:10,840 Speaker 2: embarrassing or they caught you. 900 00:41:12,360 --> 00:41:14,440 Speaker 10: Ill my girlfriends. 901 00:41:17,560 --> 00:41:18,440 Speaker 2: Doing something difficult? 902 00:41:18,520 --> 00:41:18,640 Speaker 10: Was it? 903 00:41:19,960 --> 00:41:20,120 Speaker 4: Well? 904 00:41:20,200 --> 00:41:22,719 Speaker 10: I thought, yes, you can't look. 905 00:41:24,200 --> 00:41:24,800 Speaker 2: What happened? 906 00:41:26,280 --> 00:41:28,239 Speaker 9: So he thought I left with his girlfriend for the 907 00:41:28,320 --> 00:41:31,600 Speaker 9: morning and I thought it was the bathrooms, just went 908 00:41:31,640 --> 00:41:34,400 Speaker 9: to go to the bathroom and cot him having some 909 00:41:34,560 --> 00:41:35,600 Speaker 9: fun with the crystal crean. 910 00:41:36,480 --> 00:41:41,120 Speaker 2: Oh literally or is. 911 00:41:41,120 --> 00:41:41,880 Speaker 3: That a euphimism? 912 00:41:45,000 --> 00:41:49,000 Speaker 2: Literally like an American pie sort of a moment, Yes, 913 00:41:49,400 --> 00:41:50,080 Speaker 2: exactly that. 914 00:41:52,320 --> 00:41:55,960 Speaker 4: Crazy. Did you tell the girlfriend? Did you tell the 915 00:41:56,000 --> 00:41:56,919 Speaker 4: girlfriend about the trace? 916 00:41:58,080 --> 00:41:58,440 Speaker 2: I did? 917 00:41:59,080 --> 00:42:02,520 Speaker 4: Oh, that's a bitty Would you had a break coupaple offense? 918 00:42:02,640 --> 00:42:04,680 Speaker 4: Just you know, I'm not worried. I wouldn't do anything 919 00:42:04,760 --> 00:42:06,880 Speaker 4: like that. But he's had a break upule offense. If 920 00:42:06,920 --> 00:42:10,839 Speaker 4: you got your with Krispy Kreme Dreagon, it's a break 921 00:42:10,880 --> 00:42:11,279 Speaker 4: capable of. 922 00:42:11,480 --> 00:42:12,960 Speaker 2: I don't think it's a breakup offense. 923 00:42:16,960 --> 00:42:17,560 Speaker 1: Podcast. 924 00:42:18,120 --> 00:42:23,240 Speaker 4: One of the Queen's grandson's will has been very naughty, 925 00:42:24,320 --> 00:42:26,160 Speaker 4: very very naughty. 926 00:42:26,560 --> 00:42:28,440 Speaker 2: We know that he's being kicked out of the family. 927 00:42:28,760 --> 00:42:32,880 Speaker 4: No different grandson, lesser known grandson Peter Phillips as naughty. 928 00:42:35,280 --> 00:42:39,720 Speaker 2: Peter has been sitting down and exposing the family with Oprah. 929 00:42:40,400 --> 00:42:43,200 Speaker 4: Surely not, no, I'd say this is naughty. Peter Phillips is, 930 00:42:43,280 --> 00:42:49,040 Speaker 4: by the way, no idea neither. I think his mum 931 00:42:49,160 --> 00:42:52,920 Speaker 4: is Princess Anne. Okay, I get confused with the royal family, 932 00:42:53,000 --> 00:42:55,120 Speaker 4: but he's a royal and he is a grandson of 933 00:42:55,360 --> 00:42:58,600 Speaker 4: the queen. Now here's the details on Peter Phillips. He 934 00:42:59,000 --> 00:43:02,680 Speaker 4: has been caught on a seven hundred and forty kilometer 935 00:43:02,760 --> 00:43:03,439 Speaker 4: booty call. 936 00:43:04,200 --> 00:43:04,439 Speaker 2: Wow. 937 00:43:05,360 --> 00:43:10,360 Speaker 4: He's split with his wife Autumn, and he has claimed 938 00:43:10,400 --> 00:43:13,920 Speaker 4: that he was having a business trip in Scotland. But 939 00:43:13,920 --> 00:43:18,000 Speaker 4: it turns out he was just going to see another woman, right, 940 00:43:18,120 --> 00:43:18,879 Speaker 4: which is very much. 941 00:43:18,760 --> 00:43:20,160 Speaker 2: Which might have been part of the business. I mean, 942 00:43:20,200 --> 00:43:21,200 Speaker 2: don't know what business is in. 943 00:43:22,280 --> 00:43:25,360 Speaker 4: Very true, very true, but I failed to see what 944 00:43:25,520 --> 00:43:27,480 Speaker 4: business could be going to see it. 945 00:43:27,560 --> 00:43:30,800 Speaker 2: You're a woman in you'd like to assume he's not 946 00:43:30,840 --> 00:43:32,879 Speaker 2: a male. Oh, he might be a male sex worker. 947 00:43:32,920 --> 00:43:33,239 Speaker 2: You never know. 948 00:43:33,600 --> 00:43:34,880 Speaker 4: I don't think he is, and I don't think it's 949 00:43:34,880 --> 00:43:36,759 Speaker 4: pretty important that we say that he is not a 950 00:43:36,920 --> 00:43:37,799 Speaker 4: male sex worker. 951 00:43:38,120 --> 00:43:41,640 Speaker 2: And when I was reading the story, well, Prince Andrew's son, No, 952 00:43:41,800 --> 00:43:42,320 Speaker 2: I don't. 953 00:43:42,160 --> 00:43:45,840 Speaker 4: Think he is. He's the son of Princess Ann Oh. Yeah, Anyway, 954 00:43:45,960 --> 00:43:47,279 Speaker 4: I thought it was interesting though when I was reading 955 00:43:47,320 --> 00:43:50,040 Speaker 4: the article and I read that apparently he is the 956 00:43:50,120 --> 00:43:54,160 Speaker 4: Queen's favorite grandson. Wow, so the queen actually has a 957 00:43:54,280 --> 00:43:56,839 Speaker 4: favorite And I sort of just questioned that, And when 958 00:43:56,960 --> 00:44:01,200 Speaker 4: do grandparents actually have fail favorite grandchildren. 959 00:44:02,120 --> 00:44:03,200 Speaker 2: Yeah, well, surely. 960 00:44:04,040 --> 00:44:07,960 Speaker 4: Well, we've got resident grandma Joan, who joins us on 961 00:44:08,040 --> 00:44:08,680 Speaker 4: the phone right now. 962 00:44:08,760 --> 00:44:12,839 Speaker 2: Hi Joan, Joan, Hi guys, how are you very well? 963 00:44:13,040 --> 00:44:16,400 Speaker 4: Thank you Joan. Now we're just talking about where the 964 00:44:16,520 --> 00:44:19,520 Speaker 4: grandparents have favorite grandchildren, Joan. 965 00:44:20,480 --> 00:44:22,080 Speaker 12: You got to be very careful with that. 966 00:44:23,239 --> 00:44:29,160 Speaker 9: Twenty five grandchildren twenty five, Joan, range. 967 00:44:29,200 --> 00:44:32,520 Speaker 12: They range from thirty two down to three weeks. 968 00:44:34,640 --> 00:44:36,920 Speaker 11: I have to be very very careful. 969 00:44:37,239 --> 00:44:40,040 Speaker 4: Well, we can be careful with you right now, Joan, 970 00:44:41,520 --> 00:44:45,520 Speaker 4: without naming names just yet, do you have a clear favorite? 971 00:44:47,520 --> 00:44:52,000 Speaker 4: Maybe could we coax a favorite name out of you though, Joan, 972 00:44:52,080 --> 00:44:53,880 Speaker 4: there could be an easter pack in there for you 973 00:44:53,960 --> 00:44:56,440 Speaker 4: if you can tell us a name of your favorite grandchild. 974 00:44:56,960 --> 00:44:57,520 Speaker 12: Amelia. 975 00:44:58,239 --> 00:45:02,359 Speaker 2: Amelia, Oh my god, you said it? Oh jeez, Well, 976 00:45:02,400 --> 00:45:05,840 Speaker 2: I I hate to do this to you, John, but 977 00:45:05,960 --> 00:45:09,640 Speaker 2: I've actually got your grandson Andrew on the phone right now. 978 00:45:09,760 --> 00:45:11,360 Speaker 3: Who's well, and. 979 00:45:14,600 --> 00:45:15,680 Speaker 2: John, Joan. 980 00:45:16,760 --> 00:45:19,080 Speaker 13: Yes, I thought it was your favorite. 981 00:45:20,160 --> 00:45:23,960 Speaker 11: Grandma and it's me, Andrew. 982 00:45:25,040 --> 00:45:26,000 Speaker 12: That's not Andrew. 983 00:45:31,320 --> 00:45:34,920 Speaker 2: You've got me, j Well, Johan, pig day for me, 984 00:45:35,040 --> 00:45:38,520 Speaker 2: Grandma on then, Yeah, that's right. I was gonna say 985 00:45:38,800 --> 00:45:43,440 Speaker 2: that the freaky childlike dull voice was really undone when 986 00:45:43,440 --> 00:45:47,759 Speaker 2: you started calling her Johan, which no no grandchild has 987 00:45:47,800 --> 00:45:48,520 Speaker 2: ever done, do you then? 988 00:45:48,520 --> 00:45:49,600 Speaker 4: I worked on that voice for hours. 989 00:45:49,600 --> 00:45:52,160 Speaker 12: I thought it was and I'll deal with you with 990 00:45:52,239 --> 00:45:52,879 Speaker 12: a later day. 991 00:45:55,239 --> 00:45:57,880 Speaker 2: Okay, I look forward to John. 992 00:45:58,080 --> 00:46:00,680 Speaker 9: Ever under estimate the power of a woman no. 993 00:46:03,160 --> 00:46:05,200 Speaker 2: Certainly has before. He's got changed locks to prove it. 994 00:46:06,000 --> 00:46:10,800 Speaker 2: Thanks very much for joining. Have a wonderful have a 995 00:46:10,880 --> 00:46:15,320 Speaker 2: wonderful haping and enjoy port Fairy. Thank you, thanks mate, goodbye, 996 00:46:15,520 --> 00:46:16,680 Speaker 2: pleasure as always. 997 00:46:16,640 --> 00:46:19,799 Speaker 1: See what you're hearing. Find us on Instagram and Facebook 998 00:46:19,960 --> 00:46:20,960 Speaker 1: search Will and Woody