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Speaker 1: Christ Yeah, welcome friends to the Christian O'Connell Show podcast.

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Speaker 2: I don't watch Andrew Bolts.

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Speaker 3: I had to moderate too many posts that were wildly

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Speaker 3: unrelated to clouds.

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Speaker 4: No it's not Darma, No, it's not a go again

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Speaker 4: Iron Gold.

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Speaker 5: Christian O'Connell Show, Goal one O four.

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Speaker 4: Good Morning's Christian O'Connell Show. Five minutes past six Thursday morning,

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Speaker 4: Good morning, Jackie Boy, morning guys, Good morning, Patsy, morning boys.

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Speaker 4: How is everyone and we all locked and loaded for

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Speaker 4: today's show.

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Speaker 2: Yeah, I'm excited for the Limo today.

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Speaker 4: No, sometimes it just if I miss Have I missed something?

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Speaker 4: We're not doing it. I thought you didn't have a dig.

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Speaker 2: No, I had no idea what was going.

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Speaker 4: On Joan Lima. They said it was the week. They

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Speaker 4: would have done it every day. It's lightweight. He does

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Speaker 4: three was to do a little victory laugh or rest

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Speaker 4: is it? Or bitch in there running a warm bath?

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Speaker 4: Is that what he wants? Huh?

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Speaker 3: You know what?

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Speaker 2: Though it was so good, Yes, I.

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Speaker 4: Just forget it. Rip lim A week is back tomorrow.

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Speaker 3: That's where it came from. Passes that it was so good.

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Speaker 4: No, No, don't do this. It's like we're having that

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Speaker 4: one of those meetings. Oh, David, did I tell you?

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Speaker 4: I thought, David, No, you didn't get the email the

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Speaker 4: memo this is every office everywhere, Hey looking forward? No,

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Speaker 4: we're not No, No one told them and my.

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Speaker 2: Meant to be here today. Did I miss that memo?

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Speaker 4: Once you start a show, not this. I think it

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Speaker 4: now sets a tone of chaos, And I, for one,

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Speaker 4: welcome the chaos. Like I said, we're all locked and loaded.

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Speaker 4: We're not loaded, and we're not locked. Patsy, how was

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Speaker 4: your day yesterday?

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Speaker 2: Talk about chaos yesterday? You know when you knock off

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Speaker 2: work and you just want to get home, And yesterday

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Speaker 2: was one of those rare days where the love God

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Speaker 2: wasn't working from home like it was at the office

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Speaker 2: all day, so I had the house to myself all day.

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Speaker 4: Aase, wonder how this is now, because so we sit

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Speaker 4: here at the radio stage where you know, after post COVID,

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Speaker 4: there's no sort of five days of everyone in the office,

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Speaker 4: people now choosing that they still want to sort of

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Speaker 4: mix and match weather in the office. And who can

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Speaker 4: blame them? I mean, it's such a lovely atmosphere here

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Speaker 4: at the radio station. When I hear senior management going

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Speaker 4: ruins me in five days a week like this must

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Speaker 4: be such a tough choice in that soulless place of

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Speaker 4: cubercles and water coolers, or a lovely welcoming.

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Speaker 3: Home saying that that quote that we printed off the

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Speaker 3: internet stuck on the wall isn't inspiring you to be

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Speaker 3: here every day?

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Speaker 4: It is shocking.

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Speaker 2: There wasn't even milk in the fridge this morning when

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Speaker 2: I gone in. What to do my coffee? At four am?

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Speaker 4: Who was drinking every day? That starts a foury to

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Speaker 4: jug of it? Is it huggy? No?

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Speaker 2: But there's a heap of oat milk and almond milk.

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Speaker 2: I don't drink that. I just want cowjuice. Why do

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Speaker 2: we never have cow milk in there?

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Speaker 4: Found out here cowjuice? Fire and munkasin? Where is.

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Speaker 3: Milk?

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Speaker 4: We are cowy juice? It's never there? Wait a cowg

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Speaker 4: milk sprading the mouth.

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Speaker 3: No joke. I've actually heard this exact call of Patsy

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Speaker 3: on free Go Way and complained about the new milk.

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Speaker 4: Milk.

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Speaker 2: I don't mind what other people drink, but can we

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Speaker 2: just order just one more or two more leaders of

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Speaker 2: cow milk please?

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Speaker 4: Because it's clean, more popular. I'm with you, Patsy. I

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Speaker 4: have cow juice as well.

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Speaker 2: You're right, Je, Like, if you're on arm and you

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Speaker 2: do your thing, that's fine, but can we also have

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Speaker 2: some cow juice?

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Speaker 4: Please? Hardliner, hard loner.

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Speaker 2: Anyway, yesterday, so I was looking forward to.

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Speaker 4: Going because I'm really looking forward to it.

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Speaker 3: Don't tell me there's no milk, there's no limo.

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Speaker 4: Station's going to cramp which I was working from home.

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Speaker 2: I went to drive home. I go along Olympic Boolevard

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Speaker 2: up onto Alexandra Avenue.

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Speaker 4: Oh yeah, how was it?

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Speaker 2: It was terrible because I got stopped at like, I

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Speaker 2: don't know where was it, maybe Gosh's Paddock, Like it

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Speaker 2: was just bumping a bumper. I thought there's something going on.

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Speaker 2: And then I looked up ahead and there's police cars,

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Speaker 2: got Alexander Avenue blocked off. I thought, oh, this is awful.

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Speaker 2: Something bad's happened. Turned on Neil Mitchell. He told me

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Speaker 2: what was happening. You know what was happening?

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Speaker 4: Though, I mean, you are seriously their dream listener, but

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Speaker 4: they might as well just put this that last twenty

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Speaker 4: seconds out as an advert that you wanted to know

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Speaker 4: what's going on you put on Neil Mitchell.

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Speaker 2: Well, yeah, the governor. Apparently her cavalcade was traveling through

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Speaker 2: the city and they had to block off the roads

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Speaker 2: just for the governor, which was in I don't know.

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Speaker 2: She's just the governor. She's not like the US president.

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Speaker 2: New Lady Jack Margaret Gardner was annointed to yesterday.

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Speaker 3: What is the governor?

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Speaker 4: Yeah? Great question? What do they do?

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Speaker 2: I don't know.

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Speaker 3: You never hear about the governor. You hear about you,

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Speaker 3: obviously hear about the.

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Speaker 4: Not the governess. Well, well have they not seen Barbie? No?

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Speaker 2: But don't we say instead of actress now we say actor?

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Speaker 4: Oh that the milk?

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Speaker 2: This is anyway, So I had to do a YouTube

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Speaker 2: woke milk to do a you did? I was forced

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Speaker 2: to use the tunnel, the Domain tunnel, which I wasn't

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Speaker 2: happy about because that cost me ten bucks.

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Speaker 4: What do they do at the running off the road

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Speaker 4: or soon?

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Speaker 2: But I like using the tunnel cost me ten bucks

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Speaker 2: just to get home and took me ages.

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Speaker 4: That's a bit steep. Can you not build the governor?

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Speaker 4: I feel like it.

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Speaker 5: The Christian O'Connell show podcast.

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Speaker 4: Who Sia has found out what the governor does after pats.

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Speaker 4: He was run off the road yesterday into a service

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Speaker 4: tunnel by the governor's cavalcade. Does that right, packy, yes, yes,

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Speaker 4: so now police outriders your whistle.

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Speaker 2: Yeah, the whole thing.

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Speaker 4: Well, they're not where they think. Where they go, there's

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Speaker 4: people go ahead and they stop the traffic.

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Speaker 2: Yeah, cops on motorcycles, cars, incredibles like the president was

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Speaker 2: in town.

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Speaker 3: But you never hear about the governor. That's the thing.

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Speaker 3: I've never seen the Victoria governor on TV.

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Speaker 2: Nice residents. Have you seen her house?

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Speaker 4: Where is it, Tourette?

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Speaker 2: No, it's there near the gardens, near the town there

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Speaker 2: you see the flagpole sticking out.

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Speaker 4: About to say, that's huge. You can think I'm always

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Speaker 4: trespassing around there. Sound of the oat tree.

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Speaker 2: You can do tours of it like a couple of.

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Speaker 4: You're out there having a couple of tears, some tours,

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Speaker 4: just wandering around them out my bloody garden?

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Speaker 2: Is she some sort of queen's representative? Ryo? What did

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Speaker 2: you find when you.

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Speaker 4: By the way, Just just just in case we're all

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Speaker 4: expecting to hassling entertainment, you just warmly he said, it's

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Speaker 4: not very interesting, by the way, don't want to know.

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Speaker 6: Do you want the dummies explanation or do you want.

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Speaker 4: The proper Well, look at it, you're all fancy and footloose,

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Speaker 4: aren't you. Maybe Patsy's right, we'll send you back out there.

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Speaker 4: All right, let's have the dummies one. That's what you're

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Speaker 4: talking to, the dummies.

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Speaker 6: So if ministers or the government are being naughty, like

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Speaker 6: a school principle, they can give them detention or kick

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Speaker 6: them out or dissolve the government.

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Speaker 4: So they the governor General the g G.

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Speaker 6: It's pretty much like the Governor General, but for the states. Yeah,

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Speaker 6: so if Dan Andrews suddenly like.

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Speaker 4: Doesn't do the exactly just for example, that cavalcades pulls

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Speaker 4: up and lessus Andrew's going, bloody, Daniel, what have you done?

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Speaker 7: Now?

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Speaker 4: Get down here? It's literally exactly yeah you're kidding.

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Speaker 6: Yeah, Or if ministers have been particularly naughty and they

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Speaker 6: need to be dismissed or and a new one comes

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Speaker 6: in to be appointed, then they truly hurt.

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Speaker 4: Her job is just fire fighting all day in that cavalcade.

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Speaker 6: Yes, yeah, if the fire is really really bad.

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Speaker 4: So she was going somewhere to tell someone off, or

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Speaker 4: just been somewhere those gardens.

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Speaker 2: She was born in yesterday. She's brand new. Oh really yeah,

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Speaker 2: new lady, Yeah.

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Speaker 4: New lady, the one they regenerate like doctors.

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Speaker 2: Yeah, George Republican, which I find this is really over.

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Speaker 4: We've made a big mistake not doing Limo week because

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Speaker 4: it's left a gap and nature abhores of vacuum.

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Speaker 3: It will always be feeled gods, not always by what

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Speaker 3: you want.

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Speaker 5: Christian O'Connell Show podcast.

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Speaker 4: Okay. Sometimes I think that this first early hour of

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Speaker 4: the show, it's kind of we can talk about stuff

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Speaker 4: here that remains in this early hour the show. And

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Speaker 4: I believe that there's an unwritten contract between the three

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Speaker 4: of us, and have you one listening right now, that

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Speaker 4: what goes on in this kind of secret hour stays

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Speaker 4: in this secret hour.

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Speaker 2: He's safe among friends.

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Speaker 4: Thank you. I have a situation that has fallen apart rapidly.

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Speaker 4: Were two friends of mine, Let's call them Adam and

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Speaker 4: John because that's their names. We're in a WhatsApp group together.

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Speaker 4: It is John's birthday this Saturday.

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Speaker 3: Can you remind me whenever you talk about your frien

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Speaker 3: and it's always easiest for me to remember them by

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Speaker 3: what they dressed as to your costume party.

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Speaker 4: Okay, John Lennon and George Michael Okay, brilliant, So I

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Speaker 4: can say it's John Lennon's birthday this weekend. Still going

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Speaker 4: to get very confusing. New people tune in by the

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Speaker 4: rum it's John Lennon's. It's John Lennon's birthday this weekend.

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Speaker 8: Now.

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Speaker 4: I like John Lennon, okay, and I've been a fan

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Speaker 4: for a while and I was really looking forward to

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Speaker 4: his birthday this weekend. However, obviously, with the Matilda's going

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Speaker 4: through now to the Court of Finals, we were supposed

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Speaker 4: to be going around at seven o'clock for his birthday party.

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Speaker 4: So I messaged him just to say, Hey, still looking

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Speaker 4: forward to your birthday party Matilda's game five point thirty.

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Speaker 4: Do you want us to come around a bit before

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Speaker 4: we have a few beers and watch the game before

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Speaker 4: everybody else gets there. There's no reply. I then message

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Speaker 4: you know him as George Michael, to say, listen, nothing

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Speaker 4: from John about the Matilda's game. I've just seen there's

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Speaker 4: a pub five minutes down the road from John's. He's

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Speaker 4: probably going to be busy preparing salads or whatever. Why

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Speaker 4: don't you what say you? And I mosey on there

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Speaker 4: and have a few beers, watch the Matilda's game. We

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Speaker 4: get there at half seven and everything's okay, George Michael,

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Speaker 4: this is gonna get really confusing. Tell's his wife, tells

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Speaker 4: his wife what I'm what I'm suggesting, he's broken the

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Speaker 4: man code. I don't know anything about this until this is.

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Speaker 4: My wife walks through the house coming down to see

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Speaker 4: you know, the VP.

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Speaker 3: But the hellip so you she's one of the ministers.

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Speaker 4: Chris. I've just had me on the phone straight away.

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Speaker 4: I'm like, what, Oh, no, Adam, what have you done?

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Speaker 4: You didn't say about the breakaway. The breakaway thing, it's

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Speaker 4: no big deal. And I'm stumbling with trying to get accused.

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Speaker 4: Been caught out smoking their bedroom and they're like trying

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Speaker 4: to throw out the window. I'm just trying to light

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Speaker 4: an incense stick or something's going You're seriously suggesting that

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Speaker 4: you go to the pub beforehand, have a load of

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Speaker 4: beer and rock up at someone's birthday parts. I said no, no,

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Speaker 4: I was just saying, we have a couple of beers

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Speaker 4: and watched it go. Well, now now they feel bad.

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Speaker 4: They've got to move forward the whole thing because they've

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Speaker 4: heard about it all. I'm like, this is Adam's fault.

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Speaker 4: This could have been a very nice little thing. Just

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Speaker 4: have a couple of beers watch the game. We get

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Speaker 4: there when we're all invited. Anyway, everything's okay. Now it's

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Speaker 4: all out of control. And it said, my wife said,

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Speaker 4: now you've created a situation.

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Speaker 3: Adams created the situation.

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Speaker 4: So I said, exactly, my Adam. I texted her about

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Speaker 4: going well done. Look what you've done, because when he

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Speaker 4: told me he had no choice due to the and

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Speaker 4: then block Capital's enormity of what I was suggesting.

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Speaker 3: Yours was a victimless crime.

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Speaker 4: Victimless crime.

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Speaker 3: Two people enjoying the game.

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Speaker 4: Supporting, supporting, the girls getting around the matildas the party.

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Speaker 3: Nobody there wouldn't have been a problem.

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Speaker 4: No thing's ruined. Now we're getting there at five o'clock,

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Speaker 4: so you can watch the game because they are going

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Speaker 4: because Christian wants to watch the game. That's how that's

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Speaker 4: been reported. And then my wife goes to me and

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Speaker 4: I know what you like when you're watching a game.

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Speaker 4: It's not conversational for you. No, it isn't. Because I'm

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Speaker 4: watching the game, shays you're going to still have to

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Speaker 4: talk to people. I went at halftime halftime be available

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Speaker 4: for questions.

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Speaker 5: Well, Christian, no Connells Show podcast.

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Speaker 4: Let's get into this week's Naked Hour.

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Speaker 3: Oh Christian, we've got no songs for the whole hour.

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Speaker 9: Oh nick nig nig nick nick nig, Naked Hour, Naked Hour.

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Speaker 9: Oh nig nig nig nigg, Naked Hour, Naked Hour.

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Speaker 4: All right, this week's theme on the Naked Hour from

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Speaker 4: seven tot s Morning. We're looking for your songs with

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Speaker 4: body parts body parts in the title nine four one

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Speaker 4: four one oh four three. Let's go around the team, Patsy,

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Speaker 4: what's a great one.

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Speaker 2: I'm going to start off with a bit of boot

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Speaker 2: air today. Fat Bottom Girls by Queen.

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Speaker 4: Hello a Chair, Big Songs.

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Speaker 2: When Audio was about three, I reckon it was.

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Speaker 10: I went to pick her up.

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Speaker 2: From the crash one day and they were in hysterics

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Speaker 2: because one of the cares there used to play the

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Speaker 2: piano the keyboard for the kids and they'd sing little

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Speaker 2: nursery rhymes. Anyway, they were singing along apparently, and Jess said,

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Speaker 2: who else has got a nursery rhyme? We can sing?

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Speaker 2: And Audrey goes fat bottom deal because We used to

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Speaker 2: play it in the car. It was her favorite song.

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Speaker 4: This well known nursery rhyme. Yes, this is a great song,

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Speaker 4: Jackie Boye, what are you going for?

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Speaker 3: I'll go for throw your arms around me, hunters and collectors.

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Speaker 4: Great song. Watching an episode of seasoned Silver Bear last

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Speaker 4: night and they had this song right. Really, oh my god,

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Speaker 4: it's such a great soundtrack because the show said in Chicago.

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Speaker 4: It's a lot of American bands than Chicago artists. But

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Speaker 4: it's a version I've never heard before. It's that song.

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Speaker 4: It's done by Neil Finn and Eddie Vedder. Really, oh

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Speaker 4: my god, it's so good. I was listening to it

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Speaker 4: on repeat this morning driving in. It's such a great

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Speaker 4: cover verse. You know where you you hear lyrics a

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Speaker 4: bit more when you hear a cover version of it,

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Speaker 4: because it's just I don't know, this is something different

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Speaker 4: than what you used to hearing that song. Yeah, it's

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Speaker 4: Neil Finn and Eddie Vedder. Maybe should play this on

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Speaker 4: it it's so good. But do you love this song?

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Speaker 3: When I was a teenager, my mum asked me, if

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Speaker 3: anything was to happen to her, would you play at

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Speaker 3: my funeral? Get your acoustic guitar and get up at

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Speaker 3: my funeral and play throw your arms around me hunters

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Speaker 3: and collectors, which were at the time. Yeah, Pat, I thought, oh,

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Speaker 3: that's a lovely gesture until I started practicing it and

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Speaker 3: realized the lyrics of the verses especially are quite sexual

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Speaker 3: in nature, very intimate between obviously romantic partners and not

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Speaker 3: a mother and son.

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Speaker 4: That would be a head of a sort of twist

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Speaker 4: up there, as people were like, so is he what? Wow,

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Speaker 4: wee gosh, didn't see this coming at the funeral. He's

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Speaker 4: obviously very upset. It's in a world of pain right now.

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Speaker 3: Still a beautiful song.

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Speaker 4: It's a beautiful song. But you know what is Sometimes

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Speaker 4: you're listening to a song and you just hear the

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Speaker 4: melody and then someone tells you, oh, you know what

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Speaker 4: that song's about, like semi sonic secret smile. I remember

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Speaker 4: someone saying I love that song, and I ruined it

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Speaker 4: for them just by saying, you know what he's actually

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Speaker 4: talking about there, And so sometimes you just sing along

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Speaker 4: with the melody and you've got no idea what it's

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Speaker 4: actually about. That is a great song, as is I mean,

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Speaker 4: I know we're getting excited about McCartney at the moment.

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Speaker 4: This is up there with anything that McCartney and Lennon wrote.

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Speaker 4: You talk about songs with a body partner title, I

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Speaker 4: hand you this, Shakira? Who's that with you? Where is

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Speaker 4: he now? White? Cliff Sean? Where is why? Cliff Sew?

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Speaker 4: Do you remember? He was just like a cue star

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Speaker 4: Cliff Sewn? Where is j Anyway? This is a hell

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Speaker 4: of a good.

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Speaker 11: Times done that.

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Speaker 1: This is the Christian O'Connell show podcast.

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Speaker 4: After seven o'clock. All the songs who play between seven

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Speaker 4: and eight every Thursday on the show, picked by you guys.

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Speaker 4: You call it the Naked Hour Stripple Weather the songs.

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Speaker 4: We give you the theme this week it's songs with

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Speaker 4: body parts in the title.

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Speaker 12: Paul, good morning, born in Christian, Jack and Pat swe

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Speaker 12: How are we all?

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Speaker 2: Mooney?

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Speaker 4: But good Paul and I hope you well? Have you

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Speaker 4: have in a good week? Paul? What would you love

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Speaker 4: to hear?

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Speaker 13: Legs by top good tune?

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Speaker 4: Very much? A song from a lit of an area.

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Speaker 4: Leg knows how to use them. Actually, he probably would

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Speaker 4: write a song on that now.

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Speaker 3: It could be about running or kicking.

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Speaker 4: Paul, Thank you very much. It's got an Alfree Morning Alfie,

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Speaker 4: Oh Christian, morning Elfie. And what song would you love

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Speaker 4: to hear this morning?

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Speaker 13: A bit of rockie?

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Speaker 4: I had the target. It's good, but is it shake throw?

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Speaker 4: Let's go to a killer name, Didrie.

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Speaker 14: Good morning guys. How you are doing?

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Speaker 4: We are doing very well. How's Dedre? Oh?

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Speaker 14: Super Friday? End of the working week?

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Speaker 4: First? What djur? What's your favorite day of the week?

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Speaker 4: Mon's today is Thursday?

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Speaker 14: Yeah, yep, yep? Payday today? So and then yep Friday?

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Speaker 14: Got the weekend?

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Speaker 15: Or?

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Speaker 4: Oh brilliant? And what can we play? Then? A song

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Speaker 4: with a body part in the title.

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Speaker 14: Oh, it's definitely the Beatles. I want to hold your

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Speaker 14: hands time.

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Speaker 4: And there's only one milk?

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Speaker 5: Oh?

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Speaker 4: Almost you think of all this? I did look got him? Sorry,

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Speaker 4: I couldn't hear you, No I could. I didn't realize

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Speaker 4: how long that click was. They'll only give me ten

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Speaker 4: seconds of Shakira, thirty two seconds of Macca.

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Speaker 14: Oh can't beat that?

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Speaker 4: You can't, you can't, you can't. Happy payday? Thank you

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Speaker 4: so much, and enjoy your weekend off, Didre.

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Speaker 14: And I will then the same to you too.

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Speaker 4: Thank you very much, Didre. Let's go to Adam. Now,

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Speaker 4: good morning, Adam. There you go, I'm good Adam. So

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Speaker 4: we're looking for big songs with a body part. In

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Speaker 4: the title what are you going for?

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Speaker 5: I'm bord opened by heh we.

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Speaker 4: Go Suddenly we're at the big time. This is a

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Speaker 4: hell of a tune. Creed up. Excuse me, I've just

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Speaker 4: seen one of our producers, Jack put in his thumbs down.

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Speaker 4: You know the Romans used to do. Feed him to

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Speaker 4: the lions, a man tied of creed and arms wide

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Speaker 4: open as a man tide of life. An interview. I

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Speaker 4: can't remember his name. I'm interviewed the lead singer. He's

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Speaker 4: not terrible. I can't remember his name. I remember Mick

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Speaker 4: Jacket and McCartney. I do not remember anyway. This song

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Speaker 4: he wrote, he goes. I said, this is an amazing song,

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Speaker 4: and he goes. I wrote it in fifteen minutes at

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Speaker 4: the sound check, I said, wait what? He goes. He

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Speaker 4: literally just found out that his wife was that they're

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Speaker 4: going to have their first child. So and he wrote

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Speaker 4: the song. Originally it was a she because he thought

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Speaker 4: he hadn't fully heard her that it was a boy.

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Speaker 4: So he wrote the song and she comes to hear it,

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Speaker 4: and I told you the boy and he'd written all

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Speaker 4: the leoks we are about she and it. Then he

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Speaker 4: changed it to he. And then when he had did

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Speaker 4: have daughters and sons, and they get said, Dad, you've

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Speaker 4: got daughters and sons. Now now when they still do

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Speaker 4: it live, it's they wait.

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Speaker 3: See his wife has a baby.

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Speaker 4: He says, Lissen whatever his name is, Terry. I don't

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Speaker 4: know what his name is, Gary, Gary Creed. It's on

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Speaker 4: the brother's Creed in the band Gary. I'm expecting a baby.

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Speaker 4: He's a greater. Came at the sound chair with arms

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Speaker 4: wide open. She's Gary, you're not listening to me. It's

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Speaker 4: a daughter. We're expecting a daughter and he is coming soon.

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Speaker 3: Also write the song later. I mean we have had

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Speaker 3: a bad soon.

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Speaker 4: You've only just got the phone called Gary Creed, Carl and.

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Speaker 5: Brgner and you're listening to the question of Kyl's Show podcast.

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Speaker 3: So I've got some Wycliffe Sean news if you want.

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Speaker 4: It, please please breaking coming in hot Where is my boy?

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Speaker 3: So after a music career, he confirmed rumours that he

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Speaker 3: was running for president of Hated.

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Speaker 4: Guess my Vote, but he ain't squelched a no Comworth

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Speaker 4: Games deal either he's paying for shot puts.

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Speaker 3: He did not meet the requirements that you have to

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Speaker 3: have lived in Haiti for at least five years before

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Speaker 3: election day, damn now. And he's released a new album

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Speaker 3: in the last couple of years called Why Cliffe Goes

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Speaker 3: Back to School, which does make it sound like some

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Speaker 3: sort of.

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Speaker 4: Billy all right, so today's show late on this morning,

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Speaker 4: then your stories of breaking in or breaking out, we

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Speaker 4: want to hear about that late on this morning, but

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Speaker 4: over the last couple of days. Then on Limo Week,

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Speaker 4: which will be back tomorrow, Patsye, Limmo Week is days

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Speaker 4: back tomorrow. Well, a couple of things on it so

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Speaker 4: far as who've been doing the Limo Week and just

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Speaker 4: a joy yesterday, And thank you very much to all

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Speaker 4: the amazing messages you had yesterday about the start of

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Speaker 4: yesterday's show on Limo Week, which was Irene Gold, who

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Speaker 4: technically one hundred but did not sound or did not

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Speaker 4: just that essence of somebody there was nowhere that woman's

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Speaker 4: one hundred. I think she showed us something yesterday that

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Speaker 4: maybe we need to remember. She was an incredible But

437
00:22:09,000 --> 00:22:12,879
Speaker 4: thank you very much all the lovely emails about Irene Gold, However,

438
00:22:13,280 --> 00:22:15,880
Speaker 4: on Tuesday show, when we're doing Limo week, producer Rio

439
00:22:16,040 --> 00:22:18,560
Speaker 4: went to the door to go and get in the limo.

440
00:22:19,480 --> 00:22:26,600
Speaker 4: Donna than Nonna. She had an old school doorbell, and

441
00:22:26,640 --> 00:22:30,160
Speaker 4: then the legendary She's going to go down in show folklore,

442
00:22:30,840 --> 00:22:35,640
Speaker 4: Irene Gold had this one, your classic kind of doorbell.

443
00:22:35,920 --> 00:22:37,520
Speaker 4: I'm guessing, Patsy, you've got a doorbell.

444
00:22:37,640 --> 00:22:43,919
Speaker 2: I've got a big old clunker. Yeah, it's a double doorbell,

445
00:22:44,160 --> 00:22:44,960
Speaker 2: double doorbell.

446
00:22:45,040 --> 00:22:51,040
Speaker 4: Yeah, would you operate Jackie Giant knock system.

447
00:22:51,040 --> 00:22:53,880
Speaker 3: Only knock system. And actually in our family home when

448
00:22:53,920 --> 00:22:56,520
Speaker 3: we were growing up, we had a doorbell that didn't

449
00:22:56,560 --> 00:23:00,159
Speaker 3: do anything, which would leave people sometimes on the all

450
00:23:00,200 --> 00:23:02,800
Speaker 3: step for five ten minutes because they keep pressing the

451
00:23:02,800 --> 00:23:04,040
Speaker 3: doorbell and nothing would happen.

452
00:23:04,080 --> 00:23:06,640
Speaker 4: But I think it somehow sets up for what's coming

453
00:23:06,640 --> 00:23:07,480
Speaker 4: to the side of the door.

454
00:23:09,880 --> 00:23:10,960
Speaker 3: Don't expect too much.

455
00:23:11,040 --> 00:23:13,880
Speaker 4: Yeah, why not? Just in the confusion begins. Now you're

456
00:23:14,000 --> 00:23:18,720
Speaker 4: entering chaos and confusion. Do they do Footy team theme

457
00:23:18,760 --> 00:23:21,240
Speaker 4: tune doorbells? By the way, I bet they surely they

458
00:23:21,320 --> 00:23:21,720
Speaker 4: must do.

459
00:23:22,200 --> 00:23:23,800
Speaker 3: Now the reason my head went to, I bet you

460
00:23:23,800 --> 00:23:27,919
Speaker 3: can buy it Chemist's warehouse. Worry second, every second that

461
00:23:27,960 --> 00:23:29,560
Speaker 3: you buy Chemist's Warehouse.

462
00:23:29,200 --> 00:23:31,400
Speaker 4: Emerson and a D's doorbell please.

463
00:23:31,440 --> 00:23:36,199
Speaker 3: Yeah, you can get an AFL themed one toothbrush sanitizer.

464
00:23:37,119 --> 00:23:40,040
Speaker 4: Now, rio you've been at the door of the listeners

465
00:23:40,080 --> 00:23:41,640
Speaker 4: over the last couple of days. You have some sort

466
00:23:41,680 --> 00:23:44,199
Speaker 4: of anxiety about being at doors. Yeah, they don't have

467
00:23:44,240 --> 00:23:45,359
Speaker 4: a door bell.

468
00:23:45,760 --> 00:23:49,040
Speaker 6: I hate knocking at doors because I get worried about

469
00:23:49,240 --> 00:23:52,600
Speaker 6: the rudeness, but also the forcefulness of the knock, because like,

470
00:23:53,119 --> 00:23:54,760
Speaker 6: some knocks are rude, Like if you come in with

471
00:23:54,800 --> 00:23:57,919
Speaker 6: this like, that's very.

472
00:23:57,840 --> 00:23:59,880
Speaker 4: Very it feels aggressive, doesn't it.

473
00:24:00,119 --> 00:24:01,639
Speaker 3: Yeah, let me and let me let me.

474
00:24:02,040 --> 00:24:03,760
Speaker 4: You know you're interruptly going to half and puff and

475
00:24:03,800 --> 00:24:05,800
Speaker 4: blow this house down. So what do you do? What

476
00:24:05,960 --> 00:24:09,639
Speaker 4: is your go to, more polite gentleman's knock. It's a

477
00:24:09,640 --> 00:24:10,840
Speaker 4: bit like this, it goes.

478
00:24:12,640 --> 00:24:16,240
Speaker 3: That is mine too, Guys, you don't know how cliche

479
00:24:16,320 --> 00:24:16,840
Speaker 3: that knock is.

480
00:24:16,920 --> 00:24:18,520
Speaker 4: No, no, no, no, let me just try my one. I'm

481
00:24:18,560 --> 00:24:20,320
Speaker 4: just going to move the microphone down to the desk, now,

482
00:24:20,320 --> 00:24:22,879
Speaker 4: because I'm a radio pro. Hang, if I not at

483
00:24:22,920 --> 00:24:24,480
Speaker 4: your door like this, you'd be happy to hear from me.

484
00:24:27,320 --> 00:24:28,639
Speaker 3: That's the that's the same thing.

485
00:24:28,840 --> 00:24:34,120
Speaker 4: Lded little bit more and that's me. That's me, who's there.

486
00:24:34,160 --> 00:24:34,840
Speaker 4: It's the edge.

487
00:24:35,119 --> 00:24:37,919
Speaker 3: This is everybody thinks they have a unique knock, but

488
00:24:38,000 --> 00:24:39,280
Speaker 3: it's always that same.

489
00:24:39,920 --> 00:24:42,920
Speaker 4: Then no, no, no, it's like everyone's got a signature fingerprint,

490
00:24:42,920 --> 00:24:43,679
Speaker 4: but it's very different.

491
00:24:43,760 --> 00:24:47,240
Speaker 3: No, no, it's not different. I actually think, see, if

492
00:24:47,240 --> 00:24:48,920
Speaker 3: I heard that knock at my door, I go here,

493
00:24:48,960 --> 00:24:50,000
Speaker 3: we go, I'd roll my eyes.

494
00:24:50,640 --> 00:24:52,320
Speaker 4: But that's because you know it's me and I'm there

495
00:24:52,359 --> 00:24:55,960
Speaker 4: to talk about your career on radio. It's not a knock.

496
00:24:56,119 --> 00:24:56,920
Speaker 4: It's not the knock.

497
00:24:57,400 --> 00:25:00,840
Speaker 3: I have a signature knock, and it's it's okay, it's

498
00:25:00,880 --> 00:25:03,560
Speaker 3: not as colorful as that, but I'll tell you nobody

499
00:25:03,560 --> 00:25:04,320
Speaker 3: else has this knock.

500
00:25:04,320 --> 00:25:14,040
Speaker 4: I guess it's gotten a regular rhythm and it fits.

501
00:25:14,200 --> 00:25:16,720
Speaker 4: It fits. It's got a regular rhythm. It's out of sink.

502
00:25:17,080 --> 00:25:18,640
Speaker 3: It's like jazz. It's offbeat.

503
00:25:18,760 --> 00:25:20,480
Speaker 4: And I don't want a jazz band the other side

504
00:25:20,480 --> 00:25:22,560
Speaker 4: of my door, Kenny Bourne and as jazz man. I

505
00:25:22,560 --> 00:25:23,880
Speaker 4: don't want to quartette out there.

506
00:25:24,280 --> 00:25:25,160
Speaker 3: But you guys are running.

507
00:25:25,200 --> 00:25:28,200
Speaker 4: We want the lead sing of Creede Wills wide up.

508
00:25:29,160 --> 00:25:31,600
Speaker 3: You guys have essentially got yours off the shelf. Mine

509
00:25:31,680 --> 00:25:33,720
Speaker 3: is custom made. Nobody else has got that.

510
00:25:33,960 --> 00:25:38,080
Speaker 4: Shelf but italics.

511
00:25:38,160 --> 00:25:39,760
Speaker 2: No, it's slightly aggressive.

512
00:25:40,520 --> 00:25:41,400
Speaker 4: It's not agreed.

513
00:25:41,760 --> 00:25:42,520
Speaker 2: There's a bit of an.

514
00:25:42,440 --> 00:25:43,680
Speaker 3: Aggressive someone here.

515
00:25:43,960 --> 00:25:45,119
Speaker 4: Take your time, give.

516
00:25:45,040 --> 00:25:51,480
Speaker 2: Us yours again. Yes, that's very friendly.

517
00:25:52,240 --> 00:25:55,520
Speaker 3: It's a little bit more warmth. Their brothers are and

518
00:25:55,600 --> 00:25:57,800
Speaker 3: sister of each other, yours and Christians. It's the same

519
00:25:57,880 --> 00:25:58,159
Speaker 3: thing that.

520
00:25:59,640 --> 00:26:01,840
Speaker 4: All right, let's say this acker bilk one again, jack

521
00:26:07,760 --> 00:26:10,720
Speaker 4: codes is someone trapped down a mind shot.

522
00:26:10,760 --> 00:26:12,600
Speaker 3: Exactly already You've got intrigue.

523
00:26:15,000 --> 00:26:17,040
Speaker 4: Chaos is the other side of the door. Tell I'm

524
00:26:17,040 --> 00:26:19,000
Speaker 4: doing I'm turning the TV up, louder. I ain't getting

525
00:26:19,000 --> 00:26:21,400
Speaker 4: whoever that is. I don't want to do business with them.

526
00:26:21,840 --> 00:26:23,520
Speaker 3: I can hear the TV on, so I know you.

527
00:26:25,760 --> 00:26:29,600
Speaker 4: Turn up John Wait, Christian's Jackie boy. All right, listeners,

528
00:26:29,600 --> 00:26:33,840
Speaker 4: here's what's happening next. Then show us your knockers. That's

529
00:26:33,840 --> 00:26:35,320
Speaker 4: the only thing I could think of on top of

530
00:26:35,359 --> 00:26:38,080
Speaker 4: my head. Show us your knockers. How are you knocking

531
00:26:38,359 --> 00:26:40,600
Speaker 4: at the show's front door? Why are we going to

532
00:26:40,640 --> 00:26:42,560
Speaker 4: get listeners to knock them? By the way, because we're

533
00:26:42,600 --> 00:26:43,120
Speaker 4: at work.

534
00:26:42,920 --> 00:26:46,080
Speaker 2: With the top or their dash in the card.

535
00:26:46,560 --> 00:26:50,880
Speaker 4: Dangerous about that is that the travel guy we're going

536
00:26:50,880 --> 00:26:53,920
Speaker 4: to create chaos, bang on the dashboard.

537
00:26:54,680 --> 00:26:55,960
Speaker 3: People can pull over safe.

538
00:26:56,280 --> 00:26:59,439
Speaker 4: Yeah, go to work late. Take part in Show us

539
00:26:59,440 --> 00:27:02,440
Speaker 4: Your Knockers? All right, listeners, how would you knock on

540
00:27:02,480 --> 00:27:03,480
Speaker 4: the show's front door?

541
00:27:04,000 --> 00:27:06,800
Speaker 5: The Christian O'Connell show podcast.

542
00:27:06,680 --> 00:27:08,800
Speaker 4: Show us your knockers? How do you what is your

543
00:27:08,920 --> 00:27:13,320
Speaker 4: signature knock on the door? Christian? I had a salesperson

544
00:27:13,440 --> 00:27:17,320
Speaker 4: use the friendly knock and normally don't ask the door

545
00:27:17,359 --> 00:27:19,800
Speaker 4: to a normal knock, but they tricked me, Tyson, what

546
00:27:19,920 --> 00:27:21,639
Speaker 4: is the friendly knock? And presuming it's the one that

547
00:27:21,720 --> 00:27:23,520
Speaker 4: Rio and I are doing? Which is I think the

548
00:27:23,600 --> 00:27:26,720
Speaker 4: classic accept toward I'm now gonna I'm gonna name the

549
00:27:26,800 --> 00:27:33,359
Speaker 4: gentleman's knock. I've got a sore knuckle doing these really

550
00:27:33,440 --> 00:27:35,960
Speaker 4: really sort of knuckle patsy, What do you use a

551
00:27:36,000 --> 00:27:37,280
Speaker 4: fist or your head when you knocking.

552
00:27:37,160 --> 00:27:38,520
Speaker 2: On the door a little bit violent?

553
00:27:38,680 --> 00:27:42,800
Speaker 4: Are you actually just rattening the door? She's just in

554
00:27:42,880 --> 00:27:43,280
Speaker 4: the house.

555
00:27:43,480 --> 00:27:44,560
Speaker 2: Mine's more like her.

556
00:27:45,200 --> 00:27:45,920
Speaker 4: Oh my god.

557
00:27:47,040 --> 00:27:53,000
Speaker 2: You get someone's attention, you know, business, although it depends

558
00:27:53,040 --> 00:27:55,040
Speaker 2: who I go and visit. If it's mom and dad,

559
00:27:55,119 --> 00:27:55,760
Speaker 2: it might be a.

560
00:27:59,000 --> 00:28:01,240
Speaker 4: I'm here on business. You know, those kind of knocks

561
00:28:01,760 --> 00:28:06,120
Speaker 4: if it's depends here, depends why I'm there, collect it's

562
00:28:06,119 --> 00:28:11,399
Speaker 4: a warning or well you've you're lay on payments. You

563
00:28:11,440 --> 00:28:14,560
Speaker 4: know why? That knock means the next knock is the

564
00:28:14,600 --> 00:28:20,400
Speaker 4: conference knocking, knocking out, knocking you out.

565
00:28:20,480 --> 00:28:22,280
Speaker 2: The next knock my pistol on your forhet.

566
00:28:24,760 --> 00:28:28,800
Speaker 4: She said it. She finally accepted this make another time.

567
00:28:29,160 --> 00:28:32,920
Speaker 4: That's what happens, because you don't have limbo week. Where

568
00:28:32,920 --> 00:28:36,880
Speaker 4: were we? Okay? All right, sore knuckles? All right, show

569
00:28:36,920 --> 00:28:38,320
Speaker 4: us your knockers. How do you knock on the door?

570
00:28:38,400 --> 00:28:41,040
Speaker 4: Nine four one four one o four three? Do you

571
00:28:41,200 --> 00:28:44,840
Speaker 4: use the standard gentleman's knock? Sam? Good morning?

572
00:28:45,640 --> 00:28:47,240
Speaker 15: Good morning guys. How are you doing?

573
00:28:47,400 --> 00:28:49,400
Speaker 4: I'm good Sam, you're at the show door. How are

574
00:28:49,440 --> 00:28:49,920
Speaker 4: you knocking?

575
00:28:50,720 --> 00:28:52,560
Speaker 15: I only do this, Dan, and it's three knock with

576
00:28:52,600 --> 00:28:54,000
Speaker 15: her knuckles, but not too hard.

577
00:28:54,360 --> 00:28:56,360
Speaker 4: Could you demonstrate now if it's safe and appropriate.

578
00:28:57,000 --> 00:29:00,840
Speaker 15: I can try hang on a sage please? Did you

579
00:29:00,880 --> 00:29:01,160
Speaker 15: hear that?

580
00:29:02,120 --> 00:29:02,640
Speaker 4: Once more?

581
00:29:02,720 --> 00:29:05,520
Speaker 11: I mean I mean the car, so it's hard.

582
00:29:08,440 --> 00:29:11,920
Speaker 3: So that's more of a kind of yeah, yeah, I

583
00:29:11,920 --> 00:29:14,400
Speaker 3: would call it the base level knock.

584
00:29:14,960 --> 00:29:17,120
Speaker 4: That's standards, okay, standard knock.

585
00:29:17,840 --> 00:29:19,760
Speaker 15: It also depends what part of you hand, because if

586
00:29:19,800 --> 00:29:21,800
Speaker 15: you use society of your fist, that's more of a

587
00:29:21,840 --> 00:29:22,520
Speaker 15: police knock.

588
00:29:22,680 --> 00:29:24,920
Speaker 4: Yeah, I think you're right. Oh yeah, yeah that is

589
00:29:25,360 --> 00:29:29,280
Speaker 4: that's this that's open up. It's not are you there?

590
00:29:29,360 --> 00:29:31,760
Speaker 4: Your one is more like Amazon delivery guy.

591
00:29:32,440 --> 00:29:33,120
Speaker 16: Yeah, that's it.

592
00:29:33,720 --> 00:29:36,480
Speaker 15: And that knock that you call a gentleman's knock, you

593
00:29:36,560 --> 00:29:39,080
Speaker 15: know that's that's actually called shaven a haircut?

594
00:29:40,400 --> 00:29:42,480
Speaker 4: Is it shaven a haircut?

595
00:29:42,960 --> 00:29:43,880
Speaker 15: Shaven a haircut?

596
00:29:43,960 --> 00:29:45,040
Speaker 4: Is that like a euphemism.

597
00:29:45,800 --> 00:29:48,080
Speaker 15: No, that's what it was actually called. It was back

598
00:29:48,120 --> 00:29:50,720
Speaker 15: in World War one or World War two, and it

599
00:29:50,880 --> 00:29:54,280
Speaker 15: was used for secret meetings and they you put a

600
00:29:54,320 --> 00:29:57,440
Speaker 15: song to it saying shaven haircuts two pence.

601
00:29:57,800 --> 00:29:59,840
Speaker 4: Do you know what when it's called iron gold? She

602
00:30:00,120 --> 00:30:03,000
Speaker 4: know about this? All ship work? Again? Say yes about

603
00:30:03,000 --> 00:30:04,960
Speaker 4: the moonline? Is I missed that was at work? Hey?

604
00:30:05,000 --> 00:30:09,760
Speaker 4: What is about the knock? Share? No? That is great knowledge, Sam,

605
00:30:10,400 --> 00:30:13,680
Speaker 4: I've read a lot of books. I love that The

606
00:30:13,680 --> 00:30:14,280
Speaker 4: two knocks.

607
00:30:14,520 --> 00:30:16,480
Speaker 3: So that was so allies could knock on the door

608
00:30:16,480 --> 00:30:18,360
Speaker 3: and they go, well, we know that's not rushing.

609
00:30:18,400 --> 00:30:21,040
Speaker 4: I ain't Hitler because he doesn't use that one. You

610
00:30:21,160 --> 00:30:25,680
Speaker 4: hear him goose stepping down the path. Hit don't get it.

611
00:30:25,720 --> 00:30:27,280
Speaker 4: Don't get it, don't get it, don't.

612
00:30:27,160 --> 00:30:30,200
Speaker 3: TV it's way Hitler, Yeah it is.

613
00:30:30,400 --> 00:30:35,520
Speaker 4: Yes, it's more churchill gentlemen's knock. All right, Sam, thank

614
00:30:35,560 --> 00:30:41,160
Speaker 4: you very much. That's a great cairl. Thank you. Mikayla, Hello, Bekaylie,

615
00:30:41,200 --> 00:30:42,720
Speaker 4: are you outside knocking the door?

616
00:30:43,600 --> 00:30:45,720
Speaker 15: I guess well, I'm actually in my.

617
00:30:45,680 --> 00:30:47,880
Speaker 10: Car, but this is my partner's knock.

618
00:30:48,000 --> 00:30:54,560
Speaker 15: It from the terminator goes like this, let's get that.

619
00:30:54,640 --> 00:30:56,600
Speaker 4: Let's get that bit from the movie. I forgot. He

620
00:30:56,640 --> 00:30:59,280
Speaker 4: knocks at the door. He's coming from the future, but

621
00:30:59,320 --> 00:31:02,000
Speaker 4: he respects it. It's a shape shift. He can do

622
00:31:02,040 --> 00:31:03,440
Speaker 4: what he wants, but there's a door there.

623
00:31:03,480 --> 00:31:06,680
Speaker 3: I'm not he has a futuristic knock.

624
00:31:07,920 --> 00:31:13,440
Speaker 4: Knot the future and what's yours? MICHAELA If it's safe

625
00:31:13,440 --> 00:31:15,640
Speaker 4: to do in the car, maybe bang on the car window.

626
00:31:16,280 --> 00:31:18,320
Speaker 17: Yeah, So mine's a little bit more upbeat.

627
00:31:18,520 --> 00:31:20,360
Speaker 10: It's probably a little bit happier.

628
00:31:20,440 --> 00:31:25,600
Speaker 4: It's sounds like a bird trapped or a possible so

629
00:31:25,680 --> 00:31:26,760
Speaker 4: it's stuck in an air vent.

630
00:31:28,400 --> 00:31:30,400
Speaker 17: That's a bit darker than what I thought it was

631
00:31:30,440 --> 00:31:30,760
Speaker 17: gonna be.

632
00:31:30,880 --> 00:31:31,640
Speaker 8: But that's okay.

633
00:31:31,840 --> 00:31:33,560
Speaker 4: I wouldn't call that would be actually mcanna, it's not

634
00:31:33,720 --> 00:31:35,960
Speaker 4: it's not out there with the gentleman's not sorry, the

635
00:31:36,000 --> 00:31:37,600
Speaker 4: old shaving two haircuts or to.

636
00:31:39,200 --> 00:31:39,520
Speaker 3: The door.

637
00:31:39,680 --> 00:31:43,160
Speaker 4: It's okay, thank you very much. You called my have

638
00:31:43,160 --> 00:31:50,320
Speaker 4: a good day, Noil, good morning. No, welcome to the show.

639
00:31:50,320 --> 00:31:52,200
Speaker 4: By the way, Nila. My phone system here it says no.

640
00:31:52,360 --> 00:31:57,800
Speaker 4: Then in block capitals and brackets Scottish handah would care

641
00:31:58,000 --> 00:32:03,600
Speaker 4: t n t Nile brackets Scottish No. How are you

642
00:32:03,680 --> 00:32:04,400
Speaker 4: knocking at the door?

643
00:32:05,600 --> 00:32:08,480
Speaker 12: Well, it's very similar to yours, but I miss out

644
00:32:08,520 --> 00:32:13,320
Speaker 12: the last two knocks and then I just leave.

645
00:32:13,320 --> 00:32:17,040
Speaker 4: It's a corner repeat. I love that, Nile, and then

646
00:32:17,080 --> 00:32:21,080
Speaker 4: I would be in my front It's like the kind

647
00:32:21,080 --> 00:32:24,080
Speaker 4: of I say, and you say, yours is he os

648
00:32:25,000 --> 00:32:27,920
Speaker 4: we go pray far, I'm coming.

649
00:32:29,800 --> 00:32:32,520
Speaker 12: Actually I walk as an Electressian and I've done that

650
00:32:32,560 --> 00:32:34,160
Speaker 12: back home. I went to someone's house and they had

651
00:32:34,280 --> 00:32:38,040
Speaker 12: like a frosted glass front door. I'd done that knock

652
00:32:38,240 --> 00:32:41,520
Speaker 12: and Podler came up and finished the knockoff.

653
00:32:41,720 --> 00:32:48,360
Speaker 4: Oh that is so good, Nile. Great story. Thank you

654
00:32:48,440 --> 00:32:49,640
Speaker 4: very much for giving us a call. Mate.

655
00:32:49,640 --> 00:32:52,520
Speaker 5: Have a good day, Christian Connell Show podcast.

656
00:32:53,160 --> 00:32:56,640
Speaker 4: Christian. I use a cop knock, which I consider three

657
00:32:56,920 --> 00:33:00,000
Speaker 4: louder bangs on the door. We've got the gentleman's knock,

658
00:33:00,400 --> 00:33:04,320
Speaker 4: the cop, not the shaving a haircut. So many knocks

659
00:33:04,320 --> 00:33:07,320
Speaker 4: to choose from. You're on the modern version of all this.

660
00:33:08,160 --> 00:33:09,600
Speaker 4: I do this one. You know when you put up

661
00:33:09,600 --> 00:33:11,920
Speaker 4: outside someone's hounding on a knock and disturbed and you

662
00:33:12,000 --> 00:33:15,120
Speaker 4: just send them that lay mouse text game I'm not

663
00:33:15,360 --> 00:33:19,479
Speaker 4: fine when you are no rash. And then some stupid

664
00:33:19,520 --> 00:33:22,680
Speaker 4: little emoji, you know that one with a blowing on

665
00:33:22,760 --> 00:33:26,960
Speaker 4: those things? What is that called that one?

666
00:33:27,840 --> 00:33:29,080
Speaker 2: I don't think it's a party blower.

667
00:33:29,160 --> 00:33:35,480
Speaker 4: A party blower is a cannon. Sorry we again, I'm

668
00:33:35,520 --> 00:33:41,040
Speaker 4: outside and this time there's no not I've got a Berzuka,

669
00:33:41,600 --> 00:33:44,000
Speaker 4: no more wall the party.

670
00:33:44,080 --> 00:33:46,880
Speaker 3: The party blower for I'm outside is the wrong use

671
00:33:46,880 --> 00:33:51,120
Speaker 3: of emoji. Yeah, yes, that's for that's celebrating.

672
00:33:51,280 --> 00:33:53,360
Speaker 4: But that's celebrating where we're going. What if we're going

673
00:33:53,400 --> 00:33:55,920
Speaker 4: on a wine What if we're going on a wine tour?

674
00:33:56,440 --> 00:33:58,880
Speaker 3: If you're going on a wine tour for someone's birthday, acceptable,

675
00:33:58,880 --> 00:34:00,600
Speaker 3: But if it's just hey, I'm here to pick you up.

676
00:34:00,520 --> 00:34:02,280
Speaker 4: No, because there's always a party with me in the car,

677
00:34:04,200 --> 00:34:06,160
Speaker 4: all right, So we want to hear now from the

678
00:34:06,160 --> 00:34:08,160
Speaker 4: people who don't worry about people knocking at the door,

679
00:34:08,400 --> 00:34:11,680
Speaker 4: who have doorbells a little bit more bogum, but yet

680
00:34:11,719 --> 00:34:15,120
Speaker 4: we're still here from you, Okay, Patsy's got this one

681
00:34:16,880 --> 00:34:18,880
Speaker 4: that is I mean you could be like sat haveing

682
00:34:18,920 --> 00:34:22,080
Speaker 4: a nice coffee. Patsy. Yeah, you know that meditation little

683
00:34:22,080 --> 00:34:24,240
Speaker 4: thing you've got out the back there. And then suddenly,

684
00:34:24,640 --> 00:34:28,600
Speaker 4: oh my god, enlightenment has disappeared on for.

685
00:34:28,600 --> 00:34:30,800
Speaker 2: Young and old. When the doorbell goes, why.

686
00:34:30,680 --> 00:34:32,319
Speaker 4: Do you get a nice different kind of one, like

687
00:34:32,360 --> 00:34:33,640
Speaker 4: the news intro something.

688
00:34:35,239 --> 00:34:35,920
Speaker 2: My door up?

689
00:34:37,040 --> 00:34:42,520
Speaker 4: This is the news. You are here alright. This is

690
00:34:42,560 --> 00:34:46,279
Speaker 4: from Donna than Nonna, and we picked up on Tuesday.

691
00:34:46,320 --> 00:34:53,080
Speaker 4: This is her doorbell. And the loud, aren't they these days?

692
00:34:53,080 --> 00:34:55,440
Speaker 4: There's too many alarms, isn't there in our lives? You know?

693
00:34:55,760 --> 00:34:59,160
Speaker 4: The reverse onny Car is like gets so loud when

694
00:34:59,160 --> 00:35:02,279
Speaker 4: your dish washes, the microwaves done. It's everything, so just

695
00:35:02,360 --> 00:35:03,760
Speaker 4: letting you enough done my thing.

696
00:35:04,840 --> 00:35:05,640
Speaker 5: It's about me.

697
00:35:10,200 --> 00:35:12,640
Speaker 4: And then this is your solid one. This is this

698
00:35:12,680 --> 00:35:17,520
Speaker 4: says one hundred years old. This is me actually classic doorbell.

699
00:35:17,719 --> 00:35:20,200
Speaker 4: That's classic sitcom doorbell. That comedy is the.

700
00:35:20,200 --> 00:35:21,600
Speaker 2: Other side this is bouquet.

701
00:35:22,200 --> 00:35:24,560
Speaker 4: My trousers have fallen down. I can't come out here

702
00:35:25,320 --> 00:35:25,879
Speaker 4: because here.

703
00:35:27,600 --> 00:35:31,800
Speaker 3: That's actually how I imagine Almose seventies and eighties British sitcom.

704
00:35:31,840 --> 00:35:34,840
Speaker 4: No, there was a lot of what we call business

705
00:35:35,000 --> 00:35:41,359
Speaker 4: with doors opening and closing. Waiting there, Debbie, just waiting there. No,

706
00:35:41,400 --> 00:35:45,600
Speaker 4: but I wait, I need my new weight there. Oh,

707
00:35:45,640 --> 00:35:48,280
Speaker 4: I thought i'd come around and show you my holiday

708
00:35:48,320 --> 00:35:51,120
Speaker 4: photos que to the side of someone cupboard. I'm here

709
00:35:51,160 --> 00:35:54,160
Speaker 4: for hours now. That's the business behind the door, all right,

710
00:35:54,280 --> 00:36:00,200
Speaker 4: nine four one four one oh four to three. They

711
00:36:00,280 --> 00:36:01,759
Speaker 4: let us write your doorbells.

712
00:36:02,160 --> 00:36:04,560
Speaker 5: Well, Christian know Connell's show podcast.

713
00:36:05,320 --> 00:36:08,239
Speaker 4: We're asking now to play your doorbell down the over

714
00:36:08,239 --> 00:36:11,280
Speaker 4: the phone so we can rate your doorbells on nine

715
00:36:11,440 --> 00:36:17,360
Speaker 4: four one four one four three Charlotte. Good morning, Good morning, Charlotte.

716
00:36:17,400 --> 00:36:21,080
Speaker 4: So you're getting ready to go to school? Yes, And

717
00:36:21,360 --> 00:36:24,359
Speaker 4: how's school going at the moment? Are you enjoying it? Oh?

718
00:36:24,440 --> 00:36:27,040
Speaker 8: Yeah, it's really good. So we have like a pajama

719
00:36:27,120 --> 00:36:28,960
Speaker 8: day thing, so we get to wear pajamas.

720
00:36:28,960 --> 00:36:31,200
Speaker 4: Oh that's pretty cool. Pajama day. Now, why are you doing?

721
00:36:31,280 --> 00:36:32,120
Speaker 4: Is it a charity thing?

722
00:36:32,840 --> 00:36:33,000
Speaker 17: Oh?

723
00:36:33,239 --> 00:36:37,560
Speaker 8: Yeah, we're raising money for a charity we've been bringing

724
00:36:37,760 --> 00:36:40,759
Speaker 8: through for a couple of weeks and we're wearing pajamas

725
00:36:40,760 --> 00:36:41,719
Speaker 8: like for a celebrationion.

726
00:36:42,000 --> 00:36:44,479
Speaker 4: Oh, good on you. And what is the charity? Who's it? Forward?

727
00:36:44,560 --> 00:36:46,280
Speaker 5: You know it's more.

728
00:36:46,200 --> 00:36:49,600
Speaker 8: Angler because I go when angered came school, so it's

729
00:36:49,840 --> 00:36:51,799
Speaker 8: the winter want the pure So we're bringing in like

730
00:36:52,280 --> 00:36:53,239
Speaker 8: food and.

731
00:36:53,000 --> 00:36:53,799
Speaker 15: Things like that.

732
00:36:54,480 --> 00:36:56,600
Speaker 4: Ah. Wow, that's a great thing to support. Good on you.

733
00:36:56,960 --> 00:36:59,080
Speaker 4: Now do you like your doorbell that you have at

734
00:36:59,120 --> 00:36:59,760
Speaker 4: the front of the house.

735
00:37:01,000 --> 00:37:03,160
Speaker 17: Yes, and I shar very much brilliant.

736
00:37:03,400 --> 00:37:05,000
Speaker 4: So are you okay? Then to play it to us

737
00:37:05,040 --> 00:37:14,120
Speaker 4: so we can hear it. Sounds like an amazing one. Yeah, okay, Charlotte, Yeah, yep,

738
00:37:14,239 --> 00:37:17,279
Speaker 4: sounds like something like Harry Potter might have a Hogwarts.

739
00:37:18,160 --> 00:37:21,680
Speaker 8: Yeah, it's an old fashioned one. It's a it's a twisting,

740
00:37:22,160 --> 00:37:24,200
Speaker 8: you know, if you don't press the button, you just

741
00:37:24,280 --> 00:37:24,799
Speaker 8: twist it.

742
00:37:25,200 --> 00:37:28,959
Speaker 4: Oh, I see, like a castle might have had. Yeah,

743
00:37:28,960 --> 00:37:30,760
Speaker 4: exactly the same as that.

744
00:37:31,400 --> 00:37:33,200
Speaker 3: How many doorbells are on castle doors?

745
00:37:33,440 --> 00:37:35,319
Speaker 4: Quite a few, actually, I've been to my years as

746
00:37:35,320 --> 00:37:38,919
Speaker 4: a man who knows castles very well, I must have gone, yeah,

747
00:37:39,640 --> 00:37:41,040
Speaker 4: you must have missed that. But at school maybe I

748
00:37:41,080 --> 00:37:48,919
Speaker 4: was sick that day when they saxon castles.

749
00:37:46,080 --> 00:37:47,360
Speaker 2: For online shopping.

750
00:37:47,520 --> 00:37:54,880
Speaker 4: Yeah, that's right, another delivery tribute, say one click, all right, Charlotte,

751
00:37:54,880 --> 00:37:56,720
Speaker 4: have a lovely day at school. Good luck with the charity.

752
00:37:56,800 --> 00:38:01,439
Speaker 4: Enjoy pajama day. Okay, thank you, thank you, Brie. Good morning, Brie.

753
00:38:02,400 --> 00:38:03,719
Speaker 13: Hi, Hi, are you'm good?

754
00:38:04,000 --> 00:38:06,239
Speaker 4: Okay, let's hear your doorbell now.

755
00:38:06,400 --> 00:38:09,800
Speaker 13: I don't actually, I'm actually referring to a doorbell.

756
00:38:09,920 --> 00:38:12,200
Speaker 4: I grew up with no perfect my dad.

757
00:38:12,520 --> 00:38:17,600
Speaker 13: My dad was very very technical minded, and so what

758
00:38:17,680 --> 00:38:22,320
Speaker 13: he did is he pulled the mechanics out of Tickle

759
00:38:22,440 --> 00:38:25,800
Speaker 13: me Elmo and put it as our doorbell.

760
00:38:27,120 --> 00:38:39,480
Speaker 4: So he got a hot wide tickle. Yeah, what's that.

761
00:38:39,719 --> 00:38:43,080
Speaker 4: I've got no idea especially tickle. And it was someone

762
00:38:43,239 --> 00:38:47,480
Speaker 4: random doorbell producers put up. Well, that's good, we got that.

763
00:38:47,480 --> 00:38:49,279
Speaker 4: That's not nothing to do with it, Brie. When are

764
00:38:49,280 --> 00:38:57,160
Speaker 4: we doing? Limo? We thank you very much. I told you.

765
00:38:57,719 --> 00:38:59,319
Speaker 4: Nature of all is it. Let's go to where we

766
00:38:59,360 --> 00:39:02,680
Speaker 4: go here? Mary, and good morning money.

767
00:39:03,360 --> 00:39:04,560
Speaker 16: Thanks with the morning, Christian.

768
00:39:04,680 --> 00:39:06,400
Speaker 4: Morning. Mary. There you go. You were just getting the

769
00:39:06,440 --> 00:39:07,640
Speaker 4: car and transferring me over.

770
00:39:08,320 --> 00:39:09,960
Speaker 16: No, no, no, I was on speaker. How can my

771
00:39:10,040 --> 00:39:12,840
Speaker 16: daughter get ready for school. We're too lazy to change

772
00:39:12,880 --> 00:39:15,600
Speaker 16: our doorbell. So our doorbell is this, and when he's

773
00:39:15,680 --> 00:39:17,600
Speaker 16: just gone outside, ready press, have a girl.

774
00:39:18,480 --> 00:39:29,799
Speaker 4: Press it's August. I love. Yeah. But once you cheer

775
00:39:29,840 --> 00:39:31,760
Speaker 4: it up, now don't because it gives you a Christmas

776
00:39:32,440 --> 00:39:36,200
Speaker 4: What the hell was that? That's it.

777
00:39:36,200 --> 00:39:38,040
Speaker 16: It's a bit like that when we're not used to

778
00:39:38,040 --> 00:39:39,600
Speaker 16: the doorbell ringing. So what the crap said?

779
00:39:39,640 --> 00:39:42,000
Speaker 4: Oh that's my door bell, that's our door bell. That's great.

780
00:39:42,480 --> 00:39:47,400
Speaker 4: So how long have you had that per perennial Christmas doorbell?

781
00:39:48,280 --> 00:39:48,440
Speaker 18: Oh?

782
00:39:48,480 --> 00:39:50,800
Speaker 16: Well has ages. I just didn't know how different tunes.

783
00:39:50,840 --> 00:39:52,800
Speaker 16: One day, I want to put them batteries in. I

784
00:39:52,920 --> 00:39:54,279
Speaker 16: pressed it and pressed it and I found it and

785
00:39:54,280 --> 00:39:55,320
Speaker 16: I said just leave.

786
00:39:55,160 --> 00:39:58,919
Speaker 4: It like that. Mary Anne, that's a great one. Thank

787
00:39:58,960 --> 00:40:00,520
Speaker 4: you very much. Five out of for that one.

788
00:40:01,760 --> 00:40:02,240
Speaker 16: Bye.

789
00:40:03,040 --> 00:40:06,520
Speaker 1: This is the Christian O'Connell show podcast.

790
00:40:07,160 --> 00:40:09,120
Speaker 4: All right, So for the next half an hour on

791
00:40:09,160 --> 00:40:11,239
Speaker 4: the show, then we're looking for your stories when in

792
00:40:11,280 --> 00:40:14,120
Speaker 4: life you've been reduced to either trying to break in

793
00:40:14,480 --> 00:40:16,880
Speaker 4: or break out. This happened to you, Jackie boydther night

794
00:40:17,200 --> 00:40:19,880
Speaker 4: on a on a date night, which is a treat

795
00:40:20,120 --> 00:40:22,840
Speaker 4: when your wide eye, bleary eyed new parents.

796
00:40:23,360 --> 00:40:27,440
Speaker 3: Yes, we were out to dinner, and in trying to

797
00:40:27,440 --> 00:40:29,440
Speaker 3: be efficient with my night, I said, let's go to

798
00:40:29,480 --> 00:40:32,360
Speaker 3: dinner next door to the chemist, because I also have

799
00:40:32,440 --> 00:40:37,040
Speaker 3: to pick up an iron supplement after dinner, and then

800
00:40:37,080 --> 00:40:39,040
Speaker 3: we will kill two birds with one stone. So we

801
00:40:39,080 --> 00:40:41,320
Speaker 3: went to the past the Place next door to Chemist's warehouse.

802
00:40:41,520 --> 00:40:44,239
Speaker 3: But as we were finishing dinner, I realized I left

803
00:40:44,239 --> 00:40:45,640
Speaker 3: the doctor's note that said.

804
00:40:45,480 --> 00:40:47,160
Speaker 4: It was a part of chemist's warehouse. Is I know,

805
00:40:47,200 --> 00:40:51,120
Speaker 4: I know they're always into expansion. You get your pails

806
00:40:51,160 --> 00:40:52,439
Speaker 4: and you go and chuck it down with a mola

807
00:40:52,480 --> 00:40:54,120
Speaker 4: pasta for the old time, as you know, so we

808
00:40:54,160 --> 00:40:55,400
Speaker 4: have with food.

809
00:40:56,200 --> 00:40:59,279
Speaker 3: We I had a specific note from the doctor and

810
00:40:59,280 --> 00:41:01,279
Speaker 3: he said when he was pointing, as I get this

811
00:41:01,480 --> 00:41:03,480
Speaker 3: specific iron tablet. So I didn't want to just get

812
00:41:03,480 --> 00:41:05,239
Speaker 3: any old supplement. I had to get the one he

813
00:41:05,280 --> 00:41:08,360
Speaker 3: wrote down. So Bianca said to me, I'll read. I

814
00:41:08,360 --> 00:41:10,439
Speaker 3: will stay here at the past the Place, read my book.

815
00:41:10,560 --> 00:41:12,520
Speaker 3: You drive home, get the slip of paper, come back

816
00:41:12,560 --> 00:41:14,640
Speaker 3: to the chemist. I'll meet you here. But when I

817
00:41:14,680 --> 00:41:17,160
Speaker 3: got back to the house, I realized that she had

818
00:41:17,160 --> 00:41:19,560
Speaker 3: the keys and that I was locked out of the house.

819
00:41:20,040 --> 00:41:22,400
Speaker 3: So then I should have just gone back, but because

820
00:41:22,400 --> 00:41:24,719
Speaker 3: I was trying to save time, I went around the

821
00:41:24,760 --> 00:41:26,440
Speaker 3: back of the house and.

822
00:41:26,680 --> 00:41:28,919
Speaker 4: Try to be honest. You're an ideas guy.

823
00:41:29,760 --> 00:41:31,520
Speaker 3: Yes, there's always a better way to do things.

824
00:41:31,560 --> 00:41:35,200
Speaker 4: I didn't say that. I said there's always an idea. Okay,

825
00:41:35,239 --> 00:41:37,719
Speaker 4: that's agree with that. There's always an idea coming from me.

826
00:41:37,719 --> 00:41:39,280
Speaker 4: She's your solutions focused.

827
00:41:39,680 --> 00:41:41,719
Speaker 3: Well, the idea was to shake the back door and

828
00:41:41,760 --> 00:41:43,759
Speaker 3: it wouldn't open. Then the next idea was.

829
00:41:43,800 --> 00:41:46,160
Speaker 4: That was the idea, Like I said, there's always just

830
00:41:46,239 --> 00:41:49,359
Speaker 4: shake it and puff and I'll blow your door down.

831
00:41:50,760 --> 00:41:53,200
Speaker 3: So then the idea was to drag and eski over

832
00:41:53,239 --> 00:41:55,919
Speaker 3: to the window and look through the kitchen window where

833
00:41:55,920 --> 00:41:58,160
Speaker 3: I could see the piece of paper that I needed

834
00:41:58,200 --> 00:42:03,640
Speaker 3: to read on the kitchen bed. Great eyes hawk, Well

835
00:42:03,640 --> 00:42:07,600
Speaker 3: that's the thing. I couldn't make out the words. I

836
00:42:07,640 --> 00:42:09,759
Speaker 3: was trying to take a photo of you on.

837
00:42:09,719 --> 00:42:12,560
Speaker 4: The eye test right, this makes sense? Stand on this eski,

838
00:42:12,760 --> 00:42:16,200
Speaker 4: peer through that window. What's the prescription? How many mgs?

839
00:42:17,480 --> 00:42:19,239
Speaker 3: So I tried to. I thought, if I zoom in

840
00:42:19,280 --> 00:42:21,360
Speaker 3: on my phone, I'll be able to see what the

841
00:42:21,400 --> 00:42:25,919
Speaker 3: writing says. So zoom in to nine times zoom, which

842
00:42:25,920 --> 00:42:28,000
Speaker 3: is is the maximum you can do on an iPhone?

843
00:42:28,000 --> 00:42:29,560
Speaker 4: I didn't even went to nine times.

844
00:42:30,920 --> 00:42:32,440
Speaker 3: Then I took a photo, and then I tried to

845
00:42:32,520 --> 00:42:34,960
Speaker 3: zoom in on the photo. But I've shown you the photo.

846
00:42:35,480 --> 00:42:37,960
Speaker 4: Sounds like a very poor man's Eathon Hunt here.

847
00:42:38,560 --> 00:42:42,040
Speaker 3: Yes, zoom in enhance enhanced, but there is no enhancing

848
00:42:42,080 --> 00:42:45,319
Speaker 3: to be done, because I just couldn't read it. So

849
00:42:47,560 --> 00:42:49,920
Speaker 3: after shaking, shaking the front door, shaking the back door,

850
00:42:49,920 --> 00:42:51,600
Speaker 3: I just had to go and give up on the

851
00:42:51,920 --> 00:42:52,719
Speaker 3: iron tablets.

852
00:42:52,920 --> 00:42:55,080
Speaker 4: All right, So we're looking for your stories of breaking

853
00:42:55,160 --> 00:42:57,760
Speaker 4: in or breaking out, Cayl Brighter.

854
00:42:57,840 --> 00:43:01,920
Speaker 5: Now you're listening to the question, know Kyl's past breaking in?

855
00:43:02,719 --> 00:43:07,000
Speaker 4: Oh well, you're breaking out many years ago? Single man

856
00:43:07,040 --> 00:43:10,600
Speaker 4: living in London, pokey, tiny little flat, you could barely

857
00:43:10,640 --> 00:43:12,440
Speaker 4: call it that. I don't know sure if it's even

858
00:43:12,520 --> 00:43:14,840
Speaker 4: legal now to have a human being paying money to

859
00:43:14,880 --> 00:43:19,480
Speaker 4: stay in such accommodation. AnyWho. I lived on the upstairs

860
00:43:19,520 --> 00:43:21,920
Speaker 4: of this flat. There was a strange man beneath me

861
00:43:22,480 --> 00:43:25,120
Speaker 4: and his door and my door sort of in this

862
00:43:25,160 --> 00:43:27,759
Speaker 4: little kind of anti chamber. Then there was another front door.

863
00:43:27,840 --> 00:43:30,120
Speaker 4: It was a dodgy part of London, so it was

864
00:43:30,120 --> 00:43:33,800
Speaker 4: a heavily deadlock to get into our place, get indoors,

865
00:43:33,920 --> 00:43:36,880
Speaker 4: and then go into our separate doors to our flats.

866
00:43:37,280 --> 00:43:41,520
Speaker 4: One morning, I'm rushing out terrible hangover, suddenly realized he's

867
00:43:41,560 --> 00:43:43,960
Speaker 4: locked the front door. I've shut my flat door behind me.

868
00:43:44,080 --> 00:43:46,879
Speaker 4: I don't have the keys to unlock the front door

869
00:43:46,960 --> 00:43:50,640
Speaker 4: to get out and go to work, And so I

870
00:43:50,600 --> 00:43:54,399
Speaker 4: still remember, but wait, there's a spared door key under

871
00:43:54,400 --> 00:43:56,319
Speaker 4: a brick. There was under a brick or something. Aren't

872
00:43:56,360 --> 00:44:00,799
Speaker 4: they like we think these burglars just be like, oh,

873
00:44:00,800 --> 00:44:03,160
Speaker 4: a burglar. I've got no idea what to do if

874
00:44:03,200 --> 00:44:06,280
Speaker 4: you can't break in under bricks. So I was reduced

875
00:44:06,320 --> 00:44:10,279
Speaker 4: to kneeling owning up my letterbox trying to get the

876
00:44:10,320 --> 00:44:14,120
Speaker 4: attention of passers by during rush hour are like aa

877
00:44:14,160 --> 00:44:18,640
Speaker 4: and going hello. If you're in London, you don't talk

878
00:44:18,680 --> 00:44:21,759
Speaker 4: to strangers. You sure still don't engage a man in

879
00:44:21,800 --> 00:44:26,720
Speaker 4: the door trying to persuade you to get his talkie

880
00:44:27,000 --> 00:44:30,160
Speaker 4: from under a brick and come into his house. But

881
00:44:30,360 --> 00:44:33,960
Speaker 4: us I was hello, Hi, yeah, yeah, yes, it's me

882
00:44:34,040 --> 00:44:38,880
Speaker 4: at number seventy two. I can't get out. There's a

883
00:44:38,920 --> 00:44:42,320
Speaker 4: spead door key. Buy the bricks just too much my left. No,

884
00:44:42,440 --> 00:44:45,600
Speaker 4: you're do You're right? Please don't walk on. I need

885
00:44:45,600 --> 00:44:46,200
Speaker 4: to go to work.

886
00:44:46,200 --> 00:44:47,480
Speaker 15: A horrible boss.

887
00:44:47,719 --> 00:44:51,040
Speaker 4: Twenty minutes until some poor person agreed to try and

888
00:44:51,080 --> 00:44:54,640
Speaker 4: find this ski whilst everybody else went that's not ten

889
00:44:54,920 --> 00:44:57,480
Speaker 4: Bundy used to do. I'm not doing that all right.

890
00:44:57,520 --> 00:44:59,960
Speaker 4: So were you're breaking in or breaking out? Angela?

891
00:45:00,120 --> 00:45:02,600
Speaker 17: Good morning, Good morning, Christian, how are you?

892
00:45:02,719 --> 00:45:05,160
Speaker 4: I'm good, Angela, Welcome to the show. So in around.

893
00:45:05,160 --> 00:45:09,920
Speaker 17: Thank you trying to break in. I'm a real estate agent,

894
00:45:10,280 --> 00:45:11,960
Speaker 17: and I know you're.

895
00:45:11,800 --> 00:45:13,880
Speaker 4: Just put a closer sale, but you can't stop breaking

896
00:45:13,880 --> 00:45:18,479
Speaker 4: into our homes. We're selling this place. Now's the time, No, no,

897
00:45:18,480 --> 00:45:18,759
Speaker 4: no no.

898
00:45:20,760 --> 00:45:24,080
Speaker 17: I had to show a purchaser to do their final inspection,

899
00:45:24,960 --> 00:45:28,759
Speaker 17: and of course the ben door hadn't given me all

900
00:45:28,800 --> 00:45:31,799
Speaker 17: the keys and they had locked the door, so I

901
00:45:31,800 --> 00:45:34,640
Speaker 17: couldn't take the purchaser through to do their final inspection.

902
00:45:34,800 --> 00:45:37,279
Speaker 17: So I'm just looking at them and they're saying, well,

903
00:45:37,360 --> 00:45:41,239
Speaker 17: I need to go in, So I thought, well, how

904
00:45:41,280 --> 00:45:47,879
Speaker 17: am I going to get in? There was a doggie door, yeah,

905
00:45:47,960 --> 00:45:55,440
Speaker 17: not especially high heels skirt. I had to crawl through

906
00:45:55,480 --> 00:46:00,520
Speaker 17: the ups and show them the house.

907
00:46:03,600 --> 00:46:11,560
Speaker 4: It sounds like a terrible euphemism. I'm not buying, gotcha?

908
00:46:11,960 --> 00:46:13,120
Speaker 4: And did you close the deal?

909
00:46:14,239 --> 00:46:14,839
Speaker 10: Absolutely?

910
00:46:14,880 --> 00:46:21,040
Speaker 4: Wow? Employee of the month. Would you show someone your

911
00:46:21,040 --> 00:46:23,240
Speaker 4: house to get a deal. That's the big question, guys.

912
00:46:24,160 --> 00:46:26,799
Speaker 4: Anga that And are you still practicing now?

913
00:46:27,600 --> 00:46:28,200
Speaker 17: Absolutely?

914
00:46:29,320 --> 00:46:30,560
Speaker 4: Yeah? And what who do you work for?

915
00:46:31,640 --> 00:46:32,680
Speaker 17: I worked from old John.

916
00:46:33,160 --> 00:46:35,360
Speaker 4: Yeah, he's lucky to have you, lucky to have you.

917
00:46:36,520 --> 00:46:38,520
Speaker 4: I'm gonna be honest if I'm trying to buy a

918
00:46:38,560 --> 00:46:40,520
Speaker 4: house and there's a lady going no, no, it's le jit,

919
00:46:40,640 --> 00:46:43,000
Speaker 4: I just don't go through and going I'm not sure

920
00:46:43,080 --> 00:46:49,000
Speaker 4: you actually.

921
00:46:46,400 --> 00:46:47,800
Speaker 3: Quickly there before we come home.

922
00:46:48,080 --> 00:46:50,560
Speaker 4: Burglars everywhere, thinking this is a great idea. Yeah, yeah,

923
00:46:50,560 --> 00:46:53,920
Speaker 4: this based up for sale. You just transfer the money

924
00:46:54,200 --> 00:46:56,480
Speaker 4: into this account. And I just kicked this door in

925
00:46:56,640 --> 00:47:01,520
Speaker 4: and he doesn't give me all the keys. Has there

926
00:47:01,640 --> 00:47:04,279
Speaker 4: been on any current affair? Has there been ony bot

927
00:47:04,360 --> 00:47:05,640
Speaker 4: house that wasn't up for sale?

928
00:47:07,960 --> 00:47:09,360
Speaker 17: No, none of that.

929
00:47:10,280 --> 00:47:12,760
Speaker 4: Angela. Thank you very much for your call. That really, really,

930
00:47:12,840 --> 00:47:13,840
Speaker 4: really really was.

931
00:47:14,239 --> 00:47:15,200
Speaker 3: It was a great call.

932
00:47:15,400 --> 00:47:18,759
Speaker 4: Wait, that was a great, great call, so great in touch.

933
00:47:19,840 --> 00:47:23,600
Speaker 4: You are Corner of the Week, Instant Corner of the Week.

934
00:47:24,880 --> 00:47:27,960
Speaker 4: A commission checker one thousand dollars and we didn't need

935
00:47:28,000 --> 00:47:31,880
Speaker 4: to see you. Home is on its way to you.

936
00:47:32,640 --> 00:47:34,719
Speaker 3: You just need to squeeze through the doctor of the

937
00:47:34,800 --> 00:47:35,440
Speaker 3: radio station.

938
00:47:37,440 --> 00:47:40,480
Speaker 4: Oh my god, to what he just said. Oh the

939
00:47:40,560 --> 00:47:43,920
Speaker 4: news that you won one thousand dollars for our corner

940
00:47:44,000 --> 00:47:44,520
Speaker 4: all the week.

941
00:47:46,280 --> 00:47:46,759
Speaker 17: Thanks you.

942
00:47:46,840 --> 00:47:49,080
Speaker 4: That's a great story. You told it so well, Angela.

943
00:47:49,120 --> 00:47:51,200
Speaker 4: Thank you very much. We love the stories on the show.

944
00:47:51,480 --> 00:47:54,280
Speaker 4: That's a great one. One thousand dollars is yours. Enjoy Angela.

945
00:47:54,920 --> 00:47:57,400
Speaker 17: I will thank you, Christian, thank you. Thank you guys.

946
00:47:57,520 --> 00:47:59,239
Speaker 4: And if you really want to sell your house, get

947
00:47:59,280 --> 00:48:02,960
Speaker 4: the best person is Angela at mel Jones Cornel of

948
00:48:03,000 --> 00:48:06,400
Speaker 4: the Week Instant Call the Week There from Mercedes Benz Berrick.

949
00:48:06,440 --> 00:48:08,920
Speaker 4: Mercedes Benz Berrick. It's the place to trade in for

950
00:48:09,120 --> 00:48:13,080
Speaker 4: a big kertching. There'd be any trading price by three

951
00:48:13,080 --> 00:48:14,399
Speaker 4: thousand dollars or more.

952
00:48:14,440 --> 00:48:18,439
Speaker 5: Give them a go the Christian O'Connell show podcast.

953
00:48:18,440 --> 00:48:22,960
Speaker 4: Your stories of breaking in or where you're breaking out.

954
00:48:23,000 --> 00:48:25,919
Speaker 4: This text message has just come into me. My name

955
00:48:26,000 --> 00:48:30,200
Speaker 4: is Will and I'm ten. Okay, Huggyn, I'm following for

956
00:48:30,239 --> 00:48:34,839
Speaker 4: that one again. All right, So let's go to Dave here.

957
00:48:34,880 --> 00:48:38,120
Speaker 4: Good morning, Dave Morven Gods here we go. We're good, Dave.

958
00:48:38,120 --> 00:48:40,239
Speaker 4: All right, well you're breaking in or where you're breaking out? Dave.

959
00:48:40,719 --> 00:48:42,880
Speaker 4: I had to break in, mate, Okay, what happened?

960
00:48:43,560 --> 00:48:45,879
Speaker 18: Yeah, well I was about sixteen, mate, not either habit

961
00:48:45,960 --> 00:48:49,000
Speaker 18: of losing keys, and I'll live with the old man

962
00:48:49,040 --> 00:48:51,879
Speaker 18: who was a shipworker. And not know whether you've worked

963
00:48:51,880 --> 00:48:53,799
Speaker 18: with shipworkers, mate, but you don't wake them up.

964
00:48:54,600 --> 00:48:57,239
Speaker 4: Golden roll, golden roll. Johnny used to work on the

965
00:48:57,280 --> 00:49:00,480
Speaker 4: docks the other line. Don't wake him up, yeah mate.

966
00:49:00,520 --> 00:49:03,480
Speaker 18: Yeah, so I've gotten home late and I've forgotten my keys. Well,

967
00:49:03,480 --> 00:49:05,160
Speaker 18: I had only one option, mate, and that was to

968
00:49:05,200 --> 00:49:12,400
Speaker 18: go through the roof. Was a chronic slorer, Yeah, so

969
00:49:12,440 --> 00:49:14,759
Speaker 18: I could actually hear him snoring while I was on

970
00:49:14,800 --> 00:49:18,000
Speaker 18: the roof. So every time he snored, I slipped the tile.

971
00:49:19,280 --> 00:49:21,239
Speaker 4: So you had to time it with the outbreath.

972
00:49:21,840 --> 00:49:25,080
Speaker 18: So I signed it with at the time with every breath,

973
00:49:25,360 --> 00:49:28,439
Speaker 18: I'm in through the roof, get through the man whole,

974
00:49:28,600 --> 00:49:31,000
Speaker 18: into the laundry, and then stepped into the house.

975
00:49:31,840 --> 00:49:36,640
Speaker 4: This is incredible. Oh, Dave, that's a great story, a great,

976
00:49:36,800 --> 00:49:39,480
Speaker 4: great story. Day. Thank you very much to give us

977
00:49:39,520 --> 00:49:40,120
Speaker 4: a call, mate.

978
00:49:40,560 --> 00:49:41,680
Speaker 18: Thanks guys, love the show.

979
00:49:41,760 --> 00:49:43,320
Speaker 4: Thank you very much. Dave kill a story.

980
00:49:43,760 --> 00:49:46,239
Speaker 3: I went through the roof. What's actually did you try

981
00:49:46,320 --> 00:49:49,279
Speaker 3: to remember? Yes? Mate, we were doing a renovation at

982
00:49:49,320 --> 00:49:51,359
Speaker 3: our family home when I was a kid, and we

983
00:49:51,400 --> 00:49:54,080
Speaker 3: got locked out of the house. And all I really

984
00:49:54,120 --> 00:49:56,319
Speaker 3: remember is my dad and me on the roof, and

985
00:49:56,400 --> 00:49:59,239
Speaker 3: my dad tied me to a rope and lowered me,

986
00:49:59,680 --> 00:50:01,000
Speaker 3: took the tiles off the roof.

987
00:50:01,400 --> 00:50:02,879
Speaker 4: No, this isn't happen in real life.

988
00:50:03,280 --> 00:50:04,399
Speaker 3: This in life.

989
00:50:04,400 --> 00:50:06,800
Speaker 4: You know, you're taking too many OSIGN tablets.

990
00:50:06,440 --> 00:50:10,560
Speaker 3: Have you? So he took the roof tiles off, but

991
00:50:10,600 --> 00:50:12,719
Speaker 3: there was no ceiling because we were doing the renovation,

992
00:50:13,160 --> 00:50:15,440
Speaker 3: and he tied me to a rope and lowered me

993
00:50:15,840 --> 00:50:17,880
Speaker 3: into the house so that I could open the front door.

994
00:50:18,000 --> 00:50:20,360
Speaker 3: What there is? Yeah, there's some true I'm going to

995
00:50:20,440 --> 00:50:21,440
Speaker 3: text him now for the Yeah.

996
00:50:21,480 --> 00:50:23,279
Speaker 4: Yeah, we got to have the full story chat. That

997
00:50:23,520 --> 00:50:27,880
Speaker 4: is insane. This is incredible. All right, let's go to

998
00:50:28,440 --> 00:50:32,680
Speaker 4: Laura here. Hi, good morning, Welcome to the show. So

999
00:50:32,920 --> 00:50:34,719
Speaker 4: breaking in or breaking out? Which was it?

1000
00:50:35,680 --> 00:50:35,839
Speaker 11: Hi?

1001
00:50:36,000 --> 00:50:40,640
Speaker 10: Yeah, and I'm like, mom, I'm ringing regarding my elderly mother.

1002
00:50:41,280 --> 00:50:43,719
Speaker 10: My lately was a care home.

1003
00:50:43,800 --> 00:50:47,760
Speaker 4: There was a wrong number. Hello, Yes, your corn is important.

1004
00:50:47,800 --> 00:50:48,080
Speaker 17: To us.

1005
00:50:48,120 --> 00:50:50,640
Speaker 4: Hello, you're in a queuing system. Yes I can.

1006
00:50:50,760 --> 00:50:50,960
Speaker 11: Yes.

1007
00:50:53,440 --> 00:50:55,960
Speaker 4: Were you breaking in with your elderly mother? Was she

1008
00:50:56,000 --> 00:50:57,280
Speaker 4: breaking in or breaking out?

1009
00:50:57,560 --> 00:51:01,520
Speaker 10: She was breaking out, okay, and she was far singing

1010
00:51:01,760 --> 00:51:04,520
Speaker 10: in the aisles of a shop in glen Roy Shopping Center.

1011
00:51:05,200 --> 00:51:09,439
Speaker 10: And when the shopping assistant left, the shop locked up.

1012
00:51:09,719 --> 00:51:11,480
Speaker 10: Had a sign on the door. My mom couldn't say

1013
00:51:11,480 --> 00:51:14,120
Speaker 10: the couldn't say the sign on the door, so she

1014
00:51:14,200 --> 00:51:17,560
Speaker 10: picked up a stool and smashed the front door.

1015
00:51:18,040 --> 00:51:18,480
Speaker 5: To get out.

1016
00:51:19,080 --> 00:51:26,520
Speaker 4: Crazy old timer and in there two seconds. Imagine just

1017
00:51:26,640 --> 00:51:29,320
Speaker 4: innocently going about your duties at the glen Roy Shopping Center,

1018
00:51:29,480 --> 00:51:31,480
Speaker 4: an old time just launches a stool through.

1019
00:51:33,719 --> 00:51:35,600
Speaker 10: Oh yeah, the toys ended up there too.

1020
00:51:39,040 --> 00:51:42,120
Speaker 4: Laurie, thank you very much, your Cobo, thank you. He's

1021
00:51:42,120 --> 00:51:46,160
Speaker 4: an incredible Mandy, good morning, Good morning. Now, Mandy, what's

1022
00:51:46,200 --> 00:51:49,319
Speaker 4: your story? My producer Caitlin just came bouncing the studio going,

1023
00:51:49,719 --> 00:51:52,160
Speaker 4: Mandy's story is amazing.

1024
00:51:54,280 --> 00:51:58,120
Speaker 11: Well, I was a break in. I spake a police

1025
00:51:58,160 --> 00:52:01,359
Speaker 11: officer and an alarm was going off at a at

1026
00:52:01,400 --> 00:52:04,680
Speaker 11: an animal hospital, and this particular hospital had.

1027
00:52:05,160 --> 00:52:09,279
Speaker 4: The animals are breaking out. A couple of cavos on

1028
00:52:09,320 --> 00:52:10,720
Speaker 4: the loose.

1029
00:52:11,480 --> 00:52:13,440
Speaker 11: And if if an alarm went off, it meant that

1030
00:52:13,440 --> 00:52:17,320
Speaker 11: there was an offender inside. So my partner and I very.

1031
00:52:17,200 --> 00:52:18,120
Speaker 4: High the high walls.

1032
00:52:18,120 --> 00:52:19,719
Speaker 11: We had to jump on pump front on top of

1033
00:52:19,719 --> 00:52:21,600
Speaker 11: the police car to jump over to get in. We

1034
00:52:21,680 --> 00:52:23,799
Speaker 11: landed in. We were turned out it was a dog

1035
00:52:23,840 --> 00:52:26,520
Speaker 11: who yard, so we landed in dog pow And then

1036
00:52:26,560 --> 00:52:29,280
Speaker 11: when we finally got into the building, we were casting

1037
00:52:29,360 --> 00:52:32,080
Speaker 11: this defender around. We're getting told where this offender was,

1038
00:52:32,520 --> 00:52:35,000
Speaker 11: and we were chasing them around trying to find where

1039
00:52:35,040 --> 00:52:37,760
Speaker 11: this decender was. And then we got radio and realized

1040
00:52:37,800 --> 00:52:39,879
Speaker 11: that we were actually sending the alarm off and we're

1041
00:52:39,920 --> 00:52:42,120
Speaker 11: chasing ourselves there.

1042
00:52:43,680 --> 00:52:46,919
Speaker 4: It's a petty hill call out. That is that why

1043
00:52:46,960 --> 00:52:52,760
Speaker 4: you used to work for? That was your last big takedown?

1044
00:52:53,239 --> 00:52:55,440
Speaker 11: No, I know, I did another. I did another twenty

1045
00:52:55,440 --> 00:52:56,600
Speaker 11: five years, so that's okay.

1046
00:52:56,880 --> 00:52:59,840
Speaker 4: Oh wow, thank you for what a story.

1047
00:52:59,680 --> 00:53:03,120
Speaker 11: So the actual alarm went off to begin with, was

1048
00:53:03,120 --> 00:53:05,000
Speaker 11: it a bird got out of its cage? So set

1049
00:53:05,000 --> 00:53:07,360
Speaker 11: these senses off. So that's why we got called in

1050
00:53:07,440 --> 00:53:08,120
Speaker 11: the birthplace.

1051
00:53:08,200 --> 00:53:11,759
Speaker 4: It's a heavily guarded animal hospital, isn't it It is?

1052
00:53:11,840 --> 00:53:13,960
Speaker 11: It was very good. But anyway, that was that's a

1053
00:53:14,000 --> 00:53:16,200
Speaker 11: story that ma'am. I'm still friends with that partner that

1054
00:53:16,239 --> 00:53:19,120
Speaker 11: I was with him. Every time we every time we speak,

1055
00:53:19,160 --> 00:53:20,279
Speaker 11: we bring it up and laugh.

1056
00:53:20,360 --> 00:53:22,279
Speaker 4: Ye, it's a killer story. Thank you very much for

1057
00:53:22,320 --> 00:53:23,560
Speaker 4: sharing that, Mandy, have a good day.

1058
00:53:24,080 --> 00:53:25,960
Speaker 11: Thank you by well.

1059
00:53:26,040 --> 00:53:28,839
Speaker 5: Christian Connell's show podcast.

1060
00:53:28,760 --> 00:53:30,640
Speaker 3: Do we have time for this story of the guy's

1061
00:53:30,640 --> 00:53:32,440
Speaker 3: house was sold without his knowledge?

1062
00:53:32,480 --> 00:53:33,000
Speaker 4: We got time.

1063
00:53:33,280 --> 00:53:37,240
Speaker 3: We got talking to the part of the real estate agent.

1064
00:53:37,960 --> 00:53:40,080
Speaker 4: I'm getting cross across, signety. What about the news.

1065
00:53:40,160 --> 00:53:44,200
Speaker 2: Well it's eight thirty two and nine seconds, all right,

1066
00:53:44,239 --> 00:53:48,080
Speaker 2: save it for tomorrow. Hey, I'm not driving this bus.

1067
00:53:48,480 --> 00:53:49,920
Speaker 2: Christian's driving this bus.

1068
00:53:50,280 --> 00:53:51,160
Speaker 4: Carry on with the storage.

1069
00:53:52,360 --> 00:53:54,680
Speaker 3: Reverend Mike Hall had been in North Wales when he

1070
00:53:54,719 --> 00:53:57,000
Speaker 3: received a phone call from his neighbors in London, talenting

1071
00:53:57,080 --> 00:53:59,919
Speaker 3: him that somebody was in his house. When he went back,

1072
00:54:00,280 --> 00:54:02,000
Speaker 3: he knocked on the front door. He said, I tried

1073
00:54:02,000 --> 00:54:03,799
Speaker 3: my key in the front door, it didn't work, and

1074
00:54:03,840 --> 00:54:06,040
Speaker 3: a man opened the front door for me. I pushed

1075
00:54:06,120 --> 00:54:08,120
Speaker 3: him to one side and saw the house had completely

1076
00:54:08,120 --> 00:54:11,960
Speaker 3: been stripped of furniture, all furnishing, carpets, curtains, everything was

1077
00:54:12,000 --> 00:54:16,840
Speaker 3: out of the property. Police said that how the criminals

1078
00:54:16,840 --> 00:54:19,279
Speaker 3: had sold his house is a duplicate driving license and

1079
00:54:19,360 --> 00:54:22,480
Speaker 3: bank accounts set up in mister Hall's name. He said

1080
00:54:22,520 --> 00:54:24,719
Speaker 3: that the land registry document showed that the new buyer

1081
00:54:24,960 --> 00:54:28,080
Speaker 3: was the registered owner of the home, meaning that legally

1082
00:54:28,239 --> 00:54:31,279
Speaker 3: they do own the property. And then he said, at

1083
00:54:31,280 --> 00:54:34,120
Speaker 3: this point the police said, well, there's nothing further we

1084
00:54:34,160 --> 00:54:34,839
Speaker 3: can do here.

1085
00:54:35,360 --> 00:54:40,200
Speaker 4: What we need to call Angela back? She's a master criminal,

1086
00:54:40,400 --> 00:54:42,920
Speaker 4: not Mercedes. Ben's barrack called of the week. They do

1087
00:54:43,080 --> 00:54:46,719
Speaker 4: not to be affiliated with master criminals selling houses that

1088
00:54:46,760 --> 00:54:49,800
Speaker 4: aren't there's to sell. All right, let's go to Sendy.

1089
00:54:49,840 --> 00:54:53,000
Speaker 4: Good morning Sindy, Good morning Christian. How are you going

1090
00:54:53,120 --> 00:54:56,919
Speaker 4: take your time with this one? What's oh, Sindy, what's

1091
00:54:56,920 --> 00:54:59,000
Speaker 4: your story for us? Were you breaking and or breaking out?

1092
00:55:00,000 --> 00:55:03,279
Speaker 19: Looking in and breaking out? Actually, we're in Bali on

1093
00:55:03,480 --> 00:55:07,480
Speaker 19: holiday and my sister and I heard that we were teenagers.

1094
00:55:07,520 --> 00:55:10,480
Speaker 19: We heard some cloud music, so we thought we'd follow

1095
00:55:10,520 --> 00:55:13,279
Speaker 19: the sound of it to see if we could have

1096
00:55:13,320 --> 00:55:17,480
Speaker 19: a bit of a party. And we were jumping fences

1097
00:55:17,520 --> 00:55:22,080
Speaker 19: and walking streets to try and track down where the

1098
00:55:22,080 --> 00:55:25,640
Speaker 19: beats were coming from. And one of the fences we

1099
00:55:25,760 --> 00:55:28,959
Speaker 19: jumped as soon as we hit the ground, floodlights came

1100
00:55:29,040 --> 00:55:33,040
Speaker 19: on and alarms went off, and we had accidentally broken

1101
00:55:33,080 --> 00:55:35,440
Speaker 19: into a Balinese police compound.

1102
00:55:35,760 --> 00:55:37,640
Speaker 4: And that's where those beats were coming from.

1103
00:55:38,640 --> 00:55:43,440
Speaker 19: We well, we basically jump the fence, cut our hands

1104
00:55:43,480 --> 00:55:45,840
Speaker 19: because there were glasses at the top of the fence,

1105
00:55:46,000 --> 00:55:48,440
Speaker 19: ended up in the nightclub next door.

1106
00:55:48,960 --> 00:55:50,799
Speaker 10: We rocked up like drownd right.

1107
00:55:55,840 --> 00:55:58,479
Speaker 19: And they rejected us. So we had to break into

1108
00:55:58,520 --> 00:55:59,839
Speaker 19: the nightclub and.

1109
00:55:59,840 --> 00:56:00,600
Speaker 11: We we got in there.

1110
00:56:00,640 --> 00:56:04,280
Speaker 19: There was two people in there, so it's not very while.

1111
00:56:04,719 --> 00:56:06,200
Speaker 4: No no, no, that's only I try and break back

1112
00:56:06,200 --> 00:56:06,880
Speaker 4: out the nightclub.

1113
00:56:07,320 --> 00:56:09,520
Speaker 5: The Christian O'Connell Show podcast.

1114
00:56:10,120 --> 00:56:17,960
Speaker 4: Today's Time Waster a wild safety awareness day. We're asking

1115
00:56:18,000 --> 00:56:25,000
Speaker 4: you to make a movie Safer put you sirea. It

1116
00:56:25,000 --> 00:56:29,240
Speaker 4: has given me some facts. Three every day safety tips

1117
00:56:29,280 --> 00:56:34,080
Speaker 4: from yesterday we heard from Clown Weekly. Today we go

1118
00:56:34,160 --> 00:56:40,920
Speaker 4: to Family Health and Safety Magazine. These are three everyday

1119
00:56:40,960 --> 00:56:43,720
Speaker 4: safety tips. When you sit down to go to the toilet,

1120
00:56:44,360 --> 00:56:48,480
Speaker 4: make sure you have at least one foot removed completely

1121
00:56:48,520 --> 00:56:51,800
Speaker 4: from your pants so you can get up and fight

1122
00:56:52,440 --> 00:56:56,160
Speaker 4: if attacked. If you are at a risk that you

1123
00:56:56,239 --> 00:56:58,520
Speaker 4: need to have a strategy of going to toilet, you're

1124
00:56:58,560 --> 00:57:03,160
Speaker 4: in the wrong place and the wrong tour every day,

1125
00:57:03,440 --> 00:57:06,080
Speaker 4: every day, guys, every day, whenever I sit down and

1126
00:57:06,480 --> 00:57:08,880
Speaker 4: come see worry that some foe is coming in to

1127
00:57:08,920 --> 00:57:11,400
Speaker 4: get me. Today is going to be the day sheer

1128
00:57:11,440 --> 00:57:13,840
Speaker 4: Girl's coming for me, and I will be ready with

1129
00:57:13,880 --> 00:57:23,120
Speaker 4: the roundhouse. But before that, and number two, if you

1130
00:57:23,200 --> 00:57:27,480
Speaker 4: are choking, do not be embarrassed. How many of our

1131
00:57:27,520 --> 00:57:29,680
Speaker 4: loved ones are not here today because they choke to

1132
00:57:29,720 --> 00:57:33,040
Speaker 4: death with embarrassment. Many people walk away from the table

1133
00:57:33,080 --> 00:57:36,040
Speaker 4: instead of asking guests for help. Listen, if you're choking,

1134
00:57:36,040 --> 00:57:38,480
Speaker 4: you're going blue, You're you're trying to get help. This

1135
00:57:38,600 --> 00:57:40,240
Speaker 4: is the real This is the real one, though, this

1136
00:57:40,320 --> 00:57:42,120
Speaker 4: is the one we think. Yeah, this is me every day.

1137
00:57:42,800 --> 00:57:48,080
Speaker 4: If the forest suddenly falls silent, you heard me. If

1138
00:57:48,080 --> 00:57:56,400
Speaker 4: the forest suddenly full silent, stop listen. More often than not,

1139
00:57:57,560 --> 00:58:02,520
Speaker 4: it means hello, apet predator is near. What about from

1140
00:58:02,600 --> 00:58:05,439
Speaker 4: in the toilet again? That aprix predator has now got

1141
00:58:05,440 --> 00:58:06,800
Speaker 4: me in the duney.

1142
00:58:07,320 --> 00:58:10,480
Speaker 3: That's why I always take your pants when you're walking

1143
00:58:10,480 --> 00:58:11,160
Speaker 3: through the forest.

1144
00:58:11,800 --> 00:58:18,160
Speaker 4: That's my excuse. Anyway, Well, thank you Family Health and

1145
00:58:18,160 --> 00:58:23,640
Speaker 4: Safety Magazine. I say all right today, then we're asking

1146
00:58:23,680 --> 00:58:28,200
Speaker 4: you to make a movie safer safer movies, safer movies.

1147
00:58:28,920 --> 00:58:32,400
Speaker 4: Man on Fire is not a safe movie, is it?

1148
00:58:32,640 --> 00:58:37,120
Speaker 4: Man on tire power free five minutes? Safety check? Now,

1149
00:58:37,200 --> 00:58:43,680
Speaker 4: that is safe as lockdown. Need me tie, okay, don't

1150
00:58:43,720 --> 00:58:48,040
Speaker 4: judge me. Signs of the Lambs, No, no, no, that

1151
00:58:48,600 --> 00:58:51,080
Speaker 4: is not a movie about a safe guy. No Signs

1152
00:58:51,120 --> 00:58:54,280
Speaker 4: of the free range Lambs. They're free range and they're

1153
00:58:54,360 --> 00:58:59,160
Speaker 4: so happy. Much safer bronze. Let's see if we can

1154
00:58:59,160 --> 00:59:04,040
Speaker 4: get the bronze wrong. Go Missus doubtfire, Missus dount candle.

1155
00:59:04,240 --> 00:59:08,160
Speaker 4: That's better old time kit your knock off and missus

1156
00:59:08,240 --> 00:59:09,000
Speaker 4: down candle.

1157
00:59:10,480 --> 00:59:13,000
Speaker 3: So as it's saying that instead of having a roaring fire,

1158
00:59:13,520 --> 00:59:16,680
Speaker 3: can just have a candle going at night time you

1159
00:59:16,720 --> 00:59:19,560
Speaker 3: fall to sleep, old timers, silver, Oh going up.

1160
00:59:21,120 --> 00:59:23,360
Speaker 4: Snake's on a plane? That is not safe, is it?

1161
00:59:23,480 --> 00:59:23,560
Speaker 7: No?

1162
00:59:23,960 --> 00:59:27,760
Speaker 4: Alan Snakes on a plane? Oh zesty lovely. Not the

1163
00:59:27,760 --> 00:59:29,000
Speaker 4: green one. They don't like that one.

1164
00:59:29,280 --> 00:59:29,600
Speaker 3: Gold.

1165
00:59:29,720 --> 00:59:32,280
Speaker 4: There we go. I found it all right, jackie boy,

1166
00:59:32,400 --> 00:59:33,760
Speaker 4: Safety movies. What have you got?

1167
00:59:33,840 --> 00:59:34,120
Speaker 17: All right?

1168
00:59:34,160 --> 00:59:35,960
Speaker 3: I got a better Missus doubt fire one, of.

1169
00:59:35,960 --> 00:59:39,360
Speaker 4: Course, don't doubt that. The safe comedy King were Chris

1170
00:59:39,440 --> 00:59:43,640
Speaker 4: Rock on the show every day You ready, Oh yeah, Melbourne.

1171
00:59:43,640 --> 00:59:46,040
Speaker 3: Get ready, missus put out fire.

1172
00:59:46,520 --> 00:59:50,760
Speaker 4: No, that is gold. Actually didn't have that candle.

1173
00:59:51,920 --> 00:59:53,080
Speaker 3: Seat belts in Seattle.

1174
00:59:53,760 --> 00:59:55,400
Speaker 4: That's good too, gold as well.

1175
00:59:56,120 --> 00:59:58,880
Speaker 3: It's up Pussing Boots, Christians, your favorite movie. It's Pussing

1176
00:59:58,960 --> 01:00:00,120
Speaker 3: steel capped Boots.

1177
01:00:00,960 --> 01:00:02,560
Speaker 4: That's silver.

1178
01:00:03,800 --> 01:00:06,440
Speaker 3: And guard Rails of the Galaxy.

1179
01:00:07,960 --> 01:00:10,360
Speaker 4: Yeah, yeah, yeah, that's good silver. All right, what have

1180
01:00:10,400 --> 01:00:13,120
Speaker 4: you got? Then? We're looking for your safer movies. Best

1181
01:00:13,120 --> 01:00:14,960
Speaker 4: one gets tickets to go and see Coach Club Live

1182
01:00:15,040 --> 01:00:17,640
Speaker 4: next month. Uh, text in, you're safer movies too? Oh

1183
01:00:17,680 --> 01:00:20,760
Speaker 4: four seven five three one oh four three good luck?

1184
01:00:20,760 --> 01:00:21,520
Speaker 4: Will mark them next.

1185
01:00:22,280 --> 01:00:26,480
Speaker 1: This is the Christian O'Connell show podcast.

1186
01:00:26,080 --> 01:00:31,120
Speaker 4: Today's time Waster. We're asking you to make a movie safer.

1187
01:00:32,000 --> 01:00:33,120
Speaker 4: You ready to mark Jack?

1188
01:00:33,400 --> 01:00:33,960
Speaker 3: I'm ready?

1189
01:00:35,800 --> 01:00:42,280
Speaker 4: I am also ready. Juice Bigelow contraceptive Jigglow. It's a

1190
01:00:42,440 --> 01:00:44,280
Speaker 4: very very safe jig.

1191
01:00:44,760 --> 01:00:45,600
Speaker 3: That's gold.

1192
01:00:46,160 --> 01:00:50,040
Speaker 4: Three men in the Baby Gates Gold. That's so great.

1193
01:00:50,120 --> 01:00:56,240
Speaker 4: Step my left foot is pants free just in case, justin,

1194
01:00:56,840 --> 01:01:03,440
Speaker 4: very very good, very good, pro level. Justin. When Harry helmet,

1195
01:01:03,880 --> 01:01:07,680
Speaker 4: Sally say, you know a helmet a safety hat? Of course,

1196
01:01:09,400 --> 01:01:12,440
Speaker 4: Benjamin's like Beckham, but chect you back David.

1197
01:01:12,440 --> 01:01:13,240
Speaker 3: It's really good.

1198
01:01:13,840 --> 01:01:17,960
Speaker 4: Yeah, well done, Matthew. The hills have safety glasses over

1199
01:01:18,040 --> 01:01:21,600
Speaker 4: their eyes. These movies are very safe. And don Scooby,

1200
01:01:22,880 --> 01:01:29,040
Speaker 4: we bought a petting zoo. Just go. That's safe animals. Chat,

1201
01:01:29,040 --> 01:01:34,520
Speaker 4: that's what petting Bronze glove actually glove up and they

1202
01:01:34,640 --> 01:01:40,360
Speaker 4: love up. Edward's safety says of hands, Silvers, cotton balling,

1203
01:01:40,400 --> 01:01:45,600
Speaker 4: Miss Daisy, Bronze. Yeah, for so many reasons. It's a good,

1204
01:01:45,600 --> 01:01:49,520
Speaker 4: good heart, look at yourself. Great today, shame on you.

1205
01:01:50,960 --> 01:01:54,120
Speaker 4: Friday the forties, Friday the fourteenth, it is better.

1206
01:01:54,360 --> 01:01:55,080
Speaker 3: That's very clever.

1207
01:01:55,320 --> 01:01:58,440
Speaker 4: Yeah, that's very clever. Chat Jack gets it. Everyone he

1208
01:01:58,560 --> 01:02:04,760
Speaker 4: sees game sees Marcus, well done. Not dangerous liaisons, but

1209
01:02:04,960 --> 01:02:11,280
Speaker 4: pp e liaisons. Silver dude, I heard your car. You

1210
01:02:11,400 --> 01:02:15,440
Speaker 4: have no license, Bronze. A little play there going on

1211
01:02:15,480 --> 01:02:21,240
Speaker 4: from Adam, Thank you, Edward, paper scissors had silver Buckle

1212
01:02:21,320 --> 01:02:23,120
Speaker 4: up Madison instead of Billy Madison.

1213
01:02:23,200 --> 01:02:26,320
Speaker 3: Buckle up Madison, Silver plus.

1214
01:02:25,880 --> 01:02:31,800
Speaker 4: Missus doubt fire extinguisher. Oh Masa looks like it's finally

1215
01:02:31,840 --> 01:02:36,280
Speaker 4: come and join him. A little bit tricky here weekend

1216
01:02:36,320 --> 01:02:38,000
Speaker 4: at Safety Officer Bernie's.

1217
01:02:39,360 --> 01:02:41,640
Speaker 3: That's too.

1218
01:02:43,720 --> 01:02:48,200
Speaker 4: The da Vinci Health and safety code Silver. Throw mama

1219
01:02:48,240 --> 01:02:49,919
Speaker 4: from our train into a foam pit.

1220
01:02:50,760 --> 01:02:51,120
Speaker 3: Gold.

1221
01:02:51,280 --> 01:02:55,240
Speaker 4: That's from nine year old Lewis. Strap mama to the train.

1222
01:02:56,520 --> 01:02:58,360
Speaker 4: How is that safe for you? Going to a tunnel?

1223
01:02:58,400 --> 01:03:01,760
Speaker 4: She's been rattled off this one. Here is a question

1224
01:03:01,840 --> 01:03:03,640
Speaker 4: mark at the end. I don't know if Claire feels

1225
01:03:03,640 --> 01:03:06,600
Speaker 4: bad sending it, but let's go with it. Hi, Christian

1226
01:03:06,800 --> 01:03:13,720
Speaker 4: saving Ryan's privates? Who is off to culture club next month?

1227
01:03:14,120 --> 01:03:16,720
Speaker 3: Congratulations to Steph for three men in a baby gate.

1228
01:03:16,600 --> 01:03:20,000
Speaker 5: Weight don Steph The Christian O'Connell show podcast.

1229
01:03:20,880 --> 01:03:24,320
Speaker 4: Let's talk about tomorrow's show heading into a big weekend,

1230
01:03:24,720 --> 01:03:31,000
Speaker 4: Matilda's Saturday see a frenchy. Okay, let's talk about tomorrow show.

1231
01:03:31,040 --> 01:03:34,080
Speaker 4: Let's just everyone take a breath, all right, Tomorrow it

1232
01:03:34,240 --> 01:03:37,880
Speaker 4: is back. Patsy's relieved. Limo Week fires up again, a

1233
01:03:37,920 --> 01:03:40,640
Speaker 4: week for us as a four day operation. Guys, four

1234
01:03:40,720 --> 01:03:43,120
Speaker 4: day weeks? We are you gone? Jack? You Seth at

1235
01:03:43,120 --> 01:03:44,360
Speaker 4: the end of the room or something.

1236
01:03:44,400 --> 01:03:46,680
Speaker 3: I just didn't want to shout it into the microphone.

1237
01:03:46,240 --> 01:03:50,280
Speaker 4: Or maybe a little bit more audible. Limo Week is back.

1238
01:03:53,360 --> 01:03:58,000
Speaker 4: I'm enough for a Limo in Limo Week, and it's.

1239
01:03:57,880 --> 01:04:01,520
Speaker 6: Gotta be long and it's got fast and it's gotta

1240
01:04:01,560 --> 01:04:02,560
Speaker 6: turn heads.

1241
01:04:02,240 --> 01:04:03,480
Speaker 5: On the streets.

1242
01:04:04,960 --> 01:04:09,920
Speaker 4: Limo Week is back tomorrow. So yesterday, one hundred year

1243
01:04:09,960 --> 01:04:14,280
Speaker 4: old Irene Gold never been in a limousine until yesterday,

1244
01:04:14,360 --> 01:04:16,280
Speaker 4: and what a treat she was for all of us.

1245
01:04:17,080 --> 01:04:20,440
Speaker 4: On Tuesday, we picked up Donna and Nonna and her

1246
01:04:20,480 --> 01:04:25,080
Speaker 4: five year old granddaughter Ivy. Turn into a maccus. Second

1247
01:04:25,120 --> 01:04:27,600
Speaker 4: time we turned to a Macca's. First one. That's reverse

1248
01:04:27,640 --> 01:04:29,920
Speaker 4: because it's a limousine, you see. Second time we got

1249
01:04:29,920 --> 01:04:34,560
Speaker 4: there though. All good, and on Monday, Jack will happen Monday.

1250
01:04:34,600 --> 01:04:37,480
Speaker 3: Monday we went to buddings in the bed and the.

1251
01:04:37,520 --> 01:04:40,400
Speaker 4: Door be on the door. That's it. That's good, well done,

1252
01:04:40,440 --> 01:04:43,880
Speaker 4: Well down world, OLB. So tomorrow, you know, with Uber

1253
01:04:43,920 --> 01:04:46,160
Speaker 4: you can get Uber Paul where you get in, say

1254
01:04:46,200 --> 01:04:48,320
Speaker 4: a bit of money, a couple of people jump in,

1255
01:04:48,360 --> 01:04:51,600
Speaker 4: you'll get to your various destinations. Let's try this tomorrow

1256
01:04:51,800 --> 01:04:55,640
Speaker 4: rather than just being a single passenger pickup pob as

1257
01:04:55,640 --> 01:04:57,600
Speaker 4: they say in the trade, it's a couple of you

1258
01:04:58,800 --> 01:05:03,200
Speaker 4: and Jack, not just one limousine. Tomorrow. Yeah, it's got

1259
01:05:03,200 --> 01:05:08,720
Speaker 4: breaking news because this is a big metropolis. Kaitlyn, what

1260
01:05:08,720 --> 01:05:09,320
Speaker 4: can you tell.

1261
01:05:09,240 --> 01:05:10,280
Speaker 2: Us all right.

1262
01:05:10,360 --> 01:05:14,760
Speaker 7: So we have two limos on standby, one for the

1263
01:05:14,800 --> 01:05:18,280
Speaker 7: north and western suburbs and that is Deluxe limos, and

1264
01:05:18,320 --> 01:05:21,160
Speaker 7: then out in the west our favorite guys from the week,

1265
01:05:21,440 --> 01:05:22,560
Speaker 7: mister Hummel limousines.

1266
01:05:22,720 --> 01:05:25,760
Speaker 3: Oh my, what the eighteen and the eighteen So we're

1267
01:05:25,800 --> 01:05:27,520
Speaker 3: covering the northwest and the west.

1268
01:05:27,840 --> 01:05:32,680
Speaker 4: Yeah, that's a real great cover, isn't it. The limos

1269
01:05:32,720 --> 01:05:40,200
Speaker 4: don't have compasses, No, I for one, I'm now nervous.

1270
01:05:41,320 --> 01:05:44,160
Speaker 4: We can't work out there are four compass points which

1271
01:05:44,160 --> 01:05:47,440
Speaker 4: you learn when you're about seven, and another one to

1272
01:05:47,560 --> 01:05:49,400
Speaker 4: cover the north as well. So he's going to be

1273
01:05:49,400 --> 01:05:52,440
Speaker 4: behind the other limo driver. They're going to be in cavalcase.

1274
01:05:52,960 --> 01:05:55,040
Speaker 3: We felt like we couldn't even do one limo today.

1275
01:05:55,200 --> 01:05:56,080
Speaker 3: How are we going to do two?

1276
01:05:56,960 --> 01:06:00,000
Speaker 4: Why have we taken this on ourselves? So it's two

1277
01:06:00,120 --> 01:06:04,040
Speaker 4: limos and they're both looking after the north and the worst.

1278
01:06:04,240 --> 01:06:07,880
Speaker 7: Nice Northwest, and one of them is east.

1279
01:06:08,240 --> 01:06:10,080
Speaker 4: Someone's getting snappy in the controller.

1280
01:06:09,720 --> 01:06:09,880
Speaker 3: Of the.

1281
01:06:12,360 --> 01:06:17,200
Speaker 4: Now first day, someone's bought a house and just wants

1282
01:06:17,240 --> 01:06:21,520
Speaker 4: to get out of Indo. The paperwork showbiz hasn't finished yet. Guys,

1283
01:06:21,920 --> 01:06:24,120
Speaker 4: tomorrow down to my show doesn't sound great, does it?

1284
01:06:24,120 --> 01:06:27,040
Speaker 4: If I'm listening to thinking this ancient in that is

1285
01:06:27,080 --> 01:06:30,640
Speaker 4: a cluster just waiting to happen, isn't it cluster? About

1286
01:06:30,640 --> 01:06:32,160
Speaker 4: to say cluster? Limo suck.

1287
01:06:33,040 --> 01:06:37,040
Speaker 3: If I'm a listener living in the South, you're.

1288
01:06:36,880 --> 01:06:39,880
Speaker 4: Not the guy to try and clarify this. Okay, but

1289
01:06:39,960 --> 01:06:41,800
Speaker 4: let's play a long jack. Yeah, where are you? Hello?

1290
01:06:42,160 --> 01:06:43,840
Speaker 4: You imagine you call in? Okay, you called in to

1291
01:06:43,960 --> 01:06:44,800
Speaker 4: my five past six?

1292
01:06:45,120 --> 01:06:48,600
Speaker 3: Hello gold, Hello, I am from Seaford in the south

1293
01:06:48,600 --> 01:06:51,800
Speaker 3: of Melbourne. I know you have limos tomorrow in the North.

1294
01:06:52,160 --> 01:06:53,560
Speaker 4: We're doing Limo Paul Friday.

1295
01:06:53,880 --> 01:06:56,160
Speaker 3: Yes, even though I'm in the south, Maye, I still

1296
01:06:56,200 --> 01:06:57,760
Speaker 3: put my hand up for a limo trip.

1297
01:06:57,840 --> 01:06:59,760
Speaker 4: Yeah, yeah, can you drive yourself to the North. We've

1298
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Speaker 4: got Whill waiting up there for you. Never mind, that's

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Speaker 4: how tomorrow is gonna go. So if you'd like to

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Speaker 4: take bart Tomorrow's double Limousine Friday double ride Limo Friday,

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Speaker 4: then email me Christian at Christian dot com dot au.

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Speaker 3: How about the Friday Limo Frenzy?

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Speaker 4: All right, well done, Huggy, thank you for that one.

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Speaker 4: It's something like that tomorrow. Look, it's two limousines, you

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Speaker 4: get it. Okay, email me Where would you like to go?

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Speaker 4: Christian at Christian O'Connell dot com dot Are you

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Speaker 5: The Christian O'Connell Show podcast