1 00:00:00,400 --> 00:00:03,480 Speaker 1: Season two of Baarfires starts eight pm Sunday on the 2 00:00:03,480 --> 00:00:05,400 Speaker 1: ABC and on abc I View. Of course, in the 3 00:00:05,400 --> 00:00:07,760 Speaker 1: star of the show, Marta Dusseldorf is joining us. 4 00:00:07,800 --> 00:00:09,320 Speaker 2: Good morning, welcome. 5 00:00:09,800 --> 00:00:12,440 Speaker 3: Good morning, thank you, thank you for having me. 6 00:00:13,080 --> 00:00:15,280 Speaker 1: Thank you for joining us. I loved season one and 7 00:00:15,320 --> 00:00:18,200 Speaker 1: I love the synopsis for season two. It says Stella 8 00:00:18,280 --> 00:00:20,360 Speaker 1: sees a glimmer of hope on the horizon. No one 9 00:00:20,360 --> 00:00:28,560 Speaker 1: has tried to kill her for some months with you, 10 00:00:28,600 --> 00:00:31,000 Speaker 1: so what can we expect in season two? Are you 11 00:00:31,040 --> 00:00:34,040 Speaker 1: at the center of a myriad of problems again? 12 00:00:35,840 --> 00:00:39,320 Speaker 3: Not to start with, she's simply the boss of the town, 13 00:00:40,040 --> 00:00:44,840 Speaker 3: managing these fabulous bunch of Motley criminals. Yes, and doing 14 00:00:44,920 --> 00:00:49,040 Speaker 3: quite well in fact, and everyone's got more than they need, 15 00:00:49,080 --> 00:00:52,199 Speaker 3: but of course no one's ever satiated. So now she 16 00:00:52,280 --> 00:00:55,320 Speaker 3: gets a tap on the shoulder by someone that needs more, 17 00:00:55,760 --> 00:00:59,480 Speaker 3: and it all starts unraveling very quickly. We've got new villains, 18 00:00:59,560 --> 00:01:03,560 Speaker 3: We've got but deeper, darker secrets. We go deep into 19 00:01:03,640 --> 00:01:08,039 Speaker 3: the relationships between the characters you met in season one. So, 20 00:01:08,200 --> 00:01:11,520 Speaker 3: for example, Magda and Heather, Pam Rave and Roz Hammond 21 00:01:11,560 --> 00:01:15,600 Speaker 3: have a their very own storyline where Stelli takes a 22 00:01:15,640 --> 00:01:18,840 Speaker 3: break and we find out why they're together and what 23 00:01:18,880 --> 00:01:21,280 Speaker 3: they mean to each other and how they make it 24 00:01:21,319 --> 00:01:25,440 Speaker 3: all work. The kids have grown up, so Otis and 25 00:01:25,480 --> 00:01:29,440 Speaker 3: Iris are more trouble than they're worth, of course, not deeper. 26 00:01:29,560 --> 00:01:36,000 Speaker 3: We love our kids and Stella and Jeremiah are still 27 00:01:36,040 --> 00:01:38,839 Speaker 3: trying to work it out. And in the background, yes, 28 00:01:39,160 --> 00:01:44,800 Speaker 3: there's people wanting things from her that she couldn't possibly provide. 29 00:01:43,040 --> 00:01:43,120 Speaker 2: And. 30 00:01:44,680 --> 00:01:48,600 Speaker 3: We don't not as many people die this season, and 31 00:01:48,880 --> 00:01:53,800 Speaker 3: of course it's all accidental, but we really tried to 32 00:01:53,960 --> 00:01:57,560 Speaker 3: keep the vibe, you know, Ozark meets Fargo meets. 33 00:02:00,280 --> 00:02:02,800 Speaker 2: What a comprehensive summer was going on without giving any 34 00:02:02,800 --> 00:02:05,000 Speaker 2: spoils away, mat I thank you for that. Now film 35 00:02:05,520 --> 00:02:07,440 Speaker 2: filming and Tassy, which is home since you have been 36 00:02:07,480 --> 00:02:11,680 Speaker 2: in the family lived back to the film, that's possible. 37 00:02:13,200 --> 00:02:16,240 Speaker 3: I was so wonderful to return to zen and Queenstown 38 00:02:16,320 --> 00:02:18,440 Speaker 3: on the west coast of Tasmania. It is one of 39 00:02:18,440 --> 00:02:22,280 Speaker 3: the most unique landscapes I think in the world, and 40 00:02:22,480 --> 00:02:25,400 Speaker 3: the people are now like family. Ben and I have 41 00:02:25,440 --> 00:02:28,079 Speaker 3: a place there and have for longer than the shows existed. 42 00:02:28,200 --> 00:02:31,800 Speaker 3: But we knew when we first arrived there, and especially 43 00:02:31,800 --> 00:02:33,920 Speaker 3: when we walked into z and that that was where 44 00:02:33,960 --> 00:02:36,800 Speaker 3: we needed to place this western which is really what 45 00:02:36,919 --> 00:02:41,880 Speaker 3: Bad Prize is. And and so this time you'll see 46 00:02:41,960 --> 00:02:45,040 Speaker 3: us actually spend more time in that main street and 47 00:02:45,080 --> 00:02:48,240 Speaker 3: Stella and the kids have moved into that, into that 48 00:02:48,360 --> 00:02:54,519 Speaker 3: amazing art deco Gaiety Theater which exists, and yeah, it's 49 00:02:54,560 --> 00:02:56,520 Speaker 3: I mean, look, it's cold, it's the dead of winter, 50 00:02:56,639 --> 00:02:59,000 Speaker 3: but that's when we need to be there. You really 51 00:02:59,040 --> 00:03:01,360 Speaker 3: see the West Coast have come alive in the winter, 52 00:03:01,440 --> 00:03:06,000 Speaker 3: the moss and the mycilium and all of the treasures 53 00:03:06,040 --> 00:03:09,280 Speaker 3: of snow one day and just wet the next and 54 00:03:09,320 --> 00:03:14,280 Speaker 3: then brilliant sunshine. So we found some locations in season 55 00:03:14,320 --> 00:03:16,600 Speaker 3: one that we couldn't get to because we didn't have time. 56 00:03:16,680 --> 00:03:19,200 Speaker 3: But season two I made sure we went up the 57 00:03:19,280 --> 00:03:24,960 Speaker 3: highest mountains into the coldest rivers, done and we really 58 00:03:25,000 --> 00:03:27,240 Speaker 3: made the most of this glorious landscape. 59 00:03:27,360 --> 00:03:27,600 Speaker 2: It is. 60 00:03:27,600 --> 00:03:30,120 Speaker 1: It's like a character in and of itself, the landscape 61 00:03:30,120 --> 00:03:34,880 Speaker 1: of Tasmania. I mean that great show Deadlock that was 62 00:03:34,880 --> 00:03:37,960 Speaker 1: on last year, and then on the weekend I watched 63 00:03:37,960 --> 00:03:42,520 Speaker 1: The Survivors, two shows recently set in Tasmania. It's incredible 64 00:03:42,800 --> 00:03:45,840 Speaker 1: and great cast, as you said, Ros and Pamela back 65 00:03:45,880 --> 00:03:48,480 Speaker 1: and Matt Nabel he's back for season two as well. 66 00:03:48,920 --> 00:03:53,520 Speaker 3: Really yep. And we've got Andre Dvani who plays Jason, 67 00:03:54,000 --> 00:03:57,520 Speaker 3: and Emily who plays Bonnie his wife lived in the caravan. 68 00:03:57,520 --> 00:04:01,200 Speaker 3: I've got Bob Franklin and we've got him co and 69 00:04:01,680 --> 00:04:05,640 Speaker 3: El Mandalas, they're all back. And then we've got some 70 00:04:05,760 --> 00:04:10,200 Speaker 3: really fabulous new faces. So Benedict Hardy joins us as 71 00:04:10,760 --> 00:04:14,040 Speaker 3: as I think one of the most unusual villains I've 72 00:04:14,040 --> 00:04:21,560 Speaker 3: ever created, co created with my writing buddies. But his 73 00:04:21,720 --> 00:04:24,919 Speaker 3: performance is so electric and every time I did a 74 00:04:24,920 --> 00:04:27,320 Speaker 3: scene with him, but I didn't know when the scene 75 00:04:27,320 --> 00:04:30,880 Speaker 3: had finished should we stop now, you know, because he's 76 00:04:30,880 --> 00:04:35,400 Speaker 3: so so in it and fabulous. And then some other 77 00:04:35,480 --> 00:04:38,640 Speaker 3: really great guest artists. We love to bring people in 78 00:04:39,080 --> 00:04:41,760 Speaker 3: quite quickly and then get them out one way or another, 79 00:04:42,000 --> 00:04:46,640 Speaker 3: so there are lots of people tripping literally out of 80 00:04:46,680 --> 00:04:50,280 Speaker 3: the scene, out of the show. But it was such 81 00:04:50,320 --> 00:04:53,599 Speaker 3: a ball to write again, and the privilege of being 82 00:04:53,839 --> 00:04:56,160 Speaker 3: able to go back in is you know, the audience 83 00:04:56,200 --> 00:04:59,280 Speaker 3: loved it, being the most watched show on ABC and 84 00:05:00,000 --> 00:05:03,600 Speaker 3: twenty twenty three, so we just want to please. I mean, 85 00:05:03,640 --> 00:05:06,520 Speaker 3: it really was about giving them back all the Loveday 86 00:05:06,560 --> 00:05:09,120 Speaker 3: gave us. So hopefully they love it. 87 00:05:09,160 --> 00:05:11,120 Speaker 2: This a young woman who plays Rebecca, looks like she 88 00:05:11,120 --> 00:05:20,719 Speaker 2: shows promised too. Grace. Well, I want to talk about 89 00:05:21,120 --> 00:05:23,359 Speaker 2: We mentioned quite a bit about Tazzy, but here in 90 00:05:23,400 --> 00:05:25,320 Speaker 2: Perth we're going to be very spoiled because we've almost 91 00:05:25,320 --> 00:05:28,640 Speaker 2: finished these new film studios in Malaga. What's the setup 92 00:05:28,680 --> 00:05:30,359 Speaker 2: like down here? I mean, I know you, you and 93 00:05:30,400 --> 00:05:32,560 Speaker 2: Ben would love to have an everyone else in the 94 00:05:32,560 --> 00:05:34,720 Speaker 2: industry I love to have that facility. And what is 95 00:05:34,760 --> 00:05:35,839 Speaker 2: the promise for that to come? 96 00:05:37,600 --> 00:05:41,200 Speaker 3: I think while there's focus on another very big structure 97 00:05:42,000 --> 00:05:44,280 Speaker 3: going on down in Tasmania at the moment, that that's 98 00:05:44,320 --> 00:05:48,760 Speaker 3: not a possibility necessarily. But the beauty of Chassy and 99 00:05:48,800 --> 00:05:52,159 Speaker 3: it's you'll feel it when you come and visit, it's 100 00:05:52,480 --> 00:05:55,160 Speaker 3: you have to get out in it. That's where the 101 00:05:55,200 --> 00:05:59,359 Speaker 3: magic lies. So to box us in a room I 102 00:05:59,400 --> 00:06:03,320 Speaker 3: don't seeink is conducive to what Tassi has to offer. 103 00:06:03,560 --> 00:06:06,520 Speaker 3: So and all those shows you mentioned, they're all in 104 00:06:06,600 --> 00:06:11,000 Speaker 3: completely different regions and spaces of that incredible state. So 105 00:06:11,200 --> 00:06:16,240 Speaker 3: us taking the West Coast, I just it's so unique, 106 00:06:16,440 --> 00:06:21,080 Speaker 3: it's so organic, and often you know, it says, come 107 00:06:21,120 --> 00:06:24,680 Speaker 3: down for air, you know, that tourism thing. It's so true, 108 00:06:24,760 --> 00:06:28,120 Speaker 3: like we ordered see out there breathing in this air 109 00:06:28,960 --> 00:06:31,520 Speaker 3: and going. We can't believe we're allowed to be here 110 00:06:31,560 --> 00:06:35,800 Speaker 3: with cameras and capturing this in national parks. I mean, 111 00:06:35,839 --> 00:06:40,039 Speaker 3: obviously everything's permitted. We're very careful with it. I mean, look, 112 00:06:40,120 --> 00:06:44,279 Speaker 3: of course i'd love a studio because it's actually cost effective. 113 00:06:44,520 --> 00:06:49,760 Speaker 3: As now my producer goes on. You know, regional shooting 114 00:06:49,880 --> 00:06:56,160 Speaker 3: is not cheap. Our budgets aren't huge, so compared to 115 00:06:56,200 --> 00:06:59,800 Speaker 3: the Americans, what we're able to achieve is pretty startling. 116 00:07:00,040 --> 00:07:04,200 Speaker 3: And I hope yeah, and our stories travel around the world, 117 00:07:04,360 --> 00:07:06,080 Speaker 3: so I think we do okay. 118 00:07:06,440 --> 00:07:09,039 Speaker 1: I think we do well. Season one of Bay of 119 00:07:09,120 --> 00:07:12,520 Speaker 1: Fires was such a trip. If you haven't seen season one, 120 00:07:12,560 --> 00:07:16,040 Speaker 1: get around in. Season two starts eight o'clock Sunday on 121 00:07:16,120 --> 00:07:19,280 Speaker 1: the ABC. I can't wait. Marta, Thank you for joining. 122 00:07:19,080 --> 00:07:21,480 Speaker 3: Us, Thank you, thanks for speaking to me. 123 00:07:22,240 --> 00:07:23,400 Speaker 2: Absolutely by time