1 00:00:00,600 --> 00:00:03,520 Speaker 1: Streight the flick with Bellow Shade. 2 00:00:07,760 --> 00:00:08,080 Speaker 2: Money. 3 00:00:09,240 --> 00:00:12,360 Speaker 3: That's so GRANDI yose it. I love it. 4 00:00:12,360 --> 00:00:13,880 Speaker 2: It's very Hollywood. 5 00:00:14,600 --> 00:00:17,200 Speaker 3: So is this movie exactly it is? Oh? 6 00:00:17,280 --> 00:00:20,600 Speaker 1: Yeah, this is this is old world Hollywood for sure. 7 00:00:20,920 --> 00:00:24,360 Speaker 1: Starring Ethan Hawke, who everybody knows, he's been around for 8 00:00:24,400 --> 00:00:26,720 Speaker 1: a long time. Probably won't recognize him. 9 00:00:26,640 --> 00:00:28,960 Speaker 2: In this movie, you know what. You only recognize him 10 00:00:28,960 --> 00:00:29,760 Speaker 2: when he's got a hash on. 11 00:00:31,440 --> 00:00:33,959 Speaker 3: I've seen the trailer for it over. 12 00:00:34,479 --> 00:00:38,760 Speaker 1: And there's a comover. They used some camera trickery to 13 00:00:38,800 --> 00:00:40,160 Speaker 1: make him look very short? 14 00:00:40,320 --> 00:00:43,120 Speaker 2: Is that because I didn't think he was that short. 15 00:00:42,640 --> 00:00:43,840 Speaker 1: He's in this film. 16 00:00:43,880 --> 00:00:46,360 Speaker 3: He's a totally little dude. 17 00:00:46,240 --> 00:00:50,400 Speaker 1: Yes, home over. Yes, And he's playing a real life 18 00:00:50,520 --> 00:00:53,600 Speaker 1: figure from you know, from sort of the golden age 19 00:00:53,600 --> 00:00:57,560 Speaker 1: of Broadway in the twenties, Lauren's Heart. Larry Hart his 20 00:00:57,680 --> 00:01:00,320 Speaker 1: name was, and it probably doesn't ring any bells. Everybody 21 00:01:00,320 --> 00:01:03,240 Speaker 1: who knows musicals, of course, knows Rogers and Hammerstein. Yes, 22 00:01:03,600 --> 00:01:06,960 Speaker 1: so before there was Rogers and Hammerstein, there was Rogers 23 00:01:06,959 --> 00:01:07,440 Speaker 1: and Heart. 24 00:01:09,040 --> 00:01:12,840 Speaker 2: Just witnessed my surprise watching the trailer. I didn't know 25 00:01:12,920 --> 00:01:15,120 Speaker 2: that there was a before Rogers. 26 00:01:15,200 --> 00:01:20,280 Speaker 3: So he was the peak best of. 27 00:01:18,400 --> 00:01:20,280 Speaker 1: Of course, you know Rogers Hammerston. You think of all 28 00:01:20,280 --> 00:01:22,840 Speaker 1: of the amazing musicals they had over there, like some 29 00:01:22,840 --> 00:01:24,399 Speaker 1: of the all times great that you can still see 30 00:01:24,440 --> 00:01:27,240 Speaker 1: on Broadway today that have lasted eighty ninety years. 31 00:01:27,240 --> 00:01:27,840 Speaker 3: Whatever it is. 32 00:01:28,480 --> 00:01:31,240 Speaker 1: Rogers and Heart not so successful, but of course they 33 00:01:31,360 --> 00:01:33,960 Speaker 1: did have some hits. The biggest of them all was 34 00:01:34,000 --> 00:01:35,680 Speaker 1: the song Blue Moon Blue. 35 00:01:35,840 --> 00:01:38,199 Speaker 2: Yeah, Yeah, you know, from Babe. 36 00:01:40,480 --> 00:01:42,679 Speaker 1: So Lawrence Hart was the guy who wrote the lyrics 37 00:01:42,680 --> 00:01:45,360 Speaker 1: for that, and to this film is it goes all 38 00:01:45,360 --> 00:01:48,600 Speaker 1: the way back to those days, and their partnership has 39 00:01:48,680 --> 00:01:51,800 Speaker 1: broken up because Lawrence Heart alcoholic, kind of a bit 40 00:01:51,840 --> 00:01:54,000 Speaker 1: of a loose unit. I'm not that easy to get 41 00:01:54,040 --> 00:01:59,040 Speaker 1: along with. So he finds himself alone on the opening 42 00:01:59,160 --> 00:02:02,840 Speaker 1: night of oaklhol Homer So, the very first production of 43 00:02:04,160 --> 00:02:06,880 Speaker 1: which is a big time to Hammerstein thing. So he 44 00:02:06,880 --> 00:02:09,600 Speaker 1: he walks out of the of the opening night because 45 00:02:09,600 --> 00:02:13,000 Speaker 1: he's just he just thinks it's garbage good because Lawrence 46 00:02:13,040 --> 00:02:15,760 Speaker 1: Hart is also he's a very clever dude, and no 47 00:02:15,800 --> 00:02:18,600 Speaker 1: one thinks he's more clever than himself, and so he 48 00:02:18,800 --> 00:02:21,959 Speaker 1: ends up leaving early and going to the bar where 49 00:02:21,960 --> 00:02:24,400 Speaker 1: they're going to have the after party, which seems like 50 00:02:24,440 --> 00:02:27,280 Speaker 1: a pretty bad idea. And not only that, he's arranged 51 00:02:27,639 --> 00:02:30,959 Speaker 1: to meet this sweetheart of his even though he's now 52 00:02:31,080 --> 00:02:34,160 Speaker 1: getting well into his fifties. His sweetheart is a college 53 00:02:34,200 --> 00:02:37,000 Speaker 1: girl who's twenty played by Margaret Quali, who's a real 54 00:02:37,040 --> 00:02:41,040 Speaker 1: Hollywood girl at the moment, and he's before this after 55 00:02:41,080 --> 00:02:43,960 Speaker 1: party starting, he's just sitting in this bar talking to 56 00:02:44,000 --> 00:02:48,160 Speaker 1: the bar Yeah, Bobby can of Vallet, who's like, if 57 00:02:48,200 --> 00:02:51,000 Speaker 1: you need a New York bartender, that is that is 58 00:02:51,040 --> 00:02:53,240 Speaker 1: the guy you want. So he's there, he's like, you know, 59 00:02:53,240 --> 00:02:56,400 Speaker 1: he's polishing the glasses, he's pouring him a shot of whiskey, 60 00:02:56,480 --> 00:02:59,840 Speaker 1: and he's going, oh, tell me your problems. And so 61 00:03:00,000 --> 00:03:02,320 Speaker 1: so Lauren's heart played by Ethan Hawks, he's kind of 62 00:03:02,360 --> 00:03:04,400 Speaker 1: running through everything that's going on in his life. The 63 00:03:04,400 --> 00:03:06,400 Speaker 1: whole movie is set in this bar. It's kind of like, 64 00:03:06,800 --> 00:03:10,720 Speaker 1: you know, a one set movie, and you kind of 65 00:03:10,760 --> 00:03:13,000 Speaker 1: trying to unpack whether or not this girl who's going 66 00:03:13,040 --> 00:03:15,400 Speaker 1: to appear later on actually is in love with him 67 00:03:15,440 --> 00:03:17,520 Speaker 1: as well, or if this is just something that's in 68 00:03:17,960 --> 00:03:20,880 Speaker 1: you know, sort of his mind. And when she arrives 69 00:03:20,919 --> 00:03:25,600 Speaker 1: and they're having interactions, you start to think, oh, Paul Lawrence. Yeah, 70 00:03:25,639 --> 00:03:28,200 Speaker 1: you know, buddy, I don't think I don't think this 71 00:03:28,280 --> 00:03:31,079 Speaker 1: is a two way street here in this relationship. And 72 00:03:31,800 --> 00:03:34,840 Speaker 1: maybe she's only interested in meeting Rogers and getting her 73 00:03:34,880 --> 00:03:38,920 Speaker 1: own kind of Broadway career going. And so it's it's 74 00:03:39,000 --> 00:03:44,200 Speaker 1: just such a fascinating film with Andrew Scott in the 75 00:03:44,200 --> 00:03:47,360 Speaker 1: film as well, playing Rogers, and they're probably the main 76 00:03:47,520 --> 00:03:50,920 Speaker 1: cast members that people would be castle the cast. But yeah, 77 00:03:51,000 --> 00:03:55,880 Speaker 1: and it's a it's a real amazing watch for people 78 00:03:55,920 --> 00:03:57,840 Speaker 1: who love Broadway for love all those shows because they 79 00:03:57,880 --> 00:04:00,800 Speaker 1: all get referenced, and you really it's an origin story, 80 00:04:00,920 --> 00:04:03,360 Speaker 1: I guess for so many of these great musical sure, 81 00:04:04,360 --> 00:04:06,560 Speaker 1: and it's but look, there's a lot of dialogue here. 82 00:04:06,600 --> 00:04:08,200 Speaker 1: There's not a lot going on. If you if you 83 00:04:08,360 --> 00:04:14,320 Speaker 1: like your marvel, because if you like explosions and I don't, 84 00:04:15,280 --> 00:04:17,359 Speaker 1: diesels saying you've got to live your life a quarter 85 00:04:17,400 --> 00:04:20,039 Speaker 1: mile at a time, it's going to be a long 86 00:04:20,120 --> 00:04:20,760 Speaker 1: quarter mile. 87 00:04:21,400 --> 00:04:22,520 Speaker 3: How long does it go for? 88 00:04:22,920 --> 00:04:25,680 Speaker 1: So it's a couple of hours. It's it's not too bad, 89 00:04:25,680 --> 00:04:28,159 Speaker 1: but it doesn't overstay. It's welcome. But Ethan Hawk is 90 00:04:28,160 --> 00:04:30,839 Speaker 1: so brilliant. He's been nominated for an Oscar he's a 91 00:04:30,839 --> 00:04:34,400 Speaker 1: good chance him and Shamalama ding Dong. 92 00:04:35,040 --> 00:04:37,560 Speaker 2: What now I said this morning, I'm actually putting my 93 00:04:37,600 --> 00:04:38,800 Speaker 2: money on Leo for the Oscar. 94 00:04:39,400 --> 00:04:41,720 Speaker 3: How do you feel about a horse? A dark horse? 95 00:04:42,400 --> 00:04:48,960 Speaker 1: Look, he's won it before. I think it's possible, but 96 00:04:49,040 --> 00:04:50,240 Speaker 1: I think, you know, it's. 97 00:04:50,120 --> 00:04:51,520 Speaker 2: A good it's a good category this year. 98 00:04:51,680 --> 00:04:52,680 Speaker 1: It's really tough. 99 00:04:52,720 --> 00:04:53,919 Speaker 2: It's really tough to pick up. 100 00:04:54,960 --> 00:04:59,120 Speaker 3: So it could be Ethan or it could be Leo 101 00:05:00,160 --> 00:05:03,800 Speaker 3: the playoff music imitated and would be deserving that. He 102 00:05:03,880 --> 00:05:05,560 Speaker 3: is brilliant, absolutely brilliant. 103 00:05:05,640 --> 00:05:07,920 Speaker 2: How many Blue Moon you saw me standing alone? Are 104 00:05:07,960 --> 00:05:09,479 Speaker 2: you giving it four? 105 00:05:10,920 --> 00:05:11,160 Speaker 3: Yep? 106 00:05:11,520 --> 00:05:14,880 Speaker 1: You don't see many movies like this anymore. Yeah. Director 107 00:05:14,960 --> 00:05:17,800 Speaker 1: Richard link Later who did Days and Confused, School of 108 00:05:17,880 --> 00:05:20,279 Speaker 1: Rock Before Sunrise, Before Sunset. 109 00:05:20,000 --> 00:05:23,760 Speaker 3: Yep, slightly different musical genre. Can you write this by 110 00:05:23,760 --> 00:05:28,240 Speaker 3: any chances? No, he didn't. We'll catch it next week.