WEBVTT - 'I'M A CELEBRITY' HAS BACKSTAGE SECRETS 

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. I'm right, welcome back

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<v Speaker 1>guys to TV Reload. My name's Benjamin Norris, and on

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<v Speaker 1>this podcast I go behind the scenes with the biggest

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<v Speaker 1>players in television.

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<v Speaker 2>Yeah, great questions. The show's about the game. There's a

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<v Speaker 2>lot of great television out there in Australia.

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<v Speaker 1>But I've also got to go behind the scenes with writers.

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<v Speaker 1>The truth is, when I started writing it, it wasn't

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<v Speaker 1>had nothing to do with the news and casting agents.

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<v Speaker 2>They know from a casting point of view what they need.

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<v Speaker 1>And editors because that's what we do as editors where storytellers.

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<v Speaker 1>Not to forget some incredible executive producers who are making

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<v Speaker 1>some of the best TV in Australia. I have been

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<v Speaker 1>on the program since the beginning and it's kind of

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<v Speaker 1>in my DNA. So thanks for joining me each week

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<v Speaker 1>and I hope the podcast continues to give you real

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<v Speaker 1>insight into the magic of television today. On the podcast,

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<v Speaker 1>I returned to Talk Television for twenty twenty two and

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<v Speaker 1>I thought a lot about who to relaunch the show with,

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<v Speaker 1>and of course I thought of Alex Maverdikers, who is

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<v Speaker 1>not only an executive producer I've worked with, but someone

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<v Speaker 1>who is currently at the top of their game. He

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<v Speaker 1>has started the year for his seventh time with the

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<v Speaker 1>Australian staple I'm a Celebrity, Get Me out of Here,

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<v Speaker 1>which is again won the hearts of its audience with

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<v Speaker 1>his mantra, which we will get into shortly. Alex is smart,

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<v Speaker 1>funny and is very generous with his insights into television.

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<v Speaker 1>I honestly love catching up with him, and I'm sure

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<v Speaker 1>that you will too. This season of I'm a Celebrity

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<v Speaker 1>will have its season finale on Sunday night at seven

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<v Speaker 1>thirty on Channel ten, and today we will unpack the

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<v Speaker 1>whole series and also ask him all the questions that

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<v Speaker 1>most producers would never answer, from bo Ryan's exit to

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<v Speaker 1>how he made a nobody a celebrity, plus what he

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<v Speaker 1>thinks of the all stars concept and if we will

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<v Speaker 1>see that happen in the jungle. However, let's get started

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<v Speaker 1>on today's episode. I'd like to welcome Alex Maverdagus to

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<v Speaker 1>the first edition of TV Reload for twenty twenty two.

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<v Speaker 2>I just think the audience loves real Everything about this

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<v Speaker 2>show is horrendous, A lot of untruth, so I can

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<v Speaker 2>tell you what definitely is not true.

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<v Speaker 1>I'm completely out of my depth here.

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<v Speaker 2>In all honesty, we could probably shown more of it

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<v Speaker 2>and keep you think that's on the show, I've never

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<v Speaker 2>seen it. Control them all with the heart and their

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<v Speaker 2>mouth as much.

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<v Speaker 3>Who will quit?

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<v Speaker 2>The hardest thing with I'm a celebrity is going to

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<v Speaker 2>be that we're running out celebrities. I'm a celebrity. Australian's

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<v Speaker 2>love an underdog. He could easily win it.

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<v Speaker 1>Hi, Alex, how are you mate?

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<v Speaker 2>Good to hear from you again? Am I the first

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<v Speaker 2>person that's done this twice?

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<v Speaker 1>Absolutely?

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<v Speaker 2>You just run out of people to ask or am

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<v Speaker 2>I special?

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<v Speaker 3>Well?

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<v Speaker 1>To be honest, I launched the podcast last year with

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<v Speaker 1>you and it was the highest downloaded podcast for the

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<v Speaker 1>year and had people stopping me in the street and

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<v Speaker 1>asking me about things that you said. So it would

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<v Speaker 1>be remiss of me not to have you back.

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<v Speaker 2>You're a good fluffer mate, that's good fluffing will done.

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<v Speaker 1>If anyone would know about my bullshit skills, it's you.

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<v Speaker 1>I don't know if that's a compliment.

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<v Speaker 2>Well, look at one you were one. You were massive

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<v Speaker 2>reality show, so you must have done something right.

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<v Speaker 1>Well, let's get into this. You make two massive shows

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<v Speaker 1>a year, one for Channel nine and one for Network ten,

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<v Speaker 1>amongst other projects. I'm sure, what do you enjoy about

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<v Speaker 1>Channel ten when you come back each year for I'm

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<v Speaker 1>a Celebrity.

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<v Speaker 2>As in the network? I mean, look, I'm a celebrities

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<v Speaker 2>lot coming home for me. You know, I've done seven

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<v Speaker 2>seasons for now and obviously you know there was something

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<v Speaker 2>really special about coming to Africa every year. That hasn't

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<v Speaker 2>be impossible for the last two years. But I think

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<v Speaker 2>we've done a pretty bloody good job of getting a

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<v Speaker 2>decent product to wear. Obviously, it's not the way we

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<v Speaker 2>would like to make. The show that I'm Celebrity is

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<v Speaker 2>supposed to be a twenty four hour turnaround show, like

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<v Speaker 2>you know, like Classic Big Brother, like Love Ireland. But

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<v Speaker 2>you know, this, this fun pandemic that keeps rolling around us,

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<v Speaker 2>keeps changing the game. Going back to the question, look

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<v Speaker 2>ten are a great network to work for, I have

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<v Speaker 2>to say, I mean, look, all the networks have got

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<v Speaker 2>their pros and their cons are great. With on the

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<v Speaker 2>Celebrity Stephen Tate, who I've worked with many many years,

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<v Speaker 2>knows the show so intimately and so well, we just

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<v Speaker 2>go straight into shortcut talk. We don't need to we

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<v Speaker 2>don't need to play games around each other. If we

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<v Speaker 2>know an ideas crap, we'll just tell each other our

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<v Speaker 2>ideas are crap. And if we know it's good, we

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<v Speaker 2>know it's good. And I seem to be able to

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<v Speaker 2>push the envelope more and more with Beverly mccavey, who's

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<v Speaker 2>you know, the boss of Channel tens. Every year we

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<v Speaker 2>go into the boardroom and I'd pitch something a little

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<v Speaker 2>bit more full on than the year before, and she

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<v Speaker 2>started to say yes, now, so you know who knew

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<v Speaker 2>that she would let me call something in a scrotal

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<v Speaker 2>recall or end the challenge with my nuts are fully loaded.

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<v Speaker 1>Okay, I think I'm just going to lead that.

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<v Speaker 2>I feel like I've gone over.

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<v Speaker 3>But you know what I'm gonna that's I'm done.

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<v Speaker 1>That's my nuts are fully loaded.

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<v Speaker 2>Just you know, some of the stuff that somebody en

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<v Speaker 2>so I'm pushing nowadays are would have been rejected straight

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<v Speaker 2>up three or four years ago, but now somehow they're

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<v Speaker 2>slipping through it. So so good on them.

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<v Speaker 1>I can't imagine you being intimidated by anyone. But I

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<v Speaker 1>want to know. Are you intimidated by Bev McGarvey, you know,

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<v Speaker 1>the big boss at Network ten.

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<v Speaker 2>Oh look, look you're always intimidated in the boardroom setting.

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<v Speaker 2>Bev is fantastic. She's just such a straight shooter. She

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<v Speaker 2>will cut you down immediately if if she doesn't like,

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<v Speaker 2>you know, you'll put someone's picture on the table, of

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<v Speaker 2>someone that you might want in the cast, and she'll

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<v Speaker 2>just be like nah, or you know, haven't heard of them,

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<v Speaker 2>or you know, just immediately, no, straight away if they've

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<v Speaker 2>got any chance. And that enables you to, you know,

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<v Speaker 2>to decide how far to push it or how not.

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<v Speaker 2>She's she's very much a straight shooter. No, not intimidated.

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<v Speaker 2>That intimidated is the wrong word. Always had a lot

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<v Speaker 2>of respect for Bev, as I have all of the networks,

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<v Speaker 2>you know, you have to have a lot of respect

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<v Speaker 2>for them. But it's always been a really collaborative room

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<v Speaker 2>whenever we're dealing with I'm a celebrit because it's you know,

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<v Speaker 2>it's a fun show and if it's made any other way,

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<v Speaker 2>it won't work.

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<v Speaker 1>Were there any notes that you took into the series

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<v Speaker 1>from Network ten or say, you know, from the bosses

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<v Speaker 1>at ITV? Studios such as you know what to look

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<v Speaker 1>for from some of your contestants, or you know what

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<v Speaker 1>did you need to focus on more for this season.

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<v Speaker 2>We've had a pretty good run on I'm a celebrity

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<v Speaker 2>for the last few years. I'm going I'm going to

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<v Speaker 2>go back all the way to series four now, just

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<v Speaker 2>for context, we're in series eight now. Series four was

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<v Speaker 2>not very good. And now I don't know whether that

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<v Speaker 2>was the celebrities that we chose. None of them were terrible.

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<v Speaker 2>You know, we had some great celebrities Spieno Lachlan who

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<v Speaker 2>won it. We had Shannon Noll, We had you know,

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<v Speaker 2>Anthony Mundine, Danny Green, Pete rose Thorn. You know, we

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<v Speaker 2>had some really good names. But it just didn't click.

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<v Speaker 2>And for whatever reason, it just didn't feel warm and fuzzy.

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<v Speaker 2>Whether it was a comic year as well. You know,

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<v Speaker 2>it might have been too many sportsmen, it might have

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<v Speaker 2>been not you know, they they just didn't like each

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<v Speaker 2>other as much as previous years. But that that was

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<v Speaker 2>a real turning point year and I feel like we

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<v Speaker 2>scraped through by the skin of our teeth that year.

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<v Speaker 2>It almost didn't come back. And I'm sure Bev and

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<v Speaker 2>Steven wouldn't mind me, wouldn't mind me saying that, you know,

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<v Speaker 2>it didn't rate amazingly well, but look good on ten.

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<v Speaker 2>They took a chance and we came back in series

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<v Speaker 2>five and it was, you know, an absolute belter. You know,

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<v Speaker 2>that was the Richard Reid series in South Africa. And

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<v Speaker 2>from that series on we decided, I mean certainly it

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<v Speaker 2>was a thing that I adopted and you know, and

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<v Speaker 2>we all kind of well, luckily everyone agreed with me.

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<v Speaker 2>We were going to make it like the Cast of

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<v Speaker 2>Friends from then on in I'm a celebrity. To get

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<v Speaker 2>me out of here works really well when you love

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<v Speaker 2>all of the characters and you care about who goes

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<v Speaker 2>home and you just want to have your fun hour,

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<v Speaker 2>hour and a half with them every single night of

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<v Speaker 2>the week, and it's like it's like you're joining in

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<v Speaker 2>the fun. So we really cast five for fun and

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<v Speaker 2>Richard was the kind of the ants and he won.

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<v Speaker 2>Then we had the Miguel Meistra year, which again was

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<v Speaker 2>again just a lovely group of humans. Last year this

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<v Speaker 2>season at Abby Chatfield won you know, with Grant DNA

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<v Speaker 2>and you know, Tony Perrin and everyone else. Lovely group

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<v Speaker 2>of humans and this year. We've just followed through and

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<v Speaker 2>this is going to sound really really wanky, and I

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<v Speaker 2>don't know if I've said this you in our first podcast,

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<v Speaker 2>but you know we it's the three h's, it's heart,

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<v Speaker 2>humor and heroes and if the series has that, it

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<v Speaker 2>will always it will always work. And as you know,

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<v Speaker 2>everything I do in TV is I try to make

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<v Speaker 2>as funny as possible. When I was in charge of

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<v Speaker 2>Big Brother, we would we would try and make our

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<v Speaker 2>tasks very funny, and then the challenges that we would

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<v Speaker 2>give people to do in the Big Brother House very funny.

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<v Speaker 2>I'm a celebrity naturally. A funny show Love Ireland completely

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<v Speaker 2>made with tongue in cheek. So I've always come from

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<v Speaker 2>the place that funny wins and if it's funny then

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<v Speaker 2>it will succeed. And that's obviously why they putting me

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<v Speaker 2>on these shows, because they want them to be funny.

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<v Speaker 2>They won't put me on anything that isn't supposed to

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<v Speaker 2>be funny anymore. I don't think else to do it.

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<v Speaker 1>It's true, It is so true. And something that I've

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<v Speaker 1>noticed as well is that you seem to leave the

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<v Speaker 1>camera on your contestants for longer letting the audience truly

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<v Speaker 1>get to know your talent, and it seems to be

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<v Speaker 1>a part of your brand. Is that a conscious decision that.

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<v Speaker 2>You make one hundred percent the conscious decision? You know. Luckily,

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<v Speaker 2>I work in formats that give us the ability to

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<v Speaker 2>do that. I don't like the reality shows that are

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<v Speaker 2>cut within and into their life. I don't like them,

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<v Speaker 2>you know, at all. And you know which ones I'm

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<v Speaker 2>talking about where they literally use a grab and you know,

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<v Speaker 2>let's be honest, it's it's it's frank and grabbed. You know,

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<v Speaker 2>it's like, you know, it's not a real grab. It's

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<v Speaker 2>not so you are literally not looking at a real person.

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<v Speaker 2>I love on my shows to show the real people,

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<v Speaker 2>whether that be Love Island or I'm a Celebrity or

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<v Speaker 2>Big Brother going back in the day. I just think

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<v Speaker 2>the audience love real. I just love real And as

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<v Speaker 2>I said, 'unfortunate that I have the formats that gives

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<v Speaker 2>us time to breathe. A lot of people would argue

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<v Speaker 2>that the shows are too long, and some definitely are.

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<v Speaker 2>You know, that's obviously a part of the business of television,

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<v Speaker 2>but it does give you the ability to hear people out.

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<v Speaker 2>I'm going to use Steve Price as an example and

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<v Speaker 2>when he did The Jungle. Now, Steve Price is a

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<v Speaker 2>very polarizing figure, as you know, and a lot of

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<v Speaker 2>people would completely disagree with a lot of things he

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<v Speaker 2>says in his politics. But before he did The Jungle,

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<v Speaker 2>Steve was only ever heard in soundbites, whether it was

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<v Speaker 2>on the Project or on Q and A or you

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<v Speaker 2>know whatever. You would literally hear one line at a

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<v Speaker 2>time from Steve and it only it took him coming

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<v Speaker 2>on time a celebrity, get me out of here. We

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<v Speaker 2>could actually hear him debating things with Nazim Hussein or

0:10:46.440 --> 0:10:49.560
<v Speaker 2>whoever else he was talking to, and he actually went, ah, okay,

0:10:50.200 --> 0:10:51.839
<v Speaker 2>I might still not disagree with them, but at least

0:10:51.840 --> 0:10:54.199
<v Speaker 2>im now I get his point, or I naturally now

0:10:54.280 --> 0:10:56.840
<v Speaker 2>do agree with him. And it is that the sort

0:10:56.840 --> 0:10:59.280
<v Speaker 2>of show that gives people the ability to do that.

0:10:59.320 --> 0:11:02.400
<v Speaker 2>I like to think that we really show the real

0:11:02.440 --> 0:11:05.080
<v Speaker 2>side of the celebrities. Look at Divina Rankin in this series.

0:11:05.120 --> 0:11:09.000
<v Speaker 2>You know, Devena was the bitch from Help, you know,

0:11:09.480 --> 0:11:12.679
<v Speaker 2>after Maths. It took her coming into the Jungle and

0:11:12.840 --> 0:11:15.839
<v Speaker 2>you know, jumping off a bloody tower and hanging out

0:11:15.880 --> 0:11:18.320
<v Speaker 2>with some other nice people to show that it's actually,

0:11:18.640 --> 0:11:21.200
<v Speaker 2>you know, a real human and in fact not a

0:11:21.240 --> 0:11:21.800
<v Speaker 2>bit at all.

0:11:22.040 --> 0:11:24.400
<v Speaker 1>And it's and it's becoming harder and harder to keep

0:11:24.440 --> 0:11:26.880
<v Speaker 1>that kind of stuff. I mean, there was a moment

0:11:27.000 --> 0:11:31.280
<v Speaker 1>that the television commentary website TV Tonight highlighted and that

0:11:31.360 --> 0:11:34.400
<v Speaker 1>we get to see genuine conversation in this format, which

0:11:34.800 --> 0:11:37.520
<v Speaker 1>is becoming rare and rarer amongst you know, the reality

0:11:37.559 --> 0:11:41.280
<v Speaker 1>TV space. Is there ever a pressure to say hurry

0:11:41.320 --> 0:11:43.440
<v Speaker 1>things up or to make things faster paced?

0:11:43.880 --> 0:11:47.040
<v Speaker 2>No, no, no one. I'm a celebrity again credit to

0:11:47.080 --> 0:11:49.720
<v Speaker 2>Channel ten. You know, of course you've got the opener,

0:11:49.720 --> 0:11:52.200
<v Speaker 2>which is Tonight you know, boom boom, boom, boom boom,

0:11:52.280 --> 0:11:54.760
<v Speaker 2>and it's you know, fast grabs and big paste. But

0:11:54.840 --> 0:11:58.080
<v Speaker 2>you know, the feel of I'm a Celebrity is, you know,

0:11:58.120 --> 0:12:00.240
<v Speaker 2>you're in the jungle with them, You're living in this

0:12:00.360 --> 0:12:03.199
<v Speaker 2>experience with them. So of course we have to edit

0:12:03.520 --> 0:12:05.360
<v Speaker 2>within an inch of its life because it's twenty four

0:12:05.360 --> 0:12:08.000
<v Speaker 2>hours cut down to ninety minutes. But no, there's not

0:12:08.080 --> 0:12:11.439
<v Speaker 2>really been any pressure on you know, that conversation that

0:12:11.480 --> 0:12:15.360
<v Speaker 2>you're referring to that David Knox wrote about between Nathan

0:12:15.400 --> 0:12:18.440
<v Speaker 2>Buckley and Derek Kicktt was you know fantastic.

0:12:21.360 --> 0:12:25.040
<v Speaker 3>That's part of history. You can't deny that, you can't

0:12:25.080 --> 0:12:25.520
<v Speaker 3>hide from it.

0:12:25.720 --> 0:12:27.720
<v Speaker 4>So do you think how do we move forward if

0:12:28.040 --> 0:12:29.880
<v Speaker 4>we're getting taught in schools and if.

0:12:30.160 --> 0:12:32.199
<v Speaker 3>It's going to be taught in schools. But also the

0:12:34.440 --> 0:12:37.640
<v Speaker 3>government has to acknowledge and say, yeah, we know that

0:12:38.160 --> 0:12:40.640
<v Speaker 3>we stuffed up and we made the mistake and we

0:12:41.040 --> 0:12:43.400
<v Speaker 3>had all this policy in places with the genocide and

0:12:43.400 --> 0:12:46.040
<v Speaker 3>try to wipe out the aven your people, and it's

0:12:46.040 --> 0:12:46.640
<v Speaker 3>a long way to go.

0:12:46.760 --> 0:12:49.840
<v Speaker 5>It's a long way.

0:12:51.559 --> 0:12:55.880
<v Speaker 2>In all honesty, we could have probably shown more of it. It's,

0:12:56.360 --> 0:12:58.400
<v Speaker 2>you know, an important conversation. Those are the sort of

0:12:58.400 --> 0:13:00.360
<v Speaker 2>conversations that we that we welcome on the show. The

0:13:00.360 --> 0:13:01.959
<v Speaker 2>hardest thing with our a celebrity is going to be

0:13:01.960 --> 0:13:05.120
<v Speaker 2>that we're running out celebrities. That's I mean, that's the truth.

0:13:05.120 --> 0:13:07.839
<v Speaker 2>And we were eight seasons in how good are you

0:13:07.920 --> 0:13:10.920
<v Speaker 2>at Maths? Right? Seasons in let's say fourteen celebrities a series?

0:13:10.920 --> 0:13:12.240
<v Speaker 2>What's that that's going to be there's got to be

0:13:12.240 --> 0:13:13.720
<v Speaker 2>one hundred celebrities that we've used.

0:13:13.720 --> 0:13:17.720
<v Speaker 1>Now, yeah, Math's not probably my forte but I would

0:13:17.760 --> 0:13:21.439
<v Speaker 1>say that you've probably burned through one hundred celebrities by now.

0:13:21.800 --> 0:13:24.640
<v Speaker 2>Yeah, well, well I reckon one hundred celebrities we've used

0:13:24.880 --> 0:13:27.840
<v Speaker 2>and you know, and now you've got sas and you

0:13:27.880 --> 0:13:32.160
<v Speaker 2>know Celebrity Printers and you know Master Chieft of the

0:13:32.160 --> 0:13:36.800
<v Speaker 2>Celebrity Series and Survivor and talk about doing celebrities and

0:13:36.880 --> 0:13:40.080
<v Speaker 2>you know Big Brother Vip and you know, god knows

0:13:40.120 --> 0:13:43.880
<v Speaker 2>what else is selibrity lego masters. I mean, you know,

0:13:44.679 --> 0:13:47.760
<v Speaker 2>in a a in a country where there's already a

0:13:47.920 --> 0:13:51.640
<v Speaker 2>pretty shallow celebrity pool, we've now got four or five

0:13:52.240 --> 0:13:54.640
<v Speaker 2>celebrity shows all vying for this for the same people.

0:13:54.880 --> 0:13:57.680
<v Speaker 2>It's not easy, but I like to think that we've

0:13:57.760 --> 0:13:59.520
<v Speaker 2>we've got it right, like we've got it right the

0:13:59.679 --> 0:14:01.800
<v Speaker 2>certain the last four years in a row, and we'll

0:14:01.800 --> 0:14:04.280
<v Speaker 2>get it right again next year because we know that

0:14:04.400 --> 0:14:07.040
<v Speaker 2>it is all about those characters. If you don't like

0:14:07.080 --> 0:14:09.280
<v Speaker 2>those characters, you will not watch a show. If you

0:14:09.440 --> 0:14:11.720
<v Speaker 2>like them, you will. It is as simple as that.

0:14:11.880 --> 0:14:15.439
<v Speaker 1>You know, with the actual challenges, trials, you know, et cetera.

0:14:16.040 --> 0:14:19.000
<v Speaker 1>You know they're becoming more elaborate. What is one that

0:14:19.080 --> 0:14:21.840
<v Speaker 1>you would never do? What's one that you would say

0:14:21.960 --> 0:14:23.920
<v Speaker 1>I'm a celebrity. Get me out of here.

0:14:24.320 --> 0:14:27.040
<v Speaker 2>Oh my god. Although I mean I wouldn't do any

0:14:27.040 --> 0:14:29.640
<v Speaker 2>of them. I'm the biggest pussy in the world. I

0:14:29.760 --> 0:14:31.840
<v Speaker 2>ate a scorpion wants just to show that I was

0:14:32.480 --> 0:14:34.680
<v Speaker 2>part of the team. That was my first year as

0:14:34.720 --> 0:14:39.000
<v Speaker 2>an EP. I decided to show the you know, the

0:14:39.040 --> 0:14:41.880
<v Speaker 2>team that I was one of the people, and I

0:14:42.040 --> 0:14:44.240
<v Speaker 2>ate a scorpion when we were testing on the eating trials.

0:14:44.640 --> 0:14:46.920
<v Speaker 2>I'll never do that again. But oh god, no, the

0:14:47.400 --> 0:14:50.520
<v Speaker 2>skydiving and the bungee jumping and you know, they're getting

0:14:50.520 --> 0:14:54.200
<v Speaker 2>covered in the ship and I'm sorry, but the celebrities

0:14:54.240 --> 0:14:56.640
<v Speaker 2>have paid a decent amount of money to do the show.

0:14:56.640 --> 0:14:58.360
<v Speaker 2>That's not my job. Someone else can do it. There's

0:14:58.400 --> 0:15:01.640
<v Speaker 2>not a chance I'd do it. So yeah, So there's.

0:15:01.400 --> 0:15:04.440
<v Speaker 1>Not one challenge that is still giving you nightmares all

0:15:04.440 --> 0:15:07.760
<v Speaker 1>these years later. I mean, I've watched the show every series,

0:15:08.120 --> 0:15:10.880
<v Speaker 1>and while the challenges get more and more elaborate each year,

0:15:11.360 --> 0:15:13.560
<v Speaker 1>there was this one that you did back in Africa,

0:15:13.640 --> 0:15:16.880
<v Speaker 1>which was like on this cliff top and I remember

0:15:16.920 --> 0:15:19.520
<v Speaker 1>thinking at home, you can't do this to people.

0:15:20.000 --> 0:15:21.840
<v Speaker 2>I'll tell you a story about that day. So that's

0:15:21.880 --> 0:15:25.200
<v Speaker 2>that trial was called Trouble Bath and for anyone listening,

0:15:25.200 --> 0:15:26.720
<v Speaker 2>basically what we ended up doing was put them in

0:15:26.760 --> 0:15:29.400
<v Speaker 2>a bath tub and they went down a kind of

0:15:29.440 --> 0:15:32.680
<v Speaker 2>a ramp and they thought that they were going to

0:15:32.800 --> 0:15:34.800
<v Speaker 2>go off the edge of this cliff. But what in

0:15:34.840 --> 0:15:37.120
<v Speaker 2>fact happens the bath stopped and tipped a little bit,

0:15:37.160 --> 0:15:39.080
<v Speaker 2>and then you just kind of laughed at their reaction,

0:15:39.160 --> 0:15:42.240
<v Speaker 2>but it was still terrifying because this cliff Africa, it's

0:15:42.240 --> 0:15:46.280
<v Speaker 2>called Maurice Corp. It's like thirteen hundred meters off the ground,

0:15:46.360 --> 0:15:49.880
<v Speaker 2>like it is a proper mountain, and they're all shit

0:15:49.920 --> 0:15:52.040
<v Speaker 2>their pants and it was all hilarious. And now the

0:15:52.080 --> 0:15:55.440
<v Speaker 2>actual story about that day is that a fog rolled

0:15:55.480 --> 0:15:58.680
<v Speaker 2>in and we were unable to do what we were

0:15:58.720 --> 0:16:01.640
<v Speaker 2>supposed to do, which was that they were actually going

0:16:01.680 --> 0:16:04.720
<v Speaker 2>to be harnessed to a helicopter, So they were going

0:16:04.720 --> 0:16:06.720
<v Speaker 2>to the bath was going to run down the track

0:16:07.120 --> 0:16:09.880
<v Speaker 2>and tip them, and they were actually going to go

0:16:09.880 --> 0:16:12.120
<v Speaker 2>off the edge of the cliff. But they were but

0:16:12.160 --> 0:16:14.840
<v Speaker 2>they were picked up and attached to a helicopter which

0:16:14.880 --> 0:16:16.600
<v Speaker 2>was then going to lift them and drop them a

0:16:16.600 --> 0:16:19.680
<v Speaker 2>couple hundred meters down down the road. So it was

0:16:19.720 --> 0:16:23.520
<v Speaker 2>actually more full on than that it ended up being.

0:16:23.760 --> 0:16:27.040
<v Speaker 2>But the fog ended up killing that idea. But hey,

0:16:27.240 --> 0:16:28.920
<v Speaker 2>it worked and how you remember it. So it was

0:16:28.920 --> 0:16:31.040
<v Speaker 2>obviously a bloody con travel. Yes, I wouldn't have done

0:16:31.080 --> 0:16:34.120
<v Speaker 2>that one that I've never seen it control them all

0:16:34.200 --> 0:16:37.400
<v Speaker 2>with their heart and their mouth as much was two

0:16:37.480 --> 0:16:41.560
<v Speaker 2>years ago. So it was Miguel Mith, Warhurst, Tom Williams,

0:16:42.320 --> 0:16:45.280
<v Speaker 2>and I want to say, Ryan Gallagher and Charlotte Crosby

0:16:45.880 --> 0:16:48.240
<v Speaker 2>and they were jumping out of a helicopter attached to

0:16:48.280 --> 0:16:51.560
<v Speaker 2>a bungee cord and then literally getting dangled upside down

0:16:51.920 --> 0:16:54.440
<v Speaker 2>and delivered a few one hundred meters down the road.

0:16:54.840 --> 0:16:57.400
<v Speaker 2>So Charlotte said no, Charlotte said I'm slip to get

0:16:57.400 --> 0:16:59.520
<v Speaker 2>me out of it straight away, and she didn't do it.

0:17:00.080 --> 0:17:03.920
<v Speaker 2>I think Miguel went first, and we were all watching

0:17:04.000 --> 0:17:08.320
<v Speaker 2>from the control and honestly, my heart was pounding. We'd

0:17:08.359 --> 0:17:11.400
<v Speaker 2>never done bungee and helicopters before, and you know, all

0:17:11.400 --> 0:17:13.920
<v Speaker 2>these horrible thoughts go through your head. And then Miguel's

0:17:13.920 --> 0:17:15.560
<v Speaker 2>got safely on the ground. But then it was Myth.

0:17:15.720 --> 0:17:19.120
<v Speaker 2>Because everyone loves Myth Warhurst. It was like, please, can

0:17:19.119 --> 0:17:22.080
<v Speaker 2>we not kill Myth Warhurst. Luckily we didn't. You know,

0:17:22.160 --> 0:17:25.080
<v Speaker 2>obviously all the trials are incredibly safely, like they just

0:17:25.119 --> 0:17:28.399
<v Speaker 2>go through so many pairs of hands of safety and

0:17:28.480 --> 0:17:30.479
<v Speaker 2>everyone got on the ground safety. But bloody hell, that

0:17:30.560 --> 0:17:33.280
<v Speaker 2>was a like that. That was a twenty five cigarette

0:17:33.320 --> 0:17:34.200
<v Speaker 2>and three hours day.

0:17:34.480 --> 0:17:37.240
<v Speaker 1>Is it also tempting with pre records to take advantage

0:17:37.280 --> 0:17:40.359
<v Speaker 1>of controlling some of those elements or heightening the situation

0:17:40.640 --> 0:17:43.119
<v Speaker 1>with production to make the show look more elaborate?

0:17:44.040 --> 0:17:47.040
<v Speaker 2>That that looked budgetary constraint, Skinner, Look, I'm a celebrit,

0:17:47.040 --> 0:17:48.159
<v Speaker 2>get me out of here as a twenty four hour

0:17:48.200 --> 0:17:50.440
<v Speaker 2>turn around show, and truth be told, whether it's pre

0:17:50.520 --> 0:17:53.320
<v Speaker 2>recorded or twenty four hour turnaround, the budget is the same.

0:17:53.680 --> 0:17:56.359
<v Speaker 2>So the answer to that is no, based on purely

0:17:56.359 --> 0:17:59.160
<v Speaker 2>on mommy just so you know and everybody knows. Yes,

0:17:59.160 --> 0:18:00.800
<v Speaker 2>it's pre recorded and you know it might have been

0:18:00.840 --> 0:18:02.199
<v Speaker 2>in the camp a couple of months ago. But we

0:18:02.320 --> 0:18:05.320
<v Speaker 2>make the show in exactly the same way. The celebrities

0:18:05.359 --> 0:18:07.359
<v Speaker 2>are in the camp every day and we make an

0:18:07.359 --> 0:18:10.720
<v Speaker 2>episode every single day. That's why it looks and feels

0:18:11.119 --> 0:18:13.160
<v Speaker 2>the same as it does when it's in South Africa.

0:18:13.320 --> 0:18:16.120
<v Speaker 2>They still give themselves twenty four hours to cut an

0:18:16.119 --> 0:18:18.879
<v Speaker 2>episode by In fact, it's less than that and deliver

0:18:18.920 --> 0:18:21.680
<v Speaker 2>an episode, and that's why it looks and feels the same,

0:18:21.720 --> 0:18:24.240
<v Speaker 2>So there is no less pressure. In fact, there's even

0:18:24.240 --> 0:18:28.600
<v Speaker 2>more pressure to deliver a pre recorded season than alive one.

0:18:28.840 --> 0:18:31.359
<v Speaker 1>It is funny though, because on some of these shows

0:18:31.400 --> 0:18:34.240
<v Speaker 1>these days that are pre recorded, they take advantage of saying,

0:18:34.240 --> 0:18:36.800
<v Speaker 1>you know, climbing through the air vents, which of course

0:18:36.880 --> 0:18:39.439
<v Speaker 1>would never happen. And I kind of thought, you know,

0:18:39.520 --> 0:18:42.560
<v Speaker 1>with you this year that you may have staged a

0:18:42.600 --> 0:18:44.960
<v Speaker 1>part of Poe's entrance where she sort of fell through

0:18:44.960 --> 0:18:47.399
<v Speaker 1>the ground and ended up in this bunker. But that

0:18:48.040 --> 0:18:50.600
<v Speaker 1>I thought surely was stage. But then I was told that,

0:18:50.920 --> 0:18:53.480
<v Speaker 1>you know, that was all real, and Poe really had

0:18:53.520 --> 0:18:56.760
<v Speaker 1>no idea what was going to happen, and she absolusolutely

0:18:56.760 --> 0:18:57.800
<v Speaker 1>slipped into this bunker.

0:18:58.119 --> 0:19:01.919
<v Speaker 2>That's correct. Poe and and Joey all had no idea

0:19:01.920 --> 0:19:06.000
<v Speaker 2>what they were sliding down into. So yes, that's correct.

0:19:06.040 --> 0:19:08.240
<v Speaker 2>So look, there are some very elaborate builds. We have,

0:19:08.359 --> 0:19:10.720
<v Speaker 2>you know, the best art team in the world, I

0:19:10.720 --> 0:19:12.280
<v Speaker 2>think on hon a celebrity, get me out of here

0:19:12.600 --> 0:19:15.400
<v Speaker 2>to turn around those trials and those you know, those

0:19:15.440 --> 0:19:20.119
<v Speaker 2>production values on a daily basis is quite exceptional. I mean,

0:19:20.160 --> 0:19:25.120
<v Speaker 2>we're talking the stuff of movies here every day. So look,

0:19:25.440 --> 0:19:27.560
<v Speaker 2>you know, I'm completely spoiled with the team I've got

0:19:27.640 --> 0:19:30.199
<v Speaker 2>on the show. I just obviously can't do it album.

0:19:30.440 --> 0:19:31.480
<v Speaker 2>It's an amazing team.

0:19:31.760 --> 0:19:33.800
<v Speaker 1>We sort of touched on this a little bit earlier,

0:19:33.800 --> 0:19:37.720
<v Speaker 1>but most reality shows need some sort of conflict to survive,

0:19:37.800 --> 0:19:40.240
<v Speaker 1>and I think I'm a celebrity of people say it's

0:19:40.359 --> 0:19:44.320
<v Speaker 1>very kombay r. I personally do like a bit of conflict,

0:19:44.400 --> 0:19:46.600
<v Speaker 1>But is that too off brand for what you know

0:19:46.600 --> 0:19:48.439
<v Speaker 1>you're supposed to do with I'm a celebrity. Get me

0:19:48.440 --> 0:19:48.840
<v Speaker 1>out of here.

0:19:49.080 --> 0:19:51.760
<v Speaker 2>Well, look I disagree. I don't believe it. Doesn't it conflict.

0:19:52.280 --> 0:19:55.720
<v Speaker 2>I come from the school of thought that if conflict happens, great,

0:19:56.000 --> 0:19:58.200
<v Speaker 2>we'll take it, and obviously it will go on the show,

0:19:58.600 --> 0:20:01.639
<v Speaker 2>but you can't force it. I will never on our

0:20:01.680 --> 0:20:05.040
<v Speaker 2>shows deliberately hit people against each other or try and

0:20:05.080 --> 0:20:09.359
<v Speaker 2>play a production trick to make someone angry with somebody else.

0:20:10.000 --> 0:20:12.359
<v Speaker 2>I'm a celebrity and you know, and love on to

0:20:12.400 --> 0:20:14.000
<v Speaker 2>a certain extent, all the love on it's kind of

0:20:14.000 --> 0:20:16.520
<v Speaker 2>different because you know they are competing for love interest,

0:20:16.600 --> 0:20:19.640
<v Speaker 2>So there is you know, conflict will happen every time,

0:20:19.760 --> 0:20:22.119
<v Speaker 2>but again not forced by us. It will just happen.

0:20:22.280 --> 0:20:23.760
<v Speaker 2>But I'm a celebrity getting out of here.

0:20:24.000 --> 0:20:24.159
<v Speaker 5>You know.

0:20:24.200 --> 0:20:26.520
<v Speaker 2>We had a little spat the other night between Nathan

0:20:26.560 --> 0:20:29.199
<v Speaker 2>Buckley and Joey and Joey you know, licked the wooden spoon.

0:20:29.680 --> 0:20:32.320
<v Speaker 2>There was a little thing between Dipper and Abby last

0:20:32.400 --> 0:20:35.879
<v Speaker 2>year where you know, Dipper questioned the house small Abby

0:20:35.960 --> 0:20:38.320
<v Speaker 2>swimmers were said he wouldn't let it go out like

0:20:38.320 --> 0:20:39.200
<v Speaker 2>that if he was a daughter.

0:20:39.240 --> 0:20:39.399
<v Speaker 6>You know.

0:20:39.480 --> 0:20:46.720
<v Speaker 2>So those natural conversations are fantastic. Do I go out

0:20:46.920 --> 0:20:47.280
<v Speaker 2>like that?

0:20:47.359 --> 0:20:48.760
<v Speaker 5>But why did determine what we wear?

0:20:49.600 --> 0:20:55.679
<v Speaker 2>Well, it's like your your shaking attention and asking for

0:20:55.920 --> 0:20:57.360
<v Speaker 2>you know, that's what said.

0:20:57.160 --> 0:20:59.560
<v Speaker 4>To be like five times in here, and that's what

0:20:59.560 --> 0:21:02.200
<v Speaker 4>that differ. It's me not that I'm thinking like, oh

0:21:02.200 --> 0:21:03.040
<v Speaker 4>I should cover up.

0:21:03.560 --> 0:21:06.840
<v Speaker 7>It's just like I don't want that that idea to

0:21:06.880 --> 0:21:07.480
<v Speaker 7>be pushed.

0:21:10.400 --> 0:21:12.240
<v Speaker 2>But you know, I imagine how staged and how shit

0:21:12.280 --> 0:21:13.680
<v Speaker 2>it would look if we were you know, in their

0:21:13.720 --> 0:21:15.560
<v Speaker 2>ears saying you know, you should definitely have a go

0:21:15.640 --> 0:21:17.720
<v Speaker 2>at blah blah, because he's been saying this about you

0:21:18.000 --> 0:21:19.760
<v Speaker 2>that's not what we make, it's not what we do.

0:21:20.080 --> 0:21:22.920
<v Speaker 2>So look, I would take issue with anyone saying, yes,

0:21:23.080 --> 0:21:25.320
<v Speaker 2>a successful show has to have conflict. I think that

0:21:25.400 --> 0:21:28.160
<v Speaker 2>we have proved over the last three or four years

0:21:28.200 --> 0:21:30.879
<v Speaker 2>that that is not correct. And I think you know,

0:21:30.960 --> 0:21:33.000
<v Speaker 2>other shows have done it. Well, you know Lego Master's

0:21:33.080 --> 0:21:36.679
<v Speaker 2>Master Chef. You know, they're a bit more stunty than

0:21:36.720 --> 0:21:39.959
<v Speaker 2>I'm a celebrity, but they come from the same school

0:21:39.960 --> 0:21:42.760
<v Speaker 2>of thought I think, which is you don't need to

0:21:42.800 --> 0:21:46.800
<v Speaker 2>have manufactured fighting to have a successful brand.

0:21:47.240 --> 0:21:49.960
<v Speaker 1>This we touched on on the podcast last year. But

0:21:50.040 --> 0:21:52.119
<v Speaker 1>you know, now it's the second season that's been filmed

0:21:52.119 --> 0:21:54.760
<v Speaker 1>here in Australia. Do you know if the show has

0:21:54.760 --> 0:21:57.720
<v Speaker 1>now made a permanent move away from Africa, like, will

0:21:57.800 --> 0:21:58.760
<v Speaker 1>you ever go back there?

0:21:59.160 --> 0:22:00.960
<v Speaker 2>Well, no, our plan will always be to go back

0:22:01.000 --> 0:22:04.200
<v Speaker 2>to Africa. Look, I don't know, We're still on air

0:22:04.320 --> 0:22:07.080
<v Speaker 2>with season and eight at the moment, I don't know

0:22:07.800 --> 0:22:10.440
<v Speaker 2>where the conversations will go with season nine. It would

0:22:10.400 --> 0:22:13.280
<v Speaker 2>be a conversation between my boss, David mottin Beverly mcgarvet

0:22:13.320 --> 0:22:15.600
<v Speaker 2>at the network. It all comes down to money generally,

0:22:15.560 --> 0:22:18.320
<v Speaker 2>you know, generally, let's be honest, it's a lot cheaper

0:22:18.320 --> 0:22:20.240
<v Speaker 2>to shoot in South Africa and we can make a

0:22:20.240 --> 0:22:23.800
<v Speaker 2>lot more TV over there for the dollar. The show

0:22:23.920 --> 0:22:26.600
<v Speaker 2>has worked in Australia. We found a creative solution with

0:22:26.640 --> 0:22:30.119
<v Speaker 2>the massive ejections and you know all that all of

0:22:30.160 --> 0:22:33.040
<v Speaker 2>that business to fill the hours and two and to

0:22:33.160 --> 0:22:35.360
<v Speaker 2>get a descent series away. And you know, as we've

0:22:35.480 --> 0:22:37.600
<v Speaker 2>spoken about, the last two series have definitely worked and

0:22:37.600 --> 0:22:41.520
<v Speaker 2>a lot of people actually prefer the Australian version. But

0:22:41.680 --> 0:22:44.359
<v Speaker 2>I would say that the plan would be to return

0:22:44.359 --> 0:22:47.800
<v Speaker 2>to South Africa next year if if the pandemic allows

0:22:47.880 --> 0:22:48.080
<v Speaker 2>us to do.

0:22:48.400 --> 0:22:50.400
<v Speaker 1>This is something that I really want to know. So

0:22:50.680 --> 0:22:52.760
<v Speaker 1>how did you manage to keep the celebrities names out

0:22:52.800 --> 0:22:55.879
<v Speaker 1>of the media this year? I usually get the entire

0:22:56.000 --> 0:22:58.760
<v Speaker 1>cast list lead to me somehow, and I did know

0:22:58.800 --> 0:23:01.040
<v Speaker 1>that bo Ryan was doing it, and I also was

0:23:01.080 --> 0:23:04.040
<v Speaker 1>told that he walks from the show, but ultimately I

0:23:04.119 --> 0:23:06.159
<v Speaker 1>had to watch the launch to find out who is

0:23:06.200 --> 0:23:08.760
<v Speaker 1>in the so called jungle. How did you do it?

0:23:08.920 --> 0:23:10.600
<v Speaker 2>Trust? I think, you know, I think we've got to

0:23:10.640 --> 0:23:13.800
<v Speaker 2>the stage now where we can honestly say to the

0:23:13.840 --> 0:23:17.280
<v Speaker 2>celebrities and it is true, this show will rate better

0:23:18.119 --> 0:23:20.120
<v Speaker 2>if no one knows who you are on day one,

0:23:20.880 --> 0:23:24.320
<v Speaker 2>and that is a fact. I'm a celebrity trades on

0:23:24.480 --> 0:23:27.200
<v Speaker 2>Mystery of day one. And if you know a million

0:23:27.240 --> 0:23:29.040
<v Speaker 2>people turn up on day one to see who the

0:23:29.080 --> 0:23:31.879
<v Speaker 2>celebrities are, then obviously you are often running and you

0:23:31.880 --> 0:23:34.800
<v Speaker 2>know you've got the foundations of a very successful series.

0:23:35.000 --> 0:23:39.359
<v Speaker 2>So I, myself and Rema say that to every celebrity,

0:23:39.680 --> 0:23:43.960
<v Speaker 2>please do not tell anybody, and I mean anybody. Of course,

0:23:43.960 --> 0:23:45.720
<v Speaker 2>they've got to tell the families and their agents know

0:23:45.880 --> 0:23:48.520
<v Speaker 2>because their agent's obviously broken the deal for them. Other

0:23:48.560 --> 0:23:52.879
<v Speaker 2>than that, there is literally no reason for anybody to know.

0:23:53.400 --> 0:23:56.280
<v Speaker 2>And in previous years, you know, I have no doubt

0:23:56.280 --> 0:23:58.280
<v Speaker 2>that people have spoken out to school. There's no question

0:23:58.320 --> 0:24:01.159
<v Speaker 2>because it's just been so many leagues. But you know,

0:24:01.240 --> 0:24:03.760
<v Speaker 2>it was easy with Joey because he's not in Australia.

0:24:03.960 --> 0:24:06.320
<v Speaker 2>It was bloody easy with David because he's not even

0:24:06.320 --> 0:24:08.600
<v Speaker 2>a celebrity. You know.

0:24:08.880 --> 0:24:12.040
<v Speaker 1>I spoke to David Sabritski the day before just because

0:24:12.160 --> 0:24:14.679
<v Speaker 1>I'd seen this photo on Facebook, you know, for a

0:24:14.720 --> 0:24:17.520
<v Speaker 1>friend's New Year's Eve party, and it was at that residence,

0:24:17.560 --> 0:24:20.680
<v Speaker 1>you know, where David lives, and you know David wrote back,

0:24:20.960 --> 0:24:24.119
<v Speaker 1>didn't say anything, you know, blah blah blah, but even

0:24:24.400 --> 0:24:26.960
<v Speaker 1>you know, well as a friend of mine, I managed

0:24:26.960 --> 0:24:29.800
<v Speaker 1>to have no idea. And so I'm watching it on television,

0:24:29.800 --> 0:24:31.760
<v Speaker 1>you know, with the rest of Australia on launch night,

0:24:32.160 --> 0:24:35.119
<v Speaker 1>and I had to rub my eyes because for people

0:24:35.320 --> 0:24:38.200
<v Speaker 1>you know listening to this podcast, you know, David Sabritski

0:24:38.320 --> 0:24:41.320
<v Speaker 1>is Layla Sabritski's brother who I did Big Brother with

0:24:41.440 --> 0:24:44.320
<v Speaker 1>back in twenty twelve, so you know, I knew the

0:24:44.320 --> 0:24:47.000
<v Speaker 1>family pretty well. I've known David since he was fifteen

0:24:47.119 --> 0:24:50.159
<v Speaker 1>years of age, so I couldn't believe that I didn't

0:24:50.200 --> 0:24:53.119
<v Speaker 1>know this was going to happen. I mean, I talked

0:24:53.119 --> 0:24:56.040
<v Speaker 1>to Laila all the time, and obviously she didn't mention it,

0:24:56.840 --> 0:24:59.440
<v Speaker 1>and she's pretty good at keeping secret, so there's probably

0:24:59.480 --> 0:25:02.760
<v Speaker 1>no shock. But I was just shocked that I knew

0:25:02.800 --> 0:25:05.320
<v Speaker 1>someone so well who managed to take part in the

0:25:05.400 --> 0:25:07.960
<v Speaker 1>series and keep it a complete secret.

0:25:07.640 --> 0:25:10.080
<v Speaker 2>We put the fear of God in them, like literally,

0:25:10.119 --> 0:25:12.080
<v Speaker 2>the fear of God in them. The poor the poor boy,

0:25:12.920 --> 0:25:14.920
<v Speaker 2>I'll talk you through the day when we told him

0:25:14.920 --> 0:25:17.719
<v Speaker 2>about this idea. So just so everyone listening knows, David

0:25:17.840 --> 0:25:22.200
<v Speaker 2>was a stand in last year in Australia, we put

0:25:22.280 --> 0:25:25.879
<v Speaker 2>him in again. You know, obviously I put Leila on

0:25:25.920 --> 0:25:27.840
<v Speaker 2>Big Brother the same year that you went in it,

0:25:28.600 --> 0:25:31.760
<v Speaker 2>and so I knew the family very kind of loosely.

0:25:32.359 --> 0:25:37.040
<v Speaker 2>Sky a brilliant producer, My ex partner knows David through

0:25:37.760 --> 0:25:40.080
<v Speaker 2>some standing work. She offered him up as a stand

0:25:40.080 --> 0:25:42.960
<v Speaker 2>in for the Jungle. He went in. He made everybody

0:25:43.040 --> 0:25:45.960
<v Speaker 2>laugh so much. And I'd been knocking around this fake

0:25:46.040 --> 0:25:49.200
<v Speaker 2>celebrity idea for three years and three years ago Bev

0:25:49.280 --> 0:25:52.800
<v Speaker 2>said no, and two years ago Bev said no. And

0:25:52.880 --> 0:25:56.120
<v Speaker 2>this year we finally went in with David attached as

0:25:56.119 --> 0:25:58.879
<v Speaker 2>the fake celebrity, and we showed a little video of

0:25:58.960 --> 0:26:01.800
<v Speaker 2>him in the ball Ordrome and I said, come on, Bev,

0:26:01.920 --> 0:26:05.240
<v Speaker 2>this is the year. You know remember the Logan Twins,

0:26:05.359 --> 0:26:07.720
<v Speaker 2>Remember you know that that kind of the thing that

0:26:07.800 --> 0:26:10.960
<v Speaker 2>make gets Australia talking. It needs it needs something fun

0:26:11.000 --> 0:26:13.119
<v Speaker 2>for the first week, and this is the man to

0:26:13.160 --> 0:26:20.840
<v Speaker 2>pull it off. Luckily she agreed, I'm definitely not a celebrity, but.

0:26:21.760 --> 0:26:25.679
<v Speaker 5>He will be with you as his comer.

0:26:27.040 --> 0:26:28.719
<v Speaker 3>He will become.

0:26:30.119 --> 0:26:31.080
<v Speaker 5>The David.

0:26:34.480 --> 0:26:37.280
<v Speaker 2>But anyway, so Rumor and I went to and so

0:26:37.560 --> 0:26:39.760
<v Speaker 2>he lives with this, he lives with his boyfriend. Enough,

0:26:40.000 --> 0:26:41.440
<v Speaker 2>I'm sure he won't mind me saying he lives in

0:26:41.480 --> 0:26:43.800
<v Speaker 2>his boyfriend with his boyfriend at the Versace You know

0:26:43.880 --> 0:26:47.159
<v Speaker 2>this bend, don't he? Of course? Of course, the bloody

0:26:47.240 --> 0:26:52.399
<v Speaker 2>VERSACEI hotel. We walked in and we've sat down, and

0:26:52.440 --> 0:26:56.000
<v Speaker 2>he has no idea what we want, no idea. I

0:26:56.040 --> 0:26:57.399
<v Speaker 2>think he thought that we'd come to talk to him

0:26:57.400 --> 0:26:59.520
<v Speaker 2>about some you know, being a standing again and doing

0:26:59.520 --> 0:27:05.000
<v Speaker 2>something like that. And we sat down and we said, right,

0:27:05.240 --> 0:27:07.720
<v Speaker 2>what we're about to tell you is going to change

0:27:07.720 --> 0:27:10.120
<v Speaker 2>your life. And what we're about to tell you you're

0:27:10.160 --> 0:27:12.960
<v Speaker 2>not going to be able to tell anybody else until

0:27:12.960 --> 0:27:15.399
<v Speaker 2>February next year, or till January next year, because this

0:27:15.480 --> 0:27:18.160
<v Speaker 2>was we're going back to probably June twenty twenty one.

0:27:18.640 --> 0:27:21.360
<v Speaker 6>And we've never seen a kid with wider eyes. And

0:27:21.400 --> 0:27:23.880
<v Speaker 6>I said, I think, I said, we want to make

0:27:23.960 --> 0:27:26.719
<v Speaker 6>you celebrity. We want to put you in the jungle.

0:27:27.119 --> 0:27:29.439
<v Speaker 6>We want to give you a fake persona, and we

0:27:29.440 --> 0:27:31.320
<v Speaker 6>don't even know what it was yet. Rima had the

0:27:31.400 --> 0:27:34.080
<v Speaker 6>Reema came up with the shoe designer idea, it's brilliant.

0:27:34.480 --> 0:27:38.720
<v Speaker 2>We want to give you a fake persona and he

0:27:38.840 --> 0:27:40.920
<v Speaker 2>was just nodding along, and it's like, oh my god,

0:27:41.119 --> 0:27:42.120
<v Speaker 2>oh my god, oh my god.

0:27:42.520 --> 0:27:44.600
<v Speaker 1>I can see his face, like as you tell that story,

0:27:44.720 --> 0:27:46.040
<v Speaker 1>I can see David's face.

0:27:47.240 --> 0:27:50.440
<v Speaker 2>And his partner Stevie away to the coffee shop so

0:27:50.480 --> 0:27:51.840
<v Speaker 2>he couldn't hear it, and he was just like, I

0:27:51.840 --> 0:27:53.800
<v Speaker 2>have to tell Stevie. I have to tell Stevie, you know,

0:27:54.320 --> 0:27:56.359
<v Speaker 2>you know, he's my partner. And glas I said, right,

0:27:56.400 --> 0:27:58.840
<v Speaker 2>you can tell Stevie, you can't tell anybody else. So

0:27:58.880 --> 0:28:01.359
<v Speaker 2>then Stevie came up, we told him as well, and

0:28:01.400 --> 0:28:04.080
<v Speaker 2>we left them and their heads were just It was

0:28:04.080 --> 0:28:05.879
<v Speaker 2>the perfect man for the job. And it was lucky,

0:28:05.960 --> 0:28:08.679
<v Speaker 2>you know, it worked. I was lucky enough to be

0:28:10.320 --> 0:28:12.480
<v Speaker 2>a dream world for the Logan twins and how that

0:28:12.680 --> 0:28:15.840
<v Speaker 2>played out and Farmer Dave, which had never gone away

0:28:15.880 --> 0:28:18.199
<v Speaker 2>with nowadays telling someone to pretend they're not gay, but

0:28:18.920 --> 0:28:22.520
<v Speaker 2>for that one as well, and it felt just as

0:28:22.600 --> 0:28:25.640
<v Speaker 2>exciting as that, just knowing that it could all fall

0:28:25.680 --> 0:28:29.240
<v Speaker 2>apart at any moment. It was a very very exciting

0:28:29.320 --> 0:28:31.600
<v Speaker 2>first five days of the shoot, very exciting.

0:28:34.840 --> 0:28:37.520
<v Speaker 4>I personally think I'm good at bullshit in but this

0:28:37.560 --> 0:28:40.360
<v Speaker 4>is going to be the ultimate tack. I'm going to

0:28:40.400 --> 0:28:42.880
<v Speaker 4>have to lie about my manager that I've never had

0:28:43.080 --> 0:28:45.800
<v Speaker 4>events that I've never been to. It is going to

0:28:45.880 --> 0:28:49.160
<v Speaker 4>be so hard, but I am ready to take on

0:28:49.240 --> 0:28:51.920
<v Speaker 4>this persona. I am the David.

0:28:52.600 --> 0:28:59.800
<v Speaker 1>It's showtime, bitches. It was just so exciting for so

0:28:59.800 --> 0:29:02.440
<v Speaker 1>many any of our circle of friends who knew David,

0:29:02.840 --> 0:29:06.240
<v Speaker 1>We're all texting like mad of course, and I texted David,

0:29:06.520 --> 0:29:08.920
<v Speaker 1>you know, while this was all unfolding, and he was

0:29:08.920 --> 0:29:11.520
<v Speaker 1>the only one answering his phone because obviously at this

0:29:11.560 --> 0:29:14.320
<v Speaker 1>point he was throwing a massive party for himself.

0:29:16.320 --> 0:29:18.680
<v Speaker 2>That is, he forgot about the time difference. He threw

0:29:18.720 --> 0:29:21.280
<v Speaker 2>the wild party in Queensland and by the time the

0:29:21.320 --> 0:29:23.920
<v Speaker 2>show launched up here there was a food already been

0:29:23.920 --> 0:29:25.800
<v Speaker 2>on TV for an hour, so he completely fucked it

0:29:25.880 --> 0:29:27.200
<v Speaker 2>up already knew.

0:29:28.200 --> 0:29:30.760
<v Speaker 1>Just brilliant and he also nailed the brief. I mean,

0:29:30.800 --> 0:29:33.440
<v Speaker 1>I think that David is and always has been a

0:29:33.440 --> 0:29:37.080
<v Speaker 1>celebrity in my mind. You just need to follow him

0:29:37.080 --> 0:29:39.080
<v Speaker 1>on social media to know that he's been living this

0:29:39.160 --> 0:29:42.080
<v Speaker 1>life like the life of a celebrity for years and

0:29:42.080 --> 0:29:43.920
<v Speaker 1>now the rest of Australia has just seemed to have,

0:29:44.120 --> 0:29:46.200
<v Speaker 1>you know, caught up Big Top.

0:29:46.120 --> 0:29:48.800
<v Speaker 2>And we will go to every opening around.

0:29:48.920 --> 0:29:58.000
<v Speaker 1>Now Poe has come out saying that this is the

0:29:58.080 --> 0:29:59.920
<v Speaker 1>eighth time that you've asked her to do the show.

0:30:00.440 --> 0:30:03.440
<v Speaker 1>Who has been asked the most in the history of

0:30:03.480 --> 0:30:06.480
<v Speaker 1>the show. Has she got? She got the record for

0:30:06.520 --> 0:30:09.120
<v Speaker 1>the most amount of times you've ever asked a celebrity.

0:30:09.320 --> 0:30:12.120
<v Speaker 2>We asked Sophie Monk every single year until she got

0:30:12.120 --> 0:30:13.640
<v Speaker 2>the Love Ole and Gig and there obviously we could

0:30:13.640 --> 0:30:16.360
<v Speaker 2>no longer ask her because she was on our other show.

0:30:16.480 --> 0:30:18.880
<v Speaker 2>So we asked Sophie at least at least six times

0:30:20.640 --> 0:30:23.320
<v Speaker 2>every single year. Who's the other ones that we've asked

0:30:23.320 --> 0:30:27.040
<v Speaker 2>every I mean, George Columbaris, We've asked every year. You

0:30:27.080 --> 0:30:30.840
<v Speaker 2>know all that the Master Chef judges, certain Americans that

0:30:30.880 --> 0:30:33.760
<v Speaker 2>always say, know Ralph Macchio and you know John Claud

0:30:33.880 --> 0:30:37.120
<v Speaker 2>van Dam and they always we always go back and

0:30:37.160 --> 0:30:39.360
<v Speaker 2>ask them. I'm not even going to talk about Gretel Colleen.

0:30:39.640 --> 0:30:43.680
<v Speaker 1>Gretel Colleen, I actually wanted to do Big Brother VI

0:30:43.880 --> 0:30:46.680
<v Speaker 1>p I. I just know she would never do it.

0:30:46.720 --> 0:30:49.600
<v Speaker 1>I mean, imagine it Son your Krueger and Gretel Colleen

0:30:50.000 --> 0:30:51.760
<v Speaker 1>on the same stage in the same format.

0:30:52.080 --> 0:30:54.360
<v Speaker 2>She would she certainly would never make this this version

0:30:54.360 --> 0:30:57.000
<v Speaker 2>of Big Brother, or certainly not appear on it. There's

0:30:57.080 --> 0:30:59.000
<v Speaker 2>just no way she would just never ever do it.

0:31:00.080 --> 0:31:05.480
<v Speaker 7>Ye call it what you like, but my journey he's over.

0:31:06.840 --> 0:31:10.200
<v Speaker 7>I love you guys, and honestly, to get me out

0:31:10.200 --> 0:31:10.480
<v Speaker 7>of here.

0:31:13.320 --> 0:31:16.600
<v Speaker 1>We have to talk about this. Why did Bo Ryan

0:31:16.720 --> 0:31:19.720
<v Speaker 1>leave the jungle? There is a lot of commentary in

0:31:19.760 --> 0:31:22.880
<v Speaker 1>the media. Is there something that we're missing? There seems

0:31:22.920 --> 0:31:25.040
<v Speaker 1>to be more to the story of you ask me.

0:31:25.680 --> 0:31:27.800
<v Speaker 1>I was told what happened when it happened, and was

0:31:27.840 --> 0:31:31.160
<v Speaker 1>told he may have walked because he was bored. I'm

0:31:31.160 --> 0:31:34.000
<v Speaker 1>assuming that that's probably not true. But how much can

0:31:34.040 --> 0:31:34.760
<v Speaker 1>we talk about this?

0:31:35.760 --> 0:31:37.160
<v Speaker 2>A lot of untruth? So I can tell you what

0:31:37.280 --> 0:31:42.160
<v Speaker 2>definitely is not true is that definitely was nothing between

0:31:42.240 --> 0:31:44.400
<v Speaker 2>him and Nathan about money. They certainly never told each

0:31:44.400 --> 0:31:45.760
<v Speaker 2>other how much I were getting paid. There's no way

0:31:45.800 --> 0:31:47.480
<v Speaker 2>Bow got paid nothing. I can tell you that much.

0:31:47.520 --> 0:31:49.680
<v Speaker 2>And you know, the Nathan bucket feed might be a

0:31:49.720 --> 0:31:52.280
<v Speaker 2>bit inflated as well, but there was certainly no rift

0:31:52.360 --> 0:31:56.280
<v Speaker 2>between them. I was starving, That's the fact of the matter.

0:31:56.320 --> 0:31:59.680
<v Speaker 2>Bo was absolutely starving, hungry, him and Joey. You know,

0:31:59.760 --> 0:32:02.640
<v Speaker 2>the guys who kind of worked out the most struggled

0:32:02.640 --> 0:32:05.959
<v Speaker 2>the most. And let's not forget Nathan fainted. You know,

0:32:06.520 --> 0:32:09.040
<v Speaker 2>he was so you know, so hungry, and his body

0:32:09.120 --> 0:32:11.920
<v Speaker 2>was so stafved of. You know, his bloodshed were so low,

0:32:11.960 --> 0:32:19.840
<v Speaker 2>et cetera. Like it's really full on the showd your head.

0:32:22.600 --> 0:32:23.400
<v Speaker 1>I don't know where I went.

0:32:23.440 --> 0:32:29.240
<v Speaker 2>Then, thank you, celebrities. We've got medical responding, we've got security.

0:32:28.800 --> 0:32:29.520
<v Speaker 1>Looking after it.

0:32:29.520 --> 0:32:31.920
<v Speaker 2>We'll manage it from here and we'll keep you informed.

0:32:31.880 --> 0:32:32.560
<v Speaker 1>That's how we go.

0:32:36.040 --> 0:32:38.840
<v Speaker 2>You know, yes, we are the funny fluffy show, and

0:32:38.880 --> 0:32:42.360
<v Speaker 2>you know we're not survivor to the extent the survivor is.

0:32:43.000 --> 0:32:45.480
<v Speaker 2>But it's bloody hard. You know, they only have rice

0:32:45.520 --> 0:32:48.080
<v Speaker 2>and beans. They are completely under our control and they

0:32:48.080 --> 0:32:52.360
<v Speaker 2>have no contact outside world. You remember how difficult Big

0:32:52.360 --> 0:32:54.360
<v Speaker 2>Brother was for the ten weeks or whatever. You're in

0:32:54.360 --> 0:32:56.200
<v Speaker 2>the house where you just have to give yourself up

0:32:56.280 --> 0:32:58.720
<v Speaker 2>to the experience. But you know, at least you had

0:32:59.520 --> 0:33:03.360
<v Speaker 2>sort of food and slept in a bed. You know,

0:33:03.480 --> 0:33:06.360
<v Speaker 2>these guys sleeping in camp beds. I think it just

0:33:06.400 --> 0:33:08.800
<v Speaker 2>all got a bit much for him. I mean, honestly,

0:33:08.800 --> 0:33:11.520
<v Speaker 2>you have to ask both what the real story is

0:33:11.840 --> 0:33:14.760
<v Speaker 2>it's somewhere in between him, I think, being starving, hungry,

0:33:14.800 --> 0:33:17.920
<v Speaker 2>missing his family, and just thinking he'd achieved everything he

0:33:18.600 --> 0:33:21.239
<v Speaker 2>you know, he needed to needed to achieve in there.

0:33:21.600 --> 0:33:25.120
<v Speaker 1>How hard is it to hear the bo didn't trust

0:33:25.160 --> 0:33:28.240
<v Speaker 1>the producers and wanted to leave, which he said on

0:33:28.360 --> 0:33:36.080
<v Speaker 1>national radio. Finally a producer met with you. How how

0:33:36.120 --> 0:33:38.000
<v Speaker 1>did they What did they say to you?

0:33:38.120 --> 0:33:41.960
<v Speaker 7>They just said, producers, I don't trust them.

0:33:42.440 --> 0:33:43.160
<v Speaker 1>Don't trust them.

0:33:43.200 --> 0:33:48.360
<v Speaker 2>You want to, like, do.

0:33:48.400 --> 0:33:50.320
<v Speaker 1>You take that kind of stuff personally?

0:33:51.000 --> 0:33:52.920
<v Speaker 2>I take that line with a massive pinch of salt,

0:33:52.920 --> 0:33:56.440
<v Speaker 2>because Babo and myself been ripping on you know, WhatsApp

0:33:56.520 --> 0:33:59.000
<v Speaker 2>thread every night in the show, and he's still all,

0:33:59.040 --> 0:34:01.959
<v Speaker 2>you know, having a laugh for us and blah blah blah.

0:34:02.680 --> 0:34:04.760
<v Speaker 2>I think that's just Bo being Bo.

0:34:05.360 --> 0:34:07.320
<v Speaker 1>You know, Yeah, that's what I thought it happened as well.

0:34:07.520 --> 0:34:09.719
<v Speaker 2>Yeah, I just think I can almost I didn't hear

0:34:09.760 --> 0:34:11.920
<v Speaker 2>the Carl and Jackie all the fits in Whipper interview,

0:34:11.960 --> 0:34:14.319
<v Speaker 2>but I can just hear his tone of voice saying,

0:34:14.360 --> 0:34:16.239
<v Speaker 2>you know, I hate that bloody show. You know, I

0:34:16.239 --> 0:34:19.040
<v Speaker 2>don't trust those bloody producers. I think it's pinch of

0:34:19.160 --> 0:34:20.440
<v Speaker 2>salt type stuff.

0:34:20.760 --> 0:34:23.319
<v Speaker 1>Do you actually forfeit your money, Like if you walk

0:34:23.360 --> 0:34:25.879
<v Speaker 1>off the show. I've been told in the UK that's

0:34:25.920 --> 0:34:27.040
<v Speaker 1>what happens. Is that true?

0:34:27.320 --> 0:34:29.680
<v Speaker 2>Yes, it is to a certain extent. You lose a

0:34:29.760 --> 0:34:32.560
<v Speaker 2>percentage of your fee if you don't if you aren't

0:34:32.600 --> 0:34:36.000
<v Speaker 2>eliminated by the public or you know, via the elimination.

0:34:36.160 --> 0:34:39.799
<v Speaker 2>So yes, that is true. Tomic lost a shitload of money. Look,

0:34:40.480 --> 0:34:43.520
<v Speaker 2>the networks network does the contracts. They'll never tell you

0:34:43.520 --> 0:34:45.359
<v Speaker 2>if you ask them, so don't even bother asking them.

0:34:45.360 --> 0:34:49.000
<v Speaker 2>But yes, it is definitely true that if you if

0:34:49.000 --> 0:34:52.160
<v Speaker 2>you walk you you have to give some cash back.

0:34:52.600 --> 0:34:55.239
<v Speaker 1>Something I've been sitting on for a while and I'd

0:34:55.239 --> 0:34:58.200
<v Speaker 1>love your take on it. And reality shows these days

0:34:58.200 --> 0:35:00.800
<v Speaker 1>have sort of cannibalized their brand by trying to control

0:35:00.920 --> 0:35:03.440
<v Speaker 1>the talent. And you know, while the show is on

0:35:03.480 --> 0:35:06.359
<v Speaker 1>a social media restrictions who they can be interviewed by,

0:35:07.200 --> 0:35:09.719
<v Speaker 1>what they can tell people. Do you think that we're

0:35:09.760 --> 0:35:13.680
<v Speaker 1>seeing a decrease now in the popularity of these contestants

0:35:13.719 --> 0:35:17.759
<v Speaker 1>after the show because of these limitations. I mean, some contestants,

0:35:17.840 --> 0:35:20.480
<v Speaker 1>by the time that they can take control over the

0:35:20.719 --> 0:35:24.439
<v Speaker 1>ownership of their social media, no one really cares who

0:35:24.440 --> 0:35:24.799
<v Speaker 1>they are.

0:35:25.360 --> 0:35:28.840
<v Speaker 2>Well look, I think a lot of formats that would

0:35:28.840 --> 0:35:31.759
<v Speaker 2>be the intention. They want to control. They want to

0:35:31.760 --> 0:35:36.160
<v Speaker 2>control the narrative. We asked all of our celebrities to

0:35:36.320 --> 0:35:39.759
<v Speaker 2>only cheer lead the show whilst it's on air. After that,

0:35:39.760 --> 0:35:42.600
<v Speaker 2>as far as I know, there's very very few restrictions.

0:35:42.600 --> 0:35:44.359
<v Speaker 2>And answer your question, yes, I do. I do think.

0:35:44.440 --> 0:35:48.400
<v Speaker 2>I do think it's probably gone too far. But you know,

0:35:48.440 --> 0:35:50.799
<v Speaker 2>and again I'm not talking about my shows, but I'm

0:35:50.800 --> 0:35:52.359
<v Speaker 2>going to go right back to the start of this chat.

0:35:52.400 --> 0:35:54.200
<v Speaker 2>There is a lot of shows on TV that are

0:35:54.280 --> 0:35:58.520
<v Speaker 2>essentially showing things that people don't actually say. So why

0:35:58.560 --> 0:36:01.200
<v Speaker 2>would they want the people on Instagram and saying, hang

0:36:01.239 --> 0:36:04.320
<v Speaker 2>on a minute, I didn't say that, or this scene

0:36:04.360 --> 0:36:06.680
<v Speaker 2>is bullshit, or I never said that, or I don't

0:36:06.680 --> 0:36:09.040
<v Speaker 2>actually fancy him, or why are they using that music

0:36:09.120 --> 0:36:11.440
<v Speaker 2>under me? Because I don't actually think that way. They're

0:36:11.480 --> 0:36:14.839
<v Speaker 2>telling the viewer that I'm something I'm not. So that's

0:36:14.880 --> 0:36:20.000
<v Speaker 2>why it happens, because they don't want the past questioning

0:36:20.040 --> 0:36:24.439
<v Speaker 2>the cut. Whereas because on Love Island, I'm a celeb

0:36:24.560 --> 0:36:26.959
<v Speaker 2>to get me out of here, and you know, again,

0:36:27.040 --> 0:36:29.400
<v Speaker 2>going back to the days of your Big Brother and

0:36:29.760 --> 0:36:32.520
<v Speaker 2>even before that, I feel like we don't have anything

0:36:32.520 --> 0:36:34.520
<v Speaker 2>to hide on on our shows because we show exactly

0:36:34.600 --> 0:36:38.759
<v Speaker 2>what happens. Yes, of course we take some editorial license sometimes,

0:36:38.880 --> 0:36:41.800
<v Speaker 2>but we certainly don't ever put words in people's mouths.

0:36:41.840 --> 0:36:43.839
<v Speaker 2>Like I say to everyone who goes into love landho

0:36:43.880 --> 0:36:45.640
<v Speaker 2>there every year, and I mean it. I will never

0:36:45.680 --> 0:36:47.239
<v Speaker 2>tell you who to couple up with. I'll never tell

0:36:47.280 --> 0:36:49.839
<v Speaker 2>you who to kiss. I'll never tell you what to say.

0:36:50.560 --> 0:36:52.440
<v Speaker 2>I'll never tell you what to think. I'll never tell

0:36:52.480 --> 0:36:54.400
<v Speaker 2>you who to dump. And I'm in it and I

0:36:54.440 --> 0:36:56.640
<v Speaker 2>don't and I don't you know what I do say

0:36:56.640 --> 0:36:59.080
<v Speaker 2>to them, and I say the same thing. The slabs are.

0:36:59.680 --> 0:37:01.960
<v Speaker 2>The more you're involved in, the more you're going to

0:37:01.960 --> 0:37:03.239
<v Speaker 2>be on the show, and the better the show is

0:37:03.280 --> 0:37:05.439
<v Speaker 2>going to be. If you're lying around in your bunk

0:37:05.480 --> 0:37:07.279
<v Speaker 2>at two o'clock on a Tuesday and no one's saying

0:37:07.280 --> 0:37:09.959
<v Speaker 2>and then bloody say something. If there's an argument going

0:37:09.960 --> 0:37:12.000
<v Speaker 2>on and you've got an opinion, get involved in it.

0:37:12.040 --> 0:37:13.879
<v Speaker 2>If there's something funny happening and you think you can

0:37:13.880 --> 0:37:17.840
<v Speaker 2>add to the humor, get involved in it. And it's

0:37:17.840 --> 0:37:20.040
<v Speaker 2>a pretty bloody simple briefing. It's just get in the

0:37:20.080 --> 0:37:21.600
<v Speaker 2>middle of everything and get involved.

0:37:21.680 --> 0:37:24.640
<v Speaker 1>Well, for me, it dilutes the aspirational quality. I think

0:37:24.680 --> 0:37:27.040
<v Speaker 1>that there's less people wanting to go on these shows

0:37:27.080 --> 0:37:30.759
<v Speaker 1>because back in the day reality TV, you could turn

0:37:30.800 --> 0:37:34.200
<v Speaker 1>yourself into a star, like where nowadays the girls go

0:37:34.280 --> 0:37:36.440
<v Speaker 1>on these dating shows. You know they're lucky to pick

0:37:36.480 --> 0:37:37.880
<v Speaker 1>up a couple of thousand followers.

0:37:38.080 --> 0:37:40.200
<v Speaker 2>Well, yeah, a little bit. I'll tell you what flies

0:37:40.200 --> 0:37:41.520
<v Speaker 2>in the face of that is that we had so

0:37:41.560 --> 0:37:43.640
<v Speaker 2>many bloody applications for Love Island. I can't give you

0:37:43.719 --> 0:37:47.560
<v Speaker 2>a number, but honestly, we could have cast fifteen villas.

0:37:47.920 --> 0:37:50.839
<v Speaker 2>We had that many amazing hot people that could talk

0:37:50.920 --> 0:37:53.640
<v Speaker 2>amazingly well and what's interesting, I'm going to go from

0:37:53.680 --> 0:37:58.120
<v Speaker 2>the tangent here, but we had so many good eighteen,

0:37:58.320 --> 0:38:01.279
<v Speaker 2>nineteen and twenty year old supply for life holand none

0:38:01.280 --> 0:38:03.000
<v Speaker 2>of which got in because we felt that they were

0:38:03.000 --> 0:38:04.920
<v Speaker 2>too young for the you know, for the mix, the

0:38:04.920 --> 0:38:07.040
<v Speaker 2>core mix of people. So either we're going to have

0:38:07.040 --> 0:38:09.000
<v Speaker 2>the best Love Island in the universe next year, in

0:38:09.000 --> 0:38:10.440
<v Speaker 2>the year after, in the year after that when they

0:38:10.520 --> 0:38:12.200
<v Speaker 2>come of age, or there needs to be like a

0:38:12.920 --> 0:38:17.480
<v Speaker 2>younger reality show because these people have grown up making content,

0:38:17.640 --> 0:38:20.359
<v Speaker 2>you know, inst the stories and you know, TikTok and

0:38:20.440 --> 0:38:23.399
<v Speaker 2>all of that. And what we're finding now is that

0:38:23.840 --> 0:38:26.840
<v Speaker 2>people are so much more creative and so much more

0:38:27.160 --> 0:38:29.200
<v Speaker 2>confident on camera than they used to be. You know,

0:38:29.680 --> 0:38:31.600
<v Speaker 2>used to have to some of those old Big Brother

0:38:31.680 --> 0:38:34.560
<v Speaker 2>auditions used to you wanted to jump down people's throats

0:38:34.600 --> 0:38:36.480
<v Speaker 2>and bloody put the words in their mouth for them.

0:38:36.520 --> 0:38:39.320
<v Speaker 2>But you know now some of those Love Island kids

0:38:39.360 --> 0:38:41.759
<v Speaker 2>came in about eighteen year old girls who come in

0:38:41.760 --> 0:38:46.520
<v Speaker 2>and they're just like, you know, talking in grabs. We

0:38:46.560 --> 0:38:49.520
<v Speaker 2>need to make like a teenage show or something, you know,

0:38:49.560 --> 0:38:51.080
<v Speaker 2>like they're just so much better than they used to be.

0:38:51.080 --> 0:38:53.680
<v Speaker 1>It's so true. I was talking to Brian Walsh on

0:38:53.719 --> 0:38:56.160
<v Speaker 1>this podcast, you know, who works at Foxtowl, and was

0:38:56.200 --> 0:38:58.960
<v Speaker 1>saying there needs to be an Australian version of The

0:38:58.960 --> 0:39:01.920
<v Speaker 1>Only Ways Essex because there's a gap in the market

0:39:02.120 --> 0:39:06.040
<v Speaker 1>from eighteen to twenty year olds who would be genius

0:39:06.200 --> 0:39:07.239
<v Speaker 1>on a format like this.

0:39:07.560 --> 0:39:09.560
<v Speaker 2>But look, going back to your point, we kind of

0:39:09.640 --> 0:39:11.440
<v Speaker 2>let our Love Island is off the leash when the

0:39:11.480 --> 0:39:15.200
<v Speaker 2>show's over. I don't know, and you follow whatever.

0:39:15.120 --> 0:39:17.880
<v Speaker 1>But maybe that's why people still want to go on

0:39:17.920 --> 0:39:21.560
<v Speaker 1>Love Island and I'm a celebrity. You aren't cannibalizing them.

0:39:21.960 --> 0:39:24.759
<v Speaker 1>You've allowed them to be human, You've shown them for

0:39:24.800 --> 0:39:27.320
<v Speaker 1>who they are, and they still can be in control

0:39:27.360 --> 0:39:30.080
<v Speaker 1>of their story. That isn't happening on some of the

0:39:30.120 --> 0:39:31.080
<v Speaker 1>other bigger shows.

0:39:31.400 --> 0:39:33.719
<v Speaker 2>And look, you know those shows are successful. So I'm

0:39:33.719 --> 0:39:35.839
<v Speaker 2>not saying that I'm doing it right and everyone else

0:39:35.880 --> 0:39:38.839
<v Speaker 2>is doing it wrong. It's just it's just, you know,

0:39:39.120 --> 0:39:41.840
<v Speaker 2>I'm so lucky the shows that I make, you know,

0:39:41.880 --> 0:39:43.719
<v Speaker 2>I really am lucky that I love them both. And

0:39:43.760 --> 0:39:46.040
<v Speaker 2>the way I like to run them is just show

0:39:46.080 --> 0:39:48.040
<v Speaker 2>what happens. It's pretty bloody simple.

0:39:48.719 --> 0:39:52.359
<v Speaker 1>Last year, Abby Chadfield really shocked Australia. I'm going to say,

0:39:52.360 --> 0:39:55.960
<v Speaker 1>by beating Grant Daniel, what does that tell you about

0:39:56.200 --> 0:39:57.359
<v Speaker 1>who's going to win this year?

0:39:57.719 --> 0:40:01.960
<v Speaker 2>Well, that's that's interesting, because well look let's go through them.

0:40:02.520 --> 0:40:07.320
<v Speaker 2>You know, Emily Sebomb Olympic gold medalist, loved right, she's

0:40:07.400 --> 0:40:12.240
<v Speaker 2>as ozsie as could easily win. David the Logan Twins effect.

0:40:12.320 --> 0:40:14.360
<v Speaker 2>We know the Logan Twins one big brother. He was

0:40:14.360 --> 0:40:17.560
<v Speaker 2>there for the first week cele Australian's love and underdog.

0:40:17.760 --> 0:40:21.759
<v Speaker 2>He could easily win it. Nathan Buckley I'm just going

0:40:21.800 --> 0:40:24.080
<v Speaker 2>to make the point that Dane Swan came to third

0:40:24.080 --> 0:40:26.080
<v Speaker 2>in our show and barely said a word like that's

0:40:26.120 --> 0:40:29.960
<v Speaker 2>how rampant the Collingwood Faithful are. Buckley could could easily

0:40:30.040 --> 0:40:32.920
<v Speaker 2>easily win the show. Dylan is the book. He's favorite.

0:40:33.040 --> 0:40:35.080
<v Speaker 2>You know, he's been in the in every scene. Everyone

0:40:35.080 --> 0:40:38.080
<v Speaker 2>thinks he's hilarious. If social media has been to be believed,

0:40:38.120 --> 0:40:42.480
<v Speaker 2>Dylan will win Brook has been the revelation of the series.

0:40:42.520 --> 0:40:45.759
<v Speaker 2>She is so infectiously so loved. Her song that she

0:40:46.040 --> 0:40:48.000
<v Speaker 2>you know that was on the show the other day

0:40:48.760 --> 0:40:51.680
<v Speaker 2>went to number one in the charts, like can you

0:40:51.719 --> 0:40:54.239
<v Speaker 2>believe that? Like straight to number one the charts got

0:40:54.239 --> 0:40:56.360
<v Speaker 2>released on straight number one, So there's are telling things.

0:40:56.160 --> 0:40:58.720
<v Speaker 2>She's going to be right up there. And Joey Essex

0:40:58.760 --> 0:41:02.239
<v Speaker 2>has international star quality and star power and you know

0:41:02.400 --> 0:41:06.120
<v Speaker 2>is a king of reality television. So it's the most

0:41:06.160 --> 0:41:10.360
<v Speaker 2>competitive reality finale I've ever been involved with. Any of

0:41:10.400 --> 0:41:14.160
<v Speaker 2>those six could win. If you're looking at the Abbey effects,

0:41:14.200 --> 0:41:17.040
<v Speaker 2>then you've got to look at David because you know,

0:41:17.640 --> 0:41:23.360
<v Speaker 2>Abby Abby had such a passionate social following, and David

0:41:23.440 --> 0:41:25.319
<v Speaker 2>is very much someone who lives his life, you know,

0:41:25.640 --> 0:41:29.400
<v Speaker 2>on socials, certainly more than Emily, you know, Buckley Dylan

0:41:29.640 --> 0:41:31.880
<v Speaker 2>Brook were not so much Joey, but certainly more than

0:41:31.880 --> 0:41:34.600
<v Speaker 2>those other four. He could easily win something.

0:41:34.600 --> 0:41:36.759
<v Speaker 1>I also want to know what is something that you're

0:41:36.760 --> 0:41:39.280
<v Speaker 1>going to do differently for the I'm a Celebrity finale

0:41:39.920 --> 0:41:42.320
<v Speaker 1>that is different to any other finale.

0:41:43.640 --> 0:41:45.840
<v Speaker 2>We're still we're still we're still writing it as we speak.

0:41:45.960 --> 0:41:49.080
<v Speaker 2>So I can tell you that if you if you

0:41:49.080 --> 0:41:52.480
<v Speaker 2>are eager eyed, you may you may see some past

0:41:52.560 --> 0:41:54.240
<v Speaker 2>winners make an appearance.

0:41:54.600 --> 0:41:56.960
<v Speaker 1>I'm excited about that, you know, when they bring back

0:41:57.000 --> 0:42:00.080
<v Speaker 1>the winners. To be honest with you, is that just

0:42:00.120 --> 0:42:02.840
<v Speaker 1>the way of you teasing us with an All Stars version?

0:42:03.280 --> 0:42:05.960
<v Speaker 1>Is that something that could? Is that something that could happen?

0:42:06.160 --> 0:42:09.080
<v Speaker 1>Could we see and All Stars I'm a celebrity, Get

0:42:09.080 --> 0:42:09.439
<v Speaker 1>me out.

0:42:09.360 --> 0:42:12.839
<v Speaker 2>Of here, we'll see. Look, do you know what All

0:42:12.840 --> 0:42:15.279
<v Speaker 2>Stars on a Celebrity could easily happen? And we've talked

0:42:15.280 --> 0:42:17.680
<v Speaker 2>about it many many times. I think we won't see

0:42:17.719 --> 0:42:19.880
<v Speaker 2>how All Stars Big Brother goes, you know, like it

0:42:19.960 --> 0:42:23.160
<v Speaker 2>was always always talked about, the All Stars seasons never work,

0:42:23.520 --> 0:42:26.719
<v Speaker 2>very very few of them do work. So good luck

0:42:26.719 --> 0:42:29.480
<v Speaker 2>to be b Let's see how they go, and we

0:42:29.600 --> 0:42:30.919
<v Speaker 2>might do it All Stars one as well.

0:42:31.640 --> 0:42:34.520
<v Speaker 1>Well, that's actually a good segue. You're still kind of

0:42:34.520 --> 0:42:37.440
<v Speaker 1>thought of as the godfather of Big Brother Australia, working

0:42:37.520 --> 0:42:39.680
<v Speaker 1>on the series from as far back as Series two

0:42:39.840 --> 0:42:43.120
<v Speaker 1>on Channel ten, So it would be remiss of me

0:42:43.200 --> 0:42:46.600
<v Speaker 1>not to ask you this, what is your gun instinct?

0:42:46.840 --> 0:42:49.959
<v Speaker 1>On All Stars? On an All Stars version of Big

0:42:49.960 --> 0:42:53.080
<v Speaker 1>Brother which is coming to Channel seven this year, how

0:42:53.120 --> 0:42:54.000
<v Speaker 1>do you think it's going to go?

0:42:54.320 --> 0:42:57.560
<v Speaker 2>So they'll be wanting it to be better than VIP.

0:42:58.200 --> 0:42:59.759
<v Speaker 2>I think they've got the talent now. I mean, who

0:42:59.760 --> 0:43:00.719
<v Speaker 2>do we know that's in there?

0:43:01.000 --> 0:43:07.000
<v Speaker 1>Farmer, Dave Farmer, Dave, Tim Dormer, Leila Sabritzky, Reggie Trevor through.

0:43:07.000 --> 0:43:11.520
<v Speaker 2>Tully Estelle's Merlin is in he? Merlin's in, isn't he?

0:43:11.800 --> 0:43:12.160
<v Speaker 7>No?

0:43:12.320 --> 0:43:14.480
<v Speaker 2>Oh He's not okay anyway. So look, there's some there's

0:43:14.520 --> 0:43:16.560
<v Speaker 2>some bloody good names there, most of which were on

0:43:16.640 --> 0:43:22.200
<v Speaker 2>the Channel nine series. I note. Look Lisa and Keeley.

0:43:22.200 --> 0:43:24.560
<v Speaker 2>I love the two EPs, Lisa Fard and Kelly Sontag.

0:43:24.880 --> 0:43:27.360
<v Speaker 2>I love them, you know, like they worked me on

0:43:27.680 --> 0:43:29.239
<v Speaker 2>for years and years and years, and I wish them

0:43:29.280 --> 0:43:31.080
<v Speaker 2>nothing but the best. Is it's going to be hard,

0:43:31.120 --> 0:43:33.920
<v Speaker 2>because I said, All Stars series are really hard, but

0:43:33.960 --> 0:43:36.200
<v Speaker 2>they've got the talent in there. If they're as good

0:43:36.200 --> 0:43:39.200
<v Speaker 2>as they were in their actual series, and it'll be great.

0:43:39.239 --> 0:43:41.600
<v Speaker 2>My look, Reggie's going to win. We all know it.

0:43:42.200 --> 0:43:44.919
<v Speaker 2>Spoiler alert. In fact, I'm going to call it now

0:43:45.000 --> 0:43:47.080
<v Speaker 2>and say, if play this back in a few months time,

0:43:47.120 --> 0:43:51.479
<v Speaker 2>Reggie will because you'll win. There going to go on. Look,

0:43:51.800 --> 0:43:54.319
<v Speaker 2>I hope it works for them. We'll see. Honestly, I

0:43:54.440 --> 0:43:59.200
<v Speaker 2>really really really don't know. We always pulled short of

0:43:59.280 --> 0:44:02.600
<v Speaker 2>doing a an All the Stars Big Brother. We never

0:44:02.960 --> 0:44:06.000
<v Speaker 2>fancied it. So it's a brave thing that they're doing.

0:44:06.080 --> 0:44:08.680
<v Speaker 2>So we will see at All Stars, I'm a sleb.

0:44:08.800 --> 0:44:10.839
<v Speaker 2>We could look, we could do that easily with us,

0:44:10.840 --> 0:44:12.759
<v Speaker 2>I said before. We've got one hundred celebrities that have

0:44:12.760 --> 0:44:15.799
<v Speaker 2>been on the show. It's some absolute crackers. I feel

0:44:15.840 --> 0:44:19.040
<v Speaker 2>like we could easily do a quick run All Stars

0:44:19.040 --> 0:44:21.640
<v Speaker 2>on a celebrity and I think it would work really well.

0:44:21.760 --> 0:44:24.440
<v Speaker 2>And it's something we have talked to Chen about a

0:44:24.480 --> 0:44:26.880
<v Speaker 2>couple of times. So we'll see an interesting year of

0:44:26.880 --> 0:44:28.719
<v Speaker 2>television ahead, very interesting year.

0:44:29.000 --> 0:44:29.160
<v Speaker 7>Well.

0:44:29.160 --> 0:44:31.319
<v Speaker 1>As we finish up. I have a question I ask

0:44:31.440 --> 0:44:33.839
<v Speaker 1>all my guests, and as you know, last year, your

0:44:33.880 --> 0:44:37.040
<v Speaker 1>answer went viral. What is something from behind the scenes

0:44:37.320 --> 0:44:39.360
<v Speaker 1>that we're as an audience did not see?

0:44:40.280 --> 0:44:42.640
<v Speaker 2>Okay, I'll tell you about a mistake I made which

0:44:42.680 --> 0:44:45.560
<v Speaker 2>nearly brought the entire production down. So it was one

0:44:45.560 --> 0:44:48.520
<v Speaker 2>of the eliminations. It was an ejection, and I think

0:44:48.560 --> 0:44:52.080
<v Speaker 2>it was the night that Maria went, I think, or

0:44:52.120 --> 0:44:54.440
<v Speaker 2>maybe the night Nathan. No, it's not Maria went. I'm

0:44:54.440 --> 0:44:56.959
<v Speaker 2>pretty sure I'd have to remember this, but I'm pretty

0:44:56.960 --> 0:45:01.800
<v Speaker 2>sure it was Maria, Emily, and Nathan Buckley on the

0:45:01.840 --> 0:45:04.400
<v Speaker 2>three chairs. Certainly Maria and Buckley. I can't remember who

0:45:04.440 --> 0:45:05.719
<v Speaker 2>the other person was. I think it was. I think

0:45:05.760 --> 0:45:08.839
<v Speaker 2>it was Emily, and we call them. So I'm the

0:45:08.880 --> 0:45:11.480
<v Speaker 2>only one who knows, you know, how many eels or

0:45:11.520 --> 0:45:13.239
<v Speaker 2>how many scorpios flashes. I'm not the only one who knows,

0:45:13.239 --> 0:45:15.880
<v Speaker 2>because obviously the critic guy knows, and everyone who's looking

0:45:15.880 --> 0:45:18.000
<v Speaker 2>into things to count them. But you know, I've got

0:45:18.000 --> 0:45:19.759
<v Speaker 2>the number written down in front of me, right, It's

0:45:19.800 --> 0:45:22.760
<v Speaker 2>one hundred percent real, no bullshit. I've got the number

0:45:22.760 --> 0:45:24.560
<v Speaker 2>of eels or things written down in front of me.

0:45:24.760 --> 0:45:27.120
<v Speaker 2>So they all do their guesses and then they all

0:45:27.160 --> 0:45:28.880
<v Speaker 2>sit down on the chairs and then we have a

0:45:28.960 --> 0:45:31.799
<v Speaker 2>very many stockdown while I have a safety briefing. You know,

0:45:31.880 --> 0:45:33.680
<v Speaker 2>if you get ejected, you know you need to tuck

0:45:33.719 --> 0:45:35.400
<v Speaker 2>up your knees and try and land like this, you know,

0:45:35.400 --> 0:45:37.360
<v Speaker 2>because they have to have the safety briefing, and so

0:45:37.400 --> 0:45:38.960
<v Speaker 2>they all get the same briefing, so no one knows

0:45:38.960 --> 0:45:41.640
<v Speaker 2>who's going to get ejected. And then I call it

0:45:42.160 --> 0:45:45.560
<v Speaker 2>by chair number. So if you're looking camera left to right,

0:45:46.200 --> 0:45:49.719
<v Speaker 2>Nathan Buckley is in chair one, Emily is in chair two,

0:45:50.080 --> 0:45:52.480
<v Speaker 2>and Maria is in chair three. Now I've obviously done

0:45:52.480 --> 0:45:54.759
<v Speaker 2>the maths with the eels or the scorpions or whatever

0:45:54.760 --> 0:45:57.160
<v Speaker 2>it was that night, and it's Maria that's going home.

0:45:57.560 --> 0:46:01.520
<v Speaker 2>What I should have called through to everybody is chair three,

0:46:01.840 --> 0:46:06.480
<v Speaker 2>Chair three, Chair three. I called chair one, share one,

0:46:06.719 --> 0:46:10.360
<v Speaker 2>chair one. So as far as the entire crew are concerned,

0:46:10.920 --> 0:46:14.200
<v Speaker 2>Nathan Buckley is going in the swamp and it's going

0:46:14.239 --> 0:46:16.200
<v Speaker 2>to happen in a matter of seconds. And I don't

0:46:16.239 --> 0:46:18.840
<v Speaker 2>know what stopped me. I don't know what stopped me,

0:46:18.880 --> 0:46:22.400
<v Speaker 2>but literally christ and Julia have started talking and Julia's

0:46:22.719 --> 0:46:27.239
<v Speaker 2>hand is over the red bun and I called, I've

0:46:27.239 --> 0:46:29.560
<v Speaker 2>got a key on my panel, which is all coms,

0:46:29.880 --> 0:46:34.240
<v Speaker 2>and I just went stop, stop and called the whole

0:46:34.320 --> 0:46:36.800
<v Speaker 2>crew to stop, and thank god I did, because something

0:46:36.840 --> 0:46:39.399
<v Speaker 2>in my head just went, something's not right. And then

0:46:39.440 --> 0:46:41.919
<v Speaker 2>I went, what share did I call? And They've gone

0:46:41.920 --> 0:46:44.719
<v Speaker 2>one and I've gone nuh it's chair three.

0:46:45.440 --> 0:46:48.920
<v Speaker 5>We were two seconds away from ejecting the wrong person,

0:46:49.120 --> 0:46:53.000
<v Speaker 5>which would have been a massive disaster because it would

0:46:53.000 --> 0:46:55.040
<v Speaker 5>have called the whole thing into question, and of course

0:46:55.200 --> 0:46:58.080
<v Speaker 5>Nathan would have had got dried off and put through

0:46:58.520 --> 0:47:00.239
<v Speaker 5>You know, God knows what we would have done, had

0:47:00.239 --> 0:47:01.799
<v Speaker 5>to get all of his clothes off.

0:47:02.120 --> 0:47:05.120
<v Speaker 2>Rinse them, wait for them to dry. That means that

0:47:05.200 --> 0:47:06.640
<v Speaker 2>they would have known one of the girls would known

0:47:06.640 --> 0:47:08.040
<v Speaker 2>that one of them is going. It would have been

0:47:08.200 --> 0:47:11.720
<v Speaker 2>an absolute disaster. So I don't know how what happened

0:47:11.719 --> 0:47:14.600
<v Speaker 2>in my brain that night, but nearly ruined the entire show.

0:47:14.640 --> 0:47:16.919
<v Speaker 1>But then it's like in your own breath, Well, mate,

0:47:16.960 --> 0:47:19.480
<v Speaker 1>I'm glad that you didn't cook your own goose because

0:47:19.520 --> 0:47:21.560
<v Speaker 1>you do such a great job on this show and

0:47:22.080 --> 0:47:23.600
<v Speaker 1>I hope we get to see you at the helm

0:47:23.640 --> 0:47:26.000
<v Speaker 1>of this for many years to come. Thank you so

0:47:26.080 --> 0:47:28.720
<v Speaker 1>much for coming back on to TV reload my first

0:47:28.960 --> 0:47:33.160
<v Speaker 1>repeat offender. Thank you again, amazing.

0:47:32.960 --> 0:47:35.359
<v Speaker 2>Thanks Mane. I hope everyone enjoys the Fanatic tomorrow night.

0:47:35.360 --> 0:47:37.440
<v Speaker 2>If you're listening to this on Saturday, it's you know,

0:47:37.440 --> 0:47:38.800
<v Speaker 2>a lot of people have put a lot of efford

0:47:38.800 --> 0:47:41.200
<v Speaker 2>into it, and it's a series we're very proud of

0:47:41.239 --> 0:47:42.680
<v Speaker 2>and we want to bring it home at a bank.

0:47:42.880 --> 0:47:44.200
<v Speaker 2>God knows who's going to win as well.

0:47:44.440 --> 0:47:45.399
<v Speaker 1>I actually can't wait.