1 00:00:00,560 --> 00:00:04,000 Speaker 1: Ryan Cool, good morning, Good morning Lisa, Good morning, Claviy 2 00:00:04,280 --> 00:00:05,920 Speaker 1: in Limbo. 3 00:00:06,040 --> 00:00:09,680 Speaker 2: Mates for Life and the Afterlife. This is a sixth 4 00:00:09,720 --> 00:00:13,920 Speaker 2: Partter tell us the premise of the show as if 5 00:00:13,960 --> 00:00:15,640 Speaker 2: you can, yeah, yeah, I. 6 00:00:15,640 --> 00:00:20,279 Speaker 1: Mean describe that, and it's a six part It is snappy. 7 00:00:20,320 --> 00:00:21,680 Speaker 3: One of the things that appealed to me most about 8 00:00:21,680 --> 00:00:23,840 Speaker 3: it is we're dealing with themes of mental health and 9 00:00:24,120 --> 00:00:27,880 Speaker 3: we lose one of our lead characters early on to suicide. 10 00:00:28,240 --> 00:00:33,120 Speaker 3: But it has a really light tone to go with that. 11 00:00:33,240 --> 00:00:36,400 Speaker 3: So it's buoyant, and it celebrates life and it celebrates friendship, 12 00:00:36,440 --> 00:00:39,159 Speaker 3: and it's really it's not a show about death for me, 13 00:00:39,200 --> 00:00:41,400 Speaker 3: it's a show about life and the way that we 14 00:00:41,560 --> 00:00:45,400 Speaker 3: sort of water the relationships that we have and how 15 00:00:45,440 --> 00:00:48,120 Speaker 3: we move forward together after losing someone. And that's not 16 00:00:48,159 --> 00:00:49,919 Speaker 3: necessarily with death. It can be you know, you can 17 00:00:49,960 --> 00:00:51,400 Speaker 3: lose someone for a number of reasons. 18 00:00:51,440 --> 00:00:54,280 Speaker 2: Absolutely, it does touch on grief and men's mental health, 19 00:00:54,320 --> 00:00:57,840 Speaker 2: two important subjects that are finally getting the kind of 20 00:00:57,880 --> 00:00:59,240 Speaker 2: attention that they should. 21 00:01:00,480 --> 00:01:02,520 Speaker 3: I think, so yeah, and I hope that this show 22 00:01:02,600 --> 00:01:05,920 Speaker 3: is a part of that conversation that starts normalizing topics 23 00:01:05,959 --> 00:01:08,880 Speaker 3: like that. And you know, I think in Australia we 24 00:01:08,959 --> 00:01:12,320 Speaker 3: have this sort of stoicism or this idea of masculinity. 25 00:01:12,360 --> 00:01:14,560 Speaker 1: It's pretty rigid. Yeah, if you'll be right, you know, 26 00:01:14,680 --> 00:01:16,560 Speaker 1: you know that won't go to doctor. Yeah, you know, 27 00:01:16,600 --> 00:01:18,560 Speaker 1: I'm guilty, My father's guilty and us. 28 00:01:19,319 --> 00:01:22,319 Speaker 3: Yeah, I think I think slowly that dialogue's changing, and 29 00:01:22,360 --> 00:01:24,040 Speaker 3: I hope that, you know. I think part of the 30 00:01:24,080 --> 00:01:27,119 Speaker 3: antidote to that is, as I say, communication and talking, 31 00:01:27,160 --> 00:01:29,520 Speaker 3: but I also think it's laughter and lightness and joy, 32 00:01:29,560 --> 00:01:31,679 Speaker 3: and so I like the fact that this show has 33 00:01:31,720 --> 00:01:34,200 Speaker 3: both and sort of celebrates both elements of life, you know, 34 00:01:34,319 --> 00:01:35,640 Speaker 3: both the hard of things that we have to get 35 00:01:35,640 --> 00:01:37,679 Speaker 3: together for and the parts that make us laugh, which 36 00:01:37,680 --> 00:01:39,040 Speaker 3: are often found in the mundane. 37 00:01:39,120 --> 00:01:40,959 Speaker 2: You know well, of course, and you know you mentioned 38 00:01:41,000 --> 00:01:42,840 Speaker 2: your dad was like that. My dad was like that. 39 00:01:42,880 --> 00:01:46,720 Speaker 2: I think it's taken a very strong generation of fellas 40 00:01:47,080 --> 00:01:50,520 Speaker 2: to break that cycle, especially in Australia, with the way 41 00:01:50,560 --> 00:01:51,320 Speaker 2: we are so good for. 42 00:01:51,320 --> 00:01:55,600 Speaker 4: You, thanks so much, I know, you know, yeah, go 43 00:01:55,600 --> 00:02:00,760 Speaker 4: go men men met imports. It's important exercise. It's not 44 00:02:00,840 --> 00:02:02,280 Speaker 4: it's not just a show. 45 00:02:02,400 --> 00:02:04,840 Speaker 3: About men and brother Peo were and those relationships. 46 00:02:04,680 --> 00:02:07,240 Speaker 1: It's very much you know, we have. We have m Harvey, 47 00:02:07,240 --> 00:02:08,799 Speaker 1: who's our incredible lead, who's. 48 00:02:08,600 --> 00:02:11,000 Speaker 3: Very much the emotional heart to the show, who gives 49 00:02:11,080 --> 00:02:13,840 Speaker 3: us yet another avenue of the way that someone goes 50 00:02:13,880 --> 00:02:14,800 Speaker 3: through the grieving process. 51 00:02:14,919 --> 00:02:15,079 Speaker 1: Yeah. 52 00:02:15,120 --> 00:02:17,120 Speaker 5: Yeah, Brian as an actor, was this one that appealed 53 00:02:17,120 --> 00:02:18,760 Speaker 5: to you on the very first read? And were you 54 00:02:18,800 --> 00:02:20,919 Speaker 5: looking for the line I see dead people at any state? 55 00:02:23,360 --> 00:02:23,560 Speaker 1: Yeah? 56 00:02:23,600 --> 00:02:26,520 Speaker 3: I see, Yeah, I was looking, you know, and I 57 00:02:26,520 --> 00:02:29,280 Speaker 3: think working with Treno o'donald, who was our startup director, 58 00:02:29,320 --> 00:02:31,400 Speaker 3: and David Stubbs, you know, they were really open to 59 00:02:32,360 --> 00:02:34,600 Speaker 3: any sort of quips or funny ideas that we could find. 60 00:02:34,680 --> 00:02:37,520 Speaker 3: Given given the story that we were telling, they were 61 00:02:37,520 --> 00:02:39,120 Speaker 3: pretty open to So it was a really fun and 62 00:02:39,200 --> 00:02:40,720 Speaker 3: lively set to be a part of, that's for sure. 63 00:02:41,080 --> 00:02:44,240 Speaker 2: Bob Marley, who plays Bob Marley, I should. 64 00:02:44,000 --> 00:02:46,160 Speaker 1: Say, yeah, Bob Marley, what. 65 00:02:46,040 --> 00:02:52,239 Speaker 6: Now Marley in the downtime when theff Bob Morley who 66 00:02:52,280 --> 00:02:55,320 Speaker 6: plays Nate to your Charlie. It looks like the two 67 00:02:55,320 --> 00:02:57,240 Speaker 6: of you have great on screen chemistry. 68 00:02:57,240 --> 00:02:58,359 Speaker 2: Did you work together before? 69 00:02:59,320 --> 00:03:01,080 Speaker 1: We hadn't worked together before. 70 00:03:01,200 --> 00:03:03,840 Speaker 3: I'd worked with Bob's wife many years ago when I 71 00:03:03,919 --> 00:03:06,840 Speaker 3: was a pre teen in a show in my early days. 72 00:03:07,400 --> 00:03:09,160 Speaker 3: So we were able to sort of bond pretty quickly 73 00:03:09,320 --> 00:03:10,720 Speaker 3: about sort of going like, hey, you know. 74 00:03:10,720 --> 00:03:13,760 Speaker 1: I work with Lisa, but we we spent a long time. 75 00:03:14,000 --> 00:03:17,079 Speaker 3: We spent a couple of weeks pre rehearsal with the psychologist, 76 00:03:17,080 --> 00:03:20,519 Speaker 3: doctor Zach Seidler, in a room together with the writer 77 00:03:20,639 --> 00:03:22,480 Speaker 3: and the director, just sort of talking about our own 78 00:03:22,520 --> 00:03:25,960 Speaker 3: personal experiences with mental health and with psychology, and so 79 00:03:26,000 --> 00:03:27,560 Speaker 3: that we could sort of formulate a trust in the 80 00:03:27,639 --> 00:03:31,000 Speaker 3: groundwork from which we could work and delve into the material. 81 00:03:31,160 --> 00:03:34,680 Speaker 3: So I had such an incredible, incredible sparring partner with Bob, 82 00:03:34,720 --> 00:03:37,240 Speaker 3: and you know, I think we're seeing him play something 83 00:03:37,280 --> 00:03:40,080 Speaker 3: that he doesn't. He's not normally cast as you know, 84 00:03:40,120 --> 00:03:43,240 Speaker 3: it's the real vivaciousness and gregariousness. He's one of the 85 00:03:43,280 --> 00:03:45,680 Speaker 3: most charming men I've ever met. But usually he's kind 86 00:03:45,720 --> 00:03:48,640 Speaker 3: of straight down the line, and I'll often play the 87 00:03:48,680 --> 00:03:50,560 Speaker 3: ben characters. So we sort of we sort of switched 88 00:03:50,560 --> 00:03:52,320 Speaker 3: a little bit in this and had a lot of 89 00:03:52,360 --> 00:03:52,840 Speaker 3: fun doing it. 90 00:03:53,000 --> 00:03:55,040 Speaker 5: Sounds good, But what about House of Dragon fans? Are 91 00:03:55,040 --> 00:03:57,360 Speaker 5: they some of the most loyal fans and they stopped 92 00:03:57,360 --> 00:03:57,720 Speaker 5: you in the. 93 00:03:57,640 --> 00:04:01,120 Speaker 2: Shoe, they loved you oh yeah. 94 00:04:01,160 --> 00:04:04,480 Speaker 3: I mean, look, if the characters we're playing landing on audiences, 95 00:04:04,480 --> 00:04:06,560 Speaker 3: you know, for me, that means we're doing a decent job. 96 00:04:06,560 --> 00:04:07,760 Speaker 1: But it is it is a. 97 00:04:07,680 --> 00:04:10,360 Speaker 3: Different level of fan And when we were over there shooting, 98 00:04:10,400 --> 00:04:12,400 Speaker 3: I remember the producers coming up to myself a million 99 00:04:12,400 --> 00:04:13,720 Speaker 3: sort of saying, okay, so you know that when this 100 00:04:13,800 --> 00:04:16,680 Speaker 3: show releases, like you know you're going to have We're like, yeah, yeah, yeah, I know, 101 00:04:16,680 --> 00:04:18,720 Speaker 3: there'll be peach your ink reaching out and it's like, no, no, 102 00:04:18,960 --> 00:04:22,479 Speaker 3: they'll they'll really be people reaching out. And I think, 103 00:04:22,560 --> 00:04:25,040 Speaker 3: you know, the fans are so vast and there's such 104 00:04:25,040 --> 00:04:27,520 Speaker 3: a lesion of them for Game of Thrones that you know, 105 00:04:27,560 --> 00:04:30,360 Speaker 3: they delve a little deeper than than other. 106 00:04:30,200 --> 00:04:31,400 Speaker 1: Shows that have been a part of before. 107 00:04:31,400 --> 00:04:33,360 Speaker 3: But that's part of what makes the world so so 108 00:04:33,440 --> 00:04:34,360 Speaker 3: immersive there. 109 00:04:34,839 --> 00:04:37,400 Speaker 2: And can I can I just ask any chance of 110 00:04:37,440 --> 00:04:40,400 Speaker 2: another season of The Commons? I loved that. 111 00:04:40,960 --> 00:04:42,919 Speaker 1: How bizarre was the timing of that. 112 00:04:43,000 --> 00:04:48,159 Speaker 3: I think this sort of like slightly apocalyptic technological the 113 00:04:48,200 --> 00:04:51,000 Speaker 3: world's going into lockdown series about a virus that was 114 00:04:51,040 --> 00:04:53,720 Speaker 3: coming from overseas, and then like two weeks later, COVID 115 00:04:53,720 --> 00:04:56,279 Speaker 3: sort of started. So I don't know if people want 116 00:04:56,320 --> 00:05:02,240 Speaker 3: to be going back into revisiting that whole world. Yeah, 117 00:05:02,240 --> 00:05:05,200 Speaker 3: I mean Shellyo had written that, Shelley Burse. You know, 118 00:05:05,360 --> 00:05:07,839 Speaker 3: that was an incredible obviously ahead of its time piece, 119 00:05:07,880 --> 00:05:10,479 Speaker 3: and I think it was really timely at that stage. 120 00:05:10,480 --> 00:05:13,680 Speaker 3: But unfortunately, having gone through the last couple of years, 121 00:05:13,680 --> 00:05:15,120 Speaker 3: I think we're all ready to sort of. 122 00:05:17,160 --> 00:05:19,200 Speaker 1: We want a comedy, we want a company. Were a 123 00:05:19,200 --> 00:05:21,440 Speaker 1: comedy about mental health is going to happened? Last time? 124 00:05:21,520 --> 00:05:23,120 Speaker 2: When you made that exactly, I. 125 00:05:23,120 --> 00:05:24,920 Speaker 5: Was really really keen to find out before you go, mate, 126 00:05:24,960 --> 00:05:26,839 Speaker 5: do you watch much? Do you get to watch much yourself, 127 00:05:26,880 --> 00:05:29,279 Speaker 5: be movies or TV? Because Lisa and I am obsessed 128 00:05:29,320 --> 00:05:32,479 Speaker 5: with obsession or succession rather and Lisa's I've been to 129 00:05:32,480 --> 00:05:33,360 Speaker 5: Pump Rules, any of those. 130 00:05:33,400 --> 00:05:34,560 Speaker 2: You've been turned out me? 131 00:05:34,960 --> 00:05:38,839 Speaker 1: You love it? You love it, waiting for the final out, 132 00:05:38,839 --> 00:05:40,120 Speaker 1: waiting for the session oup. 133 00:05:40,920 --> 00:05:43,479 Speaker 2: Next week Monday, everybody's talking about it. 134 00:05:44,440 --> 00:05:46,880 Speaker 1: Yeah, yeah, turn your Twitter off. Look, I mean absolutes 135 00:05:47,000 --> 00:05:48,200 Speaker 1: in the file. I mean that's the reason I mean 136 00:05:48,240 --> 00:05:49,320 Speaker 1: this industry in the first place. 137 00:05:49,320 --> 00:05:51,440 Speaker 3: It's it's it's that content that moved me and you know, 138 00:05:51,480 --> 00:05:54,120 Speaker 3: not just Australian. So yeah, I'm as much of a 139 00:05:54,120 --> 00:05:55,960 Speaker 3: fan as I am involved in it, so definitely I'll 140 00:05:55,960 --> 00:05:58,360 Speaker 3: be wanting speak and keep for the final episode. 141 00:05:58,400 --> 00:06:02,360 Speaker 2: Also have the most discerning viewer that you will ever 142 00:06:02,440 --> 00:06:04,640 Speaker 2: come across, and it's just outed me for not being 143 00:06:04,640 --> 00:06:06,120 Speaker 2: able to get a scandal. 144 00:06:07,800 --> 00:06:10,320 Speaker 6: All right, Ryan, We look forward to it. 145 00:06:10,440 --> 00:06:12,640 Speaker 1: Lovely to chat, lovely to chat. Thanks so much for 146 00:06:12,680 --> 00:06:13,080 Speaker 1: having me. 147 00:06:13,440 --> 00:06:15,239 Speaker 5: Ryan Cool, one of the stars of In Limbo