1 00:00:00,560 --> 00:00:05,920 Speaker 1: Sign for another Fringe Festival act with Czy and Lisa. 2 00:00:06,519 --> 00:00:11,240 Speaker 2: The Fringe World continues. Kevin A. Koppstein is at the 3 00:00:11,400 --> 00:00:14,680 Speaker 2: Brass Monkey Hotel from tonight until February sixteen with a 4 00:00:14,680 --> 00:00:17,800 Speaker 2: show called Haunted, and it's joining us this morning. 5 00:00:18,239 --> 00:00:22,360 Speaker 3: Good, it's good to see you. 6 00:00:22,760 --> 00:00:26,160 Speaker 2: I've already insulted one of your crops. Did scare the 7 00:00:26,200 --> 00:00:28,680 Speaker 2: but Jesus out of me? Tell us about your show. 8 00:00:29,120 --> 00:00:31,840 Speaker 3: Well, the show's called Haunted, and for over thirty years 9 00:00:31,880 --> 00:00:35,560 Speaker 3: I've been collecting strange and unusual objects connected to the paranormal. 10 00:00:35,720 --> 00:00:40,600 Speaker 3: So I think vampire hunting kit, cemetery, padlocks and yeah. 11 00:00:40,720 --> 00:00:43,800 Speaker 3: So basically they've all got a facinating story behind them. 12 00:00:43,840 --> 00:00:46,120 Speaker 3: So it's a storytelling show. We tell the stories and 13 00:00:46,159 --> 00:00:48,400 Speaker 3: then strange things start to happen. 14 00:00:49,040 --> 00:00:50,760 Speaker 4: We don't have any tombstones. And ime, you're not a 15 00:00:50,760 --> 00:00:52,319 Speaker 4: grave robber, not. 16 00:00:52,240 --> 00:00:56,960 Speaker 3: A grave robber, a collector of what I call hauntings. 17 00:00:56,000 --> 00:01:01,600 Speaker 2: A very good tell us about this, Harry spokey looking dull. 18 00:01:01,720 --> 00:01:04,559 Speaker 3: Well, this is Harriet. Harriet's a haunted doll. I found 19 00:01:04,600 --> 00:01:06,959 Speaker 3: Harrott in an antique shop and she belongs to a 20 00:01:07,000 --> 00:01:09,080 Speaker 3: little girl called Miranda who lived about one hundred and 21 00:01:09,120 --> 00:01:12,319 Speaker 3: fifty years ago, and tragically Miranda died in a fire. 22 00:01:13,080 --> 00:01:15,160 Speaker 3: But they say that when a child dies. 23 00:01:15,000 --> 00:01:17,720 Speaker 2: There's Harrott in that fire, because she looks like. 24 00:01:17,680 --> 00:01:22,280 Speaker 1: She's yes, yeah, but yeah, they say that when the 25 00:01:22,400 --> 00:01:26,280 Speaker 1: child dies, their spirit stays with that which they held 26 00:01:26,319 --> 00:01:27,800 Speaker 1: the most precious, which would be Harriet. 27 00:01:27,880 --> 00:01:32,200 Speaker 3: So I thought, yeah, I thought, I also have what's 28 00:01:32,200 --> 00:01:34,080 Speaker 3: called a spirit bell here and a spirit that she's 29 00:01:34,080 --> 00:01:37,600 Speaker 3: a simple bell hanging on a wooden stand, and spiritualists 30 00:01:37,600 --> 00:01:40,280 Speaker 3: in the late eighteen hundreds early nineteen hundreds would would 31 00:01:40,319 --> 00:01:42,360 Speaker 3: use that to communicate with the spirit. So the spirits 32 00:01:42,400 --> 00:01:46,080 Speaker 3: would communicate me by ringing the bell. So I thought, maybe, 33 00:01:46,120 --> 00:01:48,320 Speaker 3: if you're for it, we could try and contact the 34 00:01:48,360 --> 00:01:50,400 Speaker 3: spirit of Miranda this morning. 35 00:01:50,880 --> 00:01:53,280 Speaker 4: Can you just get Harriet's get Harriet's I to stop 36 00:01:53,320 --> 00:01:54,120 Speaker 4: following me around the road. 37 00:01:55,040 --> 00:01:57,040 Speaker 3: Yeah, she does only have one eye. The other was 38 00:01:57,080 --> 00:02:01,440 Speaker 3: tragically lost in that fire. But yeah, so maybe Lisa, 39 00:02:01,720 --> 00:02:03,800 Speaker 3: maybe you look like you might be a good conduit 40 00:02:03,840 --> 00:02:07,640 Speaker 3: for the spirits. Maybe if if you could just it's 41 00:02:07,640 --> 00:02:09,560 Speaker 3: it's important that we we create the right atmosphere and 42 00:02:09,560 --> 00:02:10,919 Speaker 3: see if we can get the spirits to at least 43 00:02:11,000 --> 00:02:12,800 Speaker 3: join us. This morning. It's a bit early for them. 44 00:02:12,840 --> 00:02:16,040 Speaker 3: They tend to preture the nighttime. But so listen, maybe 45 00:02:16,040 --> 00:02:18,079 Speaker 3: you could just say, just spirits, are you with us? 46 00:02:18,200 --> 00:02:19,120 Speaker 2: Spirits? Are you with us? 47 00:02:21,880 --> 00:02:23,000 Speaker 4: Well, the bell just rang. 48 00:02:23,040 --> 00:02:26,519 Speaker 3: That's a good sign told, Yeah, exactly, maybe just a 49 00:02:27,040 --> 00:02:30,360 Speaker 3: spirits you know, are you Miranda Spirits? 50 00:02:30,440 --> 00:02:31,560 Speaker 2: Are you Miranda? 51 00:02:32,880 --> 00:02:36,600 Speaker 3: Well it's rang again. That's good. Let's maybe trouble. There's 52 00:02:36,639 --> 00:02:38,800 Speaker 3: lots of mirandas that that could have, you know, lived 53 00:02:38,840 --> 00:02:40,440 Speaker 3: and died over the last one hundred and fifty years. 54 00:02:40,440 --> 00:02:42,239 Speaker 3: So maybe let's find out I forgot the right Miranda. So 55 00:02:42,280 --> 00:02:44,880 Speaker 3: maybe at less if you could say, Miranda spirit are 56 00:02:44,880 --> 00:02:46,600 Speaker 3: you the Miranda who died in the fire? 57 00:02:47,800 --> 00:02:50,240 Speaker 2: Are you the Miranda who died in the fire? 58 00:02:51,600 --> 00:02:55,960 Speaker 4: Oh? The bell just a lot? 59 00:02:56,560 --> 00:02:57,760 Speaker 3: I think we better stop it there. 60 00:02:57,760 --> 00:02:59,799 Speaker 4: I think she's a little bit angry. I'm just wondering. 61 00:02:59,880 --> 00:03:03,880 Speaker 4: The sprinklers have come on the fire is now that's 62 00:03:03,919 --> 00:03:05,320 Speaker 4: quite spectacular. 63 00:03:06,000 --> 00:03:09,320 Speaker 3: Okay, but there I think. I think Miranda's definitely joined us, 64 00:03:09,320 --> 00:03:11,760 Speaker 3: but she's not too happy being a weak this early 65 00:03:11,800 --> 00:03:12,280 Speaker 3: in the morning. 66 00:03:12,280 --> 00:03:14,119 Speaker 4: I think, isn't that something. 67 00:03:13,880 --> 00:03:16,639 Speaker 2: To do with the origin of the saying for whom 68 00:03:16,680 --> 00:03:22,280 Speaker 2: the bell told. 69 00:03:20,000 --> 00:03:22,120 Speaker 4: Can you just, in that same voice, just apologize for 70 00:03:22,240 --> 00:03:25,680 Speaker 4: our friends? Thanks Harriot or that. 71 00:03:27,200 --> 00:03:30,239 Speaker 2: Have you ever had found an object that you thought, No, 72 00:03:30,280 --> 00:03:32,080 Speaker 2: I'm not touching that. I don't want him to do 73 00:03:32,160 --> 00:03:35,160 Speaker 2: with that because my grandfather. It's funny you made me 74 00:03:35,320 --> 00:03:38,960 Speaker 2: your conjured because my grandfather he left me his Wigi board. 75 00:03:39,640 --> 00:03:39,960 Speaker 3: Really. 76 00:03:40,200 --> 00:03:43,200 Speaker 2: Yeah, he was quite a spiritual person and like he 77 00:03:43,280 --> 00:03:45,160 Speaker 2: had all our spirit guides and all of that, and 78 00:03:45,280 --> 00:03:47,800 Speaker 2: he left me this damn Ouiji board. Now what the 79 00:03:47,840 --> 00:03:51,080 Speaker 2: hell do you do with a Wiji board that he 80 00:03:51,360 --> 00:03:54,920 Speaker 2: swore He's you know, communicated with the dead. Throw you 81 00:03:54,960 --> 00:03:59,560 Speaker 2: don't throw it away? No, I don't want it. 82 00:03:58,840 --> 00:03:59,760 Speaker 4: Put in the shed, you know. 83 00:03:59,800 --> 00:04:03,280 Speaker 3: You you bury it in the gardens on the full moon, 84 00:04:04,760 --> 00:04:06,840 Speaker 3: you dance naked around it. That's pretty much I have 85 00:04:06,960 --> 00:04:07,080 Speaker 3: to do. 86 00:04:08,960 --> 00:04:10,880 Speaker 2: I left it in the back of a caboard somewhere 87 00:04:10,920 --> 00:04:13,640 Speaker 2: and then forgot about it. It's still there, I think, so, 88 00:04:14,280 --> 00:04:16,040 Speaker 2: but not my cupboard anymore. 89 00:04:16,600 --> 00:04:18,720 Speaker 4: How many glasses again slug around on that thing over 90 00:04:18,760 --> 00:04:19,680 Speaker 4: the years, are anyway? 91 00:04:19,760 --> 00:04:19,839 Speaker 3: So? 92 00:04:20,000 --> 00:04:22,560 Speaker 2: Yeah, weird objects that you thought, not having anything to 93 00:04:22,560 --> 00:04:22,960 Speaker 2: do with that. 94 00:04:23,200 --> 00:04:26,920 Speaker 3: No, I'm pretty much collect anything, okay. Yeah. I grew 95 00:04:27,000 --> 00:04:29,039 Speaker 3: up in Scotland, and as a kid, my mum would 96 00:04:29,080 --> 00:04:33,000 Speaker 3: take me around castles and haunted houses, and I was embarrassing. 97 00:04:33,160 --> 00:04:35,560 Speaker 3: It was forever knocking on walls trying to find the secret panels. 98 00:04:35,680 --> 00:04:38,480 Speaker 3: Of course, embarrassed to death. So I kind of grew up. 99 00:04:38,839 --> 00:04:41,600 Speaker 3: You know, Scotland's got a great history of ghosts and hauntings, 100 00:04:41,680 --> 00:04:44,200 Speaker 3: so I grew up kind of with all that stuff. 101 00:04:44,240 --> 00:04:47,520 Speaker 3: So I was a kid, I was fascinated by the supernatural, 102 00:04:47,560 --> 00:04:48,680 Speaker 3: and I think what it is, you know, in this 103 00:04:48,800 --> 00:04:52,440 Speaker 3: day of technology, we everything's all the informations at our fingertips. 104 00:04:52,440 --> 00:04:55,719 Speaker 3: We can check facts were but with with with with 105 00:04:55,839 --> 00:04:57,960 Speaker 3: spirits and ghosts and that we don't really know. So 106 00:04:58,040 --> 00:05:01,440 Speaker 3: I think that's why people are fascinated, because you can't google, 107 00:05:02,240 --> 00:05:04,680 Speaker 3: you know, things they just do they exist? Do they not? 108 00:05:05,000 --> 00:05:05,440 Speaker 3: I don't know. 109 00:05:05,839 --> 00:05:07,719 Speaker 4: Yes, Miranda got email address, I don't know. 110 00:05:07,800 --> 00:05:09,479 Speaker 3: Well she does actually, but we'll deal with that. 111 00:05:09,560 --> 00:05:11,800 Speaker 4: Have you ever you said you're interested in bits and pieces? 112 00:05:11,839 --> 00:05:14,480 Speaker 4: You ever gathered something from somewhere and then found out 113 00:05:14,520 --> 00:05:16,400 Speaker 4: later it was worth a lot of money And then 114 00:05:16,400 --> 00:05:17,600 Speaker 4: there's a temptation. 115 00:05:17,400 --> 00:05:19,760 Speaker 3: And I'm going to go home and check collection. 116 00:05:19,880 --> 00:05:21,640 Speaker 4: Now, yeah, antics. 117 00:05:21,760 --> 00:05:24,320 Speaker 3: That's right, bring Harriet Tantic. 118 00:05:25,760 --> 00:05:27,839 Speaker 2: Have you ever had to have an interesting conversation at 119 00:05:27,880 --> 00:05:31,240 Speaker 2: customs when they've opened up your suitcase and said what 120 00:05:31,360 --> 00:05:31,920 Speaker 2: we got here? 121 00:05:32,160 --> 00:05:34,520 Speaker 3: I tell what. I I went to UK last year 122 00:05:34,560 --> 00:05:40,800 Speaker 3: and I bought an Egyptian Mamma Fight Hands and it 123 00:05:40,839 --> 00:05:48,160 Speaker 3: was in a box and it's a case, and I 124 00:05:48,520 --> 00:05:51,080 Speaker 3: it wasn't until I put my case through and checked 125 00:05:51,120 --> 00:05:53,120 Speaker 3: it in and then I'm thinking, oh, man, if they 126 00:05:53,279 --> 00:05:55,960 Speaker 3: extray this, they're going to see the hand, this, this, 127 00:05:55,960 --> 00:05:58,479 Speaker 3: this hand in this box in my suitcase, and I'm 128 00:05:58,480 --> 00:05:59,880 Speaker 3: never going to make it through customs. 129 00:06:00,560 --> 00:06:02,320 Speaker 4: Fortunately I did. 130 00:06:02,480 --> 00:06:09,200 Speaker 3: You're okay, Oh that is classy. Yeah, yeah, yeah, But 131 00:06:09,240 --> 00:06:11,159 Speaker 3: it wasn't until I didn't think about it until I 132 00:06:11,160 --> 00:06:14,360 Speaker 3: put it through, and I'm going, oh no, yeah, yeah, 133 00:06:14,680 --> 00:06:15,520 Speaker 3: I've got some explaining. 134 00:06:15,520 --> 00:06:16,599 Speaker 4: Did you get nervous at the movies? 135 00:06:16,680 --> 00:06:16,760 Speaker 3: Mat? 136 00:06:16,800 --> 00:06:18,520 Speaker 4: Do you know just creepy movies or you just go 137 00:06:18,720 --> 00:06:20,400 Speaker 4: It doesn't work that way, you know what. 138 00:06:20,520 --> 00:06:23,440 Speaker 3: I don't really go to go for creepy movies, especially 139 00:06:23,640 --> 00:06:26,440 Speaker 3: horror and gore. You know, I like psychological thrillers and 140 00:06:26,480 --> 00:06:28,960 Speaker 3: I like things like that. But yeah, the blood and Gore. 141 00:06:29,279 --> 00:06:31,680 Speaker 3: My show wasn't really blood and Gore, it's more about stories. 142 00:06:32,440 --> 00:06:33,279 Speaker 4: Yeah, that's right. 143 00:06:33,560 --> 00:06:37,120 Speaker 2: Yeah, So I mean you are a storyteller. You are 144 00:06:37,400 --> 00:06:40,080 Speaker 2: you're putting on a show. You are an entertainer. But 145 00:06:40,360 --> 00:06:44,520 Speaker 2: so obviously you know there are elements that you're creating. 146 00:06:44,600 --> 00:06:48,560 Speaker 2: But have you had things happen on stage you have thought, Okay. 147 00:06:48,440 --> 00:06:51,479 Speaker 3: We have a strange happened every single night, every single 148 00:06:51,920 --> 00:06:53,920 Speaker 3: really Yeah. Yeah. The other night, I have a story 149 00:06:53,960 --> 00:06:57,279 Speaker 3: about a girl called Emily, and and I got a 150 00:06:57,320 --> 00:06:59,880 Speaker 3: woman on stage and we do something with her ring 151 00:07:00,120 --> 00:07:03,680 Speaker 3: and her name was Emily. And that's happened on the 152 00:07:03,680 --> 00:07:05,880 Speaker 3: foreign occasions now where I've done the show and the 153 00:07:05,920 --> 00:07:08,160 Speaker 3: person that I've got up to help had the scene 154 00:07:08,160 --> 00:07:11,240 Speaker 3: first name as the person in the story got. I've 155 00:07:11,240 --> 00:07:14,200 Speaker 3: also got a photograph of a Victorian child or black 156 00:07:14,200 --> 00:07:17,000 Speaker 3: homae poto of a Victorian girl. And one night I'm 157 00:07:17,040 --> 00:07:19,840 Speaker 3: doing this show and this woman just freaks out because 158 00:07:19,840 --> 00:07:22,280 Speaker 3: she said that that's my daughter. That's the exact image 159 00:07:22,280 --> 00:07:25,720 Speaker 3: of my daughter. So yeah, strange things happen every night. 160 00:07:25,800 --> 00:07:27,760 Speaker 4: So yeah, we get different crowds coming in from different 161 00:07:27,760 --> 00:07:30,520 Speaker 4: parts of the world all the time. That's right. Oh, 162 00:07:30,600 --> 00:07:32,040 Speaker 4: that is a a little bit of a. 163 00:07:32,000 --> 00:07:34,720 Speaker 2: Chill now all right, Well, if you want to see 164 00:07:34,800 --> 00:07:37,200 Speaker 2: why Kevin is the winner of the Lifetime Achievement Award 165 00:07:37,200 --> 00:07:39,720 Speaker 2: at these Scottish Comedy Awards a few years back, and 166 00:07:39,760 --> 00:07:43,760 Speaker 2: if you want to get scared to deathless scared, yes, 167 00:07:43,880 --> 00:07:48,760 Speaker 2: scared witless, head along from tonight until February sixteen at 168 00:07:48,800 --> 00:07:50,800 Speaker 2: the Brass Monkey. At least you'll be able to have 169 00:07:50,800 --> 00:07:52,880 Speaker 2: a drink to calm your nerves. Absolutely you can get 170 00:07:52,880 --> 00:07:55,640 Speaker 2: you to get through fridingeworld dot com dot au. Kevin, 171 00:07:55,960 --> 00:07:59,440 Speaker 2: thank you for coming in and bringing that creepyears old out. 172 00:08:00,240 --> 00:08:01,320 Speaker 3: Thank you for having me there. 173 00:08:01,360 --> 00:08:03,400 Speaker 4: Don't leave Eric time mate. Please, I'm going to go 174 00:08:03,440 --> 00:08:04,480 Speaker 4: put her back to better. 175 00:08:05,880 --> 00:08:09,080 Speaker 2: Make that one eye close if you marry 176 00:08:09,160 --> 00:08:13,800 Speaker 4: That little cyclops bedroom goodness, Thanks very much,