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Speaker 1: Dowered by the radio WAP from ninety six air FM.

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Speaker 2: So whereever you're listening today, this is Clezy and Lisa's podcast.

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Speaker 3: Coming up on the podcast Andrew Hamilton talking about his

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Speaker 3: show A Little Bit of Time Inside It's called Ship Bloke.

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Speaker 2: Beno'che reviews the Oscar nominated movie Anatomy of a Fall.

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Speaker 3: Also, we took your calls on something. What did you

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Speaker 3: see something and then say something about it.

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Speaker 2: We had to have a chat about Australia Day and

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Speaker 2: how it's been ruined.

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Speaker 3: Well said Lisa. And in the Shore Report the killers

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Speaker 3: are hitting Vegas. Yes, the residency will happen.

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Speaker 2: Andrew Hamilton is in town with his fringe show Shit Bloke.

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Speaker 2: Can I see that? I'm allowed to say it. We're

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Speaker 2: all grown ups. It makes me feel better. It's Friday

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Speaker 2: to Sunday at the Freeo Comedy Factory. Fantastic tickets are

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Speaker 2: through fringeworld dot com dot you Andrew. It's our first

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Speaker 2: time meeting you. Thanks for coming in.

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Speaker 4: It's a pleasure. Thanks so much for having us to

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Speaker 4: mercha mate.

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Speaker 2: Now this is the follow up to your first show,

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Speaker 2: which was called Joke About the Time I Went to Prison. Yes,

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Speaker 2: and it was a pretty a correct title. Yes, so

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Speaker 2: tell us quickly.

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Speaker 1: I've only been doing comedy for two years and I thought.

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Speaker 1: I went to Melbourne Comedy Festival last year and I

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Speaker 1: wanted to have a name for the show because no

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Speaker 1: one knows who I was. I was like, I didn't

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Speaker 1: want to have a name like Daffodil. And people are

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Speaker 1: scrolling through five thousand comedy shows. I was like, let's

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Speaker 1: just put the name of exactly what you're getting. Yeah, yeah,

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Speaker 1: as the name of the show. And so I was

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Speaker 1: on at ten forty at night and on Mondays, Tuesdays

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Speaker 1: and Wednesdays at Melbourne Comedy Festival.

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Speaker 4: I was the latest show by far.

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Speaker 1: So we were scrolling through and I'm like, oh, do

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Speaker 1: you want to go see some guy talk about prison?

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Speaker 4: It turned out yeah, people did want to. We did. Yeah, absolutely, yeah.

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Speaker 3: Yeah, And people are fascinated, and so am I about

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Speaker 3: the fact that I'm sure not every single minute I've

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Speaker 3: never been inside. I've been done a Discover at women's

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Speaker 3: prison once, but I haven't.

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Speaker 4: Been about that. That was weird.

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Speaker 3: Your stories were interesting, but I take it with the

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Speaker 3: way humans are, not every single minute in prison is

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Speaker 3: without a laugh.

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Speaker 1: Absolutely, you know, obviously there was some pretty dark, depressing parts,

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Speaker 1: but there were some very funny moments that you don't expect,

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Speaker 1: and the fact that that was what made it stick

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Speaker 1: out more was because it felt like such a place where.

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Speaker 4: Laughter shouldn't be right.

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Speaker 1: And so I remember there was a time where one

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Speaker 1: of the prison guards called out for a guy named

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Speaker 1: David Wilson, and he's like, David Wilson, to the office,

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Speaker 1: David Wilson, And then a whole yard full of hard

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Speaker 1: and criminals are going doing their best Tom Hanks castaway impression, going.

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Speaker 4: Wilson, Wilson, I'm sorry, Wilson, and I were.

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Speaker 1: Laughing so hard that I forgot where I was, right,

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Speaker 1: I forgot about I forgot about the barber Wie fences

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Speaker 1: and the cameras and guards, and for a few minutes,

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Speaker 1: I was totally free, and I was like, holy crap,

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Speaker 1: that's pretty powerful stuff if that can make me forget

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Speaker 1: where I am. And so that was kind of one

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Speaker 1: of the main reasons that drove me towards comedy, because

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Speaker 1: I was like, if this can help people forget about

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Speaker 1: their troubles for a few minutes, that seems like a

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Speaker 1: pretty worthwhile use of my time, and so I started

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Speaker 1: writing jokes in prison, and when I got out, I

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Speaker 1: started performing at open my Comedy Nights was through and yeah,

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Speaker 1: so I mean obviously, but people were probably wondering why

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Speaker 1: I went to prison. It's good to I try and

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Speaker 1: address that early in my show because other way people want.

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Speaker 2: I know, it's not for murder.

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Speaker 4: No, it didn't murt of any radio host.

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Speaker 1: No, it was for the commercial supply of psychedelic drugs,

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Speaker 1: so magic mainly magic mushrooms which have now which have

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Speaker 1: now been legalized in Australia for medicinal use. So you know,

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Speaker 1: talk about bad timing for me, just a few years

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Speaker 1: out of whack.

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Speaker 2: She's one man's beef BOOKGNN is another man, right, right, Well,

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Speaker 2: I just hes a good mud rooms, not the ones

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Speaker 2: that you've see in of Beef Wellington.

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Speaker 1: But but yeah, So I was in prison in twenty

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Speaker 1: twenty one in Remand, which is like unsentenced prison for

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Speaker 1: everyone doesn't know. And then I got bail to my parents'

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Speaker 1: place and I was under quite strict conditions there and

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Speaker 1: that was when I started doing stand up. So when

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Speaker 1: I originally went to open my Comedy Nights, I had

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Speaker 1: to bring my mum, who's in her seventies with me,

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Speaker 1: because I wasn't allowed out of the house unless I

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Speaker 1: was in the company of my parents, and so we'd

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Speaker 1: go to these and so Mum I would have to

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Speaker 1: sit through some pretty rough comedy.

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Speaker 3: Yeah, but you know what she called the new show

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Speaker 3: poo boor showed she pretty rough.

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Speaker 4: Pretty, Yes, absolutely she is.

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Speaker 1: And I thought that she would hate the idea of

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Speaker 1: me getting on stage and doing jokes about my time

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Speaker 1: in prison. But my whole family, I think got that

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Speaker 1: it was something that I felt strongly about and wanted

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Speaker 1: to express, and so they loved it. I think they

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Speaker 1: were just happy for me to do anything other than

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Speaker 1: crimes that they just got fully behind it.

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Speaker 2: When you first had this epiphany in prison, let's talk

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Speaker 2: about testing out material. Was it on you know the

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Speaker 2: other guys? Was it on your seally? Was it on?

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Speaker 5: Yes?

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Speaker 4: That a question, so you try not to.

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Speaker 1: You don't want to be a comedian in the yard

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Speaker 1: because if a joke goes poorly, you know, there could

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Speaker 1: be some pretty serious So I wasn't working the room

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Speaker 1: of the yard, but I would have I had cell

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Speaker 1: mates that I typically got along with, and so I

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Speaker 1: would test out jokes on them. By that stage, I

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Speaker 1: already know that we get along and it's a safe crowd. Okay, yeah,

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Speaker 1: but yeah, you don't want to be trying them in

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Speaker 1: the yard with a complete stranger.

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Speaker 4: Would you call me?

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Speaker 6: Yeah?

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Speaker 4: Yeah, exactly.

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Speaker 3: These are funny And is there a cell somewhere with

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Speaker 3: your etchings, your scratchings of some jokes on that.

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Speaker 1: I wish I could have done that, So if you

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Speaker 1: go back and revisit, Actually, that reminds me something cool

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Speaker 1: has happened recently. I did some because of the stuff

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Speaker 1: I talk about, I've been invited to some pretty cool gigs.

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Speaker 1: I performed at a juvenile detention center just before Christmas,

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Speaker 1: and we're in talks the moment about me going into

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Speaker 1: perform in one of Sydney's maxim security prisons hopefully next month.

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Speaker 1: So that'll be pretty cool, just be able to go and

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Speaker 1: perform for these guys, because I mean a lot of

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Speaker 1: these guys. It's a pretty depressing place in there that

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Speaker 1: you know, if you can add a bit of laughter

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Speaker 1: them and show them that you can get out of

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Speaker 1: prison and stop and do something else other than crime,

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Speaker 1: because a lot of the guys are in there not

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Speaker 1: for their first time becomes a big cycle for a

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Speaker 1: lot of these guys.

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Speaker 2: Well that's the thing. I mean, in all seriousness, you

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Speaker 2: have so many challenges when you get out of prison

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Speaker 2: to try to, you know, break that cycle. I can

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Speaker 2: understand why so many of the men up back there.

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Speaker 7: I was.

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Speaker 4: I was very lucky that I had.

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Speaker 2: Your experience.

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Speaker 1: I had friends of family that stuck by me, But

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Speaker 1: a lot of guys don't have that. And the only

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Speaker 1: people that you kind of identify with the other ex cons.

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Speaker 1: When you get out and you feel quite isolated, it's

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Speaker 1: very easy to fall back into back.

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Speaker 2: And if they get out and they've got nowhere to go,

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Speaker 2: and then they're trying to get a job and they've

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Speaker 2: got to say, well that's where I was, So that's

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Speaker 2: you know, everything's kind of a bit against them. It's

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Speaker 2: it's a tough one.

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Speaker 4: There's no guaranteed meals on the outside. Absolutely.

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Speaker 1: I mean, that's that was something that I noticed, was

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Speaker 1: that I found, Yeah, you don't need to worry about

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Speaker 1: that stuff. You've got accommodation and food in prison. I

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Speaker 1: found jailed. Obviously it's not everyone's experience, but for me,

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Speaker 1: I found jail easy, real life is hard, and so

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Speaker 1: when you get out, you know that's that's the real strike,

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Speaker 1: is what are you going to do with your life?

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Speaker 4: It's just you sit there and you wist your life away.

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Speaker 1: Really, but that was a time when I had time

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Speaker 1: to reflect on if I could restart my life, what

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Speaker 1: would I do differently?

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Speaker 4: And really the answer was stand up comedy.

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Speaker 1: And so that's what I've been devoting my life to

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Speaker 1: since I've been doing I do about five been doing

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Speaker 1: about five gigs a week ever since I got out,

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Speaker 1: and it's changed my life.

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Speaker 2: So you made the choice not to waste away in

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Speaker 2: there just too well. I mean it's not like you

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Speaker 2: were in there that long, not that, but you chose

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Speaker 2: to actually use that time to do something productive and act.

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Speaker 2: The show is called shit Bloke. As we said, I

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Speaker 2: said it again, You're so naughty. I'm not giving too

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Speaker 2: much away. What's the show about?

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Speaker 1: So the first show was about my time in getting

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Speaker 1: arrested and going to prison and decide introduce stand up comedy.

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Speaker 1: And this is kind of a follow on show about

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Speaker 1: the fact that just because you stop breaking the lord

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Speaker 1: doesn't mean you instantly become a good person.

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Speaker 4: Okay, you have to work.

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Speaker 1: On yourself, right, there's a lot of work to that,

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Speaker 1: So that's what it's essentially about. It's just me just

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Speaker 1: working on all those bits about how you become a

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Speaker 1: better person day by day.

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Speaker 3: I think about you going in especially you talk about

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Speaker 3: maximum security place or going back in the jail doing

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Speaker 3: because the comedy is the way to get you in there.

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Speaker 3: But it's more about your message for people, isn't it.

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Speaker 3: Absolutely so they can see, like you say, they could

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Speaker 3: see a path path out potentially.

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Speaker 4: Yeah, exactly.

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Speaker 1: I think that that was just my creative outlet to

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Speaker 1: talk about what happened to me. But there's so many

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Speaker 1: guys that are locked up, and you see, they have

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Speaker 1: so much talent, whether it's art or music and these

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Speaker 1: kind of things, and I think given the right inspiration

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Speaker 1: and opportunity, they could completely change their lives.

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Speaker 2: I guess that message would be really important when you're

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Speaker 2: doing a show at a detention center, as you said, yes,

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Speaker 2: where they're still young enough to really make an impression.

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Speaker 4: Well, I mean these are teenage boys.

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Speaker 1: So I found that any story I said which went

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Speaker 1: longer than a minute, they started his own out.

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Speaker 4: Keep it really short and sharp, A lot of swear words,

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Speaker 4: so suddenly that was focusing here it lies the key.

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Speaker 2: Yes, well the show is I think I've said it

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Speaker 2: enough times. I'll let you thank you. This show is

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Speaker 2: on Fridayside at the Frio Comedy Factory. Tickets are through

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Speaker 2: fringeworld dot com dot are you lovely to meet you, Andrew?

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Speaker 4: Thanks so much for having me, great story man.

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Speaker 2: The old adage if you see something, say something, it

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Speaker 2: applies to so many things. A passenger aboard a Virgin

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Speaker 2: Atlantic flush in the US informed the crew of missing

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Speaker 2: screws in the plane's wing before takeoff. Imagine sitting there

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Speaker 2: getting yourself settled, looking for your tiny little pillow.

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Speaker 4: Yeah, seeing if my person next to you as an armrest.

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Speaker 2: Your flannel size blankie, and looking out and thinking, oh,

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Speaker 2: hang on, I think there's a screw missing there. So

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Speaker 2: maintenance came out and there was indeed a screw missing.

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Speaker 2: They worked on the problem. The airline said, oh, look,

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Speaker 2: that wouldn't have affected the flash, but they grounded the

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Speaker 2: plane for further inspection. Nonetheless, so we want to ask,

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Speaker 2: have you ever seen an issue that could potentially be

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Speaker 2: problematic and told the appropriate officials about it before it

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Speaker 2: became problematic? Did you see something and say something? Did

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Speaker 2: you take matters into your own hands and stop a

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Speaker 2: situation from escalating?

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Speaker 3: Because it can happen on the street. You'll see someone

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Speaker 3: who's is a bus coming down, especially in the city here,

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Speaker 3: see all the time people about to cross the road,

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Speaker 3: especially young people that don't really.

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Speaker 2: Look well, they're on their phone or they're.

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Speaker 4: Yeah, they're distracted. People are abstracted.

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Speaker 3: Yeah, absolutely, and you go maybe you know generally it

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Speaker 3: works itself out. But this doesn't include when I saw

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Speaker 3: those guys stealing the girl from the bottle shop last year.

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Speaker 4: Doesn' it intervene?

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Speaker 2: I didn't want to intervene, said plenty, but not to them.

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Speaker 4: No if no way.

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Speaker 2: Mates down the road seem to be enjoying the scene

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Speaker 2: unfolding too much to stop it, mister Clare's, I like,

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Speaker 2: I love.

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Speaker 3: What your good crime show for people from the shop.

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Speaker 3: I'm running after them.

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Speaker 2: I'm not that Tim and Craigie, did you see something

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Speaker 2: and say something?

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Speaker 1: Yeah?

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Speaker 5: So, a couple of years ago, my family and I

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Speaker 5: went on an outing south of Perth to I guess

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Speaker 5: you could say, like a zoo or a reptile park.

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Speaker 4: Yeah, all right, and.

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Speaker 5: I'm entering the park. The gates for the enclosure for

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Speaker 5: the alligators didn't have a lock on it. It was

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Speaker 5: completely completely unlocked. So my wife stood there in front

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Speaker 5: of the gate while I went back to the reception

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Speaker 5: start to let them know. And yeah, they quickly threw

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Speaker 5: locked dock on it straight away.

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Speaker 2: Your wife stood guard at the crocodile disclosure.

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Speaker 5: With my two kids as well. One of them was

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Speaker 5: pretty keen and eager to get in there too.

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Speaker 2: Oh my god, wow, well straws for who was going

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Speaker 2: to wait at the gage? Have you got to drive.

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Speaker 5: Where? She was like where do I go? Where do

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Speaker 5: I goor you just wait here? And they didn't believe

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Speaker 5: me at first. Yeah, someone have a look and they

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Speaker 5: were like, oh no.

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Speaker 4: You should, I should. Yeah, it's I.

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Speaker 2: Don't want to find out if running in his eg

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Speaker 2: zags it works.

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Speaker 4: I just stand still.

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Speaker 2: I don't care to know. Yeah, straight up a tree lady.

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Speaker 3: Glad you still with us, Tim, But you should have

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Speaker 3: got a lot of time membership for good one.

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Speaker 4: Brilliant well done.

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Speaker 2: You definitely say something when the gate is open at

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Speaker 2: the wildlife.

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Speaker 4: That absolutely thanks to very good Tim. Thank you mate.

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Speaker 2: Sharon in Middle Swan, Hello Sharon.

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Speaker 8: Good morning, well, just before Christmas, and I was doing

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Speaker 8: some Christmas shopping. So I've got my stuff in my

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Speaker 8: trolley and I walked out the shop and I saw

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Speaker 8: two young kids rock up on a motorbike and I

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Speaker 8: heard a noise behind me, so I turned around and

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Speaker 8: they were trying to steal this guy's motorbike because he

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Speaker 8: parked it near the front door. And I was just

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Speaker 8: they just wanted that bike so bad. And I'm like, ohait,

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Speaker 8: what are you doing. And they're like, oh, you know,

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Speaker 8: pretty much mind your own business. And I'm like, what

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Speaker 8: are you doing and he goes, oh, it's my bike. No,

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Speaker 8: it's not your bike. You've just thrown the helmet on

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Speaker 8: the floor. So they still did not even care that

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Speaker 8: I was there, and I was right there saying what

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Speaker 8: are you doing. In the end, I just started yelling fire, fire,

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Speaker 8: because I thought, you know, people will look around.

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Speaker 2: If you come yeah, and was right.

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Speaker 8: At the front of the shopping center as if people

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Speaker 8: walking past us, and I started yelling and then they thought,

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Speaker 8: she's making too much excuse me, sorry, making she's making

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Speaker 8: too much noise, Let us go. So I thought, good

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Speaker 8: that I've stopped them from stealing this bike and as

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Speaker 8: he's gotten on his bike, he's ridden past my trolley

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Speaker 8: and he stole one of my grandsons. I was buying

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Speaker 8: Christmas presents. He stole one of the presents out of

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Speaker 8: the trolley.

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Speaker 4: I was like, obviously.

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Speaker 8: They were on a motive. I couldn't chase him, but

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Speaker 8: I was like, I couldn't believe I'd stop them from

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Speaker 8: stealing this.

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Speaker 4: Guys by and they.

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Speaker 8: Thought we need to get something, so they just grabbed

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Speaker 8: a gift off the trolley and took off. So I

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Speaker 8: waited for I had a friend to tell out. The

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Speaker 8: guy come out for a few minutes later. I said, oh, mate,

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Speaker 8: these kids are still in your bike, and he goes, oh,

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Speaker 8: thanks very much. And I'm like, yeah, but they stole

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Speaker 8: something after me, which for forty bucks, And he goes, oh,

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Speaker 8: oh yeah, really sorry about that, but thanks very much.

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Speaker 4: Any so much compensation share?

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Speaker 8: Yeah, yeah, I was. I couldn't but yeah, I couldn't

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Speaker 8: believe it. But I couldn't just walk by and let

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Speaker 8: them do.

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Speaker 4: For being a good citizen. It cost you forty bucks,

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Speaker 4: so duty on seas.

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Speaker 8: I hate.

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Speaker 4: Talk about it lot. Yeah yeah, yeah.

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Speaker 2: The rest of us and get your own stuff. Yeah, exactly.

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Speaker 8: I have to work hard for my money and.

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Speaker 2: The bloody yeah, I do like how you yelled fire.

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Speaker 4: That's great because I was so very little.

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Speaker 2: Us are stealing a motorbike does not bring the same.

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Speaker 8: Crowd because people will turn around you here. Yeah, I

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Speaker 8: always said, I always told that when I was younger. Remember, yeah,

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Speaker 8: you'll fire because people will go and help someone, but

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Speaker 8: you can shell out help them being mugs and I'm

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Speaker 8: not touching.

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Speaker 2: I'm not going there.

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Speaker 3: Yeah, I have to go back to Sharon's a good

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Speaker 3: citizen and also says sometimes getting involved doesn't pay, and

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Speaker 3: you have to pay.

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Speaker 2: Like Sharon said, it's just so irksome to you don't.

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Speaker 3: Get a job, pay your texas and by the stuff

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Speaker 3: yourself anyway.

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Speaker 2: Craiging Manning, good morning, good morning.

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Speaker 6: Are you good?

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Speaker 4: Good? What do you going for it?

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Speaker 2: See and say.

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00:15:45,160 --> 00:15:46,360
Speaker 5: You should live up in Darwin.

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Speaker 6: We're flying from Bethurst Island is a small island off

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Speaker 6: the coast, just from.

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Speaker 5: A little Aboriginal community airstrip in a little four.

355
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Speaker 6: Steed of plane. And just as we take off and

356
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Speaker 6: we bank around, my.

357
00:16:01,640 --> 00:16:02,800
Speaker 5: Door pops open.

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Speaker 6: Oh yeah, I just sort of quickly grabbed the handle.

359
00:16:07,680 --> 00:16:10,480
Speaker 6: Ye it's not tapp him on the shoulder and go

360
00:16:10,800 --> 00:16:16,080
Speaker 6: why look at Yeah, okay, you just hold on to note. Well,

361
00:16:16,240 --> 00:16:18,040
Speaker 6: we'll turn around and land and lock it again.

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Speaker 4: Yes, has to be lost, No.

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Speaker 2: Worries, She'll be right, slam it, Craig. There's a touch

364
00:16:22,760 --> 00:16:26,240
Speaker 2: of the only in Darwood about that story too. I

365
00:16:26,280 --> 00:16:27,880
Speaker 2: lived in Darwood for a couple of years in my

366
00:16:27,920 --> 00:16:31,600
Speaker 2: early twenties, have such fond memories of what a bizarre

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00:16:31,800 --> 00:16:35,720
Speaker 2: and crazy place it is. Run on Darwin time, Darwin time,

368
00:16:35,840 --> 00:16:39,040
Speaker 2: daring attitude, Darwin attitude.

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Speaker 4: Tomorrow.

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Speaker 3: Yeah, so you went planning on dark, went planning and

371
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Speaker 3: jumping out with a parachute or anything, Craig.

372
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Speaker 4: So you landed and I know what it was?

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Speaker 5: Over water?

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Speaker 4: Okay, you hope?

375
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Speaker 2: I think it hurts from light.

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Speaker 4: Thanks great, are great?

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Speaker 2: Paul and tapping did you see something? And yeah something.

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Speaker 4: Yeah.

379
00:17:01,480 --> 00:17:05,480
Speaker 6: We were in a torpedo rocks and yelling up fishing

380
00:17:05,520 --> 00:17:09,680
Speaker 6: for salmon in one easter and we've seen this giant

381
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Speaker 6: wave coming and it was just getting bigger and bigger,

382
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Speaker 6: and we've quite yelled to the people over from us,

383
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Speaker 6: but they thought we were signaling there was a salmon

384
00:17:17,520 --> 00:17:20,800
Speaker 6: school coming, and they were waving back and we yeah,

385
00:17:20,840 --> 00:17:22,680
Speaker 6: we got off the we got off the rocks. We

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00:17:22,840 --> 00:17:25,920
Speaker 6: lost our gear and they got hammered like into the

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Speaker 6: off the rocks into the beach because they are on

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Speaker 6: the inside of it. And I saw their car keays

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Speaker 6: every ding.

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00:17:34,160 --> 00:17:34,720
Speaker 4: Yeah.

391
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Speaker 6: But it was funny because they when you see a

392
00:17:37,920 --> 00:17:40,080
Speaker 6: big school coming, you want me to let the people know

393
00:17:40,560 --> 00:17:43,480
Speaker 6: on your right hand side because they're coming that way.

394
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Speaker 6: And they thought, yeah, they were helping them out, but

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Speaker 6: it was pretty dangerous.

396
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Speaker 2: It is dangerous.

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Speaker 6: We've never fished on the Cape side ever again because

398
00:17:52,760 --> 00:17:53,000
Speaker 6: of that.

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00:17:54,000 --> 00:17:55,919
Speaker 2: I don't blame you. People have been lost off the.

400
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Speaker 4: School and all the.

401
00:18:01,119 --> 00:18:07,280
Speaker 6: Yeah, yeah, yeah on Cape side.

402
00:18:07,440 --> 00:18:13,399
Speaker 2: Yes, yeah. See Jane and you Okan, we've been talking

403
00:18:13,440 --> 00:18:16,439
Speaker 2: about when you see something and say something this morning,

404
00:18:16,520 --> 00:18:16,919
Speaker 2: what you go.

405
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Speaker 7: I was at the bumper clips, you know, on the

406
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Speaker 7: nulla ball Yeah.

407
00:18:20,920 --> 00:18:24,080
Speaker 2: Oh yeah, I've looked over those. That's sort of where

408
00:18:24,320 --> 00:18:27,560
Speaker 2: is that where the bite is the yeah.

409
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Speaker 7: Massive, yeah, you have to stop.

410
00:18:31,200 --> 00:18:31,680
Speaker 4: Yeah.

411
00:18:32,720 --> 00:18:35,080
Speaker 7: Anyway, I was there at the end and there's this

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00:18:35,359 --> 00:18:38,000
Speaker 7: pair of I think it was a father and son. Yeah,

413
00:18:38,080 --> 00:18:43,200
Speaker 7: and they had climbed over the barrier and yeah, and

414
00:18:43,359 --> 00:18:47,840
Speaker 7: then standing right on the edge, and of course, yeah,

415
00:18:48,200 --> 00:18:52,280
Speaker 7: there's big signs everywhere, you know, like swirling eddies. They're

416
00:18:52,359 --> 00:18:56,800
Speaker 7: too closed, blah blah. Anyway, so I raced down and

417
00:18:57,320 --> 00:18:58,560
Speaker 7: I'm kneeling to this guy.

418
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Speaker 8: Get your some back, get your come back.

419
00:19:01,119 --> 00:19:06,880
Speaker 7: And because they were obviously not from Australia, yes, anyway,

420
00:19:07,040 --> 00:19:10,560
Speaker 7: so I managed to, you know, with my terror and

421
00:19:10,600 --> 00:19:13,120
Speaker 7: screaming at them. He got his stump back and they

422
00:19:13,119 --> 00:19:16,080
Speaker 7: climbed back over the fence and I explained to them,

423
00:19:16,119 --> 00:19:18,320
Speaker 7: you know how dangerous it was that they did thank me,

424
00:19:18,400 --> 00:19:20,200
Speaker 7: But oh my god, I thought I was going to

425
00:19:20,240 --> 00:19:21,679
Speaker 7: see someone fall off a cliff.

426
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Speaker 9: It was scary.

427
00:19:24,320 --> 00:19:27,400
Speaker 2: The wind gusts that just you know, come out of nowhere. There,

428
00:19:27,920 --> 00:19:28,800
Speaker 2: we'll pick you up.

429
00:19:29,080 --> 00:19:33,320
Speaker 4: It's just well, how many people it hits.

430
00:19:33,160 --> 00:19:35,359
Speaker 7: The cliff and then it comes up and then it eddies.

431
00:19:35,119 --> 00:19:37,880
Speaker 4: And we don't see it coming. Yeah, but how many

432
00:19:37,880 --> 00:19:40,200
Speaker 4: people doing selfies for their Instagram.

433
00:19:39,720 --> 00:19:43,560
Speaker 3: In accounts lose their lives doing it?

434
00:19:43,840 --> 00:19:46,960
Speaker 7: Absolutely crazy. Anyway, they were very thankful to me because

435
00:19:47,400 --> 00:19:48,320
Speaker 7: they realized just.

436
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Speaker 2: How amazing place. Thanks more more Lisa, more podcasts.

437
00:19:58,040 --> 00:20:02,560
Speaker 3: So I did a dumb thing this morning. You want

438
00:20:02,600 --> 00:20:06,119
Speaker 3: to do today's Kenning Highway update on an idiot so

439
00:20:06,240 --> 00:20:08,840
Speaker 3: on Kenning Highway right, decide they're going to do They've

440
00:20:08,840 --> 00:20:10,400
Speaker 3: started some roadworks on a Kenning.

441
00:20:10,200 --> 00:20:11,800
Speaker 2: Highway and they love to do them overnight.

442
00:20:11,840 --> 00:20:14,520
Speaker 4: I want to do them overnight. It's very sensible, of course,

443
00:20:14,600 --> 00:20:16,840
Speaker 4: unless you want to use that road and they shut

444
00:20:16,880 --> 00:20:17,200
Speaker 4: it down.

445
00:20:17,520 --> 00:20:19,320
Speaker 3: There's been an open lane this week, but this morning

446
00:20:19,359 --> 00:20:22,000
Speaker 3: they shut it down, so there's the detour. So I'm

447
00:20:22,040 --> 00:20:24,400
Speaker 3: coming in to come and join you guys for the show.

448
00:20:24,440 --> 00:20:27,760
Speaker 3: And I go on a lovely detour which starts off

449
00:20:27,760 --> 00:20:29,200
Speaker 3: I don't even know what the street was, but somewhere

450
00:20:29,200 --> 00:20:29,680
Speaker 3: in South.

451
00:20:29,520 --> 00:20:33,160
Speaker 2: Perth towards mill Point right, I think, so yeah.

452
00:20:33,040 --> 00:20:35,800
Speaker 3: So I turned left, but I'm impatient and I don't

453
00:20:35,800 --> 00:20:38,000
Speaker 3: even look for the detour signs down the street. So

454
00:20:38,080 --> 00:20:40,159
Speaker 3: I see the first right and I go, oh, it's

455
00:20:40,160 --> 00:20:41,320
Speaker 3: probably only a small detail.

456
00:20:41,359 --> 00:20:43,760
Speaker 4: I'll turn right here. As soon as I turn right.

457
00:20:43,840 --> 00:20:46,080
Speaker 3: Four cars behind me followed me into a one way

458
00:20:46,080 --> 00:20:48,120
Speaker 3: street and the dead end.

459
00:20:48,320 --> 00:20:50,960
Speaker 4: Whoops, sorry, folks, turned around.

460
00:20:51,000 --> 00:20:53,000
Speaker 3: People in the other cars look like people have been

461
00:20:53,040 --> 00:20:55,560
Speaker 3: sitting at the Nicola State Car Park for seven hours,

462
00:20:56,000 --> 00:20:57,080
Speaker 3: were giving me the look.

463
00:20:56,920 --> 00:20:59,200
Speaker 4: And I went, I don't know the area I've got

464
00:20:59,280 --> 00:21:00,280
Speaker 4: no simple for you.

465
00:21:00,800 --> 00:21:05,680
Speaker 2: Indeed, sides are there to be followed. What makes you think, Nah,

466
00:21:05,720 --> 00:21:07,440
Speaker 2: I'm just going to go my own way.

467
00:21:07,440 --> 00:21:09,240
Speaker 4: Because I'm impatient already totally.

468
00:21:09,320 --> 00:21:11,760
Speaker 2: Well, that's what happens an idiot. Do you think if

469
00:21:11,800 --> 00:21:13,440
Speaker 2: you could have turned right, they wouldn't have put the

470
00:21:13,480 --> 00:21:14,119
Speaker 2: detail aside.

471
00:21:14,320 --> 00:21:15,600
Speaker 4: They would have been a sign right away.

472
00:21:15,720 --> 00:21:17,800
Speaker 3: Yeah, of course, But I wasn't that patient waiting for

473
00:21:17,800 --> 00:21:19,720
Speaker 3: the yellow signe anyway, So there's eight minutes of my

474
00:21:19,720 --> 00:21:22,240
Speaker 3: life I won't get back. But what Southst looks like?

475
00:21:22,280 --> 00:21:24,440
Speaker 3: A lovely suburb at four thirty am? It was a

476
00:21:24,480 --> 00:21:26,840
Speaker 3: little bit diet, Yeah, quite a little bit dark, but

477
00:21:26,880 --> 00:21:29,040
Speaker 3: not dodgy.

478
00:21:28,960 --> 00:21:29,440
Speaker 4: There's sure.

479
00:21:29,560 --> 00:21:35,200
Speaker 3: Report on ninety six a FM.

480
00:21:34,040 --> 00:21:38,159
Speaker 2: The Killers have announced a Las Vegas residency in celebration

481
00:21:38,240 --> 00:21:41,399
Speaker 2: of the twentieth anniversary of their debut album Hot Fuss

482
00:21:41,400 --> 00:21:43,640
Speaker 2: Home to the likes of mister Bright's side. Somebody told

483
00:21:43,640 --> 00:21:46,680
Speaker 2: me and smile like you mean it. It's their hometown,

484
00:21:46,720 --> 00:21:49,679
Speaker 2: of course, and they intend to perform Hot Fuss in

485
00:21:49,720 --> 00:21:52,359
Speaker 2: its entirety for the first time ever. If by some

486
00:21:52,560 --> 00:21:55,840
Speaker 2: lucky chance, you're going to be in the US this August,

487
00:21:56,160 --> 00:21:58,760
Speaker 2: the Killer's Vegas residency will run for the second half

488
00:21:58,800 --> 00:22:01,080
Speaker 2: of August at the Colis him. I remember when The

489
00:22:01,200 --> 00:22:06,400
Speaker 2: Killers were here end of year before last, Riley had

490
00:22:06,400 --> 00:22:09,760
Speaker 2: a chat with singer Brandon Flowers and put to him

491
00:22:09,800 --> 00:22:11,639
Speaker 2: the question as to whether they would ever do a

492
00:22:11,720 --> 00:22:12,639
Speaker 2: Vegas residency.

493
00:22:12,760 --> 00:22:16,440
Speaker 9: This is what he said, Yeah, we definitely see it

494
00:22:16,480 --> 00:22:19,919
Speaker 9: as a possibility. You know, it's it used to be

495
00:22:20,040 --> 00:22:23,359
Speaker 9: seen very sort of frowned upon, or La Vegus was

496
00:22:23,359 --> 00:22:27,679
Speaker 9: seen as a place where showmen and magicians and comedians

497
00:22:27,680 --> 00:22:30,000
Speaker 9: came to die. But it's you know, it's changed so

498
00:22:30,119 --> 00:22:34,520
Speaker 9: much and become kind of a hot spot for residencies,

499
00:22:34,560 --> 00:22:36,840
Speaker 9: and you know where we'd be open to it.

500
00:22:37,720 --> 00:22:43,960
Speaker 2: Smiley Stradamus Y Smiley. First, Meghan Markle and Prince Harry

501
00:22:43,960 --> 00:22:46,199
Speaker 2: pop up in the Strangers to Places. Yesterday, they made

502
00:22:46,240 --> 00:22:48,879
Speaker 2: a surprise appearance at the premiere of the new movie

503
00:22:48,920 --> 00:22:53,240
Speaker 2: Bob Marley One Love in Jamaica, where else they walked

504
00:22:53,320 --> 00:22:57,760
Speaker 2: the red carpet at the Carab Theater in Kingston. One

505
00:22:57,800 --> 00:23:00,760
Speaker 2: Love is being released on Valentine's Day. It's stars British

506
00:23:00,760 --> 00:23:03,880
Speaker 2: actor Kingsley Benadeer as Bob. You might know him from

507
00:23:03,880 --> 00:23:07,840
Speaker 2: Peaky Blinders. Also he was Basketball Ken in the Barbie movie.

508
00:23:08,400 --> 00:23:11,480
Speaker 2: John Stewart is returning to the Daily Show part time.

509
00:23:11,760 --> 00:23:14,200
Speaker 2: He's very part time. He's agreed to host Monday nights

510
00:23:14,200 --> 00:23:17,560
Speaker 2: throughout the twenty twenty four US election campaign. I mean,

511
00:23:17,600 --> 00:23:21,760
Speaker 2: why wouldn't you have plenty of so much material the

512
00:23:21,760 --> 00:23:23,960
Speaker 2: Weekly Show. The rest of the week, the show will

513
00:23:24,000 --> 00:23:27,560
Speaker 2: just rely on its team of correspondence who do very well.

514
00:23:28,359 --> 00:23:32,960
Speaker 2: Fun fact, remember keishat Knight Pullam from The Cosby Show.

515
00:23:33,000 --> 00:23:33,880
Speaker 2: She was little rooty.

516
00:23:35,359 --> 00:23:35,520
Speaker 6: Well.

517
00:23:35,560 --> 00:23:37,960
Speaker 2: I was reading something about her this morning. She has

518
00:23:38,040 --> 00:23:40,800
Speaker 2: two kids, a boy and a girl, and the boy's

519
00:23:40,920 --> 00:23:43,920
Speaker 2: name is Night. Oh you Oh, that'd make him Night

520
00:23:44,000 --> 00:23:44,840
Speaker 2: Night pull them.

521
00:23:45,560 --> 00:23:49,200
Speaker 4: Don't these people think things through Gary Gary beers?

522
00:23:53,600 --> 00:23:53,840
Speaker 9: Yeah?

523
00:23:54,119 --> 00:23:58,280
Speaker 4: How to get kicked on at school? Thanks mum. Very

524
00:23:58,320 --> 00:24:04,000
Speaker 4: strange to flick with Ben Oshe. Happy New Year to

525
00:24:04,080 --> 00:24:04,679
Speaker 4: you guys.

526
00:24:04,840 --> 00:24:06,640
Speaker 2: Yeah, I think it's okay to say happy New Year

527
00:24:06,880 --> 00:24:09,239
Speaker 2: if you haven't seen someone until the end of night.

528
00:24:09,359 --> 00:24:10,840
Speaker 4: That's right. It's hard to know what the statute of

529
00:24:10,880 --> 00:24:13,720
Speaker 4: limitations is on that rules.

530
00:24:14,480 --> 00:24:17,320
Speaker 2: I wonder if you would agree with me that this

531
00:24:17,400 --> 00:24:22,160
Speaker 2: year's Oscar nominations has probably the most gravitas of any

532
00:24:22,280 --> 00:24:26,919
Speaker 2: year in recent history. Absolutely, there are some really good

533
00:24:27,320 --> 00:24:30,520
Speaker 2: movies nominated. It's going to be a tough, tough year

534
00:24:30,520 --> 00:24:32,240
Speaker 2: to win some absolute crackers.

535
00:24:32,440 --> 00:24:34,440
Speaker 4: Like I think it's one of the most even fields

536
00:24:34,480 --> 00:24:37,520
Speaker 4: that I can ever remember seeing. Like normally you have,

537
00:24:37,840 --> 00:24:40,200
Speaker 4: you know, a couple of popular movies that have done

538
00:24:40,200 --> 00:24:42,400
Speaker 4: well at the box office, and then you maybe get

539
00:24:42,440 --> 00:24:44,760
Speaker 4: one or two that you know, okay, like they're real

540
00:24:45,000 --> 00:24:49,520
Speaker 4: serious films. The Killer, Yeah, that's right. But this is

541
00:24:49,640 --> 00:24:53,880
Speaker 4: all good, And honestly, the weakest one is probably Barbie, if.

542
00:24:54,119 --> 00:24:57,400
Speaker 2: I agree nothing there was a bit of fun. That's fine,

543
00:24:57,520 --> 00:24:58,359
Speaker 2: but you know, and I.

544
00:24:58,400 --> 00:25:00,240
Speaker 4: Made a lot of money the box office, more hour

545
00:25:00,280 --> 00:25:04,040
Speaker 4: to everybody involved in that film. But you look at

546
00:25:04,040 --> 00:25:07,080
Speaker 4: the others, and you're talking about like real classics, Like

547
00:25:07,280 --> 00:25:09,400
Speaker 4: if you look at what they kind of scored by critics,

548
00:25:09,600 --> 00:25:12,440
Speaker 4: pretty much all of the other nine Best Picture nominees

549
00:25:12,480 --> 00:25:15,200
Speaker 4: are like sort of four stars and above films, four

550
00:25:15,280 --> 00:25:17,280
Speaker 4: four and a half, even five stars for some of them,

551
00:25:17,359 --> 00:25:20,480
Speaker 4: like really really fantastic films. And you wonder, based on

552
00:25:20,480 --> 00:25:23,520
Speaker 4: the timeline of how movies are made, if that downtime

553
00:25:23,600 --> 00:25:26,359
Speaker 4: during COVID, when all these writers and creatives were kind

554
00:25:26,400 --> 00:25:29,120
Speaker 4: of locked away in their homes maybe sparked a bit

555
00:25:29,160 --> 00:25:32,480
Speaker 4: of creativity and now we're seeing the results.

556
00:25:33,200 --> 00:25:36,680
Speaker 2: Fruits of it without the noise that's around.

557
00:25:36,720 --> 00:25:38,080
Speaker 4: Exactly.

558
00:25:38,840 --> 00:25:39,280
Speaker 2: Job yep.

559
00:25:39,520 --> 00:25:41,320
Speaker 4: Absolutely, And the one we've got to talk to talk

560
00:25:41,320 --> 00:25:44,440
Speaker 4: about today is nominated for a Best Picture. It's nominated

561
00:25:44,480 --> 00:25:47,560
Speaker 4: for Best Director and Best Actress in a Leading Role.

562
00:25:47,760 --> 00:25:50,520
Speaker 4: I'm talking about Anatomy of a Fall. At least, like

563
00:25:50,560 --> 00:25:52,960
Speaker 4: you strike me as somebody who's a fan of world cinema.

564
00:25:53,000 --> 00:25:56,280
Speaker 4: You have an appreciation for world I do, cultured, sophisticated.

565
00:25:56,840 --> 00:25:59,200
Speaker 2: I like that. I do like that, yes, And but

566
00:25:59,200 --> 00:26:03,000
Speaker 2: for some people a Marvel person and for some people.

567
00:26:02,920 --> 00:26:05,040
Speaker 4: You know, they might look at world cinema and go, well,

568
00:26:05,080 --> 00:26:06,640
Speaker 4: you know, look, if I wanted to read, I'd buy

569
00:26:06,680 --> 00:26:08,879
Speaker 4: a book subtitles subtitles and.

570
00:26:09,400 --> 00:26:12,640
Speaker 2: Could be in the right mood. But absolutely you'll miss

571
00:26:12,680 --> 00:26:13,440
Speaker 2: stuff if you don't.

572
00:26:13,880 --> 00:26:15,879
Speaker 4: And I think it changed with Parasite a couple of

573
00:26:15,920 --> 00:26:18,800
Speaker 4: years ago at the Oscars, like that amazing South Korean film,

574
00:26:19,440 --> 00:26:22,520
Speaker 4: which was the first foreign film to win Best Picture

575
00:26:23,280 --> 00:26:26,480
Speaker 4: and Non English Language Film, just just phenomenal, and it

576
00:26:26,520 --> 00:26:29,000
Speaker 4: kind of changed the way the Oscars works and the

577
00:26:29,040 --> 00:26:30,879
Speaker 4: way and the way I think a lot of moviegoers

578
00:26:30,920 --> 00:26:34,440
Speaker 4: look at international cinema, but Anatomy of a Fall is

579
00:26:34,480 --> 00:26:38,800
Speaker 4: an interesting one. So the French Oscars committee actually didn't

580
00:26:38,840 --> 00:26:43,080
Speaker 4: nominate Anatomy of a Fall as its official contender for

581
00:26:43,160 --> 00:26:46,080
Speaker 4: the French entry for the Foreign Film. They nominated another

582
00:26:46,119 --> 00:26:50,320
Speaker 4: film that didn't get any OSCAR nominations whatsoever. But Anatomy

583
00:26:50,320 --> 00:26:53,159
Speaker 4: of a Fall is an international film that is in French.

584
00:26:53,560 --> 00:26:56,280
Speaker 4: It's also in German, but it's also really a lot

585
00:26:56,280 --> 00:26:58,600
Speaker 4: in English, and it's the way the film uses these

586
00:26:58,640 --> 00:27:01,840
Speaker 4: different languages, it's really part of the story. It stars

587
00:27:01,880 --> 00:27:06,120
Speaker 4: Sandra Huler, a German actress who's been nominated for Best Actress.

588
00:27:06,119 --> 00:27:08,439
Speaker 4: As I said, she's also in the Zone of Interest,

589
00:27:08,440 --> 00:27:11,520
Speaker 4: which is another Best Picture nominee, and she's phenomenal in

590
00:27:11,520 --> 00:27:14,560
Speaker 4: that too, So she's really a hot commodity right now

591
00:27:14,560 --> 00:27:18,119
Speaker 4: in Hollywood. And she plays a German actress named Sandra.

592
00:27:18,200 --> 00:27:19,920
Speaker 4: Her name is Sandra as well, so it's pretty easy

593
00:27:19,920 --> 00:27:24,879
Speaker 4: to remember who lives with her husband in the French Alps.

594
00:27:25,320 --> 00:27:29,240
Speaker 4: In this chalais sort of a hermit existence. They're both

595
00:27:29,280 --> 00:27:33,760
Speaker 4: writers working on books. She's a bit more successful than

596
00:27:33,800 --> 00:27:35,600
Speaker 4: her husband though, and there are some of the reasons

597
00:27:35,640 --> 00:27:37,679
Speaker 4: why that is kind of play out during the film.

598
00:27:38,280 --> 00:27:41,080
Speaker 4: And the film opens with her being interviewed by this

599
00:27:41,160 --> 00:27:45,159
Speaker 4: young female reporter for her latest book, and meanwhile, upstairs,

600
00:27:45,240 --> 00:27:48,000
Speaker 4: her husband is tucked away in the attic, and while

601
00:27:48,000 --> 00:27:51,800
Speaker 4: this interview is happening downstairs, he's blasting his music, which

602
00:27:51,840 --> 00:27:55,720
Speaker 4: is a pimp by Fitty Scent, except as like a

603
00:27:55,760 --> 00:27:58,480
Speaker 4: steel drum cover of instrumental cover version of it. It's

604
00:27:58,520 --> 00:28:02,280
Speaker 4: the most annoying sound possibly imagine. And so she's trying

605
00:28:02,280 --> 00:28:04,520
Speaker 4: to do this interview for her career and this music

606
00:28:04,600 --> 00:28:06,480
Speaker 4: is playing so loud, and he goes, geez, her husband

607
00:28:06,480 --> 00:28:08,640
Speaker 4: seems like a bit of a bit of a nonsense.

608
00:28:09,240 --> 00:28:11,840
Speaker 4: And then you know that the interview is forced to

609
00:28:11,880 --> 00:28:14,159
Speaker 4: come to an early finish because it's just impossible to

610
00:28:14,160 --> 00:28:16,200
Speaker 4: carry on with this music going on to strash round.

611
00:28:16,800 --> 00:28:19,760
Speaker 4: And then next minute, the son who comes home, the

612
00:28:19,800 --> 00:28:23,080
Speaker 4: blind son comes home from walking his guide dog finds

613
00:28:23,119 --> 00:28:27,119
Speaker 4: the dad dead under the attic window. So and the

614
00:28:27,200 --> 00:28:30,080
Speaker 4: rest of the movie is about working out did he fall,

615
00:28:30,320 --> 00:28:33,320
Speaker 4: was it an accident, did he take his own life

616
00:28:33,520 --> 00:28:39,080
Speaker 4: for reasons maybe because of in the marriage, or did

617
00:28:39,240 --> 00:28:42,920
Speaker 4: Sandra do it for ruining the interview? And so then

618
00:28:42,960 --> 00:28:47,200
Speaker 4: there's a police investigation and Sandra is forced to get

619
00:28:47,200 --> 00:28:49,320
Speaker 4: this old friend of hers to come on board as

620
00:28:49,320 --> 00:28:51,920
Speaker 4: her lawyer, and then the whole thing becomes like a

621
00:28:51,960 --> 00:28:54,560
Speaker 4: like a courtroom drama, and it plays out in the

622
00:28:54,560 --> 00:28:57,720
Speaker 4: French legal system, which operates so differently to what we're

623
00:28:57,840 --> 00:29:00,600
Speaker 4: used to do from Hollywood courtroom dramas. So you know

624
00:29:00,640 --> 00:29:02,560
Speaker 4: how you get the you know, you get the prosecution

625
00:29:02,680 --> 00:29:04,480
Speaker 4: and you get the defense, and people are standing up

626
00:29:04,520 --> 00:29:06,440
Speaker 4: and saying, oh I am jecked and so on and

627
00:29:06,440 --> 00:29:08,640
Speaker 4: so forth. Strike that from the record. Not like that

628
00:29:08,680 --> 00:29:11,600
Speaker 4: at all. It's a lot looser as anyone who's watched

629
00:29:11,640 --> 00:29:13,440
Speaker 4: kind of French TEAV French dramas on.

630
00:29:13,400 --> 00:29:15,160
Speaker 2: TEAV documentary documentary.

631
00:29:15,320 --> 00:29:19,160
Speaker 4: Right, So the judge can talk to the witnesses, can

632
00:29:19,200 --> 00:29:21,760
Speaker 4: talk to the accused, they can talk to each other,

633
00:29:22,120 --> 00:29:26,680
Speaker 4: the lawyers talk. It's just like this crazy conversation basically

634
00:29:27,280 --> 00:29:31,280
Speaker 4: escargo anybody. It's a weird, weird system. I don't know

635
00:29:31,320 --> 00:29:33,680
Speaker 4: how they get any justice out of it. And so

636
00:29:33,720 --> 00:29:36,560
Speaker 4: what happens quickly you realize that it's not just this

637
00:29:36,560 --> 00:29:41,880
Speaker 4: this apparent death that's on trial, it's also Sandra's status

638
00:29:41,920 --> 00:29:44,280
Speaker 4: as a wife, like has she been a faithful wife.

639
00:29:44,800 --> 00:29:47,960
Speaker 4: It's also how they've their husband and wife have managed

640
00:29:48,000 --> 00:29:51,720
Speaker 4: their careers. Maybe she's plagiarized one of his book ideas

641
00:29:51,760 --> 00:29:53,920
Speaker 4: and that's what made her famous in the first place.

642
00:29:54,480 --> 00:29:56,200
Speaker 4: And so you've got all these different factors and it

643
00:29:56,280 --> 00:29:59,560
Speaker 4: just builds up and builds up as she her personality

644
00:29:59,640 --> 00:30:01,840
Speaker 4: is put on on trial, but she doesn't seem very

645
00:30:01,880 --> 00:30:04,640
Speaker 4: sympathetic at all. And that's why Sandra Hula has been

646
00:30:04,680 --> 00:30:07,800
Speaker 4: nominated for this Oscar because it's such an incredible performance.

647
00:30:08,400 --> 00:30:11,400
Speaker 4: Because sometimes she looks like the victim, sometimes she looks

648
00:30:11,480 --> 00:30:15,080
Speaker 4: like the villain. Sometimes you're very sympathetic towards her, and

649
00:30:15,120 --> 00:30:17,280
Speaker 4: other times you think, oh man, she's a she's a

650
00:30:17,280 --> 00:30:19,840
Speaker 4: toxic person. And to be able to do all of

651
00:30:19,880 --> 00:30:22,280
Speaker 4: those in the one role is so hard as an

652
00:30:22,320 --> 00:30:25,240
Speaker 4: actor and have the audience go along with you and

653
00:30:25,640 --> 00:30:29,040
Speaker 4: make it feel like it's authentic. I think is so incredible.

654
00:30:29,080 --> 00:30:32,960
Speaker 4: And Justine Triet, the French director, is nominated for Best

655
00:30:33,000 --> 00:30:35,760
Speaker 4: Director as well, and as the only only female this

656
00:30:35,840 --> 00:30:38,920
Speaker 4: year in the Best Director category, and well deserved too.

657
00:30:39,040 --> 00:30:40,760
Speaker 4: It is such a good film. I want to see it.

658
00:30:41,920 --> 00:30:45,040
Speaker 2: Just googled Sandra and yes, I know her from Good.

659
00:30:45,160 --> 00:30:47,760
Speaker 4: Yeah, she's a phenomenal actress. She's going to be you know,

660
00:30:47,800 --> 00:30:50,200
Speaker 4: like I look at it, probably remember Christoph Volst, German

661
00:30:50,280 --> 00:30:52,760
Speaker 4: actor from a few years ago who made his mark

662
00:30:52,800 --> 00:30:56,400
Speaker 4: in Quentin Tarantino as film and then and then went

663
00:30:56,440 --> 00:30:59,080
Speaker 4: on to have a really good Hollywood career. Sandral Hulla

664
00:30:59,080 --> 00:31:00,600
Speaker 4: has gonna be the same she she's.

665
00:31:00,440 --> 00:31:03,960
Speaker 2: On this all right, Well it sounds totally up my alley,

666
00:31:04,480 --> 00:31:05,959
Speaker 2: what are you giving it?

667
00:31:06,040 --> 00:31:07,680
Speaker 4: So I'm going to give this one four stars.

668
00:31:08,160 --> 00:31:10,000
Speaker 2: It is a nice way to start.

669
00:31:10,320 --> 00:31:11,480
Speaker 4: A great film to start the year.

670
00:31:11,640 --> 00:31:13,640
Speaker 2: Yeah, very good, Well says something. If she's in two

671
00:31:13,680 --> 00:31:15,320
Speaker 2: of the nominated.

672
00:31:14,880 --> 00:31:18,080
Speaker 4: Exactly everything you need to know. What a track record?

673
00:31:18,120 --> 00:31:20,400
Speaker 3: Well continued, the enjoyment of the holidays, make good to

674
00:31:20,440 --> 00:31:22,440
Speaker 3: see you week next.

675
00:31:22,320 --> 00:31:26,280
Speaker 4: Week more Cley more Lisa more podcasts.

676
00:31:26,440 --> 00:31:35,480
Speaker 2: Soon tomorrow is Australia Day, and I wish I could

677
00:31:35,480 --> 00:31:40,000
Speaker 2: look forward to it like we did in days past.

678
00:31:41,120 --> 00:31:46,240
Speaker 2: It has got ridiculous in the last few years. We've

679
00:31:46,280 --> 00:31:48,560
Speaker 2: got this argument that comes up here. It's one of

680
00:31:48,640 --> 00:31:51,640
Speaker 2: those seasonal arguments that we seem to have where we

681
00:31:51,760 --> 00:31:55,800
Speaker 2: argue all through January we bitch and moan about Australia. Day,

682
00:31:56,120 --> 00:31:58,800
Speaker 2: we don't enjoy it anymore, and then the argument's forgotten

683
00:31:58,800 --> 00:32:02,320
Speaker 2: again until the following year. Can we nip this damn

684
00:32:02,440 --> 00:32:05,520
Speaker 2: thing in the bud so that we can go back

685
00:32:05,560 --> 00:32:09,280
Speaker 2: to enjoying Australia Day in the spirit that we used

686
00:32:09,280 --> 00:32:13,640
Speaker 2: to do, I, you know, celebrating the fact all together,

687
00:32:13,880 --> 00:32:16,520
Speaker 2: celebrating all together the fact that we live in the

688
00:32:16,560 --> 00:32:20,840
Speaker 2: best country on the planet. Quite frankly, I don't give

689
00:32:20,880 --> 00:32:24,640
Speaker 2: a hoot what day it's on, whether it's the twenty sixth,

690
00:32:24,960 --> 00:32:27,320
Speaker 2: whether we and you know, in the scheme of things,

691
00:32:27,320 --> 00:32:30,120
Speaker 2: it's only been in the last short amount of time

692
00:32:30,120 --> 00:32:32,080
Speaker 2: that we've actually done the twenty six It always used

693
00:32:32,120 --> 00:32:33,080
Speaker 2: to be the last Monday.

694
00:32:33,800 --> 00:32:35,600
Speaker 4: Can a moving first and it moved?

695
00:32:36,200 --> 00:32:38,520
Speaker 2: Can we go back to it moving or something? But

696
00:32:38,640 --> 00:32:43,600
Speaker 2: at least can we all just remember and celebrate it

697
00:32:43,640 --> 00:32:48,400
Speaker 2: without being guilted by virtue signaling big businesses, without you know,

698
00:32:48,640 --> 00:32:51,320
Speaker 2: others saying oh, you can have it if you want,

699
00:32:51,440 --> 00:32:53,600
Speaker 2: or you can you know, not have it as a holiday.

700
00:32:53,680 --> 00:32:55,800
Speaker 2: Choose your own. It's not boys own adventure. Choose your

701
00:32:55,840 --> 00:32:58,560
Speaker 2: own Australia Day. It doesn't work that way. It's either

702
00:32:58,600 --> 00:33:01,640
Speaker 2: one day or it's not at all. We've got you know,

703
00:33:02,160 --> 00:33:03,880
Speaker 2: we all we all know what's been going on with

704
00:33:03,920 --> 00:33:06,480
Speaker 2: the argument in the last couple of weeks and businesses

705
00:33:06,520 --> 00:33:10,560
Speaker 2: telling us you know, what they're selling and what and

706
00:33:10,600 --> 00:33:12,479
Speaker 2: you know, not selling merchandise and all that sort of thing.

707
00:33:12,480 --> 00:33:15,480
Speaker 2: We've got at least a dozen councils who, to all

708
00:33:15,480 --> 00:33:18,040
Speaker 2: intents and purposes, have scrapped Australia Day. They've moved the

709
00:33:18,080 --> 00:33:22,920
Speaker 2: citizenship ceremonies that's joined eighty the nationwide. It's got to

710
00:33:22,960 --> 00:33:26,400
Speaker 2: the point where it has been completely ruined. I feel guilty.

711
00:33:26,920 --> 00:33:30,440
Speaker 2: I feel guilty to celebrate it tomorrow. Yes, over night

712
00:33:30,520 --> 00:33:33,760
Speaker 2: we've had the Captain Cook statue in Melbourne vandalized. I

713
00:33:33,800 --> 00:33:37,760
Speaker 2: am more than happy to acknowledge that the date of

714
00:33:37,800 --> 00:33:43,160
Speaker 2: the twenty six upsets some people. That's fine, so let's

715
00:33:43,440 --> 00:33:46,280
Speaker 2: let's make it a different date. But can we get

716
00:33:46,320 --> 00:33:49,520
Speaker 2: back on the same page of remembering we live in

717
00:33:50,000 --> 00:33:53,560
Speaker 2: the best country in the world. Can we let ourselves

718
00:33:53,560 --> 00:33:56,480
Speaker 2: be proud and happy about that without feeling guilty. Can

719
00:33:56,520 --> 00:33:58,920
Speaker 2: we get that damn lamb chop back on the barbecue

720
00:33:59,480 --> 00:34:01,840
Speaker 2: and can we all do it together on a day

721
00:34:01,880 --> 00:34:04,600
Speaker 2: that we agree? So can we just nip this in

722
00:34:04,680 --> 00:34:05,120
Speaker 2: the bud.

723
00:34:05,280 --> 00:34:06,600
Speaker 4: Yeah, it's gone, it's gone.

724
00:34:06,600 --> 00:34:10,040
Speaker 2: Ways arguing about it every year, it's all been ruined.

725
00:34:10,320 --> 00:34:10,520
Speaker 4: Yeah.

726
00:34:10,520 --> 00:34:12,840
Speaker 3: I watched a bloke over the road hang his Australia

727
00:34:12,880 --> 00:34:14,560
Speaker 3: flag proudly over his balcony.

728
00:34:14,239 --> 00:34:14,799
Speaker 4: Yesterday, and.

729
00:34:16,400 --> 00:34:19,279
Speaker 2: That is the last day of all days of the

730
00:34:19,360 --> 00:34:21,040
Speaker 2: year that we want there to be division.

731
00:34:21,320 --> 00:34:24,040
Speaker 4: And how many times the whole damn point you go.

732
00:34:24,040 --> 00:34:25,680
Speaker 3: On holiday and you come back and go, geez, we're

733
00:34:25,680 --> 00:34:27,640
Speaker 3: bloody lucky when you when you rock up back and

734
00:34:28,040 --> 00:34:29,200
Speaker 3: you go the best country in the world.

735
00:34:29,239 --> 00:34:30,960
Speaker 4: But yeah, you do care what day?

736
00:34:31,080 --> 00:34:32,000
Speaker 2: I don't care what date?

737
00:34:32,440 --> 00:34:33,399
Speaker 4: Why is this so much?

738
00:34:33,440 --> 00:34:35,360
Speaker 2: Bring it back to the last Monday in January or

739
00:34:35,400 --> 00:34:37,359
Speaker 2: whatever and come together and have a good time. But

740
00:34:37,480 --> 00:34:39,919
Speaker 2: can we come and can we do it before next year?

741
00:34:40,680 --> 00:34:43,960
Speaker 2: Enjoy tomorrow, Aussie the guilt.

742
00:34:44,160 --> 00:34:46,160
Speaker 3: Do you get any weird photos yesterday afternoon by any

743
00:34:46,200 --> 00:34:47,680
Speaker 3: street yesterday morning?

744
00:34:47,800 --> 00:34:52,319
Speaker 2: Yes? I did, I did. I Do you know if

745
00:34:52,360 --> 00:34:56,080
Speaker 2: it was a street of that name or my street

746
00:34:56,120 --> 00:34:56,479
Speaker 2: of that.

747
00:34:56,480 --> 00:34:58,360
Speaker 3: Name, it was your street. And I just need to

748
00:34:58,360 --> 00:35:01,640
Speaker 3: tell wondering what the hell we're talking about. I was

749
00:35:01,680 --> 00:35:04,440
Speaker 3: in Lisa's street yesterday for other reasons, of course, but

750
00:35:04,520 --> 00:35:06,279
Speaker 3: send her a photo of the street sign, just to

751
00:35:06,280 --> 00:35:08,200
Speaker 3: say a bit of Wednesday morning Creek.

752
00:35:09,880 --> 00:35:11,040
Speaker 4: Und you just slightly.

753
00:35:11,600 --> 00:35:15,279
Speaker 3: It's it's okay to unsett.

754
00:35:18,880 --> 00:35:19,239
Speaker 4: Go up.

755
00:35:19,360 --> 00:35:20,880
Speaker 2: I did not leave the house for the rest of

756
00:35:20,920 --> 00:35:22,600
Speaker 2: the day. I didn get a laugh back. It was

757
00:35:22,680 --> 00:35:24,719
Speaker 2: beIN day. You should have seen me putting my bid out.

758
00:35:25,239 --> 00:35:26,080
Speaker 2: It's a sniper.

759
00:35:26,160 --> 00:35:29,160
Speaker 4: I should have driven back. It might have been the

760
00:35:29,239 --> 00:35:33,399
Speaker 4: one time in six weeks you check your letterbox. Yes,

761
00:35:33,560 --> 00:35:35,480
Speaker 4: so weirdo. I understand that, but it was just a

762
00:35:35,480 --> 00:35:38,919
Speaker 4: bit of fun. Lisa