1 00:00:07,320 --> 00:00:13,440 Speaker 1: Will Taylor Swift was performing recently and she revealed she had. 2 00:00:13,320 --> 00:00:20,960 Speaker 2: A hickey. 3 00:00:18,920 --> 00:00:21,639 Speaker 1: Quite the way. I'm so fine with that, And the 4 00:00:21,680 --> 00:00:23,720 Speaker 1: reason I want to talk about it is because she 5 00:00:23,920 --> 00:00:26,080 Speaker 1: was quite clearly. I've seen a bit of footage from 6 00:00:26,680 --> 00:00:33,279 Speaker 1: her gig in America, sorry, in Sweden, and she is close. 7 00:00:33,720 --> 00:00:36,919 Speaker 1: She was quite clear. She was quite clearly trying to 8 00:00:37,000 --> 00:00:40,040 Speaker 1: hide the hickey with her hair through the whole performance, 9 00:00:40,360 --> 00:00:42,720 Speaker 1: of course, like you could you tell like hair was 10 00:00:42,720 --> 00:00:46,480 Speaker 1: covering hickey. I think she's quite embarrassing, embarrassing. I want 11 00:00:46,520 --> 00:00:49,080 Speaker 1: to touch on this Will because eventually she swept her 12 00:00:49,120 --> 00:00:52,240 Speaker 1: hair back, everyone saw the hickey. Naturally, that goes viral online. Okay, 13 00:00:52,760 --> 00:00:57,040 Speaker 1: when you have a hickey, do you hide or wear 14 00:00:57,080 --> 00:00:57,560 Speaker 1: with pride? 15 00:00:57,560 --> 00:00:59,240 Speaker 2: I don't really let it get to that point like 16 00:00:59,480 --> 00:01:01,720 Speaker 2: you do, mean, well, I just like it for exactly 17 00:01:01,760 --> 00:01:05,120 Speaker 2: that reason. Like, at what point, and I suppose this 18 00:01:05,160 --> 00:01:07,119 Speaker 2: is a question for the audience as well, at what 19 00:01:07,160 --> 00:01:11,520 Speaker 2: point when someone is sucking on your neck do you, 20 00:01:11,560 --> 00:01:13,720 Speaker 2: like surely you're like, oh, this is going to leave 21 00:01:13,760 --> 00:01:16,920 Speaker 2: a mark tomorrow and I don't want people to see this. 22 00:01:17,040 --> 00:01:19,160 Speaker 1: You know that there are other ways in the throes 23 00:01:19,200 --> 00:01:21,280 Speaker 1: of love making rational. 24 00:01:21,000 --> 00:01:23,520 Speaker 2: See I thought that that's what your response would be. See, 25 00:01:23,880 --> 00:01:27,319 Speaker 2: my rational brain definitely kicks in there. It was just 26 00:01:27,360 --> 00:01:28,360 Speaker 2: for a second, and I'm. 27 00:01:28,240 --> 00:01:31,040 Speaker 1: Just like, hey, well, you know my frontal cortex is switched. 28 00:01:31,120 --> 00:01:33,640 Speaker 1: Oh maybe just bite me somewhere else, you know, like 29 00:01:33,880 --> 00:01:35,800 Speaker 1: do you know what I mean? What's the point? But 30 00:01:35,840 --> 00:01:38,480 Speaker 1: that to one side, one time, you just let your 31 00:01:38,560 --> 00:01:41,959 Speaker 1: rational mind rest for a second. Ever you did get 32 00:01:41,959 --> 00:01:44,040 Speaker 1: a love by identity, would you come into work and 33 00:01:44,040 --> 00:01:46,320 Speaker 1: be like, try to wear a scarf or a neck 34 00:01:46,360 --> 00:01:50,360 Speaker 1: warm Probably you would try to fly. Yeah, I find 35 00:01:50,360 --> 00:01:54,280 Speaker 1: that interesting. So you let people hickey you willy nilly, 36 00:01:54,440 --> 00:01:56,680 Speaker 1: I don't. I don't request a hickey. But if I 37 00:01:56,760 --> 00:01:59,000 Speaker 1: did get a hickey, I don't. I think I'm an 38 00:01:59,000 --> 00:02:02,680 Speaker 1: age now where I'm like my partner and I made 39 00:02:02,720 --> 00:02:08,480 Speaker 1: passionate love last night. Let's go to Michell because Michelle, 40 00:02:08,600 --> 00:02:10,639 Speaker 1: do you hide hickeys or do you wear with pride? 41 00:02:11,440 --> 00:02:12,919 Speaker 3: No? I absolutely hit it. 42 00:02:13,080 --> 00:02:15,920 Speaker 1: I was the most recent around Michelle. 43 00:02:16,280 --> 00:02:19,040 Speaker 3: A couple of months ago, went to work the next 44 00:02:19,120 --> 00:02:21,680 Speaker 3: day and wore a heat pat around my neck. 45 00:02:23,320 --> 00:02:26,040 Speaker 1: If you were claiming to have a neck injury to 46 00:02:26,919 --> 00:02:33,800 Speaker 1: a partner, was it a partner infused Hickey again again. 47 00:02:34,680 --> 00:02:36,639 Speaker 1: You know, call me a you know, call. 48 00:02:36,560 --> 00:02:40,880 Speaker 2: Me a wet blanket here blanket, But I know I 49 00:02:40,880 --> 00:02:43,079 Speaker 2: want to go back to Michelle. But Michelle, surely when 50 00:02:43,080 --> 00:02:44,760 Speaker 2: you're in the middle of it, you're there, in the 51 00:02:44,760 --> 00:02:47,720 Speaker 2: middle of biting you, you're like, I don't. 52 00:02:47,480 --> 00:02:51,400 Speaker 3: Want that, like what, look, it did cross my mind, 53 00:02:51,480 --> 00:02:55,400 Speaker 3: But in the moment, you just yeah. 54 00:02:56,639 --> 00:02:58,600 Speaker 1: And I can understand Michelle trying to hide it though, 55 00:02:58,600 --> 00:03:01,040 Speaker 1: because she's single, right, because then that people ask questions, Oh, 56 00:03:01,040 --> 00:03:03,079 Speaker 1: who was it? Who did it? You don't want to 57 00:03:03,080 --> 00:03:07,360 Speaker 1: be in Sorry, can one more? Because Michelle? Is it enjoyable. 58 00:03:09,280 --> 00:03:09,960 Speaker 4: In the moment? 59 00:03:10,000 --> 00:03:15,040 Speaker 1: I yeah, tell lot you nipple twisted or whatever. Let's 60 00:03:15,080 --> 00:03:19,880 Speaker 1: go to Zoey, get to zoe. It's like, let's lean 61 00:03:19,960 --> 00:03:24,240 Speaker 1: on that road for you. Zoey. Do you hide rabbit? 62 00:03:24,440 --> 00:03:24,520 Speaker 2: No? 63 00:03:24,600 --> 00:03:28,799 Speaker 1: I wore mine with pride Zoe on your So how 64 00:03:28,800 --> 00:03:29,600 Speaker 1: old were you are you? 65 00:03:30,400 --> 00:03:33,640 Speaker 3: Oh? It would have been about twenty five twenty six? 66 00:03:33,960 --> 00:03:36,280 Speaker 1: Yeah? Yeah. So when you say where with pride were 67 00:03:36,280 --> 00:03:38,760 Speaker 1: you actually trying to like give attention to it where 68 00:03:38,800 --> 00:03:39,880 Speaker 1: you're like showing people. 69 00:03:40,880 --> 00:03:42,840 Speaker 3: No, it was like literally on my neck because I 70 00:03:42,840 --> 00:03:46,040 Speaker 3: don't like wear anything that covers my neck, so and 71 00:03:46,640 --> 00:03:49,840 Speaker 3: I drove it home that afternoon and I went back 72 00:03:49,880 --> 00:03:53,000 Speaker 3: home to my parents and my mum had to go 73 00:03:53,040 --> 00:03:54,840 Speaker 3: down to the chemist and she looked at me and 74 00:03:54,880 --> 00:03:56,280 Speaker 3: she went, it's like to hickey on your neck, and 75 00:03:56,320 --> 00:03:59,360 Speaker 3: I went no, and she was poking at it, and 76 00:03:59,400 --> 00:04:03,120 Speaker 3: I'm like, She's like, that's disgusting. 77 00:04:03,160 --> 00:04:03,640 Speaker 1: When was this? 78 00:04:04,560 --> 00:04:04,800 Speaker 4: Was this? 79 00:04:05,320 --> 00:04:12,480 Speaker 1: We were talking nineteen eighty five, hawkys in it did 80 00:04:12,600 --> 00:04:14,960 Speaker 1: sound like that. I went down and collected the milk 81 00:04:14,960 --> 00:04:19,400 Speaker 1: with mum that afternoon. Ruby, Ruby, you've had a hickeys before? 82 00:04:19,400 --> 00:04:20,800 Speaker 1: Do you hide or wear with pride? 83 00:04:21,440 --> 00:04:22,520 Speaker 2: Definitely hide it? 84 00:04:22,760 --> 00:04:25,200 Speaker 1: Yeah, I think that's the way to go. And then 85 00:04:25,200 --> 00:04:26,160 Speaker 1: then I just don't understand. 86 00:04:26,200 --> 00:04:27,880 Speaker 2: Ruby would be the same as me, Like, if they're 87 00:04:27,920 --> 00:04:30,440 Speaker 2: going at it, You're like, look, mate, I don't want that. 88 00:04:30,720 --> 00:04:33,919 Speaker 1: No, I said, it wasn't like a It wasn't like 89 00:04:34,000 --> 00:04:39,200 Speaker 1: a love making situation, just a bit of a nibble. 90 00:04:39,200 --> 00:04:42,400 Speaker 2: Whereas woods over here, you just feel as if, you know, 91 00:04:42,560 --> 00:04:45,000 Speaker 2: just in the throes of passion, I just think I'm 92 00:04:45,120 --> 00:04:48,599 Speaker 2: when mims attaching the electrodes to your testicles. 93 00:04:47,880 --> 00:04:50,600 Speaker 1: Surely you're going I don't know if I feel like that. Yeah, 94 00:04:51,120 --> 00:04:53,320 Speaker 1: what does that a private conversation for you and me 95 00:04:53,360 --> 00:04:56,600 Speaker 1: before the show. I'm just saying, if in the throws 96 00:04:56,880 --> 00:04:59,239 Speaker 1: it does occur, Yeah, And I don't think she even 97 00:04:59,480 --> 00:05:01,160 Speaker 1: goes for I think it's just something. 98 00:05:01,000 --> 00:05:02,960 Speaker 2: And then you wear and then you wear it with pride. 99 00:05:02,960 --> 00:05:04,599 Speaker 2: But I'm just saying, what if you had a hikky, 100 00:05:04,640 --> 00:05:05,400 Speaker 2: you'd wear it with pride? 101 00:05:05,440 --> 00:05:05,960 Speaker 1: Is what you're saying? 102 00:05:06,120 --> 00:05:09,120 Speaker 2: Yes, okay, well all right, well that's the case, then 103 00:05:09,160 --> 00:05:09,919 Speaker 2: I should be able to. 104 00:05:09,920 --> 00:05:11,719 Speaker 1: Give you a here next. No, you're not my lover. 105 00:05:11,920 --> 00:05:14,520 Speaker 2: Well you put your money whe your mouth is. I'll 106 00:05:14,520 --> 00:05:16,800 Speaker 2: put my mouth where your where your neck is. No, 107 00:05:16,960 --> 00:05:18,479 Speaker 2: come on if you give that. 108 00:05:18,640 --> 00:05:21,320 Speaker 1: If you're that stubborn, you've asked to kiss me in 109 00:05:21,360 --> 00:05:26,000 Speaker 1: this studio, you know you asked me. You wanted to 110 00:05:26,040 --> 00:05:27,440 Speaker 1: kiss me for a long what's going on here? You 111 00:05:27,800 --> 00:05:29,600 Speaker 1: want to give me? You need to put your money. 112 00:05:29,720 --> 00:05:32,800 Speaker 2: I think everybody everybody here, and if you're that adamant 113 00:05:32,839 --> 00:05:35,520 Speaker 2: about the fact that hickeys need to be out and proud, 114 00:05:35,680 --> 00:05:37,520 Speaker 2: then I think you should be able to wear it. 115 00:05:37,600 --> 00:05:37,720 Speaker 1: Now. 116 00:05:37,720 --> 00:05:39,080 Speaker 2: I don't have to do it. You can choose someone 117 00:05:39,080 --> 00:05:43,719 Speaker 2: else from the team. If you like pants, yes. 118 00:05:46,680 --> 00:05:47,080 Speaker 4: Get it in. 119 00:05:47,360 --> 00:05:53,880 Speaker 1: Yes, idea of what left. Yes, this is so much better, 120 00:05:54,960 --> 00:05:59,400 Speaker 1: just elevated. It's what we all wantch I prefer you 121 00:05:59,440 --> 00:06:02,280 Speaker 1: didn't even week. You didn't even take him Brad. 122 00:06:02,880 --> 00:06:06,760 Speaker 2: Now this has happened because Woody was bleating the fact 123 00:06:06,839 --> 00:06:09,400 Speaker 2: that everybody should wear their hickey is loud and proud, 124 00:06:09,680 --> 00:06:11,320 Speaker 2: and I had enough of it. I was willing to 125 00:06:11,320 --> 00:06:12,880 Speaker 2: give you a hickey. But you know, in this spirit 126 00:06:12,960 --> 00:06:15,520 Speaker 2: of gamesmanship, I said that it didn't need to be 127 00:06:15,640 --> 00:06:16,680 Speaker 2: me and to be there. 128 00:06:16,680 --> 00:06:18,000 Speaker 1: I was kind of clearing my name here because it 129 00:06:18,000 --> 00:06:19,760 Speaker 1: did look a little bit. It was looking a bit weird. 130 00:06:19,800 --> 00:06:21,400 Speaker 1: You've asked to kiss me in this studio. 131 00:06:21,640 --> 00:06:23,120 Speaker 2: You're happy for someone else to do it. And I 132 00:06:23,120 --> 00:06:24,520 Speaker 2: gave you the pick of the bunch. And obviously you 133 00:06:24,520 --> 00:06:27,120 Speaker 2: can't choose any one of the girls. You might have 134 00:06:27,200 --> 00:06:29,960 Speaker 2: chosen LJ to stretch, but I think that not that 135 00:06:30,000 --> 00:06:33,159 Speaker 2: she's not a girl, but but you went. You can't 136 00:06:33,200 --> 00:06:35,120 Speaker 2: choose button to push your Tommy. You can't choose turn 137 00:06:35,160 --> 00:06:37,039 Speaker 2: coat tomm He would have been far too comfortable, which 138 00:06:37,040 --> 00:06:38,400 Speaker 2: would have made you very uncomfortable. 139 00:06:38,720 --> 00:06:40,120 Speaker 1: Let's not go through the whole thing. I chose poop 140 00:06:40,120 --> 00:06:42,159 Speaker 1: pens because I want poop pans to give me a hickey. 141 00:06:42,200 --> 00:06:44,440 Speaker 1: I think poop pens would deliver a grade hic. You're 142 00:06:44,480 --> 00:06:48,520 Speaker 1: a rat. I'm not a rat. No, you're You're happy. 143 00:06:48,640 --> 00:06:51,359 Speaker 1: I didn't this came to me that this came to 144 00:06:51,400 --> 00:06:51,800 Speaker 1: me in the. 145 00:06:51,760 --> 00:06:54,800 Speaker 2: Moment I had a conversation with you off air, and 146 00:06:54,839 --> 00:06:57,520 Speaker 2: I wanted this bit to happen, and you've twisted it 147 00:06:57,560 --> 00:07:01,599 Speaker 2: on me. Well played, Well, you shouldn't now look very racky. 148 00:07:03,520 --> 00:07:05,400 Speaker 2: You're about to engage in the ready behavior mat. You're 149 00:07:05,400 --> 00:07:07,839 Speaker 2: about to have a nibble on someone's neck. So let's 150 00:07:08,640 --> 00:07:10,720 Speaker 2: are you ready to go? Side pool jo on my left. 151 00:07:10,760 --> 00:07:12,840 Speaker 1: I genuinely don't know if I know how to do this. 152 00:07:12,960 --> 00:07:15,760 Speaker 1: But have you given it there? And you've never delivered 153 00:07:15,800 --> 00:07:16,000 Speaker 1: a hic? 154 00:07:16,400 --> 00:07:16,560 Speaker 4: No? 155 00:07:16,600 --> 00:07:18,360 Speaker 2: I think I have, but I don't quite remember if 156 00:07:18,400 --> 00:07:20,160 Speaker 2: there's a specific tech. You got to step through the 157 00:07:20,200 --> 00:07:23,640 Speaker 2: teeth suck like you're trying to vacuum cleaner. 158 00:07:24,760 --> 00:07:27,840 Speaker 1: You like, no, suck like a vacuum cleaner. 159 00:07:27,920 --> 00:07:29,600 Speaker 2: You've got to get your teeth on there, and you've 160 00:07:29,600 --> 00:07:32,320 Speaker 2: got to suck through your teeth. You're having lucksa tonight, 161 00:07:32,360 --> 00:07:33,640 Speaker 2: you'll be doing a bit of teeth sucking. 162 00:07:34,160 --> 00:07:36,520 Speaker 1: So this is this is going to take my top off. 163 00:07:36,600 --> 00:07:42,680 Speaker 2: No need to happen, no mate for a person who 164 00:07:42,720 --> 00:07:44,600 Speaker 2: requests the raspberry before they go to bed tonight, there's 165 00:07:44,600 --> 00:07:46,120 Speaker 2: a little bit of popcorn the kettle black. 166 00:07:45,960 --> 00:07:48,760 Speaker 1: Here, Get in there, get in there now. You gotta 167 00:07:48,760 --> 00:07:52,160 Speaker 1: suck hard. You've got to suck hard. Yeah, hard, you 168 00:07:52,200 --> 00:07:54,720 Speaker 1: gotta suck you do, because if you don't leave a mark, 169 00:07:54,760 --> 00:07:57,720 Speaker 1: you have to go again. That's true. I'm getting there. Man, 170 00:07:58,520 --> 00:08:09,440 Speaker 1: this is weird. You got a bit of a boding action. Go. 171 00:08:09,720 --> 00:08:11,240 Speaker 3: Yeah. 172 00:08:14,240 --> 00:08:16,360 Speaker 1: He was gentle and and then he came to my mind. 173 00:08:21,160 --> 00:08:24,560 Speaker 1: It was very weird. I can say that socials. He 174 00:08:24,600 --> 00:08:26,400 Speaker 1: went so hard you pushed me away from my mind. 175 00:08:26,640 --> 00:08:30,440 Speaker 1: How did that feel? How do they feel for you? 176 00:08:30,520 --> 00:08:32,319 Speaker 1: How did he taste? How did you taste? I've tasted, 177 00:08:32,320 --> 00:08:38,599 Speaker 1: but before there's not I have no don't want to 178 00:08:38,640 --> 00:08:47,400 Speaker 1: taste like earthy earthy notes. Yes clean, it's clean. I'm 179 00:08:47,400 --> 00:08:48,640 Speaker 1: going to stand over here. 180 00:08:51,320 --> 00:08:52,440 Speaker 4: But yeah, it's lovely. 181 00:08:53,600 --> 00:08:55,719 Speaker 1: Well there, there's a nice experience. In the end, I 182 00:08:55,720 --> 00:08:58,360 Speaker 1: wouldn't say it was passionate. It was very utilitarian. I'd 183 00:08:58,360 --> 00:09:00,440 Speaker 1: say you started utilitarian, but then and by the end 184 00:09:00,440 --> 00:09:01,679 Speaker 1: I think that was a little bit of enjoyment through 185 00:09:01,679 --> 00:09:09,480 Speaker 1: those lit shure my move. 186 00:09:10,080 --> 00:09:12,839 Speaker 2: Sharing how you're going is one of the best things 187 00:09:12,880 --> 00:09:14,880 Speaker 2: you can do for your mental health, but. 188 00:09:14,840 --> 00:09:17,000 Speaker 1: When you most need to tell someone how you're going, 189 00:09:17,280 --> 00:09:18,679 Speaker 1: it's often the hardest thing to. 190 00:09:18,640 --> 00:09:21,440 Speaker 2: Do, and if you don't address how you are, your 191 00:09:21,480 --> 00:09:26,840 Speaker 2: feelings confessed and lead to things like anxiety, depression, even suicide. 192 00:09:27,280 --> 00:09:30,360 Speaker 1: In this podcast, we ask a range of inspiring people 193 00:09:30,440 --> 00:09:32,959 Speaker 1: how they express themselves in the hope that we can 194 00:09:33,040 --> 00:09:37,679 Speaker 1: all learn something more about arguably life's most important skill, to. 195 00:09:37,760 --> 00:09:41,360 Speaker 2: Ask yourself, how am I feeling? How do I express 196 00:09:41,440 --> 00:09:45,439 Speaker 2: how I'm feeling? How do I share my mood? Previously 197 00:09:45,480 --> 00:09:48,160 Speaker 2: we've chatted with people like health and well being experts 198 00:09:48,200 --> 00:09:51,920 Speaker 2: Deep Claire Smith. So I feel incredibly sick, but also mentally, 199 00:09:52,040 --> 00:09:55,000 Speaker 2: I was just a mess every night because I just 200 00:09:55,000 --> 00:09:57,280 Speaker 2: felt like I was continuously disappointing myself. 201 00:09:57,559 --> 00:09:59,960 Speaker 1: Legendary Australian comedian will end. 202 00:10:00,160 --> 00:10:01,520 Speaker 4: It's a nice thing to say, because I'm not sure 203 00:10:01,520 --> 00:10:03,640 Speaker 4: that I've actually said it out loud recently, and that 204 00:10:03,720 --> 00:10:06,439 Speaker 4: feels honestly about right now. 205 00:10:06,240 --> 00:10:09,600 Speaker 2: And author and Mega Marathon runner Ned Brockman. 206 00:10:09,760 --> 00:10:13,440 Speaker 1: When you start letting these words of burnout I think 207 00:10:13,559 --> 00:10:15,120 Speaker 1: it comes back to the power of the mind. Here 208 00:10:15,200 --> 00:10:18,079 Speaker 1: you can continuously say these things and be positive. 209 00:10:18,240 --> 00:10:20,560 Speaker 3: Our time here on this planet is very limited, and 210 00:10:20,559 --> 00:10:21,600 Speaker 3: you're a long time dead. 211 00:10:21,800 --> 00:10:23,400 Speaker 1: I want to make the most of the time while 212 00:10:23,400 --> 00:10:23,840 Speaker 1: I'm here. 213 00:10:24,240 --> 00:10:26,120 Speaker 2: It's a hot pod Share my murd and there's a 214 00:10:26,120 --> 00:10:28,920 Speaker 2: hot new EPP that you guys can wrap your ears around. 215 00:10:28,920 --> 00:10:30,960 Speaker 1: Just search Share my Mood wherever you get your podcast. 216 00:10:31,000 --> 00:10:34,559 Speaker 2: We've got Poling Yo, runner up from the premiere season 217 00:10:34,840 --> 00:10:37,360 Speaker 2: of Master Cheff, came on this show show she's judging 218 00:10:37,360 --> 00:10:37,920 Speaker 2: Master Chef. 219 00:10:37,920 --> 00:10:38,000 Speaker 4: Now. 220 00:10:38,040 --> 00:10:39,840 Speaker 1: I'm sure you guys know exactly who Poe is. 221 00:10:39,880 --> 00:10:44,040 Speaker 2: She's an enormous figure in Australian identity and we had 222 00:10:44,760 --> 00:10:47,040 Speaker 2: for me, comfortably the best Shamo merdchat that we've had 223 00:10:47,080 --> 00:10:50,880 Speaker 2: so farwards. This is an absolute ripper of a conversation. 224 00:10:51,080 --> 00:10:55,920 Speaker 1: She's incredibly curious, she's so aware of how she's feeling, 225 00:10:56,000 --> 00:10:58,560 Speaker 1: why she acts the way that she does in certain situations. 226 00:10:58,600 --> 00:11:01,080 Speaker 1: It was so so good, it was awesome. 227 00:11:01,240 --> 00:11:02,720 Speaker 2: And the part of the chat we're about to play 228 00:11:02,800 --> 00:11:06,480 Speaker 2: for you now, Poe talks openly about the really difficult 229 00:11:06,520 --> 00:11:08,320 Speaker 2: journey she faced when deciding whether or not she wanted 230 00:11:08,320 --> 00:11:11,800 Speaker 2: a baby when she turned forty, and then we get 231 00:11:11,840 --> 00:11:14,800 Speaker 2: into how she actually did get pregnant, and then this 232 00:11:15,080 --> 00:11:18,839 Speaker 2: really heart wrenching moment when she realized that she had 233 00:11:18,840 --> 00:11:21,520 Speaker 2: a miscarriage. I realized this might be a bit triggering 234 00:11:21,520 --> 00:11:25,120 Speaker 2: for some people, but ultimately, as personally as someone who's 235 00:11:25,120 --> 00:11:27,640 Speaker 2: been through a miscarriage with my partner, I know that 236 00:11:27,920 --> 00:11:30,319 Speaker 2: talking about it for her was probably the best thing, 237 00:11:30,360 --> 00:11:31,840 Speaker 2: as is kind of the theme of the podcast. 238 00:11:31,880 --> 00:11:34,480 Speaker 1: So yeah, have a listen. 239 00:11:35,320 --> 00:11:39,160 Speaker 5: So my ex really wanted a child, but I was 240 00:11:39,679 --> 00:11:41,800 Speaker 5: the whole time. He was like, I definitely want to, 241 00:11:42,120 --> 00:11:44,760 Speaker 5: you know, That's always been part of my plan, and 242 00:11:45,120 --> 00:11:48,080 Speaker 5: I thought I always did, but I was in a 243 00:11:48,120 --> 00:11:53,480 Speaker 5: position where I was I were my earning capacity was 244 00:11:53,520 --> 00:11:57,720 Speaker 5: higher than his, and we built a lifestyle around my income, 245 00:11:58,520 --> 00:12:01,719 Speaker 5: and I didn't. I was starting to get older and 246 00:12:01,800 --> 00:12:04,240 Speaker 5: that was starting to make me feel a bit frigid 247 00:12:04,280 --> 00:12:05,000 Speaker 5: about the idea. 248 00:12:05,320 --> 00:12:06,080 Speaker 6: It just started. 249 00:12:06,360 --> 00:12:08,240 Speaker 5: It was like we had heaps of time and then 250 00:12:08,240 --> 00:12:12,160 Speaker 5: suddenly you're like forty, you know, and I was like, oh, man, 251 00:12:12,480 --> 00:12:16,560 Speaker 5: I actually don't know how this would work now, because 252 00:12:17,360 --> 00:12:19,040 Speaker 5: I don't know how this would work, like would I 253 00:12:19,080 --> 00:12:23,040 Speaker 5: have to and because I'm like freelance essentially. 254 00:12:22,640 --> 00:12:25,920 Speaker 1: Do you mean like financially working practically as well. 255 00:12:25,760 --> 00:12:31,280 Speaker 5: And also practically and just talking about being an individual, right, 256 00:12:31,720 --> 00:12:35,440 Speaker 5: I started to think about how so much of what 257 00:12:35,559 --> 00:12:41,840 Speaker 5: I do is about me being free, and I started 258 00:12:41,880 --> 00:12:42,320 Speaker 5: to think. 259 00:12:42,880 --> 00:12:43,680 Speaker 6: I think if I. 260 00:12:43,600 --> 00:12:47,520 Speaker 5: Had started earlier, I would have had more courage and 261 00:12:47,559 --> 00:12:48,160 Speaker 5: I would. 262 00:12:47,920 --> 00:12:52,280 Speaker 6: Have bounced back quicker with considering it. 263 00:12:52,320 --> 00:12:55,480 Speaker 5: But as I got older, it got I got more 264 00:12:55,520 --> 00:12:59,760 Speaker 5: fixed in my ways, and I got more frightened about 265 00:12:59,840 --> 00:13:02,120 Speaker 5: how it would encroach on my independence. 266 00:13:02,280 --> 00:13:04,719 Speaker 6: And as I'm getting older as a creative, there's so. 267 00:13:04,679 --> 00:13:07,559 Speaker 5: Many ideas I want to express, right with my art 268 00:13:07,679 --> 00:13:09,400 Speaker 5: and all these other projects that I have. 269 00:13:10,000 --> 00:13:11,880 Speaker 6: And I was starting to think, do. 270 00:13:11,840 --> 00:13:17,840 Speaker 5: I have a child or do I keep creating? And 271 00:13:18,040 --> 00:13:21,000 Speaker 5: is my creating the child? Like I have to pick right, 272 00:13:21,320 --> 00:13:24,079 Speaker 5: and you have to as a woman. That's something that 273 00:13:25,160 --> 00:13:28,360 Speaker 5: is unique to a woman, right, yep, And for time 274 00:13:28,400 --> 00:13:31,440 Speaker 5: and eternity will be the unique issue. 275 00:13:31,480 --> 00:13:32,199 Speaker 1: That's the setup. 276 00:13:32,320 --> 00:13:32,840 Speaker 6: Yeah. 277 00:13:32,920 --> 00:13:36,200 Speaker 5: Anyway, I got pregnant by accident, and it was interesting 278 00:13:36,280 --> 00:13:39,560 Speaker 5: because even though I was really worried about it when 279 00:13:39,600 --> 00:13:42,520 Speaker 5: it happened, I don't know whatever, the hormones at kicking, 280 00:13:42,520 --> 00:13:43,079 Speaker 5: and I was. 281 00:13:43,040 --> 00:13:44,800 Speaker 6: Like elated, love the idea. 282 00:13:44,840 --> 00:13:45,400 Speaker 1: It was great. 283 00:13:45,840 --> 00:13:49,160 Speaker 5: And then on the twelfth week, it was literally on 284 00:13:49,280 --> 00:13:52,800 Speaker 5: the day that I could tell people I lost the baby. 285 00:13:54,080 --> 00:13:59,280 Speaker 2: Wow, okay, yeah, really really full on moment. As I said, 286 00:13:59,280 --> 00:14:01,880 Speaker 2: this chat is everything. It goes really deep on this 287 00:14:01,960 --> 00:14:04,439 Speaker 2: and I look personally as if before I've found listening 288 00:14:04,440 --> 00:14:06,560 Speaker 2: to her talk about miscarriage is incredibly cathartic. 289 00:14:06,840 --> 00:14:09,600 Speaker 1: Nothing's off the table with her. She realizes how important 290 00:14:09,600 --> 00:14:12,000 Speaker 1: it is to talk about the dark times in her 291 00:14:12,040 --> 00:14:15,800 Speaker 1: life to help normalize dark situations, and in particular, she 292 00:14:15,800 --> 00:14:19,000 Speaker 1: did speak about a miscarriage that she had. Now we're 293 00:14:19,000 --> 00:14:21,640 Speaker 1: about to play some audio of her talking about that, 294 00:14:22,200 --> 00:14:24,720 Speaker 1: so if you'll learn a place to hear that right now, 295 00:14:24,760 --> 00:14:27,560 Speaker 1: then maybe flick off for a bit. But this picks 296 00:14:27,640 --> 00:14:29,080 Speaker 1: up from the moment where she told us that she 297 00:14:29,240 --> 00:14:33,280 Speaker 1: lost the baby at twelve weeks and I just found 298 00:14:33,280 --> 00:14:36,600 Speaker 1: this so fascinating how she spent the next couple of 299 00:14:36,720 --> 00:14:38,320 Speaker 1: days grieving that. 300 00:14:39,480 --> 00:14:43,160 Speaker 5: On the twelfth week, it was literally on the day 301 00:14:43,480 --> 00:14:46,120 Speaker 5: that I could tell people I lost the baby. 302 00:14:47,120 --> 00:14:50,680 Speaker 1: And oh, that's yeah, I know. 303 00:14:51,680 --> 00:14:54,520 Speaker 5: And I don't know what you guys think having children, Oh, 304 00:14:55,240 --> 00:14:58,640 Speaker 5: I think that it's a really weird thing that we're 305 00:14:58,760 --> 00:15:01,840 Speaker 5: encouraged to not tell people when I think it's the opposite. 306 00:15:01,840 --> 00:15:04,360 Speaker 6: But it might be my brain type. I think if 307 00:15:04,360 --> 00:15:05,680 Speaker 6: you tell everyone. 308 00:15:06,920 --> 00:15:10,240 Speaker 5: Then when it does happen, or if it happens, which 309 00:15:10,280 --> 00:15:12,880 Speaker 5: is like a third is it a third opregiance? 310 00:15:13,280 --> 00:15:16,080 Speaker 1: But yeah, I think it's as high as people would 311 00:15:16,120 --> 00:15:17,720 Speaker 1: have no idea, it's that high. 312 00:15:17,800 --> 00:15:19,520 Speaker 6: Yeah, that's right, that's right. 313 00:15:20,320 --> 00:15:23,720 Speaker 5: And so how I processed it was with those figures, 314 00:15:23,880 --> 00:15:25,600 Speaker 5: I was like, I'm not special. 315 00:15:25,720 --> 00:15:27,720 Speaker 6: I always go back to you are a dot? 316 00:15:27,960 --> 00:15:29,440 Speaker 1: Are you mentioned that earlier? 317 00:15:29,520 --> 00:15:32,120 Speaker 5: And I always go back to not instead of why me? 318 00:15:32,240 --> 00:15:34,720 Speaker 6: Why not me? And that gets me out of everything. 319 00:15:35,640 --> 00:15:36,560 Speaker 1: What's gratitude again? 320 00:15:36,800 --> 00:15:37,000 Speaker 2: Yeah? 321 00:15:37,720 --> 00:15:40,600 Speaker 5: And I'm still so grateful that I got to go 322 00:15:40,680 --> 00:15:43,080 Speaker 5: through that experience because I actually went through the full labor. 323 00:15:43,240 --> 00:15:46,560 Speaker 1: Yeah I read that so you and yeah at home? 324 00:15:46,760 --> 00:15:47,720 Speaker 6: Yeah, it's pretty full. 325 00:15:47,560 --> 00:15:48,920 Speaker 1: Line wow with your partner there. 326 00:15:49,160 --> 00:15:53,960 Speaker 2: Yeah yeah, oh my god, oh my god. 327 00:15:53,880 --> 00:15:55,880 Speaker 6: I didn't really know it was happening. That is so 328 00:15:56,000 --> 00:16:01,400 Speaker 6: full of Yeah. And then I actually saw that. 329 00:16:01,480 --> 00:16:06,800 Speaker 2: So you birth wow wow and oh wow? 330 00:16:07,040 --> 00:16:09,320 Speaker 1: Yeah yeah was it just the two of you? 331 00:16:09,720 --> 00:16:11,680 Speaker 6: It was just a too oh man and John? 332 00:16:11,840 --> 00:16:14,480 Speaker 1: Yeah, I can't imagine anything more traumatic. 333 00:16:14,680 --> 00:16:19,640 Speaker 5: Yeah, it's it's so intense that it's it's quite surreal 334 00:16:19,680 --> 00:16:23,480 Speaker 5: in my head, like it's a bit dream state because 335 00:16:23,480 --> 00:16:25,560 Speaker 5: I was in a lot of pain and I was 336 00:16:25,600 --> 00:16:27,520 Speaker 5: losing so much blood and. 337 00:16:30,640 --> 00:16:32,840 Speaker 6: But it's interesting, like I had. 338 00:16:34,440 --> 00:16:40,560 Speaker 5: A really good cry for about a day, yeah, and 339 00:16:40,600 --> 00:16:43,280 Speaker 5: then all that other stuff just kicked in. I was 340 00:16:43,400 --> 00:16:47,560 Speaker 5: just like a third of every all the women, like 341 00:16:47,680 --> 00:16:50,200 Speaker 5: a third of us go through this. And I was 342 00:16:50,280 --> 00:16:53,280 Speaker 5: never able to get pregnant again, which I'm actually also 343 00:16:53,360 --> 00:16:56,320 Speaker 5: fine about because I was sort of so not sure 344 00:16:56,360 --> 00:16:59,160 Speaker 5: about it anyway. And then John and I ultimately ended 345 00:16:59,200 --> 00:17:03,160 Speaker 5: up breaking up, so I was really grateful because I thought, oh, 346 00:17:03,200 --> 00:17:06,000 Speaker 5: that's just you know, And now he's actually got a 347 00:17:06,080 --> 00:17:08,280 Speaker 5: baby with a new partner now, which I'm so I'm 348 00:17:08,280 --> 00:17:10,760 Speaker 5: so happy for them because that's what he's wanted the 349 00:17:10,800 --> 00:17:14,840 Speaker 5: whole time. But yeah, I just kind of, yeah, I'm 350 00:17:14,880 --> 00:17:17,720 Speaker 5: still really grateful. I still have the picture of the 351 00:17:17,800 --> 00:17:20,080 Speaker 5: Ultra sound on my fridge, which creeps people. 352 00:17:23,520 --> 00:17:27,560 Speaker 6: I laugh at everything, guys. Everything is worth laughing. 353 00:17:28,880 --> 00:17:29,480 Speaker 1: You have to. 354 00:17:30,280 --> 00:17:34,320 Speaker 5: Honestly, it feels so dark, but you have to. And 355 00:17:34,320 --> 00:17:38,399 Speaker 5: and because it reminds me of this thing that I 356 00:17:38,440 --> 00:17:42,919 Speaker 5: was able to experience as a woman, I went through pregnancy. 357 00:17:43,000 --> 00:17:45,000 Speaker 5: I actually went through the process of birthing. I know 358 00:17:45,040 --> 00:17:47,439 Speaker 5: what that feels like, and I know what it feels 359 00:17:47,480 --> 00:17:49,720 Speaker 5: like to have something growing inside. 360 00:17:49,280 --> 00:17:51,200 Speaker 6: Me, which is just such a special. 361 00:17:50,840 --> 00:17:51,439 Speaker 1: Thing, you know. 362 00:17:52,119 --> 00:17:54,960 Speaker 6: So yeah, that's how I went through it. 363 00:17:56,440 --> 00:17:58,679 Speaker 1: Yeah, I mean take from that what you will, but 364 00:17:59,200 --> 00:18:02,240 Speaker 1: not for everyone. This podcast is all about it. That's 365 00:18:02,240 --> 00:18:04,320 Speaker 1: the way that she dealt with it. Other people will 366 00:18:04,320 --> 00:18:06,560 Speaker 1: deal with it in other ways. But I think the 367 00:18:06,640 --> 00:18:09,399 Speaker 1: amazing thing that Poe has done there is talk about it. 368 00:18:10,600 --> 00:18:12,920 Speaker 1: So for anyone who has been through it or who 369 00:18:12,960 --> 00:18:15,960 Speaker 1: will go through that, I think that hopefully will help. 370 00:18:16,080 --> 00:18:18,800 Speaker 2: Yeah, well one in three is a miscarriage woods, so 371 00:18:19,119 --> 00:18:20,840 Speaker 2: to I'm sure there's lots of people listening to this 372 00:18:20,880 --> 00:18:23,040 Speaker 2: who is it, have been or will be through, will 373 00:18:23,119 --> 00:18:25,720 Speaker 2: go through that. So I think that for me the 374 00:18:26,000 --> 00:18:27,960 Speaker 2: amazing thing. And you can hear this when you listen 375 00:18:27,960 --> 00:18:31,400 Speaker 2: to the full episode. I don't think I've ever spoken 376 00:18:31,480 --> 00:18:34,920 Speaker 2: in person with someone who is such a master of gratitude. 377 00:18:35,600 --> 00:18:39,200 Speaker 2: She wields that like a weapon and if you want 378 00:18:39,200 --> 00:18:40,720 Speaker 2: to learn more about that, and I think that is 379 00:18:40,760 --> 00:18:42,719 Speaker 2: really truly the reason that she is as happy as 380 00:18:42,760 --> 00:18:45,640 Speaker 2: she is, as content as she is, then just search 381 00:18:45,640 --> 00:18:48,240 Speaker 2: share my mood, reade you get your podcasts, latest step 382 00:18:48,480 --> 00:18:49,920 Speaker 2: polling you out from master chef. 383 00:18:49,920 --> 00:18:54,320 Speaker 1: It's a cracker Woods. You have a prank of a 384 00:18:54,520 --> 00:18:59,920 Speaker 1: grand scale. Yeah, targeted at kind of like wanky art. 385 00:19:00,040 --> 00:19:05,040 Speaker 2: See people now as as you know, no one's going 386 00:19:05,040 --> 00:19:05,640 Speaker 2: to defend them. 387 00:19:06,240 --> 00:19:08,920 Speaker 1: Yeah, very safe to They're not listening to us either. 388 00:19:08,960 --> 00:19:11,720 Speaker 1: So if you are listening to us right now, you're 389 00:19:11,760 --> 00:19:13,600 Speaker 1: in on it. I want to. 390 00:19:13,560 --> 00:19:17,359 Speaker 2: Get and if you are a wanky art person, tune 391 00:19:17,359 --> 00:19:19,800 Speaker 2: out maybe if you don't want to, if you don't 392 00:19:19,800 --> 00:19:21,560 Speaker 2: want to hear, if you don't want to hear bad 393 00:19:21,640 --> 00:19:24,520 Speaker 2: things thing said about you. Are we talking like when 394 00:19:24,560 --> 00:19:26,959 Speaker 2: you say our art wankers? What do you mean by that? 395 00:19:27,000 --> 00:19:29,240 Speaker 1: I didn't use that word. I didn't use sorry e 396 00:19:29,560 --> 00:19:32,040 Speaker 1: at the end of that word is better than a wanky, 397 00:19:32,160 --> 00:19:36,040 Speaker 1: not wank Sorry. So when we're talking about them, I'm 398 00:19:36,040 --> 00:19:40,000 Speaker 1: talking about the people that overly admire pieces of art 399 00:19:40,880 --> 00:19:43,960 Speaker 1: and like pick out themes and subject matter and they 400 00:19:44,040 --> 00:19:48,760 Speaker 1: understand the Are you talking about me? I think I 401 00:19:48,800 --> 00:19:51,720 Speaker 1: think you sometimes you go there, but I think if 402 00:19:51,760 --> 00:19:54,720 Speaker 1: I'm next to you, I pull you out of that. Okay, Okay. 403 00:19:54,880 --> 00:19:56,760 Speaker 1: The reason I want to do this, I'll just explain 404 00:19:56,800 --> 00:19:58,880 Speaker 1: a little bit more. I went to an art gallery 405 00:19:59,040 --> 00:20:01,639 Speaker 1: on the weekend, okay, and I just I'm not going 406 00:20:01,680 --> 00:20:05,359 Speaker 1: to say which art gallery it was, but I just 407 00:20:05,640 --> 00:20:10,639 Speaker 1: saw a few pieces of art that these artsy wanky 408 00:20:10,720 --> 00:20:13,600 Speaker 1: people were standing back going oh, they were orderly going 409 00:20:13,680 --> 00:20:21,160 Speaker 1: oh mmmm. They did a lot of what do you 410 00:20:21,240 --> 00:20:23,400 Speaker 1: what do you mean that that looks like someone through 411 00:20:23,440 --> 00:20:27,680 Speaker 1: a bucket on a canvas? Wow? Poorly? Oh wow? How 412 00:20:27,680 --> 00:20:28,240 Speaker 1: do you poorly? 413 00:20:28,760 --> 00:20:28,920 Speaker 2: Well? 414 00:20:29,000 --> 00:20:30,560 Speaker 1: I don't know, man, But at the end of the day, 415 00:20:30,600 --> 00:20:33,639 Speaker 1: I was like, someone took like, spent five minutes doing that, 416 00:20:33,760 --> 00:20:36,040 Speaker 1: and you're you think you can sit back now with 417 00:20:36,119 --> 00:20:40,199 Speaker 1: your doc Martins on and and go. A lot of 418 00:20:40,240 --> 00:20:44,760 Speaker 1: a lot of glasses coming off, no words, just a 419 00:20:44,760 --> 00:20:48,200 Speaker 1: lot of guttural noises. So I want to do a 420 00:20:48,240 --> 00:20:50,000 Speaker 1: little test with you right now, just to prove my 421 00:20:50,040 --> 00:20:52,639 Speaker 1: point a bit more. Okay, if you want to see 422 00:20:52,720 --> 00:20:54,440 Speaker 1: what Will's about to see, by the way, get along 423 00:20:54,480 --> 00:20:57,320 Speaker 1: to our Instagram, Will and Woody. But on the big 424 00:20:57,359 --> 00:21:00,359 Speaker 1: screen here in the studio, I'm putting up three works 425 00:21:00,359 --> 00:21:04,840 Speaker 1: of art. Okay, Okay, they are coming Okay, well, yes, 426 00:21:05,400 --> 00:21:10,240 Speaker 1: my question to you, yeap, which piece of art yep 427 00:21:10,640 --> 00:21:16,320 Speaker 1: was done by a professional an artist? Well, the one 428 00:21:16,320 --> 00:21:20,159 Speaker 1: on the far right has your daughter's name on it. 429 00:21:20,600 --> 00:21:22,480 Speaker 1: I thought, what happened there? 430 00:21:22,840 --> 00:21:27,240 Speaker 2: I feel as if well, out of the two, that's 431 00:21:27,760 --> 00:21:28,720 Speaker 2: an easy get. 432 00:21:30,400 --> 00:21:32,520 Speaker 1: Actually, hilariously, you can see what's happened to you will, 433 00:21:32,560 --> 00:21:35,159 Speaker 1: So I know I'm going too into the visual, but yeah, 434 00:21:35,240 --> 00:21:37,439 Speaker 1: we did block it out, but there must have been 435 00:21:37,480 --> 00:21:40,240 Speaker 1: a move and it's moved to the right, so we 436 00:21:40,320 --> 00:21:42,040 Speaker 1: missed it. Anyway, I'm getting too visual. 437 00:21:42,840 --> 00:21:45,040 Speaker 2: So yes, I assume that he's done by your daughter, 438 00:21:45,200 --> 00:21:46,080 Speaker 2: and that would be the one. 439 00:21:46,240 --> 00:21:49,320 Speaker 1: To be fair, it's all in brown and. 440 00:21:49,480 --> 00:21:52,360 Speaker 2: Clearly okay, it's a child who's kind of like massage 441 00:21:52,400 --> 00:21:52,960 Speaker 2: to canvas. 442 00:21:53,080 --> 00:21:57,560 Speaker 1: Okay, so I'm going to say that that one is 443 00:21:57,600 --> 00:22:00,600 Speaker 1: not the artist. I'm out of the two swiftly onto 444 00:22:00,640 --> 00:22:02,560 Speaker 1: the other two. Out of the two, which one was 445 00:22:02,600 --> 00:22:06,280 Speaker 1: done by a professional artists? Um? 446 00:22:06,560 --> 00:22:11,159 Speaker 2: Oh interesting? So so they're kind of look to be 447 00:22:11,160 --> 00:22:14,639 Speaker 2: fit to every one this thing. They both abstract style 448 00:22:14,800 --> 00:22:21,080 Speaker 2: paintings with like smatterings of color, and one of them has. 449 00:22:20,920 --> 00:22:23,720 Speaker 1: A paintbrush in the middle of it. Still, I want 450 00:22:23,720 --> 00:22:25,720 Speaker 1: to see him get to our Instagram, Will and Woody. 451 00:22:25,720 --> 00:22:28,280 Speaker 2: Oh god, I've been follow yourself to get to the Instagram. 452 00:22:28,320 --> 00:22:31,040 Speaker 2: This is this is a missable viewing. Well, when you 453 00:22:31,080 --> 00:22:34,760 Speaker 2: say professional, do you mean like like it's it's a 454 00:22:34,840 --> 00:22:37,640 Speaker 2: child or To be honest with you, I don't think 455 00:22:37,680 --> 00:22:39,560 Speaker 2: any of them are done by a professional, Like if 456 00:22:39,600 --> 00:22:41,879 Speaker 2: I had to guess, that would be my first guess. 457 00:22:42,200 --> 00:22:46,440 Speaker 1: Really yeah, but if you had to lock on, I don't. 458 00:22:46,720 --> 00:22:48,880 Speaker 1: I don't think any of them are done by done 459 00:22:48,880 --> 00:22:51,439 Speaker 1: by professor. Okay, this does make me concern for my 460 00:22:51,600 --> 00:22:54,440 Speaker 1: grand scale prank kind. Hear all right, let me get 461 00:22:54,480 --> 00:22:56,280 Speaker 1: you up to speed. They've all been done by my 462 00:22:56,320 --> 00:22:59,119 Speaker 1: eighteen month old daughter. Okay, okay, but let's be honest. 463 00:23:00,160 --> 00:23:03,840 Speaker 1: Was there was there was a moment there where you 464 00:23:03,880 --> 00:23:06,720 Speaker 1: were unsure. To be fair to you, there was uncertain 465 00:23:08,000 --> 00:23:13,000 Speaker 1: Yeah I think give it to me. No, yeah, yeah, sure, sure, sure, 466 00:23:13,240 --> 00:23:14,960 Speaker 1: I think this can still go ahead. We're going to 467 00:23:15,000 --> 00:23:17,280 Speaker 1: have to go to a song. I need together my thoughts. 468 00:23:21,000 --> 00:23:23,520 Speaker 2: Because your idea that kids art could be confused for 469 00:23:23,560 --> 00:23:25,000 Speaker 2: adults art pretty much. 470 00:23:25,160 --> 00:23:26,840 Speaker 1: You wanted the what's the word, I'm up? 471 00:23:26,960 --> 00:23:28,800 Speaker 2: You wanted the prestige. I wanted to be able to 472 00:23:28,840 --> 00:23:30,760 Speaker 2: prove your point by pulling the wool over my eyes. 473 00:23:30,880 --> 00:23:33,080 Speaker 2: But you forgot you were playing against Hercules. 474 00:23:33,520 --> 00:23:35,520 Speaker 1: I wouldn't say Hercules, but you do have a very 475 00:23:35,560 --> 00:23:37,320 Speaker 1: good horror look. Just to get you all up to 476 00:23:37,320 --> 00:23:40,080 Speaker 1: speed again, because I want everyone in on this with me. 477 00:23:40,200 --> 00:23:41,880 Speaker 1: If we if, I think we can still pull this off. 478 00:23:41,920 --> 00:23:44,920 Speaker 1: But basically I want to pull off a grand scale 479 00:23:45,040 --> 00:23:49,679 Speaker 1: prank on wanky artsy people. Yes, okay, I just think 480 00:23:50,400 --> 00:23:53,080 Speaker 1: that together will and this is going to cost a 481 00:23:53,080 --> 00:23:56,399 Speaker 1: bit of money, but together we put on this like 482 00:23:56,560 --> 00:24:01,560 Speaker 1: epic art exhibition, pull out all the wanky things, elaborate 483 00:24:01,600 --> 00:24:06,720 Speaker 1: cannopas an underground DJ. I don't know what else is 484 00:24:06,720 --> 00:24:08,680 Speaker 1: at these events, but like you know, this is what 485 00:24:08,680 --> 00:24:09,359 Speaker 1: What else is that art? 486 00:24:09,440 --> 00:24:09,760 Speaker 3: You want? 487 00:24:09,800 --> 00:24:14,760 Speaker 2: Like some like isolated lighting? I probably want like a 488 00:24:14,880 --> 00:24:19,479 Speaker 2: psych somewhere. Concrete that is, yeah, plenty of like you 489 00:24:19,520 --> 00:24:22,760 Speaker 2: can never have too much concrete, smoke machine, bottles of 490 00:24:22,840 --> 00:24:25,840 Speaker 2: sand pellar greeno on a random table somewhere. 491 00:24:26,000 --> 00:24:28,160 Speaker 1: Yes, not a smoke machine. Yeah. 492 00:24:28,240 --> 00:24:31,920 Speaker 2: So picture lots of people wearing Doc Martins is really good. 493 00:24:32,040 --> 00:24:37,000 Speaker 2: Lots of people with like those uniclo over the shoulder 494 00:24:37,200 --> 00:24:38,360 Speaker 2: bags that people. 495 00:24:38,160 --> 00:24:40,439 Speaker 1: Are wearing everywhere. Okay, so that's sort of fine. So 496 00:24:40,520 --> 00:24:42,560 Speaker 1: picture that everyone. So the look of that is all 497 00:24:42,600 --> 00:24:46,919 Speaker 1: perfect to a real art exhibition. We invite people to that. 498 00:24:46,920 --> 00:24:48,800 Speaker 1: We invite the artsy folks. I don't know how you 499 00:24:49,240 --> 00:24:52,639 Speaker 1: bring them out of their artsy caves, but like we 500 00:24:53,119 --> 00:24:57,000 Speaker 1: invite them, probably via a mailing list. Yeah, the mailing 501 00:24:57,000 --> 00:24:59,520 Speaker 1: list much better. Go there, we go, We're on. You 502 00:24:59,600 --> 00:25:02,320 Speaker 1: come to exhibition, okay, and they sit there and they 503 00:25:02,359 --> 00:25:05,840 Speaker 1: do their artsy thing. They go, oh, the symbolism in this, 504 00:25:05,920 --> 00:25:08,720 Speaker 1: da da da, here's the bit that's funny. And here's 505 00:25:08,760 --> 00:25:11,800 Speaker 1: the bit that's a prank. All of the art has 506 00:25:11,840 --> 00:25:16,280 Speaker 1: been done by children. Ah, I like this. Now I 507 00:25:16,280 --> 00:25:18,080 Speaker 1: did show you something that my eighteen month old daughter 508 00:25:18,119 --> 00:25:22,639 Speaker 1: has done. Yeah, you pick the eyes out of it. 509 00:25:21,680 --> 00:25:24,880 Speaker 1: You said that couldn't be a pressure to be fair, 510 00:25:25,040 --> 00:25:25,520 Speaker 1: to be fair? 511 00:25:25,520 --> 00:25:28,399 Speaker 2: That are you talking about putting babies artwork up or 512 00:25:28,440 --> 00:25:29,320 Speaker 2: just kids art work up? 513 00:25:29,320 --> 00:25:31,720 Speaker 1: Because I think babies. I was thinking, I think that 514 00:25:32,760 --> 00:25:35,239 Speaker 1: Remy and Max's work like our daughters. But now I'm 515 00:25:35,280 --> 00:25:37,000 Speaker 1: starting to think that that we can't pull that off. 516 00:25:37,000 --> 00:25:39,560 Speaker 2: Well, these people are into art, sure, so it's hard 517 00:25:39,560 --> 00:25:40,399 Speaker 2: to know what the line is. 518 00:25:40,480 --> 00:25:42,960 Speaker 1: So maybe like five to ten. If these kids are 519 00:25:43,000 --> 00:25:46,320 Speaker 1: a bit older, yeah, then maybe we can pull this on. 520 00:25:46,480 --> 00:25:49,639 Speaker 2: Well it's I mean, your theory, I imagine, is based 521 00:25:49,680 --> 00:25:55,199 Speaker 2: around the idea that abstract modern art looks similar to 522 00:25:55,200 --> 00:25:57,640 Speaker 2: something that a child could do. That's what that's that's 523 00:25:57,640 --> 00:25:59,880 Speaker 2: what you're saying pretty much. And you think that these 524 00:26:00,040 --> 00:26:02,240 Speaker 2: people are such wankers. 525 00:26:02,080 --> 00:26:03,120 Speaker 1: Winky winky. 526 00:26:04,960 --> 00:26:07,600 Speaker 2: That they won't be able to tell the difference. Like 527 00:26:07,600 --> 00:26:10,240 Speaker 2: the whole thing is just a massive show for them. 528 00:26:10,280 --> 00:26:13,840 Speaker 1: And here's the kicker. Yes, with Selvy art Ry, like 529 00:26:14,040 --> 00:26:17,600 Speaker 1: hundreds of thousands of dollars, they signed the check and 530 00:26:17,600 --> 00:26:23,440 Speaker 1: then we bring the kid out and laugh at them 531 00:26:23,720 --> 00:26:26,160 Speaker 1: like the wolves just come down from the exhibition. There's 532 00:26:26,200 --> 00:26:27,800 Speaker 1: just like a you know, we could do it a 533 00:26:27,840 --> 00:26:30,400 Speaker 1: market cord arena with a big there's a big arena, 534 00:26:30,440 --> 00:26:33,560 Speaker 1: the walls come down and it's just children laughing. 535 00:26:36,280 --> 00:26:46,639 Speaker 2: Do we do with the cash buy boat? Was the 536 00:26:46,640 --> 00:26:50,120 Speaker 2: hottest property on the planet is single again? Now before 537 00:26:50,160 --> 00:26:51,760 Speaker 2: I announce who that is, I just like to point 538 00:26:51,800 --> 00:26:54,040 Speaker 2: out before I play this audio is from E News, 539 00:26:54,080 --> 00:26:56,320 Speaker 2: and I have said for a very long time that 540 00:26:56,440 --> 00:26:58,840 Speaker 2: all the news readers at E News that it really 541 00:26:58,920 --> 00:27:01,080 Speaker 2: is a breeding ground for the best comics on the 542 00:27:01,080 --> 00:27:04,720 Speaker 2: planet and comics comedians. Yeah, I'm surprised that a lot 543 00:27:04,760 --> 00:27:06,520 Speaker 2: of them don't end up in stand up comedy because 544 00:27:06,760 --> 00:27:08,440 Speaker 2: this is hot. 545 00:27:09,680 --> 00:27:12,240 Speaker 1: I guess it's not the same as it was. Because 546 00:27:12,280 --> 00:27:15,760 Speaker 1: Harry Styles and his girlfriend Taylor Russell have reportedly broken 547 00:27:15,840 --> 00:27:21,880 Speaker 1: up after one year of dating. Pod get but don't 548 00:27:21,920 --> 00:27:22,480 Speaker 1: blame her. 549 00:27:24,320 --> 00:27:24,600 Speaker 3: Strip. 550 00:27:24,920 --> 00:27:26,560 Speaker 1: I don't blame them. I thank them. 551 00:27:27,080 --> 00:27:28,560 Speaker 2: I thank them for a joke that I could not 552 00:27:28,600 --> 00:27:33,320 Speaker 2: do without. Yeah, So Harry Styles and Rusty are out. 553 00:27:33,359 --> 00:27:33,840 Speaker 2: They're off. 554 00:27:34,400 --> 00:27:42,119 Speaker 1: Harriet Russell, Taylor Russell of the back, They're off. Damn 555 00:27:42,160 --> 00:27:46,159 Speaker 1: shame any insience into one. I'm that holiday together? Really? 556 00:27:46,240 --> 00:27:46,440 Speaker 3: Yeah? 557 00:27:46,960 --> 00:27:48,639 Speaker 1: You know, you know what I have always said. 558 00:27:48,840 --> 00:27:53,040 Speaker 2: I have always said that your first proper trip away 559 00:27:53,080 --> 00:27:55,760 Speaker 2: together will decide whether or not. 560 00:27:56,000 --> 00:27:59,080 Speaker 1: You will be together. There are three particular holidays which 561 00:27:59,119 --> 00:28:01,240 Speaker 1: I've had with a partner which ended in us coming 562 00:28:01,280 --> 00:28:01,960 Speaker 1: home separately. 563 00:28:02,000 --> 00:28:05,440 Speaker 2: No, I know, I lobbed that and I wanted to 564 00:28:05,480 --> 00:28:07,919 Speaker 2: see whether or not you'd okay, it was kind of 565 00:28:07,960 --> 00:28:08,760 Speaker 2: directed towards you. 566 00:28:09,080 --> 00:28:13,080 Speaker 1: Okay. Why is that? Well, me and Harry obviously similarities there. 567 00:28:13,080 --> 00:28:15,760 Speaker 1: Why do you think people break on holidays because I 568 00:28:15,840 --> 00:28:17,200 Speaker 1: can constely relate to. 569 00:28:17,119 --> 00:28:19,200 Speaker 2: That because I think that a lot of people delude 570 00:28:19,240 --> 00:28:21,840 Speaker 2: themselves into the fact that their relationship is working, and 571 00:28:21,880 --> 00:28:25,080 Speaker 2: then when they're put in a the pressure cooker slash 572 00:28:25,119 --> 00:28:28,240 Speaker 2: concentration magnifying glass of a holiday where you're spending every 573 00:28:28,280 --> 00:28:30,520 Speaker 2: waking moment with a person, you have to compromise for them, 574 00:28:30,800 --> 00:28:33,840 Speaker 2: and you often can't be yourself. That's when the cracks show. 575 00:28:34,200 --> 00:28:36,840 Speaker 2: I think that was a perfect answer. Thank you, exactly 576 00:28:36,880 --> 00:28:40,080 Speaker 2: what happens. And for the record, I think each time 577 00:28:40,080 --> 00:28:42,120 Speaker 2: that you went away with each of those people, I 578 00:28:42,600 --> 00:28:44,520 Speaker 2: knew that you would come back separately. 579 00:28:44,880 --> 00:28:46,000 Speaker 1: Now I was optimistic. 580 00:28:46,160 --> 00:28:49,479 Speaker 2: I know, I know now what I would like to do, 581 00:28:49,600 --> 00:28:53,200 Speaker 2: because I realized that Harry being single has just lit 582 00:28:53,240 --> 00:28:55,239 Speaker 2: a fire under a lot of women and men who 583 00:28:55,320 --> 00:28:56,240 Speaker 2: are listening right now. 584 00:28:56,320 --> 00:28:59,240 Speaker 1: Of course, I mean this is the beginning, guys, this 585 00:28:59,520 --> 00:29:01,840 Speaker 1: is the start of your road to Harry Styles. And 586 00:29:01,840 --> 00:29:04,600 Speaker 1: there's a chance your paths cross here and you will 587 00:29:04,640 --> 00:29:08,680 Speaker 1: get the opportunity to pitch your wares to woo. 588 00:29:08,840 --> 00:29:12,240 Speaker 2: Absolutely, if you are at a sixteenth century market, you 589 00:29:12,800 --> 00:29:17,080 Speaker 2: may you may pitch your wares right now to be 590 00:29:17,360 --> 00:29:20,080 Speaker 2: the person that Harry Styles is next with the door 591 00:29:20,280 --> 00:29:22,200 Speaker 2: is open, and we know that the door does. 592 00:29:22,080 --> 00:29:23,560 Speaker 1: Not remain open for very long. 593 00:29:23,600 --> 00:29:26,320 Speaker 2: But what I'm thinking here right now thirteen and one 594 00:29:26,320 --> 00:29:29,080 Speaker 2: oh six ' five you found out, now you've found 595 00:29:29,120 --> 00:29:32,520 Speaker 2: out Harry Styles is a single. Should you be the 596 00:29:32,560 --> 00:29:33,760 Speaker 2: next person to date Harry? 597 00:29:33,880 --> 00:29:36,320 Speaker 1: And why? And why? What have you got to offer 598 00:29:36,320 --> 00:29:37,760 Speaker 1: the big filer? You're gonna have to get past that 599 00:29:37,840 --> 00:29:42,680 Speaker 1: digital producer kV. Who I believe kV. You've been working 600 00:29:42,720 --> 00:29:45,920 Speaker 1: diligently all day on why you think you should be 601 00:29:45,960 --> 00:29:50,640 Speaker 1: the one? That's right, guys, I've actually written a I 602 00:29:50,680 --> 00:29:53,520 Speaker 1: can hear the rustling in the background. Now what is that? 603 00:29:53,520 --> 00:29:56,680 Speaker 1: That's my ten reasons why Harry Styles should date me 604 00:29:56,800 --> 00:30:03,800 Speaker 1: list on air? Yeah they're all okay, okay, all right. 605 00:30:04,000 --> 00:30:04,360 Speaker 4: All right? 606 00:30:04,880 --> 00:30:08,200 Speaker 1: Number three, I have good fashion sense, so we'd compliment 607 00:30:08,280 --> 00:30:10,400 Speaker 1: each other. It is a good point. That is a 608 00:30:10,400 --> 00:30:12,840 Speaker 1: really good nice Now I'm gonna she had a week 609 00:30:12,880 --> 00:30:15,080 Speaker 1: of dressing like Harry when he was here in Australia. 610 00:30:15,080 --> 00:30:17,280 Speaker 2: Actually I remember that, Kate. I'll give you one more 611 00:30:17,320 --> 00:30:19,360 Speaker 2: because that was below par. 612 00:30:19,520 --> 00:30:25,560 Speaker 1: What have you got? I would happily adapt to his lifestyle. Okay, 613 00:30:25,640 --> 00:30:27,440 Speaker 1: hang on, you have a job, you have a job 614 00:30:27,480 --> 00:30:32,040 Speaker 1: you love. Sorry, guys, this is my resignation. What would 615 00:30:32,040 --> 00:30:33,360 Speaker 1: you give up to date Harry? 616 00:30:33,360 --> 00:30:35,320 Speaker 2: I think is also an interesting question for everyone else 617 00:30:35,360 --> 00:30:37,480 Speaker 2: that wants to call now on third and one oh 618 00:30:37,520 --> 00:30:38,040 Speaker 2: six five? 619 00:30:38,080 --> 00:30:39,560 Speaker 1: What would you what would you give up? 620 00:30:40,800 --> 00:30:43,040 Speaker 6: Well, I guess I'd have to give up my boyfriend. 621 00:30:43,200 --> 00:30:46,480 Speaker 1: That's a big one. Yep, that's a big one. Sorry 622 00:30:46,520 --> 00:30:47,200 Speaker 1: to Matt if he's. 623 00:30:47,080 --> 00:30:50,880 Speaker 2: Listening, and that's just a that's just a foregone conclusion. 624 00:30:51,960 --> 00:30:54,240 Speaker 1: Well I can't date two people at one time? 625 00:30:54,400 --> 00:30:54,640 Speaker 2: Can I? 626 00:30:55,320 --> 00:30:58,480 Speaker 1: Well you could? You can suggest that? Good news? I 627 00:30:58,520 --> 00:31:00,840 Speaker 1: think I have in the past. Do you remember that 628 00:31:00,840 --> 00:31:03,360 Speaker 1: call we did to Matt? I think we did actually 629 00:31:03,440 --> 00:31:06,720 Speaker 1: call him and you did suggest that. All right, six 630 00:31:06,880 --> 00:31:12,840 Speaker 1: five is the phone number. Why should you be Harry Styles? 631 00:31:13,520 --> 00:31:16,320 Speaker 2: New girlfriend got to have a good reason, I think, so, 632 00:31:16,520 --> 00:31:18,760 Speaker 2: ye sell your wares now. 633 00:31:25,400 --> 00:31:27,920 Speaker 1: Close to the boat. It's been a while, though it 634 00:31:28,440 --> 00:31:31,120 Speaker 1: has been it has been water under the bridge. Yes, 635 00:31:31,520 --> 00:31:33,600 Speaker 1: well we hope. So you have a child? 636 00:31:33,880 --> 00:31:38,640 Speaker 2: So third one six five Harry Styles is now single. 637 00:31:39,080 --> 00:31:43,640 Speaker 2: He split from his model girlfriend Taylor Rusty Russell and 638 00:31:43,680 --> 00:31:45,520 Speaker 2: apparently it was a make or break trip and I'm 639 00:31:45,520 --> 00:31:47,560 Speaker 2: not sure that close sources said that it was a 640 00:31:47,600 --> 00:31:48,640 Speaker 2: make or break trip. 641 00:31:48,840 --> 00:31:51,480 Speaker 1: Often it is. I find I just don't understand, like 642 00:31:51,520 --> 00:31:55,080 Speaker 1: these close sources. Who the bloody hell are they? 643 00:31:55,400 --> 00:31:57,680 Speaker 2: Nile Horn quote they made a lovely cup. They didn't 644 00:31:57,720 --> 00:32:01,960 Speaker 2: ask Nile well one of the other closed doors. It's 645 00:32:01,960 --> 00:32:04,920 Speaker 2: clearly a pr agent. And they've quote quote they made 646 00:32:04,960 --> 00:32:09,040 Speaker 2: a lovely couple. And it was obvious Taylor made Harry happy. 647 00:32:09,880 --> 00:32:13,640 Speaker 2: Oh bit of a backhanded compliment there. It was obvious 648 00:32:13,680 --> 00:32:17,440 Speaker 2: that Taylor made Haury happy, but didn't make Taylor happy. 649 00:32:17,720 --> 00:32:20,080 Speaker 1: Oh you really reading between the lines, That's what they 650 00:32:20,120 --> 00:32:22,720 Speaker 1: didn't say. So anyway, given that he is single, now, 651 00:32:22,760 --> 00:32:24,360 Speaker 1: I'm sure there's a lot of people who think they 652 00:32:24,360 --> 00:32:29,440 Speaker 1: could maybe be the next person. Yeah, well the. 653 00:32:28,880 --> 00:32:31,120 Speaker 2: Door was wide open, and you know that there's no 654 00:32:31,160 --> 00:32:33,120 Speaker 2: time like the present. Woods as they say, best time 655 00:32:33,160 --> 00:32:35,640 Speaker 2: to plant the trees ten years ago. Well, right now, 656 00:32:35,680 --> 00:32:38,560 Speaker 2: so let's see who's got some sapling seeds in their hands. 657 00:32:38,560 --> 00:32:38,920 Speaker 1: We'll go to. 658 00:32:38,960 --> 00:32:42,680 Speaker 2: Vivian just to continue down the horticultural metaphor. 659 00:32:42,920 --> 00:32:45,560 Speaker 1: Vivian on one six five Vivian. 660 00:32:45,640 --> 00:32:48,880 Speaker 2: Hello, Hello, so you think you should be the next 661 00:32:48,880 --> 00:32:49,880 Speaker 2: person to daant Harry? 662 00:32:50,160 --> 00:32:55,680 Speaker 3: Oh? Absolutely absolutely, I could teach him more than one direction. 663 00:32:55,880 --> 00:33:03,560 Speaker 4: You know, I've never had. 664 00:33:03,440 --> 00:33:05,840 Speaker 3: To him in singing, so he'd always looked great no 665 00:33:05,880 --> 00:33:06,880 Speaker 3: matter how old he got. 666 00:33:07,120 --> 00:33:10,160 Speaker 1: I hate live. I love that. So you're talking about 667 00:33:10,160 --> 00:33:12,560 Speaker 1: to karaoke? What have you got to offer him? Viv like? 668 00:33:12,560 --> 00:33:13,640 Speaker 1: And what do you what are you willing to do 669 00:33:13,680 --> 00:33:14,920 Speaker 1: for him? I think it's the next question. 670 00:33:16,400 --> 00:33:18,400 Speaker 3: No, I was thinking maybe he could do for me. 671 00:33:22,000 --> 00:33:24,720 Speaker 3: I mean, come on, I'm not one of you know, 672 00:33:25,240 --> 00:33:27,160 Speaker 3: there's a lot of people out there that would be 673 00:33:27,200 --> 00:33:29,960 Speaker 3: happy to sort of do anything. 674 00:33:31,560 --> 00:33:33,680 Speaker 1: It's not a bad moved from viv though. She said 675 00:33:33,920 --> 00:33:35,959 Speaker 1: people throw themselves and vis just going to stand back 676 00:33:36,000 --> 00:33:37,680 Speaker 1: and go, what are you going to do for me? Harry? 677 00:33:38,040 --> 00:33:41,040 Speaker 2: I like it, viv a bit of reverse psychology, clever 678 00:33:41,560 --> 00:33:46,240 Speaker 2: and Marie's called something tells me Viv's tens back, Harry's 679 00:33:46,640 --> 00:33:49,400 Speaker 2: not going to come knocking, And well, well, you know, 680 00:33:49,840 --> 00:33:51,800 Speaker 2: she said it herself. I think you've got to make 681 00:33:51,800 --> 00:33:53,640 Speaker 2: a Playwoods and that's what this is all about. That's 682 00:33:53,680 --> 00:33:56,520 Speaker 2: not a swipe at Vivian. In general, you've got to 683 00:33:56,520 --> 00:33:58,200 Speaker 2: put yourself out there. If Harry is going to take 684 00:33:58,240 --> 00:33:59,600 Speaker 2: notice of you got to hit. You've got to hit 685 00:33:59,600 --> 00:34:02,320 Speaker 2: that inbox. I got to hit that inbox. And Marie, 686 00:34:03,920 --> 00:34:05,160 Speaker 2: that's what I always say. 687 00:34:05,480 --> 00:34:09,440 Speaker 1: And so you send your emails? Are you sorry? You 688 00:34:09,880 --> 00:34:11,399 Speaker 1: haven't been single for a long time? 689 00:34:11,480 --> 00:34:13,279 Speaker 2: And Marie, I haven't been on social media for a 690 00:34:13,280 --> 00:34:15,719 Speaker 2: long time. And Marie thirty one and six five? Why 691 00:34:15,760 --> 00:34:17,080 Speaker 2: should you date Harry Styles? 692 00:34:17,080 --> 00:34:17,799 Speaker 1: Next? 693 00:34:18,280 --> 00:34:18,600 Speaker 4: Well? 694 00:34:19,000 --> 00:34:22,239 Speaker 3: Honest love music and he's a guitarist, so what's he's 695 00:34:22,320 --> 00:34:23,279 Speaker 3: just perfect? Me? 696 00:34:23,960 --> 00:34:25,960 Speaker 1: I just don't know. I don't know if you're gonna 697 00:34:25,960 --> 00:34:29,319 Speaker 1: woo him with I like music? What else have you got? 698 00:34:29,320 --> 00:34:31,360 Speaker 1: What else have you got? Well? 699 00:34:31,560 --> 00:34:32,280 Speaker 6: He's a spunk. 700 00:34:33,040 --> 00:34:39,040 Speaker 1: Yeah, okay, I'm Harry right now? How are you? Marie? 701 00:34:39,680 --> 00:34:41,160 Speaker 1: What are you saying to me? What are you saying? 702 00:34:42,800 --> 00:34:43,080 Speaker 2: Hey? 703 00:34:43,120 --> 00:34:47,040 Speaker 1: How you doing You're going with the Joey Triviani? How 704 00:34:47,120 --> 00:34:48,360 Speaker 1: you doing it? From friends? 705 00:34:48,920 --> 00:34:49,160 Speaker 4: Jeez? 706 00:34:49,160 --> 00:34:54,200 Speaker 1: People paniced aged as our show sounding right now? We're 707 00:34:54,239 --> 00:34:57,560 Speaker 1: hitting inboxes. We've got a Joe Triviani reference. Karlie on 708 00:34:57,600 --> 00:34:58,640 Speaker 1: thirty one and six five. 709 00:34:59,080 --> 00:35:02,520 Speaker 2: I think through a bit horticultural before as well, Carlia, 710 00:35:03,040 --> 00:35:03,759 Speaker 2: why should. 711 00:35:03,520 --> 00:35:05,520 Speaker 1: You be the person to date Harry Styles? Next? 712 00:35:06,160 --> 00:35:06,399 Speaker 4: Well? 713 00:35:06,440 --> 00:35:09,000 Speaker 6: I do like me a little bit of watermelon sugar. 714 00:35:09,160 --> 00:35:14,520 Speaker 1: So what is let's get watermelon sugar if she likes it. 715 00:35:14,600 --> 00:35:17,120 Speaker 1: If she likes is it naughty? I don't think it's 716 00:35:17,120 --> 00:35:21,360 Speaker 1: that naughty. Could be naughty, could be sweet, could be silly. 717 00:35:21,440 --> 00:35:25,040 Speaker 1: I don't think. What does Carly think it is? I've 718 00:35:25,040 --> 00:35:27,759 Speaker 1: been I've been told it's very naughty. Do you know 719 00:35:28,120 --> 00:35:30,279 Speaker 1: on Carly? Do you know what watermelon sugar is? 720 00:35:31,520 --> 00:35:31,759 Speaker 6: No? 721 00:35:31,920 --> 00:35:32,400 Speaker 4: I don't. 722 00:35:32,840 --> 00:35:33,839 Speaker 6: It just sounds nice. 723 00:35:34,800 --> 00:35:36,399 Speaker 1: I think we're all he gets some sort of high 724 00:35:36,440 --> 00:35:39,799 Speaker 1: on it because he goes watermelon sugar. Yeah, we know 725 00:35:39,920 --> 00:35:42,320 Speaker 1: it is. Or is he saying high to it? Hello, 726 00:35:42,400 --> 00:35:47,839 Speaker 1: watermelon sugar? I'm not sure. 727 00:35:48,600 --> 00:35:53,239 Speaker 2: You never think it's a good play, Harry, though you'd 728 00:35:53,280 --> 00:35:57,080 Speaker 2: go I think ask offering him a watermelon sugar, some 729 00:35:57,120 --> 00:35:57,759 Speaker 2: sort of a drink. 730 00:35:57,840 --> 00:36:01,080 Speaker 1: It would be a nice idea. Yeah, Hey, Harry, I 731 00:36:01,080 --> 00:36:05,319 Speaker 1: found the watermelon sugar. Would you like to say, what's 732 00:36:05,360 --> 00:36:06,520 Speaker 1: watermelon sugar? Steve? 733 00:36:07,680 --> 00:36:13,160 Speaker 4: I'd rather not say on radio's we don't know. Oh, 734 00:36:13,239 --> 00:36:21,040 Speaker 4: we do know, we do step a bit of watermelon sugar, Steve. 735 00:36:21,080 --> 00:36:24,080 Speaker 1: Why should you be the next person to date Harry 736 00:36:24,080 --> 00:36:24,800 Speaker 1: styles Steve? 737 00:36:24,960 --> 00:36:27,839 Speaker 4: Well, we're both we're both very fashioned conscious, and we're 738 00:36:27,840 --> 00:36:31,200 Speaker 4: both we both dress very differently to the rest of 739 00:36:31,239 --> 00:36:34,239 Speaker 4: the rest of the world. So I don't mind, don't 740 00:36:34,239 --> 00:36:36,799 Speaker 4: mind a bit of music. I don't mind singing. He's 741 00:36:36,800 --> 00:36:40,560 Speaker 4: into fishing. We can go fishing together. We can play golf. 742 00:36:42,920 --> 00:36:45,319 Speaker 4: He's an avid wait I've haven't finished yet. He's an 743 00:36:45,320 --> 00:36:49,520 Speaker 4: avid golfer. I like I like golfing, and also he 744 00:36:49,640 --> 00:36:51,279 Speaker 4: likes his football, so we can go and watch a 745 00:36:51,280 --> 00:36:54,239 Speaker 4: football match together as well. There's things there that we've got. 746 00:36:55,000 --> 00:36:57,320 Speaker 1: Single Steve, because you sound like an Alude catch. 747 00:36:58,200 --> 00:37:01,960 Speaker 4: I am a catch. You're right, Harry Star definitely. 748 00:37:08,960 --> 00:37:09,480 Speaker 3: Alone. 749 00:37:09,960 --> 00:37:13,480 Speaker 1: It's will and Woodies. Can you put some echo on 750 00:37:13,520 --> 00:37:19,680 Speaker 1: this channel of Yeah, which generations most out of touch? 751 00:37:19,680 --> 00:37:21,279 Speaker 2: I think we all like to feel as if we're 752 00:37:21,320 --> 00:37:24,160 Speaker 2: in touch as a generation, but as you get older, 753 00:37:24,600 --> 00:37:26,560 Speaker 2: you do get more out of touch. But we also 754 00:37:26,600 --> 00:37:29,640 Speaker 2: think as an older generation that the young'uns are right 755 00:37:29,680 --> 00:37:31,839 Speaker 2: out of touch. So we're bringing in junior producer Anily, 756 00:37:32,000 --> 00:37:34,279 Speaker 2: she's a gen Zetta in here to find out which 757 00:37:34,280 --> 00:37:35,200 Speaker 2: generations most. 758 00:37:35,040 --> 00:37:35,560 Speaker 1: Out of touch. 759 00:37:35,880 --> 00:37:38,400 Speaker 2: Abe, I'm going to go first this week. I should 760 00:37:38,440 --> 00:37:42,719 Speaker 2: mention all the ones we are doing today are Disney related, 761 00:37:43,800 --> 00:37:47,480 Speaker 2: Disney Pixars inside Out too, only in Cinema's June thirteen. 762 00:37:48,520 --> 00:37:51,080 Speaker 1: Analys, bring it, are you ready? 763 00:37:51,680 --> 00:37:52,560 Speaker 6: I'm born ready? 764 00:37:52,640 --> 00:37:57,760 Speaker 1: Okay, who's Carrie Fisher? She's an actress in the Carried 765 00:37:57,760 --> 00:37:59,960 Speaker 1: Die Diaries? What are the carry Diary? 766 00:38:00,400 --> 00:38:03,080 Speaker 6: Very film from years ago? 767 00:38:04,239 --> 00:38:07,600 Speaker 5: What was it about a girl called Carrie who kept 768 00:38:07,600 --> 00:38:11,600 Speaker 5: a diary about babysitting the Carrie dies? 769 00:38:12,960 --> 00:38:17,200 Speaker 2: No, No, she's not She's from this show. 770 00:38:23,400 --> 00:38:27,719 Speaker 1: Oh my god, I don't know this show. It's joking. 771 00:38:28,200 --> 00:38:35,400 Speaker 1: We played this, we played this was Princess Laya Layer. 772 00:38:35,640 --> 00:38:37,359 Speaker 1: No I know the name, I don't know. 773 00:38:37,560 --> 00:38:37,960 Speaker 4: You never. 774 00:38:38,160 --> 00:38:41,640 Speaker 1: You don't know who Carrie is? You never heard of 775 00:38:41,760 --> 00:38:45,520 Speaker 1: like the like the Bronze Bikini. Not well, I. 776 00:38:45,520 --> 00:38:47,319 Speaker 2: Think I have actually heard of the Bronze Bikini, but 777 00:38:47,320 --> 00:38:48,600 Speaker 2: I haven't heard of Carrie. 778 00:38:48,880 --> 00:38:51,600 Speaker 1: Okay, yeah, okay, you don't know who Princess Laia is. 779 00:38:52,120 --> 00:38:54,480 Speaker 6: No, well, I know the name, but I don't know her. 780 00:38:55,320 --> 00:38:59,319 Speaker 1: You don't know. I haven't seen it. And that was 781 00:38:59,320 --> 00:39:02,480 Speaker 1: low hanging from it. Analy Okay, well let me fight 782 00:39:02,520 --> 00:39:06,600 Speaker 1: back up. Yeah you can fight back out, fight said, 783 00:39:07,520 --> 00:39:12,279 Speaker 1: I said. Okay. Ross Lynch Ross, Lynch the Lynch dog 784 00:39:13,000 --> 00:39:17,120 Speaker 1: Lynch Ross. Thinking about it, Ross the Ross Ross sounds 785 00:39:17,160 --> 00:39:18,520 Speaker 1: like an old old name. 786 00:39:18,800 --> 00:39:25,719 Speaker 2: Ross Ross Lynch. Are you googling? I was thinking that 787 00:39:25,760 --> 00:39:28,200 Speaker 2: he was in the rock band R five and is 788 00:39:28,280 --> 00:39:31,240 Speaker 2: one half of the band The Driver Era. 789 00:39:31,400 --> 00:39:34,040 Speaker 1: I think I might a nailed that that is him? Yes, 790 00:39:35,280 --> 00:39:38,200 Speaker 1: why the music, Tommy, he's bluddy dot it. That's huge. 791 00:39:38,280 --> 00:39:41,239 Speaker 1: I still don't know who it is. Unknown. 792 00:39:41,400 --> 00:39:44,440 Speaker 2: He was in Austin and Alley on Disney and he 793 00:39:44,480 --> 00:39:47,920 Speaker 2: also he was also in teen Beach but look like 794 00:39:48,000 --> 00:39:50,880 Speaker 2: a guy? 795 00:39:51,480 --> 00:39:55,799 Speaker 1: Second name? Teen Beach was a hot flick? Was it really? Yeah? 796 00:39:57,040 --> 00:39:57,640 Speaker 6: What's it about? 797 00:39:57,680 --> 00:39:59,480 Speaker 1: Will teens on the Beach. 798 00:40:00,000 --> 00:40:00,520 Speaker 2: Get into it? 799 00:40:02,480 --> 00:40:04,280 Speaker 1: Who is Mark Hamill? 800 00:40:05,920 --> 00:40:07,920 Speaker 6: Now he's in Star Wars? 801 00:40:08,480 --> 00:40:09,920 Speaker 1: He is? Who is he? 802 00:40:10,920 --> 00:40:11,200 Speaker 3: Luke? 803 00:40:12,000 --> 00:40:18,120 Speaker 1: Luke? What guy Walker? I just had a moment where 804 00:40:18,160 --> 00:40:22,080 Speaker 1: I realized you once pitched Mark Hamill to us, didn't you? Maybe, 805 00:40:22,360 --> 00:40:26,320 Speaker 1: as I remember, you've never seen it and you pitched 806 00:40:26,560 --> 00:40:30,960 Speaker 1: Mark Hammel to us? Was he plays the Walker with 807 00:40:31,080 --> 00:40:36,160 Speaker 1: the Walker? Remember? So good? So one one back to 808 00:40:36,160 --> 00:40:40,879 Speaker 1: get one? Okay? Great? Joshua Bassett, I feel like she's 809 00:40:40,880 --> 00:40:43,279 Speaker 1: two one. By the way, because I did Google, they 810 00:40:43,360 --> 00:40:48,520 Speaker 1: didn't take it. Lynch was the new one. Sorry. Joshua Bassett. 811 00:40:48,600 --> 00:40:54,440 Speaker 2: Joshua Bassett and josh josh from Ned and Josh. 812 00:40:54,760 --> 00:41:00,479 Speaker 1: I think there might be a regional radio show. I'm sure. 813 00:41:01,440 --> 00:41:10,239 Speaker 1: Shout out to Jo, Josh and Josh Bassett. Bassett might 814 00:41:10,239 --> 00:41:14,120 Speaker 1: be Jacqueline Bassett's son. Who is Jacqueline Bassett? 815 00:41:14,200 --> 00:41:19,919 Speaker 2: She was an actress in the seventies, Joshua Bassett, he 816 00:41:18,680 --> 00:41:20,320 Speaker 2: know he. 817 00:41:20,400 --> 00:41:22,400 Speaker 3: Was a clue. 818 00:41:22,640 --> 00:41:32,520 Speaker 1: Yes, do you know who? Do you know what the 819 00:41:32,520 --> 00:41:36,120 Speaker 1: clue means? No? Who is that? Billy? 820 00:41:36,719 --> 00:41:39,160 Speaker 2: No? 821 00:41:39,160 --> 00:41:40,959 Speaker 1: No, no, no, it's not that. 822 00:41:40,960 --> 00:41:43,760 Speaker 2: That's Taylor Swift. 823 00:41:44,120 --> 00:41:45,360 Speaker 1: Very thought Taylor Swift. 824 00:41:46,560 --> 00:41:49,080 Speaker 2: It's a whole new Battle of the Gens for you, baby, 825 00:41:49,320 --> 00:41:50,520 Speaker 2: come on, come on. 826 00:41:50,560 --> 00:41:57,120 Speaker 1: Who's a big one? Touring and Australia Christina, Christina Aguilera, 827 00:41:57,880 --> 00:42:04,520 Speaker 1: Christina Young was on Leash No Ariana gram Sings, Vampire 828 00:42:04,640 --> 00:42:05,400 Speaker 1: Timmi Nevado