1 00:00:00,360 --> 00:00:03,279 Speaker 1: Jonesy and Amanda in the morning. Thank you for downloading 2 00:00:03,279 --> 00:00:05,120 Speaker 1: our podcast. You know you can always get it on 3 00:00:05,160 --> 00:00:06,680 Speaker 1: the iHeartRadio app. 4 00:00:06,519 --> 00:00:08,840 Speaker 2: One one point USFM. 5 00:00:09,680 --> 00:00:11,200 Speaker 3: Good morning, start shot. 6 00:00:11,680 --> 00:00:14,000 Speaker 2: Right now, by the miracle of recording, We're going to 7 00:00:14,280 --> 00:00:16,840 Speaker 2: go to a recent Sunday morning service in the which 8 00:00:16,920 --> 00:00:18,760 Speaker 2: two precious little girls were seeing. 9 00:00:21,120 --> 00:00:23,600 Speaker 4: In a dungeon somewhere in miss Keller. 10 00:00:23,720 --> 00:00:28,120 Speaker 5: Amanda Amanda, Mistress Amanda is delivering discipline. 11 00:00:28,600 --> 00:00:33,000 Speaker 2: I've heard them describe him as a drunken idiot who 12 00:00:33,040 --> 00:00:34,159 Speaker 2: I wrap. 13 00:00:33,720 --> 00:00:36,400 Speaker 1: And he's pulling off, he says to me Jones. Yeah, 14 00:00:36,520 --> 00:00:45,160 Speaker 1: personal friends, let's start wearing lipster congratulations in the radio 15 00:00:45,240 --> 00:00:45,519 Speaker 1: right now. 16 00:00:46,600 --> 00:00:48,440 Speaker 6: Josie and Amanda, you're doing a great job. 17 00:00:48,520 --> 00:00:55,040 Speaker 7: I'm Trunk, the legendary pirate Josie and Amanda the actress. 18 00:00:55,080 --> 00:01:01,120 Speaker 8: Jos and Amanda, those are names that you would never forget. 19 00:01:00,280 --> 00:01:06,600 Speaker 4: When the two good quickly. No apology could ever compensate 20 00:01:06,640 --> 00:01:08,400 Speaker 4: Amanda for what happened that night. 21 00:01:09,080 --> 00:01:12,520 Speaker 9: It could be for anyone but Yourselfie, Giant Brendan, what he. 22 00:01:12,600 --> 00:01:16,080 Speaker 3: Done a really good poo wears Come here and you want. 23 00:01:16,000 --> 00:01:17,080 Speaker 4: Will be in this job. 24 00:01:17,200 --> 00:01:21,040 Speaker 1: I am a self sourcing pudding shure timing. 25 00:01:21,720 --> 00:01:23,560 Speaker 2: We're on there at top of the morning. To you, 26 00:01:23,640 --> 00:01:25,720 Speaker 2: my velvet jacketed friend, that's me. 27 00:01:25,880 --> 00:01:26,559 Speaker 1: How are you? 28 00:01:26,480 --> 00:01:27,160 Speaker 2: You look great? 29 00:01:27,280 --> 00:01:27,760 Speaker 1: Thank you. 30 00:01:27,920 --> 00:01:31,200 Speaker 2: I'm just distressed about those bush fires. I'm being Rapsville there. 31 00:01:31,480 --> 00:01:34,480 Speaker 2: How quickly that they can turn on a small community 32 00:01:34,600 --> 00:01:37,480 Speaker 2: like that. Yeah, there was those fires. We've been seeing 33 00:01:37,480 --> 00:01:39,800 Speaker 2: them in the news for the last few days. Three 34 00:01:39,880 --> 00:01:44,640 Speaker 2: days have been burning in the National Park west of Rapsville. 35 00:01:44,959 --> 00:01:47,319 Speaker 2: And then all of a sudden the weather's turned and 36 00:01:47,440 --> 00:01:50,040 Speaker 2: just the eyewitness accounts. Did you see those guys on 37 00:01:50,080 --> 00:01:52,600 Speaker 2: the news. They're just the little their faces are like 38 00:01:53,160 --> 00:01:56,080 Speaker 2: and that one guy who lost everything and he's just 39 00:01:56,120 --> 00:01:58,240 Speaker 2: standing there and he's just lucky to be alive. And 40 00:01:58,280 --> 00:02:01,360 Speaker 2: he said the speed of the fire he reckons one 41 00:02:01,440 --> 00:02:03,360 Speaker 2: hundred and thirty k's per hour. And there's a time 42 00:02:03,400 --> 00:02:05,560 Speaker 2: when a lot of people think, I can't believe that. 43 00:02:05,800 --> 00:02:08,960 Speaker 2: But you remember down in Victoria the Marysville fires and 44 00:02:08,960 --> 00:02:11,920 Speaker 2: then the camera bush fires. Now with all the camera 45 00:02:12,000 --> 00:02:14,960 Speaker 2: crews and stuff like that, you can actually see how 46 00:02:15,040 --> 00:02:16,200 Speaker 2: quick a fire travels. 47 00:02:16,240 --> 00:02:19,320 Speaker 1: And it's scary, how terrifying it creates its own weather pattern. 48 00:02:19,360 --> 00:02:21,600 Speaker 1: It's weather storm. I have friends who lost their house 49 00:02:21,600 --> 00:02:25,000 Speaker 1: and the camera fires. Within a couple of hours, it's going, well, 50 00:02:25,040 --> 00:02:27,560 Speaker 1: it's a bit of smoke over Mount Stromlo. A few 51 00:02:27,560 --> 00:02:29,760 Speaker 1: hours later they'd lost their house and then probably in 52 00:02:29,800 --> 00:02:33,120 Speaker 1: suburban camera and the improbable nature of it that you know, 53 00:02:33,520 --> 00:02:37,320 Speaker 1: sparks were flying from the from the from the ceiling 54 00:02:38,000 --> 00:02:42,040 Speaker 1: and landing on the carpet, and they've got John had 55 00:02:42,639 --> 00:02:45,359 Speaker 1: the hose trying to put out fires on the carpet 56 00:02:45,360 --> 00:02:47,440 Speaker 1: because they didn't want the carpet to burn in the 57 00:02:47,520 --> 00:02:50,640 Speaker 1: Because your brain can't register, hang on, we need to 58 00:02:50,639 --> 00:02:54,200 Speaker 1: get out. One of their neighbors passed away. So that's 59 00:02:54,200 --> 00:02:56,600 Speaker 1: how tragic it is. And it takes a while for 60 00:02:56,600 --> 00:03:00,000 Speaker 1: your brain to figure out, my reality has shifted. I've 61 00:03:00,040 --> 00:03:02,320 Speaker 1: got to get out of here. Terrifying And I thought 62 00:03:02,360 --> 00:03:06,120 Speaker 1: that too when I saw the footage last night. Absolutely terrifying, 63 00:03:06,160 --> 00:03:06,480 Speaker 1: isn't it? 64 00:03:06,560 --> 00:03:07,720 Speaker 2: Brutal country we live in? 65 00:03:08,520 --> 00:03:11,360 Speaker 1: And you know, I hope they're all in short. I 66 00:03:11,400 --> 00:03:14,680 Speaker 1: hope everyone can start again. But that man who lost 67 00:03:14,680 --> 00:03:17,040 Speaker 1: his dog, and he's hoping his dog managed to escape 68 00:03:17,080 --> 00:03:19,360 Speaker 1: his heartbreak everywhere. 69 00:03:19,200 --> 00:03:21,600 Speaker 2: Away from that action packed show. Today, we caught up 70 00:03:21,639 --> 00:03:25,600 Speaker 2: with Rene Zelwegger yesterday in Your hotel room. She remembered us. 71 00:03:25,760 --> 00:03:26,840 Speaker 2: Isn't she a nice lady? 72 00:03:26,880 --> 00:03:30,160 Speaker 1: We last saw her when she was promoting Bridget Jones's 73 00:03:30,240 --> 00:03:33,520 Speaker 1: Baby with Patrick Dempsey. They both came into the radio station. 74 00:03:33,639 --> 00:03:35,400 Speaker 2: So that's a sign when you've made it. When the 75 00:03:35,440 --> 00:03:38,440 Speaker 2: movie is going really well. When the movie is not 76 00:03:38,760 --> 00:03:40,440 Speaker 2: going as well as you'd like, you come to the 77 00:03:40,520 --> 00:03:43,800 Speaker 2: radio studio. When you've got a great movie, we go 78 00:03:43,880 --> 00:03:44,200 Speaker 2: to them. 79 00:03:44,280 --> 00:03:48,240 Speaker 1: We visited her in a swanky hotels today. Oscar buzz 80 00:03:48,400 --> 00:03:50,840 Speaker 1: about that that's not her co star there is Oscar 81 00:03:50,880 --> 00:03:53,520 Speaker 1: bars about her performance in that film about Judy Garland. 82 00:03:53,560 --> 00:03:55,160 Speaker 2: And we saw the movie yesterday. I learned so much 83 00:03:55,160 --> 00:03:58,119 Speaker 2: about Judy Gallan that I wasn't aware of. So we'll talk. 84 00:03:58,240 --> 00:04:00,360 Speaker 2: We'll have that for you on the show one thousand 85 00:04:00,400 --> 00:04:02,040 Speaker 2: dollars with head Jam as well. And we can't do 86 00:04:02,080 --> 00:04:04,800 Speaker 2: anything until we start the day with the Magnificent seven. 87 00:04:05,360 --> 00:04:09,640 Speaker 2: Why call us go thirteen WSFM? It's seven plus six 88 00:04:10,320 --> 00:04:12,800 Speaker 2: What I want for seven WSFM? Hello there, it's Jones, 89 00:04:12,920 --> 00:04:16,440 Speaker 2: Nimandican streamers live on the free iHeartRadio APPA. Cheryl to 90 00:04:16,600 --> 00:04:18,400 Speaker 2: nineteen in the city today twenty two at our West 91 00:04:18,440 --> 00:04:20,800 Speaker 2: right now it's twelve degrees. It is ten past six. 92 00:04:20,800 --> 00:04:24,120 Speaker 2: Here begins the Magnificent Seven. There are seven questions? Can 93 00:04:24,160 --> 00:04:26,920 Speaker 2: you go all the way and answer all seven questions correctly? 94 00:04:27,040 --> 00:04:29,160 Speaker 1: James is in winsor Hello James? 95 00:04:29,800 --> 00:04:30,120 Speaker 8: Hello? 96 00:04:30,240 --> 00:04:30,400 Speaker 5: Hell? 97 00:04:30,480 --> 00:04:33,640 Speaker 1: Are we very good? Thank you? Question number one machiato 98 00:04:34,240 --> 00:04:37,200 Speaker 1: americano piccolo. They're types of what. 99 00:04:39,240 --> 00:04:39,920 Speaker 8: Coffee drink? 100 00:04:40,080 --> 00:04:43,200 Speaker 2: Yes, let's play trailer trash shall we James? Trailer? 101 00:04:43,360 --> 00:04:45,799 Speaker 1: Trash trailer? 102 00:04:46,279 --> 00:04:48,799 Speaker 2: This is a trailer for what film? Is a new one? 103 00:04:48,960 --> 00:04:53,200 Speaker 10: He's got to speak now, No, no, no, the other one. 104 00:04:53,200 --> 00:04:54,200 Speaker 7: I know what kids need. 105 00:04:54,320 --> 00:04:57,159 Speaker 10: You're saying, I have to leave my children if I 106 00:04:57,200 --> 00:04:59,760 Speaker 10: want to make enough money to be with my children, 107 00:05:00,120 --> 00:05:02,600 Speaker 10: want what everybody wants. Seemed to have a heart of 108 00:05:02,680 --> 00:05:06,400 Speaker 10: time getting it. 109 00:05:06,920 --> 00:05:07,680 Speaker 1: What movie is that? 110 00:05:08,760 --> 00:05:09,040 Speaker 2: Was it? 111 00:05:09,279 --> 00:05:09,640 Speaker 4: Judy? 112 00:05:10,160 --> 00:05:13,120 Speaker 1: It is Judy Garland the film called Judy about Judy 113 00:05:13,120 --> 00:05:14,159 Speaker 1: Garland with Renees Elberg. 114 00:05:14,279 --> 00:05:19,200 Speaker 2: Yeah, sorry, yesterday. It's a it's a hard movie to 115 00:05:19,240 --> 00:05:22,080 Speaker 2: watch because you know it's the it's the downfall of 116 00:05:22,200 --> 00:05:24,400 Speaker 2: Judy Garland pretty much, it's the last two years of 117 00:05:24,400 --> 00:05:25,000 Speaker 2: her life. 118 00:05:25,520 --> 00:05:27,320 Speaker 1: It's not even two years. I think the last few 119 00:05:27,360 --> 00:05:30,680 Speaker 1: months very much. And it's just but it's extraordinary, but. 120 00:05:30,600 --> 00:05:32,080 Speaker 2: We all made, you know, I think at the time 121 00:05:32,120 --> 00:05:34,039 Speaker 2: I was never a big Judy Gallant fan, and you'd 122 00:05:34,040 --> 00:05:36,039 Speaker 2: make jokes about her and stuff like that. And I 123 00:05:36,080 --> 00:05:38,520 Speaker 2: thought she died at seventy two. She was forty seven. 124 00:05:39,040 --> 00:05:40,360 Speaker 2: Tragic but a great movie. 125 00:05:40,600 --> 00:05:43,440 Speaker 1: Question number three for you? Which supermodel is nicknamed the Body? 126 00:05:45,880 --> 00:05:46,080 Speaker 11: Oh? 127 00:05:46,160 --> 00:05:47,760 Speaker 8: The Body? 128 00:05:48,000 --> 00:05:51,800 Speaker 2: Correct? Where did the names Barbie and Ken come from? 129 00:05:51,880 --> 00:05:55,280 Speaker 2: James's model choice? Was it a popular names at the time? 130 00:05:55,680 --> 00:05:59,120 Speaker 2: Be names of the children of the Dolls creators? Or 131 00:05:59,240 --> 00:06:04,000 Speaker 2: see from Name the Dolls contest submissions? 132 00:06:05,240 --> 00:06:08,680 Speaker 4: Oh, I'm going to go with b correct. 133 00:06:09,080 --> 00:06:11,200 Speaker 1: Yes, Barbie and Ken were the names of the woman. 134 00:06:11,960 --> 00:06:14,200 Speaker 1: You know, they were her son and daughter were the kids, 135 00:06:14,200 --> 00:06:16,440 Speaker 1: but she's made them boyfriend and girlfriend as the Dolls. 136 00:06:18,400 --> 00:06:21,240 Speaker 1: Qush number five. Which of Angie's family members went undercover 137 00:06:21,279 --> 00:06:22,520 Speaker 1: in The Bachelorette last night? 138 00:06:24,080 --> 00:06:26,600 Speaker 4: Ah? I cannot help you with. 139 00:06:26,560 --> 00:06:29,240 Speaker 1: That one, all right, James, that's where you leave. 140 00:06:29,400 --> 00:06:30,760 Speaker 2: I'm going to be all the way, James. 141 00:06:30,839 --> 00:06:33,920 Speaker 1: Question number five. Which of Angie's family members went undercover 142 00:06:34,080 --> 00:06:35,839 Speaker 1: US side of the Bachelorette. 143 00:06:35,240 --> 00:06:40,440 Speaker 2: Thirteen wsfm's twelve plass six WSFM hellos Jersey made of 144 00:06:40,480 --> 00:06:43,560 Speaker 2: three doors down so they had another song kryptonin and 145 00:06:43,600 --> 00:06:44,240 Speaker 2: they had that song. 146 00:06:45,400 --> 00:06:48,039 Speaker 1: Sorry, am I accusing them of being still rag on. 147 00:06:48,080 --> 00:06:50,840 Speaker 2: Three doors down because they played at the Donald Trump inauguration? 148 00:06:51,839 --> 00:06:55,040 Speaker 2: Was that Third Eye Blind? Three doors down? Third Eye 149 00:06:55,080 --> 00:06:57,400 Speaker 2: Blind might get some research. 150 00:06:57,120 --> 00:06:59,920 Speaker 1: On that because you've slagged off one of them. 151 00:07:00,120 --> 00:07:02,800 Speaker 2: Well, they share it to you today nineteen in the 152 00:07:02,839 --> 00:07:04,760 Speaker 2: city twenty two a hour west. Right now is twelve degrees. 153 00:07:04,760 --> 00:07:06,360 Speaker 2: Hello has showed you. In the matter of twenty past six, 154 00:07:06,600 --> 00:07:08,479 Speaker 2: we are into the Magnificent seven and. 155 00:07:08,600 --> 00:07:11,960 Speaker 1: Greg's in Blacktown. Good morning, Greg, Good morning guys. How 156 00:07:12,000 --> 00:07:14,480 Speaker 1: are you very well? Thank you? Question number five for you? 157 00:07:14,920 --> 00:07:18,280 Speaker 1: Which of Angie's family members went undercover on the Bachelorette 158 00:07:18,360 --> 00:07:18,760 Speaker 1: last night? 159 00:07:19,600 --> 00:07:22,400 Speaker 12: I don't watch it, but it's a brother brother brag? 160 00:07:22,520 --> 00:07:25,360 Speaker 2: How do you know this? So you are a soothsayer 161 00:07:25,480 --> 00:07:26,200 Speaker 2: or something like that. 162 00:07:27,200 --> 00:07:28,040 Speaker 4: Now I'm a googler. 163 00:07:28,640 --> 00:07:30,920 Speaker 1: You know what surprised me? They made a big deal 164 00:07:30,960 --> 00:07:33,800 Speaker 1: of the brother going under cover, so I reveal it 165 00:07:33,880 --> 00:07:36,400 Speaker 1: last night. Why not have him be undercover for weeks longer? 166 00:07:36,440 --> 00:07:38,360 Speaker 1: Because on the first night you're not going to get 167 00:07:38,400 --> 00:07:42,240 Speaker 1: the gosses to in one night. This guy's good. Hey, 168 00:07:42,400 --> 00:07:44,480 Speaker 1: watch out for that guy that takes a couple of 169 00:07:44,520 --> 00:07:44,840 Speaker 1: weeks to. 170 00:07:44,960 --> 00:07:48,000 Speaker 2: Morner kissing though episode two. That's when the kissing starts. 171 00:07:48,160 --> 00:07:49,320 Speaker 1: You doesn't have to kiss a brother. 172 00:07:49,760 --> 00:07:53,120 Speaker 2: Well, if it was big, if it was Bachelor Tasmania, 173 00:07:54,480 --> 00:07:57,840 Speaker 2: it's not only you get a rose. It's accepted, it's encouraged. 174 00:07:58,040 --> 00:08:00,200 Speaker 1: I've just had some information for you, Brendan. It was 175 00:08:00,240 --> 00:08:01,600 Speaker 1: three doors down the day they did. 176 00:08:03,640 --> 00:08:06,080 Speaker 2: Yeah, I don't know how I feel about through blind? 177 00:08:06,160 --> 00:08:09,040 Speaker 2: Now what does the eye in CIA stand for? 178 00:08:09,520 --> 00:08:11,880 Speaker 4: Greg Investigations? 179 00:08:12,160 --> 00:08:15,520 Speaker 1: Oh no, your three eye blind? 180 00:08:15,600 --> 00:08:17,280 Speaker 2: Yeah, no time for googling their mate. 181 00:08:17,360 --> 00:08:23,360 Speaker 1: Jade's in Plumpton. Hello, Jade, Cia, let's talk through it. 182 00:08:23,400 --> 00:08:27,000 Speaker 1: We want to know what the eye stands for intelligence? Yes, 183 00:08:27,040 --> 00:08:29,880 Speaker 1: it's the Central Intelligence Agency which Ozzy. 184 00:08:29,760 --> 00:08:31,840 Speaker 2: Rock band announced they're going to do a tour in 185 00:08:31,960 --> 00:08:33,200 Speaker 2: twenty twenty. 186 00:08:35,559 --> 00:08:35,679 Speaker 11: One. 187 00:08:35,880 --> 00:08:36,800 Speaker 1: Was announced yesterday. 188 00:08:36,840 --> 00:08:37,880 Speaker 2: So excited. I'm going to go. 189 00:08:39,520 --> 00:08:46,400 Speaker 1: Oh ACBC Sorry, Jade. Tony's in Blacktown. Hello Tony, good morning. 190 00:08:46,440 --> 00:08:46,960 Speaker 2: How are we going? 191 00:08:47,200 --> 00:08:49,920 Speaker 1: Very well? It was announced yesterday that a major Aussie 192 00:08:50,000 --> 00:08:52,600 Speaker 1: rock band are going to be touring in twenty twenty. 193 00:08:52,880 --> 00:08:55,000 Speaker 1: They haven't toured since twenty fifteen. 194 00:08:55,120 --> 00:08:58,120 Speaker 2: I was there at the Entertainment Center for their certain 195 00:08:58,360 --> 00:09:08,480 Speaker 2: stand tour. That was fantastic. It's congratulations you won the 196 00:09:08,559 --> 00:09:11,040 Speaker 2: jam pack. You got four in season passes to Gemini 197 00:09:11,160 --> 00:09:16,040 Speaker 2: starring Will Smith and Will Smith in Cinema's October ten twice. 198 00:09:16,600 --> 00:09:18,480 Speaker 2: He's in one of those movies where he plays himself 199 00:09:18,480 --> 00:09:21,920 Speaker 2: and then he plays himself as well and he fights himself. 200 00:09:21,840 --> 00:09:25,079 Speaker 1: Paddy Duke where they were identical cousins. 201 00:09:25,520 --> 00:09:28,160 Speaker 2: Yeah, but there was sim there were like slight differences. 202 00:09:28,600 --> 00:09:31,720 Speaker 2: One more a cowboy hat, one didn't in Patty Smith. 203 00:09:32,679 --> 00:09:35,680 Speaker 1: And how do you have identical cousins anyway? 204 00:09:36,320 --> 00:09:41,200 Speaker 2: Go back to Tasmania. Maybe chay Bird X four sports earbuds, 205 00:09:41,440 --> 00:09:43,480 Speaker 2: freedom to run the distance. Judge you no madic coach. 206 00:09:43,480 --> 00:09:45,480 Speaker 2: You choose feed the color and some standard pensil Tony 207 00:09:46,080 --> 00:09:46,520 Speaker 2: back to you. 208 00:09:48,160 --> 00:09:50,320 Speaker 12: I think very much of you. But then, oh. 209 00:09:50,280 --> 00:09:53,719 Speaker 1: Thanks, Tony, what about that? He'll be sending us a 210 00:09:53,760 --> 00:09:54,480 Speaker 1: handwritten notes. 211 00:09:55,000 --> 00:09:59,079 Speaker 2: It's very good. It's twenty two past six w S 212 00:10:00,360 --> 00:10:03,920 Speaker 2: recording you glad we're not the only ones up at 213 00:10:03,960 --> 00:10:05,000 Speaker 2: this ungodly hour. 214 00:10:06,600 --> 00:10:08,200 Speaker 1: I'm going to fix through the German actually a big 215 00:10:08,240 --> 00:10:12,040 Speaker 1: book of musical on this day information, well, on this 216 00:10:12,200 --> 00:10:15,920 Speaker 1: very day in nineteen ninety two, Rim scored their second 217 00:10:16,000 --> 00:10:18,199 Speaker 1: number one album with Automatic for the People, featuring the 218 00:10:18,240 --> 00:10:21,600 Speaker 1: single Man on the Moon. Lead singer Michael Stipe claimed 219 00:10:21,640 --> 00:10:24,360 Speaker 1: that when writing this song was a tribute to Kurt 220 00:10:24,480 --> 00:10:28,240 Speaker 1: Cobain's lyrics and writing. Really, he said he had a goal, 221 00:10:28,400 --> 00:10:31,319 Speaker 1: a songwriting goal, that was to get more years in 222 00:10:32,360 --> 00:10:45,760 Speaker 1: than Kurt Cobain did. Here's Kurt with his years. We've 223 00:10:45,800 --> 00:10:50,199 Speaker 1: got some substantial years years. Here's Michael's years. 224 00:10:57,480 --> 00:11:02,120 Speaker 2: About a song? Yeah, yeah, who sings that with Georgie Fame? 225 00:11:02,440 --> 00:11:04,160 Speaker 1: Yeah, I don't know if he's comparing himself to that? 226 00:11:04,320 --> 00:11:04,760 Speaker 1: What about? 227 00:11:04,920 --> 00:11:05,079 Speaker 13: Yeah? 228 00:11:05,160 --> 00:11:07,400 Speaker 2: Yeah, that's where it came from. 229 00:11:07,559 --> 00:11:11,160 Speaker 1: Well, another interesting fact, before they were called RM, well, 230 00:11:11,200 --> 00:11:14,360 Speaker 1: Michael Stipe randomly found RM in the dictionary and shows 231 00:11:14,400 --> 00:11:15,760 Speaker 1: that as the band name. Do you know what he 232 00:11:15,840 --> 00:11:21,120 Speaker 1: wanted to call themselves, like Cans of Piss? Okay, But 233 00:11:21,320 --> 00:11:24,440 Speaker 1: I think they've chosen the correct the correct band name, 234 00:11:24,520 --> 00:11:24,800 Speaker 1: don't you. 235 00:11:25,080 --> 00:11:27,439 Speaker 2: I think they've gone the right I think they have. 236 00:11:27,559 --> 00:11:28,840 Speaker 1: And let's hear their nice song now. 237 00:11:28,960 --> 00:11:33,920 Speaker 2: It's twenty two to seven, Yeah, yeah, WSFF seven WSFM. 238 00:11:33,960 --> 00:11:36,120 Speaker 2: Hello there it's Jonesy and the amounta London's on sale 239 00:11:36,200 --> 00:11:38,840 Speaker 2: flight center Fly returned to London when Singapore Airlines from 240 00:11:38,880 --> 00:11:41,320 Speaker 2: twelve sixty nine called flight ceter a one three, one 241 00:11:41,440 --> 00:11:43,800 Speaker 2: six hundred share of two nineteen degrees in the city 242 00:11:43,840 --> 00:11:46,000 Speaker 2: twenty two a hour west. Right now it is eleven degrees. 243 00:11:46,000 --> 00:11:46,880 Speaker 2: It's seventeen to seven. 244 00:11:47,000 --> 00:11:49,199 Speaker 1: I'm intrigued. You said a little bit earlier that you 245 00:11:49,440 --> 00:11:53,440 Speaker 1: have some inside intel on who will be announced as 246 00:11:53,480 --> 00:11:56,360 Speaker 1: the new Master Chef Judges Jonesy Smokey, Jonesy Smoky, Well, 247 00:11:56,360 --> 00:11:58,280 Speaker 1: I'm reckoning. I mean I think what it could be 248 00:11:58,360 --> 00:12:00,520 Speaker 1: Maggie Beer, but it takes seven months of the year, 249 00:12:01,120 --> 00:12:03,480 Speaker 1: and Maggie has this beautiful life where she lives in the. 250 00:12:03,440 --> 00:12:06,760 Speaker 2: Baroco semi retired. 251 00:12:06,840 --> 00:12:10,600 Speaker 1: Maybe Yeah, who was runner up in the very first one? 252 00:12:10,960 --> 00:12:11,160 Speaker 2: Yeah? 253 00:12:12,960 --> 00:12:13,960 Speaker 1: What's your inside in. 254 00:12:14,080 --> 00:12:18,040 Speaker 2: My smoky is YouTube cooking sensation? Because the kids these 255 00:12:18,200 --> 00:12:22,760 Speaker 2: days aren't watching TV. My kids content watches TV. No 256 00:12:22,800 --> 00:12:23,520 Speaker 2: one watches TV. 257 00:12:23,800 --> 00:12:25,680 Speaker 1: But your kids wouldn't watch Master Chef. 258 00:12:26,320 --> 00:12:29,719 Speaker 2: Yeah, but they watch the YouTube. They enjoy YouTube. So 259 00:12:30,000 --> 00:12:32,920 Speaker 2: my suggestion and I have a lot of pull the 260 00:12:33,000 --> 00:12:37,560 Speaker 2: channel ten. As you know, YouTube cooking Sensation aren't fee 261 00:12:37,679 --> 00:12:40,960 Speaker 2: is the new Master Chef Judge, this is frozen chicken? 262 00:12:41,120 --> 00:12:41,439 Speaker 2: Bring it. 263 00:12:41,920 --> 00:12:44,640 Speaker 9: Make sure you don't miss nothing. Okay, this is season sold. Okay, 264 00:12:44,840 --> 00:12:45,640 Speaker 9: put some on there. 265 00:12:46,280 --> 00:12:46,360 Speaker 12: Now. 266 00:12:46,440 --> 00:12:49,760 Speaker 9: This is Papa Rica. Now Papa Rika is only for 267 00:12:50,200 --> 00:12:52,319 Speaker 9: some color and make it look good. You don't do 268 00:12:52,440 --> 00:12:56,880 Speaker 9: nothing for no season. And this is garlic salt. It's afternoon. 269 00:12:57,640 --> 00:12:58,439 Speaker 9: You don't want to use it. 270 00:12:58,520 --> 00:12:59,360 Speaker 2: And this is parsley. 271 00:12:59,440 --> 00:13:02,000 Speaker 9: You see that right there? This mother make any mother 272 00:13:02,280 --> 00:13:04,719 Speaker 9: same tastes good. Oh, I ain't got time to be 273 00:13:04,800 --> 00:13:07,280 Speaker 9: waiting on the sprinkles and all that. Make sure you 274 00:13:07,360 --> 00:13:10,199 Speaker 9: all ready because that make up pretty color. To the 275 00:13:10,720 --> 00:13:13,720 Speaker 9: cook for about two and a half hours, three hours 276 00:13:13,760 --> 00:13:14,360 Speaker 9: if you wanted to. 277 00:13:14,480 --> 00:13:18,040 Speaker 2: Just fall off the mother boone, I swear. 278 00:13:17,800 --> 00:13:21,320 Speaker 9: To will when it come out. It's got gravy and everything. 279 00:13:21,400 --> 00:13:23,280 Speaker 9: You don't got to do a mother bang will get 280 00:13:23,280 --> 00:13:25,040 Speaker 9: your little corn or something you want to put on 281 00:13:25,120 --> 00:13:25,440 Speaker 9: the side. 282 00:13:25,760 --> 00:13:27,200 Speaker 1: It's got gravy everything. 283 00:13:27,520 --> 00:13:28,679 Speaker 2: She is great. 284 00:13:28,840 --> 00:13:29,120 Speaker 3: Wow. 285 00:13:29,960 --> 00:13:30,200 Speaker 1: Wow. 286 00:13:30,679 --> 00:13:32,960 Speaker 2: And the band what about the bando with the camera? 287 00:13:33,120 --> 00:13:33,240 Speaker 12: Man? 288 00:13:33,640 --> 00:13:36,400 Speaker 9: If you don't have no Chrisson rolls, you can use 289 00:13:36,480 --> 00:13:38,840 Speaker 9: any kind of cheap donuts or whatever. It don't matter. 290 00:13:39,080 --> 00:13:42,480 Speaker 9: This is butter, sugar and cinnamon. Okay, put a lot 291 00:13:42,520 --> 00:13:44,199 Speaker 9: of sugar in it so it tastes real good. For 292 00:13:44,280 --> 00:13:48,199 Speaker 9: the for the kids, and you make no this is 293 00:13:48,440 --> 00:13:50,240 Speaker 9: I don't know what to say it. Okay, it's just 294 00:13:50,320 --> 00:13:53,800 Speaker 9: something sweet for the kids. Okay, goddamn it. I ain't 295 00:13:53,800 --> 00:13:55,040 Speaker 9: got no mother same. 296 00:13:54,960 --> 00:13:55,319 Speaker 2: For it yet. 297 00:13:55,400 --> 00:13:55,600 Speaker 8: Mother. 298 00:13:57,280 --> 00:13:59,719 Speaker 9: No, this is not no prison, mother, this is not 299 00:14:00,120 --> 00:14:05,160 Speaker 9: isn't thought Okay, cameraman, because you're tripping. 300 00:14:05,440 --> 00:14:06,640 Speaker 2: See she's sassy. 301 00:14:06,840 --> 00:14:08,360 Speaker 1: I think they'll be happy to have George back. 302 00:14:08,720 --> 00:14:14,040 Speaker 2: He's thirty second. It's sixteen to seven. We saw the 303 00:14:14,120 --> 00:14:17,520 Speaker 2: new movie Judy yesterday. We'll have a review of that 304 00:14:17,720 --> 00:14:20,320 Speaker 2: also ten thousand dollars with head jam at seven o'clock 305 00:14:20,400 --> 00:14:23,120 Speaker 2: this morning. But I want point seven WSFM. Hew there 306 00:14:23,200 --> 00:14:26,240 Speaker 2: it's Jonesy and Amanda Shower to today nineteen in the 307 00:14:26,280 --> 00:14:28,480 Speaker 2: city twenty two an hour west. Right now, it's eleven degrees. 308 00:14:28,680 --> 00:14:31,760 Speaker 2: It is seven to seven. Judy Gallan didn't know much 309 00:14:31,760 --> 00:14:35,600 Speaker 2: about Julie Judy Gallan. She died after all when I 310 00:14:35,720 --> 00:14:39,120 Speaker 2: was born, so it's fifty years ago, and Judy Gallup 311 00:14:39,200 --> 00:14:41,080 Speaker 2: was never going to be my bag. But I saw 312 00:14:41,160 --> 00:14:43,560 Speaker 2: that movie Judy yesterday, and wow, what a great movie. 313 00:14:44,160 --> 00:14:46,920 Speaker 1: Yes, the movie is about the final months of her 314 00:14:46,960 --> 00:14:48,480 Speaker 1: life or the final year of her life, but with 315 00:14:48,600 --> 00:14:54,520 Speaker 1: a couple of flashbacks to see the young, enthusiastic singer 316 00:14:54,600 --> 00:14:56,600 Speaker 1: that she was as a kid. And she's always had 317 00:14:56,640 --> 00:15:00,720 Speaker 1: this extraordinary thing, as they say that she could touch 318 00:15:00,760 --> 00:15:03,480 Speaker 1: people's hearts with the way she's sang. But she was 319 00:15:03,560 --> 00:15:07,960 Speaker 1: in showbiz from the time she was two, and that's 320 00:15:08,000 --> 00:15:11,000 Speaker 1: what you see is the life of the toll that 321 00:15:11,240 --> 00:15:14,600 Speaker 1: takes on her by the time she's at the end 322 00:15:14,640 --> 00:15:15,000 Speaker 1: of her life. 323 00:15:15,080 --> 00:15:16,920 Speaker 2: And back of those days, they had the big movie studio, 324 00:15:17,000 --> 00:15:19,120 Speaker 2: so they go, you had no control, You had no control, 325 00:15:19,120 --> 00:15:21,240 Speaker 2: and they didn't get paid as much as you would think. 326 00:15:21,680 --> 00:15:24,560 Speaker 2: As she was fed things to keep her awake, things 327 00:15:24,640 --> 00:15:25,760 Speaker 2: to make her sleep. 328 00:15:25,520 --> 00:15:26,600 Speaker 1: Things eating. 329 00:15:27,120 --> 00:15:29,360 Speaker 2: Yes, the poor little mind. 330 00:15:29,480 --> 00:15:33,880 Speaker 1: Yeah, she was like a trained animal, really, and so 331 00:15:35,120 --> 00:15:37,600 Speaker 1: how do you find normal life through all that? And 332 00:15:37,680 --> 00:15:39,520 Speaker 1: she had a series of husbands who all seemed to 333 00:15:39,560 --> 00:15:42,280 Speaker 1: have exploited her and ripped her off somewhere along the line, and. 334 00:15:42,360 --> 00:15:46,760 Speaker 2: She was she exploited herself as well. You know, she 335 00:15:46,880 --> 00:15:49,680 Speaker 2: could have been more reliable. 336 00:15:50,720 --> 00:15:53,160 Speaker 1: That's the hard bit. That's the discussion that I felt 337 00:15:53,200 --> 00:15:57,240 Speaker 1: with this film. It's hard. I'm a person who likes 338 00:15:57,320 --> 00:16:00,480 Speaker 1: to be organized. I hate letting people down. I found 339 00:16:00,480 --> 00:16:03,320 Speaker 1: it very stressful to watch her do those things. But 340 00:16:03,720 --> 00:16:07,360 Speaker 1: look at the life she had, and how could you 341 00:16:07,480 --> 00:16:10,560 Speaker 1: not be unraveling? Everyone has these expectations of you. She's 342 00:16:10,600 --> 00:16:13,440 Speaker 1: been robotic through so much of a life, and the 343 00:16:13,600 --> 00:16:15,960 Speaker 1: drugs and the booze kind of take their toll at 344 00:16:16,000 --> 00:16:18,960 Speaker 1: the end, and she can't meet these people's expectations. It's 345 00:16:19,000 --> 00:16:21,240 Speaker 1: stressful to watch the people who work with her, who 346 00:16:21,240 --> 00:16:23,160 Speaker 1: are saying, can you just get out there and sing tonight? 347 00:16:23,200 --> 00:16:25,440 Speaker 1: Look at all these people waiting for you. But this, 348 00:16:25,560 --> 00:16:29,000 Speaker 1: I guess tells the backstory to that unreliability. But she 349 00:16:29,240 --> 00:16:32,120 Speaker 1: loved the children too, you know, she wasn't a distant 350 00:16:32,160 --> 00:16:32,840 Speaker 1: mother by choice. 351 00:16:32,840 --> 00:16:36,760 Speaker 2: And she took this residency in London performing in a 352 00:16:36,880 --> 00:16:40,560 Speaker 2: show for a few months so she could pay the bills. 353 00:16:41,080 --> 00:16:44,080 Speaker 2: And as she says, she says, when her agent gets 354 00:16:44,080 --> 00:16:46,240 Speaker 2: to the job, she goes, what the people still like 355 00:16:46,320 --> 00:16:47,720 Speaker 2: me in London? Because it was just at the tail 356 00:16:47,800 --> 00:16:51,000 Speaker 2: end of her career back in nineteen sixty eight or 357 00:16:51,000 --> 00:16:54,480 Speaker 2: sixty nine, And in London you're just thinking, she gets 358 00:16:54,560 --> 00:16:57,320 Speaker 2: up on stage and it's just a car crash, isn't 359 00:16:57,360 --> 00:16:57,720 Speaker 2: it really? 360 00:16:57,880 --> 00:17:01,000 Speaker 1: And yet these moments are brilliant, And then the audience 361 00:17:01,120 --> 00:17:05,280 Speaker 1: go how much we love her. Renee Zelwig is extraordinary. 362 00:17:05,600 --> 00:17:09,760 Speaker 1: She she looks so much like her physically transforms, but 363 00:17:09,920 --> 00:17:11,880 Speaker 1: she actually does the singing in this film. 364 00:17:11,920 --> 00:17:16,000 Speaker 14: Here she is Klang, Klang, klang, went the trolley ding 365 00:17:16,240 --> 00:17:20,600 Speaker 14: ding ding, went the bell sing zing zing went my 366 00:17:20,800 --> 00:17:22,560 Speaker 14: heart trains from the mall. 367 00:17:22,720 --> 00:17:22,840 Speaker 12: Man. 368 00:17:23,000 --> 00:17:25,760 Speaker 1: I saw him and she tackles the big one. 369 00:17:25,840 --> 00:17:28,600 Speaker 2: You know, I went the blob when this came on 370 00:17:32,640 --> 00:17:33,240 Speaker 2: the right. 371 00:17:34,200 --> 00:17:40,720 Speaker 1: That's Rena extraordinary. So we caught up with Renee yesterday. 372 00:17:40,960 --> 00:17:42,280 Speaker 1: Are we going to be playing that in the next. 373 00:17:42,480 --> 00:17:44,240 Speaker 2: Because you're a family here in the shi Did you 374 00:17:44,320 --> 00:17:46,840 Speaker 2: know that you knew that that's not you? 375 00:17:47,000 --> 00:17:47,280 Speaker 13: Is it? 376 00:17:48,560 --> 00:17:52,680 Speaker 1: Renewiger and I are your cousins, cousins, identical cousins. 377 00:17:55,400 --> 00:17:58,840 Speaker 2: What is it with you that we'll have that for 378 00:17:58,960 --> 00:18:01,200 Speaker 2: you after seven o'clock? Or also ten thousand dollars with 379 00:18:01,320 --> 00:18:03,920 Speaker 2: head jam if you would like to play thirteen wsfm's 380 00:18:03,920 --> 00:18:07,520 Speaker 2: four to seven Good morning, Let's. 381 00:18:08,119 --> 00:18:11,280 Speaker 1: Join me and demand is ten thousand dollars Jam. 382 00:18:11,640 --> 00:18:13,720 Speaker 2: Do you have the right answers to our wrong questions? 383 00:18:13,760 --> 00:18:16,879 Speaker 2: That's happened this week? Ten thousand dollars? Could it be you? 384 00:18:17,040 --> 00:18:18,600 Speaker 2: Thirteen wsfm's our number. 385 00:18:18,760 --> 00:18:20,320 Speaker 1: You know how this works, but I'll run you through 386 00:18:20,320 --> 00:18:21,840 Speaker 1: the rules. When I ask you a question number one, 387 00:18:21,920 --> 00:18:23,440 Speaker 1: you say nothing. You give me the answer to that. 388 00:18:23,480 --> 00:18:24,879 Speaker 1: When I ask you a question number two, and so 389 00:18:25,040 --> 00:18:27,080 Speaker 1: on until the buzzer goes off. The minute you're on, 390 00:18:27,200 --> 00:18:27,560 Speaker 1: you're ount. 391 00:18:27,720 --> 00:18:29,800 Speaker 2: Chris understands that he's in Mount Cola. 392 00:18:30,040 --> 00:18:33,440 Speaker 4: Hello, Chris, Hi, how you guys keep feeling this morning? 393 00:18:33,480 --> 00:18:34,119 Speaker 2: We're doing all right? 394 00:18:34,280 --> 00:18:36,680 Speaker 1: How about you feel a feeling fregy? 395 00:18:38,080 --> 00:18:40,200 Speaker 4: Feeling good? Feeling good on the way to work? 396 00:18:40,320 --> 00:18:41,720 Speaker 1: All right, Well, let's see if we can get you 397 00:18:41,800 --> 00:18:44,199 Speaker 1: ten thousand dollars. As you casually make your way to work, 398 00:18:44,240 --> 00:18:44,960 Speaker 1: you're ready to begin? 399 00:18:45,119 --> 00:18:47,199 Speaker 4: That would I am? That'd be awesome. 400 00:18:47,600 --> 00:18:50,240 Speaker 2: You don't work at the MENSA Institute, do you, Chris? 401 00:18:51,320 --> 00:18:54,320 Speaker 4: Unfortunately, no work for a software company. 402 00:18:54,960 --> 00:18:55,560 Speaker 2: It's pretty good. 403 00:18:55,640 --> 00:18:59,119 Speaker 1: Well, let's see how you go. Let's begin. What chocolate 404 00:18:59,160 --> 00:19:01,640 Speaker 1: company makes dairy milk? Which part of the cinnamon tree 405 00:19:01,720 --> 00:19:02,600 Speaker 1: becomes the spice? 406 00:19:06,280 --> 00:19:11,480 Speaker 2: I can't hear you, Chris, chocolate company makes dairy milk. 407 00:19:14,840 --> 00:19:15,800 Speaker 4: I can't hear anything. 408 00:19:16,119 --> 00:19:17,680 Speaker 2: When you can hear question? 409 00:19:17,720 --> 00:19:18,400 Speaker 1: Can you hear us? Now? 410 00:19:19,680 --> 00:19:22,159 Speaker 4: My broken up? 411 00:19:22,680 --> 00:19:25,760 Speaker 1: Oh? Chris, I've only had better software. 412 00:19:27,000 --> 00:19:32,800 Speaker 2: Oh, No, Chris, that was the most disappointing headjam we've 413 00:19:32,840 --> 00:19:33,400 Speaker 2: ever heard. 414 00:19:35,040 --> 00:19:37,480 Speaker 1: You didn't have to hear Chris, didn't have to hear it. 415 00:19:38,320 --> 00:19:42,280 Speaker 2: You didn't hear it. What company makes dairy milk chocolate company? 416 00:19:44,960 --> 00:19:48,520 Speaker 1: Well, there's Oak Dairy Milk Chocolate's Cadbury. 417 00:19:49,160 --> 00:19:51,520 Speaker 4: Sorry, dairy milk chocolate cab Chris. 418 00:19:52,920 --> 00:19:56,240 Speaker 2: We just continue on about it, about our business, Chris, Chris, 419 00:19:56,400 --> 00:20:01,480 Speaker 2: had a good day. Look after yourself safely. It'll be 420 00:20:01,560 --> 00:20:05,280 Speaker 2: back again tomorrow. I have cruel, cruel mistress that head jam. 421 00:20:06,119 --> 00:20:10,080 Speaker 2: It's six past seven WS one on one point SI WSFM. Hello, 422 00:20:10,200 --> 00:20:12,159 Speaker 2: it's Jones. The amount of shower to nineteen in the 423 00:20:12,200 --> 00:20:14,120 Speaker 2: city twenty two and our west right now its twelve degrees. 424 00:20:14,160 --> 00:20:15,840 Speaker 2: It's ten past seven, Good morning, Good morning. 425 00:20:15,880 --> 00:20:17,720 Speaker 1: Will you let me revisit a moment from a few 426 00:20:17,840 --> 00:20:20,840 Speaker 1: days ago where I spoke about having seen Hans Zimmer 427 00:20:21,760 --> 00:20:25,920 Speaker 1: in Homebush on Saturday night. I still can't stop thinking 428 00:20:25,920 --> 00:20:28,399 Speaker 1: about it is it's such an extraordinary show. This is 429 00:20:28,440 --> 00:20:31,480 Speaker 1: the guy who has done the soundtracks to some of 430 00:20:31,520 --> 00:20:34,080 Speaker 1: the most extraordinary films, and his music is so haunting. 431 00:20:34,119 --> 00:20:35,400 Speaker 1: He did the music to Dark Night. 432 00:20:44,119 --> 00:20:46,120 Speaker 2: I'm man beautiful. 433 00:20:46,640 --> 00:20:49,840 Speaker 1: This haunting. It makes me want to cry when I 434 00:20:49,880 --> 00:20:51,440 Speaker 1: hear this one to Gladiator. 435 00:20:52,280 --> 00:20:59,320 Speaker 2: Shall Rusty Carcshet the hands through the Wind going back 436 00:20:59,320 --> 00:20:59,919 Speaker 2: to his family. 437 00:21:01,520 --> 00:21:04,879 Speaker 1: Interestingly, though, he also did this one to Paul Harbor. 438 00:21:09,240 --> 00:21:12,520 Speaker 1: We played that on Monday. One of the girls in 439 00:21:12,600 --> 00:21:15,959 Speaker 1: the typing pool went all funny and she said, oh 440 00:21:16,000 --> 00:21:18,879 Speaker 1: my god, I'm having a flashback that she had the 441 00:21:19,000 --> 00:21:23,320 Speaker 1: DVD to that film when she was at school and 442 00:21:23,480 --> 00:21:27,280 Speaker 1: the film made her cry so much that she wasn't 443 00:21:27,320 --> 00:21:29,159 Speaker 1: able to go to school the next day, and her 444 00:21:29,240 --> 00:21:31,760 Speaker 1: mother had to throw the DVD out. She was every 445 00:21:31,880 --> 00:21:35,840 Speaker 1: time said person in the typing pool watched the film, 446 00:21:36,520 --> 00:21:39,440 Speaker 1: she would be inconsolable. And so the mother said that said, 447 00:21:39,440 --> 00:21:42,080 Speaker 1: I'm checking it out. Her mother sensed it. I'm taking 448 00:21:42,080 --> 00:21:42,400 Speaker 1: it away. 449 00:21:42,560 --> 00:21:45,000 Speaker 2: Which one the funny one, the actual funny one that 450 00:21:45,040 --> 00:21:47,040 Speaker 2: went funny or the what do you mean the girl 451 00:21:47,080 --> 00:21:48,960 Speaker 2: on the typing bill, Because there's that funny one and 452 00:21:49,040 --> 00:21:51,159 Speaker 2: then there's the other funny one. I don't know what 453 00:21:51,240 --> 00:21:52,679 Speaker 2: you mean, funny like funny you. 454 00:21:52,680 --> 00:21:55,639 Speaker 1: Know in the head. No, she's not here, she's the 455 00:21:55,720 --> 00:21:59,560 Speaker 1: other one. I'm joking. Hope you're joking. No, it's me. 456 00:22:00,440 --> 00:22:03,399 Speaker 1: It's Milly then Milli in the timing pool. So her 457 00:22:03,520 --> 00:22:06,679 Speaker 1: mother threw it out because she said, you can't handle 458 00:22:06,800 --> 00:22:08,919 Speaker 1: what you harbor. 459 00:22:09,760 --> 00:22:11,399 Speaker 2: Tell that to the poor guys that got shot on 460 00:22:11,480 --> 00:22:11,920 Speaker 2: the shot. 461 00:22:13,080 --> 00:22:15,560 Speaker 1: They were more stoic about the experience than Millie was. 462 00:22:19,440 --> 00:22:21,600 Speaker 2: Some old guys in her home. Did I tell you 463 00:22:21,640 --> 00:22:22,160 Speaker 2: about horror? 464 00:22:22,280 --> 00:22:25,480 Speaker 1: Did you remember sort of sense of stuff for you? 465 00:22:25,480 --> 00:22:29,320 Speaker 2: You know what, I just had a flashback about censoring stuff. 466 00:22:29,320 --> 00:22:31,200 Speaker 2: When I was a kid. I was at that age 467 00:22:31,280 --> 00:22:33,399 Speaker 2: fifteen where you suddenly get to and I was the 468 00:22:33,520 --> 00:22:35,719 Speaker 2: oldest kid in the whole neighborhood. So you end up 469 00:22:35,800 --> 00:22:39,040 Speaker 2: babysitting all the little kids around the neighborhood as a 470 00:22:39,080 --> 00:22:41,200 Speaker 2: way of making money. And I went around to one 471 00:22:41,280 --> 00:22:44,480 Speaker 2: kid's house up the road and they loved the movie Grease, 472 00:22:44,800 --> 00:22:46,520 Speaker 2: and they put the movie Grease on all the time, 473 00:22:46,960 --> 00:22:49,400 Speaker 2: and I'd sit there and just watch it Cross Armed Game. 474 00:22:49,600 --> 00:22:52,400 Speaker 1: Oh, still getting paid for watching the movie Grease, watching Greece. 475 00:22:52,440 --> 00:22:54,720 Speaker 2: I didn't care. But there was bits in the movies 476 00:22:54,760 --> 00:22:58,200 Speaker 2: that would that would drop out and go in the video, 477 00:22:58,760 --> 00:23:01,720 Speaker 2: and I said, well, what's happened with the movie and 478 00:23:02,000 --> 00:23:04,320 Speaker 2: the kids that our mom doesn't like this scene? And 479 00:23:04,440 --> 00:23:08,720 Speaker 2: the scene is when Rizzo thinks she's knocked up by Kiniki. 480 00:23:09,160 --> 00:23:11,320 Speaker 2: Do you know this scene she's in the toilet at 481 00:23:11,359 --> 00:23:12,000 Speaker 2: the drive. 482 00:23:13,680 --> 00:23:16,960 Speaker 6: To feel like a defective tape water it's keipt a period. 483 00:23:18,760 --> 00:23:21,960 Speaker 4: I don't know, you don't. 484 00:23:23,520 --> 00:23:25,640 Speaker 2: I was just amazed that at that age she could 485 00:23:25,720 --> 00:23:27,439 Speaker 2: have a child, because she was about fifty. 486 00:23:28,840 --> 00:23:30,359 Speaker 1: But the mother, what did you do? 487 00:23:30,560 --> 00:23:33,920 Speaker 2: So she self edited the movie. She dropped skills. So 488 00:23:34,359 --> 00:23:36,200 Speaker 2: what she did was you just play the videotape and 489 00:23:36,200 --> 00:23:39,400 Speaker 2: then she's pressed record over that little part that's gone, 490 00:23:40,080 --> 00:23:42,879 Speaker 2: you know, and blacked out that bit as it were, 491 00:23:42,960 --> 00:23:44,160 Speaker 2: because you didn't want to see the kids. 492 00:23:44,680 --> 00:23:46,480 Speaker 1: I hope she's not listening right now that you just 493 00:23:46,560 --> 00:23:48,680 Speaker 1: played the scene. She'll be having it. 494 00:23:48,680 --> 00:23:49,800 Speaker 2: Should be editing this out. 495 00:23:50,560 --> 00:23:53,400 Speaker 1: Well, let's do this. Then tribal drum is beating for mom. 496 00:23:53,520 --> 00:23:55,879 Speaker 1: The censor, Ah, yeah, it doesn't have to be that. 497 00:23:55,960 --> 00:23:58,119 Speaker 1: It was necessarily something rude could be like Millie's mum. 498 00:23:58,160 --> 00:23:59,480 Speaker 1: He said, look, you know what, You're just going to 499 00:23:59,520 --> 00:24:01,439 Speaker 1: boil your eye. I can't deal with this anymore. I'm 500 00:24:01,520 --> 00:24:05,080 Speaker 1: checking it out, mum. The censor. If you're a out 501 00:24:05,119 --> 00:24:07,000 Speaker 1: of the match two tickets to Pure gold Line. 502 00:24:06,880 --> 00:24:11,000 Speaker 2: Thirteen WSFAB It's fourteen past seven one seven WSFM. Hello 503 00:24:11,040 --> 00:24:13,480 Speaker 2: there ed'ge jonesy Dimanda shower to nineteen in the city 504 00:24:13,520 --> 00:24:15,320 Speaker 2: twenty two and hour west right now, it's twelve degrees. 505 00:24:15,600 --> 00:24:18,879 Speaker 2: It's seven twenty two. The tribal dramas beating Mum the 506 00:24:19,080 --> 00:24:22,160 Speaker 2: censor one of the people that works for us. 507 00:24:22,200 --> 00:24:24,840 Speaker 1: Millie, let's out her. When she heard us play this 508 00:24:25,240 --> 00:24:30,200 Speaker 1: hands Zimmer track Pearl Harbor to Pearl Harbor, she went 509 00:24:30,240 --> 00:24:32,600 Speaker 1: all funny, and she said that when she first watched 510 00:24:32,600 --> 00:24:34,879 Speaker 1: the movie, she bowled her eyes out so severely she 511 00:24:34,920 --> 00:24:37,119 Speaker 1: couldn't go to school the next day. And she just 512 00:24:37,240 --> 00:24:40,200 Speaker 1: kept constantly being inconsolable about this film. So finally a 513 00:24:40,240 --> 00:24:41,960 Speaker 1: mother threw the DVD out, and so you never watched 514 00:24:41,960 --> 00:24:42,360 Speaker 1: it again. 515 00:24:42,520 --> 00:24:45,000 Speaker 2: Spare a thought for some poor World War Two veteran 516 00:24:45,080 --> 00:24:46,879 Speaker 2: that was on the deck of the Missouri when the 517 00:24:46,960 --> 00:24:48,440 Speaker 2: Japs were coming down and shooting it. 518 00:24:48,520 --> 00:24:49,800 Speaker 1: I think Millie felt it more. 519 00:24:50,560 --> 00:24:53,280 Speaker 2: Lisa's in Surrey Hills, Hello Lisa. 520 00:24:53,640 --> 00:24:58,560 Speaker 11: Good morning, Chensy and Amanda. Yes, my experience with my 521 00:24:58,720 --> 00:25:02,000 Speaker 11: mum censoring was when my sister and I were about 522 00:25:02,280 --> 00:25:04,879 Speaker 11: twelve and we were walking home from school. You got 523 00:25:04,960 --> 00:25:08,480 Speaker 11: to remember, Amanda, I'm about your age. So it was 524 00:25:08,920 --> 00:25:12,240 Speaker 11: back in the day and we got to my next 525 00:25:12,280 --> 00:25:16,280 Speaker 11: door neighbor's driveway and there were two dogs getting it on, 526 00:25:17,160 --> 00:25:21,960 Speaker 11: and so my sister and I stood absolutely fascinated, of course, 527 00:25:22,000 --> 00:25:25,040 Speaker 11: as you do at that age. And next minute there 528 00:25:25,160 --> 00:25:28,240 Speaker 11: was this bash bash bash on the window, and my 529 00:25:28,400 --> 00:25:31,320 Speaker 11: mother was in talking to the next door neighbor and 530 00:25:31,440 --> 00:25:34,080 Speaker 11: she was frantic at the window with her arms in 531 00:25:34,160 --> 00:25:36,760 Speaker 11: the air, waving and waving us home. 532 00:25:38,119 --> 00:25:41,000 Speaker 2: Nothing to see, hear you too, go home. 533 00:25:41,720 --> 00:25:44,560 Speaker 1: It's a natural and discussion to look at that, look 534 00:25:44,640 --> 00:25:44,879 Speaker 1: at that. 535 00:25:45,119 --> 00:25:48,199 Speaker 2: What kid wouldn't look away from that? What adult wouldn't 536 00:25:48,200 --> 00:25:52,159 Speaker 2: look away from that? Quake as hell? 537 00:25:52,200 --> 00:25:52,400 Speaker 5: Hello? 538 00:25:52,520 --> 00:25:53,520 Speaker 12: Did hello? 539 00:25:54,040 --> 00:26:00,080 Speaker 15: And on the actual censor Sam one day that and 540 00:26:01,480 --> 00:26:04,480 Speaker 15: what's it good? Ain't your song? Am I ever going 541 00:26:04,560 --> 00:26:05,160 Speaker 15: to see your face? 542 00:26:05,680 --> 00:26:05,800 Speaker 3: Oh? 543 00:26:06,160 --> 00:26:06,360 Speaker 5: Yes? 544 00:26:06,560 --> 00:26:08,240 Speaker 15: And I thought, well, I can't sing that, so I 545 00:26:08,520 --> 00:26:12,359 Speaker 15: think no way get lost rack offs. Well years my 546 00:26:12,520 --> 00:26:15,000 Speaker 15: kids thought it was that until one day we're on 547 00:26:15,080 --> 00:26:18,159 Speaker 15: a cruise and that song come on and my daughter's 548 00:26:18,160 --> 00:26:21,840 Speaker 15: singing that and everyone's OK, looking at her, going what 549 00:26:21,960 --> 00:26:23,720 Speaker 15: are you talking about it? The song? 550 00:26:24,520 --> 00:26:26,040 Speaker 2: Well, let's put it on and see how you go with. 551 00:26:28,359 --> 00:26:32,240 Speaker 7: Go damn you no way get lost rack of Yeah, yeah, yeah, 552 00:26:34,840 --> 00:26:35,480 Speaker 7: no way. 553 00:26:35,520 --> 00:26:36,680 Speaker 2: Get lost rack off. 554 00:26:37,600 --> 00:26:37,840 Speaker 13: Wow. 555 00:26:38,680 --> 00:26:40,439 Speaker 1: Whole lot of parents are writing that down right now, 556 00:26:40,600 --> 00:26:42,080 Speaker 1: thinking yep, that's the way you can get around that. 557 00:26:42,400 --> 00:26:44,760 Speaker 2: Doc is looking down honestly saying, you know, that's probably 558 00:26:44,800 --> 00:26:45,800 Speaker 2: a more palatable option. 559 00:26:45,920 --> 00:26:47,560 Speaker 1: We want to take more of your calls after the 560 00:26:47,640 --> 00:26:49,640 Speaker 1: news thirteen WS seven twenty. 561 00:26:49,440 --> 00:26:54,879 Speaker 4: Six, Wiki, wiky and shot it's too early. 562 00:26:56,200 --> 00:26:58,880 Speaker 2: Hello there the travel drummer's been beating this morning, mum. 563 00:26:58,920 --> 00:27:01,920 Speaker 2: And the sensor from the movie Grease. I used to 564 00:27:01,960 --> 00:27:04,200 Speaker 2: babysit some kids, and I'm watching the movie Grease. And 565 00:27:04,280 --> 00:27:07,200 Speaker 2: then there's the pregnancy chat. You know, Rizzo thinks she's 566 00:27:07,280 --> 00:27:08,600 Speaker 2: knocked up by Nicky. 567 00:27:10,440 --> 00:27:11,880 Speaker 11: Feel like a defective type writer. 568 00:27:12,800 --> 00:27:13,679 Speaker 3: It's given a period. 569 00:27:18,400 --> 00:27:18,720 Speaker 4: You don't know. 570 00:27:19,880 --> 00:27:22,359 Speaker 1: It was quite grubby that film. I liked all the 571 00:27:22,480 --> 00:27:28,119 Speaker 1: nice bits. I was a bit sandy d mousy with virginity. 572 00:27:29,480 --> 00:27:31,520 Speaker 1: But that scene had been edited out of the film. 573 00:27:31,960 --> 00:27:33,760 Speaker 2: You must have done it, as we call in the 574 00:27:33,800 --> 00:27:36,720 Speaker 2: trailer drop edit, so you just pressed record over that. 575 00:27:36,800 --> 00:27:38,560 Speaker 1: Little part so the kids never got to see it. 576 00:27:38,600 --> 00:27:40,359 Speaker 2: I don't never get to see it. We've had some 577 00:27:40,440 --> 00:27:42,600 Speaker 2: great calls so far. I like the Angels one for 578 00:27:43,119 --> 00:27:45,520 Speaker 2: am I ever going to see your face again? Instead 579 00:27:45,520 --> 00:27:49,000 Speaker 2: of no Way Get Beat beep off that have been 580 00:27:49,040 --> 00:27:58,400 Speaker 2: replaced with no Way Get lost rack off. It's risky, risky. 581 00:27:59,359 --> 00:28:02,240 Speaker 1: I'm still so Helen's in the entrance. 582 00:28:02,280 --> 00:28:05,000 Speaker 6: Hello Helen, Good morning, Amanda and Jones. 583 00:28:05,400 --> 00:28:05,640 Speaker 15: Hello? 584 00:28:06,560 --> 00:28:08,120 Speaker 1: Are you the mum who did the censoring? 585 00:28:09,000 --> 00:28:09,040 Speaker 11: No? 586 00:28:09,359 --> 00:28:11,760 Speaker 6: I was the one that got censored. 587 00:28:13,400 --> 00:28:13,960 Speaker 12: Our school. 588 00:28:14,440 --> 00:28:16,159 Speaker 6: I'm talking about it, but I think it was nineteen 589 00:28:16,240 --> 00:28:20,040 Speaker 6: seventy five. Our school class had done something wonderful. We'd 590 00:28:20,119 --> 00:28:23,280 Speaker 6: won an afternoon off school, so all the class was 591 00:28:23,320 --> 00:28:24,960 Speaker 6: allowed to say what we'd like to do for our 592 00:28:25,040 --> 00:28:27,200 Speaker 6: afternoon off. So I suggested, why don't we go and 593 00:28:27,280 --> 00:28:30,399 Speaker 6: see Tommy Oh, the rock opera movie es back in 594 00:28:30,520 --> 00:28:33,240 Speaker 6: the day. And everyone thought that was a wonderful idea. 595 00:28:33,440 --> 00:28:36,040 Speaker 6: So we were all planning you for our afternoon off 596 00:28:36,080 --> 00:28:38,320 Speaker 6: school the following week whenever it was So I went 597 00:28:38,360 --> 00:28:40,040 Speaker 6: home and said, Mom and Dad, to guess what we're 598 00:28:40,080 --> 00:28:40,360 Speaker 6: going to. 599 00:28:40,400 --> 00:28:40,960 Speaker 13: Do next week? 600 00:28:41,120 --> 00:28:44,719 Speaker 6: I'm so excited, So Mum so rude. So she rang 601 00:28:44,800 --> 00:28:47,760 Speaker 6: the cinema to find out what the content was, and 602 00:28:47,920 --> 00:28:52,360 Speaker 6: Mum vetoed it for the entire class. I was just 603 00:28:52,720 --> 00:28:56,240 Speaker 6: so mortified. It was to this day, I've never seen it. 604 00:28:56,840 --> 00:28:58,680 Speaker 2: You still haven't seen it, Johnny. 605 00:28:58,800 --> 00:29:00,920 Speaker 6: I think I have to make it a listing, but no, 606 00:29:01,200 --> 00:29:02,200 Speaker 6: I still haven't seen it. 607 00:29:02,360 --> 00:29:05,040 Speaker 1: But that's a lot. That's a big burden. Well, it's 608 00:29:05,040 --> 00:29:07,200 Speaker 1: a big burden to carry that your mum wrecked it 609 00:29:07,320 --> 00:29:08,120 Speaker 1: for everybody. 610 00:29:08,640 --> 00:29:11,200 Speaker 2: Mum rings the theater to find out about the content 611 00:29:11,320 --> 00:29:11,840 Speaker 2: of the movie. 612 00:29:11,880 --> 00:29:13,400 Speaker 1: Oh that's terrible, Helen. 613 00:29:13,520 --> 00:29:16,480 Speaker 2: Just Elton, John and Big Boots playing a pinball. Oh. 614 00:29:17,000 --> 00:29:22,000 Speaker 1: Christine's in bell Rose. Hello, Christine, Hi, Christine, Hello. 615 00:29:24,160 --> 00:29:26,920 Speaker 8: Morning. It's Christine here. Yes, hello, telling you about we 616 00:29:27,000 --> 00:29:29,280 Speaker 8: were going on a family holiday with my children. My 617 00:29:29,360 --> 00:29:33,680 Speaker 8: children wanted me to buy the game Cards Against Humanity'd 618 00:29:33,720 --> 00:29:36,120 Speaker 8: be lovely, lovely board game to play. So I went 619 00:29:36,240 --> 00:29:38,720 Speaker 8: board and took it away, and I'm going through the 620 00:29:38,840 --> 00:29:41,240 Speaker 8: game just before we're about to play it, and I 621 00:29:41,280 --> 00:29:43,280 Speaker 8: don't know if you've played it. Yeah, some of the 622 00:29:43,400 --> 00:29:47,400 Speaker 8: cards are very graphic and quite shocking. So I went 623 00:29:47,480 --> 00:29:50,920 Speaker 8: through and sensed all these very rude cards, and so 624 00:29:51,040 --> 00:29:53,120 Speaker 8: we went to play the game and the kids said, oh, 625 00:29:53,200 --> 00:29:56,520 Speaker 8: where are all the cards, which of course I censort, 626 00:29:56,920 --> 00:29:59,760 Speaker 8: And there weren't too many left, so they weren't too happy. 627 00:30:00,080 --> 00:30:02,080 Speaker 1: Now I can imagine. Have you ever played at Brendan. 628 00:30:02,240 --> 00:30:02,720 Speaker 2: I've seen it. 629 00:30:02,880 --> 00:30:06,080 Speaker 1: It's pretty full on. It's funny, but it's pretty full on. 630 00:30:06,200 --> 00:30:08,360 Speaker 1: You're given a series of cards and you kind of 631 00:30:08,400 --> 00:30:10,840 Speaker 1: complete the sentence right, and most of them are just. 632 00:30:10,960 --> 00:30:15,400 Speaker 2: Really so Amanda really likes the what what are you? 633 00:30:15,480 --> 00:30:16,920 Speaker 2: Then you finish take Yeah. 634 00:30:17,920 --> 00:30:20,160 Speaker 1: Yes, so I can imagine if there's only three cards 635 00:30:20,200 --> 00:30:22,240 Speaker 1: left and they're all clean, you're not playing the right 636 00:30:22,400 --> 00:30:22,840 Speaker 1: version for. 637 00:30:24,920 --> 00:30:26,960 Speaker 2: Thank you, Christine, Thank you for all your course. Coming 638 00:30:27,040 --> 00:30:30,240 Speaker 2: up the pub test this morning, band on anti antibiotic 639 00:30:30,360 --> 00:30:34,920 Speaker 2: repeat prescription prescriptions and Rene Zellweg get joining us. It's 640 00:30:34,920 --> 00:30:37,240 Speaker 2: twenty two to eight WSFM. What I want to put 641 00:30:37,240 --> 00:30:39,520 Speaker 2: Sai at WSFM. Hello there, it's Jonesy Nomanda. You know 642 00:30:39,560 --> 00:30:42,800 Speaker 2: you can stream us right now on the free iHeartRadio app. 643 00:30:42,880 --> 00:30:46,000 Speaker 2: You could be anywhere in the world, Bangladesh and you're 644 00:30:46,040 --> 00:30:50,480 Speaker 2: listening to us. Good Morning Bangladesh, such a new movie. 645 00:30:50,600 --> 00:30:55,280 Speaker 1: Good Morning Bangladesh's only a billion people listening. 646 00:30:55,800 --> 00:30:58,200 Speaker 2: It's nineteen to eight. Let's go to the Jonesy Demanda 647 00:30:58,280 --> 00:31:00,760 Speaker 2: Arms right now for the pub test this morning ban 648 00:31:00,920 --> 00:31:04,680 Speaker 2: on antibiotic repeat prescriptions, does it pass the pub test? 649 00:31:04,720 --> 00:31:06,720 Speaker 1: So I say this ban could be just weeks away, 650 00:31:06,760 --> 00:31:08,280 Speaker 1: because at the moment, you know, you go to see 651 00:31:08,280 --> 00:31:11,400 Speaker 1: the doctor for antibiotics and you might get a series 652 00:31:11,440 --> 00:31:13,920 Speaker 1: of repeat prescriptions. What they're trying to do now is 653 00:31:14,000 --> 00:31:15,680 Speaker 1: to make you go back to the doctor each time 654 00:31:15,760 --> 00:31:17,640 Speaker 1: you want to renew that prescription, so you'll only get 655 00:31:17,680 --> 00:31:20,280 Speaker 1: one go at it. This is because I thought it 656 00:31:20,360 --> 00:31:22,240 Speaker 1: might have been to stop addiction in the way that 657 00:31:22,280 --> 00:31:25,760 Speaker 1: they have the opioid crisis in the States. But even 658 00:31:25,920 --> 00:31:30,280 Speaker 1: more specific they're saying here is that when we're taking 659 00:31:30,440 --> 00:31:35,840 Speaker 1: so much of the antibiotic, we're allowing the bug or 660 00:31:35,880 --> 00:31:38,880 Speaker 1: the bacteria the drugs are designed to kill, can become 661 00:31:39,000 --> 00:31:43,440 Speaker 1: resistant and therefore form superbugs. And that's the big fear, 662 00:31:43,560 --> 00:31:47,120 Speaker 1: is that we're taking so much antibiotics we're creating superbugs. 663 00:31:47,440 --> 00:31:48,880 Speaker 1: So they want you to go back and see the 664 00:31:48,960 --> 00:31:51,560 Speaker 1: doctor each time to make sure you really need that 665 00:31:51,680 --> 00:31:54,720 Speaker 1: prescription and to check what it is you're being prescribed for. 666 00:31:55,200 --> 00:31:56,080 Speaker 2: I think it's a good idea. 667 00:31:56,280 --> 00:31:58,560 Speaker 1: It's a great idea. It's annoying for a lot of people. 668 00:31:58,600 --> 00:32:01,040 Speaker 1: It means more doctor's fees of the hassle of going 669 00:32:01,080 --> 00:32:01,680 Speaker 1: to see a doctor. 670 00:32:01,800 --> 00:32:04,160 Speaker 2: Well, if you suffer the sinus as I do, and 671 00:32:04,280 --> 00:32:06,240 Speaker 2: you've got a sinus infection, it's going to take more 672 00:32:06,280 --> 00:32:06,840 Speaker 2: than five. 673 00:32:06,760 --> 00:32:09,160 Speaker 1: Days to clear up, which means you'd need too long. 674 00:32:09,040 --> 00:32:11,200 Speaker 2: You'd need two lights, so you'd have to go back 675 00:32:11,280 --> 00:32:14,200 Speaker 2: to the doctor and do all that. So that would 676 00:32:14,200 --> 00:32:14,920 Speaker 2: be a bit of a pain. 677 00:32:15,080 --> 00:32:17,840 Speaker 1: So for the greater good, it's a great idea, but 678 00:32:18,040 --> 00:32:19,800 Speaker 1: the short term thing is it might be painful. 679 00:32:19,880 --> 00:32:23,200 Speaker 2: What do you think the ban on antibiotic repeat prescriptions? 680 00:32:23,480 --> 00:32:25,400 Speaker 2: Does it pass the pub test? We'd love to hear 681 00:32:25,440 --> 00:32:28,400 Speaker 2: from your thirteen. WSFM is our number. It's seventeen to eight. 682 00:32:28,560 --> 00:32:31,680 Speaker 2: Yesterday Amanda and I caught up with Renee zelwek casual 683 00:32:31,880 --> 00:32:33,760 Speaker 2: in her hotel room. Isn't she lovely? 684 00:32:33,920 --> 00:32:34,960 Speaker 1: We'll play it next. 685 00:32:36,320 --> 00:32:39,800 Speaker 2: WSFM. Hello, it's Juernsey Demander. Shower to today nineteen in 686 00:32:39,880 --> 00:32:41,400 Speaker 2: the city, twenty two an hour. We straight down. It 687 00:32:41,520 --> 00:32:43,520 Speaker 2: is fourteen degrees. It is ten to waight. The new 688 00:32:43,600 --> 00:32:47,000 Speaker 2: movie Duty is in Cinema's next week and we had 689 00:32:47,040 --> 00:32:50,080 Speaker 2: a preview last night at the Autheum Theater in Cremorn. 690 00:32:50,200 --> 00:32:53,040 Speaker 2: We saw the movie yesterday. It portrays the last few 691 00:32:53,160 --> 00:32:56,200 Speaker 2: months of Judy Gallan's life, played by Renee Zelwig. 692 00:32:56,320 --> 00:32:59,360 Speaker 1: Yeah, she did an extraordinary, extraordinary job when we caught 693 00:32:59,400 --> 00:33:03,280 Speaker 1: up with her. Yes today, Hi, Hi, Question one? 694 00:33:03,760 --> 00:33:04,800 Speaker 2: Are you the master singer? 695 00:33:06,560 --> 00:33:07,400 Speaker 7: I'm not the prime? 696 00:33:07,720 --> 00:33:08,160 Speaker 12: We know that. 697 00:33:10,160 --> 00:33:12,680 Speaker 1: We can move on the film. There's so much I 698 00:33:12,760 --> 00:33:16,200 Speaker 1: want to talk to you about the film. We see 699 00:33:16,280 --> 00:33:20,080 Speaker 1: her in her early days, where pills to wake up, 700 00:33:20,160 --> 00:33:22,800 Speaker 1: pills to sleep, pills to stop her eating. Do you 701 00:33:22,920 --> 00:33:26,520 Speaker 1: think that her life trajectory was inevitable? Could she have 702 00:33:26,680 --> 00:33:29,680 Speaker 1: ended with a different ending? Or was she was that 703 00:33:29,880 --> 00:33:30,800 Speaker 1: set in stone? 704 00:33:31,280 --> 00:33:31,400 Speaker 2: Oh? 705 00:33:31,520 --> 00:33:34,640 Speaker 10: It's hard to say, isn't it. Depending on the influences 706 00:33:35,520 --> 00:33:38,960 Speaker 10: that she might have I don't know, encountering throughout her life. 707 00:33:39,080 --> 00:33:39,800 Speaker 10: She moved forward. 708 00:33:39,840 --> 00:33:40,200 Speaker 2: I don't know. 709 00:33:40,320 --> 00:33:41,800 Speaker 10: That's so hard to say, but it is. 710 00:33:42,480 --> 00:33:42,720 Speaker 13: It is. 711 00:33:43,080 --> 00:33:45,960 Speaker 10: It's pretty difficult to imagine that it wouldn't have set 712 00:33:46,000 --> 00:33:48,160 Speaker 10: her on a on a particular path, isn't it. 713 00:33:48,560 --> 00:33:51,080 Speaker 1: I could see it from all sides. There's there's Judy 714 00:33:51,160 --> 00:33:54,360 Speaker 1: who has been exploited almost like a circus animal much 715 00:33:54,400 --> 00:33:58,120 Speaker 1: of her life. But here's this these characters who are 716 00:33:58,320 --> 00:34:00,560 Speaker 1: who need her to perform. Well, there's a whole lot 717 00:34:00,600 --> 00:34:03,080 Speaker 1: of people waiting to see Judy perform. You can see 718 00:34:03,120 --> 00:34:05,760 Speaker 1: them going, come on, just get your act together. It 719 00:34:05,880 --> 00:34:09,200 Speaker 1: must have been frustrating to work with her, but so 720 00:34:09,400 --> 00:34:12,959 Speaker 1: hard to be her. You could see it from both sides. 721 00:34:13,000 --> 00:34:14,719 Speaker 1: Did you feel that Did you have sympathy for the 722 00:34:14,760 --> 00:34:16,319 Speaker 1: people working with Judy as well? 723 00:34:17,719 --> 00:34:21,480 Speaker 10: Well? Certainly just to some degree, because it's difficult to 724 00:34:22,040 --> 00:34:25,640 Speaker 10: have to have the responsibility of making things work when 725 00:34:25,680 --> 00:34:28,800 Speaker 10: there are things that are beyond your control, obviously, But 726 00:34:28,920 --> 00:34:32,279 Speaker 10: I think what I love about this film and this 727 00:34:32,800 --> 00:34:37,640 Speaker 10: project was that it contextualizes the circumstances. When you read 728 00:34:37,760 --> 00:34:41,040 Speaker 10: about what was written about her toward the end of 729 00:34:41,080 --> 00:34:45,480 Speaker 10: her life, it was unkind, often and without empathy, and 730 00:34:45,560 --> 00:34:48,600 Speaker 10: I think to better understand that some of the challenges 731 00:34:48,680 --> 00:34:53,200 Speaker 10: that she grapples with for a lifetime were not a 732 00:34:53,320 --> 00:34:56,520 Speaker 10: result of things that were of her own choosing, you know, 733 00:34:57,600 --> 00:35:00,880 Speaker 10: and to come to better understand that, to see what 734 00:35:01,000 --> 00:35:03,320 Speaker 10: it was that she had to overcome in order to 735 00:35:03,440 --> 00:35:07,360 Speaker 10: continue to perform, it really sets her apart, and it 736 00:35:07,560 --> 00:35:10,480 Speaker 10: enables you to look at that idea of her as 737 00:35:10,520 --> 00:35:14,000 Speaker 10: a tragic person through a different prism with maybe more 738 00:35:14,239 --> 00:35:15,440 Speaker 10: understanding and empathy. 739 00:35:15,880 --> 00:35:18,480 Speaker 1: And the fact that the film really touches on too, 740 00:35:18,640 --> 00:35:20,279 Speaker 1: is that there are lots of people who can sing 741 00:35:20,360 --> 00:35:22,320 Speaker 1: and can dance, but that beautiful phrase in it that 742 00:35:22,680 --> 00:35:25,040 Speaker 1: she bypasses your ears and goes straight to your heart. 743 00:35:25,400 --> 00:35:28,240 Speaker 1: There was something one of a kind about her. I agree, 744 00:35:28,560 --> 00:35:30,640 Speaker 1: and you captured that. So well, what did you have 745 00:35:30,760 --> 00:35:32,360 Speaker 1: to do in the morning to become Judy? 746 00:35:33,120 --> 00:35:36,440 Speaker 10: Oh well, you know, I had twenty people's jobs on 747 00:35:36,600 --> 00:35:40,480 Speaker 10: my person at all times, so that's helpful team effort. 748 00:35:40,800 --> 00:35:43,600 Speaker 10: You know, I just listened to her. I go to 749 00:35:43,840 --> 00:35:46,560 Speaker 10: sleep watching things about her and listening to her and 750 00:35:47,000 --> 00:35:49,759 Speaker 10: listen to her voice all day. And you know, there's 751 00:35:49,880 --> 00:35:52,319 Speaker 10: the transformation that happens with the help of a big 752 00:35:52,400 --> 00:35:53,320 Speaker 10: team that puts it on. 753 00:35:53,680 --> 00:35:55,720 Speaker 2: That nose must have been hard in the kissing scene. 754 00:35:55,840 --> 00:35:59,799 Speaker 1: Haha, that was that not your nose? 755 00:36:00,680 --> 00:36:02,759 Speaker 10: No, that's just a little I don't really talk about 756 00:36:02,800 --> 00:36:04,800 Speaker 10: it because you know, if you didn't see it, I 757 00:36:04,840 --> 00:36:08,920 Speaker 10: don't want to do it right. But yeah, yeah, no, no, 758 00:36:09,239 --> 00:36:11,319 Speaker 10: it's it's all right because they did such a good 759 00:36:11,400 --> 00:36:14,520 Speaker 10: job with it. I thought, really good job with it, 760 00:36:14,600 --> 00:36:16,120 Speaker 10: but I didn't know that they take it on a 761 00:36:16,200 --> 00:36:18,400 Speaker 10: life of their own. Halfway through the day. 762 00:36:18,680 --> 00:36:21,000 Speaker 1: Idea become vermental. 763 00:36:22,360 --> 00:36:22,680 Speaker 2: Interview. 764 00:36:23,600 --> 00:36:24,520 Speaker 1: Yeah, I wouldn't doubt it. 765 00:36:24,920 --> 00:36:26,960 Speaker 10: I would doubt it was taking a walk while we 766 00:36:27,040 --> 00:36:29,000 Speaker 10: were filming. It would have gotten here by now. 767 00:36:31,160 --> 00:36:31,960 Speaker 12: That it was. 768 00:36:32,120 --> 00:36:33,440 Speaker 1: It was very opinionated. 769 00:36:34,800 --> 00:36:36,279 Speaker 2: We love you in this movie. I'm not going to 770 00:36:36,280 --> 00:36:37,280 Speaker 2: say oscar buzz. 771 00:36:37,200 --> 00:36:39,000 Speaker 1: Thanks leapt off the screen. 772 00:36:39,120 --> 00:36:40,279 Speaker 2: We just we just saw it. 773 00:36:40,360 --> 00:36:43,440 Speaker 1: We loved it absolutely. I'm going to go and see 774 00:36:43,440 --> 00:36:46,120 Speaker 1: it again and pay for it the first time. 775 00:36:48,840 --> 00:36:51,880 Speaker 10: Kind of No, it's the best thing, you know. The 776 00:36:51,960 --> 00:36:55,960 Speaker 10: whole thing was just celebration of her and and of 777 00:36:56,080 --> 00:36:59,880 Speaker 10: her importance. And I love that you're joining in, you know, 778 00:37:00,120 --> 00:37:03,080 Speaker 10: and that we're talking about her today fifty years later. 779 00:37:04,440 --> 00:37:09,319 Speaker 2: You're a star. Thank you. Thanks, Yes, she's a top lady, 780 00:37:09,360 --> 00:37:11,880 Speaker 2: Renee Zel. We check out that movie next week duty 781 00:37:12,080 --> 00:37:17,360 Speaker 2: it's in cinemas. Then it's five to wait. W I 782 00:37:17,440 --> 00:37:21,080 Speaker 2: want you to go on right now. I'm taking go 783 00:37:21,239 --> 00:37:25,799 Speaker 2: to your windows, stick your head on and yell hell 784 00:37:28,320 --> 00:37:30,279 Speaker 2: straight into the jonesy demand of arms for the pub 785 00:37:30,360 --> 00:37:34,160 Speaker 2: test this morning. A ban on antibiotic repeat prescriptions. Does 786 00:37:34,200 --> 00:37:35,080 Speaker 2: it pass the pub test? 787 00:37:35,200 --> 00:37:37,320 Speaker 1: This could be in law in just a couple of weeks. 788 00:37:37,440 --> 00:37:39,520 Speaker 1: That means that patients would need to see the doctor 789 00:37:39,600 --> 00:37:42,960 Speaker 1: again and potentially face additional consultation fees if they need 790 00:37:43,040 --> 00:37:46,280 Speaker 1: a repeat script. But this is because we are taking 791 00:37:46,400 --> 00:37:49,960 Speaker 1: so many antibiotics and far longer than we need that 792 00:37:50,120 --> 00:37:53,560 Speaker 1: we're seeing that the bugs are becoming superbugs and that 793 00:37:53,760 --> 00:37:56,320 Speaker 1: is a real threat to our entire society if we 794 00:37:56,440 --> 00:38:01,440 Speaker 1: have resistant superbugs or anti resistance super bugs. So the 795 00:38:01,520 --> 00:38:04,399 Speaker 1: ban on antibiotic repeats as a passer pub test. 796 00:38:04,680 --> 00:38:05,319 Speaker 3: Yes it does. 797 00:38:05,719 --> 00:38:08,520 Speaker 7: There's a lot of natural products out there that can 798 00:38:08,640 --> 00:38:12,600 Speaker 7: help fight bacterios, such as garlic, chewy things like that. 799 00:38:12,920 --> 00:38:15,960 Speaker 7: I refuse to take antibiotics for that temple reason as yes, 800 00:38:16,040 --> 00:38:18,320 Speaker 7: they do build up an immunity to the actual drugs 801 00:38:18,320 --> 00:38:20,240 Speaker 7: that are in and even that is probably maybe forty 802 00:38:20,280 --> 00:38:22,280 Speaker 7: different types of antibiotics that are available. 803 00:38:22,320 --> 00:38:25,160 Speaker 3: You know, I think they should not ban it because 804 00:38:25,520 --> 00:38:28,000 Speaker 3: but as the pension is in the old age going 805 00:38:28,040 --> 00:38:31,520 Speaker 3: to do, older people have tendency to fight off to 806 00:38:32,040 --> 00:38:35,120 Speaker 3: cold or through strong as we do like the younger 807 00:38:35,280 --> 00:38:36,000 Speaker 3: and fear people. 808 00:38:36,200 --> 00:38:38,880 Speaker 13: So in some ways, not in others, because it's going 809 00:38:38,920 --> 00:38:41,040 Speaker 13: to cause a bigger problem for the government because at 810 00:38:41,080 --> 00:38:43,000 Speaker 13: the end of the day, it's going to cost them 811 00:38:43,160 --> 00:38:46,759 Speaker 13: even more money when it comes to healthcare because people 812 00:38:46,760 --> 00:38:48,120 Speaker 13: are going to be going back to the doctor more. 813 00:38:48,360 --> 00:38:49,960 Speaker 11: I one hundred percent agree with it. 814 00:38:50,120 --> 00:38:52,640 Speaker 12: As a nurse and set, we're being so many more 815 00:38:52,840 --> 00:38:57,879 Speaker 12: patients with MRSA, which is multi resistance bugs, so super 816 00:38:57,920 --> 00:38:59,680 Speaker 12: bugs are seeing it more and more often. 817 00:38:59,800 --> 00:39:01,200 Speaker 6: So I think it's a great idea. 818 00:39:02,440 --> 00:39:04,239 Speaker 2: There you go, Thank you for all your cars. If 819 00:39:04,280 --> 00:39:06,600 Speaker 2: you ever lost a car before, you're the sort of 820 00:39:06,640 --> 00:39:07,680 Speaker 2: person would lose a car. 821 00:39:08,239 --> 00:39:11,040 Speaker 1: Well, when I used to work with beyond two thousand 822 00:39:11,080 --> 00:39:13,520 Speaker 1: and we'd be overseas in the rental car would look 823 00:39:13,560 --> 00:39:15,759 Speaker 1: exactly like last week's rental car. And you go to 824 00:39:15,840 --> 00:39:19,359 Speaker 1: a shopping center, say, and every exit an entrance looked 825 00:39:19,360 --> 00:39:22,600 Speaker 1: exactly the same. I've had situations right cart locate car, 826 00:39:23,239 --> 00:39:24,360 Speaker 1: but I haven't quite quite. 827 00:39:24,239 --> 00:39:25,879 Speaker 2: But I'm doing with you a little clicker in front 828 00:39:25,880 --> 00:39:28,120 Speaker 2: of a car. Gain this is my car I have? Well, 829 00:39:28,160 --> 00:39:29,240 Speaker 2: you don't drive a Humvey. 830 00:39:29,680 --> 00:39:31,959 Speaker 1: I do have car blind Well, yeah, there's a world 831 00:39:32,000 --> 00:39:32,520 Speaker 1: of difference. 832 00:39:33,000 --> 00:39:36,279 Speaker 2: Dusty Martin, he seems not to care about his car either. 833 00:39:36,360 --> 00:39:38,720 Speaker 2: Dusty Martin, of course you know him from the Richmond 834 00:39:38,800 --> 00:39:42,080 Speaker 2: Tigers side. His car are still sitting in the MCG 835 00:39:42,320 --> 00:39:44,759 Speaker 2: car park. How long ago was the Grand Final, but 836 00:39:44,840 --> 00:39:46,480 Speaker 2: a week and a half, wasn't it. I couldn't live 837 00:39:46,560 --> 00:39:49,560 Speaker 2: with myself if I did that to any vehicle. We'll 838 00:39:49,560 --> 00:39:53,120 Speaker 2: talk about this next WUSFM one on one point seven WSFM. 839 00:39:53,160 --> 00:39:55,759 Speaker 2: Hello there, it's Jonesy and a man that charl two 840 00:39:55,840 --> 00:39:57,719 Speaker 2: nineteen in the city twenty two in our west right 841 00:39:57,760 --> 00:40:02,960 Speaker 2: down its fourteen degrees. Dustin Martin from the Richmond AFL Tigers. 842 00:40:03,520 --> 00:40:05,080 Speaker 2: I always think his names around the wrong way. I 843 00:40:05,080 --> 00:40:06,480 Speaker 2: always think it should be Martin. 844 00:40:06,480 --> 00:40:10,680 Speaker 1: Dustin, Martin dustin, that'd be a verb. Then is Martin 845 00:40:10,680 --> 00:40:11,240 Speaker 1: doing the dustin? 846 00:40:11,360 --> 00:40:13,000 Speaker 2: Is he doing the dustin? Well, he's not looking after 847 00:40:13,080 --> 00:40:15,520 Speaker 2: his car, and that's for sure. But fair enough, he 848 00:40:15,560 --> 00:40:17,960 Speaker 2: wins the Grand Final. But this is my thing with millennials. 849 00:40:18,000 --> 00:40:20,600 Speaker 2: They don't care about their car. So his car is 850 00:40:20,680 --> 00:40:21,800 Speaker 2: still sitting at the MCG. 851 00:40:21,960 --> 00:40:22,800 Speaker 1: He's gone to Vegas. 852 00:40:23,000 --> 00:40:24,600 Speaker 2: Yeah it's gone. 853 00:40:24,719 --> 00:40:25,640 Speaker 1: How long will it be there? 854 00:40:25,840 --> 00:40:27,719 Speaker 2: And he's a young guy. But I just have it. 855 00:40:27,800 --> 00:40:31,160 Speaker 2: When I was a kid, adapting the Bill Cosby voice. 856 00:40:31,239 --> 00:40:33,840 Speaker 2: When I was a kid, the car was your life 857 00:40:34,040 --> 00:40:36,560 Speaker 2: or your motorbike? That was your life. My daughter a 858 00:40:36,640 --> 00:40:38,920 Speaker 2: few weeks ago, I said, where's your car? I don't know. 859 00:40:38,920 --> 00:40:41,600 Speaker 2: It's in congres somewhere. And I said, are you going 860 00:40:41,680 --> 00:40:43,040 Speaker 2: to get it back? And I said, well, I'll get 861 00:40:43,120 --> 00:40:45,200 Speaker 2: round to it. I said, don't you need it? 862 00:40:45,640 --> 00:40:46,399 Speaker 1: Stresses you out. 863 00:40:46,680 --> 00:40:49,440 Speaker 2: I've got no time, Brendan, And I said, but your 864 00:40:49,520 --> 00:40:51,680 Speaker 2: car is just and she doesn't even know where it is. 865 00:40:52,239 --> 00:40:55,239 Speaker 2: I just you know, I know where all and I've 866 00:40:55,280 --> 00:40:57,040 Speaker 2: got a few vehicles, as you know, I know where 867 00:40:57,080 --> 00:40:59,879 Speaker 2: every one of them is right now. I know there's 868 00:41:00,120 --> 00:41:03,480 Speaker 2: date of mechanical repair, the Red Joe days everything. 869 00:41:04,120 --> 00:41:05,279 Speaker 1: Do you remember? We used to do it with a 870 00:41:05,320 --> 00:41:09,360 Speaker 1: guy here called Chris, and he had at the Nie Brienie. 871 00:41:09,640 --> 00:41:11,400 Speaker 1: He had the last minute had been called up to 872 00:41:11,480 --> 00:41:14,000 Speaker 1: be the best man at a wedding. They needed someone 873 00:41:14,080 --> 00:41:15,839 Speaker 1: to quick, quick quick. Someone hasn't been able to make 874 00:41:15,880 --> 00:41:16,520 Speaker 1: the trip from England. 875 00:41:16,560 --> 00:41:16,799 Speaker 2: Whatever. 876 00:41:16,920 --> 00:41:21,479 Speaker 1: We need you this afternoon. So he races to where 877 00:41:21,520 --> 00:41:23,800 Speaker 1: the wedding is. He's got the suit and all of that, 878 00:41:23,920 --> 00:41:25,840 Speaker 1: picks up the suit, races to where the wedding is, 879 00:41:26,239 --> 00:41:28,920 Speaker 1: parks his current a side street somewhere near the reception 880 00:41:29,040 --> 00:41:32,000 Speaker 1: house where they're also getting married. He gets on it 881 00:41:32,080 --> 00:41:34,719 Speaker 1: that night. I think he sleeps on a friend's floor 882 00:41:34,960 --> 00:41:35,640 Speaker 1: blah blah blah. 883 00:41:35,840 --> 00:41:36,440 Speaker 2: That's Brienie. 884 00:41:36,800 --> 00:41:40,799 Speaker 1: Next day goes to pick up his car. He has 885 00:41:40,960 --> 00:41:44,960 Speaker 1: no recollection of where he's parked it, So for about 886 00:41:45,000 --> 00:41:49,160 Speaker 1: three or four days he couldn't find his car, walking 887 00:41:49,239 --> 00:41:52,520 Speaker 1: around the streets wondering where it was. Do you remember this? 888 00:41:52,880 --> 00:41:57,279 Speaker 1: We resolved it on air here by getting in a hypnotist. Yeah, 889 00:41:58,040 --> 00:42:00,879 Speaker 1: and in front of our eyes, she just relaxed him. 890 00:42:00,880 --> 00:42:03,719 Speaker 1: You lay on the floor and she just talked him 891 00:42:03,719 --> 00:42:05,920 Speaker 1: through what he'd seen to the point where then he 892 00:42:06,120 --> 00:42:08,840 Speaker 1: saw the street signs in his head. So the intersection 893 00:42:08,880 --> 00:42:11,480 Speaker 1: where he parked it, went and picked up his car. There, 894 00:42:11,480 --> 00:42:14,720 Speaker 1: you go, amazing. Without that, what would have happened? 895 00:42:14,800 --> 00:42:16,520 Speaker 2: It was about ten years ago. Where's Brenie now? 896 00:42:16,680 --> 00:42:18,120 Speaker 1: I don't know, living in his car? 897 00:42:18,320 --> 00:42:21,239 Speaker 2: He got lost? Well, maybe there's something the tribal drum 898 00:42:21,280 --> 00:42:24,120 Speaker 2: will beat for this morning. Dude, where's my car? 899 00:42:24,360 --> 00:42:25,200 Speaker 13: She'd? Where's my car? 900 00:42:26,200 --> 00:42:27,959 Speaker 1: Where you have you hidden? Have you lost your Carlo? 901 00:42:28,080 --> 00:42:30,040 Speaker 1: Have you done something? And I can understand doing this. 902 00:42:30,280 --> 00:42:31,799 Speaker 1: You know you think I'll leave it there and I'll 903 00:42:31,800 --> 00:42:34,000 Speaker 1: pick it up tomorrow. Then you can't be bothered. And 904 00:42:34,080 --> 00:42:36,360 Speaker 1: a week goes by and you go, I can't be bothered? 905 00:42:36,400 --> 00:42:39,520 Speaker 2: How could you not be bothered? I can't leave my car. 906 00:42:39,800 --> 00:42:42,040 Speaker 1: Sometimes the longer you leave it, the harder it is 907 00:42:42,080 --> 00:42:43,600 Speaker 1: to go back, because you know there'll be a hole 908 00:42:43,600 --> 00:42:46,200 Speaker 1: out of parking stickers on it, and it's easy to ignore. 909 00:42:45,960 --> 00:42:48,120 Speaker 2: The whole thing. So you just go this is brug 910 00:42:48,200 --> 00:42:49,120 Speaker 2: and bring me another way. 911 00:42:49,680 --> 00:42:51,560 Speaker 1: Dude, where's my car? What have you got? 912 00:42:51,640 --> 00:42:53,680 Speaker 2: Thirteen WSFM? If you're a man of the match. How 913 00:42:53,719 --> 00:42:57,080 Speaker 2: cool is this? Tickets to check out Pure Gold Life. 914 00:42:57,160 --> 00:42:59,920 Speaker 2: It's a quarter past eight. I don't point WSFM. How 915 00:43:00,200 --> 00:43:02,319 Speaker 2: it's Jonesy Demanda. You can stream us live right now 916 00:43:02,360 --> 00:43:06,120 Speaker 2: on the free iHeartRadio app. Share it to today nineteen 917 00:43:06,120 --> 00:43:07,880 Speaker 2: degrees in the city twenty two and our west rightout's 918 00:43:07,880 --> 00:43:11,600 Speaker 2: fourteen degrees. It is eight twenty two. Dude, where's my car? 919 00:43:11,880 --> 00:43:12,480 Speaker 2: Where's my car? 920 00:43:13,080 --> 00:43:15,719 Speaker 1: Where have you left your car? It can happen. You 921 00:43:15,880 --> 00:43:20,480 Speaker 1: park it somewhere. Afterwards you think whereabouts to the car park? 922 00:43:20,600 --> 00:43:20,759 Speaker 13: Was it? 923 00:43:20,840 --> 00:43:21,360 Speaker 1: What street? 924 00:43:21,480 --> 00:43:21,640 Speaker 5: Was I? 925 00:43:22,000 --> 00:43:24,759 Speaker 1: Brendan? It happens to everybody, Not to me, sure not. 926 00:43:24,840 --> 00:43:28,400 Speaker 1: Everyone's as anal as you are. Kathy's in Ludenum hallo, Kathy? 927 00:43:29,640 --> 00:43:31,120 Speaker 12: Hi, how are you good? 928 00:43:31,160 --> 00:43:32,040 Speaker 1: What have you done with your car. 929 00:43:33,120 --> 00:43:35,120 Speaker 12: Well, A few years ago, I went to a first 930 00:43:35,160 --> 00:43:38,239 Speaker 12: aid course. I parked my car somewhere. I had to 931 00:43:38,360 --> 00:43:41,239 Speaker 12: use him by a phone Google map to find where 932 00:43:41,239 --> 00:43:43,279 Speaker 12: the first aid course was because I was parked so 933 00:43:43,440 --> 00:43:49,040 Speaker 12: far away. And then at morning tea, I went out 934 00:43:49,080 --> 00:43:51,160 Speaker 12: to move my car because it was like an hour 935 00:43:53,640 --> 00:43:56,480 Speaker 12: shair way away and it was only an hour parking. 936 00:43:57,400 --> 00:43:59,919 Speaker 12: So I went back to move my car, couldn't find 937 00:44:00,120 --> 00:44:04,600 Speaker 12: It took me two hours to find my car. I 938 00:44:04,760 --> 00:44:08,719 Speaker 12: got back to the first age at class at lunchtime, 939 00:44:09,560 --> 00:44:11,880 Speaker 12: the teacher asked me where I'd been. I told her 940 00:44:11,920 --> 00:44:16,440 Speaker 12: I lost my car, and then I passed the course, 941 00:44:16,800 --> 00:44:20,240 Speaker 12: and the teacher actually said to me, I cannot believe 942 00:44:20,320 --> 00:44:23,399 Speaker 12: you passed the cause considering you missed half of the cars. 943 00:44:24,800 --> 00:44:27,000 Speaker 2: And this is a first aid course and it makes 944 00:44:27,040 --> 00:44:28,840 Speaker 2: me nervous. If you want to get a cardiac or 945 00:44:28,880 --> 00:44:30,720 Speaker 2: rest around you, it's the bit I missed. 946 00:44:30,719 --> 00:44:33,440 Speaker 1: I'm sorry, I tell you how I lost my car. 947 00:44:33,840 --> 00:44:36,040 Speaker 2: Finally I knew something about Torner case. 948 00:44:37,719 --> 00:44:40,239 Speaker 1: You know, my phone is filled with pictures of wine 949 00:44:40,280 --> 00:44:42,359 Speaker 1: labels that I've liked in that when I've had wine, 950 00:44:42,880 --> 00:44:45,120 Speaker 1: and where I parked my car yesterday, had to park 951 00:44:45,120 --> 00:44:47,440 Speaker 1: in a parking station. I have to take a photo 952 00:44:48,160 --> 00:44:50,759 Speaker 1: of the pillar that I'm next to. Als I won't 953 00:44:50,760 --> 00:44:51,400 Speaker 1: remember my car. 954 00:44:51,719 --> 00:44:53,880 Speaker 2: I do where I pack my motorbike. I take a 955 00:44:53,960 --> 00:44:56,000 Speaker 2: picture of the car that I've parked my motorbike next to. 956 00:44:56,080 --> 00:44:58,560 Speaker 2: Because remember that time that lady knocked over my bike. 957 00:44:58,920 --> 00:45:00,680 Speaker 2: But I'm just standing there. I think I knocked over 958 00:45:00,719 --> 00:45:02,200 Speaker 2: your bike. And I said, yeah, well they don't fall 959 00:45:02,239 --> 00:45:04,800 Speaker 2: over by themselves. So you take a picture of the 960 00:45:04,880 --> 00:45:06,320 Speaker 2: car and the regio plate. 961 00:45:06,239 --> 00:45:08,680 Speaker 1: Number, assuming they're knock over your bike. 962 00:45:08,760 --> 00:45:11,280 Speaker 2: That's what I do. That's how anal I am about. 963 00:45:11,320 --> 00:45:15,279 Speaker 1: Richard's in Bullye. Hello Richard Am, what'd you do to 964 00:45:15,320 --> 00:45:16,960 Speaker 1: your car? Where is it? Where's your car? 965 00:45:18,200 --> 00:45:20,400 Speaker 4: This is stalking the late eighties. 966 00:45:23,320 --> 00:45:25,720 Speaker 2: In the talking about mouthpiece. Richard? 967 00:45:26,000 --> 00:45:26,759 Speaker 4: How's that for you? 968 00:45:27,600 --> 00:45:28,400 Speaker 2: Good? You've mastered it. 969 00:45:29,160 --> 00:45:31,719 Speaker 4: This is back in the late eighties. My first car 970 00:45:31,840 --> 00:45:33,879 Speaker 4: I ever bought. H I hold him. 971 00:45:35,160 --> 00:45:35,840 Speaker 2: When I bought the. 972 00:45:35,880 --> 00:45:41,160 Speaker 4: Car, got the Reggie papers, no keys. So you can 973 00:45:41,320 --> 00:45:46,040 Speaker 4: start it the old barrel turn it start only way 974 00:45:46,520 --> 00:45:49,320 Speaker 4: you can walk the car. You have a little timing 975 00:45:49,440 --> 00:45:52,480 Speaker 4: the window. Just open the training your window and reaching 976 00:45:53,280 --> 00:45:55,920 Speaker 4: pull a button Matt get into the car started up 977 00:45:56,719 --> 00:46:02,719 Speaker 4: or me, mates, knew how one I've lifted at Ingodame pub. 978 00:46:03,360 --> 00:46:06,560 Speaker 4: We've gone to commons at Miranda. We'll get a tax 979 00:46:06,719 --> 00:46:10,080 Speaker 4: the canons next day or day back to damn car. 980 00:46:10,680 --> 00:46:15,960 Speaker 4: Not there, start ringing phones. The car was doing stone 981 00:46:16,160 --> 00:46:20,400 Speaker 4: you know who it is? No, I ring the coats 982 00:46:20,719 --> 00:46:28,560 Speaker 4: te Three days later, Well, we've seen your car park 983 00:46:28,640 --> 00:46:30,279 Speaker 4: on the side of the right. It's not far from 984 00:46:30,360 --> 00:46:35,919 Speaker 4: my house. Sure enough, the car park on the side 985 00:46:35,920 --> 00:46:38,800 Speaker 4: of the head. Turns out. You know a few of 986 00:46:38,840 --> 00:46:41,080 Speaker 4: the boys the summer they need to get home from 987 00:46:41,080 --> 00:46:43,920 Speaker 4: the pub. They take my car park at there and 988 00:46:44,719 --> 00:46:46,440 Speaker 4: pretend that they didn't touch it. 989 00:46:47,520 --> 00:46:49,840 Speaker 1: So all that time you thought your car was stolen. 990 00:46:49,880 --> 00:46:50,879 Speaker 2: Friends stole your car. 991 00:46:51,520 --> 00:46:52,640 Speaker 12: What couldn't they just tell you? 992 00:46:53,800 --> 00:46:57,279 Speaker 2: Because what friends are for? 993 00:46:57,560 --> 00:46:59,960 Speaker 1: Yeah, I remember that in the Golden Girls. 994 00:47:01,680 --> 00:47:04,120 Speaker 2: A week so second, that song with Stevie Wonder. 995 00:47:04,719 --> 00:47:07,000 Speaker 1: All right, we're going to take more of your calls. Dude, 996 00:47:07,040 --> 00:47:07,640 Speaker 1: where's my car? 997 00:47:09,239 --> 00:47:11,520 Speaker 2: It's a twenty eight, A couple of more. 998 00:47:12,000 --> 00:47:15,040 Speaker 6: Some of the menu today concerned some sort of Shenanigans. 999 00:47:17,040 --> 00:47:19,480 Speaker 2: Tribal drum has been beating this morning. Is because Dustin 1000 00:47:19,560 --> 00:47:23,359 Speaker 2: Martin he's the Richmond player celebrating the AFL Grand Final 1001 00:47:23,400 --> 00:47:25,200 Speaker 2: because they won that. But his car is just still 1002 00:47:25,239 --> 00:47:26,360 Speaker 2: sitting there at the MCG. 1003 00:47:26,600 --> 00:47:28,919 Speaker 1: He's gone to Vegas. How long will it be there? 1004 00:47:29,160 --> 00:47:31,520 Speaker 2: And this bugs me about millennials. They just don't care 1005 00:47:31,600 --> 00:47:32,520 Speaker 2: about their cars. 1006 00:47:32,640 --> 00:47:33,920 Speaker 1: I don't think you have to be a millennial. 1007 00:47:34,000 --> 00:47:36,920 Speaker 2: I see millennials and you now you know we're calling. 1008 00:47:36,719 --> 00:47:40,000 Speaker 1: This segment Where's my car? Where have you left your car? 1009 00:47:40,520 --> 00:47:42,600 Speaker 1: Wayne's in Cronulla. What happened to it? Wayne? 1010 00:47:43,800 --> 00:47:46,160 Speaker 5: I worked with a couple of backpackers many years ago 1011 00:47:46,280 --> 00:47:48,960 Speaker 5: when they went out and bought themselves a car, and 1012 00:47:49,040 --> 00:47:51,480 Speaker 5: they decided they would go and celebrate. So they parked 1013 00:47:51,520 --> 00:47:54,719 Speaker 5: at the train station, trotted off into the city and 1014 00:47:54,760 --> 00:47:57,080 Speaker 5: had a big blinder for the night. And they couldn't 1015 00:47:57,120 --> 00:47:59,440 Speaker 5: remember what station they left the car. They didn't know 1016 00:47:59,480 --> 00:48:02,440 Speaker 5: where I was and they just don't know where the 1017 00:48:02,520 --> 00:48:04,920 Speaker 5: car went. They just lost completely lost his car that 1018 00:48:05,000 --> 00:48:07,120 Speaker 5: they bought. They couldn't even remember what type of car. 1019 00:48:07,080 --> 00:48:10,279 Speaker 1: It was, so they never they never reclaimed the car. 1020 00:48:11,200 --> 00:48:13,440 Speaker 5: Not to this day, they still don't know where the 1021 00:48:13,880 --> 00:48:16,040 Speaker 5: car could be parked of the train station in the 1022 00:48:16,120 --> 00:48:18,840 Speaker 5: same place. They've never ever found. They never got found. 1023 00:48:19,080 --> 00:48:21,920 Speaker 1: So they celebrate buying a car by losing a car, 1024 00:48:21,960 --> 00:48:24,560 Speaker 1: by catching a train and then losing it. 1025 00:48:24,680 --> 00:48:26,279 Speaker 2: They don't deserve to have a car. 1026 00:48:27,280 --> 00:48:28,760 Speaker 1: You know, that's how life goes. 1027 00:48:28,920 --> 00:48:33,759 Speaker 2: Brenda bugs me because cars are like humans. Hear, they've 1028 00:48:33,800 --> 00:48:34,919 Speaker 2: got a brain. 1029 00:48:35,440 --> 00:48:36,080 Speaker 15: You know that. 1030 00:48:36,640 --> 00:48:37,040 Speaker 9: Let it go. 1031 00:48:37,440 --> 00:48:39,680 Speaker 1: I can completely understand that the car. 1032 00:48:39,680 --> 00:48:43,960 Speaker 2: Abandoned some train station. Terrible. It's twenty two to nine. 1033 00:48:44,000 --> 00:48:45,560 Speaker 2: Thank you for all your calls. Coming up, gets my 1034 00:48:45,640 --> 00:48:48,960 Speaker 2: goolies thirteen WSFM, where ironically you could win a brand 1035 00:48:49,040 --> 00:48:49,520 Speaker 2: new car. 1036 00:48:50,080 --> 00:48:50,880 Speaker 1: Dump it if you like. 1037 00:48:51,120 --> 00:48:56,200 Speaker 2: No ws I want where WSFM? However, it's journey in 1038 00:48:56,200 --> 00:48:58,400 Speaker 2: Themanda a shar of two nineteen in the city, twenty 1039 00:48:58,440 --> 00:49:01,160 Speaker 2: two in our west ron and its fourteen degrees. It's 1040 00:49:01,280 --> 00:49:02,080 Speaker 2: nineteen to nine. 1041 00:49:02,440 --> 00:49:04,799 Speaker 1: Just flicking through a newsfeed, Brendan, I know you think 1042 00:49:04,840 --> 00:49:06,280 Speaker 1: I only look at puppy Instagram. 1043 00:49:06,360 --> 00:49:08,279 Speaker 2: Well, you know, I just don't like the phone in 1044 00:49:08,320 --> 00:49:08,840 Speaker 2: the studio. 1045 00:49:08,880 --> 00:49:11,320 Speaker 1: I think, Oh well, I deliver a lot of content 1046 00:49:12,320 --> 00:49:15,520 Speaker 1: like puppy Instagram. Really and looking at India Hicks handbags. 1047 00:49:15,600 --> 00:49:19,400 Speaker 2: Yeah, can I just say this the India Hicks handbag thing. 1048 00:49:19,440 --> 00:49:21,640 Speaker 2: You've got every person here that you'd be doing work 1049 00:49:22,200 --> 00:49:24,480 Speaker 2: trying to work out what time you can buy this handbag. 1050 00:49:24,520 --> 00:49:25,040 Speaker 1: There's an option. 1051 00:49:25,200 --> 00:49:28,480 Speaker 2: And now you've got young Jimmy the millennial, getting up 1052 00:49:28,480 --> 00:49:31,240 Speaker 2: at three in the morning so to buy you a hand. 1053 00:49:31,239 --> 00:49:33,640 Speaker 1: I know that is not true. That is not true. 1054 00:49:33,719 --> 00:49:35,640 Speaker 1: I was joking when I kind of asked him that. 1055 00:49:36,239 --> 00:49:39,719 Speaker 1: Ok I hope that was a joke, obviously. Well, I've 1056 00:49:39,719 --> 00:49:42,440 Speaker 1: got three stories here. These are the headlines I'm looking at. 1057 00:49:42,480 --> 00:49:44,359 Speaker 1: Tell me which one you'd like me to pursue. Okay, 1058 00:49:44,360 --> 00:49:48,120 Speaker 1: so I choose your own adventure. Is this the jacket 1059 00:49:48,280 --> 00:49:52,840 Speaker 1: of Autumn River Island's fifty dollar denim bomber with puff 1060 00:49:53,000 --> 00:49:56,440 Speaker 1: sleeves is back in stock after selling out twice, But 1061 00:49:56,520 --> 00:49:58,359 Speaker 1: you'll have to act fast to grab one. That's story 1062 00:49:58,480 --> 00:50:01,640 Speaker 1: number one. Ver No River Island. 1063 00:50:01,719 --> 00:50:02,200 Speaker 2: Who's River? 1064 00:50:02,280 --> 00:50:04,040 Speaker 1: I don't know. Maybe it's overseas. I don't know. I'm 1065 00:50:04,080 --> 00:50:05,000 Speaker 1: just reading the news headlines. 1066 00:50:05,000 --> 00:50:05,799 Speaker 2: As I say, I don't care. 1067 00:50:06,680 --> 00:50:10,520 Speaker 1: Foodies rave about a secret Rahmen restaurant with just twenty 1068 00:50:10,640 --> 00:50:14,000 Speaker 1: seats hidden in a busy suburb, complete with collagen heavy 1069 00:50:14,160 --> 00:50:17,960 Speaker 1: broth for ten dos bory. That sounds disgusting. 1070 00:50:18,080 --> 00:50:18,480 Speaker 2: I want that. 1071 00:50:18,719 --> 00:50:22,680 Speaker 1: How about this one? Privately educated woman twenty seven who 1072 00:50:22,840 --> 00:50:28,120 Speaker 1: quote isn't ashamed end quotes of using cocaine, discovers more 1073 00:50:28,160 --> 00:50:30,640 Speaker 1: than half her stash is made of cattle de wormer, 1074 00:50:30,880 --> 00:50:32,480 Speaker 1: which can rot human skin. 1075 00:50:32,800 --> 00:50:33,960 Speaker 2: Oh I want that story. 1076 00:50:34,160 --> 00:50:38,160 Speaker 1: No, don't be bothered. Oh hang on, some information just 1077 00:50:38,239 --> 00:50:41,200 Speaker 1: come through about the handbags. No, you're not getting that story. 1078 00:50:41,640 --> 00:50:44,799 Speaker 1: Why not you poop pooed me having the phone in here. 1079 00:50:45,440 --> 00:50:47,640 Speaker 1: I'm not going to read you about the cocaine de 1080 00:50:47,800 --> 00:50:49,520 Speaker 1: worma that can rip your skin off. 1081 00:50:50,360 --> 00:50:52,560 Speaker 2: At seventeen to nine, gets my ghoulies carry out here 1082 00:50:52,600 --> 00:50:56,759 Speaker 2: and something your case thirteen WSFM, Well I want said WSFM. Hello, 1083 00:50:56,880 --> 00:50:59,080 Speaker 2: it's jerzy, no matter a shower or two nineteen in 1084 00:50:59,160 --> 00:51:01,040 Speaker 2: the city twenty two in our west. Right now it's 1085 00:51:01,080 --> 00:51:02,799 Speaker 2: fifteen degrees. It is ten to nine. 1086 00:51:11,280 --> 00:51:13,440 Speaker 1: Maria is in Kashule. We'll get your gooul is. 1087 00:51:13,480 --> 00:51:19,920 Speaker 16: Maria Hi, jamesy Himanda Hi Hi Hi. Okay, So you 1088 00:51:20,000 --> 00:51:22,480 Speaker 16: know what I was driving on the M five. Big 1089 00:51:22,600 --> 00:51:25,160 Speaker 16: truck wants to merge in front of me with your 1090 00:51:25,200 --> 00:51:28,720 Speaker 16: indicator on, So of course I'd be as cautious as possible. 1091 00:51:28,800 --> 00:51:32,880 Speaker 16: I allowed plenty of space and nothing happens. Car in 1092 00:51:32,960 --> 00:51:36,040 Speaker 16: front of me thinking the same thing, allowing plenty of space, 1093 00:51:36,480 --> 00:51:39,840 Speaker 16: nothing happening, and it's going on for kilometers. 1094 00:51:40,160 --> 00:51:47,000 Speaker 1: So what was happening the truck was indicating by mistake Maria, Hi, Maria, 1095 00:51:48,360 --> 00:51:49,040 Speaker 1: Well that was it. 1096 00:51:50,160 --> 00:51:52,919 Speaker 2: We lost her. We'll never know. Do you think he's 1097 00:51:52,960 --> 00:51:54,040 Speaker 2: bumped his indicator? 1098 00:51:54,280 --> 00:51:57,360 Speaker 1: And it's just it's annoying when that happens alone. But 1099 00:51:57,400 --> 00:51:58,960 Speaker 1: it's a big truck that's going to take up half 1100 00:51:59,040 --> 00:51:59,279 Speaker 1: the run. 1101 00:51:59,360 --> 00:52:01,840 Speaker 2: There's nothing they indicate for ages and ages and ages, 1102 00:52:01,920 --> 00:52:04,399 Speaker 2: and then all of a sudden they go, oh, yeah, 1103 00:52:04,440 --> 00:52:06,239 Speaker 2: hang on, I'll go into this lane now, and then 1104 00:52:06,239 --> 00:52:07,120 Speaker 2: they gave you grief. 1105 00:52:07,239 --> 00:52:08,640 Speaker 1: Well, I hope Marie is going to be okay. 1106 00:52:08,760 --> 00:52:10,640 Speaker 2: So when you got your hand out the window, people 1107 00:52:10,680 --> 00:52:12,320 Speaker 2: think you're indicating to turn it. 1108 00:52:12,400 --> 00:52:16,480 Speaker 1: When people used to do that and you had to 1109 00:52:16,520 --> 00:52:18,600 Speaker 1: put your arms straight if you're doing something, or you'd 1110 00:52:18,640 --> 00:52:20,640 Speaker 1: bend it. If it was the only way in my 1111 00:52:20,800 --> 00:52:22,440 Speaker 1: model t Ford for you. 1112 00:52:22,640 --> 00:52:24,040 Speaker 2: Driving, I wasn't. 1113 00:52:24,040 --> 00:52:26,960 Speaker 1: For these are the old days where the cars, you. 1114 00:52:27,000 --> 00:52:30,080 Speaker 2: Know, the old banger but you just put your window 1115 00:52:30,160 --> 00:52:31,000 Speaker 2: to dry your nails. 1116 00:52:31,719 --> 00:52:35,200 Speaker 1: Ye, it's Brendan do it on a plane as well. 1117 00:52:35,400 --> 00:52:37,239 Speaker 2: If you do that, you can always email us jam 1118 00:52:37,640 --> 00:52:41,040 Speaker 2: spem dot com dot au it's seven to nine. Well 1119 00:52:41,080 --> 00:52:43,759 Speaker 2: I won't point seven WSFM Hello, there was Jones demand 1120 00:52:43,800 --> 00:52:46,320 Speaker 2: of silver chair, straight line shower to nineteen degrees in 1121 00:52:46,400 --> 00:52:49,000 Speaker 2: the city twenty two an hour west. It's fifteen degrees. 1122 00:52:49,040 --> 00:52:49,799 Speaker 2: It's four to nine. 1123 00:52:51,800 --> 00:52:54,440 Speaker 1: A favorite caller email of Facebook friend gets two tickets 1124 00:52:54,480 --> 00:52:57,320 Speaker 1: to Pure Gold Live twenty twenty. It'll bit the Sydney 1125 00:52:57,360 --> 00:53:01,799 Speaker 1: Coliseum Theater West HQ on the fourth the Fair Valentine's Day. 1126 00:53:01,840 --> 00:53:03,480 Speaker 1: You can get tickets from ticket Tech. 1127 00:53:03,560 --> 00:53:05,600 Speaker 2: You also get a Jonesy the Matter tea towel as well. 1128 00:53:05,800 --> 00:53:09,800 Speaker 1: I was talking this morning about once again. I'm just 1129 00:53:09,880 --> 00:53:11,680 Speaker 1: obsessed with a hands in the concert that I saw 1130 00:53:11,719 --> 00:53:14,160 Speaker 1: on the weekend, and he's done the music for all 1131 00:53:14,239 --> 00:53:16,560 Speaker 1: the major films you can possibly imagine. But when I 1132 00:53:16,600 --> 00:53:23,360 Speaker 1: played a sniffet from Pearl Harbor this one, it triggered 1133 00:53:23,400 --> 00:53:26,279 Speaker 1: one of the girls in the typing pool. She said 1134 00:53:26,280 --> 00:53:28,760 Speaker 1: that her mother banned that move from the house because 1135 00:53:28,920 --> 00:53:31,200 Speaker 1: she had to miss school one day. She was so 1136 00:53:31,440 --> 00:53:34,120 Speaker 1: distraught after watching it. She'd watch it over and over 1137 00:53:34,160 --> 00:53:37,200 Speaker 1: again and would be constantly inconsolable. So a mother threw 1138 00:53:37,239 --> 00:53:38,319 Speaker 1: the DVD out what. 1139 00:53:38,640 --> 00:53:42,080 Speaker 2: Sort of generationally right crazy Tell that to the poor 1140 00:53:42,160 --> 00:53:43,120 Speaker 2: guys that fought in the thing. 1141 00:53:43,160 --> 00:53:46,360 Speaker 1: They didn't feel it like Milli feld tribal drum was 1142 00:53:46,400 --> 00:53:49,919 Speaker 1: beating for mom the censer. So here's Debbie from Quakers Hill, 1143 00:53:50,000 --> 00:53:52,880 Speaker 1: who was trying to keep things nice in front of 1144 00:53:52,960 --> 00:53:54,279 Speaker 1: her children one day. 1145 00:53:54,640 --> 00:53:56,799 Speaker 15: That ain't your song? Am I ever going to see 1146 00:53:56,840 --> 00:53:57,200 Speaker 15: your face? 1147 00:53:57,480 --> 00:53:57,600 Speaker 12: Yes? 1148 00:53:57,640 --> 00:53:58,359 Speaker 2: Oh yes? 1149 00:53:58,560 --> 00:54:00,759 Speaker 15: And I thought, well I can't sing that, so I think, 1150 00:54:01,280 --> 00:54:02,800 Speaker 15: no way, get lost records. 1151 00:54:02,840 --> 00:54:04,440 Speaker 2: Well let's put it on and see how you go with. 1152 00:54:06,800 --> 00:54:10,360 Speaker 11: Go deb no way, get record Yeah. 1153 00:54:10,239 --> 00:54:15,400 Speaker 2: Yeah, yeah, no way, get lost rack off. And you 1154 00:54:15,440 --> 00:54:17,359 Speaker 2: know what, I think Doc would have wanted it that way. 1155 00:54:17,920 --> 00:54:22,239 Speaker 2: He wasn't much of a swear, right aut That's enough. 1156 00:54:22,520 --> 00:54:24,879 Speaker 1: Well, wsfm's Win What you Want is going to wend 1157 00:54:24,920 --> 00:54:28,280 Speaker 1: in just over two weeks. Entries close five pm October 1158 00:54:28,320 --> 00:54:30,200 Speaker 1: twenty five, so you better be listening out for the 1159 00:54:30,239 --> 00:54:31,879 Speaker 1: winning songs to get your name. 1160 00:54:31,800 --> 00:54:32,160 Speaker 15: In the draw. 1161 00:54:32,480 --> 00:54:33,799 Speaker 2: We'll be back tomorrow for Friday. 1162 00:54:34,120 --> 00:54:34,560 Speaker 1: See you then? 1163 00:54:34,600 --> 00:54:34,759 Speaker 5: Good? 1164 00:54:34,800 --> 00:54:35,080 Speaker 2: Did you? 1165 00:54:35,239 --> 00:54:35,479 Speaker 8: Well? 1166 00:54:35,800 --> 00:54:37,000 Speaker 2: Thank God? That's over? 1167 00:54:37,160 --> 00:54:42,520 Speaker 6: Good bite, good bite Whey. 1168 00:54:41,800 --> 00:54:45,080 Speaker 2: From your podcast of today's show is available for download 1169 00:54:45,160 --> 00:54:47,399 Speaker 2: from WSFM dot com dot au. 1170 00:54:48,040 --> 00:54:49,440 Speaker 1: All the cool kids are doing it 1171 00:54:52,640 --> 00:54:52,920 Speaker 12: After